Podcasts about namansour26

In Istanbul, there is a mosque on every hill. Cruising along the Bosphorus, either for pleasure, or like the majority of Istanbul’s denizens, for transit, you cannot help but notice that the city’s landscape would be dramatically altered without the mosques of the city. In Ottoman Baroque: The Architectural Refashioning of Eighteenth-Century Istanbul (Princeton University Press, 2019), Ünver Rüstem takes a stab of a slice of that history, arguing that we should see the eighteenth-century Baroque period in Ottoman mosque architecture as innovative and not derivative in how Ottoman mosque architecture integrated Baroque elements. By doing so, he pushes back effectively against notions of Ottoman decline and demonstrates that such architecture, praised in the contemporary writings of both Ottoman and Western viewers, successfully rebranded the Ottoman capital for a changing world. He also draws our eyes to the complex social process by which mosque design develops, bringing in a cast of characters that includes non-Muslims as much as non-Muslims. On this New Books interview, we walk you through the book, Rüstem’s process, what Baroque means in different contexts and mosque architecture in Istanbul today. Ünver Rüstem is Assistant Professor of Islamic Art and Architecture at Johns Hopkins University. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Istanbul, there is a mosque on every hill. Cruising along the Bosphorus, either for pleasure, or like the majority of Istanbul’s denizens, for transit, you cannot help but notice that the city’s landscape would be dramatically altered without the mosques of the city. In Ottoman Baroque: The Architectural Refashioning of Eighteenth-Century Istanbul (Princeton University Press, 2019), Ünver Rüstem takes a stab of a slice of that history, arguing that we should see the eighteenth-century Baroque period in Ottoman mosque architecture as innovative and not derivative in how Ottoman mosque architecture integrated Baroque elements. By doing so, he pushes back effectively against notions of Ottoman decline and demonstrates that such architecture, praised in the contemporary writings of both Ottoman and Western viewers, successfully rebranded the Ottoman capital for a changing world. He also draws our eyes to the complex social process by which mosque design develops, bringing in a cast of characters that includes non-Muslims as much as non-Muslims. On this New Books interview, we walk you through the book, Rüstem’s process, what Baroque means in different contexts and mosque architecture in Istanbul today. Ünver Rüstem is Assistant Professor of Islamic Art and Architecture at Johns Hopkins University. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Istanbul, there is a mosque on every hill. Cruising along the Bosphorus, either for pleasure, or like the majority of Istanbul’s denizens, for transit, you cannot help but notice that the city’s landscape would be dramatically altered without the mosques of the city. In Ottoman Baroque: The Architectural Refashioning of Eighteenth-Century Istanbul (Princeton University Press, 2019), Ünver Rüstem takes a stab of a slice of that history, arguing that we should see the eighteenth-century Baroque period in Ottoman mosque architecture as innovative and not derivative in how Ottoman mosque architecture integrated Baroque elements. By doing so, he pushes back effectively against notions of Ottoman decline and demonstrates that such architecture, praised in the contemporary writings of both Ottoman and Western viewers, successfully rebranded the Ottoman capital for a changing world. He also draws our eyes to the complex social process by which mosque design develops, bringing in a cast of characters that includes non-Muslims as much as non-Muslims. On this New Books interview, we walk you through the book, Rüstem’s process, what Baroque means in different contexts and mosque architecture in Istanbul today. Ünver Rüstem is Assistant Professor of Islamic Art and Architecture at Johns Hopkins University. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Istanbul, there is a mosque on every hill. Cruising along the Bosphorus, either for pleasure, or like the majority of Istanbul’s denizens, for transit, you cannot help but notice that the city’s landscape would be dramatically altered without the mosques of the city. In Ottoman Baroque: The Architectural Refashioning of Eighteenth-Century Istanbul (Princeton University Press, 2019), Ünver Rüstem takes a stab of a slice of that history, arguing that we should see the eighteenth-century Baroque period in Ottoman mosque architecture as innovative and not derivative in how Ottoman mosque architecture integrated Baroque elements. By doing so, he pushes back effectively against notions of Ottoman decline and demonstrates that such architecture, praised in the contemporary writings of both Ottoman and Western viewers, successfully rebranded the Ottoman capital for a changing world. He also draws our eyes to the complex social process by which mosque design develops, bringing in a cast of characters that includes non-Muslims as much as non-Muslims. On this New Books interview, we walk you through the book, Rüstem’s process, what Baroque means in different contexts and mosque architecture in Istanbul today. Ünver Rüstem is Assistant Professor of Islamic Art and Architecture at Johns Hopkins University. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Istanbul, there is a mosque on every hill. Cruising along the Bosphorus, either for pleasure, or like the majority of Istanbul’s denizens, for transit, you cannot help but notice that the city’s landscape would be dramatically altered without the mosques of the city. In Ottoman Baroque: The Architectural Refashioning of Eighteenth-Century Istanbul (Princeton University Press, 2019), Ünver Rüstem takes a stab of a slice of that history, arguing that we should see the eighteenth-century Baroque period in Ottoman mosque architecture as innovative and not derivative in how Ottoman mosque architecture integrated Baroque elements. By doing so, he pushes back effectively against notions of Ottoman decline and demonstrates that such architecture, praised in the contemporary writings of both Ottoman and Western viewers, successfully rebranded the Ottoman capital for a changing world. He also draws our eyes to the complex social process by which mosque design develops, bringing in a cast of characters that includes non-Muslims as much as non-Muslims. On this New Books interview, we walk you through the book, Rüstem’s process, what Baroque means in different contexts and mosque architecture in Istanbul today. Ünver Rüstem is Assistant Professor of Islamic Art and Architecture at Johns Hopkins University. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Istanbul, there is a mosque on every hill. Cruising along the Bosphorus, either for pleasure, or like the majority of Istanbul’s denizens, for transit, you cannot help but notice that the city’s landscape would be dramatically altered without the mosques of the city. In Ottoman Baroque: The Architectural Refashioning of Eighteenth-Century Istanbul (Princeton University Press, 2019), Ünver Rüstem takes a stab of a slice of that history, arguing that we should see the eighteenth-century Baroque period in Ottoman mosque architecture as innovative and not derivative in how Ottoman mosque architecture integrated Baroque elements. By doing so, he pushes back effectively against notions of Ottoman decline and demonstrates that such architecture, praised in the contemporary writings of both Ottoman and Western viewers, successfully rebranded the Ottoman capital for a changing world. He also draws our eyes to the complex social process by which mosque design develops, bringing in a cast of characters that includes non-Muslims as much as non-Muslims. On this New Books interview, we walk you through the book, Rüstem’s process, what Baroque means in different contexts and mosque architecture in Istanbul today. Ünver Rüstem is Assistant Professor of Islamic Art and Architecture at Johns Hopkins University. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Istanbul, there is a mosque on every hill. Cruising along the Bosphorus, either for pleasure, or like the majority of Istanbul’s denizens, for transit, you cannot help but notice that the city’s landscape would be dramatically altered without the mosques of the city. In Ottoman Baroque: The Architectural Refashioning of Eighteenth-Century Istanbul (Princeton University Press, 2019), Ünver Rüstem takes a stab of a slice of that history, arguing that we should see the eighteenth-century Baroque period in Ottoman mosque architecture as innovative and not derivative in how Ottoman mosque architecture integrated Baroque elements. By doing so, he pushes back effectively against notions of Ottoman decline and demonstrates that such architecture, praised in the contemporary writings of both Ottoman and Western viewers, successfully rebranded the Ottoman capital for a changing world. He also draws our eyes to the complex social process by which mosque design develops, bringing in a cast of characters that includes non-Muslims as much as non-Muslims. On this New Books interview, we walk you through the book, Rüstem’s process, what Baroque means in different contexts and mosque architecture in Istanbul today. Ünver Rüstem is Assistant Professor of Islamic Art and Architecture at Johns Hopkins University. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

The companion publication to the 2019-2020 traveling exhibition Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa (Princeton University Press, 2019, published in association with the Mary and Leigh Block Museum of Art, Northwestern University) tells the story of how trade routes across the Saharan Desert facilitated the movement of people, ideas, and objects between the 8th and the 16th century. Not your typical exhibition catalogue, Caravans of Gold is a selection of chapters that reach across academic fields and genres of writing, seeking to evoke the exhibition's central themes, including cultural movement, archaeological fragments, and global connection. We talk to the exhibition's curator and the publications's editor, Kathleen Bickford Berzock, about this expansive project. The conversation ranges from the exhibition's conception, how the catalogue was designed in relation to it, and best practices associated with building a project like this one. Moreover, Kathleen details the major themes and questions associated with the exhibition. What is the “medieval”? How can we understand historical movements across the Sahara? How does religion –specifically, Islam– play a role in this project? Kathleen Bickford Berzock is Associate Director of Curatorial Affairs at the Block Museum of Art at Northwestern University. She is the author of For Hearth and Altar: African Ceramics from the Keith Achepohl Collection and the coeditor of Representing Africa in American Art Museums: A Century of Collecting and Display. Exhibition Schedule: Aga Khan Museum, Toronto September 21, 2019–February 23, 2020 Smithsonian National Museum of African Art, Washington, DC April 8–November 29, 2020 Nadirah Mansour is a graduate student at Princeton University's Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

The companion publication to the 2019-2020 traveling exhibition Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa (Princeton University Press, 2019, published in association with the Mary and Leigh Block Museum of Art, Northwestern University) tells the story of how trade routes across the Saharan Desert facilitated the movement of people, ideas, and objects between the 8th and the 16th century. Not your typical exhibition catalogue, Caravans of Gold is a selection of chapters that reach across academic fields and genres of writing, seeking to evoke the exhibition’s central themes, including cultural movement, archaeological fragments, and global connection. We talk to the exhibition’s curator and the publications’s editor, Kathleen Bickford Berzock, about this expansive project. The conversation ranges from the exhibition’s conception, how the catalogue was designed in relation to it, and best practices associated with building a project like this one. Moreover, Kathleen details the major themes and questions associated with the exhibition. What is the “medieval”? How can we understand historical movements across the Sahara? How does religion –specifically, Islam– play a role in this project? Kathleen Bickford Berzock is Associate Director of Curatorial Affairs at the Block Museum of Art at Northwestern University. She is the author of For Hearth and Altar: African Ceramics from the Keith Achepohl Collection and the coeditor of Representing Africa in American Art Museums: A Century of Collecting and Display. Exhibition Schedule: Aga Khan Museum, Toronto September 21, 2019–February 23, 2020 Smithsonian National Museum of African Art, Washington, DC April 8–November 29, 2020 Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

The companion publication to the 2019-2020 traveling exhibition Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa (Princeton University Press, 2019, published in association with the Mary and Leigh Block Museum of Art, Northwestern University) tells the story of how trade routes across the Saharan Desert facilitated the movement of people, ideas, and objects between the 8th and the 16th century. Not your typical exhibition catalogue, Caravans of Gold is a selection of chapters that reach across academic fields and genres of writing, seeking to evoke the exhibition’s central themes, including cultural movement, archaeological fragments, and global connection. We talk to the exhibition’s curator and the publications’s editor, Kathleen Bickford Berzock, about this expansive project. The conversation ranges from the exhibition’s conception, how the catalogue was designed in relation to it, and best practices associated with building a project like this one. Moreover, Kathleen details the major themes and questions associated with the exhibition. What is the “medieval”? How can we understand historical movements across the Sahara? How does religion –specifically, Islam– play a role in this project? Kathleen Bickford Berzock is Associate Director of Curatorial Affairs at the Block Museum of Art at Northwestern University. She is the author of For Hearth and Altar: African Ceramics from the Keith Achepohl Collection and the coeditor of Representing Africa in American Art Museums: A Century of Collecting and Display. Exhibition Schedule: Aga Khan Museum, Toronto September 21, 2019–February 23, 2020 Smithsonian National Museum of African Art, Washington, DC April 8–November 29, 2020 Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

The companion publication to the 2019-2020 traveling exhibition Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa (Princeton University Press, 2019, published in association with the Mary and Leigh Block Museum of Art, Northwestern University) tells the story of how trade routes across the Saharan Desert facilitated the movement of people, ideas, and objects between the 8th and the 16th century. Not your typical exhibition catalogue, Caravans of Gold is a selection of chapters that reach across academic fields and genres of writing, seeking to evoke the exhibition’s central themes, including cultural movement, archaeological fragments, and global connection. We talk to the exhibition’s curator and the publications’s editor, Kathleen Bickford Berzock, about this expansive project. The conversation ranges from the exhibition’s conception, how the catalogue was designed in relation to it, and best practices associated with building a project like this one. Moreover, Kathleen details the major themes and questions associated with the exhibition. What is the “medieval”? How can we understand historical movements across the Sahara? How does religion –specifically, Islam– play a role in this project? Kathleen Bickford Berzock is Associate Director of Curatorial Affairs at the Block Museum of Art at Northwestern University. She is the author of For Hearth and Altar: African Ceramics from the Keith Achepohl Collection and the coeditor of Representing Africa in American Art Museums: A Century of Collecting and Display. Exhibition Schedule: Aga Khan Museum, Toronto September 21, 2019–February 23, 2020 Smithsonian National Museum of African Art, Washington, DC April 8–November 29, 2020 Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

The companion publication to the 2019-2020 traveling exhibition Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa (Princeton University Press, 2019, published in association with the Mary and Leigh Block Museum of Art, Northwestern University) tells the story of how trade routes across the Saharan Desert facilitated the movement of people, ideas, and objects between the 8th and the 16th century. Not your typical exhibition catalogue, Caravans of Gold is a selection of chapters that reach across academic fields and genres of writing, seeking to evoke the exhibition’s central themes, including cultural movement, archaeological fragments, and global connection. We talk to the exhibition’s curator and the publications’s editor, Kathleen Bickford Berzock, about this expansive project. The conversation ranges from the exhibition’s conception, how the catalogue was designed in relation to it, and best practices associated with building a project like this one. Moreover, Kathleen details the major themes and questions associated with the exhibition. What is the “medieval”? How can we understand historical movements across the Sahara? How does religion –specifically, Islam– play a role in this project? Kathleen Bickford Berzock is Associate Director of Curatorial Affairs at the Block Museum of Art at Northwestern University. She is the author of For Hearth and Altar: African Ceramics from the Keith Achepohl Collection and the coeditor of Representing Africa in American Art Museums: A Century of Collecting and Display. Exhibition Schedule: Aga Khan Museum, Toronto September 21, 2019–February 23, 2020 Smithsonian National Museum of African Art, Washington, DC April 8–November 29, 2020 Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

The companion publication to the 2019-2020 traveling exhibition Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa (Princeton University Press, 2019, published in association with the Mary and Leigh Block Museum of Art, Northwestern University) tells the story of how trade routes across the Saharan Desert facilitated the movement of people, ideas, and objects between the 8th and the 16th century. Not your typical exhibition catalogue, Caravans of Gold is a selection of chapters that reach across academic fields and genres of writing, seeking to evoke the exhibition’s central themes, including cultural movement, archaeological fragments, and global connection. We talk to the exhibition’s curator and the publications’s editor, Kathleen Bickford Berzock, about this expansive project. The conversation ranges from the exhibition’s conception, how the catalogue was designed in relation to it, and best practices associated with building a project like this one. Moreover, Kathleen details the major themes and questions associated with the exhibition. What is the “medieval”? How can we understand historical movements across the Sahara? How does religion –specifically, Islam– play a role in this project? Kathleen Bickford Berzock is Associate Director of Curatorial Affairs at the Block Museum of Art at Northwestern University. She is the author of For Hearth and Altar: African Ceramics from the Keith Achepohl Collection and the coeditor of Representing Africa in American Art Museums: A Century of Collecting and Display. Exhibition Schedule: Aga Khan Museum, Toronto September 21, 2019–February 23, 2020 Smithsonian National Museum of African Art, Washington, DC April 8–November 29, 2020 Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

