Podcasts about curators

Despite what we're told, websites are not obsolete. Curators still look at them. Gallerists still look at them. Collectors still look at them. Commissioners still look at them.  Quietly. Carefully. Often before they ever contact you. Your website is where people go when they're deciding whether to take you seriously. Social media shows momentum. Websites show coherence. If your website feels overwhelming, messy, neglected, or like a project you keep putting off, that doesn't mean you're behind. It usually means you've skipped a step.   Most artists jump straight to design. Templates. Platforms. Fonts. Colours. And they do it before they've made the harder, quieter decisions. What actually belongs on here? What am I ready to stand behind? What story am I telling now, not five years ago?  So, today´s episode isn't about redesigning your website. It's about preparing for it.  KEY TAKEAWAYS Artist websites still matter - curators, gallerists, commissioners, and collectors actually use them.  Your website isn't dead. It's quietly doing its job when the right people are paying attention. Your website is not a performance space, but a catalogue of your strongest thinking. It is not an archive. This is a selection of your best work - If someone only ever saw this work, they should understand the kind of artist you are. I don't want anyone landing on your site and thinking, well, now what? So, decide before you design how people can connect with you. This episode is about deciding what needs to be included on your site. The next one is about shaping. BEST MOMENTS “Ask yourself something important - if someone only saw these pieces, would they understand what kind of artist I am?” “Have a portrait image of yourself, ideally in your studio or somewhere that feels human. Smiley helps, warm helps, approachable helps. People want to know who they're connecting with. They don't need mystery here.” “A blank contact page with just an email address or an Instagram handle doesn't feel welcoming. It feels like a closed door.” PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Well, I've made the jump into my own studio, left my wingman behind and gained a load more!! You are treated to a breathy Jim for the first 5 minutes, after he'd been running around and then later on, you meet Baz, the first of our new hosts! We weave our way through a lovers plot, ritualistic amputation, toothache back when Laudanum was your only friend, AI memorials and a fetish factoid that didn't scare off the new boy! Welcome to a new era of The Padded Cell Podcast, which is completely self produced and is a work in progress, but it's filled with passion! The first time with 2 mics...you'd think it would be easy! I'm learning from my mistakes, let's put it that way! lol ▶︎ Support us on Patreon for bonus content: https://www.patreon.com/ThePaddedCellPodcast▶︎ www.thepaddedcellpodcast.co.uk▶︎ www.thepaddedcellpodcast.store Watch the podcast on YouTube:▶︎ YouTube - https://www.youtube.com/@ThePaddedCellPodcastFollow The Padded Cell for more:▶︎ Facebook - https://www.facebook.com/profile.php?id=61551425184285▶︎ Instagram - https://www.instagram.com/thepaddedcell_podcast/?hl=en-gb▶︎ TikTok - https://www.tiktok.com/@thepaddedcellpodcastRecorded and Produced by Liverpool Podcast Studios▶︎ Web - http://www.liverpoolpodcaststudios.com▶︎ Instagram - http://www.instagram.com/liverpoolpodcaststudios▶︎ LinkedIn - http://www.linkedin.com/company/liverpool-podcast-studios

Two major exhibitions in the year 2024 at the Cité de l'Architecture in Paris, France and the work and careers of the curators are related in this Com d'Archi. Indeed, La Cité de l'architecture et du patrimoine is getting into the games spirit with two exhibitions in 2024 that take visitors through the experience of sport in and out of stadiums through the prism of architecture.With Il était une fois les stades or Once upon a time, stadiums visitors can trace the evolution and revolutions of stadiums from the early 20th century to the present day. In 2023, architecture students have been invited to build nomadic sports fields in urban spaces.Quand la ville se prend aux jeux or When the city plays games will exhibit the winners of the ninth edition of Mini Maousse.Image teaser DR © Com d'Archi PodcastWith the voice of EstherSound engineering : Bastien Michel___If you like the podcast do not hesitate:. to subscribe so you don't miss the next episodes,. to leave us stars and a comment :-),. to follow us on Instagram @comdarchipodcast to find beautiful images, always chosen with care, so as to enrich your view on the subject.Nice week to all of you ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

The Revolution Gallery Lounge became a critical element of the arts scene in North Buffalo nearly ten years ago. Since then, it has doubled in size and hosted art shows, concerts, “event” nights, while welcoming fans and newcomers who were just plain curious. With their focus on surreal and figurative art, Maria and Craig LaRotonda practically created a new experience by combining three of the finer things in life: artworks, music, and alcohol! Their thriving gallery could almost be missed if one were to focus on all of the shops in their neighborhood, but once a person's curiosity opens the door, there are few who would not stay to enjoy the sights and sounds.

Send us a textPrasad Calyam, Curators' Distinguished Professor and Center Director at the University of Missouri, joins the show to explore how knowledge graphs, modern data platforms, and AI are reshaping power grids and cybersecurity. He breaks down graph database fundamentals, real-world research projects, and how industry can tap into cutting-edge university work—all in language that engineers, data folks, and developers can put to use.Timestamps 01:30 Meet Prasad Calyam 02:57 Why Higher Education? 05:22 Data Analytics 06:59 The Modern Power Grid 09:40 Graph DB Fundamentals 12:21 Cybersecurity via Graphs and RAG 13:45 Research Projects 14:38 Industry Leveraging University Research 16:07 Advice for Students 17:16 What's Fun for ProfessorsLinks LinkedIn: linkedin.com/in/prasadcalyam Website: http://www.missouri.edu#KnowledgeGraphs #GraphDatabase #RAG #Cybersecurity #PowerGrid #DataEngineering #AI #MLOps #TechPodcast #Developers #ResearchToProduction #UniversityResearchWant to be featured as a guest on Making Data Simple? Reach out to us at almartintalksdata@gmail.com and tell us why you should be next. The Making Data Simple Podcast is hosted by Al Martin, WW VP Technical Sales, IBM, where we explore trending technologies, business innovation, and leadership ... while keeping it simple & fun.

Send us a textPrasad Calyam, Curators' Distinguished Professor and Center Director at the University of Missouri, joins the show to explore how knowledge graphs, modern data platforms, and AI are reshaping power grids and cybersecurity. He breaks down graph database fundamentals, real-world research projects, and how industry can tap into cutting-edge university work—all in language that engineers, data folks, and developers can put to use.Timestamps 01:30 Meet Prasad Calyam 02:57 Why Higher Education? 05:22 Data Analytics 06:59 The Modern Power Grid 09:40 Graph DB Fundamentals 12:21 Cybersecurity via Graphs and RAG 13:45 Research Projects 14:38 Industry Leveraging University Research 16:07 Advice for Students 17:16 What's Fun for ProfessorsLinks LinkedIn: linkedin.com/in/prasadcalyam Website: http://www.missouri.edu#KnowledgeGraphs #GraphDatabase #RAG #Cybersecurity #PowerGrid #DataEngineering #AI #MLOps #TechPodcast #Developers #ResearchToProduction #UniversityResearchWant to be featured as a guest on Making Data Simple? Reach out to us at almartintalksdata@gmail.com and tell us why you should be next. The Making Data Simple Podcast is hosted by Al Martin, WW VP Technical Sales, IBM, where we explore trending technologies, business innovation, and leadership ... while keeping it simple & fun.

