Podcasts about publishers

This week on our Summer Playlist, we welcome Arjun Murti back into the SmarterMarkets™ studio. Arjun is Partner at Veriten and Publisher of “Super-Spiked” on Substack. David Greely sits down with Arjun to discuss the lessons learned from the closure of the Strait of Hormuz, the risk of a super spike should the conflict continue, and the key themes he'll be following in the second half of 2026.

My conversation with Susan begins at 42 minutes  Subscribe and Watch Interviews LIVE : On YOUTUBE.com/StandUpWithPete ON SubstackStandUpWithPete Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. This show is Ad free and fully supported by listeners like you! Please subscribe now for as little as 5$ and gain access to a community of over 750 awesome, curious, kind, funny, brilliant, generous souls Lincoln Square CEO Susan Demos  I am a writer, editor, ghostwriter, speechwriter and researcher. I'm also an avid hiker, a mom of two, and a lifelong Midwest resident. While working as a journalist for the last 25 years, I've gone through a lot of upheavals in the industry. But I learned that always means new opportunities — if you're willing to assume some risk. That's never been a problem for me. As the CEO and Executive Editor of Lincoln Square, I run one of the fastest-growing independent political publications in the nation. Each week, I host two shows, The Weekly Assignment, where we discuss the latest headlines and what we can do to fight back against authoritarianism, and First Draft, where I talk to journalists and authors about their important work and the stories behind them. As an expert on Michigan and national politics, I've also appeared on C-SPAN, MSNBC, CNN, NPR, NewsNation, the Australian Broadcast Corporation, Sky News, Jyllands-Posten (Danish TV), WKAR-TV's Off the Record and more. Previously, I was the founding Editor-in-Chief of the nonprofit Michigan Advance for over six years. I also served for five years as the Editor and Publisher of Inside Michigan Politics, the most-cited political newsletter in the state. And in a past life, I worked as a Democratic campaign strategist during the 2018 campaign cycle (which was a pretty darn good year for the party). My award-winning political analysis has run in more than 150 national, international and regional media outlets, including the Guardian U.K., NBC News, The New York Times, The Washington Post, RealClearPolitics, Salon, HuffPost, and The Detroit News. And you'll find me trekking in the mountains whenever I can break away. Why I Write Writer. Entrepreneur. Mother. Public Speaker. Political Analyst. Those are all just words to describe me. What you need to know, most of all, is what drives me to fulfill those roles. I've wanted to be a writer since I was seven, scribbling down observations about people and events in ratty spiral notebooks. My mother always told me that my unique ability to understand people and feel what they were going through was both a gift and a curse. I struggled for many years to make ends meet, especially before my first child was born. I wondered if I'd ever be able to contribute anything of value, something to make the world a better place. I found my calling in journalism, honing my craft for the last 25 years. Being a writer has always been who I am. But now it's also what I do. I have an insatiable curiosity to investigate what's going on in America and the world. I believe in speaking truth to power and following Mencken's rule to "comfort the afflicted and afflict the comfortable." I've taken on the Old Boys Club in politics (and political journalism) and won, always preserving my integrity. All this has given me a distinctive voice and fearless style to communicate with people why things are happening and what can be done.

Ep. 268: Stonepeak CEO was shaped by rugby league, cricket, and growing up in a working-class farming town in Australia. Today he's built a career on Wall Street, but the personality that took him there was forged on fields where teammates and opponents alike gave each other unfiltered honesty — and expected the same in return. Want to become a better storyteller?  Pre-order Don's new book The Business of Storytelling and become a Founding Member of The Circle of Storytellers. This is a limited experience — it ends at launch. All of these resources are yours FOR FREE the moment your order is confirmed. donyaeger.com/circle  Do you want to write a book?  In my new role as Publisher at Forbes Books and with the incredible resources and expertise of their team, we're making it easier than ever to help YOU to tell your story. Send us a message here to get started: https://books.forbes.com/don/ Looking for a speaker for your next event?  From more than 30 years of interviewing and studying the greatest winners of all time Don offers these live and virtual presentations built to inspire your team towards personal and professional greatness. Special thanks to Sophia Fusco and Johnny Levin for making this episode possible.

THE (MAGAZINE) DOCTOR IS IN — Megan Schertler wants to help you make magazines. Yes, you … and you … and you too. But she also wants to ensure that once you make a magazine, you make another one. And then one after that. She wants to make sure that you know it's not easy to create a magazine or to run one or to publish a second one or to sustain a magazine or media brand or to run a business. Megan is big on print. She's one of those extremely rare people who's held down numerous magazine jobs while never working on the digital side of things. Yes, really. People like her exist. So she knows more than many her age that print is more engaging, produces more loyalty, and creates a deeper and more meaningful connection with the message on the page than any other medium. And so with her partners, Megan now helms In Real Life Media to help would-be magazine makers sure, but also some of the world's largest brands navigate the realities of the magazine world. Because while we all love print here, it's hard, it's expensive, and it is, quite frankly, a pain in the ass. But it also results in something glorious, and Megan travels the world speaking at conferences and to people like me to spread the word.. — This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

In today's MadTech Daily, we cover a new study finding AI is accelerating the collapse of Google Search referral traffic, the EU fining AliExpress €550m over failures to police illegal and counterfeit products, and Beehiiv launching Community and AI Copilot as it expands beyond newsletters.

EPISODE 741 - Anne Beall - The Compassionate Writer - Find Your Voice, Enhance Your Story and Touch LivesIn this episode, author and social psychologist Anne Beall invites listeners into a life shaped by curiosity, compassion, and a deep belief that every person has a story worth telling. She shares how her path from research psychology into the business world and, eventually, into full time writing and literary editing grew out of a desire to understand people more fully and communicate with them more effectively. That journey includes founding and running a market research company for over two decades, selling it, and then dedicating herself to writing books and leading the Chicago Story Press Literary Journal, which focuses on meaningful, insight rich creative nonfiction.Anne describes how her lifelong love of animals led to exploring the emotional intelligence and depth of connection possible between humans and other species. From service llamas who intuitively comfort residents in assisted living to a pig that can identify English words on a soundboard, she recounts stories that challenge our assumptions about animal awareness and underline her conviction that many beings understand us in ways we barely recognize. Those experiences informed her book about heartfelt connections with animals and reinforced her broader commitment to writing about relationships, empathy, and unseen emotional bonds.At the heart of the conversation is Anne's book about compassionate writing and her belief that good storytelling requires a nuanced view of human nature. Instead of dividing people into heroes and villains, she argues that powerful writing reveals everyone as flawed, complex, and deeply human. She explores the difference and overlap between empathy and compassion, suggesting that compassion is not just a feeling but an action: the deliberate effort to understand why people behave as they do, including ourselves. By looking at life's painful or confusing events through a compassionate lens, writers can find meaning in their experiences and translate that understanding onto the page in ways that help readers see themselves more clearly and judge themselves less harshly.Drawing on her role as an editor, Anne talks about what makes a story a good fit for a literary journal, why certain themes become overrepresented, and how even strong work can be rejected for reasons beyond an author's control. She emphasizes persistence, the value of revisiting and strengthening work after repeated rejections, and the reality that numbers and timing often shape publication outcomes as much as quality. Throughout, she returns to the idea that emotional resonance matters most: writers and readers are both seeking stories that illuminate life, particularly around loss, family, identity, and the moments that change us.Anne also speaks directly to listeners who may not see themselves as writers. She encourages anyone who journals or reflects on their life to view those pages as meaningful work that can bring healing and clarity, especially when approached with self compassion. Key takeaway: You are worthy of your story. Approaching your life and your writing with compassion – for yourself, your characters, and your readers – can turn painful or confusing experiences into meaningful narratives that touch lives, including your own.https://annebeall.com/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

Thank you so much for listening to the Bob Harden Show, celebrating nearly 15 years broadcasting on the internet. On Monday's show, we visit with Marc Schulman, Founder and Publisher of HistoryCentral.com, about current global events in Iran, Israel, Gaza, Ukraine, and the UK. AIER,org Senior Editor Jon Miltimore and I discuss the Minnesota day care fraud scandal. We also visit with author Jim McTague about the Pope's recent encyclical about Artificial Intelligence. We have terrific guests for tomorrow's show, including the Leader of the Regulatory Studies Center at George Washington University William Yeatman, Founder and CEO of Juniper Research Group Chris Jacobs, Young Voices Content Creator Maggie Anders, and Linda Harden. Access this and past shows at your convenience on my web site, social media platforms or podcast platforms.

The Blasters & Blades PodcastFrom the mild-mannered reporter hiding superpowers to the runaway royalty passing as a commoner, speculative fiction is obsessed with secret selves. But why are we so captivated by characters who wear a mask? In this panel discussion, our guests unmask the “Hidden Identity” trope across sci-fi, fantasy, and superhero fiction. We'll explore the deep psychological toll of leading a double life, the delicious tension of near-miss discoveries, and the ultimate, high-stakes fallout when the truth finally comes to light. Join us as we look at how hiding who you are can protect the world—or burn it entirely to the ground. This was a fun interview, so check out this episode. Co-Hosts: JR Handley (Author) (Grunt)Jana S Brown (Author) (Chief Shenanigator)We work for free, so if you wanna throw a few pennies our way there is a linked Buy Me A Coffee site where you can do so. Just mention the podcast in the comments when you donate, and I'll keep the sacred bean water boiling!Support the Show: https://www.buymeacoffee.com/AuthorJRHandleyOur LinkTree: https://linktr.ee/blastersandbladespodcastToday's SponsorTell Me A Secret by Chloe Garner: https://a.co/d/0crjpofkFollow Bill McUisdean (Wylder396) on social mediaBill's Website: https://zorne.substack.com/ Bill's Substack: https://substack.com/@wylder396 Bill's Twitter: https://x.com/Wylder396 Follow Chloe Garner on social mediaChloe's Amazon: https://www.amazon.com/Chloe-Garner/e/B00MD4GGLS/ Chloe's Website: https://blenderfiction.wordpress.com/ Chloe's Facebook Group: https://www.facebook.com/groups/435117423514398 Chloe's Bookstore: https://blenderfiction.wordpress.com/verida-signed-copies/ Chloe's LinkTree: https://linktr.ee/ChloeGarner Follow Jana S Brown on social mediaJana's Amazon: https://www.amazon.com/stores/Jana-S.-Brown/author/B015VJV7JW Jana's Website: www.opalkingdompress.com Jana's Facebook: www.facebook.com/janasbrownwrites Jana's LinkTree: https://linktr.ee/opalkingdompress Follow Jena Rey on social mediaJena's Amazon: https://www.amazon.com/stores/Jena-Rey/author/B08XSCHXYXFollow Jarret Keene on social mediaJarret's Amazon: https://www.amazon.com/stores/Jarret-Keene/author/B001JOTUPW Jarret's Website: https://www.jarretkeene.net/ Jarret's Facebook: https://www.facebook.com/AuthorJarretKeene/ Jarret's Publisher: https://darkwolfbooks.com/ Follow Keith Hedger on social mediaKeith's Amazon: https://www.amazon.com/Keith-Hedger/e/B01N2V9383/ Keith's Website: https://www.keithhedger.com/ Keith's Facebook: https://www.facebook.com/KeithHedgerAuthor/ Keith's YouTube: https://www.youtube.com/@keithhedger6504/featured Follow JR Handley on social mediaJR's Amazon: https://www.amazon.com/stores/J.-R.-Handley/author/B01N0SEX3A JR's Website: https://jrhandley.com/ JR's Facebook: https://www.facebook.com/sgt.jr.handley JR's Substack: https://jrhandley.substack.com/ The Ghost Cadet by Elaine Marie Alphin: https://a.co/d/06dhfgQk #scifishenanigans #scifishenaniganspodcast #bbp #blastersandblades #blastersandbladespodcast #podcast #scifipodcast #fantasypodcast #scifi #fantasy #books #rpg #comics #fandom #literature #comedy #veteran #army #armyranger #ranger #scififan #redshirts #scifiworld #sciencefiction #scifidaily #scificoncept #podcastersofinstagram #scificons #podcastlife #podcastsofinstagram #scifibooks #awardwinningscifi #newepisode #podcastersofinstagram #podcastaddict #podcast #scifigeek #scifibook #sfv #scifivisionaries #firesidechat #chat #panel #fireside #religionquestion #coffee #tea #coffeeortea #CoffeeBrandCoffee #JRHandley #NickGarber #MadamStabby #JanaSBrown #JenaRey #OpalKingdomPress #BillMcUisdean #ChloeGarner #MadamChloe #JarretKeene #DrJarretKeene #KeithHedger #HiddenIdenityInSpeculativeFiction #GhostCadet #Dollhouse #Ultraman #Kaiju #Shadow #TheShadow #QuantumLeap #BodySnatcher #SamuelBeckett #RIPD #Kit #KnightRider #Dune #FrankHerbert #PaulAtreides #Fremen #Muad'Dib

Thank you so much for listening to the Bob Harden Show, celebrating nearly 15 years broadcasting on the internet. On Monday's show, we visit with Marc Schulman, Founder and Publisher of HistoryCentral.com, about current global events in Iran, Israel, Gaza, Ukraine, and the UK. AIER,org Senior Editor Jon Miltimore and I discuss the Minnesota day … The post The Minnesota Day Care Fraud Scandal appeared first on Bob Harden Show.

Steve King and Johnnie Putman are in the WGN Skyline Studios and they're joined by Tony Panek of the Whiting Pierogi Fest. Erika Brett & Josh Solomon of ‘The Empty Pockets’ sit in with S&J to discuss their new song ‘Serrated,’ inspiration during car troubles, and much more. Tom Appel, Publisher of Consumer Guide Automotive, […]

A report by DataDome reveals a significant surge in AI bot traffic, highlighting a growing disparity between how different platforms interact with the web. While Meta's AI bots have drastically increased their crawling activity by over 163%, they reportedly provide zero referral traffic back to the websites they index, draining publisher resources without compensation. In contrast, ChatGPT has become more efficient, reducing its overall crawl frequency while accounting for the vast majority of AI-driven referrals. This shift has introduced new technical signals like the Model Context Protocol, which connects AI agents to external tools but also expands the digital attack surface for organizations. To mitigate these costs, experts suggest that website owners should implement stricter access policies and rate-limits for bots that offer no mutual value. Ultimately, the data suggests that not all AI agents impact the digital ecosystem equally, requiring a more nuanced approach to bot management.

Ben Dietz convenes Casey Lewis (After School), Daisy Alioto (Dirt), and Erica Chen (Media Futures Group, WPP) on the collapse of the wall between editorial and commerce. Publishers are shipping perfume, brands are hiring writers, and the relationship forming in your inbox isn't human-to-human anymore.  What happens when the scenic route is quicker? When “wasted” time actually is the relationship? Your total addressable market now includes agents, and those agents are trained on the taste you are curating. After all – what you buy is who you become, but what you read is how you decide.  Base Notes: Upper Lip Sweat and Hot Metal Key takeaways: Publishers now make products; brands now make publications. The wall stopped mattering. Optimization is a process of reduction, and serendipity gets cut first. Brands flame out at issue two or three without a point of view. Taste-driven publishers have a new addressable market: agents trained on taste. [12:48] "The best ROI does not necessarily give you growth, because growth comes in volumes." – Erica Chen [21:15] "When your audience knows to expect you… you really have to stay true to that." – Casey Lewis [28:50] "Our total addressable market now includes agents." – Daisy Alioto [30:32] "Creators are the cure to the media fragmentation." – Erica Chen Associated Links: Casey Lewis – After School on Substack Erica Chen – "In Defense of Serendipity" Daisy Alioto – Read Dirt @ dirt.fyi Tasteland podcast – Daisy Alioto & Francis Zierer VISIONS Summit 2026 – November 3, 2026 at MoMA. Listen to today's episode for 25% off Check out Future Commerce on YouTube Check out Future Commerce Plus for exclusive content and save on merch and print Subscribe to Insiders and The Senses to read more about what we are witnessing in the commerce world Listen to our other episodes of Future Commerce Have any questions or comments about the show? Let us know on futurecommerce.com, or reach out to us on Twitter, Facebook, Instagram, or LinkedIn. We love hearing from our listeners! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Fakers: A Top-Secret Tale of Phantoms and Forgeries on the Disinformation Front Line (Oxford UP, 2026) reveals the rise and fall of the mavericks running Britain's Cold War forgery empire. Their secret mission was audacious: to disrupt and discredit adversaries across the world using phantom groups, fake sources, and counterfeit documents. The leader was a remarkable character, wrestling with personal and professional dilemmas: Hans Welser. An Austrian refugee and one-time MI5 suspect interned behind barbed wire, Welser was a great survivor who rose to become special operations adviser to the Foreign Office, working hand in glove with MI6. His second in command was an eccentric, hard drinking, and high-flying journalist-turned-propagandist called John Rayner. Brought out of semi-retirement, for one final posting. Their team of bowler-hatted refugees, voluble ex-journalists, trailblazing women, and licentious literary sorts navigated loyalty and betrayal — both professionally and romantically — from the diplomats' attic, in the most sensitive part of the Foreign Office's secret propaganda department. The newly declassified files expose an array of plots, some comically absurd and others dangerously controversial. The forgery empire impersonated everything from hippies and ghosts to Islamists and ballet composers in their campaign to smear hostile politicians, stir tensions among adversaries, and even stymie the career of a contentious British historian. All took place against a high stakes backdrop — both overseas as states competed beneath the looming threat of nuclear war and in the corridors of power at home where grey-suited bureaucrats circled, keen to shut down the team for good. With timely insight into how propaganda works and how to respond to disinformation, Fakers is a thrilling journey into a secret world where nothing was as it seemed. Rory Cormac is a Professor of International Relations at the University of Nottingham and a Fellow of the Royal Historical Society. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What does it really mean to build bridges that last for decades? I want you to meet Bircan Unver, whose lifelong commitment to responsibility, creativity, and global citizenship has shaped more than 25 years of meaningful work through Light Millennium. From growing up as the eldest of seven children in Turkey to creating an internationally recognized nonprofit connected with the United Nations, Bircan shares how art, public media, and open dialogue can bring people together across cultures. We explore why responsibility begins with each of us, how local communities can help solve global challenges, and why issues like water security, environmental stewardship, and human connection matter more than ever. I believe you'll enjoy hearing how one person's unstoppable mindset continues to inspire collaboration, education, and hope for a better future. Highlights: 06:55 - How growing up with responsibility shaped Bircan's lifelong commitment to serving others. 18:30 - Why public access television became the foundation for sharing voices and building community. 26:15 - The story behind founding Light Millennium and creating a nonprofit built on dialogue and education. 36:55 - How local communities can play a meaningful role in advancing United Nations goals. 49:45 - Why water security, cybersecurity, and gender equality are becoming deeply connected. 55:40 - Bircan reflects on preserving ideas through books, creativity, and lifelong learning. About the Guest: Bircan Ünver is the Founder-President of The Light Millennium, a Charitable Global Human Advancement Organization (LMGlobal.Org, 2001, New York); Executive Producer of the LMTV Programs; Multi-Media and Event Producer; Host, Author, Publisher, Public Speaker; [Head] NGO Representative of The Light Millennium to the United Nations Department of Global Communications since 2005 (formerly, UN.DPI); and Chair, Outreach and Partnerships Subcommittee at Global NGO Executive Committee and director for the 2021-2023 term. She has been also a Content Provider at QPTV since 1992, and she is the editor and co-founder of the U.S. Turkish Library & Museum Project. She has undertaken the Organization's e-publications, public programs since its inception in August 1999, and #LightMillenniumTV Series and Specials in all aspects of it since January 2000; along with, the LMGlobal.Org's all UN-related activity and programs since 2005. Bircan is the author and director of the Compulsory Peace & ICTs Education from Kindergarten to K-12, and Beyond Campaign, which she launched it through the Light Millennium Global in support of the Summit of the Future in 2024. The Campaign has delivered its 8th session along with the Coalition for the Campaign, which contains 22 organizations and educational institutions including The Light Millennium Global as the leading organization. Further,  she is also author of the bi-annual international high school project, “J.U.C. Media, Research, Writing & Innovation Awards”. The third of its kind was dedicated to the “Water Action Decade” and was delivered  (virtually) on the World Water Day, March 22, 2025. Bircan served as a mentor to the GPODS for three consecutive terms in Winter'22, Summer'22, and Fall'22 Fellowship Programs; and delivered lectures on “How to associate with the UN-NGO”, Public Access TVs in the U.S., and the latest one was on the #WaterActionDecade and the #2023UNWater Conference. To attach that, on behalf of LMGlobal.Org, she organized and hosted an Outside-UN Side Event ID #W175, titled, “What Is Your Commitment To The #WaterActionDecade? ~ Seven Core Ideas Toward #WaterAwareness, #WaterConscience and #GameChangers” in NYC on March 21, 2023, and was the head delegate of the LMGlobal.Org at the #UN2023WaterConference. Based on LMGlobal.Org's Commitments to the #WaterActionDecade, she launched #OneMinuteWaterActionCommitment during the #W175 Side Event, along with continues to work toward #WaterAwareness toward building up #WaterConscience.  She served as the chair of the ATAA Committee on UN Relations, guided its association to the UNDGC in 2020, and also served as the New York Regional Vice-President of ATAA (Assembly of Turkish American Associations) from October 2019 to January 2022. Furthermore, she served on several Planning Committees of the UN-Civil Society Conferences, and the Planning Committee of the High-Level Forum on the Culture of Peace (HLF-CoP). She has been a strong advocate of the UN Vision, Programs & Sustainable Development Goals (2015-2030) along with the relevant UN Days, which are in line with the LMGlobal.Org's Mission/Purposes since its association with the UNDGC (formerly, UN.DPI/NGO) in December 2005. Currently, Bircan is on the Advisory Board of the Turkish Forum (based in Germany). She encourages and guides interested civil society organizations and members of academia toward their educational institutions' associations with the UN, along with engaging them with the UN Programs that are within her networks and beyond. Further, she is an Ambassador of Peace and Goodwill for Anuvrat (Anuvibha) Global Organization (Jaipur, India, since 2014); and a Member of the Global Movement for the Culture of Peace (GMCoP, since 2012). Bircan is also the founder and president of the IsikBinyili.Org Association based in Istanbul (2010), which is a sister organization and counterpart of the LMGlobal.Org. Author of the following four book titles in print (Turkish): “En Kutsalı Yaratmak” (The Most Sacred is to Create) (1995, 2022), “Sanatın Labirentlerinde” (The Labyrinths of Arts) (2016), and “Işık Yollarında (“The Ways of the Light”) (poetry, 2017), and “Bin Yıl Daha…” (2020, A Thousand Years More…). Also, she is the author of the concept and compilation of the “Hope Never Fades” (English) book (Istanbul, 2023). Bircan initially received her local and studio television production certificates at QPTV.Org in 1992. Based on this capacity, she produced and broadcasted near to 260 television programs through local channels in New York City, which are also available online through www.vimeo.com/channels/LightMillenniumTV including 36 #OneMinute #WaterAction PSAs. Bircan celebrated her 30th Anniversary at QPTV.Org through a video profile, titled, “A Turkish Experience in America” (Duration: ~9 min. Production Year: 2022). Her works through The Light Millennium Global is a recipient of various national (U.S.) and international awards and recognitions including two awards from the Foundation of Alliance Community 2023 Hometown Media Awards (F-ACM-HMA for her “GroundWater” Light Millennium TV program in Web-based Programming and Online Events / Independent Producer categories (received at Brick TV, New York), the Anuvrat Ahimsa Award For International Peace-2023 (received in Mumbai, India), and the 2023 International Volunteer President Award by Institution of Green Engineers (received in Chennai, India), and ashe is also the recipient of the 2024 Best Web-Based Program – Independent Producer for the #HopeNeverFades program by F-ACM-HMA, which was produced based on the 2023 J.U.C. Media, Research & Writing Awards (ACM HomeTown Media Awards, San Jose, CA). Bircan holds a Bachelor of Arts (B.A.) Degree from the Mimar Sinan Fine Arts University (Istanbul, 1988) and a Master's Degree (M.A.) from Media Studies of the New School University (New York City 1999). Ways to connect with Bircan**:** Websites: www.lmglobal.org  (active web site) | www.lightmillennium.org (serves as the organization's web archive)#LightMillenniumTV | www.vimeo.com/LMTV | www.vimeo.com/channels/LightMillenniumTV Social Media: Linkedin: http://www.linkedin.com/in/bircan-ünver-7353207 X@lightmillennium Instagram@lightmillennium About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:04 What if the biggest thing holding you back isn't what's in front of you, but rather what you believe? Welcome to Unstoppable Mindset, where inclusion, diversity, and the unexpected meet. I'm your host, Michael Hingston, speaker, author, and advocate for inclusion and possibilities. This podcast explores how the beliefs we carry shape the way we live, lead, and connect with others. Each week, I talk with people who challenge assumptions, face adversity head-on, and show what's possible when we choose curiosity over fear. Together, we focus on mindset, resilience, and the small shifts that lead to meaningful change. Let's get started. Well, hello everyone, and I want to welcome you to another edition of Unstoppable Mindset, and today we get to talk to a very interesting person with a with a lot of roots in Turkey, but she is also doing a lot of work with the United Nations here in the U.S. and other places. Her name is Birchan Umfer, and I hope I got that right. And Bircan Unver  01:23 thank you. Michael Hingson  01:24 Oh, good. And Berjan is is with us, and is going to talk about a number of things that she is working on. She's working on, and for years has been involved with a program called Light Millennium, and we'll we'll talk about all that, but let's just start and and as usual we'll have a great conversation. So, Bir John, I want to welcome you to Unstoppable Mindset. We're glad you're here. Bircan Unver  01:50 Thank you so much, Michael Hingston. It's great honor and privilege to have your guests. Especially, I love the title Unstoppable Minds. It's really inspiring and triggering the mind. Thank you. Michael Hingson  02:08 Well, my pleasure. We're glad that you have the time to to spend with us, and we will we will we will do it and make it work. Well, let's start. I love to start this way because I really want people to learn about you. Tell us kind of about the early Birchan growing up, and then we'll go from there. So tell us about Birchan and growing up, and and and all of that. Bircan Unver  02:32 Thank you. This will be a little bit different than most people know about me, my work. Well, we'll get to Michael Hingson  02:38 your work. Bircan Unver  02:40 Yeah, I know. I mean, the people who already know my work. What I'm gonna say now is completely too different from Berja. So I am a elder of seven siblings, and I was born in an ancient village in Mid Anatolia, actually nearby the Black Sea region, and I'm proud with my age, 1959, and my family moved to town first from the village, and then Istanbul for our educations for their kids, and but I don't know really as a girl child growing up with seven kids, as especially with a traditional family, being older girl is not a good idea. But but maybe it was a kind of tough childhood as a girl child. I I don't feel that I never been a child. That's really what I feel. But on the other hand, and that was you know when you are growing up, living through like I was a kind of second mom, and also our home was kind of everyone our guest from the village town and stay over not only one night, like or a week, like sometimes months, even years. You won't believe that, and it was not because either. So, but those kind of build up maybe my feeling to be responsible, so I consider myself a responsible person because I was responsible for my sisters, brothers, and also washing dishes, making helping my mom to prepare the meal, lunch, breakfast, and clean up. Like you know, I was kind of second person, second mom at home. So those early things, all those stolen my childhood, but at the same time, provide me being able to do everything from very early age. Even though I remember several times at the time. The bread wasn't, you know, you you weren't buying the bread from the market, but from the bakery, real where they were baking the bread. So she was, and time to time also she was making the the bread at home, and then she she wasn't sending me to school because then I had to stay with my brothers and kids so she can make the you know breads a big amount for a couple days. So that said, also gave my idea. I want to suddenly want to work as soon as you know I'm 17, 1617, So and then I started early working at a bank, and it was my first eight years. I worked at a bank in Istanbul. It is called Istanbul Bank, and then my graphic is like life graphic is a little bit different, like curvy, not like straight line. Then after eight years working at a bank, I started to university and fine arts, and then I had kind of interest art history, especially TV production, art history, arts in in the concept is producing art documentaries. That was kind of my vision. Also, it was also my reason initially coming to the U.S. learning TV production. Of course, English as first. So that was very much my childhood until you know 18 until starting at the bank, and then the rest is another story. I have, I must say, I would have three different life. Michael Hingson  06:48 Well, you had certainly an interesting childhood, needless to say, and I, I can understand what you're saying about being the oldest and all the challenges. I was not. I was the youngest, but we only had two siblings, and neither of us we were we were both males, and so we we did not do a lot in terms of preparing meals and all that sort of stuff. Except my brother and I were both in the Boy Scouts, and so when we went camping and other things like that, we learned how to cook on an open or an open fire and and things like that. But still, I understand that you you had a a lot that you had to do. What lessons did you learn by being the oldest child? What kinds of things do you think that you you carry over to what to your life today, because you were the oldest. Bircan Unver  07:44 I think two different components of that. One is also because it wasn't only I was the as a kid at the home and as a girl, girl, but also at the time there wasn't that kind of awareness which we have today. Which I mean, my mom got married with my dad at the age of 15, and she had birth. She had given me birth at the age of 16, the reason I'm bringing up this, when we were going to shopping Kapolechar, Grand Market of Istanbul, when I was 1516, and literally we were halfway age difference between my mom and myself. And when I was saying mom, and the people were surprised, and she and isn't your sister, other sister? They were asking me, and she was my mom. So, but this is in the long later years. I always become the best friend with my mom, and even my brother was saying, "Oh, now I understood that she, you are the joy of my mom because she can kind of a joke, and the others, my kids, like they are kids, but I'm her friend because they kind of feel similar. That is one, you know, lifetime developed feeling and strong connection, different connection with my mom, and the other also, as I mentioned at the beginning, it really this whole, you know, not selected, but where you, which house you born, which condition you grow up, that build up for me early high level responsibility. I feel responsible to do everything, and I, you know, that's a little bit tiring because that's what I want to say here. You say something in our after our initial Zoom meeting. It's really very inspiring. You say something. I just took note. We can solve all the worst problem. We can. You say you don't say we cannot. You say we can. Solve all the world's problems. So, like, it wasn't possible. It's not possible, but you know, as if I could solve the problems or I could carry everything. So it's kind of you know build up my bricks in my life. Michael Hingson  10:18 One of the things that you certainly, it sounds like you learned as you were growing up, though, was was all about responsibility and and and learning to take charge, but learning about responsibility and and feeling that it was okay to be responsible for others in your family and so on. And I think a lot of people don't necessarily learn a lot of lessons about responsibility, like they should. But you were put in a position where you had to do that, which is is certainly a good thing because you clearly have have done that in your life. Bircan Unver  10:54 That's very true, and also it goes with everything. Let's say sometimes some people think maybe unnecessary action when people cut trees, even in their you know backyard or front yard, whatever trees or any type of trees or fruit trees. I really get mad and upset because it is irresponsible to nature, to their own environment, just feeling they're responsible to trees, loving the trees, loving the you know, for instance, if when I was it was two weeks ago, I was working on at my desk, a bees was you know flying around me, and I don't like you know trying to hit and chase the bees, and I just left the window open, moved the room two hours, and it's gone. So I don't want to hurt things, even though if it bites, it would hurt me, right? So to kind of find a way, being responsible, because also I have a subconscious thinking that if I try to chase a herd, if an insect, any of them, they you know they react sharp. So I'm not a threat to them. So they are not threat to me. So I kind of make a subconscious connection, communication. Michael Hingson  12:22 Well, and it's it's better to to learn to love than than not. So I I hear what you're saying. Now you didn't go to college or university, right? Or you did? Bircan Unver  12:35 Of course, I did. That's what I was just briefly brought this stair at that level. That after eight years working at at Istanbul Bank, from literally actually 17 to 24 or 23 late 23 early 24 then I started at the Fine Arts University in Istanbul, and I mainly study both as major Turkish tradition arts and also along with as a minor. We didn't have a minor, but we had we didn't have the minor degree, but we had a selected course. So I was following up several like four years in a row and also whole year around, not a quarter semester base artist troy and contemporary art. So I started writing on art and exhibit and interviewing artists while I started study at the Fine Arts University, which is top university in Fine Arts in Istanbul, Myanmar, Sinan Fine Arts University. Michael Hingson  13:44 So you learned a lot about fine arts, and Bircan Unver  13:47 yeah, Michael Hingson  13:47 and you had obviously learned about finance from the bank, which Bircan Unver  13:51 is didn't learn that Michael Hingson  13:53 much, huh? Bircan Unver  13:53 Not at all, and I didn't like it. That's why I, you know, I changed all my life line. Michael Hingson  14:00 Right, but but you enjoyed art. Bircan Unver  14:03 Yes, and because also art always for me, and it as it is today. Whatever the life problems we cannot be resolved, art is always for me a branch to hold on and to kind of feel strength, connect with the nature, with the art culture, whom I never might met, or maybe you know through art, through music, through books. So it's kind of really, I think the the best human conscious and what we leave behind is what we produce. Creative might be a little bit another discussion. What is the term defined? And now everyone using like creative for everything, but creativity is like really what stays, you know, central. And something as what is already before, and what you brought it something new, that new perspective, like cubism and faism and expressionism and all that different genres or pop arts and another one Dali's movement. So all the Dadaism, so each of them brought something what is already existed, and then you know moved to different level, and also technology and communication brought where we are today. So and music, I'm not any degree. Degree train or understand, but I love music as most people about music and arts and literature and writing is always for me. Also taking pictures. I don't trust my memory much, but this is not new, not because of my age now. But I somewhat I always like take the pictures, whether I have cell phone, the oldest, you know, digital or the manual photo photographs. So even though when I run into where where was it, where I was, who was with, who next to me? I can't remember. But why I love that? Because really, it brings, it captures your life, even you don't remember, and then reconnect. Also, I I come up with a new concept. I haven't done anything yet, but it's kind of developing in my mind, that we can, we are able to capture the past, but we cannot capture the future, because you know whether you know unexpected the one photo comes up, or an audio recording, or all those movies, musics, and documentaries and paintings throughout artistry, you can really capture the past depending on what you know your background or interest and education, but you cannot capture the future. But you can imagine, we can imagine the future. We can invest into the future. Michael Hingson  17:16 Well, and and the the reality is that that the future is based on so many things that happen in the past, and so you can learn to to use some of that information and and have a better idea of what the future might be like, and that's that's pretty fascinating too. So so, how long did you go to college Bircan Unver  17:42 in in Turkey the basic four university education is annual base, not semester base. It's a four years, and actually when I started it was five years. Then later on they the system education board changed it to like four years plus two years. So I graduated from a four years fine arts, and then I have a master's degree based in New York News School University. Michael Hingson  18:20 Ah, in New York. Bircan Unver  18:21 Yeah. Michael Hingson  18:22 Okay. So that was was that two years. Bircan Unver  18:27 Yes, but it was a little bit different again. Yeah. See, because first when I was here for the first time, 18 919, 89 to 1994, I started and I took to six credits and I love it. But I had to go back to Istanbul, so then I got the you know absence live of absence, and then but coming back three years later, I readmitted, and then I finish it. I got my graduate diploma in 1999 May 1999 Michael Hingson  19:12 Okay, so Bircan Unver  19:14 you've been dealing late. You've been Michael Hingson  19:17 dealing with school for a while, but but while all that was going on, you got interested in, and you started to to do things regarding public access television. And you started that, if I read your biography correctly, in in 1991, you started doing things with public public access TV. Tell us a little bit about that, and why did you do that? Bircan Unver  19:41 That's really the kind of key point in my life. In as for the initial one of the two reasons that I came to the U.S. as the first time, I was you know the first aim to learn English. The second also. To learn the TV production, and then my first year was in the U.S. was in L.A. and then I was looking for the schools and just I'm I I'd like to get the formal education, formal training, and then one of my friends there, whom I met there, she said my aunt is TV producer at Queens Public TV in New York, and she is looking for someone like you who really wants to get in and all that. And then I think a couple months later, I had a very brief trip to New York, and I met with her, and then I met with her at QPTV. Now she is unfortunately not with us, but she was also she was the first Turkish producer at QPTV, and I'm forever grateful in memory of her. She was the one who introduced me QPTV, so I met Victor at QPTV in 1990, and then when I went back to LA, I decided to move to New York. So as soon as I moved to New York and I registered to QPTV's both field production and studio, and at the time, there were seven, eight months waiting list. Eventually, I got it on the list, 1991, and first I got the field production certificate, and it was I think six months something, and we had a group project and solo project, and then studio and studio production. It's when the same group project after you are learning all the equipment and then shooting and everyone is crewing everyone is helping each other within the same group of the class and then also producing group project and then the individual project that it is the similar step for the field production and the studio, that also provides a certificate to enabling us to use QPTV equipment, studios taking out the equipment, inviting studios, studios. Unfortunately, after COVID 19, there has been a long dragging issue. They haven't opened the studios. This is I don't want to get in because it is beyond our concept, but because that was my initial reason also moving to New York. And then once I started producing program and airing, I really loved idea from one idea, just idea, and then put paper and develop it. Bring yes, bring the crew, especially with the manual three-inch tapes, and to present, put everything in a tape, and then submit it an ARC schedule. I really love that. So then, while I was there, and then I said, "Okay, I want to really have a master's degree on TV production. So my master's degree from New Zealand University is in media studies. So and I got my diploma May 1999 So, but New Zealand was amazing. I learned all the first my you know my life although it was 39 maybe 3839 years old when I was Photoshop and Premiere or Evid and all the first offline digital all the software program I learned at the new school and I edited my first program offline at the new circle as well, but when I got diploma, and then I had nowhere no access to continue. Also, you know, it's just I, I never been about the person. My mind and my heart wealthy, but not financial terms. And then, so QPT was always my second home because it provides me continuing the producing and provides me access, provides me equipment. It's like provides the community. That's what it is exists for, especially in support of the Article First Amendment and freedom of expression, and also QPTV format is really, really not well known, or not QPTV loaned. It is public access, pack programming, public education and government programming, non-commercial. So it's it is not much known widely, but it is really one of the best symbol of democracy. And now it's kind of a little bit diminishing because also widespreading out other web streaming platforms like this or other, so that there are so many. Discussion and issues, and also there is one petition to the New York Senate that is called Team New York that could also bring in all the web streaming to this community media access public access media. So then, Michael Hingson  25:19 oh, go ahead. Bircan Unver  25:20 No, I mean the question is so QPTV had has been the longest since 1991. I've been providing content, and as long as I am in the US, if I'm out of the country, even if I am out of the country, my previously submitted programs are rerunning in different, you know, whenever they schedule for my new programs, I determine which time slot because I have a time slot to be scheduled, and whether 28 minutes or one hour. But especially again after COVID 19, I couldn't produce anything at the studio at QPTV, but like this Zoom-based programs, and then for the late million organization, the programs I produce and then edit them, reformat them to schedule for QPTV. But it wasn't as it used to be produced at QPTV, at the studio with the crew, that's the excitement teaming up. It's really, I love it. But Zoom, this type also make more maybe manageable, but also bring more intonation speakers. You know, through online connection. If Speaker 1  26:54 you enjoy Unstoppable Mindset and would like to help us continue bringing these conversations to you each week, we've created a way for you to support the show. Your contribution helps us cover production costs and continue sharing stories, insights, and ideas that inspire people to live with purpose and possibility. If supporting the podcast feels right for you, you'll find the link in the show notes. Thank you for being part of the Unstoppable Mindset Community. Michael Hingson  27:28 So you you started in public access television and and and are still doing that essentially. But in 2000 you started Light Millennium TV. Tell us about Light Millennium Television. Bircan Unver  27:42 Thank you so much. Because Late Millennium, I still consider it's my third child because already 25th anniversary. The flyer on my back says 25th That also refers the 25th anniversary of the Light Millennium. I think a the experience and production, and also providing three platform QPTV, Queens Public TV, but actually the 1992 Communication Act and PAC programming, public government public education and government programming; those emerge with my new school education, like Fatrus, Plato, the concept of the two ways of messaging, and for the first time in my life, at the age of I think it was I was 39 I was able 3039, I was able to use. It was very new, also for the war. Internet. We had the internet at the new school as our media class, the open forum. One week media theory class. We have open discussion forum about Greek philosophy, further is communication, media theory. The other class we had the classic format. So all these together merged in my mind, and I really felt I found my medium. That medium is the internet, which me, especially someone is living in New York, who has you know 30 years first life in Turkey, Istanbul, that culture, and then I I didn't want to kind of disconnect from my root cultures, and internet provided me that connections, and also I always like to write and communicate, so so it becomes like natural medium. And then when I just graduated in May 1999 I send out by then like 40 people with my friends. Colleagues, and then I said, "Oh, I want to start a platform. This platform is going to be ours. And everyone wants to say, kind of to expand the QPTV's concept, because when I say QPTV's concept, this is the again First Amendment, and they don't control the content. They don't say anything you can do, you cannot unless it is a threat to someone's life. So it's all the content, or you are responsible as the producer. So I really love that freedom and responsibility again. And then then I was mentoring at the New York Food Moon Finance and Television, and I was kind of trying to find what I want to do, and I was already producing programs at QPTV. I never give up as as long as I could afford to produce the time and edit. Edit is always more time consuming, and then the executive director of the at the time 1999 Woman Film Man Television, she said you can form a nonprofit. I never taught it before, and I'm forever thankful to her. And then I said I don't know what to do where to start because she perhaps she saw the potential because I was producing non-commercial and publishing, trying to promote, you know, through group emails, and whatever the you know social media available at the time. Well, mostly email and group emails, and then she suggested me a volunteer lawyers of arts that she said they can help you, and I never knew and I never thought I if I never came to U.S. maybe I will never had a concept of forming a nonprofit or light minimum. So that U.S. and all combination brought me and news called Queens Public TV, First Amendment, United Nations Article of 19 Universal Declaration of Human Rights. Everything together kind of merged in my mind. Also, the projects I produce, I communicate, is contact with people, I learn from them. So then, when I contacted with them, they ask me, you know, what is my statement this type? And then I drafted all of them, and they put in medical, you know, terms and terminology, and I was lucky that we got a pro bono at the time one of the you know major U.S. law firms. I I think I can say now because they even though I think merged K Shuler, but they took our case and they formed my organization on on a pro bono basis and officially the first as a non profit organization done with the 500 1c T V together. So we officially formed 2001 July 17, and we and then right after that they filed 501c3 for us, and then we granted that in September 18, 2002. Bircan Unver  33:14 My memory is not good, but I I remember that date as of today because it was kind of imprinted in my mind, but also the beauty was that the granted granting 501 c3 was effective of the formation date, which is July 17 2001 So then, since I developed started the light minimum concept, introducing speaking people trying creating an open platform that everyone can you know contribute be part of it, so then I started in January 2000 on January 13 2000 started first monthly the like TV series at like at QP TV. That's how it came about. Michael Hingson  34:02 Yeah, you have certainly created quite a niche in in the whole light millennium and all the other things that you've done, which is pretty fascinating. How did you get connected with the United Nations? Because I know you're doing work with them. Bircan Unver  34:18 Thank you. Actually, the concept with the UN use, I don't do work for them. Michael Hingson  34:29 Right. Bircan Unver  34:29 We do work with them. Right. You're connected Michael Hingson  34:34 with them. You're not working for them. I understand that. Bircan Unver  34:36 Yeah, I just you know one word, but it's key key differences. But as as I mentioned, how the light millennium concept emerged, and also my master's degree program, media studies at the New School, and also there is another person I have to mention here, also in. Separate for her respectful and loving memory, Danielle Camille. She was my advisor for my thesis project advisor at the new school, and all that TV ideas and my thesis project. And she loved, and I got all A. And my first TV ideas project was peace, reality, or utopian dream, and it was 11 minutes or so. It was just before the first Clinton administration election, just October, I think 2002 and then I interviewed many academicians, civil society, non-profits who whose focus area on peace and war and you know against nuclear or all that and and then that actually the concept peace reality or utopian dream that took me to the United Nations I don't know now as a as an outsider, at the time it was so welcoming, and I went to photo department. They share me with photos, and I got all the books I was looking for. Of course, public library. I got all the books about the peace and peace organization. So that 12 minutes program, peace rate or utopian dream, and physically led me to step in the UN for the first time, and then producing this project, searching kind of open to me new horizon, and also my advisor was persistent. Birjan, we know you are great. You produce fundamental programs on arts, but I want you to do something else. So that actually also forced me to move beyond producing something beyond arts. And so then then peace, reality, or utopian dream concept came in, but also it wasn't far topic in my life because my son was born 20 when I was 2022 Now he is 45 His name is Borush, and mean is in Turkish peace. Peace also at the time, you know, Africa hunger, and I was hoping when I get 4050, this will be over. It's not the case, but as a vision, I always look for humanistic positive for the humanity, not you know for myself well-being. Michael Hingson  37:38 Well, you you kind of act as a bridge between UN programs and local communities. Tell me more about that because you view that you view yourself as being a bridge between UN programs and the local community. Why do you why do you view yourself as more of a bridge? Bircan Unver  38:00 That's very nice metaphor, and I think it's very true for me too. Maybe I could take it two three step backs. One is the village I was born. There is a river, and and then there was a bridge, and that bridge was kind of fundamental. Really, going to where you know people are established, living in all the agriculture and large fields, and it was kind of nostalgic to me. It's a bridge, but it's a stone, short bridge. That's the the first part. The second Istanbul. You know, my life main path when I was in Istanbul, Turkey in Istanbul, and Istanbul the Bosphor and then the Istanbul Bridge. Now the name changed, and now three bridges, and not just the bridge itself, but also Turkish geographic Turkey's geographical space place on Earth and especially on in between Europe and Asia and Black Sea and then the Mediterranean Sea and then when you go down North Africa, and then you go up like Russia and North Europe. So you see that that connection physically, geographically, and troy physical bridges. We live, we grow up with this kind of as part of our DNA and vision. When I was working on this, the first the initial need you know in the non-profit world to describe the need need was to connect with my culture, people, friends, family, the internet medium, and then village is also metaphor, and when we associated with the. I let I'm proud to say it. Let the association process. That was also my vision from that small video for the class project. And then, then I realize this is also. I think today is real fact that local communities, even Queens here, people are paying 1000s of dollars to come to New York to get visas. All that trying to get the sponsor, you know, to attend a conference, and I I didn't see much interest within the local nonprofits there, and that little bit was shocking realization for me. So I brought to my programs UN visions programs, MDGs, UN days, sustainable development goals. For instance, when it was announced at the UN for the 2023 agenda, we created dreams for humanity. So we brought people from lots of life, poets, authors, and youths to really share their ideas for humanity, for peace. Michael Hingson  41:12 Well, you-it sounds like, from all that I've read and and studied, you're you're, or at some point, you kind of have moved more into dealing with a lot of things with the environment. So I know that your program has been able to get a credit accredited as an observer observer status with the UN Environment Program. How is how has that affected what you do and all of your work going forward. Bircan Unver  41:43 Thank you. This is also another important, I think, milestone for us. The first in connection with the UN, associated with the in the formerly United Nations Department of Public Information, and then it has changed to Department of Global Communications. Officially, we've been associated since 2005, active and good standing, and we are able to be presented at the UN with six representatives, and therefore we are able also to reflect back to our committee's networks from the UN and it's two ways. I really like the concept two ways messaging, and then always environment in somewhat it involves in our programs. But let's say through water, through energy, through, for instance, when the forest fires really burns my heart. So being sensible and trying to, as much as I could, to attend the meetings, especially MDGs for the first phase of the Millennium Declaration, really, it's. I consider UN is the best school I ever had, and it's for me lifetimes to call, and I learn about so many countries I will never otherwise know them much. Some of the names you hardly hear in media and anywhere else, so it's kind of opens and to see the global spectrum. Also, one of the things I really love at the UN, whether you you are a ambassador or president or prime minister of a country that has maybe a population 1 million or 2 million or 1 billion or two 1.6 billion, the largest one, so you have the same minutes of speaking time, same voting, especially of course, I'm talking about the general assembly. So those things I follow up, and we try to incorporate time to time. And water issue always, I wanted to involve. I want to do something about, but it's just not like because I love the tourists, and I'm not, you know, scientist, so I'm not officially trained. So also, I'm not able to protect the, you know, fires in the forest. And every year it's getting worse and worse. And then I'm sensible, but you know, you can't do much about it. And eventually, although our last name is same, but we are not blood connected. Professor Oljoymer, at the time he was vice president for the UN Water at the UN, and we connected. And I was following up, and I was aware his work before we met. We connected through the UN. So then, especially during the COVID era, then when I've seen his speeches, natural-based solutions, and then his piece on smart water, so I propose him if we can do something. About water, and then he was very supportive, very kind, very modest. We had our first water program on the World Water Day in March 2001 and then it has turned out an annual program, and we kind of made the global connections and collaborations, and especially first three, four of them, Professor Olja led and guide, and also we worked together in a sense that I brought one part of the speakers and he brought other parts. So it was also great, diverse speakers and also the level of the speakers from whether civil society, academia, UN, and youth, all that. So we already presented six of them, and 2023 we were part of the UN Water Conference. We presented a program, and then last year we participated and presented a program site event in Nice on the Ocean Conference, and we kind of we also had previously on the ocean again. So plastic also become whether ocean, whether water, whether land life, like plastic, is becoming a huge in every level. Not plastic, but also chemical, all all sorts of polluters on in environment. So then we become promoting, producing, and there are really great level of academicians and experts, and they also like to share and connect their research and their findings. So it's a platform to break down together, and then when it is a video, when it is posted as both a summary along with the full presentation or speech, so it becomes a really source where you know you can find diverse voices, diverse solutions, diverse ideas, and also we align them in support of the UN days, UN conferences, SDGs, sustainable development goals like Water Days. Also, we collaborate with an organization in India, IGEN Green Institution, Green Engineers Institute of Green Engineers. So they are focusing on energy SDG seven. So we contribute them, bringing speakers. Bircan Unver  47:40 So then they join us to our program. So really, it's an organic volunteer base. So that that actually, I was so proud that we got a call, invitation to submit the application for this accredited status, and it was June 2025 after the ocean conference. I think ocean conference kind of brought them cumulatively and maybe brought their attention. And then October they asked our official documents, the bylaws and and certificate of organization, which is the regular require any formal application at the UN, and then I I submitted them in I think it was October 1525 but I haven't heard anything, and then I thought maybe you know they didn't consider, and then literally a year later, in June, last June, we got approval, and with a, it's not just accredited for a special one particular conference. It is an observer status assembly to contribute draft ideas. I mean, to contribute drafts, draft resolution to observe, to participate, and then also to be responsible to provide every four-year quadrennial report. Let's say if we fail to produce contribution at any level to this cause, then you know we may lose that observed status, but of course we'll do our best to contribute and to continue. Michael Hingson  49:27 With all of the work that you've done in all of this, I want to come back to World Water Day in a moment. But with all the work that you've done and all the the the things that you've done in public television and so on, when you host these meetings or you participate in these meetings, do they get televised? Also, are you able to bring those to to the public through public television? Bircan Unver  49:53 When it is Zoom, then I edit within my time slot within the limits of. Time slots and QPTV provides two different time slots. One is 20-eight minutes, the other one is 50-eight minutes. So then, let's say if it's two-hour session, I you know a little bit edit and then title, etc. and part one, part two, and also depending on the length of the session or 20-eight minutes. So then I schedule them through the local channels, as we spoke at QPTV. Also, I make them available through our vmail.com/lmtv channel on web on the web. Also, when we have a summary or outcomes, so we also provide those links and share through social media. Try our best to make those information available, visible, and reachable. Michael Hingson  50:51 Well, that I'm glad you do that. I'm glad that it gets to be something that is a lot more publicized than you just attending a meeting-that's important, I would think, to do when when you talk about World Water Day and so on. One of the things that that I I understand you do is you compare water security directly with cybersecurity and gender equality. Those are three different sorts of things when you include water security. Tell us more about that. Bircan Unver  51:24 This was our latest program in last March, and we had in our prior program on AI a discussion on AI a public discussion on AI policy or AI arc. So he's a professor and at the SUNY, and he's a mathematician, and he's also teaching cybersecurity. And when I was talking about when we met about the water conference upcoming, actually in this December, in the United Emirates on I think December six to eight. Even I was thinking to attend, but I wanted part a bit this time virtually instead of going there. So when we were talking about and and I really like this idea and I say as I asked exactly what you asked for, and then his really statement explanation made great sense because everything is nowadays control troy some form of electronic or AI or a combination of those systems, right? Competing systems. So if or if there is a technical issues, that's one case. But if there is a hack, especially water is the life source for everyone, whether you are billion or trillion, or you are you know ordinary people on the you know everyday life. So water is the source for everything, including producing the energy. AI. So water is the life itself. So then, when he said, if any hacking, whether you know small you know some you know people with a bad intention or some maybe big corporation because some profit purpose they want to sell more you know bottled water whatever or some international security issues you you may name this many other things. So if a computer system, if the control mechanism, if the AI system, whatever that combination in that system, is hack, then everything is a huge risk, and that's number one. How it connects with the water. Also now you know we smart how everything is electronic. Everything and then when that somewhat the life collapses there. So including water, including energy. So everything is so much you know interconnected. And then how that the gender equality came. Also, we follow Michael the UN annual-based dedication team for each UN Day or conferences. For instance, last year, water and gender equality, because water and gender required is also so inseparable concept and conditions in many parts of the world, and then also our professor Emre Tokus, he also. Make beautiful connection that if woman or when woman, if and when women are more in the security, cyber security, IT technology sectors, they are more sensitive. They are more like maybe natural in their dealings, like mother protection. So more protective, so there is less risk than where it is now. So to increase the gender equality, both not burden on the woman, you know, where it's the water scarcity that woman has to carry the burden. Girls, even five, seven years old, when developing countries, when it comes to developing countries, and then if the girls are, and also that was staggering. Stats he gave sort of shocked me today because he is a professor at SUNY. So what I mean by that, he said one of his class has only four girls out of 31. of his class has only one girl. One of his class doesn't have no girl. So even though if if girls are girls are not getting in this field, how we gonna bring the gender balance in all cross-cutting sectors of society. So that's how both from the UN perspective, the dedication team, also cybersecurity, the profile from a university that girls are not showing attention, interest studying cybersecurity. That was the fact based on his class last semester. One Michael Hingson  56:46 of the things that you have done, as I understand, is you've written several books. Bircan Unver  56:53 Yes, there are more, but hopefully I could get work on them, publish them as well. The my first book was Michael, based on my interviews with artists and my reviews on art exhibits, and also when I had questionnaire surveys like with artists, galleries, academicians, professors, students. When I before my first life prior prior the U.S. So when I went back after four years and I was really eager to get in a job for as a TV producer and somewhat that didn't work despite all my efforts even I my project load and everyone was after me, but they want to take the project, but not give me the role what I deserve for. So then I kind of close myself, and then I said I want to compile my books, my articles, my interviews. So that was how my first book came about in Turkish. To create is the most sacred. So, like the value to give the highest value for the creativity, intellectual production. That is through all those interviews, reviews, and questions. So that's that was the first book. The second book is in a way a bridge again between U.S. and Istanbul, New York and Istanbul, or maybe L.A. New York and Istanbul. Because when I came in, also I've done freelance journalism, so I wrote some you know reviews and the magazine. I used to, you know, send and appear my interviews and reviews. So and it was include not too frequent, but it was include some of major exhibits, both from LA and also from the Metropolitan Museum in MoMA in New York. Also Turkish artists here. So I met them, you know, when I was living. I started living in here. So then I a combination of those, and also that was another metaphor developed in my mind when I was Istanbul. I was feeling like the labyrinths of arts. So that's my second book title in Turkish labyrinths in arts. So like you are like this kind of narrow and small world in Istanbul art worlds and very high competition, and then nobody expanding to New York and LA expansion means bringing some, for instance, Franz Bacon, Thomas Hart Benton, and Max Ernst and Marina Magritte. Those also the last part connecting with the New York Istanbul from my art based on my art background. Michael Hingson  59:51 So, were any of the books published in English? The Bircan Unver  59:54 last 120, 23 is English, but. It is a compilation concept is written me. I directed the project, and of course I have some pieces also beside the concept. But it is a compilation by 24 contributors. It is based on the JUC Media Research Writing Awards 2021 and 2023 High School Awards Project, and also it is also engaging the youth to involve the UN programs at an early age and encourage them award them. So that also the next one is going to be on the Water Action Decatur in the same line, same concept, and also I have a book project since 2022 I couldn't still 2022 2020 actually. I dream, therefore I am. I have 80% of the book manuscript is ready, but I couldn't finalize it, and so the other one also I was hoping but couldn't to have a book for the 25th anniversary of the latentium. Unfortunately, it didn't happen. It's a little bit seemingly not going to happen this year to come up 25th anniversary of late millennium, but I had 20 anniversary of the late millennium in Turkish, and so this is completely different issue because I introduced like Millennium both in Turkish and in English, so it's like Tiffany Sister is the Turkish one, and then I formed Turkish sister in 2010, and then so on the 20th anniversary of the Turkish organization, as it is association, official association. So I compile the first part, the concept vision, very much like Millennium, because it's the system. But the second part based on the programs, activities, and challenges in Istanbul. So this book also in English will be first the the manifesto and the first all the history will be very much in English, the original one. But the second part is going to be completely, you know, selected ideas and projects and programs from the website and public programs from the last 20-five years, and it's hard hard things to do. It it's very challenging. I couldn't do it. Michael Hingson  1:02:47 It's it's a lot of work. Well, Berjan, I I want to tell you that we have now been talking for more than an hour. Time flies when you're having fun. Man, I'm going to go. I'm going to have to go ahead and and end our time, but we'll have to do this again and and continue the discussion. But I really appreciate you taking the time to be here, and I hope that people will monitor your programs and and and read your books if they can read Turkish or English, whichever works. Troy Bircan Unver  1:03:18 has so many English pieces, and now everyone welcome to look out our website. And what's the Michael Hingson  1:03:26 website again? Bircan Unver  1:03:28 lmglobal.org. Michael Hingson  1:03:32 lmglobal.org. Okay. Bircan Unver  1:03:34 Yes, but the whole archive from 2019 to 2000 no, 2019 no. of course not 2019 1999 to 2018 The archive. Our initial website is light millennium.org Millennium is with double N double N. So the everything we are talking about, all the process, our UN programs, and the reports from the UN NGO briefings, some conferences we participated. If anyone has any question, I'll be happy to provide the link and you know to contact them. Michael Hingson  1:04:17 And we will put that information in the show notes, the notes for the podcast. So I want to thank you for being here. This has been absolutely informative. I really appreciate your time, and I hope the programs continue to go well. So I want to thank you again for being here, and this has just been a lot of fun. Bircan Unver  1:04:39 Thank you so much, Michael Kingston, it is great honor and privilege. Especially, you are a hero, and your your story is amazing, and you are also taking really one of the challenges works like producing these programs, and we never met in real life. And then this is also like Millennium and your work. How we connected through? Otherwise, there was no like regular environment or database environment that we could meet. Your work and your dedication and your inspiring contribution really connected us and bring us together in this session. Thank you, and I'm really grateful for that. Michael Hingson  1:05:29 Thank you for being here with me on Unstoppable Mindset. I hope today's conversation left you with a fresh perspective, a new insight, or at least something worth thinking about. If you're ready to go deeper into the ideas that shape how we see ourselves and others, I have a free gift for you. Head over to michaelhingson.com and download my free ebook, Blinded by Fear. It explores the invisible beliefs that hold us back and shows you how to reframe them so you can move forward with clarity and confidence. Be sure to subscribe to our podcast, leave a review, and share this show with someone who can use a reminder that growth starts with mindset. When people think differently, we all move forward together. Thanks again for listening. Keep learning, keep questioning, and keep choosing to live with an unstoppable mindset

EPISODE 740 - Carter Vance - A story of living, loving and growing up on Canada's Parliament HillIn this engaging episode, author Carter Vance shares his writing journey with host Dave, connecting as fellow Canadians. Originally from the small town of Cobourg, Ontario—famous for its literal Big Apple roadside sculpture and summer beach—Carter credits a high school teacher's encouragement for launching his creative path. She connected him with local cafe owners for poetry readings, sparking his early involvement in plays, school magazines, and submissions to prestigious outlets like Arc Poetry Magazine, which offered a mentorship that honed his skills in audience focus, form, and resilience against rejections.Reflecting on advice he'd give his younger self, Carter emphasizes demystifying publishing, treating writing like a disciplined job—as Stephen King advocates with daily hours—and clarifying one's unique "why" amid abundant content. Creative writing, for him, captures intangible life moments and fosters empathy by letting readers inhabit others' minds, unlike film or music. His diverse career, including policy work in Canada, the UK, Indonesia, and Parliament (as a House leader staffer from 2015-2019 and Senate role), humanized politicians as flawed individuals, revealing unexpected alliances, young staffers' influence, and information's power in decision-making.Carter's debut novel, Smaller Animals (released November), draws from these experiences, following young Canadian political staffers' relationships and growth amid power dynamics—"smaller animals" behind the spotlight. Comparable to Arthur Phillips' Prague, Hemingway's The Sun Also Rises, or Sally Rooney's works, it appeals to politics enthusiasts and character-driven readers alike, requiring no deep parliamentary knowledge. He discusses staff autonomy, grunt work evolving to info control, and hopes readers connect personally while gaining insights into unseen influencers.Amid recent Canadian tragedies, Carter finds hope in political maturity, rising public engagement, and openness to change. Upcoming: a short story in Plentitude magazine, more writing, and ideas like a Berlin Wall saga. Key Takeaway: Writing thrives on encouragement, discipline, and authentic voice—craft stories that build empathy and unique perspectives, turning personal experiences into shared connections.https://cartervance.ca/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

Fakers: A Top-Secret Tale of Phantoms and Forgeries on the Disinformation Front Line (Oxford UP, 2026) reveals the rise and fall of the mavericks running Britain's Cold War forgery empire. Their secret mission was audacious: to disrupt and discredit adversaries across the world using phantom groups, fake sources, and counterfeit documents. The leader was a remarkable character, wrestling with personal and professional dilemmas: Hans Welser. An Austrian refugee and one-time MI5 suspect interned behind barbed wire, Welser was a great survivor who rose to become special operations adviser to the Foreign Office, working hand in glove with MI6. His second in command was an eccentric, hard drinking, and high-flying journalist-turned-propagandist called John Rayner. Brought out of semi-retirement, for one final posting. Their team of bowler-hatted refugees, voluble ex-journalists, trailblazing women, and licentious literary sorts navigated loyalty and betrayal — both professionally and romantically — from the diplomats' attic, in the most sensitive part of the Foreign Office's secret propaganda department. The newly declassified files expose an array of plots, some comically absurd and others dangerously controversial. The forgery empire impersonated everything from hippies and ghosts to Islamists and ballet composers in their campaign to smear hostile politicians, stir tensions among adversaries, and even stymie the career of a contentious British historian. All took place against a high stakes backdrop — both overseas as states competed beneath the looming threat of nuclear war and in the corridors of power at home where grey-suited bureaucrats circled, keen to shut down the team for good. With timely insight into how propaganda works and how to respond to disinformation, Fakers is a thrilling journey into a secret world where nothing was as it seemed. Rory Cormac is a Professor of International Relations at the University of Nottingham and a Fellow of the Royal Historical Society. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

Thank you so much for listening to the Bob Harden Show, celebrating nearly 15 years broadcasting on the internet. On Friday's show, we visit with author and Professor Andrew Joppa about a variety of issues including President Trump's speech last night, elections in America, the war with Iran, collectivism versus free markets, and anti-Semitism. We have terrific guests on Monday's show including the Founder and Publisher of HistoryCentral.com Marc Schulman, AIER.org Senior Editor Jon Miltimore, and author Jim McTague. Access this and past shows at your convenience on my web site, social media platforms or podcast platforms.

Fakers: A Top-Secret Tale of Phantoms and Forgeries on the Disinformation Front Line (Oxford UP, 2026) reveals the rise and fall of the mavericks running Britain's Cold War forgery empire. Their secret mission was audacious: to disrupt and discredit adversaries across the world using phantom groups, fake sources, and counterfeit documents. The leader was a remarkable character, wrestling with personal and professional dilemmas: Hans Welser. An Austrian refugee and one-time MI5 suspect interned behind barbed wire, Welser was a great survivor who rose to become special operations adviser to the Foreign Office, working hand in glove with MI6. His second in command was an eccentric, hard drinking, and high-flying journalist-turned-propagandist called John Rayner. Brought out of semi-retirement, for one final posting. Their team of bowler-hatted refugees, voluble ex-journalists, trailblazing women, and licentious literary sorts navigated loyalty and betrayal — both professionally and romantically — from the diplomats' attic, in the most sensitive part of the Foreign Office's secret propaganda department. The newly declassified files expose an array of plots, some comically absurd and others dangerously controversial. The forgery empire impersonated everything from hippies and ghosts to Islamists and ballet composers in their campaign to smear hostile politicians, stir tensions among adversaries, and even stymie the career of a contentious British historian. All took place against a high stakes backdrop — both overseas as states competed beneath the looming threat of nuclear war and in the corridors of power at home where grey-suited bureaucrats circled, keen to shut down the team for good. With timely insight into how propaganda works and how to respond to disinformation, Fakers is a thrilling journey into a secret world where nothing was as it seemed. Rory Cormac is a Professor of International Relations at the University of Nottingham and a Fellow of the Royal Historical Society. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/national-security

Tom Appel, Publisher of Consumer Guide Automotive and host of the Consumer Guide Car Stuff podcast, joins Jon Hansen to discuss an EV that will run errands for you. Plus, BMW car recalls and more.

Fakers: A Top-Secret Tale of Phantoms and Forgeries on the Disinformation Front Line (Oxford UP, 2026) reveals the rise and fall of the mavericks running Britain's Cold War forgery empire. Their secret mission was audacious: to disrupt and discredit adversaries across the world using phantom groups, fake sources, and counterfeit documents. The leader was a remarkable character, wrestling with personal and professional dilemmas: Hans Welser. An Austrian refugee and one-time MI5 suspect interned behind barbed wire, Welser was a great survivor who rose to become special operations adviser to the Foreign Office, working hand in glove with MI6. His second in command was an eccentric, hard drinking, and high-flying journalist-turned-propagandist called John Rayner. Brought out of semi-retirement, for one final posting. Their team of bowler-hatted refugees, voluble ex-journalists, trailblazing women, and licentious literary sorts navigated loyalty and betrayal — both professionally and romantically — from the diplomats' attic, in the most sensitive part of the Foreign Office's secret propaganda department. The newly declassified files expose an array of plots, some comically absurd and others dangerously controversial. The forgery empire impersonated everything from hippies and ghosts to Islamists and ballet composers in their campaign to smear hostile politicians, stir tensions among adversaries, and even stymie the career of a contentious British historian. All took place against a high stakes backdrop — both overseas as states competed beneath the looming threat of nuclear war and in the corridors of power at home where grey-suited bureaucrats circled, keen to shut down the team for good. With timely insight into how propaganda works and how to respond to disinformation, Fakers is a thrilling journey into a secret world where nothing was as it seemed. Rory Cormac is a Professor of International Relations at the University of Nottingham and a Fellow of the Royal Historical Society. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Fakers: A Top-Secret Tale of Phantoms and Forgeries on the Disinformation Front Line (Oxford UP, 2026) reveals the rise and fall of the mavericks running Britain's Cold War forgery empire. Their secret mission was audacious: to disrupt and discredit adversaries across the world using phantom groups, fake sources, and counterfeit documents. The leader was a remarkable character, wrestling with personal and professional dilemmas: Hans Welser. An Austrian refugee and one-time MI5 suspect interned behind barbed wire, Welser was a great survivor who rose to become special operations adviser to the Foreign Office, working hand in glove with MI6. His second in command was an eccentric, hard drinking, and high-flying journalist-turned-propagandist called John Rayner. Brought out of semi-retirement, for one final posting. Their team of bowler-hatted refugees, voluble ex-journalists, trailblazing women, and licentious literary sorts navigated loyalty and betrayal — both professionally and romantically — from the diplomats' attic, in the most sensitive part of the Foreign Office's secret propaganda department. The newly declassified files expose an array of plots, some comically absurd and others dangerously controversial. The forgery empire impersonated everything from hippies and ghosts to Islamists and ballet composers in their campaign to smear hostile politicians, stir tensions among adversaries, and even stymie the career of a contentious British historian. All took place against a high stakes backdrop — both overseas as states competed beneath the looming threat of nuclear war and in the corridors of power at home where grey-suited bureaucrats circled, keen to shut down the team for good. With timely insight into how propaganda works and how to respond to disinformation, Fakers is a thrilling journey into a secret world where nothing was as it seemed. Rory Cormac is a Professor of International Relations at the University of Nottingham and a Fellow of the Royal Historical Society. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

In today's MadTech Daily, we cover publisher ad supply plunging by as much as 40% as AI search erodes web traffic, Spotify testing a conversational AI chatbot for Premium subscribers, and Shein and DeepSeek advancing their IPO plans.

Created by GUNGNIR Founder and Publisher Matthew Medney, the series features appearances from a rotating cast of comedians that include Julia Hladkowicz (America's Got Talent, Comics Unleashed), Rama Vallury (Super Pumped), Raquel Woodruff (This Time), Jordan Stidham (The Martian Broadcast), Donna Dubrow(Ex Studio Executive, Professionally Unimpressed), as well as “Ad-Man” legend Cliff Medney. Badd, Gramm-mar is a chaotic comedy series about a dysfunctional Los Angeles book club where every week a new book sparks a completely different collision of personalities, perspectives, and worldviews – which inevitably leads to some form of complete emotional meltdown over conflicting opinions regarding the book. Part review show, part social experiment, and part emotional group therapy disguised as fandom discourse, the series follows a rotating cast of readers, “failed” creatives, intellectuals, romantasy addicts, comic shop lifers, and people still trying to graduate to adulthood. Each episode centers around a new “book of the week,” ranging from science fiction epics and romantasy sensations, to literary classics and underground cult favorites, but the conversations quickly spiral far beyond the page. What starts as debates about stories becomes arguments about class, identity, ambition, politics, love, aging, masculinity, feminism, success, failure, and the increasingly unstable state of modern culture itself.“Badd, Gramm-mar began as an experiment to help readers discover great books, but it quickly evolved into something we believed could be a beacon for the book community.” said Matthew Medney, Founder and Publisher of GUNGNIR.“What emerged wasn't a book club. It was a collision of perspectives. Every episode brings together five voices from different walks of life and asks them to debate the same story, revealing as much about themselves as the book in front of them. The comedy is real, the disagreements are authentic, and occasionally the insights are of value. While we may be reviewing books on the surface, Badd, Gramm-mar is ultimately a conversation about the cultural zeitgeist. Books remain one of the last great bastions of subcultural identity, where tribes are formed, ideas are tested, and the future of culture is quietly negotiated one page at a time.”The series blends emotionally grounded character comedy with improvised chaos, where every member of the club represents a completely different worldview and walk of life. During the season, the club is forced to relocate to a new venue due to its own dysfunction, transforming the setting into an evolving reflection of the group's emotional state. Among the graphic novels and prose the group will be reviewing in its first months include Fourth Wing, Ministry Of Time, Project Hail Mary and Absolute Batman, as well as GUNGNIR titles Aeon, Existence Equation, Last Breeds and Deadweight. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

EPISODE 739 - J. Bellante Ward - The Wyrd of Skulda Discover Norns, the three legendary females who control timeIn this engaging episode of Living The Next Chapter, host Dave welcomes debut fantasy author J. Bellante Ward, a dental hygienist from Virginia originally from Maryland, who stumbled into writing after a coworker praised her knack for words in a simple professional email. Nervous but thrilled for her first podcast appearance, J. shares how she penned her Norse mythology-inspired series in just two months, embracing her "pantser" style where the plot unfolded organically through character journeys rather than rigid outlines. She discusses battling impatience for instant gratification, learning not to chase perfection—since human imperfections make stories relatable and distinct from AI-generated content—and finding her authentic voice about a quarter into the manuscript, shifting to a more confident tone.J. dives into her series' core: three Norns controlling past, present, and future, reimagined in a world without cell phones or modern tech to emphasize raw human connections and epic quests. Book one follows Bren, the Norn of the future from a dark kingdom, on a self-discovery path amid romance, "smut," and battles against an evil king seeking to dominate the realms via the tree of life. Unplanned characters like Bren's sarcastic best friend stole her heart, earning future books, while part one builds the world lightly and part two accelerates into non-stop action. She credits advice from patients and fellow authors, like writing the ending at 80% to race smoothly to the finish, and cut filler for a lean, approachable read even for fantasy newcomers.​Marketing challenges surface too: J. finds social media inauthentic and mentally draining, preferring genuine conversations like this interview over forced videos, and pitches her elf-and-mythology tale proudly despite adult awkwardness. A vivid reading from chapter three paints a terrifying swamp creature encounter, drawing from head-to-toe details inspired by quirky YouTube like Salad Fingers. Her real "moment" came from a stranger's glowing review, not pre-sales from supporters. Looking ahead, book two launches soon, with Instagram and Facebook as key follows.​Key Takeaway: Embrace your creative flow without perfectionism—human flaws and organic storytelling connect deepest with readers, proving anyone can birth a world from a spark.https://www.instagram.com/j.bella.ward.writes/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

-OpenAI's first device will apparently be rechargeable and can easily be carried from one room to another. -Twenty-six former Meta employees are suing the company for allegedly using biased AI tools that "disproportionately selected" people who took medical leave as candidates to be laid off. -Hachette Book Group, Cengage Learning, Elsevier and writer Scott Turow are seeking a class action lawsuit against Google on claims that the tech company broke copyright law by using their works to train its Gemini AI. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us Fan MailGod rejoices in small beginnings, and no moment of obedience is wasted. Zechariah 4:10: Do not despise these small beginnings, for the Lord rejoices to see the work begin.Support the show

Created by GUNGNIR Founder and Publisher Matthew Medney, the series features appearances from a rotating cast of comedians that include Julia Hladkowicz (America's Got Talent, Comics Unleashed), Rama Vallury (Super Pumped), Raquel Woodruff (This Time), Jordan Stidham (The Martian Broadcast), Donna Dubrow(Ex Studio Executive, Professionally Unimpressed), as well as “Ad-Man” legend Cliff Medney. Badd, Gramm-mar is a chaotic comedy series about a dysfunctional Los Angeles book club where every week a new book sparks a completely different collision of personalities, perspectives, and worldviews – which inevitably leads to some form of complete emotional meltdown over conflicting opinions regarding the book. Part review show, part social experiment, and part emotional group therapy disguised as fandom discourse, the series follows a rotating cast of readers, “failed” creatives, intellectuals, romantasy addicts, comic shop lifers, and people still trying to graduate to adulthood. Each episode centers around a new “book of the week,” ranging from science fiction epics and romantasy sensations, to literary classics and underground cult favorites, but the conversations quickly spiral far beyond the page. What starts as debates about stories becomes arguments about class, identity, ambition, politics, love, aging, masculinity, feminism, success, failure, and the increasingly unstable state of modern culture itself.“Badd, Gramm-mar began as an experiment to help readers discover great books, but it quickly evolved into something we believed could be a beacon for the book community.” said Matthew Medney, Founder and Publisher of GUNGNIR.“What emerged wasn't a book club. It was a collision of perspectives. Every episode brings together five voices from different walks of life and asks them to debate the same story, revealing as much about themselves as the book in front of them. The comedy is real, the disagreements are authentic, and occasionally the insights are of value. While we may be reviewing books on the surface, Badd, Gramm-mar is ultimately a conversation about the cultural zeitgeist. Books remain one of the last great bastions of subcultural identity, where tribes are formed, ideas are tested, and the future of culture is quietly negotiated one page at a time.”The series blends emotionally grounded character comedy with improvised chaos, where every member of the club represents a completely different worldview and walk of life. During the season, the club is forced to relocate to a new venue due to its own dysfunction, transforming the setting into an evolving reflection of the group's emotional state. Among the graphic novels and prose the group will be reviewing in its first months include Fourth Wing, Ministry Of Time, Project Hail Mary and Absolute Batman, as well as GUNGNIR titles Aeon, Existence Equation, Last Breeds and Deadweight. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Mark Simon and Gordon Chang — China released Pastor Ezra Jin Mingri following a request from Donald Trump, showing Xi Jinping can make concessions without losing face; however, billionaire publisher Jimmy Lai remains imprisoned for political crimes, viewed by the Chinese government as a significant threat and a "one-man wrecking crew." (4)

Daniel Scharff isn't a media guy. He's a CPG operator who stumbled into community-building almost by accident, looking for people to talk to at trade shows. That accidental start turned into Startup CPG, a Slack-based community that's become a trusted ...

What actually mattered in banking during the first half of 2026 — and what was just noise? Jim Marous welcomes Ron Shevlin, Chief Research Officer at Cornerstone Advisors, back to Banking Transformed for a mid-year review that cuts through the hype. The conversation covers why agentic AI is both overweighted and underweighted by banks and credit unions; Ron Shevlin's three-part framework for AI's impact, and the pivotal question of how work gets done versus who does the work; the stablecoin and tokenized-deposit debate, and the evolving role of core providers including Fiserv, FIS, and Jack Henry. They also discuss bank and credit union consolidation driven by capabilities and digital maturity rather than geography, and the fintechs Ron is watching most closely — SoFi, Robinhood, and Coinbase. At the heart of the episode is the decline of primacy: why a single “primary bank” no longer exists for consumers under 40, and why direct deposit no longer signals a growing relationship. The episode closes with each guest's top priority for the second half of 2026. Ron Shevlin publishes the Fintech Snark Tank on Substack (ronshevlin.substack.com) and LinkedIn. Hosted by Jim Marous, co-publisher of The Financial Brand and Owner and Publisher of the Digital Banking Report.

Relying solely on programmatic CTV auctions locks brands out of premium live sports and high-value cultural moments while racking up heavy middleware fees. This deep dive reveals how direct-to-ad-server tech and large language models are restructuring streaming media execution to protect brand safety, automate delivery, and enforce flawless frequency capping. Key Highlights

TIME STAMP INFO:00:00:01 Intros00:00:35 Obsidian and ID Software Takes Aim and BLASTS The Gaming Media | More False Reporting 00:57:00 Former Playstation Boss, Shaun Layden Once AGAIN. Takes Aim At Asha Sharma' and Team XBOX! Calling The Publisher Out and To "Pick A Lane" Regarding Being A "Platform or a Publisher!01:35:00 Outros and Special Message To The Community

Eric Zorn, Publisher of The Picayune Sentinel, joins John Williams to talk about the sexual abuse accusations against the Rev. Michael Pfleger, Senator Lindsey Graham’s sudden death this past weekend, the House voting on making daylight saving time permanent, and more.

Eric Zorn, Publisher of The Picayune Sentinel, joins John Williams to talk about the sexual abuse accusations against the Rev. Michael Pfleger, Senator Lindsey Graham’s sudden death this past weekend, the House voting on making daylight saving time permanent, and more.

Paul McMahon, the President and Publisher of Paulist Press, is our guest on this special episode of Deacons Pod. Deacon Mike Hayes and Deacon Drew Dickson (both of whom are Paulist Deacon Affiliates) ask Paul about his unique career path from his native Australia to service as the first lay President and Publisher in the 160-year history of the Catholic publishing company. During their conversation, Paul speaks about several Paulist Press books, including: The Paulist Biblical Commentary "Coming to Our Senses: Embodying the Soul" by Gunilla Norris "101 Questions & Answers on Deacons: Revised Second Edition" by Deacon Bill Ditewig "A Human Portrait of Jesus" by Fr. Vincenzo Anselmo, SJ "The Legacies of Sr. Madeleva Wolff, CSC" by Jessica Coblentz and Susan Mancino Deacon Mike also asks Paul what he learned from his predecessors at Paulist Press: Paulist Fr. Kevin Lynch (1925 - 2022), Paulist Fr. Larry Boadt (1942 - 2010), and Paulist Fr. Mark-David Janus, who now serves as Publisher Emeritus.

Most of what competes for your attention today isn't winning on the strength of its ideas — it's winning on the strength of its engineering. Apps built on variable reward, infinite scroll, and algorithmic feeds are designed to keep you holding them, not to serve you and let you put them down. In this solo episode, Brett Ingram traces how that design shapes a life one unnoticed moment at a time, and offers a way back to it that isn't another productivity system: noticing where your attention actually goes, and choosing more often than not. What You'll Learn in This Episode The real difference between a tool you pick up and a system built to keep you holding it — and why that distinction is a business model, not a conspiracy theory How "variable reward" (the psychology behind slot machines and the pull-to-refresh gesture) keeps you scrolling even when you don't expect to find anything Why a life is never stolen all at once — it's surrendered in increments too small to notice, remember, or regret What "attention residue" is, and why switching tasks leaves part of your mind working on the thing you left behind Why clock time and lived time aren't the same thing, and what the research says about how often minds wander — and what that costs in happiness The difference between rumination and genuine reflection, and why they can look identical from the outside A single 24-hour practice for starting to reclaim attention, with no apps deleted and no digital detox required Episode Timestamps [00:00] Cold open — the question almost no one can answer [01:00] What the attention economy actually sells [02:30] Variable reward — the psychology behind the pull-to-refresh [04:30] The small fragments that quietly become a life [07:30] Attention residue and what constant capture does to your inner life [11:00] Attention as the real unit of time [14:30] Reclaiming attention without turning it into another performance [18:00] Closing synthesis and the one practice to try today Episode Summary There's a difference between a tool you pick up and a system built to keep you holding it. A hammer doesn't care whether you put it down. A lot of the platforms on your phone are designed, quite deliberately, to care very much — and that's not a conspiracy theory, it's a business model. For a huge share of the digital products people use every day, the actual customer isn't the user, it's the advertiser. What's being sold isn't a product or a service — it's attention, harvested, measured, and resold. That framing, drawn from Tim Wu's book The Attention Merchants, is the starting point for this episode: not a takedown of any single company, but an honest look at what happens to a life when other people and other systems get to keep deciding, moment after moment, what enters your awareness. The mechanism at the center of it is called variable reward. Decades ago, psychologist B.F. Skinner found that a reward arriving on an unpredictable schedule is far more compelling than one arriving on a predictable one — an animal or a person pulling a lever for an uncertain payout will pull it more, and stop less, than one working for a reward it can count on. That's the same mechanism behind a slot machine, and it's the same mechanism behind pull-to-refresh: you don't know if the next scroll holds something interesting, and that's exactly why you keep scrolling. Brett draws a parallel to something a dog trainer once told him — the "jackpot mechanism," where varying the size of a reward (one treat, one treat, then suddenly a handful) keeps a dog working harder than a consistent reward ever would. Feeds run on the same principle, minus the treats. None of this makes the design automatically sinister — plenty of genuinely useful tools use similar hooks, and companies vary widely in how aggressively they lean on it. But the deeper issue isn't that these tools exist; it's that very few people ever agreed, out loud, to the terms. And the cost shows up in pieces too small to register as losses: checking a phone without deciding to, reaching for stimulation before a thought can finish forming, being physically present somewhere while mentally somewhere else entirely. "A life is not stolen all at once," Brett says. "It's surrendered in tiny, forgettable increments — and forgettable is the operative word, because you can't grieve what you don't remember losing." He points to The Truman Show, where Christof's line — "We accept the reality of the world with which we're presented, it's as simple as that" — captures the idea exactly, and to Idiocracy as an exaggerated but uncomfortably familiar picture of what happens when everything is delivered and nothing requires effort. The episode's second half turns inward, connecting attention to what your inner life actually needs to function. Researcher Sophie Leroy's concept of "attention residue" shows that switching away from an unfinished task leaves part of the mind working on it in the background, so the next task gets a smaller, more distracted version of your attention than it otherwise would. Separate research on workplace interruptions found that refocusing after a disruption can take considerably longer than the disruption itself. And a widely cited real-time study by Killingsworth and Gilbert found that people's minds wander nearly half of the time — and that mind-wandering, regardless of the activity, was associated with lower happiness than simply being present with whatever was actually in front of them. That's the reframe at the center of the episode: clock time and lived time aren't the same thing. You can technically possess an hour and never inhabit it. Attention management asks a different question than time management — not "how do I fit more in," but "where am I, actually, when I'm here?" Rather than prescribing a digital detox or a five-step system, Brett offers a different orientation: notice before restricting, learn to name the difference between chosen and captured attention, protect small transitions in the day, and treat boredom as something to tolerate rather than immediately fill. The practice he leaves listeners with is deliberately small — pick one ordinary moment of waiting in the next 24 hours and let it be boring, just to prove you can survive an unfilled minute. As he puts it near the close: "Your attention is the only material your life is actually made of. Everything else is just what you built with it." Resources Mentioned The Attention Merchants: The Epic Scramble to Get Inside Our Heads — Tim Wu's history of the attention-economy business model, from 19th-century newspapers through modern platforms — Publisher page Schedules of Reinforcement — Charles B. Ferster and B.F. Skinner's foundational research on variable-ratio reinforcement and behavior — Background reading "Why is it so hard to do my work? The challenge of attention residue when switching between work tasks" — Sophie Leroy, Organizational Behavior and Human Decision Processes, 2009 — ScienceDirect "The Cost of Interrupted Work: More Speed and Stress" — Gloria Mark, Daniela Gudith, and Ulrich Klocke, UC Irvine, CHI '08 — Full paper (PDF) "A Wandering Mind Is an Unhappy Mind" — Matthew A. Killingsworth and Daniel T. Gilbert, Science, 2010 — Study The Truman Show (1998) — Referenced for Christof's line on accepting a manufactured reality Idiocracy (2006) — Referenced as an exaggerated picture of a world where everything is delivered and nothing requires effort Frequently Asked Questions What is the attention economy? The attention economy is the business model behind most free digital products: rather than the user being the customer, the user's attention is the product, harvested and sold to advertisers. It explains why so many apps are engineered to maximize time-on-platform rather than simply being useful and letting you move on. What is "variable reward" and why does it make apps so hard to put down? Variable reward is a psychological principle, first documented by B.F. Skinner, showing that rewards on an unpredictable schedule drive far more persistent behavior than rewards on a predictable one. It's the same mechanism behind a slot machine, and it's built into features like pull-to-refresh and algorithmic feeds — you keep scrolling because you don't know if the next scroll holds something interesting. What is attention residue? Attention residue, a concept from researcher Sophie Leroy, describes how part of your focus stays behind on a task you've switched away from, especially if it was left unfinished. That means the next task gets a smaller, more distracted share of your attention than it would have otherwise — and the effect compounds every time attention gets pulled and pulled back throughout a day. Does mind-wandering actually make people less happy? Research by Killingsworth and Gilbert, tracking people in real time throughout their days, found minds wandered in nearly half of sampled moments — and that mind-wandering was associated with lower reported happiness than staying present with whatever activity was actually happening, even when that activity was mundane. It's a correlational finding, but it's a strong one. Do I need to do a digital detox to fix this? No. The episode explicitly pushes back on delete-the-apps, get-a-flip-phone solutions, arguing that a structural, cultural problem can't be solved through sheer personal discipline alone. The approach offered instead is about noticing where attention defaults to, naming the difference between chosen and captured attention, and making small environmental changes — not achieving perfect, monk-like focus. What's the difference between rumination and genuine reflection? They can look identical from the outside, but they function very differently. Rumination is a stuck loop of worry that replays without resolving anything. Genuine reflection is structured, curious attention toward your own experience aimed at actually processing something and reaching a conclusion. What's one thing I can do today to start reclaiming my attention? Pick one ordinary moment of waiting in the next 24 hours — a red light, a line, the kettle boiling — and let it be boring. Don't reach for anything to fill it. The exercise is deliberately small: it's not about fixing your entire relationship with attention at once, just proving to yourself that you can survive an unfilled minute. Keep Exploring If this episode resonated, these are worth your time: Mind & Inner Life — Goes deeper into self-knowledge, emotional intelligence, and the difference between rumination and genuine reflection touched on in this episode → optyoumize.com/mind-inner-life Time, Rhythm & Rest — Where "attention as the real unit of time" gets its fullest treatment, along with a framework for rest and rhythm → optyoumize.com/time-rhythm-rest Life Architecture — For designing a life around what actually matters, rather than defaulting to whatever captures your attention first → optyoumize.com/life-architecture Enjoyed This Episode? The best way to support optYOUmize is to subscribe and leave a review — it takes about two minutes and makes a real difference in helping more people find the show. 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Google traffic to publishers is down over 30%. AI Overviews are answering the questions your articles used to. Social referral is a shadow of what it was.The one thing nobody can scrape from you is a direct relationship with your audience. This episode walks through the Publisher Flywheel: a 4-step system Pete has built with hundreds of publishers to convert anonymous traffic into known, engaged readers, and turn that audience into revenue.You'll see it working live on The Spanish Eye, a regional English-language news publisher in Andalusia that grew active users 800% in 12 months. Pete breaks down exactly which levers they pulled, in what order, and how you can start with a loose registration wall and tighten over time as confidence builds.What you'll learn:Why the average site sees 1.7 pages per session, and what that means for where your registration wall has to sitHow registration walls convert anonymous traffic 2-7x faster than pop-upsThe two-newsletter setup (free list + paid list) and what each one is actually forWhy your newsletter is a product, not a promo channel, and the cadence that actually convertsHow to target logged-in free readers with the right upgrade message at the right momentThe insights that matter: paywall hits, quiet readers, failed payments, and how to automate follow-upWhen (and whether) to lock down completely against AI bots and searchResources mentioned:The Publisher's AI Survival Guide (free): publisherrevenue.comThe Spanish Eye: thespanisheye.comLeaky Paywall: leakypaywall.com/list-builder/List Builder: leakypaywall.comLeaky Paywall Insights: insights.leakypaywall.com

Eric Zorn, Publisher of The Picayune Sentinel, joins John Williams to talk about the sexual abuse accusations against the Rev. Michael Pfleger, Senator Lindsey Graham’s sudden death this past weekend, the House voting on making daylight saving time permanent, and more.

The dynamic Founder of Black Lawyers for Justice, Attorney Malik Shabazz, returns to our classroom to share behind-the-scenes insights on major criminal cases and break down Donald Trump’s game-changing Supreme Court appeals. Before Attorney Shabazz, John Templeton—visionary Publisher of the Journal of Black Innovation and Editor of Blackmoney.com—previews a crucial summit uniting Black entrepreneurs, Black churches, and Civil Rights leaders to strategize and take bold action against Jim Crow 2.0. Kicking off the show, inspirational Baltimore activist The Revd. Dr. Robert Richard Allen Turner reports on his relentless monthly journeys, shining a spotlight on the urgent fight for reparations.See omnystudio.com/listener for privacy information.

EPISODE 738 - Lalitha Ramanathan -  Parenting Unplugged and Kanmani and Co - Five Friends and a Cat Tackle the WorldIn a different lifetime, I worked in Finance, burying myself in MS Excel sheets. One day, I rekindled my passion for writing, and Excel paved way for Word, and my life has never been the same again.Writing is my oxygen, and I write every single day. Over time, I have amassed millions of words, through stories that encapsulate bits of my soul. My favourite topics include parenting, fiction, children's stories, and any place where there is scope to insert a pinch of humour. Now that you are here, wondering what to read?My stories have found a place in some anthologies. Here, you can find the collections in which my works feature, as well as a sneak peek into my upcoming publications.https://lalitharamanathan.com/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

Evan J. Mayer and co-host Scott Brown sit down with Tony Sirianni, CEO and Publisher of AdvisorHub, back by popular demand three years after his first FABA appearance. Tony breaks down the private equity gold rush reshaping wealth management, who's left to buy when valuations hit 20x, and how AI is changing what advisors are worth.

Watch as a full video episode on YouTubeMarco is in a bad mood this week, and doesn't hold back when discussing the march of AI into audiobooks…! Plus, we chat about the depressing reaction to a book piracy site being taken down, and wonder if Canongate's new approach to paying authors more regularly will catch on (we aren't optimistic…)00:00 Intro00:54 Here Come The Robots - AI voices taking over?20:21 A Pirate's Life For You? How Piracy Hurts Authors29:38 Opening the (Canon)Gates - Will The Big 5 Follow?35:50 Stranger Than Fiction - Nadine's Idea FactoryLinks:Bolinda creates AI cloned voice of Barbara Cartland[Not linking to the Piracy story as it names the site]Canongate moves to quarterly royalty paymentsAdventures in Publishing-land is brought to you by STET Podcasts - the one stop shop for all your writing podcast needs, featuring Page One - The Writer's Podcast, The Conversation with Nadine Matheson and more! Find all our shows here!Follow us on BlueskyFollow us on Instagram Hosted on Acast. See acast.com/privacy for more information.

THE PRIME OF MR. NEVILLE BRODY — “Once you have broken down the rules, literally anything is possible.'” In the business of magazine design, few names resonate as profoundly as Neville Brody. And, to this day, he lives by those words.  Renowned for his groundbreaking work and commitment to pushing design boundaries at magazines like The Face, Arena, Per Lui, and others, Brody is a true auteur in the world of design. We talked to him at the launch of his spectacular new monograph, The Graphic Language of Neville Brody 3. Nurtured on 1970s British punk music, which rejected anything that appeared self-indulgent or overwrought, Brody found the perfect launch pad at The Face, the London-based music, fashion, and culture monthly, created by editor Nick Logan in 1980. The Face inspired an array of fellow magazine rule-breakers, including the late Tibor Kalman, David Carson, and Fabien Baron, who calls Brody's work “powerful, aggressive, and simple.” Since then, Brody's journey in graphic design has been marked by a relentless, almost unforgiving pursuit of innovation. His magazine design challenged conventional norms and redefined visual storytelling. Brody's design approach is characterized by a rejection of conventional grid systems and editorial hierarchies, and a willingness to break free from established design rules. And he thinks magazines today are missing a giant opportunity: “That's the beauty of print, that you can't achieve in the same way digitally. Digital is so commoditized. We're not expressing content anymore. We're just delivering it. Neville Brody's legacy in magazine design lies in his fearless approach to challenging the status quo and his ability to capture the zeitgeist of his time. By pushing the boundaries of traditional graphic design, he not only influenced the look and feel of magazines but also inspired a generation of designers to embrace innovation, experimentation, and a spirit of creative rebellion. Brody's work continues to be celebrated for its enduring impact on the evolution of graphic design and its role in shaping the visual language of contemporary media. A production of Magazeum LLC ©2021–2025

Russell Myers and Jennifer Newton are in the studio to discuss all of the latest Royal news, including the result of Prince Harry's High Court privacy case against the publisher of the Daily Mail. They share the reaction to the outcome, what next in the Windsor family drama, as well as the King and Queen's visit to London Zoo. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the rich political landscape of Tamil Nadu, few movements have had as profound and enduring an impact as the Dravidian movement. Vignesh Rajahmani's The Dravidian Pathway (Hurst Publishers, 2025) offers a compelling and detailed account of how the Dravida Munnetra Kazhagam (DMK) transformed a powerful socio-cultural and anti-caste movement into a highly successful electoral political force. Focusing on the pivotal decades of the mid-20th century, Rajahmani traces the strategic leadership of key figures including Periyar E.V. Ramasamy, C.N. Annadurai, M. Karunanidhi, and others. The book explores how the DMK skilfully synthesised anti-caste ideology, demands for linguistic pride and Tamil identity, socioeconomic reforms, and educational mobility. This synthesis not only resonated deeply with marginalised communities but also enabled the party to translate ideological commitments into concrete welfare policies and political power. The Dravidian Pathway is particularly valuable for its nuanced examination of the transition from movement to party, shedding light on the organisational innovations — such as the spread of reading rooms (padippakams) — that helped build a robust Dravidian public sphere in the 1950s and 1960s. Rajahmani's work provides fresh insights into one of modern India's most distinctive and influential regional political traditions. This timely study is essential reading for anyone interested in South Indian politics, federalism, identity politics, and the enduring legacy of social justice movements in India. Host: Dhiren Swain is a joint PhD Candidate in Urban Studies at The University of Melbourne and IIT Madras. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A six-minute loan process comes down to a handful of decisions any institution can make. Jim Marous talks with Adam Cadmus of The Atlantic Federal Credit Union and Benjamin Conant of Alkami about how a $240 million credit union rebuilt consumer lending from the ground up, cutting account opening from two days to six minutes with most loans closing document-free. They walk through the moves that made it work: bringing membership enrollment and lending into one flow, involving risk and compliance from day one, replacing document collection with trusted data sources, and rethinking legacy workflows instead of layering new technology on top of them. Hosted by Jim Marous, Co-Publisher of The Financial Brand and Owner and Publisher of the Digital Banking Report. Subscribe to Banking Transformed for new episodes published multiple times each week. #BankingTransformed #DigitalLending #CreditUnions #LoanOrigination #Alkami

Dave Eggers (Contrapposto, The Circle, and A Heartbreaking Work of Staggering Genius) is a bestselling author, founder of McSweeney's, and Pulitzer Prize finalist. Dave joins the Armchair Expert to discuss the strange family lore behind McSweeney's, growing up in John Hughes-era Illinois, and falling in love with writing and designing books as a kid. Dave and Dax talk about moving to Berkeley to help raise his little brother after his parents died, shaking up literary readings with They Might Be Giants, and building a creative community out of rejected magazine pieces. Dave explains why kids should be published, how writing can give order to chaos, and why the happiest creative life might be the one with the least preciousness.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ep. 267: Harvard Golf and playing at Whisper Rock alongside Jon Rahm, Wyndham Clark, and Max Homa shaped Josh Isner's understanding of what winning really requires — and it shows in how he leads one of the most competitive companies in America. Axon is the $45 billion public safety company behind body cameras and life-saving technology protecting law enforcement and first responders across the country.  In this episode, you will learn: Why the best mentors are never assigned — and how Luke Larson, a Marine Corps officer just one year ahead of Josh at Axon, chose to invest in him and deliver the one line that transformed his leadership: "It's not what you say — it's what they hear." How the advice, "It's not what you say; it's what they hear," reshaped the way he communicates, coaches, and leads. How playing alongside the world's top golfers at Whisper Rock revealed the mindset shift that separates good from great — and how Josh applied it to his leadership. Download a free chapter of Don Yaeger's new book on mastering The Business of Storytelling Do you want to write a book? In my new role as Publisher at Forbes Books and with the incredible resources and expertise of their team, we're making it easier than ever to help YOU to tell your story. Send us a message here to get started: https://books.forbes.com/don/  Looking for a speaker for your next event? From more than 30 years of interviewing and studying the greatest winners of all time Don offers these live and virtual presentations built to inspire your team towards personal and professional greatness.  Special thanks to Lilly Mae Stewart and Abbie Brandt for making this episode possible.

Publisher, scientist, humorist, diplomat — Benjamin Franklin was America's first polymath. Today, with help from Eric Weiner, we revisit Franklin's life, searching for tips about how to be healthy, wealthy, and wise. This episode first aired in July 2024.