Podcasts about editors

Courtney Conley is a movement specialist, foot health expert, and author of the national bestselling book Walk. Through her work as founder of Gait Happens, she helps people build stronger feet and ankles to improve mobility, prevent injury, and stay active for life. Whether you love hiking, running, biking, or climbing, Courtney believes better movement starts from the ground up.  Connect with Courtney:  Website Instagram If you enjoyed this episode, listen to Movement Diet with Katy Bowman Check out REI's 2026 Editors' Choice Awards Thank you to our sponsor: Capital One and the REI Co-op® Mastercard® Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Building and positioning your brand through earned media and PR with Lydia Bagarozza from Visibility on Purpose. ----- Welcome to episode 582 of The Food Blogger Pro Podcast! This week on the podcast, Bjork interviews Lydia Bagarozza.  Building Brand Authority Through PR with Lydia Bagarozza Have you ever wondered how food creators and brands land coverage in respected publications, and whether that kind of press is even worth chasing? In this episode, Bjork sits down with PR expert Lydia Bagarozza to demystify proactive PR, showing that it's less about crisis control and more about shaping brand perception and earning credibility through the media. Lydia breaks down how to pitch timely, newsworthy stories to the right editors and producers, and why clear positioning and specific expertise can turn a pitch into a yes. The conversation also makes the case for PR as a long-term investment. Lydia explains how appearing in respected publications and local news builds social proof, backlinks, and brand signals that feed into SEO, AI visibility, and trust, and she shares go-to tools like Qwoted, Connectively, and Help a Reporter Out for finding real media opportunities. If you've been curious about earning press for your brand, this episode is a great place to start! Three episode takeaways: PR is about long-term brand building, not just crisis management: Proactive PR helps shape how your brand is perceived, builds awareness, and earns credibility through the media well before you ever need it for damage control. Positioning and specificity make pitches easier to say yes to: Editors and producers are more likely to cover you when your pitch is timely, newsworthy, and grounded in clear, specific expertise rather than a generic pitch about your brand. Earned media pays off beyond just visibility: Appearing in respected publications and local news builds social proof and backlinks that can strengthen SEO, AI visibility, and overall trust — and there are accessible tools like Qwoted, Connectively, and Help a Reporter Out to help you find real opportunities, whether you go the DIY or agency route. Resources: Visibility on Purpose GRAZA The Minnesota Star Tribune Food & Wine Bon Appetit The New York Times The Atlantic Good Morning America Claude Martha Stewart VegNews The Pioneer Woman ChatGPT Entrepeneur Inc. Forbes Qwoted (affiliate link!) WisprFlow Featured Connectively Help A Reporter Out Follow Visibility on Purpose on Instagram Join the Food Blogger Pro Podcast Facebook Group Thank you to our sponsors! This episode is sponsored by Clariti and Raptive. Learn more about our sponsors at foodbloggerpro.com/sponsors. Interested in working with us too? Learn more about our sponsorship opportunities and how to get started here. If you have any comments, questions, or suggestions for interviews, be sure to email them to podcast@foodbloggerpro.com. Learn more about joining the Food Blogger Pro community at foodbloggerpro.com/membership.

How should development teams adopt AI without sacrificing code quality or collaboration? In this Talking Drupal Cafe, Stephen Cross is joined by Mike Miles and Jim Birch to discuss practical strategies for integrating AI into Drupal development teams. They explore AI coding assistants, team policies, code review, agent workflows, governance, and real-world lessons from using tools like Claude Code and GitHub Copilot in production environments. For show notes visit: https://www.talkingDrupal.com/cafe020 Topics Why AI Matters Now Team Introductions From Experiments to Workflows Standards and Guardrails Skills and Automation Examples Taming Verbose AI Code Adoption and Tool Choices Governance and Training Measuring Productivity Gains Keeping Up Without FOMO AI for Editors and Site Features Red Teaming and AI Security Jim Birch Jim Birch is Director of Engineering and AI Practice Lead at Kanopi Studios, where he leads engineering teams and oversees the company's responsible adoption of AI. Jim is also a Drupal CMS committer, and Recipes Initiative Coordinator, and is a Google Cloud Certified Generative AI Leader. Michael Miles Mike Miles is a technical leader and speaker with more than 20 years of experience in web engineering, open-source development, and digital platform delivery. As the Director of Web Development at MIT Sloan, he leads the team responsible for the development, maintenance, and growth of the school's public digital properties. Mike regularly speaks at technical conferences on topics including modern web development, Drupal, technical leadership, testing, delivery practices, and practical AI adoption. He is also one of the organizers of New England Drupal Camp. Stephen Cross Stephen Cross has been a Drupal developer for over 20 years and founded Talking Drupal in 2013. As founder of Second Signal Media, he combines his passion for open source and media production to share conversations that help the Drupal community learn and grow. Guests Michael Miles - mikemiles86 Jim Birch - thejimbirch Stephen Cross - stephencross Resources Courses https://anthropic.skilljar.com/ https://academy.openai.com/pages/courses Skills https://kanopi.github.io/cms-cultivator/ https://kanopi.github.io/delivery-record/  

Welcome to the latest episode of the Food and Beverage Magazine Podcast, hosted by the Editors of Food and Beverage Magazine. In this week's episode, we explore major mergers, financial results, and product launches shaping the industry. We kick off with massive acquisition news as Couche-Tard moves to acquire ABKA Group's 13,000 stores for 8.6 billion dollars, alongside Sargento's acquisition of La Terra Fina to expand its deli dips portfolio. We also cover Tyson Foods posting its Q3 2026 results and Corteva raising its full-year guidance after a strong first half.In restaurant and hospitality news, we discuss expansions and brand milestones, including Popup Bagels breaking into the Nevada market, Fogo de Chao expanding in Arizona, and Jollibee bringing its famous Chickenjoy to downtown San Francisco. We also touch on SeaWorld adding horror IP to its Howl-O-Scream food and beverage nights.For the consumer packaged goods and functional foods sectors, we dive into Truheight launching protein energy waffles, Mondelez rolling out a Chips Ahoy mystery limited-time offer, and Bush's Beans dropping a limited-edition beans on toast kit. Additionally, we look at how technology is impacting the industry, highlighting Avocados from Mexico deploying a new AI answer engine for consumers.For full articles on these stories, exclusive insights, and daily industry news, visit fbmagazine.com. Be sure to also check out our network syndication at foodservice.media, which gives brands, buyers, and operators a direct path to the categories that matter most. Thank you for listening, and remember to subscribe to the newsletter so you never miss the latest trends.

On this week's episode of Female Gaze: The Film Club, we continue our Summer of Editors Series as Morgan is joined by filmmaker Libby Ewing to discuss the 1999 film, "Drop Dead Gorgeous," directed by Michael Patrick Jann and edited by Janice Hampton and David Codron. Libby and Morgan dive into the mockumentary style of the film, how the film balances its comedic and thriller aspects, and the Becky Leeman of it all. You can watch Libby's feature directorial debut "Charliebird" - which she also edited - on Video On Demand on Prime Video or AppleTV now!You can follow LibbyInstagramYou can follow Female Gaze: The Film ClubInstagramBlueSkyWebsite

This is the third sermon in our Micah: Hear What the Lord Says series at 4TheCity Church of Greensburg, PA.

Description:  Hosts Roz and Dr. Sanchez-Fueyo are joined by Alessia Giarraputo to discuss the key articles of the August issue of the American Journal of Transplantation. Alessia Giarraputo is a postdoc research fellow at Mass General Hospital and Harvard Medical School [3:38] Donor-reactive clonotypes are overrepresented in the urinary T cell repertoire during kidney transplant rejection and show distinct dynamics in the circulation [13:57] Organ-specific differences in the epidemiology of cytomegalovirus infections in high-risk (cytomegalovirus donor seropositive, recipient seronegative) solid organ transplant recipients with prolonged follow-up: A 10-year experience [22:17] Immune checkpoint inhibitors after liver transplantation: The role of immunosuppressive management [28:34] Expert consensus on the use of immune checkpoint inhibitors in the liver transplant setting: Guidance from the Liver Transplant Committee of the Italian Association for the Study of the Liver (AISF) [33:50] Outcomes of kidney transplants from pediatric donors with acute kidney injury

Today on The Editors, Rich, Michael, Noah, and Andrew discuss Trump's recent polling, Zohran Mamdani's grocery store goals, and the common good. Editors' Picks: Rich: Dan's post "Why JD Vance Generates So Much Heat" MBD: Rich's piece “The Iran War Is Eating Trump's Presidency” Noah: Christian Schneider's piece “Let People Ink for Themselves” Andrew: Michael Strain's post "Adults Are Responsible for How They Use AI" Light Items: Rich: Extra-inning baseball MBD: Vacation Noah: Nashville Andrew: Monarch butterflies Sponsors:CEI's Free the Economy podcastVaer This podcast was edited and produced by Sarah Colleen Schutte. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week, Johnny talked was told off when he strayed too far onstage during Editors' set at On The Beach. Plus, there were international apologies, and beautiful words.Hear Johnny on Radio X every weekday at 4pm across the UK on digital radio, 104.9 FM in London, 97.7 FM in Manchester, on Global Player or via www.radiox.co.uk

New imaging and measurement approaches are revealing previously hidden aspects of microbial life, challenging long-held assumptions and creating opportunities to answer questions that were once out of reach. Marvin Whiteley, Heran Darwin and Jeffrey Moffitt talk about how technological innovation is transforming microbiology. Guests: Heran Darwin, Ph.D. - NYU Grossman School of Medicine Jeffrey Moffitt, Ph.D. - Boston Children's Research This episode of Editors in Conversation is brought to you by mBio® and hosted by mBio Editor in Chief, Marvin Whiteley, Ph.D.  Visit journals.asm.org/journal/mbio to read articles and/or submit a manuscript. Receive up to 50% off fees when you publish in mBio® or any of the ASM journals by becoming an ASM member. Sign up at asm.org/joinasm.

In the business news section of this week's episode, Axiom Biosciences recently announced its plans to go public and made headlines for its plans to do so on the Hong Kong Exchange rather than a U.S. market. We dig into the company's reasoning. Then we turn our attention to Latigo's report of positive Phase IIb data for its non-opioid acute pain candidate, and its plans to go through a planned IPO soon. Switching to some science news, we discuss findings from a study that identified genetic risk factors for fibromyalgia syndrome as well as links to other neurodegenerative, autoimmune, and metabolic diseases. And lastly, a potential base editing therapy for Huntington's disease that has shown promise in mice.Join GEN editors Corinna Singleman, PhD, Alex Philippidis, and Uduak Thomas for a discussion of the latest biotech and biopharma news. Listed below are links to the GEN stories referenced in this episode of Touching Base: StockWatch: Axiom CEO Explains Plans for Hong Kong IPO By Alex Philippidis, GEN Edge, July 27, 2026Latigo Reports Positive Phase IIb Data for Non-Opioid Acute Pain Candidate By Alex Philippidis, GEN Edge, July 30, 2026Genetic Study of Fibromyalgia Points to Neurological Basis GEN, July 29, 2026Base Editing Strategy Alleviates Huntington's Disease in Mice GEN, July 29, 2026Touching Base Podcast Hosted by Corinna Singleman, PhD Behind the Breakthroughs Hosted by Jonathan D. Grinstein, PhD The State of Biologics Testing 2026Charles River Laboratories and GEN, June 10, 2026 Hosted on Acast. See acast.com/privacy for more information.

IREI editors convene to discuss issues of the day, and you're invited to listen in. Joining the discussion is Loretta Clodfelter, the organization's editorial director; Mike Consol, editor of Real Assets Adviser; Andrea Zander, editor of Institutional Real Estate Americas; Marek Handzel, editor of Institutional Real Estate Europe, and Kali Arevalo, editor of Institutional Investing in Infrastructure. (07/2026)

IREI editors convene to discuss issues of the day, and you're invited to listen in. Joining the discussion is Loretta Clodfelter, the organization's editorial director; Mike Consol, editor of Real Assets Adviser; Andrea Zander, editor of Institutional Real Estate Americas; Marek Handzel, editor of Institutional Real Estate Europe, and Kali Arevalo, editor of Institutional Investing in Infrastructure. (07/2026)

IREI editors convene to discuss issues of the day, and you're invited to listen in. Joining the discussion is Loretta Clodfelter, the organization's editorial director; Mike Consol, editor of Real Assets Adviser; Andrea Zander, editor of Institutional Real Estate Americas; Marek Handzel, editor of Institutional Real Estate Europe, and Kali Arevalo, editor of Institutional Investing in Infrastructure. (07/2026)

Before the Hearsts and the Pulitzers, before the front page as we know it, the American newspaper was built by teenagers covered in soot, women who risked hanging, and editors who settled arguments with pistols. Alex Wright joins Blaine DeSantis to talk about Empire of Ink, his sweeping history of how a young republic printed itself into existence between the 1700s and the close of the 1800s. It's a project that started as a personal search into Wright's own family of country newspaper publishers in Georgia and turned into fifteen years of research.The conversation moves fast and covers ground most newspaper histories skip entirely. Wright explains what a printer's devil actually was and why the job cut a man's life expectancy in half. He tells the story of the entrepreneur who imported Egyptian mummies by the boatload because their wrappings were cheaper than American rags, and the French naturalist who watched wasps chew wood into pulp and wondered whether people could do the same thing. There's Mary Katherine Goddard, whose name appears at the bottom of the first Declaration of Independence to carry the signers' names, an act she knew could be read as treason. There's the Vicksburg Sentinel, which burned through eight editors in roughly a dozen years, several of whom died in the line of duty.Wright also takes us to the corners of the story that shaped whole communities. The Cherokee Phoenix, published in an alphabet invented from scratch by Sequoyah, became a political voice for the Cherokee people until their press was taken from them. In San Francisco, Yee Gen hand-built a workaround for printing thousands of Chinese characters and launched the first Chinese American paper. Union soldiers carried portable presses into camp and printed papers with blank pages so the men could write home on the other side. And a young Samuel Clemens swept floors as a print shop apprentice before he ever thought to call himself Mark Twain. If you have ever suspected that today's media chaos is something new, this episode is a useful corrective.

Hocus Focus Mix met Carly Rae Jepsen, The Bausa, Editors, Calvin Harris & Ben Howard

Today on The Editors, Rich, Charlie, Jim, and Dan discuss Rand Paul's release of Anthony Fauci's diaries, updates on the Ukraine–Russia war, and Trump's continuing filibuster battle. Editors' Picks: Rich: Jim's piece “anthony Fauci” Charlie: Also Abigail's piece Jim: Andy's post “the case against former FNI director James Comey” Dan: Abigail's piece “they have no idea what we think” Light Items: Rich: Summer vacation Charlie: Ella Langley Jim: The Jetty Dan: Visiting his grandmother Sponsors:Made InVaerHow the World Works podcast from CEI This podcast was edited and produced by Sarah Colleen Schutte. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On the latest episode of The Run-Through, hosts Chloe Malle, Chioma Nnadi, and Nicole Phelps gathered in the studio together for an Ask Me Anything session pulled from questions on the Vogue app and from students in Vogue's Summer School program. The conversation covered internship advice and career guidance, but a throughline emerged: enthusiasm and curiosity matter more than any single credential. The hosts also opened up about how the culture of the office itself has shifted. Heels have given way to sneakers, the dress code has loosened, and the pandemic accelerated a broader move toward comfort and personal style across the industry. They also swapped stories about their own "I made it" moments, from a first magazine cover to being recognized on the street by young listeners of the podcast, and reflected on conversations with designers. The hosts traded takes on nostalgia and trend forecasting, including dream dinner parties with Coco Chanel or Yves Saint Laurent, first big bag purchases (a lime-green Kate Spade shopper among them), and the resurgence of the drop waist. Stay tuned for our next AMA to submit your own questions! The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Billabong Presents… Smiv and Deadly reflect on the once great Waves Magazine revealing the former Editors who shivved it in the neck in a story straight outta Greek Mythology. PLUS: An exclusive first look at the Sacred Fanning Scriptures - a parchment so biblical Christopher Nolan might use it as his next major film project! Shane Dorian gets absolutely demo’d into shallow Indo reef! Bali locals have had a gutful of pissed touro gronks! And the great Indo Conefest is about to fire up!See omnystudio.com/listener for privacy information.

AI is changing public relations, content creation, media research, and brand visibility. However, technology cannot replace genuine relationships, vulnerable storytelling, or human empathy.In this episode, Jaclyn Zukerman Delory of Next On Scene Media explains how founders can build meaningful visibility without losing their authentic voices.The conversation explores why emotional stories often connect before business facts. Founders who share relevant personal experiences can create stronger audience relationships and greater brand recognition.Media readiness also matters.Publicity can bring difficult questions, public feedback, and unexpected judgment. Media training helps entrepreneurs communicate clearly and remain confident under pressure. The episode also examines the changing role of press releases. Newswire distribution can support brand recognition and long-term online visibility.However, mass pitching rarely replaces personalized outreach. Journalists and editors receive countless generic messages. Relevant pitches, social engagement, and genuine relationship building help brands stand out.AI can support journalist research, grammar editing, keyword discovery, pitch personalization, and AI enabled Market Research.Yet every output still needs human review. Editors often recognize repetitive AI writing. Fully automated pitches can appear careless and damage trust.• Why vulnerable stories create emotional connections • Determining whether a founder is ready for PR • How media training builds confidence • Consistent video content and thought leadership • The changing value of press releases • Personalized pitches versus mass outreach • Building relationships with journalists • Using AI without losing a human voice • How editors may use AI • Social media visibility and discoverability • Why less content can produce better engagement • Building visibility that supports a lasting legacy • Career advice for new marketers and publicistsThe episode also explains why intentional marketing often outperforms content overload.

It's Shark Week season again, and Andrew Lewin and Dr. David Ebert are joined for the third year running by Jesse Colaizzi, an award-winning television documentary producer, senior editor, and director of photography who works closely with Forrest Galante. Jesse pulls back the curtain on how a Shark Week episode actually comes together, from scouting locations to the final cut. Jesse joins the show remotely from Gujarat, India, where he is showrunning and editing Vantara's Sanctuary Stories, before turning to his newest project, Alien Sharks: Untamed America, premiering Wednesday, July 29th on Discovery. Built around America's 250th anniversary, the episode traces a journey across the country in search of cryptic and lesser known sharks, including white sharks off Diablo Canyon, a California horn shark, a swell shark located after months of searching, a guitar fish, bonnethead sharks, a swarm of blacktip sharks, a rediscovered tagged sawfish with researcher Dean Grubbs, and a basking shark in Cape Cod Harbor. Along the way, Jesse and the hosts dig into what editors notice that scientists and viewers often miss: coordinated hunting behavior in sharks, how white sharks react to a drone's shadow on the water, the technical tricks used to slow down fast-moving animals on camera, and how years of watching raw footage trained Jesse to read animal behavior the way a birder reads bird behavior. Jesse also shares stories from filming rescued and rehabilitated animals in India, the discipline it takes to run multiple shows at once, and why this year's episode leans into American wildlife, from bison to elk to the Statue of Liberty, rather than the usual landmarks. Key Takeaways Jesse Colaizzi is an award-winning producer, senior editor, and director of photography who works with Forrest Galante on Shark Week and Discovery Channel programming, including Extinct or Alive and Alien Sharks. Alien Sharks: Untamed America premieres Wednesday, July 29th and is built around an America 250 theme, spotlighting cryptic and lesser-known native sharks across the country. The team tracked white sharks, a California horn shark, leopard sharks, a swell shark, a guitar fish, bonnethead sharks, blacktip sharks, a sawfish tagged in partnership with researcher Dean Grubbs, and a basking shark in Cape Cod Harbor. Editors and camera crews rely on subtle behavioral cues, frame rate tricks, and instinct to capture usable footage of fast-moving, unpredictable animals in the wild. White sharks have been observed reacting to the shadow of a filming drone, a small but telling example of how visual and behavioral cues shape what ends up on screen. Sharks display coordinated group behavior when hunting, echoing patterns Dr. David Ebert has documented in his own research on pack hunting. Jesse is currently based in Gujarat, India, working on Vantara's Sanctuary Stories, a series focused on rescued and rehabilitated animals and the conditioning process used to care for them. This year's episode centers the Statue of Liberty and iconic American wildlife such as bison and elk instead of typical landmark imagery, offering a nature-first take on the America 250 theme. Connect with us: Website: https://bit.ly/37TMqeKInstagram: https://bit.ly/3eorwXZ YouTube: https://www.youtube.com/@beyondjawspodcast7591 Dave:  Website: https://www.lostsharkguy.com/ Instagram: https://bit.ly/3q1J9Q5 YouTube: https://www.youtube.com/@lostsharkguy Andrew: Website: https://www.speakupforblue.com/ Instagram: https://bit.ly/37g5WkG YouTube: https://www.youtube.com/@SpeakUpForBlueTV  

Welcome to the latest episode of the Food and Beverage Magazine Podcast, hosted by the Editors of Food and Beverage Magazine. In this week's episode, we explore a massive wave of new product launches, restaurant expansions, and technology investments shaping the industry. We kick off in the consumer packaged goods and beverage sectors, looking at the new three-SKU co-branded crisp line from Pringles and Buffalo Wild Wings. We also cover Mission Craft Cocktails' launch of their new Pickle Rita ready-to-drink beverage at major retailers, Old Forester's Triple Char release, and Z Natural Foods launching a new Chocolate Goat Whey Protein.For restaurant operators and hospitality leaders, we examine major expansions and brand milestones. We discuss Shelby's Shawarma expanding into the US with 37 locations, the Broken Yolk Cafe's push into the Midwest, and Whataburger celebrating its 76th anniversary with app-exclusive deals. We also look at the intersection of technology and dining, highlighting how Lightspeed is linking POS data to Meta ads for brick-and-mortar retailers, and Converge AI's new workflow platform targeting multi-unit operators.Finally, we dive into the supply chain, agriculture, and acquisition news driving the global market. We unpack Phytokana closing a 25 million dollar round to build a pulse protein facility in Alberta, and HF Foods entering the Canadian market with the acquisition of Searay Foods. We also discuss Cellar Insights launching a data project that pays growers to build a potato spoilage warning library, and Southern Champion Tray naming Tyler Siira as its new president.For full articles on these stories, exclusive insights, and daily industry news, visit fbmagazine.com. Be sure to also check out our network syndication at foodservice.media, which gives brands, buyers, and operators a direct path to the categories that matter most. Thank you for listening, and remember to subscribe to the newsletter so you never miss the latest trends.

The latest highlights from the journal will deliver confidence when managing complex everyday presentations. In this podcast for the August 2026 issue of Practical Neurology, co-editors Phil Smith and Geraint Fuller present the key highlights from a cracking 100-page edition spanning the full spectrum of neurological care. They examine how to accurately diagnose papilloedema and distinguish swollen optic discs from pseudo-swelling or other mimics. Next, they discuss a comprehensive guide to the Parkinson's disease follow-up consultation, focusing on non-motor symptoms, lifestyle advice, and long-term management. The editors also explore a structured approach to assessing neurogenic bladder, bowel, and sexual dysfunction, before covering the key clinical clues and investigations for evaluating pulsatile tinnitus. They also review the intricate link between chronic kidney disease and cognitive impairment, and finish with a critical look at the practical uses and limitations of subhairline EEG monitoring in neurocritical care. Read the issue: https://pn.bmj.com/content/26/4 Please subscribe to the Practical Neurology podcast on your favourite platform to get the latest podcast every month. If you enjoy our podcast, you can leave us a review or a comment on Apple Podcasts (https://apple.co/3vVPClm) or Spotify (https://spoti.fi/4baxjsQ). We'd love to hear your feedback on social media - @PracticalNeurol. Production and editing by Brian O'Toole, Nick Currey and Letícia Amorim. Thank you for listening. 

Today on The Editors, Charlie guest-hosts for Rich and is joined by MBD, Dan, and Jim to discuss the latest round of tariffs, some strange new respect for Ukraine from certain corners, and much more. Editors' Picks: Charlie: Jessica Melugin's piece "Won't Anyone Think of the Parents?" Dan: Brittany Bernstein's piece "How Cuba Is Covertly Boosting America's Radical Left" MBD: Armond White's piece "The Fog of Hype" Jim: Noah's piece "What Do We Get Out of the Saudi Nuclear Deal?" Light Items: Charlie: Hornblower Jim: Quiet house in the summer MBD: Quitting coffee Dan: Anticipating The Odyssey Sponsors:VaerFree the Economy podcast from CEIFast Growing Trees   This podcast was edited and produced by Sarah Colleen Schutte. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send us Fan MailYour research might be solid, your conclusions might be exciting, and you still may be setting yourself up for a rough peer review if the methods, statistical analysis, and journal fit aren't dialed in. Recording live from the AVMA 2026 convention in Anaheim, we sit down with Dr. Jolle Kirpensteijn, a longtime veterinary surgeon and associate editor, to unpack what actually speeds up (or stalls) publication in veterinary journals like JAVMA and AJVR. We get specific about the behind-the-scenes signals editors look for right away: study design clarity, sample size thinking, appropriate statistical tests, and whether the discussion stays relevant instead of inflating claims. Jolle explains why selecting a journal early and writing for a defined audience can prevent avoidable rewrites, and how improvements like faster time to publication can change an author's entire submission strategy, especially for early-career veterinarians navigating deadlines and credentialing pressure. We also dig into the emotional side of publishing: that first brutal review, the temptation to get defensive, and the simple habits that separate a strong revision from a red-flag response. You'll leave with a practical writing workflow (starting with Materials and Methods), a reminder that good research can matter more than flashy results, and clear guidance on making your abstract and cover letter do real work. If you found this helpful, subscribe for weekly conversations with the people shaping veterinary research, share this episode with a colleague who's writing a paper, and leave a review telling us what publishing question you want answered next.INTERESTED IN SUBMITTING YOUR MANUSCRIPT TO JAVMA ®  OR AJVR ® ?JAVMA ® : https://avma.org/JAVMAAuthorsAJVR ® : https://avma.org/AJVRAuthorsFOLLOW US:JAVMA ® :Facebook: Journal of the American Veterinary Medical Association - JAVMA | FacebookInstagram: JAVMA (@avma_javma) • Instagram photos and videosTwitter: JAVMA (@AVMAJAVMA) / Twitter AJVR ® : Facebook: American Journal of Veterinary Research - AJVR | FacebookInstagram: AJVR (@ajvroa) • Instagram photos and videosTwitter: AJVR (@AJVROA) / TwitterJAVMA ®  and AJVR ®  LinkedIn: https://linkedin.com/company/avma-journals

Tax is intensely political. It's routinely misreported by media of all kinds, and often it's the subject of downright disinformation. We look at how to deal with a lack of truth telling, from the experiences of the Tax Justice Network itself and those of a retired scientist who's had a lot of success in combating it. Plus: our new Real Estate Secrecy Index - who are the world's worst offenders? "They can't get away with this. It's a victory. It's a small victory for truth." ~ Alan Williams Key "Misinformation, fake news goes against democratic processes. You can't have proper democracy without pushing back against misinformation in the press." ~ Mark Bou Mansour "Real estate is not the only high value asset that you can use to hide illicit flows, but it's certainly one of the easiest and one of the most attractive." ~ Alex Cobham Transcript of the show available here: https://podcasts.taxjustice.net/wp-content/uploads/2026/07/July-2026-script-1.pdf Featuring: Alan Williams Key, retired scientist, jazz musician and champion complainer to the Independent Press Standards Organisation Alex Cobham, Chief Executive, Tax Justice Network Mark Bou Mansour, Head of Communications, Tax Justice Network Leo Schick, co-producer of the Taxcast, The Corruption Diaries and freelance journalist Further reading: Express business coverage found to have breached Editors' Code 12 times this year https://pressgazette.co.uk/the-wire/newspaper-corrections-media-mistakes-errors-legal/express-business-coverage-found-to-have-breached-editors-code-12-times-this-year/ Alan Williams Key's successful complaint to the Independent Press Standards Organisation about claims printed about millionaire migration from the UK https://www.ipso.co.uk/rulings/00197-25/ Millionaire "exodus" claim backtracked but media re-run story anyway https://taxjustice.net/press/millionaire-exodus-claim-backtracked-but-media-re-run-story-anyway/ Study behind millionaire exodus claims drops author and numbers after fake data accusations - Tax Justice Network https://taxjustice.net/press/millionaire-exodus-study-drops-author-and-numbers-after-fake-data-accusations/ Introducing the Real Estate Secrecy Index - Tax Justice Network https://taxjustice.net/2026/06/23/introducing-the-real-estate-secrecy-index/ Financial Secrecy Index https://fsi.taxjustice.net/#scoring_id=316 

Today on The Editors, Rich, Charlie, Michael, and Phil discuss the Democratic Socialists of America's desire to overturn the American system as we know it, Lindsey Graham's sister Darline, and Christopher Nolan's The Odyssey. Editors' Picks: Rich: Phil's post "Where Christopher Nolan's Odyssey Succeeds and Fails" Charlie: John Gustavsson's piece "Andy Burnham Is Bad News for British Business" MBD: Armond White's piece "The Odyssey — the Twisted Epic We Deserve" Phil: Jeff's Carnival of Fools "The Democratic Odyssey Moves to America's Dairyland" Light Items: Rich: New Minions movie Charlie: Chad Powers MBD: August vacation Phil: Deck sealing Sponsors:Made InVaer This podcast was edited and produced by Sarah Colleen Schutte. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Writing a book on your own without professional guidance often leads to unforced errors, which is why hiring human book editors is essential to avoid the trap of AI writing tools. Host Juliet Clark connects with industry leaders Ally Berthiaume, Karen Strauss, and Patrick Snow to discuss how a professional coach shapes your message. You'll discover why human connection is vital to uncovering the emotional core of your memoir or business book. The guests share practical steps to build an author platform long before your launch day so your book actually sells. They also break down the critical differences between memoirs, autobiographies, and legacy books. Stop wasting time on automated software and learn how to build an authoritative system that scales your business.Love the show? Subscribe, rate, review, and share! https://superbrandpublishing.com/podcast/

Editors unpack the Global Air & Space Chiefs Conference in London, breaking down the Storm Fighter CCA program, space launch infrastructure issues and more, plus what to expect from Farnborough Airshow.

Today on The Editors, Rich, Charlie, Noah, and Dan discuss Trump's Thursday night speech, JD Vance's appearance on Joe Rogan's podcast, and much more.  Editors' Picks: Rich: Luther's post “Let the Flyboys Fly” Charlie: Dan's magazine piece “Something Is Going to Happen” Noah: Phil Klein's post “Where Christopher Nolan's Odyssey Succeeds and Fails” Dan: Melissa Langsam Braunstein's magazine piece “Fighting the New Antisemitism” Light Items: Rich: The Odyssey Charlie: SeaWorld Noah: Work event Dan: Bad air Sponsors:Made InVaer This podcast was edited and produced by Sarah Colleen Schutte. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Page One Podcast, produced and hosted by author Holly Lynn Payne, celebrates the craft that goes into writing the first sentence, first paragraph and first page of your favorite books. The first page is often the most rewritten page of any book because it has to work so hard to do so much—hook the reader. We interview master storytellers on the struggles and stories behind the first page of their books. About the guest author: Julie Carrick Dalton is a New England journalist and farmer. Her debut novel WAITING FOR THE NIGHT SONG launched in January, 2021 as a CNN, USA Today, Newsweek, Parade, and Buzzfeed Most Anticipated 2021 Book, and was an Amazon Editor's Pick for Best Books of the Month. Her writing has appeared in The Boston Globe, BusinessWeek, The Hollywood Reporter, Electric Literature, The Chicago Review of Books, Orion Magazine, Lit Hub, and other publications. She contributes to DeadDarlings, The Writer Unboxed, and GrubStreet's writer's blogs. Her second novel, THE LAST BEEKEEPER, was released in 2023. Mom to four kids and two dogs, Julie also owns and operates a 100-acre farm. When she isn't writing or digging in the dirt, you can probably find her kayaking in New Hampshire or walking in the woods hunting for mushrooms. About the host: Holly Lynn Payne is an award-winning novelist and writing coach, and the former CEO and founder of Booxby, a startup that built an AI book discovery platform with a grant from the National Science Foundation. She is an internationally published author of four historical fiction novels. Her debut, The Virgin's Knot, was a Barnes & Noble Discover Great New Writers book. Her latest book, Rose Girl: A Story of Resilience and Rumi, a medieval, mystical thriller was awarded a Kirkus (starred) review and named Editors Choice from the Historical Novel Society. Holly lives on a houseboat near the Golden Gate Bridge with her daughter and Labrador retriever, and enjoys mountain biking, hiking, swimming and pretending to surf. To learn more about her books and writing coaching services, please visit her at hollylynnpayne.com  and subscribe to her FREE weekly mini-masterclass, Power of Page One, a FREE newsletter on Substack, offering insights on becoming a better storyteller and tips on hooking readers from page one! (And bonus: discover some great new books!) Tune in and reach out: If you're an aspiring writer or a book lover, this episode of Page One offers a treasure trove of inspiration and practical advice. I offer these conversations as a testament to the magic that happens when master storytellers share their secrets and experiences. We hope you are inspired to tune into the full episode for more insights. Keep writing, keep reading, and remember—the world needs your stories.  If I can help you tell your own story, or help improve your first page, please reach out @hollylynnpayne or visithollylynnpayne.com.  You can listen to Page One on Apple podcasts, Spotify, Pandora, Stitcher and all your favorite podcast players. Hear past episodes. If you're interested in getting writing tips and the latest podcast episode updates with the world's beloved master storytellers, please sign up for my very short monthly newsletter at hollylynnpayne.com and follow me @hollylynnpayne on Instagram, Twitter, Goodreads, and Facebook. Your email address is always private and you can always unsubscribe anytime.  The Page One Podcast is created on a houseboat in Sausalito, California, is a labor of love in service to writers and book lovers. My intention is to inspire, educate and celebrate. Thank you for being a part of my creative community!  Be well and keep reading, Holly @hollylynnpayne on IG Thank you for listening to the Page One Podcast! I hope you enjoyed this episode as much as I loved hosting, producing, and editing it. If you liked it too, here are three ways to share the love:Please share it on social and tag @hollylynnpayne.Leave a review on your favorite podcast players. Tell your friends. Please keep in touch by signing up to receive my Substack newsletter with the latest episodes each month. Delivered to your inbox with a smile. You can contact me at @hollylynnpayne on IG or send me a message on my website, hollylynnpayne.com.For the love of books and writers,Holly Lynn Payne@hollylynnpaynehost, author, writing coachwww.hollylynnpayne.com

Maroon 5 - This Love Joan Jett And The Blackhearts - I Love Rock'N'Roll Linkin Park - One Step Closer The Warning - Hell You Call A Dream Kaiser Chiefs - Ruby Junior Senior - Move Your Feet Anastacia - I'm Outta Love ABC - The Look Of Love Toploader - Dancing In The Moonlight Freeez - I.O.U. Editors - Munich Stereophonics - Dakota Bloc Party Banquet The Police - De Do Do Do De Da Da Da Moon Martin - Bad News Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Each month, we will highlight a paper published in Aging chosen as the “Editors' Choice.” These selections are handpicked by our editors and accompanied by a brief summary, showcasing research with significant impact and novel insights in aging and age-related diseases. Cellular senescence is a hallmark of aging and age-related disease, yet the diverse mechanisms that trigger this cellular state remain incompletely understood. The review recently published in Volume 18 of Aging, titled “The multifaceted inducers of cellular senescence,” examines the many intrinsic and extrinsic stimuli that induce senescence, including DNA damage, oxidative and mitochondrial stress, telomere attrition, oncogene activation, cell–cell fusion, and developmental signals. The authors, Hilah Gal and Valery Krizhanovsky, explain how these distinct pathways converge on a stable cell-cycle arrest. By highlighting the complexity and heterogeneity of senescent cells, the authors provide valuable insights that may guide the development of future therapies targeting senescence to promote healthy aging and combat age-related diseases. DOI - https://doi.org/10.18632/aging.206391 Corresponding author - Valery Krizhanovsky - valery.krizhanovsky@weizmann.ac.il Abstract video - https://www.youtube.com/watch?v=5Y7R_8GQ1gk Sign up for free Altmetric alerts about this article - https://aging.altmetric.com/details/email_updates?id=10.18632%2Faging.206391 Keywords - aging, cell senescence To learn more about the journal, please visit https://www.Aging-US.com​​ and connect with us on social media at: Bluesky - https://bsky.app/profile/aging-us.bsky.social ResearchGate - https://www.researchgate.net/journal/Aging-1945-4589 X - https://twitter.com/AgingJrnl Facebook - https://www.facebook.com/AgingUS/ Instagram - https://www.instagram.com/agingjrnl/ LinkedIn - https://www.linkedin.com/company/aging/ Reddit - https://www.reddit.com/user/AgingUS/ Pinterest - https://www.pinterest.com/AgingUS/ YouTube - https://www.youtube.com/@Aging-US Spotify - https://open.spotify.com/show/1X4HQQgegjReaf6Mozn6Mc MEDIA@IMPACTJOURNALS.COM

Today on The Editors, Rich, Charlie, Jim, and Noah discuss the resumption of war with Iran, Ro Khanna's playacting in Israel, and the passing of Lindsey Graham. Editors' Picks: Rich: Also Dan's post Charlie: Noah's piece “The Left Goes After Marco Rubio” Jim: Dan's post “The Last Interesting Man in Washington” Noah: Lamar Alexander “The Senate Doesn't Need a Change in Rules. It Needs a Change in Behavior" Light Items: Rich: Mini golf Charlie: Reverse storm chaser Jim: Pastor Ezra Jin Noah: Patriotic YMCA Sponsors:ExpressVPNVaer This podcast was edited and produced by Sarah Colleen Schutte. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Preview for Later Today: Mark Simon discusses the ongoing imprisonment of six Apple Daily editors in Hong Kong. He details the irregular legal proceedings and the harsh ten-year sentences imposed on those deemed a threat to the state.

Celebrating Academic Medicine's 100th anniversary are past editors-in-chief Addeane Caelleigh, Steven Kanter, MD, and David Sklar, MD, and current editor-in-chief Laura Roberts, MD, MA. Together, they reflect on where the journal has been and what the future might hold. They discuss how they approached the role of editor, the journal's unique place in the community and achievements over the years, and the importance of peer review, publication ethics, and mentorship in building skills, advancing knowledge, and improving health.   Access the episode transcript at academicmedicineblog.org.

On this week's episode of Female Gaze: The Film Club, Morgan is joined by critic, composer, filmmaker, and writer Brian Skutle in the continuation of our Summer of Editors Series. The pair discuss the 1990 film, "GoodFellas," directed by Martin Scorsese (ever heard of him?) and one of the greatest editors of all-time, Thelma Schoonmaker. Brian and Morgan talk about Marty and Thelma's working relationship, how the film interrogates masculinity, and the elements which make this film a classic. You can follow BrianInstagramThreadsBlueskyTwitterLetterboxdSonic Cinema WebsiteYou can follow Female Gaze: The Film ClubInstagramBlueSkyWebsite

This week, we present advances in the treatment of idiopathic pulmonary fibrosis, hypothalamic obesity, and lung cancer. We review nutrition in critical illness and follow a diagnostic case involving a patient who had a lung transplant. The Editors warn about the politicization of science. We discuss the dead donor rule in an era of voluntary euthanasia. Perspectives explore the forthcoming crisis in long-term care, reproductive medicine, and the realities of caring for loved ones at the end of life.

Today on The Editors, Rich, Charlie, Jim, and Noah discuss the new allegations against Graham Platner, Mamdani's Fourth of July speech, and much more. Editors' Picks: Rich: Dan's piece “What Caitlin Clark's Treatment Tells Us About the WNBA” Charlie: Phil's Corner post “Democrats Have Less Leverage Over Graham Platner Than They Think” Jim: Noah's piece “People Who Should Never Work in Democratic Politics Again” Noah: K-Lo's post “When Does Lyndsey Fifield Get Her Post-Platner-Campaign Apology?” Light Items: Rich: July 4th evenings Charlie: World Cup Jim: Pressure Noah: Fourth celebrations Sponsors:DonorsTrustMade InVaer This podcast was edited and produced by Sarah Colleen Schutte. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This weekend marked America's 250th anniversary, but all we were talking about was what was going on with the wedding of the century. Over the holiday weekend, America's biggest popstar Taylor Swift tied the knot with football player Travis Kelce at New York's Madison Square Garden.  Stepping in while our hosts were away, Senior Features Editor Marley Marius sat down with two Vogue staffers who are Swifties and were closely following the wedding festivities: Anna Grace Lee and Anna Cafolla. Lee shared that she attended Swift's first ever MSG concert back in 2009 as part of her Fearless tour. The group discussed the unusual location, the surprising officiant Adam Sandler, the guests both expected and unexpected, the Dior dress, possible honeymoon locations, and everything in between.  “It reads sort of like Mad Libs,” Lee noted, “It's as if someone was like ‘Who would you have at your dream dinner party?' and then you could have all of those people.” Some of the standouts attendees included Karlie Kloss, Selena Gomez, Fergie, Gigi Hadid, Lena Dunham and Cara Delevingne.  The podcast also got a few dispatches from Voguers who were following closely over the weekend. Chloe, who is currently at Paris Couture Week, shared her speculations on Taylor's dress after attending Jonathan Anderson's Dior couture show, which classically closed with a couture bride. The rallying cry from fans and gawkers alike still remains: release the photos (please)!!   The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn more about your ad choices. Visit podcastchoices.com/adchoices

What happens to your creativity when you're in pain or sick, and can you ever get it back? How can you find and sharpen your author voice? J. Daniel Sawyer talks about voice mastery, writing with chronic pain, and building an eclectic author business. In the intro, leaning into your Strengths and deciding what you want to achieve by the end of the year; and Bones of the Deep by J.F. Penn. Today's show is sponsored by ProWritingAid, writing and editing software that goes way beyond just grammar and typo checking. With its detailed reports on how to improve your writing and integration with writing software, ProWritingAid will help you improve your book before you send it to an editor, agent or publisher. Check it out for free or get 15% off the premium edition at www.ProWritingAid.com/joanna This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn J. Daniel Sawyer is the author of over 30 books across science fiction, fantasy, crime, short stories, and nonfiction, as well as being a podcaster and filmmaker. His latest book for authors is The Pitch-Perfect Author: Voice Mastery for Writers. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Writing fiction through chronic pain and re-emerging into health after surgery How your physical health shapes (and darkens) your fiction Rebooting an author business around a weekly Substack column What author voice really is, and why it's fundamentally about sound The building blocks of voice: functional vocabulary, dialect, and musicality The “crossing the line twice” trick for hearing your own voice objectively You can find Dan at JDsawyer.net or on Substack. Transcript of the interview with J. Daniel Sawyer Jo: J. Daniel Sawyer is the author of over 30 books across science fiction, fantasy, crime, short stories, and nonfiction, as well as being a podcaster and filmmaker. His latest book for authors is The Pitch-Perfect Author: Voice Mastery for Writers. So welcome back to the show, Dan. Dan: Hello, Joanna. It's good to be back. Jo: Goodness me, you have been on the podcast a few times, but actually, the last time was April 2017, which is crazy. It's nine years ago. When I saw your book, I was like, “I can't believe we haven't talked for that long.” For anyone who doesn't know you, tell us a bit more about— What does your creative and author business look like these days? Dan: Oh, well, these days it's in a state of recovery because it basically ground to a halt while I was dying a few years ago. It turned out I had an organ disease from the time I was a kid that I didn't know about, and it just progressively got worse and worse, putting me in more and more pain. I hit a point around about 2020 or so where I was in so much pain that I couldn't write fiction. I continued to write nonfiction, but when you're carrying around a lot of physical pain, there comes a point where so much of your brain's activity goes into coping with it that you actually lose the ability to model other people's emotional states—or at least well enough to write fiction. So I was very frustrated, and I was despairing that I was ever going to be a novelist again. Then suddenly, what I was sick with went acute. I went to the emergency room, and they're like, “Oh, if you don't have surgery in the next 24 hours, you're going to die.” So I went and got surgery, and there was one bed in the whole state. There was a three-hour drive to get to the one that was available in the time window. I get there. They wheel me into the OR. I wake up afterwards, and I realise that I'm not in pain, and that I had never felt that before in my adult life. Jo: Wow. Dan: Just the walls of my whole reality came caving in. Two weeks later, I was back up and working, and since then I've been slowly reacquiring my ability to write fiction. So now I've got four novels going again, like I used to have going all the time, as well as doing a weekly column and all sorts of other stuff. Jo: I think a lot of people will be interested in this. A lot of writers have chronic pain issues or chronic health issues, and yours sounds like it was a sort of down, down, down, down—and then more of a sudden up. Maybe just talk a bit more, because I feel like a lot of the time people are too hard on themselves about, “Oh my goodness, if I can't write fiction, is it the end of everything?” So how did you adapt to that, with the mental health aspect of dealing with that change in circumstance? Dan: Well, it was happening so gradually, and it happened at the same time that a whole bunch of other weirdly stressful things happened, like COVID and a couple of family emergencies that derailed my whole life for a couple of years. I assumed it was just really bad stress that would pass with time. So I had the despairing feeling, because when you write fiction, it tends to occupy a central place in your self-concept. I'd also been through very tough times before, so I was like, “Well, got through that then, maybe I'll get through this now.” I just made sure to keep writing something, because at least you keep the discipline of the words flowing. There was still thought going on, so I would have ideas for novels and write them down. There were good days and bad days. Occasionally I would sit down and be like, “I feel like fiction today,” and I would write a couple thousand words, and then it would be 10 months before I could do that again. When you work with your mind, it is really easy to develop or sink into the delusion that your mind is not your body. Now, if you're paralysed or you're missing limbs, you can still write—but your mind and your body are a single system, and eventually, if something terrible is wrong with your body, it's going to affect your cognition, your emotive abilities, and all the things that we depend on for creativity. That doesn't necessarily mean that if you're sick or injured, or you've got chronic health problems from birth, that you can't write. It just means that it really is one of the factors that goes into shaping your experience of the world, that goes into shaping the way you process things and they come out on paper. When there's a massive change in your health, it's going to show up in your fiction somehow. If your health goes way down, especially if you get into a lot of pain or you have a terminal illness, your fiction's going to get darker. One of the reasons—I discovered this after I got my surgery—one of the reasons is that the sense of impending doom is actually a medical symptom of organ death. Jo: Well, don't say that to a dark writer like me. I have a sense of impending doom the entire time. Dan: Well, there's a cognitive sense of impending doom that you get if you're modelling systems and you see how things can go wrong. But the sense that you feel the claws of demons grasping at your heart all the time—that can be a medical symptom. So pay attention to that. I didn't know that until afterwards, or I'd have gotten looked at a lot sooner. Jo: That is really interesting. You mentioned there you are reacquiring the ability to write fiction, or that's what you've been focusing on. You also talked about having to reboot the business. So what are some of the concrete things you're doing to rebuild? Dan: Well, the first thing I did is I allowed myself to get talked into doing a weekly Substack column a couple of years ago, and that's worked out really well. Pay is pretty decent. I've been posting most everything for free except for some previews of upcoming books, but I'm now learning the art of paywalling, so that also helps. Getting paid for the weekly column is quite nice, and a side effect is that it does drive people occasionally to the fiction, even though I'm writing nonfiction. It more frequently drives people to the nonfiction books, but it gives me a good place to announce new releases, to promote book bundles, Kickstarters, and all that sort of thing. It's a very good place for that because the people who are subscribing there—especially the people who are subscribing and supporting—are interested enough in what I'm saying that they want my email every week. So it's a good filtering mechanism for building the email list as well. Jo: You used to do a lot of audio. That's how we connected way back, like 17 years ago, I think, when we first connected. So are you still doing a lot of audio? Dan: I am not at the moment. It's not because of a decision to drop the audio. It's because I am now building my house, and I don't have a place that's quiet enough to record dependably. I'm living in a little RV at the moment while I build the house. In the deep winter, everything is quiet enough in the forest to record some things, and so I do audiobooks for clients, and I work on audiobooks of my own that are coming out. It's not quiet enough to podcast, and it's not quiet enough to be recording any other time than when the whole world is asleep. Hopefully by next year I will have the recording studio building built, and then I'll be back at it. Because boy, I miss it. Jo: I know. So you mentioned there bundles and Kickstarters and things, and we reconnected because I bought a StoryBundle, and your new book, The Pitch-Perfect Author, was in the StoryBundle, which was part of why I bought it anyway. So let's get into the book and what's useful. Let's start with— What is author voice anyway, and why is it important? Dan: Author voice. Everything about the way that you write is part of your author voice. The themes that you gravitate to, the way that you turn a phrase, the way that you tell a joke, the way that you handle dramatic tension. When all of that combines, it creates in the reader's mind an emotional fingerprint, a gestalt that says, “This is a Joanna Penn book. This is a Dan Sawyer book,” or whoever. When you bring the focus down further, author voice is fundamentally an auditory phenomenon. You can see this if you look at the careers of writers who had major worldview shifts during their career, or who shifted genres. If you read an Isaac Asimov mystery, and you read Asimov's Guide to the Bible, and you read Isaac Asimov's The Robots of Dawn, they're all Asimov. You can hear him talking to you through all of those different venues. So author voice is not a genre thing. It's not dependent on content. It has to do fundamentally with how your brain processes language and how it comes out of your mouth. That, in turn, is based on patterns that were laid down when you were pre-verbal as an infant. You learned language by mapping the music of the conversations around you, and then gradually learning that the sing-song you were hearing corresponded to ideas. That's how the brain bootstraps itself into language. So when you start writing, just like when you start speaking, you wind up imitating a lot—unconsciously—the people you've read and heard, because that's how you develop your voice. There comes a point at which all the various influences on you, and who you are, and how they pass through you, crystallises into something definite. By the time you're a moderately competent writer, and you're finishing novels and short stories well, your author voice is pretty well established. But that doesn't mean it's sharp, because most people don't actually concentrate on learning to hear their author voice, so they can't tell when it's off. This is why new writers who revise a lot tend to revise their voice right out. When they write, they're using language as feels right to them, but when they read, they're reading it like an English teacher, or through the lens of someone who has very definite ideas about how grammar should work in all circumstances. So they tend to smooth the quirkiness out of their voice, and what you get is something flat. It doesn't feel alive. It may convey information, it may tell a good story, but it doesn't feel like you're entering something that's living. Jo: I think this is so difficult, especially for people who are new to writing. Because I remember very much spending the first few years going along to writers' conferences, and there were always sessions on “you must find your writer's voice.” You must find your author's voice, and we publish books because of the voice, and all this. It was very, very confusing to me. As you say, it has to emerge somehow, and yet that emergence seems to be very hard to accept. So what are some of the ways we can perhaps think about voice? You mentioned there some patterns. You talk about music. So what are some of those angles? In the book, you have different chapters on all of these things, but maybe just talk more about some of the elements. Dan: The first and most obvious is functional vocabulary. This is not the number of words that you know. These are the words that you can reach for in the moment. You can expand your functional vocabulary by deliberately using more words—burnish your inner thesaurus. The greater your functional vocabulary is, the more your personality is going to come out through your voice. When you've got more options to do something that's just the way that you want to do it, the closer it's going to be to the way you want to do it. So there's functional vocabulary. There's your native dialect and accent. You, being British, have a different set of preferred terms for everything than I, being a West Coast American, do. One of the great differences that's always visible between an English writer and an American writer is that you guys have a different way of speaking. When you speak of a difference between one thing and another, you talk about how this car is different to that car. And Americans say this car is different from that car. It always marks out a British writer versus an American writer. There are 100 little things like that. They happen not just between major countries, but within regions in every country. You could tell on paper the difference between someone from Yorkshire and someone from London, just as I can tell on paper the difference between someone from the West Coast and someone from Mississippi. Even if they're highly educated, the idiom, the preferred turns of phrase, the preferred imagery—all of that is going to be a little bit different, and it conveys that regionality. There's also the musicality of the language. This is the actual rhythm of the words with which you speak. When you learn to analyse poetry or to write poetry, you learn something called scansion. How a poem scans is—what are the beats of the lines, how are the beats of the lines related to each other, and how does the rhyme move in and out of that? A Shakespearean sonnet, or a sonnet from the Elizabethan era, has a specific metre, a specific number of lines, and a specific rhyme scheme, and the metre is iambic pentameter. An iamb is “bum-bum,” if I remember right. It's the rhythm of the heartbeat. It's “bum-bum, bum-bum, bum-bum.” And you can hear it in the name of the metre, the iamb. The iambic pentameter is where the stressed syllable is the second syllable and the unstressed syllable is the first syllable. All of Shakespeare is written in blank verse, which is unrhymed iambic pentameter. The pentameter is five feet per line, so one iamb is “bum-bum”—that's one foot—and five of those makes one line of Shakespeare. We all have inherent rhythms like that in the way we naturally speak, but we can also tweak those rhythms on purpose to achieve dramatic effect. The iamb has the sound of the heartbeat. It's a very reassuring speech rhythm. The trochaic is a much more rapid one—it mirrors the rhythm of a rapidly beating heart. So you see this a lot in Edgar Allan Poe, especially in his frenetic poems like “The Bells,” how they jingle, jingle, jangle on a hoary moonless night. There's a rushing sound to that metre. You're going to find that you will automatically do a little bit of this, just the way that you'll automatically have picked up the convention of breaking sentences up into shorter lengths during really exciting or suspense-filled parts of your book. Once you know what it is, you can start to use it on purpose. Quite a lot of developing your voice is learning to recognise these latent, existing qualities in the way you communicate, and sharpening them up and making them conscious tools that you can pull in whenever you want. Jo: On the one hand, there are a lot of technical words there that are really interesting, and maybe poets know a lot more of those words than most other writers. The book is really interesting in that way—kind of learning about these different things. I guess I want to reassure people as well that, as you said, some of this can be unconscious. So often when I'm self-editing and I'm reading a sentence to myself, there's something that doesn't feel right about it. So I will rewrite that sentence so that it feels right. Sometimes we do something that might be grammatically less correct, but it sounds better than it did before. So many of these things we almost know instinctively, just from reading so much. Dan: Oh, yes. From reading so much and talking so much, and again, from the way you acquire language. That gives you a template in your head of what sounds right. Language is inherently musical. So if you've ever listened to a song—especially one that wasn't recorded by a professional, but someone singing in a church choir, or your kid practising for a recital, or you practising for a recital—you know that feeling that happens when someone hits a wrong note. There's that little wince down in the core of your being, and then the song carries on and you forget about it, unless there are too many of them, in which case you just sort of cower and ooze out of the room. That feeling of “Ooh, someone just hit a wrong note”—that's exactly the feeling you get when you're reading through to edit your work and something is off in the technical layer of your voice. You should pay attention to that and rewrite so that it feels good, or feels great, which is even better. You've got the opposite of the wince, which is that sense of rapture and joy if you're listening to a professional musician and they go on an amazing guitar solo, or a flautist does an incredible trill that just sends shivers up your spine. That sense of excitement and joy—that's what happens when you're reading and the author does something with the language that makes the whole piece fly. So you want to be paying attention for those too, because those you'll commit without intending to. When you're reading back and you find those, you want to make note of them, because that's you seeing where you are at your strongest with your voice. By learning both where you're making mistakes and where you're being brilliant—just like with anything else—you can start to advance towards being brilliant more often and making fewer mistakes. Jo: Then there's a difficulty around where the line is, especially when you're an early-stage writer. Many people work with editors, and you mentioned the problem of revising your voice away, and that may also happen if you're working with an editor. Like you said, as a Brit, I work with an American editor, Kristen, and she's excellent. She's very, very good at letting my voice be my voice, and then fixing things that make it better. But a lot of people don't feel that way about their editors. So how can people understand where those lines are between being well-edited and becoming a better writer, and then needing to hold the line on their voice? Dan: It really helps if you understand where you are weak. Why are you hiring the editor in the first place? I'm a big believer in the utility of having other eyes on the manuscript, but it's really important to know what you're looking for from them. You and I have both been to the Oregon Coast writing seminars, back when that was a thing. Jo: Mm. Dan: One of the things they would talk about with editors is when you've got a story editor or a beta reader who says, “Hey, something here didn't work in the story for me,” you usually don't want to look at that point. You want to trace back from that point to figure out where you set the wrong expectation. Any editorial feedback is going to have a gap between what they notice and what really needs to be fixed. As a writer, learning to interpret the feedback properly so that you actually elevate the material, instead of interpreting the feedback like you're trying to do customer service for an employer, where you just want to make the customer happy, is a really important skill to develop. That's regardless of whether the feedback has to do with voice or plot or characterisation or whatever. Some editors are really good at back-tracing and actually spotting the real problem. Editors make their money, or get hired, or get picked by you to volunteer, because they're good at being an audience—not because they're good at being a writer. So learning to interpret the editorial feedback is a really important step in that maturation journey. Jo: Yes. I think “maturation journey” is a good way to put it. Personally, I think it was around book five when I really felt, “Okay, now I see what my voice actually is.” Like, it had to be five novels, and then I was like, “Okay, now I know.” I just didn't get it before then, and then finally—I don't know—a penny dropped or something. Maybe I grew into it, grew more confident, that kind of thing. Dan: Yes, and that's actually about right. If you look at writers with a big catalogue, five books in is usually where they start really sounding like them. So that's a pretty normal maturation curve. There is a way to speed it up, which is to read your books aloud—or even better, make audiobooks and then listen to them a thousand times. Listen to them until you are sick of them, and then listen to them until you start to like them again. Jo: That's a lot. Dan: It's a lot, but there's a really specific neurological mechanism at work. You're familiar with the comedy term “crossing the line twice,” right? Jo: Not really. Dan: Okay. Have you seen the Monty Python Spam sketch? Jo: Yes. Dan: Okay. So for those of you who have not seen this—in the Monty Python Spam sketch, there's a couple, they're in a diner, and everything on the menu has spam in it. They say the word “spam” so much that you just want to shoot your television. But they keep it up, and then suddenly, at some point—it's a different point for everybody watching—they keep it going on long enough that everybody gets there. At some point, the word “spam” itself becomes hilarious, and you can't stop laughing, and you don't know why, because it shouldn't work, but goddammit it really does. It's so funny that we named junk email “spam” after this sketch, because it's a whole bunch of stuff that you don't want, but it keeps showing up anyway. That's crossing the line twice. What's going on is that your brain is getting accustomed to a sound. It has extracted all of the meaning it can, and so it's doing what it does with all sensory input. When it thinks it's got it mapped out, it's trying to filter it. Unless you are going to sit and concentrate on it, you can't feel the texture of the fabric of your clothing on the back of your legs, because your brain—despite the fact that it's getting that input all the time—is filtering that out, because it needs you to have your resources free for thinking. When you experience something over and over and over, no matter what it is or how complex it is, the brain habituates like that. But if that signal refuses to be filtered, and the input keeps coming, and it keeps getting more intense, or it stays persistent and it's too complex to filter easily, your brain starts to think, “Oh, maybe I shouldn't be filtering this out.” “Maybe there's meaning here that's important for my survival that I hadn't extracted.” And so suddenly it starts searching for meaning to associate with that sensation—and that's the point at which the joke becomes funny again, or you start to experience your voice as if it's somebody else's. When you begin to experience your author voice as if it's somebody else's, you can hear it as a distinct, objective style, rather than just as an echo of the voices that are in your head. That's why music students practise over and over and over, even on a piece they know cold. They're doing the same trick that I'm advocating with listening to your audiobooks until you're not sick of them anymore. Jo: I mean, I think that's terrifying, because I just don't want to listen to my books over and over again. I think it's very interesting that you think it could shortcut that voice process. Staying on audio—since we last spoke, I have done a lot of my own audiobook narration, mainly for nonfiction, but also my short stories. I haven't done my full-length fiction. What I discovered in doing this is that what read fine to me when I was self-editing my own work on the page—and obviously I'm hearing it in my head—when I perform the audiobook, I actually have to edit things again. So what are some of your tips for how we can bridge that gap? Because that's kind of strange. Dan: So what's happening is that there's a much wider latitude of things that work on the page than what works with voice. The reason is that with voice, all of those rhythmic elements I was talking about before are really pronounced, as well as all the sensual elements. Basically every word and sound has a mouth shape. The mouth shape affects the emotional valence of the sound. Stuff that's unpleasant tends to have a really close-in feel—I'm trying to scrunch my face up—where you would grit your teeth and scrunch up your face if something is unpleasant. And if something is really pleasant, it tends to have a rounded feel, and our language reflects it. In fact, all languages reflect this, because language is a physical thing that's based on the sensuality of the body. So, like, in all cultures “mama” is the word for mother that babies first say, regardless of what it is. It has a round feel, because babies associate their mother with roundness. A lot of language is built up that way, from baseline sensual cues. When you're working just in text, that aspect is not nearly as obvious to you. When you're reading, it's not as obvious to you. It's still at play, but when you go to do something verbally, and you go to read a text, all of those sensual cues come in at the same time. Then the rhythm comes in hard, and you suddenly realise that—hey, that conveys the thought, but it doesn't feel right. So you wind up retooling a bit. There's also occasionally tongue twisters, which you have to work your way around. So that's why that happens. Jo: Then I guess another thing—I hear quite often, people say, “Oh, I don't like my voice.” And they mean, “I don't like speaking out loud. I don't want to be on video. I don't want to be on audio.” I wonder— Does that sort of resistance potentially affect their writing voice? Are there ways people can get over that feeling? Dan: Yes, for sure. There are a few things that go into that. One is basic self-loathing. A lot of people carry it around. Most people learn to make a decent life even though they kind of secretly suspect that they're not worth anything, or they secretly find themselves revolting. That kind of thing you can't really fix with exercises. That's something you fix with — Jo: Therapy. Dan: Psychological work, or spiritual work, or that kind of thing. Jo: Yes. Dan: But the not liking the sound of your own voice—that's easy to fix. Here's why it happens. When you're listening to your voice as you speak, the bones in your head are amplifying the bass signals and attenuating the treble. It's kind of like if you were to shout in another room and your spouse hears you, but they can't make out the consonants. That's because all the consonants are being filtered out by the wall in between, but the bass is being resonated through. The same thing happens in your head. So when you get on a microphone—especially if it's an accurate microphone—you're suddenly hearing what everybody else hears when you speak, and it sounds thin and tinny and unpleasant compared to what you're used to hearing. The really easy way to get around this is to get a microphone that is tuned for singers. The condenser mic that I have isn't made anymore, so I can't really recommend a good condenser mic. If you're on a dynamic mic, the Shure SM58 is the one to use. I podcasted with that for years before I could afford an upgrade. It is tuned for singers to sound as good as possible without any other help from the sound engineer, which means that the baseline sound for that microphone is what you're hearing in your head. If you use the right equipment, you get around that problem really quickly, to the extent that you can technically. Then after that, it's just a matter of crossing the line twice. You listen to yourself enough that you stop hearing, “Oh my God, I'm talking,” and you start hearing, “Oh, that voice is making this sound.” And once you hear, “Oh, it's that voice making this sound,” you don't have that problem anymore, ever again. Jo: Oh, good. Well, hopefully that's fixed it for people. And of course, there are lots of brilliant things in the book, The Pitch-Perfect Author. Before we finish up, I did want to return to your Substack. I was having a look at it, and it includes some really interesting things. Like, you're doing this metalwork, which is really cool. It felt coherent to me, because I know you, and you're a polymath, and you're interested in so many things. So your Substack kind of stood out to me as quite eclectic, compared to, say, other writers who are going on Substack to try and sell specific books. So is this a deliberate marketing choice, or is it just be an interesting person and you will attract people who are interested more generally? Dan: Well, I suppose it kind of winds up being the latter, but basically it's that I get bored easily. If I'm going to be writing every week, I need to stay interested in it. One of the books I wrote when I was really sick—that's not out on the market yet, but it is serialised on Substack—is a guide to self-education. It'll be coming out later this year on the general market. It's called Reclaiming Your Mind: An Autodidact's Bible. I talk in there quite a bit about the illusion of discrete areas of knowledge. There is a level of learning at which the silos of information start to collapse together. Woodworking and writing have a lot to do with each other. A lot of the terminology we use in writing is pulled from the trades—especially woodworking, and metalworking, and gunsmithing. As you begin to spot these connections between different areas of knowledge, it becomes really easy to slide between them for your hobbies, for your writing, for just your personal gratification. As I've gotten older—and also as I've gotten access to a little space that's not contained within a teeny little apartment—I have just gone with it. As I've discovered, “Hey, this thing is tangentially connected to this other thing over here,” I'm like, “Oh, well, I'm going to go over to this other thing and see what's over there.” It's tremendously creatively fertile. Since a lot of the things that our language connects us to have to do with trades and crafts and nature, it gets you out in the open air, which is really good for any writer—because sitting at a desk all day is worse than smoking three packs of cigarettes a day for 40 years. Jo: I love that. Dan: My curiosity is the chief feature of my Substack, and it kind of works for me as a writer, because it's also one of the chief features of my fiction. Jo: Me too, and I was actually quite inspired by your Substack. Because I think this happens when you've been in the writing industry long enough. Substack has become the sort of trendy place to be now. People are going into specific niches, very much like blogging did, and then podcasting had to be on a specific niche, and all this. Of course, we know logically that, marketing a book—you know, if you had just a Substack on voice mastery, then for sure that would be a better marketing vehicle. But, as you say, how boring. Dan: Well, it depends a lot on what you're trying to cultivate as an author. If you're a single-genre author with a very narrow niche, and you're really happy writing that kind of stuff, then a narrow column supporting it is not a bad idea. Especially when you serialise old novels, once you've got 20 or 30 under your belt. That's not a bad idea, because you're trying to attract people who want one thing and want it regularly. If I were to get a reader who wants one thing and wants it regularly, and finds it, say, in my Clarke Lantham mysteries, and then they hop over to my science fiction—oh boy, are they going to be pissed. If they're not there for my voice, and they're just there for the way I write a mystery plot, then not only are they not going to get what they're looking for—but they're going to start to doubt whether they can trust that they're going to get what they're looking for in my next mystery. Whereas if they're coming to me through something where the multiplicity of what I'm doing is on display—whether that's this Substack, or whether that's what I used to do on The Every Day Novelist when I was podcasting that, or whether it's what I did with all the after-shows on my fiction podcast when I was doing that—then they kind of know what they're in for. The people who stick with me are more likely to be people who are in it for the experience of my voice. And for my bibliography, that's what I've got to offer, because I'm all over the place in terms of genre and subject matter. Jo: Yes, which is why I find you interesting. Dan: Oh, why thank you. Jo: So where can people find you and your books online? Dan: Well, you can find pretty much everything at JDsawyer.net. I've got the weekly column at jdanielsawyer.substack.com. At jdsawyer.net there's a page with all of my podcasts on it, and there's also a store with all of my books on it. Of course, everything is also available on Amazon and just about everywhere that the distributors take you. Jo: Brilliant. Well, thanks so much for your time, Dan. That was great. Dan: Thank you, Joanna. It was great to talk to you again.The post Author Voice Mastery, And Rebooting an Author Business With J. Daniel Sawyer first appeared on The Creative Penn.

On this week's episode, Summer of Editors continues and Morgan is joined by editor and one of the busiest humans in podcasting, Chels Eichholz to discuss the 2016 film "Adult Life Skills" written, directed, and edited by Rachel Tunnard. Chels and Morgan discuss the way the film portrays depression and turning 30, Jodie Whitaker's performance, crash outs and lash outs in the film, and Tunnard's editing throughout the film. You can follow ChelsBlueskyLetterboxdSerializd You can follow And a Rewatch PodBlueSkyInstagramYou can follow The Q Division PodBlueSkyInstagramAcross the WhoniverseBlueSkyInstagramYou can follow The Mixed ReviewsInstagramBlueskyPatreonYouTubeShhh, My Stories Are On!BlueSkyInstagramThe World According to GlennBlueSkyInstagramYou can follow Female Gaze: The Film ClubInstagramBlueSkyWebsite

We all know we should brush and floss our teeth. But the reason goes beyond a sparkling smile and keeping bad breath at bay. The mouth is a critical and often overlooked organ when it comes to improving overall health. Dr. Sanjay Gupta sits down with Dr. Kami Hoss, author of “If Your Mouth Could Talk,” to discuss the importance of oral health and the brushing routine he recommends for morning and night.  For more on Dr. Hoss' oral care recommendations, check out his e-book: https://supermouthcdn.blob.core.windows.net/website/The_Oral_Care_Revolution.pdf  -- Editors' Note: This episode originally aired in January of 2026 and was assembled from two interviews (one host-led and one producer-led) that took place on separate occasions. Our show was produced by Sofia Sanchez. Medical Writer: Andrea Kane Showrunner: Dan Bloom Technical Director: Dan Dzula Sr. Director of Podcasts: Zach Goldbaum Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today on The Editors, Rich, Charlie, MBD, and Ramesh discuss all things U.S.A. as we approach America's 250th birthday. Sponsors:DonorsTrustVaer This podcast was edited and produced by Sarah Colleen Schutte. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today on The Editors, Rich, Charlie, MBD, and Phil discuss the recent SCOTUS decisions, Scott Wiener's fall from grace with certain segments of his party, and much more. Editors' Picks: Rich: Dan's SCOTUS ruling analyses Charlie: Also Dan's Supreme Court pieces MBD: Brian Garner's magazine piece “The Heart of Conspiracy” Phil: Emphatic agreement about Dan's pieces Light Items: Rich: Ratings of an old Eddie Murphy movie Charlie: Germany's defeat MBD: The Reformation Divided by Eamon Duffy Phil: Watching the World Cup Sponsors:VaerBlood and Progress by Noah Rothman This podcast was edited and produced by Sarah Colleen Schutte. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today on The Editors, Noah is again hosting for Rich and is joined by Charlie, Dan, and Michael. They discuss the primaries in New York, Trump's meeting with GOP Senate members, and much more. Editors' Picks: Noah: MBD's piece “What Social Media Looks Like to Men” Charlie: NR's editorial “Bernie Moreno's Left Turn” Dan: Skyler Safriet's piece “Among Trump's True Believers on the National Mall" MBD: Jeff Blehar's post “Spider-Noir — a Surprise from the Shadows of Depression-Era New York” Light Items:
 Noah: Newport Beach visit Charlie: The World Cup Dan: First grilled steaks of the season MBD: Angry at the Mets' front office Sponsors:VaerFast Growing Trees This podcast was edited. And produced by Sarah Colleen Schutte. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today on The Editors, Noah guest-hosts while Rich is away on assignment and is joined by Charlie, Phil, and Jim. They discuss updates on Trump's Iran deal, Keir Starmer's demise, and the Reflecting Pool failure. Editors' Picks: Noah: Jim's Jolt “TThe U.S. Loses Its War Against Iran” Charlie: Jim's Jolt “Trump's Face Takes Over Washington” Jim: Brittany Bernstein's Forgotten Factcheck “The New York Times Celebrates Gender Confusion for Father's Day” Phil: Jeff's post “Donald Trump Can't Stop, Won't Stop Catfighting with Our Allies” Light Items: Noah: The county fair Charlie: Pool volleyball Jim: Week in Hilton Head Phil: Williamsburg Sponsors:Made InVaer This podcast was edited and produced by Sarah Colleen Schutte. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today on The Editors, Rich, Charlie, MBD, and Dan discuss the MOU, the new Barak Obama Presidential Center, and the San Francisco Giants. Editors' Picks: Rich: Abigail's work on Great Britain's grooming scandal Charlie: Phil's piece “Trump's Prompt and Utter Humiliation” MBD: Daniel J. Flynn's piece “The Department of Education Was a Bad Idea Then — and It Still Is” Dan: Jim's magazine piece “Club Dread: On the Ground in NATO's Nervous Eastern Flank” Light Items: Rich: Jose Altuve bobblehead Charlie: Summer science experience MBD: Katamino Dan: Color-coordinated photoshoot Sponsors:VaerBlood and Progress by Noah Rothman This podcast was edited and produced by Sarah Colleen Schutte. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today on The Editors, Rich, Charlie, MBD, and Noah discuss the MOU, Trump's birthday celebration, and much more. Editors' Picks: Rich: NR's editorial “Release the Text of the Iran Deal” Charlie: Hans A. von Spakovsky and Marc Wheat “The Bill of Rights' Missing Amendment” Noah: Kaitlyn Kiepert's piece “Coming Soon: Humanity's First Outpost in Deep Space” MBD: Ramesh's magazine piece “The Fights on the Right” Light Items: Rich: Disclosure Day Charlie: Thunderstorms Noah: Boat season MBD: End of rec league baseball season Sponsors:Made InVaer This podcast was edited and produced by Sarah Colleen Schutte. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.