Podcasts about caucasians

Do you see any hope in them

Lester Kiewit speaks to Lauren Barnard, whose husband Wayne has been reported missing after going for a solo hike on Table Mountain. A search party has been arranged to try and find him. Wayne is 1.91m tall, Caucasian with brown/grey hair and approximately 90kg. He was last seen wearing a khaki-green O’Neill puffer jacket, bottle-green cargo pants, and black shoes. Good Morning Cape Town with Lester Kiewit is a podcast of the CapeTalk breakfast show. This programme is your authentic Cape Town wake-up call. Good Morning Cape Town with Lester Kiewit is informative, enlightening and accessible. The team’s ability to spot & share relevant and unusual stories make the programme inclusive and thought-provoking. Don’t miss the popular World View feature at 7:45am daily. Listen out for #LesterInYourLounge which is an outside broadcast – from the home of a listener in a different part of Cape Town - on the first Wednesday of every month. This show introduces you to interesting Capetonians as well as their favourite communities, habits, local personalities and neighbourhood news. Thank you for listening to a podcast from Good Morning Cape Town with Lester Kiewit. Listen live on Primedia+ weekdays between 06:00 and 09:00 (SA Time) to Good Morning CapeTalk with Lester Kiewit broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/xGkqLbT or find all the catch-up podcasts here https://buff.ly/f9Eeb7i Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalkSee omnystudio.com/listener for privacy information.

The news of Texas covered today includes:Our Lone Star story of the day: Once again, a Bo French social media post gives every anti-Republican ammunition to label conservatives and Republicans as racists and/or bigots. Bo French is condemnable as much for his political stupidity as he is for the apparent bigotry of his online post BUT, don't buy into the media attempt to get you to vote for the Democrat over this. Big Media has been pushing outright bigotry and racism for years including Marxist Critical Race Theory and D.E.I. racism that includes a call for racial discrimination against Caucasians, Asians, etc.Ken Paxton Responds to James Talarico's Call to Condemn Bo French. Paxton is right on this. All these leftist Dems are race focused in almost everything they do.Our Lone Star story of the day is sponsored by Allied Compliance Services providing the best service in DOT, business and personal drug and alcohol testing since 1995.In the Texas House, James Talarico said that parents who disagree with their own child over “gender identity” or homosexuality are engaged in child abuse. He voted against protecting parents from abuse liability for such and voted for an amendment in a bill that specifically would say that  “rejecting a child's gender identity or sexual orientation is abuse” and “should be treated as such under Texas law.” [See more on Talarico's real record here.]Lubbock Lights has learned, county paid two commissioners for same precinct job. Well, Lubbock Lights did learn it, as well as did I, and is writing about it. I mention a thing or two not in the Lights' story as of mid-day. Much more will be coming out I'm sure. This is ALL Bowtie Bully Curtis Parrish from the beginning and the pay problem appears to have been at his hand.Texas Stock Exchange gets another listing: Texas Capital Bancshares Inc. leaving Nasdaq for the new Texas exchange.Listen on the radio, or station stream, at 5pm Central. Click for our radio and streaming affiliates.www.PrattonTexas.com

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and three-time NAACP Image Award-winning television Executive Producer Rushion McDonald interviewed Brandon Bronaugh. A life transition expert and one of the faces of A&E’s hit show Hoarders.

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and three-time NAACP Image Award-winning television Executive Producer Rushion McDonald interviewed Brandon Bronaugh. A life transition expert and one of the faces of A&E’s hit show Hoarders.

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and three-time NAACP Image Award-winning television Executive Producer Rushion McDonald interviewed Brandon Bronaugh. A life transition expert and one of the faces of A&E’s hit show Hoarders.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight on APEX Express, Host Miko Lee is going Beneath the Surface — with two incredible artists, Margaret Cho and Masaki Fujihata. Both artists have been working in their fields for decades. Margaret Cho — stand-up comedy, sitcom, filmmaking, writing. Masaki Fujihata — a pioneer in new media art.And here's what they have in common: they've both shifted with the times… but never lost their own voice. Their vision has stayed singular, even as the world around them changed. Listen in to APEX Express   Check out: BeHere / 1942: A New Lens on the Japanese American Incarceration at the Oakland Museum from Friday, September 18, 2026—Sunday, December 27, 2026 Masaki Fujihata website Choligarchy at Berkeley Rep, September 15-19th, 2026  Margaret Cho website Interweaving: Indo-Persian Exchanges Interweaving: Indo-Persian Exchanges at Oakland Asian Cultural Center, September 11, 2026 7pm Artists featured: arjun-verma.com www.pezhham.com  MazdakAlipour.com emanhashimi.com   Show Transcripts [00:00:00] Opening: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   [00:00:34] Miko Lee: Tonight on Apex Express, I'm going beneath the surface with two incredible artists, Margaret Cho and Masaki Fujihata. I'm your host, Miko Lee.   [00:00:57] These are two artists who've been working in their fields for decades. Margaret Cho, stand-up comedy, sitcom, filmmaking, writing, and Masaki Fujihata, a pioneer in new media art. And here's what they have in common. They've both shifted with the times, but they never lost their own voice. Their vision has stayed singular, even as the world around them have changed. So stick with me. First up, my conversation with Margaret Cho   [00:01:29] Welcome Margaret Cho to Apex Express.    [00:01:32] Margaret Cho: Thank you.    [00:01:34] Miko Lee: I wanna start with my question I ask most of my guests, which is who are your people and what legacy do you carry with you?    [00:01:41] Margaret Cho: I think my people are Asian American, my people are queer, my people are all ages, my people are progressive, my people have hope for the future. That's what I'm hoping. I think that's it, and that's who I am too.    [00:01:56] Miko Lee: Thank you. You started stand-up so young in this very Bay Area, and I think you started at age 14. I'm wondering what's your earliest childhood memory of being a performer?    [00:02:08] Margaret Cho: My earliest childhood memory of being a performer was I was actually a singer. I was a singer in a band of children, and I was probably maybe five years old. We were on a show on KTVU. I believe it was called Asia Now, and it was filming in the studio and I wouldn't stop waving at my mother, who was just off camera. And after the performance the band leaders asked me not to come back. Aw. I remember that because I could not stop waving at my mother and so I kept breaking that fourth wall. That was my first memories of performance.   [00:02:47] Miko Lee: And what did that feel like to you?    [00:02:50] Margaret Cho: I didn't really get the idea. I didn't really understand television exactly quite. I didn't understand why we were performing. I didn't understand why I couldn't say hi to my mother while I was performing. I didn't have a real comprehension of like even like rejection of what that meant or even performance or what that meant or television. So all these things that I come to learn about very well, rejection, performance, and television is my whole life. But back then I didn't understand the importance of all those things.    [00:03:22] Miko Lee: But there must've been some kind of zhuzh for you that you said, “Ooh, I wanna keep doing this,” right?    [00:03:28] Margaret Cho: Yeah, I think so. Much later though, you know, I did perform as a pianist. I was a classical pianist. I was also a ballet dancer. So those things required performance, which actually would make me really, really nervous, I think because in piano you're playing a classical piece. You're playing Beethoven, you're playing Mozart. So if you make a mistake, everybody's gonna know. Also with ballet you're choreographed and you're in as a troupe. If you're doing choreography with a bunch of other people- If you make a mistake, everybody's gonna know. But with comedy, mistakes are a little bit more of, something you can gloss over a bit. There's a little more control there, a little more room for chaos, which I absolutely need, I think, as a performer.   [00:04:22] Miko Lee: Mm, this is interesting. You've already described some of the different types of performance that you do, and you've also done so many things in your life. But I'm wondering if there is a type of art form that still makes you nervous.    [00:04:34] Margaret Cho: Music. I think playing an instrument in front of people, I think because when I was a child and would perform these recitals, I would be so nervous. There were a couple of times in recitals where I had to start over, you know? When you're, like, eight or nine years old and you make a mistake and have to start over, and this audience is, like, hundreds of people, it's, like, really mortifying. I still carry that. I play m- numerous instruments, and I really dread playing them in public. What helped me a little bit is busking, which I did quite a lot of over, over the years because when you're playing out on the street, there's a… I don't know. It's like people are not really paying attention to you, and therefore you're kind of in this divide of I'm in performance, but I'm also kind of not. So that helped. In general, I refrain nowadays from when I do music, I don't usually play my instrument along with the band. I usually just focus on singing. Even that is quite nerve-wracking. Singing and doing music still, even though I've been doing it really my whole life, there is something about it that, that quite, um… because when you're singing, you're actually also the instrument. So there's a bit of more required. That's why I always prefer comedy. Your quality of voice doesn't matter because the music you're making doesn't have to sound pleasing.    [00:05:59] Miko Lee: And when you were busking, what instrument were you playing?   [00:06:02] Margaret Cho: Guitar. Ah. So I would play guitar, sometimes a six-string banjo, sometime, I'd play all manner of sort of guitar-necked instruments, which can go from, guitar to mandolin to a cello that's, it has a guitar neck, so I can play- Ah that as well. So all those things, I cheat at everything 'cause I have a guitar neck.    [00:06:21] Miko Lee: I love that. The improv just comes out of you in all different ways, I guess.    [00:06:27] Margaret Cho: Yeah.   [00:06:27] Miko Lee: So you have been a path maker, rule breaker in so many aspects of your life, from comedy obviously, and producing and starring in the first Asian American TV show, actor, fashion maven, author, rapper, podcast host, and out and proud queer role model. I'm wondering, what's a career dream that you aspire to?    [00:06:46] Margaret Cho: Ooh, well, I wanna be an old lady crime show, like Murder She Wrote. I wanna just solve crimes. I love, like, a British crime show, like an old lady solving crime. Like a Prime Suspect, like a Helen Mirren. I love that kind of genre of television, and so I would love to mature in that 'cause, like, it's so interesting and also so rich and, I feel really drawn to it. So that's something that I haven't… I'm a participant in a lot of those types of shows. I'm on a show called Bull Trent, which is very much that, which is really cool. And then I've been on Law & Order, which is the ultimate, SVU is the ultimate sort of crime show. So I would love to engage in that genre more.   [00:07:31] Miko Lee: Ooh, are you developing that on your own?    [00:07:34] Margaret Cho: I'm not, but I am participating in lots of other people's versions of it. They're not out yet, so they will be coming, forthcoming.    [00:07:44] Miko Lee: Coming soon, and then your own version starring you. Yes. The- Yeah … modern Murder She Wrote. I would love it. In what town would this be? In San Francisco or in-    [00:07:53] Margaret Cho: Oh, San Francisco would be great. Yeah. San Francisco or, like, Marin.    [00:07:56] Miko Lee: Oh, God. That would be really funny.    [00:07:58] Margaret Cho: Sausalito. Sausalito would be so fun. You know, Napa Valley. You know, something, like, very, like, th- this community that looks very, like Saint Helena, like Calistoga, s- community that's very quaint and peaceful and, like, kind of like foodie oriented and, like, very, you, you know, you think very upscale, but actually there's a lot of dirty dealings going on underneath the surface.   [00:08:20] Miko Lee: The wine country Murder She Wrote.    [00:08:23] Margaret Cho: Yes, I love it.    [00:08:24] Miko Lee: I would watch that. That's fun. So you also have expressed your art in so many ways. Your body is filled with so many tattoos. I think you have over 70. Which of your tattoos evokes the strongest emotion for you?    [00:08:38] Margaret Cho: Well, right now I'm in this, like, trend only getting art from Korean artists, and these are guys. People from Korea who are tattooing now are really the best in the world. They are the state of the art. Like, their eye and their talent is just so innovative. There it's semi-illegal, so they do it under duress, you know, and they have to sort of do all these different things to do it. But their ability to just visualize things that are just, that seemed impossible, you know, these miracles on skin that they can do. The art now I'm really resonating with. There's an artist now that works exclusively in Dancheong, which is a kind of the color scheme of Korean temple art. And so all of his tattooing reflects that. And so I'm working on a very, very large piece on my leg that is, all Dancheong, which you know, for me, like having had lots of different kinds of tattoo, like I had sort of Japanese traditional and a lot of American traditional, and a lot of just kind of different kinds of art. Now to just really delve into the art of my ancestors is quite powerful, and by being done by very young, very skilled tattoo artists from Korea. You know, so I get to speak in Korean to them. We communicate in a language that is shared, that's ours, which is very different from the way that I've communicated with all of the other artists that I've had over my time as a tattooed person. So, um, yeah, tattooing for me, it's, it's all about Korea right now.    [00:10:21] Miko Lee: And what inspired your first tattoo?    [00:10:25] Margaret Cho: My first tattoo was done by Don Ed Hardy, who is a legendary Bay Area tattooer, also, an amazing guy and he was a friend of the employees of my father, who, my father owned Paperback Traffic, which is his gay bookstore just going in the 1970s. And so a lot of people were getting tattooed by Don Ed Hardy. They were getting full body suits in the '70s and '80s, and the, the, um, images, like, so on our refrigerator as a… When I was a child, my father would put up, um, the full body tattoos of these guys that worked for him. So that's what I would see every day. Instead of, like, our graded papers or, like, stuff that you usually have on a refrigerator, it was photographs of completely tattooed people. Um, and that really stayed with me. And so when I was ready to be tattooed, and this is, like, 2002, um, my father's employees and all of our, like, old friends took me down to see Don Ed Hardy, who was doing these body suits, and, he gave me my very, very first very large Japanese-inspired piece on my stomach and back. And that kind of started it off. I got the most painful, most difficult place in your body tattooed first, which is, like, basically your stomach, and your sternum, your chest. All those areas are really, like, those are the worst, and I got that over with. And so I realized, oh, I could actually keep on doing this. And I always knew that I would be heavily tattooed because of that.   [00:11:59] Miko Lee: So your first one you chose really big, not just like a small something. You got a really big one.    [00:12:03] Margaret Cho: Yeah.    [00:12:04] Miko Lee: Wow. Yeah. Just jump in, girl. Just jump in.    [00:12:07] Margaret Cho: Well, I just knew that was right, and I knew also this was probably, like, the only time that I would be able to get a very large piece from Don Ed Hardy, you know? Yeah. People know him, of course, from the clothing line- That's right … and the sort of Y2K influence. But he is so much more than that. His influence on tattooing is really significant. That was towards the end of his tattooing career. He didn't have many years where he kept doing it after, 'cause he explained to me that he absorbs the pain of people. Wow. And so he realized, like, that probably wasn't so good for him physically as he aged, I was really lucky to get what I got from him, which is a very, very large piece and a very important piece.   [00:12:51] Miko Lee: Amazing. And as you're talking about your childhood and growing up in the bookstore, it just makes me reflect on how your childhood was so unique and so interesting. Mm-hmm. And I'm wondering if today you were to make a television show about your childhood, how very different… With, with more artistic freedom. It would be so fun. It would be so fascinating. There's so many more streaming options than just the three networks that we grew up with. Yeah. So, what would that be like for you to do a TV show on your childhood now?    [00:13:23] Margaret Cho: I would love it. I mean, I would love to create that world, recreate that world, because, you know, we had the influence of, like, people who were doing a lot of very early body modification, meaning these full, full body tattoos, and, like, body piercing, which was such a different thing. I mean, in the 1970s we had the rise of Harvey Milk you know, and his assassination.    [00:13:44] Miko Lee: Mm-hmm.    [00:13:44] Margaret Cho: We also had the devastation of the People's Temple, which was all San Francisco people.    [00:13:50] Miko Lee: Yep, yep.    [00:13:51] Margaret Cho: It happened in Guyana, people don't realize this originated in San Francisco and came from there. All the people who died were San Franciscans, and Oakland, Bay Area people. This is our people. My parents actually rented the recently vacated People's Temple for my grandparents' 50th wedding anniversary. Wow. Like, crossing the police tape. To go in and have a Korean party, and then my mother's, “Lot of ghosts.” She saw all the ghosts.   [00:14:19] Miko Lee: Yeah, I'm sure.   [00:14:21] Margaret Cho: “Ghosts, ghosts, lot of ghosts. Well, ghosts don't really do anything. They just make food get cold very fast.” You know, like that kind of a thing. So it would be a great TV show, I think.    [00:14:32] Miko Lee: Ugh, I would watch that too. We're talking about your new show, Choligarchy, which is gonna be at Berkeley Rep, and I read that you said it brings you back to your roots as a political comedian. Can you share more about this?    [00:14:44] Margaret Cho: Well, I had the luxury of the Obama administration where I didn't feel like I had to fight so hard to be heard and seen as a queer Asian American woman, 'cause I worked on the Obama campaign, I worked on, getting people registered to vote in 2008 in Philadelphia. I worked on all these different things with Cal Penn in 2008 to assure a kind of future where we are gonna have something different, and then we did. And then so I got to spend about eight years where I could do dance, I could do music, I could kinda like drift into these other arenas of work that I hadn't been able to do because, before, had been, like, so much about fighting the Bush administration, so much about fighting what was going on. So now to be able to return to a thing that I'm very used to, like political commentary, where I'm really focused on using my voice to affect change and to create change, and it's really profound, you know? I love doing this show. It's got me thousands and thousands of death threats, which is also really terrifying and bizarre. I've always had a kind of very confrontational relationship with conservatives, but now it's escalated to the point of, like, oh, I actually do fear for my safety. But I think that it's worth it. The message is worth it, and I'm proud to do this show, and I'm very, very excited to bring it to very progressive Berkeley, which they're gonna hear it better than anyone. I do think Berkeley is even more progressive than San Francisco. So it's exciting.    [00:16:27] Miko Lee: Well, San Francisco is filled with tech bros now, so it's a very- Yeah … different vibe than when we were-   [00:16:32] Margaret Cho: That's right.   [00:16:32] Miko Lee: growing up. I'm wondering, I heard you say about how different it was during the Bush regime, which is actually relatively tame in retrospect compared to the fascistic times we're living in now. I'm wondering how different, now that you're going back to the kind of political roots, how different is it from that Bush time in your approach to your comedy?    [00:16:51] Margaret Cho: Well, Bush never descended into a cult. Bush never had the sort of magnetism as a person, to demand the cult-like sort of atmosphere that sort of exists now, where we have a leader who will gladly let all of his followers be on a decoy plane while he rushes away in a catering van. We think the decoy plane, that's really America. Like, the decoy– we are all, as a nation, on the decoy plane. He's happily content to let us all die to ensure his safety. It's like they're, and they're still gonna follow him after that. So that's a cult, you know? This is a different beast than we're dealing with just sort of patriotism or the idea of like xenophobia or the idea of wanting this kind of America that Bush wanted. Bush couldn't create that because he was not a cult leader, whereas now we have a bona fide cult and cult leader on a path to destruction.    [00:17:57] Miko Lee: So given this time that we're living in and how complicated it is, I'm wondering, especially as you're going on tour with this show, what brings you comfort and makes you feel connected to home when you're on tour or when you're away?   [00:18:10] Margaret Cho: Well, my dog is with me all the time, so that's really special. She'll be there at Berkeley. She's really, really amazing. I'm a big fan of social media. It's connecting with people on there, and people are encouraging me through there. There's a lot of points where I carry home with me. I'm also, at home on the road, because I've been traveling and performing for over 40 years, so it's a place that I feel a great deal of comfort in.    [00:18:35] Miko Lee: Because you mentioned social media, I'm just wondering, isn't that where the death threats are coming from, though, is social media? Or are you getting them in—   [00:18:42] Margaret Cho: Yes. But I'm also get, I get them on my phone. I get them, like they—   [00:18:45] Miko Lee: Oh, you, they- Yeah … find your cellphone and contact you—   [00:18:47] Margaret Cho: Yeah.   [00:18:48] Miko Lee: directly? Wow.    [00:18:49] Margaret Cho: Yeah, I get them, like, you know… I'm also concerned about, I've been doxxed, you know, they threatened to kill my dog, and I'm like, “She's white. She's one of you. Why would you kill her?” It's kind of funny.   [00:19:01] Miko Lee: But you don't respond to any of these folks, right?    [00:19:04] Margaret Cho: No, you can't, because you just don't know what… I always think about, like, Melissa Hortman. They killed her dog. I don't wanna be another example of, like, MAGA lunacy. When you speak out and you are a symbol of what they don't want. They don't want women, they don't want people of color talking. When you are that you're really in the line of fire. That's why traveling works for me, I get to be very, very stealth and hidden. Um, and that's kinda also why I travel so much, is to be stealth. Mm. I get so much encouragement from social media. I don't wanna cut myself off from it. But yeah, you have to be careful.    [00:19:42] Miko Lee: So you feel like that balance outweighs it?    [00:19:45] Margaret Cho: Yeah, for sure.   [00:19:45] Miko Lee: And I'm wondering if you think there's something that's misunderstood about you?    [00:19:49] Margaret Cho: When I'm talking and people don't like what I'm saying, they will say, “Oh, look at this has-been talking again.” And I'm like, “I'm not talking because I think I'm a celebrity. I'm talking because I am alive, and everybody who is alive has the right to speak.” I think this is really important. I don't talk because I feel like I have a responsibility to talk because I represent anything. No, I talk because we should all be talking. We should all have a voice. I don't have a sense of importance about myself or who I am or what I do. I think that everybody should be talking, and now we should all be talking because now we are all on that decoy plane, and he will leave us to die. So I'm going to say something about it. People have a myth about celebrity that somehow it involves our ego, and that's why we feel compelled to have a voice. But I think we should all have a voice no matter who we are.    [00:20:41] Miko Lee: I've heard you call yourself the patron saint of outsiders. Can you talk about what that means to you?    [00:20:47] Margaret Cho: I think for me it means to be able to have, my queerness front loaded, my Asianness front loaded, my gender front loaded, all these things that I want to be able to talk to those who feel like they don't feel represented by mainstream culture, by white supremacy. If you have felt rejected or even just not included by society at large, I wanna hear your voice. I wanna hear your opinion, and I wanna know you.    [00:21:15] Miko Lee: And last question, why should folks go and see Oligarchy at Berkeley Rep?    [00:21:20] Margaret Cho: Oh, it's Choligarchy.   [00:21:20] Miko Lee: Choligarchy.   [00:21:22] Margaret Cho: It's my nation. It's my dictatorship. In my dictatorship, we have universal healthcare. In my dictatorship, we have a universal living wage. If we actually made the billionaires pay their share, if we actually stopped supporting Israel and Argentina, other countries which I don't know why we give them so much money, but we do, if we stop doing that, we stop supporting the billionaires, if we stop giving corporations handouts, we could actually have a universal living wage where everybody in this nation would just be able to just live. We could just live because we are American. We could just live. And then your work could be what you really wanna do. That would be such an important change to the way that we exist as Americans. And we could do that if we actually stopped giving b- bailouts to corporations, actually made billionaires pay their share, and stopped giving money to countries that are not ours. That's what my platform is. That's what I run on, and that's what I plan to do.    [00:22:35] Miko Lee: And folk can find out more by going to see the show at Berkeley Rep, and we'll put a link in our show notes. Thank you so much, Margaret Cho, for joining us on Apex Express.    [00:22:45] Margaret Cho: Thank you.    [00:22:46] Miko Lee: Next up, get a preview of an upcoming unique performance at Oakland Asian Culture Center. Listen to Sawaal Jawaab    MUSIC   [00:24:01] Miko Lee: That was Sawal Jawab with Arjun Verma, Eman Hashimi, and Pezhham Akhavass in Interweaving: Indo-Persian Exchanges, a one-night-only performance on Friday, September 11th at the Oakland Asian Culture Center. The concert's a rare opportunity for Bay Area audiences to experience the interplay of some of Asia's richest classical music traditions from India, Iran, and Afghanistan. Next up, we hear from two voices, multimedia artist Masaki Fujihata and Carin Adams, senior curator at the Oakland Museum. Masaki Fujihata is a world-renowned sound, installation, interactive, and new media artist. He's also a professor at Keio University. His work has been shown all around the world, and now it's coming to the Oakland Museum, opening September 18th and running through the end of December. The piece is called BeHere / 1942, A New Lens on the Japanese American Incarceration, and it's a new augmented reality work. So tune in to my interview with Masaki and Carin Welcome to Apex Express, multimedia artist Masaki Fujihata and Carin Adams, senior curator at Oakland Museum.    [00:25:13] I'm so happy to have you both with me, and we're talking about the new exhibit BeHere / 1942: A New Lens on the Japanese American Incarceration, which opens at the Oakland Museum from Friday, September 18th to Sunday, December 27th. So thank you so much for joining me. I wanna start with a question I ask all of my guests. I'm gonna start first with you, Carin, and then I'll go to Masaki, and the question is, who are your people, and what legacy do you carry with you?    [00:25:53] Carin Adams: Oh, wow. I think there are lots of different facets of my family and who I think of as my people. Um, I think in, in this work in particular, I'm really, um, thinking a lot about my grandparents, my, my mother's parents, and, um, my mom, who's turning 91 in, um, October, and, um, her and her siblings' experience, um, being incarcerated in Tule Lake. So- Mm … that, I think has, has a lot to do with wh- why I'm here, and thank you so much for having me.    [00:26:36] Miko Lee: Mm-hmm. Thank you so much. And Masaki, what about you? Who are your people, and what legacy do you carry with you?    [00:26:43] Masaki Fujihata: Yeah, in my case, my, career started with the computer graphics long time ago in the '80s, so I came in, uh, Bay Area and, uh, West Coast quite frequently to join a big, uh, conference and so on. But then in '90s, I was very many times to be invited to be in Europe, so-called media art, i- is so dominant. So my curiosity is about the visual arts plus computer technology. Then nearly 10 years ago, I started to play with augmented reality. I recognized AR is a very good technology to put the history in actual moment. So the title Be Here 1942 means, I try to call the people in the past in the present. After one of my friend, the professor at UCLA invite me to be in Los Angeles, then we started to focus onto the Japanese Americans' history. That was the first, a kind of coincidence, but it was, very interesting to me because, I was born in Tokyo and grew up here in Tokyo, so usually I didn't think about who is a Japanese. [00:28:10] Along with this production, I studied a lot, not only the racial problems, but also the identity, , not only the personal identity, but also identity of Japanese and also American. It's really difficult to understand what's is the identity in the America because so many different people are living together and of course there are several conflicts. This is very good study for me, through the new media technology and, through the meeting with the people. Some of them really had, severe experience inside the camp. I never had a chance to think about these opportunities. Then I really want to recreate what had happened in the 1942. That was my point of view for this project.    [00:29:08] Miko Lee: I'm wondering when you were growing up in Japan, did you learn about the Japanese American incarceration?    [00:29:15] Masaki Fujihata: Maybe, maybe, but a tiny. Most of the young students just thought, oh, this is the history, not mine    [00:29:27] Miko Lee: And did you… Were there kibei that were there? Cause I know there were a lot of Japanese Americans that had been pushed out and repatriated to Japan. Did you grow up knowing any of those people?    [00:29:39] Masaki Fujihata: Mm, not, not really. Not really. Um, how can I say? Mm, maybe this is the education, the Japanese education. They didn't talk much about the history. The first part is an ancient moment, is very, very, you know, impressive. But, at the end of the term, so the modern age usually passing very, very fast.    [00:30:10] Miko Lee: Oh, interesting.    [00:30:11] Masaki Fujihata: Yeah, so n- not only about, history between America and Japan, but also China and Japan.   [00:30:18] Miko Lee: Mm-hmm.    [00:30:19] Masaki Fujihata: We have very few knowledge in, on the context of, uh, history education. I mean—   [00:30:24] Miko Lee: So sort of World War II- I mean- and forward? From World War II—   [00:30:27] Masaki Fujihata: Yeah, yeah …   [00:30:28] Miko Lee: You didn't really learn about it?   [00:30:28] Masaki Fujihata: Yeah, modern age. Modern age. I believe this is very big problem in the education.    [00:30:35] Miko Lee: That's so interesting. So the first that you really learned about the Japanese American incarceration was during, when you started this project at UCLA? Is that right?    [00:30:44] Masaki Fujihata: Yeah, yeah. I know something about the history in the US, but when I started to do research, there are many details, and every people's history is very, very different. So the textbook of the history is just the surface- So that's why I wanted to show more the detail through a new media technology.    [00:31:16] Miko Lee: I read a quote from you that said, “My aim was to peer deeply into photographs to derive from them more than was visible on the surface.” Can you talk a little bit more about what that means to you?   [00:31:29] Masaki Fujihata: Yes, because, I started to think about to focus on the moment when they ride the bus. So then, of course, I did some research to read some oral history, but, most of them didn't tell about the moment because I think this was just one hour or two hours for waiting. I suppose they usually don't want to remember, and also they thought that this is not important day, then they forgot.   [00:32:04] Miko Lee: What was it about the bus that you were curious about?    [00:32:08] Masaki Fujihata: We planned to realize our project, to think about the beginning. What is the beginning? There, there are quite many novels and writings about the life in the camp because of, of course, this is so heavy. Four years in the camp is unbelievable. According to my research, some people said they thought the war will ends in three months. But in there they spend in the camp, over four years. So of course, this is a heavy story and also while in the inside the camp. There are some conflict between the first generation, second generation or American side or Japanese side. The beginning is, of course, the Pearl Harbor raid, but, the bus, suddenly one day the bus came into your town and you were asked to ride the bus, and before riding they didn't tell them where they are going. So so if it happened now, how can we behave? So this is my question. This is the beginning, and they didn't know what will happen in the future. And then in parallel, I did some research to see the photographs because, there are many documentary photographs were in the archive, in National Archive, and also Library Congress. I tried to, see the photography, but as I said, when see the picture, you know, the detail is telling a different story, against the comment. The comment is just they are lining up for riding a bus or something, or Japanese American families get together and waiting. Of course they have some name card. At last I found through one of small girl's eye, there is a reflection of the photographer. But, not only the photographer, there are two, three, or four more people standing with the cameraman. Then, of course I understand they are all Caucasians. They are not Japanese American people. So for the little lady, for the little girl, when she was surrounded by, white officer, perhaps military police, she has nothing to do. But on the surface of the photography, she's smiling. So this contrast is the beginning. So this is a problem about media, visual media. So then I really want to share this experience with the other audiences through the exhibition. That was my intention.   [00:35:18] Miko Lee: And had you seen the photographs from Dorothea Lange and Russell Lee prior to working on this project?   [00:35:25] Masaki Fujihata: Of course, I know these names because they are very famous,, documentary photographer, the magazine Life started to publish from the year 1933, it was hit, so popular. I was really surprised because they did the job to make a document for Japanese Americans, and there is over 4,000 pictures left in the archive. I saw all of these so many times, so I can tell each picture. I can tell what is the difference, between the Dorothea and Russell Lee. So each photographer has, different characteristics. But I really surprised because, Dorothea Lange's photography is very different from others. And—   [00:36:18] Miko Lee: And the government didn't like them. They locked them away for years because they were too real.    [00:36:25] Masaki Fujihata: Yeah, and because, Dorothea's photography is always associated with the object inside the photography. She tried to understand who is she, who, who is—-    [00:36:38] Miko Lee: Mm-hmm …    [00:36:39] Masaki Fujihata: and try to have a good relationship with the object. Most of the photographer, like a press cameraman, it's just go there, “Hey, smile,” and shot is their, you know, way of business. But Dorothea's way is very different, so sometimes, I can tell she is always calculating the distance from her to the object. I enjoyed very much to have a chance to see all of these details. Of course, another luckiness because all of these photograph were shot by the government, then all of these are now public domain. Even me from Tokyo, I can see so many photographs with high resolution. I think those are made after year 2000 because of the technology came in. Then now they are supplying 3,000 by 4,000 pixels. That's why I could enlarge and to see the reflection on the girl's eye. It's a coincidence, but also it's the evolution of computer technology from analog photography. So this is also interesting part to share with the audience.   [00:38:01] Miko Lee: Thank you. Carin, I wonder if you could talk about what an audience will see when they come in to see the exhibit.    [00:38:08] Carin Adams: The exhibition is going to happen inside and outside the gallery. So if people are visiting the museum coming up through our entrance on Oak Street, they will have an opportunity to enter the augmented reality application that Masaki has designed where they're, standing there grounded in, the architecture of the Oakland Museum. But they're also seeing people, dressed as if they were in 1942, waiting with their belongings and their family members. They'll be able to see the buses that lined up on Oak Street in '42. There was a civil control station that was across the street, and Dorothea Lange took some very famous photographs of people waiting with their belongings in front of their houses that, on the museum side of the street. Masaki has adapted the augmented reality that he first developed for Los Angeles for Oakland. So people on entrance onto our campus will have that experience, and then if they come into the gallery, then they'll really be entering into the gaze of these eyes. They'll be surrounded by very high resolution images that Masaki has blown up, to mural size. You're forced to encounter the people that were reflected in the eyes of the subjects that Lange photographed.    [00:39:45] Miko Lee: Thank you, and I know that in the collection, you've had these Dorothea photos for a long time, right, in the Oakland Museum's—   [00:39:53] Carin Adams: Yeah. The Oakland Museum is the holder of the Dorothea Lange archive, including some of her images of the incarceration. The Bancroft Library also has extensive holdings of her work and material , related to this history. And of course, Masaki did lots of research in the National Archive and Library of Congress.   [00:40:16] Miko Lee: Masaki, I know this is the second version of the show since you have opened it first at JAMM and at UC, with UCLA. Yeah. What was it like for you to recreate it for the Oakland Museum? How has that experience been?   [00:40:30] Masaki Fujihata: I'm very, very lucky to find OMCA. Mm-hmm. We started to think about the production in OMCA. I made a research through, of course Dorothy Lang's photography. Then there is a number of the street, 1117 Oak Street is the place where people apply their address and family name. The Civil Control Station is that address. I was very surprised because this is a street in front of the museum, and actually the other side of the street was the Civil Control Station where the bus came in. So this is exact place I really wanted to put my augmented reality models. So I was very shocked because I never think about the museum is a real place.   [00:41:24] Miko Lee: So it's truly a place-based piece of art because that is the history coming alive in that very spot.    [00:41:31] Masaki Fujihata: Yes. Yeah. So, all the projects start from the realization of augmented reality.    [00:41:39] Miko Lee: Mm-hmm.    [00:41:40] Masaki Fujihata: So augmented reality is a kind of tech term, but augmentation is adding some information rather than the first wa- surface or rather than the display. In this case, we are putting the happenings in the 1942 in present, and then try to make a contrast between now and the past. The exhibition inside the gallery is showing a kind of process of the research to make this augmented reality piece because for making the 3D model data, we invite many volunteers into a special studio. I have to direct them. I have to prepare some scenario for them. In some cases, you are the university students. Coincidentally, you met the professor, while waiting for the bus. This is a fiction I made. When I need to make a scenario, I really need a research what is possible, what is not possible. So then the photography help me a lot to make a small scenario.    [00:43:01] Miko Lee: How many volunteers worked with you on this?    [00:43:04] Masaki Fujihata: I think totally 64 volunteers.    [00:43:08] Miko Lee: Wow. That is amazing.    [00:43:10] Masaki Fujihata: Each one was asked to walking towards the point where the bus would come, and then the second part is waiting, and then the third part is just lining up for the bus. So there is three different scenario. Then each person appears three times. Then totally you will see nearly 200 people.    [00:43:37] Miko Lee: Wow. And I understand that you use, in order to utilize the AR, you use cameras that kind of replicate those used during the incarceration, and I'm wondering what made you decide to choose that?   [00:43:53] Masaki Fujihata: So I try to know the core idea of each technology, because the technology is usually used for capitalism. My manifest is liberate technology from capitalism. So technology has another dimension, not only for serving for the capitalism to make money for your life more rational, but the technology also can give you a chance, who are you? What is life? What is the world? So I really want to use the technology another dimension of the technology usually used by the companies, and capitalism. In this case, this project is really good because very nice photography was left in the archive. But imagine in the 1942, photography was a high technology. Very few technicians or rich people could have the camera. Now so popular everybody has a camera inside their mobile phone, but it was high tech. And now augmented reality is somehow popular technology, but no one didn't use the AR technology to think about what we are doing as an art. So I wanted to use augmented reality to, to think about what is our life    [00:45:32] Miko Lee: Ooh, that is so interesting. I really appreciate that. And I'm wondering because you've seen audiences go through the first exhibit, I'm wondering if anything surprised you by audiences that have seen it and what, what you'd like people to walk away with after going to your installation.    [00:45:51] Masaki Fujihata: I was really surprised because this was my first case the audience had a tear. So after they saw the augmented reality, some of the person said, “Masaki,” I suppose, she suppose that, “Perhaps my grandfather was here.” Could feel the same impression or imagine, she could imagine what had happened on her grandfather So it's a bit like a cinema, but there is no written story, so each person can explore the images through a tablet. But, uh, maybe five minutes later, uh, the user will feel inside the scene. So In another words, I can say you are going to feel you are inside a cinema studio. You will be captured by the camera. And also another, okay, another interesting aspect because, I could develop this project because the photographs were left made by Dorothy and other people, uh, professional documentary photographer made these photography. So photography was left. And then, um, while you are using iPad in the entrance plaza of, Oakland Museum, you will see many Japanese people wearing the costume and, waiting for the bus. But now you are the cameraman. You believe you are seeing what had happened through the display, but, imagine for them inside the image were looked by you. So this is the viewer you are going to see, but also from them, from the object, you are the cameraman.   [00:48:04] Miko Lee: So you want people to feel both sides, both being the watcher but also in it—   [00:48:09] Masaki Fujihata: Yeah.   [00:48:10] Miko Lee: Immersed in the experience.    [00:48:11] Masaki Fujihata: Yeah, hunter.    [00:48:13] Miko Lee: Mm.    [00:48:13] Masaki Fujihata: Image hunter, yeah.    [00:48:15] Miko Lee: Image hunter, mm. I, I feel like you're saying utilizing technology as a tool for your emotions as opposed to a capitalistic gain. I'm wondering if you're working with AI at all, and your thoughts about it. Because you've really been on the forefront of so much multimedia since the '80s and I'm just wondering now people are just talking about AI and the impact of artists  and I wonder what your thoughts are about that.   [00:48:39] Masaki Fujihata: I, I think, uh, it's too early to, uh, work with AI as an artist because, uh, e- even the developer of, uh, AI didn't know what happened inside, so it's a black- totally black box. So that's interesting part of AI. Uh, maybe you know some, some story about this. Very recently, uh, the AI ju- just hack the connection, then they escape from the inside the laboratory to go outside the internet. So this could happen. Uh, that's why, because a human couldn't imagine. So the AI doing something different, and it's really a black box. Then, uh, that's interesting point. If I can be inside the development company as an artist, I can make something interesting hacking software, but it's a huge business, and, uh, I think this is not the moment for the artist. And also, as you know, all the data inside the AI is, uh, happenings in the past.    [00:50:02] Miko Lee: Right.    [00:50:04] Masaki Fujihata: And then, right, the present is important for the humans. What is the role of the artist? There is some, uh, sentence, artist is the person who is creating something new which has not exist before. so, uh, we are not AI, so w-we have to know who, what we should do in contrast to AI is the important moment    [00:50:37] Miko Lee: Thank you so much. I wonder if you would want to just reflect briefly on how this, this piece that you're presenting at Oakland Museum is very resonant right now in America because of the current politics of incarceration of peoples and you know, we're at the same, at the exact same concentration camps where Japanese Americans were held. Immigrants are being detained and put there right now. I'm wondering how this piece speaks to the moment that we're living in in the United States right now.   [00:51:13] Masaki Fujihata: Um, please do not make more mistakes that American government did before in 1942. So Our project can be a kind of reference what the American government did after the Pearl Harbor.    [00:51:39] Carin Adams: Masaki, would you wanna talk a little bit about the new piece that you're making?    [00:51:45] Masaki Fujihata: Oh, I see, I see. I think- That's a good idea. I, I totally forgot. Yeah. Thank you, Carin. Because I proposed to Carin and museum about to make a new piece. The idea is about, uh, the poster. The, that they… So the, in Okura case, maybe, uh, to l- late April in 1942, the poster paste on anywhere, everywhere inside the town, and talking about the, at the certain day, you cannot be stay here. You will be criminal. So, so this is the s- starting point. Then they need to come to the civil control station to sign up, and then one week later, the bus came in, then they need to go to the camp. Then the poster is now very famous, but, uh, usually, people didn't read it Then I, I asked to, collect volunteers to ask read this text on the poster, uh, several different locations inside the Oakland. So when you see the final result, the view of the people reading the text aloud is very peaceful, very bright, California sunshine and there is a lake behind and sometimes, you know, the buses came and stop and go there. So this is very peaceful, but the content is very strong- strongly contrast- co- contrasted. So it's a command from the government. I really wanted to, to make this contrast through this new production. So you, you will see three vertical monitors, and, 25 different group of people. I think there was nearly 45 people helped me to realize this   [00:54:02] Miko Lee: What is it you hope to evoke by adding this new piece of the relocation poster?   [00:54:08] Masaki Fujihata: I really wanted to involve some of the young generation and family and also, known Japanese American people. So all of these people, of course, have some fear against the, this moment, and then try to, uh, send messages. So they helped me to realize this.   [00:54:39] Carin Adams: The video is really going to provide the soundtrack for the exhibition. There is no sound in any of the other film elements or in the AR other than what visitors bring in conversation into the space. But they'll be able to hear the local volunteers that Masaki assembled reading the exclusion order text and we're expecting that to be very profound- impactful. And yes, some of the people who volunteered for this new video element were incarcerated themselves, others are descendants, and then there are just people who are representing different immigrant experiences who wanted to participate. So it's a very local production, and it really cites us in the present moment with this really chilling text from the past.    [00:55:33] Miko Lee: Thank you so much for joining me and chatting with me about the exhibit BeHere / 1942. I'm really excited to check it out, and I hope our audience gets a chance to go and see it all the way through the end of December at Oakland Museum.   [00:55:48] Carin Adams: Thank you so much for having us.    [00:55:50] Miko Lee: Please check out our website, kpfa.org/program/apexexpress to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preti Mangala-Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane-Lee. Have a great night.   The post APEX Express – 9.3.26 – Beneath the Surface with Margaret Cho & Masaki Fujihata appeared first on KPFA.

On this episode, Heather is panicked after the passing of Dolly Parton and Tim Curry and is worried about who will be next. She is buying deep freezers, life straws and searching for sustainable beef. She takes voicemails from people wondering what we can eat, being a type B person, and a newlywed with some questions. We get a final voicemail that brings Heather to realization that we all need to stop bitching.Episode Sponsors:Go to ButcherBox.com/absolutely to get $20 off your first box, plus your choice of free ribeye, new york strip, or filet mignon in every box for a year — with free shipping always.Right now, Merit Beauty is offering our listeners their Signature Makeup Bag – which if you've seen it, it's not just a make-up bag but really an accessory – free with your first order at meritbeauty.com.Right now, podcast listeners can save up to 48% off their first order at pendulumlife.com/ABSOLUTELY.Visit drinksilentflower.com/golf-widow and use code ABSOLUTELY at checkout for 15% off your first order. Just visit ProlonLife.com/absolutely to claim your 15% discount and your bonus gift.Visit WACOAL.com and use code ABSOLUTELY at checkout for 10% off your first purchase. Offer valid for new customers only. Limit one code per customer.Please note that this episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this episode.Produced by Dear Media.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

John Franklin, a Croat American, returns to The Cosmic Switchboard Show to talk about Military Abductions (Milabs. This is a serious discussion about the subject. John talks about “snapping back” when he is returned from experiences.  John talks about the state of Milab Research today and how it has been overtaken by the “Super Soldier” narrative much to the detriment of serious research on the Milab Subject. John describes working for the Navy in communications during the early nineties while undergoing nighttime abductions involving naval personnel, creating what James Bartley calls parallel camouflage. John recounts conference room scenarios where officers spoke to an alter while his conscious mind was shunted into the backseat, unable to hear the dialogue, and explains why he rejects the super soldier label, comparing his treatment to being press ganged or Shanghaied into service. He also describes being beamed with energy that targeted his frontal lobe in an effort to chip away at his impulse control, and he and James discuss why they are skeptical of people claiming assignments in named secret space programs and how false data points spread through the milab community. In Part 2 John Franklin does a deep dive on the subject of Milabs and shares a series of photos of Orbs who seem to have a connection with his Milab and Alternate Reality Experiences. John describes the human looking beings he encounters, ordinary Caucasians in their twenties and thirties who display no emotion, and discusses the possibility that deep black elements of the Navy have established installations and a presence in alternate realities and dimensions. James shares his own experiences of being left drugged on the floor while Navy officers held conferences a few feet away. John then presents and analyzes several of his photographs, including an orb with a repeating fractal pattern that absorbed the light from his camera flash, and a jet black object darker than the night that sprang off his deck and shot past him like a fighter jet, leaving behind an image in which the luminous object appears to be eating the light itself. Part 1 Video: [This post contains video, click to play] Part 2 Video: [This post contains video, click to play] Part 1: https://www.thecosmicswitchboard.com/wp-content/uploads/2026/08/John-Franklin-Interview-with-James-Bartley-on-thecosmicswitchboard.com-Part-1.mp3&Download: mp3 Audio Part 2 – Members Only: https://www.thecosmicswitchboard.com/wp-content/uploads/2026/08/John-Franklin-Interview-with-James-Bartley-on-thecosmicswitchboard.com-Part-2.mp3To Play or Download: Login or Join To Download Use the link under the player for the part you want to download. The post Milabs, Alternate Realities and Light Absorbing Orbs – John Franklin Interview with James Bartley appeared first on The Cosmic Switchboard.

Support us on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠---Gladio Free Europe returns to the lofty walls of Troy for a continuing discussion of the Bronze Age background of the Greek epic tradition with Alexander Thatcher @ThatchEffendi.Calling in from Turkey, Alexander explores the Anatolian, Balkan, and Caucasian resonances of the works of Homer, from the parallel martial values of the heroes of the Iliad and those of the Ossetian Nart Sagas to the use of Albanian traditional music in Christopher Nolan's recent adaptation of The Odyssey. Later on, Liam and Russian Sam dig through the Hittite imperial archives to find scattered references of conflicts and characters on the western fringe of the Bronze Age world, that of Mycenaean Greece. These ancient aristocratic adventurers were clearly involved in Anatolian affairs, likely as both mercenaries and marauders. Of particular interest is the evidence of Greek or Ahhiyawan activity in the city of Troy or Wilusa, particularly under the rule of the enigmatic King Alaksandu — a figure of indeterminate origin who is both the earliest known bearer of the name Alexander and a possible historical analogue to the legendary prince Paris. Both archaeology and literature reveal strong similarities between the world of the Anatolian Bronze Age and the Mycenaean Greeks and Trojans as described by Homer. In addition to the notable physical similarities between Mycenaean palaces and Anatolian citadels such as Wilusa and Hattusa, we can identify clear parallels between the early Greek poetry of Homer and Hesiod with surviving Hittite religious texts.No discussion of the Bronze Age context of the Trojan War could be complete without wild speculation about the mysterious Sea Peoples, who Egyptian and Hittite records assert laid waste to ancient settlements all across the Eastern Mediterranean. Though the invocation of these Sea Peoples in Christopher Nolan's film has led to criticism by some scholars, it is now evident that the activities of these interlopers were both a cause and a symptom of the 12th-century collapse of the entire Bronze Age symptom. Mycenaean Greeks were found among the victims and the vultures of this chaotic time. While their network of palace economies would collapse, and their original writing system would be lost, Greek-speakers would also expand far across the sea in this period. These Sea Peoples would lay the foundation for later maritime dominance in the Iron Age and leave a fascinating footprint not only in the works of Homer, but also the Hebrew Bible.

the day of confession

Angery for what

A Seattle nonprofit company that cleans drug paraphernalia from streets is now under investigation, and Ken explains this to you. Andrea Suarez, who is a politician, is the founder of this, and Washington State is allegedly not happy about the cleanup of drug paraphernalia. What is happening with liberal Caucasian women? This question comes after a woman is held in contempt in Albany, NY, for having ties to ISIS to attack the capital of Albany, New York.  Ken takes your calls! Ken interviews attorney Ron Berutti. Ken talks with Ron about a controversial case involving a transgender teen, the transgender teen's parents, and the school's alleged role. The guys dive into the confusion over parental consent and gender-affirming procedures that may have happened before the teen turned 18. 

Ken Rosato fills in for Mark Simone. Ken recaps yesterday's intense thunderstorms that left most of the tri-state area with major flooding. Yesterday was National Radio Day, and there were many celebrations, including a big one from I Heart Media. President Trump has been pushing to pass the Save America Act for a while and is pushing it even harder. You shouldn't be registered to vote if you are an illegal alien in the USA. Socialism and Liberalism may have gotten us to massive voting fraud.  Could the war in Iran cost President Trump the midterms? So far, it looks that way if a solution in the Middle East doesn't evolve soon. Ken dives into how Judaism may be part of the USA's religion for some citizens. We also explain how different ethnic groups may have changed the religion in different parts of the world, especially when there is a void, and Ken explains how Christianity may be shifting.  Ken interviews Roger Friedman from Show Biz 411. Spider-Man 'Brand New Day' continues to break records as it heads into its fourth week topping the box office! 3 Madonna Movies are coming this fall! There's a film in New York that's playing right now, and Roger tells you what it is so you can check it out!  A Seattle nonprofit company that cleans drug paraphernalia from streets is now under investigation, and Ken explains this to you. Andrea Suarez, who is a politician, is the founder of this, and Washington State is allegedly not happy about the cleanup of drug paraphernalia. What is happening with liberal Caucasian women? This question comes after a woman is held in contempt in Albany, NY, for having ties to ISIS to attack the capital of Albany, New York.  Ken interviews attorney Ron Berutti. Ken talks with Ron about a controversial case involving a transgender teen, the transgender teen's parents, and the school's alleged role. The guys dive into the confusion over parental consent and gender-affirming procedures that may have happened before the teen turned 18. 

Ken Rosato fills in for Mark Simone. A Seattle nonprofit company that cleans drug paraphernalia from streets is now under investigation, and Ken explains this to you. Andrea Suarez, who is a politician, is the founder of this, and Washington State is allegedly not happy about the cleanup of drug paraphernalia. What is happening with liberal Caucasian women? This question comes after a woman is held in contempt in Albany, NY, for having ties to ISIS to attack the capital of Albany, New York. See omnystudio.com/listener for privacy information.

Ken Rosato fills in for Mark Simone. A Seattle nonprofit company that cleans drug paraphernalia from streets is now under investigation, and Ken explains this to you. Andrea Suarez, who is a politician, is the founder of this, and Washington State is allegedly not happy about the cleanup of drug paraphernalia. What is happening with liberal Caucasian women? This question comes after a woman is held in contempt in Albany, NY, for having ties to ISIS to attack the capital of Albany, New York. Ken takes your calls! Ken interviews attorney Ron Berutti. Ken talks with Ron about a controversial case involving a transgender teen, the transgender teen's parents, and the school's alleged role. The guys dive into the confusion over parental consent and gender-affirming procedures that may have happened before the teen turned 18. See omnystudio.com/listener for privacy information.

Ken Rosato fills in for Mark Simone. Ken recaps yesterday's intense thunderstorms that left most of the tri-state area with major flooding. Yesterday was National Radio Day, and there were many celebrations, including a big one from I Heart Media. President Trump has been pushing to pass the Save America Act for a while and is pushing it even harder. You shouldn't be registered to vote if you are an illegal alien in the USA. Socialism and Liberalism may have gotten us to massive voting fraud.  Could the war in Iran cost President Trump the midterms? So far, it looks that way if a solution in the Middle East doesn't evolve soon. Ken dives into how Judaism may be part of the USA's religion for some citizens. We also explain how different ethnic groups may have changed the religion in different parts of the world, especially when there is a void, and Ken explains how Christianity may be shifting.  Ken interviews Roger Friedman from Show Biz 411. Spider-Man 'Brand New Day' continues to break records as it heads into its fourth week topping the box office! 3 Madonna Movies are coming this fall! There's a film in New York that's playing right now, and Roger tells you what it is so you can check it out!  A Seattle nonprofit company that cleans drug paraphernalia from streets is now under investigation, and Ken explains this to you. Andrea Suarez, who is a politician, is the founder of this, and Washington State is allegedly not happy about the cleanup of drug paraphernalia. What is happening with liberal Caucasian women? This question comes after a woman is held in contempt in Albany, NY, for having ties to ISIS to attack the capital of Albany, New York.  Ken interviews attorney Ron Berutti. Ken talks with Ron about a controversial case involving a transgender teen, the transgender teen's parents, and the school's alleged role. The guys dive into the confusion over parental consent and gender-affirming procedures that may have happened before the teen turned 18.  See omnystudio.com/listener for privacy information.

A Seattle nonprofit company that cleans drug paraphernalia from streets is now under investigation, and Ken explains this to you. Andrea Suarez, who is a politician, is the founder of this, and Washington State is allegedly not happy about the cleanup of drug paraphernalia. What is happening with liberal Caucasian women? This question comes after a woman is held in contempt in Albany, NY, for having ties to ISIS to attack the capital of Albany, New York. 

Jesus is Caucasian

Harper and Rohan introduce delicious Indian dishes to Clay and Cassie! Learn more about your ad choices. Visit megaphone.fm/adchoices

RUNDOWN Mitch and Hotshot Scott celebrate America's 250th birthday before bouncing into Mariners baseball, Seahawks training camp, and the looming U.S.–Belgium World Cup matchup. Mitch hilariously admits he's too self-conscious to watch soccer in public because he has no idea when he's actually supposed to get excited, then the pair roll through another edition of birthday trivia. After a 5-1 week that included back-to-back shutouts of Toronto, Mitch, Joe Doyle, and Brady Farkas examine a Mariners rotation that suddenly looks like one of baseball's best while debating Randy Arozarena's All-Star selection, Julio Rodríguez's concussion, and which pitchers could still earn late invitations to Philadelphia. The conversation then shifts toward the trade deadline, lineup decisions, potential bullpen upgrades, and whether Seattle can survive a difficult road trip through Miami and Tampa. With training camp just weeks away, Mitch and ESPN Seahawks insider Brady Henderson assess where the defending Super Bowl champions stand, from Devin Witherspoon's unresolved contract and the impact of offensive coordinator Brian Fleury to the competition brewing throughout the roster. After FIFA overturns Folarin Balogun's controversial red card suspension, Mitch and Matt Stretch Johnson revisit their previous conversation to explain why the ruling dramatically changes the United States' outlook against Belgium. Stretch breaks down why the matchup favors the Americans, explains the different ways to bet knockout-stage soccer, previews a potential quarterfinal showdown with Spain or Portugal, and shares why Seattle is about to host one of the biggest sporting events in the city's history.   GUESTS   Brady Farkas | Host, Refuse to Lose podcast Joe Doyle | MLB analyst, Over-Slot Brady Henderson | ESPN Seahawks Insider Matt "Stretch" Johnson | Longtime Seattle Sports Radio Personality   TABLE OF CONTENTS   0:00 | America's 250th birthday, Mitch's World Cup anxiety, and another legendary birthday trivia session. 17:28 | Mariners No-Table: A five-win week eases the panic, but bigger questions await before the All-Star break. 45:12 | Brady Henderson: Why the Seahawks' biggest questions still haven't been answered. 1:09:34 | Matt "Stretch" Johnson: The U.S. catches a massive break—and suddenly a World Cup run feels real. 1:33:16 | Other Stuff: Chris Johnson ALS diagnosis and football health risks, Matt Miller fantasy football charity league investigation, LeBron James thanks the Lakers after departure, LeBron's legacy and next team speculation, Ja Morant traded to Portland, Kawhi Leonard returns to Toronto, Jaylen Brown traded to Philadelphia, Cristiano Ronaldo announces final World Cup, USA-Belgium World Cup preview, Spain vs. Portugal quarterfinal implications, Lamine Yamal's meteoric rise, Mexico fans disrupt England with fireworks outside team hotel, Calais Campbell family tragedy. HEADLINES Chris Brown ordered to pay $13 million after housekeeper attacked by his Caucasian shepherd, $3 Goodwill jacket expected to sell for $250,000, Woman claims cocaine found in her body was placed there during a sexual encounter, Former Hawaii real estate executive accused of having affair inside luxury homes listed for sale. RIPs Keith Mitchell (former Saints Pro Bowl linebacker), Leroy Irvin (former Rams cornerback and return specialist), Jim Walden (former Washington State head football coach), Victor Willis (lead singer and co-founder of Village People).

Viajamos por Europa, presentando nuevos trabajos musicales con aires que nos llegan desde Italia, Francia, Grecia, Moldavia, Rumanía, Polonia, Serbia, Noruega y Escocia, para encontrar después una inesperada conexión gaitera al sur de la península arábiga, en Omán, y terminar con un encuentro belga-georgiano. We travel through Europe, presenting new albums with airs reaching us from Italy, France, Greece, Moldova, Romania, Poland, Serbia, Norway and Scotland, before finding an unexpected bagpipe connection in the south of the Arabian Peninsula, in Oman, and ending with a Belgian-Georgian encounter. – Stefano Valla & Daniele Scurati – Alessandrine – Instabasua – Fílos Grand Ensemble – Pista 2 – Ouranos – Ana Everling (Moldova) – Bătrâneasca – European escapade by Putumayo [V.A.] – Slavyk – Apatheia – 11 songs of love & suffering – Kitka – Lazarki (Bulgarian) – Kolo – Helga Myhr – Basken – Slåttespel – Meallan – Groovy gal – [sin álbum especificado] – Al Ajial – The ship from Zanzibar has crashed & there are no goods for the people – Oman bagpipe singers: Songs of returning and leaving [V.A.] – Motyk & Sathanao – Crossroad – Crossroads Al Alawi Mabruk, Oman bagpipe singers ( Marilena Umuhoza Delli)

Send us Fan MailBULLITTRight in time for Father's Day, TGTPTU with special guest Erik W. Van Der Wolf introduce their fourth of four directors for Season 17's 4x4 HACKS with director Peter Yates entry into the Dad Film canon: BULLITT (1968).  Starring the coolest Caucasian cat to strut the silver screen, the American Great Escapee himself, Steve McQueen (no, Zoomer, not that Steve McQueen, he's Black and a director, British and alive) plays the titular SFPD Lt. Frank Bullitt responsible for protecting against organized crime the DA's witness who, no spoilers if it's in the first act, gets got in his safehouse hotel room. Bullitt's partner also gets the gat and instead of a this-time-it's-personal, Yates plays the action procedural as Bullitt keeps his gun(s) holstered and his artist-architect girlfriend groovy and there's that car chase action sequence we all know and love. Robert Vaughn plays the DA whose actions not villainous but smarmy all the same; Jacqueline Bisset plays the girlfriend whose uncertain whether Bullitt's dark world and hers of hope and peace and beauty can coexist; and Don Gordon plays his normal role (as he would later in Papillon and The Towering Inferno) as second fiddle to whomever McQueen (again, Zoomer, the White dude who raced cars and defied death in his spare time and might have had dyslexia, not the enfant terrible of British designer fashion) plays. Also, Robert Duvall plays a taxi driver. Scored by Lalo Schifrin, the West Coast jazz sound really swings to make a film that vibes like few others.   This week, host Ken goes deep on McQueen, Ryan on Quentin Tarantino, Erik mansplains Dad Films to Thomas, and together guest and Zoomer develop a working dichotomy of Vietnam vs. WWII Dad-Films. We also learn !!!EXCLUSIVE!!! that Steve McQueen faked his death.  That McQueen's one hep cat, daddy-o.  THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

Why do millions of patients qualify for bariatric surgery, yet only a fraction ever make it to the operating room?Hosts·      Matthew Martin, trauma and bariatric surgeon at the University of Southern California/Los Angeles General Medical Center (Los Angeles, California)·      Adrian Dan, bariatric and MIS surgeon, program director for the advanced MIS bariatric and foregut fellowship at Summa Health System (Akron, Ohio)·      Crystal Johnson Mann, bariatric and foregut surgeon at the University of Florida (Gainesville, Florida)·      Katherine Cironi, general surgery resident at the University of Southern California/Los Angeles General Medical Center (Los Angeles, California)Learning objectives:This episode explores disparities in access to bariatric surgery through three key studies examining eligibility, referral patterns, and weight stigma.References: Article #1: Socioeconomic disparities in eligibility and access to bariatric surgery: a national population-based analysis (2010, Martin et al.) https://pubmed.ncbi.nlm.nih.gov/19782647/ Analyzed national U.S. datasets to compare patients eligible for bariatric surgery with those who underwent surgery.  Although more than 22 million Americans met criteria for bariatric surgery, only about 0.4% underwent surgery in 2006. Patients eligible for surgery were more likely to be female, uninsured, lower income, and from racial and ethnic minority groups, while those receiving surgery were disproportionately Caucasian women with private insurance.  This discussion highlights insurance coverage as one of the largest structural barriers to care. Article #2: Investigating racial disparities in bariatric surgery referrals (2019, Johnson-Mann et al.) https://pubmed.ncbi.nlm.nih.gov/30824334/ This study focused on referral patterns within a primary care network.  Among nearly 4,700 eligible patients, only 5% were referred to bariatric surgery.  Referral disparities were seen across sex, ethnicity, and insurance status. Hispanic patients were significantly less likely to be referred and were far more likely to be uninsured or self-pay.  The study emphasizes that disparities begin long before the operating room, often at the level of primary care referral and institutional access policies. Article #3: Assessing Weight Stigma Interventions: A Systematic Review of Randomized Controlled Trials (2025, Wang et al.) https://pubmed.ncbi.nlm.nih.gov/40227369/ Examined interventions designed to reduce weight stigma. Across 56 randomized controlled trials, most interventions demonstrated improvements in attitudes toward obesity.  Effective approaches included emphasizing the biologic and environmental causes of obesity, promoting weight-inclusive healthcare, fostering empathy through shared narratives, and using cognitive dissonance strategies to challenge implicit bias.  However, changing attitudes does not necessarily translate into improved clinical behavior or patient outcomes. Together, these studies demonstrate that disparities in bariatric surgery occur at multiple stages: eligibility, referral, access, and treatment. Structural barriers, provider bias, insurance limitations, and societal stigma all contribute to inequitable care. Herein, we emphasize the importance of expanding access pathways, improving provider education, and actively reducing weight stigma to ensure equitable surgical care for all eligible patients.Please visit https://behindtheknife.org to access other high-yield surgical education podcasts, videos and more.  If you liked this episode, check out our recent episodes here: https://behindtheknife.org/listenBehind the Knife Premium: https://behindtheknife.org/premiumOral Board Review: https://behindtheknife.org/oral-boardOral Board Simulator: https://behindtheknife.org/oral-board/simulatorGeneral Surgery Oral Board Review Course: https://behindtheknife.org/premium/general-surgery-oral-board-reviewTrauma Surgery Video Atlas: https://behindtheknife.org/premium/trauma-surgery-video-atlasDominate Surgery: A High-Yield Guide to Your Surgery Clerkship: https://behindtheknife.org/premium/dominate-surgery-a-high-yield-guide-to-your-surgery-clerkshipDominate Surgery for APPs: A High-Yield Guide to Your Surgery Rotation: https://behindtheknife.org/premium/dominate-surgery-for-apps-a-high-yield-guide-to-your-surgery-rotationVascular Surgery Oral Board Review Course: https://behindtheknife.org/premium/vascular-surgery-oral-board-reviewColorectal Surgery Oral Board Review Course: https://behindtheknife.org/premium/colorectal-surgery-oral-board-reviewSurgical Oncology Oral Board Review Course: https://behindtheknife.org/premium/surgical-oncology-oral-board-reviewCardiothoracic Oral Board Review Course: https://behindtheknife.org/premium/cardiothoracic-surgery-oral-board-reviewDownload our App:Apple App Store: https://apps.apple.com/us/app/behind-the-knife/id1672420049Android/Google Play: https://play.google.com/store/apps/details?id=com.btk.app&hl=en_US

In this wild episode of The Other Side of Midnight, Walter Sterling and NewsNation's Ross Coulthart dissect the latest government UFO document dumps, questioning if the public is being "snowed" on alien crash retrievals and extraterrestrial cover-ups. Things get spiritual when veteran "Rock and Roll Priest" Father Jim Ducker joins the show to discuss whether UAPs might actually be satanic and why he'd bring holy water to a flying saucer. Finally, Walter opens the phone lines for a heated ethical debate over a massive IVF clinic mix-up where a Caucasian couple gave birth to a Black baby, sparking arguments over whether the child belongs with its birth parents or genetic parents. Plus, retired detective Vic Ferrari drops in to share a scandalous true-crime story about a corrupt NYPD officer. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why don't Black musicians ever make enough money to retire like their Caucasian counterparts?

This week's speakers:Spider redgold - AustraliaWhy I Signed the Declaration on Women's Sex-Based RightsBio: "Spider Redgold is flamboyant, annoying, amusing, reliable and competent with occasional flashes of brilliance. She is a lifelong activist in the Women's Liberation Movement and has been a warrior for peace, healer, teacher, playwright, IT nerd, Goodwitch of Oz on JJJ radio Choosing to remain a spinster and childfree gave her with the energy to become a lesbian adventuress. She was the invited guest to debate exorcism with an anglican archbishop on national radio.A Caucasian woman of spirit descended through her motherlines from the Travellers, her father's motherlines link her to the Viking colonies in Yorkshire(1100CE). She created and wrote The Shemoon Cycle of Days – A Global Witches Almanac; now in the collection at National Library of Australia, from 1987-1993. Now she spends her days busy about the tree of life making sculptures and ceramics and growing flowers while stirring the cauldron in a retirement village."Elizabeth - GreeceWhy I Signed the Declaration on Women's Sex-Based Rights♀♀♀♀♀♀♀♀♀Enjoying our webinars? If you are a position to make a one-off or recurring donation to support our work, you can find out how to do so (and see our financial reports) at https://www.womensdeclaration.com/en/donate/ - thank-you!♀♀♀♀♀♀♀♀♀Women's Declaration International (#WDI) Feminist Question Time is a weekly online webinar (Saturdays 3-4.30pm UK time). It is attended by a global feminist and activist audience of between 200-300. The main focus is how gender ideology is harming the rights of women and girls. See upcoming speakers and register to attend at https://bit.ly/registerFQT. There is also a monthly AUS/NZ FQT, on the last Saturday of the month at 7pm (Canberra, Melbourne, Sydney)/9pm (NZ). Register to attend at https://bit.ly/registerFQTAUSNZ.On Sundays (10am UK time), our webinar series, Radical Feminist Perspectives, offers a chance to hear leading feminists discuss radical feminist theory and politics. Register at https://bit.ly/registerRFP.Attendance of our live webinars is women-only; men are welcome to watch/share recordings here on YouTube. WDI is the leading global organisation defending women's sex-based rights against the threats posed by gender identity ideology. Find out more at https://womensdeclaration.com, where you can join more than 30,000 people and 418 organisations from 157 countries in signing our Declaration on Women's Sex-based Rights. The Declaration reaffirms the sex-based rights of women which are set out in the Convention on the Elimination of all Forms of Discrimination against Women adopted by the United Nations General Assembly on 18 December 1979 (#CEDAW).Disclaimer: Women's Declaration International hosts a range of women from all over the world on Feminist Question Time (FQT), on Radical Feminist Perspectives (RFP) and on webinars hosted by country chapters – all have signed our Declaration or have known histories of feminist activism - but beyond that, we do not know their exact views or activism. WDI does not know in detail what they will say on webinars. The views expressed by speakers in these videos are not necessarily those of WDI and we do not necessarily support views or actions that speakers have expressed or engaged in at other times. As well as the position stated in our Declaration on Women's Sex-based Rights, WDI opposes sexism, racism and anti-semitism. For more information, see our Frequently Asked Questions (https://womensdeclaration.com/en/about/faqs/) or email info@womensdeclaration.com.#feminism #radicalfeminism #womensrights

Mask vs Mask was the talk of the professional wrestlingworld! We review that instant classic, review #WWEClash in Italy & take our shot at predicting several active tournaments going on in professional wrestling. ALL OUR LINKS: https://linktr.ee/KOTR_PodcastMERCHANDISE STORE: https://wrestle-addict-radio-shop.fourthwall.com/collections/kings-of-the-rings-podcast TWITTER (X): https://twitter.com/KOTR_PodcastINSTAGRAM: https://www.instagram.com/kotr_podcast/FACEBOOK: https://www.facebook.com/KOTRPodcast/DISCORD: https://discord.gg/5ggSgjGeaR FOLLOW WRESTLE ADDICT RADIO: https://linktr.ee/wrestleaddictradioOFFICIAL WAR MERCHANDISE: https://wrestle-addict-radio-shop.fourthwall.com Beats by AO Baker of The Signature Move Show (00:00) Intro(05:25) Mask vs Mask Review(21:10) TripleMania 34 Goes 2 Nights(25:40) Clash in Italy Review(41:40) King of the Ring Tournament Bracket(49:15) Queen of the Ring Tournament Bracket(58:45) Owen Hart Tournament Men's Bracket(01:01:50) Owen Hart Tournament Women's Bracket(01:06:40) Willow Nightingale Vacates TBS Title(01:11:30) Outro

Mask vs Mask was the talk of the professional wrestlingworld! We review that instant classic, review #WWEClash in Italy & take our shot at predicting several active tournaments going on in professional wrestling. ALL OUR LINKS: ⁠https://linktr.ee/KOTR_Podcast⁠MERCHANDISE STORE: ⁠https://wrestle-addict-radio-shop.fourthwall.com/collections/kings-of-the-rings-podcast⁠ TWITTER (X): ⁠https://twitter.com/KOTR_Podcast⁠INSTAGRAM: ⁠https://www.instagram.com/kotr_podcast/⁠FACEBOOK: ⁠https://www.facebook.com/KOTRPodcast/⁠DISCORD: ⁠https://discord.gg/5ggSgjGeaR⁠ FOLLOW WRESTLE ADDICT RADIO: ⁠https://linktr.ee/wrestleaddictradio⁠OFFICIAL WAR MERCHANDISE: ⁠https://wrestle-addict-radio-shop.fourthwall.com⁠ Beats by AO Baker of The Signature Move Show (00:00) Intro(05:25) Mask vs Mask Review(21:10) TripleMania 34 Goes 2 Nights(25:40) Clash in Italy Review(41:40) King of the Ring Tournament Bracket(49:15) Queen of the Ring Tournament Bracket(58:45) Owen Hart Tournament Men's Bracket(01:01:50) Owen Hart Tournament Women's Bracket(01:06:40) Willow Nightingale Vacates TBS Title(01:11:30) Outro

Mask vs Mask was the talk of the professional wrestlingworld! We review that instant classic, review #WWEClash in Italy & take our shot at predicting several active tournaments going on in professional wrestling. ALL OUR LINKS: https://linktr.ee/KOTR_PodcastMERCHANDISE STORE: https://wrestle-addict-radio-shop.fourthwall.com/collections/kings-of-the-rings-podcast TWITTER (X): https://twitter.com/KOTR_PodcastINSTAGRAM: https://www.instagram.com/kotr_podcast/FACEBOOK: https://www.facebook.com/KOTRPodcast/DISCORD: https://discord.gg/5ggSgjGeaR FOLLOW WRESTLE ADDICT RADIO: https://linktr.ee/wrestleaddictradioOFFICIAL WAR MERCHANDISE: https://wrestle-addict-radio-shop.fourthwall.com Beats by AO Baker of The Signature Move Show (00:00) Intro(05:25) Mask vs Mask Review(21:10) TripleMania 34 Goes 2 Nights(25:40) Clash in Italy Review(41:40) King of the Ring Tournament Bracket(49:15) Queen of the Ring Tournament Bracket(58:45) Owen Hart Tournament Men's Bracket(01:01:50) Owen Hart Tournament Women's Bracket(01:06:40) Willow Nightingale Vacates TBS Title(01:11:30) Outro

Led by the wrestling expert Jacob Mason, Some of the men of the L7C got together to talk about mental health for mental health awareness month! Info below:Men face significant mental health challenges, marked by acritical disparity in treatment. While they report lower rates of mentalillness than women, men account for nearly 75% to 80% of all suicide deaths.Furthermore, less than 45% of men with diagnosed mental health conditionsreceive United States: Males account for roughly 80% of U.S. suicidedeaths. With overall U.S. suicide figures hovering just under 50,000 annuallyin recent years, this amounts to around 38,000 to 40,000 male deaths by suicideper year Global: The World Health Organization estimates that morethan (720,000) to (740,000) people die by suicide worldwide every year.Given that men represent roughly 3 out of every 4 global suicides, thisaccounts for more than half a million men globally. Depression: Over 6 million men in the U.S. experiencedepression annually, but it frequently goes undiagnosed or misdiagnosed. Anxiety: Roughly 1 in 10 men experience symptoms of anxietyor panic disorders, but they areSubstance Abuse: Men are 2 to 3 times more likely to misusedrugs or develop alcohol dependence than women, often using substances to copewith stress. Leading Cause of Death: Suicide is one of the leading causesof death for men under the age of 50. Gender Gap: Men are 4 times more likely to die by suicidethan women. Demographic Rates: The highest rates of suicide in the U.S.are among older Caucasian men. Stigma: Societal norms and traditional expectations ofmasculinity often lead to the suppression of emotions, resulting in"externalized" symptoms like aggression or risk-taking rather thansadness. Reluctance to Seek Help: In American PsychologicalAssociation surveys, only 35% of men reported they would seek help from amental health professional, compared to 58% of women. Workplace Burnout: Men are more likely to experienceworkplace burnout but are less likely to take time off or use mental healthserviceWomen also are even more likely than men to attempt suicide.In the US for example, adult women in the US reported a suicide attempt 1.2times as often as men. Men may also choose these methods because they're moreintent on completing the act. One study of more than 4,000 hospital patientswho had engaged in self-harm found, for example, that the men had higher levelsof suicidal intent than the women. SAVE 22: In the context of the military and veterancommunity, the phrase "22 a day" refers to an estimate that anaverage of 22 U.S. veterans die by suicide every day. This statistic originallystemmed from a 2012 report published by the Department of Veterans Affairs (VA) United States: Call or text the 988 Suicide & CrisisLifeline at 988 or visit the 988 Suicide & Crisis Lifeline Website.

Low Value Mail is a live call-in show discussing current events, politics, conspiracies and much more.Every Monday night at 7pm ETSupport The Show:

This episode features Simon Tam of The Slants and Prof. Erik Nielson, co-author of “Rap on Trial,” who both have been instrumental in combating First Amendment right violations against minority musicians. Simon's fight to get his all-Asian band the right to their name saw thousands of pages of evidence denied, along with a footnote stating that – had they been Caucasian – there'd be no issue. Erik has researched how the Rap genre is singled out, identifying 800+ documented legal cases using Rap lyrics as evidence against young men of color. Hear from the pair on the results of their efforts, along with their concerns about freedom of speech in general.

Welcome to another episode of Spooky Gay Bullsh!t, our weekly hangout where we break down all of the hot topics from the world of the weird, the scary, and issues that affect the LGBTQIA2+ community! This week, we cover: UK police want to know why some constables have crime scene photos on their personal phones, a man gets arrested for making AI images of a runaway wolf, a firefighter takes it too far trying to get a cat out a tree, internet speedrunners meet IRL consequences, and an extremely heartwarming edition of Otter Watch. See you next Friday for more Spooky Gay Bullsh!t!   Join the Secret Society That Doesn't Suck for exclusive weekly mini episodes, livestreams, and a whole lot more! patreon.com/thatsspooky Get into our new apparel store and the rest of our merch! thatsspooky.com/store Check out our website for show notes, photos, and more at thatsspooky.com Follow us on Instagram for photos from today's episode and all the memes @thatsspookypod We're on Twitter! Follow us at @thatsspookypod Don't forget to send your spooky gay B.S. to thatsspookypod@gmail.com  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week we talk about cocaine delis in the Bronx and why the Verizon guy finally feels seen. Follow Brian on Threads, Instagram and X - Support the show and get bonus audio/video episodes, ringtones, bonus footage and more!! All at patreon.com/brianmccarthy. 

Welcome back to another episode of the unSeminary podcast. Today we're joined by Dr. Derwin L. Gray, co-founder and lead pastor of Transformation Church. Since launching in 2010, Transformation Church has become a multi-ethnic, multi-generational movement impacting thousands locally and globally. In this conversation, Derwin tackles one of the most pressing—and often avoided—questions facing church leaders today: what are we actually multiplying? Are we forming disciples of Jesus—or unintentionally shaping people more through culture, politics, and media than through the gospel? Derwin challenges leaders to examine the deeper currents shaping their churches and to recover a bold, Christ-centered vision for discipleship. What are we actually multiplying? // Derwin raises a provocative concern: many churches are focused on growth, expansion, and multiplication—but not always clear on what is being multiplied. Are we producing disciples rooted in the gospel, or consumers attracted to experiences? He warns that without intentional focus, churches can unintentionally replicate shallow faith, cultural Christianity, or even ideological distortion. The goal of multiplication must not simply be more campuses or larger attendance, but deeper, more faithful discipleship. A discipleship crisis beneath the surface. // The issue isn't that churches lack discipleship. It's that many people are being discipled by the wrong influences. Social media, political ideologies, and cultural narratives are shaping beliefs and behaviors, often more powerfully than Scripture. This creates a “wrong discipleship” problem, where people identify as Christians but reflect values that are inconsistent with the teachings of Jesus. The challenge for leaders is to re-center discipleship around Christ, ensuring that people are being formed by the gospel rather than the surrounding culture. The danger of ideological captivity. // Derwin speaks candidly about the ways the church can become entangled in political ideologies—whether on the right or the left. He specifically critiques the rise of Christian nationalism, defining it as the fusion of the church's identity with the identity of a nation-state. This, he argues, distorts the gospel by elevating political allegiance above allegiance to Christ. At the same time, he acknowledges the influence of secular progressivism. Both extremes, in different ways, can pull believers away from the centrality of Jesus. The call is not to disengage from society, but to engage from a distinctly gospel-centered perspective. Recovering a gospel-shaped identity. // At the heart of Derwin's message is a call to rediscover what it means to be shaped by the gospel. The good news of Jesus is not merely about individual salvation—it creates a new family across ethnic, cultural, and social lines. This vision is central to Transformation Church's identity as a multi-ethnic community. Derwin emphasizes that the gospel reconciles not only vertically (between people and God), but horizontally (between people and one another). When churches lose this vision, they lose their witness in a divided world. Courageous and compassionate leadership. // Leading in this cultural moment requires what Derwin calls “courageous compassion.” Pastors must be willing to speak truth clearly while loving people deeply. This means addressing difficult issues without fear of losing people, while also avoiding harsh or divisive rhetoric. Derwin acknowledges that this approach can lead to criticism from multiple sides, but he emphasizes that faithfulness to Christ must take priority over maintaining comfort or approval. Practical steps for leaders. // For pastors who feel their churches have been shaped more by culture than by Christ, Derwin offers simple but powerful starting points: pray, repent, and refocus on the gospel. He encourages leaders to equip themselves through study and to guide their teams in rediscovering a biblical framework for discipleship. Most importantly, leaders must model what they teach, demonstrating lives rooted in Christ rather than captured by cultural narratives. A renewed vision for the church. // Ultimately, Derwin calls the church back to its prophetic voice. The church is not meant to mirror the divisions of the world but to offer a compelling alternative: a community shaped by love, unity, and truth. When the church remains rooted in Jesus, it becomes a powerful witness to a watching world. To learn more about Transformation Church and Dr. Derwin L. Gray, his teaching, and resources, visit transformationchurch.tc and derwinlgray.com. Plus, pre-order his book, It’s Time to Heal: Four God-Given Steps to Restore What Life Has Shattered. Thank You for Tuning In! There are a lot of podcasts you could be tuning into today, but you chose unSeminary, and I'm grateful for that. If you enjoyed today's show, please share it by using the social media buttons you see at the left hand side of this page. Also, kindly consider taking the 60-seconds it takes to leave an honest review and rating for the podcast on iTunes, they're extremely helpful when it comes to the ranking of the show and you can bet that I read every single one of them personally! Lastly, don't forget to subscribe to the podcast on iTunes, to get automatic updates every time a new episode goes live! Thank You to This Episode’s Sponsor: Portable Church Your church is doing really well right now, and your leadership team is looking for solutions to keep momentum going! It could be time to start a new location. Maybe you have hesitated in the past few years, but you know it's time to step out in faith again and launch that next location. Portable Church has assembled a bundle of resources to help you leverage your growing momentum into a new location by sending a part of your congregation back to their neighborhood on Mission. This bundle of resources will give you a step-by-step plan to launch that new or next location, and a 5 minute readiness tool that will help you know your church is ready to do it! Click here to watch the free webinar “Launch a New Location in 150 Days or Less” and grab the bundle of resources for your church! Episode Transcript Rich Birch — Hey friends, so glad that you decided to tune in to today’s episode of the unSeminary podcast. Really looking forward to this. I had a fragment of a conversation with a dear friend at the Exponential Conference and I want to have more of that today with you listening in. And this is a conversation that I know is impacting people. I think 100% of our church is in the country today. It’s something that we all are seeing. It’s impacting us. We’ve got to be thinking about this. Rich Birch — Honored to have Dr. Derwin Gray with us, incredible leader from Transformation Church. He and his wife, Vicki, co-founded the church in 2010. It’s a multi-ethnic, multi-generational, mission-shaped community community with two locations in South Carolina, as well as Church Online. He’s an award-winning author of multiple books. He’s been on the podcast in the past and is one of the people who, he’s called me out on the podcast before, and I have taken those lessons with me. And so I’m I'm hoping that happens with you today. Derwin, welcome to the show. So glad you’re here.Dr. Derwin L. Gray — Hey, man, thank you. So good to be with you.Rich Birch — No, it’s it’s honest. You know, been multiple times you’ve been on the show and I I’ve walked away being like, man, okay, Derwin just, he’s just pushed me and and got me to think different, which I really appreciate that. So for folks that don’t know about Transformation, kind of tell us a little bit about the church and give us the context you’re in, that sort of thing.Dr. Derwin L. Gray — Yeah, man. So ah my wife and I co-planted Transformation Church in 2010 in the Charlotte, North Carolina area. And so neither my wife and nor I grew up in church, and both of us came to faith in our mid to late 20s, and primarily through people at work. There was a woman at my wife’s job who shared Christ with her. I had a teammate named Steve Grant, with the Indianapolis Colts, where I played in the NFL. We called him the naked preacher because after practice, he’d dry off, take a shower, wrap a towel around his waist, and he’d share the gospel. And over five years, I came to faith. My wife came to faith before me. Dr. Derwin L. Gray — And all we knew was this. If Jesus is this incredible, this forgiving, this gracious, this is the greatest news there is in the world. And so we didn’t know what words like evangelism and discipleship meant. All we knew was this. I want to know him. I want to make him known. I want to know his word.Dr. Derwin L. Gray — And so that was in 1997, 1998. We moved to Charlotte, North Carolina to play for the Carolina Panthers, and I got injured. And so all I could do was read my Bible, rehab my knee. And the following year, both my wife and I said, you know what? I think my NFL time is done.Dr. Derwin L. Gray — What are we going to do? We don’t know. So I got an invitation to speak at a youth event to share my testimony. And I said, well, what is that? They were like, a testimony is where you share your story of how you met Christ and what what took place. So I did that. People started calling me.Dr. Derwin L. Gray — And in 1999, other Christians says, you guys need a nonprofit organization. You know, we’re like, what does that mean? So we started a ministry called One Heart at a Time. I would travel and speak. She would organize everything. We served at our church. Well, the longer we did that, we saw incredible fruit, but we also saw that wherever I would preach, it was ethnically segregated. It was it was really weird, right?Dr. Derwin L. Gray — I’m like, wait a second. America is integrated, but the church is basically segregated. And so I began to ask questions and I got lousy answers. But as we read the Bible, it was like the early church was Jews and Gentiles. That’s what it was. It was a multi-ethnic church. Jesus not only forgave sins, but he created a family with different colored skins. Not only is that the future of the church in Revelation 7:9, but that’s the present reality of the church that intrinsic to the gospel is ethnic reconciliation. What good would it be Jesus forgives you but don’t love your brother and sister? So the cross is vertical and horizontal. Dr. Derwin L. Gray — So we were frustrated. And then we just sense God say, well, you can criticize or you can create. And so ultimately that led to planting Transformation Church in the south area of Charlotte, North Carolina, where actually physically in what’s called Indian Land, South Carolina, and our other campus is in Lake Wiley, South Carolina, but it’s really the greater Charlotte area.Dr. Derwin L. Gray — And our church is more ethnically diverse than our community. And I want to be very, very clear. One of the reasons why we are ethnically diverse is because of the good news of Jesus. Like I explained, Jesus not only forgives sins, but he creates a family with different colored skins. And so for us, ethnic unity in Christ not only enhances our discipleship, but it enhances our witness to a looking and watching world which is filled with so much division. Dr. Derwin L. Gray — And over the last 16 years, God has done miraculous things. We’ve seen 9,000 people come to faith, thousands be baptized. God has given us massive influence. We also have what’s called the Multi-Ethnic Church Roundtable, where we’ve equipped 800 leaders from around the world to do gospel-centered multi-ethnic ministry. We’re also in the process, Leon’s Crump and I, of launching what’s called the Promise Collective, which is going to be an intentionally multi-ethnic gospel-centered church planting network.Dr. Derwin L. Gray — So a lot of wonderful things are taking place. And we think it’s pretty cool that God planted us in the state of South Carolina where the first shots of the Civil War were fired. And God has used this church here to influence not only the church in America, but even around the world. Rich Birch — Yeah, absolutely Dr. Derwin L. Gray — So we’re grateful.Rich Birch — Well, I, yeah, there’s I respect you on so many levels. And, and, you know, they these issues around being a multi-ethnic church are, you know, at the core of that. And just to respect you on for lots of what you’ve done. and And we ended up at this in this conversation, just to kind of bring everybody up to speed, we ended up in this conversation at Exponential that I leaned forward as just declaring my, ah you know, a little bit about me for folks that are listening in. So I am Canadian, don’t hold it against me.Rich Birch — But I’ve served mostly American churches in the churches I work with. And most of the 95% of the listeners of this podcast are in the States. I was in the States for a bunch of years. And that may become a little more obvious as we’re talking here why that’s why I’m talking about that context. But one of the things in this conversation that I heard you, the question you asked, which made me lean forward and then where it kind of unfolded from there is you asked the question, what are we actually multiplying? Exponential is obviously the global conference for multiplication, but you were pushing us to think about what are we actually multiplying? What is the the core of that? Can you unpack that for us?What were you thinking of when we started talking about that that day?Dr. Derwin L. Gray — Yeah, sure, sure. Just to provide either even a little bit more context is it was a gathering of of very large churches. Rich Birch — Right.Dr. Derwin L. Gray — And the question is what’s going well, what’s not going well? And so typically in those types of rooms, I like to listen. And so as I was listening, I was hearing no disrespect, but a lot of the same.Dr. Derwin L. Gray — And so I kind of waited for everybody to to finish what they were saying. And I said, here’s something that Transformation Church does well, is we are equipping our people to stand against secular progressivism and Christian nationalism. And I said, what are we exactly multiplying? Because the state of the church the United States America is not good. It’s not healthy. It is divided. In many cases, it is it’s mean. Shallow theology, not loving our neighbors as God commands us to be loved. Dr. Derwin L. Gray — So so my question was, are we just putting up more boxes for consumers to come in and consume because we have good music, good human-centered preaching. You know, we’re not going to mess with your idols. We’re not going to topple your idols at all. And yeah, you can invite your friends when we get more campuses. Because if that’s just what we’re doing, don’t sign me up for that. I don’t I don’t I don’t want any parts of that. That’s how we got to where we are now. And so you as a Canadian, here in America, the witness of the church is not very good. Like when I talk to people who are unbelievers, I have to untangle…Rich Birch — Right.Dr. Derwin L. Gray — …politics from the gospel because unfortunately there’s been an unholy wedding, particularly on the far right with aspects of Christianity, which has distorted and deformed. I think the secular progressivism is pretty easy to see, but I think the Christian nationalism is a lot harder. Dr. Derwin L. Gray — Now, let me define what I mean by that. So first of all, Loving your country is a good thing. That’s called loving your neighbors. You love yourself. So my fourth grandfather, Moses Davis, fought for the Union, the colored cavalry of Virginia… Rich Birch — Wow. Dr. Derwin L. Gray — …against the treasonous Confederate whatever it was. So in my blood is patriotism for my nation. America’s my home. But to love my neighbors, I love myself means not only do love America, but I love the entire world. And then as a Christian, we have a global body that we love. There are more followers of Jesus of color outside of America than the United States of America.Dr. Derwin L. Gray — Now, what do I mean by Christian nationalism? This is what I mean. Christian nationalism is the attempt to fuse the identity and mission of the church with the identity and power of a nation state, treating the nation as a primary vehicle of God’s purposes rather than seeing God’s kingdom as a global Jesus-centered reality that transcends all nations.Dr. Derwin L. Gray — By that definition, Christian nationalism is a heresy. Because it basically says, if you don’t think like us, you can’t be a follower of Jesus. And so you’re adding to the works of Christ. And so Christian nationalism has infiltrated much of what I would say the majority culture, Caucasian church in America. Not all, but a lot. Where Christians, what what it means to follow Jesus has turned into a far right, almost authoritarianism versus, no, no, you have the right to vote in the United States of America. But as Christians, we don’t have a right to idolize nor demonize those who vote differently than us.Dr. Derwin L. Gray — I’m not sure Americans know this, but most people in the world are not Republican or Democrat. Rich Birch — Right.Dr. Derwin L. Gray — So if you say your faith is based on what you vote for, you’re adding to the work of Christ.Rich Birch — So, so Derwin, I appreciate you. So I’ve not heard a lot of people talk about this. This seems to be, I don’t know, it seems like something happened post COVID and the church in general, there was this like shakeup in the church in general where, you know, lots of people ended up in different places and it was like, we’ve become more divided than ever before. And I do think that there’s a significant dividing line at or close to what you’re talking about here, that it’s like, there’s a, there’s a new voice around Christian nationalism that seems to be gaining influence. Is that, is that, is that ah a false perception or is that the way you see it as well?Dr. Derwin L. Gray — No, you are 100% right. And it is a well-orchestrated, well-funded plan. With social media and the rise of social media influencers, paid propagandists can go on and infuse their propaganda into people immediately.Dr. Derwin L. Gray — And here’s and here’s the thing. Populism does not require much intellect. All it requires is somebody to be angry at who’s taking from you. So the more divided we are as people, the more the oligarchs have power and the money that they make.Dr. Derwin L. Gray — They own the social media. They own the algorithms. I mean, for goodness sakes, Elon Musk promised people a million dollars to vote in Pennsylvania for the election. How is that even legal? Right. Rich Birch — Right.Dr. Derwin L. Gray — So people are being inundated. Like we have family members that don’t even talk to each other anymore because they have red hat or a blue shirt, right? And so it has been in increasingly effective. But here’s the thing, Rich, that’s so wild to me. The admin the the Trump administration greenlit the FDA approval of an abortion pill. And I don’t hear any evangelical saying anything about it.Rich Birch — Right. Right.Dr. Derwin L. Gray — And even when you look at the Supreme Court now saying states can choose whether you do abortion or not, that’s pro-choice. You know, what used to be the Republican Party, small government, family values, those things are way gone. Rich Birch — Right. Right.Dr. Derwin L. Gray — And so not only has Christian nationalism changed like, or not only has this current administration changed what the Republican Party was, but in many cases, it’s changed even so much of the church. And it is wild to listen to people in 2016 who said one thing, who say a totally different thing now.Rich Birch — Yeah.Dr. Derwin L. Gray — It’s hard.Rich Birch — Well, yeah. And I so I think the thing you’ve, you’re putting a finger on and it’s, I appreciate you being willing to talk about and unpack it is there’s definitely like a broader cultural conversation that’s happening around these issues. That is for sure. We’re seeing that. And that’s having an impact on our ability to disciple the people in our churches or our people are being discipled by social media, by the algorithm, by YouTube And that can create or is creating a discipleship crisis in many of our churches. How do you try to find the line between those two to say, hey, we’re going to talk about the discipleship stuff… Dr. Derwin L. Gray — Yeah. Rich Birch — …without getting dragged in on the you know the exterior? How do we how do we draw those lines in a way that makes sense?Dr. Derwin L. Gray — Yeah. Yeah. So, so, so what I would say is we don’t have a discipleship problem. We have a wrong discipleship problem. Rich Birch — Okay, that’s good. Dr. Derwin L. Gray — Because somebody is making students out of somebody.Rich Birch — Right, sure.Dr. Derwin L. Gray — And so are we becoming students of Jesus? that’s That’s the issue. And so what I say is this, how a person votes, that’s their conscience. But how do you treat the people who don’t vote like you? Dr. Derwin L. Gray — So for example, research shows black Americans are more socially conservative, more biblically committed than white Americans. But 90%, I’m sorry, but black American Christians, but black American Christians, 90% vote for Democrats. So how can you be more socially conservative, more biblically committed, but you vote for Democrat?Dr. Derwin L. Gray — Well, because they don’t take everything that’s in the Democratic Party, just like most people who voted for Trump don’t take everything with him. And so we have to give each other the latitude and the grace. And there’s also pro-life Democrats. And not everybody who voted for Trump is evil. Not everybody who votes Democrat is evil. But the powers that be want us divided. Rich Birch — Yeah, that’s true. Dr. Derwin L. Gray — And when I and when I talk to my friends from Canada, when I talk to my friends that are pastors from around the world, Norway, different parts of Europe, Australia, England, and they’re going, what has happened to you guys?Dr. Derwin L. Gray — I can tell you what’s what’s taken place is our faith is being distorted and driving it is fear and hatred.Rich Birch — Yeah. So I would echo that. The joke I’ve made, both with American leaders and leaders from other parts of the world, is there is a segment of the body of Christ that seems very angry about the love of God. Like they’re and they’re very fearful. Like it’s all it’s all anger and fear driven. And I don’t know whether, and it probably is related to the algorithms, but like we’re hearing from these people so much more than, than we used to. It used to be an echo chamber of people that lived in so much fear, but now it’s just out there. It seems to be in, in our, you know, in our feeds all the time.Dr. Derwin L. Gray — Yeah, what used to be on the fringes is now on the main street, right? And so we need to re-gospel ourselves. We need a greater commitment to Christ. So, for example, life in the womb is precious and sacred. That’s not conservative. That’s gospel. That’s biblical.Dr. Derwin L. Gray — Caring for the dignity of undocumented people in America is not liberal. That’s gospel. Wanting border control is not conservative. That is understanding that a nation has to have borders to flourish. Dr. Derwin L. Gray — Believing that marriage is between a man and a woman, we believe that’s biblical. But loving and respecting LGBTQ people is not liberal. Loving my neighbors as I love myself. And if I have any hope of anybody ah coming to Jesus, they’re not going come to Jesus because I’m yelling at them and I’m angry. I’m going to love them and pursue them just like we’ve done here at our church.Dr. Derwin L. Gray — And so I feel like what we’ve done in in in the church is we’ve taken a 250 year old country called America. And then specifically the last 10 years, we’ve made that the hermeneutic to understand the gospel.Rich Birch — Yeah, right.Dr. Derwin L. Gray — We’ve made that the lenses that we look through to determine the gospel. Whereas what I’m saying, let’s go back to the text. Let’s go back to the early church, the book of Acts, Paul’s letters, the gospels. That’s where our faith comes from. Dr. Derwin L. Gray — Like I have lobbied on Capitol Hill with Republicans and Democrats about immigration reform. We need border security, but we can also secure the dignity of human beings, especially human beings who are undocumented and don’t have a record against them. Right. So there has to be a process to have strong borders, but also to hold to people’s hearts.Dr. Derwin L. Gray — But but at the end of the day, right at the end of the day, we are people of the Lamb, not the elephant or the donkey.Rich Birch — So good. So good. So what’s the hardest part about leading in a church that really refuses to be captured by either side? I feel like there’s pressure on from both political parties to they, you know, I think somewhere along the line, they realize, wow, there’s a lot of power in these churches. And how do we you know, how do we kind of infiltrate or how do we gain that? What’s it like to lead a church that’s trying to, that’s refusing to be captured by both sides is wants to keep Jesus ahead. What does that cost? How is that, you know, what are some of the pressures of that? What have been some telltale signs for you as you’ve led at Transformation in this front?Dr. Derwin L. Gray — Yeah, um i would i would I would say, Rich, sometimes I’ll get a critical email and a eventually those people will leave. But but but but for the most part, I mean, we’re 16 years in, it’s our ethos, it’s our character. People know who we are. They know why we are. And so like we’re flourishing, we’re growing. It’s beautiful. Dr. Derwin L. Gray — There’s a matter of fact, I got some messages earlier today just saying, hey, thank you. Like I was just about done with Christianity and I found Transformation Church, right? I mean, this Jesus, you’re this is what I want to be a part of. So I think respecting and loving all people, even though you disagree with them. And the thing that I said, I did a series in 2024 in the fall before the election on on the Beatitudes.Dr. Derwin L. Gray — And my whole thing was how you vote is up to your conscious. How you treat people is not up for debate. We’re called to love our neighbors as we love ourselves. And so in our church, I’m sure we got people all over the political spectrum. I’m a registered independent myself.Dr. Derwin L. Gray — But something that I think really landed well with our people is this: 99.9% of all followers of Jesus for 2,000 years and even now have never voted Republican and have never voted Democrat.Rich Birch — Right. Right. That’s good.Dr. Derwin L. Gray — Our faith is in Christ and Christ alone. And America is what’s called a constitutional republic democracy. It is not a theocracy. It is governed by a constitution, not the Bible. And so, yes, I want believers in place not to do some kind of spiritual Sharia law, but to make sure that the Constitution is upheld, which gives life and liberty and justice, not for some, but for all.Rich Birch — What would you say, you know, I’ve often thought around this, these, this issue and we’re kind of related issues. I have to think back to Billy Graham and I think like, man, we don’t know what, don’t what he’d be doing today. Like what would, I’ve heard this story that and in the fifties he gathered a group of what at the time, they you know they self afflicted they gave themselves the title of fundamentalist and they said, hey, we gotta stop calling ourselves fundamentalist because that word is so loaded in our culture. It feels like evangelical is like that today. Dr. Derwin L. Gray — Yeah.Rich Birch — It is when people ask me, are you evangelical? I’ll say, well, it depends on what you mean by evangelical because it has so much freight behind it. Do you think there is a place for kind of a broader discussion? How, how can we continue to try to create a middle here that where people can actually try to shed these, like you say, the Lamb and the donkey and, or the, the, the elephant and the donkey and, and focus on the Lamb. How do we do that going forward? How do we create those kinds of places where those kinds of conversations can continue to happen?Dr. Derwin L. Gray — Yeah, you know, so let me answer the first question first is when I preached in Norway a few years ago, the people said, thank you for being so evangelical. And it had nothing to do with politics. So the term evangelical comes from the Greek word, which means good news. So it’s never meant to be a political voting block. Rich Birch — Right.Dr. Derwin L. Gray — It’s never meant to be an ethnicity. It is good news people. So in Europe, I say I’m evangelical because it goes well. Here in America, I say I am shaped by the gospel. I’m a Christian that’s shaped by the gospel. Rich Birch — That’s good language.Dr. Derwin L. Gray — I love God and I love my neighbors. I love myself. So I think we have a fundamental gospel problem in the American church. If you simply think the good news is Jesus died for your sins, now you don’t go to hell, then your discipleship is going to be very reductionistic. It’s going to be very individualistic.Dr. Derwin L. Gray — So the life, death, and resurrection of Jesus, his ascension and then sending the Spirit, is not only do we spend eternity with him, but as brothers and sisters, we’re equally righteous, equally redeemed, equally the temple of the Holy Spirit, equally God’s children. So if all those things are true equally, then by definition, we are the body of Christ. So if you hurt, then I hurt, but we don’t think that way.Rich Birch — Right.Dr. Derwin L. Gray — So we have to change the way we think. Paul says in Philippians 2.3, do nothing out of selfish ambition or vain conceit, but consider others better than yourselves. Verse five is “for you have the mind of Christ”. And so what we’ve been able to do here at Transformation Church is really move people deeper to the gospel. If you listen to one of my messages, you will hear gospel. That’s why we are the way we are. And the gospel challenges idols.Dr. Derwin L. Gray — When President Obama was president, I would get emails, “Oh you must be a Republican.” And then when President Trump, “You must be a Democrat.” I’m like, no, I’m an independent, but I’m called to be prophetic and to equip us to not be captivated by the zeitgeist…Rich Birch — Yeah, that’s good.Dr. Derwin L. Gray — …the spirit of the age. When the church loses her prophetic witness, we’ve lost everything.Rich Birch — That’s good.Rich Birch — Yeah, that that that names something that you put a finger on there, on something that I’d love you to unpack a little bit more. How do you do that as a pastor? Because I’ve seen you do that consistently. It’s like, how how do we be that prophetic voice, speak with clarity to ultimately point people back to Jesus, not be captured by just the winds of the day?Dr. Derwin L. Gray — Be courageously compassionate. Rich Birch — That’s good.Dr. Derwin L. Gray — Be courageously compassionate. I believe, you know, so I have, I have, I have talked to pastors who lead churches that may be, you know, center a little bit left. And well, if I talk about this issue too much, people may leave. Then I’ve heard other people like, well, if I talk about about this, the MAGA people may leave. And it’s like, well, Are you concerned about people leaving or are you concerned about honoring the call that God has given you? Rich Birch — Yeah, that’s good. Dr. Derwin L. Gray — And one day you have to face him and you’re going to say, well, you know, what Lord, I was afraid people were going to leave. Like you can be courageous and compassionate simultaneously.Rich Birch — That’s good.Dr. Derwin L. Gray — So I, there are people on both sides of the aisle that passionately and deeply love Jesus, but have different perspectives politically. Now, Christian nationalism, that is a whole different species that that has to be lovingly challenged. And my job at Transformation Church is to equip our people and to be a shepherd because there are false prophets and wolves that are coming.Rich Birch — There’s a ton here. I really appreciate that. For a pastor that’s listening in today that’s thinking, man, I look at my people and I think maybe I they have been discipled more by cable news than by scripture. And I maybe haven’t done everything I could could have done. I haven’t been clear with compassion. I’ve just been, I’ve just kind of let this happen. What would you say some of the first steps that you would say for a for a leader like that?Dr. Derwin L. Gray — Yeah, pray, repent, pray, repent. Take your elders and your staff through a book by Preston Sprinkle called “Exiles in Babylon” or the book by Michael Byrd and N.T. Wright. Both of them deal with you know how to be a faithful witness in this time of political division. But before you go out and share, make sure that you are equipped. But also choose not to be partisan.Dr. Derwin L. Gray — Rich, the Epstein Files is one of the biggest cover-ups in American history. We’re talking about precious kids who were taking advantage of. And I mean, where is the prophetic voice that this is wrong, regardless of who’s in it? This is wrong and it demands justice. We as God’s people are going to be held accountable to equip this. Like, this is serious. Like, I’ve heard people say, well, there’s bigger problems in the world. No, there’s not.Rich Birch — Yeah, that’s good. Derwin, this has been fantastic. I want to point people towards, you’ve got a new book that’s coming out. That’s like like a huge left-hand turn here, but just looking at it, I think this could is is connected, obviously, to what we’re talking about in today’s conversation. It comes out this fall.Rich Birch — It’s called it’s a time or “It’s Time to Heal: Four God-Given Steps to Restore What Life Has Shattered”. Tell us a little bit about this book, and I and I want to get people to you know actually pre-order this thing.Dr. Derwin L. Gray — Yeah, man. So basically the last seven years, what I have seen from followers of Christ is we’re the walking wounded. We are, we are just stuck. We have allowed our traumas, our histories, our pains, our failures, the way we’ve been hurt to keep us in a position of hurt. And we’ve just circled and circled. And then, a lot of preaching deals with behavior modification and doesn’t get to the root. And so I’ve just been like, you know what, God, I want to help God’s people. Right. And it starts with helping myself.Dr. Derwin L. Gray — And what I do is I really take a theology of who we are in Christ. I take neuroscience and psychology and marry them in spiritual formationRich Birch — Love it.Dr. Derwin L. Gray — And it’s by far the best book that I’ve ever written. I can’t wait for people to see the endorsements from people like Dr. Daniel Amen, Craig Groeschel, Christine Caine. It’s by far the most important book I’ve ever written and the best book I’ve ever written. And I believe that it can really help people heal. Like really understanding that trauma gets in our nervous system. It’s not just think harder, do more. Like we have to learn how this is embodied inside of us. Dr. Derwin L. Gray — And so, man, it transformed me writing it. And what I do is I walk the people through an acronym. The the book is in four parts and the acronym HEAL. H stands for honest about what what happened. E, expect hard. A, accept what happened and L, live from love, not for love. And I share some incredible stories in there. And so, yeah, I’m really, really looking forward to people healing.Rich Birch — Well, yeah, I would encourage people to, we’ll link to that in the show notes and all that. But I think it’s connected in that I think I think the extremes on both ends politically, they’ve picked up on kind of the pain in the zeitgeist. And they’ve they’ve said, hey, the solution is is is the other side is the enemy and we got to do something to tear them down. And we know that just won’t work. At the end of the day, it’s Jesus transforming our lives. It’s him restoring us to who we are. And I think this could be a great tool for folks as they’re wrestling with that. So I’m excited for that book to come out. Looking forward to that. And we’ll we’ll link to all that. Rich Birch — Any kind of final words as we wrap up today? I really appreciate you unpacking this a bit more and taking some time to, you know, kind of let us chat a little bit about it.Dr. Derwin L. Gray — Yeah, two thoughts. Jesus said in Matthew 5:44 and 45, bless those who persecute you. And I said, love your enemies. And then Jesus said, you will know my disciples because they love one another. Refuse to let anger and hatred and division guide you.Rich Birch — That’s good. So good. You said two things. You had two you that and one other thing.Dr. Derwin L. Gray — Well, yeah, it was it was Matthew 5 and you’re on…yeah.Rich Birch — Oh, I see. Right, right, right. Yep. Okay. That’s good. Nice. Where if people want to track with you or with the church, where do we want to send them online? Just as we wrap up today’s call conversation.Dr. Derwin L. Gray — Yeah, just go to derwinlgray.com, derwinlgray.comRich Birch — Nice. That’s great. Dr. Derwin, I just want to honor you. You’re an incredible leader. Thank you for being here today and helping us think through these issues. Thank you.Dr. Derwin L. Gray — Thank you, my friend.Rich Birch — Take care.Dr. Derwin L. Gray — Appreciate you.

We have a Caucasian male, late 50s, presenting as overly snarky and cynical, complaining of excessive exposure to hot doctors on TV. Another white male, approximately the same age, somewhat less cynical. And a Caucasian woman in her 30s, quite optimistic, some would even call her a fan.They're here to comprehensively discuss Season 2 of The Pitt, which just concluded it run on HBO Max. Editor-in-chief Dan Friedman, former editor-in-chief Neal Pollack, and now-frequent BFG podcast contributor Jessica Babbitt break down the highs and lows, but mostly highs, of the season, discuss their doctor crushes, and dissect the politics of The Pitt, the most sneakily political show on TV, in detail so granular, you'd think that they might need an MRI.You have to listen to this episode until you're done with your charting.Enjoy!

One summer night, Brittney Wood walked away from her family home in southern Alabama and vanished into thin air. Did dark family secrets have something to do with her mysterious disappearance? If you have any tips for the Mobile police department, you can contact them at (251) 208-7210. Brittney is Caucasian, stands five-feet-one-inches tall and weighs one-hundred-five pounds, with a thin build. She was last seen wearing a blue tank top, blue denim shorts and flip-flops, and carrying a pink or teal tote bag containing extra clothing, a red curling iron, a makeup bag, and a cell phone. She has dirty blond/brown hair and blue eyes, with a lip piercing and a tattoo reading "Payton" on her left leg. Missing Brittney Wood Links: Facebook: ⁠https://www.facebook.com/MissingBrittneyWood/⁠ Instagram: ⁠https://www.instagram.com/missingbrittneywood/⁠ TikTok: ⁠https://www.tiktok.com/@missingbrittneywood⁠ If you or anyone you know has been a victim of sexual assault, help is available. Visit the Rape, Abuse & Incest National Network website or contact RAINN's National Helpline at 1-800-656-4673 Listen Ad Free And Get Access to Exclusive Journal Entries Episodes: Spotify: https://open.spotify.com/show/4HEzJSwElA7MkbYYie9Jin Patreon: ⁠⁠⁠⁠https://www.patreon.com/themurderdiariespod⁠ Apple: Hit subscribe/ 1 week free trail available Sponsorship Links: Build credit fast and get your first month for just a dollar at ⁠getkikoff.com/DIARIES today. Thanks to Kikoff for sponsoring us! Sign up for a one-dollar-per-month trial period and take your retail business to the next level today! ⁠https://www.shopify.com/murderdiaries Resources: ⁠⁠⁠⁠https://themurderdiariespodcast.com/episodes/template-9webg-nwtpj-t96tc-b64ps-f7lrd-lwllk-s8gla-j69fp-t25s5-yybna-rtjlw-t4g9a-823ee Music Used: Walking with the Dead by Maia Wynne Link: ⁠⁠⁠⁠https://freemusicarchive.org/music/Maiah_Wynne/Live_at_KBOO_for_A_Popcalypse_11012017⁠⁠ License: ⁠⁠⁠⁠https://creativecommons.org/licenses/by-nc-nd/4.0/⁠⁠ Imagefilm 018 by Sascha Ende Link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://filmmusic.io/song/315-imagefilm-018⁠⁠⁠ License: ⁠⁠⁠⁠⁠⁠⁠https://filmmusic.io/standard-license⁠⁠ Glitter Blast by Kevin MacLeod Link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://filmmusic.io/song/4707-glitter-blast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ License: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://filmmusic.io/standard-license⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Our Links: Link Hub: ⁠⁠https://msha.ke/themurderdiaries⁠⁠ Instagram: ⁠⁠⁠⁠https://www.instagram.com/themurderdiariespod/⁠⁠ Edited by: ⁠⁠⁠⁠https://www.landispodcastediting.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode originally aired July 18, 2019. When hunters reported finding a skull in a Texas canyon, police immediately began an investigation. At the scene, they found bits of clothing, a woman's shoe, some small bones and a strand of hair. An anthropologist determined the victim was a Caucasian woman, and that she'd been stabbed repeatedly. A forensic artist reconstructed her face, and the image was released to media. Eventually, police learned who she was. Now all they had to do was find her killer. Hosted on Acast. See acast.com/privacy for more information.

Pack Nation, it's another wild night in the After Dark bunker — and the callers brought the heat. From Caller Roulette chaos to deep NFL system takes, this one goes all over the map in the best possible way. Uncle Rico takes over the lines — multiple calls covering stadium naming rights, the value of the Combine and pro days, and whether scouts are wasting their time watching stopwatches from the nosebleeds Batman drops a full ref reform manifesto — breaking down why NFL officials making $250K to work Sundays should be full-time employees hired on merit, not seniority, and why technology needs to do more of the heavy lifting The Rooney Rule sparks a fiery debate — a caller from Green Bay brings up the Florida AG's legal threat against the NFL, leading to an unfiltered discussion on race-based hiring policy, Caucasian anthropology (yes, really), and whether the rule is even coherent James from California delivers an elite Jordan Love segment — third-down brilliance, MVP ceiling talk, Matthew Golden's breakout potential, and why this offense is a perfect storm waiting to happen if the O-line can just stay healthy Drop a call, hit the like button, and let us know — is Jordan Love your 2025 MVP pick? #Packers #GreenBayPackers #PackernetAfterDark #JordanLove #NFLDraft #PackNation #GoPackGo #NFL #RooneyRule #NFLRefs #MatthewGolden This episode is brought to you by PrizePicks! Use code PACKDADDY to get started with America's #1 fantasy sports app. https://prizepicks.onelink.me/LME0/PACKDADDY To advertise on this podcast please email: ad-sales@libsyn.com Or go to: https://advertising.libsyn.com/packernetpodcast Help keep the show growing and check out everything I'm building across the Packers and NFL world: Support: Patreon: www.patreon.com/pack_daddy Venmo: @Packernetpodcast CashApp: $packpod Website: https://nfldraftgrades.com/ My Board: https://nfldraftgrades.com/board/83a18c42-7a0b-4590-8d1b-453e49840d02

Pack Nation, it's another wild night in the After Dark bunker — and the callers brought the heat. From Caller Roulette chaos to deep NFL system takes, this one goes all over the map in the best possible way. Uncle Rico takes over the lines — multiple calls covering stadium naming rights, the value of the Combine and pro days, and whether scouts are wasting their time watching stopwatches from the nosebleeds Batman drops a full ref reform manifesto — breaking down why NFL officials making $250K to work Sundays should be full-time employees hired on merit, not seniority, and why technology needs to do more of the heavy lifting The Rooney Rule sparks a fiery debate — a caller from Green Bay brings up the Florida AG's legal threat against the NFL, leading to an unfiltered discussion on race-based hiring policy, Caucasian anthropology (yes, really), and whether the rule is even coherent James from California delivers an elite Jordan Love segment — third-down brilliance, MVP ceiling talk, Matthew Golden's breakout potential, and why this offense is a perfect storm waiting to happen if the O-line can just stay healthy Drop a call, hit the like button, and let us know — is Jordan Love your 2025 MVP pick? #Packers #GreenBayPackers #PackernetAfterDark #JordanLove #NFLDraft #PackNation #GoPackGo #NFL #RooneyRule #NFLRefs #MatthewGolden This episode is brought to you by PrizePicks! Use code PACKDADDY to get started with America's #1 fantasy sports app. https://prizepicks.onelink.me/LME0/PACKDADDY To advertise on this podcast please email: ad-sales@libsyn.com Or go to: https://advertising.libsyn.com/packernetpodcast Help keep the show growing and check out everything I'm building across the Packers and NFL world: Support: Patreon: www.patreon.com/pack_daddy Venmo: @Packernetpodcast CashApp: $packpod Website: https://nfldraftgrades.com/ My Board: https://nfldraftgrades.com/board/83a18c42-7a0b-4590-8d1b-453e49840d02

Horsepower and Caucasian, what the hell do these words mean? Where did they come from? Also, we guess which celebs are which ethnicity, be careful HA We got Betsy on the phone, guess who she is, she cheated with Derek from yesterday's Truth and Consequences, allegedly…. Sounds legit tho..

“If you heal yourself, you have the ability to heal generations before and after you.” In this episode, Nick speaks with Amber Richbook about her journey through identity, subconscious beliefs, and the impact of generational trauma. They explore the importance of awareness and the role of cultural identity in shaping our experiences and ultimately who we believe we are and what our “identity” means to us. What to listen for: We all have gifts and abilities that can be realized Coincidences are often signs that require investigation Generational trauma impacts our identities and experiences Healing is a personal journey that affects generations Self-mastery requires the willingness to change our identity as we grow Awareness is crucial for personal growth and healing Our identity is fluid “We all have different generational things running through our veins. What are we going to do with them? How are we going to reconcile? How are we going to bring the healing?” Healing is our responsibility, no matter what our parents passed to us genetically Understanding what our family history is can sometimes shed light on our current struggles Epigenetics research is increasingly validating that generational trauma not only exists but has real repercussions on future generations “You must be willing to change identities as many times and as often as you feel led to” What we believe our “identity” is, isn't always accurate or remotely current The hesitance for change is normal, but being willing to adapt and evolve is critical for personal growth Changing identities isn't about becoming someone else; it's about uncovering more of who you are at your core About Amber Richbook Amber Richbook is a transformational speaker and identity-shift coach who helps people move from simply existing to fully living. Through keynotes, coaching, and her podcast Meaningful Conversations, she teaches individuals to break self-limiting beliefs and take practical steps toward authentic, purpose-driven lives. She is a TEDx speaker and has appeared on PBS and corporate leadership platforms. Her mission is to become the go-to voice for mindset and identity transformation for a new generation. https://www.arichbook.com/ https://www.linkedin.com/in/arichbook/ https://www.instagram.com/a.richbook/ Resources: Check out other episodes about identity: Processing Our Childhood Traumas With Jeremy Stegall Exploring The Role Of DEI In Healing And Growth With Corey Williams How To Embrace Your Identity And Inner Strength With Rich Vysion Love and Faith Beyond Identity and Labels With Carl King Exploring Human Design For Self-Mastery With Akary Busto Interested in starting your own podcast or need help with one you already have? https://themindsetandselfmasteryshow.com/podcasting-services/ Learn more about our host, Nick McGowan: https://nickmcgowan.com Thank you for listening! Please subscribe on iTunes and give us a 5-Star review! https://podcasts.apple.com/us/podcast/the-mindset-and-self-mastery-show/id1604262089 Listen to other episodes here: https://themindsetandselfmasteryshow.com/ Watch Clips and highlights: https://www.youtube.com/channel/UCk1tCM7KTe3hrq_-UAa6GHA Guest Inquiries right here: podcasts@themindsetandselfmasteryshow.com Your Friends at “The Mindset & Self-Mastery Show” Click Here To View The Episode Transcript Nick McGowan (00:00.495)Hello and welcome to the Mindset and Self Mastery Show. I’m your host, Nick McGowan. Today on the show we have Amber Richbook. Amber, how are doing today? Amber RichBook (00:22.403)Well, how are you Nick? Thank you for having me. Nick McGowan (00:25.679)Yeah, absolutely. We were just shooting the shit for like a solid half hour. And again, one of those situations like let’s just record. So I’m stoked for you to be here. I think this is gonna be cool. We’re gonna get into a lot to talk about identity, subconscious limiting beliefs and your story. And even talking about regional and generational trauma and some of the things I’ve talked about on different episodes. But I think identity is a big part of that. I always like to start episodes off with something that’s a little Amber RichBook (00:29.846)I know. Nick McGowan (00:54.319)odd or bizarre about you that most people don’t know. So what do you got for me? Amber RichBook (00:58.19)Okay, so one of my bizarre weird things that people don’t know about me is that I wrote about my life as a single mother of three daughters when I was in the first grade and my mom She kept like this big bag, like everywhere we moved to, this was like this big bag of childhood memorabilia from myself and my siblings of things we drew and wrote in kindergarten, pre-K, first grade, second grade, like the little macaroni art that’s like happy Mother’s Day. Here’s a flower with glue and there’s missing pieces on it. And so, you know, in first grade when they have the writing pads with the story and you draw the little ugly picture and you think like, Nick McGowan (01:32.655)Yeah, of course. Amber RichBook (01:44.014)And it’s like Miss A takes her three daughters and the names were like J, E, A, like they were all like names with those initials. And my daughter’s names now have the initials J, A, and E. To get ice cream and they love driving in their really big truck. and they love doing all these fun things together. They like dancing. like, there was no, was just this Miss A. and her three daughters. And I remember years ago when I, well, my mom was like, kind of like, all right, you guys are grown, take your shit. Like I saved all of it. Let me show you guys that I actually cared about you as children. Like do with it what you want. I’m like, okay, so let me go through my stuff. And I’m just sitting there and I’m reading it. And I was like, can I curse? I was like, okay. Nick McGowan (02:27.96)Yeah. Nick McGowan (02:40.958)yeah. Amber RichBook (02:42.86)I was like, Amber, what the fuck were you writing about in the fucking first grade? Like you’re writing about being a mom. Now, fun fact, I was the child, the friend, even in high school that used to call kids creatures. I was like, ill, be a mom. That’s so disgusting. Motherhood. So now there’s a running joke. Like every mother’s day, my friends from high school and college are like, dude, how did you become a mom? Nick McGowan (02:45.443)Yeah. Amber RichBook (03:09.836)Like that’s the joke. Like you’re a mom, bro. None of them are mothers, but I’m a mom. Dude, how did that happen? So I think that’s interesting because one of my favorite books is The Alchemist. I talk about it in my, started my Ted talk with it and it was like, we really go on this journey of life and all you’re doing is getting back to the core of who you are. Nick McGowan (03:10.179)You Nick McGowan (03:14.423)Ugh. Nick McGowan (03:36.569)Yeah. Amber RichBook (03:36.992)and your inner child, like those youthful experience where your imagination is purely untamed, not realizing that many of us have these gifts. We all have these gifts and abilities, but where were they most active? How were they most active? and I’ll just layer it with this before I give it back to you. There was a thread that I saw recently that said, healers, spiritual people, did you have a near death experience that confirmed your abilities, et cetera, et cetera? And when I was born, Nick McGowan (04:10.863)Mm-hmm. Amber RichBook (04:13.942)I only had eight minutes to live. Eight is my favorite number. Eight is when I was eight years old. That was like my favorite age. Schoolhouse rock was like a thing when I was growing up. So it was like the figure eight song. I loved eight. When I was in school, I was always drawing eight. I was always like just fascinated with eight. And my birthday is on a 26. So two plus six equals eight. And so. Nick McGowan (04:26.704)yeah. Amber RichBook (04:43.118)start reflecting on these things and you’re like oh here are how all the dots connect in my life in my reality in my experience so yeah i’m a little woo woo Nick McGowan (04:56.431)I don’t think it’s as much woo woo as it’s looking for patterns of things. I’m similar in the sense where I look, like we were talking about even signs before we hit record, looking for signs. I think there’s a level of awareness. And if you’re aware of something, you can at least say, well, that’s something. I don’t particularly agree that there are like coincidences in the world. I think there are things that line up, but then there are also things that just don’t make sense. Like I remember saying, Amber RichBook (05:07.148)Yeah. Amber RichBook (05:19.534)Yeah, yeah, yeah, yeah. Nick McGowan (05:25.679)People saying to me like years and years and years ago like you might read something in a book or like the Bible or whatever and it doesn’t make any sense at all and then years later it punches you right in the mouth like there are times literally within the Bible or God’s like this thing today means the most thing to you and you’re like, whoa What what does that mean and you’ve read it 400 billion times? Or you’ve seen a situation or whatever. I think there’s a power of being aware to be able to see those things but then Amber RichBook (05:36.183)Yep. Nick McGowan (05:53.229)like you had even said before we hit record, and we probably should have just hit record way early, was that it’s our responsibility to do something with that. And it’s what we get to do with it from there that actually shapes the way that future generations and all of those sort of things. It’s interesting to me, like right off the bat when you said, I wrote that out in first grade and now I’m living it, because I remember people in grade school thinking or writing out like a five year, 10 year plan. Amber RichBook (05:56.942)you Amber RichBook (06:01.569)Yep. Amber RichBook (06:09.336)Yeah. Nick McGowan (06:21.967)There were a couple of the smart kids in school that I can think back to, like fifth or sixth grade that did that. And there was one in particular, I forget what her name was, but she was like dead set. Like this is exactly how my life’s gonna be. And I’ve thought about that girl every once in a while of like, did life work out? Because my life was totally different than what anything I could have ever created. But what a cool thing for you to see, because it sounds like you didn’t say, well, my intention is to have three kids. Amber RichBook (06:39.5)Yeah. Yeah. Yeah. Nick McGowan (06:51.381)and nobody around and I wanna do this and we’re gonna go get ice cream and all this like this is the fucking life I’m gonna live and like you pushed for it but what a wild thing for it to create, yeah. Amber RichBook (06:53.089)Yeah. Yeah. Yeah, you just lived. Yes. And, and, and then I want to say like older years, like in my teen years, I remember being a freshman and we had the opportunity to sign up for vocational school. prior to us hitting record because Nick and I, were chopping it up. we were talking, I said, you know, even as I navigate my own gifts, I had to process, okay, am I speaking things into existence or am I speaking something that’s already into existence and it’s already the same. So even when you say coincidences aren’t real, coincidence gets a freaking rap because if we break down coincidence, it is coincide. It is all these things that are coming together, but it’s easier to write it off like, it’s just a coincidence. It’s nothing. But if it’s really a coincidence, you should want to do the investigation of. Nick McGowan (07:37.081)Yeah. Amber RichBook (07:52.246)where is this coexistence happening in my reality? Okay, so Amber, what are you getting to? When I was in the eighth or the ninth grade, they said we could sign up for a vocational school. So school, high school, halftime, then go to a technical school. So I’m like, all right, I wanna do cosmetology because I don’t wanna flip burgers while I’m in college. Like that was what I convinced my mother. I’m like, mom. Nick McGowan (08:05.377)Yeah. Amber RichBook (08:16.898)And it was $300 and I’m like, it comes with a whole kit. And I’m like, you want me to go to college, right? Like I’m not saying I’m not going to college. So I don’t want to flip burgers. Not that anything is wrong with that. Cause I did end up working at a fast food restaurant, right? Because you’re like, I don’t want to do that. And then you end up where you said you don’t want to be because the universe source wherever it doesn’t here don’t, it just hears focus and attention. And I went through that. that cosmetology program, graduated high school, graduated with my cosmetology license. I’m still licensed to this day. And I remember when I was in college, I had a car accident where I lost all my cognitive abilities and I had to medically withdraw. Now, once I started to heal up, I didn’t have the cognitive ability to return back to college. Nick McGowan (08:58.361)Hmm. Amber RichBook (09:09.024)Why? Because prior to my accident, had a brain contusion afterwards, but I could study with the lights on, the music on, the TV on, all these stimulators. But then after my accident, when I say I had to write things word for word, I had to have pure silence, I had to take breaks. I’m like, this is not going to work for me. So I had this cosmetology license to lean back on to create a living for myself and to work prior to returning back to school. Nick McGowan (09:29.006)Hmm. Amber RichBook (09:38.88)And so that’s where that interconnectedness of the universal law of cause and effect, right? So if you ensure, like get insurance on all these things, you’re also calling in accidents, breaks. You’re also calling in all the things that benefit from having this insurance. So that’s how interesting and coincidental life is, is when you’re preparing and creating these incidents Nick McGowan (09:53.709)you Nick McGowan (10:04.836)Mm. Amber RichBook (10:08.784)that get to coincide with each other. That was so crazy. Yes. Yes. Nick McGowan (10:13.871)I think the awareness is the glue of that though. Like if you’re aware of that stuff, you can then do something or not. Like there are certain things I think that happen. Like even with you saying, all right, mom, I’m gonna go to college, but I wanna go this route. You’re really just thinking from a perspective of the system of the world tells me that I need to make money. I need to do this on my own. So I guess I’ll go do this thing. Yes. Amber RichBook (10:35.692)and I need to have something to fall back on, right? So going with that intention of I need something to fall back on because something can go wrong. Yup. Nick McGowan (10:43.833)Just in case. Yeah. Which is such a fucked thing. So our parents went through the bullshit like that with their parents and maybe they went to college or they did something and they had something they could fall back on because their parents said, based on the current system that we’re in, in the 60s and 70s, this is what it’s gonna be like. And by the time the 80s and 90s came around, now we’re experiencing what that’s like where you motherfuckers were able to afford a house. Amber RichBook (10:49.262)You Amber RichBook (10:53.975)Yep. Nick McGowan (11:13.359)for $13,000 back in the day. We can’t afford that for a porch on a house, let alone, you know what I mean? But those though are stories and it’s up to us to be able to change. And I think that’s where part of the awakening is happening, where we then look back and go, well, motherfucker, some of this shit really fucked us up. And this was straight up abuse in that time or. Amber RichBook (11:13.826)Yeah. Yeah. Yeah. Okay, okay, wait. Amber RichBook (11:26.711)Yeah. Yes. Yes. Nick McGowan (11:40.751)You told me I needed to do this and therefore I went down a different path because I wasn’t able to just be my authentic self. Now it’s not like we live in some reality where we just like unicorns and rainbows constantly and we just create whatever we want. Like the Jetsons, you go, I’m hungry, here’s a button and like whatever. I actually don’t want that anyway. Like by the time AI does that shit, I hope to be long gone. But we are not in that space where we can just play constantly. Amber RichBook (11:47.971)Yeah. Amber RichBook (11:57.359)Yeah. Amber RichBook (12:00.876)Yeah. Nick McGowan (12:09.721)but how do we be ourselves with our identity to be able to play? Amber RichBook (12:13.486)Let’s see, Nick, but that’s the theme. I play all the time. Play is a part of it. I think also, so there’s so many different things I would jump through my head as you were talking. And I’m trying to get there. I’m going to get there. My matrilineal line, my grandmother was brought here by a white family in 1961 from Antigua to be there up here. And my mother was a first-generational. college graduate and then I was a second generational college graduate and each my grandmother worked to get her GED coming to America. She got her GED. She worked as a maid in upstate New York. And then once she had my mom and my aunt’s and uncle, she went to school to be a nurse because that’s what she needed to or she felt she needed to do. than my mom or CNA, right? Cause my mom went to college. then there’s me. And so it’s kind of like you mentioned the Bible earlier. I like to tell people like I am an Abrahamic prophecy fulfilled for my grandmother who came to America. for this opportunity from her little island. And in that rate, she worked for white people. And growing up cultured, I didn’t grow up knowing that I was Caribbean because no one wanted to be, everybody wanted to be American. So I was having Caribbean experiences in the household. And I think by the time I got, cause I grew up, where I was growing up, people were like, you’re mixed, you’re not. you’re not just black. And my dad’s family, they’re from the Virginia that’s there, we could trace back to there. And I’m like, yo. And so I was in college, I’m like, I’m not just black. I’m not just African American. I’m not just this. But also it was in high school. So why is all of this relevant? Because it leads to my life. In high school, as a ninth grader, the same year that I was like, okay, I don’t wanna be a whatever I wanna be. Amber RichBook (14:29.528)do here and this is the first time that I’m telling this story and I’m telling this story because of our pre-show conversation and you said I the real, I want the ball, I want all this stuff. So this is the first time I’m sharing this publicly. When I was in the ninth grade, I went to a predominantly white high school where less than 10 % of the high school population were students of color. And I had just moved, this was in the Poconos, and I had just moved from New Jersey because my mom was like, I want you to have a better opportunity, et cetera, et cetera. And at this time, these innate things, I have to share my cultural experience, right? Because people don’t, it’s going to make sense. Nick McGowan (15:11.865)Context. Amber RichBook (15:12.022)you proximity to whiteness will help me be better. That’s why my name is Amber. How many times in high school, right? I remember where there was a substitute teacher and there was another black girl in my class, but she did. She wasn’t there for the day and her name was Shaniqua. Like that was for real her name, but she wasn’t there. So when the substitute got to her name, she’s like, Shaniqua, like whatever. And so she’s looking at me and I’m like, I’m not Shaniqua. Nick McGowan (15:16.473)Hmm. Mmm. Nick McGowan (15:40.078)Man. Amber RichBook (15:41.888)My name was at the end of the thing. So she’s like, Amber Walters. And I’m like, that’s me. man, what? She was going to write me up, me to the principal’s office because she thought I was being funny. And like my classmates were like, no, she’s Amber. I had to get up and show my ID. So having that experience as a ninth grader, then being voted freshman class president, the first black president at a high school, like that was the thing. Nick McGowan (15:42.959)You don’t live here no more. Amber RichBook (16:11.958)at 14 and you got all this pressure. And so now you’re on the softball field and you’re in gym playing softball and you beat the popular girl. You beat the girl who’s been in this district since she was in kindergarten and all her friends and surrounding around. And for the first time in my life, I was called the N word and it was swing and N swing, swing and N swing. And that was my first time. So the culture shock of going from the urban Jersey experience to this predominantly white experience, not harming anyone, just like, yeah, we’re people, we’re ninth graders. Like, it’s cool. Like, I’m just, I’m Amber. Like, we’re gonna be class president. It’s gonna be cool, like class or whatever. And I had never had that experience. And I’m like, all I could feel was like, don’t call me that. Nick McGowan (16:44.867)Yeah. Amber RichBook (17:05.942)And I remember, swing and then swing. You think you won and you think you won. You cheated, you did. And I’m like, what the fuck? And all I went in is to warrior. And it was like my mother, my grandmother, my grandmother before them. My grandmother is a product of Portuguese colonization in Antigua, taking advantage of an indigenous woman on the island, right? So she had no home from either side. And I defended myself, but I was punished for that incident. And I was the first, and I tell my kids, joke about it now, right? I’m like, I was the first black president in my high school, the first one to be voted in, and the first one to be impeached. And that followed me through my whole high school career. And it was in my 20s that this particular woman reached out to me via LinkedIn. And she’s like, I just want to apologize for what happened in the ninth grade. And I’m like, girl, you fucked up my high school career. I graduated in the top 10 % of my class, but that still followed me. And that followed me. And we talked about the Alchemist early on before we came on the show. And I’m sharing this depth of, because you want the real world, I’m going tell you. It shared that depth because that depth. Nick McGowan (17:54.403)Hahaha. Nick McGowan (18:07.715)Ha ha ha. Amber RichBook (18:23.916)because it then took me on that journey when I did go back to college and I finished in accounting as a non-traditional student and I went to the big four as a public accountant. the only one who looked like me. And so it was now my 14 year old self back in this swing and end swing. Go get this thing and go get this coffee and go get this thing. And you’re like, what is happening? But that’s where the world is like, where you talked about where our parents, you got to go to college, you got to graduate, you got to get the good job, you got to do what you got to do, you got to keep your head down. For me and my reality, it’s you got to work twice as hard, you got to be twice as this, don’t show your emotion, don’t show You don’t have these things. So even as I built my career in corporate, right? I built myself to be the corporate mermaid where I tell people don’t ask me shit about corporate because I do what I want when I want how I want whenever I want but I had to heal that 14 year old girl who thought that she wasn’t enough and that thought and and and took the emotional responsibility so me as the adult going to her like we don’t Like what Michelle Obama say, when they go low, we go higher, whatever she said, right? Like, no, that has nothing to do with you. That has nothing to do with you. And so me moving in the frequency of love. giving people back their pain. You mentioned trauma early, giving them back their trauma. Because just like people of color have generational trauma innate in our DNA, so do Europeans, so do Caucasians, so do white Americans. We all have these different generational things running through our veins and it’s what are we going to do with them? How are we going to reconcile? How are we going to bring the healing? And it looks like that accountability, it looks like no. And so what ended up happening and then I’ll wrap it up because I know I just gave you so much at one time. They tried to, I don’t want to say they tried to set me up, but I live near UNC, like the museum, and they were like, we need you to go audit the museum. I’m a little baby associate. You want me to audit a museum’s millions of dollars painting and do an inventory count? I said, okay. I said, okay. And I used to have my, my Bob, my professional white girl looking black hair. so I could be palatable. And I remember the museum couldn’t find a painting, Nick. It was $7 million. And they were like, you can leave. And when we find it, we’ll let you know. I was like, I am not leaving here until y’all find this painting. I am not leaving here. But seeing the pressure that was on me in that now moment. Nick McGowan (21:12.921)No, my God. Amber RichBook (21:19.982)think is the same pressure that I felt in being voted class president as a ninth grade girl. And I sat there and I sat there and they found it because I was like, God, they got to find this. And it was in between some other paintings. But just seeing how my inner child, the intensity that I had and so to bring it home, how Spirit, source, universe, your life path is gonna keep putting you in positions until you get comfortable. And so I remember my mom, she was in seminary school when I was a kid. And I remember going with her and this was in Madison, New Jersey at Drew University. And we pulled up to Burger King. Again, these are things I’ve never told anyone, right? You want the depth, the raw. And she’s like, Amber, you didn’t want to get out the car. And I’m like, what? She’s like, I don’t want to get out the car because all those white people are going to look at me. Now, my family, my mom had white friends. Like, we had a very diverse. friend experience. was not isolated from things. My grandfather, was friends with Italians. I was in school, so it was very diverse, but there was a different energy. It was a different sense. It was a different experience. So now as an adult woman, it was like, right. When we were talking about self mastery and mindset, in my TED talk, I talked about the Oro Burrows, the loop of life, the beginning and the end being one, the death and and the birth and the rebirth and the death and the birth, that cycle. And it wasn’t until I finally, in my adult years, got into the same space as my white peers, my white colleagues, and I stopped shrinking myself to inferiority. And that looked like my grand living and becoming my grandmother’s deferred dream that she wasn’t able to witness in her living life. Amber RichBook (23:22.99)Everything in life connects in that capacity. I had to learn to be confident as an eight year old. I had to learn to be confident as a 14 year old, as a 20 something year old. Now in my thirties to be like, I stand in my power. Now we know that we create our reality. And I was creating my reality at all of those ages. All of those experiences were my own personal lessons to learn. I’m sorry, y’all. Thank you for your patience. I was just running my mouth. Nick McGowan (23:26.669)Yeah. Nick McGowan (23:40.665)Yeah. Nick McGowan (23:51.801)Yeah, thank you for the Ted talk. mean, well, truthfully that’s some of the best magic that happens within podcasting. Even if we just had a few minute conversation, we probably wouldn’t get to this. And I think it’s on me as the host to be able to facilitate this and allow you to have those conversations. Amber RichBook (23:52.944)I know I was like Nick McGowan (24:16.695)and allow in the sense of like, let’s move in a direction that makes it open for you to be able to do that. There’s a lot that you put out there, obviously, and those that are gonna listen to this, they’re like, yeah, there’s a whole lot. But there’s a lot of great things and it’s all also woven together and there’s patterns to that. There’s system problem to start off with. Those white kids in the fucking Poconos, I know, yeah, it’s much different than East Orange. Amber RichBook (24:40.782)because you know the polka-dos, you’re from up there. Nick McGowan (24:46.243)and vastly different. I grew up in the burbs, but in a more diverse section of the burbs, not the higher end burbs. Like if anybody’s from Springfield, Pennsylvania, you know, you’re different than Prospect Park and Glen Olden. And there’s versions to that, but then also living in the city at times. And my mom grew up in the city in Philly as a tiny little goofy looking redhead kid. She got picked on because she looked like Pippi Longstocking basically. And she had problems with Italians and other Irish people as well as African-American people and Latin people and like all these different groups. But all of that comes from a fucking system problem and generational trauma because everybody’s pitted against themselves. And ultimately what I’m learning is that it gets further back to the white people. Amber RichBook (25:34.796)Yep. Yep. Yep. Nick McGowan (25:41.753)that said, think we’re better than you. So we’re just gonna do this the way that we think. And even with like a male and female sort of thing, like men think they’re better than women and I don’t understand it. Like I thank God daily for my partner because she’s so much smarter than I am and so much more grounded and there are things that we learn. And that’s the way that even when you think of men and women being together, let’s just use that as an example where Men should be the leaders. That’s not correct. Women actually lead us. She leads me a lot and will lead me into a direction that then I can do my part and go from there. I think there’s awareness to this and understanding what some of those systems are. Like why are there poor sections of a city or a town? probably because they’re all pushed that direction and everything’s fucking concrete. They can’t even grow their own vegetables. They can’t even… try to get out of the system that they’re stuck within. And even what you’re saying with your mom saying, well, we’re gonna go closer to a white direction because proximity, that makes me think of from the Irish people that were brought over here that were like, well, you’re a slave, but you’re white. And why don’t we just make you a cop? Because, know, fuck it, you’ve got a little bit of authority, but you’re not gonna have all the authority. I’m not saying that I understand what you went through at all because really I don’t. But I can see how some of that is even within my cells that needs to be processed out. I think of the shit that I went through as a kid being a token white kid. kids would make fun of me because I was a chunky little kid and I think I’ve sized appropriately as I got older. But there are things that I remember going, well, this doesn’t feel right. But I do often think back to there was literally just a handful of different people, a handful of Asian kids that were in the school or some black kids, but it was primarily a bunch of douchebag white kids that thought they had privilege over anybody that was slightly different than them. And again, I think that’s a system problem and it’s a generational trauma thing. So we, as the people, get to do something with it. I think it’s cool that that person came back to you and said, Amber RichBook (27:54.594)Yeah. Yes. Yes. Yes. Nick McGowan (28:00.599)I’m sorry, I’ve thought about this. Clearly they’ve thought about it for a long time. Does not make it right for what they said. However, I do think there is a little bit of, I don’t want to say grace, but understanding context of how we grew up. Because look, I’ve said some fucked up shit growing up that I didn’t understand was as fucked up. But then when I understood what it was, and that it was, I don’t know, entrenched in racism or whatever. Amber RichBook (28:14.915)yeah. Yeah. Nick McGowan (28:29.537)I could tie back to where that came from. There was an example. My mom was about to buy a house. She grew up pretty poor and had me at 22. And I don’t know, maybe like 10, 12 years old, something like that. She bought her first house. And I remember her driving, we’re driving down the street and she pointed at somebody doing lawn work. And she was like, we’re going to get one of them. I was like, a lot? I would hope we’re gonna buy a house. And she was like, no, somebody that can basically be our slave and do our lawn work. And I remember, I don’t know, being 12 or whatever and be like, that sounds kind of fucked up. But all the rest of these assholes that I’m around kind of say similar things. And nobody’s really breaking out of that. Their responsibility was to change that so that we, as our kids, you know, like us, were able to do things differently. But it’s not on anybody else, it’s on us to do something with it. I think really the failure would be if you and I are having this conversation and then we get off here and we’re both fucking assholes and douchebags of people and we don’t do anything from it. Because I know that I still have problems at times like I’m really impatient, especially driving. And if somebody is driving in the fast lane, going 10 miles an hour under the speed limit, I question how they even fucking put shoes on, let alone do anything else in the world. But I understand that there’s pieces of that that Once we’re aware of something, we can do something with it. So we started this by talking about identity. Your identity was shifted at that point. Yeah, that girl kind of fucked up your high school. Also, the story that you told by yourself in your own head based on unprocessed trauma that was literally in your genetic code was pitted against you. Like any work that was done prior to you hadn’t been fully accomplished and completed. Amber RichBook (29:58.018)Yeah. Nick McGowan (30:23.981)and then something came up and you needed to do something with it. It took you time. The fact that you’re doing something with it, your girls are gonna be better off. At the same time, it’s on them to do whatever happens to them. Like I had a conversation with a friend maybe about a year or so ago where they’re like, I’m gonna do everything different from what my parents did. And his parents were, they fucked him up. Amber RichBook (30:27.714)Yeah. Yeah. Yeah. Nick McGowan (30:46.859)And he’s doing everything he can. And at one point he had a realization. He was like, and still, bet these kids are going to be in therapy at some point saying something about me because everybody’s going to interpret it the way that they want and how they do it from there. So the systems of this is fucked up, but it is what we work within. The generational trauma is fucked as well, but here we are. Amber RichBook (30:54.54)Yeah. Yes. Yes. Amber RichBook (31:03.328)Yeah, and so, yeah, yeah. And so even in your response, I appreciate it. And it is multifaceted because we have our own experiences. While your mom had her experiences, you had your own. And while my mom and my grandmother had their experiences, I had my own. So I think that… I can’t necessarily just leave it to my generational DNA pass down trauma without acknowledging the impact of my own personal life experience and those that the things that could be traumatic had I not chose to heal and navigate through them. Right. And so there are some people who don’t have the higher mind or the discipline or the wherewithal. Nick McGowan (31:36.461)Of Amber RichBook (31:58.134)to heal themselves so they may not have been able to receive an apology from someone who has caused them harm, right? So when we think about… the Holocaust experience, people are still apologizing for that experience. Because just because we apologize doesn’t mean it takes away the pain of that experience. And that’s the empathy that… We have to extend to all persons who have been impacted. It does not take away. We can apologize and extend grace and those groups of people who did what they did to that particular community, they may have learned their lesson, but it does not take away the pain. It does not absolve it. I may, and that’s no different than parents, right? There’s a book called Adult Children of Emotionally Immature Parents. As a parent, you do have the responsibility to Nick McGowan (32:35.14)Yeah. Nick McGowan (32:57.902)Yeah. Amber RichBook (33:01.8)listen to your child and be accountable, but your apology is not gonna fix their fucked upness. It’s not gonna fix the pain. They themselves have to do the work to absolve that. And sometimes even when they do, the relationship may not go back to being the same because of how impactful the trauma is. And that’s just psychological in itself. Nick McGowan (33:21.945)Yeah. Amber RichBook (33:27.328)And so it’s just so multifaceted and I, and I can’t speak for a collective of people, but I can speak for myself and like anyone listening. One of the things that I teach my collective specifically persons of indigenous or persons of color, but anybody, right? If you heal yourself, you have the ability to heal generations before you and generations after you, which is able to have a healthy, loving, thriving relationship with my mom. Nick McGowan (33:29.807)For real. Nick McGowan (33:50.319)Mm-hmm. Amber RichBook (33:57.42)and healthy, loving, thriving relationship with my children while still having, and I think the other thing is too, sometimes people think that these healed relationships mean perfection and no mistakes and no disagreements and we are all holding hands and singing the Munchkin song. No, it’s how we navigate through conflict. It’s how we resolve the conflict. Nick McGowan (34:09.251)Yeah. Amber RichBook (34:21.312)Is my mom accountable for herself? Am I accountable for myself? Are my children accountable for themselves? So, this is good. You’re good. Nick McGowan (34:33.167)I mean, I think the big thing here is to really understand that no matter what we go through and how we look at things, there may be an interpretation, there may be things that are kind of blocking us or propelling us in one direction, but it is ultimately up to us to do. And something that has come up as you were talking about, like, I can’t speak for an entire type of people or race of people, et cetera. I think there are things where some people can say, yeah, well, the Holocaust was different than this, or we should look at what happened with this and we should feel a certain way. Any of these things don’t take away from somebody else. The Holocaust is really not as different as what the fucking people did when they got to this country and they’re like, look at this land, who the fuck are you? you grow things here, cool. Amber RichBook (35:17.666)Nick, I wasn’t ready. But they do, right? But they do. And that’s the systemic issue that you started with earlier in the conversation. And it’s no right or wrong. It’s just we have to, for those of us that see, see. Nick McGowan (35:20.857)But I mean, it doesn’t take away from that. Amber RichBook (35:39.934)understand. And then you mentioned something earlier too that I wanted to reflect on where you were like, this stuff is fucked up. But those that know the yin and yang, the dark and the light, the ugliness, the fucked upness is here for a reason. Because there’s, there’s the balance. And that’s the fairness. Nick McGowan (35:56.879)Yep. And there’s a balance to it as well. Amber RichBook (36:05.386)of life that is a universal principle and a universal law. And then when we understand like on this mindset mastery journey of life, we have these fucked up experience based on what our soul needs to learn and understand for its own development. Who do, who did I come here to be? Well, Obviously, I tell people, I’m like, I’m pretty sure in a past life, I was a man and I was an asshole. And then I got sent here to be a woman and specifically a black woman to have certain life experiences to humble me and give me my soul more evolutionary experiences. That’s my own self theory, y’all. That’s just my own self theory. But. Nick McGowan (36:45.785)Damn. Nick McGowan (36:50.127)I love that. I understand, you know, I get that. think there’s like there’s shit that I’ve learned over the past few years that has propelled me in a different direction where even with that sort of stuff, I’m like, I wonder what will happen next. And how faith and religion and stuff like that ties in. Now full transparency, I’m a big fan of the OG Jesus, not the Republican Jesus, because that’s strange. Amber RichBook (37:18.23)tables at the synagogue because he’s like what y’all doing selling stuff in my father’s house I’m throwing all this shit over okay the one who Russia released that the oldest Bible was found in Ethiopia and the oldest form of Christianity was found in northern eastern Africa that Jesus the one with the woolen hair why are you starting problems why are you starting why are you starting problems on your podcast Nick McGowan (37:19.395)Yeah! Ugh… Man… Yeah! shit, even with that. Nick McGowan (37:35.695)Well, that’s where we all started from so even if you think of like race That’s what I’m fucking here for This is what I’m here for disrupt things I actually I talk about that a little bit at different times with that specific story about Jesus. So I read a book Maybe mid-2000s called the beautiful outlaw and a little bit context. I’d played in church bands for the better part of a decade so I was in churches, like in Green Room style in, know, and somebody told me about that book. I read it. It was basically like, well, Jesus will show up to people in the way that they expect to see him. And let’s look at his stories that actually break down context. Like even when they say don’t eat pork, it’s because it was dirty and they couldn’t actually get the viruses out of the pork so people would die. We eat pork now and it’s different. but people will look at things and like, Bible said this. It’s like lot of it was metaphors and parables and just trying to get you to understand the fucking story in your stupid little brain. Amber RichBook (38:38.222)And the Bible was rewritten, one that the Americas, okay, so since you brought this up, there is called the Council of Nicaea. And there once was a king who was upset and scared of witches because witches ruled the world. He also was abhorred by his sexuality and wrote a lot of things against himself as if it would help him. So. Nick McGowan (38:48.306)15th century. Nick McGowan (38:53.039)Ugh. Amber RichBook (39:05.934)What you say? Homophobic and then that. Yes. And then there are missing books because people don’t know that you have the Vatican that has all the books that were written. So. Nick McGowan (39:06.093)And then that became literally gospel. What the fuck? Nick McGowan (39:18.073)yeah. Well, they changed things in the 15th century because they were like, this is what we want this to be. This is when King James came out. Context people, context is important. And we’re not just spewing this shit to just spew the shit. If there are systems in place, yeah, but there are systems, there are things that happen. There are biases of people that say, I am afraid to be me. So I’m going to do these things. We’re fucking seeing it now. Amber RichBook (39:22.998)Yes. Yeah, you can go to a library. Yeah. Nick McGowan (39:44.525)We’re seeing it with everything that’s happening right now. all right, so, I mean, what the fuck? We’re seeing a lot of it now, but so that story specifically, context is important. Jesus actually spent time braiding a whip and then turned it on. The man probably sat there for a while, like an hour, maybe even longer. He might’ve even braided some of the whip at home, because he knew what was going on. He didn’t just walk in and go, what in the fuck? Amber RichBook (39:50.382)Nick you are funny Amber RichBook (39:57.848)Yeah. Nick McGowan (40:13.615)boom, and blow everything up. That’s not how it worked. That’s not what context is about. And the reason why he did that was because these people were doing something against everybody and the actual premise of being community driven. That was selfish. wasn’t just that they were doing something in God’s house and God said, no. A lot of people will just eat the shit that they’re fed and just keep consuming. Reason why it keeps going back to that is again, it’s systems. Amber RichBook (40:25.046)Yes. Yes. Yes. Yes. Yes. Yes. Yes. Nick McGowan (40:41.455)And I think there are biases that people look at, which then infect or affect whichever way you wanna look at it, our identity. I appreciate that we’ve gone on this tangent in certain ways with this sort of stuff. And I think it’s important for us all to understand that the identity that we have right now is evolving and it may not actually be the identity that we want it to be. And that trauma might be a part of that, the subconscious winning strategy, which we didn’t really touch about. Amber RichBook (40:53.698)We did. Amber RichBook (41:02.092)Yes. Amber RichBook (41:05.537)Yes. Nick McGowan (41:10.903)is a part of that, these strategies that develop us. But what’s your advice for somebody who’s listening that’s on their path towards self-mastery? Amber RichBook (41:19.818)that there is no end to the path of self-mastery. You must be willing to change as many times, change identities as many times as often of times as you feel led to in your residence. And sometimes in this identity self mastery journey, some people do choose to stop and land at a destination. And that’s where they want to cap their beingness on this identity. And there’s no right or wrong to any of it. Amber RichBook (41:59.918)That’s the biggest thing that I would say. There’s no right or wrong to this path of self mastery at all. you get to decide this is your world, this is your reality. If you want to be a single woman today or a single man today and then say tomorrow you want to be partnered and that’s your reality and that’s the identity you want to shift into, do that. And I think the biggest thing is us being willing to look at our lives objectively, understanding that each individual is just filled with opinions and that. is what forms the facts of their life and to respect the opinions and facts of one life as a way of you respecting and honoring the facts and opinions of your life, which is much like the namaste, right? The God in me sees the God in you. Nick McGowan (42:48.567)Yeah, beautiful way to put that. And I think this has been great. I really appreciate you being on. We could probably sit here and just shoot the shit for like hours and just keep recording. But before I let you go, where can people find you and where can they connect with you? Amber RichBook (43:03.638)People can find me on social media everywhere at a.richbook on LinkedIn, Amber Rich Book, arichbook.com. Put my name in Google, I’ll pop up. But thank you, Nick, for having me and allowing me to share these things with your community. Thank you all for having me. Nick McGowan (43:23.779)Absolutely, it’s been a pleasure. appreciate your time. Amber RichBook (43:26.392)Thank you. https://youtu.be/zO7xasV4WUg

Bomani Jones breaks down everything happening in March Madness. He starts with Bill Self in another classic Bill Self game, Rick Pitino back in the Sweet 16, and how Pitino suddenly has a chance to be the hero we need when St. John's takes on Duke.Later, he digs into the rumors that UNC might fire Hubert Davis after blowing a 19-point lead to VCU. Bomani explains how it fell apart, what that VCU loss reveals about Carolina's current reality, and why the way it's being handled says as much about the institution as it does about the coach.After the break, Bomani breaks down Tom Brady and NFL stars losing to Team USA in flag football, Pittsburgh not being able to handle the NFL Draft, Jay-Z's concert announcement, and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who knew that Italian immigrants worked the grape crops in California? The final episode of season 6 begins a new series focusing on how we, the macro-society and pretty much all forms of media, conflate race and culture non-stop. For this series, we look specifically at educators who are Caucasian (or white racially) but are not white culturally. Hence, don't call me white, call me _____. Listen in to the journey of Carrie Sotro, proud Italian and CLR educator extraordinaire. Carrie's Italian history in America, which goes back many generations, is classic. Learn how Carrie has walked the fine line between the racial expectation of being white juxtaposed to the reality of her ethnic identity. Dr. Hollie's two cents provides the background, history, and context for this series. You will be provoked. Learn more about CLR and Dr. Hollie at www.culturallyresponsive.org and Twitter @validateaffirm

Ana's been chatting with her group chat members… Books, tv, music, and more. Find out what everyone is talking about this week. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ana's been chatting with her group chat members… Books, tv, music, and more. Find out what everyone is talking about this week. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The conversation highlights that “angry Caucasian women” are leading protests against ICE raids, and asserts that following police instructions reduces the likelihood of trouble.See omnystudio.com/listener for privacy information.

The Obama administration implemented a large-scale deportation strategy, similar to current ICE deportations under the Trump administration. CBS News is facing criticism from left-leaning citizens for its attempt to appear more centrist, particularly regarding sensitive ICE raid coverage. Mark interviews economist Steve Moore. Steve discusses the ongoing labor shortage and expresses concerns about President Trump's proposal to cap credit card interest rates at 10%, suggesting it could reduce available credit options for consumers. Nearly $800,000 has been raised for the Ford employee who heckled Trump during a plant visit. Questions arise about whether the Trump administration has issued illegal orders to the US military, with Senator Mark Kelly regularly challenging Pete Hegseth on the matter. Mayor Mamdani passionately discusses First Amendment rights, which Border Czar Tom Homan may not fully support. Mark interviews Jimmy Failla, WOR Weeknight host. The conversation highlights that “angry Caucasian women” are leading protests against ICE raids, and asserts that following police instructions reduces the likelihood of trouble.

Nearly $800,000 has been raised for the Ford employee who heckled Trump during a plant visit. Questions arise about whether the Trump administration has issued illegal orders to the US military, with Senator Mark Kelly regularly challenging Pete Hegseth on the matter. Mayor Mamdani passionately discusses First Amendment rights, which Border Czar Tom Homan may not fully support. Mark takes your calls! Mark interviews Jimmy Failla, WOR Weeknight host. The conversation highlights that “angry Caucasian women” are leading protests against ICE raids, and asserts that following police instructions reduces the likelihood of trouble.See omnystudio.com/listener for privacy information.