Podcasts about Johnny Cash

Recovery literature (quit-lit) recommendations:Diana: Anything by Melody Beatie - https://www.melodybeattie.com/books/Chris: Big Book - https://www.aa.org/the-big-book Best pieces of Recovery advice: Chris - Hit your knees and say please and thank youDiana - Do you want to be happy or do you want to be right, W.A.I.T- Why Am I Talking? Songs that symbolize Recovery:Diana - That Wasn't Me by Brandi Carlisle - https://youtu.be/cNmo8I4dEQE?si=BvUxQJkB897H3lN1Chris - Hurt by Johnny Cash - https://youtu.be/8AHCfZTRGiI?si=TQnUr1IYK6iIK5iN SummaryIn this episode of The Way Out Podcast, hosts Chris andDiana Albrecht share their personal recovery journeys, discussing theimportance of community, family dynamics, and the impact of trauma onaddiction. They delve into the significance of the 311 retreat, atransformative experience designed to foster connection and healing amongindividuals in recovery. The conversation highlights the essence of recovery,the role of spirituality, and the tools necessary for maintaining sobriety.Chris and Diana also provide insights into their family backgrounds and howthese experiences shaped their paths to recovery, emphasizing the need forself-compassion and understanding in the healing process. TakeawaysRecovery is about experiencing a sense of peace, notmaterial gains.Connection is the antidote to addiction and isolation is atrauma response.The 311 retreat offers a unique experience for individualsin recovery.Community plays a crucial role in the recovery process.Family dynamics can significantly impact one's recoveryjourney.Understanding trauma is essential for sustainable recovery.Spiritual solutions are vital for filling the void left byaddiction.The program provides tools for better communication andrelationships.Self-compassion is necessary for healing and growth.Recovery is a continuous journey that requires ongoingeffort and support.Don't forget to check out “The Way Out Playlist” availableonly on Spotify. Curated by all our wonderful guests on the podcast! https://open.spotify.com?episode/07lvzwUq1L6VQGnZuH6OLz?si=3eyd3PxVRWCKz4pTurLcmA (c) 2015 - 2026 The Way Out Podcast | All Rights Reserved.Theme Music: “all clear” (⁠⁠⁠https://ketsa.uk/browse-music/)byKetsa (https://ketsa.uk⁠⁠⁠) licensed under CCBY-NC-ND4.0(https://creativecommons.org/licenses/by-nc-nd)

Director David Burke joins Shane Beatty to discuss his film, 'Have You Never Heard of Bill Fuller?', which will be shown at this year's Dublin International Film Festival. The film follows the life of Bill Fuller, an Irish entrepeneur and and musical Impresario who managed some of the biggest clubs in the UK and US, whose acts included Johnny Cash and Thin Lizzy!

Hoy en La Gran Travesía, 14 de febrero, con motivo de San Valentín hemos decidido realizar un "especial" distinto, y algo invertido. En este especial sonarán la Velvet Underground, los Stooges, Radiohead, Nirvana, NIN, Hole, Cure, Chris Isaak, Gaslight Anthem, Johnny Cash, Amy Winehouse, Imelda May, 16 Horsepower, Sheryl Crow... y muchos más. ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Tole, Raquel, Poncho C, Sergio Rodríguez Rojas, Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

On this week's episode, we're joined by Ron Sexsmith, Canadian singer, songwriter, master melodist, and one of the most quietly revered writers of his generation. From discovering a dusty box of records under his family stereo as a child, from doo-wop, Johnny Cash, The Everly Brothers, and Buddy Holly's It Doesn't Matter Anymore. Ron's lifelong relationship with song began early. That Buddy Holly record, in particular, ignited something profound: melody, mortality, and the magic of songwriting all colliding at once. From there came The Beatles, The Kinks, Elton John, country music, Leonard Cohen and, ultimately, Gordon Lightfoot, the songwriter who showed him that you didn't have to be a rock star to move people. You could just stand still and sing the truth. We talk about the moment everything changed at 21, when becoming a father sparked a songwriting frenzy that led to Speak with the Angel and set his career in motion. Ron reflects on finding his own voice over time, a voice fully realised by the time of Retriever, and the craft behind his songs: the structural worries, the demoing process, knowing when a lyric has said enough, and why he still believes in the album as a complete, living statement. We also dive into his fiercely independent “no co-writing” rule for his own records, his deep admiration for writers like Ray Davies and Gilbert O'Sullivan.From touring relentlessly to curating deeply personal tribute shows to Gordon Lightfoot and Warren Zevon, Ron remains as devoted to the song as ever, whether it's his own or one he carries entirely from memory, lyric for lyric, as part of what he jokingly calls his “savant” superpower.Join us as we talk to Ron about melody, memory, songwriting discipline, album-making, missed label opportunities, and the thread that runs through a body of work spanning decades, a songwriter growing older, wiser, and still chasing the perfect song.Let Christy Take It are proud to bring you Ron Sexsmith.If you enjoy our show please Like and subscribe wherever you listen to your podcasts. Thanks to our sponsor Irish Woodcraft, please check them out at https://irishwoodcraft.iePhoto Credit: Kerry Vergeer

Episodio donde hablamos sobre el agradecimiento (o DESagradecimiento) de los actores sobre las películas que les dieron su fama, reseña de Pari sobre Send Help de Sam Raimi, el olvidar películas que están dentro de tu Top 10 como lo es Sunshine para Wisto, experiencia de Wisto sobre el concierto de Pepe en el Foro Sol, Pari vió el Super Bowl platicándonos su reseña con comentarios sobre shows de Medio Tiempo con Bad Bunny y otros, Trent Reznor de Nine Inch Nails cede todo lo sentimental hacia Johnny Cash por la canción de Hurt, y terminamos con un pequeño listado de famosos que son buenas personas y altruistas! Escúchanos: Spotify / Apple Podcasts / YouTube Apóyanos: patreon.com/holamsupernova Síguenos: Instagram/ Twitter/ TikTok @holamsupernova Merch: holamsupernova.myshopify.com

"The Rockin 1000 is a project that started in Italy as gag to create a video of 1000 musicians playing Learn to Fly in order to get the Foo Fighters to come and put on a concert. It has since grown into full scale concerts across Europe. On January 31 the Rockin 1000 played their first concert in America, in New Orleans, and I was part of the band. Let me tell you the story."

Today we're discussing Tender Prey by Nick Cave and the Bad Seeds. This is one of Nick Cave's most legendary albums for the simple fact that it contains "The Mercy Seat," his most famous song (also covered by Johnny Cash). But there's so much more to it. The substance abuse and subsequence chaos behind the scenes, the strange production style, and the eclectic songwriting make this one of Nick Cave's absolute weirdest albums.   Intro 00:00 The Making of/Dissecting the Music 3:21 Closing Thoughts/Outro 58:28   ----------------------------------------------------------------------------------------------------------   Join the Patreon, it rules: https://www.patreon.com/everyalbumever   Mike's music: Pander Monkey on Bandcamp, Spotify, Apple,   Mike on Instagram @pandermonkey Tom on Instagram @tomosmansounds   Tom Osman's stuff: Music on Spotify, Apple, Website Podcast on Spotify, YouTube     ----------------------------------------------------------------------------------------------------------

1 Film – 2 Generationen Laura (*1994) und Jürgen (*1971) sprechen in dieser Folge über einen Film aus dem Jahre 2005. Es handelt sich diesmal um eine Filmbiographie über Johnny Cash mit Joaquin Phoenix und Reese Witherspoon in den Hauptrollen. Klar, dass es sich mit nur um WALK THE LINE handeln kann. In Folge 134 begleiten wir einige 12-jährige Jungs auf der Suche nach einer Leiche... Feedback wie immer an filmgeschichten@hysterika.de Folge direkt herunterladen

Con The Beatles, Johnny Winter, Bob Dylan ft Johnny Cash, The Doors, David Bowie, MC5, The Who, Jimi Hendrix, Creedance Clearwater Revival y Blind Faith.

Rafa Panadero arranca en un bar de Mallorca con Talleres Molina, un trío con fecha de caducidad y canciones sin solos, para colarse después en la Casa Blanca de 1970, donde Nixon recibía —o vetaba— a estrellas del rock mientras Johnny Cash le cantaba a la guerra y Elvis pedía placas antidroga. El amigo secreto atraviesa a Lenny Kravitz y la estirpe de los grandes multiinstrumentistas, de McCartney a Stevie Wonder, hasta desembocar en la pionera Ivy Benson y su big band femenina, demostrando que la música —como la política— siempre esconde un giro inesperado. 

Chuck and Roxy are back and open the show with some RIP's, news events and what would a point five episode be without a Chuck rant. Next our hosts welcome back Episode 317 Jim Lein to talk about the Olympics and his dad's cousin who was on the first ever Olympic ski jumping team! (18:00)Then our hosts close out the show with some TV/Movie reviews and your emails and notes. (29:15)SONG: "Funky Spillway" by Creole String Beans www.creolestringbeans.comJINGLE: "Read The Subject Line" A parody of a song by Johnny Cash. Recorded by Mike in Avon, CT Recorded: 06/27/2018  Released: 06/28/2018  First aired: 07/23/2018Podcast Website - www.loyallittlespod.com  Patreon: www.patreon.com/c/loyallittlespod/membershipPodcast Email - WTFCPODNET@GMAIL.COMTwitter:@loyallittlespod Instagram: @theloyallittlespodcastPODCAST LOGO DESIGN by Eric Londergan www.redbubble.com Search: ericlondergan or copy and paste this link! https://www.redbubble.com/people/ericlondergan/shop

"We are coming into tax season so Tammy and will talk about paying the government. The HITS Act is now in full swing. Foreign governments are changing their tax codes for musicians and we also have a list of what you might not have known was tax deductible."

"Every year I hear people complaining that the NFL makes lousy picks for the Super Bowl halftime show. If the picks are lousy then ratings must tank. But they do not. In fact the halftime show has never been better watched. We have a long list of ratings and demographics to show that the NFL seems to know what they are doing."

Send us a textRewind to 5 Feb 2006 to 11 Feb 2006

En el popurri del mes pasado al final no nos metimos en el jardín de las editoriales USA, pero quiera el destino que han salido las cifras de ventas de comibHub del año que acabamos de dejar y nos sirve de perfecta muleta para retomarlo donde lo dejamos. Podéis ver los dato de los que hablamos en este enlace: https://icv2.com/articles/markets/view/61475/top-50-comics-full-year-2025 donde lo primero que llama la atención es el buen momento que vive DC en contraposición con Marvel, que atraviesa una de sus horas más bajas. Pero quedaos con nosotros y vamos a darle a todo esto una vuelta, que tenemos lleno el baúl de las divagaciones y, además, en la última parte recomendamos un puñado de tebeos bien majos. La noche es caliente como el infierno. Todo se te pega. Una asquerosa habitación de un asqueroso barrio de una asquerosa ciudad. El aparato de aire acondicionado es un pedazo de chatarra que no podría enfriar ni una bebida aunque la metieras dentro. Parece el sitio perfecto para escuchar el podcast 403 de ELHDLT Selección musical: 🎶 Everybody Wants To Rule The World, de Tears For Fears 🎶 Hurt, de Johnny Cash

Born in Bar Harbor, Maine, Jude Johnstone began writing songs at about age 8.  At 18, she was "discovered" by Bruce Springsteen's saxophonist, Clarence Clemons.  After spending some time in New York and New Jersey under his wing, in 1979, she moved to Los Angeles, where her songs quickly became sought after by other artists. She has been covered by Bonnie Raitt, Emmylou Harris, Bette Midler, Johnny Cash, Stevie Nicks, Mary Black, Jennifer Warnes, Trisha Yearwood and more, including a #1 song for Yearwood's debut album called "The Woman Before Me" which earned her a BMI award. Her songs then appeared on 8 other Yearwood cds. She also penned the title track to Johnny Cash's 1997 Grammy winning album "Unchained." Jude has released 9 cds of her own that run the gamut from Celtic, Gospel, Americana, to Jazz, Blues, and even Big Band. She has been featured on the CBS Early Show, and NPR Radio's "Morning Edition." Her songs have also been on several television shows including "Nurse Jackie",  "Army Wives" and "Lie To Me."Jude has opened shows for Jackson Browne, Emmylou Harris, Bonnie Raitt, Richard Thompson, Shawn Colvin, Chris Hillman, 10,000 Maniacs, David Crosby and many others and toured Europe under her own name numerous times. "If Jude Johnstone is not yet a musical household name, she sure as hell should be." Henry Carrigan, No Depression"Turning emotional pain into art is a tricky business.Sometimes I wonder if the end result is worth it.Jude Johnstone makes a good case that it is."Rodney Crowell"Jude's fertility, in regards to songwriting, is truly awe inspiring." Bonnie Raitt..."She's patently a master at capturing the heart's dark and desperate moments, just as she's capable of  encouraging belief in its resurrection." Mike Davies, Roots and Branches/The BeatTheme song: “Hollywood Faded' by Luna Halo@treymitchellphotography @feeding_the_senses_unsensoredfacebook.com/profile.php?id=100074368084848www.threads.net/@treymitchellphotographyftsunashville@gmail.com

Ben Earle sits down with the son of Johnny Cash and June Carter Cash - John Carter Cash - to find out all about the new musical that's heading out on tour in the UK: 'The Ballad Of Johnny And June.' He shares his experiences of growing up with two country music icons as his parents, and how their love story forms the basis of the new play.

Happy Gopher Day! Join James and Connor (aka the Country Road Kid) as we rank and review Highwayman, the debut studio album by country supergroup The Highwaymen! In an attempt to stay relevant in an ever-changing country music landscape, four legends came together to create something different: Johnny Cash, Waylon Jennings, Willie Nelson, and Kris Kristofferson. After collaborating and admiring each other's work for decades, the Mount Rushmore of rugged outlaw country took to the studio, armed with ten hits like Against The Wind, Deportee, and Cash's own Big River. Would this Hail Mary effort jumpstart their iconic careers?We'll talk about the four episodes that led us here -- one about each individual Highwayman-- and learn about the holiday specials and films that brought them all together in the first place. We'll explore their group dynamics and talk about the ways music had changed around them between their debuts and 1985. All the while we'll reminisce about panning for gold in the sandbox, hearing these songs as kids, and more. The Mixtaper has facts (or spins) about hotel horses, midwife pranks, and a suspiciously Bill-Murray-adjacent Midnight Breakfast fact. Turn those suits inside out and get ready to ride with some of the genre's greatest.What do you think about the Highwaymen supergroup? Is this album over- or under-ambitious, and is it the best of their three records to cover in an episode? How do you think the Groundhog Day time loop mechanics work? Let us know in the comments or on socials, and be sure to follow for our Grammy Special coverage next week!Keep Spinning at www.SpinItPod.com!Thanks for listening!0:00 Intro2:05 Relevant Past Episodes5:20 About The Highwaymen9:10 About Highwayman17:48 Awards & Accolades18:41 Fact Or Spin21:39 Waylon And Willie Rode Horses In A Hotel24:36 Waylon And Cash Used Dynamite As Entertainment26:58 Willie Tricked Kris Into Thinking He Was Delivering A Baby30:52 Waylon and Cash Loved To Make Midnight Breakfast37:17 Album Art38:02 Highwayman41:19 The Last Cowboy Song42:23 Jim, I Wore A Tie Today44:36 Big River46:55 Committed To Parkview48:08 Desperados Waiting For A Train49:20 Deportee (Plane Wreck At Los Gatos)51:30 Welfare Line52:20 Against The Wind54:55 The Twentieth Century Is Almost Over56:58 Final Spin Hosted on Acast. See acast.com/privacy for more information.

Three music legends to choose from. Bruce Springsteen was inspired to put out a tune after this weekend. Courtney Love is doing her own autobiography. Here's a good reason to watch The Grammys this Sunday. Google knows there was a big winter storm - here's what people are searching for. Absolute Tabasco is here for the spice (and drink) lovers. It's too late to swim in the Potomac.

Friction Maxxing, country singer's hilarious version of a Johnny Cash song, and Lady Gaga covers Mr. Rogers. Are you okay with this? See omnystudio.com/listener for privacy information.

On this episode of Bounced From The Roadhouse:Special Guests in 4B: Tanner UsreyNational Puzzle Day, Corn Chip DayAustralian Cyclist - Midwestern DumbRandom FactsTree HuggerFake NewsLottery winningsBlood HoundMarry, Kill or Mate - Elvis, Johnny Cash, PrinceWendy's Chili for a MonthPeanut Butter Pay RaisesThat's a Great QuestionBHSS/ Celebrity Showmanship?Tanner UsreyQuestions? Comments? Leave us a message! 605-343-6161Don't forget to subscribe, leave us a review and some stars Hosted on Acast. See acast.com/privacy for more information.

"In our New Year show we related an article that suggested that 3D spatial audio was going to be popular in 2026. Tammy asked for an explanation of 3D audio so here it is. We have examples of both new songs and classic music that has been remixed into a spatial audio format."

John Carter Cash on how the lives of his famous parents - Johnny Cash and June Carter Cash - have inspired a stage musical which tells the story of the couple's long love story but also tackles addiction head on. As a long-lost portrait of poet Robert Burns by the acclaimed artist Henry Raeburn goes on display, art historian Bendor Grosvenor and art journalist Melanie Journalist discuss how experts go about attributing a painting to a great artist. While technology can show us detail far beyond the paint on the canvas, will human expertise and discernment always be necessary in cases such as this? And author Benjamin Wood talks about his atmospheric novel Seascraper, which centres the story of a young shrimper in a coastal town in the north of England who dreams of becoming a folk singer, and which has won the Nero prize for fiction. Presenter: Kate Molleson Producer: Mark Crossan

During his two decades in private practice and beyond, Dr. Maffetone has been a respected pioneer in the field of complementary medicine, bringing the latest advances to health-care professionals around the world. He is an internationally recognized researcher, educator, clinician and author in the field of nutrition, exercise and sports medicine, and biofeedback. Dr. Maffetone has worked with endurance athletes of all types, professional baseball and football players, adventurers, NASCAR drivers, and Olympic medalists in a variety of sports. Outside the sports arena, Dr. Maffetone has coached a variety of people in the entertainment field, including musicians James Taylor and Johnny Cash, The Red Hot Chili Peppers, and producer Rick Rubin, and has also provided a system of success for some of the world's top business executives as well as the United States military. Dr. Maffetone's research has been reported in newspapers, magazines and other media around the world, including Huffington Post, The Today Show, Men's Health, CNN, Readers Digest and The Atlantic magazine. Links: https://maffetonemusic.com Facebook: https://www.facebook.com/profile.php?id=100090515596922 Twitter/X: https://x.com/DrPhilMaffetone — Get your FREE eBook and Webinar at www.foreverclientformula.com The Principles of Performance is proud to be recognized by FeedSpot as one of the Top 30 Fitness Podcasts: https://podcast.feedspot.com/fitness_podcasts/ We have also been recognized as one of the Top 100 Strength Coach Podcasts on the web by MillionPodcasts: https://www.millionpodcasts.com/strength-coach-podcasts/

In Johnny Cash International: How and Why Fans Love the Man in Black (University of Iowa Press, 2020), Michael Hinds and Jonathan Silverman examine transnational and translocal fandoms and the legacy of Johnny Cash beyond the United States. Hinds and Silverman explore Cash fandom through YouTube comments, fan pilgrimages to the American South, and other unique relationships to the Man in Black. Hinds and Silverman use ethnography, documentary, and fieldwork and discover the ways Cash transcends race, class, geography, and politics. Cash's identity as an American performer finds a way to inspire fans worldwide. Starting with their experiences with Cash fans in Norway and Northern Ireland, Hinds and Silverman expand their exploration into the legacy of Johnny Cash to show the ways fans use modern technology and real-world fan communities to create global fan sites and cultures. Hinds and Silverman's Johnny Cash International is a unique and thoughtful book into why fans love the Man in Black. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Johnny Cash International: How and Why Fans Love the Man in Black (University of Iowa Press, 2020), Michael Hinds and Jonathan Silverman examine transnational and translocal fandoms and the legacy of Johnny Cash beyond the United States. Hinds and Silverman explore Cash fandom through YouTube comments, fan pilgrimages to the American South, and other unique relationships to the Man in Black. Hinds and Silverman use ethnography, documentary, and fieldwork and discover the ways Cash transcends race, class, geography, and politics. Cash's identity as an American performer finds a way to inspire fans worldwide. Starting with their experiences with Cash fans in Norway and Northern Ireland, Hinds and Silverman expand their exploration into the legacy of Johnny Cash to show the ways fans use modern technology and real-world fan communities to create global fan sites and cultures. Hinds and Silverman's Johnny Cash International is a unique and thoughtful book into why fans love the Man in Black. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

John Carter Cash, son of singers Johnny Cash and June Carter talks to Brendan about his parents' love story, their addictions, his father's fall from musical grace in the 1980s and how Bono and Rick Rubin kickstarted his musical renaissance in the 1990s. ‘The Ballad of Johnny and June' starts in the Bord Gáis Energy Theatre on March 31st.

Host Nate Wilcox & music writer James Porter continue discussing Ken Burns' Country Music with a look at episode six “Will The Circle Be Unbroken” which covers the rise of Kris Kristofferson and a new generation of Nashville songwriters, Mr & Mrs Country music George Jones & Tammy Wynette, Johnny Cash's emergence as a superstar and the Nitty Gritty Dirt Band's successful attempt at rapprochement between musical generations. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

"A report from Spikerz, an Israeli company that tracks hacking, suggests that in 2025, music hacks were a sizeable number of methods bad actors were using to extract money from unsuspecting persons and companies. We have the numbers and multiple examples."

 Today's Witness Wednesday is a story I read on Facebook today. I felt it was a great example of how God works through people and brings them together in the most unusual ways. We might not always understand what God is doing, or why He has brought certain people into our lives, but He always has a plan. The plan might not unfold for years, but one day it will make sense. I am sure the biker in this story had no idea his weekly visits to the Children's hospital would end the way they did. But I am sure it all makes sense to him now. Here is his story.I'm a 58-year-old biker named Mike. I've got tattoos covering both arms, a beard down to my chest, and I ride with the Defenders Motorcycle Club.I volunteer at the Children's Hospital every Thursday, reading books to sick kids. It's something our club started doing fifteen years ago after one of our brothers' granddaughters spent months in pediatric oncology.Most kids are scared of me at first. I get it. I'm big and loud and look like I should be in a motorcycle gang movie, not a children's hospital. But once I start reading, they forget about how I look. They just hear the story.That's what I thought would happen with Amara.I walked into room 432 on a Thursday afternoon in March. The nurse had warned me this was a new patient. Seven years old. Stage four neuroblastoma. No family visits in the three weeks she'd been admitted."No family at all?" I'd asked.The nurse's face had gone tight. "Her mother abandoned her here. Dropped her off for treatment and never came back. We've been trying to reach her for weeks. CPS is involved now but Amara doesn't have any other family. She's going into foster care once she's stable enough to leave.""And if she's not stable enough?"The nurse looked away. "Then she'll die here. Alone."I stood outside room 432 for a full minute before I could make myself go in. I've read to dying kids before. It never gets easier. But a kid dying completely alone? That was a new kind of hell.I knocked softly and pushed open the door. "Hey there, I'm Mike. I'm here to read you a story if you'd like."The little girl in the bed turned to look at me. She had the biggest brown eyes I'd ever seen. Her hair was gone from chemo. Her skin had that grayish tone that means the body is struggling. But she smiled when she saw me."You're really big," she said. Her voice was small and raspy."Yeah, I get that a lot." I held up the book I'd brought. "I've got a story about a giraffe who learns to dance. Want to hear it?"She nodded. So I sat down in the chair next to her bed and started reading.I was halfway through the book when she interrupted me. "Mr. Mike?""Yeah, sweetheart?""Do you have any kids?"The question hit me hard. "I had a daughter. She passed away when she was sixteen. Car accident. That was twenty years ago."Amara was quiet for a moment. Then she asked, "Do you miss being a daddy?"My throat tightened. "Every single day, honey.""My daddy left before I was born," she said matter-of-factly. "And my mama brought me here and never came back. The nurses say she's not coming back ever."I didn't know what to say to that. What do you say to a seven-year-old who's been abandoned while dying?Amara kept talking. "The social worker lady said I'm going to go live with a foster family when I get better. But I heard the doctors talking. They don't think I'm getting better.""Sweetheart—""It's okay," she said. Her voice was so calm. Too calm for a seven-year-old. "I know I'm dying. Everyone thinks I don't understand but I do. I heard them say the cancer is everywhere now. They said maybe six months. Maybe less."I set the book down. "Amara, I'm so sorry."She looked at me with those huge eyes. "Mr. Mike, can I ask you something?""Anything, honey."She looked at me with those huge eyes. "Mr. Mike, can I ask you something?""Anything, honey.""Will you be my daddy… until I die?"The room went still. Even the monitors seemed to hush. I felt every one of my fifty-eight years settle on my shoulders like lead.I opened my mouth, but nothing came out at first. All I could see was my own daughter's face at sixteen, laughing in the rear-view mirror the last time I ever saw her alive. All I could feel was the hole that had lived in my chest ever since.Amara didn't blink. She just waited, small and brave and impossibly calm.I wanted to say yes. God help me, I wanted to say yes so badly my bones ached. But I was just a rough old biker who showed up once a week with picture books. I rode loud, drank hard, and still woke up some nights yelling my dead daughter's name into an empty house. What did I know about being anyone's father again, even for a little while?I swallowed the rock in my throat. “Honey… I'd be honored. But I gotta be honest with you—I'm not very good at this daddy thing anymore. I might mess it up.”Her whole face lit up like sunrise. “That's okay. You can practice on me.”And just like that, I had a daughter again.The nurses cried when I told them. The social worker cried harder when I said I wanted temporary custody, medical guardianship, whatever paperwork existed that would let me take her home if she ever got strong enough, or stay by her side every single day if she didn't. The club showed up in force—twenty-five Harleys rumbling into the hospital parking lot, scaring the security guards half to death until they saw the stuffed animals strapped to every bike.We turned room 432 into something that didn't look like a hospital room anymore. One of the guys brought a pink bedsheet set his old lady had bought by mistake. Another brought a tiny leather vest with “Daddy's Girl” stitched on the back. Somebody hung fairy lights. Somebody else smuggled in a puppy that definitely wasn't allowed (just for ten minutes, but Amara laughed so hard she had to go back on oxygen).Every Thursday became every day. I read her the giraffe book until we both had it memorized, then we moved on to Charlotte's Web, then Harry Potter. When her hands got too weak to hold the book, I held it for both of us. When the pain got bad, I climbed into that little bed and let her fall asleep on my chest while I hummed old Johnny Cash songs my own daughter used to love.The doctors kept shaking their heads, saying they couldn't explain it. Her scans weren't getting better, exactly—but they weren't getting worse as fast as they should have. Six months became nine. Nine became a year.On the morning of her eighth birthday, Amara woke up and said, clear as day, “Daddy, I dreamed I was running. My legs worked and everything.”I kissed the top of her fuzzy head. “Then we're gonna make that happen, baby girl.”Two weeks later the oncologist called me into his office, eyes wide, holding films up to the light like he couldn't believe what he was seeing. “The tumors in her spine… they're shrinking. I've never—” He stopped, cleared his throat. “We're seeing significant regression. I don't know how to explain it.”I knew how. It was love. Plain, stubborn, loud, tattooed love.Eighteen months after the day she asked a scary biker to be her daddy “until she died,” Amara walked out of that hospital on her own two legs, holding my hand, wearing her tiny leather vest and a grin bigger than the sky.The club threw her a welcome-home party that shook the neighborhood. There were ponies. There was a bouncy castle. There was cake the size of a Harley wheel. And when the sun went down and the firepit was roaring, Amara climbed into my lap, looked up at the stars, and whispered, “Daddy?”“Yeah, baby?”“I don't think I'm gonna die for a long time now.”I held her tight enough to feel both our hearts beating. “Good,” I said, voice cracking like an old man's should. “Because I'm just getting started being your dad.”She's fifteen now. Still cancer-free. Still calls me Daddy every single day. Still sleeps in those same pink bedsheets we took from room 432.And every Thursday, rain or shine, we ride back to Children's Hospital together—me on my Harley, her on the back holding on like she's been doing it her whole life—and we read stories to the new kids who are scared and hurting.Because some things are worth more than the years you get.I am so grateful that this man said yes to the little girl's questions and that God brought them together. I am grateful that God is in every situation and that he saved both of these people from all the loneliness they were feeling. I am grateful to God for her miraculous healing.  God is so good. He is in every situation. If you can't find the good in your situation, that just means God's not done yet. www.findingtruenorthcoaching.comCLICK HERE TO DONATECLICK HERE to sign up for Mentoring CLICK HERE to sign up for Daily "Word from the Lord" emailsCLICK HERE to sign up for my newsletter & receive a free audio training about inviting Jesus into your daily lifeCLICK HERE to buy my book Total Trust in God's Safe Embrace

In this episode of Prisoners of Rock and Roll, we're talking about covers – those magical moments where one artist takes another's song and makes it their own. Sometimes they stay faithful to the original. Sometimes they completely blow it up and rebuild it into something fresh.  We're going to talk about covers that cross genres like Johnny Cash turning Nine Inch Nails into a heartbreaking confession to Sid Vicious giving us a punk rock version of Frank Sinatra. Covers that became more famous than the originals like Respect by Aretha or Nirvana's unplugged version of The Man Who Sold the World. We've got a killer playlist of iconic reinventions, and a few headscratchers that will make you laugh out loud. Episode Playlist Check out our ⁠⁠episode playlist here⁠. ⁠ Get In Touch Check us out⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠online⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or drops us an email at ⁠⁠⁠⁠⁠⁠⁠⁠⁠show@prisonersofrockandroll.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Or if you're in Philadelphia, come visit our home base at⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠McCusker's Tavern⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Prisoners of Rock and Roll is part of⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Media⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. We're sponsored by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Boldfoot Socks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Nate Wilcox and music writer James Porter continue their discussion of Ken Burns' Country Music with a look at the sudden emergence of rockabilly from Memphis, the new generation of stars like Johnny Cash and the Nashville Sound that producers Chet Atkins and Owen Bradley came up with for artists like Jim Reeves and Patsy Cline in response. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Prisoners of Rock and Roll, we're talking about covers – those magical moments where one artist takes another's song and makes it their own. Sometimes they stay faithful to the original. Sometimes they completely blow it up and rebuild it into something fresh.  We're going to talk about covers that cross genres like Johnny Cash turning Nine Inch Nails into a heartbreaking confession to Sid Vicious giving us a punk rock version of Frank Sinatra. Covers that became more famous than the originals like Respect by Aretha or Nirvana's unplugged version of The Man Who Sold the World. We've got a killer playlist of iconic reinventions, and a few headscratchers that will make you laugh out loud. Episode Playlist Check out our ⁠episode playlist here⁠. Get In Touch Check us out⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠online⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or drops us an email at ⁠⁠⁠⁠⁠⁠⁠⁠⁠show@prisonersofrockandroll.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Or if you're in Philadelphia, come visit our home base at⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠McCusker's Tavern⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Prisoners of Rock and Roll is part of⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Media⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. We're sponsored by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Boldfoot Socks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ce lundi 19 janvier, RTL2 Pop-Rock Station déroule deux heures intenses entre rock alternatif, metal et indie. L'émission démarre avec Nirvana et traverse les décennies avec Foo Fighters, Iron Maiden, Pantera, Gossip ou Motörhead. La soirée célèbre aussi Dolly Parton pour ses 80 ans, avec "I Will Always Love You" dans sa version originale. Le temps fort de la semaine est l'album de la semaine, "The Demise Of Planet X" de Sleaford Mods. Le duo de Nottingham, fidèle à son punk-hop engagé, est mis en avant avec "Elitist GOAT" en collaboration avec Aldous Harding. La reprise de la soirée est "Hurt" par Johnny Cash, la recommandation de Francis Zégut est "Nothin'" de Guns N' Roses, et la nouveauté Fresh Fresh Fresh du soir met en lumière Chaton Laveur, groupe liégeois à l'esthétique kraut pop, avec "Contre la montre"avant de conclure avec The Horrors, Phoenix et The Who. Nirvana - Heart Shaped Box Foo Fighters - Asking For A Friend Dolly Parton - I Will Always Love You U2 - Instant Karma The Trashmen - Surfin' Bird Sum 41 - Rise Up Sleaford Mods & Aldous Harding - Elitest G.O.A.T Tame Impala - Elephant Iron Maiden - Run To The Hills The Hives - Go Right Ahead Motörhead - Ace Of Spades Bruise Control - Gone To Ground Johnny Cash - Hurt Last Train - Fire Gossip - Standing In The Way Of Control Guns N' Roses - Nothin' The Beatles - Lucy In The Sky With Diamonds Pantera - This Love Rise Of The Northstar - Neo Paris Alice Cooper - Poison Royal Blood - Figure It Out Chaton Laveur - Contre-La-Montre The Subways - Rock & Roll Queen The Horrors - I Can't Control Myself Phoenix - Alpha Zulu The Who - Won't Get Fooled Again Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Welcome to the second annual Seeing Them Live Year End Concert Review show, where a panel of returning guests shares their favorite live music experiences from 2025. Host Charles brings together an eclectic group of music enthusiasts including award-winning documentary filmmaker Eric Green, podcast host Jessica Catena, nurse practitioner Summer, antique shop owner Art Gregg, executive assistant Dawn Fontaine, accountant Steve Pothel, high school teacher Andy, and producer Doug Flozak to discuss the concerts that defined their year.Eric Green kicks off the discussion with an impressive lineup that showcased both legendary side projects and emerging talent. His year began with Close Enemies featuring Aerosmith bassist Tom Hamilton at City Winery Boston, followed by Kim Deal's solo tour at the Wilbur Theater. He caught Benmont Tench of Tom Petty and the Heartbreakers fame doing an intimate VH1 Storytellers-style performance, and witnessed Shane Hawkins honoring his late father Taylor Hawkins with Chevy Metal at Brighton Music Hall. Eric also saw the Joe Perry Project's supergroup lineup featuring Chris Robinson and Robert DeLeo, enjoyed a nostalgic double bill of Billy Idol and Joan Jett at the Xfinity Center, caught the rising stars Wet Leg at a packed Roadrunner Boston show, experienced Jeff Tweedy's multigenerational band at Royale, and closed out his year with Throwing Muses at the new Racket venue in New York City.Jessica Catena attended three memorable indoor concerts that kept her dry after previous years of rain-soaked shows. She saw young jazz sensation Samara Joy at the newly renovated Ridgefield Playhouse in Connecticut with her uncle, experienced the Broadway spectacle of Moulin Rouge featuring Wayne Brady and Taye Diggs with updated contemporary songs, and capped off her year at iHeartRadio's Jingle Ball at Madison Square Garden, where she saw Ed Sheeran, Laufey, and a diverse lineup of pop and folk artists while dealing with some challenging sightlines.Summer's concert year included the intimate Metro show with Bridget Calls Me Baby where her son met the bass player's parents, a record-breaking night at Lollapalooza featuring Olivia Rodrigo's surprise Weezer collaboration, an energetic Yungblud performance at the Riviera that included some crowd drama, and a unique operatic interpretation of Smashing Pumpkins' Melancholy and the Infinite Sadness at the Lyric Opera of Chicago during a snowstorm.Art Gregg had a remarkable year highlighted by three unforgettable shows. He saw childhood hero Burton Cummings of The Guess Who at the North Shore Center for Performing Arts after accidentally meeting him in the lobby without recognizing him, caught Michael Schenker's 50 Years with UFO celebration at the Desplaines Theater, and scored a last-minute ninth-row ticket to see Robert Plant at the intimate Vic Theatre, where the Led Zeppelin legend performed six classic songs including an electrifying version of Ramble On that earned a rare standing ovation.Charles rounds out the discussion by mentioning his own concert experiences at new Chicago venues including Space in Evanston where he saw Mdou Moctar and The Old 97s, the female-focused Motoblot festival at Beat Kitchen, an incredible Buddy Guy performance at the Rialto Square Theater where the 89-year-old blues legend walked through the aisles playing guitar, shows at the new Garcia's venue and City Winery, and his anticipation for an upcoming Iron Maiden show. The episode concludes with a teaser for part two, which will feature Dawn's private jet experience with the Rolling Stones, Andy's Bonnaroo adventure, and Steve's concert highlights.BANDS: Aerosmith, Alex Warren, Bachman Turner Overdrive, Belly, Benmont Tench, Billy Idol, Black Crows, Black Sabbath, Bob Dylan, Bridget Calls Me Baby, Burton Cummings, Chapel Rowan, Chevy Metal, Close Enemies, DJO, Dogs in a Pile, Ed Sheeran, Elastica, Elastica, Elvis, Foo Fighters, Foghat, Foster the People, Gary Newman, Generation X, Gigi Perez, Guns N Roses, Iron Maiden, Jeff Tweedy, Joan Jett and the Blackhearts, Joe Perry Project, Johnny Cash, K-pop band Monsta X, Katy Perry, Kim Deal, King Gizzard, Laufey, Led Zeppelin, Led Zeppelin 2, Liz Fair, Mdou Moctar, Metallica, Michael Shanker, Miles Smith, Ministry, Neil Young, Nelly, Nine Inch Nails, Olivia Rodrigo, Ozzy Osborne, Pixies, Psychedelic Furs, Radiohead, Robert Plant, Rolling Stones, Runaways, Samara Joy, Sarah Larson, Shonen Knife, Smashing Pumpkins, Soraia, Stone Temple Pilots, Taylor Hawkins, The Babies, The Beatles, The Black Crows, The Boudines, The Breeders, The Guess Who, The Old 97s, The Police, The Scorpions, The Velvet Underground, Throwing Muses, Tom Petty and the Heartbreakers, UFO, Van Halen, Walk the Moon, Wayne Brady, Weezer, Wet Leg, Wilco, Wrought Iron Soul, Yungblud.VENUES: Aragon Ballroom, Barclays, Beat Kitchen, Box Center Wang Theater (Boston), Brighton Music Hall (Boston), City Winery (Boston), City Winery (Chicago), Credit Union One Amphitheater, Desplaines Theater, Garcia's, Grant Park, Great Woods (Xfinity Center in Mansfield, Massachusetts), House of Blues, Lyric Opera of Chicago, Madison Square Garden, Metro, North Shore Center for Performing Arts (Skokie, Illinois), Penn Station, Racket (New York City/Chelsea), Ravinia, Rialto Square Theater, Ridgefield Playhouse, Riviera, Roadrunner Boston, Royale (Boston), Salt Shed (Chicago), Sonia (Cambridge, Massachusetts), Space (Evanston, Illinois), Thalia Hall, Tweeter Center, Vic Theatre (Chicago), Wilbur Theater (Boston), Wrigley Field, Xfinity Center (Mansfield, Massachusetts). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708