Podcasts about porfirian

When General Porfirio Díaz assumed power in 1876, he ushered in Mexico's first prolonged period of political stability and national economic growth--though "progress" came at the cost of democracy. Indigenous Autocracy presents a new story about how regional actors negotiated between national authoritarian rule and local circumstances by explaining how an Indigenous person held state-level power in Mexico during the thirty-five-year dictatorship that preceded the Mexican Revolution (the Porfiriato), and the apogee of scientific racism across Latin America. Although he was one of few recognizably Indigenous persons in office, Próspero Cahuantzi of Tlaxcala kept his position (1885-1911) longer than any other gubernatorial appointee under Porfirio Díaz's transformative but highly oppressive dictatorship (1876-1911). Cahuantzi leveraged his identity and his region's Indigenous heritage to ingratiate himself to Díaz and other nation-building elites. Locally, Cahuantzi navigated between national directives aimed at modernizing Mexico, often at the expense of the impoverished rural majority, and strategic management of Tlaxcala's natural resources--in particular, balancing growing industrial demand for water with the needs of the local population.  In Indigenous Autocracy: Power, Race, and Resources in Porfirian Tlaxcala, Mexico (Stanford University Press, 2024), Jaclyn Ann Sumner shows how this intermediary actor brokered national expectations and local conditions to maintain state power, challenging the idea that governors during the Porfirian dictatorship were little more than provincial stewards who repressed dissent. Drawing upon documentation from more than a dozen Mexican archives, the book brings Porfirian-era Mexico into critical conversations about race and environmental politics in Latin America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

When General Porfirio Díaz assumed power in 1876, he ushered in Mexico's first prolonged period of political stability and national economic growth--though "progress" came at the cost of democracy. Indigenous Autocracy presents a new story about how regional actors negotiated between national authoritarian rule and local circumstances by explaining how an Indigenous person held state-level power in Mexico during the thirty-five-year dictatorship that preceded the Mexican Revolution (the Porfiriato), and the apogee of scientific racism across Latin America. Although he was one of few recognizably Indigenous persons in office, Próspero Cahuantzi of Tlaxcala kept his position (1885-1911) longer than any other gubernatorial appointee under Porfirio Díaz's transformative but highly oppressive dictatorship (1876-1911). Cahuantzi leveraged his identity and his region's Indigenous heritage to ingratiate himself to Díaz and other nation-building elites. Locally, Cahuantzi navigated between national directives aimed at modernizing Mexico, often at the expense of the impoverished rural majority, and strategic management of Tlaxcala's natural resources--in particular, balancing growing industrial demand for water with the needs of the local population.  In Indigenous Autocracy: Power, Race, and Resources in Porfirian Tlaxcala, Mexico (Stanford University Press, 2024), Jaclyn Ann Sumner shows how this intermediary actor brokered national expectations and local conditions to maintain state power, challenging the idea that governors during the Porfirian dictatorship were little more than provincial stewards who repressed dissent. Drawing upon documentation from more than a dozen Mexican archives, the book brings Porfirian-era Mexico into critical conversations about race and environmental politics in Latin America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

When General Porfirio Díaz assumed power in 1876, he ushered in Mexico's first prolonged period of political stability and national economic growth--though "progress" came at the cost of democracy. Indigenous Autocracy presents a new story about how regional actors negotiated between national authoritarian rule and local circumstances by explaining how an Indigenous person held state-level power in Mexico during the thirty-five-year dictatorship that preceded the Mexican Revolution (the Porfiriato), and the apogee of scientific racism across Latin America. Although he was one of few recognizably Indigenous persons in office, Próspero Cahuantzi of Tlaxcala kept his position (1885-1911) longer than any other gubernatorial appointee under Porfirio Díaz's transformative but highly oppressive dictatorship (1876-1911). Cahuantzi leveraged his identity and his region's Indigenous heritage to ingratiate himself to Díaz and other nation-building elites. Locally, Cahuantzi navigated between national directives aimed at modernizing Mexico, often at the expense of the impoverished rural majority, and strategic management of Tlaxcala's natural resources--in particular, balancing growing industrial demand for water with the needs of the local population.  In Indigenous Autocracy: Power, Race, and Resources in Porfirian Tlaxcala, Mexico (Stanford University Press, 2024), Jaclyn Ann Sumner shows how this intermediary actor brokered national expectations and local conditions to maintain state power, challenging the idea that governors during the Porfirian dictatorship were little more than provincial stewards who repressed dissent. Drawing upon documentation from more than a dozen Mexican archives, the book brings Porfirian-era Mexico into critical conversations about race and environmental politics in Latin America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

When General Porfirio Díaz assumed power in 1876, he ushered in Mexico's first prolonged period of political stability and national economic growth--though "progress" came at the cost of democracy. Indigenous Autocracy presents a new story about how regional actors negotiated between national authoritarian rule and local circumstances by explaining how an Indigenous person held state-level power in Mexico during the thirty-five-year dictatorship that preceded the Mexican Revolution (the Porfiriato), and the apogee of scientific racism across Latin America. Although he was one of few recognizably Indigenous persons in office, Próspero Cahuantzi of Tlaxcala kept his position (1885-1911) longer than any other gubernatorial appointee under Porfirio Díaz's transformative but highly oppressive dictatorship (1876-1911). Cahuantzi leveraged his identity and his region's Indigenous heritage to ingratiate himself to Díaz and other nation-building elites. Locally, Cahuantzi navigated between national directives aimed at modernizing Mexico, often at the expense of the impoverished rural majority, and strategic management of Tlaxcala's natural resources--in particular, balancing growing industrial demand for water with the needs of the local population.  In Indigenous Autocracy: Power, Race, and Resources in Porfirian Tlaxcala, Mexico (Stanford University Press, 2024), Jaclyn Ann Sumner shows how this intermediary actor brokered national expectations and local conditions to maintain state power, challenging the idea that governors during the Porfirian dictatorship were little more than provincial stewards who repressed dissent. Drawing upon documentation from more than a dozen Mexican archives, the book brings Porfirian-era Mexico into critical conversations about race and environmental politics in Latin America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

When General Porfirio Díaz assumed power in 1876, he ushered in Mexico's first prolonged period of political stability and national economic growth--though "progress" came at the cost of democracy. Indigenous Autocracy presents a new story about how regional actors negotiated between national authoritarian rule and local circumstances by explaining how an Indigenous person held state-level power in Mexico during the thirty-five-year dictatorship that preceded the Mexican Revolution (the Porfiriato), and the apogee of scientific racism across Latin America. Although he was one of few recognizably Indigenous persons in office, Próspero Cahuantzi of Tlaxcala kept his position (1885-1911) longer than any other gubernatorial appointee under Porfirio Díaz's transformative but highly oppressive dictatorship (1876-1911). Cahuantzi leveraged his identity and his region's Indigenous heritage to ingratiate himself to Díaz and other nation-building elites. Locally, Cahuantzi navigated between national directives aimed at modernizing Mexico, often at the expense of the impoverished rural majority, and strategic management of Tlaxcala's natural resources--in particular, balancing growing industrial demand for water with the needs of the local population.  In Indigenous Autocracy: Power, Race, and Resources in Porfirian Tlaxcala, Mexico (Stanford University Press, 2024), Jaclyn Ann Sumner shows how this intermediary actor brokered national expectations and local conditions to maintain state power, challenging the idea that governors during the Porfirian dictatorship were little more than provincial stewards who repressed dissent. Drawing upon documentation from more than a dozen Mexican archives, the book brings Porfirian-era Mexico into critical conversations about race and environmental politics in Latin America. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Stephen Neufeld joined Renata and Steven to discuss his award-winning book The Blood Contingent: The Military and the Making of Modern Mexico. Originally aired June 5, 2019

Dr. Stephen Neufeld joined Renata and Steven to discuss his award-winning book The Blood Contingent: The Military and the Making of Modern Mexico. Originally aired June 5, 2019

In her recent book Death in the City: Suicide and the Social Imaginary in Modern Mexico (University of California Press, 2017), Kathryn A. Sloan explores ideas and discourses surrounding the suicide of men and women in Mexico City. Against the backdrop of modernity and transnational intellectual exchanges at the turn of the twentieth century, Sloan situates a vast array of Mexican social actors as world citizens who approached death with the same complexity as people in other parts of the world. Throughout a variety of fascinating sources and cases, Sloan explores a myriad of cultural understandings of people who took their own lives, and portrays the meticulous care taken by those who planned suicide over their bodies, as well as the cold forensic rooms and their detailed reports. She writes of how ideas about death, moral panic, and science intertwined in different written and visual arenas. The press, official statistics, and medical reports explored suicide as a social illness that was undermining one of the most valuable resources of the nation: the Mexican youth. In Sloan's narrative, the city plays a central role: parks, the Metropolitan Cathedral, and cantinas took new significance as scenarios for suicide. Death in the City challenges widespread conceptions about the meanings historically attached to Mexicans regarding death and violence, while showing the nuances that gender and class added to the discourses about suicide between the Porfirian and the revolutionary era. Pamela Fuentes is Assistant Professor in the Women's and Gender Studies Department, Pace University, NYC campus. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her recent book Death in the City: Suicide and the Social Imaginary in Modern Mexico (University of California Press, 2017), Kathryn A. Sloan explores ideas and discourses surrounding the suicide of men and women in Mexico City. Against the backdrop of modernity and transnational intellectual exchanges at the turn of the twentieth century, Sloan situates a vast array of Mexican social actors as world citizens who approached death with the same complexity as people in other parts of the world. Throughout a variety of fascinating sources and cases, Sloan explores a myriad of cultural understandings of people who took their own lives, and portrays the meticulous care taken by those who planned suicide over their bodies, as well as the cold forensic rooms and their detailed reports. She writes of how ideas about death, moral panic, and science intertwined in different written and visual arenas. The press, official statistics, and medical reports explored suicide as a social illness that was undermining one of the most valuable resources of the nation: the Mexican youth. In Sloan’s narrative, the city plays a central role: parks, the Metropolitan Cathedral, and cantinas took new significance as scenarios for suicide. Death in the City challenges widespread conceptions about the meanings historically attached to Mexicans regarding death and violence, while showing the nuances that gender and class added to the discourses about suicide between the Porfirian and the revolutionary era. Pamela Fuentes is Assistant Professor in the Women’s and Gender Studies Department, Pace University, NYC campus. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her recent book Death in the City: Suicide and the Social Imaginary in Modern Mexico (University of California Press, 2017), Kathryn A. Sloan explores ideas and discourses surrounding the suicide of men and women in Mexico City. Against the backdrop of modernity and transnational intellectual exchanges at the turn of the twentieth century, Sloan situates a vast array of Mexican social actors as world citizens who approached death with the same complexity as people in other parts of the world. Throughout a variety of fascinating sources and cases, Sloan explores a myriad of cultural understandings of people who took their own lives, and portrays the meticulous care taken by those who planned suicide over their bodies, as well as the cold forensic rooms and their detailed reports. She writes of how ideas about death, moral panic, and science intertwined in different written and visual arenas. The press, official statistics, and medical reports explored suicide as a social illness that was undermining one of the most valuable resources of the nation: the Mexican youth. In Sloan’s narrative, the city plays a central role: parks, the Metropolitan Cathedral, and cantinas took new significance as scenarios for suicide. Death in the City challenges widespread conceptions about the meanings historically attached to Mexicans regarding death and violence, while showing the nuances that gender and class added to the discourses about suicide between the Porfirian and the revolutionary era. Pamela Fuentes is Assistant Professor in the Women’s and Gender Studies Department, Pace University, NYC campus. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her recent book Death in the City: Suicide and the Social Imaginary in Modern Mexico (University of California Press, 2017), Kathryn A. Sloan explores ideas and discourses surrounding the suicide of men and women in Mexico City. Against the backdrop of modernity and transnational intellectual exchanges at the turn of the twentieth century, Sloan situates a vast array of Mexican social actors as world citizens who approached death with the same complexity as people in other parts of the world. Throughout a variety of fascinating sources and cases, Sloan explores a myriad of cultural understandings of people who took their own lives, and portrays the meticulous care taken by those who planned suicide over their bodies, as well as the cold forensic rooms and their detailed reports. She writes of how ideas about death, moral panic, and science intertwined in different written and visual arenas. The press, official statistics, and medical reports explored suicide as a social illness that was undermining one of the most valuable resources of the nation: the Mexican youth. In Sloan’s narrative, the city plays a central role: parks, the Metropolitan Cathedral, and cantinas took new significance as scenarios for suicide. Death in the City challenges widespread conceptions about the meanings historically attached to Mexicans regarding death and violence, while showing the nuances that gender and class added to the discourses about suicide between the Porfirian and the revolutionary era. Pamela Fuentes is Assistant Professor in the Women’s and Gender Studies Department, Pace University, NYC campus. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her recent book Death in the City: Suicide and the Social Imaginary in Modern Mexico (University of California Press, 2017), Kathryn A. Sloan explores ideas and discourses surrounding the suicide of men and women in Mexico City. Against the backdrop of modernity and transnational intellectual exchanges at the turn of the twentieth century, Sloan situates a vast array of Mexican social actors as world citizens who approached death with the same complexity as people in other parts of the world. Throughout a variety of fascinating sources and cases, Sloan explores a myriad of cultural understandings of people who took their own lives, and portrays the meticulous care taken by those who planned suicide over their bodies, as well as the cold forensic rooms and their detailed reports. She writes of how ideas about death, moral panic, and science intertwined in different written and visual arenas. The press, official statistics, and medical reports explored suicide as a social illness that was undermining one of the most valuable resources of the nation: the Mexican youth. In Sloan’s narrative, the city plays a central role: parks, the Metropolitan Cathedral, and cantinas took new significance as scenarios for suicide. Death in the City challenges widespread conceptions about the meanings historically attached to Mexicans regarding death and violence, while showing the nuances that gender and class added to the discourses about suicide between the Porfirian and the revolutionary era. Pamela Fuentes is Assistant Professor in the Women’s and Gender Studies Department, Pace University, NYC campus. Learn more about your ad choices. Visit megaphone.fm/adchoices