Podcasts about editors

Today on The Editors, Noah guest-hosts for Rich, and is joined by Michael and Phil. They discuss the current freakout over AI, the kerfuffle on Trump's Religious Liberty Commission, and much more.Editors' Picks:Noah: Phil's piece “ Will the AI Revolution Foment a Revolution?” and Noah's response “Against the AI Doomerism Consensus”MBD: Brian T. Allen's piece “High Fashion Wasn't Easy in Imperial Spain”Phil:Light Items:Noah: The OlympicsMBD: BaseballPhil: Sports in the winterSponsors:Made InVaerThis podcast was produced by Haley Strack and edited by Sarah Colleen Schutte. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Terry Mattingly of Rational Sheep Rational Sheep Pop Goes Religion: Faith in Popular Culture GetReligion.orgThe post The Firing of more than 300 Reporters and Editors at the Washington Post – Terry Mattingly, 2/12/26 (0431) first appeared on Issues, Etc..

Today on The Editors, Rich, Charlie, Jim, and Noah discuss Sunday's half-time performance, the kerfuffle over Virginia's redistricting tactics, and some individuals who've been caught up in the Epstein files release. Editors' Picks:Rich: Also NR's editorial on Jimmy LaiCharlie: NR's house editorial “China's Monstrous Sentencing of Jimmy Lai"Jim: Andy's crypto seriesNoah: Charlie's piece “Unfortunately, Peggy Noonan's Idealized Journalism Doesn't Exist”Light Items:Rich: The Rise of Germany by James HollandCharlie: Listening to the Beatles with his kidsJim: Super Bowl partyNoah: Good news for his wifeSponsors:ExpressVPNVaerThis podcast was edited and produced by Sarah Colleen Schutte. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Ep. 375: Metrograph editors Annabel Brady-Brown, Nick Pinkerton, Kelli Weston on Zelda Wynn Valdes, Paul Morrissey, and The Sound of David Lynch Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. I had fun reading the most recent issue of The Metrograph, the magazine from a cinema I frequent, so for a change from the recent festival dispatches, I sat down with its editors to chat about a few articles that caught my eye. Nick Pinkerton shares his work on the inimitable filmmaker Paul Morrissey; Kelli Weston speaks of fashion designer and costume Zelda Wynn Valdes; and Annabel Brady-Brown talks about Dean Hurley, David Lynch's sound maven and his unsettling contributions to Twin Peaks: The Return. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Yale professor Elli Stern talks with us about figuring out what kind of writing we want to do after tenure—and the importance of building a team of friends and colleagues who can read drafts and provide valuable feedback. Don't forget to rate and review our show and follow us on all social media platforms here: https://linktr.ee/writingitpodcast Contact us with questions, possible future topics/guests, or comments here: https://writingit.fireside.fm/contact

Today on the Editors, Rich, Charlie, Mad, and Audrey discuss Minneapolis, the Washington Post layoffs, and the long-awaited backlash against medical professionals who supported transgender surgeries.Editors' Picks:Rich: John Puri's piece “The Administration's War on Drug Development”Charlie: Also Yuval's postMBD: Yuval Levin's post “Nationalizing Elections Is a Very Bad Idea, as It Was When Democrats Tried It”Audrey: MBD's piece "Midnight Strikes for Immigration Restrictionism"Light Items:Rich: Winter coming to a closeCharlie: John Wayne moviesMBD: Super Bowl prepAudrey: The ice and snow disappearing from D.C.Sponsors:VaerStrawberryThis podcast was edited and produced by Sarah Colleen Schutte. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In the 1930s and 1940s, amid intensifying anticolonial activism across the British Empire, dozens of new West African and Caribbean newspapers printed their first issues. With small staffs and shoestring budgets, these newspapers nonetheless became powerful vehicles for the expression of Black political thought. Drawing on papers from Trinidad, Jamaica, Ghana, and Nigeria, Leslie James shows how the press on both sides of the Atlantic nourished anticolonial and antiracist movements. Editors with varying levels of education, men and women journalists, worker and peasant correspondents, and anonymous contributors voiced incisive critiques of empire and experimented with visions of Black freedom. But as independence loomed, the press transformed to better demonstrate the respectability expected of a self-governing people. Seeing themselves as “the Fourth and Only Estate,” the sole democratic institution available to a colonized population, early press contributors experimented with the form and function of the newspaper itself. They advanced anticolonial goals through clipping and reprinting articles from a variety of sources; drawing on local ways of speaking; and manipulating photography, comics, and advertising. Such unruly content, James shows, served as a strategic assertion of autonomy against colonial bureaucracy. Yet in the 1950s, this landscape changed as press professionalism became a proxy for a colony's capacity to govern itself. Analyzing a key moment in the history of Black Atlantic political thought, The Moving Word: How the West African and Caribbean Press Shaped Black Political Thought, 1935-1960 (Harvard UP, 2025) highlights the boundless, shapeshifting power of experimental media. During the era of decolonization, as independence loomed on the horizon, West African and Caribbean newspapers creatively engineered and reinvented debates about imperialism, racial capitalism, and Black freedom dreams and realities. Leslie James is Reader and Sinor Lecturer in Global History at Queen Mary University of London and the author of George Padmore and Decolonization from Below: Pan-Africanism, the Cold War, and the End of Empire, 1939–1959. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the 1930s and 1940s, amid intensifying anticolonial activism across the British Empire, dozens of new West African and Caribbean newspapers printed their first issues. With small staffs and shoestring budgets, these newspapers nonetheless became powerful vehicles for the expression of Black political thought. Drawing on papers from Trinidad, Jamaica, Ghana, and Nigeria, Leslie James shows how the press on both sides of the Atlantic nourished anticolonial and antiracist movements. Editors with varying levels of education, men and women journalists, worker and peasant correspondents, and anonymous contributors voiced incisive critiques of empire and experimented with visions of Black freedom. But as independence loomed, the press transformed to better demonstrate the respectability expected of a self-governing people. Seeing themselves as “the Fourth and Only Estate,” the sole democratic institution available to a colonized population, early press contributors experimented with the form and function of the newspaper itself. They advanced anticolonial goals through clipping and reprinting articles from a variety of sources; drawing on local ways of speaking; and manipulating photography, comics, and advertising. Such unruly content, James shows, served as a strategic assertion of autonomy against colonial bureaucracy. Yet in the 1950s, this landscape changed as press professionalism became a proxy for a colony's capacity to govern itself. Analyzing a key moment in the history of Black Atlantic political thought, The Moving Word: How the West African and Caribbean Press Shaped Black Political Thought, 1935-1960 (Harvard UP, 2025) highlights the boundless, shapeshifting power of experimental media. During the era of decolonization, as independence loomed on the horizon, West African and Caribbean newspapers creatively engineered and reinvented debates about imperialism, racial capitalism, and Black freedom dreams and realities. Leslie James is Reader and Sinor Lecturer in Global History at Queen Mary University of London and the author of George Padmore and Decolonization from Below: Pan-Africanism, the Cold War, and the End of Empire, 1939–1959. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In the 1930s and 1940s, amid intensifying anticolonial activism across the British Empire, dozens of new West African and Caribbean newspapers printed their first issues. With small staffs and shoestring budgets, these newspapers nonetheless became powerful vehicles for the expression of Black political thought. Drawing on papers from Trinidad, Jamaica, Ghana, and Nigeria, Leslie James shows how the press on both sides of the Atlantic nourished anticolonial and antiracist movements. Editors with varying levels of education, men and women journalists, worker and peasant correspondents, and anonymous contributors voiced incisive critiques of empire and experimented with visions of Black freedom. But as independence loomed, the press transformed to better demonstrate the respectability expected of a self-governing people. Seeing themselves as “the Fourth and Only Estate,” the sole democratic institution available to a colonized population, early press contributors experimented with the form and function of the newspaper itself. They advanced anticolonial goals through clipping and reprinting articles from a variety of sources; drawing on local ways of speaking; and manipulating photography, comics, and advertising. Such unruly content, James shows, served as a strategic assertion of autonomy against colonial bureaucracy. Yet in the 1950s, this landscape changed as press professionalism became a proxy for a colony's capacity to govern itself. Analyzing a key moment in the history of Black Atlantic political thought, The Moving Word: How the West African and Caribbean Press Shaped Black Political Thought, 1935-1960 (Harvard UP, 2025) highlights the boundless, shapeshifting power of experimental media. During the era of decolonization, as independence loomed on the horizon, West African and Caribbean newspapers creatively engineered and reinvented debates about imperialism, racial capitalism, and Black freedom dreams and realities. Leslie James is Reader and Sinor Lecturer in Global History at Queen Mary University of London and the author of George Padmore and Decolonization from Below: Pan-Africanism, the Cold War, and the End of Empire, 1939–1959. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

In the 1930s and 1940s, amid intensifying anticolonial activism across the British Empire, dozens of new West African and Caribbean newspapers printed their first issues. With small staffs and shoestring budgets, these newspapers nonetheless became powerful vehicles for the expression of Black political thought. Drawing on papers from Trinidad, Jamaica, Ghana, and Nigeria, Leslie James shows how the press on both sides of the Atlantic nourished anticolonial and antiracist movements. Editors with varying levels of education, men and women journalists, worker and peasant correspondents, and anonymous contributors voiced incisive critiques of empire and experimented with visions of Black freedom. But as independence loomed, the press transformed to better demonstrate the respectability expected of a self-governing people. Seeing themselves as “the Fourth and Only Estate,” the sole democratic institution available to a colonized population, early press contributors experimented with the form and function of the newspaper itself. They advanced anticolonial goals through clipping and reprinting articles from a variety of sources; drawing on local ways of speaking; and manipulating photography, comics, and advertising. Such unruly content, James shows, served as a strategic assertion of autonomy against colonial bureaucracy. Yet in the 1950s, this landscape changed as press professionalism became a proxy for a colony's capacity to govern itself. Analyzing a key moment in the history of Black Atlantic political thought, The Moving Word: How the West African and Caribbean Press Shaped Black Political Thought, 1935-1960 (Harvard UP, 2025) highlights the boundless, shapeshifting power of experimental media. During the era of decolonization, as independence loomed on the horizon, West African and Caribbean newspapers creatively engineered and reinvented debates about imperialism, racial capitalism, and Black freedom dreams and realities. Leslie James is Reader and Sinor Lecturer in Global History at Queen Mary University of London and the author of George Padmore and Decolonization from Below: Pan-Africanism, the Cold War, and the End of Empire, 1939–1959. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In the 1930s and 1940s, amid intensifying anticolonial activism across the British Empire, dozens of new West African and Caribbean newspapers printed their first issues. With small staffs and shoestring budgets, these newspapers nonetheless became powerful vehicles for the expression of Black political thought. Drawing on papers from Trinidad, Jamaica, Ghana, and Nigeria, Leslie James shows how the press on both sides of the Atlantic nourished anticolonial and antiracist movements. Editors with varying levels of education, men and women journalists, worker and peasant correspondents, and anonymous contributors voiced incisive critiques of empire and experimented with visions of Black freedom. But as independence loomed, the press transformed to better demonstrate the respectability expected of a self-governing people. Seeing themselves as “the Fourth and Only Estate,” the sole democratic institution available to a colonized population, early press contributors experimented with the form and function of the newspaper itself. They advanced anticolonial goals through clipping and reprinting articles from a variety of sources; drawing on local ways of speaking; and manipulating photography, comics, and advertising. Such unruly content, James shows, served as a strategic assertion of autonomy against colonial bureaucracy. Yet in the 1950s, this landscape changed as press professionalism became a proxy for a colony's capacity to govern itself. Analyzing a key moment in the history of Black Atlantic political thought, The Moving Word: How the West African and Caribbean Press Shaped Black Political Thought, 1935-1960 (Harvard UP, 2025) highlights the boundless, shapeshifting power of experimental media. During the era of decolonization, as independence loomed on the horizon, West African and Caribbean newspapers creatively engineered and reinvented debates about imperialism, racial capitalism, and Black freedom dreams and realities. Leslie James is Reader and Sinor Lecturer in Global History at Queen Mary University of London and the author of George Padmore and Decolonization from Below: Pan-Africanism, the Cold War, and the End of Empire, 1939–1959. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Today on The Editors, Rich Charlie, Jim, and Noah discuss Don Lemon's arrest, recent Epstein files news, and much more.Editors' Picks:Rich: Noah's post "The Oldest Trick in the Book"Charlie: Dan's piece “Where Does Ron DeSantis Go Next?”Jim: NR's editorial “The God-Awful Homeless Deaths in Mamdani's New York City”Noah: Rich's piece “Don't Abuse the Word ‘Protester'”Light Items:Rich: Yankee memorabilia showCharlie: Falcom HallJim: Bowling and Chinese foodNoah: Theater daysSponsor:Made InThis podcast was edited and produced by Sarah Colleen Schutte. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