The companion publication to the 2019-2020 traveling exhibition Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa (Princeton University Press, 2019, published in association with the Mary and Leigh Block Museum of Art, Northwestern University) tells the story of how trade routes across the Saharan Desert facilitated the movement of people, ideas, and objects between the 8th and the 16th century. Not your typical exhibition catalogue, Caravans of Gold is a selection of chapters that reach across academic fields and genres of writing, seeking to evoke the exhibition’s central themes, including cultural movement, archaeological fragments, and global connection. We talk to the exhibition’s curator and the publications’s editor, Kathleen Bickford Berzock, about this expansive project. The conversation ranges from the exhibition’s conception, how the catalogue was designed in relation to it, and best practices associated with building a project like this one. Moreover, Kathleen details the major themes and questions associated with the exhibition. What is the “medieval”? How can we understand historical movements across the Sahara? How does religion –specifically, Islam– play a role in this project? Kathleen Bickford Berzock is Associate Director of Curatorial Affairs at the Block Museum of Art at Northwestern University. She is the author of For Hearth and Altar: African Ceramics from the Keith Achepohl Collection and the coeditor of Representing Africa in American Art Museums: A Century of Collecting and Display. Exhibition Schedule: Aga Khan Museum, Toronto September 21, 2019–February 23, 2020 Smithsonian National Museum of African Art, Washington, DC April 8–November 29, 2020 Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Guides have been written to the city of Cairo for generations. Whether they’re for foreigners who’ve come to the city or its residents. However, it might be safe to say thatA Field Guide to the Street Names of Central Cairo (American University of Cairo Press, 2018) is a beast unto itself. It takes the names of streets in Central Cairo and uses them as a basis for its telling of Cairo’s urban history. Structured like a dictionary of sorts, it is the kind of book that can be read cover-to-cover or in snatches here and there. In this interview, we cover the origins of the project, how it was written, and ultimately what shapes the city of Cairo itself. Humphrey Davies is the translator of a number of Arabic novels, including The Yacoubian Building by Alaa Al Aswany (AUC Press, 2004) and Leg Over Leg by Ahmad Faris al-Shidyaq (NYU Press 2014), in addition to novels by Naguib Mahfouz and Gamal al-Ghitani. He has twice been awarded the Saif Ghobash–Banipal Prize for Arabic Literary Translation. Lesley Lababidi is the author of Cairo Practical Guide (AUC Press, 2011, 17th ed.), Cairo’s Street Stories: Exploring the City’s Statues, Squares, Bridges, Gardens, and Sidewalk Cafés (AUC Press, 2008), Cairo: The Family Guide (AUC Press, 4th ed., 2010), and Silent No More: Special Needs People in Egypt (AUC Press, 2005). An active and well-traveled blogger, she currently lives between Cairo, Beirut, and Lagos. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Guides have been written to the city of Cairo for generations. Whether they’re for foreigners who’ve come to the city or its residents. However, it might be safe to say thatA Field Guide to the Street Names of Central Cairo (American University of Cairo Press, 2018) is a beast unto itself. It takes the names of streets in Central Cairo and uses them as a basis for its telling of Cairo’s urban history. Structured like a dictionary of sorts, it is the kind of book that can be read cover-to-cover or in snatches here and there. In this interview, we cover the origins of the project, how it was written, and ultimately what shapes the city of Cairo itself. Humphrey Davies is the translator of a number of Arabic novels, including The Yacoubian Building by Alaa Al Aswany (AUC Press, 2004) and Leg Over Leg by Ahmad Faris al-Shidyaq (NYU Press 2014), in addition to novels by Naguib Mahfouz and Gamal al-Ghitani. He has twice been awarded the Saif Ghobash–Banipal Prize for Arabic Literary Translation. Lesley Lababidi is the author of Cairo Practical Guide (AUC Press, 2011, 17th ed.), Cairo’s Street Stories: Exploring the City’s Statues, Squares, Bridges, Gardens, and Sidewalk Cafés (AUC Press, 2008), Cairo: The Family Guide (AUC Press, 4th ed., 2010), and Silent No More: Special Needs People in Egypt (AUC Press, 2005). An active and well-traveled blogger, she currently lives between Cairo, Beirut, and Lagos. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Guides have been written to the city of Cairo for generations. Whether they’re for foreigners who’ve come to the city or its residents. However, it might be safe to say thatA Field Guide to the Street Names of Central Cairo (American University of Cairo Press, 2018) is a beast unto itself. It takes the names of streets in Central Cairo and uses them as a basis for its telling of Cairo’s urban history. Structured like a dictionary of sorts, it is the kind of book that can be read cover-to-cover or in snatches here and there. In this interview, we cover the origins of the project, how it was written, and ultimately what shapes the city of Cairo itself. Humphrey Davies is the translator of a number of Arabic novels, including The Yacoubian Building by Alaa Al Aswany (AUC Press, 2004) and Leg Over Leg by Ahmad Faris al-Shidyaq (NYU Press 2014), in addition to novels by Naguib Mahfouz and Gamal al-Ghitani. He has twice been awarded the Saif Ghobash–Banipal Prize for Arabic Literary Translation. Lesley Lababidi is the author of Cairo Practical Guide (AUC Press, 2011, 17th ed.), Cairo’s Street Stories: Exploring the City’s Statues, Squares, Bridges, Gardens, and Sidewalk Cafés (AUC Press, 2008), Cairo: The Family Guide (AUC Press, 4th ed., 2010), and Silent No More: Special Needs People in Egypt (AUC Press, 2005). An active and well-traveled blogger, she currently lives between Cairo, Beirut, and Lagos. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Guides have been written to the city of Cairo for generations. Whether they’re for foreigners who’ve come to the city or its residents. However, it might be safe to say thatA Field Guide to the Street Names of Central Cairo (American University in Cairo Press, 2018) is a beast unto itself. It takes the names of streets in Central Cairo and uses them as a basis for its telling of Cairo’s urban history. Structured like a dictionary of sorts, it is the kind of book that can be read cover-to-cover or in snatches here and there. In this interview, we cover the origins of the project, how it was written, and ultimately what shapes the city of Cairo itself. Humphrey Davies is the translator of a number of Arabic novels, including The Yacoubian Building by Alaa Al Aswany (AUC Press, 2004) and Leg Over Leg by Ahmad Faris al-Shidyaq (NYU Press 2014), in addition to novels by Naguib Mahfouz and Gamal al-Ghitani. He has twice been awarded the Saif Ghobash–Banipal Prize for Arabic Literary Translation. Lesley Lababidi is the author of Cairo Practical Guide (AUC Press, 2011, 17th ed.), Cairo’s Street Stories: Exploring the City’s Statues, Squares, Bridges, Gardens, and Sidewalk Cafés (AUC Press, 2008), Cairo: The Family Guide (AUC Press, 4th ed., 2010), and Silent No More: Special Needs People in Egypt (AUC Press, 2005). An active and well-traveled blogger, she currently lives between Cairo, Beirut, and Lagos. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Discussions of Middle East politics will inevitably bring Islamism to the table and with it, questions of how Islam in its current iterations came to be. In most cases, the Islamic revival is emphasized as a major turning point in 20th-century Islam. In the case of Egypt, there's even more prescribed significance to the revival, with Egypt's booming population, but also its perceived centrality in both the region and in the Muslim world. In Practicing Islam in Egypt: Print Media and Islamic Revival(Cambridge University Press, 2019), Aaron Rock-Singer focuses on three principal characters to tell us the story of the Islamic revival: Salafis, the Muslim Brothers, and state institutions. Combining press sources and oral history, Rock-Singer looks at how non-state actors organized amongst themselves and how the state reacted to them. Thematically, he looks at how all three –the Salafis, the Muslims Brothers, and the Egyptian state– engaged in questions of education, prayer, and gender. In turn, they shaped the Islamic revival in Egypt, with major implications not only for Egypt, but for the global Muslim community. Aaron Rock-Singer is a social and intellectual historian of the Modern Middle East and Islam. He received his B.A from the University of Pennsylvania (2007), his M.Phil from St. Antony's College, Oxford (2010) and his Ph.D from Princeton's Department of Near Eastern Studies (2016). Following a postdoctoral fellowship at the University of Pennsylvania's Perry World House, he joined Cornell's Department of Near Eastern Studies as a Visiting Assistant Professor. In the Fall of 2019, he will begin a tenure track position in Middle Eastern History at the University of Wisconsin-Madison. Nadirah Mansour is a graduate student at Princeton University's Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.

