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We join Jon as he negatives through the Boston Airport to talk about The Mekon's new album HORROR and HORRORble the Dub companion album! Mekons, who will be celebrating their 50th year in 2027, will be touring in support of the upcoming re-release of their 2025 album HORROR on June 12 in conjunction with a an entire new album of Dub remixes, entitled HORRORble (mekons Vs. Tony Maimone In Dub Conference) by Pere Ubu's Tony Maimone via Fire Records as a 2xCD, white vinyl and digital configurations and can be ordered here. June -3-26th Cleveland OH The Mekons at The Music Box Supper Club Tickets here mekons-june3 About Jon: Jon Langford born October 11, 1957, Newport, Monmouthshire is a Welsh-born musician and artist who is presently based in Chicago. He is the younger brother of science-fiction author and critic David Langford Langford was originally the drummer for the punk band The Mekons when it formed at the University of Leeds in 1977, but he later took up the guitar as other band members left. Since the mid-1980s he has been one of the leaders in incorporating folk and country music into punk rock. He has released a number of solo recordings as well as recordings with other bands outside of The Mekons, most notably the Waco Brothers, which he co-founded after moving to Chicago in the early 1990s. He is involved with the Chicago-based >independent record label >Bloodshot. Langford is also a prolific and respected visual artist best known for his striking portraits of country music icons including Hank Williams, Johnny Cash, and Elvis Presley. His multimedia music/spoken-word/video performance, “The Executioner's Last Songs,” premiered at Alverno College in 2005, and has been performed in several other cities. He illustrated the comic strip Great Pop Things under the pseudonym Chuck Death. Since 2005 he has co-hosted a weekly radio program, “The Eclectic Company,” broadcast on WXRT 93.1 FM in Chicago. He has contributed to This American Life. Among Langford's musical side projects have been the Three Johns (with John Hyatt and John (Phillip) Brennan), who released several albums of drum-machine-fueled punk in the 1980s; the country-punk Waco Brothers (with Dean Schlabowske, Tracey Dear, Alan Doughty, Mark Durante, and Mekons drummer Steve Goulding), who have been recording since 1995; the Pine Valley Cosmonauts, a revolving assortment of Chicago musicians who have backed both Langford and other musicians such as Kelly Hogan; and Ship and Pilot. He became a father figure to the local music scene, encouraging many of his labelmates on Bloodshot Records and championing anyone he thought worthy of scrutiny, often lending his services as a musician or visual artist or inviting local musicians to guest on his releases. Langford's first official solo album, Skull Orchard, a look back at his hometown of Newport, Wales, was released in 1998. He followed it with All the Fame of Lofty Deeds, in 2004, Gold Brick in 2006, and Old Devils in 2010. Langford is an accomplished artist and is renowned for his multi-layered paintings of famous and forgotten figures from the dawn of country music. Nashville Radio, a collection of his artwork and writings, was published in 2006. In January and February 2009, Chicago's Walkabout Theater Company and Collaboraction premiered a stage adaptation of Langford's Goldbrick that featured a live band, two actors and video projections. In November and December 2009, The House Theatre of Chicago staged a production of “All the Fame of Lofty Deeds”, written by rock journalist Mark Guarino and based on Langford's art and 2004 solo album. Collaborations with other musicians Langford initiated a project, the Pine Valley Cosmonauts, which performs the music of other country music groups. Several alternative country musicians have guested on these recordings. Langford has guested on numerous recordings, including with Dutch punk band the Ex, The Old 97s, Chip Taylor, as well as Austin, Texas legend Alejandro Escovedo, and has recorded joint albums with Sally Timms, Kevin Coyne, Richard Buckner, Kat Ex and Rosie Flores.
“Live theatre is a way to co-dream,” says Anthony Moseley, Chief Programming Officer and Artistic Director of Chicago's Collaboraction theatre. “It can connect us at a really deep level that allows us to drop seeds of new emotions and new possibilities.” Moseley joins host Desire Wandan to discuss his artistic and political journey and the role that the multi-racial, multi-cultural theatre that he leads plays in not only bringing theatre to, but creating theatre with, the poor communities of Chicago. Collaboraction, under Moseley's leadership, has devised hundreds of plays with young people and adults from Chicago's poorest and most violent neighborhoods, plays that have been performed in parks and community centers across the city and cheered on by tens of thousands of audience members. Most of its performances are followed by a “crucial conversation” where the audience members engage with the issues raised by the play. Since the pandemic, Collaboraction has produced 150 digital pieces and the film adaptation of its play, Trail in the Delta: The Murder of Emmett Till won a Chicago/Midwest Emmy Award. Collaboraction is about to open its new cultural center “The House of Belonging” in Chicago's Humbolt Park neighborhood. “The company itself is a collaboration,” says Moseley, “a never-ending devised piece of theatre.” ----more---- anthony@collaboraction.org | 773.230.9981 collaboraction.org House of Belonging Capital Campaign Winner of a 2022 Emmy Award for Outstanding Achievement for Human Interest, Long Form, and 2023 Emmy Award for Outstanding Documentary for The Lost Story of Emmett Till: Trial in the Delta ----more---- Welcome to All Power to the Developing, a podcast of the East Side Institute. The Institute is a center for social change efforts that reinitiate human and community development. We support, connect, and partner with committed and creative activists, scholars, artists, helpers, and healers all over the world. In 2003, Institute co-founders Lois Holzman and the late Fred Newman had a paper published with the title “All Power to the Developing.” This phrase captures how vital it is for all people—no matter their age, circumstance, status, race, ethnicity, gender or sexual orientation—to grow, develop and transform emotionally, socially and intellectually if we are to have a shot at creating something positive out of the intense crises we're all experiencing. We hope that this podcast series will show you that, far more than a slogan, “all power to the developing” is a loving activity, a pulsing heart in an all too cruel world. ----more---- The East Side Institute is a hub for a diverse and emergent community of social activists, thought leaders, and practitioners who are reigniting our human abilities to imagine, create and perform beyond ourselves—to develop. Each episode will introduce you to another performance activist or play revolutionary from around the world. To learn more about the East Side Institute you can go to https://eastsideinstitute.org/ Made possible in part by Growing Social Therapeutics: The Baylah Wolfe Fund.
This one is a nod to Ashley and Keia, and their lives in the theatre world. We wouldn't dare recommend music knowing that this is their wheelhouse and passions! Since the 47th president's takeover of the Kennedy Center, we have been thinking a lot about the role of the arts in our society and have particularly honed in on the theatre. While theatre productions have always offered social commentary and served as havens of resistance, increasingly there are theatre companies who center their purpose on promoting dialogue on complex and divisive issues – notably, Playback Memphis and Collaboraction in Chicago.
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