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As part of 2020's Christopher Nolan Oeuvre-view, Adam and Josh revisited 2006's The Prestige, which like his new The Odyssey, is among the rare Nolans adapted from existing material. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.See omnystudio.com/listener for privacy information.

We were made by a Maker to be makers. Bruce Herman joins Evan Rosa to diagnose the quiet illness of a passive consumer culture that trains us to sit in front of screens and scroll and take, rather than make. “When we're not making something, we're not whole. We're not healthy.“ His cure is stubbornly ordinary: go make a loaf of bread, grab a stick and start carving, make a good meal or a good cocktail for the person visiting you—anything is resistance to this hypnotic, passive culture. From episode 216 of the podcast, in this segment, Herman traces what it means to receive art not as a consumer but through submission—not master and slave, but subject to subject, that vulnerable openness that lets a poem or a painting change your life. He reflects on making as human wholeness, the difference between art and info-tainment, why suffering can rip us open to beauty (from Walker Percy's writing to Christian Wiman's poetry), Rilke's charge that “you must change your life,“ hospitality as the ultimate act of art, and Herman's closing counsel to make out of love, not fear. Episode Highlights We are in relationship, and we were made by a Maker to be makers. If we let that go somehow and we become mere consumers, I think we begin to enter into some kind of illness of one sort or another. When we're not making something, we're not whole. We're not healthy. And I don't want to make an idol out of health either, but I do think our culture is unhealthy right now. We think of it as, we're discerning buyers. But the fact is we're being turned into very passive creatures. One of the best things you can do is go make a loaf of bread. Go out and grab a stick and start carving it. Anything is resistance to this sort of hypnotic passive culture. If you want to really receive what a poem is communicating, you have to submit to it. You have to let yourself go and enter into what might feel like a bad risk of being changed. Not submit in a sense that I'm a master and you're my slave. It's more like you're a subject and I'm a subject. Mutual submission. We're so guarded so much of the time that it takes something catastrophic to open us up again. Do away with the nonsense that you're not an artist. You can't help it. You were made by a Maker to be a maker. End of story. The ultimate act of art is hospitality, where you're welcoming someone in, to make something beautiful for them. Challenge the bad news with a recognition that daily kindnesses are being poured out everywhere, on every street. Don't give in to fear, because it's not a basis for anything good. About Bruce Herman Bruce Herman is a painter, writer, and educator whose work has been shown in more than 150 exhibitions across the United States and internationally, and held in collections including the Vatican Museums in Rome, the Cincinnati Museum of Fine Arts, and the Grunewald Print Collection of the Hammer Museum in Los Angeles. He taught at Gordon College for nearly four decades, where he founded the art department and held the Lothlórien Distinguished Chair in Fine Arts. His books include “Through Your Eyes“ and “Ordinary Saints,“ and he was a collaborator on the touring “QU4RTETS“ project with Makoto Fujimura, Christopher Theofanidis, and Jeremy Begbie. His most recent book, “Makers by Nature: Letters from a Master Painter on Faith, Hope, and Art,“ was published by IVP Academic in 2025. Helpful Links and Resources Makers by Nature, Bruce Herman's 2025 book from IVP Academic: https://www.ivpress.com/makers-by-nature Bruce Herman's website and painting archive: https://www.bruceherman.com Bruce Herman, artist bio and background: https://www.bruceherman.com/about Archaic Torso of Apollo by Rainer Maria Rilke (“You must change your life“), trans. Stephen Mitchell: https://poets.org/poem/archaic-torso-apollo Real Presences by George Steiner, on courtesy and hospitality in art: https://press.uchicago.edu/ucp/books/book/chicago/R/bo3684420.html Christian Wiman: https://poetryfoundation.org/poets/christian-wiman QU4RTETS, the collaborative project on T. S. Eliot's Four Quartets: https://www.bruceherman.com/series Show Notes Made to make We are in relationship; identity begins there, not in isolation Makers by nature—letting the maker-impulse go tips us toward illness, moral, mental, and emotional Wholeness and health—the claim that not-making leaves us unwell, without idolizing health Consumer culture—the commercial aim to sell, and to keep us passive in front of screens Discerning buyers, or passive creatures? The illusion of control while being trained to take Screens and scrolling Political theater and infotainment—very little real journalism left, mostly consumer entertainment Neil Postman and amusing ourselves to death as the frame for the diagnosis Making as resistance—bake bread, carve a stick, do anything against the hypnotic pull Reception as submission—a word out of fashion, reclaimed away from enslavement Mutual submission—the erotic analogy, and desire's corruption in the sexual sins To receive a poem you must risk being changed Rilke's Grecian torso and the charge, you must change your life Subject to subject, not master and slave Walker Percy's museum story—a painting that blazed into life, then went quiet Bringing a friend to re-enter the original encounter vicariously The workman through the skylight—catastrophe reopens what habit had closed Guardedness—why it can take suffering to break us open Christian Wiman—cancer, poetry, and being ripped open toward receptivity You might be changed, and it might not be what you wanted; the risk of real encounter Make from love, not fear Do away with the nonsense that you're not an artist Everyday making—a loaf, a meal, a good cocktail, hospitality Hospitality as the ultimate art; George Steiner's Real Presences and courtesia Beauty can be complex, not merely pretty Fear-mongers left and right—and why not to listen Daily kindnesses—the neighbor, the shoveled driveway, the half-decent casserole Welcome to the festival; let the festival begin #BruceHerman #MakersByNature #ForTheLifeOfTheWorld #FaithAndArt #TheologyOfMaking #ArtAndFaith #Creativity #Hospitality #MakeNotConsume #YaleFaithAndCulture

Empty Middle Seat Perk is News AF – July 21, 2026 Rob Cesternino, Tyson Apostol, and Danny Bryson are back with another entertaining episode of News AF, where they dive into the week’s most peculiar and amusing stories. Today, Rob, Tyson, and Danny talk through the week’s most newsworthy stories. To pre-order Rob’s book, The Tribe and I Have Spoken, visit www.robhasabook.com Be sure to subscribe to our new YouTube channel! Need to catch up on more Actual Factual news? Archive of News AF Subscribe to News AF on iTunes View the News AF Archive News AF on Youtube Group AF Facebook Page Be sure to check our some great offers from our sponsors

Empty Middle Seat Perk is News AF - July 21, 2026 Rob Cesternino, Tyson Apostol, and Danny Bryson are back with another entertaining episode of News AF, where they dive into the week's most peculiar and amusing stories. Today, Rob, Tyson, and Danny talk through the week's most newsworthy stories. To pre-order Rob's book, The Tribe and I Have Spoken, visit www.robhasabook.com Be sure to subscribe to our new YouTube channel! Need to catch up on more Actual Factual news?Archive of News AFSubscribe to News AF on iTunesView the News AF ArchiveNews AF on YoutubeGroup AF Facebook PageBe sure to check our some great offers from our sponsors Learn more about your ad choices. Visit megaphone.fm/adchoices

In Fearless, Sleepless, Deathless: What Fungi Taught Me about Nourishment, Poison, Ecology, Hidden Histories, Zombies, and Black Survival (University of North Carolina Press, 2026), naturalist, forager, and educator Maria Pinto uncovers strange and beautiful connections between the natural and human worlds, mingling reportage, research, memoir, and nature writing, touching on topics that range from Black farmers' domestication of the unforgettable aroma of truffles, to the possibility that enslaved people wielded mycological poisons against their enslavers. Pinto brings a new perspective and a distinctive literary voice to this mix of environmental and lived history, and every page sings with her enthusiasm for the networks in which we are embedded: fungal, ecological, ancestral, and communal. Join us in pursuit of beautiful, perplexing, delicious, and deadly mushrooms as we explore this understudied kingdom's awe-inspiring diversity, discovering how fungi have been used by people, especially those on the margins, for survival, pleasure, revelation, and revolution. When she's not in the woods (and sometimes when she is), Maria Pinto is a writer, editor, and educator. She teaches writing for various literary organizations. She reads fiction for Peripheries Journal and serves on the board of Hale, an outdoor education and land conservancy nonprofit. Her writing has been supported by Assets for Artists at Massachusetts Museum of Contemporary Art, Oak Spring Garden Foundation, Vermont Studio Center, the Mass Cultural Council, the Writers' Room of Boston, The Mastheads, and The Garrett on the Green. You can find Maria at her Website and on Instagram.  Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Fearless, Sleepless, Deathless: What Fungi Taught Me about Nourishment, Poison, Ecology, Hidden Histories, Zombies, and Black Survival (University of North Carolina Press, 2026), naturalist, forager, and educator Maria Pinto uncovers strange and beautiful connections between the natural and human worlds, mingling reportage, research, memoir, and nature writing, touching on topics that range from Black farmers' domestication of the unforgettable aroma of truffles, to the possibility that enslaved people wielded mycological poisons against their enslavers. Pinto brings a new perspective and a distinctive literary voice to this mix of environmental and lived history, and every page sings with her enthusiasm for the networks in which we are embedded: fungal, ecological, ancestral, and communal. Join us in pursuit of beautiful, perplexing, delicious, and deadly mushrooms as we explore this understudied kingdom's awe-inspiring diversity, discovering how fungi have been used by people, especially those on the margins, for survival, pleasure, revelation, and revolution. When she's not in the woods (and sometimes when she is), Maria Pinto is a writer, editor, and educator. She teaches writing for various literary organizations. She reads fiction for Peripheries Journal and serves on the board of Hale, an outdoor education and land conservancy nonprofit. Her writing has been supported by Assets for Artists at Massachusetts Museum of Contemporary Art, Oak Spring Garden Foundation, Vermont Studio Center, the Mass Cultural Council, the Writers' Room of Boston, The Mastheads, and The Garrett on the Green. You can find Maria at her Website and on Instagram.  Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