Discussions of Middle East politics will inevitably bring Islamism to the table and with it, questions of how Islam in its current iterations came to be. In most cases, the Islamic revival is emphasized as a major turning point in 20th-century Islam. In the case of Egypt, there’s even more prescribed significance to the revival, with Egypt's booming population, but also its perceived centrality in both the region and in the Muslim world. In Practicing Islam in Egypt: Print Media and Islamic Revival(Cambridge University Press, 2019), Aaron Rock-Singer focuses on three principal characters to tell us the story of the Islamic revival: Salafis, the Muslim Brothers, and state institutions. Combining press sources and oral history, Rock-Singer looks at how non-state actors organized amongst themselves and how the state reacted to them. Thematically, he looks at how all three –the Salafis, the Muslims Brothers, and the Egyptian state– engaged in questions of education, prayer, and gender. In turn, they shaped the Islamic revival in Egypt, with major implications not only for Egypt, but for the global Muslim community. Aaron Rock-Singer is a social and intellectual historian of the Modern Middle East and Islam. He received his B.A from the University of Pennsylvania (2007), his M.Phil from St. Antony’s College, Oxford (2010) and his Ph.D from Princeton’s Department of Near Eastern Studies (2016). Following a postdoctoral fellowship at the University of Pennsylvania's Perry World House, he joined Cornell's Department of Near Eastern Studies as a Visiting Assistant Professor. In the Fall of 2019, he will begin a tenure track position in Middle Eastern History at the University of Wisconsin-Madison. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Discussions of Middle East politics will inevitably bring Islamism to the table and with it, questions of how Islam in its current iterations came to be. In most cases, the Islamic revival is emphasized as a major turning point in 20th-century Islam. In the case of Egypt, there’s even more prescribed significance to the revival, with Egypt's booming population, but also its perceived centrality in both the region and in the Muslim world. In Practicing Islam in Egypt: Print Media and Islamic Revival(Cambridge University Press, 2019), Aaron Rock-Singer focuses on three principal characters to tell us the story of the Islamic revival: Salafis, the Muslim Brothers, and state institutions. Combining press sources and oral history, Rock-Singer looks at how non-state actors organized amongst themselves and how the state reacted to them. Thematically, he looks at how all three –the Salafis, the Muslims Brothers, and the Egyptian state– engaged in questions of education, prayer, and gender. In turn, they shaped the Islamic revival in Egypt, with major implications not only for Egypt, but for the global Muslim community. Aaron Rock-Singer is a social and intellectual historian of the Modern Middle East and Islam. He received his B.A from the University of Pennsylvania (2007), his M.Phil from St. Antony’s College, Oxford (2010) and his Ph.D from Princeton’s Department of Near Eastern Studies (2016). Following a postdoctoral fellowship at the University of Pennsylvania's Perry World House, he joined Cornell's Department of Near Eastern Studies as a Visiting Assistant Professor. In the Fall of 2019, he will begin a tenure track position in Middle Eastern History at the University of Wisconsin-Madison. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Discussions of Middle East politics will inevitably bring Islamism to the table and with it, questions of how Islam in its current iterations came to be. In most cases, the Islamic revival is emphasized as a major turning point in 20th-century Islam. In the case of Egypt, there’s even more prescribed significance to the revival, with Egypt's booming population, but also its perceived centrality in both the region and in the Muslim world. In Practicing Islam in Egypt: Print Media and Islamic Revival(Cambridge University Press, 2019), Aaron Rock-Singer focuses on three principal characters to tell us the story of the Islamic revival: Salafis, the Muslim Brothers, and state institutions. Combining press sources and oral history, Rock-Singer looks at how non-state actors organized amongst themselves and how the state reacted to them. Thematically, he looks at how all three –the Salafis, the Muslims Brothers, and the Egyptian state– engaged in questions of education, prayer, and gender. In turn, they shaped the Islamic revival in Egypt, with major implications not only for Egypt, but for the global Muslim community. Aaron Rock-Singer is a social and intellectual historian of the Modern Middle East and Islam. He received his B.A from the University of Pennsylvania (2007), his M.Phil from St. Antony’s College, Oxford (2010) and his Ph.D from Princeton’s Department of Near Eastern Studies (2016). Following a postdoctoral fellowship at the University of Pennsylvania's Perry World House, he joined Cornell's Department of Near Eastern Studies as a Visiting Assistant Professor. In the Fall of 2019, he will begin a tenure track position in Middle Eastern History at the University of Wisconsin-Madison. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Discussions of Middle East politics will inevitably bring Islamism to the table and with it, questions of how Islam in its current iterations came to be. In most cases, the Islamic revival is emphasized as a major turning point in 20th-century Islam. In the case of Egypt, there’s even more prescribed significance to the revival, with Egypt's booming population, but also its perceived centrality in both the region and in the Muslim world. In Practicing Islam in Egypt: Print Media and Islamic Revival(Cambridge University Press, 2019), Aaron Rock-Singer focuses on three principal characters to tell us the story of the Islamic revival: Salafis, the Muslim Brothers, and state institutions. Combining press sources and oral history, Rock-Singer looks at how non-state actors organized amongst themselves and how the state reacted to them. Thematically, he looks at how all three –the Salafis, the Muslims Brothers, and the Egyptian state– engaged in questions of education, prayer, and gender. In turn, they shaped the Islamic revival in Egypt, with major implications not only for Egypt, but for the global Muslim community. Aaron Rock-Singer is a social and intellectual historian of the Modern Middle East and Islam. He received his B.A from the University of Pennsylvania (2007), his M.Phil from St. Antony’s College, Oxford (2010) and his Ph.D from Princeton’s Department of Near Eastern Studies (2016). Following a postdoctoral fellowship at the University of Pennsylvania's Perry World House, he joined Cornell's Department of Near Eastern Studies as a Visiting Assistant Professor. In the Fall of 2019, he will begin a tenure track position in Middle Eastern History at the University of Wisconsin-Madison. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Discussions of Middle East politics will inevitably bring Islamism to the table and with it, questions of how Islam in its current iterations came to be. In most cases, the Islamic revival is emphasized as a major turning point in 20th-century Islam. In the case of Egypt, there’s even more prescribed significance to the revival, with Egypt's booming population, but also its perceived centrality in both the region and in the Muslim world. In Practicing Islam in Egypt: Print Media and Islamic Revival(Cambridge University Press, 2019), Aaron Rock-Singer focuses on three principal characters to tell us the story of the Islamic revival: Salafis, the Muslim Brothers, and state institutions. Combining press sources and oral history, Rock-Singer looks at how non-state actors organized amongst themselves and how the state reacted to them. Thematically, he looks at how all three –the Salafis, the Muslims Brothers, and the Egyptian state– engaged in questions of education, prayer, and gender. In turn, they shaped the Islamic revival in Egypt, with major implications not only for Egypt, but for the global Muslim community. Aaron Rock-Singer is a social and intellectual historian of the Modern Middle East and Islam. He received his B.A from the University of Pennsylvania (2007), his M.Phil from St. Antony’s College, Oxford (2010) and his Ph.D from Princeton’s Department of Near Eastern Studies (2016). Following a postdoctoral fellowship at the University of Pennsylvania's Perry World House, he joined Cornell's Department of Near Eastern Studies as a Visiting Assistant Professor. In the Fall of 2019, he will begin a tenure track position in Middle Eastern History at the University of Wisconsin-Madison. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Discussions of Middle East politics will inevitably bring Islamism to the table and with it, questions of how Islam in its current iterations came to be. In most cases, the Islamic revival is emphasized as a major turning point in 20th-century Islam. In the case of Egypt, there’s even more prescribed significance to the revival, with Egypt's booming population, but also its perceived centrality in both the region and in the Muslim world. In Practicing Islam in Egypt: Print Media and Islamic Revival(Cambridge University Press, 2019), Aaron Rock-Singer focuses on three principal characters to tell us the story of the Islamic revival: Salafis, the Muslim Brothers, and state institutions. Combining press sources and oral history, Rock-Singer looks at how non-state actors organized amongst themselves and how the state reacted to them. Thematically, he looks at how all three –the Salafis, the Muslims Brothers, and the Egyptian state– engaged in questions of education, prayer, and gender. In turn, they shaped the Islamic revival in Egypt, with major implications not only for Egypt, but for the global Muslim community. Aaron Rock-Singer is a social and intellectual historian of the Modern Middle East and Islam. He received his B.A from the University of Pennsylvania (2007), his M.Phil from St. Antony’s College, Oxford (2010) and his Ph.D from Princeton’s Department of Near Eastern Studies (2016). Following a postdoctoral fellowship at the University of Pennsylvania's Perry World House, he joined Cornell's Department of Near Eastern Studies as a Visiting Assistant Professor. In the Fall of 2019, he will begin a tenure track position in Middle Eastern History at the University of Wisconsin-Madison. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ahmad Atif Ahmad’s  Pitfalls of Scholarship: Lessons from Islamic Studies (Palgrave Macmillan, 2016) is a unique reflection on the field of Islamic studies. It is not quite a memoir, although it is reflective of Islamic studies, academia, and higher education in general. It is also not quite a book of theory, although it offers several deep readings of various figures in the Muslim intellectual canon. Rather, it is a collection of essays. Chapter 1, for example is a rumination the humanities and its place in the modern academy. Ahmad then goes on to  concept of academic frustration. He builds on this in the third chapter by examining the iconic Muslim intellectual al-Ghazali. The final chapter ties the wider world into the academy and considers themes of nationalism and democracy. In this interview, we talk to Ahmad about what it is to be a scholar in 21st-century America (and specifically a scholar of Islam in 21st-century America), the politics of the field, what it is to be bold in academia,  and the value of curiosity, all with Ahmad’s jocular cheer and sage advice. Ahmad Atif Ahmad is professor of religious studies at the University of California in Santa Barbara (UCSB).  He also serves on UCSB’s 'Council on Faculty Issues and Awards' and the UC-System wide Academic Advisory Committee for Internship Programs in the University Center in Washington, DC.  He previously served as associate director of the University of California Center in Washington, Sultan Qaboos Chair of Mideast Studies at the College of William and Mary in Williamsburg, Virginia, and as visiting associate professor at Utrecht University in the Netherlands.  The author of ‘Islamic Law: Cases, Authorities, and Worldview (London: Bloomsbury, 2017), ‘The Fatigue of the Sharia’ (NYC: Palgrave, 2012), and ‘Structural Interrelations of Theory and Practice in Islamic Law' (Leiden: Brill, 2006), Ahmad teaches courses on Islamic legal reasoning in medieval Islam and early modern Egypt. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Ahmad Atif Ahmad’s  Pitfalls of Scholarship: Lessons from Islamic Studies (Palgrave Macmillan, 2016) is a unique reflection on the field of Islamic studies. It is not quite a memoir, although it is reflective of Islamic studies, academia, and higher education in general. It is also not quite a book of theory, although it offers several deep readings of various figures in the Muslim intellectual canon. Rather, it is a collection of essays. Chapter 1, for example is a rumination the humanities and its place in the modern academy. Ahmad then goes on to  concept of academic frustration. He builds on this in the third chapter by examining the iconic Muslim intellectual al-Ghazali. The final chapter ties the wider world into the academy and considers themes of nationalism and democracy. In this interview, we talk to Ahmad about what it is to be a scholar in 21st-century America (and specifically a scholar of Islam in 21st-century America), the politics of the field, what it is to be bold in academia,  and the value of curiosity, all with Ahmad’s jocular cheer and sage advice. Ahmad Atif Ahmad is professor of religious studies at the University of California in Santa Barbara (UCSB).  He also serves on UCSB’s 'Council on Faculty Issues and Awards' and the UC-System wide Academic Advisory Committee for Internship Programs in the University Center in Washington, DC.  He previously served as associate director of the University of California Center in Washington, Sultan Qaboos Chair of Mideast Studies at the College of William and Mary in Williamsburg, Virginia, and as visiting associate professor at Utrecht University in the Netherlands.  The author of ‘Islamic Law: Cases, Authorities, and Worldview (London: Bloomsbury, 2017), ‘The Fatigue of the Sharia’ (NYC: Palgrave, 2012), and ‘Structural Interrelations of Theory and Practice in Islamic Law' (Leiden: Brill, 2006), Ahmad teaches courses on Islamic legal reasoning in medieval Islam and early modern Egypt. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Ahmad Atif Ahmad’s  Pitfalls of Scholarship: Lessons from Islamic Studies (Palgrave Macmillan, 2016) is a unique reflection on the field of Islamic studies. It is not quite a memoir, although it is reflective of Islamic studies, academia, and higher education in general. It is also not quite a book of theory, although it offers several deep readings of various figures in the Muslim intellectual canon. Rather, it is a collection of essays. Chapter 1, for example is a rumination the humanities and its place in the modern academy. Ahmad then goes on to  concept of academic frustration. He builds on this in the third chapter by examining the iconic Muslim intellectual al-Ghazali. The final chapter ties the wider world into the academy and considers themes of nationalism and democracy. In this interview, we talk to Ahmad about what it is to be a scholar in 21st-century America (and specifically a scholar of Islam in 21st-century America), the politics of the field, what it is to be bold in academia,  and the value of curiosity, all with Ahmad’s jocular cheer and sage advice. Ahmad Atif Ahmad is professor of religious studies at the University of California in Santa Barbara (UCSB).  He also serves on UCSB’s 'Council on Faculty Issues and Awards' and the UC-System wide Academic Advisory Committee for Internship Programs in the University Center in Washington, DC.  He previously served as associate director of the University of California Center in Washington, Sultan Qaboos Chair of Mideast Studies at the College of William and Mary in Williamsburg, Virginia, and as visiting associate professor at Utrecht University in the Netherlands.  The author of ‘Islamic Law: Cases, Authorities, and Worldview (London: Bloomsbury, 2017), ‘The Fatigue of the Sharia’ (NYC: Palgrave, 2012), and ‘Structural Interrelations of Theory and Practice in Islamic Law' (Leiden: Brill, 2006), Ahmad teaches courses on Islamic legal reasoning in medieval Islam and early modern Egypt. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Ahmad Atif Ahmad’s  Pitfalls of Scholarship: Lessons from Islamic Studies (Palgrave Macmillan, 2016) is a unique reflection on the field of Islamic studies. It is not quite a memoir, although it is reflective of Islamic studies, academia, and higher education in general. It is also not quite a book of theory, although it offers several deep readings of various figures in the Muslim intellectual canon. Rather, it is a collection of essays. Chapter 1, for example is a rumination the humanities and its place in the modern academy. Ahmad then goes on to  concept of academic frustration. He builds on this in the third chapter by examining the iconic Muslim intellectual al-Ghazali. The final chapter ties the wider world into the academy and considers themes of nationalism and democracy. In this interview, we talk to Ahmad about what it is to be a scholar in 21st-century America (and specifically a scholar of Islam in 21st-century America), the politics of the field, what it is to be bold in academia,  and the value of curiosity, all with Ahmad’s jocular cheer and sage advice. Ahmad Atif Ahmad is professor of religious studies at the University of California in Santa Barbara (UCSB).  He also serves on UCSB’s 'Council on Faculty Issues and Awards' and the UC-System wide Academic Advisory Committee for Internship Programs in the University Center in Washington, DC.  He previously served as associate director of the University of California Center in Washington, Sultan Qaboos Chair of Mideast Studies at the College of William and Mary in Williamsburg, Virginia, and as visiting associate professor at Utrecht University in the Netherlands.  The author of ‘Islamic Law: Cases, Authorities, and Worldview (London: Bloomsbury, 2017), ‘The Fatigue of the Sharia’ (NYC: Palgrave, 2012), and ‘Structural Interrelations of Theory and Practice in Islamic Law' (Leiden: Brill, 2006), Ahmad teaches courses on Islamic legal reasoning in medieval Islam and early modern Egypt. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.   Learn more about your ad choices. Visit megaphone.fm/adchoices

The history of Palestine is overly political; most studies, especially of the Mandate period, when the British effectively colonized Palestine, focus on the political actors. In Mandatory Separation: Religion, Education, and Mass Politics in Palestine (Stanford University Press, 2018), Suzanne Schneider  produces a social and cultural study that does not ignore the political actors, walking us through how religion was used by the British in educational settings in attempts to quell nationalism. Schneider’s work is also unique because in examines the Jewish and Arab populations in Mandate Palestine simultaneously, allowing us to see how the same British policies affected both populations. She also draws on British colonial history and late Ottoman history to inform her dense analysis of Mandate Palestine’s educational and religious history.  Thus, she demonstrates where there is overlap and where there is divergence. We talk to her about the theory underpinning her work, how to write about religion in the early 20th century Middle East,  the difference between private and public education in Mandate Palestine, and her work at the Brooklyn Institute for Social Research. Suzanne Schneider is the deputy director at the Brooklyn Institute for Social Research, where, in addition to teaching, she oversees program execution, development initiatives, and institutional partnerships. She received her B.A., M.A., and Ph.D. from the Department of Middle East, South Asian and African Studies at Columbia University. An interdisciplinary scholar working in the fields of history, religious studies, and political theory, Suzanne’s research interests relate to Jewish and Islamic modernism, religious movements in the modern Middle East, the history of modern Palestine/Israel, secularism, and political identity.  She is also a regular contributor to The Revealer: A Review of Religion and Media. She is the author of Mandatory Separation: Religion, Education, and Mass Politics in Palestine (Stanford University Press, 2018). Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

The history of Palestine is overly political; most studies, especially of the Mandate period, when the British effectively colonized Palestine, focus on the political actors. In Mandatory Separation: Religion, Education, and Mass Politics in Palestine (Stanford University Press, 2018), Suzanne Schneider  produces a social and cultural study that does not ignore the political actors, walking us through how religion was used by the British in educational settings in attempts to quell nationalism. Schneider’s work is also unique because in examines the Jewish and Arab populations in Mandate Palestine simultaneously, allowing us to see how the same British policies affected both populations. She also draws on British colonial history and late Ottoman history to inform her dense analysis of Mandate Palestine’s educational and religious history.  Thus, she demonstrates where there is overlap and where there is divergence. We talk to her about the theory underpinning her work, how to write about religion in the early 20th century Middle East,  the difference between private and public education in Mandate Palestine, and her work at the Brooklyn Institute for Social Research. Suzanne Schneider is the deputy director at the Brooklyn Institute for Social Research, where, in addition to teaching, she oversees program execution, development initiatives, and institutional partnerships. She received her B.A., M.A., and Ph.D. from the Department of Middle East, South Asian and African Studies at Columbia University. An interdisciplinary scholar working in the fields of history, religious studies, and political theory, Suzanne’s research interests relate to Jewish and Islamic modernism, religious movements in the modern Middle East, the history of modern Palestine/Israel, secularism, and political identity.  She is also a regular contributor to The Revealer: A Review of Religion and Media. She is the author of Mandatory Separation: Religion, Education, and Mass Politics in Palestine (Stanford University Press, 2018). Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

The history of Palestine is overly political; most studies, especially of the Mandate period, when the British effectively colonized Palestine, focus on the political actors. In Mandatory Separation: Religion, Education, and Mass Politics in Palestine (Stanford University Press, 2018), Suzanne Schneider  produces a social and cultural study that does not ignore the political actors, walking us through how religion was used by the British in educational settings in attempts to quell nationalism. Schneider’s work is also unique because in examines the Jewish and Arab populations in Mandate Palestine simultaneously, allowing us to see how the same British policies affected both populations. She also draws on British colonial history and late Ottoman history to inform her dense analysis of Mandate Palestine’s educational and religious history.  Thus, she demonstrates where there is overlap and where there is divergence. We talk to her about the theory underpinning her work, how to write about religion in the early 20th century Middle East,  the difference between private and public education in Mandate Palestine, and her work at the Brooklyn Institute for Social Research. Suzanne Schneider is the deputy director at the Brooklyn Institute for Social Research, where, in addition to teaching, she oversees program execution, development initiatives, and institutional partnerships. She received her B.A., M.A., and Ph.D. from the Department of Middle East, South Asian and African Studies at Columbia University. An interdisciplinary scholar working in the fields of history, religious studies, and political theory, Suzanne’s research interests relate to Jewish and Islamic modernism, religious movements in the modern Middle East, the history of modern Palestine/Israel, secularism, and political identity.  She is also a regular contributor to The Revealer: A Review of Religion and Media. She is the author of Mandatory Separation: Religion, Education, and Mass Politics in Palestine (Stanford University Press, 2018). Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

The history of Palestine is overly political; most studies, especially of the Mandate period, when the British effectively colonized Palestine, focus on the political actors. In Mandatory Separation: Religion, Education, and Mass Politics in Palestine (Stanford University Press, 2018), Suzanne Schneider  produces a social and cultural study that does not ignore the political actors, walking us through how religion was used by the British in educational settings in attempts to quell nationalism. Schneider’s work is also unique because in examines the Jewish and Arab populations in Mandate Palestine simultaneously, allowing us to see how the same British policies affected both populations. She also draws on British colonial history and late Ottoman history to inform her dense analysis of Mandate Palestine’s educational and religious history.  Thus, she demonstrates where there is overlap and where there is divergence. We talk to her about the theory underpinning her work, how to write about religion in the early 20th century Middle East,  the difference between private and public education in Mandate Palestine, and her work at the Brooklyn Institute for Social Research. Suzanne Schneider is the deputy director at the Brooklyn Institute for Social Research, where, in addition to teaching, she oversees program execution, development initiatives, and institutional partnerships. She received her B.A., M.A., and Ph.D. from the Department of Middle East, South Asian and African Studies at Columbia University. An interdisciplinary scholar working in the fields of history, religious studies, and political theory, Suzanne’s research interests relate to Jewish and Islamic modernism, religious movements in the modern Middle East, the history of modern Palestine/Israel, secularism, and political identity.  She is also a regular contributor to The Revealer: A Review of Religion and Media. She is the author of Mandatory Separation: Religion, Education, and Mass Politics in Palestine (Stanford University Press, 2018). Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

The question of Palestinian autonomy has been a key element of Middle Eastern and Arab politics for much of the last century. A new history, by Seth Anziska, Preventing Palestine: A Political History from Camp David to Oslo(Princeton University Press, 2018) redefines our understanding of the peace process and its ultimate failure: forty years after the Camp David Accords, the Palestinian people remain without a state. The book walks us through the Camp David Accords, Israel's 1982 war with Lebanon, and the first Intifada in 1987, drawing in the diplomatic perspectives of the Palestinians, Israelis, Egyptians, and Americans through a diverse set of sources. Most critically, this includes newly declassified sources from Israeli archives. Anziska's narrative ultimately asserts that Palestinian opportunities for autonomy have only decreased over time, explaining how the peace process stalls even today. In this interview, Seth talks us through the book, the questions that dog Palestinian-Israeli relations today, the realities of archival work, and his non-academic collaborations. Seth Anziska is the Mohamed S. Farsi-Polonsky Lecturer in Jewish-Muslim Relations at University College London. His research and teaching focuses on Palestinian and Israeli society and culture, the international history of the modern Middle East, and contemporary Arab and Jewish politics Seth is a Visiting Fellow at the U.S./Middle East Project and a 2019 Fulbright Scholar at the Norwegian Nobel Institute, and he has held fellowships at New York University, the London School of Economics, and the American University of Beirut. He received his PhD in International and Global History from Columbia University, his M. Phil. in Modern Middle Eastern Studies from St. Antony's College, Oxford, and his BA in history from Columbia University. . His writing has appeared in The New York Times, Foreign Policy, The New York Review of Books, and the Pavilion of Lebanon in the 2013 Venice Biennale. He is the author of Preventing Palestine: A Political History from Camp David to Oslo (Princeton University Press, September 2018). Nadirah Mansour is a graduate student at Princeton University's Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Islamic intellectual history, it is generally assumed that the Ottomans did not contribute much to Islamic thought. With his new book, Caliphate Redefined: The Mystical Turn in Ottoman Political Thought (Princeton University Press, 2018), Hüseyin Yılmaz uses the Ottoman notion of the caliphate to push back against that assumption: he demonstrates how a new understanding of the caliphate was developed by Ottoman thinkers, by engaging with those that came before them as well as their own lived present. But Yılmaz goes beyond simply addressing the caliphate and political thought. Caliphate Redefined represents one of the first major studies of pre-modern Ottoman thought, mapping out the field for the benefit for all of those who engage with it. Furthermore, Yilmaz pushes implicitly and forcefully for recognition of Turkish as a critical language in Islamic intellectual history, acknowledging its contribution to the Islamic thought canon. Finally, Caliphate Redefined is a stunning study of Sufism in the Turkish-speaking context, allowing us a glimpse of Sufism's intellectual history and how it intersects and encompasses different aspects of Muslim life. Huseyin Yilmaz is associate professor at George Mason University. He holds a Ph.D. in History and Middle Eastern Studies from Harvard University. His research interests focus on the early modern Middle East including political thought, geographic imageries, social movements, and cultural history. He is also the Director of the Ali Vural Ak Center for Global Islamic Studies at George Mason University. Prior to his appointment at George Mason, he taught for the Introduction to the Humanities Program and Department of History at Stanford University and the Department of History at University of South Florida. His new book, the subject of our interview, Caliphate Redefined: The Mystical Turn in Ottoman Political Thought (Princeton University Press, 2018), is the first comprehensive study of pre-modern Ottoman political thought and focuses on the intersection of mysticism and the definition of authority. Nadirah Mansour is a graduate student at Princeton University's Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Both a history of science and a history of Islam, The Lighthouse and the Observatory: Islam, Science, and Empire in Late Ottoman Egypt (Cambridge University Press, 2018) by Daniel Stolz tells the story of Ottoman Egypt and astronomy, looking at how astronomy tied together the state and religious practice. We talk about how religious authority was negotiated through astronomy, the zij (the genre of astronomic handbooks used by astronomers), translation, and how print affected the distribution of astronomic knowledge. Stolz also contends with the specter of the nahda, or the Arabic language intellectual renaissance, and he tells us how he deals with it in his work. As always, we check in with the field of Middle Eastern history and ask what one should do with increasingly limited access to archives. Daniel Stolz is an assistant professor at University of Wisconsin, Madison. He was previously a visiting assistant professor of history at Northwestern University, where he was also affiliated with the Science in Human Culture Program. He received his PhD from Princeton University in Near Eastern Studies. He is a historian of the modern Middle East, specializing in Egypt and the late Ottoman Empire. He is the author of many articles on science and religion in Egypt and the monograph discussed in this interview. Nadirah Mansour is a graduate student at Princeton University's Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Both a history of science and a history of Islam, The Lighthouse and the Observatory: Islam, Science, and Empire in Late Ottoman Egypt (Cambridge University Press, 2018) by Daniel Stolz tells the story of Ottoman Egypt and astronomy, looking at how astronomy tied together the state and religious practice. We talk about how religious authority was negotiated through astronomy, the zij (the genre of astronomic handbooks used by astronomers), translation, and how print affected the distribution of astronomic knowledge. Stolz also contends with the specter of the nahda, or the Arabic language intellectual renaissance, and he tells us how he deals with it in his work. As always, we check in with the field of Middle Eastern history and ask what one should do with increasingly limited access to archives. Daniel Stolz is an assistant professor at University of Wisconsin, Madison. He was previously a visiting assistant professor of history at Northwestern University, where he was also affiliated with the Science in Human Culture Program. He received his PhD from Princeton University in Near Eastern Studies. He is a historian of the modern Middle East, specializing in Egypt and the late Ottoman Empire. He is the author of many articles on science and religion in Egypt and the monograph discussed in this interview. Nadirah Mansour is a graduate student at Princeton University's Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Both a history of science and a history of Islam, The Lighthouse and the Observatory: Islam, Science, and Empire in Late Ottoman Egypt (Cambridge University Press, 2018) by Daniel Stolz tells the story of Ottoman Egypt and astronomy, looking at how astronomy tied together the state and religious practice. We talk about how religious authority was negotiated through astronomy, the zij (the genre of astronomic handbooks used by astronomers), translation, and how print affected the distribution of astronomic knowledge. Stolz also contends with the specter of the nahda, or the Arabic language intellectual renaissance, and he tells us how he deals with it in his work. As always, we check in with the field of Middle Eastern history and ask what one should do with increasingly limited access to archives. Daniel Stolz is an assistant professor at University of Wisconsin, Madison. He was previously a visiting assistant professor of history at Northwestern University, where he was also affiliated with the Science in Human Culture Program. He received his PhD from Princeton University in Near Eastern Studies. He is a historian of the modern Middle East, specializing in Egypt and the late Ottoman Empire. He is the author of many articles on science and religion in Egypt and the monograph discussed in this interview. Nadirah Mansour is a graduate student at Princeton University's Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Both a history of science and a history of Islam, The Lighthouse and the Observatory: Islam, Science, and Empire in Late Ottoman Egypt (Cambridge University Press, 2018) by Daniel Stolz tells the story of Ottoman Egypt and astronomy, looking at how astronomy tied together the state and religious practice. We talk about how religious authority was negotiated through astronomy, the zij (the genre of astronomic handbooks used by astronomers), translation, and how print affected the distribution of astronomic knowledge. Stolz also contends with the specter of the nahda, or the Arabic language intellectual renaissance, and he tells us how he deals with it in his work. As always, we check in with the field of Middle Eastern history and ask what one should do with increasingly limited access to archives. Daniel Stolz is an assistant professor at University of Wisconsin, Madison. He was previously a visiting assistant professor of history at Northwestern University, where he was also affiliated with the Science in Human Culture Program. He received his PhD from Princeton University in Near Eastern Studies. He is a historian of the modern Middle East, specializing in Egypt and the late Ottoman Empire. He is the author of many articles on science and religion in Egypt and the monograph discussed in this interview. Nadirah Mansour is a graduate student at Princeton University's Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.

Joseph Ben Prestel talks with us about Emotional Cities: Debates on Urban Change in Berlin and Cairo, 1860-1910 (Oxford University Press, 2017), blending together history of emotions, urban history, global history, and comparative history to produce a monograph on the similar effects urban change had on Cairo and Berlin: ordinary citizens, between 1860 and 1910, negotiated between how the city was changing and how that affected how they saw love, honor, and trust. We talk about what we can gain from urban history, how to talk about gender in histories of emotion, what role modernity has in Middle Eastern studies, and the body in Middle Eastern history. As always, we also check in with the field of Middle Eastern history and talk about what the archives look like and what the next generation of scholars needs to be thinking of as they head into the changing landscape of Middle Eastern archives. Joseph Ben Prestel is assistant professor of history at the Free University (FU) of Berlin, where he teaches global, European, and Middle Eastern history. He also was a postdoctoral fellow at the Orient-Institut Beirut for the 2017-2018 academic year winter term and will be a Fung Global fellow at Princeton University for the 2018-19 academic year. He received his PhD in modern history from FU Berlin in April 2015. Before joining FU's history department, he held a position as pre-doctoral researcher at the Center for the History of Emotions within Berlin's Max Planck Institute for Human Development. He is a co-founder and editor of the Global Urban History Blog. Nadirah Mansour is a graduate student at Princeton University's Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Recent years have seen new waves of research in Syriac studies, the medieval Middle East, and family history. Combining all three, Lev Weitz's Between Christ and Caliph: Law, Marriage, and Christian Community in Early Islam (University of Pennsylvania Press, 2018), revisits the early years of Islamic civilization by looking at an oft-neglected population in the secondary literature, Syriac Christians. Weitz's study uses marital practice from the seventh through tenth centuries to illustrate how Islamic law influenced the development of Christian law and the role religious authorities –that is the Christian bishops– had to play in it. We talk through polygamy, confessional boundaries, and what households meant now and then; Weitz also fills us in on what the growing field of Syriac studies looks like, how it is changing, and how a scholar of the medieval Middle East gets their sources. Lev Weitz is an historian of the Islamic Middle East. He is an assistant professor at the Catholic University of America, in the Department of History; he also directs the Islamic World Studies program at Catholic University. For academic year 2018-19, he will be a fellow of the Kluge Center at the Library of Congress. He did his PhD at Princeton University at the Department of Near Easter Studies. His scholarly interests lie in the encounters among Muslims, Christians, and Jews that have shaped the Middle East's history from the coming of Islam to the present. Nadirah Mansour is a graduate student at Princeton University's Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Middle Eastern and Islamic intellectual history, there has long been an assumption of decline in the eighteenth century, right before the nineteenth century, when the nahda or Arabic intellectual renaissance, began: intellectuals were caught in a period of stagnation and retrograde. Ahmad Dallal pushes back against this in Islam without Europe: Traditions of Reform in Eighteenth Century Islamic Thought (University of North Carolina Press, 2018), bringing together an intricate matrix of ideas stemming from multiple fields of knowledge. He pins this all together with the notion of reform, all the while reminding us that reform is also about tradition. He starts with Wahhabism, carefully dissecting the thought of Muhammad ibn Abdel Wahhab, and then connects it to eighteenth century responses to Wahhabism. From there on, he draws in Hadith studies, Sufism, the concept of Ijtihad in legal reasoning, and legal theory to paint a tapestry of interlaced and dynamic ideas. Overwhelmingly, Dallal demonstrates that reform was tied to giving practicing Muslims increasing control over their own faith. Beyond that, Dallal talks to us about Islamic studies, Orientalism, and modernity, elucidating why we need to bring the 18th century back into the fold of Islamic and Middle Eastern intellectual history. Ahmad Dallal is the dean of Georgetown University in Qatar. He was professor of history (2009-2017) and was the provost at the American University in Beirut (AUB) from 2009 to 2015. Nadirah Mansour is a graduate student at Princeton University's Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Middle Eastern and Islamic intellectual history, there has long been an assumption of decline in the eighteenth century, right before the nineteenth century, when the nahda or Arabic intellectual renaissance, began: intellectuals were caught in a period of stagnation and retrograde. Ahmad Dallal pushes back against this in Islam without Europe: Traditions of Reform in Eighteenth Century Islamic Thought (University of North Carolina Press, 2018), bringing together an intricate matrix of ideas stemming from multiple fields of knowledge. He pins this all together with the notion of reform, all the while reminding us that reform is also about tradition. He starts with Wahhabism, carefully dissecting the thought of Muhammad ibn Abdel Wahhab, and then connects it to eighteenth century responses to Wahhabism. From there on, he draws in Hadith studies, Sufism, the concept of Ijtihad in legal reasoning, and legal theory to paint a tapestry of interlaced and dynamic ideas. Overwhelmingly, Dallal demonstrates that reform was tied to giving practicing Muslims increasing control over their own faith. Beyond that, Dallal talks to us about Islamic studies, Orientalism, and modernity, elucidating why we need to bring the 18th century back into the fold of Islamic and Middle Eastern intellectual history. Ahmad Dallal is the dean of Georgetown University in Qatar. He was professor of history (2009-2017) and was the provost at the American University in Beirut (AUB) from 2009 to 2015. Nadirah Mansour is a graduate student at Princeton University's Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.

History is only recently opening up to previously marginalized groups: it is only just now that women's history is being explored across different historical fields. Eve Krakowski in Coming of Age in Medieval Egypt: Women's Adolescence, Jewish Law, and Ordinary Culture (Princeton University Press, 2017) uses Cairo Geniza documents, and Jewish and Islamic legal writings to bring us the stories of Jewish women's adolescence in Fatimid and Ayyubid Egypt and Syria (c. 969–1250). She looks at how women functioned in a patronage culture, how women moved within society prior to being married and how that changed after becoming a wife. We talk to her about how to think of women in the pre-modern world, how her book fits into the pre-existing scholarship, what family history means in the Islamic Eastern Mediterranean, how the Cairo Geniza looms large in her work, and what her approach is to her research. Eve Krakowski is Assistant Professor of Near Eastern Studies and the Program in Judaic Studies at Princeton University. She is a social historian of the medieval Middle East, interested especially in family life and in how law and religion worked in mundane, everyday settings. Her research focuses on urban Jews in Fatimid and Ayyubid Egypt (969–1250), a population who accidentally left behind some of the most detailed and varied sources about ordinary life to have survived the premodern world: the Cairo Geniza documents. She earned her BA, MA, and PhD at the University of Chicago's Near Eastern Languages and Civilizations Department Before going to Princeton, she spent two years as a Blaustein post-doctoral fellow in the Program in Judaic Studies at Yale University, and one year as a Rabin post-doctoral fellow in the Institute for Israel and Jewish Studies at Columbia University. She has an ACLS Grant and a NEH grant, with Marina Rustow. Nadirah Mansour is a graduate student at Princeton University's Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

History is only recently opening up to previously marginalized groups: it is only just now that women's history is being explored across different historical fields. Eve Krakowski in Coming of Age in Medieval Egypt: Women's Adolescence, Jewish Law, and Ordinary Culture (Princeton University Press, 2017) uses Cairo Geniza documents, and Jewish and Islamic legal writings to bring us the stories of Jewish women's adolescence in Fatimid and Ayyubid Egypt and Syria (c. 969–1250). She looks at how women functioned in a patronage culture, how women moved within society prior to being married and how that changed after becoming a wife. We talk to her about how to think of women in the pre-modern world, how her book fits into the pre-existing scholarship, what family history means in the Islamic Eastern Mediterranean, how the Cairo Geniza looms large in her work, and what her approach is to her research. Eve Krakowski is Assistant Professor of Near Eastern Studies and the Program in Judaic Studies at Princeton University. She is a social historian of the medieval Middle East, interested especially in family life and in how law and religion worked in mundane, everyday settings. Her research focuses on urban Jews in Fatimid and Ayyubid Egypt (969–1250), a population who accidentally left behind some of the most detailed and varied sources about ordinary life to have survived the premodern world: the Cairo Geniza documents. She earned her BA, MA, and PhD at the University of Chicago's Near Eastern Languages and Civilizations Department Before going to Princeton, she spent two years as a Blaustein post-doctoral fellow in the Program in Judaic Studies at Yale University, and one year as a Rabin post-doctoral fellow in the Institute for Israel and Jewish Studies at Columbia University. She has an ACLS Grant and a NEH grant, with Marina Rustow. Nadirah Mansour is a graduate student at Princeton University's Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Republic of Arabic Letters: Islam and the European Enlightenment (Harvard University Press, 2018), Alexander Bevilacqua uncovers a different side of the European Enlightenment, at least with regards to its engagement with Arabic and Islam. Instead of polemics, he tells the story of how books and ideas moved across continents and were studied in Europe, where they were considered a serious object of engagement. He first tracks the movement of books to Europe, then the translation of Arabic's most famous book—the Qur'an—culminating in the study of Arabic-language materials, which he refers to as the Republic of Arabic Letters. He draws on sources in multiple languages to paint a picture of a vibrant long-distance intellectual community (or the Republic of Arabic Letters) that, for a brief period before European colonial encounters, admired, rather than derided the Arab and Muslim intellectual traditions. He talks to us about the inspiration for the book, why he thinks this intellectual community was so important, and where he sees his work amidst the greater sea of scholarship. Alexander Bevilacqua is an Assistant Professor of History at Williams College. He specializes in the cultural and intellectual history of early modern Europe (ca. 1450 to 1800). He was educated at Harvard College, University of Cambridge, and Princeton University. From 2014 until 2017 he was a junior fellow in the Harvard Society of Fellows. His work has appeared in History of European Ideas, Journal of the Warburg and Courtauld Institutes, and Past and Present. He has edited, along with F. Clark, Thinking in the Past Tense: Eight Conversations (Forthcoming in December 2018 with University of Chicago Press) and he won the Thomas J. Wilson Memorial Prize of Harvard University Press for The Republic of Arabic Letters: Islam and the European Enlightenment. Nadirah Mansour is a graduate student at Princeton University's Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Telling the story of a former colony post-independence is tricky, no matter if it's a colony in Latin America, the Middle East or East Asia. Where does the idea of the 'nation' slot in? Does it exist independent of colonialism? How does one talk about decolonization in post-imperial contexts? Then, you have to consider the interlocking concepts of language, race and even war. In the Sudanese case, that story can be told through the emergence of economic developmentalism. In Transforming Sudan: Decolonization, Economic Development, and State Formation (Cambridge University Press, 2017), Alden Young tells the story of how the Sudanese state was shaped post-independence as a result of economic planning. Through global, regional, and national notions of how to economically plan a state, Young traces the people, resources, and policies that would have consequences for generations to follow. Alden Harrington Young is assistant professor in the departments of History and of Global Studies and Modern Languages and director of Africana Studies, all at Drexel University. He received his BA from Columbia, his MA from the London School of Economics and Political Science and his PhD from Princeton University. He teaches African History, economic history and the history of Arab and African interactions. Nadirah Mansour is a graduate student at Princeton University's Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.

Modeled on Bad Girls of Japan (Palgrave Macmillan, 2005), Bad Girls of the Arab World (University of Texas Press, 2017), edited by Nadia Yaqub and the late Rula Quawas stands apart from the edited volume crowd. It includes, not only academic entries, but personal essays and reflections on art by their artists, all centered on the theme of transgression, or to put it in the language of Bad Girls of the Arab World itself, bad girls. And there is no one bad girl. Some bad girls of the Arab world use their linguistic and cultural heritage to empower them, some rail against them. Some ally themselves with the West, some don't think about the West and the East as binaries, but rather, apply a complicated, nuanced worldview to their universes. However, all are allotted their agency. Bad Girls of the Arab World will be a resource for students of the Middle East and the general public on gender and the Arab world. Nadia Yaqub is an associate professor at the Department of Asian Studies at the University of North Carolina, Chapel Hill, where she is also chair of the Department of Asian Studies and adjunct associate professor at the Department of English and Comparative Literature. She is also associate editor for film and theater at the Review of Middle East Studies, an editorial collective member with the Journal of Middle East Women's Studies and an advisory board member with the Middle East Journal of Culture and Communication. Her research interests include Arab cultural texts ranging from medieval literature and contemporary oral poetry to modern prose fiction and visual culture. She is the author of many articles and a book Pens, Swords, and the Springs of Art: The Oral Poetry Dueling of Palestinian Weddings in the Galilee (Brill Academic Publishers, 2006) and Palestinian Cinema in the Days of Revolution will be coming out from University of Texas Press in July 2018. Nadirah Mansour is a graduate student at Princeton University's Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mihri Hatun: Performance, Gender-Bending, and Subversion in Ottoman Intellectual History (Syracuse University Press, 2017) by Didem Havlioglu is at once an intellectual history and biography of sorts of Mihri Hatun, a fifteenth century Ottoman poet. It considers the question of what happens when a woman enters a field dominated by men; in this case, poetry. Using her own poetry and biographical dictionaries (the tezkire genre), Havlioglu contextualizes Mihri and tries to understand her as a product of her own time and as someone who understood her multiple roles in society well enough to subvert them. Didem Havlioglu is Instructor of Asian and Middle Eastern Studies at Duke. Her interests include Modern/Ottoman Language and Literature, Islamic Aesthetics, Women and Gender in the Middle East, Women Writers in the Intellectual History of the Middle East. She received her Ph.D. from the University of Washington. Nadirah Mansour is a graduate student at Princeton University's Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Marie Grace Brown's Khartoum at Night: Fashion and Body Politics in Imperial Sudan (Stanford University Press, 2017) is in many ways a history of fashion in Sudan, but in so many ways, its much more than that. It is the story of women in Sudan, as well as the story of their bodies and movement. Brown weaves together women's education, women's health, activism and more through the tobe, a popular, modest form of dress that wrapped around a woman's head and body. She reads textiles like texts and challenges us to both read existing primary sources differently and seek out new primary sources. Khartoum at Night shows us how the centrality of the tobe shaped everyday life, but how the tobe itself was shaped by continuity and rupture in Sudanese society. What we have as a result is a story that gives agency to its actors and ultimately, the story of imperial Sudan. Nadirah Mansour is a graduate student at Princeton University's Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoices