Podcasts about Arabic

What does the post-AI era hold? And what do these kinds of conversations look like in the context of the Arab world? In this captivating conversation, Basma Hamdy sheds light on everything AI and the Arab world, from ethics to art. What are ownership, originality and intellectual ownership? How will AI impact the visual arts? How are ethics going to be re-defined? Why is Arabic-language processing lagging behind? And what does algorithmic bias have to do with it? Basma delineates between the pre and post-AI worlds, pressing for an adaptation of our principles and ethical frameworks that takes the changing landscape into account. We reflect on the influence of Western modernity on the region's ethics and how collaboration and cooperation may be re-centered in this new AI age. As well as on what skills are going to be lost and gained for the AI-native generation.Basma Hamdy is an assistant professor of Graphic Design at VCUarts Qatar. She is a research-based designer, author and educator producing work that bridges historical, political and social issues with archival, documentarian, participatory and critical mechanisms. She collaborated with Don Karl to research and document the creative output of the Egyptian Revolution in the book “Walls of Freedom: Street Art of the Egyptian Revolution”. She is currently working on her second book, Found Khatt, in collaboration with Noha Zyed, which documents found typography across Egypt. The Qatar Foundation is a not-for-profit organization which brings together centers and programs focused on education, research and innovation, and community development. Watch our previous conversation with Basma as part of a panel for Tasmeem 2022: Radical Futures https://www.youtube.com/watch?v=p1sX1pVqpKU ****** ABOUT THE SERIES ****** afikra Conversations is our flagship program featuring long-form interviews with experts from academia, art, ‎and media who are helping document and/or shape the histories and cultures of the Arab world through their ‎work. Our hope is that by having the guest share their expertise and story, the community still walks away with new ‎found curiosity - and maybe some good recommendations about new nerdy rabbit holes to dive into head first. ‎Following the interview there is a moderated town-hall style Q&A with questions coming from the live virtual audience ‎on Zoom.‎ Join the live audience: https://www.afikra.com/rsvp Watch all afikra Conversations: https://www.youtube.com/playlist?list... ****** ABOUT AFIKRA ******‎ afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region- past, present, and future - through conversations driven by curiosity. 

nour - "wana," a 2023 single on Ra Records On her debut EP Daydreaming, Egyptian artist Nour shares a sparkling synth-pop, with lyrics in both Arabic and English.  After discovering fellow Egypt-based producer Kubbara on Instagram, Nour sent him some lyrics and a beat, igniting the creative fires behnd today's Song of the Day.  The song is about empathy. "It's someone agreeing with the same thing you're going through," she explains in an interview with SceneNoise. "So, if someone says 'wana,' it's like saying: I'm going through the same thing, too, so we're both in the same boat." With that said, she adds that the song can be interpreted in more than one way. "That's what makes it special, in my opinion." Read the full story at KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Jon Frederickson, MSW, is on the faculty of the Intensive Short-Term Dynamic Psychotherapy (ISTDP) Training Program at the Washington School of Psychiatry. He has been on the faculty of the Laboratorium Psykoeducaji in Warsaw and has taught at the Ersta Skondal Hogskole in Stockholm. Jon has provided ISTDP training in Sweden, Norway, Denmark, Poland, Italy, India, Iran, Australia, Canada, the United States, and the Netherlands. He is the author of over fifty published papers and four books, Co-Creating Change: Effective Dynamic Therapy Techniques; Psychodynamic Psychotherapy: Learning to Listen from Multiple Perspectives; The Lies We Tell Ourselves: How to Face the Truth, Accept Yourself, and Create a Better Life; and Co-Creating Safety: Healing the Fragile Patient. His book Co-Creating Change won first prize in psychiatry in 2014 at the British Medical Association Book Awards. It has been published in Farsi, Polish, and Slovak and is forthcoming in Spanish and Hebrew. The Lies We Tell Ourselves has been published in Polish, Farsi, Danish, Slovak, and Norwegian and is forthcoming in Arabic, German, Chinese, and Bulgarian. Jon has DVDs of actual sessions with patients who previously failed in therapy at his websites www.istdpinstitute.com and www.deliberatepracticeinpsychotherapy.com. At these sites you will also find other skill-building exercises designed for therapists. Additionally, Jon answers therapists' questions on their work at www.facebook.com/DynamicPsychotherapy. Sign up for 10% off of Shrink Rap Radio CE credits at the Zur Institute

Sign up now to AMAU Academy: https://www.amauacademy.com/ AMAU Academy: https://www.amauacademy.com/ AMAU Junior: https://amaujunior.com/ Instagram: https://www.instagram.com/amauofficial/ Patreon: https://www.patreon.com/AMAU Telegram: https://t.me/amauofficial YouTube: https://www.youtube.com/c/AMAUofficial Twitter: https://twitter.com/AMAUofficial iTunes: https://podcasts.apple.com/us/podcast/al-madrasatu-al-umariyyah/id1524526782 Spotify: https://open.spotify.com/show/08NJC1pIA0maaF6aKqZL4N Get in Touch: https://amau.org/getintouch BarakAllahu feekum. #AMAU #Islam #Dawah

Marvels like enchanted rings and sorcerers' stones were topics of fascination in the Middle Ages, not only in romance and travel literature but also in the period's philosophical writing. Rather than constructions of belief accepted only by simple-minded people, Michelle Karnes shows that these spectacular wonders were near impossibilities that demanded scrutiny and investigation. Medieval Marvels and Fictions in the Latin West and Islamic World (U Chicago Press, 2022) is the first book to analyze a diverse set of writings on such wonders, comparing texts from the Latin West—including those written in English, French, Italian, and Castilian Spanish —with those written in Arabic as it works toward a unifying theory of marvels across different disciplines and cultures. Karnes tells a story about the parallels between Arabic and Latin thought, reminding us that experiences of the strange and the unfamiliar travel across a range of genres, spanning geographical and conceptual space and offering an ideal vantage point from which to understand intercultural exchange. Karnes traverses this diverse archive, showing how imagination imbues marvels with their character and power, making them at once enigmatic, creative, and resonant. Skirting the distinction between the real and unreal, these marvels challenge readers to discover the highest capabilities of both nature and the human intellect. Karnes offers a rare comparative perspective and a new methodology to study a topic long recognized as central to medieval culture. Michelle Karnes is professor of English and the history of philosophy and science at the University of Notre Dame. She is the author of Imagination, Meditation, and Cognition in the Middle Ages and the coeditor of Studies in the Age of Chaucer. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Marvels like enchanted rings and sorcerers' stones were topics of fascination in the Middle Ages, not only in romance and travel literature but also in the period's philosophical writing. Rather than constructions of belief accepted only by simple-minded people, Michelle Karnes shows that these spectacular wonders were near impossibilities that demanded scrutiny and investigation. Medieval Marvels and Fictions in the Latin West and Islamic World (U Chicago Press, 2022) is the first book to analyze a diverse set of writings on such wonders, comparing texts from the Latin West—including those written in English, French, Italian, and Castilian Spanish —with those written in Arabic as it works toward a unifying theory of marvels across different disciplines and cultures. Karnes tells a story about the parallels between Arabic and Latin thought, reminding us that experiences of the strange and the unfamiliar travel across a range of genres, spanning geographical and conceptual space and offering an ideal vantage point from which to understand intercultural exchange. Karnes traverses this diverse archive, showing how imagination imbues marvels with their character and power, making them at once enigmatic, creative, and resonant. Skirting the distinction between the real and unreal, these marvels challenge readers to discover the highest capabilities of both nature and the human intellect. Karnes offers a rare comparative perspective and a new methodology to study a topic long recognized as central to medieval culture. Michelle Karnes is professor of English and the history of philosophy and science at the University of Notre Dame. She is the author of Imagination, Meditation, and Cognition in the Middle Ages and the coeditor of Studies in the Age of Chaucer. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Marvels like enchanted rings and sorcerers' stones were topics of fascination in the Middle Ages, not only in romance and travel literature but also in the period's philosophical writing. Rather than constructions of belief accepted only by simple-minded people, Michelle Karnes shows that these spectacular wonders were near impossibilities that demanded scrutiny and investigation. Medieval Marvels and Fictions in the Latin West and Islamic World (U Chicago Press, 2022) is the first book to analyze a diverse set of writings on such wonders, comparing texts from the Latin West—including those written in English, French, Italian, and Castilian Spanish —with those written in Arabic as it works toward a unifying theory of marvels across different disciplines and cultures. Karnes tells a story about the parallels between Arabic and Latin thought, reminding us that experiences of the strange and the unfamiliar travel across a range of genres, spanning geographical and conceptual space and offering an ideal vantage point from which to understand intercultural exchange. Karnes traverses this diverse archive, showing how imagination imbues marvels with their character and power, making them at once enigmatic, creative, and resonant. Skirting the distinction between the real and unreal, these marvels challenge readers to discover the highest capabilities of both nature and the human intellect. Karnes offers a rare comparative perspective and a new methodology to study a topic long recognized as central to medieval culture. Michelle Karnes is professor of English and the history of philosophy and science at the University of Notre Dame. She is the author of Imagination, Meditation, and Cognition in the Middle Ages and the coeditor of Studies in the Age of Chaucer. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Marvels like enchanted rings and sorcerers' stones were topics of fascination in the Middle Ages, not only in romance and travel literature but also in the period's philosophical writing. Rather than constructions of belief accepted only by simple-minded people, Michelle Karnes shows that these spectacular wonders were near impossibilities that demanded scrutiny and investigation. Medieval Marvels and Fictions in the Latin West and Islamic World (U Chicago Press, 2022) is the first book to analyze a diverse set of writings on such wonders, comparing texts from the Latin West—including those written in English, French, Italian, and Castilian Spanish —with those written in Arabic as it works toward a unifying theory of marvels across different disciplines and cultures. Karnes tells a story about the parallels between Arabic and Latin thought, reminding us that experiences of the strange and the unfamiliar travel across a range of genres, spanning geographical and conceptual space and offering an ideal vantage point from which to understand intercultural exchange. Karnes traverses this diverse archive, showing how imagination imbues marvels with their character and power, making them at once enigmatic, creative, and resonant. Skirting the distinction between the real and unreal, these marvels challenge readers to discover the highest capabilities of both nature and the human intellect. Karnes offers a rare comparative perspective and a new methodology to study a topic long recognized as central to medieval culture. Michelle Karnes is professor of English and the history of philosophy and science at the University of Notre Dame. She is the author of Imagination, Meditation, and Cognition in the Middle Ages and the coeditor of Studies in the Age of Chaucer. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

Marvels like enchanted rings and sorcerers' stones were topics of fascination in the Middle Ages, not only in romance and travel literature but also in the period's philosophical writing. Rather than constructions of belief accepted only by simple-minded people, Michelle Karnes shows that these spectacular wonders were near impossibilities that demanded scrutiny and investigation. Medieval Marvels and Fictions in the Latin West and Islamic World (U Chicago Press, 2022) is the first book to analyze a diverse set of writings on such wonders, comparing texts from the Latin West—including those written in English, French, Italian, and Castilian Spanish —with those written in Arabic as it works toward a unifying theory of marvels across different disciplines and cultures. Karnes tells a story about the parallels between Arabic and Latin thought, reminding us that experiences of the strange and the unfamiliar travel across a range of genres, spanning geographical and conceptual space and offering an ideal vantage point from which to understand intercultural exchange. Karnes traverses this diverse archive, showing how imagination imbues marvels with their character and power, making them at once enigmatic, creative, and resonant. Skirting the distinction between the real and unreal, these marvels challenge readers to discover the highest capabilities of both nature and the human intellect. Karnes offers a rare comparative perspective and a new methodology to study a topic long recognized as central to medieval culture. Michelle Karnes is professor of English and the history of philosophy and science at the University of Notre Dame. She is the author of Imagination, Meditation, and Cognition in the Middle Ages and the coeditor of Studies in the Age of Chaucer. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

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Marvels like enchanted rings and sorcerers' stones were topics of fascination in the Middle Ages, not only in romance and travel literature but also in the period's philosophical writing. Rather than constructions of belief accepted only by simple-minded people, Michelle Karnes shows that these spectacular wonders were near impossibilities that demanded scrutiny and investigation. Medieval Marvels and Fictions in the Latin West and Islamic World (U Chicago Press, 2022) is the first book to analyze a diverse set of writings on such wonders, comparing texts from the Latin West—including those written in English, French, Italian, and Castilian Spanish —with those written in Arabic as it works toward a unifying theory of marvels across different disciplines and cultures. Karnes tells a story about the parallels between Arabic and Latin thought, reminding us that experiences of the strange and the unfamiliar travel across a range of genres, spanning geographical and conceptual space and offering an ideal vantage point from which to understand intercultural exchange. Karnes traverses this diverse archive, showing how imagination imbues marvels with their character and power, making them at once enigmatic, creative, and resonant. Skirting the distinction between the real and unreal, these marvels challenge readers to discover the highest capabilities of both nature and the human intellect. Karnes offers a rare comparative perspective and a new methodology to study a topic long recognized as central to medieval culture. Michelle Karnes is professor of English and the history of philosophy and science at the University of Notre Dame. She is the author of Imagination, Meditation, and Cognition in the Middle Ages and the coeditor of Studies in the Age of Chaucer. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

NHK WORLD RADIO JAPAN - Arabic News at 15:00 (JST), September 29

On Thursday June 11th, 2020 the Hermetic Hour with host Poke Runyon will present a discussion on the Pagan Hermetic origins of the Sepher Yetzirah. This ancient book is the Philosophical and mystical foundation of the Medieval Hebrew Kabbalah. And eventually the Hermetic Qabalah which seems to recover its actual origins. It is traditionally attributed, by the Hebrews, to Father Abraham and was said to have been written by him in Harran where he is said to have “Made Souls” The Harranians were star-worshipers who preserved the star lore of ancient Babylon and eventually joined the Pythgorean - Hermetic magical tradition. The Sepher Yetzirah or Book of Creation describes how the Universe was created by the Word of God, using the proto-Hebrew Phoenician alphabet, the first alpha-numeric letter system. Which acquired twenty-four letters to accommodate the entire celestial sphere and the elements, and then became the origin of ancient Greek—which passed on its alpha-numeric heritage to Medieval Hebrew and Arabic. It has even been suggested that the second century Valentinian Magician Marcus wrote the earliest version of the Sepher Yetzirah. Even Gershom Scholem admits that the philosophy of the Sepher Yetzirah is Pythagorean. So, if you want to delve in to the depths of the mysteries join us for an hour of speculation on the origins of The Book of Creation. 

Huda Smitshuijzen AbiFarès interviews Lebanese type designer Kristyan Sarkis and founder of TPTQ Arabic font foundry in Amsterdam. Kristyan shares his education and journey into becoming a type designer. He states: "I learned how to connect with my own cultural design heritage at the Type and Media masters program, at the Royal Academy of art in The Hague." Kristyan discusses at length his typeface design approach and his research-based and culturally-immersive pedagogical practice. The talk also delves into his personal contemporary lettering work which affords him a break from the systematic discipline of type design.The talk unpacks some Arabic type design notions: the difference between writing and calligraphy; the connection of handwriting to digital type design; and the differences between Arabic calligraphy, lettering and type design. Kristyan advocates for new style classifications for digital typefaces that are dissociated from the established calligraphic conventions. He stresses the importance of researching historical developments while creating fonts that are culturally relevant yet express their respective contemporary era.https://tptq-arabic.com/http://arabictypedesign.com/

09/24/23 Fr Tariq Eissa - 4th Sunday of Elijah (Arabic) by St. Peter's Chaldean Catholic Diocese

09/17/23 Msgr Philip Najim - 3rd Sunday of Elijah (Arabic) by St. Peter's Chaldean Catholic Diocese

learn which Arabic dialect you should learn

Dubbed “The Deranged Herbalist” he has a diverse background in many natural healing modalities. He utilizes a unique east meets west approach to imbalances and disease, with great efficacy. Throughout the years Talal has been a student of various holistic modalities & arts including: -Traditional Western Herbalism -Islamic & Unani medicine -Ayurveda -Homeopathy -Alchemy -Flower essence therapy & Aromatherapy -Yoga (Pranayama, Mudras & Asana) -Nutrition & Diet Visit his apothecary : https://urbanapothecary.ca/ Follow him on Instagram: https://www.instagram.com/talalherbalist/

NHK WORLD RADIO JAPAN - Arabic News at 15:00 (JST), September 27

Celebrating 30 Years of the Coptic Orthodox Church Service in Arizona ~ September 24, 2023

On today's episode of the Entrepreneur Evolution Podcast, we are joined by Laura Gassner Otting. Author, Catalyst, and Executive Coach Laura Gassner Otting inspires people to push past the doubt and indecision that keep great ideas in limbo by helping audiences think bigger and accept greater challenges that reach beyond their current, limited scope of belief. She delivers strategic thinking, well-honed wisdom, and perspective generated by decades of navigating change across the start-up, corporate, nonprofit, political, as well as philanthropic landscapes. Laura dares audiences to find their voice, and generate the confidence needed to tackle larger-than-life challenges by helping them to seek new ways of leading, managing, and mentoring others. Laura's rebellious and entrepreneurial edge has been well-honed over a 25-year career that started when she dropped out of law school to join an unknown southern governor's presidential campaign, and ended up as a Presidential Appointee in Bill Clinton's White House, where she helped shape AmeriCorps. She left a leadership role as the youngest Vice President at a nationally respected search firm when she realized that her boss's definition of success didn't align with hers and, instead, founded and ran one of the fastest growing search firms in the country, partnering with the full gamut of mission-driven executives, from start-up dreamers to scaling social entrepreneurs to global philanthropists. In 2015, Laura sold that firm to the team who helped her build it, both because she was hungry for the next chapter and because she held an audacious dream of electing our nation's first female president. (Whomp whomp.) Since that time, Laura has appeared regularly on Good Morning America and the TODAY Show, and her writing has been seen in Harvard Business Review, Forbes, HR Magazine. Laura is the author of Limitless: How to Ignore Everybody, Carve Your Own Path, and Live Your Best Life (2019), which debuted at #2 on the Washington Post bestseller list (right behind Michelle Obama), has been translated into Arabic, Korean, Turkish, Portuguese, and German, and which Good Morning America's Robin Roberts chose as one of her Favorite Books of 2019, as well as Mission-Driven: Moving from Profit to Purpose (2015). Her forthcoming book, Wonderhell, is expected in April 2023. Through her own commitment to give back, Laura has helped build a local Montessori school, co-founded a women's philanthropic initiative, advised a start-up national women's PAC, grew a citizen-leadership development program, and completed five charity-inspired marathons, projects emblematic of her passions and values. She's turned on by the audacity of The Big Idea and that larger-than-life goal you just can't seem to shake. She's an instigator, a motivator, and a provocateur, and she's never met a revolution she didn't like, just ask her enduringly patient husband, two almost-grown sons, and troublesome puppy with whom she lives outside of Boston, MA.  To learn more about Laura and get her books, visit https://www.lauragassnerotting.com/ We would love to hear from you, and it would be awesome if you left us a 5-star review. Your feedback means the world to us, and we will be sure to send you a special thank you for your kind words. Don't forget to hit “subscribe” to automatically be notified when guest interviews and Express Tips drop every Tuesday and Friday. Interested in joining our monthly entrepreneur membership? Email Annette directly at yourock@ievolveconsulting.com to learn more.  Ready to invest in yourself? Book your free session with Annette HERE.  Keep evolving, entrepreneur. We are SO proud of you! --- Support this podcast: https://podcasters.spotify.com/pod/show/annette-walter/support

Why is U.S. assistance for Ukraine being held up in Congress? What is at stake for the U.S.? Aaron MacLean is a senior fellow at the Foundation for Defense of Democracies. Previously, he was Senior Foreign Policy Advisor and Legislative Director to U.S. Senator Tom Cotton. Aaron served on active duty as a U.S. Marine for seven years, deploying to Afghanistan as an infantry officer. Following his time in the operating forces, he was assigned to the faculty of the U.S. Naval Academy. He received an M.Phil. (Dist.) in medieval Arabic thought from the University of Oxford. Aaron is the host of the "School of War" podcast: podcasts.apple.com/us/podcast/school-of-war/id1589160645 The piece by Aaron and Secretary Mike Pompeo is discussed in this episode: "Why it's important to continue our support for Ukraine" - www.foxnews.com/opinion/why-important-continue-our-support-ukraine

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Thank you so much for listening! To listen to my voice as little as possible, skip top 01:10! That's where the reading starts. For everything you need, hit up my website at: https://www.sammartinburr.com/

With a vast discography featuring both emerging artists and some of the biggest names in Arabic music, Sleiman Damien is completely tapped into the region's pop genre. We asked him what he thinks of the phrase “Arab pop fusion”, which metrics actually matter to him, and why he thinks legacy superstars have more sticking power in today's fickle industry. We reflect on the role of ego in the region's music industry, comparing the “old guard” to emerging musicians and their approach to collaboration. Sleiman also talks about his experience working as a ghost producer and how he reacts emotionally to his own work. He also shares his mental health journey, especially when it comes to the emphasis placed on performance metrics and an obsession with knowing how people feel about his own creations. Sleiman Damien is a music producer, DJ and audio engineer from Beirut, Lebanon. Much of his work is focussed on the Arab pop genre. He has worked with music talents from across the region such as Georges Wassouf, Nassif Zeytoun, Haifa Wehbe, Assi Hallani, Ragheb Alama, Abeer Nehme, Dana Hourani, Maritta Hallani, Adonis, Zef and many more. Theme music: "Peninsular", Tarek Yamani 

" الي اقدر ااكده لكم عليه ان احنا هتكون جزء من التاريخ المالي لمصر  سواء بالإيجاب او السلب " — .اول كلمه قالها وليد لفريق العمل VALU و هو يبداء الشركه  و قد كان . هذه الحلقه انا شخصيا أستفدت منها كثير و فيها كم كبير من الخبرات و المواضيع المختلفه في البزنس و الخبرات الحياتيه لوليد و قصته قبل بناء valu و ازاي وصلت للوضع الحالي . .تكلمنا فيها عن كيفيه وضع اهداف و خطط لحياتك و عملك و تحقيقها في الواقع - تعريف القائد الناجح من وجه نظر وليد و امثله من خبراته في العمل - مهارات البيع و التسويق و بناء المنتج و كيف تبنيها Support the show الحلقة برعاية Wala Plus ولاء بلاس هي منظومة متكاملة تَسعِد وتساعد الموظفين والعملاء، تجد مجموعة من البرامج المبتكرة والمرنة لدعم الشركات في تحقيق اهداف ليكون الموظف والعميل أكثر ( سعادة ) وولاء للشركة والعلامة التجارية اعرف أكثر من خلال اللينك: https://walaplus.comهذه الحلقه برعايه شركه ولاء بلس .الولاء الوظيفي أساس إستقرار الشركات لأن العنصر البشري أهم رأس مال لديها، 64% من الموظفين متفقين إن الثقة بينهم وبين الإدارة تحفز ولائهم أتجاه الشركة. كصاحب بزنس لتخلق وتنمى مشاعر الانتماء والولاء عند فريق العمل يجب ان تملك مجموعة من الأدوات والبرامج التي تساعد على تحفيز وتعزيز الولاء الوظيفي، هذا ما تقدمه شركة ولاء بلس Book your business coaching or consulting session atinfo@businessbelarabi.com .website: www.businessbelarabi.com

FOG OF A DIRTY WAR: 1/4: Lost Son: An American Family Trapped Inside the FBI's Secret Wars  by  Brett Forrest  (Author) https://www.amazon.com/Lost-Son-American-Family-Trapped/dp/0316591610/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= When Billy Reilly vanished, his parents embarked on a desperate search for answers. Was their son's disappearance connected to his mysterious work for the FBI, or was it a personal quest gone wrong? Only when Wall Street Journal reporter Brett Forrest embarks on his own investigation does a picture emerge: of the FBI's exploitation of US citizens through a secretive intelligence program, a young man's lust for adventure within the world's conflicts, and the costs of a rising clash between Moscow and Washington. Sept. 11th roused Billy Reilly's curiosity for religions, war, and the world and its people beyond his small town near Detroit. Online, Billy taught himself Arabic and Russian. His passions led him into jihadi Internet forums, attracting the interest of the FBI. An amateur drawn into professional intelligence, Billy became a Confidential Human Source, one of thousands of civilians who assist FBI agents with investigative work, often at great hazard and with little recourse. When Russia stirred rebellion in Ukraine, Billy set out to make his mark. In Russia, Billy's communications dropped. His parents, frantic, asked the FBI for help but struggled to find answers. Grasping for clues, the Reilly family turned to Brett Forrest. Commencing a quest of his own, Forrest applied years' worth of research, along with decades of extensive experience in Russia, illuminating the inner workings of the national-security machine that enmeshed Billy and his family, picking up the lost son's trail. A masterwork of reporting, composed like a thriller, blending political maneuvering and international espionage, Lost Son illustrates one man's coming of age amid new global dangers. 1917 ROSTOV ON DON

FOG OF A DIRTY WAR: 2/4: Lost Son: An American Family Trapped Inside the FBI's Secret Wars  by  Brett Forrest  (Author) https://www.amazon.com/Lost-Son-American-Family-Trapped/dp/0316591610/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= When Billy Reilly vanished, his parents embarked on a desperate search for answers. Was their son's disappearance connected to his mysterious work for the FBI, or was it a personal quest gone wrong? Only when Wall Street Journal reporter Brett Forrest embarks on his own investigation does a picture emerge: of the FBI's exploitation of US citizens through a secretive intelligence program, a young man's lust for adventure within the world's conflicts, and the costs of a rising clash between Moscow and Washington. Sept. 11th roused Billy Reilly's curiosity for religions, war, and the world and its people beyond his small town near Detroit. Online, Billy taught himself Arabic and Russian. His passions led him into jihadi Internet forums, attracting the interest of the FBI. An amateur drawn into professional intelligence, Billy became a Confidential Human Source, one of thousands of civilians who assist FBI agents with investigative work, often at great hazard and with little recourse. When Russia stirred rebellion in Ukraine, Billy set out to make his mark. In Russia, Billy's communications dropped. His parents, frantic, asked the FBI for help but struggled to find answers. Grasping for clues, the Reilly family turned to Brett Forrest. Commencing a quest of his own, Forrest applied years' worth of research, along with decades of extensive experience in Russia, illuminating the inner workings of the national-security machine that enmeshed Billy and his family, picking up the lost son's trail. A masterwork of reporting, composed like a thriller, blending political maneuvering and international espionage, Lost Son illustrates one man's coming of age amid new global dangers. 1917 ROSTOV

