Podcasts about Wayne State University Press

Felicia B. George is a native Detroiter who loves Detroit history and culture. She earned her doctorate in anthropology from Wayne State University, where she is now an adjunct professor. Her recent book, When Detroit Played the Numbers: Gambling's History and Cultural Impact on the Motor City, was released by Wayne State University Press in 2024 and has been named as a 2025 Michigan Notable Book by the Library of Michigan.www.doctordetroit.nethttps://wsupress.wayne.edu/9780814350768/

 Walter Metz is a Full Professor in the School of Media Arts at Southern Illinois University Carbondale. He earned a Ph.D. in Radio/Television/Film at the University of Texas at Austin in 1996, and holds an S.B. degree in Materials Science and Engineering from MIT (1989). He is the author of three books: Engaging Film Criticism: Film History and Contemporary American Cinema, published by P. Lang, and two titles published by Wayne State University Press, Bewitched, and Gilligan's Island. He is also the author of sixty refereed journal articles and book chapters about the intertextual relationships between film, television, novels, and theatre. His work roves across disciplines, grappling with the importance of audio-visual productions for understanding such disparate subjects as gender, comedy, poetry, opera, the Cold War, the Holocaust, science, and animals. His latest book is Gilligan's Island, part of Wayne State University Press TV Milestones Series. https://wsupress.wayne.edu/9780814333723/

Our F/Favorite Tropes Part 14a: Actresses and the Stage The Lesbian Historic Motif Podcast - Episode 293 with Heather Rose Jones In this episode we talk about: Historic romance tropes on stagePlays that include or suggest f/f desire Contexts for women playing romantic roles opposite women Breeches Roles and f/f desire BibliographyBoehringer, Sandra (trans. Anna Preger). 2021. Female Homosexuality in Ancient Greece and Rome. Routledge, New York. ISBN 978-0-367-74476-2 Bruster, Douglas. 1993. “Female-Female Eroticism and the Early Modern Stage” in Renaissance Drama 24: 1-32. Clark, Robert L. A. & Claire Sponsler. 1997. "Queer Play: The Cultural Work of Crossdressing in Medieval Drama" in New Literary History, 28:219-344. Donoghue, Emma. 1995. Passions Between Women: British Lesbian Culture 1668-1801. Harper Perennial, New York. ISBN 0-06-017261-4 Drouin, Jennifer. 2009. “Diana's Band: Safe Spaces, Publics, and Early Modern Lesbianism” in Queer Renaissance Historiography, Vin Nardizzi, Stephen Guy-Bray & Will Stockton, eds. Ashgate, Burlington VT. ISBN 978-0-7546-7608-9 Duggan, Lisa. 1993. “The Trials of Alice Mitchell: Sensationalism, Sexology and the Lesbian Subject in Turn-of-the-Century America” in Queer Studies: An Interdisciplinary Reader, ed. Robert J. Corber and Stephen Valocchi. Oxford: Blackwell. pp.73-87 Gonda, Caroline. 2015. “Writing Lesbian Desires in the Long Eighteenth Century” in The Cambridge Companion to Lesbian Literature, edited by Jodie Medd. Cambridge University Press, Cambridge. ISBN 978-1-107-66343-5 Gough, Melinda J. 2005. “Courtly Comédiantes: Henrietta Maria and Amateur Women's Stage Plays in France and England” in Women Players in England, 1500-1660: Beyond the All-Male Stage, edited by Pamela Allen Brown & Peter Parolin. Ashgate, Burlington. ISBN 978-0-7546-0953-7 Hallett, Judith P. 1997. “Female Homoeroticism and the Denial of Roman Reality in Latin Literature” in Roman Sexualities, ed. By Judith P. Hallett & Marilyn B. Skinner, Princeton University Press, Princeton. Katritzky, M.A. 2005. “Reading the Actress in Commedia Imagery” in Women Players in England, 1500-1660: Beyond the All-Male Stage, edited by Pamela Allen Brown & Peter Parolin. Ashgate, Burlington. ISBN 978-0-7546-0953-7 Klein, Ula Lukszo. 2021. Sapphic Crossings: Cross-Dressing Women in Eighteenth-Century British Literature. University of Virginia Press, Charlottesville. ISBN 978-0-8139-4551-4 Kranz, Susan E. 1995. The Sexual Identities of Moll Cutpurse in Dekker and Middleton's The Roaring Girl and in London in Renaissance and Reformation 19: 5-20. Krimmer, Elisabeth. 2004. In the Company of Men: Cross-Dressed Women Around 1800. Wayne State University Press, Detroit. ISBN 0-8143-3145-9 Lanser, Susan S. 2014. The Sexuality of History: Modernity and the Sapphic, 1565-1830. University of Chicago Press, Chicago. ISBN 978-0-226-18773-0 Merrill, Lisa. 2000. When Romeo was a Woman: Charlotte Cushman and her Circle of Female Spectators. The University of Michigan Press, Ann Arbor. ISBN 978-0-472-08749-5 Orvis, David L. 2014. “Cross-Dressing, Queerness, and the Early Modern Stage” in The Cambridge History of Gay and Lesbian Literature ed. E.L. McCallum & Mikko Tuhkanen. Cambridge University Press, New York. ISBN 978-1-107-03521-8 Poulsen, Rachel. 2005. “Women Performing Homoerotic Desire in English and Italian Comedy: La Calandria, Gl'Ingannati and TwelfthNight” in Women Players in England, 1500-1660: Beyond the All-Male Stage, edited by Pamela Allen Brown & Peter Parolin. Ashgate, Burlington. ISBN 978-0-7546-0953-7 Rose, Mary Beth. 1984. “Women in Men's Clothing: Apparel and Social Stability in The Roaring Girl,” in ELR: English Literary Renaissance 14:3 (1984): 367-91 Stokes, James 2005. “Women and Performance: Evidences of Universal Cultural Suffrage in Medieval and Early Modern Lincolnshire” in Women Players in England, 1500-1660: Beyond the All-Male Stage, edited by Pamela Allen Brown & Peter Parolin. Ashgate, Burlington. ISBN 978-0-7546-0953-7 Straub, Kristina. 1991. “The Guilty Pleasures of Female Theatrical Cross-Dressing and the Autobiography of Charlotte Charke” in Body guards : the cultural politics of gender ambiguity edited by Julia Epstein & Kristina Straub. Routledge, New York. ISBN 0-415-90388-2 Traub, Valerie. 2001. "The Renaissance of Lesbianism in Early Modern England" in GLQ 7:2 245-263. Trumbach, Randolph. 1991. “London's Sapphists : From Three Sexes to Four Genders in the Making of Modern Culture” in Body guards : the cultural politics of gender ambiguity edited by Julia Epstein & Kristina Straub. Routledge, New York. ISBN 0-415-90388-2 Velasco, Sherry. 2000. The Lieutenant Nun: Transgenderism, Lesbian Desire and Catalina de Erauso. University of Texas Press. ISBN 0-292-78746-4 Velasco, Sherry. 2011. Lesbians in Early Modern Spain. Vanderbilt University Press, Nashville. ISBN 978-0-8265-1750-0 Velasco, Sherry. 2014. “How to Spot a Lesbian in the Early Modern Spanish World” in The Cambridge History of Gay and Lesbian Literature ed. E.L. McCallum & Mikko Tuhkanen. Cambridge University Press, New York. ISBN 978-1-107-03521-8 Wahl, Elizabeth Susan. 1999. Invisible Relations: Representations of Female Intimacy in the Age of Enlightenment. Stanford University Press, Stanford. ISBN 0-8047-3650-2 Walen, Denise A. 2005. Constructions of Female Homoeroticism in Early Modern Drama. New York: Palgrave MacMillan. ISBN 978-1-4039-6875-3 A transcript of this podcast is available here. Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Bluesky: @heatherrosejones Facebook: Heather Rose Jones (author page)

J.J. and Dr. Ephraim Kanarfogel comment on the happenings in Medieval Ashkenaz and add their spin on to the era of the Tosafists. Follow us on Twitter (X) @JewishIdeas_Pod to get into arguments with other listeners about Rabbeinu Tam or the Rash MiSchantz. Please rate and review the the show in the podcast app of your choice!We welcome all complaints and compliments at podcasts@torahinmotion.orgFor more information visit torahinmotion.org/podcastsDr. Ephraim Kanarfogel is the E. Billi Ivry University Professor of Jewish History, Literature and Law at Yeshiva University's Bernard Revel Graduate School of Jewish Studies. Among his books are Jewish Education and Society in the High Middles Ages (1992); Peering through the Lattices: Mystical, Magical and Pietistic Dimensions in the Tosafist Period (2000); The Intellectual History and Rabbinic Culture of Medieval Ashkenaz (2013); and Brothers from Afar: Rabbinic Approaches to Apostasy and Reversion in Medieval Europe (2021), all published by Wayne State University Press. In addition, he is the author of more than one hundred articles in the fields of medieval Jewish intellectual history and rabbinic literature. Professor Kanarfogel is a Fellow of the American Academy for Jewish Research, and he serves, along with Prof. Jay Berkovitz, as Editor-in-Chief of the academic journal Jewish History. He has been a long-term fellow at the Center for Advanced Jewish Studies at the University of Pennsylvania, and he has held visiting appointments at Penn and at Ben-Gurion University of the Negev. Professor Kanarfogel has won the National Jewish Book Award for scholarship, the Jordan Schnitzer Book Award in Medieval Jewish History from the Association of Jewish Studies; and the prestigious Goren-Goldstein International Book Award for the Best Book in Jewish Thought, 2010-2013.

A native "Thumbody," RS Deeren is an assistant professor of creative writing at Austin Peay State University in Clarksville, Tennessee. His research interests include contemporary fiction, US working-class studies, and rural-urban dynamics. His fiction, nonfiction, and poetry have appeared in periodicals including The Great Lakes Review, Joyland, Midwestern Gothic, and more. Like some of his characters, he has also worked as a line cook, landscaper, lumberjack, and a bank teller. He received his PhD at the University of Wisconsin-Milwaukee. His debut story collection, Enough To Lose, was selected as a Michigan Notable Book in 2023, and it was published by Wayne State University Press. https://www.rsdeeren.com/https://wsupress.wayne.edu/9780814350409/

In our conversation with Wayne State University Press editor Sandra Korn we address a number of interesting questions on the minds of our listeners: 1) What does it mean when an editor replies to your submissions with, "This isn't a good fit for us"? 2) What's the best way to approach an editor? In the book exhibit hall, during a conference? Through an email? 3) What parts of my manuscript does a university press editor actually read? 3) What does an editor do differently for her writers who are part of the trade division of an academic press? 4) What does an editor think of book publicity events? 5) What excites an acquisitions editor? Don't forget to rate and review our show and follow us on all social media platforms here: https://linktr.ee/writingitpodcast Contacts us with questions, possible future topics/guests, or comments here: https://writingit.fireside.fm/contact

Part One (of two, we promise) on the sinking of the lake freighter Daniel J. Morrell in 1966.**GFM Campaign**Help us get Muhammad Al-Bardini and his family out of Gaza - Muhammad is a hospital volunteer at Al-Aqsa Martyrs Hospital and his GFM is over halfway to the goal. Anything you can give will help! https://www.gofundme.com/f/help-muhammad-and-his-family-from-gaza?lang=en_US&utm_campaign=fp_sharesheet&utm_medium=customer&utm_source=copy_linkSources: Boyer, Dwight. Ships and Men of the Great Lakes. Freshwater Press, 1977. History of Steelmaking in JohnstownMorrell, Daniel J. Great Lakes Vessel History.Schumacher, Michael. Mighty Fitz: The Sinking of the Edmund Fitzgerald. University of Minnesota Press, 2005. Schumacher, Michael. Torn In Two: The Sinking of the Daniel J. Morrell and One Man's Survival on the Open Sea. University of Minnesota Press, 2016. Thompson, Mark L. Graveyard of the Lakes. Wayne State University Press, 2000. Support the Show.

This week we finally take down a ship that has been referenced a few times here and there but never actually been the star of her own show - SS Mataafa (yes the one from the storm) We're joined once again by Kaylee (@kayleefabulous) who just this week has released her second album, Leading Lady (buy it on Bandcamp!) - we've included 'Seek and Destroy' at the end of the episode Sources:Lemay, Konnie. "The Mataafa Blow: The Stormy Horror of 1905." Lake Superior Magazine, 1 Oct 2005. https://www.lakesuperior.com/the-lake/maritime/the-mataafa-blow-stormy-horror-of-1905/ Miller, Al. Tin Stackers: The History of the Pittsburgh Steamship Company. Wayne State University Press, 1999. Thompson, Mark L. Graveyard of the Lakes. Wayne State University Press, 2000. Support the Show.

Petra Kuppers is a disability culture activist and a community performance artist who uses somatics, performance, and speculative writing to engage audiences toward more socially just and enjoyable futures. She is the Anita Gonzalez Collegiate Professor of Performance Studies and Disability Culture at the University of Michigan, a 2023 Guggenheim Fellow, and codirector of the somatic writing studio Turtle Disco. Her third performance poetry collection, Gut Botany, was named one of the top ten US poetry books of 2020 by the New York Public Library, and it won the 2022 Creative Book Award by the Association for the Study of Literature and the Environment. Her fourth collection, Diver Beneath the Street - true crime meets ecopoetry at the level of the soil – was published by Wayne State University Press in 2024.https://www.petrakuppers.com/https://wsupress.wayne.edu/9780814351116/

While American television has long relied on a strategic foregrounding of feminist politics to promote certain programming's cultural value, Woman Up: Invoking Feminism in Quality Television (Wayne State University Press, 2022) by Dr. Julia Havas is the first sustained critical analysis of the twenty-first-century resurgence of this tradition. In Woman Up, Dr. Havas' central argument is that postmillennial "feminist quality television" springs from a rhetorical subversion of the (much-debated) masculine-coded "quality television" culture on the one hand and the dominance of postfeminist popular culture on the other. Postmillennial quality television culture promotes the idea of aesthetic-generic hierarchies among different types of scripted programming. Its development has facilitated evaluative academic analyses of television texts based on aesthetic merit, producing a corpus of scholarship devoted to pinpointing where value resides in shows considered worthy of discussion. Other strands of television scholarship have criticised this approach for sidestepping the gendered and classed processes of canonization informing the phenomenon. Woman Up intervenes in this debate by reevaluating such approaches and insisting that rather than further fostering or critiquing already prominent processes of canonization, there is a need to interrogate the cultural forces underlying them. Via detailed analyses of four TV programs emerging in the early period of the "feminist quality TV" trend—30 Rock (2006–13), Parks and Recreation (2009–15), The Good Wife (2009–16), and Orange Is the New Black (2013–19)—Woman Up demonstrates that such series mediate their cultural significance by combining formal aesthetic exceptionalism and a politicised rhetoric around a "problematic" postfeminism, thus linking ideals of political and aesthetic value. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

While American television has long relied on a strategic foregrounding of feminist politics to promote certain programming's cultural value, Woman Up: Invoking Feminism in Quality Television (Wayne State University Press, 2022) by Dr. Julia Havas is the first sustained critical analysis of the twenty-first-century resurgence of this tradition. In Woman Up, Dr. Havas' central argument is that postmillennial "feminist quality television" springs from a rhetorical subversion of the (much-debated) masculine-coded "quality television" culture on the one hand and the dominance of postfeminist popular culture on the other. Postmillennial quality television culture promotes the idea of aesthetic-generic hierarchies among different types of scripted programming. Its development has facilitated evaluative academic analyses of television texts based on aesthetic merit, producing a corpus of scholarship devoted to pinpointing where value resides in shows considered worthy of discussion. Other strands of television scholarship have criticised this approach for sidestepping the gendered and classed processes of canonization informing the phenomenon. Woman Up intervenes in this debate by reevaluating such approaches and insisting that rather than further fostering or critiquing already prominent processes of canonization, there is a need to interrogate the cultural forces underlying them. Via detailed analyses of four TV programs emerging in the early period of the "feminist quality TV" trend—30 Rock (2006–13), Parks and Recreation (2009–15), The Good Wife (2009–16), and Orange Is the New Black (2013–19)—Woman Up demonstrates that such series mediate their cultural significance by combining formal aesthetic exceptionalism and a politicised rhetoric around a "problematic" postfeminism, thus linking ideals of political and aesthetic value. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Contemporary Chinese film and literature often draw on time-honored fantastical texts and tales which were founded in the milieu of patriarchy, parental authority, heteronormativity, nationalism, and anthropocentrism. Cathy Yue Wang's Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy (Wayne State University Press, 2023) examines the processes by which modern authors and filmmakers reshape these traditional tales to develop new narratives that interrogate the ingrained patriarchal paradigm. Through a rigorous analysis, Wang delineates changes in both content and narrative that allow contemporary interpretations to reimagine the gender politics and contexts of the tales retold. With a broad transmedia approach and a nuanced understanding of intertextuality, this work contributes to the ongoing negotiation in academic and popular discourse between past and present, traditional and contemporary, and text and reality in a globalized and postmodern world. Snake Sisters and Ghost Daughters offers an engaging interdisciplinary investigation of issues at the heart of these traditional tales such as gender and status hierarchy, marriage and family life, and in-group/out-group distinction. Beyond the content of these individual stories, Wang ties these narratives together across time using cognitive literary criticism, especially affective narratology, to shed new light on the adaptation of literary and cultural texts and their sociopolitical contexts. Dr. Cathy Yue Wang is a lecturer in Department of Chinese Language and Literature, School of Humanities, Shanghai Normal University in China. She received her PhD from Macquarie University in Australia. She is particularly interested in applying feminist and queer perspectives into examinations of adaptation and retelling, children and young adult literature, as well as boys' love subculture and fandom in the East Asian context. She is the author of Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy (Wayne State University Press, 2023) and editor of Catching Chen Qing Ling: The Untamed and Adaptation, Production, and Reception in Transcultural Contexts (Peter Lang, forthcoming). Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Contemporary Chinese film and literature often draw on time-honored fantastical texts and tales which were founded in the milieu of patriarchy, parental authority, heteronormativity, nationalism, and anthropocentrism. Cathy Yue Wang's Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy (Wayne State University Press, 2023) examines the processes by which modern authors and filmmakers reshape these traditional tales to develop new narratives that interrogate the ingrained patriarchal paradigm. Through a rigorous analysis, Wang delineates changes in both content and narrative that allow contemporary interpretations to reimagine the gender politics and contexts of the tales retold. With a broad transmedia approach and a nuanced understanding of intertextuality, this work contributes to the ongoing negotiation in academic and popular discourse between past and present, traditional and contemporary, and text and reality in a globalized and postmodern world. Snake Sisters and Ghost Daughters offers an engaging interdisciplinary investigation of issues at the heart of these traditional tales such as gender and status hierarchy, marriage and family life, and in-group/out-group distinction. Beyond the content of these individual stories, Wang ties these narratives together across time using cognitive literary criticism, especially affective narratology, to shed new light on the adaptation of literary and cultural texts and their sociopolitical contexts. Dr. Cathy Yue Wang is a lecturer in Department of Chinese Language and Literature, School of Humanities, Shanghai Normal University in China. She received her PhD from Macquarie University in Australia. She is particularly interested in applying feminist and queer perspectives into examinations of adaptation and retelling, children and young adult literature, as well as boys' love subculture and fandom in the East Asian context. She is the author of Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy (Wayne State University Press, 2023) and editor of Catching Chen Qing Ling: The Untamed and Adaptation, Production, and Reception in Transcultural Contexts (Peter Lang, forthcoming). Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

Hi Everyone, This month, we are discussing “The Progress of Love” by Alice Munro. I'm joined on the podcast by Keith Hood, One Story's 2024 Adina Talve-Goodman Fellow. Keith read the version of the story available in Alice Munro's collection (1st person POV) and I read the New Yorker version. I suggest reading both as we had a great discussion about POV and narrative distance and Alice Munro's decision to switch POV. Please find the stories here: The Progress of Love from Alice Munro's collection or her Selected Stories is available for purchase on Amazon or Bookshop. The New Yorker Version typed by Kelly is available at kellyfordon.com for the month of April, with possible typos. After April, please purchase a subscription and support good writing at The New Yorker here. As always, I'd love to hear any suggestions for upcoming guests and/or possible stories for review. We always appreciate ratings, reviews, or donations (see the donation button on this page). If you have any ideas, comments, or additional insights into this story, please message me on the Let's Deconstruct a Story Facebook Page. I'd love to add additional comments to this page (below) so check back over time for more insights. I hope you enjoy the show! Kelly Let's Deconstruct a Story on Apple Let's Deconstruct a Story on Spotify ARTICLES AND BOOKS REFERENCED IN THIS PODCAST “Switchback Time” by Joan Silber“The Long-Clock Story” by Amy GustineThe Mookes and The Gripes thoughts on “The Progress of Love.”Tantalizing Silences: Articulating Pain in “.The Progress of Love” The Erotics of Restraint: Essays on Literary FormDouglas Glover (Author Guest, Keith Hood: Mostly true stuff even though not true of me. A Google search reveals that someone who shares Keith Hood's name is a Compliance Director in Hoboken, NJ, a Senior Military Advisor in Washington D.C., and Managing Director of Warner Financial Services in the UK where a different Keith Hood established a thriving photographic business. Other Keith Hoods have experience in the medical field as dentist, periodontist, plastic surgeon, and ophthalmologist. A Keith Hood MD has written numerous articles in medical journals including, “Hematomas in Aesthetic Surgery.”(Again, I'm not that Keith Hood although I've written lots of short stories and essays (see Publications) but I've never written any medical articles. I don't even have a college degree. I have never been a male or female prostitute, an operas singer or athlete. Despite rumors to the contrary, I have never been a staff writer for Star Trek: The Next Generation (although I tried my damnedest). Countless LinkedIn profiles say of various Keith Hoods that he is “an all-around splendid person.” For more on this Keith Hood, visit his website ⁠here. ⁠ Podcast Host Kelly Fordon: Kelly Fordon's latest short story collection, I Have the Answer (Wayne State University Press, 2020), was chosen as a Midwest Book Award Finalist and an Eric Hoffer Finalist. Her 2016 Michigan Notable Book, Garden for the Blind (WSUP), was an INDIEFAB Finalist, a Midwest Book Award Finalist, an Eric Hoffer Finalist, and an IPPY Awards Bronze Medalist. Her first full-length poetry collection, Goodbye Toothless House (Kattywompus Press, 2019), was an Eyelands International Prize Finalist and an Eric Hoffer Finalist. It was later adapted into a play by Robin Martin and published in The Kenyon Review Online. She is the author of three award-winning poetry chapbooks and has received a Best of the Net Award and Pushcart Prize nominations in three different genres. She teaches at Springfed Arts in Detroit and online.

The Dildo Episode The Lesbian Historic Motif Podcast - Episode 278 with Heather Rose Jones In this episode we talk about: The cultural dynamics of dildo use A history of dildos in western culture The social and legal consequences of dildo use Terminology and materials of construction Sources usedArvas, Abdulhamit. 2014. “From the Pervert, Back to the Beloved: Homosexuality and Ottoman Literary History, 11453-1923” in The Cambridge History of Gay and Lesbian Literature ed. E.L. McCallum & Mikko Tuhkanen. Cambridge University Press, New York. ISBN 978-1-107-03521-8 Auanger, Lisa. “Glimpses through a Window: An Approach to Roman Female Homoeroticism through Art Historical and Literary Evidence” in Rabinowitz, Nancy Sorkin & Lisa Auanger eds. 2002. Among Women: From the Homosocial to the Homoerotic in the Ancient World. University of Texas Press, Austin. ISBN 0-29-77113-4 Benkov, Edith. “The Erased Lesbian: Sodomy and the Legal Tradition in Medieval Europe” in Same Sex Love and Desire Among Women in the Middle Ages. ed. by Francesca Canadé Sautman & Pamela Sheingorn. Palgrave, New York, 2001. Blake, Liza. 2011. “Dildos and Accessories: The Functions of Early Modern Strap-Ons” in Ornamentalism: The Art of Renaissance Accessories. University of Michigan Press. pp. 130-156 Boehringer, Sandra (trans. Anna Preger). 2021. Female Homosexuality in Ancient Greece and Rome. Routledge, New York. ISBN 978-0-367-74476-2 Bon, Ottaviano. 1587. Descrizione del serraglio del Gransignore. Translated by Robert Withers (1625) as The Grand Signiors Serraglio, published in: Hakluytus Posthumus, or Purchas his Pilgrimes edited by Samuel Purchas. Borris, Kenneth (ed). 2004. Same-Sex Desire in the English Renaissance: A Sourcebook of Texts, 1470-1650. Routledge, New York. ISBN 978-1-138-87953-9 Brantôme (Pierre de Bourdeille, seigneur de Brantôme). 1740. Vies des Dames Galantes. Garnier Frères, Libraires-Éditeurs, Paris. Burshatin, Israel. “Elena Alias Eleno: Genders, Sexualities, and ‘Race' in the Mirror of Natural History in Sixteenth-Century Spain” in Ramet, Sabrina Petra (ed). 1996. Gender Reversals and Gender Cultures: Anthropological and Historical Perspectives. Routledge, London. ISBN 0-415-11483-7 Castle, Terry (ed). 2003. The Literature of Lesbianism: A Historical Anthology from Ariosto to Stonewall. Columbia University Press, New York. ISBN 0-231-12510-0 Clark, Anna. 1996. "Anne Lister's construction of lesbian identity", Journal of the History of Sexuality, 7(1), pp. 23-50. Clarke, John R. 1998. Looking at Lovemaking: Constructions of Sexuality in Roman Art 100 B.C.-A.D. 250. University of California Press, Berkeley. ISBN 0-520-20024-1 Crompton, Louis. 1985. “The Myth of Lesbian Impunity: Capital Laws from 1270 to 1791” in Licata, Salvatore J. & Robert P. Petersen (eds). The Gay Past: A Collection of Historical Essays. Harrington Park Press, New York. ISBN 0-918393-11-6 (Also published as Journal of Homosexuality, Vol. 6, numbers 1/2, Fall/Winter 1980.) Donato, Clorinda. 2006. “Public and Private Negotiations of Gender in Eighteenth-Century England and Italy: Lady Mary Wortley Montagu and the Case of Catterina Vizzani” in British Journal for Eighteenth-Century Studies 29. pp.169-189 Donato, Clorinda. 2020. The Life and Legend of Catterina Vizzani: Sexual identity, science and sensationalism in eighteenth-century Italy and England. Voltaire Foundation, Oxford. ISBN 978-1-78962-221-8 Donoghue, Emma. 1995. Passions Between Women: British Lesbian Culture 1668-1801. Harper Perennial, New York. ISBN 0-06-017261-4 Eriksson, Brigitte. 1985. “A Lesbian Execution in Germany, 1721: The Trial Records” in Licata, Salvatore J. & Robert P. Petersen (eds). The Gay Past: A Collection of Historical Essays. Harrington Park Press, New York. ISBN 0-918393-11-6 (Also published as Journal of Homosexuality, Vol. 6, numbers 1/2, Fall/Winter 1980.) Faderman, Lillian. 1981. Surpassing the Love of Men. William Morrow and Company, Inc., New York. ISBN 0-688-00396-6 Halberstam, Judith (Jack). 1997. Female Masculinity. Duke University Press, Durham. ISBN 978-1-4780-0162-1 Haley, Shelley P. “Lucian's ‘Leaena and Clonarium': Voyeurism or a Challenge to Assumptions?” in Rabinowitz, Nancy Sorkin & Lisa Auanger eds. 2002. Among Women: From the Homosocial to the Homoerotic in the Ancient World. University of Texas Press, Austin. ISBN 0-29-77113-4 Hubbard, Thomas K. 2003. Homosexuality in Greece and Rome: A Sourcebook of Basic Documents. University of California Press, Berkeley. ISBN 978-0-520-23430-7 Karras, Ruth Mazo. 2005. Sexuality in Medieval Europe: Doing Unto Others. Routledge, New York. ISBN 978-0-415-28963-4 Klein, Ula Lukszo. 2021. Sapphic Crossings: Cross-Dressing Women in Eighteenth-Century British Literature. University of Virginia Press, Charlottesville. ISBN 978-0-8139-4551-4 Krimmer, Elisabeth. 2004. In the Company of Men: Cross-Dressed Women Around 1800. Wayne State University Press, Detroit. ISBN 0-8143-3145-9 Lansing, Carol. 2005. “Donna con Donna? A 1295 Inquest into Female Sodomy” in Studies in Medieval and Renaissance History: Sexuality and Culture in Medieval and Renaissance Europe, Third Series vol. II: 109-122. Lardinois, André. “Lesbian Sappho and Sappho of Lesbos” in Bremmer, Jan. 1989. From Sappho to de Sade: Moments in the History of Sexuality. London: Routledge. ISBN 0-415-02089-1 Linkinen, Tom. 2015. Same-sex Sexuality in Later Medieval English Culture. Amsterdam University Press, Amsterdam. ISBN 978-90-8964-629-3 Matter, E. Ann. 1989. “My Sister, My Spouse: Woman-Identified Women in Medieval Christianity” in Weaving the Visions: New Patterns in Feminist Spirituality, eds. Judith Plaskow & Carol P. Christ. Harper & Row, San Francisco. Michelsen, Jakob. 1996. “Von Kaufleuten, Waisenknaben und Frauen in Männerkleidern: Sodomie im Hamburg des 18. Jahrhunderts” in Zeitschrift für Sexualforschung 9: 226-27. Mills, Robert. 2015. Seeing Sodomy in the Middle Ages. The University of Chicago Press, Chicago. ISBN 978-0-226-16912-5 O'Driscoll, Sally. 2010. “A Crisis of Femininity: Re-Making Gender in Popular Discourse” in Lesbian Dames: Sapphism in the Long Eighteenth Century. Beynon, John C. & Caroline Gonda eds. Ashgate, Farnham. ISBN 978-0-7546-7335-4 Phillips, Kim M. & Barry Reay. 2011. Sex Before Sexuality: A Premodern History. Polity Press, Cambridge. ISBN 978-0-7456-2522-5 Rabinowitz, Nancy Sorkin. “Excavating Women's Homoeroticism in Ancient Greece: The Evidence from Attic Vase Painting” in Rabinowitz, Nancy Sorkin & Lisa Auanger eds. 2002. Among Women: From the Homosocial to the Homoerotic in the Ancient World. University of Texas Press, Austin. ISBN 0-29-77113-4 Rowson, Everett K. 1991. “The categorization of gender and sexual irregularity in medieval Arabic vice lists” in Body guards : the cultural politics of gender ambiguity edited by Julia Epstein & Kristina Straub. Routledge, New York. ISBN 0-415-90388-2 Schleiner, Winfried. “Cross-Dressing, Gender Errors, and Sexual Taboos in Renaissance Literature” in Ramet, Sabrina Petra (ed). 1996. Gender Reversals and Gender Cultures: Anthropological and Historical Perspectives. Routledge, London. ISBN 0-415-11483-7 Traub, Valerie. 1994. “The (In)Significance of ‘Lesbian' Desire in Early Modern England” in Queering the Renaissance ed. by Jonathan Goldberg. Duke University Press, Durham and London. ISBN 0-8223-1381-2 Traub, Valerie. 2002. The Renaissance of Lesbianism in Early Modern England. Cambridge University Press, Cambridge. ISBN 0-521-44885-9 Van der Meer, Theo. 1991. “Tribades on Trial: Female Same-Sex Offenders in Late Eighteenth-Century Amsterdam” in Journal of the History of Sexuality 1:3 424-445. Velasco, Sherry. 2011. Lesbians in Early Modern Spain. Vanderbilt University Press, Nashville. ISBN 978-0-8265-1750-0 Wahl, Elizabeth Susan. 1999. Invisible Relations: Representations of Female Intimacy in the Age of Enlightenment. Stanford University Press, Stanford. ISBN 0-8047-3650-2 Walen, Denise A. 2005. Constructions of Female Homoeroticism in Early Modern Drama. New York: Palgrave MacMillan. ISBN 978-1-4039-6875-3 This topic is discussed in one or more entries of the Lesbian Historic Motif Project here: Dildo A transcript of this podcast is available here. Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Bluesky: @heatherrosejones Facebook: Heather Rose Jones (author page)

Alise Alousi's writing has appeared in numerous journals and anthologies including Three Fold Press, Mom Egg Review, The Detroit Free Press, Inclined to Speak: An Anthology of Contemporary Arab American Poetry and We Call to the Eye and the Night: Love Poems by Writers of Arab Descent. She is a 2019 Kresge Literary Arts Fellow and has received awards and fellowships from the Knight Foundation, Mesa Refuge, Martha's Vineyard Institute of Creative Writing, and others. Alise Alousi has worked at InsideOut Literary Arts in Detroit for two decades, she serves the Room Project, a workspace for women and nonbinary writers in Detroit, and she currently teaches poetry to teens at the Arab American National Museum. Her latest poetry collection, published by Wayne State University Press in August 2023, is What to Count.https://alisealousipoetry.com/https://www.wsupress.wayne.edu/books/detail/what-countOur local writer feature this time is Erik ETomic Johnson. You'll catch one of his poems later in the episode. Erik E-tomic Johnson is a local hip-hop lyricist, vocalist and slam poet. From the Windsor-Essex county area. Erik has been writing and performing poetry for a number of years. He draws his poetic inspiration from his Afro-Indigenousculture and experiences as an artist of color and physically disabled creator. His goal as an artist is to highlight the experiences of BIPOC through storytelling, a theme that is deeply ingrained in all of his poetic endeavours.https://biblioasisbookshop.com/https://storytellersbookstore.ca/

In her book, Beyond the Land: Diaspora Israeli Culture in the Twenty-First Century (Wayne State University Press, 2023), Melissa Weininger theorizes a new category of "diaspora Israeli culture" that is formed around and through notions of homeland and complicates the binary between diaspora and Israel. The works addressed here inhabit and imagine diaspora from the vantage point of the putative homeland, engaging both diasporic and Zionist models simultaneously through language, geography, and imagination. These examples contend with the existence of the state of Israel and its complex implications for diaspora Jewish identities and nationalisms, as well as the implications for Zionism of those diasporic conceptions of Jewish national identity. This dynamic understanding of both an Israeli and a Jewish diaspora works to envision a non-hegemonic Jewish nationalism that can negotiate both political imagination and reality. Melissa Weininger is an assistant professor of Jewish studies at California State University, Northridge. Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

This week Eliana and Patrick delve into Lizzie Borden's 1986 dramedy Working Girls about a day in the life of a group of young sex workers in a middle-class brothel in 1980s Manhattan.A milieu rarely ever depicted on the big screen in American cinema (in their Criterion essay So Meyer stresses that it was not until Sean Baker's Tangerine in 2015—three decades later—that the lived reality of sex workers would take center stage of a major US feature film again), Borden, with her observational eye and collaborative filmmaking process, circumvents the common dichotomous portrayal of prostitutes as either glamorized or pitiable, shedding light on the profession that proves both sympathetic to its characters and discerning of the mundanity of their profession—ultimately highlighting the autonomy women can exercise while embracing that the world's oldest profession is just that—a profession.Resources:Borden, Lizzie, and Gordon, Betty. “Lizzie Borden and Bette Gordon on Working Girls.” Criterion, 2021,Da Costa, Cassie. Lizzie Borden Is Finally Getting Her Due. Vanity Fair, 15 July 2021,Felando, Cynthia. „4 Lizzie Borden.” Independent Female Filmmakers. A Chronicle Through Interviews, Profiles, and Manifestos, edited by Michele Meek, Rouledge, 2019.Firestone, Shulamith. The Dialectic of Sex. The Case for Feminist Revolution. 1970.Farrar, Straus and Giroux, 2003.Free, Erin. „Unsung Auteurs: Lizzie Borden.“ FilmInk, 12 May, 2021,Gagne, Emily. “Director Lizzie Borden on Censorship, Community and the Movie She's Kept in the Closet for Over 40 Years.” That Shelf, 1 March 2023,Hoberman, James. “Lizzie Borden's ‘Working Girls' Is About Capitalism, Not Sex.” New York Times, 16 June 2021,Huber, Christoph. “Whatever Happened to Lizzie Borden?” CinemaScope, 17 March 2018, 22 Sept. 2023.Isaacson, Johanna. “Hollywood Kills Feminism: the Work of Lizzie Borden.” Blind Field, 14 August 2019.Lane, Christina. Feminist Hollywood. From Born in Flames to Point Break. Wayne State University Press, 2000.Mayer, So. “Working Girls: Have You Ever Heard of Surplus Value?” Criterion, 13 July 2021.SoundEFF Open Audio License for Le Carnaval des Animaux (Saint-Saëns, Camille - Aquarium) by Neal and Nancy O'Doan and Seattle Youth Orchestra Pandora Records/Al Goldstein ArchiveIntro: CNN

Kaylee (@kayleefabulous) is back this week to share a story from Duluth - the sinking of the whaleback Thomas Wilson after a collision with the George Hadley.Kaylee's Duluth dive bar write-up: https://racketmn.com/best-dive-bars-duluth-mnSources:Duluth Evening Herald, 29 Nov 1905.Duluth Evening Herald, 7 Jun 1902.Engman, Elmer. In the Belly of a Whale. Innerspace, 1988.Stonehouse, Frederick. Haunted Lakes. Lake Superior Port Cities Inc., 1997.Miller, Al. Tin Stackers: The History of the Pittsburgh Steamship Company. Wayne State University Press, 1999.Check out our Patreon here!Support the show

This week we have a heavy hitter - Felicia is joined by Vinny Tucceri (Cinephile) to discuss one of cinema's most poignant, yet gorgeous takes on womanhood, in Agnès Varda's Cléo From 5 to 7. We discuss Varda's innate ability to create characters her audience can relate to, while tackling the subject of freedom as a woman. Send us your thoughts on the episode - what are some of your other favourite films that take place in 24 hours or less? What are your thoughts on the film's narrative and time structure? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow Vinny here: Twitter: @vinnybutbetter Letterboxd: @vinnyboombots88 Sources: Cléo from 5 to 7 (1962) - IMDb Claire Denis on Her Love for Robert Pattinson, Agnès Varda, and 'High Life' (interviewmagazine.com) Cleo From 5 to 7 Blu-ray - Corinne Marchand (dvdbeaver.com) Pietro Marcello's Top 10 | Current | The Criterion Collection Taubin, A., Koresky, M., Vincendeau, G., Mayer, S., Hidalgo, A., & Bengal, R. (2020). The complete films of Agnès Varda. The Criterion Collection. Conway, K. (2015). Agnès Varda. University of Illinois Press. Columpar, C., & Mayer, S. (2009). There she goes: Feminist filmmaking and beyond. Wayne State University Press.

For this week's episode we are back close to home for the tale of the steamer Phoenix, which burned off of Sheboygan WI in 1847, in what remains one of the worst tragedies on Lake Michigan. The music at the end of the episode is 'Nader, mijn God, bij U' (Nearer, My God, To Thee) as performed by the Martin Mans Formation.Sources: Hilty, Maya. “Remains of the Phoenix, one of the Lake Michigan's deadliest shipwrecks, discovered 175 years after sinking off Sheboygan's shore.” Sheboygan Press, 21 Nov 2022. “Phoenix (1845).” Wisconsin Shipwrecks. https://wisconsinshipwrecks.org/Vessel/Details/505“Phoenix (Propeller), 17 Mar 1846.” Maritime History of the Great Lakes. https://images.maritimehistoryofthegreatlakes.ca/details.asp?ID=30035&n=2Thompson, Mark L. Graveyard of the Lakes. Wayne State University Press, 2000. Van Eyck, William O. “The Story of the Propeller Phoenix.” The Wisconsin Magazine of History, vol. 7, no. 3, March 1924, pp. 281 - 300. https://www.linkstothepast.com/marine/chapt36.phpCheck out our Patreon here!Support the show

W. S. PENN is a mixed-blood Native American (Nez Perce) who was a Washburn Distinguished lecturer and has won the distinguished Faculty Award at Michigan State University. He is the author of two novels, The Absence of Angels and Killing Time with Strangers; a collection of short stories titled This Is the World; and two collections of essays, All My Sins Are Relatives and Feathering Custer. He has won many literary awards including the North American Indian Prose Award and a Critic's Choice Award. Raising Bean: Essays on Laughing and Loving is his most recent book.More about the book at the Wayne State University Press website:https://www.wsupress.wayne.edu/books/detail/raising-bean

“The Little Mermaid” has become popular around the world since the Danish author Hans Christian Andersen published it almost two centuries ago. Lucy Fraser's The Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of “The Little Mermaid” (Wayne State University Press, 2017) uses Japanese and American transformations of “The Little Mermaid” to think through the pleasures that the text provides for consumers. Building on Mayako Murai's From Dog Bridegroom to Wolf Girl: Contemporary Japanese Fairy-Tale Adaptations in Conversation with the West, Fraser tracks transformations from the nineteenth century through 2008, with particular attention to literary and filmic media. The binary languages of the title are matched by a series of binaries that Fraser identifies within The Little Mermaid and its transformations. Fraser shows how Andersen's story presents readers with strict binaries – like human-merfolk, sea-land, and soul-soulless – only for the protagonist to transgress them. The Pleasures of Metamorphosis then presents readers with more binaries – between transformations that emphasize the (male, human) prince and those that emphasize the (female, non-human) mermaid, for example – to show the diverse pleasures inherent to the text. In so doing, The Pleasures of Metamorphosis traverses Disney's classic animated film and Studio Ghibli's more recent Ponyo (2008) as well as literature by a host of skilled writers, including Yumiko Kurahashi, Banana Yoshimoto, Jun'ichirō Tanizaki, Oscar Wilde, Kōbō Abe, Yōko Ogawa, Shūji Terayama, and Hiromi Kawakami. The book concludes by showing the promise of theories surrounding Japan's shōjo, or girls', culture for non-Japanese works. Lucy Fraser is Senior Lecturer in Japanese at The University of Queensland, Australia, where she teaches Japanese language and literature. Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

“The Little Mermaid” has become popular around the world since the Danish author Hans Christian Andersen published it almost two centuries ago. Lucy Fraser's The Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of “The Little Mermaid” (Wayne State University Press, 2017) uses Japanese and American transformations of “The Little Mermaid” to think through the pleasures that the text provides for consumers. Building on Mayako Murai's From Dog Bridegroom to Wolf Girl: Contemporary Japanese Fairy-Tale Adaptations in Conversation with the West, Fraser tracks transformations from the nineteenth century through 2008, with particular attention to literary and filmic media. The binary languages of the title are matched by a series of binaries that Fraser identifies within The Little Mermaid and its transformations. Fraser shows how Andersen's story presents readers with strict binaries – like human-merfolk, sea-land, and soul-soulless – only for the protagonist to transgress them. The Pleasures of Metamorphosis then presents readers with more binaries – between transformations that emphasize the (male, human) prince and those that emphasize the (female, non-human) mermaid, for example – to show the diverse pleasures inherent to the text. In so doing, The Pleasures of Metamorphosis traverses Disney's classic animated film and Studio Ghibli's more recent Ponyo (2008) as well as literature by a host of skilled writers, including Yumiko Kurahashi, Banana Yoshimoto, Jun'ichirō Tanizaki, Oscar Wilde, Kōbō Abe, Yōko Ogawa, Shūji Terayama, and Hiromi Kawakami. The book concludes by showing the promise of theories surrounding Japan's shōjo, or girls', culture for non-Japanese works. Lucy Fraser is Senior Lecturer in Japanese at The University of Queensland, Australia, where she teaches Japanese language and literature. Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

INTERNATIONAL BEST-SELLING AUTHOR!!!https://sueharrison.com/https://www.amazon.com/Midwifes-Touch-Sue-Harrison/dp/1504076257Sue Harrison is the author of six critically acclaimed bestselling novels. Mother Earth Father Sky, My Sister the Moon, and Brother Wind make up The Ivory Carver Trilogy, an epic adventure set in prehistoric Alaska. Song of the River, Cry of the Wind, and Call Down the Stars comprise The Storyteller Trilogy.  Sue has also written a middle readers book, Sisu, released by Thunder Bay Press.Harrison's first novel, Mother Earth Father Sky, was published in 1990 by Doubleday (hardcover) and Avon (paperback) and in 2013 by Open Road Integrated Media (ebook). It was nominated in the states of Michigan and Washington for the Reader's Choice Award among high school students, and was one of ten books chosen for “Battle of the Books,” a statewide student reading competition in Alaska. The novel has had success in both the adult and young adult markets, and received a boxed review in The New York Times Book Review. It has been a national Publishers Weekly bestseller, and recently an Amazon top three paid books bestseller in ebook format. Mother Earth Father Sky was selected by the American Library Association as one of 1991's Best Books for Young Adults.Harrison's books have also been published in Canada, Great Britain, Australia, New Zealand, The Netherlands, Belgium, Sweden, Germany, Italy, Spain, Iceland, Denmark, Norway, Austria, Portugal, Japan, France, Finland, and South America. Her work has been anthologized by Northwest Books, Wayne State University Press, and Michigan State University Press (And Here, 2017).Sue Harrison's next novel, The Midwife's Touch, is slated for release from Open Road Integrated Media February 7, 2023. Set in New York and the Ozarks in the mid-1800s, the book is a genre blender of historical fiction and fantasy.Thank you to Sue and to all of our Bamboo Pack  Members!Your host, BrianStop Drinking and Start Living Podcast With Expert Holistic Alcohol Coach, Mary WagstaffPractical Tools & Strategies To Get Alcohol Out Of Your Way & Enhance Your LifeListen on: Apple Podcasts Spotify Should You Take That Case?The goal of our show is to be a resource for legal professionals who pursue medical...Listen on: Apple Podcasts Make A Move Podcast Make A Move Podcast showcases stories of how people have found creative ways to live...Listen on: Apple Podcasts Spotify

This week we conclude our discussion of the Edmund Fitzgerald, with special returning guest Kaylee!Topics include- search efforts on the night of November 10, 1975- modern analysis of the wind and wave conditions on the night of the sinking- literature published about the Fitzgerald since 1977- controversy and disagreements over investigations of the wreckSources and further reading:Flesher, John. "Book Photo, Video of Crewman's Remains Angers Victims' Families." AP News, 3 Nov 1995. https://apnews.com/article/a2e00a029453cf06801b1c210655bacfHemming, Robert J. Gales of November. Contemporary Books, 1981.Hultquist, Thomas R., Michael R. Dutter, and David J. Schwab. “Reexamination of the 9-10 November 1975 ‘Edmund Fitzgerald' Storm Using Today's Technology.” Bulletin of the American Meteorological Society, vol. 87, no. 5, May 2006, pp. 607 - 622. Justice, Jacqueline. “Classical Tragedy and the Wreck of the Edmund Fitzgerald: Why the Legend Lives On.” The Journal of American Culture, vol. 36, no. 2, June 2013, pp. 88 - 98.Kieselburg, James R. “Midwestern Images of Labor: Wisconsin Artists and Their Portrayal of Industry.” The Journal of the Society for Industrial Archaeology, vol. 34, no. 1-2, 2008, pp. 135 - 148. Marine Casualty Report, United States Coast Guard.  https://www.dco.uscg.mil/Portals/9/DCO%20Documents/5p/CG-5PC/INV/docs/boards/edmundfitz.pdfRafferty, Colin. “Surfacing.” Fourth Genre: Exploration in Nonfiction, vol. 12, no. 2, Fall 2010, pp. 17 - 26. Schumacher, Michael. Mighty Fitz: The Sinking of the Edmund Fitzgerald. University of Minnesota Press, 2012.Schumacher, Michael. The Trial of the Edmund Fitzgerald: Eyewitness Accounts From the U.S. Coast Guard Hearings. University of Minnesota Press, 2019. Stonehouse, Frederick. The Wreck of the Edmund Fitzgerald. Avery Color Studios, 1996. Thompson, Mark L. Graveyard of the Lakes. Wayne State University Press, 2004. Support the show

Cindy Hunter Morgan is the author of Harborless, a book of poems informed by Great Lakes shipwrecks, which was published by Wayne State University Press. It was a 2018 Michigan Notable Book and the winner of the 2017 Moveen Prize in Poetry. Apple Season won the Midwest Writing Center's 2012 Chapbook Contest, and The Sultan, The Skater, The Bicycle Maker won The Ledge Press 2011 Poetry Chapbook Award. She writes regularly for Murder Ballad Monday, a blog devoted to the exploration of the murder ballad tradition in folk and popular music. Her work has appeared in a variety of journals, including Tin House Online, Passages North, Salamander, Sugar House Review, The Pinch, and West Branch. Cindy Hunter Morgan writes occasionally for Murder Ballad Monday, a blog devoted to the exploration of the murder ballad tradition in folk and popular music. She is a co-founder of Filmetry: A Festival of Film and Poetry. For several years, Hunter Morgan taught poetry and book arts at Michigan State University. She now heads up communications for Michigan State University Libraries. Her new poetry collection, Far Company, will be released by Wayne State University Press in May 2022. https://www.wsupress.wayne.edu/books/detail/far-companyhttps://www.cindyhuntermorgan.com/

In Far Company, we hear Cindy Hunter Morgan thinking about the many ways we carry the natural world inside of us as a kind of embedded cartography. Many of these poems commune not only with lost ancestors but also past poets.  Morgan's previous book, Harborless, was a Michigan Notable Book of 2018. We spoke with Morgan about her new collection of poems, out this week via Wayne State University Press. 

Featured Guest: Rochelle RileyAbout our guest:  Rochelle Riley ended a nearly 20-year career as an award-winning Detroit columnist in 2019 to become the City of Detroit's Director of Arts and Culture. She now guides the city's investment in the creative economy and creates opportunities for transformative innovation. She offers commentary on MSNBC and NPR and contributes to Essence and Ebony magazines.  She received the 2017 Ida B. Wells Award from the National Association of Black Journalists “for her outstanding efforts to make newsrooms and news coverage more accurately reflect the diversity of the communities they serve” and the 2018 Lifetime Achievement Award from the Society of Professional Journalists. She was a 2016 inductee into the Michigan Journalism Hall of Fame and a 2019 inductee into the North Carolina Media and Journalism Hall of Fame. And she is a co-founder of Letters to Black Girls, an initiative to give letters of advice and encouragement from women across the country to girls across the country. The essayist, keynoter, and arts advocate is the author of That They Lived: African Americans Who Changed The World along with Cristi Smith-Jones (2021) and editor of The Burden: African Americans and the Enduring Impact of Slavery (2020,) both published by Wayne State University Press. Rochelle lives near the banks of the Detroit River. But the world traveler never stays at home long. She has visited 28 countries and 33 states… and counting.Rochelleriley.comhttps://www.wsupress.wayne.edu/books/detail/they-livedhttps://www.wsupress.wayne.edu/books/detail/burden

This episode, we are hosting a roundtable discussion with Victoria Aarons, Jenny Caplan, and Jodi Eichler-Levine about Art Spiegelman's graphic novel Maus, and the recent controversy from January 2022 when a school board in Tennessee banned its teaching. This is a timely topic that ties together the history of Holocaust memory, Holocaust literature (including children's Holocaust literature), education, and broad social and cultural issues of the present. Listen in as we dive into why Maus is such an important, even landmark work in Holocaust literature, what happened with this attempt to ban Maus, and what it tells us about ongoing debates about what is taught in schools and universities. Topics, books, and relevant articles discussed today include: Maus and Maus II, by Art SpiegalmanJenny Caplan, "You Can't Just Swap Out 'Maus' For Another Holocaust Book. It's Special." (JTA, Jan. 31, 2022)Minutes of the McMinn County, Tennessee, school board meeting where Maus was banned (Jan. 10, 2022) Our three guests bring together a wide range of research and thinking on the Holocaust, Holocaust literature and education, and also the intersection of Holocaust memory and popular culture: Victoria Aarons is the O.R. and Eva Mitchell Distinguished Professor of Literature in the English Department at Trinity University in San Antonio, where she teaches courses on American Jewish and Holocaust literatures. She is the author or editor of numerous books, most recently Holocaust Graphic Narratives: Generation, Trauma, and Memory, which was published in 2020 by Rutgers University Press. Jenny Caplan is an assistant professor of religious studies at Towson University, where she's also the program director for Jewish studies. She teaches courses in Jewish comics and graphic novels, and has several recent and forthcoming publications on Jewish identity, gender, meaning making, and comics. Her forthcoming book on American Jewish humor will be published with Wayne State University Press. Jodi Eichler-Levine is the Berman Professor of Jewish Civilization and Professor of Religion Studies at Lehigh University. She is the author of Painted Pomegranates and Needlepoint Rabbis: How Jews Craft Resilience and Create Community, which was published in 2020 the University of North Carolina Press . She is currently writing a book about the intersections between religion and the Walt Disney Company.

Zilka Joseph was awarded a Zell Fellowship and the Elsie Choy Lee Scholarship from the University of Michigan. Her work has appeared in Poetry, Poetry Daily, The Writers' Chronicle, Frontier Poetry, Kenyon Review Online, and other publications. Sharp Blue Search of Flame, her book of poems published by Wayne State University Press, was a finalist for the Foreword INDIES Book Award. In Our Beautiful Bones, her most recent book, has had been nominated for a Pushcart, A PEN, and a Michigan Notable Book Award. She was born in Mumbai, lived in Kolkata, and now lives in Ann Arbor, Michigan. Her work is influenced by Eastern and Western cultures and by her Bene Israel roots. She teaches creative writing workshops, and is a freelance editor and manuscript advisor. She is dedicated to coaching, lifting up every writer she works with, and creating a unique community of writers/students wherever she lives and teaches. Find Zilka's books and more at: http://www.zilkajoseph.com/ As always, we'll also include live open lines for responses to our weekly prompt or any other poems you'd like to share. For details on how to participate, either via Skype or by phone, go to: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a poem about an act of rebellion. Next Week's Prompt: Write a poem about one of your ancestors. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

We delve into Jacques Demy's weird, psychedelic fairy story ‘Peau d'âne' (1970) and wonder about its many meanings. See links below. Don't forget to check out our Patreon page: https://www.patreon.com/bandeapartpodcast Jacques Demy (director), Agostino Pace (costume design), Gitt Magrini (costume realisation), Peau d'âne (1970): https://www.imdb.com/title/tt0066207/ Charles Perrault, ‘Donkey Skin', from: Charles Perrault, ‘Old-Time Stories told by Master Charles Perrault', translated by A. E. Johnson, New York: Dodd Mead and Company (1921): https://sites.pitt.edu/~dash/perrault11.html Charles Perrault, ‘Contes des fees ...' (1817): https://gallica.bnf.fr/ark:/12148/bpt6k6214877h/f181.item and https://gallica.bnf.fr/ark:/12148/bpt6k6214877h/f206.item Célia Bellache, ‘Les costumes et décors de Peau d'Âne de Jacques Demy', Florilèges (2 January 2021): https://florilegeswebjournal.com/2021/01/02/les-costumes-et-decors-de-peau-dane-de-jacques-demy/ Rodney Hill, ‘Donkey Skin (Peau d'âne)', Film Quarterly, 59/2 (Winter 2005/2006): https://doi.org/10.1525/fq.2005.59.2.40 Anne E. Duggan, ‘The Camping of “Donkey Skin”: Jacques Demy's Cinematic Re-Vision of a Classic Tale', in: Queer Enchantments: Gender Sexuality, and Class in the Fairy-Tale Cinema of Jacques Demy, Wayne State University Press (2013) Natalie Olah, ‘Jim Leon', Dazed (28 October 2012): https://www.dazeddigital.com/artsandculture/article/14960/1/jim-leon Videos relating to the filming of Peau d'âne: https://www.cinematheque.fr/zooms/demy/en/toutes_les_videos.php Anna Biller: https://www.lifeofastar.com/index.html Anna Biller (director and much else), ‘The Love Witch' (2016): https://www.lifeofastar.com/lovewitch.html and https://www.imdb.com/title/tt3908142/ Taking care of your Lederhosen: https://www.spieth-wensky.de/trachtentrends/lederhosenhandbuch/

Show Notes On the podcast this week: our final episode of Season 4, Iraj returns to talk about asteroids, nuclear explosions, and capes, Thom names names, and Nina looks at alternative narrative frameworks. Plus we clean up a few ambiguities, answer some questions, and come clean about our favorite mobile suits. Will Thom's controversial takes enrage the MSB fandom?! Names, Names, Names: The Geara Doga _The Nagano designs for a 'Killah Doga' / キラ・ドガ and a サイコ・ドーラ can be seen in this Twitter post by Mark Simmons. _ _The DWDS (Digital Dictionary of the German language) records usages of Killer going back to 1972. _ The assertion that the Geara Doga and its gear was designed to look like a German WWII soldier is from the Japanese Wikipedia page for the Geara Doga, which cites: Yutaka Izubuchi "Yutaka Izubuchi Mechanical Design Works (1)" Movic, August 2000, pp. 16-17. ISBN  978-4896014907. The Alpha Azieru Izubuchi Yutaka explains that he drew the Alpha Azieru without having been asked, and says that the name comes from the Greek letter α and the word アジール, meaning an asylum or refuge. Background on what アジール means in Japanese can be found at the Japanese Wikipedia page. Jisho.org page on アジール which specifies the German derivation from Asyl. The Sazabi Izubuchi Yutaka explains that the prior title for the MS was ザ・ナック and that he thought Sazabi would be hard to trademark. ZeonicScanlations Twitter thread translating excerpts from an old Animedia book and specifying the Sotheby's reference. _ZeonicScanlations page translating a section of B-Club 30 from 1988 about the Sazabi, mentioning Zanac and the conflict with a similarly named Famicom game. _ The video game Zanac, which prevented CCA from using ザ・ナック for the Sazabi. _Japanese Wikipedia page on the Sazabi. _ _Japanese Wikipedia page for The Knack (the band). _ And the Japanese Wikipedia page for "My Sharona," specifically. _A rundown by Zimmerit.moe of musical references included in Nagano Mamoru's Five Star Stories. _ English-language interview with Izubuchi Yutaka in which he mentions the name issues for the Sazabi. Nagano's design for the Naitiengeaile (Nightingale) can be seen on this twitter post by Mark Simmons. Nagano's revision of the Naitiengeaile as the Nahatgall (ナハトガル, Nachtigall) can be seen here, or here. Story Structures, Cross-Cultural Analysis: Masterclass overview of 4 different story structures. Author Kim Yoon Mi's overview of story structures from around the world. Tofugu article about how arguments are structured in Japanese (with reference to how this relates to Japanese story structures. Blog post from art-collective Still Eating Oranges about "plot without conflict." _dbpedia and Japanese Wikipedia pages for kishoutenketsu (起承転結). _ _Articles on kishoutenketsu from Art of Narrative, Book Riot, Mythic Scribes, and Tofugu (Tofugu specifically looking at how this structure is used in Japanese horror). _ Papers and articles: Francisco Vaz da Silva. “Narrative Cultures in the Mirror.” Narrative Culture, vol. 1, no. 1, Wayne State University Press, 2014, pp. 85–108, https://doi.org/10.13110/narrcult.1.1.0085. Matsuyama, Utako K. “Can Story Grammar Speak Japanese?” The Reading Teacher, vol. 36, no. 7, [Wiley, International Reading Association], 1983, pp. 666–69, http://www.jstor.org/stable/20198301. Koenitz, Hartmut & Pastena, Andrea & Jansen, Dennis & Lint, Brian & Moss, Amanda. (2018). The Myth of ‘Universal' Narrative Models. 10.1007/978-3-030-04028-4_8. Accessed at https://www.researchgate.net/publication/329064597_The_Myth_of_%27Universal%27_Narrative_Models Lien, Henry. “Diversity Plus: Diverse Story Forms and Themes, Not Just Diverse Faces.” SFWA, 18 Dec. 2020, https://www.sfwa.org/2021/01/05/diversity-plus-diverse-story-forms-and-themes-not-just-diverse-faces/. Wikipedia page for jo-ha-kyuu (序破急). Mobile Suit Breakdown is written, recorded, and produced within Lenapehoking, the ancestral and unceded homeland of the Lenape, or Delaware, people. Before European settlers forced them to move west, the Lenape lived in New York City, New Jersey, and portions of New York State, Pennsylvania, Delaware, and Connecticut. Lenapehoking is still the homeland of the Lenape diaspora, which includes communities living in Oklahoma, Wisconsin, and Ontario. You can learn more about Lenapehoking, the Lenape people, and ongoing efforts to honor the relationship between the land and indigenous peoples by visiting the websites of the Delaware Tribe and the Manhattan-based Lenape Center. Listeners in the Americas and Oceania can learn more about the indigenous people of your area at https://native-land.ca/. We would like to thank The Lenape Center for guiding us in creating this living land acknowledgment. You can subscribe to Mobile Suit Breakdown for free! on fine Podcast services everywhere and on YouTube, visit our website GundamPodcast.com, follow us on Twitter, Instagram, and Facebook, or email your questions, comments, and complaints to gundampodcast@gmail.com. Mobile Suit Breakdown wouldn't exist without the support of our fans and Patrons! You can join our Patreon to support the podcast and enjoy bonus episodes, extra out-takes, behind-the-scenes photos and video, MSB gear, and much more! The intro music is WASP by Misha Dioxin, and the outro is Long Way Home by Spinning Ratio, both licensed under Creative Commons CC BY 4.0 licenses. The recap music for Season 3 is New York City (instrumental) by spinningmerkaba, licensed under a Creative Commons Attribution (3.0) license.. All music used in the podcast has been edited to fit the text. Mobile Suit Breakdown provides critical commentary and is protected by the Fair Use clause of the United States Copyright law. Gundam content is copyright and/or trademark of Sunrise Inc., Bandai, Sotsu Agency, or its original creator. Mobile Suit Breakdown is in no way affiliated with or endorsed by Sunrise, Bandai, Sotsu, or any of their subsidiaries, employees, or associates and makes no claim to own Gundam or any of the copyrights or trademarks related to it. Copyrighted content used in Mobile Suit Breakdown is used in accordance with the Fair Use clause of the United States Copyright law. Any queries should be directed to gundampodcast@gmail.com

A native of Detroit, Jim Daniels currently lives in Pittsburgh and is the Thomas S. Baker University Professor Emeritus at Carnegie Mellon. His recent books include Rowing Inland (Wayne State University Press, 2017) and The Perp Walk. He also coedited the anthology RESPECT: The Poetry of Detroit Music. His most recent book, Gun/Shy, has just been published by Wayne State University Press. Jim Daniels has appeared in five issues of Rattle, most recently issue #57. Find Gun/Shy here: https://www.wsupress.wayne.edu/books/detail/gunshy As always, we'll also include live open lines for responses to our weekly prompt or any other poems you'd like to share. For details on how to participate, either via Skype or by phone, go to: https://www.rattle.com/rattlecast/ This Week's Prompt: Take a walk around your neighborhood and write a poem about it. (Alternatives to walking: Take a drive, sit on your porch, or look out your window.) Next Week's Prompt: Write a tricube, a form invented by Phillip Larrea that consists of three stanzas made up of three lines where each line contains three syllables. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Avinoam Patt joins us to talk about the Warsaw ghetto uprising and its afterlife: How it was understood during the time of the Second World War itself, and how it's been remembered in the decades since. In our conversation today, the book offers a platform to think deeply about how the Ghetto uprising has been mythologized, the role of Warsaw in modern Jewish memory, and the history and memory of the Holocaust at large. Purchase The Jewish Heroes of Warsaw: The Afterlife of a Revolt on Amazon Avinoam Patt is the Doris and Simon Konover Chair of Judaic Studies at the University of Connecticut, where he is also the Director of the Center for Judaic Studies and Contemporary Jewish Life. Avi's research focuses on the history of the Holocaust and its aftermath, and his first book was Finding Home and Homeland: Jewish Youth and Zionism in the Aftermath of the Holocaust, which was published in 2009. He has also edited a number of volumes, and his most recent book which we'll be talking about today is The Jewish Heroes of Warsaw: The Afterlife of the Revolt, which was published in 2021 by Wayne State University Press. The Jewish Heroes of Warsaw, which is the starting point for our conversation today, explores how the Jews who fought in the 1943 Warsaw Ghetto uprising have been understood and why it matters. People outside of Europe knew about the uprising soon after it too place — but given the war's chaos, it was unclear who exactly had led the it. So in the months and years that followed, the Warsaw Ghetto uprising was instrumentalized, or put to use, by Jewish socialists, Zionists, and others who wanted to take credit for the uprising and thereby lend legitimacy to their own ideologically-driven understanding of the ghetto uprising and the Holocaust at large.

Laura Hulthen Thomas is the author of 'States of Motion,' a short story collection (from Wayne State University Press); she also heads the undergraduate creative writing program at the University of Michigan's Residential College, teaching fiction and creative nonfiction. A story that she performed on this podcast is going to be published this month via Fail Better magazine. http://www.wsupress.wayne.edu/books/detail/states-motion   http://sites.lsa.umich.edu/rcwriters/  

Jeff Vande Zande discusses his story, "Load," with host, Kelly Fordon. "Load" was first published in Fiction Circus: http://fictioncircus.com/story.php?storyid=load and later in his short story collection, "The Neighborhood Division." Please read the story first before listening to our discussion. The PDF is available at www.kellyfordon.com/blog. BIO: Jeff Vande Zande teaches fiction writing, screenwriting, and film production at Delta College in Michigan. His award-winning short films have been accepted over 200 times in national and international film festivals. His books of fiction include the story collections Emergency Stopping (Bottom Dog Press) and Threatened Species (Whistling Shade Press). His novels include Into the Desperate Country (March Street Press), Landscape with Fragmented Figures (Bottom Dog Press), American Poet (Bottom Dog Press), and Detroit Muscle (Whistling Shade Press). In 2012, American Poet won a Michigan Notable Book Award from the Library of Michigan. In 2020, Whistling Shade Press released his new collection, The Neighborhood Division: Stories, and in 2022, Montag Press will release his new dystopian novel, Falling Sky. He maintains a blog at www.authorjeffvandezande.blogspot.com Kelly Fordon's latest short story collection, I Have the Answer, (Wayne State University Press, 2020) was chosen as a Midwest Book Award Finalist and an Eric Hoffer Finalist. Her 2016 Michigan Notable Book, Garden for the Blind, (WSUP), was an INDIEFAB Finalist, a Midwest Book Award Finalist, Eric Hoffer Finalist, and an IPPY Awards Bronze Medalist. Her first full-length poetry collection, Goodbye Toothless House, (Kattywompus Press, 2019) was an Eyelands International Prize Finalist and an Eric Hoffer Finalist and was adapted into a play, written by Robin Martin, which was published in The Kenyon Review Online. www.kellyfordon.com

Fleda Brown's tenth collection of poems, Flying Through a Hole in the Storm (2021) won the Hollis Summers Prize from Ohio University Press. Earlier poems can be found in The Woods Are On Fire: New & Selected Poems, chosen by Ted Kooser for the University of Nebraska poetry series in 2017. Her work has appeared three times in The Best American Poetry and has won a Pushcart Prize, the Felix Pollak Prize, the Philip Levine Prize, and the Great Lakes Colleges New Writer's Award, and has twice been a finalist for the National Poetry Series. Her new memoir, Mortality, with Friends will be out from Wayne State University Press next month. She is professor emerita at the University of Delaware and was poet laureate of Delaware from 2001-07.

Welcome to "Let's Deconstruct a Story" where we read a story and then "deconstruct" it with the author. In order to get the most out of our interview, please read Treena Thibodeau's story first here: www.kellyfordon.com/blog. Treena Thibodeau's work has appeared or is forthcoming in The Rumpus, Atticus Review, Able Muse, Vol. 1 Brooklyn, Pithead Chapel, and Barrelhouse. The director of the online reading series TGI (www.tgicast.com), Thibodeau's fiction has received support from the Vermont Studio Center, the Tin House Summer Conference, and the Gulkistan Center in Iceland. She holds an MFA from Columbia University and resides in Queens. Let's Deconstruct a Story is hosted by Kelly Fordon whose latest short story collection, I Have the Answer, (Wayne State University Press, 2020) was chosen as a Midwest Book Award Finalist and an Eric Hoffer Finalist. Her first book, Garden for the Blind, (WSUP, 2015), was an INDIEFAB Finalist, a Midwest Book Award Finalist, Eric Hoffer Finalist, and an IPPY Awards Bronze Medalist. Her first full-length poetry collection, Goodbye Toothless House, (Kattywompus Press, 2019) was an Eyelands International Prize Finalist and an Eric Hoffer Finalist and was adapted into a play by Robin Martin, which was published in The Kenyon Review Online. She is the author of three award-winning poetry chapbooks and has received a Best of the Net Award and Pushcart Prize nominations in three different genres. www.kellyfordon.com

Harvey Ovshinsky is a writer, producer, story consultant, educator, and public speaker. He was only seventeen when he started The Fifth Estate, one of the country's oldest underground newspapers. Five years later, he become one of the county's youngest news directors in commercial radio at WABX-FM, Detroit's notorious progressive rock station. Both jobs placed him directly in the bullseye of the nation's tumultuous counterculture of the 1960s and 70s. Later, as a documentary director, his work was awarded broadcasting's highest honors, including a national Emmy, a Peabody, and the American Film Institute's Robert M. Bennett Award for Excellence. Now he's sharing the behind-the-scenes stories from his career in Scratching the Surface from Wayne State University Press. The memoir also doubles as a survival guide and an instruction manual that speaks not only to the need for storytelling and the role that endurance and resilience play in the creative process.https://www.wsupress.wayne.edu/books/detail/scratching-surface

Kelly Fordon talks to Esperanza Cintrón about her award-winning collection, Shades, Detroit Love Stories, a collection of interconnected short stories published by Wayne State University Press (2019). The conversation focuses on the first story, "The Beard." To read the story please visit www.kellyfordon.com/blog. For more about Esperanza Cintrón, please visit her website here: http://esperanzacintron.com/. Esperanza Cintrón's Shades: Detroit Love Stories is a short story collection that is distinctly Detroit. By touching on a number of romantic and sexual encounters that span the historical and temporal spaces of the city, each of these interconnected stories examines the obstacles an individual faces and the choices he or she makes in order to cope and, hopefully, survive in the changing urban landscape. Shades begins in the 1960s by following two young black women who are determined to find joy in their lives even as they struggle to make ends meet. Their lives continue to evolve under triumphant and disappointing conditions—falling in and out of love, giving birth, raising children, and struggling to "make it" despite disappointing and tenuous love affairs and relationships. The setting throughout the eighteen stories shifts as these women age and their children extend the timeline, reflecting on the city's social and political changes over three decades, as well as the pitfalls, tragedies, and opportunities these linked families encounter. Cintrón favors an everyday vernacular for her characters' voices in order to reflect the complexities of their working/middle-class, ethnic, and racial identities. Divided into two sections, Eastside and Westside, the collection gives a nod to the sometimes contentious geographical split marked by Woodward Avenue. Cintrón takes readers through city streets—from neighborhood bars to burger joints—while painting lyrical portraits of the unique and multifaceted characters whose honesty shatters the illusion of endless love and happily-ever-after fantasies, as they clash with the circumstances of economics and race. Cintrón's stories capture the rhythms of language and the poetry of the people and will interest readers of fiction or poetry who seek to understand love. https://www.wsupress.wayne.edu/books/detail/shades

Authentically Orthodox: A Tradition-Bound Faith in American Life (Wayne State University Press, 2020), by Zev Eleff, challenges the current historical paradigm in the study of Orthodox Judaism and other tradition-bound faith communities in the United States. Paying attention to "lived religion," the book moves beyond sermons and synagogues and examines the webs of experiences mediated by any number of American cultural forces. Eleff lucidly explores Orthodox Judaism's engagement with Jewish law, youth culture and gender, and how this religious group has been affected by its indigenous context. To do this, the book makes ample use of archives and other previously unpublished primary sources. Eleff explores the curious history of Passover peanut oil and the folkways and foodways that battled in this culinary arena to both justify and rebuff the validity of this healthier substitute for other fatty ingredients. He looks at the Yeshiva University quiz team's fifteen minutes of fame on the nationally televised College Bowl program and the unprecedented pride of young people and youth culture in the burgeoning Modern Orthodox movement. Another chapter focuses on the advent of women's prayer groups as an alternative to other synagogue experiences in Orthodox life and the vociferous opposition it received on the grounds that it was motivated by "heretical" religious and social movements. Whereas past monographs and articles argue that these communities have moved right toward a conservative brand of faith, Eleff posits that Orthodox Judaism-like other like-minded religious enclaves-ought to be studied in their American religious contexts. The microhistories examined in Authentically Orthodox are some of the most exciting and understudied moments in American Jewish life and will hold the interest of scholars and students of American Jewish history and religion. Zev Eleff is chief academic officer of Hebrew Theological College and associate professor of Jewish History at Touro College. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Authentically Orthodox: A Tradition-Bound Faith in American Life (Wayne State University Press, 2020), by Zev Eleff, challenges the current historical paradigm in the study of Orthodox Judaism and other tradition-bound faith communities in the United States. Paying attention to "lived religion," the book moves beyond sermons and synagogues and examines the webs of experiences mediated by any number of American cultural forces. Eleff lucidly explores Orthodox Judaism's engagement with Jewish law, youth culture and gender, and how this religious group has been affected by its indigenous context. To do this, the book makes ample use of archives and other previously unpublished primary sources. Eleff explores the curious history of Passover peanut oil and the folkways and foodways that battled in this culinary arena to both justify and rebuff the validity of this healthier substitute for other fatty ingredients. He looks at the Yeshiva University quiz team's fifteen minutes of fame on the nationally televised College Bowl program and the unprecedented pride of young people and youth culture in the burgeoning Modern Orthodox movement. Another chapter focuses on the advent of women's prayer groups as an alternative to other synagogue experiences in Orthodox life and the vociferous opposition it received on the grounds that it was motivated by "heretical" religious and social movements. Whereas past monographs and articles argue that these communities have moved right toward a conservative brand of faith, Eleff posits that Orthodox Judaism-like other like-minded religious enclaves-ought to be studied in their American religious contexts. The microhistories examined in Authentically Orthodox are some of the most exciting and understudied moments in American Jewish life and will hold the interest of scholars and students of American Jewish history and religion. Zev Eleff is chief academic officer of Hebrew Theological College and associate professor of Jewish History at Touro College. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Authentically Orthodox: A Tradition-Bound Faith in American Life (Wayne State University Press, 2020), by Zev Eleff, challenges the current historical paradigm in the study of Orthodox Judaism and other tradition-bound faith communities in the United States. Paying attention to "lived religion," the book moves beyond sermons and synagogues and examines the webs of experiences mediated by any number of American cultural forces. Eleff lucidly explores Orthodox Judaism's engagement with Jewish law, youth culture and gender, and how this religious group has been affected by its indigenous context. To do this, the book makes ample use of archives and other previously unpublished primary sources. Eleff explores the curious history of Passover peanut oil and the folkways and foodways that battled in this culinary arena to both justify and rebuff the validity of this healthier substitute for other fatty ingredients. He looks at the Yeshiva University quiz team's fifteen minutes of fame on the nationally televised College Bowl program and the unprecedented pride of young people and youth culture in the burgeoning Modern Orthodox movement. Another chapter focuses on the advent of women's prayer groups as an alternative to other synagogue experiences in Orthodox life and the vociferous opposition it received on the grounds that it was motivated by "heretical" religious and social movements. Whereas past monographs and articles argue that these communities have moved right toward a conservative brand of faith, Eleff posits that Orthodox Judaism-like other like-minded religious enclaves-ought to be studied in their American religious contexts. The microhistories examined in Authentically Orthodox are some of the most exciting and understudied moments in American Jewish life and will hold the interest of scholars and students of American Jewish history and religion. Zev Eleff is chief academic officer of Hebrew Theological College and associate professor of Jewish History at Touro College. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Authentically Orthodox: A Tradition-Bound Faith in American Life (Wayne State University Press, 2020), by Zev Eleff, challenges the current historical paradigm in the study of Orthodox Judaism and other tradition-bound faith communities in the United States. Paying attention to "lived religion," the book moves beyond sermons and synagogues and examines the webs of experiences mediated by any number of American cultural forces. Eleff lucidly explores Orthodox Judaism's engagement with Jewish law, youth culture and gender, and how this religious group has been affected by its indigenous context. To do this, the book makes ample use of archives and other previously unpublished primary sources. Eleff explores the curious history of Passover peanut oil and the folkways and foodways that battled in this culinary arena to both justify and rebuff the validity of this healthier substitute for other fatty ingredients. He looks at the Yeshiva University quiz team's fifteen minutes of fame on the nationally televised College Bowl program and the unprecedented pride of young people and youth culture in the burgeoning Modern Orthodox movement. Another chapter focuses on the advent of women's prayer groups as an alternative to other synagogue experiences in Orthodox life and the vociferous opposition it received on the grounds that it was motivated by "heretical" religious and social movements. Whereas past monographs and articles argue that these communities have moved right toward a conservative brand of faith, Eleff posits that Orthodox Judaism-like other like-minded religious enclaves-ought to be studied in their American religious contexts. The microhistories examined in Authentically Orthodox are some of the most exciting and understudied moments in American Jewish life and will hold the interest of scholars and students of American Jewish history and religion. Zev Eleff is chief academic officer of Hebrew Theological College and associate professor of Jewish History at Touro College. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Joseph Harris and Kelly Fordon discuss the first book from Harris's thrilling interconnected narrative, You're in the Wrong Place. Charles Baxter stated that "Joseph Harris has a particular feeling for the Detroit suburbs and the slightly stunted lives of the young people there. . . . You're in the Wrong Place isn't uniformly downbeat—there are all sorts of rays of hope that gleam toward the end." The book, composed of twelve stories, begins in the fall of 2008 with the shuttering of Dynamic Fabricating—a fictional industrial shop located in the Detroit suburb of Ferndale. Over the next seven years, the shop's former employees—as well as their friends and families—struggle to find money, purpose, and levity in a landscape suddenly devoid of work, faith, and love. In "Would You Rather," a young couple brought together by Dynamic Fabricating shares a blissful weekend in Northern Michigan, unaware of the catastrophe that awaits them upon their return home. In "Acolytes," a devout Catholic clings to her faith as her brothers descend into cultish soccer violence. In "Memorial," an ex-Dynamic worker scrapes money together for a tribute to his best friend, lost to the war in Afghanistan. In "Was It Good for You?" a cam girl deconstructs materialism with her aging great aunt, a luxury sales associate, and an anxious, faceless client. And in the title story, simmering tensions come to a boil on a hot summer day for a hardscrabble landscaping crew, hired by the local bank to maintain the lawns of foreclosures. In turns elegiac and harrowing, You're in the Wrong Place blends lyric intensity with philosophical eroticism to create a singular, powerful vision of contemporary American life. Readers of contemporary fiction grounded in place need to take up this collection. The story "Jack" is available at www.kellyfordon.com. The book can be purchased at Wayne State University Press here or Bookshop here.

On today's show, Will sits down with John Gibbs, Head of the School of Arts & Communication Design and Professor of Film at the University of Reading, to discuss style-based criticism, his videographic work, and more. They discuss John's video essay, "‘Say, have you seen the Carioca?'," published as part of the AHRC/FAPESP-funded project, "Intermldia: Towards an Intermedial History of Brazilian Cinema." John and Will also talk about Liz Greene's "The Elephant Man's Sound, Tracked" and "The Strange Streets of a Strange City: The Ambersons Montage" by Patrick Keating. Douglas Pye also joins the show to discuss his new edited collection, V.F. Perkins on Movies: Collected Shorter Film Criticism, from Wayne State University Press. Doug and Will discuss the work of Perkins, how it relates to videographic criticism, and more. Music: Sonata No. 05 in C Minor, Op. 10 No. 1 - I. Allegro molto e con brio by Daniel Veesey is licensed under a Public Domain License | Brain Power by Mela is licensed under a Attribution-ShareAlike License. | Via FreeMusicArchive

Rochelle Riley recently ended a 20-year career as a nationally-syndicated, award-winning Detroit columnist in 2019 to become the City of Detroit's Director of Arts and Culture. In 2018, she published 'The Burden: African Americans and the Enduring Impact of Slavery,' and she's just followed that up with a new book, 'That They Lived: African Americans Who Changed the World.' In this new book, which is out this week via Wayne State University Press, Riley's words describe the formative moments in the lives of some of the icons of Black History, and those words are paired with the stunning photography of Cristi Smith-Jones, capturing black and white images of her daughter Lola, and Riley's grandson Caleb, dressed in full costume to recreate some of the most memorable images from our history books.      "That They Lived fills in gaps in the history that American children have been taught for generations. For African American children, it will prove that they are more than descendants of the enslaved. For all children, it will show that every child can achieve great things and work together to make the world a better place for all. Available where books are sold and from WSU."   More info: https://www.rochelleriley.com/the-burden/  - Music provided by Chad Stocker: https://honesttogoodness.bandcamp.com/ 

On June 19, Rutgers University's English Department announced a slew of actions it would be taking in solidarity with the Black Lives Matter movement, including incorporating critical grammar into its pedagogy. As department chair Rebecca L. Walkowitz explained, this new approach seeks to foster "a critical awareness of the variety of choices available to [students] w/ regard to micro-level [grammatical] issues." In response, the conservative Twittersphere swiftly attempted to CANCEL Rutgers English, with everyone from Andrew Sullivan to Thomas Chatterton Williams anointing themselves writing pedagogy experts and declaring Rutgers' approach substandard. But what exactly *is* critical grammar, and why might writing teachers want to deploy it? Further, what specific aspects of these conservative arguments makes them so misinformed, out-of-touch, and morally indefensible?To help answer these questions, Alex and Calvin are honored to be joined by Asao B. Inoue, professor and associate dean for Academic Affairs, Equity, and Inclusion in the College of Integrative Sciences and Arts at Arizona State University. Drawing heavily upon Professor Inoue's knowledge of critical language instruction, we address two conservative media responses to Rutgers English's announcement. The first piece we discuss, from Jeff Jacoby at The Patriot Post (yes, this is a real website), argues that writing instruction should be less concerned with social justice and more like Winston Churchill's grade school grammar classes. The second piece, from Fox News' The Ingraham Angle, directly samples an interview with Professor Inoue from last year, both fixating on his use of the term “languaging” and missing his point entirely, which he clarifies and contextualizes for us.After closely reading these texts, we conclude by noting an irony that may be familiar to listeners of past re:joinder episodes: these arguments fail even on their own terms, lacking logical rigor, empirical evidence, and rhetorical elegance. By contrast, we attempt to back up our arguments with credible research, anti-racist principles, and lived experiences of teaching and studying writing more recently than the 1990s.Relevant works by Asao B. Inoue:Inoue, A. B., & Poe, M. (2012). Race and Writing Assessment. Studies in Composition and Rhetoric. Volume 7. Peter Lang.Inoue, A. B. (2015). Antiracist writing assessment ecologies: Teaching and assessing writing for a socially just future. WAC Clearinghouse.Inoue, A. B. (2019). Labor-based grading contracts: Building equity and inclusion in the compassionate writing classroom. WAC Clearinghouse.Inoue, A. B. (2019). How do we language so people stop killing each other, or what do we do about white language supremacy? College Composition and Communication, 71(2), 352-369.Works referenced in this episode:CCCC Demands for Black Linguistic JusticePedagogue Podcast featuring Dr. Asao B. InoueBaker-Bell, A. (2020). Linguistic Justice: Black Language, Literacy, Identity, and Pedagogy. Routledge.Bowles, S., & Gintis, H. (1976). Schooling in capitalist America: Educational reform and the contradictions of economic life. Basic Books.Faigley, L. (1979). The influence of generative rhetoric on the syntactic maturity and writing effectiveness of college freshmen. Research in the Teaching of English, 13(3), 197-206.Jencks, C., & Phillips, M. (Eds.). (1998). The Black–White test score gap. Brookings Institution Press.Smitherman, G., & Smitherman-Donaldson, G. (1986). Talkin and testifyin: The language of Black America. Wayne State University Press.Sublette, J. R. (1973). The Dartmouth conference: Its reports and results. College English, 35(3), 348-357.Zancanella, D., Franzak, J., & Sheahan, A. (2016). Dartmouth revisited: Three English educators from different generations reflect on the Dartmouth Conference. English Education, 49(1), 13-27.

Welcome back, lovelies! Last week, Rick Barot blew our minds with his thoughts on how poetry connects to everything from Spanish paintings to runway models. This week, Rick reads us the poem "Given to Rust" by Vievee Francis, and we delight in how this poem invites us to think about lineation, survival, authorial intent v creation, and Emily Dickinson.  RICK BAROT was born in the Philippines, grew up in the San Francisco Bay Area, and attended Wesleyan University and The Writers' Workshop at the University of Iowa. He has published three books of poetry with Sarabande Books: The Darker Fall (2002); Want (2008); and Chord (2015), which was a finalist for the LA Times Book Prize and received the 2016 UNT Rilke Prize, the PEN Open Book Award, and the Publishing Triangle's Thom Gunn Award. Barot is the poetry editor of New England Review. He lives in Tacoma, Washington and teaches at Pacific Lutheran University. He is also the director of The Rainier Writing Workshop, the low-residency MFA in Creative Writing at PLU. His fourth book of poems, The Galleons, will be published by Milkweed Editions in Spring 2020. VIEVEE FRANCIS is the author of Forest Primeval (TriQuarterly Books, 2015), winner of the 2017 Kingsley Tufts Award; Horse in the Dark (Northwestern University Press, 2012), winner of the Cave Canem Northwestern University Press Poetry Prize; and Blue-Tail Fly (Wayne State University Press, 2006). The recipient of fellowships from Cave Canem and the Kresge Foundation, Francis currently serves as an editor for Callaloo and teaches English and creative writing at Dartmouth College. REFERENCES: "Give to Rust" by Vievee Francis (Academy of American Poets Poem-a-Day), enjambment, "Crumbling is not an instance act, or 1010" by Emily Dickinson