Podcasts about theater

After the fall of Maduro in Venezuela, the next question on the mind of many is, “Is Cuba next?”  In today's episode, I'm joined by Mailyn Salabarria, a Cuban refugee who left the island as an adult to rebuild her life in the United States. Mailyn and I discuss what the upheaval in Venezuela could mean for Cuba, how the regime maintains power, and what it would take to rebuild a post-Communist Cuba. Enjoy! IN TODAY'S EPISODE Listen in as Mailyn shares her personal story of what life was really like growing up in Communist Cuba Tune in to hear Mailyn's take on what the recent U.S. action in Venezuela could mean for Cuba, and why the communist regime in Havana continues to be a central influence on the region.Find out how Cuba exports regime propaganda around the world, and how it functions as a “Kabuki theatre” for international audiencesHear Mailyn's view on how a post-Communist Cuba would have to go about “relearning” freedom STAY IN TOUCH! Stay informed about the latest news affecting the expat world and receive a steady stream of my thoughts and opinions on geopolitics by subscribing to our newsletter. You will receive the EMS Pulse® newsletter and the weekly Expat Sunday Times; sign up now and receive my FREE special report, “Plan-B Residencies and Instant Citizenships.”   WEALTH, FREEDOM & PASSPORTS CONFERENCE, MARCH 6-7, 2026 Join us in Panama City from March 6-7, 2026, for our second annual in-person event, the Wealth, Freedom and Passports Conference! Space is very limited, and prices will be rising on February 15th. Reserve your tickets right away.   RELATED EPISODES 391: Davos: What Trump And Carney's Speeches Really Mean 388: Trump Arrests Maduro: What Does It Mean For Latin America? 387: The Leaders Shaping Latin America's Shift Toward Freedom

The left has become insufferable theater kids

When a workplace affair ends, the fallout doesn't stay private. Loyalties fracture, tension poisons the environment, and what was once whispered behind closed doors becomes impossible to escape. Careers, reputations, and mental health can all be collateral damage when personal betrayal collides with professional life.In the story today from Norfolk, the end of an affair leads to one person looking for revenge and ends in the most shocking violence.Join me at TrueCrimeFest in London in Marchhttps://www.truecrimefest.co.uk/Buy My New True Crime Content Creators Online Coursehttps://adam-s-site-be58.thinkific.com/products/courses/true-crime-content-creation-courseWriting Credit: Chris WoodYou can buy Chris's second book, 'Death in the Theatre' here: https://www.amazon.com/Death-Theatre-Chris-Wood/dp/1399009117Watch my YouTube channelhttps://www.youtube.com/@Adam-uktruecrime/videosListen/Watch the True Crime Catch Uphttps://audioalways.lnk.to/TrueCrimeCatchUpFind Our More About Mehttps://uktruecrime.comJoin UK True Crime Facebook Grouphttps://www.facebook.com/groups/UKTrueCrime Hosted on Acast. See acast.com/privacy for more information.

Burnout does not always look dramatic. Sometimes it looks like a successful career, a stable job, and a life that makes sense on paper. And still, your body knows something is wrong. If you have ever found yourself in the middle of a midlife career shift, questioning your work, or wondering why you feel exhausted even when everything seems fine, this conversation will meet you right where you are.In this episode, I talk with Ellen Whitlock Baker about the quiet unraveling that led to her line-in-the-sand moment. Years of people-pleasing, pushing through, and trying to belong in systems that were never built for her finally caught up with her in the most unexpected place. Sitting in a theater, watching the musical Beetlejuice, Ellen broke down. Not because the show was sad, but because her body had reached its limit. What followed was a brave decision to walk away from a very stable job and begin rebuilding a life and career rooted in alignment instead of obligation.This is a story about workplace burnout and listening to yourself before everything falls apart. About honoring the signals you have learned to ignore. And about trusting that even when the next step feels risky, there is another way to live and work that does not cost you yourself.What You'll HearWhat burnout feels like before you have language for itHow belonging, or the lack of it, quietly shapes our career choicesThe moment Ellen's body finally said enoughWhy leaving a stable job can feel terrifying and deeply right at the same timeWhat rebuilding looks like when you choose alignment over approvalA reminder that it is not you that is broken; sometimes it is the systemGuest BioEllen Whitlock Baker is the founder and CEO of EWB Coaching, where she helps professionals learn how to prioritize themselves in a world that often tells them not to. With empathy and honesty at the center of her work, Ellen supports leaders in understanding their strengths and building careers that feel sustainable, human, and aligned.With more than 20 years of workplace experience and certification through the International Coaching Federation, Ellen works with individuals and organizations through one-on-one coaching, workshops, and courses. After navigating her own experiences with burnout and self-doubt, she is on a mission to help others never reach that breaking point. Ellen is also the host of the Hard at Work podcast, which identifies what isn't working in today's workplaces and explores how we might change them.Connect with EllenWebsite: https://ewbcoaching.comPodcast: https://hardatworkpodcast.comLinkedIn: https://www.linkedin.com/in/ellenwhitlockbaker/Instagram: @ellenwbcoaching------Listen and follow: www.thelifeshiftpodcast.com/followSupport the show for ad-free and early release episodes: www.patreon.com/thelifeshiftpodcastSubscribe to the newsletter:

Join me as I have a chat with Jan Burl, known as author jsburl, MA, is a hemorrhagic stroke survivor who lives in Northern NY. She loves family, crocheting, the mountains, dragons, gardening, writing poetry and stories, sketching and oil painting, dragons, and animals large and small. Did I mention she loves dragons? She lives with Tippy, the 4 legged star of Tippy's New Friend, a children's story series, the second being released next year. She recently finished her master's degree in Creative Writing and Poetry summa cum laude. She was inducted into Sigma Tau Delta International English Society, and The National Society of Leadership and Success. Jan is an international motivational speaker and will soon become a Life and Wellness Coach for Stroke and Traumatic Brain Injury Individuals, their Caregivers and loved ones. She has been a journalist winning state and US competitions. Her poetry has appeared in the Adirondack Center for Writing, Sunflower Poetry Review, Waverly Press Poetry Review, Spillwords, Prose-n-Poetry Anthology 2003, International Library of Poetry, American Poets Society, Theater of the Mind, plus more, and The BeZine, where she is an associate production editor. The stroke took her mobility, but not her creativity. Her favorite thing to tell people is, “Don't fight the journey, but sit back and enjoy the ride. Make every day an exceptional day..”

Awards season is in full swing — and that includes St. Louis theater productions. The St. Louis Theater Circle announced its nominations for their 13th annual awards Tuesday, recognizing productions by 20 theater companies in the St. Louis area in 2025. St. Louis Theater Circle members Rosalind Early and Gerry Kowarsky share some of this year's nominees and an update on the state of local theater productions today.

George is joined by Elizabeth, Avais and Piers to reflect on Fulham's last-gasp defeat to Manchester United at Old Trafford. The panel then turn their attention to the latest January transfer updates before rounding things off by answering your listener questions. Guests: George Cooper Elizabeth Barnard Avais Malik Piers Cottee-Jones Producer: Freddie Cooper Support Fulhamish's independent podcasts, videos and articles by subscribing to our Substack: http://www.fulhamish.co.uk Follow Fulhamish on socials: http://www.x.com/fulhamishpod http://www.instagram.com/fulhamishpod https://www.tiktok.com/@fulhamish https://www.youtube.com/@fulhamishpod Learn more about your ad choices. Visit podcastchoices.com/adchoices

Actors Emma D'Arcy and Tobias Menzies star in the new play "The Other Place," a modern adaptation of the classical play "Antigone." They discuss the show, running at the Shed from January 31 through March 1. 

In this episode of Theater in the D, Jesse and his fiancée Miranda review Monty Python's Spamalot. She hated the movie. He's a lifelong fan. So, did this Broadway adaptation bring them together or tear them apart? Learn more about your ad choices. Visit megaphone.fm/adchoices

Broadway's Helen J. Shen (Tony-winning Maybe Happy Ending) joins The Art of Kindness with Robert Peterpaul to discuss her whirlwind rise to theatre stardom during a thoughtful conversation about artistry, ambition, and staying human even when you're playing a robot. This kind-hearted episode covers: How classical piano training shaped her work ethic The intersection of kindness, diligence, and authenticity Navigating imposter syndrome with childlike joy Tips for handling tech frustrations during rehearsals The importance of community and supporting co-stars Lessons from working with legendary leaders like Michael Arden and Meryl Streep Insights into recording a Broadway cast album and its lasting impact Broadway theatre ghost encounters and more! HELEN J SHEN (she/they) is an actor, musician, and writer who has quickly established herself as a force within the entertainment industry. Helen currently stars in the critically-acclaimed Broadway musical Maybe Happy Ending, which won the 2025 Tony Award for Best Musical. For her performance, she received rave reviews and was recognized with the Clive Barnes Award for Theatre, the Theatre World Award, and nominations for a Grammy Award, Drama Desk Award, and Drama League Award. She recently wrapped filming the highly anticipated sequel The Devil Wears Prada 2, set to be released this upcoming May. They previously starred in the musical The Lonely Few at MCC Theater and the Geffen Playhouse. For her performance as JJ, Helen received a 2025 Lucille Lortel Award Nomination for Outstanding Featured Performer in a Musical. Helen also captivated audiences in the musical Teeth at Playwrights Horizons. Their regional credits include starring in Man of God at the Williamstown Theatre Festival and as Betty Schaefer in Sunset Boulevard at ACT of Connecticut. Helen earned a BFA in Musical Theatre from the University of Michigan. She has been recognized in TIME100 Next, Variety's 2024 Power of Young Hollywood Impact Report, and the 2025 Gold House A100 List. Follow Helen: @helenjshen Follow us: ⁠⁠@artofkindnesspod⁠⁠ / ⁠⁠@robpeterpaul⁠⁠ ⁠⁠youtube.com/@artofkindnesspodcast⁠⁠ ⁠⁠Support the show⁠⁠! (⁠⁠https://www.buymeacoffee.com/theaok⁠⁠) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're trying out a new idea for our fans of the 2nd Date Update! Every Sunday, we will be hosting one of our FULL HOUR episodes from our main show feed, Brooke & Jeffrey! We'd love to hear your feedback...but please send all negative reviews to Jeffrey. FULL SHOW: Wednesday, January 28th, 2026 Curious if we look as bad as we sound? Follow us @BrookeandJeffrey: Youtube Instagram TikTok BrookeandJeffrey.comSee omnystudio.com/listener for privacy information.

The Context of White Supremacy welcomes Dr. Kellen Hoxworth. Classified as a White Man, Dr. Hoxworth is an “Assistant Professor of Theatre at the University of Buffalo, State University of New York. His academic interests focus on the intersections between performance, race, and coloniality, particularly in African and Black diasporic performance.” During our recent discussing with Dr. Chad Montrie, he told us that while researching Racially Restricted Regions of Minnesota he was inundated with blackface and minstrel show images. Dr. Montrie said, “They were everywhere.” At the schools, in the libraries, at the political meetings. All areas of people activity. The ubiquitous nature of these images motivated him to write a book on the subject and spurred Gus research other material on these racial performances. I soon located, Dr. Hoxworth's Transoceanic Blackface: Empire, Race, Performance. This 2024 publication asserts that minstrels shows are not a uniquely “american” form of entertainment. Rather, blackface and minstrel show performances where a crucial component of a global White Culture. People classified as White in every region of the globe partook in the humor and domination of the minstrel show. They are a massive component of what it means to be classified as White. #WhatDoesItMeanToBeWhite #TheCOWS16Years INVEST in The COWS – http://paypal.me/TheCOWS Cash App: https://cash.app/$TheCOWS CALL IN NUMBER: 720.716.7300 CODE 564943#

Playwright and BAFTA-nominated screenwriter Moira Buffini on moving between theatre, film, and fiction, writing for yourself instead of the market, and shaping structure by rewriting toward the ending you want readers to feel.    You'll learn:Why “you are the audience” can be a practical rule for cutting through market noise and writing with conviction. A useful way to handle reviews and outside opinions without letting them steer the work. How to build story momentum when you can't fully plot ahead, and why not knowing the next move can be a strength. A structure approach based on “writing toward a feeling” at the end, then layering drafts until the story clicks. What discipline looks like when you're writing big worlds in prose, and how constraints can keep you from getting lost. How a dramatist's instincts (plot, structure, obstacles) can transfer into long-form fiction and help sustain narrative drive.   A grounded reminder about the “mundane” day-to-day of being a professional writer, and why that doesn't cancel the magic. The practical foundations she names for keeping your mind working (sleep, movement, and treating the body as part of the instrument). What it can take to keep writing alongside caring responsibilities, and why persistence is often the hardest part.   The simplest career advice she returns to: don't accept the story that you “can't,” and keep putting in the hours. Resources & Links:

In my efforts to change the show up a little bit, I have asked few amazing people to be rotating guests. Ashley Griffin is one of them. We will be talking about all aspects of live theater. Not just specific plays or muciscals, but the entire world of theater.  https://www.ashleygriffinofficial.com For more Beyond the Playlist https://www.facebook.com/groups/Beyondtheplaylist/ https://www.instagram.com/jhammondc/ Theme music by Jason Bieler. You can find out more about him at https://jasonbieler.bandcamp.com Cover art by Phil Rood. https://philroodart.com

Phil and Shaun are back with their 2nd episode of their new pod

In this week's mini-sode, we are shining the spotlight on the Broadway musical "[title of show]"! This delightful little one act musical is a hidden gem full of friendship, silliness, and some cozy, good vibes!Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

Steve Hayes sits down with Jonah Goldberg, Megan McArdle, and Kevin Williamson to discuss the events in Minnesota, sanctuary cities and immigration policies, and international tensions. The Agenda:–Kristi Noem, Stephen Miller, and the Leak Wars–The killing of Alex Pretti–Jedi mind tricks aren't working–Time for the purge?–Trump's political instincts–Overseas tensions–NWYT: Weird injuries Show Notes:–Dispatch Editorial: The Cost of Silence–Trump says 'violent day' of policing will end crime–The Immigration Frontlines–There's a way to stop Trump. First, drop the fascism debate. The Dispatch Podcast is a production of ⁠⁠⁠The Dispatch⁠⁠⁠, a digital media company covering politics, policy, and culture from a non-partisan, conservative perspective. To access all of The Dispatch's offerings—including access to all of our articles, members-only newsletters, and bonus podcast episodes—⁠⁠⁠click here⁠⁠⁠. If you'd like to remove all ads from your podcast experience, consider becoming a premium Dispatch member ⁠⁠⁠by clicking here⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

CinemAddicts Episode 329 features reviews of movies coming out the week of January 30, 2026.   They are Shelter, Grizzly Night, Worldbreaker, and Islands. Our assigned pick is the 2014 movie The Guest. Timestamps (00:00) - Introduction to CinemAddicts (07:16) - Shelter Review -  Images: Daniel Smith for Black Bear. Theaters 1/30 (14:33)  - Grizzly Night Review -  Images: Saban Films. Digital/On Demand 1/30 (18:32) - The Guest Review (27:19) - World Breaker Review - Images: Aura Entertainment. Theaters 1/30 (44:05) - Review of 'Islands' - Images: Greenwich Entertainment (53:32) - Review of 'The Guest'   Members of our CinemAddicts Patreon receive a monthly Bonus episode. All of our Movie Spoilers coverage is also exclusive for our Patreon members.   CinemAddicts Facebook Page CinemAddicts Facebook Group CinemAddicts Patreon CinemAddicts YouTube Channel CinemAddicts Merch store Deepest Dream Thanks to our Patreon Community Ryan Smith Stephen Schrock Susan Charles Peterson Nelson B. McClintock Diana Van De Kamp Pete Abeyta Tyler Andula Stephen Mand Edmund Mendez Abbie Schmidt Jeff Tait Robert Prakash Kristen Chris M Jeremy Chappell Lewis Longshadow Iver Alex Clayton Daniel Hulbert Andrew Martin Angela Clark Myron Freeman Kayn Kalmbach Aaron Fordham Tracy Peters Grant Boston Ken Cunningham  

Former CNN news anchor Don Lemon has been arrested by federal agents following a protest at a Minnesota church. United Healthcare CEO killer Luigi Mangione is back in court today as the judge considers defense motions to dismiss charges. Mark interviews Monica Crowley, Chief of Protocol of the United States. She discusses major events planned for the USA's 250th anniversary this year and explains how faith and the love of God continue to inspire Americans. President Trump has announced his pick for the next Federal Reserve Chairman: Kevin Warsh, who will succeed Jerome Powell. In Luigi Mangione's case, the judge has dismissed several charges, including the death penalty. Mark interviews Fox Business reporter Charlie Gasparino. He shares his positive view of President Trump's Fed Chair selection. Gasparino also comments on Mayor Zohran Mamdani's limitations in office and speculates on whether ICE protesters will head to NYC.

Former CNN news anchor Don Lemon has been arrested by federal agents following a protest at a Minnesota church. United Healthcare CEO killer Luigi Mangione is back in court today as the judge considers defense motions to dismiss charges. Mark interviews Monica Crowley, Chief of Protocol of the United States. She discusses major events planned for the USA's 250th anniversary this year and explains how faith and the love of God continue to inspire Americans. President Trump has announced his pick for the next Federal Reserve Chairman: Kevin Warsh, who will succeed Jerome Powell. In Luigi Mangione's case, the judge has dismissed several charges, including the death penalty. Mark interviews Fox Business reporter Charlie Gasparino. He shares his positive view of President Trump's Fed Chair selection. Gasparino also comments on Mayor Zohran Mamdani's limitations in office and speculates on whether ICE protesters will head to NYC. See omnystudio.com/listener for privacy information.

Tomorrow from 11am to 7pm, some of the arts' biggest names including Lin-Manuel Miranda, Sara Bareilles and Constance Wu will appear on the steps of The Public to perform and protest in solidarity with the people of Minnesota. We speak to Saheem Ali and Alexa Smith, the associate artistic directors of The Public about "The People's Filibuster."

It's time for another Spooky Sleepover on Killers, Cults & Queens.This week, Nikki and Cheryl catch up on tour exhaustion, extreme weather, and sleepless nights caused by Storm Chandra — before venturing into the paranormal.Cheryl recounts her first-ever ghostly encounter during a visit to a reportedly haunted theatre in Scotland, where an unexplained physical touch left both her and a castmate shaken. Meanwhile, Nikki spirals into a chilling rabbit hole about Chernobyl's nuclear wolves — and how radiation may have altered wildlife in the exclusion zone.From haunted theatres and storm chaos to radioactive wildlife and future episode teases, this Spooky Sleepover has it all.Got a theory? Been lost in a rabbit hole? We want to hear from YOU!Email killerscultsqueens@gmail.com or DM us on Instagram @killerscultsqueens.✨ Support the show on Patreon for bonus content and early AD FREE access: patreon.com/killerscultsqueens

Send us a textWe look at the role of performance in government going back to the Egyptians, Akkadians and fast forwarding to FDR.  

When an American couple rents a charming Scottish cottage to escape tragedy, they discover a chilling local legend: the marble statues of two murderous knights rise from their tombs every Halloween night and return to the home that was once theirs. | Man-Sized In Marble | #RetroRadio EP0579CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Man-Sized In Marble” (April 12, 1977) ***WD00:45:31.204 = Dimension X, “To The Future” (May 27, 1950) ***WD01:15:12.081 = The Strange Dr. Weird, “Revenge From The Grave” (May 15, 1945) ***WD01:27:20.451 = The Creaking Door, “Anna” (December 21, 1964) ***WD01:54:12.587 = 11th Hour, “Let the Play Begin” aka “Invitation to Death” (January 28, 1960) ***WD02:19:27.249 = Escape, “Conqueror's Isle” (March 05, 1949)02:48:53.811 = Everyman's Theater, “Cat Wife” (October 18, 1940)03:17:53.218 = Murder By Experts, “The Big Money” (July 25, 1949)03:47:18.939 = Exploring Tomorrow, “Made In Avak” aka “Fair Fight” (March 12, 1958) ***WD04:03:07.393 = Faces In The Window, “Pit And The Pendulum” (January 24, 1953) ***WD04:34:06.774 = Dark Fantasy, “Headless Dead” (January 23, 1942)04:58:26.224 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =#ParanormalRadio #ScienceFiction #OldTimeRadio #OTR #OTRHorror #ClassicRadioShows #HorrorRadioShows #VintageRadioDramas #WeirdDarknessCUSTOM WEBPAGE: https://weirddarkness.com/WDRR0579

6pm: Video Guest – Andrea Suarez – We Heart Seattle // The Homeless Head Count Has A Big Problem… // This Day in History // 1985 - Music stars gather to record “We Are the World” // 1986 - The space shuttle Challenger explodes after liftoff // Which theater will you be seeing “Melania” in this weekend?

Join us for a first ever “Fireside Edition” of The Victory Couch. Due to temperatures in the mid-Atlantic dipping to single digits, we decided to record downstairs by our fireplace (hence “fireside edition”) beginning the episode with “On the Tens.”We know you may be loving our musical theatre parent content or you're sick of it--- either way it continues today. We share our favorite parts about being musical theatre parents now, and what we most miss about leaving the Junior Theater Festival. We also take a nostalgic dive into the world of arcades, and choose what would go in ours if we had one. Lastly we share which compliments are our favorite toreceive (The Victory Couch is hosted by Rick and Julie Rando).Show notes: Connect with us on Instagram @thevictorycouch, Facebook,victorycouchpodcast@gmail.com, or www.thevictorycouch.comWant a new Victory Couch sticker for your water bottle, laptop, guitar case, etc.? Send us a message and we'll mail you one.SUBSCRIBE to The Victory Couch e-mail list by visitinghttps://www.thevictorycouch.com/ and click SUBSCRIBE at the top of your screen.On the TensWhat do you love most about being a musical theater dad/mom?You're A Good Man Charlie BrownJunior Theater Festival The Lion King Frozen Jr.The Music Man Jr.Newsies Jr.Beetlejuice Jr.HamiltonWhat's the worst part about coming home from the Junior Theater Festival?If you had your own arcade and you could only have 3 arcade games in there, which ones would you choose?What are some of your favorite compliments to receive?Couch crumbs: dry winter skin, cold temperatures, exhaustion after JTF, illnessProp your feet up moments: January photo gig, friends check in randomly, JTF was extraordinary, Dance Moms with Dylan

What to know about the nationwide 'ICE Out' protests and where they're happening in L.A. As another government shutdown looms, how programs like Head Start could be affected. Plus, we'll bring you a preview of The Bob Baker Theater's newest show in over 40 years. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.comSupport the show: https://laist.com

learn about the ordinal numbers

This week on the Boxoffice podcast, co-hosts Daniel Loria, Rebecca Pahle, and Chad Kennerk cover the weekend box office and review the 2026 Oscar nominations. Then in the feature segment, Rebecca speaks with Wynn Salisch, the president of the Mid-South Theatre Association and Casablanca Payments, to preview the Mid-South Theatre Convention coming up in Memphis, TN from March 30 to April 1. Give us your feedback on our podcast by accessing this survey: https://forms.gle/CcuvaXCEpgPLQ6d18 What to Listen For00:42 Weekend Box Office Overview01:00 Mercy Takes #1 in Weak January01:35 Post-Avatar Box Office Slowdown02:00 Upcoming Releases & Tracking Forecasts03:00 Indie & January Action Releases04:15 Documentary Box Office Expectations05:00 UK & Ireland Box Office Forecast06:02 Oscar Nominations Overview07:04 Major Oscar Snubs & Surprises08:27 Best Picture Race Breakdown10:00 Supporting Acting Categories16:00 Lead Actor & Actress Races23:00 Director, Editing & Score Discussion39:39 International Feature Film Race42:00 Technical Awards & Visual Effects43:31 Best Picture Predictions48:57 Mid-South Theater Convention Promo50:04 Interview: Win Salish Begins55:00 Value of Regional Theater Conventions01:00:00 Future of Exhibition & Gen Z01:02:31 Registration Reminder & Wrap-Up

Theatre and opera director Katie Mitchell talks to John Wilson about her career and formative influences. She is renowned for her experimental storytelling on stage, her feminist perspective, and for contemporary reframing of classic plays, she has directed more than 100 productions over more than 30 years. She has worked at the Royal Shakespeare Company, the Royal Opera House and the National Theatre, where - as associate director - she staged bold new versions of work by a wide range of writers including Aeschylus, Virginia Woolf, Chekhov and Sarah Kane. For many theatre goers, she is one of Britain's most important and innovative living directors.Producer: Edwina Pitman

Modena's famous Massimo Bottura approaches food and cooking with a sense of creativity that is electric. His charm and energy are irresistible, and his values of social justice and sustainability are deeply aligned with my own. I had the great pleasure of interviewing Massimo in 2017 and dove into a topic we both care about: reducing food waste. You can tune into that episode here: https://www.marionkane.com/podcast/massimo-bottura-mission-turn-food/ If reducing food waste and feeding the disenfranchised is something you care about too, you will love Peter Svatek's documentary 'Theater of Life,' where Massimo and 60 of the world's top chefs reclaim food headed for the dumpster and make beautiful meals for some of Italy's hungriest people: Theater of Life - NFB And I would be remiss if I didn't mention 'Bread is Gold,' a cookbook that features recipes from Massimo and others that inspires home chefs to reclaim wasted ingredients and transform them into dishes that are both delicious and beautiful: Tasty Cookbook by Chef Massimo Bottura and Friends is Pure Gold Image (clockwise, from top left): Caramelized bananas with balsamic drizzle, made from a recipe in 'Bread is Gold;' Massimo Bottura; yours truly in my legendary veggie dress c. 1992; promo poster from the documentary 'Theater of Life.' #sustainability #foodwaste #massimobottura #theateroflife #foodsecurity #podcast #marionkane #foodsleuth

What if the core of equine‑assisted work isn't a method, a certification, or a discipline — but the shared act of creating a new story together?In this wide‑ranging and deeply human conversation, Rupert Isaacson speaks with Betsy Kahl — senior PATH instructor, social worker, horsewoman, and long‑time collaborator in the Horse Boy and Takhin Equine Integration work. Drawing on decades of experience across therapeutic riding, classical dressage, social work, and the performing arts, Betsy reflects on where equine‑assisted practice has come from, where it is now, and where it may need to go next.Together, Rupert and Betsy explore the often‑unspoken layers beneath equine‑assisted work: grief and loss, belonging and exclusion, the tension between mainstream systems and lived wisdom, and the role horses play in helping humans keep moving when life threatens to stall. From theater arts and role‑playing to adaptive riding, veterans' work, and the quiet intelligence of in‑hand training, this episode weaves together disciplines that are too often kept apart.Rather than arguing for a single approach, this conversation invites practitioners, riders, and listeners to reflect on what unites all good equine work — care for the horse's wellbeing, respect for individual capacity, and the courage to remain present in uncertainty. It is a dialogue about humility, creativity, and the radical idea that healing — for horses and humans alike — is relational.If you work with horses and people, or if horses have helped you navigate grief, transition, or identity, this episode offers both grounding and challenge.If you want to support the show, you can do so at Patreon: https://www.patreon.com/LongRideHome

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Guest host Jovelyn Richards presents White Switch   WHITE SWITCH Show Transcript Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Jovelyn Richards: [00:01:07] Hi, this is Jovelyn Richards and I'm happy to be here on Apex. Some of you may know me from Cover to Cover, which is every Tuesday at two o'clock, which I, um, spend time with artists, filmmakers, uh, writers, play writers, poets, to bring that to my audience. And on every third Monday you would hear me on Women's Magazine and my colleagues. We all take one Monday and Tuesday on different topics from a feminist perspective, from a global perspective. And my specific way of approaching that is to look at writings and, um, that's either from fiction or either it is nonfiction, but at the core of it, because my interest really is getting to the story of what it's like to be human.   Jovelyn Richards: [00:02:05] Those reflect characters topics that really dig inside of that written by women who was in search of, in their research, their lives of highlighting either known people or ordinary people who are. Living in ways in which moves humanity forward. So that's where you'll find me. And so why am I here? I'm here because I did a project, uh, over a year ago, and this, this, uh, tape is, uh, this program is a long time coming. I partnered with this particular project with, so when you would be familiar with, and that's Preeti Shekar last name is spelled S-H-E-K-A-R. And we began this story, uh, of looking at anti-blackness in the South Asian community together. So what I'm going to do is let you listen to a clip, not from Preeti or myself. But from someone else's doing this anti-blackness work in South Asian communities with Ritu Bhasin, and the last spelling of her name is B-H-A-S-I-N. So we'll take a listen to that and then I will be right back and have that discussion.   CLIP PLAYS   Jovelyn Richards: [00:04:46] All right, so here we go. And so one of the things I appreciated seeing and listening to her video when I first was introduced to her, that aligned with the work that myself and Preeti was doing in our project curriculum called The White Switch, and we'll dig into that. What is the White Switch? What is the curriculum of the White Switch and how it came about? And so what I appreciate, the continuous work, you may wanna Google, if you don't already know, you probably do with Ritu Bhasin, uh, because she speaks directly about anti-black, uh, racism within South Asian communities, especially among professionals and leaders. And as you've heard in the video, she shares what that experience has been. And I was so happy to be able to offer that in the beginning of this. Uh, broadcast so that it, uh, to break the sense of isolation just in myself. Speaking of it as a black woman, I was hoping that Preeti would be here, but she's, um, back in India and I'll talk a little bit about what that's like for me, uh, that my co-create, um, my partner on this here.   Jovelyn Richards: [00:05:59] So the white switch and the history of it for years. Uh. Probably like close to 15 years now. We were part of the beginning of white, uh, women's magazine and we had wanted to do something together. We knew that we wanted to work together without knowing the why, but every time we were in conversation in the building, uh, women's magazine and the way I approach the topics, uh, as a collective. And where the resistance was, where the fun of it was at. Uh, and then her way she approached it, there was place the, the connected dots. So example would be for any of our lives, when you're in very difficult conversations, you pay attention to the other, uh, uh, collaborators or whatever the, what the team is made of. And even if it's to people and you see whether or not they're coming from a place of inclusiveness, you're seeing how, how hard they are holding on to their opinion, whether it's negotiable, whether they're really deeply listening. And what was really interesting to where we connect the is that we found that both of us and we were relatively new to each other.   Jovelyn Richards: [00:07:20] What we both found is that the humor. That in the heat of it all, or the conflict of it all, there was, we relied on this part of humor to not, to deflate and deflect from the situation, not to deflate it, like take off the, the, the fullness of the topic, but to give us all a moment to breathe in humor. Right? And, and that's, that is part of my go-to as a standup comedian. So that's real for me. So. Let's talk about the white switch. So the, oh, so the, how it began, how we came up with that since we wanted to do a project together, how did we come up with the white switch anti-blackness in South Asian community Preeti, uh, was in New York over a year ago, and she was taking a Lyft in Harlem to wherever else she was going, or she was going to Harlem and the Lyft driver. South Asian, uh, driver asked her why was she going there or coming from there. Then she said, what do you mean? And he began to have a conversation around the dangers of that even. He didn't always like to pick up folks there and he was referring to black folks. And so pretty him not knowing that she's an independent journalist, she's also an activist.   Jovelyn Richards: [00:08:48] Begin to ask important questions and starting with what has been your experience, your personal experience, and then your experience with others close to you that might have shared that is informing these thoughts. You have these feelings, you have these decisions you're making, these things you're telling me not to do, and he had nothing, none to offer. So the next question would be, so then, then. Why, and then from, if I got the story right, there was a, um, uh, moments of silence and so I think he was sort of processing, processing in his own mind. Why am I telling, why am I feeling this way? Why am I hesitant to go to areas where I know there'll be black folks? Why am I telling a woman who is South Asian, particularly identifying with his own, uh, identity, wanting her not to go? And in that emptiness, one would hope that. Once he did self-reflection, uh, with that question that he was discovering, like he really didn't have anything substantial to go by. And so when she got back from her trip, we were talking and she said this was very important to her, to talk about that.   Jovelyn Richards: [00:10:15] And uh, and I told her at the time, surprisingly enough that I was. Actually had been working on a project in my isolation, uh, called the White Switch, and that this coincidence, we wanted to take advantage of both of our energy of importance towards the matter. So the thesis statement within it is that the whites, which is a healing curriculum. This innovative program designed for activists very specifically anyone can, can be involved in the curriculum of, of essentially looking at the anti-blackness in any community outside of the black community. Specifically for activists and then, but anyone can do that if you, if they're, you don't have to be actively considering yourself an activist just by wanting to, to think about and look at the curriculum on some level. Something is activating inside and looking at that, and then to, in the curriculum to recognize as this, this Lyft driver did that there was no logical reason for him. To not only have that stance, but to offer it to strangers, then spreading that untruth or have no validity to it, right? And so the curriculum addresses that and to begin as, as to, to eradicate the deeper feelings despite being activists, despite education around anti-blackness.   Jovelyn Richards: [00:12:12] That even among the most astute South Asians, there are the deeper roots, the deeper roots of anti-blackness. And that is the white switch. The white switch. And so the, the pattern. The reoccurring pattern that one has seen politically in black communities. As we also heard in the, um, video, which were two of us seen, uh, has been, that is, is even after years of political education, community organizing, or DEI, where there's a sudden internal shift that occurs. This shift is not intellectual, it is somatic. Emotional and rooted in the proximity to whiteness. And that switch, the white switch goes on immediately for survival purpose. So when confronted. By anti-blackness in conversation and actions, there's a switch that goes off. Fight or flight, fight or flight. And when that happens, there are things that happen again in the activist. In, in communities that have, uh, fought for years for political education through community organizing. But the, the, the roots of the proximity to whiteness globally is no joke because literally it is saying, this is for your survival.   Jovelyn Richards: [00:14:18] You are invested here in this proximity to whiteness. For your survival, economically, social placement, accessibility, back to safety for all of the above, and this buried there even while you're doing the, the, the radical work, however you show up, is sitting there with those deep roots, right? And so the workshop curriculum was created. I had started it before Preeti and I began doing it, um, writing about it. And I'll give you that history. This is a good place to do the history of that. I had been doing political education around anti-blackness and around many issues, but what, this is what we're speaking about, right? And educating around domestic. Other things were like hunger, domestic violence, um, community organizing, and specifically that, that came out of anti-blackness, holding workshops, creating workshops. And what I discovered is, um. Most of the people, the audience that was there, I'm thinking example of the Stockton Unified School districts district where myself and peer advocates went in, uh, to do the work of anti-blackness over some incidences that had happened in in Stockton in the public school system that was quite serious and quite painful for the black students and black community.   Jovelyn Richards: [00:16:07] And when I was there doing a workshop, and this was in my particular, um, um, curriculum that we was, we was doing, uh, but I was implementing it and what I noticed was more pronounced, I had noticed it before. And had even talked about it, had, um, had dialogues about it, uh, with others. What I noticed in those, the, those times that there's a point. Where in the, that particular workshop, I could see where there was staff that was really wanting to get to the bottom of their own anti-blackness for their students. So the teacher part of them and the diversity of the students. And there was activated and then there was those, uh, that were not engaged with the caring of, they were there to teach and they brought, they. Didn't have an issue with their behavior that spoke to anti-blackness. Example would be two students are talking and one non-black. Black. And these are just random examples. Very, they're not mild, but compared to what had happened, what brought us there that was so extreme, it involved death. Um, uh. I shouldn't just say it like that without giving more backdrop to it, but, and maybe I will.   Jovelyn Richards: [00:17:43] But here's in the daily classroom that then this black student would be called out and removed more times than not from a classroom. And so by the teachers that did not take up responsibility, that in their teaching they had a responsibility to be teaching themselves. By listening to the students that would call, would call them out and, and stay forth and say, why, why? This person started talking to me? Why are you only pointing out at me? So this, this is not new. I'm sure this happened throughout the teaching person teaching career. Why am I have to go to office? And so now we can see what happens when students are constantly in the office, how that impacts them. So. That is part of when I started making more notes on this here. And then I, uh, worked with, and probably you're very familiar with this organization in the Bay Area, surge showing up for racial justice. And they were, uh, we worked together on a project. That I was doing as a writer. I was writing the Play 911: What's your emergency? And it was in response to white communities, particularly women calling the police on Brown and black people. And most notable in the Bay Area was barbecue, Becky and Permit Patty. So I met La Peña. I was a resident artist at La Peña Cultural Center. Hopefully you're all aware of that. Uh, of the center and its beauty that it, uh, and work is done over the decades. And I, so in writing the play and working with community folks, uh, actors, performers, and interested and impacted by these phone calls, and we worked in Workshop to create together, I did. I wanted to. Dig more into the psychology now of the barbecue Becky and permit Patty.   Jovelyn Richards: [00:20:10] That means I wanted to look at the racism within white women. And again, I wanted to look at that from, of. White women who have done work and fight for anti-blackness and other, uh, social ills. And so I went to search and, uh, they agreed immediately, which is kudos and kudos, uh, that, uh, they were willing to even think to themselves, yes, I can look, I can get, I, there's, there's roots in here. There's something in here. And so we, um. Created, I created the curriculum for the workshop that lasted over the weekend, and I found out some very interesting things and they found out more importantly, some very interesting things being activists themselves. And as we dug deeper using healing curriculum, for example, uh, there's, uh, healing, uh, um. Theater is based in theater, similar to, um, not similar to, but another theater thing you could think of that deals, which social ills would be theater of the press, uh, playback theater. And I also use that in some of the work I do. That's part of the White Switch. But I had created a thing called two Tiers Telling. Jovelyn Richards: [00:21:38] And in the chairs, two chairs telling the facilitator being me and the, the person who is working on, and this, in this case, women from s would sit in the chair and the others are the witness. They hold the space. Right. And again, this is a healing, uh, process. And then we go into some reflection questions, right. The same way. Preeti did with the Lyft Driver. But these particular questions, because I'm working with activists who are very savvy in the work they do, and very knowledgeable and, uh, the political, uh, things that are happening are happening in the world, then I created those questions to dig past the intellect. Pass the work into the personal, right? So we go into to memory, we go into early memory, and that became really a wonderful experience, as I said, for everybody, right? And I took those notes again, collecting that. And over the years, other workshops I've done. And so again, by the time it circled to pretty us looking forward. Uh, work to do together. It came up. Now I even in this rec, this, um, programming, it was odd when I 'cause this, this recording, this program was due like almost a year ago. We started this program in this 20, 20, 26. Now we started together in late 2024. We presented this at the DESI Conference in 2024, south Asian uh, DESI Conference.   Jovelyn Richards: [00:23:41] We presented at that conference, right? And we were building the curriculum looking for, um, support for it, and Kamala Harris spoke at that conference. There was some political uproar from some of the folks there. They had their own feelings about her and the, the, the, what was, what was happening, what was not happening in the, uh, Biden and her administration with Biden. And there happened to be a moment when I got into, uh, an argument with one of the people who wanted to disrupt the moment she was speaking. I had an issue with that and wanted to, um, ask more questions and in the questioning the person was, was crying and so upset, and then I asked them what work they had been doing in their, in anti-blackness, and their response to me was, I don't have time for that right now.  That was very concerning. Very concerning. And so when I talk about this now, I'm recording this. It's actually Martin Luther King's Day where I'm recording it at air, uh, later and, and I'm sitting here reflecting on where we're at as a whole. Jovelyn Richards: [00:25:14] And I know that a lot of that was, we're here now, whatever, wherever you're thinking about where we're at, because of anti-blackness, because of anti-blackness. So, so much feels kind of odd to be talking about the work we were doing and wanting to do, and then more fiercely leading up to the election. Right? So again, this was, uh, 24. 2024 when we started the story in the, the spring of, and it just turned 2024. The conference was in the spring, I think it was May, late spring, and we came back wanting to do workshops and I left the conference. It was a wonderful. And I love the diversity of the conference in terms of the way diversity and how they was approaching it. Different topics, whatever the topics they were using. It was a different, it was different than most conference where the talking hads and, and then you go to break room, then you come back to another workshop on the program and then you go on the talking hat. You take notes or. And then you come out and then there's a, another break or lunchtime, you go back in and you meet people. There were hundreds of people and there were, there were people approaching difficult subject matters with comedy. And I'm a comedian, so I know that, and we all know on some level the comedians can tell you the best of the best stuff in terms of, um, political social ills, and they get you with that punch.   Jovelyn Richards: [00:26:50] That's another way to get people to sort of pay attention to where they're at in the world, where they're at within the subject matter and what or what not they want to do. Richard Pryor would be a good one, uh, most notable. Uh, and Eddie Murphy to some degree. Yeah, to some degree, but definitely Richard Pryor. Um. And so, and then they also had the dance. They have so much, they had so much of, they brought themselves their culture to the conference and it was one, it was the best conference I had been to. Uh, in a long time. 'cause it brought the, the, the one beautiful thing about many communities is that if, if the conference is put on by them, uh, and for whatever the topics, some, a lot of communities bring their culture into it, right? It's not a template of traditional conference, which very cut, very linear, et cetera. And that was absolutely fantastic. And I enjoyed it deeply and that was my takeaway from it. My takeaway from what we presented, very active listeners, very painful. As I was listening to some of the panelists, I was on the panel, discussed the work they do and gave, uh. Examples, like, uh, one woman was an his attorney and deals with, uh, prison reform and she was giving case cases that she had shared and the disparity of an justice system and the pain of, and then it was, it was, um, very, uh, emotional for me because I know these things occur, but when you hear, hear them in a case study and the results of them.   Jovelyn Richards: [00:28:47] So I was. How very, I was feeling that very deeply. And when it was my, someone asked a question, it was my, and I was speaking again. I'm feeling a certain kind of way. And I'm much, much, uh, I mean at this point my, you can hear and feel my passion when I was answering the question and the frustration that the story of the prison system. Uh, the, the racial, uh, inequality, the punitive measures, and I, and frustrated because this is not new. We know that in the different presidential folks, uh, say the Reagan administration, the Clinton three strikes, we know that's been going on and on, and yet the same stories being told over and over again. Uh, the sameness is like the, the, that different, different, different zip codes, different people, et cetera. But the same story of the injustice. The injustice, right? Going all the way back for some of you that are familiar with history. Going back to, uh, emancipation when the, um, black folks were, the, this sort of system we're working on now was created from that, that system doing emancipation with black folks, had nowhere to go with no resource, no money, and that no land.   Jovelyn Richards: [00:30:19] And that wandering the roads of trying to, to make up a life. And they created a system, a law that if you were the, what is the fragrant of fragrant frequency law, lot loitering, L-O-I-T-E-R-I, in order to re imprison them. So they had choices either go to prison or go work on Mr. X Farm of Land. And so it's been a continuation of, of creating systems, of imprisonment, of enslavement, of brown and black folks. And then so that came out and one of the people facilitating the conference when I, I just, my impatience of keep dis of discussion, my impatience of intellectual approach, my impatience and my bottom line question is, is what is taking this so long? If everybody, if we have attorneys and politicians and all these folks working on the same thing, why are we still here? What is that? And the persons, and so whatever I said after that was really about being more radical, more clear, more intolerant of it. And the person said, we are not ready yet. Meaning we are not we, we are not ready. We don't have all those pieces in place. And then I said, we are. And why? And why are we on the timeframe of others?   Jovelyn Richards: [00:31:50] Right. Why is it we're looking at the clock of others? What is that about other than anti-blackness? The deeper woods where the white switch clicked on? Why are you, why would anyone or any bodies of people talk about the atrocities of the prison system? The injustice? Talk about it, the atrocities. Then when approached to say, meet it, meet it where it's at, it turns the intensity to say, we are not ready yet. What does that, what did that mean? Jovelyn Richards: And what I learned even in that statement that at the conference, and as men pretty came back and talked about and realized that even after years of political education, the community organizing or DEI, a sudden internal shift occurs. The shift is not intellectual, it's somatic. Emotional and again rooted in proximity to whiteness and despite activists stated commitments to racial justice, many South Asians activists experience a movement with their nervous system over rise their politics. Fight or flight response activation. Instead of leaning into accountability, they retreat.   Jovelyn Richards: [00:33:23] Retreat into defensiveness, fragility or self-protection. And when I say those words, we see that more. We think about in the, what is the book? White fragility. So it's the same thing, right? The same characteristic. 'cause again. It's that close proximity to whiteness. So of course you're taking the, the, the, when you, and this, I think it's across the board when anyone is confronted on anything and don't take the word confronted, um, and begin to think of it just as confront, like it seems like a hard word, word and English language doesn't always offer enough words to express. One thing without making it as heavy, because confront, confront could be simply in a conversation and someone says, do you know what you just said is very offensive to me? And, and say, why? And then suddenly the possibility of the white switch, this reflective, turned toward whiteness. Toward innocence. Jovelyn Richards: [00:34:29] Rural more purity and distance from blackness is the white switch. And so when in my experience, uh, south Asian activist is confronted with their own anti-blackness, does the switch may show up as defensiveness. Words like, I've done so much work on this. I, you know, I do the work. It's like proving, here's my resume, here's my, this, I've done the work and, and, and that's not me. I've taken anti-racism training. I work every day my and, and bring credentials into it. I teach workshops. I'm dismantling racism, volunteer in prison reform. I've marched, donated, organized, centering my, uh, centering, centering. And that I wanna say is what people do in any situations, not just a topic like anti-blackness. It's in a relationships you can, and we call, what do people call it now? Uh, you're deflecting, you're being a narcissist. It's all these other things that cover it up. So it's a, it is, it appears to be something that human beings do in constant protection. So I wanna make that clear, but now we're talking about.   Jovelyn Richards: [00:35:50] In a way of the social pains of this world that we are trying as activists, uh, as people trying to get, not just get a handle on, but to eradicate it. Like right where, just take a moment. Where are we at right now? Where are we at in Minnesota? Where are we at in any state? DC Chicago? Where are we at? This is the thing that we're dealing with. And so it, if the answer is to look at the things that, the look at, the things that the government is saying, it is saying, we clearly, we are racist, and everything we about to do was about to be about that. I'm so happy. Again, you're going to hear this after, uh, today, which is Martin Luther King's Day. I'm so happy on social media where everyone is celebrating. Not everyone, but those that I see are, are celebrating and they're honoring. And they're ignoring any, any kind of dismissal. Erasure, ain't nobody. Yeah. You can forget what you wanna forget. You can have what you want to hide, but, but everybody out here knows the truth.   Jovelyn Richards: [00:37:18] We just gotta get to their truth of humanity. Other ways of dis defensiveness is the feeling in a sense of, of almost like being dismissed as all that they've done. Like, I've done all this, I do all this. And then to hear that and in, in, in that moment, I have, uh, witnessed we're almost as if in the mind, you know, if they say we are not mind Raiders, but if you. You don't have your mind reader to pay attention to the, the flesh of a person, the eyes of a person to be able to get cold. Where they're running, where they're hiding, which, where what, what, what are they doing to survive the moment? Right. To be seen and not seen. Right. And it's not intentional. It's not malicious. It again, it is a, it is the umbrella psychology that we exist under and. When a person works so hard to, to show up their best self as an activist in anti-blackness, and then someone, and particularly a black person, joins in their huge effort to say, Hey, this, this ain't this. This is not working here. Let's work with this here. It's almost like they just threw out their. Whole journey of sense of, of what they're proud of, what they're, what makes them feel good about themselves inside this human life. And it should, oh, and they should absolutely adore, feel good because we're out here doing the work.   Jovelyn Richards: [00:39:09] And so these are the things that is important for us to know. And we're going to listen to another, um, video, and you are going to hear, I, I appreciated this video because it asked a question, what would I have been if I had not been doing this? So take a listen and then I will be right back.   CLIP PLAYS   Jovelyn Richards: [00:41:55] So what would. Right. What would we be doing? I ask myself as a black woman, if a lot of what I do as a writer, as a performance artist, as a community, um, activist, whatever the title is, how much energy it takes, and right now. The energy is taken again in a very different faith. This hurts, this hurts, this really hurts. Right? In a way that almost the thinking about again, the timeframe of when we were doing the work and then where we at now. Being in the conference where we at now, how many people voted against Kamala, where we are now after the conference, um, I got a text message and this was when they were, uh, folks was holding, uh, zoom.   Jovelyn Richards: [00:43:20] And it was really exciting. So many people from so many different communities was doing Zoom calls to talk about the, the elections that were coming up. And when she became the primary chosen person to run as a democratic party and people were talking, people raising money. Oh, did you see the excitement, the energy. I got a text message from one of the people from the DESI conference and, and was very, they were in pain. He said, I feel so hurt right now because on the zoom that she was uh, on, there were many people saying that they weren't gonna vote for her, or no, this is South Asian Zoom. They weren't going to vote for her. Or they weren't gonna vote at all. My re I was so my livid, which is really not as important as the liveness of now. But I was just surprised given what everybody understood and knew about her opponent. And so I said to the person in text. I said, go back to the Zoom, and I said this, everyone, there's a slogan that people are saying as if it's, uh, the, the, you know, there's always this new thing to say.   Jovelyn Richards: [00:44:58] And the slogan was, listen to black women. Listen to black. So I said to her, which, which I, I think people really don't get it, don't understand the history of what that means. They don't understand history with that. They don't care. And, and I'm saying, I shouldn't just say I, it's not that they don't care. I don't think they, they, they take, they don't look at what that meaning. That means listen to black women means the story of black women in this country, how the, how our arrival, and then the story after that. They're not gonna even get into you. You know that if you know anything, if you listen to KPFA, you know, and the MA mechanisms of how that happens, the template of how that works is the, the ask black women, the template, right? We, we know that the, the intimate details of how that works, right? And so the thought that people were literally not wanting to. I not wanting to, and that was disturbing.   Jovelyn Richards: [00:46:19] And so that happened. And then we did, oh, then I was, um, watching a couple ones that were white women were getting together. On these zooms, and they were so excited, so excited. And in their excitement, they were talking about, they were connecting. They, they were having so much fun talking about this, this, the leading up to the election, the support, the, the, and they felt some sisterhood. They felt energized. They felt all of this stuff and the energy I got from that. The energy I got from that is this is about y'all having fun, connecting, laughing, having a project. This is a project, and I asked, what I didn't hear them say is how much they had raised. They weren't talking about any of the practicalities of the next step.   Jovelyn Richards: [00:47:28] It was just about. It was a, and I put it in the way I took it. Good, bad or different. You can agree or not agree, but I'm telling you what I experienced. It felt like it was a big party, a really big fun party that they had experienced and being able to see people, they and strangers, and laugh and talk and, and go on and on and on, that it was a party, right? But it really wasn't about the truth. It had something to do. And then, and I said, and I left that, that when I saw that, I wasn't in the Zoom, but this was people talking afterwards, like on social media, about how excited they were. And I had asked, what did you raise? What are your next steps? They had nothing.   Jovelyn Richards: [00:48:14] Well, we are gonna have another one in a couple weeks. We can figure that out. Really interesting. You got two weeks to figure it out. You got, oh, you got that kind of time. Interesting. Right. And then, uh, we saw how that happened and I see that they're working right outside my window. So let me just day. I apologize for those. Got a little bit of that noise out, said that, oh, I think that happened a little bit. And so that's how that went. And now we are here. So again and again, we, I think to find a way, even though there's a sense of probably hopelessness that some of us are feeling and we are not gonna go into, um, the hopelessness of it all. We are gonna go into, uh, not in this here, um, thing, but I think all of us needs to go into, uh, the, not even about the hope, but the necessity. Hope is wonderful. Necessity. They're going to the necessity, right? They go into that place like, and find where do you live, where it's like this is the urgency, the necessity to it.   Jovelyn Richards: [00:49:42] Uh, other quotes that I'm gonna give you a few of them. A few quote, anti-blackness is foundational, not peripheral. And that's Frank B Wilderson. The third on the limits of allyship. So as we go into this, uh, we're in this thing right now. I think it's important for, uh, connectiveness, interconnectiveness in groups, intubated, dig. Inside, um, those roots to be the most effective on the nervous system and racial conditioning, the body keeps the score. I think that's, um, something that's important. And then when the, when I bring that up, the body keeps the score because what does proximity to whiteness doom where it literally dismantles parts of you no matter how deep you've been educated.   Jovelyn Richards: [00:50:43] That it can dismantle you. Um, and where does that go? Example, the nervous system and racial conditioning I speak about That is the, you lose the ability to see, hear, and speak that racial conditioning, proximity to whiteness. You give up the ability to hear. To see and to speak. You are muted and your critical thinking skills is dismantled in areas of, of, uh, anym. So I'm gonna broaden it anym, and it dismantles those parts of you energetically. Like here we are on this human experience. And, and all the, the human properties that belong to us. All the gifts of being human and to come into a circumstance, uh, where you are immediately given isms and in this story, anti-blackness. And I think some of you have, you, you may have heard of the book cast and we know it South. Asian communities coming from a caste system and then coming to America. If you came here to America with, or a history of, however, the story is that you, it's, you have a built in template for anti-blackness. I mean, it's already set thousands of years of being set.   Jovelyn Richards: [00:52:27] And so coming here, it's not so hard, uh, to even, no matter how hard when you work to be educated. And to work in systems, uh, it gives you, working in systems and anti-blackness gives you sort of the oodles and feel a sense of pride when you sit down at the table. Right. But that white switch is there that you, the, the hearing, the saying, and the knowing is gone speaking, and so it's at what percent. What percent are you really doing the work if you are embedded with anti-blackness? You, so, like I said, the co. The co, the conference, I asked that questions. I asked a question like, why is it taking so long? Because people operating, operating at 40%. It's like being in a burning building and people in the burning building, you say, okay, I'm gonna go get, um, uh, enough water for half the building to be, um, uh, fire to be put out.   Jovelyn Richards: [00:53:45] So stand on that part of the building. The building's still on fire. So you're gonna put that out. So you're kind of running around in a burn, a, a burning building, and that's not okay. And so in creating the curriculum to do work, I think is really relevant. Now, I would fe I think February, um, 20, uh. 20 something, there's gonna pop the white switch, uh, ebook is coming out and it'll be on Amazon.  I know. Um, and that's not the best thing. Um, it'll be on, but it'll be out there and it will be the curriculum, it'll be the self-reflection, it'll be stories. And I, one of the things that I'm wanting of folks is to start partnering with. Like, if you're listening to this as a South Asian activist, what would it be like to get to, to hook up, which probably folks in your circle, um, black activists and there, and, and you may say what you, you may, I'm pretty sure you, you connected, but some folks have said, well, what if they're, they're not an activist.   Jovelyn Richards: [00:55:15] Um, very difficult to be breathing in black and not be an activist, if that's even before this time being aware of your activism. 'cause if you gotta move through space every day, you're fighting for yourself. You endure, uh, worlds. You are code switching, you are being aware of and mindful of and of your activities. You are an activist and always saving yourself. Saving yourself, saving your family, aware of signs of, uh, like, uh, signs that are out movies, you're always looking after anti-blackness that exists, even if it's not conscious on that level. Right. And so as I come to an end, I must say that, uh, it would've been nice to have done this with pretty, uh, one of the things that I think we both was learning an I that was.   Jovelyn Richards: [00:56:11] We were working on the anti-blackness and our work together that was, that couldn't be helped, uh, in working together. And as she shared with me one time, and she does a lot of fantastic work on herself, she said, you know, I am, I am the white woman in India. And I appreciated that knowledge and how that might work out with us. I work and it did show up and we were able to discuss some things, some things I, my own stuff kept silent. Right. And that's something I gotta work on. And I'll leave you with that. It's been traveling. Again, the ebook called We Switch by Joplin, uh, late February. Uh, curriculum exercises, thoughts, reflections, Self-Reflection, uh, and I'll see you on Cover, the cover of Women's Magazine. Until then, be mindful. Be conscious. Goodbye.   Miko Lee: [00:57:18] Please check out our website, kpfa.org to find out more about our show tonight. We think all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important.   Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Preeti Mangala Shekar and Swati Rayasam. Thank you so much for joining us.   The post APEX Express – 1.29.26 – White Switch appeared first on KPFA.

¡Apoya Reconectados, escucha programas exclusivos y participa en todos los sorteos! ✅ Patreon: https://www.patreon.com/reconectados Estrenamos sección con el Re-Análisis de BioShock Infinite, el juego más votado por los Patreons VIP en este mes de enero, que ya hemos vuelto a jugar los cuatro y del que os exponemos todas nuestras reflexiones, unos de los mejores videojuegos de 2013. Aunque no dejamos de lado la actualidad, pues Highguard provoca un intenso debate sobre su calidad, las expectativas generadas a partir de su posición súper privilegiada en los The Game Awards y la polarización de las opiniones en internet sobre cualquier videojuego. Además, os hablamos de Code Vein 2, que ya lo hemos podido jugar, y te adelantamos algunas cuestiones importantes sobre esta secuela. También hay tiempo para comentar sobre el metroidvania MIO: Memories in Orbit, cuyas comparaciones con Hollow Knight Silksong son francamente inevitables. Y la alegría que parece que va a ser Crisol: Theater of Idols, que ya hemos jugado a fondo y además tenemos en este episodio entrevista con su director creativo. ¡Nos vemos la semana que viene! Time stamps: (00:00:00) - Introducción y nuevos sorteos (00:06:06) - Análisis Highguard con todas sus polémicas (00:38:26) - Code Vein 2: un gran paso adelante (00:50:48) - Crisol: Theater of Idols con entrevista a su director creativo (01:29:10) - GTA 6 y el nuevo rumor del retraso de su edición física (01:38:13) - MIO: Memories in Orbit, el Silksong de 2026 (01:49:09) - Re-Análisis Bioshock Infinite (02:33:38) - Despedida y el techno de Paula Compra más barato en nuestro enlace de Instant Gaming: https://www.instant-gaming.com/es/?igr=reconectados ¡Apoya Reconectados, decide y participa en todos los sorteos! ✅ Patreon: https://www.patreon.com/reconectados ¡Sigue nuestro canal de Twitch! ✅ Suscríbete a Twitch: https://www.twitch.tv/reconectados ¡Únete a nuestro grupo de Telegram de ofertas! ✅ Canal de ofertas: https://t.me/ofertasvideojuegosreco ¡Escucha Reconectados cada semana: Jueves 07:00am! Ivoox: https://www.ivoox.com/podcast-reconectados-videojuegos_sq_f1467878_1.html Spotify: https://open.spotify.com/show/0TzgUfUZppavUlKeRreIXL Apple: https://podcasts.apple.com/es/podcast/reconectados-videojuegos/id1304330116 ¡Síguenos en redes sociales! X-Twitter: @ReconectadosPod Jabote: @Jabote22 Manu: @ManuGmn Paula: @paulacroft02 Borja: @borjaruete TikTok: https://www.tiktok.com/@reconectadospod Facebook: https://www.facebook.com/ReconectadosPodcast/ Instagram: https://www.instagram.com/reconectadospod/

Choose Chicago President and CEO Kristen Reynolds joins Bob Sirott to talk about the progress of Chicago’s businesses in the Loop post-COVID and how you can learn more about the city’s architecture through various tours. She also highlights some fun things to do in the Loop for this Valentine’s Day, including Chicago Restaurant Week and […]

FULL SHOW: Wednesday, January 28th, 2026 Curious if we look as bad as we sound? Follow us @BrookeandJeffrey: Youtube Instagram TikTok BrookeandJeffrey.comSee omnystudio.com/listener for privacy information.

We have award winning actor Bryan Cranston on the podcast this week! He's the star of Breaking Bad, Malcolm in the Middle, and currently starring in the West End in the play All My Sons, and he's popped round for lunch before his show that evening. We covered everything from working with Tom Hanks, his love of TV dinners, creating a Mezcal brand with Aaron Paul, embracing his fatherly role on every set, his daily routine for London's West End, filming The Studio with Seth Rogen & Catherine O'Hara, and we hear what it was like when he tried mushrooms in Las Vegas during filming! Plus we hear possibly the strangest nostalgic smell any guest has ever revealed on the podcast before… Talking to Bryan was a complete delight, he has the most soothing voice and we could listen to his stories for hours. Basically he needs his own podcast! You can catch Bryan's play All My Sons at the Wyndham's Theatre until the 7th of March, you don't want to miss it. Hosted on Acast. See acast.com/privacy for more information.

Mark and Hal determine the best kind of theater space, once and for all

We've got Gavin Stephens and Kristen Einarson!Gavin Stephens tells Niagara-on-the-Lake that 49 is too late to find out you have ADHD. And from Winnipeg, Kristen Einarson shares that she might have gone too deep into the SIMs world!

10 years on from David Bowie's death, we reflect on the life and music of one of the most influential cultural figures of our age, and assess his remarkable legacy. Our panel is Prof Eoin Devereux, Co-Director for the Centre for The Study of Popular Music and Popular Culture at the University of Limerick, Dr Leah Kardos, Senior Lecturer in Music at Kingston University London, and Harriet Reed, Assistant Curator in the Theatre and Performance Department at the Victoria & Albert Museum, and part of the curatorial team behind The David Bowie Centre at the V&A East Storehouse, a permanent home for Bowie's archive.

Pull up a chair as we head to "America's Farm to Fork Capital," Sacramento, for a special in-person episode with James Rasmussen, VP of Arena Programming at Golden 1 Center. Our hosts sit down with James in the Sacramento Kings podcast studio and dig into what makes the city special and things to look forward to for those coming to the Event & Venue Marketing Conference in June. Fresh off a venue tour before recording, we talk about the many features of the arena that make it stand out – including being 100% solar powered and the importance of the solar panels on the roof, giant window walls that can open to cool the venue with the delta breeze, sourcing 90% of their food and beverage from within 150 miles, LEED Platinum Certification, and so much more. We talk through the building's evolution as it approaches its 10th anniversary and their emphasis on designing for the future. We chat through James' career history from working as a security guard at Bob Dylan's house while in college at Pepperdine University to his entry into live events with Arena Network, and many shows and tours he worked on along the way. There's nothing like recording these in-person and you're sure to enjoy this special episode live from halls of Golden 1 Center.James Rasmussen: LinkedIn | EmailGolden 1 Center: Facebook | Instagram | X/Twitter ––––––ADVENTURES IN VENUELANDFollow on Instagram, LinkedIn, Facebook, or X/TwitterLearn more about Event & Venue Marketing ConferenceMeet our team:Paul Hooper | Co-host, Booking, Branding & MarketingDave Redelberger | Co-host & Guest ResearchMegan Ebeck | Marketing, Design & Digital AdvertisingSamantha Marker | Marketing, Copywriting & PublicityCamille Faulkner | Audio Editing & MixingHave a suggestion for a guest or bonus episode? We'd love to hear it! Send us an email.

Is the phenomenon known as alien abduction a modern version of spiritual awakening people have gotten through religious figures for thousands of years? Well, there certainly are comparisons to be made. You may have even heard some of them. Not these. Get ready! This is only the beginning! If you appreciate Jeremy Vaeni's work, feel free to expensively show your gratitude here: www.ko-fi.com/jayvay.

We begin with Improvisation, from The Sears Radio Theatre on this week's Relic Radio Show. That story aired April 4, 1979. (39:35) The Strange Dr. Weird follows with Beauty And The Beast, his episode from January 16, 1945. https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/RelicRadio982.mp3 Download RelicRadio982 | Subscribe | Spotify | Support The Relic Radio Show

Chicago built the Iroquois Theatre to prove the city could never burn again—“Absolutely Fireproof,” they promised.On December 30, 1903, a spark found the lie, and over 600 people died behind locked gates and false exits.A century later, they still say the alley behind the theater remembers. hauntedamericanhistory.com Patreon- ⁠⁠⁠⁠⁠⁠https://www.patreon.com/hauntedamericanhistory⁠⁠⁠⁠⁠⁠ LINKS FOR MY DEBUT NOVEL, THE FORGOTTEN BOROUGH Barnes and Noble -   https://www.barnesandnoble.com/w/the-forgotten-borough-christopher-feinstein/1148274794?ean=9798319693334 AMAZON: https://www.amazon.com/dp/B0FQPQD68S Ebook GOOGLE: https://play.google.com/store/books/details?id=S5WCEQAAQBAJ&pli=1 KOBO: https://www.kobo.com/us/en/ebook/the-forgotten-borough-2?sId=a10cf8af-5fbd-475e-97c4-76966ec87994&ssId=DX3jihH_5_2bUeP1xoje_ SMASHWORD: https://www.smashwords.com/books/view/1853316   !! DISTURB ME !! APPLE - https://podcasts.apple.com/us/podcast/disturb-me/id1841532090 SPOTIFY - https://open.spotify.com/show/3eFv2CKKGwdQa3X2CkwkZ5?si=faOUZ54fT_KG-BaZOBiTiQ YOUTUBE - https://www.youtube.com/@DisturbMePodcast www.disturbmepodcast.com   TikTok- @roadside.chris   LEAVE A VOICEMAIL - 609-891-8658   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Another Masterpiece you won't want to miss!

Canadian theatre legend Louise Pitre is back on stage in Canada in the Tony Award-winning musical Kimberly Akimbo. It tells the story of a teenage girl who has a rare genetic condition that ages her four times as fast as her classmates. Recognized as Canada's first lady of musical theatre, Louise has led productions of Les Misérables, Piaf, Sweeney Todd, and she originated the part of Donna in Mamma Mia! on Broadway, but she says Kimberly might be the most perfect part for her right now. She sits down with guest host Talia Schlanger to tell us why as she reflects on her acclaimed stage career.

Episode Description “If you could vacation in any famous TV home, which would you choose—and would you want Mike's office or Greg's hippie room?”

A mayor vows to hunt down a murderer and end a deadly plague — never suspecting the trail of clues will lead straight back to himself. | “So Shall Ye Reap” from CBS Radio Mystery Theater | #RetroRadio EP0576CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “So Shall Ye Reap” (April 04, 1977) ***WD00:44:58.382 = Strange Wills, “Killer And Saint” (November 30, 1946)01:14:37.399 = Strange “Deadman's Reef” (1955) ***WD01:26:42.350 = Suspense, “Night Reveals” (December 09, 1943)01:55:40.528 = Tales of Tomorrow, “The Old Die Rich” (March 26, 1953) ***WD02:27:27.523 = The Saint, “Hawthorne House Mystery” (April 08, 1951)02:56:47.565 = Theater Five, “A Nightmare” (October 29, 1964)03:17:39.771 = Theater 1030, “The Thing In The Hall” (1968-1971) ***WD03:47:02.841 = 2000 Plus, “Alone” (November 15, 1950)04:17:30.054 = The Unexpected, “Sweet Sixteen” (August 22, 1948)04:32:14.764 = Unsolved Mysteries, “The Rue Morgue Mystery” (June 17, 1942) ***WD04:47:08.457 = Escape, “Bloodbath” (June 30, 1950) ***WD05:14:56.584 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =#ParanormalRadio #ScienceFiction #OldTimeRadio #OTR #OTRHorror #ClassicRadioShows #HorrorRadioShows #VintageRadioDramas #WeirdDarknessCUSTOM WEBPAGE: https://weirddarkness.com/WDRR0576

Civility can help a society overcome tribal loyalties and cooperate for the common good--and when political and religious factions threaten to break a society apart, as in Shakespeare's England, understanding the need for civility becomes more important than ever. In this episode, Jacke talks to Shakespeare scholar Indira Ghose about her book A Defence of Pretence: Civility and the Theatre in Early Modern England about the use of theatre as a laboratory where the era's conflicts played out. PLUS in response to a listener request, Jacke explores the life of Robert W. Service and his most famous work, "The Cremation of Sam McGee." Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Act soon - there are limited spots available! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

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