From grit to glam. The women of Team USA are flipping the script on what longevity looks like the winter edition of Women's Health. Amanda Lucci is the director of special projects for Women's Health. Editors created a mirrored set to evoke icy, wintry vibes and Amanda says the athletes turned models understood the assignment. "They just turned it on the second they got on set and it was so much fun," says Amanda. The Olympics issue celebrates longevity. "We really wanted to explore what it takes to be an athlete for actual decades, while also living a lot of life outside of that," says Amanda. Snowboarder Jamie Anderson is an Olympic gold medalist. She took three years off since the 2022 Winter Games to have two kids. Her Olympic push for Milan Cortina involved a lot of multi-tasking. Amanda says, "She's still talking about how she's still getting into her flow of how she's training and also being a mom but at the same time, she's so much stronger." Cover model Chloe Kim left the last Olympics with more than a gold medal in the halfpipe. She describes extreme burnout and what she's done to work through it and fall in love with snowboarding again. Peak performance means new things. It's not just medals. It's mental health, motherhood, rest, and redefining success. On this Dying to to Ask: Proof it's never too late to pivot careers, even as an athlete How female athletes are fitting in or making backup plans for kids Redefining what's a win. Advice on giving yourself some grace to work on your grit Behind the scenes of the Olympic shoot. How Women's Health made Team USA's top female athletes feel like super models

Description:  Hosts Roz and Dr. Sanchez-Fueyo are joined by Juan Pablo Huidobro to discuss the key articles of the February issue of the American Journal of Transplantation. Juan Pablo Huidobro is an Assistant Professor in Nephrology at Pontifical Catholic University of Chile [02:52] Evolving landscape of thrombotic microangiopathy in kidney transplant recipients in the post–C5 inhibitor era [13:22] Erythropoietin prolongs graft survival in mice by counteracting trained immunity [22:06] A new principle to attenuate ischemia reperfusion injury in kidney transplantation [33:14] Sustained allogeneic kidney graft operational tolerance despite discontinued conventional immunosuppression after CD19-CAR-T-cell therapy for relapsed/refractory post-transplantation lymphoproliferative disorder [40:15] Bloodstream Infection Subtypes and Characteristics Comparing Solid Organ Transplant and Non-Transplant Populations

Many Fresno greetings to you. We check in with February in Fresno with topics like: Why doesn't our fog have a more fun name than Tule? A new soccer stadium at the Fresno Bee. The closing of Benediction. The trouble of dealing with Fresno infrastructure. Band of the Episode: Daze Baby "Goliath". Horn BBQ and new Fresno businesses. And more! EDITORS' NOTE: We are very sorry for the sometimes choppy connection!! We are working to make this better for next month. Sorry again. Hosted by Joshua Tehee and Mike Seay. Josh at the Fresno Bee. Josh's local music newsletter: Bandgeeeek.substack.com. Josh's bands: New Old Man, It'll Grow Back, Big Balls, and the Strikingly Originals.  Mike's newsletters: Fresno! Fresno! and Drinking & Thinking. Mike's blogs The Fresnan, The Tape Player. Plus the podcasts Get Off My Podcast, The Perfect Pour.  

We all know we should brush and floss our teeth. But the reason goes beyond a sparkling smile and keeping bad breath at bay. The mouth is a critical and often overlooked organ when it comes to improving overall health. Dr. Sanjay Gupta sits down with Dr. Kami Hoss, author of “If Your Mouth Could Talk,” to discuss the importance of oral health and the brushing routine he recommends for morning and night.  For more on Dr. Hoss' oral care recommendations, check out his e-book: https://supermouthcdn.blob.core.windows.net/website/The_Oral_Care_Revolution.pdf  -- Editors' Note: This episode was assembled from two interviews (one host-led and one producer-led) that took place on separate occasions.  Our show was produced by Sofia Sanchez. Medical Writer: Andrea Kane; Showrunner: Amanda Sealy; Senior Producer: Dan Bloom; Technical Director: Dan Dzula; Executive Producer: Steve Lickteig  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today on The Editors, Rich, Charlie, Michael, and Phil discuss Trump's backing down in Minneapolis, what's going on in Iran, and the resident's takes on housing.Editors' Picks:Rich: Dan's post “New Jersey and Seattle Take Further Steps Toward Open State Insurrection”Charlie: Yuval Levin's magazine piece “America the Durable”Michael: Charlie's piece “ Why the Second Alex Pretti Video Matters — and Doesn't”Phil: Dan's post “Read a History Book, Tim Walz”Light Items:Rich: School of RockCharlie: The Taking of Pelham One Two ThreeMichael: NurembergPhil: Snow strategySponsors:University of AustinExpressVPNThis podcast was edited and produced by Sarah Colleen Schutte. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Writer and author Tarpley Hitt is a New York journalist and an editor and contributor at The Drift magazine. She has previously reported on culture and money for The Daily Beast and Gawker. Her work has appeared in The New York Times, Bookforum, The Paris Review, The Guardian, Air Mail, Deseret Magazine, and Miami New Times. Her debut book is Barbieland, The Unauthorized History, just out from Simon & Schuster's One Signal imprint. The New York Times called it “rollicking.” Amazon named it a “Best Book of the Month” and an “Editors' Pick.” Her work is full of humor, joy and vibrant language, in no small part because of the eye she has developed. Listen in as we discuss that eye, and so much more. The QWERTY podcast is brought to you by the book The Memoir Project: A Thoroughly Non-Standardized Text for Writing & Life. Read it, and begin your own journey to writing what you know. To learn more, join The Memoir Project free newsletter list and keep up to date on all our free webinars, instructive posts and online classes in how to write memoir, as well as our talented, available memoir editors and memoir coaches, podcast guests and more.

eCoustics Vintage Editor Eric Pye and Producer Mitch Anderson sit down with Dave Kelley, President of KLH, for a grounded conversation on loudspeaker design, KLH's history, and how a legacy brand operates in today's market without leaning on nostalgia as a crutch.The discussion traces the influence of Henry Kloss, the shared DNA linking Klipsch, Kelley, Kyocera, and KLH, and how those ideas continue to inform real-world speaker engineering. Attention turns to KLH's current lineup—specifically the Model Three, Model Five, and Model Seven—with the Five and Seven competing for Eric's eCoustics 2025 Editors' Choice Floorstanding Loudspeakers vote based on listening, not legacy. If you want a clear-eyed look at where KLH has been and why its modern speakers still deserve serious consideration, this episode delivers without the marketing gloss.Thank you to SVS and Shure for their support of our programming!https://www.svsound.comhttps://www.shure.comCredits:• Original intro music by The Arc of All. https://sourceoflightandpower.bandcamp.com• Voice Over Provided by Todd Harrell of SSP Unlimited. https://sspunlimited.com• Production by Mitch Anderson, Black Circle Studios. https://blackcircleradio.comDon't forget to check our website for daily updates on the latest electronics, news, recommendations, and deals on high-end audio, loudspeakers, earphones, TVs, and more.https://www.ecoustics.com#KLHspeakers #vinylcommunity #audioloveyyc #KLHModelSeven #ecoustics #hifi #audiophile #hometheater #listeningroom #musicindustry #loudspeakerdesign #HIFIHistory

It's mailbag time on The Run-Through! Chloe Malle and Chioma Nnadi are back once again to answer your delightful questions. But first, Chioma reports back from a whirlwind couture trip to Paris, where Jonathan Anderson staged an upside-down garden fantasy and Chanel delivered an Alice in Wonderland-inspired set complete with giant mushrooms. They discuss standout front-row moments (Rihanna! Jennifer Lawrence!), the new lightness in couture, and why some details only make sense IRL.Back in New York, Chloe debriefs a major snowstorm, snow-boot styling, and awards-season buzz—from Grammys predictions to the BAFTAs. Plus, the Vogue Book Club reckons with the very un-romantic reality of Wuthering Heights.In the mailbag: Is fur back? Do Vogue editors get clothing allowances? Biggest fashion splurges? How to make a simple outfit feel stylish and hot? The hosts also share career advice for breaking into fashion, and tell us which designer bags are currently in heavy rotation. Couture, culture, and closet confessions—consider this your chicest group chat.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

In our second editors roundtable episode, DC Comics veterans Paul Levitz, Mike Carlin, and Jack C. Harris discuss the realities of editorial work, from assembling creative teams and managing personalities, to the daily struggles that fans sometimes romanticize about the job. The three editors reflect on decisions they knew would be debated for decades, highlight each other's editorial strengths, and examine how DC's legacy characters and continuity both served and complicated storytelling over the years. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today on The Editors, Rich, Charlie, Jim, and Phil discuss all things Minneapolis.Editors' Picks:Rich: The new magazine issueCharlie: Gordon Wood's magazine piece “The Five Greatest Words in the Declaration”Jim: Noah's piece “The Scale of the Iranian Massacre Comes into View”Noah: Yuval Levin's magazine piece “America the Durable”Light Items:Rich: Good pulled pork sandwichesCharlie: His wife's biscottiJim: Sam DarnoldNoah: Near-fist-fightSponsors:University of AustinExpressVPNThis podcast was edited and produced by Sarah Colleen Schutte. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The IDW Editors of The Twilight Zone Ellen Boener and Nic Nino talk to me about the new series. It's a great collection of one and done stories that honor the tone and spirit of the iconic show.Technical issues really messed up the majority of the talk.Apologies, the arctic weather has been screwing with my streaming ability

On this episode of Who's Editing?, Siskoid and special guest Captain Entropy tackle Who's Who Update '87 #5 and reinvent the DC Universe using only that comic's entries! Superboy! The Watchmen! VIBE!!! And perhaps some of the most obscure characters yet. Listen to this episode below or subscribe to Who's Editing? on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: https://fireandwaterpodcast.com Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Révolution" by Les Sherpas. Thanks for leaving a comment to the editors!

Larry Sanger, Wikipedia co‑creator, joins us in the tent today to talk about who's writing Wikipedia articles, secret Wikipedia editors, suppressing writers, and other interesting topics… WELCOME TO CAMP!

Inside the Front‑Line of Resistance: Photojournalist Stephanie Keith on Visual Anthropology, ICE Protests & the Power of Community Observers

The editors discuss the theme for January 2026 - "Peace That Passes Understanding."Music from #Uppbeat (free for Creators!):https://uppbeat.io/t/zoo/clarityLicense code: UL9CSCKZ4YPM52DF

What happens after you submit a paper to a journal like Cell?In this episode, JP talks with two scientific editors from Cell Press about how peer review really works, how editorial decisions are made, and what it's like to build a career in scientific editing. From presubmissions and reviewer selection to burnout, publishing ethics, and social justice in science, this episode offers a rare behind-the-scenes look at the people shaping the scientific record.

Climate change is one of the most pressing issues facing humanity – and is not a future problem. Changes to the Earth's climate driven by emission of greenhouse gases have led to glaciers shrinking, plant and animal geographic ranges shifting and historical droughts, wildfires and rainfall. What does all of this have to do with the clinical laboratory?  Subscribe to Editors in Conversation on Apple Podcasts, Android, Spotify, or Email and never miss an episode. Guests: Dr. Joesph Wiencek, Director of Clinical Chemistry and Associate Professor at VUMC Andrea Prinzi, Ph.D., MPH, SM(ASCP), bioMérieux Links:  The foundation for the microbiology laboratory's essential role in diagnostic stewardship: an ASM Laboratory Practices Subcommittee report  Approaches to developing and implementing a molecular diagnostics stewardship program for infectious diseases: an ASM Laboratory Practices Subcommittee report  Guiding antimicrobial stewardship through thoughtful antimicrobial susceptibility testing and reporting strategies: an updated approach in 2023  This episode of Editors in Conversation is brought to you by the Journal of Clinical Microbiology and hosted by JCM Editor in Chief, Romney Humphries, Ph.D., D(ABMM).  Visit journals.asm.org/journal/jcm to read articles and/or submit a manuscript. Become an ASM member to receive up to 50% off publishing fees when you publish in JCM or any of the ASM journals. Sign up at asm.org/joinasm.

Today on The Editors, Rich, Charlie, Michael, and Phil discuss Trump's backing down over Greenland, the Lisa Cook kerfuffle, and the declining murder rate.Editors' Picks:Rich: John Gustavsson's piece “Trump's Greenland Gambit Alienates the European Right He Once Inspired”Charlie: Looking forward to reading new issue of the magazineMBD: Alexandra DeSanctis's magazine piece "Rediscovering the American Story"Phil: Dan McLaughlin's piece “Vance Will Have to Choose Between Tucker and the Presidency”Light Items:Rich: War and Power by Phillips O'BrienCharlie: His son playing flag footballMBD: Puzzle gamesPhil: Snow prepSponsors:University of AustinThe Witherspoon InstituteThis podcast was edited and produced by Sarah Colleen Schutte. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Learn about CPD and why it's core to professional editorial practice.Listen to find out more aboutWhat CPD actually meansWhy CPD mattersThe professional confidence factorTypes of CPDCPD on a budgetTracking and reflecting on CPDHow CPD supports career developmentOvercoming barriers to CPDBook series: Notes from the PodcastWant to hone your editorial business skills? Our actionable guides and workbooks help you plan and implement a programme for business growth and development.Find out more here: https://www.louiseharnbyproofreader.com/notes.htmlSupport The Editing PodcastTip your hosts: Support Louise and Denise with a one-off tip of your choosing.theeditingpodcast.captivate.fm/supportJoin our Patreon community: Our patrons benefit from access to PDF transcripts for episodes featuring just Louise and Denise, and for some of our guest episodes. Tier-2 patrons also receive bonus content for most episodes.patreon.com/editingpodcastDenise and LouiseDenise Cowle: denisecowleeditorial.comLouise Harnby: harnby.co/fiction-editingPost-productionLiv Cowle: livcowle.comMusic credit'Vivacity' by Kevin MacLeodLink: https://filmmusic.io/song/4593-vivacityLicence: http://creativecommons.org/licenses/by/4.0/

IREI editors convene to discuss issues of the day, and you're invited to listen in. Joining the discussion is Loretta Clodfelter, the organization's editorial director; Mike Consol, editor of Real Assets Adviser; Andrea Zander, editor of Institutional Real Estate Americas; and Marek Handzel, editor of Institutional Real Estate Europe. (01/2026)

IREI editors convene to discuss issues of the day, and you're invited to listen in. Joining the discussion is Loretta Clodfelter, the organization's editorial director; Mike Consol, editor of Real Assets Adviser; Andrea Zander, editor of Institutional Real Estate Americas; and Marek Handzel, editor of Institutional Real Estate Europe. (01/2026)

In this week's episode of Fully Booked, we explore one of the most critical decisions in the publishing process: how to choose the right editor for your book. Developmental editor and book coach Sue Toth joins us to explain the different types of editing, how they compare to coaching, when and why professional support is worth the investment, and how to prepare your manuscript before handing it off. Specializing in series editing, Sue offers insight into the unique challenges series present, from tracking character arcs to maintaining continuity across multiple books. She shares practical strategies like starting a series bible early and ensuring your editor has access to it. As she explains, choosing an editor isn't just about skill, but also about compatibility. A strong author-editor relationship can make all the difference in shaping your story into the best version of itself. Whether you're writing your debut novel or managing a multi-book arc, this episode is packed with valuable advice for every stage of the process.   Sue Toth https://suetoth.com/   Hidden Gems Need our help publishing or marketing your book?  https://www.hiddengemsbooks.com/author-services/   All episode details and links:  https://www.hiddengemsbooks.com/podcast

Today on The Editors, Rich, Charlie, Jim, and Noah discuss the Greenland debacle, the absurdities coming out of Minneapolis, and much more.Editors' Picks:Rich: Craig Young's magazine piece “A Valentine to America's Sweetheart City”Charlie: Andy's piece “Handle the Renee Good Shooting by the Book”Jim: Jeff's post “Our Impossibly Small-Souled President”Noah: Jim's post "Kamala Harris's Presidential Campaign Was Run by a Bunch of Lunatics"Light Items:Rich: Documentary about Houston Oilers coach Bum Phillips Charlie: Oculus headsetJim: Snow prepNoah: Netflix gamesSponsors:University of AustinMade InThe Witherspoon InstituteThis podcast was edited and produced by Sarah Colleen Schutte. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this deeply personal episode of the AART Podcast, host Chris Stafford sits down with acclaimed American film editor Jazzy Kettenacker for an intimate conversation about life, identity, and a career shaped by storytelling. Rather than focusing on technical process, this episode explores the human journey behind the edit — the experiences, values, and turning points that have defined Jazzy's path in film and beyond. Jazzy Kettenacker reflects on growing up with a creative instinct, discovering film as a way to make sense of the world, and how editing became not just a profession but a way of thinking and living. She speaks candidly about navigating the film industry, finding her voice as an artist, and the emotional intelligence required to shape stories that resonate. This is a conversation about resilience, intuition, and the unseen labor that gives films their emotional rhythm. Throughout the episode, Jazzy opens up about the realities of sustaining a creative life — the doubts, the breakthroughs, and the personal evolution that comes with long-term artistic work. Her story highlights the importance of trust, collaboration, and empathy, revealing how an editor's sensibility is deeply intertwined with who they are as a person. The AART Podcast is known for thoughtful, biographical conversations with artists across disciplines, and this episode is no exception. Chris guides the discussion with warmth and curiosity, creating space for reflection on creativity, identity, and what it truly means to build a life in the arts. Whether you're a filmmaker, artist, or simply someone interested in honest creative journeys, this episode offers rare insight into the inner life of a film editor whose work — and perspective — is shaped by lived experience.BIOJazzy Kettenacker, a St. Louis native and full-time Editor at BSS Outpost, is known for her dynamic editing style and relentless work ethic. A Hollins University graduate and Premiere Pro wiz, she's collaborated with top brands like The North Face, Disney+, MLS, Rolling Stone, Under Armour, Pepsi, and FX. Jazzy's dedication to creative excellence drives her to push boundaries and redefine cinematic storytelling.  Born in 199 in Columbia, MI, Jazzy is the only child of Donna Garrett, a lieutenant for the St. Louis Police Department, and Lynn Hard, a retired Home School Communicator.  She attended Compton-Drew Middle School, Webster Groves High School and Hollins University—an all women's University in Roanoke, VA. Her love for film and the process of filmmaking that she learned in college guided her to a career that began behind the camera before she realized the magic for her was to be found in the edit suite. With experience across the genres, Jazzy has now found her metier in documentary film.Keywords:Jazzy Kettenacker, Jazzy Kettenacker film editor, American film editor, film editing career, women in film, film industry stories, creative life podcast, artist biography podcast, AART Podcast, Chris Stafford podcast, film editor interview, life in film, creative identity, storytelling in cinema, behind the scenes film, artist conversations, biographical podcast, independent film voicesHost: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.A Hollowell Studios ProductionInstagram: @theaartpodcast Email: hollowellstudios@gmail.com© Copyright: Chris Stafford | Hollowell StudiosAll Rights Reserved

Josh Safdie's Marty Supreme transports audiences to a vibrant 1950s world of professional ping pong, yet many viewers remain unaware that the film contains over 500 visual effects shots. Eran Dinur, the film's VFX Supervisor, reveals how his team meticulously recreated period accurate crowds in Tokyo and Wembley while keeping the digital work entirely "invisible." He views his role as a bridge between the filmmaker's vision and the technical reality on set, ensuring that every digital element supports the story without drawing attention to itself. For Eran, the ultimate compliment is a viewer who walks out of the theater believing every single frame was captured in camera. The transition into high end visual effects was an unlikely one for Eran, who spent fifteen years as a classical music composer before a random software download steered him toward ILM and eventually the Safdie Brothers. This musical background provides a unique perspective on the rhythm and "choreography" of effects, whether he is timing CG ping pong balls to Timothée Chalamet's performance or animating the surreal openings of Uncut Gems. Beyond the technical craft, he addresses the current industry backlash against CGI and the marketing trends that prioritize "practical only" narratives. He also offers a practical look at the future of AI in cinema, arguing that tools are only as good as the control an artist has over them. Eran Dinur on IMDB > Eran Dinur's website >  Marty Supreme Trailer > Marty Supreme Wikipedia > The Filmmaker's Guide to Visual Effects: The Art and Technique of VFX for Directors, Producers, Editors and Cinematographers by Eran Dinur > The Complete Guide to Photorealism for Visual Effects, Visualization and Games: For Visual Effects, Visualization and Games by Eran Dinur >   This episode is sponsored by: Center Grid Virtual Studio Kitbash 3D (Use promocode "cggarage" for 10% off)  

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Cap

Today on The Editors, Rich, Charlie, Michael, and Audrey discuss the latest news out of Minneapolis, if Trump has lost his chance on Iran, and much more.Editors' Picks:Rich: Also John's postCharlie: John Puri's post "Buying Greenland for $700 Billion Is Not a Great Idea"MBD: Abigail's magazine piece "The U.K. Is in Peril"Audrey: Jeff's post “To Hell with Minnesota”Light Items:Rich: RFK's food pyramidCharlie: Mark Twain by Ron ChernowMBD: Winter sportsAudrey: Ireland tripSponsors:University of AustinExpressVPNMade InVaerThis podcast was edited and produced by Sarah Colleen Schutte. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Epstein story is being slowly smothered not because the facts disappeared, but because attention did. A fresh tragedy dominates the news cycle, soaking up oxygen the way breaking disasters always do, leaving no room for unresolved scandals that demand patience and persistence. Wall-to-wall coverage shifts emotional bandwidth away from accountability and toward shock, grief, and immediacy. The result is predictable: Epstein coverage slips from front-page urgency to background noise. Panels that once debated co-conspirators now debate optics and timing. Editors quietly decide that a dead story with no “new hook” can wait another day, then another week. Public outrage doesn't vanish, it just gets deferred. That delay is fatal to complicated accountability stories that rely on sustained pressure. The files remain sealed not because the public stopped caring, but because caring requires focus. Distraction does the work that censorship never could.That dynamic plays directly into the hands of everyone who benefits from the Epstein story staying buried. Powerful institutions don't need to argue against disclosure when the public is too exhausted to demand it. Silence becomes procedural instead of sinister, framed as backlog, process, or sensitivity. Each new tragedy gives cover to stall, redact, and delay without looking defensive. The longer the pause, the easier it is to claim the moment has passed. Survivors are told, implicitly, to wait their turn while history moves on without them. Accountability is treated as optional, something to revisit once the chaos settles, knowing full well it never really does. This is how uncomfortable truths die in modern America: not with denial, but with neglect. The Epstein files don't stay sealed because they lack importance. They stay sealed because distraction is policy, and it's working.to contact me:bobbycapucci@protonmail.com

Autumn A. Arnett joins us to talk about the EFA and what you should keep in mind when looking for the right editor for your book.The Editorial Freelancers Association is a nonprofit organization that advances excellence among a dynamic community of freelance editorial professionals by providing opportunities for business development, learning, and networking. EFA members are editors, writers, indexers, proofreaders, researchers, desktop publishers, translators, and others who offer a broad range of skills and specialties.//Draft2Digital is where you start your Indie Author Career//  Looking for your path to self-publishing success? Draft2Digital is the leading ebook publisher and distributor worldwide. We'll convert your manuscript, distribute it online, and support you the whole way—and we won't charge you a dime.  We take a small percentage of the royalties for each sale you make through us, so we only make money when you make money. That's the best kind of business plan.  • Get started now: https://draft2digital.com/• Learn the ins, the outs, and the all-arounds of indie publishing from the industry experts on the D2D Blog: https://Draft2Digital.com/blog  • Promote your books with our Universal Book Links from Books2Read: https://books2read.com  Make sure you bookmark https://D2DLive.com for links to live events, and to catch back episodes of the Self Publishing Insiders Podcast.

Listen to a replay of 2025's other 3rd most popular episode (it was a statistical tie)! Bestselling author and literary agent Betsy Lerner spoke with me about being a “late bloomer,” what 35 years in publishing has taught her, and portraying mental illness in her debut novel SHRED SISTERS. Betsy Lerner is the author of the popular advice book to writers, The Forest for the Trees, and the memoirs Food and Loathing and The Bridge Ladies. With Temple Grandin, she is the also co-author of the New York Times bestseller Visual Thinking: The Hidden Gifts of People Who Think in Pictures, Patterns and Abstractions. Her debut novel, Shred Sisters, is described as “... an intimate and bittersweet story exploring the fierce complexities of sisterhood, mental health, loss and love.” The book was longlisted for The Center for Fiction First Novel Prize, a New York Times Notable Book of 2024, and a New York Times Book Review Editors' Choice and Best Book of the Year So Far, among many other accolades. Betsy received an MFA from Columbia University in Poetry and was selected as one of PEN's Emerging Writers. She also received the Tony Godwin Publishing Prize for Editors. After working as an editor for 15 years, she became an agent and is currently a partner with Dunow, Carlson and Lerner Literary Agency. [This episode is sponsored by Ulysses. Go to⁠⁠ ⁠ulys.app/writeabook⁠⁠⁠ to download Ulysses, and use the code FILES at checkout to get 25% off the first year of your yearly subscription."] [Discover⁠ The Writer Files Extra⁠: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at⁠ writerfiles.fm⁠] [If you're a fan of The Writer Files, please⁠ click FOLLOW to automatically see new interviews⁠. And drop us a rating or a review wherever you listen] In this file Betsy Lerner and I discussed: Getting kicked out of film school How "No Bad Dogs" inspired her to write The Forest for the Trees about writer personalities Working with punk rock icon Patti Smith The secrets behind her writing process Why she wants to have dinner with filmmaker Greta Gerwig And a lot more! Show Notes: ⁠betsylerner.com⁠ ⁠Dunow, Carlson & Lerner Literary Agency⁠ ⁠Shred Sisters by Betsy Lerner⁠ (Amazon) ⁠The Forest for the Trees: An Editor's Advice to Writers by Betsy Lerner⁠ (Amazon) ⁠Betsy Lerner Amazon Author Page⁠ ⁠Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

The Epstein story is being slowly smothered not because the facts disappeared, but because attention did. A fresh tragedy dominates the news cycle, soaking up oxygen the way breaking disasters always do, leaving no room for unresolved scandals that demand patience and persistence. Wall-to-wall coverage shifts emotional bandwidth away from accountability and toward shock, grief, and immediacy. The result is predictable: Epstein coverage slips from front-page urgency to background noise. Panels that once debated co-conspirators now debate optics and timing. Editors quietly decide that a dead story with no “new hook” can wait another day, then another week. Public outrage doesn't vanish, it just gets deferred. That delay is fatal to complicated accountability stories that rely on sustained pressure. The files remain sealed not because the public stopped caring, but because caring requires focus. Distraction does the work that censorship never could.That dynamic plays directly into the hands of everyone who benefits from the Epstein story staying buried. Powerful institutions don't need to argue against disclosure when the public is too exhausted to demand it. Silence becomes procedural instead of sinister, framed as backlog, process, or sensitivity. Each new tragedy gives cover to stall, redact, and delay without looking defensive. The longer the pause, the easier it is to claim the moment has passed. Survivors are told, implicitly, to wait their turn while history moves on without them. Accountability is treated as optional, something to revisit once the chaos settles, knowing full well it never really does. This is how uncomfortable truths die in modern America: not with denial, but with neglect. The Epstein files don't stay sealed because they lack importance. They stay sealed because distraction is policy, and it's working.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

On today's edition of The Editors, Rich, Charlie, Jim, and Noah discuss the massive unrest in Iran and Trump's response to it, Jerome Powell's recent statement, and more fallout for last week's tragic shooting in Minnesota.Editors' Picks:Rich: Charlie's post “On Football and Pain”Charlie: Dan's piece “How the Supreme Court May Untangle the Tariff Knot”Jim: Charlie's piece “Trump Should Hope His Credit Card Interest Cap Never Becomes Policy”Noah: Dan McLaughlin's piece “The Problem Isn't ICE. It's ICE Watch”Light Items:Rich: Men of Honour: Trafalgar and the Making of the English Hero by Adam NicolsonCharlie: pulled porkJim: Home B&BNoah: American Dream MallSponsors:University of AustinWitherspoonStrawberryVaerThis podcast was edited and produced by Sarah Colleen Schutte. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The time has come for The Run-Through's annual Golden Globes recap—and let's just say, this one delivered. Not only did friend of the podcast Nikki Glaser return to the stage as the hostess with the mostest (with jokes Vogue deputy editor Taylor Antrim couldn't get enough of), but we were also treated to a truly cheeky look from Teyana Taylor (Vogue predicts: the Year of the Buttcrack is officially here) and a standout awards-season red carpet debut from two of the most talked-about boys of the moment, Hudson Williams and Connor Storrie of Heated Rivalry.Reporting early to share highlights from the night, Chloe, Chioma, deputy editor Taylor Antrim, and senior fashion and style writer Christian Allaire broke down the looks that won the evening. Bright colors emerged as a surprising trend, with Wunmi Mosaku's bold yellow look—paired with a pregnancy reveal—standing out as a major highlight. Other memorable moments included Odessa A'zion in self-styled archival Dolce & Gabbana, Tessa Thompson in Balenciaga (serving real mermaid vibes, according to Chloe), and Colman Domingo in Valentino, complete with an abundance of brooches.The group wrapped up by sharing their favorite wins of the night, with unanimous agreement that One Battle After Another is likely to be a frontrunner heading into the Oscars—and that Timothée Chalamet is a shoe-in for Best Actor. Plus, Chloe makes the case for why Zootopia 2 deserved a little more love. Listen to our full recap below. Learn about your ad choices: dovetail.prx.org/ad-choices

Today on The Editors, Rich, Charlie, Michael, and Phil discuss the shooting in Minneapolis, the latest on Venezuela, and Cea Weaver.Editors' Picks:Rich: Also Jeff's postCharlie: Jeff's post “To Hell with Minnesota”MBD: Armond White's piece “The Better-Than List for 2025, the Year of Sedition”Phil: Charlie's post “How Not to Think About the ICE Shooting in Minnesota”Light Items:Rich: Good movies and bad onesCharlie: Bridge over the River KwaiMBD: Macklin CelebriniPhil: Downton Abbey: The FinaleSponsors:University of AustinVaerStrawberryMade InThis podcast was edited and produced by Sarah Colleen Schutte. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Brian Karem speaks with Dr. Nolan Higdon to discuss the documentary on Seymour Hersh, exploring his impact on journalism, the importance of investigative reporting, and the challenges faced by modern journalists. They delve into the art of building sources, the evolution of the press corps, and the critical role of editors in maintaining journalistic integrity. The discussion also highlights the significance of verification in reporting and the need for a robust media landscape to hold power accountable.The documentary is called "Cover-Up" and is available now on NETFLIXFollow us on Twitter: https://twitter.com/JATQPodcastFollow us on BlueSky: https://bsky.app/profile/jatqpodcast.bsky.socialIntragram: https://www.instagram.com/jatqpodcastYoutube:https://www.youtube.com/channel/UCET7k2_Y9P9Fz0MZRARGqVwThis Show is Available Ad-Free And Early For Patreon supporters here:https://www.patreon.com/justaskthequestionpodcastPurchase Brian's book "Free The Press"  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today on The Editors, Rich, Charlie, Jim, and Noah discuss Trump's capture of the Maduros, what this capture means on an international scale, and Tim Walz's announcement.Editors' Picks:Rich: Josh Treviño's piece “In Venezuela, the Era of Escaping Consequences Is Over”Charlie: John O'Sullivan's magazine piece “Tom Stoppard, the Real Thing”Jim: Noah's post "Trump Sides with Iran's Dissidents"Noah: Guy Denton's piece “The Devil's Favorite Libertarian”Light Items:Rich: Thoughtful Christmas giftsCharlie: Statue of Liberty LEGO setJim: Holiday party season endingNoah: New carSponsors:University of AustinDonorsTrustWitherspoon InstituteVaerThis podcast was edited and produced by Sarah Colleen Schutte. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

After a year that saw no shortage of heavy legal news, Mary and Andrew close out 2025 with an episode of positive judicial developments. They begin with the Supreme Court's decision denying President Trump's request to stay an injunction blocking the federalization of National Guard troops in Illinois, concluding that the statute the government used to justify it first requires an attempt to execute federal laws with the military – which would likely require invocation of the Insurrection Act. And nobody seems to want that. At least not yet. The co-hosts then turn to D.C. District Court Judge Jeb Boasberg's decision on the Trump administration's use of the Alien Enemies Act. He wrote that because the U.S. maintained constructive custody over Venezuelans expelled to El Salvador, they are legally owed due process rights. Last up, they note two judges who are demanding proof that the government is not acting vindictively — from the administration's prosecution of Kilmar Abrego Garcia to the presidential memo that stripped the security clearance of national security lawyer Mark Zaid.Editors' Note: While Andrew and Mary were recording this episode, an order from Judge Crenshaw in Abrego Garcia's criminal case was unsealed. It confirms the DOJ pushed to prosecute Kilmar Abrego Garcia only after he was mistakenly deported. You can read it HEREFurther reading:Read Judge Boasberg's Memorandum Opinion on due process for Venezuelans deported to El Salvador HERE Sign up for MS NOW Premium on Apple Podcasts to listen to this show and other MS podcasts without ads. You'll also get exclusive bonus content from this and other shows. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.