Podcasts about Sunset Boulevard

La mythique chanson signée Bobby Hebb est sorti il y a 60 ans aujourd'hui. L'occasion de vous rediffuser mon épisode sur cette chanson et sur une reprise qui m'est chère. Episode diffusé initialement le 21/01/2021. 60ème numéro de Recoversion, avec pour l'occasion une relecture du tube "feel-good" et intemporel "Sunny" à l'histoire méconnue, revue et corrigée aujourd'hui par plusieurs artistes, dont un qui m'est particulièrement cher. La suite dans l'épisode ou dans les notes ci-dessous La playlist de l'épisode sur Spotify La playlist de l'épisode sur toutes les autres plateformes Le blog rock6070 dont je parle dans l'épisode Pour échanger avec moi : Par mail : recoversionpodcast@gmail.com Sur twitter : @Recoversion Sur Instagram : @recoversionpodcast Sur Facebook : @Recoversionpodcast Le site internet du podcast Mon blog Discord des streetcasteurs La Playlist de l'émission La chaine Youtube Écouter l'épisode sur : Anchor Spotify Deezer Apple Podcasts Flux rss de l'émission

From an unknown actress to the First Lady of Musical Theatre, Dame Elaine Paige's story is one of the great showbusiness journeys. Eighteen years of auditions, rejection, and near-quitting before one role changed her life overnight. In this chat with Josh, Elaine opens up about the chaos that happened when the world found out she'd been cast in Evita, how she escaped a pack of journalists who chased her down the street, and the moment she burst into tears telling her mum she didn't want the fame that came with it. She tells the extraordinary story of how she came to perform the iconic song Memory in Cats, and taking to the stage in Sunset Boulevard only a few hours after recovering from breast cancer surgery. She also reflects on meeting actress Rachel Zegler who took on Elaine's famous role in Evita, the life-changing wisdom Stephen Sondheim passed on to her, and why she thinks music and arts in state schools should be everybody's urgent priority. Oh, and she has a copy of her 23rd solo album, Miscellaneous Paige on its way to Buckingham Palace for the King. Elaine's album Miscellaneous Paige is out July 17th and her single Only A Lifetime is out now

Today's podcast takes us into the golden age of show biz gossip, when the movie studios were powerful, the stars were glamorous, and the columns were read before the morning coffee was finished. Our guest was one of the sharpest observers of that world: A journalist who knew where the stories were and who the players were. She chronicled the triumphs, scandals, romances, and rivalries of Tinseltown with wit and truth. If there was buzz on Sunset Boulevard or whispers on a studio lot, chances are she heard it first. Gossip columnist Joyce Haber gives us a history lesson of movie stars, power lunches, red carpets, and the art of the gossip column. Joyce wrote a New York Times best seller "The Users," which was turned into a movie, featuring many well-known movie actors. It made many Hollywood stars nervous.

ROAD TO BRATISLAVA CASTLE LEWS, nobodyknowsjones - You Major League DJz, Piero Farho, Untitled Audio - Slips Away (Extended Mix) Jonas Rathsman, Grigoré, Bensy, Serve Cold - Tobago (Serve Cold, Bensy & Grigoré Extended Remix) Andrea Oliva - Spotlight (Original Mix) Adam Port, Keinemusik, SG Lewis - Be The One (Extended) unfazed - A Gira (with Emanuel Satie, Maga, Sean Doron, Tim Engelhardt & Scenarios) [Remix] [Extended Mix] Ajna (BE) - Forest (Original Mix) Juliann - Up (Original Mix) Steve N, Major League DJz, LEWS, Untitled Audio - With You (Extended Mix) Andrea Oliva, Bensy - Nappp (Extended Mix) Danny Slim - Latina (Extended Mix) BillyJay - Yankewa (Ucha Extended Remix) Koshi, Madzoni, Sixtone - Fallin (Extended Mix) Deco (BE), MAARVN - Story To Be Told (Original Mix) CamelPhat, Au/Ra, Unfazed - Panic Room (Unfazed Remix - Extended) The Temper Trap, Lost Frequencies - Sweet Disposition (a moment, a love)

The legend himself Jack Douglas (1945-2026) shares stories from five decades of rock history — from producing John Lennon's final album to the memories Aerosmith, Cheap Trick, The Who, and his recent production of Silverplanes. Topics Include: Jack Douglas joins Nate from a snowy driveway, cigar in hand. Silverplanes' debut album Airbus is finally releasing after years of delays. Jack met Silverplanes' Aaron Smart through his college-age son. Aaron turned out to own the Sunset Boulevard studio Jack had worked in. Jeff Emerick mixed the album shortly before his sudden death in 2018. The pandemic added two more years of delay to the release. Jack and Aaron are now label partners with New York real estate billionaire Douglas Durst. Their label operates 50/50 with artists — no standard royalty deals. Signed artists include Robin Taylor Zander and the Detroit Youth Choir. Jack builds songs from a single acoustic guitar performance first. Aerosmith was different — built from the band groove up, lyrics last. Walk This Way had no lyric until a Young Frankenstein gag unlocked it. Jack started his career as a TV composer while janitoring at Record Plant. He worked on sessions that became The Who's Who's Next. Kit Lambert and Keith Moon were both, politely, out of their minds. Jack survived eccentric clients by being reliably sober and crazy simultaneously. John Lennon was the easiest artist Jack ever worked with. John would say: "I'm the artist, you're the producer — let's work like that." Jack engineered Imagine and stayed close to Lennon through the Lost Weekend years. He was in and out of the Fame sessions with Lennon and Bowie. John told Bowie: "I'm writing you the best hit you'll ever have." John knew about — and liked — Aerosmith's cover of "Come Together." George Martin gave Jack a flat in Kensington and a Morgan sportscar. Jack helped produce Ringo's "Grow Old With Me," hiding Here Comes the Sun in the strings. Double Fantasy was secretly recorded at Hit Factory, too far west for fans. John wanted a middle-of-the-road record aimed at people aged 28 to 40. Earl Slick was kept from rehearsals deliberately — a wildcard for fresh solos. Rick Nielsen discovered John's Shea Stadium Rickenbacker with the setlist still taped on. Rick later gifted John a custom all-white Rickenbacker, model 001, never cashed his check. Cheap Trick's "I'm Losing You" session was thrilling but too edgy for the album. Jack hid microphones throughout the sessions, gifting John cassettes on his birthday. Jack destroyed the tape of the last day — John had sworn him to secrecy. After John's murder, Jack and Yoko listened to vault tapes alone until dawn. Yoko later sued Jack; Phil Spector's incoherent testimony and a wig mishap followed. Jann Wenner called Jack a nobody — until Jack's lawyer read Wenner's own book aloud. The jury was out ten minutes. Jack won millions. The 2010 Stripped Down version was mixed in the exact same Record Plant room. Live at Budokan was actually Osaka — Budokan tapes were too poorly recorded. Jack rebuilt the Osaka drum kit using speaker-driven bass frequencies and filtered signals. Aerosmith's Live Bootleg was sent back to Sony unchanged after Jack faked a remix session. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

“Now you know why they call me Dirty Harry, every dirty job that comes along.”Just as audiences didn't know how much they needed Dirty Harry until he showed up on a movie screen in 1971, residents of Los Angeles had no idea how much they needed Spencer Pratt until they saw him face off against two of the leading candidates for Mayor of Los Angeles, Karen Bass and Nithya Raman.Bass and Raman couldn't even answer simple questions, like whether illegal immigrants should be able to vote or whether there should be homeless encampments outside elementary schools. And every time the camera cut to Pratt, his reaction was always the same: “ You have got to be kidding me.”He spoke truths no one in the Democratic Party ever could or would because they don't have to. They are never asked hard questions they don't already have answers to, and they are never challenged as directly as they were by Spencer Pratt.They're also protected by the legacy media, by Hollywood, by late-night comedy. As long as they properly virtue signal and obey the rules of Woketopia, no one ever holds them accountable for the problems in a city overrun by crime, drugs, and homelessness. Until now.Pratt wiped up the floor with Bass and Raman, so much so that they have now dropped out of a debate by the League of Women Voters that would have been held on May 13th. Now, it's been canceled because someone, somewhere, told them they'd do better if they employed the Biden basement strategy: stay out of sight and let the system win the election. The Democrats and Hollywood have the same problem. They can't tell the truth. Just as in 1971, when Dirty Harry sliced through the pretense like a hot knife through ice cream, so too has Spencer Pratt gotten our attention with his innovative campaign and simple, common-sense messaging, in an entertaining, imaginative way. True, AI might be the beginning of the end, but the way Pratt uses it has expanded the possibilities. With the help of Charles Curran, whose studio is responsible for many of these, we can now see how useful AI can be for creating an effective, viral campaign ad without the heavy lift of an entire production company and millions of dollars in campaign funds. This is AI at a grassroots level, but in its own way, it's also artful commentary, the kind we never see aimed at the Left.AI, now in Pratt's hands, poses an unpredictable threat to the opposition, who will figure it out soon enough. It is also a threat to Hollywood for the same reasons. It doesn't have to be politically correct or rely on partisan celebrities to approve of the messaging. AI also cuts through the noise, like Dirty Harry, like Spencer Pratt, because it represents freedom at a time of extremely oppressive micro-managing over all culture, and film especially.Dirty Harry was politically incorrect, but it told the truth at a time when most people were too afraid to talk about the soft-on-crime policies in the wake of the counterculture revolution. Too many rapes and serial killers on the rise, too many hippies, the Zodiac killer, the Manson murders - crime was everywhere, yet the culture of the time wasn't exactly tuned in. If critics in the 1970s thought Dirty Harry was fascist, as Pauline Kael did, ordinary Americans - Nixon's Silent Majority - felt seen.And now, residents of Los Angeles, many of them too poor to afford homes in the gated communities of the rich and famous who fund Mayor Karen Bass, might feel seen in the passionate messaging of Spencer Pratt. His voice is urgent in a time of complacency. He sees the problems the Left ignores. He speaks the truth when everyone else parrots the comforting lies. Los Angeles has been neglected for far too long, with the wildfires that burned down Pratt's home becoming the tipping point. It was time for someone to rise up and say enough is enough. They don't know how to deal with a shooting star like Pratt. When the Democrats try to dismiss him as a fame-hungry reality star, he hits them with something moving and undeniable. It's true that Pratt was the enfant terrible of a mid-aughts reality show called The Hills. Not exactly the kind of leader people who shop at Erewon after doing hot yoga on La Brea have in mind for a leader. But his sincerity shines through. This is personal, and we can feel it. He says Bass has the unions and the money, but he has the moms. He has Democrats and Conservatives backing him. They call him MAGA, but he really isn't. He is the first politician who is genuinely attempting to run a non-partisan campaign and actually reach across the aisle, which is exactly the hero America needs right now, not just in LA, but everywhere. It's hard not to be won over by Spencer Pratt because he is so sincere. All of that manic bluster from the old days of The Hills has clearly been transformed by the trauma of his house burning down in a fire that the city should have been more prepared for, to put it mildly. He is campaigning like he means it, projecting the kind of urgency many Los Angeles residents feel every day as they watch their government do nothing to change things. Why has no one ever even bothered asking these questions? Because they are too afraid. The problems in LA have been ignored for far too long. The street takeovers that terrorize the working-class parts of the city.Random attacks of violence:Crime and drugs in parks that should be safe for families. And of course, the 70,000+ homeless population, only a small percentage of which choose to be sheltered. Whether you pay money or give food or try to help the people on the street, it almost always comes back to the same hard truth: they are mostly wild things of the street who do not want to follow the rules of shelters, either because they don't allow pets or they don't allow drugs and alcohol, or they can't be inside anywhere without burning the place down. And there are so many rich people in LA willing to give them money. Why would they give it up? And this you are not even allowed to think or say, lest you be condemned as heartless.There are decent people in LA, people I know, who have spent their lives devoted to trying to help. They want the story to be that many of them can't afford to live in a country run by billionaires. But the truth is harder to face. The truth is that many of them should not be on the streets because they're a harm to themselves or to others. The truth is that many of them are extremely mentally ill or lifelong drug addicts.It's so bad now that reports have emerged that addicts are testing dogs to see if the drugs are safe. The dogs are chained. The dogs are fighting. The dogs are starving. For every dog that's well taken care of, there are far more that are being horrifically abused, and Spencer Pratt cares enough to talk about it. A Tale of Two CitiesLos Angeles is two cities. In one, the wealthy make movies and drive through their protected, gated parking lots, then retreat to their homes in gated communities in the hills. Sunset Boulevard is a showcase for that mask of extreme wealth, like Malibu, Beverly Hills, and the Platinum Triangle.Spencer Pratt's home was in the wealthy enclave of the Pacific Palisades, which burned to rubble during the wildfires. By all rights, he should be protecting the wealthy, who were his neighbors. He's a guy who went to Crossroads, after all, the school where celebrities send their kids. That isn't what he's doing. He's speaking now for the everyday resident of the city, whether rich or poor. He wants to clean up the streets. He wants to fix what's broken. He wants the streets, parks, and schools to be safe for kids and families, and he wants to save the dogs. Do we hear any of the Democrats talking about this?In 2009, a 17-year-old named Lily Burk drove to downtown LA to run an errand for her mother and to practice her driving. She attended one of those expensive private schools in North Hollywood and had a promising future. She was abducted by a registered sex offender with a rap sheet who'd left a treatment facility that day. He demanded that she get him money from the ATM, but she only had a credit card. He smashed her face against the dashboard and slit her throat. Half an hour later, he was drinking beer and smoking crack on Skid Row before the police even found Burk's body.I remember that story. I remember how awkward it was to talk about because the perp was black and Burk was white. But for me, it was a wakeup call, and I instilled in my daughter the message: do not be a guilty liberal. Protect yourself. Be afraid, no matter what. But it was a secret that passed between us, one we could never say out loud. That is what it is like to live as a progressive in LA. The problem of crime and homelessness in LA is like the problem of illegal immigration. No one talks about those who are murdered, but that is the baseline of what American citizens deserve. These are crimes that could have been prevented if only we could tell the truth and our politicians had listened. Dirty Harry was a hit. Audiences were hungry for his brand of justice, where the bad guys get what's coming to them because Harry Callahan cuts through the bureaucracy and enacts his own brand of justice. America, then as now, was shifting away from the wild days of the hippie revolution and toward a more secure, safer America by 1980, with Ronald Reagan. Dirty Harry was only the beginning. Spencer Pratt might not win. LA is as blue as it gets. I don't live there anymore. I wish I did, just so I could vote for him. But in a way, it doesn't really change what his presence in politics has meant to so many of us - especially those of us in California who know the game and have gotten so sick of playing it. We need more heroes who can speak the truth. Spencer Pratt has arrived just in time. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Live Recorded Set from VirtualDJ Radio ClubZone

durée : 00:24:17 - La Série fiction - "Durant les six mois du tournage du Milliardaire, Marilyn quittera le plateau tous les après-midi pour se rendre chez son psychanalyste, North Roxbury Drive, à mi-chemin entre le studio de la Fox sur Pico Boulevard et son hôtel sur Sunset Boulevard." - réalisation : Juliette Heymann

Send us Fan MailOn the podcast this time, Steven and Sean are going to recapture the magic, no matter the cost. We watched the 1950 film from Billy Wilder, Sunset Boulevard.It's a tale as old as the movies themselves: an actor achieves success, their star burns brightly, and then everything fizzles out and moves on. That's what happened for the once-great Norma Desmond, and the consequences were severe.Poor Joe Gillis. All he wanted to do was write entertaining, meaningful movies. Unfortunately, he hitched his wagon to an unstable person. It sure makes for an affecting classic of cinema, though. Lucky us!(Recorded on April 01, 2026)Links to Stuff We Mentioned:Sunset Boulevard - The Movie Database (TMDB)Sunset Boulevard trailer - YouTubeWilliam Holden — The Movie Database (TMDB)Gloria Swanson — The Movie Database (TMDB)Erich von Stroheim — The Movie Database (TMDB)Nancy Olson — The Movie Database (TMDB)The Passion of Joan of Arc (1928) — The Movie Database (TMDB)Nosferatu (1922) — The Movie Database (TMDB)Archer (TV Series 2009–2023) — The Movie Database (TMDB)Singin' in the Rain (1952) — The Movie Database (TMDB)Cecil B. DeMille — The Movie Database (TMDB)Ted Turner — The Movie Database (TMDB)‘Colorizers': When Ted Turner and Hollywood Clashed Over Colorizing Classic Movies - Mental FlossPsycho (1998) — The Movie Database (TMDB)Follow Us:Give us a rating and review on Apple Podcasts!Sean's Letterboxd profile!Steven's Letterboxd profile!Our Buzzsprout site!Our Instagram profile!Support the show

Este cántabro comienza su formación en la Escuela Superior de Ballet Akamine-Smink, Torrelavega y con 16 años es bailarín solista en la primera Compañía de Ballet de Torrelavega. Siguió sus estudios de danza en la especialidad de Coreografía y Técnicas de Interpretación de la Danza por el Real Conservatorio Mariemma, Madrid. Y en la actualidad es profesor en el Conservatorio Superior de Arte Dramático y danza de Euskadi “DANTZERTI”. Durante más de 40 años ha sido coreógrafo, bailarín y actor de musicales, así como Director Artístico del Gran Casino de Mallorca. A trabajado en la Cia. de Teatro Físico Espacio Espiral, en el Gran Teatro del Liceo en Barcelona y en innumerables musicales en España y Alemania como Evita, El Fantasma de la Ópera, Sunset Boulevard, Starlight Express y Cats. Ha impartido cursos y seminarios de Danzaterapia y fue coreógrafo y bailarín de RTVE. Director Coreográfico para Goreperformance con los que ha ganado el premio WHAT'S ON award 2023 al Mejor Espectáculo, "The seven Sins" (Dubái) y el TimeOut award 2024 al Mejor Espectáculo "Tales of Babylon" (Dubái). Autor del libro La Danza Académica en Torrelavega, Historia y Confluencia. Un verdadero crack de la danza. Lo encuentras en Instagram como @orlandodantza

Sunset Boulevard

It's a Booster Club Sneak Peek this week, as Clay and Ryan rank the 5 Best Picture nominees at the 1951 Academy Awards, honoring the films of 1950 (All About Eve, Born Yesterday, Father of the Bride, King Solomon's Mines, Sunset Boulevard). Joining them in Draftland are guest commish Bryan Cogman and the Quizard, Darren Franich! Coming in May... Rookie Month 2026! Want more Screen Drafts? Become a Booster! For just $5 a month get ad-free Main Feed episodes, plus monthly installments of The Franchise mini-Super Draft, The Marathon, Speed Drafts, and the Cool Kids Criterion Club Corner. Visit www.patreon.com/screendrafts to join the Club and support the show!

Marc and Dan are back for another Robert Wise noir, this time thanks to the suggestion of a podcast listener! Join them as they analyze this listener favorite from 1951 starring Richard Basehart.Reminder that you can join the new Buy Me a Coffee page as an insider and make suggestions for future episodes: buymeacoffee.com/shadowsofnoirNext episode will be the infamous Billy Wilder masterpiece, Sunset Boulevard!Support the show

Patti LuPone – three-time Tony and two-time Grammy Award winner – has long reigned as one of Broadway's most formidable leading ladies. In this edition of In The Studio, we join her in New York for a highly anticipated solo concert at Carnegie Hall. Best known for defining roles in Evita, Les Miserables, Gypsy, and Sunset Boulevard, LuPone has also sustained a decades-long parallel life on the concert stage – a career she says began simply to “offset unemployment” between Broadway runs. What started as late-night cabaret after Evita evolved into meticulously structured touring shows, each built around narrative, character and the power of lyrics. Her current programme, Matters of the Heart, weaves a tapestry of love stories – from romance and heartbreak to family and devotion – revealing her instinct to treat every song as theatre. Patti describes her routine on the day of the concert: the soundcheck, the balancing of quartet and voice in a hall famed for its natural acoustics, and the quiet rituals that precede performance. LuPone reflects on nerves, storytelling and the audacity of standing alone before 2,800 expectant faces. Alongside her collaborators, including musical director Joseph Thalken, she reveals the discipline and trust behind the scenes. This is a portrait of craft at the highest level – the artist, the venue and the alchemy of live performance.Presenter and producer: Victoria Ferran Executive producer: Susan Marling A Just Radio production for BBC World ServiceImage: Patti LuPone (Credit: Emilio Madrid)

Hello Travelers! This week, join host Producer Josh for another supersized episode as he takes you on a stroll around Disney's Hollywood Studios with a goal to sit and take in the ambience from some of the best benches and seating in the park. Enjoy the ambience from the best seats around Echo Lake, a bustling Sunset Boulevard, Galaxy's Edge, and Baseline Taphouse. We are listener supported - contribute to the Dole Whip Fund via Google or Apple Pay. Thanks! Walkabout the World is now on TikTok! Come follow our visual companion to the audio podcast at Walkabout.the.world.pod on TikTok And of course, visit us on Instagram and at walkabouttheworld.com - find links to all the things - attraction episodes, Insta accounts of all the hosts, and even how to buy your own Walkabout shirt!

Hollywood loves making movies about itself: on this show alone, we've done Sunset Boulevard, Sullivan's Travels, and Singin' in the Rain. Get Shorty (1995) is Elmore Leonard's contribution to the genre, a film that was “meta” before the term became overused: we are given the illusion of spontaneity and the story–like one of Leonard's novels–seems like it's being made up as it moves along. This perfect 90s movie is a lighthearted and wholly enjoyable dramatization of screenwriter William Goldman's famous description of the industry: “Nobody knows anything.” Incredible bumper music by John Deley. If you're interested in reading the original novel, you can find it here. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Hollywood loves making movies about itself: on this show alone, we've done Sunset Boulevard, Sullivan's Travels, and Singin' in the Rain. Get Shorty (1995) is Elmore Leonard's contribution to the genre, a film that was “meta” before the term became overused: we are given the illusion of spontaneity and the story–like one of Leonard's novels–seems like it's being made up as it moves along. This perfect 90s movie is a lighthearted and wholly enjoyable dramatization of screenwriter William Goldman's famous description of the industry: “Nobody knows anything.” Incredible bumper music by John Deley. If you're interested in reading the original novel, you can find it here. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In the mid-90s, Robert Downey Jr. was widely considered the most gifted actor of his generation. But while critics were comparing him to Chaplin, the LAPD was seeing a man spiraling toward a tragic end. From a high-speed arrest on Sunset Boulevard with a .357 Magnum to the infamous afternoon he wandered into a neighbor's home and fell asleep in a child's bed, Downey's life became a series of "front-page" disasters that nearly silenced one of cinema's brightest lights. --For early, ad free episodes and monthly exclusive bonus content, join our Patreon! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Taylor plans a May bikepacking trip from San Francisco to Michigan. A listener explains why she uses a backpack instead of panniers, and Tim Dyet's review says “everyone gets a seat at the (Bike Talk) table.” (5:15) The Safe Speeds Act will require the CSPC to distinguish ebikes from illegal emotos, if passed https://www.congress.gov/bill/119th-congress/house-bill/7839/text?s=1&r=1&hl=hr+7839. However, the CSPC, charged with protecting consumers from things like exploding e-bike batteries, was gutted by the Trump administration for regulating lithium ebike batteries. Caron Whitaker, Deputy Director of the League of American Bicyclists, explains (8:04). Stacey's Charlie's News: Federal legislation addresses e-moto issue. 85 bikes seized after authorities stop planned Bay Bridge takeover. 8-year-old girl on bicycle dies after colliding with car in Charlotte, CMPD says. Guardian Bikes wants children's bikes made in the U.S.A. — and tariffs against rivals (15:26). The Mamdani administration has reversed the Adams administration policy of criminalizing ebikes https://nyc.streetsblog.org/2026/03/18/mamdani-ends-nypd-ebike-cyclist-criminal-summons. Oonee bike storage founder Shabazz Stuart and Streetsblog NYC reporter Sophia Lebowitz put it in context (18:21). Terence Heuston spent ten years fighting for Sunset For All, a protected bike lane on the famous arterial Sunset Boulevard in Los Angeles https://www.la-bike.org/sunset4all. Now he's burned out, because the city spends too much time seeking community input on data-supported street safety designs that save lives (37:00).

Betty Buckley joins the show to discuss her deep connection to storytelling and the spiritual "calling" she first felt at eleven years old while watching the original Bob Fosse choreography in Pajama Game. She shares incredible stories from her early days in Texas, including her time as a teenage rodeo reporter and the persistent friction with her father regarding her pursuit of a career in show business. Betty also reflects on the power of the "11 O'clock Number," her legendary debut at Carnegie Hall, and why she firmly believes she is responsible for the modern usage of the word "dude". The conversation dives into her yearly residency at Joe's Pub and her role as an artist in residence at Mercyhurst University, where she leads acting workshops. Betty offers her enthusiastic "blessing" to the new Cats: "The Jellicle Ball" production, noting how the original score remains a brilliant social statement in its new ballroom culture setting. From her childhood "super weapon" voice to her studies in comparative world religions, this episode is a masterclass in staying true to one's essence while navigating a decades long iconic career. Betty Buckley is a Tony Award winning actress and singer and a Theater Hall of Fame inductee. Her legendary career includes starring roles in Cats, Sunset Boulevard, Triumph of Love, 1776, and Pippin. On screen, she has appeared in films such as Carrie, Tender Mercies, and Split, as well as the hit television series Eight is Enough and Law and Order: SVU. Connect with Betty: Get tickets to see her at Joe's Pub IG: @BLBuckley Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

"I am big. It's the pictures that got small."70mm presents SHAME MONTH with Billy Wilder's SUNSET BOULEVARD. Will Michael break records? We also talk about seeing THEY LIVE in 35mm, Danny rewatching THE BATMAN, and Proto watching VIDEO HEAVEN. In the uncut portion of the episode we talk rising gas prices and Tiger Woods.Chapters:(00:00:00) Introductions (00:04:48) What we watched(00:21:28) SUNSET BOULEVARD(01:12:05) Next weekSupport the 70mm Patreon to join our VHS Village Discord and access exclusive episodes in the 70mm Vault which includes over 70 movies! Signing up for the Patreon also get your own membership card, member-only discounts on merch, and the ability to vote on future episodes!Don't forget you can visit our website to shop our storefront to buy prints and merch, follow us on Letterboxd, email the show, and much more.70mm is a ⁠TAPEDECK⁠ podcast, along with our friends at ⁠BAT & SPIDER⁠,  ⁠The Letterboxd Show⁠, Austin Danger Pod, ⁠Escape Hatch⁠, ⁠Will Run For...⁠, ⁠Lost Light⁠, ⁠The Movie Mixtape⁠, and ⁠Twin Vipers⁠.(Gone but not forgotten; ⁠Cinenauts⁠ + ⁠FILM HAGS⁠.) ★ Support this podcast on Patreon ★

Key Topics: How a single photo on a swinging website launched Keiran Lee's career in adult entertainment. Transitioning from freelancing in the UK to becoming an exclusive performer with Brazzers. What it takes to maintain longevity as one of the most recognizable male stars in the industry. The story behind his $1 million insured penis and the wild questions he gets about it. The milestone 1000th Brazzers scene, featuring 20 women lined up for an unforgettable moment. What was really going through his head during that now-legendary shoot. Seeing himself on a Sunset Boulevard billboard and becoming one of the most well-known male performers in adult entertainment. Expanding his career into directing and producing and what inspired his work behind the camera. The benefits of being married to someone who understands the realities of the adult industry. Common misconceptions about male performers and the pressure to perform on camera. Being inducted into the AVN Hall of Fame in 2022 and reflecting on his career legacy. Fun “This or That” questions covering fantasies, bedroom secrets, and personal turn-ons.   Takeaways: Listeners get an inside look at the career of Keiran Lee, a performer whose name has become synonymous with longevity and legend status in the adult industry. From his million-dollar insured asset to filming one of Brazzers' most talked-about scenes, Keiran shares stories from behind the camera, insights into staying successful in a competitive industry, and how he's evolved from performer to director. Packed with humor, candid moments, and industry secrets, this episode offers a rare glimpse into the life of one of adult entertainment's most iconic male stars.

Party animals! Continuamos nuestra serie de podcasts en los que hablaremos de las andanzas de famosos metidos en todo de jaranas. ¡Grandes borracheras, destrozos de hoteles y otras fechorías! Y como segundo episodio que mejor que echar un vistazo a las estrellas del mundo de la música, siempre bigger than life. Seres por encima del bien y del mal, a la altura de sus personajes. Os descubriremos el Sunset Boulevard (lugar de todo tipo de tropelías), debatimos sobre la destrucción de hoteles de todo tipo de rock y pop stars, seguiremos a Grace Slick intentando "echar droja en el colacao" a Nixon, fliparemos con las cuentas a deber de Billy Idol, seguiremos el rastro de destrucción de Keith Moon de The Who, fliparemos por la fijación con el tequila de Paulina Rubio, nos dejaremos invitar a las fiesta de Freddy Mercury, nos iremos de borrachera con el líder de The Pogues y remataremos con la recuperación de Dj Pastis, uno de los de grandes del sonido mákina. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

This week, we discuss Billy Wilder's other definitive LA-based film noir, the gothic movie-about-movies classic, Sunset Boulevard, famous for its daring narrative and one of the most iconic "mad scenes" in cinema history.SPOILER ALERT We will be talking about this movie in its entirety, including the famous opening image of the floating narrator and the tragic, delusional finale. If you haven't seen this classic, we strongly suggest you watch it before listening to our takes.A Paramount Pictures production. Released on August 10, 1950. Directed by Billy Wilder. Screenplay by Charles Brackett, Billy Wilder, and D.M. Marshman Jr. Starring Gloria Swanson, William Holden, Erich von Stroheim, and Nancy Olson. Cinematography by John F. Seitz. Edited by Arthur P. Schmidt and Doane Harrison. Score by Franz Waxman.

We're ready for our close-ups, Mr. DeMille! Oh... oh wait, this is a podcast? Ok we'll just get reeeeally close to the mic. That's right, we're revving up the engine of our leopard-lined Isotta Fraschini Tipo 8A and diving into Billy Wilder's ICONIC, camp, community-devastating, genre-bending Hollywood extravaganza, Sunset Boulevard! Head to our PATREON for full video episodes and more! CLICK HERE to get involved with asking your reps not to allow the Paramount WB merger!

This episode is a recording from the Start Network's Assembly, which took place in October 2025. Lars Peter Nissen was invited to moderate a panel exploring what leadership looks like when success is contingent on the agency of others — when you cannot exercise direct control but must inspire, build rapport, and create the conditions for a group of individuals to deliver results.Rather than drawing on leaders from within the humanitarian sector, the panel brings together professionals from two very different fields — football management and musical theatre — to explore what their craft can teach humanitarians about leading through networks, trust, and collective action.Note: This episode was recorded live at the Start Network Assembly. The sound quality reflects the live setting.GuestsNatalie Brown: Board Director at Banbury United Football Club and the first Black female board member in UK football. Natalie has a background in media, marketing, and community development, and has worked with Arsenal, The Prince's Trust, and Mind. She founded the #PlayBrave initiative to help women build confidence on and off the pitch.Huw Evans: Associate Musical Director on Oliver at the Gielgud Theatre in London's West End. Huw is an accomplished conductor and multi-instrumentalist who has worked on shows including Much Ado About Nothing, Sunset Boulevard, Oklahoma, and Come From Away. He trained at King's College London.Moderated by Lars Peter Nissen, Director of ACAPS and host of Trumanitarian. Introduced by Lucy Puentes of the Start Network.Key ThemesBuilding from the ground up: Natalie shares how she rebuilt Banbury United's women's team after inheriting a fractured setup where the manager had left just before the season. After a disheartening first attempt, she “flipped the script” — launching open training sessions for women over 40, which rapidly grew into a multigenerational squad with players aged 16 to 66. Her approach centred on changing the narrative, leading with spirit, and building a movement rather than just a team.The duet between leading and following: Huw describes conducting as a constant negotiation between setting the tempo and following the performer. With 12 musicians split across three separate spaces, a 30-person cast, and four child actors rotating in the lead role, he conducts via camera monitors — relying on connection, adaptability, and trust rather than direct control. Leadership in live performance, he says, is about creating the conditions for harmony rather than forcing it.Trust, small gestures, and knowing people's namesBoth panellists emphasise that trust is built through small, consistent actions. Huw takes pride in greeting every deputy musician before the show. Natalie describes how players joined her team simply because they liked who she was and what she stood for. Both draw a direct parallel to humanitarian coordination — where leading a cluster meeting of 50 strangers via camera is not so different from conducting an orchestra through a monitor.Releasing control: A recurring theme throughout the conversation is the difficulty — and necessity — of letting go. Huw describes the terrifying moment of relinquishing control in a live performance with 2,000 people watching. Natalie reflects on having built the women's team so personally that she now needs to step back and let others carry the vision. Both see this as essential to sustainable leadership in networked settings.The power of diversity and emergence: Lars Peter draws the conversation toward metaphor, arguing that biology — not physics — offers the better model for thinking about networks. The emergent quality of a network, like a heart pumping blood from cells and valves, produces outcomes that are qualitatively different from the sum of the parts. Just as a football team needs more than 11 goalkeepers, or an orchestra more than 12 horn players, humanitarian networks need genuine diversity of skills and perspectives.Resilience and learning from mistakes: Huw shares a candid story of pressing the wrong button during a click track, causing pre-recorded and live children to sing out of sync. His advice: pick yourself up, stay calm, and keep going with integrity. Natalie talks about the power of small daily steps — just 15 minutes of focused effort each day — as a way to sustain momentum when things feel overwhelming.CreditsHost: Lars Peter NissenRecorded at: Start Network Assembly, October 2025Session title: Choreographing Chaos: Leadership in a World of NetworksPanel introduced by: Lucy Puentes, Start NetworkGet in touch: info@truemanitarian.orgSupport the podcast: Visit truemanitarian.org and click “Support the Pod”

Director John Huston lived the adventurous life that was frequently depicted in his movies. As a young man, he was made an honorary lieutenant in the Mexican army. He was nearly shot during a poker game and challenged to a duel in the middle of the street. His thrill-seeking antics soon turned fatal, when he accidentally struck and killed a woman with his car while driving down Sunset Boulevard. He ran off to London to lay low, but soon found himself with no job, no money, no prospects–and no choice but to live on the streets and beg for change. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Director John Huston lived the adventurous life that was frequently depicted in his movies. As a young man, he was made an honorary lieutenant in the Mexican army. He was nearly shot during a poker game and challenged to a duel in the middle of the street. His thrill-seeking antics soon turned fatal, when he accidentally struck and killed a woman with his car while driving down Sunset Boulevard. He ran off to London to lay low, but soon found himself with no job, no money, no prospects–and no choice but to live on the streets and beg for change. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

Laura Harrison is playing Mrs Lyons in the touring production of Blood Brothers.Laura is also the alternate Mrs Johnstone and has history with the show, having previously played Donna Marie and Miss Jones whilst understudying Mrs Lyons. Written by Willy Russell, Blood Brothers surpassed 10,000 performances in the West End and has toured extensively.Laura was Standby Elphaba in the West End production of Wicked, having previously been in the show's ensemble whilst understudying Elphaba. Laura was in Jamie Lloyd's West End revival of Sunset Boulevard, understudying for Norma Desmond. Her theatre credits also include: Magenta in Rocky Horror, Vivienne in Legally Blonde, Lucille in Parade and Audrey in Little Shop of Horrors. In this episode Laura discusses her return to Blood Brothers and what it's like to be covering one of her dream roles, Mrs Johnstone. She also takes a deep dive into her Elphaba journey and some of the remarkable moments from her time in Oz. Laura also reflects on Sunset Boulevard and how she's navigating her the industry after some major career highs... and lots more pops up along the way.Blood Brothers tours the UK. Visit www.kenwright.com for info and tickets.This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Hello travelers! This week, host Producer Josh brings you a supersized wind-down episode featuring a walkabout the entirety of Disney's Hollywood Studios on a rainy Florida evening. Enjoy the sounds of a walk down Hollywood Boulevard and around Echo Lake, to the Chinese Theatre courtyard and down Commissary Lane. Stroll down a rainy Sunset Boulevard and over to Toy Story Land and Galaxy's Edge. After a quick stroll on Grand Ave you'll head back down Hollywood Boulevard amongst its glowing neon signage to the exit.  Walkabout the World is now on TikTok! Come follow our visual companion to the audio podcast at Walkabout.the.world.pod on TikTok   Visit us at walkabouttheworld.com - find links to all the things - attraction episodes, Insta accounts of all the hosts, and even how to buy your own Walkabout shirt!   Look us up at @WalkaboutWDW on Instagram and drop us a note to say hi.

Paul Rees fell in love with AOR when it began with Boston in 1976, the polished, ramped-up hits that were briefly the music of the American heartland. His book ‘Raised On Radio: Power Ballads, Cocaine & Payola – the AOR Glory Years 1976-1986' remembers the age when records were launched via car stereos, their eternally appealing sound and the preposterous lives of the people who wrote and played them – Bon Jovi, Pat Benatar, Asia, REO Speedwagon, Don Henley and Toto among them. “It's happy music,” he points out. “Music that makes you raise a quizzical eyebrow.” In the mix … … the original AOR sound: “Led Zeppelin hard rock with Eagles harmonies and a stratospheric high-tenor voca|” … the absolute power of producers like Mutt Lange (a man raised on radio jingles) … Pat Benatar, the former married bank clerk who wanted to be Robert Plant in a leotard … “AOR stars were all salesmen who talked in quotes” ... the many reasons Don Henley fired people on a whim … Def Leppard's vision of America built on AOR and cowboy movies … “Chicago and the Tubes never played on their records” … “he ended up butterball-naked in a cocaine threesome sting with two disguised police women” … the producer who had his trout pond realigned as he couldn't work looking at a garden that wasn't symmetrical … the story of Toto's Africa: “tape loops strung round chair-backs and a quick flick through a geography book” … “if this record's a hit I'll run naked down Sunset Boulevard”. Order a copy of ‘Raised On Radio: Power Ballads, Cocaine & Payola – the AOR Glory Years 1976-1986' here: https://www.amazon.co.uk/Raised-Radio-Paul-Rees/dp/1408721112 Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Paul Rees fell in love with AOR when it began with Boston in 1976, the polished, ramped-up hits that were briefly the music of the American heartland. His book ‘Raised On Radio: Power Ballads, Cocaine & Payola – the AOR Glory Years 1976-1986' remembers the age when records were launched via car stereos, their eternally appealing sound and the preposterous lives of the people who wrote and played them – Bon Jovi, Pat Benatar, Asia, REO Speedwagon, Don Henley and Toto among them. “It's happy music,” he points out. “Music that makes you raise a quizzical eyebrow.” In the mix … … the original AOR sound: “Led Zeppelin hard rock with Eagles harmonies and a stratospheric high-tenor voca|” … the absolute power of producers like Mutt Lange (a man raised on radio jingles) … Pat Benatar, the former married bank clerk who wanted to be Robert Plant in a leotard … “AOR stars were all salesmen who talked in quotes” ... the many reasons Don Henley fired people on a whim … Def Leppard's vision of America built on AOR and cowboy movies … “Chicago and the Tubes never played on their records” … “he ended up butterball-naked in a cocaine threesome sting with two disguised police women” … the producer who had his trout pond realigned as he couldn't work looking at a garden that wasn't symmetrical … the story of Toto's Africa: “tape loops strung round chair-backs and a quick flick through a geography book” … “if this record's a hit I'll run naked down Sunset Boulevard”. Order a copy of ‘Raised On Radio: Power Ballads, Cocaine & Payola – the AOR Glory Years 1976-1986' here: https://www.amazon.co.uk/Raised-Radio-Paul-Rees/dp/1408721112 Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Paul Rees fell in love with AOR when it began with Boston in 1976, the polished, ramped-up hits that were briefly the music of the American heartland. His book ‘Raised On Radio: Power Ballads, Cocaine & Payola – the AOR Glory Years 1976-1986' remembers the age when records were launched via car stereos, their eternally appealing sound and the preposterous lives of the people who wrote and played them – Bon Jovi, Pat Benatar, Asia, REO Speedwagon, Don Henley and Toto among them. “It's happy music,” he points out. “Music that makes you raise a quizzical eyebrow.” In the mix … … the original AOR sound: “Led Zeppelin hard rock with Eagles harmonies and a stratospheric high-tenor voca|” … the absolute power of producers like Mutt Lange (a man raised on radio jingles) … Pat Benatar, the former married bank clerk who wanted to be Robert Plant in a leotard … “AOR stars were all salesmen who talked in quotes” ... the many reasons Don Henley fired people on a whim … Def Leppard's vision of America built on AOR and cowboy movies … “Chicago and the Tubes never played on their records” … “he ended up butterball-naked in a cocaine threesome sting with two disguised police women” … the producer who had his trout pond realigned as he couldn't work looking at a garden that wasn't symmetrical … the story of Toto's Africa: “tape loops strung round chair-backs and a quick flick through a geography book” … “if this record's a hit I'll run naked down Sunset Boulevard”. Order a copy of ‘Raised On Radio: Power Ballads, Cocaine & Payola – the AOR Glory Years 1976-1986' here: https://www.amazon.co.uk/Raised-Radio-Paul-Rees/dp/1408721112 Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Looking for the perfect Disney Valentine's Day at Walt Disney World? This week, we design romantic Valentine's Day experiences at each Disney park—focusing on emotional pacing, storytelling, and connection instead of rushing rides or rope drop stress. Each host drafts a park and builds an intentional Disney date using anticipation, selective attractions, cinematic moments, and a peaceful afterglow. From a slow-burn Hollywood Studios date featuring Sunset Boulevard, Fantasmic, and a Skyliner ride back to Disney's Riviera Resort, to broader ideas you can apply across Walt Disney World, this episode explores how to experience Disney as a romance—not a checklist. Whether you're planning a Valentine's Day trip, a couples getaway, or just love overthinking Disney parks, this episode offers thoughtful, creative Valentine's Day ideas Disney fans will appreciate. How would you structure a romantic day at the Walt Disney World parks? Civil discussions encouraged. Please let us know at show@magicourway.com or call 815-669-4226, or slide into our social media DMs. Every thought and opinion will forever be welcome on this Disney fan podcast. This is show #615.

In complete charge of his destiny, Wilder followed the triumph of Sunset Boulevard with Ace in the Hole, perhaps his most personal movie—certainly his darkest. But the movie bombed, giving Billy Wilder his first taste of failure and changing the course of his career. Like what we do here on the Filmographers? Then please consider joining our Patreon! Patreon.com/TheFilmographersPodcast Social media Instagram @thefilmographers Bluesky @thefilmographers.bsky.social Letterboxd @filmographers YouTube @TheFilmographersPodcast Website https://filmographerspodcast.com/ Credits Keir Graff & Michael Moreci, hosts Kevin Lau, producer Gompson, theme music Cosmo Graff, graphic design

Do you have a favorite Super Bowl commercial? Andy loves “whazzuuup!” plus any Budweiser commercial. Is every man you know a low-T soy boy? There may be a reason for that — it’s all thanks to the testosterone influencer. Andy discusses bias in the media, particularly with outlets like the LA Times. Andy took part in a KTLA Super Bowl-themed relay race earlier today, and it did not go well for our resident soy boy. Here are some of the 101 best movies set in LA according to the list: 101. Babylon 50. To Live and Die in LA 34. A Star is Born 35. La La Land 32. Training Day 16. The Player 12. Once Upon a Time in Hollywood 52. Rebel Without a Cause 38. Licorice Pizza 33. Drive. Heat is at No. 14, while Once Upon a Time in Hollywood nearly cracks the top 10. Double Indemnity is No. 9 Singing in the Rain at No. 8. Boogie Nights is in the top 10 as well! No. 3 is Sunset Boulevard, and No. 2 is Mulholland Drive. So, what’s No. 1? From 1974, it’s Chinatown.See omnystudio.com/listener for privacy information.

Luther returns for the first time since 2021 to explain how he became Timeless Toni Storm's butler, what inspired the black-and-white aesthetic of the character, and why the movie, Sunset Boulevard, became required homework. He breaks down what it's like balancing comedy, character work, and physical involvement in Toni's biggest matches, including the All In Texas moment that led to his very real “reattachment surgery,” and the not-so-subtle signal he recently gave Orange Cassidy for getting too close to Toni! Luther also talks about his backstage role as an AEW coach and producer, and working with younger talent. Plus, he dives into his longtime obsession with ghosts, cryptids, and the unexplained, and shares some of his own truly wild paranormal encounters.   Upper Deck's AEW SP Signature Edition is here, featuring Mercedes Mone, Orange Cassidy, Kenny Omega and more! https://bit.ly/4srGApc  AEW Unrestricted video episodes available Mondays at 1pm Pacific on YouTube: https://www.youtube.com/playlist?list=PLJ4e4Lb87XTzETPZyj7nZoJ4xPBjKdzgy Learn more about your ad choices. Visit podcastchoices.com/adchoices

Caressed by Sunset Boulevard, at the flammable foot of Mandeville Canyon, lies a middle school named Paul Revere -- where the fate of a man (and a nation) was riding that night... Palisades Lost Part Three   For twice as many adventures and private messages, subscribe to the show at patreon.com/filthyarmenian   Find us on X/insta @filthyarmenian

Broadway's Helen J. Shen (Tony-winning Maybe Happy Ending) joins The Art of Kindness with Robert Peterpaul to discuss her whirlwind rise to theatre stardom during a thoughtful conversation about artistry, ambition, and staying human even when you're playing a robot. This kind-hearted episode covers: How classical piano training shaped her work ethic The intersection of kindness, diligence, and authenticity Navigating imposter syndrome with childlike joy Tips for handling tech frustrations during rehearsals The importance of community and supporting co-stars Lessons from working with legendary leaders like Michael Arden and Meryl Streep Insights into recording a Broadway cast album and its lasting impact Broadway theatre ghost encounters and more! HELEN J SHEN (she/they) is an actor, musician, and writer who has quickly established herself as a force within the entertainment industry. Helen currently stars in the critically-acclaimed Broadway musical Maybe Happy Ending, which won the 2025 Tony Award for Best Musical. For her performance, she received rave reviews and was recognized with the Clive Barnes Award for Theatre, the Theatre World Award, and nominations for a Grammy Award, Drama Desk Award, and Drama League Award. She recently wrapped filming the highly anticipated sequel The Devil Wears Prada 2, set to be released this upcoming May. They previously starred in the musical The Lonely Few at MCC Theater and the Geffen Playhouse. For her performance as JJ, Helen received a 2025 Lucille Lortel Award Nomination for Outstanding Featured Performer in a Musical. Helen also captivated audiences in the musical Teeth at Playwrights Horizons. Their regional credits include starring in Man of God at the Williamstown Theatre Festival and as Betty Schaefer in Sunset Boulevard at ACT of Connecticut. Helen earned a BFA in Musical Theatre from the University of Michigan. She has been recognized in TIME100 Next, Variety's 2024 Power of Young Hollywood Impact Report, and the 2025 Gold House A100 List. Follow Helen: @helenjshen Follow us: ⁠⁠@artofkindnesspod⁠⁠ / ⁠⁠@robpeterpaul⁠⁠ ⁠⁠youtube.com/@artofkindnesspodcast⁠⁠ ⁠⁠Support the show⁠⁠! (⁠⁠https://www.buymeacoffee.com/theaok⁠⁠) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

Wilder vs. Mankiewicz! Swanson vs. Davis! Hollywood vs. New York! It's a ten-round, heavyweight bout between two classic films--two classics that explored similar terrain, were released within 10 weeks of each other, and duked it out at the 1950 Oscars. And now, 76 years later, we're putting them into the ring again. Enjoy this preview of our Patreon exclusive? Then join our Patreon today!  Then join our Patreon, at any level—even free—today! Patreon.com/TheFilmographersPodcast Social media Instagram @thefilmographers Bluesky @thefilmographers.bsky.social Letterboxd @filmographers YouTube @TheFilmographersPodcast Website https://filmographerspodcast.com/ Credits Keir Graff & Michael Moreci, hosts Kevin Lau, producer Gompson, theme music Cosmo Graff, graphic design

Billy Wilder is depressed. He's breaking up with his writing partner, Charles Brackett, and an encounter with a ghost from Hollywood's past has left him shaken. What can he do? Make a movie, of course—an enduring classic about the way Hollywood eats its own. Like what we do here on the Filmographers? Then please consider joining our Patreon! Patreon.com/TheFilmographersPodcast Social media Instagram @thefilmographers Bluesky @thefilmographers.bsky.social Letterboxd @filmographers YouTube @TheFilmographersPodcast Website https://filmographerspodcast.com/ Credits Keir Graff & Michael Moreci, hosts Kevin Lau, producer Gompson, theme music Cosmo Graff, graphic design

EPISODE 124 -  “EARL CARROLL VANITIES: SCANDAL, SPECTACLE AND THE JAZZ AGE” - 1/27/2026  When we think about the great showmen of early Hollywood, we often think of FLO ZIEGFELD, SID GRAUMAN or maybe BUSBY BERKELEY, but another man who certainly fits well into this fraternity of daring, flamboyant, and imaginative purveyors of entertainment was EARL CARROLL. Carroll was a producer, songwriter, and impresario whose career helped define the glamour and excess of Hollywood's Golden Age. Rising to prominence in the 1920s with his bold Broadway revues, Carroll brought to Hollywood a uniquely theatrical blend of elaborate staging, haute couture costuming, and the provocative extravagance that became his trademark. His famed Earl Carroll Theatre on Sunset Boulevard—adorned with a giant neon likeness of showgirl BERYL WALLACE —quickly became a Los Angeles landmark, drawing celebrities, industry moguls, and curious audiences eager for a sexy, entertaining show. Inside, his productions showcased meticulously choreographed ensembles, ornate sets, and the legendary showgirls, who were called “the most beautiful girls in the world.” Beyond the stage, Carroll influenced the broader culture of old Hollywood nightlife: his clubs were gathering places for stars, tastemakers, and dreamers, helping establish the city's reputation for glittering evenings, lavish entertainment, and unabashed showmanship. Though his life ended tragically, Carroll's imprint on Hollywood and his reputation for over-the-top glamour remains a defining element of its early history. This week, we look at this flamboyant life and career. SHOW NOTES:  Sources: The Body Merchant: The Story of Earl Carroll” (1976), by Ken Murray; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Beryl Wallace Homepage : https://www.facebook.com/profile.php?id=100028021463896 --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this inaugural episode of Movies From Whenever, Rick and Anjel discuss the 1950 classic Sunset Boulevard,  or as it should have been called…Show notesBlack Dahlia Murder Museum of Death Los AngelesReturn to BabylonThe ArtistSalome with the Head of John the Baptist (Luini)Babylon 

On the afternoon of July 31, 1978, members of one of the finest improv groups of all time—Andy Goldberg, Wendy Cutler, Wayne Powers, Paul Wilson, Susan Elliott, Tony Delia, and director Dee Marcus—walked into the KMPC Radio studios at 5858 Sunset Boulevard in Hollywood to record bits for The Sonny Melendrez Show. That session captured lightning in a bottle.  This episode features rare recordings of improvisational brilliance—hilarious bits that, until now, have remained unheard for decades. What listeners will hear is pure radio magic, created in the moment by seven master improvisers at the height of their creative powers. History A few weeks before the radio appearance, Dee Marcus invited me to "come play with us" at an Off the Wall performance in a small dance studio tucked beside a hamburger stand in West Hollywood. Standing in the back of the room, I watched as one member of the troupe absolutely dismantled the audience with fearless wit and astonishing physical comedy. After the show, once the audience had cleared out, the group gathered together. That performer shared some news—he had just landed a starring role in a new television sitcom and would be leaving the troupe. The show was Mork & Mindy. The performer was Robin Williams. That night, I invited Off the Wall to come play on the radio. Closing Tribute Off the Wall is the longest running improve group in the Los Angeles area, celebrating 50 years of comedy excellence They continue to be a creative force—bold, generous, and endlessly inventive. Their work shaped a generation of performers and proved that collaboration, trust, and fearless imagination could create something timeless.  This recording stands as a tribute to their chemistry, their courage, and their lasting influence on comedy, improvisation, and storytelling itself. -Sonny. Show notes and Links: SonnyRadio.com/show

From Norma Desmond to Mrs Robinson, the older woman has long been a provocative icon of cinema. And older woman-younger man relationships are still raising eyebrows and garnering headlines, thanks to recent films like Babygirl, Bridget Jones: Mad About The Boy and Marty Supreme. Ellen E Jones and Mark Kermode look at what happens when the woman is older in an age gap relationship, and ask - why is the older woman still such a provocative proposition? Ellen speaks to critic and cosmopolitan older woman Anne Billson about the evolution of the older woman through film history, from Sunset Boulevard to Something's Gotta Give. Mark talks to actor Anne Reid about her controversial first lead film role, in 2003's The Mother - about a sexagenarian grandmother who starts a relationship with her daughter's boyfriend, played by Daniel Craig.And Mark also talks to Matt Greenhalgh, the screenwriter behind Film Stars Don't Die In Liverpool, which told the story of Hollywood star Gloria Grahame's real late-in-life romance with the 28-year-old Liverpudlian actor Peter Turner. Producer: Jane Long A Prospect Street production for BBC Radio 4

Larry Lelli is the King of Broadway. He is a Tony award winning freelance drummer and percussionist. He's worked in over 40 Broadway musicals including “The Producers”, “Million Dollar Quartet”, “A Christmas Story”, “Come From Away” and “Sunset Boulevard”. He's producing a new musical now called “Already Perfect”. He's also performed and recorded with stars like Melissa Etheridge, The Mamas and the Papas, Josh Groban, Ann Hathaway, and Vanessa Williams. And he does masterclasses around the world specializing in Broadway musical theatre.My featured song is “New York City Groove”, from the album Made In New York by my band Project Grand Slam. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH LARRY:www.larrylelli.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

On this week's Wrap Party, Zeth is talking about the 100-year history of 8852 Sunset Boulevard, the spot where The Viper Room has hosted music and mayhem since the 1990s. Plus, your emails, calls, and DMs all about the actors' deaths that have hit you the hardest over the years. Become an All Access member today by visiting disgracelandpod.com. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

On this week's Wrap Party, Zeth is talking about the 100-year history of 8852 Sunset Boulevard, the spot where The Viper Room has hosted music and mayhem since the 1990s. Plus, your emails, calls, and DMs all about the actors' deaths that have hit you the hardest over the years. Become an All Access member today by visiting disgracelandpod.com. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

EPISODE 120 -  “REEL REFLECTIONS: STEVE & NAN'S FAVES IN CLASSIC CINEMA” - 12/29/25  As we say goodbye to 2025, Steve and Nan are wrapping up the year and ringing in the new one with much refection. In this fun episode, join the discussion as they talk about some of their favorite films, movie stars, and directors in a series of fun lists. Get to know our intrepid hosts better and find out just who they think was the Best Villain or Best Screen Kiss or Most Beautiful Actress in the golden era of Hollywood. Steve, Nan, Lindsay, and J.P. also want to thank you all for the steadfast support and kindness throughout the year.  May 2026 bring great things to all of you beautiful listeners out there! SHOW NOTES:  Sources: Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Ladies of Leisure (1930); Platinum Blonde (1931); Lady for a Day (1933); Alice Adams (1935); Stella Dallas (1936); My Man Godfrey (1936); These Three (1936); Dodsworth (1936); Come and Get It (1936); Mr. Deed Goes to Town (1936); The Awful Truth (1937); Night Must Fall (1937); Stella Dallas (1937); The Adventures of Robin Hood (1938); You Can't Take It With You (1938); Jezebel (1938); Love Affair (1939); Mr. Smith Goes to Washington (1939); Wuthering Heights (1939); Dark Victory (1939); The Return of Frank James (1940); The Letter (1940); Citizen Kane (1941); Penny Serenade (1941); Suspicion (1941); Western Union (1941); Meet John Doe (1941); The Little Foxes (1941); Mrs. Miniver (1942); Casablanca (1942); Now, Voyager (1942); Talk of the Town (1942); The Spider Woman (1943); Double Indemnity (1944); Going My Way (1944); The Woman in the Window (1944); Phantom Lady (1944); Christmas Holiday (1944); Ministry of Fear (1944); Woman In the Window (1944); Arsenic & Old Lace (1944); The Bells of St. Mary's (1945); Brief Encounter (1945); Leave Her to Heaven (1945); Mildred Pierce (1945); Our Vines Have Tender Grapes (1945); The Great Flamarion (1945); Two O'Clock Courage (1945); The Strange Affair of Uncle Harry (1945); Scarlet Street (1945); The Spiral Staircase (1946); It's a Wonderful Life (1946); Notorious (1946); Gilda (1946); The Best Years of Our Lives (1946); Kiss of Death (1947); The Bishop's Wife (1947); T-Men (1947); Nightmare Alley (1947); I Remember Mama (1948); Raw Deal (1948); Cry of the City (1948); They Live By Night (1948); Come to the Stable (1949); Criss Cross (1949); The Heiress (1949); White Heat (1949); Sunset Boulevard (1950); Harvey (1950); Side Street (1950); Winchester '73 (1950); The File on Thelma Jordan (1950); A Place in the Sun (1951); Clash By Night (1952); In a Lonely Place (1953); From Here to Eternity (1953); The Big Heat (1953); Shane (1953); The Clown (1950); White Christmas (1954); A Star Is Born (1954); The Night of the Hunter (1955); The Man From Laramie (1955); A Face in the Crowd (1957); An Affair to Remember (1957); The Tin Star (1957); Giant (1956); Elmer Gantry (1960); Splendor In the Grass (1961); The Manchurian Candidate (1962); Take Her, She's Mine (1963); The Sound of Music (1965); The Singing Nun (1966); Who's Afraid of Virginia Woolf? (1966); Once Upon a Time in the West (1968); The Way We Were (1973); The Godfather Part II (1974); Ordinary People (1980); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's the Year of the Horse, the Fire Horse, and somehow Johnny Spoiler—a confirmed Water Pig according to the Chinese zodiac—is here to guide you safely through one of the weirdest cult fantasy sequels of the 1990s:Beastmaster 2: Through the Portal of Time (1991).This week on the podcast, Johnny Spoiler revisits the movie that turned sword-and-sorcery into a full-on Los Angeles crime comedy, where Marc Singer's Dar rides through Hollywood in a convertible, an overworked detective just wants to close his cases, and an evil brother is chasing an atomic bomb across dimensions. Yes—this is real. And yes—it somehow works.We break down why Beastmaster 2 became a cable-TV classic (so overplayed on TBS it earned the nickname “The Beastmaster Station”), why it's the only truly fun Beastmaster movie, and how its mix of fantasy, comedy, and 90s culture makes it endlessly rewatchable.Along the way, Johnny Spoiler digs into:Why the “time portal” is actually a parallel universeThe return of Kodo & Podo (ferret continuity corner)Why the animals get sidelined in favor of dimension-hopping brother dramaWings Hauser delivering elite B-movie villain greatnessJames Avery (Uncle Phil!) as the exhausted L.A. cop archetypeSara Douglas (Superman II, Conan the Destroyer) in full dark-fantasy modeKari Wuhrer, Sliders, Hellraiser, and peak 90s genre energyWe also hit Home Video Headlines, where Johnny Spoiler rants about the current state of movies, TikTok trailers, Project Hail Mary hype, Dracula with Christoph Waltz, and why modern cinema feels like it needs a shot of rocket fuel to stay relevant.You'll also get:Favorite bits and cable-era nostalgiaWhy Beastmaster 2 works as family-friendly fantasy funFan questions about reviewing mainstream vs cult moviesStaff picks from Tubi, The Office Season 5, TED, and a renewed interest in Balls of Fury Green lightning. Sword-and-sorcery on Sunset Boulevard. Johnny Spoiler doing what he does best—making sense of movies that absolutely should not exist.Binge now.ProveX https://tr.ee/ProveXJohnnyMeatzy https://tr.ee/GetMeatzyJohnny