Good day ladies and gentlemen, this is IRC news, and I am Joy Stephen, an authorized Canadian Immigration practitioner bringing out this Canada Work Permit application data specific to LMIA work permits or employer driven work permits or LMIA exempt work permits for multiple years based on your country of Citizenship. I am coming to you from the Polinsys studios in Cambridge, OntarioNew Brunswick issued work permits between 2015 and 2024 for Conservators and curators under the former 4 digit NOC code 5112, currently referred to as NOC 51101.A senior Immigration counsel may use this data to strategize an SAPR program for clients. More details about SAPR can be found at https://ircnews.ca/sapr. Details including DATA table can be seen at https://polinsys.co/dIf you have an interest in gaining assistance with Work Permits based on your country of Citizenship, or should you require guidance post-selection, we extend a warm invitation to connect with us via https://myar.me/c. We strongly recommend attending our complimentary Zoom resource meetings conducted every Thursday. We kindly request you to carefully review the available resources. Subsequently, should any queries arise, our team of Canadian Authorized Representatives is readily available to address your concerns during the weekly AR's Q&A session held on Fridays. You can find the details for both these meetings at https://myar.me/zoom. Our dedicated team is committed to providing you with professional assistance in navigating the immigration process. Additionally, IRCNews offers valuable insights on selecting a qualified representative to advocate on your behalf with the Canadian Federal or Provincial governments, accessible at https://ircnews.ca/consultant.Support the show

Created by Indonesian/Australian artist Jumaadi, Upside-Down Garden is a magical environment that evokes the transformation of life and objects from one state to another. Located in Sydney's Barangaroo precinct, this public installation is a multilayered intervention, imbued with personal mythologies and cultural references. It holds fragments of time, creatures, history -both seen and unseen- memory and speculation.  In this episode Tim Stackpool speaks with co-curators Holly Williams and Glenn Barkley about the work, the collaboration, and the challenges of creating artwork for a developing public space. More information about the work: https://www.barangaroo.com/see-do-stay/upside-down-garden Upside Down Garden by Jumaadi. Curated by Holly Williams and Glenn Barkley through The Curators' Department. Project architect Caroline Comino Soundscape Michael Toisuta A transcript of this discussion is available for download here, courtesy of the Australian Arts Channel.  

How Curators & Artists Are Supported In The Digital Age, with Evelina Gorbačova, Head of Digital Development at FOLLOW.ARTFOLLOW.ART is a platform working to reshape how artists and curators connect in the digital age - You should listen in if you are interested in working at the intersection of art and technology, working at a startup compared to more traditional roles in either tech or the art world, or you are an artist and/or curator wanting to find digital career support online. We talk about the exclusions that curators and artists face in existing digital ecosystems - how they're often left out or underserved by platforms that weren't built with their needs in mind - and how FOLLOW.ART is trying to address those gaps. I ask her about the Nexus Card, a digital identity format that the team describes as "the heart of FOLLOW.ART," and why they chose to build this rather than just another social media profile or portfolio site. We discuss the technical challenges of combining physical art world interactions with digital infrastructure, how the team thinks about balancing accessibility with building a sustainable business, and so much more.Thank you Evelīna for coming on the podcast and FOLLOW.ART for the partnership!You can follow FOLLOW.ART on Instagram here: https://www.instagram.com/followart.world/You can check out FOLLOW.ART's website here: https://follow.art/ℹ️ #paidpartnership with Follow.Art- - - - - If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.SOCIALS: Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/Research and Creative Assistant: Iris Epstein 

In this bonus episode, the Guys get the rare opportunity to sample a few expressions from The Last Drop Distillers. A brand that describes themselves as "Curators of the World's Most Remarkable Spirits". The Guys break down 3 of these rare and unique offerings.

Is fashion art? Curators Émilie Hammen, Elizabeth Way and Arturo Galansino discuss the overlapping histories of fashion and art, and how contemporary designers are reconfiguring fashion's place in culture.   'Art, going back to the Renaissance, is emotional. It's intellectual, is apart from the body even as they paint are painting real life.' says Way. 'The Pre-Raphaelites and the arts and crafts movement took high art down from the wall and put it on the body, in their homes, in their lives.'  The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill.  About the speakers  Émilie Hammen is a fashion historian and director of Palais Galliera, Paris. Elizabeth Way is a writer and curator at the Museum of Fashion, Institute of Technology, New York. They are joined by their host Arturo Galansino, art historian, curator, director general of the Fondazione Palazzo Strozzi in Florence and this year's curator of the Frieze Masters Talks programme.  About the Frieze Masters Podcast  The Frieze Masters Podcast is back for 2025, bringing you seven conversations across art history curated by Arturo Galansino (Director General of Fondazione Palazzo Strozzi in Florence).    Entitled 'Woven Histories' and recorded live at Frieze Masters 2025, this year's series features artists, curators and thinkers, whose conversations weave together geographies and chronologies, and challenge us to look at history in new and unexpected ways.   Topics range from the evolving relationship between fashion and art to the role of the archive in Black history, the last Mughals and their cultural influence in India and the enduring inspiration of the old masters and renaissance art on contemporary making. Speakers include artists Tracey Emin, Glenn Brown and Antony Gormley, museum directors and curators Nicholas Cullinan, Émilie Hammen, Elizabeth Way and Carl Strehlke, and writers Edward George, Matthew Harle, Christopher Rothko and William Dalrymple.  Listen now on Spotify and Apple Podcasts.   The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill.  Image: Issey Miyake for Pleats Please and Yasumasa Morimura, Guest Artists Series No. 1 printed polyester dress, fall 1996, japan. Gift of Issey Miyake, Pleats Please Issey Miyake, Guest Artist Series 1, Yasumasa Morimura On Pleats Please ©The Museum at FIT 

This week historians John McManus and Waitman Beorn drop in to talk about the history behind Hamburger Hill, arguably the greatest war film we ever forgot.About our guests:John C. McManus is Curators' Distinguished Professor of U.S. military history at the Missouri University of Science and Technology (Missouri S&T). This professorship is bestowed by the University of Missouri Board of Curators on the most outstanding scholars in the University of Missouri system. McManus is the first ever Missouri S&T faculty member in the humanities to be named Curators' Distinguished Professor. As one of the nation's leading military historians, and the author of fifteen well received books on the topic, he is in frequent demand as a speaker and expert commentator. In addition to dozens of local and national radio programs, he has appeared on Cnn.com, Fox News, C-Span, the Military Channel, the Discovery Channel, the National Geographic Channel, Netflix, the Smithsonian Network, the History Channel and PBS, among others. He also served as historical advisor for the bestselling book and documentary Salinger, the latter of which appeared nationwide in theaters and on PBS's American Masters Series. During the 2018-2019 academic year, he was in residence at the U.S. Naval Academy as the Leo A. Shifrin Chair of Naval and Military History, a distinguished visiting professorship. His current project is a major three volume history of the U.S. Army in the Pacific/Asia theater during World War II. He is the host of two podcasts, Someone Talked! in tandem with the National D-Day Memorial, and We Have Ways of Making You Talk in the USA alongside Al Murray and James Holland. Dr. Waitman Wade Beorn is an associate professor in History at Northumbria University in Newcastle-upon-Tyne, UK.  Dr. Beorn was previously the Director of the Virginia Holocaust Museum in Richmond, VA and the inaugural Blumkin Professor of Holocaust and Genocide Studies at the University of Nebraska-Omaha.  His first book, Marching Into Darkness: The Wehrmacht and the Holocaust in Belarus (Harvard University Press) Dr. Beorn is also the author of The Holocaust in Eastern Europe: At the Epicenter of the Final Solution (Bloomsbury Press, 2018) and has recently finished a book on the Janowska concentration camp outside of Lviv, Ukraine. That book Between the Wires: The Janowska Camp and the Holocaust in Lviv was released in August 2024 from Nebraska University Press.  Between the Wires was recognised as a Finalist for the National Jewish Book Award in the United States.He is currently on research leave thanks to an AHRC Research, Development, and Engagement Fellowship.  This fellowship supports his work on a project entitled Visualizing Janowska: Creating a Digital Architectural Model of a Nazi Concentration Camp.  This interdisciplinary project will build a digital reconstruction of the Janowska concentration camp based on historical sources as most of the site is gone today.  Dr. Beorn is managing a team of architects and digital modellers to accomplish this and is partnered with the Holocaust Education Trust, the Wiener Holocaust Library, the Lviv Center for Urban History, the Duke Digital Art History and Visual Culture Lab, and the Holocaust Center North. Dr. Beorn has published work in Holocaust and Genocide Studies, Central European History, German Studie

Nervous about speaking in front of your team or at industry events? Seth Dechtman, founder of The Keynote Curators, shares essential public speaking advice from his 20+ years of experience. Learn why preparation beats memorization, how to handle unexpected disruptions, and why your message matters more than your performance. From conquering stage fright to mastering the room without a podium, Seth reveals the techniques that separate amateur presenters from confident communicators. Simplify your business operations: Visit paychex.com/MeetPaychex to learn how Paychex can handle your HR and payroll so you can focus on what counts. Have a topic idea? Share it at https://payx.me/thrivetopics Topics include: 00:00 – Episode preview and guest introduction 02:03 – What is The Keynote Curators? 05:49 – How the speaking industry has changed 06:52 – Why use a speakers bureau? 09:02 – What it takes to succeed as a speaker 12:45 – Everyday business speaking 15:23 – The power of preparation 18:28 – PowerPoints: Help or hindrance? 19:44 – Advice for speakers 24:00 – Style and stagecraft: Podium vs. movement 25:10 – Wrap up and thank you DISCLAIMER: The information presented in this podcast, and that is further provided by the presenter, should not be considered legal or accounting advice, and should not substitute for legal, accounting, or other professional advice in which the facts and circumstances may warrant. We encourage you to consult legal counsel as it pertains to your own unique situation(s) and/or with any specific legal questions you may have.

We're back for Part 2! Artist, Jennifer Coates joins me again to discuss 2 modern-day women mystic artists: Cornish Visionary, Ithell Colquhoun and Desert Transcendentalist, Agnes Pelton.Ithell Colquhoun links and mentions:"Papers of Ithell Colquhoun (1906-1988)" archive at Tate ModernThe Living Stones: Cornwall book by Ithell Colquhoun"The Mantic Stain" 1949 essay by Ithell Colquhoun "Dance of the Nine Opals" 1942 painting by Ithell Colquhoun "Scylla" 1938 painting by Ithell Colquhoun "Alcove" 1946 painting by Ithell Colquhoun Elliott Green, artistIthell Colquhoun: Between Worlds ed Katy Norris"Taro of Color": Ithell Colquhoun's Tarot Deck 1977Agnes Pelton links and mentions:Transcendental Painting Group, incl Raymond JohnsonHilma Af KlintHelena Blavatsky & Theosophy Alchemy 1937-9Mother of Silence 1933Photo of Agnes Pelton in Cathedral City 1932Mystical Book Nook⁠The Living Stones: Cornwall⁠ book by Ithell ColquhounIthell Colquhoun: Between Worlds⁠ ed Katy NorrisPractical Mysticism by Evelyn UnderhillOn Mysticism by Simon CritchleyHoly Feast and Holy Fast: The Religious Significance of Food to Medieval Women by Caroline Walker BynumIthell Colquhoun: Genius of The Fern Loved Gully by Amy Hale Weird Studies Podcast: Amy Hale episodeMedieval Women: the Curators' Lunchtime Lecture on You Tube: https://www.youtube.com/watch?v=yUgweMmuhyIMedieval Women: Voices and Visions (British Library) ed Julian Harrison & Eleanor Jackson Agnes Pelton: Desert Transcendentalist (Phoenix Art Museum) ed Gilbert VicarioThe Spiritual in Art: Abstract Painting from 1890 to 1985 ed Maurice TuchmanThanks so much to my guest cohost, Jennifer Coates! Find her online: ⁠⁠⁠⁠⁠⁠web⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠IG⁠⁠⁠⁠⁠Thanks to you for listening!~~~Visit Glögg Glǒgg, a pop up art faire, Dec 12-14, 2025 in Woodstock NY! More info: ⁠https://gloggglogg.my.canva.site/⁠ or on IG at ⁠@glogg_glogg⁠~~~All music by Soundstripe----------------------------Pep Talks on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pep Talks Website: ⁠⁠⁠⁠https://www.peptalksforartists.com/⁠⁠⁠⁠Amy, your beloved host, on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@talluts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amy's website: ⁠⁠⁠⁠https://www.amytalluto.com/⁠⁠⁠⁠Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Donations always appreciated!

A Christmas Carol by Charles Dickens has been transformed into a piece of hip hop dance at London's Sadler's Wells East, and a Bollywood infused song and dance extravaganza for the big screen. We hear from the creatives behind the new versions, Bend it Like Beckham director Gurinder Chadha and choreographer Dannielle Rhimes Lecointe. Beyond the Visual is the first of its kind in the UK - an exhibition co-curated by visually impaired artists. Held at the Henry Moore Institute in Leeds, the exhibition encourages visitors to touch the displays, listen to audio descriptions, and does much to make sure it truly is art for all, and all the senses. Joining Nick in the studio are artist and co-curator of the exhibition, Dr. Aaron McPeake and Dr. Clare O'Dowd the research curator at the Henry Moore Institute.A Little Trickerie by Rosanna Pike has been announced as the winner of the Bollinger Everyman Wodehouse Prize for Comic Fiction. The 2005 winner of the prize, A Short History of Tractors in Ukraniain, by the late author Marina Lewycka was declared the "winner of winners" over the last twenty five years of the prize. To investigate what makes a funny novel, Nick is joined by critic and Wodehouse fan Tristram Fane Saunders and three-time Wodehouse Prize nominee Lissa Evans.Presenter: Nick Ahad Producer: Ekene Akalawu

(00:00-30:38) A presentation for the ages today. Jeremy Rutherford, Matt Adams, and Gary Pinkel joining us today. Black Friday sale on the TMASTL Shop. I was smirking at the gif. Martin's take on the Sonny Gray to Boston move. Necessary, but not exciting. Audio of Chaim Bloom talking about the deal and appreciating what Gray did here. More Chaim Bloom audio talking about how the deal came about and what other moves the team may explore. People seem to like Chaim's voice. Bear Cups. Is Skanksgiving overrated?(30:46-58:10) An homage to Tim's accident. Board of Curators meeting today at the University of Missouri. Is there a Drinkwitz extension coming? Dueling sources. Do you call it Red Stick? Is Martin reporting on the 2Fox that Drink is staying? They're not happy with Tim in Louisiana. Oh great, another pasty white.(58:20-1:12:43) Bette Midler. Wind is the theme. Doug doesn't see the wind. Doug wouldn't mind being on 30A right now. Audio of Ken Rosenthal on Foul Territory talking about the possibility of Wilson Contreras being moved. Martin says 35% Contreras gets traded. You might be able to look as cute as Tim.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The UM Board of Curators has called an executive session for Wednesday at 3 p.m... What could it mean?? Plus, The Injury Expert Will Carroll joins to talk NFL injuries, and an all-time Under The Bus to a college basketball ref by a team announcer!

We keep speculating as to if/when we will see an announcement on Eli Drinkwitz's future heading into the weekend. Plus, our Big Show Thanksgiving Draft is back!

In this episode, Kappy shares what's on his plate at the moment. Links and handles mentioned in this episode:Motorino London | Stevie Parle | Luke AhearneChef Liv's Soy Sauce | HEYDOH Soy SauceCookies book | Vaughn VreelandChicago Chefs CookPalate Palette | The Taste Curators | Lish Steiling | Abbey CookHedley & Bennett corduroy collection | Ellen BennettFollow Beyond the Plate on Facebook and X.Follow Kappy on Instagram and X.www.beyondtheplatepodcast.com www.onkappysplate.com

For the first time the Henry Moore Institute in Leeds will be hosting an exhibition of contemporary sculpture designed to be experienced using multiple senses that move beyond the visual through the exhibition, ‘Beyond the Visual' which will open on 28 November 2025 and run until 19 April 2026.  The exhibition celebrates the work of both blind and non-blind artists who through their work challenge the dominance of sight in the making and appreciation of art. Works on display will include seven new commissions plus historical and contemporary work by sixteen international artists. All of the work in the exhibition can be experienced through more than one sense, including the sometimes forbidden act of touch.  RNIB Connect Radio's Toby Davey caught up with the three Curators of the exhibition Professor Ken Wilder, Professor of Aesthetics at the University of the Arts in London, Dr Aaron McPeake, artist and Associate Lecturer at Chelsea College of Arts, University of the Arts in London along with Dr Clare O'Dowd, Research Curator at the Henry Moore Institute to find out more about this ground braking fully accessible exhibition and some of the Artists work that will be on display too.  To find out more about the ‘Beyond the Visual' exhibition at the Henry Moore Institute from 28 November 2025 to 19 April 2026 do visit - https://henry-moore.org/whats-on/beyond-the-visual/ (Image shows the Beyond the Visual logo. A black circle on a yellow background in which is written in the same yellow as the background 'Beyond' on one line, 'the Visual' on the line underneath and slightly to the right, and yellow braille dots representing the word 'sculpture' underneath)

For the first time the Henry Moore Institute in Leeds will be hosting an exhibition of contemporary sculpture designed to be experienced using multiple senses that move beyond the visual through the exhibition, ‘Beyond the Visual' which will open on 28 November 2025 and run until 19 April 2026.  The exhibition celebrates the work of both blind and non-blind artists who through their work challenge the dominance of sight in the making and appreciation of art. Works on display will include seven new commissions plus historical and contemporary work by sixteen international artists. All of the work in the exhibition can be experienced through more than one sense, including the sometimes forbidden act of touch.  RNIB Connect Radio's Toby Davey caught up again with Dr Aaron McPeake, artist and Associate Lecturer at Chelsea College of Arts, University of the Arts in London and one of the Curators of the exhibition this time to talk about his commissioned work that will be on display in Leeds. To find out more about the ‘Beyond the Visual' exhibition at the Henry Moore Institute from 28 November 2025 to 19 April 2026 do visit - https://henry-moore.org/whats-on/beyond-the-visual/ (Image shows the Beyond the Visual logo. A black circle on a yellow background in which is written in the same yellow as the background 'Beyond' on one line, 'the Visual' on the line underneath and slightly to the right, and yellow braille dots representing the word 'sculpture' underneath)

Ruca is Head of Growth and Giel (aka deepcryptodive) is Head of Risk Curation at kpk.In this episode, we discuss the role of DeFi's risk curators, the individuals and teams responsible for assessing, pricing, and managing risk across DeFi lending markets and tokenized yield vaults. We talk about how risk curation has become both an essential service and a risky business of its own, as witnessed firsthand in Stream Finance's recent xUSD blowup.------

This week, we went live to discuss the fallout from Stream's DeFi blowup and its impact on Morpho. We then took a deep dive into the current state of HyperEVM and the unique opportunity that Hyperliquid has right now. Thanks for tuning in! As always, remember this podcast is for informational purposes only, and any views expressed by anyone on the show are solely their opinions, not financial advice. -- Follow Charlie: https://x.com/0xBroze Follow Blockworks Research: https://x.com/blockworksres Follow Danny: https://x.com/defi_kay_ Follow Boccaccio: https://x.com/salveboccaccio -- Katana directs chain revenue back to DeFi users for consistently higher yields. It starts with VaultBridge, which turns bridged assets into yield streams that back a perpetually funded real yield, boosting rewards for DeFi users. Katana is pioneering Productive TVL, assets actually being used in DeFi and reinforces this with Chain-owned Liquidity, permanent liquidity the chain controls. Stop sleeping on your bags: https://app.katana.network/?utm_source=BW-Pod -- A yearly Blockworks Research subscription is $4,500, but now you can get our latest MetaDAO research report absolutely free. Read up on the latest funding models and what it all could mean for the future of ICOs: https://link.blockworks.co/metadaoreport -- Subscribe on YouTube: https://bit.ly/3foDS38 Subscribe on Apple: https://apple.co/3SNhUEt Subscribe on Spotify: https://spoti.fi/3NlP1hA Get top market insights and the latest in crypto news. Subscribe to Blockworks Daily Newsletter: ⁠https://blockworks.co/newsletter/⁠ -- Timestamps: (0:00) Introduction (1:59) Morpho & Curators (4:57) DeFi Lending Models (20:00) Katana Ad (20:23) The State of HyperEVM (42:30) Unit's Monetization (47:25) Hyperliquid's Unique Opportunity (54:41) HIP-5 (1:03:08) Hyperliquid Assistance Fund (1:07:38) Katana Ad (1:08:36) The MegaETH ICO Drama -- Check out Blockworks Research today! Research, data, governance, tokenomics, and models – now, all in one place Blockworks Research: https://www.blockworksresearch.com/ Free Daily Newsletter: https://blockworks.co/newsletter -- Disclaimer: Nothing said on 0xResearch is a recommendation to buy or sell securities or tokens. This podcast is for informational purposes only, and any views expressed by anyone on the show are solely our opinions, not financial advice. Boccaccio, Danny, and our guests may hold positions in the companies, funds, or projects discussed.

RightSide is a Core Contributor at Pendle and Vivaldi is a CoFounder at Symphony.In this live session of Yield Talks, we explore whether AI can improve upon the work of human curators in evaluating, managing, transacting, and securing DeFi markets.------

Nina Wachsman studied book illustration under Maurice Sendak at Parsons School of Design and lives in New York City. Her mystery novels and stories are mostly historical, and many feature artists or artwork. She is a founding member of Curators of Crime, a website/blog of four authors who focus on art and crime.Website: ninawachsmanauthor.com, curatorsofcrime.com, venicebeauties.comFacebook: https://www.facebook.com/nina.wachsman, https://www.facebook.com/curatorsofcrimeInstagram: https://www.instagram.com/thegalleryofbeauties/Threads: https://www.threads.com/@thegalleryofbeautiesLinkedIn: https://www.linkedin.com/in/nina-wachsman-4937514Mentioned in the Podcast:Save the Cat: https://savethecat.com/Save the Cat Writes a Novel: https://www.jessicabrody.com/books/non-fiction/save-cat-writes-novel/about/Emma Darwin This Itch of Writing: https://www.emmadarwin.com/this-itch-of-writing*****************About SinCSisters in Crime (SinC) was founded in 1986 to promote the ongoing advancement, recognition and professional development of women crime writers. Through advocacy, programming and leadership, SinC empowers and supports all crime writers regardless of genre or place on their career trajectory.www.SistersinCrime.orgFacebook: https://www.facebook.com/sincworldwideInstagram: https://www.instagram.com/sincworldwide/Threads: https://www.threads.com/@sincworldwideBluesky: https://bsky.app/profile/sincworldwide.bsky.socialTikTok: https://www.tiktok.com/@sincworldwideeTikTok:: https://www.tiktok.com/@sincnationalLinkedIn: https://www.linkedin.com/company/sisters-in-crime/The SinC Writers' Podcast is produced by Julian Crocamo https://www.juliancrocamo.com/

GUEST BIO:Seth Dechtman is President of The Keynote Curators, securing top-tier speakers like Magic Johnson and Richard Branson for brands including Apple, Amazon, and Coca-Cola. A global strategist who's lived on four continents and speaks multiple languages, Seth brings instinctive matchmaking and strategic thinking to help event professionals find ideal speakers. His process: consult, curate, deliver, making clients look like rock stars. HIRE THEM TO SPEAK:Follow Seth Dechtman: LinkedinFollow Scott Bloom: eSpeakers BioFollow eSpeakers: eSpeakers Marketplace ABOUT NO MORE BAD EVENTS:Brought to you by eSpeakers and hosted by professional emcee, host, and keynote speaker Scott Bloom, No More Bad Events is where you'll hear from some of the top names in the event and speaking industry about what goes on behind the scenes at the world's most perfectly executed conferences, meetings, and more. Get ready to learn the secrets and strategies to help anyone in the event industry reach their goal of putting on nothing less than world-class events.Learn more at nomorebadevents.com. ABOUT THE HOST:A veteran comedian and television personality who has built a reputation as the go-to choice for business humor, Scott has hosted hundreds of events over two decades for big and small organizations alike. Scott has also hosted his own weekly VH1 series and recently co-hosted a national simulcast of the Grammy Awards from the Palace Theater.As the son of a successful salesman, he was exposed to the principles of building a business at an early age. As a comedian, Scott cut his teeth at renowned improv and comedy clubs. As a self-taught student of psychology, he's explored what makes people tick and has written a book (albeit a farce) on how to get through life. He's uniquely positioned to deliver significant notes on connecting people and making business seriously funny. And who doesn't like to laugh?Learn more about Scott: scottbloomconnects.com PRODUCED BY eSpeakers:When the perfect speaker is in front of the right audience, a kind of magic happens where organizations and individuals improve in substantial, long-term ways. eSpeakers exists to make this happen more often.eSpeakers is where the speaking industry does business on the web. Speakers, speaker managers, associations, and bureaus use our tools to organize, promote, and grow successful businesses. Event organizers think of eSpeakers first when they want to hire speakers for their meetings or events.The eSpeakers Marketplace technology lets us and our partner directories help meeting professionals worldwide connect directly with speakers for great engagements.Thousands of successful speakers, trainers, and coaches use eSpeakers to build their businesses and manage their calendars. Thousands of event organizers use our directories every day to find and hire speakers. Our tools are built for speakers, by speakers, to do things that only purpose-built systems can.Learn more at eSpeakers.com. SHOW CREDITS:Scott Bloom: Host | scottbloomconnects.comJoe Heaps: eSpeakers | jheaps@eSpeakers.com

This week Dr. John McManus joins in to talk about how WWII films have evolved over time, including our picks for best and worst movies ever made about the war.About our guest:John C. McManus is Curators' Distinguished Professor of U.S. military history at the Missouri University of Science and Technology (Missouri S&T). This professorship is bestowed by the University of Missouri Board of Curators on the most outstanding scholars in the University of Missouri system. McManus is the first ever Missouri S&T faculty member in the humanities to be named Curators' Distinguished Professor. As one of the nation's leading military historians, and the author of fifteen well received books on the topic, he is in frequent demand as a speaker and expert commentator. In addition to dozens of local and national radio programs, he has appeared on Cnn.com, Fox News, C-Span, the Military Channel, the Discovery Channel, the National Geographic Channel, Netflix, the Smithsonian Network, the History Channel and PBS, among others. He also served as historical advisor for the bestselling book and documentary Salinger, the latter of which appeared nationwide in theaters and on PBS's American Masters Series. During the 2018-2019 academic year, he was in residence at the U.S. Naval Academy as the Leo A. Shifrin Chair of Naval and Military History, a distinguished visiting professorship. His current project is a major three volume history of the U.S. Army in the Pacific/Asia theater during World War II. He is the host of two podcasts, Someone Talked! in tandem with the National D-Day Memorial, and We Have Ways of Making You Talk in the USA alongside Al Murray and James Holland. John C. McManus is a native of St. Louis. He attended the University of Missouri and earned a degree in sports journalism. After a brief stint in advertising and sports broadcasting, he embarked on a literary and academic career. He earned an M.A. in American history from the University of Missouri and a Ph.D in American history and military history from the University of Tennessee. He participated in the University of Tennessee's Normandy Scholars program and, in the process, had an opportunity to study the battle first hand at the Normandy battlefields. At Tennessee he served as Assistant Director of the Center for the Study of War and Society, where he helped oversee a major effort to collect the first hand stories of American veterans of World War II. Making extensive use of this material, as well as sources from many other archives, he published two important books, The Deadly Brotherhood: The American Combat Soldier in World War II in 1998, and Deadly Sky: The American Combat Airman in World War II in 2000. Shortly after the publication of Deadly Sky he accepted a position as Assistant Professor of U.S. Military History at the Missouri University of Science and Technology (at the time known as University of Missouri-Rolla) where he now teaches courses on the Civil War, World War II, Vietnam, American Military History, and the American Combat Experience in the 20th Century. He is on the editorial advisory board for World War II magazine and Global War Studies. In 2004 he published a two volume series on the American role in the Battle of Normandy. The first book, The Americans at D-Day: The American Experience at the Normandy Invasion was released in June 2004. The second book, The Americans at Normandy: The Summer of 1944, the American War from the Beaches to Falaise was published in November 2004. In 2007-2008 he published four new books. 

Ioana explores how AI is transforming the role of designers from creators to curators and editors of machine-generated outputs.This episode was recorded in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Wix Studio.⁠In this episode: • When did you first notice AI design outputs starting to look the same?• If our role shifts to curation—similar to art curators—what qualities define a design curator?• Are we still truly creating, or have we become editors and directors of AI-generated work? Are we building solutions as before, or primarily guiding and shaping AI outputs?Check out these links:Join Anfi's ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Job Search community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠The community includes 3 courses, 12 live events and workshops, and a variety of templates to support you in your job search journey.Ioana's ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AI Goodies Newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ioana's Domestika course ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Create a Learning Strategy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enroll in Ioana's AI course ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"**AI-Powered UX Design: How to Elevate Your UX Career"**⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Interaction Design Foundation with a 25% discount.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Into UX design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ online course by Anfisa⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠❓Next topic ideas:Submit your questions or feedback anonymously ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Instagram to stay tuned for the next episodes.

In the wake of natural disasters, art can serve as a lifeline for communities in urgent need of healing. Today, we're chatting with the curators behind A Tale of Two Cities, a cross-cultural exhibition commemorating the anniversaries of hurricanes Helene in Asheville and Katrina in New Orleans. Our guests include Kenn Kotara, an artist based in Asheville; Jan Gilbert, an artist from New Orleans; and Andrew Rogers, the executive director of the New Orleans Academy of Fine Art (NOAFA), where the exhibition will be held. The discussion centers on the cultural impact and aftermath of both hurricanes on their respective cities. Each guest shares their experiences and insights regarding how art has played a critical role in recovery efforts. Ken Kotara reflects on the Asheville community's resilience, highlighting how local artists have embraced collaboration and creativity to rebuild their cultural identity. Jan Gilbert adds to this narrative by discussing the unique challenges New Orleans artists face, emphasizing their commitment to using their work as a form of healing. Andrew Rogers emphasizes the importance of showcasing the interconnected stories of artists from both cities. He encourages listeners to engage with the arts and support local talent, underscoring the healing power of creativity in the aftermath of adversity.Through a shared platform, A Tale of Two Cities invites artists to reflect on their experiences with climate-related disasters and engage the public in meaningful conversations about hope and recovery. The exhibition emphasizes the importance of protecting and representing vulnerable artists, affirming that art can catalyze healing in communities facing existential challenges. With both physical and virtual showcases, this exhibition aspires to inspire ongoing connections between the two cities, promoting cultural exchange and reinforcing the role of art in building resilient communities.A Tale of Two Cities opens Sept. 13 and runs through Nov. 8, 2025, at NOAFA. For more information, please visit https://www.artsvilleusa.com/a-tale-of-two-cities-curators-panel

HAPPY TIFF SEASON TO EVERYONE WHO CELEBRATES!!In this conversation, Peter Kuplowsky shares his journey from a passionate film enthusiast to a prominent curator and independent film producer. He discusses the evolution of his curatorial voice, the unique experience of Midnight Madness at TIFF, and the importance of networking in the film industry. Peter also offers valuable advice for aspiring curators and filmmakers, emphasizing the need to stay curious and seize opportunities.TakeawaysNetworking is crucial in the film industry; many opportunities arise from connections.Curators should seek out interesting decisions in films to engage audiences.Aspiring curators can start small, even in their living rooms.Saying yes to opportunities can lead to unexpected and rewarding experiences. Hosted on Acast. See acast.com/privacy for more information.

To grow your art career, you don't need one gatekeeper, you need a creative ecosystem. Nobody´s career can grow in isolation, everyone needs champions - Curators, Writers, Collectors, Funders, Peers, Producers, Family and Friends. People who give feedback, open doors, and say your name in the right room. Ceri shares how to spot your artworld champions in the wild, connect with them and start building your own support network today. Ready to take action? Start the Unlock Your Artworld Network self-paced course today and learn how to build the connections that will sustain your art and your career - https://cerihand.com/courses/unlock_your_artworld_network/ KEY TAKEAWAYS Your champions are the people who help you move forward. They're not always famous or powerful, but they do offer guidance, feedback, introductions and advocacy. Amira found new champions and opportunities by mapping out who supported and wrote about artists she admired, then reaching out to them herself, in a genuine, thoughtful way. Map out your current champions, who's helped you so far, who's in your corner, who you've been meaning to reconnect with Choose three areas you want to grow in and let your champions help you to do that. BEST MOMENTS “Let's get into the nuts and bolts, because this is how the art world really works, and how your work gets seen, shared and supported.” “ When one door's stuck shut, a champion might just crack open a window.” “Think of your networks as your ecosystem. They don't have to be fancy or formal. They can be a group of artists visiting shows together, a creative co-working space, a book group, an online course or coaching membership like mine.” PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** The Artist Mastermind Circle: Ready to stop second-guessing and start building momentum in your art career? Applications are now open for the next Artist Mastermind Circle—a six-month coaching programme for mid-career artists who are serious about growing their confidence, income, and opportunities. Apply by September 15th 2025 at https://cerihand.com/artist-mastermind-circle/ and take the next bold step. Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Museums are where we put our best stuff. An item might belong in a museum if it's rare, expensive, irreplaceable, or so ordinary and beloved it becomes extraordinary. A self-portrait by Vincent Van Gogh, a can of SPAM, a Romanian mud hut, a narwhal horn, a discarded red stiletto: They can all be found in a museum somewhere in the world. But exhibitions in museums are more than mere collections of striking items. Museums are vital institutions that take on the tasks of collecting, interpreting, and caring for artifacts so they can be experienced by the general public. The Ancient Greek word mouseion means ‘seat of Muses.' In classical antiquity, a museum was a place for contemplation and philosophical debate. When art moved from the open air, larger-than-life statuary of the Greco-Roman era to more intimate, human-scale paintings and objects, the definition of museum changed, too. It became a place to visit to see art — and anything placed in a museum became art. In this episode, we romp through the delightful hoarding behavior behind Renaissance Wunderkammers, learn about the first museum curator (spoiler: It was a woman!), and celebrate the majesty of the Louvre. Then we recommend books that transported us to museums around the world. Here are the books we recommend on the show: A Little History of Art by Charlotte Mullins A Parisian Cabinet of Curiosities: Deyrolle by Prince Louis Albert de Broglie Cabinets of Curiosities by Patrick Mauriès How to Enjoy Art by Ben Street Metropolitan Stories by Christine Coulson The Last Painting of Sara de Vos by Dominic Smith For more on the books we recommend, plus the other cool stuff we talk about, visit show notes at http://strongsenseofplace.com/podcasts/2022-07-18-museums Do you enjoy our show? Do you want access to awesome bonus content? Please support our work on Patreon! Every little bit helps us keep the show going and makes us feel warm and fuzzy inside - https://www.patreon.com/strongsenseofplace Learn more about your ad choices. Visit megaphone.fm/adchoices

Submitting your music to blogs, playlists, or radio can be overwhelming... and often discouraging. In this episode, Scott shares five essential steps to take before you pitch your music to press, curators, and influencers. Learn how to stay organized, build the right list, craft simple pitches, and avoid common mistakes that keep your music from being heard. Presented by LANDR - landr.com/otherrecordlabels

I spoke with Venice Immersive curators Liz Rosenthal & Michel Reilhac about sneak peak of their 2025 selection, which is their largest selection yet. See more context in the rough transcript below. Here's an Venice Immersive Program Cheat Sheet by Voices of VR podcast (PDF), which has an overview of the four categories of immersive experiences ordered by longest booking times to shortest (amount of time required for scheduling purposes) as well as the actual runtime, the number of people who can see it per slot, and then the number of people who can see it per day. This should hopefully help for your scheduling process. I typically book experiences to roughly corresponding to hours. The Biennale scheduling website will open up on Thursday, August 21st, and it will not let you double book yourself. So I personally find it easier to book the longer experiences first, and then fill out my schedule with shorter experiences, and then experiences that generally have higher capacity. Note that Ancestors (capacity of 48 people), and L'Ombre (capacity of 50 people), and each of the VRChat sessions only have one booking time per day, and so these are also worth prioritizing if you want to see them and they should have lots of capacity throughout the week. The One the Other Earth may be one of the more logistically difficult experiences to see as you'll need to make a trek up to the main Venice island. I'd recommend trying to keep your schedule clear for at least an hour before and afterwards. Here's a Venice Immersive Schedule Helper that I put together to help navigate the schedule. Here's a placeholder for my other coverage of Venice Immersive 2025 to be updated after the festival. Venice Airport to Lido Island The best way to get to Lido from the Venice airport is either via the Red or Blue Line of the Alilaguna Public Transport water taxi, which you can get tickets either after you come out of customs or you can go to the water taxi dock at the Venice airport, and there's a booth there.  Picking up badge at Palazzo del Casinò I usually pick up my badge at the bottom of the Palazzo del Casinò, which is at Lungomare Guglielmo Marconi, 1861, 30126 Lido VE, Italy Venezia 2000 to the VR Island (Lazzaretto Vecchio) The best way to get to the VR Island of Lazzaretto Vecchio from the docks is the bus. The buses leave every 15-20 minutes, and it's a 3 minute ride, and another 5 minute walk to the island. Here is a link to the bus route and the addresses. I believe it is either the A, N, or C or CE routes. I believe the bus stop names are S.Maria Elisabetta and then I get off at the Gallo Sant'Antonio stop. The address of the VR island is Isola del Lazzaretto Vecchio, Lazzaretto Vecchio, 30100 Venezia VE, Italy There is a water taxi that you can find the pick-up spot by looking at the google map and get directions there. It takes 1 minute of a ride, but there is only one taxi that can be a 10-15 minute wait depending on how busy it is. Also be sure to check out XR Must's interview with Liz and Michel, which I found a lot of helpful info in. Some of the artist statement videos are starting to get posted onto the BiennaleChannel YouTube page. Here's a list Best of Experiences and Best of Worlds from VRChat that are already available if you'd like to get a head start on this year's program. Already Released - BEST OF EXPERIENCES The Midnight Walk Ghost Town One True Path, Part 1 Wall Town Wonders D-Day: The Camera Soldier - Apple Vision Pro Submerged - Apple Vision Pro Adventure: Ice Dive - Apple Vision Pro Already Released - BEST OF WORLDS - VRChat links included vent. by Premium² What is Virtual Art – Volume 1 by Jessien FLASHING WARNING by xlxxl Flat Earth by Niko Lang Neuron by Juice… Powdergame by Pema Malling [NOT REPLAYABLE YET] FZMZ Pointzero by ReeeznD [VR_SMEJ] よるとうげ -Yorutouge- by mikkabouzu / Kikuo [VR_SMEJ]

Guests: Lady Pop Hunter  @LadyPopHunter  and her husband David Eon of the Open By Chance Toys YouTube channel are here to talk about their toy museum, classic toys, pop culture history, comic books, music about their stray cat rescue charity. #OpenByChanceToys  @OpenByChance  + #thenostalgicpodblast  @thenostalgicpodblast  = FUN #catrescue #cats #toys #games #movies #music #collectors #collections #toycollection

Curators at the National Museum of World Culture in Sweden recently invited a group of Zambian women to help understand the meaning of some ancient artifacts and the communities that used them. Samba Yonga, a co-founder of the virtual Women's History Museum of Zambia, was one of them. She discussed the project with The World's Host Carolyn Beeler. The post Deciphering ancient artifacts with a lost language used by women in Zambia appeared first on The World from PRX.

ART INSIDER EPISODE→ Stay connected to the Exhibitionistas flow, ⁠SIGN UP: https://joanaprneves.substack.com/s/e...→ Do you want to support our third season? Donate ⁠HERE⁠: https://exhibitionistaspodcast.com/su...→ Like comment and rate the show.EPISODE:INTERVIEW with curators Gemma Rolls-Bentley and E-J Scott around their exhibition "Talisman", presented by Cardion Arts in Collaboration with The Museum of Transology. https://cardionarts.org/2025-exhibition-talisman: Group exhibition of LGBTQIA+ artists from all over the UK, focusing on objects whose symbolic and energetic force infuse a sense of safety and protection, but also of resistance in queer lives.Most of the artworks in the exhibition are for sale, and provide funds for AKT, the UK's only charity dedicated to supporting LGBTQ+ young people facing homelessness (contact@cardionarts.org).Key Themes Explored in This Episode: The importance of inclusivity. Trans rights. Trans guidance. LGBTQIA+ art and artists. Queering the museum. Curating as an LBBTQIA+ person. Recentering female queer and trans narratives.Major Themes: Curating, Queer art, Museum Communication Strategies and Failures, Queer narratives, LGBTQIA+ art visibility, Lesbian histories, Trans histories, Audience Engagement, How to Engage with inclusivity. Art and activist. Non profit art organisations. Curating. Museums and heritage. New forms of curating. Exhibitions as safe spaces explores the importance of contemporary art spaces, museums and galeries for the LGBTQIA+ community. ⁠⁠For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcastBluesky: @exhibitionistas.bsky.socialexhibitionistaspod@gmail.comAbout us: Exhibitionistas is an independent podcast created and hosted by contemporary art curator and writer Joana P. R. Neves. www.exhibitionistaspodcast.com#contemporaryart #lgbtqia #exhibitionistas #exhibitionistaspodcast #joanaprneves #gemmarollsbentley #ejscott #museumoftransology #cardionarts #talisman

On the next Charlotte Talks, we explore some of the work of photographer Annie Leibovitz, on display at the Mint Museum, and a unique exhibit at the Bechtler that uses sound to experience various visual works.

It's harder than ever to breaking through the noise, but navigating YouTube may be a prerequisite to even have a chance. In this episode, I'm joined by YouTube's Director of Black Music & Culture, Tuma Basa. He returns to reflect on the platform's evolution and the ongoing relationship between curators and the algorithms they rely on to reach the masses. 03:23 The YouTube Advantages 12:42 Global Music Trends 16:29 Community Engagement on Platforms 18:42 Music videos: Hype Williams and Dave Meyers Our partners at Chartmetric just released a new report you should check out, 2025 Make Music Equal Report. Our Trapital Summit is Wednesday, September 10 in LA! Get your early bird tickets here before July 24. This episode is presented by State Farm, the home for your small business needs. Like a good neighbor, State Farm is there. Listen in for our Chartmetric Stat of the Week.

We sit down with a delegation of Irish curators—Michele Horrigan (Askeaton Contemporary Arts), Michael Hill (Temple Bar Gallery + Studios), and Mark O'Gorman (The Complex)—to unpack what it means to build artist-centered institutions on an island without a commercial art market. From weather-worn banana warehouses to smoke-machine-filled nightclubs, these curators share space-making tactics, post-colonial entanglements, and the challenges of caring for artists without selling to collectors. They're in Chicago for EXPO and bringing the heat—with nothing but friendship, found neon, and deeply site-responsive shows. Also: fluorescent hands, oak horns, grant hustle, and Duchampian office doors Names Dropped: Lilian Pettinicchi / Lilian Peto – No official site found Anya McBride – Devin Mays – https://regardsgallery.com/artists/devin-mays/ Haynes Riley / Good Weather – https://www.goodweather.llc Becky Nahum (ICA) – No profile confirmed Stephanie Smith – https://curatorsintl.org/about/collaborators/4391-stephanie-smith Kate Sierzputowski – https://katesierzputowski.com Amanda Rice – https://www.instagram.com/p/Cx2lfLmL_Qk Frank Wasser – https://www.instagram.com/frankwasserartist Briony Dunne – https://www.instagram.com/bryonymaydunne Olga Balema – https://www.clearing-gallery.com/artists/olga-balema Hannah Hoffman Gallery – https://www.instagram.com/hannahhoffmangallery Bridget Donahue Gallery – https://www.bridgetdonahue.nyc John Latham / Flat Time House – http://www.flattimeho.org.uk Brian Doherty – Tom Friedman – https://en.wikipedia.org/wiki/Tom_Friedman Duchamp (Marcel) – https://en.wikipedia.org/wiki/Marcel_Duchamp The Smiths (band) – https://en.wikipedia.org/wiki/The_Smiths Website/IG Handles (if available or mentioned): ·       Askeaton Contemporary Arts / @askeatonarts ·       Temple Bar Gallery + Studios / @templebargallery ·       The Complex Dublin / @thecomplexdublin ·       Good Weather / @goodweathergallery

If you have no idea what this is about, listen to our episode on The Book of Bill featuring Alex Hirsch! Do beware: it's a long one. https://youtu.be/rj_8qLhfE-w?si=2xWbxJI8759hb4JcExplore the website for yourself: https://thisisnotawebsitedotcom.com/Follow Sara: https://bsky.app/profile/pyramidserum.bsky.socialFollow Chloe: https://twitter.com/tsunamiholmesSupport us on Patreon at https://www.patreon.com/MysteryShackJoin our Discord Community: https://discord.gg/ZTRu7qyZcRCheck out Keyan Carlile's Cipher Hunt documentary, featuring the Curators: https://youtu.be/FjF7HpQQvRc?si=dMxo8pZIN9xlUtLgDownload our soundtrack: https://ellacesari.bandcamp.com/Check out our merch store: https://crowdmade.com/collections/mysteryshacklookbackIntro theme song instrumental by http://twitter.com/PryinBrian"Hall of Conspiracies" theme by https://simandthedimbulbv2-0.tumblr.com/post/664143564235800576/back-when-i-was-working-on-guide-to-neilAlex Hirsch as Grunkle Stan in Hall of Conspiracies introFollow us on Twitter: https://twitter.com/mysteryshackpodInstagram: https://www.instagram.com/mysteryshacklookback/Bluesky: https://bsky.app/profile/mysteryshackpod.bsky.socialhttps://pipedreampodcasts.com/mystery-shack-lookbackEmail us at mysteryshacklookback@gmail.com

I spoke with Raindance Immersive curators Mária Rakušanová, Joe Hunting, Fangs about the 2025 selection of projects across 8 different categories. Tune in to get all of the latest tips from this year's selection that is mostly happening on social VR platforms including VRChat, Resonite, and Orion Drift. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

I spoke with the curators of Tribeca Immersive 2025 Jazia Hammoudi and Casey Baltes to unpack the 11 impact project that are being feature in this year's selection. We also talk about Tribeca's new collaboration with Onassis ONX and Agog, how the selection process has changed over the years. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

The week of May 21, 2025 on The Metallica Report… Steff and Renée sit down with Dan Nykolayko and Eleni Psaltis, the curators of the upcoming Load Deluxe Box Set. From what the band envisioned to chasing down previously undiscovered recordings and live performances, Dan and Eleni bring us from Lars' basement to Inveniem and everywhere in between while they discuss the scope of—and stories behind—producing this gargantuan release. They even share an exclusive audio snippet!The Metallica Report – your official, weekly guide for all things Metallica, straight from the source. New episode every Wednesday. Load Remastered Pre-Order & Merch - https://www.metallica.com/store/load-remastered  Month of Giving Local Chapter Fundraising Competition: allwithinmyhands.kindful.com/month-of-giving-2025 Shop Month of Giving Limited-Edition Merch: metallica.com/store/month-of-giving  Upcoming Tour Dates: metallica.com/tour   M72 map - m72map.metallica.com  “Metallica Saved My Life” Film: fathomentertainment.com/metallica-saved-my-life  Music from The Metallica Report: metallica.lnk.to/TMR-music Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the Arts to Hearts Podcast, curator and art advisor Liza Zhurkovskaya sits down with Charuka to talk about building an art career, supporting artists in a fast-changing digital world, and the behind-the-scenes of curating for ATH Magazine Issue 6. From her early days discovering a passion for galleries after moving to Canada, to launching her own online gallery, Liza shares honest reflections on the joys and struggles of life in the art world — and offers thoughtful advice to emerging artists trying to carve out their own path.

When it comes to Confederate monuments, there is no common ground. Polarizing debates over their meaning have intensified into legislative maneuvering to preserve the statues, legal battles to remove them, and rowdy crowds taking matters into their own hands. These conflicts have raged for well over a century—but they've never been as intense as they are today. In No Common Ground: Confederate Monuments and the Ongoing Fight for Racial Justice (UNC Press, 2021), Dr. Karen L. Cox offers an eye-opening narrative of the efforts to raise, preserve, protest, and remove Confederate monuments. Dr. Cox depicts what these statues meant to those who erected them and how a movement arose to force a reckoning. She shows the forces that drove white southerners to construct beacons of white supremacy, as well as the ways that anti-monument sentiment, largely stifled during the Jim Crow era, returned with the civil rights movement and gathered momentum in the decades after the Voting Rights Act of 1965. Monument defenders responded with gerrymandering and "heritage" laws intended to block efforts to remove these statues, but hard as they worked to preserve the Lost Cause vision of southern history, civil rights activists, Black elected officials, and movements of ordinary people fought harder to take the story back. Timely, accessible, and essential, No Common Ground is the story of the seemingly invincible stone sentinels that are just beginning to fall from their pedestals. Our guest is: Dr. Karen L. Cox, who is professor emeritus of history at the University of North Carolina at Charlotte. Her other books include Dreaming of Dixie: How the South Was Created in American Popular Culture and Dixie's Daughters: The United Daughters of the Confederacy and the Preservation of Confederate Culture. Our host is: Dr. Christina Gessler, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast. Playlist for listeners: Campus Monuments Researching Racial Injustice A Conversation with Curators from the Smithsonian The Names of All the Flowers What Might Be: Confronting Racism to Transform Our Institutions Stolen Fragments Welcome to Academic Life, the podcast for your academic journey—and beyond! You can help support the show by downloading, assigning and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

When it comes to Confederate monuments, there is no common ground. Polarizing debates over their meaning have intensified into legislative maneuvering to preserve the statues, legal battles to remove them, and rowdy crowds taking matters into their own hands. These conflicts have raged for well over a century—but they've never been as intense as they are today. In No Common Ground: Confederate Monuments and the Ongoing Fight for Racial Justice (UNC Press, 2021), Dr. Karen L. Cox offers an eye-opening narrative of the efforts to raise, preserve, protest, and remove Confederate monuments. Dr. Cox depicts what these statues meant to those who erected them and how a movement arose to force a reckoning. She shows the forces that drove white southerners to construct beacons of white supremacy, as well as the ways that anti-monument sentiment, largely stifled during the Jim Crow era, returned with the civil rights movement and gathered momentum in the decades after the Voting Rights Act of 1965. Monument defenders responded with gerrymandering and "heritage" laws intended to block efforts to remove these statues, but hard as they worked to preserve the Lost Cause vision of southern history, civil rights activists, Black elected officials, and movements of ordinary people fought harder to take the story back. Timely, accessible, and essential, No Common Ground is the story of the seemingly invincible stone sentinels that are just beginning to fall from their pedestals. Our guest is: Dr. Karen L. Cox, who is professor emeritus of history at the University of North Carolina at Charlotte. Her other books include Dreaming of Dixie: How the South Was Created in American Popular Culture and Dixie's Daughters: The United Daughters of the Confederacy and the Preservation of Confederate Culture. Our host is: Dr. Christina Gessler, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast. Playlist for listeners: Campus Monuments Researching Racial Injustice A Conversation with Curators from the Smithsonian The Names of All the Flowers What Might Be: Confronting Racism to Transform Our Institutions Stolen Fragments Welcome to Academic Life, the podcast for your academic journey—and beyond! You can help support the show by downloading, assigning and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Hi friends, happy Wednesday! The other day I was invited to a bachelorette party. And it wasn't one of those simple, one day parties. NO. This was going to be an all-out, wild, expensive bachelorette weekend in… the city of Las Vegas. And I knew exactly what was going to happen. The shots. Thunder from Down Under. $300 dinners. No sleep. And I'm like… why is everyone obsessed with going to this random, expensive city in the middle of the desert?  Don't get me wrong… I love Vegas. But it's kind of surprising that it's still around. I mean, if you think about it, Vegas has almost been canceled over and over and over again.  I mean there was the mob, the recession, covid, inflation… but Vegas *always* seems to find a way to survive. And I had to get to the bottom of why. So join me on this journey as we discuss The Dark History of… Las Vegas.   I appreciate you for coming by, and tune in next week for more Dark History. I sometimes talk about my Good Reads in the show. So here's the link if you want to check it out. IDK. lol: https://www.goodreads.com/user/show/139701263-bailey FOLLOW ME AROUND Tik Tok: https://bit.ly/3e3jL9v Instagram: http://bit.ly/2nbO4PR Facebook: http://bit.ly/2mdZtK6 Twitter: http://bit.ly/2yT4BLV Pinterest: http://bit.ly/2mVpXnY Youtube: http://bit.ly/1HGw3Og Snapchat: https://bit.ly/3cC0V9d Discord: https://discord.gg/BaileySarian* RECOMMEND A STORY HERE: cases4bailey@gmail.com Business Related Emails: bailey@underscoretalent.com Business Related Mail: Bailey Sarian 4400 W. Riverside Dr., Ste 110-300 Burbank, CA 91505  ________ Credits: This podcast is Executive Produced by: Bailey Sarian & Kevin Grosch and Joey Scavuzzo from Made In Network Head Writer: Allyson Philobos Writer: Katie Burris Additional Writing: Emma Lehman and Jessica Charles Research provided by: Coleen Smith and Alexander Elmore Special thank you to our Historical Consultant: Larry Gragg, Curators' Distinguished Teaching Professor Emeritus of History and author of Bugsy's Shadow: Moe Sedway, “Bugsy” Siegel, and the Birth of Organized Crime in Las Vegas  Director: Brian Jaggers Additional Editing: Julien Perez and Maria Norris Post Supervisor: Kelly Hardin  Production Management: Ross Woodruff Hair: Angel Gonzalez Makeup: Roni Herrera ________ Style that makes you feel as good as you look—get started today at https://www.stitchfix.com/darkhistory. Visit https://www.audible.com/darkhistory or text DARKHISTORY to 500-500. New users can try Audible premium plus for free for 30 days. Head to https://www.factormeals.com/darkhistory50 to get 50% off.

Gabby Reece sits down with Elijah Allen-Blitz to dive into the rapidly evolving world of artificial intelligence, human consciousness, and technology's role in our lives. They discuss the rise of AI assistants, tools like ChatGPT and DeepSeek, and the surprising ways AI is already integrated into our daily routines—from customer service to medical diagnoses and even booking flights. CHAPTERS 00:00 Reconnecting and Relationship Insights 04:16 The Body and Spirit Connection 08:19 Technology as a Tool 11:53 AI in Healthcare 20:17 DeepSeek and AI Innovations 29:56 The Power of AI in Storytelling 32:03 Resilience and Technology: A Balancing Act 34:00 AI as a Tool for Exploration 37:10 The Future of AI and Human Connection 39:50 Ethics and Responsibility in AI Development 42:57 Addressing Societal Issues with AI 46:02 The Role of Curators in an AI-Driven World 48:51 The Intersection of Love and Technology 51:00 Navigating Innovation and Fear 54:00 Practical Applications of AI in Daily Life KEYWORDS relationships, technology, AI, healthcare, personal growth, spirituality, dating, self-improvement, innovation, consciousness, AI, storytelling, resilience, technology, human connection, ethics, societal issues, innovation, love, practical applications Learn more about your ad choices. Visit megaphone.fm/adchoices

Librettist, essayist, translator, and author of ten poetry collections, Scott Cairns is Curators' Distinguished Professor Emeritus at University of Missouri. His poems and essays have appeared in Poetry, Image, Paris Review, The Atlantic Monthly, The New Republic, and both have been anthologized in multiple editions of Best American Spiritual Writing. He received a Guggenheim Fellowship in 2006, and the Denise Levertov Award in 2014.-bio via Paraclete Press This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe