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Miss Universe update, a Pennsylvania man found unconscious in a Florida restroom, Missouri Judge let go due to his love for Elvis Presley, man from Iowa is accused of flashing drivers on the interstate, and it's world television day.
TJIF. We did it. We did it, guys. It’s Friday and we have a double Florida Ill to kick things off with buck nekkid guy and forklift ATM guy. We have a new band with some unique tunes, Rage Friday, and Anthony totally redeems himself with The Love Game. We have another Ill with a local lady who really messed up, and a judge who was really into Elvis Presley, and we let Cass take the soapbox in defense of Hailee Steinfeld. Support the show and follow us here Twitter, Insta, Apple, Amazon, Spotify and the Edge!See omnystudio.com/listener for privacy information.
El Tribunal Supremo condena a García Ortiz a 2 años de inhabilitación por revelación de datos reservados, con una multa y compensación. La sentencia es firme, pero se puede recurrir. Núñez Feijóo lo califica de "página negra de la democracia". Bruselas exige la inclusión de Ucrania y la UE en cualquier plan de paz, que actualmente se alinea con Moscú. La Catedral de la Almudena acoge una celebración ecuménica por el 1700 aniversario del Concilio de Nicea, destacando la unidad cristiana. En COPE, "Poniendo las Calles" aborda la Lotería de Navidad, con una propuesta para aumentar el gordo a 500.000€, lo que implicaría subir el precio del décimo. Loteros debaten esta iniciativa. Se repasa la trayectoria de artistas internacionales que cantan en español, como Sting, Beyoncé, Christina Aguilera, Kylie Minogue, Michael Jackson, ABBA, Bon Jovi, Mariah Carey, Robbie Williams y Elvis Presley. Se observa que, aunque el español es el tercer idioma más hablado, a menudo no se consigue la misma ...
Former FBI agent Tom Simon returns to Inside True Crime to discuss the growing threat of home title theft through the bizarre lens of Moorish sovereign citizens and a brazen scheme to illegally claim Elvis Presley's Graceland. Go to https://hometitlelock.com/mattcox to get 30 days of Triple Lock Protection for just $1! Tom's links https://www.instagram.com/simoninvestigations/?hl=en https://www.tiktok.com/@simoninvestigations https://www.youtube.com/@simoninvestigations https://www.simoninvestigations.com Do you want to be a guest? Fill out the form https://www.insidetruecrimepodcast.com/apply-to-be-a-guest Send me an email here: insidetruecrime@gmail.com Do you extra clips and behind the scenes content? Subscribe to my Patreon: https://patreon.com/InsideTrueCrime Follow me on all socials! Instagram: https://www.instagram.com/insidetruecrime/ TikTok: https://www.tiktok.com/@matthewcoxtruecrime Do you want a custom painting done by me? Check out my Etsy Store: https://www.etsy.com/shop/coxpopart Listen to my True Crime Podcasts anywhere: https://anchor.fm/mattcox Check out my true crime books! Shark in the Housing Pool: https://www.amazon.com/dp/B0851KBYCF Bent: https://www.amazon.com/dp/B0BV4GC7TM It's Insanity: https://www.amazon.com/dp/B08KFYXKK8 Devil Exposed: https://www.amazon.com/dp/B08TH1WT5G Devil Exposed (The Abridgment): https://www.amazon.com/dp/1070682438 The Program: https://www.amazon.com/dp/B0858W4G3K Bailout: https://www.barnesandnoble.com/w/bailout-matthew-cox/1142275402 Dude, Where's My Hand-Grenade?: https://www.amazon.com/dp/B0BXNFHBDF/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1678623676&sr=1-1 Checkout my disturbingly twisted satiric novel! Stranger Danger: https://www.amazon.com/dp/B0BSWQP3WX If you would like to support me directly, I accept donations here: Paypal: https://www.paypal.me/MattCox69 Cashapp: $coxcon69 Learn more about your ad choices. Visit megaphone.fm/adchoices
The last time the All Blacks lost to Wales there was no Harbour Bridge in Auckland, Elvis Presley hadn't released any music and Queen Elizabeth II was about to make her first visit to New Zealand. The Welsh will need to channel the spirit of 1953 - the year they beat the All Blacks 13-8 - if they want to taste victory once again. But do they have any shot at snapping this seven-decade streak? Sports reporter Jamie Wall spoke to Lisa Owen.
Get ready to turn up the volume as Bounce FM dives head-first into the electrifying world of classic rock and roll. In this special episode, we celebrate one of the greatest eras in music history—a time when raw energy, swagger, and groundbreaking soundtracks shaped generations.We spin iconic tracks from the kings of the genre: the hip-shaking charisma of Elvis Presley, the pioneering guitar riffs of Chuck Berry, the rebellious grit of The Rolling Stones, the melodic brilliance of Buddy Holly, and the heartfelt power of Billy Fury. Along the way, we explore the stories, cultural impact, and unforgettable moments that made this era a revolution, not just a genre.Whether you're a lifelong fan or discovering these legends for the first time, this episode promises pure nostalgia, timeless grooves, and the true spirit of rock and roll.Rock on—and let's bounce back to where it all began.
En este episodio nos adentramos en la historia de Born to Run, la canción más emblemática de Bruce Springsteen. Descubrimos cómo surgió la idea, por qué tardó más de un año en completarse y qué la hace sonar tan grandiosa. Te cuento cómo un joven de Nueva Jersey, inspirado por Elvis Presley, terminó creando un himno sobre la libertad, el deseo de escapar y la búsqueda de sentido. También repasamos curiosidades: la versión que grabó Allan Clarke antes que Bruce, o las 72 pistas que se mezclaron hasta dejar solo 16. Además, escuchamos a Jeremy Allen White, el actor que interpreta a Springsteen en la película Springsteen: Deliver Me From Nowhere, y conocemos la reacción de Bruce a su interpretación de Born to Run. Una historia de carretera, de juventud, de sueños… y de una canción que definió el rock estadounidense. Para conocer los tmas que suenan visita este enlace: https://elrecuentomusical.com/born-to-run-bruce-springsteen/
Nate Wilcox and Ed Ward continue their discussion of Ed's History of Rock & Roll 1920-1963 with a look at 1955 and 1956. These are the years when the “American Prometheus” brought forth Elvis Presley, when Chuck Berry culturally appropriated Western Swing for his first hit and Hollywood shocked the masses with the first rock and roll movies. As always we'll touch on the non-musical factors that made all this possible -- changing demographics and new musical formats -- as well as a few outside factors that slowed down, but couldn't stop, this musical revolution. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email letitrollpodcast@gmail.com Follow us on Twitter. Let It Roll is proud to be part of Pantheon Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices
The record label is credited with serving as the launchpad for many artists who defined the rock and roll era, including Elvis Presley, Carl Perkins, and Jerry Lee Lewis.
Our Hindi Heartland has more people than the USA and Western Europe combined -- and is arguably more diverse. Ghazala Wahab joins Amit Varma in episode 431 of The Seen and the Unseen to describe her research into those states -- and much else, including being an outspoken Muslim woman in India, and the future of warfare. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Ghazala Wahab on Twitter, Instagram, Facebook, LinkedIn, Amazon, the Wire and Force. 2. The Hindi Heartland -- Ghazala Wahab. 3. Born a Muslim: Some Truths About Islam in India — Ghazala Wahab. 4. Dragon On Our Doorstep — Pravin Sawhney and Ghazala Wahab. 5. The Peacemakers -- Edited by Ghazala Wahab. 6. Force — The magazine edited by Ghazala Wahab. 7. Being Muslim in India — Episode 216 of The Seen and the Unseen (w Ghazala Wahab). 8. The Future of War -- Episode 112 of Everything is Everything. 9. A Deep Dive Into the Indian Military -- Episode 31 of Everything is Everything. 10. A Deep Dive Into Ukraine vs Russia — Episode 335 of The Seen and the Unseen (w Ajay Shah). 11. The State of the Ukraine War — Episode 14 of Everything is Everything. 12. The Innovator's Dilemma -- Clayton Christensen. 13. Tanhaiyaan and Parchaiyan. 14. What Just Happened Between India & Pakistan? -- Episode 418 of The Seen and the Unseen (w Pranay Kotasthane & Aditya Ramanathan). 15. The Age of Hybrid Warfare -- Episode 84 of Everything is Everything. 16. The Broken Script — Swapna Liddle. 17. Swapna Liddle and the Many Shades of Delhi — Episode 367 of The Seen and the Unseen. 18. The Refreshing Audacity of Vinay Singhal — Episode 291 of The Seen and the Unseen. 19. Stage.in. 20. Gods, Guns and Missionaries: The Making of the Modern Hindu Identity — Manu Pillai. 21. The Forces That Shaped Hinduism — Episode 405 of The Seen and the Unseen (w Manu Pillai). 22. Early Indians: The Story of Our Ancestors and Where We Came From — Tony Joseph. 23. Early Indians — Episode 112 of The Seen and the Unseen (w Tony Joseph). 24. Who We Are and How We Got Here — David Reich. 25. Caste, Capitalism and Chandra Bhan Prasad — Episode 296 of The Seen and the Unseen. 26. How the BJP Wins — Prashant Jha. 27. The BJP's Magic Formula — Episode 45 of The Seen and the Unseen (w Prashant Jha). 28. We Are All Amits From Africa — Episode 343 of The Seen and the Unseen (w Krish Ashok and Naren Shenoy). 29. Episodes of The Seen and the Unseen that touched on women's participation in the labour market with Namita Bhandare, Shrayana Bhattacharya and Ashwini Deshpande. 30. Another India -- Pratinav Anil. 31. Influence of Islam on Indian Culture -- Tara Chand. 32. Political Economy of Colonial and Post-Colonial India -- Aditya Mukherjee. 33. The Identity Project -- Rahul Bhatia. 34. Kabhi Haan Kabhi Naa -- Kundan Shah. 35. Ahmad Faraz on Wikipedia and Rekhta. 36. Pretty Woman -- Garry Marshall. 37. Harry Potter : The Complete Collection -- JK Rowling. 38. Home Fire -- Kamila Shamsie. 39. Yeh Hawa Yeh Raat Yeh Chandni -- Song from Sangdil. 40. Madhumati -- Salil Chowdhury. 41. Andaz -- Naushad. 42. Amar -- Naushad. 43. Elvis Presley and Perry Como on Spotify. 44. Na To Karvan Ki Talash Hai -- Song from Barsaat ki Raat. This episode is sponsored by CTQ Compounds. Check out The Daily Reader and FutureStack. Use the code UNSEEN for Rs 2500 off. Amit Varma and Ajay Shah have launched a new course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. Amit and Ajay also bring out a weekly YouTube show, Everything is Everything. Have you watched it yet? You must! And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: 'Heartland' by Simahina.
Nate Wilcox and Ed Ward continue their discussion of Ed's History of Rock & Roll 1920-1963 with a look at the period when Rock and Roll really got started. We'll hear about the woman who discovered Elvis Presley, a pair of Jewish music fans who become legit R&B legends, how a Turkish record mogul wrote Ray Charles' first hit, when country music discovered cheating songs and a whole lot about dirty, dirty, naughty rhythm and blues records. But it's not all fun and games. We'll take some morbid and weird turns and learn about two promising talents ruined by car wrecks, the singer who confessed to murder on record -- before he committed it, and a hit song about a funeral. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email letitrollpodcast@gmail.com Follow us on Twitter. Let It Roll is proud to be part of Pantheon Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices
ABOUT THIS EPISODE: This season, we're interviewing the incredible members of WYM who make up our board, moderators team, and conference team! This week we are chatting with Samantha! We talk about her call to ministry and her passion for including youth who don't typically get asked into leadership roles.ABOUT SAMANTHA: Howdy! My name is Samantha Green! I'm the host of the stuttering christian podcast. I work in camp ministry full time as the media director. I'm a big fan all things Harry Styles, Elvis Presley, and Survivor. Maybe one day I'll be on the show.Follow her on TikTok & Instagram @stutteringchristian Listen to her Podcast: https://open.spotify.com/show/6TruQOyHOkuWx85sXSpWVN?si=dudSJrXISZ2gpc20ypBFqQABOUT WYM:Go to womeninyouthministry.com to read our blog, follow us on social media, join our online Community, purchase our merch, or support our Patreon.Our next WYM Conference is March 4-6, 2026 in Arlington, TX. Sign up at https://womeninyouthministry.com/conferenceSupport the podcast by subscribing to our Patreon for as little as $1 a month! https://www.patreon.com/womeninym
For the entire interview transcript, please click here.Brent Maher is a seven-time Grammy Award–winning producer, engineer, and songwriter whose career has helped define the sound of American music. Known for his work with The Judds, Kenny Rogers, Dolly Parton, Willie Nelson, and Tina Turner, Brent's influence spans across genres and generations. From his early beginnings in the Air Force to producing Elvis Presley's final number-one record, his story is one of perseverance, creativity, and heart. Most recently, he released The Night of the Orphan Train, an original audiobook and musical project that blends storytelling with songs inspired by real American history—available now on Audible, Amazon, and Barnes & Noble.What You'll LearnIn this inspiring conversation, Brent shares how perseverance, purpose, and sacrifice shape a fulfilling music career. He talks about the true definition of success—not in fame or awards, but in finding happiness and meaning in what you do. You'll also discover the creative process behind The Night of the Orphan Train, and how stories of resilience from history can inspire powerful art today.Things We DiscussedBrent reflects on his decades-long career, the lessons learned from working with musical legends, and the deep drive that keeps artists moving forward. He opens up about the personal sacrifices behind success, the challenge of balancing passion with family life, and the importance of defining happiness on your own terms. The episode also dives into the inspiration behind The Night of the Orphan Train—how a roadside sign sparked a heartfelt project that combines history, emotion, and music to tell the forgotten stories of thousands of orphaned children in early America. Jason and Brent close the conversation by exploring what it truly means to be a “successful musician” and how fulfillment often comes from helping others find joy through music.Connect with Brent MaherWebsite FacebookInstagramYouTubeTikTokConnect with Jason TonioliWebsite FacebookYouTube InstagramSpotifyPandoraAmazon MusicApple Music
Send us a textIn this week's episode Lance and Jacklyn share stories from their Halloween party and, inspired by the spookiness of the season, delve into stories of occult Hollywood including the mysterious and mystical side of Elvis Presley's life, Gisele Bundchen's sorcery, and the Church of Satan.Stay tuned for the Treasure Chest to hear what they are reading doing watching and learning.Enjoy!
In this episode of Prisoners of Rock and Roll, we're going all the way back to the beginning of rock and roll – and our back catalogue – by taking another look at Sun Records. In January 1950, Sam Phillips and his assistant Mario Keisker opened a small recording studio in a former auto glass repair shop in Memphis, Tennessee and the rest is rock and roll history. Sun Records brought us the first rock and roll song Rocket 88 by Jackie Brenston and his Delta Cats. They also introduced the world to Elvis Presley, Johnny Cash, Jerry Lee Lewis, and more. We're going to talk about the history of Sun Records and Sam Phillips, the roster of amazing artists that recorded there, and the impact it had on music forever. Let's roll. Or as Johnny Cash would say, “get rhythm.” Episode Playlist Check out our episode playlist here. Get In Touch Check us out online, on Facebook, Twitter, or YouTube. or drops us an email at show@prisonersofrockandroll.com. Or if you're in Philadelphia, come visit our home base at McCusker's Tavern. Prisoners of Rock and Roll is part of Pantheon Media. We're sponsored by Boldfoot Socks. Learn more about your ad choices. Visit megaphone.fm/adchoices
I greet you in Jesus' precious name! It is Saturday morning, 15th November 2025, and this is your friend, Angus Buchan, with a thought for today. We start in the Gospel of John 6:15:”Therefore when Jesus perceived that they were about to come and take Him by force to make Him king, He departed again to the mountain by Himself alone.” The most humble person who has ever lived! He said if you want to be the best or the greatest, you must become the least. They wanted to make Him king. He knew it was not His time. He withdrew to the mountains by Himself. Oh folks, we need to be more like Jesus. There are too many of us clamouring to become famous and popular. I looked up John Lennon. He was the leader of probably the most famous rock and roll band in the world at the time, The Beatles. He made a statement and he did apologise afterwards. He said that they were more popular than Jesus, but at the age of 40, he was gunned down and he died.Elvis Presley - I've been to Graceland in Memphis Tennessee, I went with my good friend Tommy. We went to that beautiful house to go and have a look. It was one of the saddest places I've ever been. They said he was such a generous man. Elvis Presley was regarded as the most popular man in the world. They called him “The King of Rock and Roll,” but he could never sleep. He used to play the piano into the early hours of the morning and he would sing hymns they said. His kitchen was open 24 hours a day. He was thronged with friends, well I don't know if they were friends or hangers-on, so much so that his wife and his little daughter eventually left him, and then at the age of 42 years old, in the newspapers, the headlines, “The king is dead.”I want to say to you today, don't seek after the popularity of men, of society, of this world, rather seek after the King of Kings and the Lord of Lords, the Alpha and the Omega, the Beginning and the End, a Friend who sticks closer than a brother, Jesus Christ. Rather be like Him, and you will live a long time and you will live a peaceful life because when you follow Jesus, He gives you life eternal! Jesus bless you and have a wonderful and quiet day,Goodbye.
Il 15 novembre esce nelle sale il primo film di Elvis Presley! Learn more about your ad choices. Visit megaphone.fm/adchoices
Le 15 novembre1956, le 1er film tourné avec Elvis Presley, « Love Me Tender » (ou « Le Cavalier du crépuscule » en français), sortait dans les salles de cinéma américaines... Ecoutons le mythique « Love me tender » d'Elvis Presley. Ecoutez Le tube de la matinale avec Vincent Perrot du 15 novembre 2025.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
TrulySignificant.com presents Christopher Wyze. Chris is debuting two new Christmas songs. He is coming back to our studio for a second time on the heals of winning the 2025 Blues Blast Music Awards. Enjoy our conversation on what's important in life. We riff about Dr. Viktor Frankl, Sigmund Freud, and Bill Halamandaris. Christopher Wyze & the Tellers has won the 2025 Blues Blast Music Award for Best New Artist Debut Album for their thirteen-track release, Stuck in the Mud. The album, which landed on multiple blues charts around the world, received critical acclaim for its raw storytelling and powerful, fresh take on contemporary blues.Presented by Blues Blast Magazine, the Blues Blast Music Awards recognize excellence across the spectrum of blues styles and artists. A panel of blues industry professionals select nominees. Fan voting from around the world determines the winners. Joining Wyze & the Tellers in this year's winner's circle include Tab Benoit, Derek Trucks, Charlie Musselwhite, Shemekia Copeland, Bobby Rush, and Keb' Mo,' among others.“We haven't toured. We made a record of our original music — and let the music do the traveling,” shares frontman Christopher Wyze. “People told us we had to be out there gigging for the record to get noticed. We wrote, recorded, released, and built a fanbase around the world without ever hitting the road.”The band of veteran blues musicians was formed specifically to record ‘Stuck in the Mud,' with members all meeting for the first time in the studio. In the time between recording ‘Stuck in the Mud' and their follow-up live album, ‘LIVE in CLARKSDALE,' they played a single live gig — the live album performance – a fact that has made the group's rise all the more improbable.The band recorded ‘Stuck in the Mud' in two of America's most iconic musical locations: Clarksdale, Mississippi and Muscle Shoals, Alabama — both deeply rooted in the blues and roots traditions that inspire Wyze's sound. It burst onto the scene in late summer of 2024 and quickly gained traction worldwide, with listeners streaming in 90 countries. A string of radio and streaming charting successes propelled the album, along with nine of its singles. The album landed #1 hits with “Back to Clarksdale” (RMR) and the title track, “Stuck in the Mud” (iTunes Blues Charts: Germany, Mexico). It climbed onto multiple Blues Charts: in U.S., U.K., France, Canada, Switzerland, Belgium and Australia. ‘Stuck in the Mud' ended the year at #38 out of the Top 200 Blues Albums ranked by Roots Music Report (RMR) – one of just 3 albums by debut artists to break into the top 50.“When I first heard Christopher Wyze, I felt something raw, honest, deeply rooted in the blues – and unique,” said Johnny Phillips. “I've seen more than a few acts through the years. He's not trying to be anyone else. He's telling his stories — doing it with soul, grit, and a harmonica that cuts straight through. We're proud to have him on the Big Radio Records label. This award is a testament to what happens when you make good music.”Christopher Wyze & the Tellers are currently working on new material and planning select live performances in 2026.Listen to ‘Stuck In The Mud': cwyze.lnk.to/StuckInTheMudAlbumPRFor more information, visit christopherwyzeandthetellers.com.About the Blues Blast Music Awards:Founded in 2008, the Blues Blast Music Awards are presented annually by Blues Blast Magazine, the largest weekly internet blues publication in the world, with over 44,000 subscribers across all 50 U.S. states and more than 90 countries. The awards honor both independent and major label artists. The complete list of winners can be found at www.bluesblastmagazine.com/2025-blues-blast-music-award-winners-announced/.About Big Radio Records:Big Radio Records, based in Memphis, operates under the legendary Select-O-Hits distribution company, founded in 1960 by Sam Phillips, the man who discovered Elvis Presley and launched Sun Records. Big Radio Records is run by Sam's nephew, Johnny Phillips, who signed Wyze after hearing his recordings.Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.
Educated ears in the summer of 1957 were still trying to decide if this new rock 'n' roll thing was really music's future or was just a passing fancy.Two summers had passed by then since the new sound burst upon the American scene. The ear-opening “Rock Around the Clock” by Bill Haley & His Comets was quickly followed by Chuck Berry's “Maybellene” and Little Richard's “”Tutti Frutti.”The following summer the rock kept rolling, when The King arrived. This new kid, Elvis Presley, topped the charts for weeks on end with “Heartbreak Hotel,” with “Hound Dog,” with “Don't Be Cruel.”But by 1957, the cigar-chomping bigwigs in the record company boardrooms still weren't sure. Not sure sure, you understand.The Summer DoldrumsAfter all, traditional pop crooners seemed to be staging a comeback. Perry Como (of all people!) hit No. 1 with “Round and Round.” Pat Boone scored with the languid “Love Letters in the Sand.” Debby Reynolds had a hit with “Tammy.” Holy schlock, Batman, even Elvis seemed to be getting goo-goo eyed all of a sudden with “(Let Me Be Your) Teddy Bear.”So, the question in ‘57: where were summertime's rebels? That year the cool kids had already packed up their beach towel and gone on back to school by the time rock's Next Big Wave hit:— Sept. 9, 1957, Buddy Holly and The Cricket, “That'll Be the Day.”— Oct. 11, 1957, Everly Brothers, “Wake Up Little Susie.”— Oct. 21, 1957, Elvis, “Jailhouse Rock.”— Dec. 21, 1957, Danny and the Juniors, “At the Hop.”But even before that fall, diehards could dig a little deeper in the radio playlist for up-and-coming rockers. Jerry Lee Lewis was howling away with “A Whole Lot of Shakin'.” Fats Domino was still down there somewhere with “I'm Walkin'.” Jackie Wilson was right on deck with “Reet Petite.”About This Week's SongAnd languishing even further down on the summer music charts — oh, somewhere around No. 24 or so — was the subject of this week's podcast. It's The Flood's favorite souvenir from the Summer of ‘57: The Coasters' wonderful “(When She Wants Good Lovin') My Baby Comes to Me.”As reported here earlier, this winking and nodding Jerry Leiber-Mike Stoller composition was a minor hit for The Coasters. It did resurrect nine years later when a little known group called The Chicago Loop took it for a spin and got to No. 37 on the Billboard Hot 100 chart.But in the Floodisphere, we much prefer a different pressing of the song released one year earlier. Favorite folksinger Tom Rush's 1965 self-titled debut Elektra album included a version of the tune accompanied by bassist Bill Lee along with John Sebastian (of The Lovin' Spoonful) and Fritz Richmond (of The Jim Kweskin Jug Band.)This track, captured at last week's rehearsal, features the arrangement we're working up to include on the new album when we start recording in the weeks ahead. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com
Welcome to Why Music Matters, a podcast where we examine the power and influence that music can wield in our lives. I'm your host, Jeff Miers. Today, my guest is podcaster and Western New York music historian Greg Hennessey. Through his weekly podcast, In the Flamingo Lounge with Rockabilly Greg, Hennessey shines a necessary light on Buffalo music, celebrating our region's rich musical history, and honoring the best of the current generation of bands and artists living and working in Western New York. Greg served on the Buffalo Music Hall of Fame's Board of Trustees for 11 years, and is currently the Vice President of the Sportsmens Americana Music Foundation board. That's where I got to know Greg, in my role as executive director of the SAM Foundation. Greg's passion for Buffalo music has been a great asset to the Foundation's music education and community outreach mission. Spend any time in the Flamingo Lounge with Greg, and the dude's love for rockabilly in general - and the seminal early work of Elvis Presley in particular - becomes immediately apparent. He also counts artists like Buddy Holly, Wanda Jackson and the Stray Cats among his favorites, and we talked about all of them during this episode. Welcome to Why Music Matters, Rockabilly Greg! --- Produced by 678Main Studio and Creative Services https://678main.com --- Follow Why Music Matters on social media https://instagram.com/whymusicmatterspodcast https://www.facebook.com/whymusicmatterspodcast https://twitter.com/wmmpod
In this chilling and hilarious episode of The Box of Oddities, Jethro unwraps the eerie legend of Albuquerque's haunted KiMo Theatre and its resident ghost—a little boy named Bobby whose tragic death in a 1951 boiler explosion left more than scorch marks behind. From phantom footsteps to mysteriously vanishing donuts, discover why local performers never dare take the stage without leaving sweets for Bobby. Then, Kat dives headfirst into one of pop culture's most persistent conspiracies: Is Elvis Presley really dead? From DEA badges and bathroom mysteries to witness protection plots and alien abduction theories, this deep dive separates fact from fever dream. Join The Box of Oddities for an unforgettable mix of history, hauntings, and hilarity, where the paranormal meets pop culture. This Box contains the following ingredients:KiMo Theatre ghost story, Albuquerque haunted theater, Bobby KiMo ghost, Elvis Presley conspiracy, Elvis is alive theory, haunted theaters, ghost legends, paranormal podcast, The Box of Oddities, Jethro and Kat Tabor, ghost stories, pop culture mysteries, Elvis death theories, weird history podcast Learn more about your ad choices. Visit megaphone.fm/adchoices
Send us a textIn a recent episode, we spent time with a man who changed popular culture and then became a warning about what fame, isolation, and addiction can do to a single human body—Elvis Presley. Brilliant, iconic, but ultimately tragic.Today… similar voltage. Very different story.This is about a band that came out of the same storm system of sex, drugs, and rock and roll… but somehow did not end as a cautionary tale on a bathroom floor. Instead, they turned danger into discipline, scandal into strategy, and raw rebellion into one of the longest-running creative partnerships in modern music.In this series, we've already met Frank Sinatra, who turned phrasing and breath into a method—and Chuck Berry, who wired the circuitry of rock and roll into the American imagination. Elvis showed us how a single, fragile human can be crushed under the weight of that circuitry.Today's story is different. This is what happens when that same dangerous current is handed to a band that refuses to burn out.The Rolling Stones.This is not just a tale of sex, drugs, and rock and roll. This is the story of staying power.Support the showThank you for experiencing Celebrate Creativity.
Hocus Focus Mix met Adam Lambert, Gossip, Elvis Presley, JXL, Eminem & Lenny Kravitz
https://www.genedinapoli.com/ Gene DiNapoli, widely known as "Mr. Entertainment," is a multifaceted American entertainer, actor, DJ, MC, producer, and the owner of the production company "Gene DiNapoli Presents". He is most famous for his work as one of the country's top Elvis Presley tribute artists, a role he has performed for over 40 years. Career Highlights Tribute Artist: DiNapoli has performed his highly regarded Elvis tribute show in numerous venues, including B.B. King's nightclub in Times Square for eight years and at casinos in New York. He also performs a Blues Brothers tribute and general music shows covering genres from Sinatra to pop hits of the 70s and 80s. Actor: He has appeared in several film and TV productions, including narrating Elvis Presley stories on the American Heroes channel show America's Most Badass. His acting credits also include roles in the TV show Kingpin, where he played John Gotti's best friend Angelo Ruggeiro, and movies like High Resolution and Bully: The Rico Story.
It's always a delight when Rev David Parry materializes at the Virtual Alexandria. We'll discuss the Gnosis found in the Catholic Mass, as outlined in his new book, Cultivating Presence. We'll go even deeper, exploring theatrical poetry, the neofolk arts movement, and their relationship to contemporary miracle and mystery traditions. Expect a deep dive into modern Valentinian theology, Elvis Presley, Shakespeare, Burroughs, Nephilim, and more. It will be a mystic blast! Get the book: https://amzn.to/3WHPCjl More on David: https://www.davidwilliamparry.com/home Get The Occult Elvis: https://amzn.to/4jnTjE4 Virtual Alexandria Academy: https://thegodabovegod.com/virtual-alexandria-academy/ Gnostic Tarot Readings: https://thegodabovegod.com/gnostic-tarot-reading/ The Gnostic Tarot: https://www.makeplayingcards.com/sell/synkrasis Homepage: https://thegodabovegod.com/ Patreon: https://www.patreon.com/aeonbyte AB Prime: https://thegodabovegod.com/members/subscription-levels/ Voice Over services: https://thegodabovegod.com/voice-talent/ Support with donation: https://buy.stripe.com/00g16Q8RK8D93mw288 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Under the Silver Lake, stoner noir, occult casting, Riley Keough, Elvis Presley, Griffith Park, Griffith Observatory, Edendale, silent films, Hollywood's early history, serial killer references in the film, Black Dahlia, Zodiac killer, Mulholland Drive, Wizard of Oz, the role of women in Silver Lake, Hollywood's legacy of prostitution and blackmail, the Owl's Kiss, Bohemian Grove, The Story of O, who does the Songwriter represent?, who is the message for?, the film's use of ciphers, Copiale Cipher, Oculists, Hobo Code, Son of Sam, the billionaire cult, Gnostic ascension, is Sam the Dog Killer?, David Robert Mitchell's use of conspiracy theoriesMusic by: Keith Allen Dennishttps://keithallendennis.bandcamp.com/ Hosted on Acast. See acast.com/privacy for more information.
Send us a textToday we're stepping into complicated territory.Not a personal hero of mine.Not a composer whose scores I pore over, or a bandleader whose arrangements I quote with delight or a singer I enjoy listening to.We've just spent time with artists like Frank Sinatra, who turned phrasing into a method, and Chuck Berry, who wired rock's circuitry with wit and precision. Both, in their own ways, were architects of how modern music sounds.Today's subject is someone you simply cannot walk around if you're tracing how popular music, celebrity, and American culture twisted themselves together in the second half of the twentieth century.Elvis Presley.For some, he's the thrilling young rebel in black and white. For others, he's a cartoon in a white jumpsuit. For many, he's a brand—lunchboxes, impersonators, Halloween costumes—more than a musician.For me, and for this podcast, he's something else: a case study in what happens when a very real, very shy Southern kid with a remarkable voice is plugged directly into a machine that never turns off.Support the showThank you for experiencing Celebrate Creativity.
1. Inspiration Beyond the BrainThe book challenges the materialist view that creativity is a left-brain, analytical function. Instead, it presents music as a right-brain, paranormal process. Many iconic songs are received through instantaneous “downloads” or vivid dreams. Keith Richards famously dreamt the riff for “(I Can't Get No) Satisfaction,” even recording his snoring afterward. These dream-sourced compositions often arrive fully formed, with clarity unlike typical dream content.2. Musicians as ChannelsMany legendary artists describe themselves as vessels rather than creators. John Lennon said he was “just the channel” for the “music of the spheres.” Michael Jackson believed his best songs were “works of God” that dropped into his lap. Notably, Elvis Presley, The Beatles, and Jimi Hendrix couldn't read or write music—suggesting that genius may bypass formal training and arise from external sources.3. A Historical PatternThis phenomenon isn't limited to rock and pop. Classical composers also reported receiving music from beyond. Mozart described his compositions as arriving “almost complete” in dreams. Brahms spoke of entering a trance-like state where ideas flowed “directly from God.” Such accounts suggest a long-standing tradition of non-local inspiration.4. UFOs and MusiciansThe book documents a striking number of UFO encounters among musicians. If cataloged, the list would include hundreds of high-profile names. John Lennon had a daylight sighting in 1974; Mick Jagger saw a UFO over the crowd at the 1969 Altamont concert. 5. Alien OriginsSome musicians believe they are extraterrestrial in origin. John Denver referenced the constellation Lyra as his home. Elvis Presley claimed he came from Orion, saying, “I am not of this world.” Lee Scratch Perry declared, “I am an alien from outer space… from Krypton.” Kurt Cobain expressed a lifelong feeling of being “homesick,” imagining himself as an alien baby found in a spaceship.6. Messages of Oneness and LoveThe themes expressed in music often mirror those reported by UFO experiencers. The central message is Oneness—the idea that all existence is interconnected. Lennon's lyric “I am he as you are he as you are me…” reflects this unity. His slogan “Love is the Answer. What was the Question?” and the anthem “All You Need is Love” serve as spiritual propaganda for this shift from fear to love.7. Environmental and Nuclear WarningsA recurring theme is planetary survival. Musicians often channel messages warning of ecological collapse and nuclear danger. Neil Young's “After the Gold Rush” describes “silver spaceships” rescuing the chosen ones.8. Targeting YouthMusicians are seen as strategic messengers to reach younger generations—the “ultimate swing voters.” Youth are more open to ideas that transcend traditional structures like religion and politics. Carlos Santana reported that the entity Metatron told him he'd be tuned into a “radio airwave frequency” to deliver a “new menu” of existence, helping students realize they are “multi-dimensional spirits.”9. Dreams and Altered StatesSongs often arrive during altered states—dreams, meditation, or automatic writing. Sting received “Every Breath You Take” in 15 minutes through automatic writing. Billy Joel dreamt many of his songs fully formed. Music heard during near-death experiences is described as “floating,” ethereal, and profoundly beautiful—often called the “music of the spheres.”10. Music and Quantum ConsciousnessThe book concludes by challenging the materialist worldview. It suggests that the universe operates through a quantum reality where consciousness is primary. Musicians report accessing a non-local field of awareness, consistent with quantum experiments showing that consciousness precedes matter. In this view, the brain doesn't create consciousness—consciousness creates the brain. Music becomes a delivery system for awakening, love, and planetary stewardship.
The Daily Quiz - General Knowledge Today's Questions: Question 1: What Is Elvis Presleys Middle Name? Question 2: What word is used in the NATO Phonetic Alphabet for the letter T? Question 3: What is the result of the mathematical operation obtained by subtracting the number of Snow White's dwarfs from the original title number of 'Disney Dalmatians'? Question 4: What word could refer to a dance or a dot? Question 5: Which word is defined as 'a small shoot growing from the root of a plant'? Question 6: What is another word for a prevarication? Question 7: What is the name for the undersurface of a foot? Question 8: In the nursery rhyme, what animal belonged to a girl named Mary? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices
Priscilla Presley tells Guyon Espiner what she lost and what she found when she walked away from Elvis Presley.
Charles Howard Schmid Jr., known as “The Pied Piper of Tucson,” was an American serial killer whose crimes shocked Arizona in the mid-1960s. Born in 1942 and raised in Tucson, Schmid cultivated an eccentric persona—wearing makeup, dyeing his hair jet-black, stuffing his boots to appear taller, and imitating Elvis Presley. Charismatic to many teenagers yet … Continue reading Episode 481: Charles Schmid – The Pied Piper of Tucson
Send us a textToday's episode is the first in a look at several dozen musicians who lived after 1900, roughly in chronological order. And let me emphasize this is a extremely subjective look - it seems like every time I would look at my list, I f would find a new musician that just had to be on there - so I'm not presenting this in any way as an ideal selection of the most popular or talented or well known musician - just a deep dive into the lives and talents of some of the greatest singers and musicians of the 20th and 21st centuriesAnd I'm going to start with Bing Crosby mainly because he is widely considered the first multimedia star. Bing Crosby was able to achieve unprecedented and simultaneous superstardom across the three dominant entertainment mediums of his time: recorded music, radio, and motion pictures. In other words, Crosby's career was characterized by his massive and concurrent success in multiple platforms, a feat unmatched by performers who came before him.Crosby was by far the best-selling recording artist of his time and remained so until well into the rock era. His recording of "White Christmas" is the best-selli Setting a standard for future male vocalist such as Frank Sinatra and he was also a major ng single of all time. And he had 41 number one hits, a number that even surpassed Elvis Presley and The Beatles.Support the showThank you for experiencing Celebrate Creativity.
Aussi craint qu'idéalisé à leur époque, le couple Bonnie & Clyde continue de fasciner la pop culture aujourd'hui, jusqu'à être érigé au rang de mythe. Mais que cache vraiment cette histoire d'amour sans foi ni loi ? Comment Bonnie est-elle tombée amoureuse d'un jeune homme si dangereux ? Nous allons vous raconter l'envers du décor du couple de meurtriers le plus célèbre. Une voiture criblée de balles Avril 1934, toujours au Texas. Comme à leur habitude, Bonnie et Clyde roulent à toute berzingue, cheveux au vent, dans leur sempiternelle Ford Model 18 kaki. Le couple est au sommet de sa gloire. Bonnie et Clyde adorent se voir à la Une des journaux. Sur les photos, ils semblent forts, beaux, puissants. Écoutez la saison précédente : Elvis Presley et Priscilla Beaulieu Un podcast Bababam Originals Écriture : Anaïs Koopman Voix : François Marion, Lucrèce Sassella Réalisation : Gilles Bawulak Production : Bababam Learn more about your ad choices. Visit megaphone.fm/adchoices
Aussi craint qu'idéalisé à leur époque, le couple Bonnie & Clyde continue de fasciner la pop culture aujourd'hui, jusqu'à être érigé au rang de mythe. Mais que cache vraiment cette histoire d'amour sans foi ni loi ? Comment Bonnie est-elle tombée amoureuse d'un jeune homme si dangereux ? Nous allons vous raconter l'envers du décor du couple de meurtriers le plus célèbre. Tombée love d'un gangster Bonnie et Clyde se sont embarqués dans un périple sanglant. Ensemble, ils parcourent les États-Unis, jamais rassasiés par leurs gains. Les deux amants sont spécialisés dans le braquage de banque. Cela ne les empêche pas de dévaliser les commerces qui se trouvent sur leur passage. Ils repartent toujours les besaces pleines de liasses. Lorsqu'on les menace, ils tirent sans hésiter. Écoutez la saison précédente : Elvis Presley et Priscilla Beaulieu Un podcast Bababam Originals Écriture : Anaïs Koopman Voix : François Marion, Lucrèce Sassella Réalisation : Gilles Bawulak Production : Bababam Learn more about your ad choices. Visit megaphone.fm/adchoices
Filmmaker Ty Morse, producer of "No Packers, No Life", joins the boys to talk about his fear of flying, traveling to Japan, hanging out (and partying) with the Japanese Packers Cheering Team, bringing them back to Green Bay, celebrates the joy of tailgating and introduces the world to Elvis Presley's favorite rollercoaster. This week's podcast was brought to you by Teambrown Apparel, Old Fort Baseball Co and Patrick's Custom Painting.
What Is Elvis Presley's House Named? The correct answer could win you $1,000 on The Andie Summers Show with Minute To Win It!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Aussi craint qu'idéalisé à leur époque, le couple Bonnie & Clyde continue de fasciner la pop culture aujourd'hui, jusqu'à être érigé au rang de mythe. Mais que cache vraiment cette histoire d'amour sans foi ni loi ? Comment Bonnie est-elle tombée amoureuse d'un jeune homme si dangereux ? Nous allons vous raconter l'envers du décor du couple de meurtriers le plus célèbre. Deux bandits pour la vie Bonnie Parker se tient devant la prison. Elle s'est faite jolie pour l'occasion. Longue robe noire, talons. Ses longs cheveux bruns sont noués en une natte. Il pleut, dehors, comme le soir de leur rencontre. Est-ce un signe ? Bonnie a le cœur qui bat à mille à l'heure. Elle a hâte de retrouver Clyde, avec qui elle a échangé de nombreuses lettres, alors qu'il était enfermé durant ces deux années. Écoutez la saison précédente : Elvis Presley et Priscilla Beaulieu Un podcast Bababam Originals Écriture : Anaïs Koopman Voix : François Marion, Lucrèce Sassella Réalisation : Gilles Bawulak Production : Bababam Learn more about your ad choices. Visit megaphone.fm/adchoices
We revisit episode 53, with one of the most important songs in the history of rock and roll, an incredible original, a hugely successful but also problematic cover, and … well, a great artist who stepped outside of his comfort zone. Hound Dog, originally by Big Momma Thornton, covered by Elvis Presley, and by James Taylor. Newly added outro music is Ball 'n Chain, also by Big Momma Thornton.
In this episode of The Bandwich Tapes, I sit down with legendary session drummer Paul Leim, whose six-decade career quietly powers a staggering piece of the soundtrack to our lives. Paul has played on more than 12,000 songs across over 2,000 releases, with 1,400+ silver/gold/platinum certifications, and global sales topping 540 million units. His discography encompasses over 150 combined GRAMMY nominations and wins, as well as 40+ major film/TV awards, and credits on more than 150 films and 100 television specials and series. If you've heard Lionel Richie, Shania Twain, Lyle Lovett, Kenny Chesney, Whitney Houston—or cues from Dirty Dancing, Smokey and the Bandit II, The River, or even Return of the Jedi, you've likely heard Paul.We trace the arc from East Texas clubs and Dallas jingle mills to late-'70s Los Angeles, where a “typical” week meant two complete drum rigs leapfrogging between Lionel Richie sessions, network TV soundstages, film dates, and award shows. Paul talks mentors and “angels” (band director Neil Grant, Robin Hood Brians, Doc Severinsen), lifelong friendships with the TCB family (Ron Tutt, Jerry Scheff), and lessons that still anchor his playing—especially dynamic control and “letting the mics work.” We get inside the high-wire reality of studio life. Paul calls it “95% boredom and 5% sheer terror”, including how to read conductors, when to lead the time, and when to ride it, and what it's like to move from live kit to orchestral percussion with John Williams.There are great shop-floor stories: cutting Lionel's “Truly” and counseling Lionel at the fork-in-the-road moment of leaving the Commodores; discovering that Lyle Lovett's “The Blues Walk” was gloriously vocal-free; and a deep dive into the precision world of Mutt Lange and Shania, ending bass notes just before the snare for mix “air,” the chrome-over-brass “important” snare, and the on-the-fly invention of tom “Mutt flaps” for short, open fills. Paul also shares a personal fork he chose differently: turning down a James Taylor tour to be home with his young family, only to hand JT the final serial-numbered Leim signature snare decades later at the White House.Today, Paul is still very much in motion: bandleading the TCB Band in Europe, steering The Tennessee Four with Thomas Gabriel to carry the Cash legacy, and jumping into Million Dollar Quartet shows—proof that the hang, the humility, and the groove endure. It's a conversation about craft, friendship, stewardship of a gift, and the choices that shape both a career and a life.Music from the Episode:Pick it Apart (Mark O'Connor)Truly (Lionel Richie)The Blues Walk (Lyle Lovett)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.Theme music: "Playcation" by Mark Mundy
Send us a textKen Kessler from the Sounds of Christmas continues the countdown of the ten most-listened-to and most-downloaded episodes of the Sounds of Christmas podcast with this one from August of 2021! In this episode, Ken talks Elvis Presley and his Christmas music legacy! Show links:Listen to the Sounds of Christmas stationFind the Sounds of Christmas podcastConnect with the Sounds of Christmas on social mediaCheck out all the artists that are making the 2025 season of the Sounds of Christmas station possibleSupport the show
Welcome to Rock N Roll Archaeology! This is a reboot of Episode One: The Precursors, originally released October 15, 2015. We updated and improved it some, and re-released it. Show Notes and Playlist Here We begin in Times Square, late summer of 1945. The war is over. First up, the Baby Boom and a newly-discovered demographic, the white American teenager. This new cohort is huge, with unprecedented economic clout. Young, restless and affluent, and they want to get beyond the timid, conformist popular culture of 1950s America. “Race Records” (an outdated term for rhythm and blues records by African American musicians) become hugely popular with white teenagers. Drawn from the well of sorrow that is the Black American experience, this music has the edge and urgency--the authenticity--these kids are seeking. We meet our first hero - the musical genius Ray Charles - and our first anti-hero, the frenetic, fatally flawed DJ Alan Freed. We shine a light on two grassroots cultural movements that became important later: the Skiffle Craze in the United Kingdom and the Beat Poets of Urban America. 1954 is an inflection point. On the musical front, Bill Haley released the first million-selling Rock N Roll record: “Rock Around The Clock.” That same year, big changes in the political landscape. The Brown v Board of Education decision; and Senator Joseph McCarthy was publically humiliated and discredited. Freedom of Association and Freedom of Expression take a step forward. Paranoid politics and systemic racism are still very much with us in America, but in 1954 it got a little easier, became a little less risky, to be yourself and express yourself. We head to the delivery room: Memphis Recording Service, where we meet the first Rock N Roll superstar, Elvis Presley, and tease Chapter Two. Hosted and Produced by Christian Swain Written By Richard Evans and Christian Swain Sound Design by Jerry Danielsen https://www.patreon.com/cw/RNRAP Learn more about your ad choices. Visit megaphone.fm/adchoices
Musicians Hall of Fame session player, studio owner, and record producer Norbert Putnam joins Kerry and Lisa to discuss his career from playing bass in Elvis Presley's studio sessions to producing records for Jimmy Buffett. Norbert discusses his book, "Music Lessons Vol. 1: A Musical Memoir," and recounts his favorite stories in his time playing alongside The King. Visit musiclessonsbynorbertputnam.com to learn more about Norbert Putnam and his book.
How DO you f*ck like a girl?? Vera Blossom has the answers in her debut essay collection by the same name, a trans coming of age that reads like an epic poem made out with a tumblr blog in a public bathroom. We talk passing vs creating, being Elvis Presley's long lost son, and staring into the swirling chaos at the center of the earth through estrogen-tinted glasses. Pick your gender of the day and join us for some playful expansiveness as we crack the columns of the gender binary temple. Become a Patreon member to gain access to all the Ask A Sub benefits including our discord server, archive of premium audio and written posts, as well as our new podcast within a podcast, OTK with Lina and Mr. Dune. Submit questions for this podcast by going to memo.fm/askasub and recording a voice memo. Subscribe to the subby substack here. See the paid post archive here. Get 20% off your order at http://www.momotaroapotheca.com with code LINADUNE Twitter | @Lina.Dune | @askasub2.0 CREDITS Created, Hosted, Produced and Edited by Lina Dune With Additional Support from Mr. Dune Artwork by Kayleigh Denner Music by Dan Molad
This week is a very special Gothtober treat as we interview a horror punk n' metal pioneer associated with MISFITS / SAMHAIN / DANZIG! We're talking to the one and only: EERIE VON! Open up a fresh can of Absinth and join as we cover Eerie's entire career from a young Elvis-loving drumming kid, to teaming up with Glenn Danzig as bassist and confidant in Samhain and Danzig, to a solo artist and painter. Apply some corpse paint, tighten up that devilock, and get your fiend on!What is it we do here at InObscuria? Every show, Kevin opens the crypt to exhume and dissect from his personal collection, an artist, album, or collection of tunes from the broad spectrum of rock, punk, and metal. Robert is forced to test his endurance and provide feedback, as he has no idea what he will be subjected to every week. We hope that we turn you on to something that was lost on your ears, or something you've simply forgotten about, or that (in our opinion) should have been the next big thing. Oh, and Eerie still wants your soul.Songs this week include:Eerie Von – “The Sum Of Love” from The Blood And The Body (1999)Rosemary's Babies – “Alice In Murderland” from Talking To The Dead (1983) Misfits – “Mephisto Waltz” from Collection II (1995)Samhain – “Unholy Passion” from Unholy Passion - EP (1985)Samhain – “Death… In It's Arms” from Final Descent (1990)Danzig – “How The Gods Kill” from Danzig III: How The Gods Kill (1992)Eerie Von – “It Ain't Love” from Not 4 Nuthin (2024)Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://www.instagram.com/inobscuria/https://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it: InObscuria StoreIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/
Before Paul went away on his own book tour for John Candy: A Life In Comedy, he conducted a few interviews with authors who have just published fantastic music biographies. We'll be featuring some of them while Paul is out on the road. This week, acclaimed Elvis Presley biographer Peter Guralnick discusses his new and extensively researched book, The Colonel And The King: Tom Parker, Elvis Presley, and the Partnership that Rocked the World which takes a fresh look at the complex relationship between Presley and his colorful manager Colonel Tom. RSD Black Friday 2025 is November 25, see the whole list at RecordStoreDay.com. We'll be talking more about it as we get closer to the day itself. The Record Store Day Podcast is a weekly music chat show written, produced, engineered, and hosted by Paul Myers, who also composed the theme music and selected interstitial music. Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends!
On Friday, “Springsteen: Deliver Me From Nowhere” will be released in theaters. Rather than chronicling Bruce's entire life, the film focuses on the making of his stripped-down 1982 album “Nebraska” and on his concurrent mental health struggles.This movie is the latest in a long history of musician biopics featuring stars like Bob Dylan, Loretta Lynn, Eminem and Elvis Presley. Hollywood clearly loves telling the stories of influential artists.In this episode, Gilbert Cruz chats with Lindsay Zoladz, a pop music critic for The Times, and Joe Coscarelli, a Times culture reporter, about the tropes of the genre and their favorite films that break the mold.On Today's Episode:Lindsay Zoladz, a pop music critic at The Times and the writer of The Amplifier newsletter.Joe Coscarelli, a culture reporter at The Times and co-host of “Popcast.”Additional Reading:The Boss Finally Gets a Biopic, Just Not the One We ExpectedHe's Ringo. And Nobody Else Is.Why Music Movies Stink: ‘Back to Black' + ‘The Idea of You' ReactionsJoe Coscarelli's “Bobby + Joanie” playlistPhoto: 20th Century Studios Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.
This week in the After Party, Jake suggests some songs for spooky season and wonders if ChatGPT will replace the musical sherpas who guided us in our youth. Plus, we hear your stories about who turned you on to your favorite music. Next week we're bringing you an episode on Harry Houdini (with a side of Red Hot Chili Peppers), and Jake wants to know: what scary music do you play this time of year? What songs, bands or albums creep you out? Share your thoughts at 617-906 6638, disgracelandpod@gmail.com, or on socials @disgracelandpod. For more great Disgraceland episodes, dive into our extensive archive, including such episodes as: Episode 129 - Bruce Springsteen Episode 29 and 30 - Grateful Dead Episode 212 - Elvis Presley and Johnny Ace Episode 89 - Black Sabbath To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices