The story of queer history that dominates the archival record is one of white cisnormative gays. In the CUAG exhibition, “To Be Continued: Troubling the Queer Archive,” curators Anna Shah Hoque and Cara Tierney question and destabilize this incomplete version of the past, foregrounding the work and creativity of emerging and established artists from Ottawa-Gatineau queer, trans and IBPOC communities. / / / This podcast is part of the Stonecroft Symposium: To Be Continued, a multi-vocal, multi-site virtual “event” held throughout the fall of 2020. It features a groundbreaking series of conversations with the artists and the Ottawa-Gatineau folks who have been and are integral to the building of this region’s queer community. Together, they collectively imagine and gesture toward alternative archives. / / / Produced by Fin-Xuan Tran, Anna Shah Hoque, Cara Tierney and Keegan Prempeh, the podcasts will be released throughout the fall. The graphic for this podcast features beaded pins by artist and musician Larissa Desrosiers (Anishinaabe/Ojibwe). The pins were commissioned as gifts for the podcast participants. You can find more of her work at @bangishimonbeadwork. / / / CUAG acknowledges with sincere gratitude the support of the Stonecroft Foundation for the Arts, which promotes education in the visual arts and fosters the public’s appreciation of the visual arts.
Carleton University Art Gallery
CUAG invites you to join host Anna Shah Hoque and guest producers Aedan Corey, Matt Miwa, Kole Peplinskie, Keegan Prempeh and Summer-Harmony Twenish for a new season of the groundbreaking podcast To Be Continued: Troubling the Archive. The podcast engages Ottawa-based QTIBPOC artists, arts workers and activists whose networks, ideas and histories have built, and continue to build, this incredible community. Artists featured include Adrienne Row-Smith, Hingman Leung, Pree Rehal and Jennifer Brunet-Rentechem. This season foregrounds conversations about Black, Indigenous, racialized, diasporic and queer archives of longing, memory and inheritance in arts-based practices. Hear from familiar voices, delve into hidden histories and discover your new favourite artist! We're also thrilled to debut a beautiful new graphic for this season, created by Hunter Dewache, and custom intro / outro sounds created by Bucko aka Chris Binkowski. Podcast editing is by Fin-xuan. New episodes drop in January 2023! Make sure you’re subscribed on your podcast platform of choice so you don’t miss the first episode. This season of To Be Continued: Troubling the Archive is generously funded by a Digital Now grant from the Canada Council for the Arts.
Welcome to Episode 10 of “To Be Continued: A Stonecroft Symposium Podcast”! In this final episode, Jade Byard Peek and Fae Johnston share stores of queer and trans organizing in the city, along with challenges and hopes of solidarity work. “To Be Continued: Troubling the Queer Archive” is on view at Carleton University Art Gallery. Featuring: Barry Ace, Howard Adler, Aymara Alvarado Sanchez, Pansee Atta, Rosalie Favell, Ashley Grenstone, RJ Jones, Don Kwan, Ed Kwan AKA China Doll, Kole Peplinskie, Adrienne Row-Smith, Pride Is Political, Shanghai Restaurant. Produced by Fin Xuan Tran, Anna Shah Hoque and Cara Tierney, this episode was recorded in Ottawa, on unceded Algonquin territory. The graphic for this podcast features beaded pins by Ottawa-based artist and musician Larissa Desrosiers (Anishinaabe/Ojibwe). The pins were commissioned as gifts for the podcast participants. You can find more of her work at @bangishimonbeadwork. CUAG acknowledges with sincere gratitude the support of the Stonecroft Foundation for the Arts, which promotes education in the visual arts and fosters the public’s appreciation of the visual arts. Find more about the exhibition on CUAG's website: http://cuag.ca
Welcome to Episode 9 of “To Be Continued: A Stonecroft Symposium Podcast”! In this episode, Anna Shah Hoque chats with co-collaborators, siblings and organizers Taib Boyce and Tyler Boyce about Black joy, community organizing and celebrating queer and trans Black communities. “To Be Continued: Troubling the Queer Archive” is on view at Carleton University Art Gallery. Featuring: Barry Ace, Howard Adler, Aymara Alvarado Sanchez, Pansee Atta, Rosalie Favell, Ashley Grenstone, RJ Jones, Don Kwan, Ed Kwan AKA China Doll, Kole Peplinskie, Adrienne Row-Smith, Pride Is Political, Shanghai Restaurant. Produced by Fin Xuan Tran, Anna Shah Hoque and Cara Tierney, this episode was recorded in Ottawa, on unceded Algonquin territory. The graphic for this podcast features beaded pins by Ottawa-based artist and musician Larissa Desrosiers (Anishinaabe/Ojibwe). The pins were commissioned as gifts for the podcast participants. You can find more of her work at @bangishimonbeadwork. CUAG acknowledges with sincere gratitude the support of the Stonecroft Foundation for the Arts, which promotes education in the visual arts and fosters the public’s appreciation of the visual arts. Find more about the exhibition on CUAG's website: http://cuag.ca
Welcome to Episode 8 of “To Be Continued: A Stonecroft Symposium Podcast”! In this episode, Keegan Prempeh talks with Jade Bayard Peek, Lydia Collins and Pomaa Prempeh about Black disability justice, community care and access intimacy in the context of Covid. “To Be Continued: Troubling the Queer Archive” is on view at Carleton University Art Gallery. Featuring: Barry Ace, Howard Adler, Aymara Alvarado Sanchez, Pansee Atta, Rosalie Favell, Ashley Grenstone, RJ Jones, Don Kwan, Ed Kwan AKA China Doll, Kole Peplinskie, Adrienne Row-Smith, Pride Is Political, Shanghai Restaurant. Produced by Fin Xuan Tran, Anna Shah Hoque and Cara Tierney, this episode was recorded in Ottawa, on unceded Algonquin territory. The graphic for this podcast features beaded pins by Ottawa-based artist and musician Larissa Desrosiers (Anishinaabe/Ojibwe). The pins were commissioned as gifts for the podcast participants. You can find more of her work at @bangishimonbeadwork. CUAG acknowledges with sincere gratitude the support of the Stonecroft Foundation for the Arts, which promotes education in the visual arts and fosters the public’s appreciation of the visual arts. Find more about the exhibition on CUAG's website: http://cuag.ca
Welcome to Episode 7 of “To Be Continued: A Stonecroft Symposium Podcast”! In this episode, Larissa Desrosiers, Benny Michaud and Christine Toulouse talk about beading, quillwork and Indigeneity, and weaving into community history through their own archival productions. “To Be Continued: Troubling the Queer Archive” is on view at Carleton University Art Gallery. Featuring: Barry Ace, Howard Adler, Aymara Alvarado Sanchez, Pansee Atta, Rosalie Favell, Ashley Grenstone, RJ Jones, Don Kwan, Ed Kwan AKA China Doll, Kole Peplinskie, Adrienne Row-Smith, Pride Is Political, Shanghai Restaurant. Produced by Fin Xuan Tran, Anna Shah Hoque, Cara Tierney, this episode was recorded in Ottawa, on unceded Algonquin territory. The graphic for this podcast features beaded pins by Ottawa-based artist and musician Larissa Desrosiers (Anishinaabe/Ojibwe). The pins were commissioned as gifts for the podcast participants. You can find more of her work at @bangishimonbeadwork. CUAG acknowledges with sincere gratitude the support of the Stonecroft Foundation for the Arts, which promotes education in the visual arts and fosters the public’s appreciation of the visual arts. Find more about the exhibition on CUAG's website: http://cuag.ca