This week, Justin revisits episode 61 with trial lawyer Michael Pullara. Michael is a practicing trial lawyer from Texas who has spent more than 40 years representing an incredibly wide variety of clients. In the courtroom, he squared off against Italian mobsters, the U.S. Department of Defense, and giant telecom companies, among many others. He's here to talk about one of his most incredible endeavors: when he represented the family of Freddie Woodruff, a CIA case officer who was shot to death while on assignment in the former Soviet Republic of Georgia in 1993. This became a personal crusade for Michael as he was embroiled in the search for the truth behind Freddie's death for more than 10 years. As he dug further and further into the shooting, the capture of the alleged murderer, and his subsequent prosecution and conviction, Michael found that almost every single thing reported by Georgian authorities about what happened to Freddie was false. Michael's work eventually led him to personally confront the president of Georgia about Freddie's death in order to shed light on the event and try to bring the perpetrators to justice. In 2018, he published a book about his investigation into what really happened that day. Connect with Michael: simonandschuster.com/authors/Michael-Pullara By his book, The Spy Who Was Left Behind, here. https://www.amazon.com/exec/obidos/ASIN/1501152149?tag=simonsayscom Connect with Spycraft 101: Get Justin's latest book, Murder, Intrigue, and Conspiracy: Stories from the Cold War and Beyond, here. spycraft101.com IG: @spycraft101 Shop: shop.spycraft101.com Substack: spycraft101.substack.com Patreon: Spycraft 101 Find Justin's first book, Spyshots: Volume One, here. Check out Justin's second book, Covert Arms, here. Download the free eBook, The Clandestine Operative's Sidearm of Choice, here. Kruschiki The best surplus military goods delivered right to your door. Use code SPYCRAFT101 for 10% off! https://kruschiki.com/ Clandestine Laboratories Your new favorite fragrance is here. I'm partial to Novochoc. https://www.clandestinelaboratories.com/fragrances Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What if your family had a mission as clear as any thriving organization? Without intentionality, families don’t drift toward health—they drift toward chaos. In a world pulling parents in a thousand directions, many Christian families find themselves simply reacting, drifting instead of living with God-given purpose. In this must-listen episode of Christian Parent/Crazy World, host Catherine sits down with Derek England, Executive Director of Family ID—a ministry with over 25 years of experience equipping parents to build intentional, value-driven homes. Why This Episode Matters:Every family drifts—unless you set your direction on purpose. Few of us stop to ask, “Why has God brought our unique family together?” or, “How do we intentionally pass on our core values?” Catherine and Derek England shine a spotlight on the practical and biblical tools that can transform your family from surviving to thriving. Guest Highlight:Derek England is not only leading Family ID but has personally experienced how clarifying family identity can radically alter the trajectory of a home. His heart is for every family—from toddlers to teens—to discover their God-given calling together. What You’ll Discover in This Episode Why Family Culture Matters Catherine reminds us that “families don’t drift toward health—they drift toward chaos.” The foundational strength of your family is the most important ministry, eclipsing even your career and outside achievements. Intentionality Over Drift Derek England explains how, after years of approaching work with strategy and goals but “taking family one day at a time,” he and his wife attended a Family ID workshop and immediately knew they’d found what was missing. “Once you think it, you can't unthink it.” Your Family’s God-Given Uniqueness Not every family is called to the same mission. Discover the importance of answering the question: “Who are we?” Hear how Family ID helps thousands of families articulate their unique identity, purpose, and direction—with tools that actually shape daily life. The 16 Family Types Using research and decades of experience, Family ID has identified 16 different family cultures—from “harmonious” (like the elephant: connected and relational) to “focused” (passionate, intentional, persistent). Find out how an online, totally free assessment can help you discover yours. Living Out Core Values Hear how Derek England’s family intentionally chooses and lives by five core values such as “radically protective of quality time” and “unwavering integrity.” Learn why having just a handful of clearly-stated values provides a shared language and an anchor for decision-making—even for young kids. Practical Tools You Can Use Today Family ID offers bite-sized videos and workbooks to walk you through creating your own family identity, mission, and values—accessible online, easy to do in short sittings, and free from cost barriers. The Family ID process includes resources to ensure every voice—including your kids’—is heard as you clarify and celebrate your unique family strengths. Notable Quotes & Moments “When you know who you are, you’ll know what to do.” – Derek England “Our family didn’t start with us, and it won’t end with our kids.” – Derek England “Where there is a lack of vision, the people perish… Where there’s a lack of vision for your family, it won’t thrive.” – Catherine Anecdotes That Hit Home Catherine shares how her daughter discovered a laser-focus and passion in Civil Air Patrol after struggling with direction—a real-life testimony to the power of clarifying vision. Families are reminded that it’s never too late, quoting: “The best time to plant a tree is ten years ago. The second best time is today.” Why This Conversation Is Essential for Christian Parents In an era of fractured schedules and constant distractions, this episode equips parents to reclaim the sacred calling of the family—to be the primary place of discipleship, love, and generational impact. Whether your home feels harmonious, focused, or a work in progress, you’ll come away with both hope and practical tools to lead your family with vision and unity. About the Guest:Derek England serves as Executive Director of Family ID, a ministry devoted to helping families worldwide build intentional and faith-filled homes. With over two decades of expertise—and his own journey transformed through the Family ID process—he’s passionate about helping parents move from reaction to intentionality. Are you ready to answer: “Who are we?”Visit family-id.com to take the free family identity assessment and begin building your family mission today. Your Call To Action:How would your family change if you decided today to live with intention? Why not gather for dinner this week and ask, “Who are we—really?” Take the Family ID assessment together and start a new chapter of purpose-driven parenting. Don’t drift—build! Your family is worth it. Resources/Links Family ID – Free Family Identity Assessment & Master ClassDiscover your unique family type, core values, and intentional strategies to build a faith-filled home using the Family ID online assessment and resources. Catherine Segars’ Free Resources for Christian ParentsAccess devotionals, scripture lists, articles, and tools to help you thrive as a Christian parent in today’s world. Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

Former Buffalo School Board member Larry Quinn on what's next for the Buffalo School Board after harassment allegations against the district full 290 Mon, 20 Jul 2026 08:30:00 +0000 H3j8mMuyYHABO9QoqVH0VsFZKrvjeGNR buffalo,news,wben,buffalo public schools,buffalo school board,dr. pascal mubenga,larry quinn WBEN Extras buffalo,news,wben,buffalo public schools,buffalo school board,dr. pascal mubenga,larry quinn Former Buffalo School Board member Larry Quinn on what's next for the Buffalo School Board after harassment allegations against the district Archive of various reports and news events 2024 © 2021 Audacy, Inc.

Former Buffalo School Board member Patricia Pierce on what's next for the Buffalo School Board after harassment allegations against the district full 206 Mon, 20 Jul 2026 08:30:00 +0000 SOO5nNA35VyfD5wdSuIhpqrkaeCiGnS0 buffalo,news,wben,buffalo public schools,buffalo school board,dr. pascal mubenga,muki hawkins WBEN Extras buffalo,news,wben,buffalo public schools,buffalo school board,dr. pascal mubenga,muki hawkins Former Buffalo School Board member Patricia Pierce on what's next for the Buffalo School Board after harassment allegations against the district Archive of various reports and news events 2024 © 2021 Audacy, Inc.

New York Gov. Kathy Hochul addresses radiation concerns in Niagara County, sexual harassment allegations at Buffalo Public Schools and more full 853 Mon, 20 Jul 2026 17:30:00 +0000 SimkfpreaVWzmMP5qJbLYtloEWXdvNVQ news,kathy hochul,wben,buffalo public schools,niagara county,north aud block WBEN Extras news,kathy hochul,wben,buffalo public schools,niagara county,north aud block New York Gov. Kathy Hochul addresses radiation concerns in Niagara County, sexual harassment allegations at Buffalo Public Schools and more Archive of various reports and news events 2024 © 2021 Audacy, Inc.

New York Gov. Kathy Hochul takes part in a roundtable discussion with several local delegates and concerned community members over the rapid growth of data centers full 2858 Mon, 20 Jul 2026 16:30:00 +0000 HWs0jJicaeeUkraZWU9PqMmzAW1hC1pN news,kathy hochul,wben,john flynn,austin tylec,town of tonawanda,jeremy zellner,bill conrad WBEN Extras news,kathy hochul,wben,john flynn,austin tylec,town of tonawanda,jeremy zellner,bill conrad New York Gov. Kathy Hochul takes part in a roundtable discussion with several local delegates and concerned community members over the rapid growth of data centers Archive of various reports and news events 2024 © 2021 Audacy, Inc.

Charlie believed that one of the greatest tragedies in our culture was the failure of the church to get involved with the critical issues affecting American and the refusal of pastors to be more vocal in saving Western civilization. In a fiery speech from the 2024 Pastor's Summit, Charlie calls out silent churches and argues for stronger pastors. Watch every episode ad-free on members.charliekirk.com! Get new merch at charliekirkstore.com!Support the show: http://www.charliekirk.com/supportSee omnystudio.com/listener for privacy information.

From August 25, 2023: Earlier this month, there was big trouble in little Marion, Kansas, where an entire police department raided the offices of the Marion County Record, a small, family-owned newspaper about 60 miles north of Wichita, with seven employees and a circulation of about 4,000.To discuss this alarming violation of press freedom, Lawfare Managing Editor Tyler McBrien sat down with Caitlin Vogus, Deputy Director of Advocacy at the Freedom of the Press Foundation. They talked about what motivated the raid, how it went down, and the chilling effect this kind of thing can have on small town newspapers and big media organizations alike. They also discussed what journalists—from lone freelancers to sizable newsrooms—can do to protect themselves from all manner of press freedom violations. To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

Elizabeth Stone is the Chief Product and Technology Officer (CPTO) at Netflix, where she oversees Engineering, Product, and Design. Since her first appearance on the podcast two years ago—which remained my second-most-popular episode for more than a year—she has expanded her role to lead product, in addition to engineering. Before Netflix, Elizabeth was VP of Science at Lyft, Chief Operating Officer at Nuna, an economist at Analysis Group, and a trader at Merrill Lynch.In our in-depth conversation, we discuss:1. Why “systems thinking” is now the most important skill she looks for2. How to manage the flood of AI-generated output without losing quality or signal3. How Netflix thinks about AI fluency as a universal expectation rather than a level-specific skill4. What “excellence as an operating system” means—Brought to you by:WorkOS—Make your app enterprise-ready, with SSO, SCIM, RBAC, and more: https://workos.com/lennyMercury—Radically different banking, now with Command: https://mercury.com/command?utm_source=lennys&utm_medium=sponsored_newsletter&utm_campaign=26q3_brand_campaign—Episode transcript: https://www.lennysnewsletter.com/p/netflix-cpto-on-ai-and-the-future—Archive of all Lenny's Podcast transcripts: https://www.dropbox.com/scl/fo/yxi4s2w998p1gvtpu4193/AMdNPR8AOw0lMklwtnC0TrQ?rlkey=j06x0nipoti519e0xgm23zsn9&st=ahz0fj11&dl=0—Where to find Elizabeth Stone:• LinkedIn: https://www.linkedin.com/in/elizabeth-stone-608a754—Where to find Lenny:• Newsletter: https://www.lennysnewsletter.com• X: https://twitter.com/lennysan• LinkedIn: https://www.linkedin.com/in/lennyrachitsky/—In this episode, we cover:(00:00) Introduction(02:25) AI and role confusion: the storming phase before the forming phase(07:36) How roles have changed in the past two and a half years(11:55) Will functions survive? The case for craft specialism(13:26) What Netflix is hiring more of—and less of(17:22) Why systems thinking is the rising skill across every function(20:20) Is the design process dead?(22:08) Skills trending down(28:33) AI fluency and Netflix's career ladder overlay(31:00) AI use cases beyond coding(35:12) Netflix's AI history(38:36) Excellence as an operating system(41:11) The pillars of the excellence OS(46:41) The keeper's test—and why it's mostly a positive conversation(50:21) Attracting top talent in the age of frontier AI labs(52:54) Junior talent, craft mastery, and the mentorship question(56:25) Where engineering goes in 5 to 10 years(59:45) The future of entertainment: beyond film and TV(1:02:18) AI in Hollywood: Netflix's creator-enablement position(1:06:15) Lightning round and final thoughts—Referenced:• How Netflix builds a culture of excellence | Elizabeth Stone (CTO): https://www.lennysnewsletter.com/p/how-netflix-builds-a-culture-of-excellence• Brian Chesky's new playbook: https://www.lennysnewsletter.com/p/brian-cheskys-contrarian-approach• The design process is dead. Here's what's replacing it. | Jenny Wen (head of design at Claude): https://www.lennysnewsletter.com/p/the-design-process-is-dead• Claude Code: https://www.anthropic.com/product/claude-code• Claude Cowork: https://www.anthropic.com/product/claude-cowork• Netflix's “Keeper Test” and Why You Need It | Lorne Rubis: https://www.highlights.lornerubis.com/2015/08/the-netflix-keeper-test-and-the-courage-to-take-it• Innovation for Filmmaking, By Filmmakers: Why InterPositive Is Joining Netflix: https://about.netflix.com/en/news/why-interpositive-is-joining-netflix• InterPositive: https://weareinterpositive.com• Netflix Prize: https://en.wikipedia.org/wiki/Netflix_Prize• Quarterback on Netflix: https://www.netflix.com/title/81482895• The Bill Simmons Podcast on Netflix: https://www.netflix.com/title/82186214• Spencer Pratt on Instagram: https://www.instagram.com/spencerpratt• Salman Rushdie's Substack: https://salmanrushdie.substack.com• Remarkably Bright Creatures on Netflix: https://www.netflix.com/title/81911351• Eight Sleep: https://www.eightsleep.com• Tour de France: https://www.letour.fr/en—Recommended books:• Thinking in Systems: https://www.amazon.com/Thinking-Systems-Donella-H-Meadows/dp/1603580557• Into Thin Air: A Personal Account of the Mt. Everest Disaster: https://www.amazon.com/Into-Thin-Air-Personal-Disaster/dp/0385494785• Liar's Poker: https://www.amazon.com/Liars-Poker-Norton-Paperback-Michael/dp/039333869X—Production and marketing by https://penname.co/. For inquiries about sponsoring the podcast, email podcast@lennyrachitsky.com.—Lenny may be an investor in the companies discussed. To hear more, visit www.lennysnewsletter.com

In this episode of the Relational Recovery podcast, hosts Wes Thompson and Austin Hill discuss anxiety within the context of scripture. What does Jesus say about the topic in Matthew 6? 

Charlie believed that one of the greatest tragedies in our culture was the failure of the church to get involved with the critical issues affecting American and the refusal of pastors to be more vocal in saving Western civilization. In a fiery speech from the 2024 Pastor's Summit, Charlie calls out silent churches and argues for stronger pastors. Watch every episode ad-free on members.charliekirk.com! Get new merch at charliekirkstore.com!Support the show: http://www.charliekirk.com/supportSee omnystudio.com/listener for privacy information.

Chaque dimanche, découvrez une archive de Philippe Caverivière. Arrivé à RTL Soir en 2019, l'humoriste tenait une chronique tous les mercredi, au micro de Thomas Sotto.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This the 1st hour of The Land of Make Believe with Old Man Ratchet that aired on Saturday July 18th, 2026 from 8 to 9 pm (est) on WOZO-LP 103.9 FM Knoxville, TN and streamed online at wozoradio.com. This show was mixed using Serato Dj Pro software using a Pioneer DDJ Rev 5 controller. Additional editing, vocals and production was done with Audacity Freeware for noncommercial use. To download and for track list, please search Old Man Ratchet at Archive.org. WOZO is a non-commercial, community radio station that relies on listener support. To help us stay on the air, please consider a donation through Venmo @wozofm or support my patreon.com/OldManRatchet THANKS! Mail us! PO BOX 746 Knoxville, TN 37901 email me: OldManRatchet1039@gmail.com Music submissions are welcome! Please send as 320 kbps MP3 with lyricsTrack list hour 1:Show IntroBlood Groove & Kikis - Dice (Original Mix)Gorge - Escape (Mihai Popoviciu Remix)PNAU - Chameleon (Dom Dolla Dub)Ezequiel Arias - Airwave (Original Mix)Reel 2 Reel - I Like To Move It Instrumental2Greendollars ft Virtuous - Fire (Deep House Dub Mix Clean)Hour InterludeDavid Morales & The Bad Yard Club - In De Ghetto (Piano Dub Edit)Kryder - Unity (Sensation) (VIP Radio Dub Mix)Belters Only & Jazzy - Make Me Feel Good (VIP Mix)Bloodhound Gang - The Bad Touch (Division 4 Edit)Crazy Town - Butterfly (Wes Edit)Michael Jackson - Wanna Be Startin Somethin (Flints Late Night Summerish Dub Mix)Eminem - The Real Slim Shady (Carola Edit)Hour Outro

This the 2nd hour of The Land of Make Believe with Old Man Ratchet that aired on Saturday July 18th, 2026 from 9 to 10 pm (est) on WOZO-LP 103.9 FM Knoxville, TN and streamed online at wozoradio.com. This show was mixed using Serato Dj Pro software using a Pioneer DDJ Rev 5 controller. Additional editing, vocals and production was done with Audacity Freeware for noncommercial use. To download and for track list, please search Old Man Ratchet at Archive.org. WOZO is a non-commercial, community radio station that relies on listener support. To help us stay on the air, please consider a donation through Venmo @wozofm or support my patreon.com/OldManRatchet THANKS! Mail us! PO BOX 746 Knoxville, TN 37901 email me: OldManRatchet1039@gmail.com Music submissions are welcome! Please send as 320 kbps MP3 with lyricsTrack List Hour 2:Station IDHour IntroLettuce - Mt. CrushmoreBrownout - Fight The PowerKarl Denson - Sure ShotButthole Surfers - VenusDj QBert - Triple GoddessHigh Step Society - SidestepItchy-O - Burn The NavigatorLettuce - BlazeHour InterludeBeastie Boys - Make Some NoisePublic Enemy - Terminator X to The Edge of PanicRun The Jewels - A Report to The Shareholders: Kill Your MastersBalzac - To Kill Your MasterAngstraum - Kill Your MasterHeartsrevolution - Kill Your RadioJay Dee (J. Dilla) - F The PoliceShow Outro

Chaque dimanche, découvrez une archive de Philippe Caverivière. Arrivé à RTL Soir en 2019, l'humoriste tenait une chronique tous les mercredi, au micro de Thomas Sotto.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

If you ever find yourself wondering why we should keep fighting, allow Charlie to remind you in his speech from Turning Point's 2018 Chapter Leadership Summit, where he walks through why he believes in God, why he cares about this country, and why it's important to stand up for your beliefs. Watch every episode ad-free on members.charliekirk.com! Get new merch at charliekirkstore.com!Support the show: http://www.charliekirk.com/supportSee omnystudio.com/listener for privacy information.

From February 3, 2025: Nema Milaninia, a former prosecutor at the International Criminal Court and International Criminal Tribunal for the Former Yugoslavia and a current partner at the law firm King & Spalding, joins Lawfare Managing Editor Tyler McBrien to discuss legislation in the U.S. Congress and recent executive actions taken by the Trump administration to, once again, sanction the International Criminal Court. Milaninia discusses what is motivating the most recent sanctions campaign, broke down the many criticisms—some legitimate, some less so—against the Court, and explained why sanctions, which are typically reserved for criminal organizations, would benefit no one. He also speaks about how, despite the ICC's best efforts to insulate itself, sanctions pose an existential threat to the institution.To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

I am honored to connect with Dr. Sharon Stills today. She is a graduate of naturopathic medical school with extensive training in European biological medicine, bioidentical hormone replacement, and anti-aging therapies. In our conversation today, we explore terrain-based medicine and strategies to support women in perimenopause and beyond. We talk extensively about gut health, the estroblome, the microbiome, how European biological medicine views these as terrain, disruptive factors, and why they matter for women in midlife. We also examine the influence of the lymphatic system and how castor oil packs support it, bioidentical hormones as a lifelong tool rather than a temporary fix, and why menopause is a sacred second act in women's lives. Dr. Stills is thoughtful, insightful, and grounded, and I know you will enjoy this conversation with her as much as I did recording it. IN THIS EPISODE, YOU WILL LEARN: How European biological medicine emphasizes the extracellular matrix (terrain) rather than focusing only on individual cells or mitochondria How declining hormones during menopause often expose longstanding yet previously hidden aspects of women's health Dr. Stills shares what she did to prepare herself for menopause in the preceding years  Dr. Stills encourages women to create meaningful challenges or experiences to mark their major life transitions How limiting beliefs about aging can influence how you experience midlife and beyond Factors that could influence the health of your terrain How supplements can play an important role, but work best alongside lifestyle habits, mindfulness, and supporting your body's natural healing processes Why Dr. Stills considers the lymphatic system an overlooked contributor to hormone balance, and some practical ways to support healthy lymphatic flow How simple daily habits often have a greater impact on your health than wellness gadgets The value of bioidentical hormones, and why hormone therapy should be individualized rather than one-size-fits-all Bio: Dr. Sharon Stills Dr. Sharon Stills, a licensed Naturopathic Medical Doctor and graduate of The Sonoran University (2001), has spent over two decades transforming women's health, with a special focus on guiding women through perimenopause and menopause. Creator of the pioneering RED Hot Sexy Meno(pause) Program and host of the annual Mastering Your Meno(pause) Transition summit, she combines her expertise in European Biological Medicine, pro-aging therapies, and Bio-identical Hormone Replacement to help women rediscover vitality with natural methods. A respected voice in her field, Dr. Stills has lectured internationally at the Paracelsus Academy in Switzerland, contributed to Women's Health Network, and served on the boards of the Bio-Regulatory Medicine Institute and UCLA's Archive of Healing. She recently opened the Lasting Wellness Center in Scottsdale, AZ—alongside her son, Dr. Ben Stills—offering advanced diagnostic and therapeutic care for chronic illness and women's health. Connect with Cynthia Thurlow   Follow on X, Instagram & LinkedIn Check out Cynthia's website. Submit your questions to support@cynthiathurlow.com  Join other like-minded women in a supportive, nurturing community: The Midlife Pause/Cynthia Thurlow.  Purchase Cynthia's book, The Menopause Gut. Cynthia's Intermittent Fasting Transformation Book The Midlife Pause Supplement Line Connect with Dr. Sharon Stills On her website

If you ever find yourself wondering why we should keep fighting, allow Charlie to remind you in his speech from Turning Point's 2018 Chapter Leadership Summit, where he walks through why he believes in God, why he cares about this country, and why it's important to stand up for your beliefs. Watch every episode ad-free on members.charliekirk.com! Get new merch at charliekirkstore.com!Support the show: http://www.charliekirk.com/supportSee omnystudio.com/listener for privacy information.

gonna be honest, we recorded this one a month and a half ago so the details escape me. unlimited blade works is bad, chiaki is intentionally(!) exhausting, you should listen.next time, we'll be covering fate/prototype fragments of sky silver v5 and the first half of the chiaki route.featuring co-hosts Benn Ends (@bennends.itch.io) and fen (@fenic.moe).support the show and get access to bonus episodes: https://www.patreon.com/cryingruleslink to the fate/moon archive new and improved schedule: http://moonarchive.art/schedulesection timestamps:intro - 0:00yuri teatime - 1:14white album 2 - 26:25fate/stay night unlimited blade works (2010) - 1:32:03outro - 2:35:11list of non type-moon works referencedwhite album 2email us at cryingrulesactually@gmail.com with questions, comments, and compliments.cover art by Benn Ends, intro music by Benn Ends, remaining music from works covered.

In conversation with Allison Dickerman, founder of NYC based vintage store Allison's Archive on leaving her PR job to start her own business, the intuition and feeling that goes into her curation, admiring designers who weren't afraid to have fun, missing the times when designers didn't try to appeal to everyone, Dsquared FW 2003, the constant surprises in sourcing, Vintage going from niche to mainstream, how archives have become cultural currency, the skate moss heel and so much more

1 Peter 2:9-10 (from the Archive)New Living Translation9 But you are not like that, for you are a chosen people. You are royal priests, a holy nation, God's very own possession. As a result, you can show others the goodness of God, for he called you out of the darkness into his wonderful light.10 “Once you had no identity as a people;    now you are God's people.Once you received no mercy;    now you have received God's mercy.”Music: "Rest in the Shadow" by Julian & Melissa Wiggins,Used with permission.

On the #amwriting podcast's Margin Notes, host Jennie Nash talks with Caroline Bicks, Stephen E. King Chair in Literature at the University of Maine and co-host of the Everyday Shakespeare podcast, about her book Monsters in the Archives: A Year of Fear with Stephen King. Bicks describes how she became the first invited into King's Bangor archives after King called to meet her, and how her sabbatical became a year of researching five formative works (including Carrie, Night Shift, The Shining, Salem's Lot, and Pet Sematary) to understand how horror language creates lasting fear. She explains choosing a first-person narrative that blends literary criticism, archival discovery, and her own anxiety, including eerie moments in the archive and insights into King's word-level edits, literary influences, and Shakespearean foundations, especially The Shining's ties to Hamlet.#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Read the Book* Monsters in the Archives by Caroline BicksTranscriptJennie: [00:00:00] Hi, I'm Jennie Nash, and you're listening to the #amwriting podcast, the place where we help writers of all kinds play big in your writing life, love the process, and stick with it long enough to finish what matters most. Welcome, everyone. This is Margin Notes, the part of the podcast where we're talking about the big decisions writers face in their work and creative lives.I'm here today with a super special guest. I'm so excited to speak with Caroline Bicks. She is the Stephen E. King Chair in Literature at the University of Maine, where she teaches courses in Shakespeare, early modern culture, and horror fiction. And she's the author of all kinds of very cool books ... about Shakespeare, including one on cocktails.Um, and, uh, is the co-host of the Everyday Shakespeare podcast, and we are here today to talk with her about her new book called [00:01:00] Monsters in the Archives: A Year of Fear with Stephen King. Welcome.Caroline: Thank you. Thanks for having me.Jennie: So this is gonna be the strangest interview you've probably ever done. ICaroline: don't know.Because- I've talked to a lot of people around the world about this Stephen King book.Jennie: I couldn't read your book. I, I couldn't read it. I can't read horror. Yeah. Which listeners of this podcast are gonna laugh about, ‘cause I'm actually coaching someone live and they're writing gothic horror, and they're probably like, “All you talk about is horror, Jennie.”But, um, it's actually the reason why I wanted to talk to you, because you made a decision in the writing of this book that I thought was super cool. Mm. Which was you put yourself in it.Caroline: Yeah.Jennie: And you're a scholar.Caroline: Yeah.Jennie: And you've written scholarly books, and you approach this with a scholarly perspective, but you, you really put yourself in it.And, and so [00:02:00] I was reading it for that part of the story and I had to skip over huge chunks of, of the, of the work. Because what you're doing in this book is you're getting at this question of- W- what, what is scary in writing? Like, how does it actually work? How does it act- what is the magic or the function that makes us feel this thing?And you actually feel it yourself while you're going through it, and I found it quite terrifying actually. So, um, that's kinda what I wanted to talk about is how did you make the decision? Well, first of all, you were the first person, I wanna make sure I get this right, ‘cause this is very cool. Yeah. You were the first person who was invited to the archives, the Stephen King archives.Caroline: Yeah. I mean, it's, it's a bit of a story, so I won't spend too much time on it, but just the mo- Oh, no, do. It's good ... when I ch- when I took this position... So I've been a Shakespeare professor my whole adult life, ba- as soon as I graduated from grad school in the late ‘90s, [00:03:00] and I was at Boston College for 15 years.I took this position at University of Maine nine years ago as a Shakespearean. Um, so it is an endowed chair in Stephen King's name because he's our most famous alum. So when I took the position, I, it was because I'm a Shakespearean, not because I'm a horror specialist. Um, I had always been a Stephen King fan since I read him when I was 12, and he scared the beje- Jesus out of me, um, with The Boogeyman story.Jennie: Right.Caroline: Um, so when I took this position though I was told, “You're never gonna meet Stephen King. Don't even make contact with him.” I'm like, “Fine, you know, this is still a great job. I'm excited.” Um- ThanksJennie: for the money. Yeah.Caroline: Thanks for... You know, no, it's a wonderful fund. It was funded by the Harold Alfond Foundation, and it's to support the public humanities, which is an incredible mission.So, um, I get to give money away to people. You know, it's a great, great position, but I was not a horror specialist. And particu- a- and as an adult, I actually wasn't reading horror because it scares me too much. You know? Yeah, yeah. Um, but it had grabbed me when I was a teenager. So it was about four years into the [00:04:00] job when I got a call at home from Stephen King, which just, uh, uh, my jaw hit the floor.And he said, “You know, I think it's time we meet.” I'm like, you know, I, I really fan-girled because I really, I have so much admiration for him and respect. Um, I invited him to come talk to our students. He was brilliant, generous, funny, kind, and I felt so at ease that I felt like I could ask... You know, and I got to know him professionally.We had a good professional relationship that developed from there. When I had a sabbatical year coming up the next year- I could have written another Shakespeare book. I had another one in my head. I've written a bunch of them but I knew that he and Tabitha had just collected all of his manuscripts and put them in a climate-controlled space attached to their home in Bangor, and I thought, “You know, this is an incredible opportunity.I would love to dig in there and be the first one in there, and just read those early drafts of the books that scared me so much when I was a teenager, and try to just explore why. Why were they sticking in my head still?” Um, again, I am not a specialist in... I'm not a cognitive scientist. I'm not a [00:05:00] specialist in horror literature, but I'm obviously highly trained in how to do literary analysis and how to do archival work, not Shakespeare, because we don't have any of his works, but, you know, I, I understand what that process is.So back to your question about why I wanted to bring myself into it, which was, you know, I had been experimenting with first-person storytelling after I got tenure. You know, ‘cause it's a long process, Kate. Right. And most of my writing had been academic writing, but I really had always loved storytelling And I got a piece into the Modern Love column.I started to have some success with publishing my first-person stories, and I was like, “You know, I love this.” So when I had this opportunity to go into his archives, they generously said yes, was amazing. I thought, “You know, I really wanna tell this story. I don't wanna write an academic book. I want this to be the story of a literature scholar, but really the story about a scared kid.”Jennie: Yeah.Caroline: You know, you, you never lose that scare, you know, I don't... This is the thing. Fear has stuck with me with those stories [00:06:00] for 40 years. So I was fascinated, and I just wanted to understand how he had crafted the language so that it was sticking in my head still. Because when I was talking to people around, you know, whenever you mention Stephen King to people, you know, if they've read him, they remember specific lines and specific words, and I was like, “That's an extraordinary, um, 50 years on to have that power.”So, um- Well- Anyway. Yeah. Go ahead. I, I could talk about this forever, so you tell me- Oh, no, it's- ... where you wanted to pick up from this.Jennie: It's so good. Well, I have to tell you this funny anecdote, which is that my college roommate was from Bangor, Maine, and babysat his kids in that house.Caroline: Oh, that's insane.Jennie: So when I went to visit her, she drove me by that house.There you go. And I was like, “Oh, hell no- Yeah ... would I ever babysit in that house.” Like, it's-Caroline: It's ‘cause it's like a gothic, it's like straight out of Haunting of Hill House ...Jennie: actually, and like these spiderweb gates that, and you describe that in the [00:07:00] book and, and the- Yeah ... archives are in that house. They'reCaroline: in the house.They're attached to the back. I know. And it, it was so, it was, it was insane. It was like a full-on 360 experience writing this book. Um, and I, I knew, like, so I did the research for a year. I didn't even know if this would be a book. I just knew I wanted to have the opportunity to be in there because it, I knew it was a great opportunity, and I was so curious, you know?Yeah. So I, I came out of the year with just tons of notes and observations, but I didn't have a book, you know? Yeah. And then I started experimenting with writing a chapter, and I just, the storytelling just came forward and then when I got an agent and she, you know, s- I, I, I was able to get a contract based on a proposal and that one chapter I had written and I was really fortunate to have a fabulous editor, David Ebershoff, at Hogarth, who is just such a wonderful writer himself, and he really encouraged me to bring my voice in and bring my story in even [00:08:00] more.Um, so that's- And- ... that's the story of that.Jennie: Was it hard for you as a scholar to do that?Caroline: You know what? It was so freeing and so fun that it actually wasn't, you know? Because I, I knew this wasn't going to be an academic book, so once I let go of that- Yeah ... um, I was like, wow, I have the, and yet I have this skill set I can bring forward, and I knew that's what would make this unique.Um, but I can combine my two favorite ways of writing, ‘cause I do actually love writing literary criticism. Like it's, I get a thrill out of it. I wouldn't be doing it this long if I didn't get a thrill out of it, but I also love telling my own stories and drawing a reader in. And so for me it was like just a circus carnival.Like it was so fun to be able to do it. Once I had the permission and I had a contract, I was like, fine, you know? I, I, who am I writing this book for? I'm writing it for me, you know? Like this is just something I wanna do because I'm so passionate [00:09:00] about it and I, and I love Stephen King. And, um, once I got into it that way and wasn't thinking about who's gonna criticize me for this, like how will academics view this, I was like, I don't care.I just don't care. I know I've got a great story to tell that people are gonna love to read because there's so many people that love not just Stephen King, but people who love reading about how great books get written, you know? Yeah. And so that was the audience I had in my mind when I, when I was crafting it.It was really, in my mind, anybody who cares about books and writing. It doesn't have to be... So when you say, you're not the first person who's said to me, “I can't read your book,” or, “I can't read-” Oh, I'm so glad. “... Stephen King books,” you know, and I'm like, “That's okay. You can skip, you know, the parts that really scare you,” because there's plenty about just like that first chapter I wrote about Pet Sematary, just his sticky notes back and forth with his copy editor, which is so fun I think.You know, it's just like, wow.Jennie: Totally. Yeah. But the thing that you do is you- Allow yourself to confront that fear-Caroline: Yeah ...Jennie: [00:10:00] that, that I feel that the people can't, that can't read horror feel. You know, anybody that even allows themselves to be scared feels. And-Caroline: Yeah ...Jennie: and you, you do some very specific things, um, which I, I found fascinating, including tracking down on eBay the original copy of that book you read as a- Yeah, I wanted-as a teenager.Caroline: Yeah, that was part of the process for me, was I wanted to make sure I was reading... So before I would go into the archives for each work, and I'd spent like two... I only picked five, because I wanted to... First of all, I knew I wanted to make this personal. Um, and those were the five that scared me the most when I was a teenager.So I grew up in the ‘70s and the ‘80s as a teenager, so for me, it was in real time when the books were coming out practically. So it was- Yeah ... Carrie, Night Shift, The Shining, Salem's Lot, Pet Sematary. Um, I'm forgetting one of course. Uh, but I went -Jennie: The other one.Caroline: The other one. Had a huge impact on me. [00:11:00] So it was those five, and I, I knew those were the ones I was gonna do a deep dive into, and that I wanted to really re-engage with, and bring my whole self to.So I wanted to find the copies that I had read in the ‘70s and the early ‘80s. And fortunately, it's pretty easy to find them. Uh, so yeah, but eBay sometimes I had to go on, or go into a used bookstore and, you know, find the like actual 1979 paperback, you know.Jennie: Um- I mean, that- Um ... I just, there's some, there's so much to say about that because-Caroline: YeahJennie: like, I just, um- We, we just had a new bookcase built, um, which is something I've wanted to do well for eight years in this house. But it's a thing I've always wanted to have, which is like a grand bookcase, and it just was finished last week, and we had all the books packed up in storage, and we brought all the books back.Then we went through this discernment process of what goes [00:12:00] on those shelves. And I, you know, I had all those books from when I was a kid, even when I was a kid-kid, and they're yellow, and moldy and falling apart, and the covers aren't on, and they're taped and-Caroline: Yeah ...Jennie: eh, but I cannot let them go-Caroline: Yeah ...Jennie: because those...that was the object.Caroline: That's the object. This is what I feel sad for kids now, because they're not gonna have those same memories, um, of books. Yes. You know? And I don't think they stick in your head the same way if you don't have the full sensory embodied experience with a book.Jennie: Right. You know? Even when you open...I read on Kindle, which I love for so many reasons. Yeah. But you don't even see the cover.Caroline: You don't see the cover, right. And for me, it's so much. Like, I remember going to the Scholastic Book Fair and being like- Yes ... “I'm getting Summer of My German S- Soldier because Christy McNichol's on the cover,” you know?Yes. Yes. So yeah, that was part of the journey for me was I did wanna just [00:13:00] reconnect with those books again, try to h- and as much as you can, you know, reexperience the feelings of f- like The Shining, I actually... the only one I still have from 1977 is the actual Shining that I read. Um, and that's, for me, that woman in room 217.Well, I know you haven't read it ‘cause you're probably... What? But, um, it, that particular one I still have from, from when I was growing up. Um, and I love that I still have it, and it still has the photo... You know, it's the version that has the photo inserts that includes the Kubrick film photos. Oh, okay.Jennie: Okay.Yeah, yeah.Caroline: And I read it before I saw the film, so I remember being- 15 reading it and then seeing the pictures and being like you know? And that's part of the experience, but it wasn't, it's different than seeing the film, you know? And I really, I wanted to write this book as a love letter to language and to books, and not to film.Like, there's, that's a whole other category I think that enters people's brains in totally different ways. It's a very different experience. For me it's about, like going back to your original question [00:14:00] about like why, why, why do stories cause fear, and like what's the value perhaps in that? Yeah. That was something I came to after this long journey really, and talking to people and thinking about why.And also by understanding and reading more about Stephen King's books and talking to him about them, and realizing for him how much these stories are rooted in personal experiences or fears of grief and loss. And- Yes ... that was really profound for me. And like The Night Shift, which is the ur-text that I start with, ‘cause that's the one I read when I was 12, and that's his first collection of short stories.It came out in 1978. It's 20 short stories. But he ends it with a story about his mother dying, and it's, I mean, it's thinly veiled autobiography. It's about a man who's watching his mother die in the hospital. Um, but it's clearly a mirror of his own experience losing his mother when he was 26. And I'm like, wow, what's that doing in a collection of horror stories?[00:15:00] And it's like, what? ‘Cause that is of course, at least for me and I think for a lot of people, that's the core fear we first have, is that where's mommy, right? Yeah. Right? You lose the person who's in charge of taking care of you, and if you're lucky, does it well and with care. Um, but even if it's not, like Carrie, you know, the more I was looking through the Carrie drafts, I was like, right, he's really homing in on Carrie calling out for her mother even though her mother's terrible and abusive to her, right?So it's, there's just this, I don't know. It's a long way around to say I think horror, and he writes about this really eloquently, is a way for us to metabolize our deepest fears. Um, and to look at trauma not head-on but sideways. Um, and he writes about that, um, a number of different places in a really powerful way.He's just such an extraordinary human. You know, he's been thinking about this and for so long.Jennie: Yeah. Yeah. So, so your willingness to [00:16:00] confront that, those particular fear, fears in your own self and on behalf of the reader, really puts you in it. I mean, like you, there's a really lovely moment where you are reading I think it's, I think it's Pet Sematary, reading the actual book, and you have to turn it over so you- Yeahdon't see, like on your nightstand so you don't see the cover. I'mCaroline: scared, I'm scared of the cover, right, still.Jennie: Yeah.Caroline: Yeah.Jennie: And then there's moments, se- several where you're driving And you're sort of holding your breath while you drive past a place that he writes about or, or- Mm-hmm ... you know, um, well you have to tell the story, I'm sure every interviewer asks you about the, um, the doorknob in the archive.You have to, like, I was-Caroline: Yeah, not too many people have asked me about that, but I'm like, that to me was the scary moment-Jennie: Wait, shut up ... the most, theCaroline: most sturdy. I'm like, wh- uh, why did that happen? But of course, I mean, there's a reason why it happened. It's, it's, it [00:17:00] automatically locks if, you know, the, if you- Okaydon't lock it So let's, let's play- So but it just happened that we were inside the archive room. It was me and, and Julie Ugli, who is their assistant, who was helping me through this whole process. And I know, and I was, like, literally holding the first page of the first draft of The Boogeyman, the story that had scared me so badly when I was 12, about a monster that comes out of closets, and we're like in this room.And the, the archive room, it actually, it almost feels like a closet. It's not huge at all. You know, it's just-Jennie: Yeah ...Caroline: top to bottom, ceiling to floor stacked shelving with, you know, boxes of materials. And yeah, and we were in there, and I'm holding the first page, and the lock closes on its own. It just goes...And I'm like, I'm looking at Julie, I'm like, “What is, what's happening?” We don't have our cell phones with us. I'm like, “Are we stuck in here? Like, what's gonna happen?”Jennie: In the scary archive- In this, I was terrified ... in the back of the scary house. Like-Caroline: I know, I know. It was like, you can't make this stuff up.That's why I was like, I [00:18:00] couldn't wait, when I finally got a chance to write the book and sit down and write, I was like, I can't wait to tell these stories, because they just... I, I'm not a fiction writer. Like, I, I have such mad respect for- I don't know about that ... well, I've m- We'll see I don't know. I have mad respect for people who can write fiction.For me, I only can write what I know and exper- So I'm like, ah. But these stories were just so amazing. Or like when I was reading The Shining, like the first draft of The Shining, which is crazy. I mean, it's so different from the published version. And like getting to the woman in room 217, and like reading th- and literally my head w- like I thought I was having a stroke.Like it was like, like... And it's like, and then I find an interview where Stephen King writes about how he was scared to go back to that scene when he was revising it, the book, because he was dreading it. And I was like, oh, my God, have I just like had some kind of telepathic experience with Stephen King?Like- Right ... across time, space, and yeah, it was amazing.Jennie: Well, yeah. I mean, [00:19:00] it's just, um, uh, I actually made myself go through the whole book skipping giant chunks.Caroline: I feel so badly I put you through this.Jennie: I know. I, I feel like why, I kept saying, “Why? Why did I think this was a good idea?” Um, and it- I mean, even just tangentially, I, I don't know.It's interesting. I have, I'm sure you have this too, anybody who reads a lot or spends a lot of time with words, you have a capacity to sort of pay half attention, if that makes sense.Caroline: Mm-hmm.Jennie: Um, like you c- could sort of look at it without letting it all the way in. Yeah. But I, I just was, I just was riveted by the thread of, of your story and your putting yourself through that as a scholar and a human.But, but then some really cool things happen, and I, and I have flagged, um... Do you, [00:20:00] w- would you mind reading a tiny piece? It's- No, not at all ... it's on page 82, and it's the p- the paragraph that starts, “These manuscripts.”Caroline: Yeah.Jennie: That would be amazing.Caroline: Absolutely. So this is actually the moment I just described to you, where my head was like, I got...Oh, actually, I had just discovered the last 150 pages of the original Shining manuscript in a random folder in the archives, and I was like, “What is this doing here?” And I was getting obsessive about the manuscripts at this point, clearly- Yeah. Yeah ... just like the main character in The Shining, Jack Torrance, who gets obsessed with the manu- with the papers in the basement of the Overlook Hotel.But here we go. “These manuscripts are definitely getting into my head, and not just its rational part. In his memoir, when King describes books as being a uniquely portable magic, he doesn't specify what kind of magic. What if manuscripts can absorb and store more than just ink and words? [00:21:00] What if their pages can pass on dark energy along with dark stories?Ghosts have more than one way of making sure their stories are heard, of ensuring that the past is not forgotten, but rather pressed into our minds, even if we wrench our heads off the pillow and refuse to listen.” And that last is a reference to my, I used to see a ghost when I was five, and I write about that in the book too.Jennie: I mean, when I read that, I was like, “That's, that's me.” Like, these ghosts and horrors are pressing themselves into my mind, and I'm refusing to listen, and they still, they still do. And, um, King's stories in particular are so iconic, you can't really escape them. Like, you, you know the scenarios, you know the characters, you know-Caroline: YeahJennie: you know. And, and so it was interesting for me reading this book that that described my [00:22:00] experience where I was both repelled and magnetized at the same time.Caroline: That's beautiful the way you just put that. I mean, I think that is exactly our relationship also, of course, to our own fears. You know, again, what makes these stories endure, and I didn't go into this book thinking like, “This is a book about promoting Stephen King,” and, you know- Rightlike, I don't work for Stephen King. I just want to put that out there. Right. He, you know, he graciously agreed to let me go into the archives. He's been very generous about answering all my questions I had about the manuscripts, but he never at any point was like, “You can't say this,” or, “This is how you're supposed to say this.”So, but what I came away with after this process was exactly what you're describing, why we need these stories, why they endure, actually, is because they tap into our very real human fears. It's not about the monsters. It's about the grief and loss that's coming for all of us if we live long enough, you know?So you, and you have to at some point confront that, you know? So if it's- Yeah ... you can [00:23:00] try to run away from it, but it's coming, and that's part of being human. That's the human experience, obviously. Not to be glib, but it's like-Jennie: Yeah ...Caroline: you will experience loss. You will experience grief. And if these stories help you metabolize that or have a cathartic experience with that feeling without having to actually experience your worst fear, right?Um, like Aristotle says, it's cathartic, right? It's you watch a play, a, a tragedy because you experience a catharsis.Jennie: And did you, did you get to that in your own process?Caroline: That's a really good question. Um- You know, I, I think I became more aware of it. You know, I am, you know, and I write about this very openly in the book, that I was an extremely anxious little kid, um, which is part of why I think the boogeyman triggered me in the particular way it did, you know.Um, and that I grew into a pretty [00:24:00] anxious adult, you know? Yeah. I think anxiety is one of those things that, you know, I... Again, I was born in the ‘60s, so we didn't have this language for this back then. Like, my parents wouldn't have known to call me an anxious child, you know? Right. They probably would've said, “Oh, she's shy,” or, “She's whatever.”Um, so I think I, you know, like, and I as an adult, I think I've, I've found ways to manage it pretty well, but I am definitely a control freak. Like, that's part of how I manage it. I shouldn't use that language, but you know, it's like I, I like to just control what I can control, and that makes me feel that I can put the anxiety at bay.So I will say I think it's been interesting for me, Nick, now when I have those moments that are my worst fear moments that sometimes still will creep up on me just even though when I think I've figured it out, like doom s- doom scenarios. I tend to go to doom scenarios. So, like, if I can't reach... Uh, I will say Life360 has been, like, the best invention on the planet for me-with my two kids [00:25:00] and my husband. I'm like, “I know exactly where everyone is.” Yeah. It has saved me a lot of worry. Sometimes Life360 doesn't work, or sometimes a person still doesn't answer the phone, and then I have to manage my anxie- And then it's like... So I will say it's been interesting going through this process and having to confront or revisit the core of what scares me and, like, why that impacts, you know, why certain moments come forward for me still.So I think, yeah, I think it has helped me to a degree. Like, I can recognize it more clearly now. I'm like, “Oh, right, that's why I'm scared of that,” you know? Um-Jennie: That's so cool.Caroline: Yeah.Jennie: And it feels like that's the, the, um, the transformation in the book is you're exploring how that actually works and the language and the stories.Mm-hmm. But you're, you're also exploring how it works in your own self, how it did when you were young, how it does now- Yeah ... these moments when you're scared. So it- Mm-hmm ... there's such [00:26:00] a depth to it and, I mean, I just, uh, even in my half reading of it, I just loved it. Thank you. And, um, there's something that happens That's kind of crazy, which is, so you're a Shakespeare scholarCaroline: Mm-hmmJennie: And I ha- I, I know from reading Steve, a- about Stephen King, from reading his book On Writing, of course, and, um, interviews and such that, uh, I'm, I'm probably gonna say this in a disrespectful way, and I don't mean it to be so, but the, the easiest way I can describe it is that he's always had sort of a chip on his shoulder that he's just a popular writer and not taken seriously in a literary way.Mm. I don't know if that's, if that is fair to say, but that's how I'm saying it. Uh,Caroline: yeah.Jennie: And, um, what, what I found incredible was that [00:27:00] here comes this Shakespeare scholar into his archives doing proper scholarly archiver, arch- archival work, and there's this moment when you begin to see Shakespearean themes in his, in his work, and you can't ignore it, and particularly in, in Carrie and- Yeahparticularly around exactly the thing you were wrestling with, which is like a young girl's- I don't know, sense of, of not being fitting in the world or, um-Caroline: Yeah ...Jennie: right? And so that, um, there's, on page, since you have the book in your hand, um, I think it's pageCaroline: 202. Mm-hmm.Jennie: And it refers back to that passage you just read about portable magic.It's the one that's I remembered.Caroline: [00:28:00] Right. Okay. So this is going back to when I first was, um, I was in the final round of the job for the Stephen E. King Chair in Literature, and I was working on a book about Shakespeare's, the girls in Shakespeare's plays and world and teenage girls and their cognition.Like, the how were people during Shakespeare's day thinking about girls' brains? Yeah. So I'd been working on this for 10 years. Um, and then I was getting ready to give my job talk. This was the first time Stephen King and Shakespeare came together for me, and it was getting ready, and this, again, this is an authentic story, like write what you know.So I was getting ready for the job talk. I remembered that King's 1974 novel, Carrie, featured a 16-year-old girl whose telekinetic powers are unleashed when she gets her first period in the school shower. I started rereading it, and within a few pages came across an uncanny phrase. When she's walking home after being dismissed early, Carrie feels her brain flexing in a new way, [00:29:00] as if her powers have been waiting below the surface for her to reach, quote, “mental puberty.”I couldn't have wordsmithed this dynamic cognitive change better myself. In the last part of my job talk, I used the phrase to connect the brain work of Juliet Capulet, who's described as being two weeks away from seeing the change of 14 years, to Carrie's newly activated adolescent mind. It felt like a moment of pure portable magic between Stephen King, Shakespeare, and me.Jennie: Ugh, so beautiful.Caroline: Oh, thank you. Yeah. I mean, that was just so gobsmacking. Like, when that happened, I was like, I ca- I can't believe it, but yeah.Jennie: And then, now I may be getting some of the things wrong here, but then you- You realize, is it Carrie that, that you realize he was, you thought he was emulating a play, a Shakespeare play?Caroline: I think you're thinking of Shining. I mean, definitely at the end of the Carrie [00:30:00] chapter I return to, I did notice echoes of Macbeth, and I was convinced that that must have been what he was thinking about. And, and what's funny is, so one of the conversations I got to have with him, I mean, he's so generous with his time, one of my last conversations with him was about the end of Carrie, and that's a book that he actually doesn't like very much.You know, it was his first published novel, he was 26, and he's like, “I think that was written by a young man who thought he knew more than he did.” So he's, it's not a book that he goes back to. He recognizes it's important, and it's important to him, but, ‘cause it started his whole career, his whole trajectory.Um, but he didn't particularly, he hasn't returned to it. Yeah. So that was a fun chance for me to sort of talk to him and say, “Hey, you know what? I think you should maybe go back,” ‘cause it's it's, there's a lot of Shakespeare in there. Anyway, but the Shining chapter, what was fascinating, so there's this first draft, which I, I write a lot about, called The Shine, that's in the archives, with a totally different ending.Um, and when I looked at it, [00:31:00] he'd also divided it into acts and scenes, like Roman numeral acts and little- Mm ... Roman numeral scenes. And I was like, “This, what is this? This is like a Shakespeare play.” Like, that's what it looked like. And then sure enough, I found out he was imagining, he was thinking of a Shakespeare tragedy when he wrote The Shining.And that was the first moment where I was like, “What? This is insane.” Like, this- Yeah ... like, ob- obviously that became, for me, the story I wanted to tell about that particular set of manuscripts, was sort of uncovering, like, what's the Shakespeare play? Like, what's the tragedy? And I didn't wanna ask him because I didn't want- I wanted to go in with my mind clear, like, of any outside influence.I just wanted to see what my Shakespeare brain, because I'm so embedded in Shakespeare. I also have a Shakespeare podcast I do with my best friend. Like, we're, I'm always thinking about Shakespeare and how it relates to everyday life. You know, and so I'm like, “Well, how does it relate to The Shining?” Which is, like, an ur-American text.Like, this, like, say what you want about horror, [00:32:00] like- I'd be shocked if people don't know what The Shining's about, even if they haven't read it even if they haven't seen the film. Like, you probably know something about The Shining, right? Right. So I was like, if there's a Shakespeare tragedy at the foundation of this, you know.And here's the thing about Stephen King that I came to learn, again, reading all of his notes and finding these edits, and I did find traces of Macbeth in the first draft of The Shine, um, that he ended up taking out. So I was like, “Oh, is it Macbeth? It feels like it could be Macbeth.” There's so many things it has in common with it, with hallucinations and with baby bashing.And, you know, all of these horrible things that are in Macbeth are certainly in that book. Um, but I really wanted to go in, like, just on an adventure, like, see what I saw. So I didn't ask him which chi- tragedy until I was fully done with all my research and I felt like I had it all done. And that's when he drops that he was thinking of Hamlet.And once he said that, of course, it became so ... I mean, I [00:33:00] had seen traces, there were references to Ophelia that also didn't make it into the final published draft. So you wouldn't know this. This is the beauty of archival work, like you're gonna see things that other people will never know about unless you tell the story.That's why I felt so passionate about this. Like, “I need to tell people-” Yeah ... “that Ophelia was in the first draft, that he was thinking of Ophelia.” ‘Cause of course, you know, again, even if you don't know The Shining, the woman in the tub, the woman in the bathtub, like a drowned woman in a tub, like ah, Ophelia.Yeah. Like Ophelia's another one of those ur, like she's so, she's such a part of our cultural air, right? I mean, like no matter what country you're in. Right. There's a reason Taylor Swift has a whole, you know, song The Fate of Ophelia. Like people know what that means. Um, so I was like, “Oh my gosh, this is, this is incredible.This is even deeper than I thought it was gonna be.” Um, but also it made me appreciate how much that book is about intergenerational trauma. Um, and it's not ... So he doesn't like the Kubrick film [00:34:00] for reasons that, you know, a couple different reasons. One is that it flattens out the character of Jack Torrance, and Jack Torrance is an abused child himself, and he passes on that abuse to his son, Danny, right?Um, but you wouldn't know that from Kubrick's film. While Hamlet, of course, is about a father's ghost coming forward. Like, “The past is a ghost,” King writes, which is so f- powerful, right? Um, here's this ghost saying, “You need to kill for me.”Jennie: Yeah.Caroline: Yeah. And that's what happens to Jack. Yeah, so anyway, that's a long way to say that wasEach chapter was my favorite in different ways, but that one I loved being able to do the deep Shakespeare dive.Jennie: And was that ... You know, so I started that question by saying I, I had heard or understood or maybe inferred that, um, you know, King himself had this sort of desire- Okay ... to be taken more seriously.Was that, that must have been, I don't know, powerful for both you and him, uh, to [00:35:00] come to that? Not like, “Oh, you're the only person that's ever made him feel that way” or-Caroline: Yeah,Jennie: no,Caroline: I agree ... or agree with that, but. Like I, yeah. And, um, I mean, I will say I think part of the reason he was always really ... I mean, first of all, he's just so generous, and any writer who's ever worked with him has the same experience.Like he just gives his time. He just loves writing and writers so much that he will just, he'll just t- like any email I would send him, he'd write back in like an hour with a response. The part about how he feels about academia, you know, and I never directly asked him that because I didn't wanna ... You know, if he wanted to bring it up, great.But I think- Yeah ... my, after going on this journey with him, he clearly loves talking about- literature. He's the most well-read person I've ever met. I'm just gonna say that hands down. Like, the guy reads- Really? ... cons- constantly and if you read his early works, like even when he was 17, he wrote The Long Walk, okay, which just came out as a film, [00:36:00] and in that, he's citing T.S.Eliot, he's cit- he's citing Poe at 17. Okay? So he's, he, he, this, he comes by this honestly. He's not just trying to seem smart. Like, he literally is constantly reading and it's clear when you read his manuscripts or when you read his published books, he's making references to all, whether it's Shirley Jackson or Wallace Stevens or, you know, uh, he's so capacious in his knowledge of literature.And, like, just a couple months ago, he sent me an email, I don't, I can't remember, we were talking about something about Salem's Lot, and he was like, “Yeah, when I was writing Salem's Lot,” which again, this is 1975 when he's writing Salem's Lot, so that's a long time ago. He's like, “I was really into James Dickey's poetry.”Jennie: Whoa.Caroline: You know, who was an American no, you know, poet laureate. Uh, he's like, “And I was reading everything I could read of, of his and then I read Deliverance, and then I went back to his poetry, and that really impacted how I wrote the chapters [00:37:00] about the Lot,” which if you've read Salem's Lot, has some very lyrical, poetic chapters about the town, like, “The town knew about darkness.The town had its secrets and knew how to kept it.” And then he, like, sends me the entire poem that he was thinking about that James Dickey wrote. So I mean, it's, he's, and it's not performative. He's not, like, he has nothing. He doesn't need to prove anything to me, you know?Jennie: Right, to anyone, yeah.Caroline: He just literally loves, he loves literature.Like, this guy, he loves poetry. I mean, he actually writes poetry. He wrote poetry as an undergraduate. Uh, it was actually the core start for him of The Stand, was a poem he wrote called The Dark Man one day when he was, like, hungover in the school, like, cafeteria. Like, so it's like he, he's been thinking about literature and living with literature and, uh, since he was a teenager, if not earlier.His mom brought him, uh, Bram Stoker out of the public library when he was nine, so I mean, the guy- Whoa ... ‘cause he asked for it. He asked for Dracula. [00:38:00] I wasn't reading Dracula when I was nine. Were you? I mean-Jennie: No,Caroline: no. I was reading Little House on the Prairie. I mean-Jennie: Yeah. Yeah, exactly. Wow. Wow. So- I mean, this book, again, it's called Monsters in the Archives: My Year of Fear with Stephen King by Carolyn Bicks.It's just incredible, whether you're a King fan, whether you're a horror fan, um, but for sure for all writers, which are all our listeners. If you can, if you can bear it.It's very specific, um, a very specific- specific exploration of, of how good writing works really. Yeah. Right. And, and how you... You know, there's always that perennial question of how do you get emotion on the page? How do you make your reader feel something? And you, you show it very specifically, and I wanted so badly [00:39:00] to, to get into the details, and I, and I, I just, I just couldn't.Um, maybe someday, but, um, I just, I just can't recommend it enough for, for, um, this audience and, um, you know, anyone who's interested in any of these things we've talked about.Caroline: Thank you so much. I really appreciate that. And I will say, like, the Pet Sematary chapter, which is the first one, that was the first day I was in the archives.One of the things I discovered about him day one was how much attention he pays to word sounds. So I think for any writer interested in sort of doing a deep dive into, like, how one word change, right- Yeah ... can make a difference, you know? Yeah. And I didn't appreciate that about his writing until I went in there and saw his notes to the copy editor where he's like, “Nope, the word's clitter, not clatter.This is why.” You know? Like,Jennie: he's- There's a, um- Yeah ... yeah, there's a book I love, it's probably right behind me, um, called The Artful Edit by Susan Bell, in which she [00:40:00] shows examples of that kind of very careful change in, um, The Gre- The Great Gatsby and The English Patient and various works of, of literature, and your, your whole book is like that.It's, it's just amazing. Um- Thank you ... so is the next book gonna be the Shakespeare one you had thought of before? Or are you gonna- ... go in the, in the personal direction?Caroline: You know, it's such a good question. I think right now I'm just taking a break, you know, because I'm the kind... Like, I immerse myself in a project, and this has been so all-consuming.Um, and I'm back to doing my Everyday Shakespeare podcast, which I love and I missed. Um, so I'm doing that. And I, I really don't like to think too far ahead about what I'm going to write. I like to have it come organically.Jennie: Yeah.Caroline: Um, so I could go back into the archives. I could write another one of these kinds of books, but I don't know if that's the [00:41:00] right thing for me right now.Jennie: Yeah.Caroline: Um, I want to make sure whatever I write next- You know, I loved writing this book so much. It's my favorite... I mean, it's, it was such a powerful experience for me, um, because I could bring my personal experiences into it and my scholarly self into it. I don't... You know, it's gonna be hard to recreate that.Yeah. I think it can be done, but I don't wanna force it. Yeah. So I'm gonna wait and see what the next, what the next oneJennie: is. Don't you, don't you love the interviewer who's like, “Hey, congratulations. You wrote a book. What, what's your nextCaroline: one?” What are you working on now? What are you doing now? I know. And I get that.I'm like-Jennie: So mean ...Caroline: I'm just, I'm just reading books I wanna read. I'm doing my laundry. I'm getting to know my dog again. You know?Jennie: Oh, wow. Well, thankCaroline: you. But, you know, it's a fair question. Yeah.Jennie: Yeah, yeah. Thank you for coming and chatting about this, and for writing such a cool book. And- Thank you ... um, I'm looking forward to seeing what you do next.Caroline: Thank you, Jennie. It was a [00:42:00] pleasure.Jennie: Well, for our listeners, until next time, stop playing small and write like it matters.The #amwriting podcast is produced by Andrew Perilla. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output because everyone deserves to be paid for their work This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

When John brings out our friend, Jerry Wayne Longmire, for a comedy show at the Rattlesnake we get the full small town bar experience! From popped tires to big country boys ready to fight, we're put through the full spectrum of country bar fun. Being a comedian isn't all jokes and laughs! The crew has tried their hand at it themselves and even the professionals like Jerry happen to hit road blocks on the journey of just joshin'   Thanks for joining us for this week's #JCWPodcast #JCWArchive. Please don't forget to Like, Share, and most importantly, Subscribe--to make sure you get the latest John Clay Wolfe Show materials as soon as they're released! So keep an eye out for your mother-in-law...and we'll see you Saturday

Hi friends! We're taking a bit of a summer pause. We will be back soon—in the meanwhile, enjoy this listener favorite from our archives! ----- [originally aired May 14, 2025] Some call it the "psychedelic renaissance." In the last decade or so, interest in psychedelic drugs has surged—and not just among Silicon Valley types and psychiatrists and neuroscientists. It's also surged among a stereotypically soberer crowd: academic philosophers. The reasons are clear. With their varied and sometimes transformative effects, psychedelics raise ethical questions, epistemological questions, metaphysical questions, questions about the nature of experience and the nature of the mind. My guest today is Dr. Chris Letheby. Chris is a philosopher of cognitive science at the University of Western Australia and the author of the 2021 book, Philosophy of Psychedelics. Here, Chris and I talk about the so-called classic psychedelics—LSD, psilocybin, ayahuasca, and others—and how interest in them has gone through three distinct waves. We discuss the effects that these substances seem to have, in particular their capacity to treat certain psychiatric conditions and their tendency to induce "mystical-like" experiences. We consider the idea that psychedelics might serve as agents of moral enhancement. And we dig into the psychological and neural mechanisms by which psychedelics seem to have their diverse—and often salutary—effects. Along the way, we talk about ontological shock, comforting delusions, brain plasticity, unselfing, microdosing, placebo effects and adverse effects, physicalism and idealism, the REBUS model, environmental virtues, plant consciousness, meditation, and much more. Maybe this is obvious but this episode is not just for the seasoned psychonauts out there. Whatever your personal experience with these substances, they offer a distinctive window into the mind—a new way of grappling with big questions. Perhaps this much is also obvious but we're not encouraging or endorsing the use of psychedelics here—just offering a little fuel for your intellectual fires! Alright friends, on to my conversation w/ Dr. Chris Letheby. Enjoy!   A transcript of this episode is available here.    Notes and links 4:00 – For a brief historical overview of research into psychedelics, see this paper. 8:30 – For work by an early trailblazer in the philosophy of psychedelics, see Thomas Metzinger's Being No One. 12:30 – For our earlier episode on the psychology and philosophy of visual illusions, see here.  18:00 – For a history of the concept of "set and setting," see here. 19:00 – A 2024 review of "adverse events" in classic psychedelics. 26:00 – A blog post on the history of the term "psychedelic." 27:00 – A recent review and meta-analysis of the use of psychedelic therapy for depressive symptoms. 31:00 – On mystical experience see Walter Stace's classic work, Mysticism and Philosophy. On the measurement of mystical-type experiences, see, e.g., Walter Pahnke's paper here. 36:00 – On the idea of "psychoplastogens," see here. 39:00 – See our earlier audio essay on placebo effects. 41:00 – For the study using Ritalin as an active placebo, see here.  44:00 – Michael Pollan's book on psychedelics is here. 48:00 – On the idea of "idealism," see here. 50:30 – For the 2021 study on psychedelics' capacity to alter metaphysical beliefs, see here. 54:00 – For Dr. Letheby and collaborators' paper about the "mysticism wars," see here. 1:02:00 – For a popular article on the possibility that psychedelics reduce fear of death, see here. 1:03:00 – For Dr. Letheby's paper on psychedelics and the fear of death, see here. 1:11:00 – The phrase "comforting delusion" comes from an article by Michael Pollan. 1:15:00 – For the "REBUS model," see here. 1:20:00 – On the idea that psychedelics could serve as agents of moral enhancement, see the paper by Brian Earp here. 1:21:00 – For Dr. Letheby's paper on psychedelics and environmental virtues, see here. For his paper on psychedelics and forgiveness, see here. 1:23:00 – On the subfield of "virtue ethics," see here. On the virtue of "living in place," see the paper by Nin Kirkham here. 1:28:00 – For the New Yorker article, by Matthew Hutson, on how psychedelics led him to see trees as smart, see here. For the study, led by Sandeep Nayak, on psychedelics leading people to expand their attributions of consciousness, see here. 1:32:00 – For a first paper by Dr. Letheby on the comparison between meditation and psychedelics, see here.   Recommendations Psychedelic Experience, Aidan Lyon Varieties of Psychedelic Experience, Robert Masters & Jean Houston The Antipodes of the Mind, Benny Shanon   Many Minds is a project of the Diverse Intelligences Summer Institute, which is made possible by a generous grant from the John Templeton Foundation to Indiana University. The show is hosted and produced by Kensy Cooperrider, with help from Assistant Producer Urte Laukaityte and with creative support from DISI Directors Erica Cartmill and Jacob Foster. Our artwork is by Ben Oldroyd. Our transcripts are created by Sarah Dopierala. Subscribe to Many Minds on Apple, Stitcher, Spotify, Pocket Casts, Google Play, or wherever you listen to podcasts. You can also now subscribe to the Many Minds newsletter here! We welcome your comments, questions, and suggestions. Feel free to email us at: manymindspodcast@gmail.com.  For updates about the show, visit our website or follow us on Twitter (@ManyMindsPod) or Bluesky (@manymindspod.bsky.social).

SummaryIn this episode, Benjamin Lee and his sister Tanya DePeiza explore the importance of hobbies for mental health, creativity, and personal growth. They share insights from Walt Disney's hobbies to practical tips on how hobbies can serve as a joyful escape and a source of inspiration.Chapters00:00 Introduction to Hobbies and Their Importance02:31 Tanya's Passion for Crafting09:41 Walt Disney's Hobbies and Their Impact15:36 The Therapeutic Nature of Hobbies21:59 Finding Joy in Hobbies Without Pressure29:08 Sharing Hobbies and Community EngagementConnect with Me! Newsletter and Podcasts: ⁠⁠⁠⁠⁠⁠⁠https://icandopodcast.com⁠⁠⁠⁠⁠⁠⁠Blogs: ⁠⁠⁠⁠⁠⁠⁠https://benjaminlee.blog⁠⁠⁠⁠⁠⁠⁠Books: ⁠⁠⁠⁠⁠⁠⁠https://benjaminlee.blog/books-2/⁠⁠⁠⁠⁠⁠⁠Apparel: ⁠⁠⁠⁠⁠⁠⁠https://benjaminlee.blog/resources/#!/⁠⁠⁠⁠⁠⁠⁠Youtube: ⁠⁠⁠⁠⁠⁠⁠https://youtube.com/@icandopodcast?si=h9-JkT27jwynZZ-X

On this week's Talking Royals, Chris reveals a little-known fact about the Sussex family trip to the UK…Plus, how did Meghan, Archive and Lilibet avoid the cameras the entire time they were here?And, it was a packed week for Catherine and William who managed to fit in several engagements, with a surprise appearance from Prince George and Charlotte too… But was there a reason they were keeping so busy?Plus, Charlene, Chris and Lizzie also unpack Harry's hilarious podcast appearance and goat yoga experience, while the King pours the perfect pint.And stay tuned until the end to find out which big royal events are happening next week...

Welcome to book three of Mage the Victorian Age! In this episode, Chastity gets locked up for a while and the trip continues.Thank you to Bookwyrm Games for sponsoring Dork Tales this month! Use code DORKTALES to save 15% at https://www.bookwyrmgames.com! Orders over $100 also enjoy free shipping!#magetheascension #victorianage #magevictorianage #onyxpath #actualplay #worldofdarkness #mage***Kelly Clark as StorytellerStarringAmy Godfrey as Chastity Prudence GoodwinRobin Holford as Darcie HarknessJen Peters as Josephine CarringtonChristine Rattray as Evelyn Taylor ***Visit our website ► https://dorktales.caWatch us LIVE on Twitch ► https://twitch.tv/dorktalesJoin our Discord ► https://discord.gg/zVtE9AbFollow our Twitter ► https://twitter.com/dork_tales/Follow our Instagram ► https://instagram.com/dorktaleschannel/Find us on Facebook ► https://www.facebook.com/dorktalescha...Listen to our Podcast ► https://dorktales.podbean.comSupport the show on Patreon ► https://www.patreon.com/dorktales/Buy official Dork Tales Merch ► https://teepublic.com/user/dorktales ► https://dorktalesstore.redbubble.com!***Music credits:Tracks from Joel Steudler Heartwarming Magic AdventureAntics AboundLicensed under a Humble Bundle Collection Music From Dark Fantasy Studio Hidden in the Dark ParadoxNightfallComplexe MindThese songs are Licensed under a Premium Licensehttp://www.darkfantasystudio.comMusic from Monument Studios: Vision of the Ancients Conspiracy Unravel Horror Piano Forthright Untenable Piano SoloThese songs are licensed as part of the All in One Bundlehttps://www.monumentstudios.netWe also use licensed music from Audio Hero, Ovani Studios, GameDev Market, and Phat Phrog Studios, including:Archive of Sad DaysAnyone Can Solve ThisClassical VillanousCharnel HymnLike what you heard? For background ambiance, we used sounds from Tabletop Audio for this session, just like we have for off-camera games for years! Tabletop Audio is a site with a full toolkit of songs, special effects, and soundboards to bring your adventures to life! https://www.tabletopaudio.com Hosted on Acast. See acast.com/privacy for more information.

Corinna Cook is an essayist whose writing follows the stories embedded in the borderlands of Southeast Alaska, northern British Columbia, and the southern Yukon. Drawing from history, natural science, and personal experience, she asks what the landscape can teach us—how it preserves memory, how climate reshapes our understanding of place, and how the painful histories of colonialism continue to shape life in the present. Her essays remind us that history and the natural world are inseparable, that the past lingers in rivers, forests, permafrost, and the traces left behind by those who came before us. And rather than searching for tidy conclusions, she approaches each essay as an open question, using it to better understand the North, the stories preserved in its landscapes, and what it means to live within the long arc of geologic time. Her recent book, Permafrost Is an Archive, is a collection of essays about turning toward the land. Moving through the boreal forest, thawing permafrost, and the invisible lines that divide nations, she asks what the land remembers and what it can teach us about the painful histories we carry, the ones that continue to shape how we see each other and the world around us. She doesn't offer easy answers. Instead, her essays become meditations on home and displacement, deep time and human history, and the difficult work of building more honest relationships with each other. As climate change reshapes the North, she argues that our ability to adapt may depend as much on how we confront our shared histories as on how we respond to environmental change. At the heart of the book is a question that echoes throughout her work: Now that we know, what do we do with that knowledge?

During World War II, the United States Marines played a central role in the battle for the islands of the Pacific. Marine Corps veteran Bill Swanson was often in the first wave to hit the beach in many of these brutal campaigns. In this episode, he paints a vivid picture of what it was like to fight in the "living hell" of these steaming jungles and swamps. He shares his experiences on Bougainville, Guam and Iwo Jima, battling a hidden and determined enemy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Removing honey from a hive sounds simple until the supers are full. In this Honey Bee Obscura Archive Special, the late Kim Flottum and Dr. Jim Tew revisit one of the most physically demanding jobs in beekeeping: harvesting honey. They compare their different backyard setups, discuss how they remove bees from honey supers, and explain why careful planning can make the work safer for both the beekeeper and the bees. Kim describes his streamlined approach using eight-frame medium supers, a utility trailer, and an electric leaf blower to clear bees before transporting supers to his garage. Jim, managing more colonies and heavier equipment, shares why he prefers gasoline-powered blowers, heavy protective clothing, plenty of smoke, and equipment positioned within easy lifting distance. The conversation also explores alternatives such as escape boards, bee repellents, and strategies for minimizing drifting bees around neighboring properties. Kim and Jim discuss handling the inevitable bees that accompany harvested supers into the extracting room, and why every beekeeper develops techniques that fit their own operation. As they prepare colonies for late-summer mite treatments and the approaching goldenrod flow, they reflect on the considerable work required to harvest honey—and why every gifted jar of honey should be appreciated as the product of countless hours of labor by both beekeeper and bees. ______________________ Thanks to Betterbee for sponsoring today's episode. Betterbee's mission is to support every beekeeper with excellent customer service, continued education and quality equipment. From their colorful and informative catalog to their support of beekeeper educational activities, including this podcast series, Betterbee truly is Beekeepers Serving Beekeepers. See for yourself at www.betterbee.com We'd like to thank Vita Bee Health for supporting the podcast. Vita provides proven tools for controlling Varroa—from Apistan and Apiguard to the new VarroxSan extended-release oxalic acid strips—helping beekeepers keep stronger, healthier colonies. ______________________ Honey Bee Obscura is brought to you by Growing Planet Media, LLC, the home of Beekeeping Today Podcast. Music: Heart & Soul by Gyom, All We Know by Midway Music; Christmas Avenue by Immersive Music; original guitar music by Jeffrey Ott Cartoons by: John Martin (Beezwax Comics) Copyright © 2026 by Growing Planet Media, LLC

Join Bina007 and Bing as they discuss the results of the World Cup Semi Final matches and look ahead to the Finals. [MP3] Download or play this episode directly[Archive] View this episode's page on Archive.org[Discord] Join The Craziness![iTunes] Subscribe to us … Continue reading →

For this week's Archive episode, we go back to 2014 for the Top 5 Movie Tattoos (That We'd Get). The "we" being Adam and Josh. 16 years later... no tats yet. But they're sticking by (most) of their picks. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.See omnystudio.com/listener for privacy information.

Today's episode is on queer representation in museums - what it looks like, what queer people want it to look like, and how we can get there. This episode was originally released on our Patreon in 2024. It is based off Alice's Masters research, which you can read here. Check out our website, where you can find our sources, as well as everything there is to know about Queer as Fact. If you enjoy our content, consider supporting us on Patreon, checking out our merch, and following us on Instagram, Tumblr and Bluesky. [Image: The original rainbow flag on display in the GLBT Historical Society Museum and Archive in San Francisco, USA. Source.]

As part of our summer replay series, we're revisiting one of our favorite conversations on the future of AI infrastructure. SemiAnalysis founder Dylan Patel joins Erin Price-Wright, Guido Appenzeller, and Erik Torenberg to examine the rapidly evolving economics of AI hardware, from GPUs and custom silicon to data centers, power, and the global race for compute. The conversation explores NVIDIA's competitive advantages, the rise of custom chips from Google, Amazon, and Meta, the economics of frontier AI models, and the infrastructure constraints shaping the industry's next phase. They also discuss AI startups, export controls, robotics, enterprise software, and why simply copying NVIDIA isn't enough to build a winning AI hardware company. Whether you're building AI products, investing in infrastructure, or trying to understand where the industry is headed, this conversation offers a practical look at the forces shaping the future of compute.   Resources: Follow Dylan Patel on X: https://x.com/dylan522p Follow Erin Price-Wright on X: https://x.com/espricewright Follow Guido Appenzeller on X: https://x.com/appenz Learn more about SemiAnalysis: https://semianalysis.com/dylan-patel/ Stay Updated:Find a16z on YouTube: YouTubeFind a16z on XFind a16z on LinkedInListen to the a16z Show on SpotifyListen to the a16z Show on Apple PodcastsFollow our host: https://twitter.com/eriktorenberg Please note that the content here is for informational purposes only; should NOT be taken as legal, business, tax, or investment advice or be used to evaluate any investment or security; and is not directed at any investors or potential investors in any a16z fund. a16z and its affiliates may maintain investments in the companies discussed. For more details please see a16z.com/disclosures. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

HOT RELATIONSHIP TIP: fighting isn't a bad thing… but you do need to learn how to fight fair. Emmalee Bierly, LMFT and Jennifer Chaiken, LMFT of Shrink Chicks are back and this time they're sharing their expert tips on how to fight. We cover: -Why fighting is actually a part of a healthy relationship -How to fight fair -How to regulate your emotions during a fight -Scripts for expressing your feelings and apologizing -What resentment can look like and how it manifests in our relationships -The grief that comes along with committing to a long term relationship EVERYONE who signs up wins a FREE Rose suction toy with their order!https://www.bboutique.co/vibe/honeydewme-pod Learn more about 1:1 coaching HERE!⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Get Honeydew Me Merch HERE!⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

We are raiding the Guardian long read archives to bring you some classic pieces from years past, with new introductions from the authors. This week, from 2023: When a US businessman took over a beloved garden a decade ago, he decided on a radical new approach, all in the name of sustainability. But angry critics claim it's just plain neglect By Mark O'Connell. Read by Simon Vance. Help support our independent journalism at theguardian.com/longreadpod

Explosive Diarrhea Parasite Outbreak is News AF – July 14, 2026 Rob Cesternino, Tyson Apostol, and Danny Bryson are back with another entertaining episode of News AF, where they dive into the week’s most peculiar and amusing stories. Today, Rob, Tyson, and Danny talk through the week’s most newsworthy stories. To pre-order Rob’s book, The Tribe and I Have Spoken, visit www.robhasabook.com Be sure to subscribe to our new YouTube channel! Need to catch up on more Actual Factual news? Archive of News AF Subscribe to News AF on iTunes View the News AF Archive News AF on Youtube Group AF Facebook Page Be sure to check our some great offers from our sponsors

Explosive Diarrhea Parasite Outbreak is News AF - July 14, 2026 Rob Cesternino, Tyson Apostol, and Danny Bryson are back with another entertaining episode of News AF, where they dive into the week's most peculiar and amusing stories. Today, Rob, Tyson, and Danny talk through the week's most newsworthy stories. To pre-order Rob's book, The Tribe and I Have Spoken, visit www.robhasabook.com Be sure to subscribe to our new YouTube channel! Need to catch up on more Actual Factual news?Archive of News AFSubscribe to News AF on iTunesView the News AF ArchiveNews AF on YoutubeGroup AF Facebook PageBe sure to check our some great offers from our sponsors Learn more about your ad choices. Visit megaphone.fm/adchoices

. Radio Archive Hour. Jay Santos of the Citizens Auxiliary Police feels bad about it but he's gotta check other White people’s nostrils for meth since that mountain trash is likely using it and dealing it.Sign up for a Backstage Pass and enjoy Hours of exclusive content, Phil's new podcast, Classic podcasts, Bobbie Dooley's podcasts, special live streaming events and shows, and oh so very much more…See omnystudio.com/listener for privacy information.

Charlie’s final speech to a Chapter Leadership Summit was a blueprint for everyone who will be picking up Charlie’s mantle in the years to come. Charlie tells the crowd of young leaders how to find purpose in their lives, how to hold firm in their convictions, and how to live with courage in a culture that rewards conformity. He also talks about dating and marriage, offers candid warnings to the men and women of Gen Z, and answers questions from the audience. Watch every episode ad-free on members.charliekirk.com! Get new merch at charliekirkstore.com!Support the show: http://www.charliekirk.com/supportSee omnystudio.com/listener for privacy information.

From October 30, 2024: The Cybersecurity and Infrastructure Security Agency (CISA) has taken a leading role in coordinating efforts to secure the 2024 election—from ensuring the physical security of election workers, to protecting election systems from cyber threats, to identifying foreign influence campaigns and preparing for deepfakes. With a week until Election Day, Senior Editors Quinta Jurecic and Eugenia Lostri spoke with CISA's Cait Conley, Senior Advisor to the agency's director, about how CISA is working to protect the vote. To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.