Podcasts about night fashion

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Noon To Night Fashion Show Recap + Curious Caucasian Question Learn more about your ad choices. Visit megaphone.fm/adchoices

In episode 47 of #BlackFashionHistory, Taniqua discusses the Basic Black fashion show of 1969 and its impact on fashion history. Follow us on IG: @blackfashionhistorypodcast @taniquarudell  Episode sponsor: Visit ofuure.com and use code BLACKFASHIONHISTORY for 10% off And if you haven't done so already, please take a moment to rate and review the show. We love hearing your feedback! #BlackFashionHistory

We discuss the wonderful morning we spent with designer Omer Asim and his collaborator Maya Antoun - looking at their beautiful and inspiring work that unites body and fabric in sensual minimalist forms. See links below. We are going to have a break and will be back in September. Have a great summer! http://www.omer-asim.com https://www.instagram.com/omer_asim https://www.instagram.com/maya.antoun/ Omer Asim, SHOWstudio: https://www.showstudio.com/contributors/omer_asim Jenny Pashkova, ‘Omer Asim', Off Black Magazine (2014): http://offblackmagazine.com/archive/archives/project/omer-asim Helen Jennings, ‘Omer Asim', Nataal (2017): https://nataal.com/omer-asim ‘Omer Asim: The Stealth SuperBrand', because magazine (17 June 2020): https://becauselondon.com/fashion/2020/omer-asim-shining-bright-under-the-radar/ Marie Grace Brown, ‘Khartoum at Night: Fashion and Body Politics in Imperial Sudan', Stanford University Press (2017): https://www.sup.org/books/title/?id=25840 Rebecca Arnold, ‘Vionnet and Classicism', in Vionnet, Judith Clark Costume (15 March – 16 April 2001): https://judithclarkcostume.com/wp-content/uploads/Judith-Clark-16pp-Vionnet.pdf

Leggings, sweater vests, veterinary cone collars. On this week's episode, we discuss fashion through the decades, spanning from 1330-2020. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Though Ramy Brook Sharp's high school wasn't too happy about her shortening her skirts and restyling her jeans, this was the beginning of Ramy's self-trained foray into fashion designing. Fast-forward to 2010 and she's creating prototypes of six tops and one dress and debuting them at a trunk show at her sister’s home in New Jersey. This eventually leads to Bergdorf Goodmans placing their first order. Since then, Ramy Brooks has become a national fashion label known for its signature use of silk fabrics, lively colors, and sophisticated silhouettes, and day-to-night solutions in women’s wardrobes. Ramy visits Raising The Bar to dish up all her secrets on fashion designing, from how she nabbed high-end retailers like Saks and Bloomies to running a flagship store on Madison Ave. and focusing on e-tailers like Shopbop and Revolve. Keep up with Ramy at @ramybrook and @ramybsharp.  And don't forget to follow @alliwebb for #BTS. If you enjoyed this episode, don't hesitate to subscribe and rate us!     Produced by Dear Media.     

For those who haven't studied the Middle East, the historical lives of women there can be thought to be a black hole: no information available about those who were thrown under a burkha and locked up at home or in a harem. Never mind that few women wore the clothing of modern-day Saudi Arabia in the past; women had vibrant lives there regardless of social restriction. Even in the harem, ostensibly most restrictive place in the pre-modern Middle East, women ironically could exert more power than anywhere else. In fact, if you wanted to rule an empire through your weak-minded husband or son, there was no better place to be. To discuss these issue I am joined by Marie Grace Brown, professor of history at the University of Kansas. She is a cultural historian of the Modern Middle East with a special interest in questions of gender and empire. Marie does a great job of making academic concepts about Westernization vs. modernization accessible to a non-scholarly audience. But we don't get too scholarly. At one point I ask her how she would take over the Middle East as a woman in the pre-modern world. Her award-winning book, Khartoum at Night: Fashion and Body Politics in Imperial Sudan (Stanford University Press, 2017), traces gestures, intimacies, and adornment to give a history of northern Sudanese women’s lives under imperial rule.

Marie Grace Brown's Khartoum at Night: Fashion and Body Politics in Imperial Sudan (Stanford University Press, 2017) is in many ways a history of fashion in Sudan, but in so many ways, its much more than that. It is the story of women in Sudan, as well as the story of their bodies and movement. Brown weaves together women's education, women's health, activism and more through the tobe, a popular, modest form of dress that wrapped around a woman's head and body. She reads textiles like texts and challenges us to both read existing primary sources differently and seek out new primary sources. Khartoum at Night shows us how the centrality of the tobe shaped everyday life, but how the tobe itself was shaped by continuity and rupture in Sudanese society. What we have as a result is a story that gives agency to its actors and ultimately, the story of imperial Sudan. Nadirah Mansour is a graduate student at Princeton University's Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marie Grace Brown’s Khartoum at Night: Fashion and Body Politics in Imperial Sudan (Stanford University Press, 2017) is in many ways a history of fashion in Sudan, but in so many ways, its much more than that. It is the story of women in Sudan, as well as the story of their bodies and movement. Brown weaves together women’s education, women’s health, activism and more through the tobe, a popular, modest form of dress that wrapped around a woman’s head and body. She reads textiles like texts and challenges us to both read existing primary sources differently and seek out new primary sources. Khartoum at Night shows us how the centrality of the tobe shaped everyday life, but how the tobe itself was shaped by continuity and rupture in Sudanese society. What we have as a result is a story that gives agency to its actors and ultimately, the story of imperial Sudan. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marie Grace Brown’s Khartoum at Night: Fashion and Body Politics in Imperial Sudan (Stanford University Press, 2017) is in many ways a history of fashion in Sudan, but in so many ways, its much more than that. It is the story of women in Sudan, as well as the story of their bodies and movement. Brown weaves together women’s education, women’s health, activism and more through the tobe, a popular, modest form of dress that wrapped around a woman’s head and body. She reads textiles like texts and challenges us to both read existing primary sources differently and seek out new primary sources. Khartoum at Night shows us how the centrality of the tobe shaped everyday life, but how the tobe itself was shaped by continuity and rupture in Sudanese society. What we have as a result is a story that gives agency to its actors and ultimately, the story of imperial Sudan. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marie Grace Brown’s Khartoum at Night: Fashion and Body Politics in Imperial Sudan (Stanford University Press, 2017) is in many ways a history of fashion in Sudan, but in so many ways, its much more than that. It is the story of women in Sudan, as well as the story of their bodies and movement. Brown weaves together women’s education, women’s health, activism and more through the tobe, a popular, modest form of dress that wrapped around a woman’s head and body. She reads textiles like texts and challenges us to both read existing primary sources differently and seek out new primary sources. Khartoum at Night shows us how the centrality of the tobe shaped everyday life, but how the tobe itself was shaped by continuity and rupture in Sudanese society. What we have as a result is a story that gives agency to its actors and ultimately, the story of imperial Sudan. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marie Grace Brown’s Khartoum at Night: Fashion and Body Politics in Imperial Sudan (Stanford University Press, 2017) is in many ways a history of fashion in Sudan, but in so many ways, its much more than that. It is the story of women in Sudan, as well as the story of their bodies and movement. Brown weaves together women’s education, women’s health, activism and more through the tobe, a popular, modest form of dress that wrapped around a woman’s head and body. She reads textiles like texts and challenges us to both read existing primary sources differently and seek out new primary sources. Khartoum at Night shows us how the centrality of the tobe shaped everyday life, but how the tobe itself was shaped by continuity and rupture in Sudanese society. What we have as a result is a story that gives agency to its actors and ultimately, the story of imperial Sudan. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marie Grace Brown’s Khartoum at Night: Fashion and Body Politics in Imperial Sudan (Stanford University Press, 2017) is in many ways a history of fashion in Sudan, but in so many ways, its much more than that. It is the story of women in Sudan, as well as the story of their bodies and movement. Brown weaves together women’s education, women’s health, activism and more through the tobe, a popular, modest form of dress that wrapped around a woman’s head and body. She reads textiles like texts and challenges us to both read existing primary sources differently and seek out new primary sources. Khartoum at Night shows us how the centrality of the tobe shaped everyday life, but how the tobe itself was shaped by continuity and rupture in Sudanese society. What we have as a result is a story that gives agency to its actors and ultimately, the story of imperial Sudan. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marie Grace Brown’s Khartoum at Night: Fashion and Body Politics in Imperial Sudan (Stanford University Press, 2017) is in many ways a history of fashion in Sudan, but in so many ways, its much more than that. It is the story of women in Sudan, as well as the story of their bodies and movement. Brown weaves together women’s education, women’s health, activism and more through the tobe, a popular, modest form of dress that wrapped around a woman’s head and body. She reads textiles like texts and challenges us to both read existing primary sources differently and seek out new primary sources. Khartoum at Night shows us how the centrality of the tobe shaped everyday life, but how the tobe itself was shaped by continuity and rupture in Sudanese society. What we have as a result is a story that gives agency to its actors and ultimately, the story of imperial Sudan. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices