Podcasts about theater

Radio show host, Gary Calligas will have Jodi Glorioso and Jaime Wessler with the Strand Theatre on his Saturday, August 15th “The Best of Times Radio Hour” at 9:05 AM on News Radio 710 KEEL to discuss the upcoming 42nd season performances of the Strand Theatre in Shreveport. You can also listen to this radio talk show streaming LIVE on the internet at www.710KEEL.com. and streaming LIVE on the KEEL app on apple and android devices. For more information, please visit www.thebestoftimesnews.com This radio show is proudly presented by Hebert's Town and Country of Shreveport featuring – Dodge, Chrysler, Ram, and Jeep vehicles and service.

A new intro to the Jack Benny episode of Suspense "A Good and Faithful Servant" from June 2, 1952. Theater of Thrills Podcast https://thisdaybenny.com/thrills/  YouTube video https://www.youtube.com/watch?v=ikJzeXUDQ4U

This episode we are joined by performer Kennedy Caughell! Kennedy is currently playing Jersey on the national tour of Hell's Kitchen and her debut solo album, Just the Beginning is out now wherever you get your music (make sure to download her album)! Her Broadway credits include Paradise Square, Natasha, Pierre & the Great Comet of 1812 and Beautiful. Other credits include Waitress, Wicked, Frozen, 9 to 5 and American Idiot. This fall she is be returning to New York to star in Midnight a new musical by Todrick Hall!We talk with Kennedy about what got her into performing, an actor's life on tour, working on her new album and much more!

Ray Bradbury Theater Season 1 Episode 1 Marionettes Inc

Welcome to another episode of the Outdoor Adventure Series! Today, Howard Fox takes us to the heart of Barstow, California, where he sits down in the cool comfort of the family-run Crave Kaffee Haus with Eugene Butticci, Executive Director of the Barstow Chamber of Commerce, and his daughter Yvonne Butticci, Owner of Crave Kaffee..In this episode, we dive into the welcoming vibe of Barstow's local businesses, explore how the Main Street murals and Route 66 festivities bring history and community pride to life, and uncover the impact of major projects shaping the region's future. Along the way, Eugene Butticci shares insights on economic development, hidden gems for visitors, and what makes Barstow a destination worth more than just a roadside stop. Plus, Yvonne Butticci reveals how their coffee shop has become a true home away from home for locals and travelers alike.DISCUSSION1. Introduction of Guests and Their ConnectionEugene Butticci introduced as Executive Director of Barstow Chamber (00:37)Discussion of affiliation with Crave Kaffee Haus( 01:12)Eugene shares it's his daughter's business and a family-run operationYvonne Butticci introduced as daughter, provides details on family involvementDescription of the coffee house atmosphere and hospitality (01:57)2. Crave Kaffee Haus: Branding and Social MediaYvonne explains their presence on Facebook and Instagram, spelling out the unique brand (02:32)3. Eugene Butticci's Journey with the Chamber of CommerceOrigin with the Chamber, starting as ambassador in 2014 (03:23)Background: Not originally from Barstow, from Buffalo, NY (03:45)Explanation of becoming a Chamber ambassador after job loss (04:49)Importance of maintaining visibility in the community4. The Role and Impact of the Chamber in BarstowPurpose of the Chamber: Supporting business community membership (05:19)Major local initiatives:Main Street USA Festival (05:46)Background and expected impact from Route 66 centennial (07:21)Anticipated growth in attendance and community outreach (07:37)Barstow International Gateway (BIG) Project (06:00)Project overview: Inland port, 20,000 jobs, large economic boost (06:14)Anticipated demands for local services (hotels, groceries, restaurants) (06:46)Expansion in logistics and warehousing (07:07)5. Details on Main Street USA FestivalDate/timeline for event: October 9 and 10 (09:16)Activities and highlights:Car show expansion, inclusion of modern and off-highway vehicles (08:39)Children's area with train rides, jump houses, water slides, sponsored by BNSF (08:56)National Miss Route 66 contest moved to October 9, allowing for more mingling (09:24)Theater production of "Grapes of Wrath" and reference to “Mother Road” (10:04)Events held at historic Harvey House (10:27)6. The Role of Murals in Barstow's Tourism and Community IdentityEvolution into historical, cultural draw and tourist attraction (11:40)Murals as economic anchor: Encouraging travelers to stop, visit, and spend in Barstow (12:26)Parallels with mural programs in other towns (13:21)Pride in Main Street Murals' achievements (12:58)7. Downtown Barstow Revitalization ProjectsUpcoming renovations in pocket park and Main Street visual improvements (14:28)Timeline: noticeable transformation within four months (14:18)Notes on multi-phase approach as funding becomes available (14:52)8. Changing Perceptions of BarstowYvonne describes Barstow as more than a stopover “gas up and go” town (15:14)Promotion of local hidden gems (murals, local culture, hospitality) (15:23)Impact of detours (e.g., traffic on I-15) encouraging travelers to check out Barstow (15:36)9. Community Engagement and AmbassadorshipImportance of local “brand ambassadors” (16:27)Value of volunteers and residents in enhancing visitor experience (16:39)10. Eugene's Personal Reflections and "Aha" MomentsPersonal awe at connections and opportunities through Chamber leadership (17:16)Example of event access: NASA/Goldstone Deep Space Network facility (17:54)Experience transitioning to Barstow from Orange County (18:34)Comparisons of SoCal travel times and Barstow's central location (19:19)Appreciation for Barstow's scenery and proximity to nature and federal lands (19:32)11. Local Recreation and ExplorationDiscovery of Rainbow Basin and other local excursions (20:24)Emphasis on Barstow as a base for outdoor adventures (19:52)LEARN MOREThank you to Main Street Murals for facilitating the today's tour and the interviews - https://mainstreetmurals.com/To learn more Barstow, its calendar of events, and how to do business locally, visit the Barstow Chamber's website at https://barstowchamber.com/Check out Crave Kaffe Haus' website at https://cravecoffeerte66.com/, or on these social sites:Facebook: https://www.facebook.com/p/Crave-Kaffee-61564514467253/Instagram: https://www.instagram.com/cravekaffeeLearn more about Bartow, and its rich history by visiting:The Historic Harvey House:https://www.barstowca.org/residents/harvey-house-information.Route 66 Museum:https://www.motherroadmuseum.com/NEXT STEPSVisit us at https://outdooradventureseries.com to like, comment, and share our episodes.KeywordsEugene Butticci, Barstow Chamber of Commerce, Yvonne Butticci, Crave Kaffee Haus, Jane Laraman-Brockhurs, Mainstreet Murals, Barstow, Barstow History, Route 66, Outdoor Adventure Series, Podcast Interview#EugeneButticci #BarstowChamberofCommerce #YvonneButticci #CraveKaffeeHaus #JaneLaramanBrockhurst #MainStreetMurals #Barstow #BarstowHistory #Route66 #OutdoorAdventureSeries #PodcastInterviewMy Favorite Podcast Tools:  Production by DescriptHosting BuzzsproutShow Notes by CastmagicWebsite powered by PodpageBe a Podcast Guest by PodMatchBanner Customization by Nano Banana & Canva

Hello and Welcome to Master Pace Audio Theatre! Come join us on a daily treadmill walk and audiobook review. We’re walking for 31 days of August, if you like and share the post, I will add one lever of incline, … Continue reading → The post DDOP2026 MPAT: Master Pace Audio Theatre Episode 12 appeared first on NIMLAS Studios.

Die Seifen- und Parfumfabrik Mouson wurde 1798 in Frankfurt von den Nachfahren einer hugenottischen Familie gegründet. Ab 1881 zog die Firma ins Frankfurter Ostend, wo bis 1926 neue Fabrikanlagen entstanden - darunter der 34 Meter hohe Mousonturm. Dieser blieb erhalten, auch als die Firma in den 1970er Jahren verkauft und später ein Großteil der Fabrikgebäude abgerissen wurde. Seit 1988 ist der Mousonturm ein Kulturzentrum und wichtiger Veranstaltungsort für die freie Szene - weit über Frankfurt hinaus. Der 100. Geburtstag des Gebäudes Mousonturm wird mit einem Straßenfest gefeiert. Christoph Scheffer spricht mit den Mousonturm-Intendat*innen Anna Wagner und Marcus Droß sowie mit dem Direktor des Deutschen Architekturmuseums Peter Cachola Schmal über die Geschichte des Gebäudes.

Mall nostalgia: The origin of Wet Seal and Colleen remembers being kept in a clothing store barn at The Stable . Jason and Colleen's commercial shoot adventures have them referencing "St. Elsewhere" (much to the dismay of our boss), and we've been sleeping on QVC as a source of comedy! Jason's travel tips: Booking flights with your points and watch out for those flash sales! Colleen's travel tips: What do to help you sleep at the start of your vacation. AITA: For not wanting to give back a suit my sister gave away? And the cast of "The Pitt" is doing a charity table read of a "Star Trek" episode -- can we do more of this please?SCREEN QUEENS: Holly started "Furious" on Hulu, Colleen watched "Best Medicine" on Netflix, and Jason has a grave warning for anyone who wants to watch "The Last House" on Netflix. BIG FAT THEATER REVIEW: "Private Lives" at the Guthrie Theater, and RIP Jackie the bald eagle and way to go, Keller Lindstrom, nature photographer! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Another twisted edition of Not So Rainy Day Theater, featuring a questionable frisbee joke, monsters hiding from gay people, and Kimmer trying to figure out why the script didn’t include the joke Flounder promised. Plus, a lesson in radio production, introductions and the importance of having “people skills.”

E News: Gen Z is saving the movie theatre, The Rock is getting into music, Taylor Swift's cats are not liking her new dog, Henry Winkler's parents, Rod Stewart canceled his tour, and more... See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The wild story about a camper who lost some hearing after hours surrounded by cicadas, plus the everyday sounds that quietly threaten your ears. Jodi and Murphy revisit their no-proposal story and why a strong marriage beats a big moment every time. And there's a ton of big-screen fun ahead, from Hunger Games and Harry Potter to It's a Wonderful Life turning 80.See omnystudio.com/listener for privacy information.

Plus, we discuss the independent film scene in Northern Kentucky and Cincinnati.

Food historian and costume designer Professor Brittney Belz of Union College talks with host Rosemary Armao about the travails of 18th Century housewives who had no appliances, no refrigeration, no supermarkets, no expectation of help from the men, not even measuring cups, timers or whisks, and we think we have it rough today.Are you seeing food prices continuing to rise at your supermarket? Speaker Bio: A youthful fascination with history and a desire to work as a museum interpreter led Brittney Belz to studying historic clothing and to a career as a costume designer. After earning a BFA in theater design and technology and an MFA in costume design and Technology, she worked at professional theaters and colleges across the country from Alaska to Vermont.  That focus on historic clothing transitioned into the study of all things related to the domestic experience. She now researches  the clothing and kitchen customs of the early modern era. She uses the feel, images, and flavors of the past to help bring every day stories from history to life. She is the faculty costume designer and current chair of the Theater and Dance Department at Union College in Schenectady, NY. She can often be found throughout the region designing costumes for stage, or presenting workshops on historic clothing.

Oregon came dangerously close to outlawing hunting, fishing, trapping, rodeo, and livestock operations statewide. Initiative Petition 28 failed to gather enough signatures — but the fact it got as far as it did exposed how far left the state's political class has drifted from the rural communities that built it.Republican gubernatorial candidate Christine Drazen is done playing defense. She's proposing a constitutional amendment to permanently enshrine the right to hunt, fish, trap, and raise livestock in Oregon law. Governor Tina Kotek's response? "Political theater" — no acknowledgment of the near-miss that made the fight necessary in the first place.Sean also covers Daimler/Freightliner moving its truck plant out of Portland, Seattle's LGBTQ funding debate, and why Amazon's Jumpstart payroll tax is quietly making the city uncompetitive for the businesses it needs most.Subscribe to @reasonablenews for daily commentary on Pacific Northwest politics, urban policy, and the stories the mainstream press buries.#NFRP #Oregon #TinaKotekGO PREMIUM WITH REASONABLE+ FOR UNCENSORED ACCESS

Sit right back, and you'll hear a tale. A tale of island natives versus the United States military and an atomic bomb test. First aired: August 11, 1950

 Listen to the Show Right Click to Save GuestsCold Frame Collective The Servant of Two MastersZilker Theatre Productions Singin' In The RainGround Floor Theatre Emiliana: A Revolution Cabaret What We Talked AboutYou're a Good Man Charlie Brown Amanda Knox Oh Mary Bowen Yang Shucked 2nd national Tour All Woman Puppet Festival Shuffle Along Reunion Concert Theatre Kids Vs Zombies Sweet Charity – Ariana DeBose Rocky Horror Show in Idaho Canceled Thank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)   

Food historian Brittney Belz who is also the chair of Union College's Theater and Dance Department gives demonstrations around the Capital District teaching modern cooks recipes and kitchen habits from the 18th century. She sees this as a way to learn about colonial life by living it, but this is more than an educational exercise. As we worry these days about food safety and healthy eating and preventing food waste -- there are lessons for us from our farming ancestors about food preservation and organic growing. You can hear her full talk on the podcast Beyond the Brink with Rosemary Armao, but here's a segment to give you a glimpse into past kitchens.

Send us Fan MailCarol is a street poet, cranking out poems on her typewriter for a dollar per poem. She encounters several people who buy her wares, including one who offers her a path to elevate her craft.Severina Mijan directs a cast that includes Christine Uhebe as Carol, Rosemary Thomas as Noreen, Justice Davis as Matt, and Hessel Evelaar as Luca Diaz.New York based playwright Steven Doloff's plays have been staged, streamed and radio broadcast in over a dozen states, Canada and Australia. His plays include Can We Talk?, Florida, That Thing with Feathers, The Waiting Room, My Coffee with Andy, and more.Support the showFounded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA. There's no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

Welcome to Season 05 Episode 5A.03- the "Mini03" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Lucas West, who placed 3rd in the latest edition of the television show The Voice, will be presenting a concert at the 1891 Fredonia Opera House on August 28th beginning at 7:30. And with Labor Day around the corner, the North Shore Arts Alliance Art Trail will once again take place on Sept. 5th and 6th. Marcia Merrins gives us a preview of this Chautauqua County tradition. Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Artist Links Lucas West North Shore Arts Alliance Interactive Art Trail Map Marcia Merrins Visual and Performing Arts Events @ SUNY Fredonia Box Office at SUNY Fredonia Cathy and Jesse Marion Art Gallery Lake Shore Center for the Arts Main Street Studios Ticket Website SUNY Fredonia School of Music Events WCVF Fredonia WRFA Jamestown   BECOME AN OPERA HOUSE MEMBER!      

Stay informed on current events, visit www.NaturalNews.com  - Avocado Oil Study by UC Davis (0:10) - Failure Rates and Product Deception (1:49) - Trust Issues in the Food Industry (5:42) - Challenges in Food Testing and Industry Trust (9:13) - Primal Kitchen's Response to the Study (9:42) - Broader Implications of the Avocado Oil Study (21:17) - Trust Issues in the Food Industry and Personal Experiences (23:54) - The Role of Decentralized Living in Food Safety (26:40) - The Role of Decentralized Living in Food Safety (Continued) (27:26) - The Role of Decentralized Living in Food Safety (Conclusion) (27:48) - Discussion on U.S. Military Policies and Foreign Interventions (28:16) - Israel's Involvement in U.S. Defense Technology (46:12) - Economic and Political Consequences of U.S. Military Actions (97:33) - The Role of Congress and Campaign Finance Reform (102:40) - The Need for a Redemption Ticket and Constitutional Reform (111:26) - The After Party: Humor and Reflections on the Interview (115:09) - Promoting UNA and Asset Protection Strategies (130:24) - The Role of Gold and Silver in Economic Protection (138:11) - The Future of AI and Comedy Skits (143:26) Watch more independent videos at http://www.brighteon.com/channel/hrreport  ▶️ Support our mission by shopping at the Health Ranger Store - https://www.healthrangerstore.com ▶️ Check out exclusive deals and special offers at https://rangerdeals.com ▶️ Sign up for our newsletter to stay informed: https://www.naturalnews.com/Readerregistration.html Watch more exclusive videos here:

I gave a lecture about "Blending the Elements of Experiential Design" on Saturday, June 6, 2026 at Seattle XR in Seattle, Washington. (PDF of Slides]. At the end, I run through some examples of the types of interdisciplinary fusion that I see within the context of immersive storytelling and immersive art. This lecture also digs into the process-relational philosophical foundations, as well as how I'm gaining additional inspiration from Empedocles, Aristotle, and the Classical Quadrivium (Four Arts) of Math, Music, Geometry, and Astronomy. For my 30+ hours of coverage of Venice Immersive, then I apply this archetypal framework to help describe the context, quality, character, and story of each of these projects. You can see an overview of how I've been using this framework in this PDF on "Venice Immersive 2025 Archetypal Categorizations" https://www.youtube.com/watch?v=01M5NcOYzx0 One of goals of this talk was to further define the archetypal nature of the elements, and how I'm conceiving of them as a possibility space of design tradeoffs (C.S. Peirce's "Firstness"), but also as the concrete decisions that an experiential designer makes ("Secondness"), and then finally how these decisions are experienced more from a phenomenological experience as the audience as we feel, sense, act, and make sense of these experiences, and what they might mean ("Thirdness"). I do not actually dive into Peirce's concepts of Firstness, Secondness, or Thirdness in this specific talk, but I wanted to elaborate on these concepts in this write-up as these have been crucial concepts to help translate the overall abstract Firstness quality of my talk, and ground it into the Secondness of something that is a bit more practical and pragmatic. For Peirce, his semiology is grounded into a triune theory of actualization that goes from a non-Boolean possibility space as Firstness, and then grounds into a Boolean actualization of secondness, and then an interpretant mediates from the concreteness of the Secondness object back to the Firstness of the fundamental archetypal qualities or meaning. I find speculative philosopher James Bradley's summary of the Peirce's triune semiology to be the most easy to digest in his essay titled, "Beyond Hermeneutics: Peirce's Semiology as a Trinitarian Metaphysics of Communication." I can also recommend this article on "Peirce's Theory of Signs" from the The Stanford Encyclopedia of Philosophy for a comprehensive recap, and there's also this excellent YouTube series primer by Philosign's Markus Raninen titled The Basics of Semiotics. But here's Bradley's description of Firstness, Secondness, and Thirdness, which I find myself coming back to again and again. "Within the fundamental speculative triunity of activity, difference and order, or firstness, secondness and thirdness, semiology is an analysis of order or thirdness… Thirdness is analyzed as idea or sign, as the exchange of information between individual entities, and as interpretation; in other words, thirdness is itself a threefold of sign, object and interpretant. Here, sign occupies the position of firstness because it is the potentiality for interpretation; object occupies that of secondness because it is determinate; and the interpretant occupies that of thirdness because the interpretant has the sign-interpreting or sign-ordering role, and so has the status of a third. [24] Thus for Peirce semiology is the analysis of the triune relation of sign, object and interpretant." It's still a bit obtuse, and one way that I like to think about it is through the experience of communication. You have a possibility space of meaning you want to convey (Firstness of the sign/potential), then you choose specific words that convey that meaning (Secondness of the object), then someone listens to those words and phrases, and then connects those words back to a meaning space (Thirdness of the interpretant mediating between the two). For Peirce, each of the Firstness, Secondness, and Thirdness can also refer to themselves, like you can have a Firstness of Thirdness or Secondness of Firstness. It gets a little bit confusing, but I found the following graphic from Collected Essays in Speculative Philosophy (2021) by James Bradley and edited by Sean McGrath to be very useful. Within the context of immersive storytelling, then it's a semiotic process of communication of meaning where you're able to use all sorts of affordances from game design, literature, social dynamics and relations, music, film, lighting, architecture, dance, theme park design, sensory design, and embodiment. My Elemental Theory of Presence attempts to simplify this into the following: Fire Element of Active Presence: Interactivity, Agency, Game Design Air Element of Mental & Social Presence: Meaning, Semiotics, Language, Possibility, Form, Relationality Water Element of Emotional Presence: Experiential Processes, Story, Film, Music, Cycles, Time Earth Element of Environmental & Embodied Presence: Sensory, Immersive, Worldbuilding, Space I elaborate on the various philosophical frameworks that I'm leaning up within this talk that I gave on June 6, 2026, but since then I've been diving more into Peirce and his Triune Metaphysics and Semiology of Firstness, Secondness, and Thirdness, which has been a helpful framework as I've been applying the elements to my Venice Immersive Coverage and categorizing the elemental center of gravity for each of the nearly 40 projects that I covered. Again see this framework in this PDF on "Venice Immersive 2025 Archetypal Categorizations" to see how I have been thinking about each of these projects. I used this approach in the introductions for each of my podcast episodes from Venice (see the links down below). Firstness of Fire: Creativity, Novelty, Intention, Purpose, Goals, & Aristotle's Final Cause Secondness of Fire: Interactivity & Core Gameplay Loops Thirdness of Fire: Agency & Will For Active Presence Examples of Fire: Game Design, Locomotion Options: No Movement, Automatic movement, Teleportation, or free roaming. The LIVENESS of the Live, To what degree does the experience encourage the expression of will and agency? And to what degree does that alter how the narrative unfolds (narrative agency vs participatory interactive moments that customize and flavor the experience)? Adventure, Exploration, Creativity, Novelty, Freedom, Will, and Collective Action. System Dynamics, & iterative feedback loops Firstness of Air: Peirce's "Sign," Intended Meaning, Pattern & Form, Archetypal Possibility Spaces, Relationality, & Aristotle's Formal Cause Secondness of Air: Peirce's "Object" Within A Triadic Semiotic Process (i.e. a specific action, word, harmonic, or action that points to a larger meaning.) Thirdness of Air: Peirce's "Interpretant," Sensemaking Thoughts, Expectations, & Social Dynamics For Mental & Social Presence Examples of Air: Literature, Language, Semiotics, Communication, Symbols, Abstractions. Single Player vs Multi-Player, Suspension of Disbelief and Plausibility, Social Dynamics, Anticipation of the Future, Possibility Spaces, Types of Choices. Realms of Speculative Imagination, How is meaning communicated? Dialogue amongst characters, voice-over narration, environmental storytelling, non-verbal associative dream logic. Mental friction from puzzles. Rules & Mechanics. Use of certain types of AI and Conversational Interfaces with Virtual Beings Firstness of Water: Time, Cycles, Harmonics, Value, & Aristotle's "Material Cause" (in Whitehead's event ontology, then base reality is processes, relationships, and possibilities of value & not Substance) Secondness of Water: Experiential Processes That Provide Contrasts Thirdness of Water: Feelings for Emotional Presence Examples of Water: Cinematic Film Tradition, Music, Harmonics, Rhythm, Pacing, Editing, Contrasts, Emotion, Memory, Dreams, Images, Soul, Psyche, Symbols, Lighting, Mood, Collective Unconscious Firstness of Earth: Space, World, Context, & Aristotle's Efficient Cause Secondness of Earth: Environment & Worldbuilding With Situated Perspectives in that Context Thirdness of Earth: Sensory Perception & Sense of Place for Embodied & Environmental Presence Examples of Earth: Worldbuilding of a spatial context & culture. Architecture, Theater, Theme Park Design, Dance, Are you a ghost or an embodied character? Sensory Experience: Touch/Haptics, Hearing/Spatial Sound, Smells, Vision. Relation of Immersive Tech to Environment as either VR, MR, or AR. Virtual CGI vs Cinematic 180/360 Video, Again, check out this PDF on "Venice Immersive 2025 Archetypal Categorizations" to see how I've ranked nearly 40 projects from Venice Immersive 2025 on the relative elemental center of gravity. Some projects feel more like a cinematic immersive film, which would be a bit more biased towards the Water Element. Some projects are more focused on the experience of a world that was build, and more focused on the Earth Element. Some projects are asking you to Read a book together with other people, which is more focused on the Air Element. And then other more game-like experiences are focused on using interactions as their primary mode of engagement, and so they're more focused on the fire element. There are 64 total combinations of the elements in terms of the first, second, third, or four centers of gravity, and you can see the comprehensive visualization here: Technically, all four elements are always happening all at once all at the same time. However, in experiential design, then creators can emphasize and blend elements together. So I find that ranking the elements can be helpful in determining an overall center of gravity, and that looking at the first two centers of gravity can achieve a sufficient job of creating some ad hoc, immersive and "elemental genres....

[REBROADCAST FROM May 29, 2026] The film-to-musical Broadway adaptation "The Lost Boys" earned 12 Tony nominations, tying it with "Schmigadoon" for the most-nominated show this year. Actors Ali Louis Bourszgui and LJ Benet discuss their respective roles as the head of a vampire gang, and the wayward teen they seek to bring into the fold. Production photo by Matthew Murphy Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What can Corporate America learn from a theatre troupe? Quite a lot, actually. Think about it. A theatre production brings together people who may have never worked together before. There's very little onboarding. The timeline is short. The deadline is fixed. And somehow, they have to build trust, communicate clearly, solve problems fast, and become a high-performing team. Sound familiar? Today, we're exploring what leaders can learn from theatre about building strong teams, especially when working with contractors, seasonal employees, new hires, or anyone who needs to hit the ground running. My special guest today is Artistic Director of Dead Canary Theatre, Stephen Riordan and he's simplifying what Corporate America could learn from a theatre troupe. Stephen and I worked together on a social impact event tour through Visit.org, where I saw firsthand how valuable theatre skills are when plans change, timelines are tight, and everyone needs to roll up their sleeves. We're talking about building trust fast, why theatre people are incredibly adaptable and disciplined, and what Corporate America might be missing when it overlooks creative talent. Let's simplify it. ---- Show notes available with all links mentioned here: https://www.thesimplifiers.com/posts/430-what-corporate-america-can-learn-from-a-theatre-troupe---with-stephen-riordan

 Peter Outerbridge on Saw VI, Horror Stories & John Candy Memories Keith Reza sits down with actor Peter Outerbridge for a funny, wide-ranging conversation about his current work, including I Will Find You, Welcome to Derry, and Bet, plus fan-favorite roles in Saw VI, Cool Runnings, ReGenesis, 100 Days in the Jungle, and more. Peter shares behind-the-scenes stories about working with John Candy, surviving the brutal Saw VI death scene, almost having a bigger George A. Romero moment, the pressure of leading a series, and why being kind on set matters. It's a smart, hilarious episode packed with acting insight, horror talk, movie memories, and classic Reza Rifts riffing. Guest Info Peter Outerbridge is a Canadian actor from Toronto known for Cool Runnings, Saw VI, Lucky Number Slevin, ReGenesis, Nikita, Orphan Black, and many other film and television roles. He studied theatre at the University of Victoria, co-founded the company Way Off Broadway, and has been a steady presence in film and TV for decades. Guest Social Links Instagram: https://www.instagram.com/peter_outerbridge/ Chapters 00:00 Intro, stand-up dates, and Peter Outerbridge preview 05:33 Peter Outerbridge joins the podcast 06:18 I Will Find You, Welcome to Derry and Netflix talk 11:01 Binge watching vs weekly TV releases 13:27 Playing wardens, cops, and doing research for roles 15:59 Cool Runnings and memories of John Candy 20:29 The making of Peter's brutal Saw VI death 31:49 George A. Romero and the role that changed 35:58 ReGenesis and the pressure of leading a show 45:22 100 Days in the Jungle behind-the-scenes chaos 53:03 Actors, egos, and professionalism on set 58:07 Theater, bad reviews, and live performance 64:25 Fast food disasters and Peter's final advice Call to Action Subscribe, rate, review, tell a friend, or tell an enemy. If you enjoyed this episode of Reza Rifts, like the video, drop a comment, and share it with a horror fan, movie lover, or aspiring actor. Host Links Support the show on https://patreon.com/rezarifts61  Follow Keith on all social media platforms: FB: https://www.facebook.com/realkeithreza IG:https://www.instagram.com/keithreza  ALT IG:https://www.instagram.com/duhkeithreza  X:https://www.twitter.com/keithreza  TT:https://www.tiktok.com/keithreza  Book Keith on cameo at www.cameo.com/keithreza Check out my website for dates at https://www.keithreza.com/  Subscribe - Rate & Review on Apple Podcasts - Tell a friend :) Be a Rifter! YouTube: https://www.youtube.com/channel/UCpyRbdbee3pBlDrtMDd6Pww Apple Podcasts: https://podcasts.apple.com/us/podcast/reza-rifts/id955329738 #PeterOuterbridge #SawVI #CoolRunnings #ReGenesis #WelcomeToDerry #IWillFindYou #JohnCandy #HorrorPodcast #ActingPodcast #MoviePodcast #NetflixSeries #CanadianActor #FilmInterview    

Vader EPISODE II Live audience reaction from the premiere in Glendale California LOOK Cinemas that had about 10 showings and over 1000 fans attending Full Film Here: https://www.youtube.com/watch?v=tENy3nqtWLw&t=9s THEORY SABERS - https://theorysabers.com/ Best sellers: Ani III - The Chosen One - https://www.theorysabers.com/product/hilt-ani3 Prodigal Son V1 (Affordable Version) - https://www.theorysabers.com/product/hilt-lukev1 HATS and MERCH - https://www.theorysabers.com/products-3?category=Accessories&subcategory=Merch Learn more about your ad choices. Visit megaphone.fm/adchoices

Guest co-host Sean Mullaney joins Dave Hamilton to prove that the gig you want is usually hiding inside the gig you almost skipped. A video with eleven views got Sean hired, the same way a YouTube clip landed Alexandra Mullaney in The Book of Mormon, so the lesson is simple: put the work out there, then be ready to say yes when someone finds it. You’ll dig into managing your niche without getting trapped by it, and the bigger question every bandleader eventually faces: who do you want to be as a frontman? You can’t make a face unless you’ve seen it, so study the greats, then get authentic to who you actually are. Preaching from the stage is hard. Performing as yourself is harder, and better. Then things get deliciously specific. You’ll hear what it’s like to chase Robert Plant with Mr. Jimmy, where nobody’s speaking English, everybody’s in full costume, and the details are so meticulous that imposter syndrome becomes something you manage rather than something that eats you. Sean said no. Then Sean said yes…and ended up on a sold-out stage at the Whisky a Go Go, a little petrified because the stakes were higher. That’s the point. You’ll get the upcoming Whole Lotta Heart show, why theater runs are a fun grind, what happens when you make that first mistake in front of everyone, how to honor your influences by studying the film instead of copying the notes, and how to manage your voice so you can keep doing this. Always Be Performing! Even when nobody’s watching yet, because view number eleven might be the one. 00:00:00 Gig Gab 546 – Monday, August 10th, 2026 August 10th: Duran Duran Appreciation Day Guest co-host: Sean Mullaney 00:01:00 The Underground Series 00:02:33 Hired on the 11th view! Once at Seacoast Repertory Theater Sean singing Leave by Glen Hansard (now with more than 11 views!) Alexandra Mullaney was booked into The Book of Mormon from a YouTube video 00:10:40 Managing your niche! 00:11:27 Be ready to say yes to opportunities 00:16:12 The Instant Classics in Phoenix 00:18:29 Who do you want to be as a frontman? “You can't make a face unless you've seen it” 00:22:42 Being authentic to who you are Preaching is difficult! 00:26:36 SPONSOR: Warby Parker – Our listeners can buy one pair of glasses and get 20% off any additional pairs at https://WarbyParker.com/GIGGAB — and using our link helps support the show. #WarbyParker #ad 00:28:37 Do you want to be Robert Plant in Led Zeppelin? No one's speaking English, and everyone's in full costume The Mr. Jimmy Story on Gig Gab Led Zepagain With Mr. Jimmy, Sean plays a sold out show at The Whisky a Go Go 00:41:56 Managing Imposter Syndrome through the meticulous details 00:43:34 So…I said no. And then I said yes. 00:48:58 Upcoming Whole Lottta Heart Show 00:51:11 Petrified a little because the stakes are higher. 00:55:03 The Underground is… alternative programming! In Danger of Being Discovered Brother Love's Album of the Year 00:59:13 01:06:02 Theater shows…a fun grind! 01:10:37 Making that first mistake 01:11:23 Honoring your influences Studying film! 01:14:00 Managing your voice! 01:19:37 Gig Gab 546 Outtro Follow Sean Mullaney IG: seansingsnstuff Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Hired From an 11-View Video: Sean Mullaney on Opportunity and Owning the Stage – Gig Gab 546 appeared first on Gig Gab.

How do you bring back one of television's most beloved environments when almost none of the original scenery or plans still exists?Emmy-nominated Production Designer Denise Pizzini and Set Decorator Bethany Barton reveal how their team recreated the original Muppet Theatre for the Disney+ special The Muppet Show.Using screenshots, extensive research and one surviving drawing of Kermit's backstage office, they reconstructed the theatre's architecture, auditorium, backstage spaces, practical lighting and decades of beautifully controlled clutter.Denise and Bethany explain the hidden engineering required to design simultaneously for Muppets, puppeteers and human performers—from elevated stages and hollow counters to removable chair backs, adjustable furniture and performer pits.They also take us inside Sabrina Carpenter's glittering cowboy bar, Miss Piggy's Bridgerton-inspired ballroom, the Bayou musical number and Gonzo's practical stunt set with real fire and sparks.It's a detailed look at nostalgia, scale, fabrication and the high-stakes scavenger hunt required to make Jim Henson's world feel as though it never stopped living.Hosted by Emmy-winning Set Decorator Kim Wannop.

Brian Lohmann, co-founded Bay Area Theater Sports or BATS. It's the largest and longest-running improvised theater company in Northern California. And this year, they're celebrating their 40th anniversary. To talk about this milestone and their plans for the future, we hear from his fellow co-founder William Hall who is an improv teacher and performer. William recently spoke to KALW's Jeneé Darden for her show ‘Sights and Sounds.' 

At the peak of the drive-in theater craze in 1958, more than 4000 drive-ins were operating in the U.S. Today that number is closer to 300. In this nostalgic minisode, we celebrate the phenomenon of drive-ins, highlighting two that hold special meaning for us, the Sauerbeck Family Drive-In located in LaGrange, Kentucky, and the Georgetown Drive-In, located in Georgetown, Indiana.  So grab your popcorn and join us as we discuss the story behind the very first drive-in, our experiences with these two local theaters, and our thoughts about the appeal of drive-ins.  Please note– Our minisodes are bonus content usually available only to Scandal Water Podcast supporters on Patreon, Buy Me a Coffee, and Apple Podcasts subscribers. As a Scandal Water Podcast “special feature” we decided to release this minisode on the main feed. But if you'd like to support the podcast and gain access to all the other bonus content, you can find the links to Patreon and Buy Me a Coffee at  scandalwaterpodcast.com. #ScandalWaterPodcast #UnderTheStars #DriveInTheater #DriveInMovies #SauerbeckDriveIn #GeorgetownDriveIn #LaGrangeKY #GeorgetownIN #Kentuckiana #LouisvillePodcasts #KentuckyLandmarks#SouthernIndiana #RetroAmericana #MovieNostalgia #CinemaHistory #PopCultureHistory #OutdoorMovies #VintageVibes #ClassicCinema #Minisode #PodcastRecommendations #PatreonCreator #BuyMeACoffee #NewEpisodeAlert #SupportIndependentPodcasts

Lee Trevathan serves as the Director of Operations and Community Outreach at the Highlands (NC) Performing Arts Center. She is a classically trained actor with nearly 20 years professional experience as an actor and teacher in London, New York, Chicago and Houston. Lee received a B.F.A. (Hons) in Acting from London's International Drama School, Rose Bruford College of Theatre and Performance.  Along with acting, Lee found great joy being a Teaching Artist for the Alley Theatre in Houston, TX. She taught Voice and Movement technique in their Conservatory program and worked with foreign doctors in the Houston Medical Center with Alley Articulated. Lee is very happy with her move to the beautiful town of Highlands and embraces the exciting and creative opportunities at the PAC.

Gene talks to Texas playwright Andra Laine Hunter about all things Theatre for Youth as well as her plays NUTCRACKER: KRAKATUK, FRANKENSTEIN/MONSTER, and HOLLY ABLE AND THE MISSING MOTHERS.

Graustark 

Send us Fan MailIn Episode 200 of In The Paddock, Greeny and The Cheese celebrate 200 episodes by diving headfirst into the wildest Formula 1 rumors during the summer break. The duo breaks down the performance clauses that could allow Max Verstappen to walk away from Red Bull—and whether a shock move to Mercedes or McLaren makes any actual sense. Plus, they launch a brand-new segment, The Theater of the Absurdity, where they react to the ridiculous proposal of hosting the "Bahrain Grand Prix" in Malaysia, along with rumors of the 2026 season ending at a freezing Imola in December.Key Highlights:Episode 200 Milestone: Greeny and The Cheese reflect on reaching 200 episodes and thank the listeners.Max Verstappen's Contract Clause: Analyzing rumors of a performance exit clause, a potential $80M offer, and why leaving Red Bull for Mercedes or McLaren might be a double-edged sword.2026 Calendar Chaos: Rumors of the 2026 season finale heading to Europe (Imola in December!) and what freezing track temperatures mean for racing.Theater of the Absurdity: Why naming a race in Malaysia the "Bahrain Grand Prix" is the most absurd venue logic in recent F1 history.Don't forget to like, subscribe, and drop a comment to join the conversation!Support the show

A brand new stage play based on the "A Song of Ice and Fire" stories by George RR Martin has opened at the Royal Shakespeare Company in Stratford upon Avon.The hotly anticipated play, titled Game of Thrones: The Mad King, is adapted by Duncan Macmillan and directed by Dominic Cooke, and is an immediate prequel to "A Game of Thrones".Find out what Mickey-Jo thought of the story, the performances of this company, and the creative choices with which this has been brought to the stage.sign up to Mickey-Jo's weekly substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction02:38 | synopsis / writing11:14 | staging / design 21:26 | performances 31:33 | conclusion About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Lawrence Haggart had everything to look forward to. A gifted teenage footballer who had already signed for Celtic and represented Scotland at youth level, Lawrence appeared destined for a bright future in the game he loved. But after an ordinary evening out with friends, his life was brought to a devastating end in a brutal attack that left his family and community searching for answers.In this episode, I examine the investigation into Lawrence's murder, the extraordinary mistakes that saw detectives become fixated on the wrong suspects, and how the real killer was eventually brought to justice.Support me at Patreon:https://www.patreon.com/UKTrueCrimeWriting Credit: Chris WoodYou can buy Chris's second book, 'Death in the Theatre' here: https://www.amazon.com/Death-Theatre-Chris-Wood/dp/1399009117Watch my YouTube Channelhttps://www.youtube.com/@Adam-uktruecrime/videosGet All The News First - Subscribe To My Newsletterhttps://uktruecrime.comJoin UK True Crime Facebook Grouphttps://www.facebook.com/groups/UKTrueCrime Hosted on Acast. See acast.com/privacy for more information.

Grab your coffee, matcha, or whatever takes the edge off Monday, pop in your earbuds, and let's shit-talk TV, gossip and whatever we couldn't stop thinking about.THIS WEEK'S LINEUP:

Brough to you by Stone and Wood Pacific Ales...The Tahiti Pro is underway in some of the most mutant conditions ever seen for an event with tube specialists and slab heathens finally getting the chance to flex in surfing's ultimate arena: CONES OF MORTAL CONEQUENCE! See omnystudio.com/listener for privacy information.

A false evacuation alert confuses Utahns; a kid's mid-plane tantrum gets an entire flight canceled (and we have THOUGHTS about it). A scary encounter in the Uintas — a mother mountain goat gores two dogs and a brave teen who grabbed her by the horns to protect his family. We speak to the family to learn more about the wild event and the lessons that came with it. We present our first KSL Comment Section Dinner Theatre featuring KSL readers reacting to the Perseid meteor shower, and your AI Question of the Day.   KSL Brightside streams live weekdays 12–3 PM, with a YouTube-exclusive live stream from 12–1 PM and radio plus YouTube from 1–3 PM.

I interviewed Sister Sylvester about Constantinopoliad on Friday, September 12, 2025 at Venice Immersive in Venice, Italy. Here is the story synopsis for Constantinopoliad: "Constantinopoliad is a collective reading and audio work. A response to the archive of the poet Constantine Cavafy, the story is inspired by the blank and torn-out pages in Constantinopoliad, an Epic, the journal the teenage Cavafy began when he and his family fled Alexandria; by lost and missing queer archives through time; and by the ghosts, both erotic and historical, that visit the older Cavafy in his poems." Here are the contextual domains that are explored: The exploration of identity [1] as a person has moved from his home [4], and into a distant land [9] with some feelingsof being exiled [12], but also the implication of homosexuality [5] within the context of having to remain hidden or taboo [12]. It's dipping into the vast archive [9] of Cavafy's expressions of identity [1] and poetry and art [5], and recontextualizing as these universal experiences that are still very much relevant today [9]. Here is the Elemental Center of Gravity: 1st Center of Gravity of Air Element / Mental and Social Presence: collaboratively reading together - narrative distillation of an archive. You listening to the audio narration, but you have to negotiate how to co-read this "book" object together. The form of this "book" also deviates from normal book where it is part pop-up book, but also a flat stage to be explored with the other person. This externalized book becomes a bit of an abstracted theatrical stage for the story as it unfolds, but there are also more explicitly architectural elements to this "book" object as well. The piece also creates an implicit invitation to connect and talk with your audience partner afterwards about the piece2nd Center of Gravity of Water Element / Emotional Presence: AMAZING MUSIC + time-based narration + lighting. There's some amazing synchrony between the music, the timing of the reading, as well as the lighting. It really gives a strong sense of time. The reading of the story almost feels like a narrative podcast of sorts, but is mostly a matter of convenience of recording of the live performance so that it could be toured at immersive festivals without the burden of paying for all of the performers and musicians.3rd Center of Gravity of Earth Element / Environmental and Embodied Presence: Book like object as an architectural artifact, and has a whole spatial journey. The installation also had tables with lighting effects, but also there were projctions that were happening within the space as well. Most of the focus of spatial experience happens within the context of the architectural nature of the "book" object, but the other theatrical elements of the environment definitely help to cultivate an overall mood.4th Center of Gravity of Fire Element / Active Presence: Explore the story through various interactions. There's no narrative agency per se, although one could deviate from directly reading along with the text. There's an implicit contract to stay on course with your actions since you're negotiating the experience with another person. Archetypal Themes and Character Explored: Exploration of the "lost and missing queer archives through time; and by the ghosts, both erotic and historical, that visit the older Cavafy in his poems" Artist Statement: "My favorite response to this work was an audience member who described it as 'making love to a stranger through a book'. The work invites audiences into a sensual and concrete encounter with Cavafy's life and poems: fingers making contact with history; illumination revealing images from between the pages; sounds conjuring the ghosts of 19th century Alexandrian cabarets. With words by sister sylvester, score by Nadah El Shazly, and illustrations by Efrîn Özyetis, Constantinopoliad is a multi-sensory encounter with the past, and with forgotten stories that can haunt us into new imaginings for the present." You can see the projects I covered at Venice Immersive 2025 categorized in this image: Below, you will find links to my 30+ hours of my coverage from Venice Immersive 2025 across 39 episodes. I've categorized the experiences according to these "elemental genres," which is looking at the top two elemental centers of gravity. You can listen to this episode or watch the video version of "The Blending the Elements on Experiential Design" YouTube on for more details. #1650: Sneak Peak of Venice Immersive 2025 Selection with Curators Liz Rosenthal and Michel Reilhac #1750: Doug Liman's "Asteroid" Short Immersive Film with Google Gemini Story Extension + Kickoff of Venice Immersive 2025 Coverage #1751: "Ghost Town" Narrative Integration in Puzzle Adventure with Exquisite Worldbuilding #1752: Blending Embodied Game & Narrative Genres with "One True Path, Part 1" #1753: Mixed Reality Town-Building and Sim Game "Wall Town Wonders" #1754: Screen Life Thriller "LILI" about Surveillance Fuses Game Design, Film, and MacBeth Adaptation #1755: Hand-Tracked Sign Language as Story Beat Triggers in "Eddie and I" #1756: Exploring Narrative Potential of Generative AI in "8pm and the Cat" #1757: Embody a Geranium in Immersive Comedy about Boredom in "The Great Escape" #1758: Reckoning with Mental Health Taboos in Japan with "If You See a Cat" Immersive Animation #1759: Mother-Daughter Team Explore Personal Challenges with Depression and Anxiety in "Mirage" Immersive Animation #1760: Immersive Fairy Tale about Automation with "The Sad Story of the Little Mouse Who Wanted to Become Somebody" #1761: Unpacking the Immersive Orchestral Mix of "1968" with Massimiliano Borghesi #1762: Fusing Experimental Immersive Animation with Cutting-Edge Orchestral Spatial Audio Mix in "1968" #1763: Blending Theater and 360 Video in "Re-Launching-Luigi-Broglio" #1764: Mixing Hand-Drawn Animation with 360 Video in "The Time Before" #1765: Immersive Action Thriller "Mulan 2125" Pushes the Edge of Graphical Fidelity #1766: Formula 1 LBE Experience "Black Cats & Chequered Flags" is an Immersive Biopic of Alberto Anscari #1767: Immersive Journey through Special Effects Pioneer Carlo Rambaldi's Paintings in "Alien Perspective" #1768: Symbolic Journey through Lithuania's Artist Mikalojus Konstantinas Čiurlionis' Paintings in "Creation of the World" #1769: Mixed Reality Musical on Avatars and Identity in "First Virtual Suit" #1770: Eastern Philosophy-Inspired Fusion of Theater and XR with "Mnemosyne" #1771: Environmental Storytelling in "The Great Orator" VR Diorama with Generative AI Experiments #1772: Climate Change Spatial Montage "Out of Nowhere" Aspires to Move Towards Rewilding Prevention #1773: "Collective Body" Assigns Elemental Avatars Based Upon Archetypal Dance Movements #1774: Combining Live Dance and Music in Immersive LBE Performance "L'ombre (The Shadow)" #1775: The Continuous Spatial One-Shot of Backlight's "La Magie Opera" LBE #1776: The Spatial Grammar Innovations of Dialectical Contrasts and Abstraction within "The Big Cube" #1777: Active Imagination, Associative Dream Logic, & Embodied Interactions in "Sense of Nowhere" #1778: Collaborative Social Game and Story of "Happy Shadow" #1779: "Heartbeat" Immersive, 1-on-1 Biometric Synchronization and Involuntary Collective Agency #1780: Recap of VRChat Worlds Gallery at Venice Immersive 2025 with Mike Salmon #1781: Winner of Venice Immersive 2025 "The Clouds Are Two Thousand Meters Up" Innovates on Gaussian Splats & Spatial Storytelling #1782: "A Long Goodbye" Wins 3rd Place Prize at Venice Immersive with Emotionally-Moving Story on Dementia and Spatial Grammar Innovations #1783: "Less Than 5gr of Saffron" Wins 2nd Place Prize at Venice Immersive with Spatial Poem Quill Animation #1784: The Incredible Spatial Transitions of "Dark Rooms" with Radical Consent Innovations #1785: The Landmark Achievements of "Blur" in Fusing Theater, Montage, Mixed Reality, and LBE VR #1786: Collective Reading Experience of "Constantinopoliad" Provokes Discussion on Defining "Immersive" #1787: Blending the Elements of Experiential Design & Process-Relational Foundations of the Elements This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

I interviewed Craig Quintero & Phoebe Greenberg about Blur on Friday, August 29, 2025 at Venice Immersive in Venice, Italy. Here is the story synopsis for Blur: "Blur presents a new myth for the modern age, where science has changed how we think about life and death. With cloning and advances in resurrection biology, we have obscured the boundaries between the living and the dead — the natural and the artificial. This extended reality theatrical production unfolds as a dreamscape, shifting between real and virtual, taking participants on a journey of reflection on grief and eternality." Here are the contextual domains that are explored: Some fundamental questions around LIFE [1] and DEATH [8]. Blur born out of a "desire to explore the emotional and ethical terrain where science, loss and imagination collide." Philosophical and ethical implications [9] of the science human cloning [9] as explored through the main story of a mother [4] who's child [5] has died [8]. Explores a speculative and imaginal space of scienced-based possibilities [9] with imagery reflecting these moral and ethical dilemmas [9] around these hybrid entities [Combination of [1] Self with [7] ]. Also the implications of taking extinct animals [8] like the Wooley Mammoth or Dire Wolf, and resurrecting them through science [9], and bringing them back to life [1]. Here is the Elemental Center of Gravity: 1st Center of Gravity of Earth Element / Environmental and Embodied Presence: Blend of Immersive VR, CGI, Cinematic 360 video, 180 video, Mixed Reality. With specific architectural modulations, live performance, and integrations of your embodiment. Some Generative AI around your representations of embodied identity. There's also a LOT of invisible spatial choreography that is happening behind the scenes in order to move a number of human bodies through a physical space without colliding into each other, whilst also creating a seamless virtually-mediate spatial journey that is also A LOT MORE VAST than the constraints of the physical space. So it really feels like being taken on an expansive journey through space and time within this piece.2nd Center of Gravity of Air Element / Mental and Social Presence: Constant perversion of expectations and experience of having the "rug pulled out from underneath you." Symbolic Dream Logic, and Theatre of the Absurd. There's a lot of abstract and semiotic associative linking that Quintero describes as a "Rauschenberg-like collage" blending and blurring together lots of various archetypal forms to communicate their message. There's definitely a narrative to be parsed, but you have to sort of piece it together as there's a lot of symbolic communication, as well as expectation-perversion that either creates a deep sense of awe and wonder, or it can also be confusion for some where the overall plausibilty throughline and suspension of disbelief results more in a break in presence from a "I don't get it" experience rather than a deepening of awe from an unbounded possibility space. Overall feels a bit like waking from a dream, and then trying to parse it. There is also a moment of a theatre-for-one encounter, and then later more of a collective experience.3rd Center of Gravity of Fire Element / Active Presence: LIVE PERFORMANCE of theatrical actors. There's some constructed locomotive agency within bounds to replicate wandering. Some more interactive parts near the end. No real agency to change the flow of the narrative4th Center of Gravity of Water Element / Emotional Presence: Cinematic VR, but also a specific cadence and pacing of the narrative. Archetypal Themes and Character Explored: Blur explores "fundamental questions of identity and selfhood, and what makes 'me' me?" The strurctures of our society and science mashed up against the dissolving and dissolution of the boundaries between the science and humanity bringing questions around the archetypal qualities that make us uniquely human. The idealized image of the human form from evolution, then gets dissolved through hybrid combinations, that is also amplified by the actual blending and blurring of communication media from MR to VR to Invidual and Collective Theatrical Performances to Architecture with bit of magic thrown in. It's a seamless use of the forms of immersive and experiential to amplify the overall themes of the piece. What is Imaginal / Virtual / Synthetic / Artificial / Eternal? vs What is Real and Mortal? Life vs Death in the context of Scientific Truths and Technological Advance. "With cloning and advances in resurrection biology, we have obscured the boundaries between the living and the dead — the natural and the artificial." Artist Statement: "Blur was born from a shared desire to explore the emotional and ethical terrain where science, loss and imagination collide.Meeting in Venice, we recognised a deep alignment in poetic storytelling and a fascination with questions raised by cloning, bioengineering and de-extinction. The work examines the human urge to transcend death and the consequences of reshaping life. Combining immersive theatre, motion capture, passthrough, VR and AR, we invite audiences into a sensorial and surreal journey — where AI, myth and grief intersect. Blur is both a cautionary tale and a meditation on fragile humanity: a boundary-pushing experience that challenges perception while grounded in universal emotions." https://www.youtube.com/watch?v=SFXTon0-tQ0 This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

I interviewed Wuer about Mnemosyne on Sunday, August 31, 2025 at Venice Immersive in Venice, Italy. Here is the story synopsis for Mnemosyne: "Mnemosyne is an innovative immersive work that blends VR film and live theatre, offering a multi- sensory experience and a poetic exploration of love, illusion, and awakening. Inspired by Tang Xianzu's Ming Dynasty classic The Peony Pavilion, the piece draws on Eastern philosophy to evoke the notion of “ultimate 情 (Qing/emotion)”. It combines 360° animation, 180° live-action footage, and live performance, with the surrounding environment, shaping each audience member's evolving sense of presence. The layered narrative unfolds like ink in water: fluid, evocative, and open to interpretation, inviting the audience to drift between constructed memories and imagined futures. Mnemosyne seeks to create a meditative landscape of shifting emotions, centring on the intimate experience of transcending illusion to uncover genuine feeling. It views this hybrid medium of merging physical and virtual presence as a potential stage for exploring the social dimensions and future possibilities of VR/XR." Here are the contextual domains that are explored: Connecting to the earth and nature [4], but also Eastern Religiion from Daoist and Buddhist thought [9]. Focusing on and reflecting upon your own embodied experiences [1] Here is the Elemental Center of Gravity: 1st Center of Gravity of Earth Element / Environmental and Embodied Presence: Most of the experience is CGI-based VR Animation and Cinematic VR, but there's is an immersive theatrical installation of something like a Tea Room, with meditation booths, which have a number of spatial modulations over the course of the performance. There's also an actor at the end with Mixed Reality Components. So it's a real blending of the spatial contexts.2nd Center of Gravity of Air Element / Mental and Social Presence: Lots of Taoist and Zen influences, and some quoted poetry and passages, but the density of the philosohical thought create a bit of like Zen Koan type of experience, where there were lots of deeper philosophical mysteries being explored. Very poetic, if not a bit mysterious -- and even the cretor was a bit vexed to communicate what the experience would be. You have to experience it to fully understand.3rd Center of Gravity of Water Element / Emotional Presence: Spatiousness from the cinematic montage of different scenes and poetic reflections. Jumping between the pre-recorded aspects (Chronos) and the live performative elements (Kairos) of the momen.4th Center of Gravity of Fire Element / Active Presence: LIVE performance elements. But also no real narrative or spatial agency. Aiming to sort create a contemplative poetic experience. Archetypal Themes and Character Explored: Lots of Truth vs Illusion themes. "poetic exploration of love, illusion, and awakening." Also, "it offers a sensory framework where gazes, pauses, and subtle gestures shape the unfolding rhythm. Within a layered dreamscape of animation, live-action, and performance, the audience becomes not just an observer but a co-creator of emotional experience. Drawing from the Daoist idea of “breaking illusion to perceive truth”, the work uses VR as a poetic medium — an ephemeral vessel to navigate between illusion and reality, dream and awakening — until the line between the two gently dissolves." Artist Statement: "Mnemosyne is an immersive narrative experiment focused on “empowering the audience's imagination”. Rather than presenting a closed storyline, it offers a sensory framework where gazes, pauses, and subtle gestures shape the unfolding rhythm. Within a layered dreamscape of animation, live-action, and performance, the audience becomes not just an observer but a co- creator of emotional experience. Drawing from the Daoist idea of “breaking illusion to perceive truth”, the work uses VR as a poetic medium — an ephemeral vessel to navigate between illusion and reality, dream and awakening — until the line between the two gently dissolves." https://www.youtube.com/watch?v=gEAyABepKFM This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

I interviewed Vincenzo Cavallo about Re-Launching-Luigi-Broglio on Monday, September 1, 2025 at Venice Immersive in Venice, Italy. Here is the story synopsis for Re-Launching-Luigi-Broglio: "This project gives the chance to dive into the legend of Luigi Broglio [11 November 1911 – 14 January 2001]— who audaciously catapulted Italy into the cosmos from the first space base built on an equatorial sea platform in the 1960s. Within a 360° theatre, audiences become voyeurs to a duel between Broglio and journalist Tristano Malaugurio, two prisoners of fading memory trapped in the ghostly command centre of Kenya's San Marco space station. Through interviews and flashbacks, we plunge into the African expedition, the explosive encounter with oil giant Enrico Mattei, a near-diplomatic crisis with President Nasser, and a jaw-dropping climax to rewrite history. A group of Italian mavericks daring to compete with the space superpowers. This saga proves that the most impossible dreams ignite into reality when courage meets creativity and determination. Luigi Broglio inspires minds and warms hearts, which is why he deserves to be re-launched!" Here are the contextual domains that are explored: Space exploration [9] and foreign African countries relative to main character's home of Italy [4], the various conflicts with various institutional entities [7] including the impact of capitalism and colonialism [2], his careeer and profession [10], His home of Italy [4] juxtaposing between these two worlds in the piece [9]. Here is the Elemental Center of Gravity: 1st Center of Gravity of Emotional Presence: Cinematic 360 video, and story of Luigi Broglio (1911-2001) Imaginal time with journalist while Broglio was still alive with flashbacks. Half of the world is present day, and turning around to the stage is the past.2nd Center of Gravity of Earth Element / Environmental and Embodied Presence: Theatrical staging, uses two 180-degree shots stitched together to travel between spaces. The environments are imagined as if it waa a play. One side is the present moment of the story, with the other side being the past. Spatial representation of time3rd Center of Gravity of Fire Element / Active Presence: As a viewer of 360 video, you do end up having to physically move your body to watch the video as the main fccus of action will split between these two sides, but these interactions are not impacting the story in any sense, and end up being more of an artifact of the 360 medium itself4th Center of Gravity of Air Element / Mental and Social Presence: Most of the experience is dialogues and monologues. Characters speaking to each other. A confrontational journalist who is asking the questions and prompting the story to progress Archetypal Themes and Character Explored: Power dynamics of the structures of captialism & colonialism- "the explosive encounter with oil giant Enrico Mattei, a near-diplomatic crisis with President Nasser" + "time to rediscover Italian colonial and postcolonial history through fresh eyes." "This saga proves that the most impossible dreams ignite into reality when courage meets creativity and determination." Memory, the past, history, colonialism: "two prisoners of fading memory trapped in the ghostly command centre of Kenya's San Marco space station" Artist Statement: "As Italians who are living in Kenya we relentlessly hunt for untold stories woven between Africa and Europe. Italians who ended up in Africa during and after colonialism, Africans and Afro-Italians who helped forge Italy, before, during and after World War II — a vast cultural heritage overlooked for various reasons. It's time to rediscover Italian colonial and postcolonial history through fresh eyes. We believe this immersive experience — designed for science museums and educational venues — will unlock new perspectives on both science and international cooperation." https://www.youtube.com/watch?v=jo-L88oT7Y0 This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

This post officially kicks off my Venice Immersive 2025 coverage, see links to all 38 episodes and 30+ hours of interviews down below. We're starting off with the interview that I did with Doug Liman (co-founder of 30 Ninjas), Julina Tatlock (co-founder of 30 Ninjas), & Jed Weintrob (co-founder of 30 Ninjas), & Max Spear (Product Lead of Android XR at Google) about Asteroid on Saturday, August 30, 2025 at Venice Immersive in Venice, Italy. Here is the story synopsis for Asteroid: "Asteroid is an immersive film and interactive story extension made for the launch of Google's new Android XR platform. The 180° immersive short film is a high-stakes action thriller about a group of strangers who take an old Russian Soyuz rocket to mine a near-earth, treasure laden asteroid for a chance at unimaginable wealth. After the film, the experience continues and the audience enters the world of Asteroid when they receive an SOS from one of the characters, DK Metcalf, who was left for dead. The viewer becomes a player when they are invited to aid in DK's rescue. Through speaking with an AI-generated version of DK — played by the NFL player as himself — the user determines the truth about what happened on the asteroid and sends his exact location to NASA for rescue." Here are the contextual domains that are explored: Long distance travel [9] where someone is left behind (de facto exile) [12], and there is a rescue mission where you as a character [1] help out the protagonist [7] in the second half, but also a lot of mystery [12] to figure out and investigate [9] Here is the Elemental Center of Gravity: 1st Center of Gravity of Emotional Presence: cinematic Virtual Reality thriller that begins as a film and continues as an immersive story game. Combination of live-action 180-video along with CGI-driven animations also in 180-video2nd Center of Gravity of Earth Element / Environmental and Embodied Presence: Worldbuilding of sci-fi extraction of asteroid, you embody a character in story in the last part, and you break the fourth wall in the onboarding talking to the actor who plays a character via AI3rd Center of Gravity of Air Element / Mental and Social Presence: Conversational-driven AI Story Extension - You talk to the actor DK Metcalf at the beginning and with the character at the end. A bit of puzzling together of the myserious aspects of the story4th Center of Gravity of Fire Element / Active Presence: continues as an immersive story game - Improv convo + slightly nudged and directed exploration Archetypal Themes and Character Explored: Everyone are anti-heroes archetypes - Power and Greed vs Limitations, constraints, boundaries, death. Doug Liman says there aren't many anti-heroes in space movies, Han Solo is an exception. What if all of the characters were Han Solos? What drama would ensue? Artist Statement: "I've always thought of myself as an immersive filmmaker. The goal was to put the audience in the action, not to be sort of passively watching it. Now that the technology has caught up with us, I really can put the audience in the rocket. Asteroid is the story of a ragtag group of astronauts who booked a ride on a used Soyuz spacecraft. An asteroid passes near Earth. It's laden with precious metals and gems. If you can get there, you can become insanely wealthy. It's a modern gold rush." Trailer: https://vimeo.com/1163762576/d0d75004c2?fl=pl&fe=vl You can find links to my 30+ hours of my coverage from Venice Immersive 2025 across 39 episodes. I've categorized the experiences according to these "elemental genres," which is looking at the top two elemental centers of gravity. You can watch this talk on "Blending the Elements on Experiential Design" for more details. #1650: Sneak Peak of Venice Immersive 2025 Selection with Curators Liz Rosenthal and Michel Reilhac #1750: Doug Liman's "Asteroid" Short Immersive Film with Google Gemini Story Extension + Kickoff of Venice Immersive 2025 Coverage #1751: "Ghost Town" Narrative Integration in Puzzle Adventure with Exquisite Worldbuilding #1752: Blending Embodied Game & Narrative Genres with "One True Path, Part 1" #1753: Mixed Reality Town-Building and Sim Game "Wall Town Wonders" #1754: Screen Life Thriller "LILI" about Surveillance Fuses Game Design, Film, and MacBeth Adaptation #1755: Hand-Tracked Sign Language as Story Beat Triggers in "Eddie and I" #1756: Exploring Narrative Potential of Generative AI in "8pm and the Cat" #1757: Embody a Geranium in Immersive Comedy about Boredom in "The Great Escape" #1758: Reckoning with Mental Health Taboos in Japan with "If You See a Cat" Immersive Animation #1759: Mother-Daughter Team Explore Personal Challenges with Depression and Anxiety in "Mirage" Immersive Animation #1760: Immersive Fairy Tale about Automation with "The Sad Story of the Little Mouse Who Wanted to Become Somebody" #1761: Unpacking the Immersive Orchestral Mix of "1968" with Massimiliano Borghesi #1762: Fusing Experimental Immersive Animation with Cutting-Edge Orchestral Spatial Audio Mix in "1968" #1763: Blending Theater and 360 Video in "Re-Launching-Luigi-Broglio" #1764: Mixing Hand-Drawn Animation with 360 Video in "The Time Before" #1765: Immersive Action Thriller "Mulan 2125" Pushes the Edge of Graphical Fidelity #1766: Formula 1 LBE Experience "Black Cats & Chequered Flags" is an Immersive Biopic of Alberto Anscari #1767: Immersive Journey through Special Effects Pioneer Carlo Rambaldi's Paintings in "Alien Perspective" #1768: Symbolic Journey through Lithuania's Artist Mikalojus Konstantinas Čiurlionis' Paintings in "Creation of the World" #1769: Mixed Reality Musical on Avatars and Identity in "First Virtual Suit" #1770: Eastern Philosophy-Inspired Fusion of Theater and XR with "Mnemosyne" #1771: Environmental Storytelling in "The Great Orator" VR Diorama with Generative AI Experiments #1772: Climate Change Spatial Montage "Out of Nowhere" Aspires to Move Towards Rewilding Prevention #1773: "Collective Body" Assigns Elemental Avatars Based Upon Archetypal Dance Movements #1774: Combining Live Dance and Music in Immersive LBE Performance "L'ombre (The Shadow)" #1775: The Continuous Spatial One-Shot of Backlight's "La Magie Opera" LBE #1776: The Spatial Grammar Innovations of Dialectical Contrasts and Abstraction within "The Big Cube" #1777: Active Imagination, Associative Dream Logic, & Embodied Interactions in "Sense of Nowhere" #1778: Collaborative Social Game and Story of "Happy Shadow" #1779: "Heartbeat" Immersive, 1-on-1 Biometric Synchronization and Involuntary Collective Agency #1780: Recap of VRChat Worlds Gallery at Venice Immersive 2025 with Mike Salmon #1781: Winner of Venice Immersive 2025 "The Clouds Are Two Thousand Meters Up" Innovates on Gaussian Splats & Spatial Storytelling #1782: "A Long Goodbye" Wins 3rd Place Prize at Venice Immersive with Emotionally-Moving Story on Dementia and Spatial Grammar Innovations #1783: "Less Than 5gr of Saffron" Wins 2nd Place Prize at Venice Immersive with Spatial Poem Quill Animation #1784: The Incredible Spatial Transitions of "Dark Rooms" with Radical Consent Innovations #1785: The Landmark Achievements of "Blur" in Fusing Theater, Montage, Mixed Reality, and LBE VR #1786: Collective Reading Experience of "Constantinopoliad" Provokes Discussion on Defining "Immersive" #1787: Blending the Elements of Experiential Design & Process-Relational Foundations of the Elements This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Bio: Carson Lueders is a 24-year-old singer, songwriter, and actor from Spokane, Washington. He first gained attention by posting covers on YouTube, catching the wave of social media growth and building a global fanbase around his undeniable vocals, charismatic personality, and heartfelt artistry. Over the past decade, he has released a string of original music that has generated 10M streams and 100+ million YouTube views, and has grown a social audience of over 13 million followers across digital platforms.  From appearing alongside his musical inspiration, Keith Urban, on national television at a young age to collaborating with award-winning producers like Timbaland and garnering top 40 airplay with his recent release "Toxic," featuring Quavo. Carson's career continues to evolve, demonstrating that he is one of the standout talents of his generation.  Carson's music has earned nominations from Nickelodeon's Kids' Choice Awards, Teen Choice Awards, and Radio Disney Music Awards, while his acting work made him a fan favorite as a series regular on the hit YouTube series Chicken Girls.  Today, Lueders remains a well-known social media personality and entertainer, recognized for his musical talent, online presence, and growing work in film and entertainment. He will next star in the upcoming inspirational drama Beyond Belief, coming to theaters nationwide this fall. Synopsis: Set in the 1980s, Beyond Belief follows Andy, a teenage rocker chasing his dream of making it big while struggling to cope with the loss of his father. When a mysterious voice urges him to "run," Andy is drawn into an unexpected journey that challenges his ambitions, tests his faith, and forces him to decide what kind of life he's truly meant to live.   Filled with heart, humor, and the iconic music of Petra, Beyond Belief is an inspiring story about hearing God's voice, trusting His plan, and discovering that His dreams for our lives are often bigger than our own. Trailer: https://www.youtube.com/watc?v=R-5dDVHnYA0 Social Media Handles: Instagram: @beyondbelief_themovie Facebook: Beyond Belief - Film YouTube: @intriguefilms TikTok: @beyondbeliefmovie Become a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.Subscribe now at YouTube.com/@RefocusedNetworkThank you for your time. 

Emmy-nominated Producer and Broadway Director Kenneth Ferrone (Smash) joins Robert Peterpaul on The Art of Kindness for a conversation about the power of listening, the importance of community, and what happens when creative teams genuinely support one another. This podcast podcast features: How to create a safe space where people can take creative risks and feel seen Kindness as a healer while filming Grease Live! with Vanessa Hudgens, Rent Live! amid an on set injury and Annie Live! during COVID Learning how to lead from legends like Jessica Lange and Jeremy Jordan, plus much more KENNETH FERRONE is a director and Emmy-nominated producer known for bringing ambitious, large-scale productions to life. As producer, Kenneth has been behind landmark live television events, including the Emmy-winning Grease Live!, Rent, and Annie Live! In scripted television, he has produced the series SMASH, Rise, Ironside, and Deception on NBC, and he has overseen global production for Echo 3 on Apple TV+. His work extends to feature film (Poor Behavior), immersive experiences (Broadway 4D), and award-winning shorts (Hey Beautiful). On stage, Kenneth has built a dynamic career directing and developing original musicals and boldly imagined new works. He directed the world premiere of The Wanderer, and the musical adaptation of Prelude to a Kiss. His credits include the Off-Broadway hit Rolling Thunder, the first national tour of Cruel Intentions: The 90's Musical, and collaborations on projects ranging from intimate new works to major productions in development for Broadway, including a slate of new musicals, most notably Charming and Better Days. He has also been a key creative force behind acclaimed Broadway productions as the associate director of SpongeBob SquarePants, Floyd Collins, Mother Play, Redwood, and Love Letters. His Off-Broadway directing work includes Sistas, Lucie Pohl: Hi, Hitler, and Colin Quinn's The New York Story. A graduate of Northwestern University, Kenneth is a member of the Stage Directors and Choreographers Society, the Producers Guild of America, and the Television Academy. He is based in New York City and Los Angeles. Follow Kenneth: ⁠@kennethferrone Follow us: ⁠⁠⁠⁠@artofkindnesspod⁠⁠⁠⁠ / ⁠⁠⁠⁠@robpeterpaul⁠⁠⁠⁠ Support the show! (⁠⁠⁠⁠https://www.buymeacoffee.com/theaok⁠⁠⁠⁠) Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. We are supported by the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send me a messageSupply chains have more operational data than ever, yet warehouses still miss carrier cut-offs, misallocate labour and react too slowly when conditions change. The problem is often not seeing what is happening. It is turning that signal into the right action quickly enough to protect cost and service.I'm joined by Scott DeGroot, Executive Director of the Global Supply Chain Institute at the University of Tennessee, and Keith La Londe, VP of Systems at PathGuide Technologies. Between them, they bring the enterprise and warehouse-floor perspectives on why ERP, WMS, labour, transport and automation so often operate on different clocks - and what that disconnect costs.We examine why “dashboard theatre” can leave leaders informed but ineffective, why near-real-time data may be more useful than chasing perfect real-time awareness, and what happens when expensive warehouse automation collides with physical reality. We also challenge the metrics leaders trust, the temptation to wait for certainty, and the assumption that more data automatically means better decisions.Listen now to understand what is really slowing supply-chain execution - and what separates useful visibility from expensive firefighting.Could your supply chain take the hit? Download my free 15-minute resilience scorecard to uncover hidden vulnerabilities, calculate your score and turn the results into a practical 30-day action plan: tomraftery.com/scorecardCould your supply chain take the hit? Download my free 15-minute resilience scorecard to uncover hidden vulnerabilities, calculate your score and turn the results into a practical 30-day action plan: tomraftery.com/scorecard  If disruption hit tomorrow, would you know where your supply chain was most exposed? In 15 minutes my free scorecard helps you assess 27 resilience statements, calculate your score, and turn the result into three priorities and a 30 day action plan. You can download the scorecard free at tomraftery.com/scorecard.Support the showPodcast supportersI'd like to sincerely thank this podcast's generous Subscribers:Alicia FaragKieran OgnevGary LynchAnd remember you too can become a Resilient Supply Chain+ subscriber  - it is really easy and hugely important as it will enable me to continue to create more excellent episodes like this one and give you access to bonus episodes of topical, timely supply chain resilience analysis.

MASTERS OF THE UNIVERSE (1987) - Couch Potato Theater: 1980's Cannon Films Retrospective w/ Co-Star: Anthony De Longis! Watch: Fandom Podcast Network YouTube Channel Link: https://youtu.be/M1MiAFZuiqQ Listen: Couch Potato Theater Audio Podcast Link: https://www.podbean.com/eas/pb-8wjyp-1b30771 Welcome to Couch Potato Theater, where we celebrate our favorite movies on the Fandom Podcast Network! We're celebrating 1980's Cannon action films with a retrospective on how important these movies were to our fandom then, and the nostalgic grasp they still have on us today. On this episode we discuss Dolph Lundgren's cult classic movie, MASTERS OF THE UNIVERSE (1987), w/ Special Guest and co-star: Anthony De Longis! Masters of the Universe is a 1987 American sword and sorcery film based on the Masters of the Universe franchise by Mattel. The film was directed by Gary Goddard, produced by Yoram Globus and Menahem Golan, and written by David Odell. It stars Dolph Lundgren, Frank Langella, Anthony De Longis, Courteney Cox, James Tolkan, Christina Pickles, and Meg Foster with supporting roles by Billy Barty, Jon Cypher, Chelsea Field, and Robert Duncan McNeill.  Plot Synopsis: The film follows two teenagers who meet He-Man, the most powerful man in the universe, who travels to Earth with his friends, Man-At-Arms and Teela, to stop their archenemy, the evil Skeletor from obtaining a cosmic key that will enable him to take over their home planet Eternia and the entire universe. We will also discuss the films 1980's Cannon Films Famous Producers, Menahem Golan and Yoram Globus. We also mention the documentaries about them, Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014), and The Go-Go Boys: The Inside Story of Cannon Films (2014). Fandom Podcast Network Contact Information / Social Media: Fandom Podcast Network YouTube Channel:  https://www.youtube.com/c/FandomPodcastNetwork Link to all Fandom Podcast Network Shows and Social Media https://linktr.ee/fandompodcastnetwork - Tee Public Fandom Podcast Network Store:  https://www.teepublic.com/stores/fandom-podcast-network Host Contact Info / Social Media: - Kevin Reitzel on X, Instagram, Threads, Discord, TikTok & Letterboxd: @spartan_phoenix / Bluesky: @spartanphoenix - Kyle Wagner on X: @AKyleW / Instagram & Threads: @Akylefandom / @akyleW on Discord / @Ksport16: Letterboxd / Bluesky: @akylew - Lee on Instagram: @the_way_of_the_way & @Fight_Monkeys / Bluesky: @Fight-Monkey Guest Contact Info / Social Media: - Anthony De Longis: X: @DelongisAnthony / IG: @TheAnthonyDelongis YouTube: https://www.youtube.com/@AnthonyDeLongis_Whipmaster Facebook: https://www.facebook.com/anthony.delongis Website: https://www.delongis.com/ Email: industry@delongis.com #MastersOfTheUniverse #CouchPotatoTheater #FandomPodcastNetwork #CannonFilms #AnthonyDeLongis #MastersOfTheUniverseMovie #MastersOfTheUniverse1987 #CPT #FPNet #FPN #GaryGoddard #DolphLundgren #FrankLangella #CourteneyCox #JamesTolkan #ChristinaPickles #MegFoster #BillyBarty #ChelseaField #RobertDuncanMcNeill #MenahemGolan #YoramGlobus #TheGoGoBoys #ElectricBoogaloo #80sActionMovies #1987Movies #CultClassics #KevinReitzel #KyleWagner #LeeFillingness

Yesterday afternoon Joe, Katie, and Jed went to see the new Spider Man movie... and there was some controversy with the seating arrangement!

Mike and Kelsey are here to talk about the best and worst movies they saw in July. They also share a list of all the country artists they’ve run into at the movies in Nashville. They talk about why streaming movies are in trouble, why Mike thinks Dune a boring franchise and the Top 3 A-List Country artists they’ve run into at the theater. In the Movie Review, Mike talks about one of his Most Anticipated movies of the year….Spider-Man Brand New Day! He keeps it spoiler-free and talks about why it is Tom Holland's first definitive movie, why it ranks as one of the best suits and is it the best Spider-Man movie of all time? In the Trailer Mike, Mike talks about Other Mommy starring Jessica Chastain. It’s about an 8-year-old girl named Bela whose life is upended by a sinister, doppelgänger entity that emerges from her closet and calls itself "Other Mommy”. New Episodes Every Monday! Watch on YouTube: @MikeDeestro Follow Mike on TikTok: @mikedeestro Follow Mike on Instagram: @mikedeestro Follow Mike on Threads: @mikedeestro Follow Mike on X: @mikedeestro Follow Mike on Letterboxd: @mikedeestro Email: MovieMikeD@gmail.com See omnystudio.com/listener for privacy information.

Today's callers: Tony in Michigan is considering bringing on partners to run different parts of his brew pub and theater business. Then Monica in London is exploring the best way to reach style-conscious parents with her line of children's clothes. And Sandy in Colorado is seeking the ideal pricing strategy to bring his adaptive test prep platform to schools nationwide.Thank you to the founders of Hearsay Brewing and Theater, Tres London and Brain Buffs for being a part of our show.If you'd like to be featured on a future Advice Line episode—where Guy and former show guests take questions from early-stage founders—leave us a one-minute message that tells us about your business and a specific question you'd like answered. Send a voice memo to hibt@id.wondery.com or call 1-800-433-1298. And be sure to listen to our Advice Line episodes with Jeffrey Hollender of Seventh Generation, Sarah LaFleur of M.M LaFleur and Shazi Visram of Happy Family Organics.This episode was produced by Kerry Thompson with music by Ramtin Arablouei. It was edited by John Isabella. Our audio engineer was Jimmy Keeley.You can follow HIBT on X & Instagram and sign up for Guy's free newsletter at guyraz.com or on Substack.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.