FOG OF A DIRTY WAR: 3/4: Lost Son: An American Family Trapped Inside the FBI's Secret Wars  by  Brett Forrest  (Author) https://www.amazon.com/Lost-Son-American-Family-Trapped/dp/0316591610/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= When Billy Reilly vanished, his parents embarked on a desperate search for answers. Was their son's disappearance connected to his mysterious work for the FBI, or was it a personal quest gone wrong? Only when Wall Street Journal reporter Brett Forrest embarks on his own investigation does a picture emerge: of the FBI's exploitation of US citizens through a secretive intelligence program, a young man's lust for adventure within the world's conflicts, and the costs of a rising clash between Moscow and Washington. Sept. 11th roused Billy Reilly's curiosity for religions, war, and the world and its people beyond his small town near Detroit. Online, Billy taught himself Arabic and Russian. His passions led him into jihadi Internet forums, attracting the interest of the FBI. An amateur drawn into professional intelligence, Billy became a Confidential Human Source, one of thousands of civilians who assist FBI agents with investigative work, often at great hazard and with little recourse. When Russia stirred rebellion in Ukraine, Billy set out to make his mark. In Russia, Billy's communications dropped. His parents, frantic, asked the FBI for help but struggled to find answers. Grasping for clues, the Reilly family turned to Brett Forrest. Commencing a quest of his own, Forrest applied years' worth of research, along with decades of extensive experience in Russia, illuminating the inner workings of the national-security machine that enmeshed Billy and his family, picking up the lost son's trail. A masterwork of reporting, composed like a thriller, blending political maneuvering and international espionage, Lost Son illustrates one man's coming of age amid new global dangers. 1917 ROSTOV

Arabic violin virtuoso Georges Lammam discusses his upcoming performance, "Dreaming the Diaspora: An Arab Immigrant's Journey from Beirut to San Francisco." Georges talks about his story as a Palestinian refugee born in Lebanon, after his family was forced to leave their ancestral home in Haifa, Palestine during the Nakba in 1948. Georges' journey is presented through the lens of cultural arts. To learn more and purchase tickets: https://dancemissiontheater.org/2023/07/30/oct-20-22-dreaming-the-diaspora/

FOG OF A DIRTY WAR: 4/4: Lost Son: An American Family Trapped Inside the FBI's Secret Wars  by  Brett Forrest  (Author) https://www.amazon.com/Lost-Son-American-Family-Trapped/dp/0316591610/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= When Billy Reilly vanished, his parents embarked on a desperate search for answers. Was their son's disappearance connected to his mysterious work for the FBI, or was it a personal quest gone wrong? Only when Wall Street Journal reporter Brett Forrest embarks on his own investigation does a picture emerge: of the FBI's exploitation of US citizens through a secretive intelligence program, a young man's lust for adventure within the world's conflicts, and the costs of a rising clash between Moscow and Washington. Sept. 11th roused Billy Reilly's curiosity for religions, war, and the world and its people beyond his small town near Detroit. Online, Billy taught himself Arabic and Russian. His passions led him into jihadi Internet forums, attracting the interest of the FBI. An amateur drawn into professional intelligence, Billy became a Confidential Human Source, one of thousands of civilians who assist FBI agents with investigative work, often at great hazard and with little recourse. When Russia stirred rebellion in Ukraine, Billy set out to make his mark. In Russia, Billy's communications dropped. His parents, frantic, asked the FBI for help but struggled to find answers. Grasping for clues, the Reilly family turned to Brett Forrest. Commencing a quest of his own, Forrest applied years' worth of research, along with decades of extensive experience in Russia, illuminating the inner workings of the national-security machine that enmeshed Billy and his family, picking up the lost son's trail. A masterwork of reporting, composed like a thriller, blending political maneuvering and international espionage, Lost Son illustrates one man's coming of age amid new global dangers. 1891 KREMLIN

PLEASE SHARE THIS EPISODE LINK in your social media so others who loves strange and macabre stories can listen too: https://weirddarkness.com/archives/17586IN THIS EPISODE: Of all the instances of cannibalism found in human history, no one quite practiced it like some in China used to. In these cases, cannibalism came in the form of eating mellified flesh for medicinal purposes. In 16th century China, mellification was a way for elderly people nearing the end of their lives to donate their body to science. The idea, originally derived from an Arabic recipe, was that they could turn their bodies into medicine that would be ingested by their descendants to alleviate ailments like broken bones. The process of mellification was a gruesome one. In short, it consisted of very slowly turning one's body into a mummified human candy bar. And that's not even the worst part — for mellification to be the most effective, the process started while the person was still alive.SOURCES AND REFERENCES FROM THE EPISODE…“And Mellified Man for Dessert” by Katie Serena: https://tinyurl.com/rjwv5cw“Honey, I'm Dead” by Paul Salopek: https://tinyurl.com/wz23h9d “Sugar-Glazed Grandpa” by Brent Swancer: https://tinyurl.com/w2mqzyp “Self-Mummification” from Stranger Remains: https://tinyurl.com/w795gxp “Better Health Through Cannibalism” by Natalie Zarrelli: https://tinyurl.com/tsqhqbl “Corpse Medicine” by Maria Dolan: https://tinyurl.com/y6spcbcb “Visit our Sponsors & Friends: https://weirddarkness.com/sponsors Join the Weird Darkness Syndicate: https://weirddarkness.com/syndicate Advertise in the Weird Darkness podcast or syndicated radio show: https://weirddarkness.com/advertise= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =Weird Darkness theme by Alibi Music Library. Background music provided by Alibi Music Library, EpidemicSound and/or StoryBlocks with paid license. Music from Shadows Symphony (https://tinyurl.com/yyrv987t), Midnight Syndicate (http://amzn.to/2BYCoXZ) Kevin MacLeod (https://tinyurl.com/y2v7fgbu), Tony Longworth (https://tinyurl.com/y2nhnbt7), and Nicolas Gasparini (https://tinyurl.com/lnqpfs8) is used with permission of the artists.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =OTHER PODCASTS I HOST…Paranormality Magazine: (COMING SEPT. 30, 2023) https://weirddarkness.tiny.us/paranormalitymagMicro Terrors: Scary Stories for Kids: https://weirddarkness.tiny.us/microterrorsRetro Radio – Old Time Radio In The Dark: https://weirddarkness.tiny.us/retroradioChurch of the Undead: https://weirddarkness.tiny.us/churchoftheundead= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =WeirdDarkness® is a registered trademark. Copyright ©2023, Weird Darkness.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/3655291/advertisement

learn how to stay motivated and keep going https://www.arabicpod101.com?src=rss09242023

مدبر مختاريه حسناـ الجزء الاول 

NHK WORLD RADIO JAPAN - Arabic News at 15:00 (JST), September 22

What you'll learn in this episode:   How Arnoldsche collaborates with authors to create an effective design for each book What young artists should know before trying to publish a book How Dirk keeps tabs on trends and new developments in jewelry and decorative arts How Arnoldsche selects the right markets and languages for its books Why the art book market has changed dramatically over the last 10 years, and how Arnoldsche has adapted   About Dirk Allgaier: Since April 2015, Dirk Allgaier has headed Arnoldsche Art Publishers, an internationally active publisher of art books that offers a unique list of titles in the fields of fine art, applied art and design. With great expertise, sheer hard work and a passion for his profession, he and his team ensure that books from Arnoldsche become what they are: high-quality, individually designed publications and book objects that transport the broad range of creative endeavor in all its diversity across the globe.   Additional Resources: Arnoldsche Art Publishing's Website Arnoldsche Art Publisher's Instgram Arnoldsche Art Publisher's X/Twitter   Photos Available on TheJewelryJourney.com   Transcript:    No other publishing house in the world has published as many books on jewelry, ceramics and other applied arts as Arnoldsche Art Publishing. Led by Dirk Allgaier, Arnoldsche is the go-to source for anyone who wants to learn more about the decorative and applied arts, the people who create them, and the museums that exhibit them. Dirk joined the Jewelry Journey Podcast to talk about how he selects the 10 to 15 books Arnoldsche publishes each year; how he works with artists to create a beautiful and informative book; and why a language barrier doesn't always prevent someone from reading an art book. Read the episode transcript here.  Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the second part of a two-part episode. If you haven't heard part one, please head to TheJewelryJourney.com.    My guest is Dirk Allgaier of Arnoldsche Publishing. They're art publishers, and if you have any kind of design library—and that includes jewelry, ceramics, monographs on artists, furniture and more—you no doubt have books that have been published by Arnoldsche. Welcome back.    Do you have people come that you haven't heard of, but they have great expertise? Maybe they're a professor or somebody else that has a lot of expertise in their area?   Dirk: I know our field quite well; it's a small field, but it happens that people approach me and send me a suggestion for a new book project and I don't know the artist. There's always something new to discover. I say every book we are doing, not only in jewelry but also in ceramics or in wooden art, in metalware, in furniture, in textile, in glass, it opens a new window. It gives me a new prospectus to see new things which I did not know before. This is a reason why I like my job. I love my job very much.    It happened last year at the Art Jewelry Forum. Susan Cummins suggested to me to publish a book about Keith Lewis, the American jewelry artist. I really did not know his work. I read the manuscript in the evening when I was home. I was reading; I looked at the images. I was thinking, “That's fantastic, what he did. It was the 1980s. He was so progressive. He was so political in that time, so important. Today what is he doing?” That was totally new, and now we are publishing his book. It's designed. We are now doing the images. In about four weeks, we go to press for that book. So, it happens on the jewelry scene that artists are suggested to me, are recommended, which I do not know. But most artists, of course, I know more or less their work.   Sharon: Susan Cummins had brought you several books before this Keith Lewis one. Does that reflect? Did you take that into account when you were deciding?   Dirk: We met each other and decided to cooperate, to collaborate, because she has fantastic topics in jewelry. It's very political, the book about Laurie Hall. It's about Northwest American jewelry. We say in Germany it's narrative jewelry. This kind of jewelry was not so well-known in Europe.    We have a very strong distribution. We sell our books worldwide, so we bring this topic through the book to an international audience, to the international market. It's important for this American artist to be represented through the book internationally, so it's a win/win situation. Susan has wonderful topics for publications. We produce the books and distribute them internationally. It's a very good joint venture.   Sharon: You distribute them. I haven't seen them in the States, I don't think, except the Art Jewelry Forum books. I'm seeing those, but that's it.   Dirk: We have a distributor in the United States. It's ACC Art Books. Every book is stored in the United States in a warehouse, and we have representatives in the United States. You can go to a bookshop and order our books, but the books are such special books that they are only in special bookstores, mainly in museum bookstores, like the Metropolitan Museum or the Museum of Modern Art in New York.    The bigger bookstores and art bookstores have our books, but everything changed in the last 10, 15, 20 years. There are not so many bookshops left, so mainly art books are available online. This is an online trade. If you did a book about Sam Kramer, if you Google Kramer, you find immediately that you have to buy our book either on Amazon or on Book DE or on Instagram. You can order the book online. It's really a change to selling books. 60% to 70% of books we are selling now online, not through bookstores.   Sharon: Does somebody come to the website and see a book they want?   Dirk: We have a web shop. You can order the book from our web shop. That's also possible. Wherever you are living, you can order it. For example, when you are living in the United States, you can order it from the web shop, and our American partner or American distributor will send you the book within a short timeframe. Within three or four days, you will have the book.   Sharon: Now, some of your books are only in German.   Dirk: Yes.   Sharon: Since I don't speak a word of German, what do you do? Do you have some in English and some in German and some half and half?    Dirk: It depends on the topic. We publish in many languages, but the main language is English. That's definitive. English is very important, but there's also German if it doesn't have a major audience. Then it's also a question of money or financing. There are translation codes, which are very extensive. You have to make an extra typesetting. You need more pages. You need more printing. Then we say, “O.K., we leave it only in German. We know we would not sell many copies in the English-speaking market, so we leave it in German.” But mainly the books are in English.  A few are only in German, but if the artist comes from another country, we also publish books, for example, in the French language, in Italian, in the Norwegian language, also in Estonian, in Catalan. We have two books in the Hebrew language, in Arabic and even in the Japanese language. It depends where the artist is living and in which country the topic is, and then we publish in different languages.   Sharon: Wow! The jewelry you mentioned, and in looking at your books, it's so contemporary. Is that what you look for? It's really unusual.   Dirk: Yeah, because for us, jewelry is art. There is no difference. It's studio jewelry. It's art jewelry. It's like an art book. We have to publish jewelry books like an art book, and that's very important. The style of the jewelry, its artistic value, is represented in the book, so the quality must be very high. You must see the high value of jewelry. You must see it in the book. That's why it's important for us.    Sharon: That's interesting. So, you wouldn't publish a book on “normal” jewelry.   Dirk: We do books about higher-range costume jewelry because they're fantastic topics. In the 1920s in Germany, in the Art Deco period, there were companies who did articles of fantastic jewelry. Next year, we are planning a book about the New York jewelry designer Marcus & Co. So, we have books about art and costume jewelry, but not about the regular jewelry you can buy in a regular shop. This is not our interest.   Sharon: Have you ever started a book and then said, “Forget it. This is too complicated,” or “There's not a market”?   Dirk: No, normally we don't. If I start something, I bring it to an end. That's very important for me, even if it's very, very difficult. Usually, once we start on a book, we finish it. That's very important. I remember a book we did 20 years ago. It was about an Italian topic, and everybody told me at the time, “You would never publish that book. You would never finalize it,” but we did it. That made me very proud; that we did this book finally. Every book we've started, we finished the book.    For me, it's important to publish a book together with an artist or with a partner—the person is a partner for me—with a lot of mutual respect and to achieve a result which satisfies everybody: the publishing house, the artist, the museum. If we work together for three, four, five months, it's like a partnership. You work very intensively together with an artist, and the results just have to be right. That's very important. You put the book together; you celebrate; you're happy. That's how it should be, and that's how it is, usually.   Sharon: Do you go to book trade shows where they have new books? I don't know if they still have them. They used to have book trade shows.   Dirk: They had it some years ago, but there's no big importance anymore. There are book fairs in Frankfurt, so we go to Frankfurt. 20 years ago, we went to the Chicago Book Fair, to the American Book Fair, to London, but we don't do that so much. We have our books at the Schmuck in Munich, of course. You can buy them at the Schmuck Fair, or if there are special ceramic fairs, special jewelry events. We also have bookshops that go there. They have their stands there, and there are books at these events.   Sharon: I was looking online at your books. I noticed there were books about Babetto and I was surprised. None of it looked at the jewelry; they looked at the furniture and the drawings and things like that. What made you decide to do a second book on Babetto?   Dirk: The first book—I think it was the year 2009, 2010. Pinakothek der Moderne is a big museum, and every year during Schmuck, they have a big exhibition on the roof of the rotunda. Every year they show a different artist. They showed Thomas Gentille, for example, Anton Frühauf, Hermann Jünger, Peter Skubic. 15 years ago, they showed Giampaolo Babetto. We did a small but very special book on Giampaolo Babetto on the occasion of the exhibition. That was 2008, 2009.    Last year, Giampaolo asked, “Can you come to Italy? Can we meet? I'm planning a new book.” He planned a complete oeuvre catalogue of all his work in jewelry, in metalware, in architectural design, in religious pieces. So, we did an oeuvre catalogue. All his work from the beginning until 2022 is published in the book. Those are two different approaches. One was very personal for the exhibition, and this last was the catalogue about his work. It's a total Babetto.    Sharon: That's interesting. There didn't seem to be that much jewelry in the Babetto books. It was more his other designs, his other things.   Dirk: One half of the book is jewelry. The other half is his metalworks, his furniture designs and the other things.   Sharon: For those who don't know what Schmuck is, do you want to describe it?   Dirk: It's an annual event in Munich on the occasion of the International Art and Crafts Fair. It's an international trade fair for crafts and design. In 1959, it was founded by Herbert Hoffmann. It was a competition where contemporary jewelry was presented in a small part of the fair. That was the beginning over 60 years ago. It was a very small event, but every year it became bigger.    Now it's still the Herbert Hoffmann Award, the Herbert Hoffmann Exhibition, but throughout the whole city, there are about 50, 60 galleries showing jewelry in contemporary galleries. They rent a space, they show jewelry, and they come from all over the world. It's a huge event which lasts five days. You can see a lot of jewelry. You have gallery exhibitions. You have some museums that show jewelry. The Mesa is a big exhibition. The whole world of contemporary art jewelry, of studio jewelry, is in Munich.   Sharon: I've only been a couple of times, but I didn't know Herbert Hoffmann was so integral in it. I know they have a prize.   Dirk: Yeah, the award. You can go online. You can look up the Herbert Hoffmann Award and see the prize winners from 1959. You read these names, and it's really the top of the top of international jewelry artists. It's very interesting to read the award winners of the Herbert Hoffmann Prize.    Sharon: Wow! I didn't know it was so old, either. These people, the authors who want to write a book or a museum, do they have the person in mind who's going to put the book together? Do they have the illustrator? Do they have the photographer in mind, or do they let you decide?   Dirk: It's important if you write a book to have photographs available. Every artist has an archive of photographs, and every artist's archive is different. Some have a very accurate archive with good photographs, and they know exactly what goes into the books. Some other artists have only images or older slides. Here we can be of help. We can make sense of old photographs. Usually, an artist has photographs for the book and they know which pieces should go into the book, but often I sit together with artists and we go through the materials, through the pieces. For an artist, it's often difficult to make a decision, to take this piece or that piece. Then we sit together and say, “It's that piece and not that.”    Photography is very important. An artist can have a designer, or we have the designer and we do image editing for the images. We do printing, and then we include the book in our book program, into our publishing list. Then we send the book worldwide on our list. This is the way.    Sharon: What country are most of your sales in? I don't know if it's Germany or Switzerland or Austria.    Dirk: We are selling one-third of our books in German-speaking countries, in Germany, Switzerland and Austria. They still have a strong market for art books and for jewelry books. Two-thirds we sell outside the German-speaking countries. England is a very important market. Scandinavia buys our books, and, of course, the American market is important for us. We sell books in China. We have one representative and he's Chinese. There are big distributors in China, so we are sending books to the distributors, and they are selling the books to the individual bookstores and individual customers in the country. Japan is very difficult to sell books. South Korea is an important market for us. We sell some books in Australia as well, but I can say Germany, England, America and China. These are very important markets for us.   Sharon: If somebody doesn't speak the language—I'm thinking of myself—do you just look at the pictures? What do you do?   Dirk: There's a society of booksellers here in Germany. They made a test with people. They asked a thousand people, “What are you doing when you buy a book with images such as an art book? What are you doing with the book? Do you read it? Do you look at images?” They found out that only 10% of the book buyers are reading a book. 90% are looking at the images and reading here and there a little bit, but almost nobody is reading a book from the beginning to the end.   Sharon: I don't feel so bad because I look at the pictures. What languages have you thought about? Have you thought about French? Are there other languages you've thought about putting your books in?   Dirk: I think English and German are the most important. In France, it's difficult to sell books because the market is very small. When we have a French artist, of course we publish the book in French, but if the artist is not French, we don't publish a book in the French language. It's a small market. The book trade market is quite difficult, so the artist should be French-speaking, and then you publish it in French.    I would like to publish a book in the Chinese language, in Mandarin, because we didn't do this yet. We have a book about New Zealand artists coming in two years, and it would be wonderful to have at least one essay in Māori, in the native language of New Zealand. That would really be a task for me to do, but it would appreciate the First Nations people of the country.    Sharon: Any other plans besides other languages? What are your plans besides the books in production? What else would you like to do?   Dirk: Generally, for me it's important that every half-year we have a catalogue. All our new books are featured in a catalogue which we send out every half-year. So, for me, the most important challenge is to have a good program to find newer catalogues which I present to people every half-year. This is the most important.    And to find a place for our special books, because it's not easy to find places. It's a niche program to find readers, to find people who buy the books and to find new people who did not know anything about artistic jewelry or studio jewelry. So, to find new people to bring a fascination for art into the world and to find new friends, new people who really love our work. That's the most important thing for me.   Sharon: I hope that you do. Thank you so much for being with us today. I really appreciate it.   Dirk: Thank you very much, Sharon. Thank you.   Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.   Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.

هناك سبب خفي لوجود الفجوة الكبيرة بين الأهل وأبنائهم المراهقين اليوملمساعدة أبنائكم على الانفتاح:١. مراعاة أسئلة الحوار٢. تطبق الشروط والأحكام٣. التخلي عن الأجندات***سلسلة "الصحة النفسية للمراهقين"طباعة ورقة العمل من الرابط التاليhttps://www.rihamiat.comتقسيم المراحل العمرية: مرحلة الطفولة المبكرة من الولادة حتى ٥ سنواتمرحلة الكمون من سن ٦ حتى ١٠ سينواتمرحلة المراهقة من سن ١١ حتى ١٩ سنة***للاشتراك في كورس التربية الرقميةhttps://academiaty.teachable.com/p/digital-parenting-coachingأول دورة تدريبية في العالم العربي عن موضوع الـ Digital Parentingكمتخصصة في التربية الرقمية أساعد كل الأهل والأخصائيين النفسيين والتربويين في عملية تنشئة جيل من الأطفال والمراهقين في عصر التكنلوجيا الرقمية وإدمان الجيمنج والاستخدام المفرط للشاشات والسوشيال ميديا***لشراء نسخة Pdf من كتاب ديجيتال ديتوكسيمكنكم التواصل معنا عبر الإيميلAcademiaty2020@gmail.com  مسجات وتساب 00201279709719كتاب ديجيتال ديتوكس الصادر خلال  معرض القاهرة الدولي للكتاب ٢٠٢٣إدمان الجيمنج وأضرار الاستخدام المفرط للشاشات والسوشال ميديا***اشتركوا على قناة  يوتيوبhttps://www.youtube.com/watch?v=rRAkfz6gi70&list=PLeEMcFi4FBWUqmGJPRxAMHUvVHK8OSpRmوإنستجرامhttps://www.instagram.com/the_digital_parent_mena/Support the showاشتركوا الآن في المحتوى الحصري "تاء مبسوطة سالمة # إكسترا" https://www.buzzsprout.com/229049/supporters/newلمتابعة حساب إنستجرام https://www.instagram.com/rihamiat/وتفضلوا بزيارة الموقع الإلكتروني لبودكاست رهامياتhttps://www.rihamiat.comتصميم الصفحة الداخلية لدفتر التدريب اليومي "لايف بوك ٢٠٢١" متاح مجانا من موقع أكاديميتيhttps://academiaty.teachable.com/courses

discover effective strategies and tips for learning Arabic

Lale chats with Moroccan-Canadian singer songwriter Faouzia Ouihya—who, at just 23, has already clocked up numerous accolades for her poppy, anthemic hooks performed in English, French, and Arabic. They talk Moroccan food, how Faouzia's heritage shapes her music, and more.This episode was recorded several weeks before the devastating earthquake in Morocco. For information on how to help and donate, head to cntraveler.com. Link to embed: https://www.cntraveler.com › storyHow to Support Morocco Earthquake Survivors—and Where to Donate Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome back to PART 2!By now we've all seen the TikTok videos and the growing number of students flocking to Egypt for studies however it's crucial to provide a clear perspective for those considering embarking on a similar journey. Join us in this enlightening conversation with Ustadh Abdullahi Shirre, who has spent nearly five years in Egypt, paralleling Idris' own year-long experience. He unravels the practical aspects of studying in Egypt, drawing from his extensive time there, giving context and clarity as to what aspiring students should be ready to expect. Ustadh Abdullahi imparts invaluable insights, illuminating the challenges often encountered by students, the common missteps to avoid, and the remarkable rewards that come with the pursuit of Islamic knowledge.This episode serves as a comprehensive survival guide, touching on everything from academic strategies to cultural adaptation. It offers a roadmap for aspiring seekers of knowledge contemplating their own educational adventure in Egypt. With candid anecdotes and seasoned advice, Ustadh Abdullahi shares wisdoms acquired through years of dedicated study and personal growth.Is Egypt SAFE!?DID I GET SCAMMED?!The MOST effective way to learn Arabic?A KEY deposit?Studying while married and with KIDS?!Uncover the keys to success, glean lessons from the experiences of others, and develop a profound understanding of the distinct opportunities awaiting students in Egypt. Whether you stand on the precipice of this very journey or are simply intrigued by the realities of studying abroad, this episode is an absolute must-listenUstadh Abdullahi Shire SocialsInstagram @abdullahishire_Youtube  @abdullahishire_  TikTok @abdullahishire00

NHK WORLD RADIO JAPAN - Arabic News at 15:00 (JST), September 20

 Imam Nur Ahamed is a native New Yorker who grew up in Brooklyn. By the grace of Allah, at the age of 14, Nur traveled to South Africa to complete his Hifz of the Quran at Madrasah Taleemuddeen. Thereafter, he was able to study under Qari Ismaeel Desai at Madrasah Da'watul Haq (Umzinto) and received his Ijazah in Qirat Hafs. After returning to New York, Nur taught Hifz at Darul Uloom New York and Masjid Bilal (Farmingdale). Currently, Nur is finishing his degree in Economics at Columbia University.Support the Islamic Center at NYUOur operating and programmatic budget comes directly from donations and as our community grows, so do our expenses. If you are interested in making a one-time, monthly, annual, or general donation to the Islamic Center at NYU, please do so at https://icnyu.org/donate/.

Dorothy Eady, Bulbul Abd el-Meguid, Omm Sety… A woman of three names, multiple lives, and a lifelong devotion to Egyptology. From the 1950s to 1981, Omm Sety was a resident of Abydos, and a regular worshipper at the great Temple of Sety I. Her life is a tale of dedication, spiritual connection, and fascination with the ancient past. In this episode, we explore Omm Sety's life and try to “shine a spotlight” on her work, personality, and beliefs… Documentaries about Omm Sety (YouTube): BBC Interview with Omm Sety at Abydos: https://youtu.be/2fdNJ2L9_zw?t=1. Omm Sety explains the Abydos Temple: https://youtu.be/QXmnus48jdI?t=83. Recollections of Omm Sety by those who knew her (Arabic, with subtitles): https://youtu.be/ZrFA-kDHtzg?t=281. Egypt – Quest for Eternity, with section on Omm Sety (filmed just prior to her death): https://youtu.be/VHXsv9ZLlYo?t=737. Episode details: Jonathan Cott, The Search for Omm Sety at Archive.org. Omm Sety and Hanny el Zeini, Abydos: Holy City of Ancient Egypt at Archive.org. Date: 1904—1981 CE. Places: Blackheath; Cairo; Abydos. Music: Ancient Lyric. Interludes: Luke Chaos and Hathor Systrum. Learn more about your ad choices. Visit megaphone.fm/adchoices