Podcasts about tell me on

Sometimes, the only solution is to get up, reach out, and touch the All Powerful. TELL ME: On your single mom journey, have you ever felt that you had no other choice but to lean on Jesus? “Blessed be God, even the Father of our Lord Jesus Christ, the Father of mercies, and the God of all comfort.” ~2 Corinthians 1:3 KJV ⚡ Connect with Leslie on Social Media: Instagram: @fan_into_flames YouTube: https://www.youtube.com/channel/UCeQxZ2eUg5LjavmLcsTc7Yg/featured Email: contact@fanintoflames.com www.fanintoflames.com ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Rebuilding Your Self-Confidence Course https://fanintoflames.kartra.com/page/tCF144 30-Daily Affirmations for Single Moms https://fanintoflames.kartra.com/page/MgU134 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Are you a single mom who is completely lost and overwhelmed? Let's set up a free consultation to see if coaching is right for you: https://fanintoflames.kartra.com/calendar/xYewMQk8uia4

Two years and 115 episodes later, Sex Lives calls it quits. To figure out how to end things, host Maureen O'Connor invites her original co-hosts David Wallace-Wells and Allison P. Davis back into the studio to discuss breakup etiquette and stories from favorite Sex Lives guests and listeners. Dan Savage talks about the time he dumped a guy on Thanksgiving weekend. Ask a Clean Person's Jolie Kerr ponders an ex who had mildew on his breath. A listener shares audio from a breakup announced on Facebook Live. Alyssa Shelasky tells the heartbreaking story of an ex who haunts her. Engadget's Chris Trout offers one last bon mot.Thank you for listening to Sex Lives! And for sharing your stories with us. Though I disagree with cowardly breakup ballad "Tell Me On a Sunday," you are free to listen to this podcast in a park that's covered in trees, in a zoo with chimpanzees, on any day you please. And since the Sex Lives team still works at New York Magazine, you can always subscribe to that.

While appearing the new comedy "White's Lies", Betty Buckley talks about the career that has taken her from Texas to New York to London and back many times over. She discusses why she chose to play her current supporting role in an Off-Broadway comedy by a first-time writer for her first stage role in New York in seven years; how being discovered while still a Texas teen led to her Broadway debut, fresh off the bus, as Martha Jefferson in "1776" -- and what it was like to be one of only two women in a cast of 30 men; how she quickly followed that debut with her West End debut in the leading role of "Promises, Promises"; the professional challenges she faced in even getting seen for a role in "Pippin", where she ultimately replaced Jill Clayburgh; her bi-coastal stints in "I'm Getting My Act Together and Taking It On The Road"; how she convinced Trevor Nunn that she should play Grizabella in "Cats" and when she realized that the role wasn't really very big; what it was like to appear in the solo musical "Tell Me On a Sunday" as part of "Song and Dance"; the circumstances surrounding her succeeding Barbara Cook in the role of Margaret White in the now-legendary musical "Carrie" -- and why she believe the show should have gone the "Rocky Horror" route; why she considers Norma Desmond in "Sunset Boulevard" to have been her most fulfilling acting challenge; her affinity for the role of Mama Rose in "Gypsy" and the main reason that her performance was never seen in New York; and why she has taken so enthusiastically to Twitter. Original air date - May 5, 2010.

While appearing the new comedy “White's Lies”, Betty Buckley (1983 Tony Award winner for Best Performance by an Actress in a Featured Role in a Musical for “Cats”) talks about the career that has taken her from Texas to New York to London and back many times over. She discusses why she chose to play her current supporting role in an Off-Broadway comedy by a first-time writer for her first stage role in New York in seven years; how being discovered while still a Texas teen led to her Broadway debut, fresh off the bus, as Martha Jefferson in “1776” -- and what it was like to be one of only two women in a cast of 30 men; how she quickly followed that debut with her West End debut in the leading role of “Promises, Promises”; the professional challenges she faced in even getting seen for a role in “Pippin”, where she ultimately replaced Jill Clayburgh; her bi-coastal stints in “I'm Getting My Act Together and Taking It On The Road”; how she convinced Trevor Nunn that she should play Grizabella in “Cats” and when she realized that the role wasn't really very big; what it was like to appear in the solo musical "Tell Me On a Sunday" as part of “Song and Dance”; the circumstances surrounding her succeeding Barbara Cook in the role of Margaret White in the now-legendary musical “Carrie” -- and why she believe the show should have gone the “Rocky Horror” route; why she considers Norma Desmond in “Sunset Boulevard” to have been her most fulfilling acting challenge; her affinity for the role of Mama Rose in “Gypsy” and the main reason that her performance was never seen in New York; and why she has taken so enthusiastically to Twitter.

While appearing the new comedy "White's Lies", Betty Buckley talks about the career that has taken her from Texas to New York to London and back many times over. She discusses why she chose to play her current supporting role in an Off-Broadway comedy by a first-time writer for her first stage role in New York in seven years; how being discovered while still a Texas teen led to her Broadway debut, fresh off the bus, as Martha Jefferson in "1776" -- and what it was like to be one of only two women in a cast of 30 men; how she quickly followed that debut with her West End debut in the leading role of "Promises, Promises"; the professional challenges she faced in even getting seen for a role in "Pippin", where she ultimately replaced Jill Clayburgh; her bi-coastal stints in "I'm Getting My Act Together and Taking It On The Road"; how she convinced Trevor Nunn that she should play Grizabella in "Cats" and when she realized that the role wasn't really very big; what it was like to appear in the solo musical "Tell Me On a Sunday" as part of "Song and Dance"; the circumstances surrounding her succeeding Barbara Cook in the role of Margaret White in the now-legendary musical "Carrie" -- and why she believe the show should have gone the "Rocky Horror" route; why she considers Norma Desmond in "Sunset Boulevard" to have been her most fulfilling acting challenge; her affinity for the role of Mama Rose in "Gypsy" and the main reason that her performance was never seen in New York; and why she has taken so enthusiastically to Twitter. Original air date - May 5, 2010.