Welcome to Episode 6 of “To Be Continued: A Stonecroft Symposium Podcast”! In this episode, community organizer and activist Keegan Prempeh discusses the protest action that took place in response to the 2017 Capital Pride parade in Ottawa. They are joined by fellow Pride is Political organizers Luka Roderique, Rosie Dougé-Charles and Mar Mohamed. “To Be Continued: Troubling the Queer Archive” is on view at Carleton University Art Gallery. Featuring: Barry Ace, Howard Adler, Aymara Alvarado Sanchez, Pansee Atta, Rosalie Favell, Ashley Grenstone, RJ Jones, Don Kwan, Ed Kwan AKA China Doll, Kole Peplinskie, Adrienne Row-Smith, Pride Is Political, Shanghai Restaurant. Produced by Fin Xuan Tran, Anna Shah Hoque, Cara Tierney, this episode was recorded in Ottawa, on unceded Algonquin territory. The graphic for this podcast features beaded pins by Ottawa-based artist and musician Larissa Desrosiers (Anishinaabe/Ojibwe). The pins were commissioned as gifts for the podcast participants. You can find more of her work at @bangishimonbeadwork. CUAG acknowledges with sincere gratitude the support of the Stonecroft Foundation for the Arts, which promotes education in the visual arts and fosters the public’s appreciation of the visual arts. Find more about the exhibition on CUAG's website: http://cuag.ca
Welcome to Episode 5 of “To Be Continued: A Stonecroft Symposium Podcast”! In this episode, Don Kwan and Ed Kwan AKA China Doll talk about developing an artistic practice, Drag and growing up in Ottawa’s historic Shanghai Restaurant. “To Be Continued: Troubling the Queer Archive” is on view at Carleton University Art Gallery. Featuring: Barry Ace, Howard Adler, Aymara Alvarado Sanchez, Pansee Atta, Rosalie Favell, Ashley Grenstone, RJ Jones, Don Kwan, Ed Kwan AKA China Doll, Kole Peplinskie, Adrienne Row-Smith, Pride Is Political, Shanghai Restaurant. Produced by Fin Xuan Tran, Anna Shah Hoque, Cara Tierney, this episode was recorded in Ottawa, on unceded Algonquin territory. The graphic for this podcast features beaded pins by Ottawa-based artist and musician Larissa Desrosiers (Anishinaabe/Ojibwe). The pins were commissioned as gifts for the podcast participants. You can find more of her work at @bangishimonbeadwork. CUAG acknowledges with sincere gratitude the support of the Stonecroft Foundation for the Arts, which promotes education in the visual arts and fosters the public’s appreciation of the visual arts. Find more about the exhibition on CUAG's website: http://cuag.ca
Welcome to Episode 4 of “To Be Continued: A Stonecroft Symposium Podcast”! In this episode, Mikki Bradshaw and Ghaida Moussa talk DJing, queer spaces, and community engagement. “To Be Continued: Troubling the Queer Archive” is on view at Carleton University Art Gallery. Featuring: Barry Ace, Howard Adler, Aymara Alvarado Sanchez, Pansee Atta, Rosalie Favell, Ashley Grenstone, RJ Jones, Don Kwan, Ed Kwan AKA China Doll, Kole Peplinskie, Adrienne Row-Smith, Pride Is Political, Shanghai Restaurant. Produced by Fin Xuan Tran, Anna Shah Hoque, Cara Tierney, this episode was recorded in Ottawa, on unceded Algonquin territory. The graphic for this podcast features beaded pins by Ottawa-based artist and musician Larissa Desrosiers (Anishinaabe/Ojibwe). The pins were commissioned as gifts for the podcast participants. You can find more of her work at @bangishimonbeadwork. CUAG acknowledges with sincere gratitude the support of the Stonecroft Foundation for the Arts, which promotes education in the visual arts and fosters the public’s appreciation of the visual arts. Find more about the exhibition on CUAG's website: http://cuag.ca
Welcome to Episode 3 of “To Be Continued: A Stonecroft Symposium Podcast”! In this episode, Tasha Coldevin, Shelley Taylor and Elaina Martin look back at queer scenes and community building in Ottawa from the 1990s to the present. “To Be Continued: Troubling the Queer Archive” is on view at Carleton University Art Gallery. Featuring: Barry Ace, Howard Adler, Aymara Alvarado Sanchez, Pansee Atta, Rosalie Favell, Ashley Grenstone, RJ Jones, Don Kwan, Ed Kwan AKA China Doll, Kole Peplinskie, Adrienne Row-Smith, Pride Is Political, Shanghai Restaurant. Produced by Fin Xuan Tran, Anna Shah Hoque, Cara Tierney, this episode was recorded in Ottawa, on unceded Algonquin territory. The graphic for this podcast features beaded pins by Ottawa-based artist and musician Larissa Desrosiers (Anishinaabe/Ojibwe). The pins were commissioned as gifts for the podcast participants. You can find more of her work at @bangishimonbeadwork. CUAG acknowledges with sincere gratitude the support of the Stonecroft Foundation for the Arts, which promotes education in the visual arts and fosters the public’s appreciation of the visual arts. Find more about the exhibition on CUAG's website: http://cuag.ca
Welcome to Episode 2 of “To Be Continued: A Stonecroft Symposium Podcast”! In this episode, curator Anna Shah Hoque talks with filmmaker Howard Adler and artist Kole Peplinskie about beading practices, indigiqueer identities and generating creative community spaces. “To Be Continued: Troubling the Queer Archive” is on view at Carleton University Art Gallery. Featuring: Barry Ace, Howard Adler, Aymara Alvarado Sanchez, Pansee Atta, Rosalie Favell, Ashley Grenstone, RJ Jones, Don Kwan, Ed Kwan AKA China Doll, Kole Peplinskie, Adrienne Row-Smith, Pride Is Political, Shanghai Restaurant. Produced by Fin Xuan Tran, Anna Shah Hoque, Cara Tierney, this episode was recorded in Ottawa, on unceded Algonquin territory. The graphic for this podcast features beaded pins by Ottawa-based artist and musician Larissa Desrosiers (Anishinaabe/Ojibwe). The pins were commissioned as gifts for the podcast participants. You can find more of her work at @bangishimonbeadwork. CUAG acknowledges with sincere gratitude the support of the Stonecroft Foundation for the Arts, which promotes education in the visual arts and fosters the public’s appreciation of the visual arts. Find more about the exhibition (and book your visit) on CUAG's website: http://cuag.ca
Welcome to “To Be Continued: A Stonecroft Symposium Podcast”! In this inaugural episode, go behind the scenes with curators Anna Shah Hoque and Cara Tierney as they discuss the development of the exhibition, “To Be Continued: Troubling the Queer Archive,” and introduce the podcast series. “To Be Continued: Troubling the Queer Archive” is on view at Carleton University Art Gallery. Featuring: Barry Ace, Howard Adler, Aymara Alvarado Sanchez, Pansee Atta, Rosalie Favell, Ashley Grenstone, RJ Jones, Don Kwan, Ed Kwan AKA China Doll, Kole Peplinskie, Adrienne Row-Smith, Pride Is Political, Shanghai Restaurant. Produced by Fin Xuan Tran, Anna Shah Hoque, Cara Tierney, this episode was recorded in Ottawa, on unceded Algonquin territory. The graphic for this podcast features beaded pins by Ottawa-based artist and musician Larissa Desrosiers (Anishinaabe/Ojibwe). The pins were commissioned as gifts for the podcast participants. You can find more of her work at @bangishimonbeadwork. CUAG acknowledges with sincere gratitude the support of the Stonecroft Foundation for the Arts, which promotes education in the visual arts and fosters the public’s appreciation of the visual arts. Find more about the exhibition (and book your visit) on CUAG's website: http://cuag.ca
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