Podcasts about modern hebrew studies

https://www.patreon.com/user?u=31723331   In this episode of The Know Show Podcast, Prof. Yaron Peleg talks to Hussain about his work that focuses on modern Hebrew literary history, Israeli cinema and Israeli culture more generally. Prof. Yaron Peleg is a Kennedy Leigh Professor in Modern Hebrew Studies at the University of Cambridge. Listen to hear him critically engage in discussions around Zionism and orientalism, colonialism, and Israeli culture. He draws on his research that focuses on various cultural constructs in Israeli cinema, among them gender formation, ethnic identities (Ashkenazi/Mizrahi) and religious identities.   PLEASE SUBSCRIBE TO THE CHANNEL to get access to the latest and most fascinating research!!! Get the latest episodes and videos on: https://theknowshow.net/ The Know Show Podcast makes the most important research accessible to everyone.  Join us today and be part of the research revolution. Follow Us on Social Media: Instagram: https://www.instagram.com/theknowshow ... Twitter: https://www.instagram.com/theknowshow ...

In Strange Cocktail: Translation and the Making of Modern Hebrew Poetry(University of Michigan Press, 2018), Adriana X. Jacobs offers a translation-centered reading of twentieth-century modern Hebrew poetry. Through close readings of poems by Esther Raab, Leah Goldberg, Avot Yeshurun, and Harold Schimmel, Jacobs shows how an intertwined poetics and praxis of translation shaped the work of these poets and became synonymous with the act of writing itself. Yaron Peleg is the Kennedy-Leigh Reader in Modern Hebrew Studies at the University of Cambridge. His most recent book is Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices

In Strange Cocktail: Translation and the Making of Modern Hebrew Poetry(University of Michigan Press, 2018), Adriana X. Jacobs offers a translation-centered reading of twentieth-century modern Hebrew poetry. Through close readings of poems by Esther Raab, Leah Goldberg, Avot Yeshurun, and Harold Schimmel, Jacobs shows how an intertwined poetics and praxis of translation shaped the work of these poets and became synonymous with the act of writing itself. Yaron Peleg is the Kennedy-Leigh Reader in Modern Hebrew Studies at the University of Cambridge. His most recent book is Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices

In Strange Cocktail: Translation and the Making of Modern Hebrew Poetry(University of Michigan Press, 2018), Adriana X. Jacobs offers a translation-centered reading of twentieth-century modern Hebrew poetry. Through close readings of poems by Esther Raab, Leah Goldberg, Avot Yeshurun, and Harold Schimmel, Jacobs shows how an intertwined poetics and praxis of translation shaped the work of these poets and became synonymous with the act of writing itself. Yaron Peleg is the Kennedy-Leigh Reader in Modern Hebrew Studies at the University of Cambridge. His most recent book is Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices

In Strange Cocktail: Translation and the Making of Modern Hebrew Poetry(University of Michigan Press, 2018), Adriana X. Jacobs offers a translation-centered reading of twentieth-century modern Hebrew poetry. Through close readings of poems by Esther Raab, Leah Goldberg, Avot Yeshurun, and Harold Schimmel, Jacobs shows how an intertwined poetics and praxis of translation shaped the work of these poets and became synonymous with the act of writing itself. Yaron Peleg is the Kennedy-Leigh Reader in Modern Hebrew Studies at the University of Cambridge. His most recent book is Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices

In Strange Cocktail: Translation and the Making of Modern Hebrew Poetry(University of Michigan Press, 2018), Adriana X. Jacobs offers a translation-centered reading of twentieth-century modern Hebrew poetry. Through close readings of poems by Esther Raab, Leah Goldberg, Avot Yeshurun, and Harold Schimmel, Jacobs shows how an intertwined poetics and praxis of translation shaped the work of these poets and became synonymous with the act of writing itself. Yaron Peleg is the Kennedy-Leigh Reader in Modern Hebrew Studies at the University of Cambridge. His most recent book is Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Warriors, Witches, Whores: Women in Israeli Cinema (Wayne State University Press 2017), Rachel Harris presents one of the first comprehensive studies of the place and role of women in Israeli cinema and Israeli society more widely. Looking at a variety of films from the early days of Israeli cinema until today, Harris examines some of the particular challenges women in Israel face, including military service, ethnic and national discrimination (Mizrahi, Arab) and issues of labor and migration. Yaron Peleg is Kennedy-Leigh Reader in Modern Hebrew Studies at the University of Cambridge. His most recent book is, Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Warriors, Witches, Whores: Women in Israeli Cinema (Wayne State University Press 2017), Rachel Harris presents one of the first comprehensive studies of the place and role of women in Israeli cinema and Israeli society more widely. Looking at a variety of films from the early days of Israeli cinema until today, Harris examines some of the particular challenges women in Israel face, including military service, ethnic and national discrimination (Mizrahi, Arab) and issues of labor and migration. Yaron Peleg is Kennedy-Leigh Reader in Modern Hebrew Studies at the University of Cambridge. His most recent book is, Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Warriors, Witches, Whores: Women in Israeli Cinema (Wayne State University Press 2017), Rachel Harris presents one of the first comprehensive studies of the place and role of women in Israeli cinema and Israeli society more widely. Looking at a variety of films from the early days of Israeli cinema until today, Harris examines some of the particular challenges women in Israel face, including military service, ethnic and national discrimination (Mizrahi, Arab) and issues of labor and migration. Yaron Peleg is Kennedy-Leigh Reader in Modern Hebrew Studies at the University of Cambridge. His most recent book is, Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Warriors, Witches, Whores: Women in Israeli Cinema (Wayne State University Press 2017), Rachel Harris presents one of the first comprehensive studies of the place and role of women in Israeli cinema and Israeli society more widely. Looking at a variety of films from the early days of Israeli cinema until today, Harris examines some of the particular challenges women in Israel face, including military service, ethnic and national discrimination (Mizrahi, Arab) and issues of labor and migration. Yaron Peleg is Kennedy-Leigh Reader in Modern Hebrew Studies at the University of Cambridge. His most recent book is, Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Warriors, Witches, Whores: Women in Israeli Cinema (Wayne State University Press 2017), Rachel Harris presents one of the first comprehensive studies of the place and role of women in Israeli cinema and Israeli society more widely. Looking at a variety of films from the early days of Israeli cinema until today, Harris examines some of the particular challenges women in Israel face, including military service, ethnic and national discrimination (Mizrahi, Arab) and issues of labor and migration. Yaron Peleg is Kennedy-Leigh Reader in Modern Hebrew Studies at the University of Cambridge. His most recent book is, Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Warriors, Witches, Whores: Women in Israeli Cinema (Wayne State University Press 2017), Rachel Harris presents one of the first comprehensive studies of the place and role of women in Israeli cinema and Israeli society more widely. Looking at a variety of films from the early days of Israeli cinema until today, Harris examines some of the particular challenges women in Israel face, including military service, ethnic and national discrimination (Mizrahi, Arab) and issues of labor and migration. Yaron Peleg is Kennedy-Leigh Reader in Modern Hebrew Studies at the University of Cambridge. His most recent book is, Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices

In Beyond Post-Zionism (SUNY Press, 2015), Eran Kaplan locates the post-Zionist debates, which have brought into question some of the core tenets of Zionist ideology, within the context of the changes that Israeli society and culture have undergone over the past three decades.  Beyond Post Zionism also explores some of the key post-Zionist arguments—that Zionism at its core was a colonialist and orientalist movement—by offering a new analysis of key Zionist and Israeli texts from a perspective that emphasizes the historical conditions behind the rise of the Jewish national movement and its growth.  One of the book’s core arguments is that Post Zionism was an ideology that arose out of the optimism of the last two decades of the previous century, when economic and political developments led some in Israel to assert that Jewish nationalism and the Jewish state were historical anachronisms standing in the way of integrating Israel into the global market and the new world order.  In Beyond Post Zionism Kaplan suggests that the series of political crises that Israel has experienced in the new millennium may suggest that the state and its institutions may yet be relevant in the lives of contemporary Israelis just as early Zionism had been for many Jews in the tumultuous first half of the twentieth century, while holding the promise for a resolution of the conflicts that have consumed public life in Israel from its inception. Yaron Peleg is the Kennedy-Leigh Reader in Modern Hebrew Studies at the University of Cambridge. His most recent book is Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices

In Beyond Post-Zionism (SUNY Press, 2015), Eran Kaplan locates the post-Zionist debates, which have brought into question some of the core tenets of Zionist ideology, within the context of the changes that Israeli society and culture have undergone over the past three decades.  Beyond Post Zionism also explores some of the key post-Zionist arguments—that Zionism at its core was a colonialist and orientalist movement—by offering a new analysis of key Zionist and Israeli texts from a perspective that emphasizes the historical conditions behind the rise of the Jewish national movement and its growth.  One of the book’s core arguments is that Post Zionism was an ideology that arose out of the optimism of the last two decades of the previous century, when economic and political developments led some in Israel to assert that Jewish nationalism and the Jewish state were historical anachronisms standing in the way of integrating Israel into the global market and the new world order.  In Beyond Post Zionism Kaplan suggests that the series of political crises that Israel has experienced in the new millennium may suggest that the state and its institutions may yet be relevant in the lives of contemporary Israelis just as early Zionism had been for many Jews in the tumultuous first half of the twentieth century, while holding the promise for a resolution of the conflicts that have consumed public life in Israel from its inception. Yaron Peleg is the Kennedy-Leigh Reader in Modern Hebrew Studies at the University of Cambridge. His most recent book is Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices

In Beyond Post-Zionism (SUNY Press, 2015), Eran Kaplan locates the post-Zionist debates, which have brought into question some of the core tenets of Zionist ideology, within the context of the changes that Israeli society and culture have undergone over the past three decades.  Beyond Post Zionism also explores some of the key post-Zionist arguments—that Zionism at its core was a colonialist and orientalist movement—by offering a new analysis of key Zionist and Israeli texts from a perspective that emphasizes the historical conditions behind the rise of the Jewish national movement and its growth.  One of the book’s core arguments is that Post Zionism was an ideology that arose out of the optimism of the last two decades of the previous century, when economic and political developments led some in Israel to assert that Jewish nationalism and the Jewish state were historical anachronisms standing in the way of integrating Israel into the global market and the new world order.  In Beyond Post Zionism Kaplan suggests that the series of political crises that Israel has experienced in the new millennium may suggest that the state and its institutions may yet be relevant in the lives of contemporary Israelis just as early Zionism had been for many Jews in the tumultuous first half of the twentieth century, while holding the promise for a resolution of the conflicts that have consumed public life in Israel from its inception. Yaron Peleg is the Kennedy-Leigh Reader in Modern Hebrew Studies at the University of Cambridge. His most recent book is Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices

In Beyond Post-Zionism (SUNY Press, 2015), Eran Kaplan locates the post-Zionist debates, which have brought into question some of the core tenets of Zionist ideology, within the context of the changes that Israeli society and culture have undergone over the past three decades.  Beyond Post Zionism also explores some of the key post-Zionist arguments—that Zionism at its core was a colonialist and orientalist movement—by offering a new analysis of key Zionist and Israeli texts from a perspective that emphasizes the historical conditions behind the rise of the Jewish national movement and its growth.  One of the book’s core arguments is that Post Zionism was an ideology that arose out of the optimism of the last two decades of the previous century, when economic and political developments led some in Israel to assert that Jewish nationalism and the Jewish state were historical anachronisms standing in the way of integrating Israel into the global market and the new world order.  In Beyond Post Zionism Kaplan suggests that the series of political crises that Israel has experienced in the new millennium may suggest that the state and its institutions may yet be relevant in the lives of contemporary Israelis just as early Zionism had been for many Jews in the tumultuous first half of the twentieth century, while holding the promise for a resolution of the conflicts that have consumed public life in Israel from its inception. Yaron Peleg is the Kennedy-Leigh Reader in Modern Hebrew Studies at the University of Cambridge. His most recent book is Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices

In Beyond Post-Zionism (SUNY Press, 2015), Eran Kaplan locates the post-Zionist debates, which have brought into question some of the core tenets of Zionist ideology, within the context of the changes that Israeli society and culture have undergone over the past three decades.  Beyond Post Zionism also explores some of the key post-Zionist arguments—that Zionism at its core was a colonialist and orientalist movement—by offering a new analysis of key Zionist and Israeli texts from a perspective that emphasizes the historical conditions behind the rise of the Jewish national movement and its growth.  One of the book’s core arguments is that Post Zionism was an ideology that arose out of the optimism of the last two decades of the previous century, when economic and political developments led some in Israel to assert that Jewish nationalism and the Jewish state were historical anachronisms standing in the way of integrating Israel into the global market and the new world order.  In Beyond Post Zionism Kaplan suggests that the series of political crises that Israel has experienced in the new millennium may suggest that the state and its institutions may yet be relevant in the lives of contemporary Israelis just as early Zionism had been for many Jews in the tumultuous first half of the twentieth century, while holding the promise for a resolution of the conflicts that have consumed public life in Israel from its inception. Yaron Peleg is the Kennedy-Leigh Reader in Modern Hebrew Studies at the University of Cambridge. His most recent book is Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices