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By Steve WeddleLast night I talked to Frank Bill (pictured with his agent, Stacia Decker) about his new book DONNYBROOK, which has gotten fantastic feedback from some great fellow authors. I started talking about John McFetridge, J Peterman, and the musical CATS, for some reason. Thankfully, Frankie got us back on track. (Haha. "Track" because we recorded the, ah, nevermind. Just listen.Fuller interview later. Enjoy this four minutes.AS ALWAYS:You can get the podcast by1. Right-clicking on the title up there at the top (or, if you have one of those Apple computers, whatever you people do)2. Visiting the iTunes music storeor3. Visiting the Feedburner page.
In this special Do Some Damage episode, Jay Stringer chats with Chuch Wendig.Here's who Chuck Wendig claims he is:Chuck writes because he can do nothing else.Chuck is a 30-something freelance penmonkey.He is a novelist:His novel, Blackbirds, is repped by Stacia Decker, super-agent of the Donald Maass Literary Agency.He is a screenwriter:He mentored with Stephen Susco (The Grudge, Grudge 2, Red). He’s written a handful of spec screenplays both alone and with writing partner Lance Weiler. Their most recent film effort, HiM, won the Arte France Cinema Award at CineMart and was recently selected for the Sundance Screenwriters Lab in January 2010. Together, Weiler and Wendig are also helping to develop an as-yet-unannounced television property.He is a short story writer:He’s had a number of short stories published across a small array of journals and zines (Not One of Us, 69 Flavors of Paranoia, Whispers from the Shatterered Forum, The Town Drunk, etc.).He is a game designer:He’s been working in the pen-and-paper RPG industry for a third of his life (over a decade), and has contributed to over 85 game books during this time, serving as writer, developer, or both. He developed, for instance, the entire Hunter: The Vigil game line for White Wolf Game Studios. He’s done some work on video game properties, which at present he cannot mention. He’s contributed script work for web content, which at present he cannot identify. Don’t even ask him about the Android app.He is all over the map:Chuck is considering branching out into comic books, take-out menus, religious pamphlets, or witty doormats. Give him a wide berth, as he might be drunk and untrustworthy.He is on the East Coast:Wendig currently lives in the wilds of Pennsyltucky with a wonderful wife and two very cute-but-stupid dogs. PS: You can get the podcast by:1. Right-clicking on the title up there at the top (or, if you have one of those Apple computers, whatever you people do)2. Visiting the iTunes music storeor3. Visiting the Feedburner page.
Clute and Edwards discuss the editing and publishing of noir fiction with three members of this Day 2 Noircon panel: Charles Ardai, Stacia Decker, and Michael Langnas. Charles Ardai is the editor and publisher of the Hard Case Crime series. Stacia Decker is an editor who has worked with such writers as Ray Banks, Declan Burke, Allan Guthrie and John McFetridge. Michael Langnas is the editor-in-chief of Murdaland Magazine, a crime-fiction journal put out by Baltimore-based publisher Cortwright McMeel. The three guests offer us a behind-the-scenes look into the world of noir publishing. The panelists address violence in noir fiction, the complex appeal of noir, and the challenges and pleasures of editing and publishing noir writing. For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net
Clute and Edwards discuss the editing and publishing of noir fiction with three members of this Day 2 Noircon panel: Charles Ardai, Stacia Decker, and Michael Langnas. Charles Ardai is the editor and publisher of the Hard Case Crime series. Stacia Decker is an editor who has worked with such writers as Ray Banks, Declan Burke, Allan Guthrie and John McFetridge. Michael Langnas is the editor-in-chief of Murdaland Magazine, a crime-fiction journal put out by Baltimore-based publisher Cortwright McMeel. The three guests offer us a behind-the-scenes look into the world of noir publishing. The panelists address violence in noir fiction, the complex appeal of noir, and the challenges and pleasures of editing and publishing noir writing. For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net