Podcasts about Sunset Boulevard

Discover how Kate Wik, CMO of Las Vegas, drives bold innovation and storytelling to transform the city into a global destination brand. Episode TranscriptPlease note, this transcript  may contain minor inconsistencies compared to the episode audio. Damian Fowler (00:00):I'm Damian Fowler.Ilyse Liffreing (00:01):And I'm Ilyse Liffreing.Damian Fowler (00:02):And welcome to this edition of The Big Impression.Ilyse Liffreing (00:09):Today we're joined by Kate Wik, chief Marketing Officer at the Las Vegas Convention and Visitors Authority. The team behind the city's newest brand campaign, which launched in September,Damian Fowler (00:20):Las Vegas, is known around the world for its energy, its entertainment, and its edge. But this ladies' campaign takes a closer look at what the city means today beyond the casinos and into its growing identity as a cultural and sports destination.Ilyse Liffreing (00:34):We'll talk with Kate about the ideas behind the campaign, how Vegas is connecting with new audiences, and what it takes to evolve one of the most recognizable brands in the world. Q,Damian Fowler (00:45):Frank Sinatra. It's okay. You have an unusual role in that you represent a city as an iconic one, but could you tell us about the role?Kate Wik (00:56):That's exactly right. So I work for the Las Vegas Convention and Visitors Authority. Nobody knows what that is or what that means. So really, I shorthand it and I say I am the CMO of four Las Vegas. Las Vegas is my product, which is very unique. It is a city, it's a destination. It's unbelievably dynamic. And what's so unique and thrilling for a CMO of Las Vegas is that our product is always changing, always evolving. If you think back, we were known as the gaming destination. We've evolved into, we're the number one hospitality destination in the US with more hotel rooms than any other destination. And we are the entertainment capital of the world. You've got the world's best artists coming and performing on stages across destination every single night. And we've worked really hard to evolve ourselves into the sports destination as well through a lot of recent things. So really the exciting thing for me in this role is no one day is ever the same. Our product is constantly iterating and evolving, and that is a marketer's dream come true.Damian Fowler (02:10):Just on that point about the evolution of the city and the perception of it, how fast has that happened in the last, say, five, 10 years?Kate Wik (02:20):Yeah, absolutely. Incredibly fast. And so today we are known as the sports and entertainment capital of the world, but less than 10 years ago, we did not have any sports teams. Yes, sports has kind of always been in our DNA. We'd host major boxing matches in the eighties, NFR we've had for decades. NBA, we hosted their in-season tournament, NBA Summer League, but really it was through infrastructure development that really led to the explosion of sports today. So what I mean by that is we had T-Mobile Arena, which was a joint venture between MGM resorts and a EG that enabled NHL to come to town with the Vegas Golden Knights in 20 17, 20 18, we purchased the WNBA team, which we renamed the Las Vegas ACEs. And so now we've got A-W-N-B-A team. And then in 2020, of course with Allegiant Stadium, we welcome the Raiders. And so now we've got the Las Vegas Raiders, and we are, so actually in four years, we went from having zero professional sports teams to having three, and we're actively working to bring our fourth to town, which is the major league baseball. We're welcoming the Las Vegas a,Damian Fowler (03:34):Not to mention Formula One.Kate Wik (03:36):Yes, exactly. And Formula One now an annual event on our calendar. So it's a lot. It's a lot. And it creates new reasons to come to Las Vegas for our visitors. And what we found through research actually, is that the sports traveler, number one, we know sports tourism has just exploded the sports traveler. Through our research, we found that it creates a new reason to come to Las Vegas for those that haven't been here before. It creates a reason to explore the destination, see it, consider it, and then ultimately come. And then most importantly, we find that they spend more money than the average leisure traveler. So it's a really rich new audience for Las Vegas. And F1 has definitely exploded that for us too.Ilyse Liffreing (04:24):Do you know by just how much more do they spend?Kate Wik (04:27):It's usually anywhere from 500 to 800 more per trip.Ilyse Liffreing (04:31):Wow, that's a lot. And the rest on gambling,Kate Wik (04:36):AnythingIlyse Liffreing (04:36):Extra? It'sKate Wik (04:37):Funny. Gambling hasn't been, revenue from gaming hasn't been the primary source of how consumers are spending their budget while they're in town. Hasn't been that for over a decade.Ilyse Liffreing (04:51):AndKate Wik (04:51):I think it speaks to the diversification of the experience in Las Vegas. And when I say we're the entertainment capital of the world, we absolutely are. People come here to see shows, to see comedians, to experience not just like a touring show, but unbelievable residencies where our property resorts will build these amazing theaters where Lady Gaga performs, Bruno Mars performs, Adele performs, they'll create these residencies, which is unlike nowhere else in the US or world.Damian Fowler (05:26):I mean, I've been aware of that. I mean, obviously it goes right back to the Rat Pack, but more recently, like Sting had a residency there. I've been aware, IKate Wik (05:34):Just saw Backstreet Boys at the Spear, which was probably mind blowing, which was mind blowing. That's a whole nother level to the entertainment experience where it's just completely immersive that has changed the game for live music.Damian Fowler (05:48):The perception of Vegas has changed or is changing, and maybe that teases up to talk a little bit now about the new brand campaign and why this is the right moment to do it.Kate Wik (06:00):Yeah, absolutely. So we just launched a new campaign September of this year, so just a couple of weeks ago really. And the intent behind it is this notion that there are so many different reasons to come to Vegas, but there are also so many different vacation options. What we wanted to do was break through the noise and make sure that people understood that Vegas is the ultimate destination regardless of the experience you're looking for. We have it all, the breadth and depth that exists within our destination iss, it's uncomparable to any other destination. So we needed to get out there and get that message out there in big form. And why now what we found was through a lack of big brand messaging over the summer, we actually took a hit with a lot of negative headlines. And so we needed to get in front of that. And I think one of the big takeaways for marketers out there is that if you're not actively talking about your brand day in and day out, you create room for others to create their own narrative. And so after we launched the campaign, it's been about a month in market, we've seen a lot of that negativity drop because now everybody's covering, oh, here's the new elements, here are the new promotions they're doing, here are the new experiences that you can find. So it's really about driving the narrative that you want for your brand.Ilyse Liffreing (07:29):Very cool. And could you tell us a little bit about the campaign itself, maybe the creative, and then what channels are you leaning into?Kate Wik (07:36):Yeah, absolutely. In looking at how we were going to develop the work around this new brand campaign, what we wanted first and foremost was to be really authentic about Las Vegas and be very unique to a message that only Las Vegas can deliver. And so we took inspiration from our iconic welcome to Fabulous Las Vegas sign. So it's the sign that exists literally on Las Vegas Boulevard as you drive into town. And that sign, it's 65 years old today, but it is more iconic. And the awareness on that is it puts it as one of the highest elements assets within our portfolio. So you think Las Vegas, you think of Bellagio, you think of Wynn, even Luxor or all these amazing resorts. When we show that sign, the amount of awareness of what that is and where it is and what it's for just exceeds every other asset that we have out there. So we took inspiration from that. We took the neon, the lights, the really, the notion of setting the example of fabulous Las Vegas. That's the experience that our visitors can come to expect when they come to Las Vegas. So it truly has been our brand promise for over 65 years. So that's the inspiration behind the campaign.Damian Fowler (08:57):Yeah, I can see that sign now.Ilyse Liffreing (08:59):Yes,Kate Wik (08:59):That's right.Ilyse Liffreing (09:00):Yeah, that's right. Do you have a sense of the audience that you're trying to reach and through, I guess, which channels are you trying to reach them?Kate Wik (09:10):Yeah, so we have a really diverse audience set, which is very unique for a marketer, which usually has a single product or they've got a very specific audience for that product. Vegas is really the 21 and older adult playground. And so if you look at just an average audience, it's like a 45-year-old split, 50 50 male, female, et cetera. But what we offer is an unbelievable unbeatable experience at every single price point. So we absolutely cater to that high-end luxury market, that luxury traveler, all the way down to the entry level budget conscious traveler. And so we've got products from a circus circus all the way up to a win Las Vegas. And so for us, our audience is very broad, but generally it's adult travelers, people that have traveled in the past year looking to travel again,Ilyse Liffreing (10:11):We just had Marriott on the podcast and we were talking about how more travelers now are singles and single people. And I would think that might be particularly true for Vegas. For some reason, people are coming for a new experience and to get away.Kate Wik (10:28):I think that's exactly right. Not necessarily single travelers, but the idea of it's a getaway, it's a new experience. What we find from our visitors is number one, it's really high repeat visitation because every time they come, they're finding something new. So we usually get at least 80% repeat visitation from our visitors and really high satisfaction rate, but it's that mindset of wanting to try something new. For sure. Yeah.Damian Fowler (10:56):One thing that just occurs to me as we are talking is how the awareness of Las Vegas has been so kind of embodied in so many movies and TV shows. I was just thinking, I watched the studio recently, the Seth RoganKate Wik (11:09):Show,Damian Fowler (11:09):Which I think that has a combination in Vegas whileKate Wik (11:12):I actually haven't seen it yet. So no spoilers on my list.Damian Fowler (11:16):I mean, I was thinking about Oceans 11, you can go back and back. I have to see it. But that is all kind of part of the kind of braided cultural iconography as it were of the city, I guess.Kate Wik (11:27):Yeah, I think movies represent, you almost have to think of it as a channel for marketing. It represents an amazing opportunity to penetrate culture, reach new audiences that you wouldn't normally get to talk to. And so we have a history of iconic movies. Actually this past summer, you might've seen it, but the F1 movie, that was a partnership that we did with them to make sure that they filmed in Las Vegas and the Las Vegas Grand Prix circuit. That was really important. But again, reaching new audiences, keeping us sort of at the pinnacle and sort of leading culture. Also really awesome to have Brad Pitt lead in that. I'm not going to lie. That was pretty awesome. But a ton of movies. And it's kind of interesting to think of it as almost like a marketing channel, not a traditionalIlyse Liffreing (12:17):One, but yes. Yeah, like free marketing too sometimes, because a lot of things are based in Vegas,Kate Wik (12:22):Right? On the marketing channel front, I know you had sort of asked about how do we launch the campaign, and it was very much an integrated multi-channel approach. We did everything from brand marketing, product marketing, I call it value, but it's really promotional as well as experiential. So of course, from a brand marketing point of view, TV or movies are wonderful, but there's also tv. And we launched the campaign actually with NFL kickoff, so September 4th. We know that when people tune into tv, they're tuning in really into an NFL game. That's where the most eyeballs are at any single time. So from a marketing point of view, it's great return on your investment there. So we launched with a 62nd ad on September 4th on kickoff, but really it was about making sure that this is not just a TV campaign, but it's a platform that reaches the consumer at every different touch point throughout their travel journey or through their daily life.(13:27):And so we maximized the viewership by making sure that, yes, we had a TV spot, but we partnered with the Raiders to actually take over the tunnel walk. And so when players arrive at the stadium, any stadium across the us, it's usually sort of this gray back of house space. And what we did was we installed neon all over the wall as the backdrop. And so it gave our players the sense of pride as they're walking in where they see this huge fabulous Las Vegas neon sign, and then they get a bit of a swagger. And then we partnered with GQ to cover sort of the fit that the players are wearing because that's a whole thing, this sort of new cultural moment where you've got the intersection of professional sports and these athletes in fashion. And so GQ wants to cover that. And so now the backdrop for all of this is the fabulous Las Vegas neon sign that we installed.(14:22):And so then CVS and ESPN want to cover it because they're like, oh, what's going on with the Vegas tunnel walk? And so every time Vegas shows up, we want to make sure that we're sort of breaking through the clutter. We're doing something very unique, bold and different, and whatever we do, it's sort of Vegas worthy. So I guess another channel is outdoor. We don't just buy outdoor. We worked with media partners to find these super high impact spectacular units that just command attention. So around the corner, in Times Square, we have this huge 3D board where you've got a 3D view of the iconic welcome to Las Vegas sign that rotates and dice come out, chips come out, an F1 race car comes out, right? It's a showstopper. And when you walk into Times Square, you see people taking pictures of advertising and that blows your mind.(15:21):And then on the other side of the country, we've got an actual neon installation on Sunset Boulevard. So we took, quite frankly, one of the ideas behind the campaign is let's take the neon and export it. Let's take our Neon National. And so we've got these big neon relics all across the us and so this one on Sunset Boulevard is spectacular. And then you walk across any of our resorts in Las Vegas and you see our Neon Signs Launch week. We took over all of our, well in our top 10 markets, we took over our digital outdoor boards and we had a roadblock for the whole week of launch. So just doing these big spectacular moments to capture the attention of our viewers. Wow,Damian Fowler (16:08):That's a lot that you're doing a tremendous amount, but on the other side of it, how are you kind of measuring and tracking all of these moments that you've created?Kate Wik (16:18):Yeah, I think measurement is incredibly important for any brand. We are actually consistently in market every single week with a research tracker, a brand health tracker. We've been doing it for decades. Making sure that we're keeping a finger on the pulse of our consumer is really important to us. So before we launched the campaign, obviously we tested it to see, number one, does it break through? Does it resonate? Does it deliver on the message of escape? Does it make people want to go to Las Vegas? It actually tested stronger than any other campaign that we've tested, and we test all of our campaigns. So that was pretty exciting. And then post-launch, again, we're in the market every single week. We found that we continue to uptick in terms of likability of the campaign, the campaign that makes you want to travel to Las Vegas. Those metrics are really important to us, intent to travel, and so it's continued to climb every single week since we've been in market. That's really strong. I think outside of traditional campaign testing, something that we consistently do is social listening, and so understanding what the current conversation is on social, I had mentioned this summer was a little bit rough. There was a lot of negativity out there for us. What we found was we had peaked in terms of negativity online in, gosh, in August. We launched Campaign in September, and that number has dramatically reduced, which is fantastic. It goes back to this point of you have to constantly be talking and driving your own narrative.(18:01):Otherwise if there's a void, others are going to fill it for you. That's was aIlyse Liffreing (18:05):Quick turnaround time too fromKate Wik (18:07):InIlyse Liffreing (18:07):August to launching inKate Wik (18:08):September. Absolutely. So a couple weeks. So I would say early August was peak and then Campaign formally launched September 4th, but working with our property partners to seed components of the campaign before, that was a big part of it as well. And then I think a very tactical measurement is we launched actually the first ever destination wide sale, so we called it the Fabulous Five Day Sale. Our campaign is Welcome to Fabulous, so fabulous five day sale. We wanted to make sure that we were putting a spotlight on the value that exists across the destination. And what we found was we drove four times the amount of website volume that we normally do to visit las vegas.com and that we actually were driving more referrals, so people were coming in to see what these deals were, what the sale was, this first ever limited sale, and then the traffic, the referral traffic that we were sending out to the booking engines of each of our property partners. That was 120 times the normal weekly average that we have in terms of, oh my gosh, yeah, referral, wait. So really unbelievable. It was kind of mind blowing for us in terms of the results of that. Nice.Ilyse Liffreing (19:28):And what was the reception from businesses in Las Vegas too, because that involved all of them?Kate Wik (19:34):Absolutely. Yeah. We don't launch a campaign without the support of our property partners. The reception was fabulous to use a cliche, incredibly fabulous. They leaned into it, you'll see part of the campaign. We created these neon elements and literally handed over this toolkit to our property partners so they can push out on all of their digital signage, on all of their marketing elements, sort of reflections of the campaign work as well and tie into it.Damian Fowler (20:05):Great. Just out of curiosity, is the campaign driven from the ground up by businesses or does it come top down as it were, from what your office, what's the kind of interaction?Kate Wik (20:19):Yeah. Well, the interaction is we are the DMO, the destination marketing organization for Las Vegas. So what we do is we work closely with our property partners to understand what's the business needs, what are the trends they're seeing. We do research and provide them top level trends, and then we work with them on what do we need the advertising to accomplish, and then we develop the campaigns. We're funded by them. We're actually funded by a room tax, which is paid by our visitors. And so there is complete coordination with our property partners, and we really do all of the upper funnel marketing for them. That's kind of the role we play for them.Damian Fowler (21:00):Interesting. Yeah. Yeah. I want to ask you, actually, I guess this is a big picture question. Are there other big cities that kind of have similar outreach or similar marketing campaigns, or are you unique in lots of ways?Kate Wik (21:15):I think the big destinations like New York, la, they will have a tourism authority within their destination that we'll do it for them. I think what's unique about Las Vegas is how we're funded. Again, it is through this room tax. And so generally, I'm not out there every day trying to drum up membership funds or anything. Our job is to go market the destination 365 days a year. That is why we exist. And so I think other destinations have something similar, but not quite the structure or the support behind it. And I think what is unique for Las Vegas is tourism is the number one economic driver for southern Nevada, and so we're the engine behind that. We have to make sure we're continuing to fuel that. Tourism represents 55 million or 55 billion, excuse me, in direct economic impact. That's visitors coming, spending fueling the local economy. And so the role we play matters. The advertising that we do matters because it fuels the entire ecosystem and the economic climate for Southern Nevada. Wow.Damian Fowler (22:33):Another quick question, follow up question there because you keep making me think of things. You have a lot of international visitors. Do you have a sense of where the majority of them are comingKate Wik (22:42):From? Yeah. Yeah. So international visitors are really important to us. Interesting. Canada's typically is our number one market. We have seen a decrease this year from our Canadian visitors. That's true for the US overall. We love our neighbors to the north and we welcome them back. But Canada is generally number one. Mexico is number two. Mexico is still going strong. They've actually seen growth year over year. UK is our number three market. We love our UK visitors and our partnership with F1 continues to grow that, which is phenomenal. And then interesting, our fourth market is actually Australia, and we don't have a direct flight there today, but it's an easy stopover from la. But the Australians and the Aussies, they love coming to Las Vegas. Great cultural alignment, but in general, we love all of our international visitors, and it's about anywhere from 10 to 15% of our overall visitor mix,Damian Fowler (23:46):So Cool.Ilyse Liffreing (23:47):Well, so along with just how many changes Las Vegas has seen, how would you, I guess, describe the expectations around hospitality and how that has changed over the years?Kate Wik (23:59):Gosh, hospitality, not unlike marketing, it's really fueled by tech innovation. Everything from keyless check-in, you can check in on your phone, you can use your phone as your key. All of these things have been unbelievable accelerants to a great experience, but that's across the board in every city, across the world. Technology has fueled that. I think what's unique for Las Vegas is actually doubling down on the core of who we are. And that's about service, and that's about kind of going back to the brand promise of the campaign where the welcome to fabulous Las Vegas isn't just a sign. It is the brand promise of the experience you're going to have here. And before we launched the campaign, we actually went around to all the CEOs and all the presidents of all our resort property partners to say and to remind them, we're going to launch this campaign, we're going to go back to the roots of Las Vegas. And the roots of that is hospitality, and it's about making every individual feel like somebody special that is so uniquely Las Vegas. You can walk into a circus, circus, an Excalibur, and have this mind blowing unbelievable experience. You could also walk into a Bellagio, an aria, a fountain blue, and have a mind blowing unbelievable experience. It's not based on your economic value or your financial worth. It's based on who you are as a visitor coming. We're going to deliver that unbelievable experience, and that is service related, hospitality related for us.Ilyse Liffreing (25:39):Very cool. So what's next then? How are you planning to build on the success?Kate Wik (25:44):I think for us, welcome to Fabulous is not just like an A Flash in the Pan ad campaign. What we intended to do was create a marketing platform that will just stand the test of time that will continue to iterate off of it. We have three big announcements, not yet announced, but still coming out later this year that just continue to build on this platform. So it's a platform for us as the DMO, but it's also a platform for our property partners to continue to iterate because it is so unique to us.Damian Fowler (26:20):Now we've got some kind of quickfire questions now we've looked at that bigKate Wik (26:24):Picture.Damian Fowler (26:25):What are you obsessed with figuring out right now?Kate Wik (26:29):I am obsessed with figuring out how you hack the social algorithms. And I think what's super interesting is something that can go viral that isn't necessarily representative of the brand or the experience that you have. And so really making sure that for us, it's fueling a ton of content out there to make sure that we're dominating what that narrative is. And that's not just from brand voice, it's influencers or whatever, but that social algorithms I think is really important forDamian Fowler (27:05):Brands. Yeah, absolutely. I would love to figure that out too. It seems like a kind of a magic unlock.Ilyse Liffreing (27:11):Yes. Right.Damian Fowler (27:14):Okay.Ilyse Liffreing (27:15):This year you are included on the Forbes list of 50 Fierce Global leaders.Kate Wik (27:20):Yes.Ilyse Liffreing (27:20):Congratulations. Thank you. What is one piece of wisdom you'd pass on to other marketers?Kate Wik (27:27):Oh gosh. Constant learning, constant iteration. Nothing is ever done, right? You put something out in the world, there's always a chance to continue to iterate and learn and get feedback and continue to push it further. Yeah.Damian Fowler (27:44):Another is ai, a marketer's friend.Kate Wik (27:46):Yeah, absolutely. But actually, let's be careful with that. It's a friend, but it's like a starting point, right? I think using it as information, as research, as sort of an input but not a final output is really important.Damian Fowler (28:01):I like that. That distinction is important.Ilyse Liffreing (28:03):One last fun one for you, maybe outside of the Brad Pitt movie from the summer. What's your favorite movie set in LasKate Wik (28:12):Vegas? Oh, gosh. I love Oceans 11. I mean, how can you not? I mean, it's still Brad Pitt, butDamian Fowler (28:20):Oh, yeah.Kate Wik (28:20):But it's an icon. He can be at anything, everything.Ilyse Liffreing (28:27):And that'sDamian Fowler (28:27):It for this edition of The Big Impression.Ilyse Liffreing (28:29):This show is produced by Molten Hart. Our theme is by Love and caliber, and our associate producer is Sydney Cairns.Damian Fowler (28:36):And remember,Kate Wik (28:37):If you're not actively talking about your brand day in and day out, you create room for others to create their own narrative.Damian Fowler (28:45):I'm Damian, and I'm Ilyse, and we'll see you next time. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Forrest, Kristina Oakes, and Conan Neutron talk about Billy Wilder's Sunset Boulevard!! Starting off a month where we talk about Movies about Making MoviesSunset Boulevard examines the wreckage left behind by the transition from Silent Era pictures to the "Talkies" A failing screenwriter named Joe Gillis (William Holden) is found floating face down in a pool on Sunset Boulevard, beyond the grave he begins telling us his story..Struggling to make a living in Hollywood, Joe Gillis stashes his car which is about to be towed away in a random garage in the Hollywood Hills which ends up being the mansion of faded film star Norma Desmond (Gloria Swanson) and her butler Max (Erich Von Stroheim) Gillis begins working for Norma Desmond on a screenplay, and is slowly lured into her world of psychosis, delusion, codependency, and control. #sunset #sunsetboulevard #gloriaswanson #noir #normadesmond #silent #silentfilm #silentfilms #billywilder #williamholden #1950s #1950scinema #erichvonstroheim #classichollywood #hollywood #la #losangeles Forrest and Kristina are starting a new YouTube channel/show The Absurdity Space!! https://www.youtube.com/@UCa3LavkP9F_NxOnl0A2soXQ We are also streaming on @thisspacetv throw them a followJoin our discord: https://discord.gg/ZHU8W55pnhJoin our Patreon to get all our After Parties https://www.patreon.com/MovieNightExtraConan Neutron & the Secret Friends new noir inspired music video "A Villain of Circumstance" https://www.youtube.com/watch?v=qXjmjKzbTSI

Here's what a perfect day in Hollywood Studios looks like! Morning: Rope Drop Energy & Star Wars DreamsIf you arrive at rope drop, you'll find excitement buzzing through the crowd. The sun is barely up, but everyone is already strategizing. For many, the first mission of the day is navigating Batuu.I headed straight to Star Wars: Galaxy's Edge, where the sounds of droids and starships fill the air. There's nothing quite like wandering the market stalls as the land wakes up. I hopped in line for Rise of the Resistance, which—no matter how many times you've ridden—is jaw-droppingly immersive. From the First Order Star Destroyer hangar to the runaway escape pod, it's more than a ride; it's a cinematic moment you get to live.Then it was time for a little friendly competition on Smugglers Run. I'm not saying I was the best pilot the Millennium Falcon has ever seen, but I did manage to avoid crashing into anything major.Late Morning: Toy Story Fun & NostalgiaFrom the rugged outpost of Batuu, I strolled into the colorful world of Toy Story Land. Giant building blocks, oversized toy footprints, and Slinky Dog whizzing by—everything here feels like Saturday morning nostalgia.Slinky Dog Dash is the perfect family coaster: smooth, joyful, fast enough to thrill but still full of charm. Afterward, Toy Story Mania offered a chance to test my aim. I walked away with slightly sore arms and enormous pride at beating my own high score.Lunch: A Break on Sunset BoulevardFor lunch, I wandered to Sunset Boulevard, grabbing a quick bite under the palm trees. Street performers were out, adding a little showbiz sparkle to the day. If you're hungry and in a rush, the snack options here are ideal—plus, there's always the temptation of a Mickey pretzel.Afternoon: Thrills, Shows & A Touch of Disney MagicYou can't visit Hollywood Studios without feeling that mix of excitement and dread as you approach The Twilight Zone Tower of Terror. The eerie music, the flickering marquees, the feeling that the building is watching you—it's chilling in the best way. The drop sequence? Still one of the most delightfully unpredictable thrills in all of Walt Disney World.Next door, Rock 'n' Roller Coaster Starring Aerosmith delivers a lightning-fast launch that sends you straight into a whirlwind of neon. If you love coasters, this is one of those rides that sticks with you.Needing a breather afterward, I caught a showing of For the First Time in Forever: A Frozen Sing-Along Celebration. There's nothing quite like watching adults and kids alike belt out “Let It Go” with absolutely no shame. The humor and improv from the royal historians make this show a must-see.Evening: Pixar Place, Characters & Golden Hour MagicAs the sun dipped lower, I wandered around Pixar Place, where character meet-and-greets and playful photo ops made for perfect golden-hour memories. Hollywood Studios takes on a special glow in the evening—neon lights flicker to life, and the park feels cinematic in a whole new way.Dinner at Docking Bay 7 Food and Cargo hit the spot: creative dishes with that perfect Galaxy's Edge theming.Night: An Epic FinaleTo end the day, I found a spot for Fantasmic!, the iconic nighttime spectacular. Watching Sorcerer Mickey battle classic Disney villains while fountains, projections, and fireworks dance across the water is the perfect emotional wrap-up to the adventure.As the final burst of fireworks faded, I walked out with tired feet, a happily aching smile, and that warm, glowing feeling Disney seems to conjure so effortlessly.Final ThoughtsA day at Hollywood Studios is more than a park visit—it's stepping into your favorite movies, embracing nostalgia, chasing thrills, and soaking up wonderfully crafted storytelling from morning to night. Whether you're a Star Wars fan, a Pixar lover, a thrill-seeker, or just someone who appreciates Disney magic, Hollywood Studios delivers an unforgettable experience.

Welcome to Part 2 of the two-part Special Episode introducing my new release, “MA PETITE FLEUR STRING QUARTET”. This work transforms my jazz ballad into a lush classical string quartet piece. The work has been praised by a host of Classical Music Stars, all of whom are listed below. In Part 1 yesterday we listened to this new work. In Part 2 today we're going to introduce the incredible musicians who brought this piece to life.David Shenton is the genius arranger behind this work. David is an English pianist, violinist, composer and arranger. He started playing the violin at age 7 and he's composed hundreds of works from small piano pieces to full-length operas. Violinist Katie Thomas is a soloist, chamber musician, studio violinist and concert-mistress. She's played on Grammy winning albums and also recorded with artists like Rosanne Cash, The O'Jays, Jimmy Fallon and the animation series “Dragons”. Violinist Erica Dicker works in a wide variety of musical settings in both notated and improvised music. She is a member of the electro-acoustic trio Vaster Than Empires. She is also a founding member of the horn-trio Kylwyria. And she's known for her work with composer and multi-instrumentalist Anthony Braxton.J.J. Johnson has been the violist at Radio City Music Hall. His Broadway musical experience has included On The Town, Cats, Fiddler On The Roof, An American In Paris, Wicked, My Fair Lady, and Sunset Boulevard. He has also appeared on the Late Show with David Letterman. Dave Eggar is a Rock Star cellist who recently was a guest on the podcast. He's a 5x Grammy nominee. He's worked with Paul Simon, John Legend, Norah Jones, Foreigner, Josh Groban and Train. And it's his cello that opens Coldplay's massive hit "Viva La Vida".CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS----------------------------------------------------------Praised by:Steven Beck - Concert PianistJeffrey Biegel - Concert PianistMarina Chiche - Concert ViolinistJoAnn Falletta - Conductor, Buffalo PhilharmonicYolanda Kondonassis - Concert HarpistShawn Okpebholo - ComposerAmit Peled - Concert CellistLucas Richman - Conductor, Bangor SymphonyLlewellyn Sanchez-Werner - Concert PianistJason Vieaux, Classical Guitarist—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcastClick here for Robert's “Dream Inspire” App—----------------------------------------ROBERT'S NEW “DREAM INSPIRE” APPYour personalized Coach to Motivate, Pursue and Succeed at Your DreamCLICK HERE—----------------------------------------ROBERT'S LATEST SINGLE:“MI CACHIMBER” is Robert's latest single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

“We're as real as a f**king donut!” Join Ian, Liam & Beadle Steve for our 307th episode as we cruise down Sunset Boulevard, slip into our moccasins, and take a long, nostalgic look at Quentin Tarantino's sun-drenched fairytale Once Upon a Time in Hollywood (2019). Megs and Kev? They're not with us this week — Megs got invited to a last-minute audition on a Spaghetti Western set outside Rome, and Kev got lost trying to hitchhike to the Playboy Mansion. We wish them both luck. We're also waxing poetic about Jay Glennie's excellent history of the film with "The Making of Quentin Tarantino's Once Upon a Time In Hollywood" available everywhere now. This week we discuss: How Tarantino utilises revisionist history and a clear late sixties aesthetic into his most affectionate, laid-back film yet. Leonardo DiCaprio's turn as Rick Dalton — insecure, electric, and oddly sympathetic. Brad Pitt's Cliff Booth — stuntman, handyman, maybe-murderer, absolute legend. Beadle Steve weighs in on the film's leaving of breadcrumbs and its toasty payoff How the film handles Sharon Tate with grace, warmth, and unexpected emotional weight much to Liam's appreciation The Manson Family sequences — slow-burning dread done right but where is Charlie and why does Ian argue it's the right call for the film? Ian breaks down Tarantino's structural choices: meandering brilliance or indulgent reimagining? The film's controversial ending — catharsis, fantasy, or simply Tarantino being Tarantino?  Does it help if you know the real life history? Someone argues it doesn't matter and the film still works. Nostalgia vs. narrative: does the film rely too heavily on vibes, or is that the point? We question whether OUATIH is a buddy film, a fairy tale, a love letter, or all of the above. The “Rick Dalton meltdown” scene — one of the great comedic acting moments of the decade? Which parts got combined and then split again on account of scheduling conflicts Who was supposed to be in the film if not for tragedy occurring? And finally, whether Once Upon a Time in Hollywood is the Best Film Ever — or just Tarantino's most beautifully crafted hangout movie. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE. Buy Jay Glennie's book at https://amzn.eu/d/fTGfDBu We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

Sunset Boulevard 

Reporting from West Hollywood, in a rock 'n' roll hotel with no parties and no drugs as house rules. We take a walk down Sunset Boulevard and into the strange engine of L.A.: a city built almost entirely on imagination, storytelling and constant reinvention. From Mulholland's aqueduct to the studios that wrote America's myths, we asks: what does a place like this tell us about capitalism, churn and the Uber-ised, gigged-out modern economy? From there, we fly back into something touchier: Ireland's relationship with the United States. We lay out just how dependent Ireland is on U.S. investment, jobs and tax, and then ask why so much of the Irish left, especially what he calls the “presidential left”, is reflexively anti-American. We unpack third-worldism, neutrality as moral performance, climate politics as a Trojan horse, and the growing gap between Áras rhetoric and how ordinary Irish people actually live, work and travel in a world where America is still our best friend Hosted on Acast. See acast.com/privacy for more information.

Diego Andres Rodriguez is In The Frame!Diego is part of the all-star cast of the brand new musical Roam which is being staged for a one-night concert.Roam will play the Shaftesbury Theatre later this month, directed by Rupert Hands. The show centres on a nomadic clan whose caravan breaks down en route to a sacred festival, forcing them to confront past traumas, family rivalries, identity and legacy, featuring a high-voltage rock-pop-Romani-fusion score by Alexander Sage Oyen.Diego made his professional debut as Artie and understudy for Joe Gillis in Jamie Lloyd's Broadway transfer of Sunset Boulevard.Earlier this year he made his West End debut as Che in Evita at the London Palladium. Diego performed alongside Rachel Zegler in the sell-out show, which was also directed by Jamie Lloyd.In this episode, Diego discusses all-things Roam as well as his whirlwind couple of years with Sunset and Evita, and why he has fallen in love with London.Roam plays the Shaftesbury Theatre on 23rd November. Visit www.roammusical.com for info and tickets. This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Is ‘Selling Sunset’ selling more lies than listings? Sofia Vergara’s sister Sandra joins Jess and Camilla to spill what’s real and what’s reality-TV fiction. She dishes on the “crafted” chaos, “directed” drama, and her so-called friendship with Chrishell. Plus, Sandra explains the truth behind the Friendsgiving blow-up, why Nicole was fired and whether she’ll be back on Sunset Boulevard next season.See omnystudio.com/listener for privacy information.

Meg revisits Christina Crawford's Mommie Dearest, the first of many “tell-all memoirs exposing the rough childhoods of Old Hollywood's nepo babies. Jessica gets the skinny on Gloria Swanson's appearance at the New School and why the venue was just as ready for its close-up as its guest.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

In Margaret Atwood's 64-year career she has published world-renowned, prescient novels like The Handmaid's Tale, Cat's Eye, Alias Grace and Blind Assassin, and now a memoir. Margaret joins Nuala McGovern to discuss Book of Lives: A Memoir of Sorts and reflect on her life, her work and the power of knowing her own mind.Pornography featuring strangulation or suffocation - often called choking - is due to be criminalised across the UK as part of government plans to tackle violence against women and girls. It follows an independent review which found depictions of choking were "rife" on mainstream porn sites and had helped normalise the act among young people. Gemma Kelly, policy consultant on the review, and Professor Clare McGlynn, leading expert on VAWG and gender equality, discuss. The Mercury Prize-nominated singer-songwriter Cat Burns has also just released her new album, How to Be Human. She joins Nuala to discuss her new album and taking part in Celebrity Traitors. Writer and producer Nova Reid joins Anita Rani to talk about the late Dame Jocelyn Barrow, the race relations campaigner and the first black female governor of the BBC whose story Nova tells in her new podcast, Hidden Histories with Nova Reid. The interview includes a clip of Jocelyn from 2017 sharing her thoughts with The University of Law on what she considered to be the greatest improvements in diversity.Is having a boyfriend now embarrassing? Writer Chanté Joseph recently explored this idea in an article for Vogue and on social media, observing a noticeable shift in how people - particularly heterosexual women - present their relationships online. Instead of posting clear photos of their romantic partners, many are choosing subtler signals: a hand on a steering wheel, clinking glasses, or even blurring out faces in wedding pictures. But why the change? Anita hears more from Chante. A grande dame of musical theatre, Elaine Paige made her West End debut in the 1960s and shot to fame in 1978 playing Eva Perón in Evita, going on to star in Cats, Chess, Sunset Boulevard and many more. Elaine talks to Anita about her damehood, fostering the next generation of talent and having stage fright. Presenter: Anita Rani Producer: Dianne McGregor

NB: The music in this broadcast has been removed from this podcast for rights reasons.A grande dame of musical theatre, Elaine Paige made her West End debut in the 1960s and shot to fame in 1978 playing Eva Perón in Evita, going on to star in Cats, Chess, Sunset Boulevard and many more. She talks to Anita Rani about becoming an actual Dame this week, and how she's fostering the next generation of talent.American author Gish Jen and her mother never got along. In her latest novel Bad Bad Girl, Gish tries to figure out why that was. Reconstructing, then fictionalising her mother's life as she moves from a wealthy childhood in China to an up-and-down immigrant existence in the US. Gish joins Anita to talk about the real life events behind her book.Restaurant chain McDonald's has announced it will bring in new sexual harassment training for managers. These are strengthened measures that were agreed with the Equality and Human Rights Commission to protect McDonald's staff from abuse. A BBC investigation that started two years ago found that workers as young as 17 were being groped and harassed. Anita gets an update from BBC reporter Noor Nanji.Writer and producer Nova Reid joins Anita to talk about the late Dame Jocelyn Barrow, the race relations campaigner and the first black female governor of the BBC whose story Nova tells in her new podcast, Hidden Histories with Nova Reid. The interview includes a clip of Jocelyn from 2017 sharing her thoughts with The University of Law on what she considered to be the greatest improvements in diversity.Pauline Collins, the star of the film Shirley Valentine, for which she was Oscar nominated in 1990, has died at the age of 85. Her career spanned stage and screen but she will be best remembered for her portrayal of disgruntled housewife Shirley, in the award-winning film, based on the stage play by Willy Russell. It won Pauline a Golden Globe and a BAFTA. We hear a clip of Pauline Collins playing Shirley in Lewis Gilbert's 1989 film, Shirley Valentine, distributed by Paramount Pictures, and also part of an interview Pauline recorded with Jane Garvey on Woman's Hour in 2017. Presenter: Anita Rani Producer: Rebecca Myatt

This week, we celebrate the 75th anniversary of Sunset Boulevard (1950), the classic film noir that showcased the darker side of the Hollywood lifestyle. The film has inspired many movies that have followed and probably would have been made as a horror film today. Let us know what your thoughts about the film are in the comments.Also Play:Cinema Chain Game--------------------------------------------Subscribe, rate, and review:Apple Podcasts: Our Film FathersSpotify: Our Film FathersYouTube: Our Film Fathers---------------------------------------------Follow Us:Instagram: @ourfilmfathersTwitter / X: @ourfilmfathersEmail: ourfilmfathers@gmail.com

Send us a textThis week on Broadway Besties, we're taking you inside our NYC Extravaganza! Six shows, countless laughs, and one unforgettable trip. From Ragtime to The Great Gatsby, Sunset Boulevard, Oh Mary, Death Becomes Her, and Suffs — we saw it all. But which show stole our hearts this time? Tune in to hear our takes, surprises, and maybe a few tears.

Die erste Q&A-Episode ist online:Die Filmanalyse +ABO gibt es bei Steady als Monats- und vergünstigtes Jahresabo. Der RSS-Feed ist automatisch mit Spotify verknüpft, kann aber auch in alle Podcatcher eingefügt werden:https://steady.page/de/die-filmanalyse-abo/aboutDie Filmanalyse +ABO gibt es bei Apple-Podcast als Monats- und vergünstigtes Jahresabo:https://podcasts.apple.com/de/podcast/q-a-1-the-zone-of-interest-zeit-management/id1586115282?i=1000735357409Außerdem gibt es die Möglichkeit, ein Abo via Patreon abzuschließen, jedoch ist hier der RSS-Feed nicht mit Spotify verknüpft:https://www.patreon.com/c/wolfgangmschmitt/homeZunächst berichte ich von drei Filmen, die ich zuletzt im Kino gesehen habe und die mir imponiert haben. Nach den Empfehlungen geht es zu den Publikumsfragen: Vom Kubrick-Lieblingsfilm bis zu den gruseligen 70ern – ein bunter cineastischer Strauß! Gefragt wird auch nach meinem Zeit-Management: Wie kann ich so viele Formate produzieren und noch Zeit fürs Kino haben? Besonders ausführlich wird die Antwort zur Darstellbarkeit des Schreckens und zum Bilderverbot in Bezug auf Steven Spielberg und Claude Lanzmann. Dabei geht es auch um „The Zone of Interest“, der allegorisch lesbar ist. Außerdem: Was sollte man lesen und wie viele Bücher schafft man überhaupt in einem Leben? Widersprechen sich die Filmanalysen zu „Sunset Boulevard“ und „The Substance“? Wie prägen Stadtstrukturen das filmische Erzählen? Transportiert das Kino nationale Mythen? Wie wird das Thema Einsamkeit in „Red Rooms“ dargestellt (und warum ist „The Negotiator“ interessanter)? Diese und weitere Fragen diskutiere ich 85 Minuten lang in dieser Folge.

In 1985, forty-six of the biggest names in music walked into a studio on Sunset Boulevard after the American Music Awards. No press, no leaks, just purpose.We Are the World was not just a song, it was a project. A one-night mission to create something that would feed millions of people suffering from famine in Africa.In this episode of People, Process, Progress, Kevin revisits the story he first explored in a March 2024 Hope is NOT a Plan episode, this time through the lens of leadership, culture, and the Seven Project Pillars.Through the calm and clarity of Quincy Jones and the creativity of Lionel Richie, this team turned ego into empathy and chaos into collaboration.You will learn how thought leadership, intentional communication, and structured coordination helped them pull off one of the greatest overnight projects in history, and how those same lessons apply to your projects and teams today.Episode Quote:“Quincy Jones and Lionel Richie did not lead through control, they led through trust, and they showed us that people will rise to the mission when the purpose is clear and the tone is right.”

Thrust onto the public stage at 15 years old after the Taliban's brutal attack on her life, Malala Yousafzai became an international icon for resilience and bravery. Described as a reflection on a life of a woman finally taking charge of her destiny, her memoir Finding My Way has just been published. She joins Anita Rani in the Woman's Hour studio.There's a call to compensate women caught up in the scandal of faulty breast implants manufactured by a French company. The PIP scandal happened in 2012 when it emerged that the implants were filled with industrial silicone instead of medical grade silicone. The implants are far more likely to rupture than others. MPs on the Women's and Equalities Committee have been hearing calls for compensation during their inquiry into the health impacts of breast implants and other cosmetic procedures. Jan Spivey from PIP Action Campaign and Professor Carl Heneghan from The Centre for Evidence Based Medicine join us to discuss this.What if all your dreams come true and you still find yourself a bit grumpy? That's the brilliantly blunt question at the heart of Laura Smyth's stand-up tour, Born Aggy. Laura's journey into comedy wasn't exactly textbook. She left behind a career in teaching, was diagnosed with Stage 3 breast cancer that same year and - just two weeks after finishing treatment - was on stage in Live at the Apollo. She joins Nuala McGovern in the studio.Choreographer and artist Amina Khayyam tells Anita about her new dance-theatre work, Bibi Rukiya's Reckless Daughter, which opens soon in London after a national tour. It explores how patriarchy is enforced not only by men, but across generations of women, within family structures.Singer, actor and performer, Petula Clark's career has spanned over eight decades. She sang to wartime troops in the 40s, was a 1950s child star, became a European musical icon before conquering America with her No 1 hit Downtown. She starred in Hollywood movies alongside Fred Astaire and performed on stage in musicals including The Sound of Music, Sunset Boulevard and most recently Mary Poppins. Her autobiography - Is That You, Petula? is out now and she joins Nuala to look back at her long career.Presenter: Anita Rani Producer: Simon Richardson

Send us a textToday's episode is my conversation about the 1929 film Their Own Desire. I'm joined by Maria Banson from the Brunello Bombshell newsletter and we talk about Norma Shearer's place as an inspiration for women in Hollywood of the time, the portrayal of a young athletic woman on screen, and a special bond between father and daughter that is a throughline in the film. You can watch Their Own Desire on YouTube or rent it from Amazon and be sure to check out Maria's newsletter.Other films mentioned in this episode include:Sunset Boulevard directed by Billy WilderThe Last of Mrs. Cheyney directed by Sidney FranklinThe Hollywood Revue of 1929 directed by Charles F. ReisnerThe Private Life of Helen of Troy directed by Alexander Korda (partially lost film)The Patriot directed by Ernst Lubitsch (lost film)Wonder of Women directed by Clarence Brown (lost film)A Woman of Affairs directed by Clarence BrownMadame X directed by Lionel BarrymoreThe Big House directed by George HillRomance directed by Clarence BrownCoquette directed by Sam TaylorThe Divorcee directed by Robert Z. LeonardAnora directed by Sean BakerOther referenced topics:Their Own Desire (novel) by Sarita FullerThe Crown (series)Letterboxd reviews from Chris Hughes and GentryTerry Sherwood writing on Stardust and ShadowsSupport the show

Chef Bruno Serato of the nonprofit Caterina's Club makes pasta for children from families who are financially struggling. It feeds 5,000 hungry kids every night. Now, Chef Serato's nonprofit needs financial help so it can continue to feed the community. The failed high-speed rail from LA to San Francisco cost taxpayers $130 billion. That's a total of $240 billion that's been wasted or is unaccounted for in California, including missing funds from the unemployment department and the homeless. Toronto Blue Jay fans in town for the World Series probably don't want to go home; LA is looking so beautiful right now. There's a rat problem in DTLA! A hand grenade was found at a Burbank recycling center! It led to an evacuation, but it turns out it was a dud. A woman was attacked in broad daylight while walking along Sunset Boulevard in Hollywood.

Something NEW at the House of Franklin-Stein! Chris and Cindy discuss Ryan Coogler's recent hit Sinners starring Michael B. Jordan and Haillee Steinfeld. In 1932 Mississippi, the Smokestack Twins return home to open a juke joint, but the music of their talented cousin Sammie accidentally pierces the veil between life and death, attracting a cult of vampires! Then from the Comic Crypt comes Batman: Legends of the Dark Knight #41, where the Caped Crusader finds himself in a vampire remake of Sunset Boulevard! Special thanks to Rob Kelly and Ryan Daly! Subscribe via iTunes. Or Spotify.. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Please consider supporting us on Patreon: https://www.patreon.com/fwpodcasts Like our FACEBOOK page - https://www.facebook.com/FWPodcastNetwork Like our FACEBOOK page - https://www.facebook.com/supermatespodcast Use our HASHTAG online: #FWPodcasts Email us at supermatespodcast@gmail.com Clip credits: Sinners (2025) directed by Ryan Coogler Batman Returns (1992) Main Title Theme by Danny Elfman “Last Time I Seen The Sun” by Alice Smith and Miles Caton from Sinners “The House of Franklinstein” by Terry O'Malley, of Stop Calling Me Frank https://www.facebook.com/rockSCMF

Love can make a guy do funny things. Mass murder, torture, abduction... but he's just misunderstood? Maybe? Grab your backstage pass as we go way back to a classic classic - Lon Chaney's iconic turn in the film that launched the Universal Monsters. But do words like "iconic" and "classic classic" still hold true for a silent film? Do we feel obligated to enjoy a 100 year old movie, or does it actually stand the test of time? We're very excited to explore this, silent movies, and more. And we can't thank Paul McGuire Grimes enough for joining! Happy Halloween, friends. If you like Camp Kaiju, please leave a rating and review. Subscribe to campkaijupodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or leave a comment at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠campkaiju@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠Instagram (@camp_kaiju_podcast)⁠; or leave a voicemail at ⁠⁠⁠(612) 470-2612⁠⁠⁠.Visit ⁠⁠⁠⁠⁠⁠Patreon.com/campkaiju⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠campkaiju.threadless.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for perks and merchandise. We'll see you next week for 20 Million Miles to Earth, with Naomi Osborn joining us!MOVIES MENTIONED: The Cameraman (1928), The Monster (1925)TRAILERS The Phantom of the Opera (1962); Phantom of the Opera (1943); The Phantom of the Opera (1989); Phantom of the Paradise (1974); Sunset Boulevard (1950); Man of a Thousand Faces (1957)SHOUT OUTS & SPONSORSSubstack ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film Criticism by Matthew Cole Levine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Plays by Vincent S. Hannam⁠⁠⁠⁠⁠⁠⁠Zack Linder & the Zack Pack ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Info about PHANTOM OF THE OPERALink to 1929 version of PHANTOMPaul's Trip to the Movies - Paul's websitePaul's Instagram - @paulsmovietripPaul's YouTubeCamp Kaiju: Monster Movie Podcast. The Phantom of the Opera (1925) Movie Review. Hosted by Vincent Hannam, Matthew Cole Levine, Paul McGuire Grimes © 2025 Vincent S. Hannam, All Rights Reserved.

Hello Travelers! This week, host Jeremy takes you on an in depth walk and talk down Sunset Boulevard at Disney's Hollywood Studios. We'll explore every shop and eatery, read signage, and gawk at merch! Oh...and you may want to pack a poncho or umbrella for this Florida evening! Visit us a walkabouttheworld.com - find links to all the things - attraction episodes, Insta accounts of all the hosts, and even how to buy your own Walkabout shirt!   Look us up at @WalkaboutWDW on Instagram and drop us a note to say hi.   You can now also drop us at line at contact@walkabouttheworld.com. Say hi, tell us how you found us, and give us some suggestions on things you'd love to hear. Please consider giving us a rating and review wherever you listen - it really helps.   Walkabout The World is a weekly Disney podcast, always recorded on property at Walt Disney World or Disneyland Resort with the simple goal of making you feel like you are in the middle of the magic.  

Janicke Askevold unpacks her journey from shooting Together Alone with friends during COVID to premiering her new feature Solomamma at the Locarno Film Festival. The Norwegian actor-turned-director traces how a one-page pitch led to full Norwegian Film Institute backing and a 25-day Oslo shoot that balanced long summer daylight, short 8-hour workdays, and a five-year-old co-star.Solomamma follows Edith, a journalist and single mother who secretly seeks out her sperm donor - an encounter that evolves into love, deceit, and a search for self. Co-produced across Lithuania, Latvia, and Finland, with sound design by a collaborator of Ruben Östlund, the film examines modern solo motherhood in the wake of Norway's 2020 legalization of single-parent conception.Janicke's cinematic influences span Fritz Lang's expressionism, Billy Wilder's Sunset Boulevard, and Maren Ade's Toni Erdmann. On craft, she champions preparation, the power of casting chemistry tests that “made her cry,” and editing as the stage where “you can make a whole new film.”Her advice to young filmmakers: trust your instincts, start sooner, send the story out—and don't wait for permission.What Movies Are You Watching?Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature

We're joined by Galen Howard (Brooklyn Nine-Nine, The Book of Boba Fett) to talk Billy Wilder's timeless Hollywood noir Sunset Boulevard, celebrating its 75th anniversary with a 4K UHD from Paramount Pictures. Plus One Battle After Another, confessions, announcements, and more! Tickets for Strings Find us on Instagram!

Watch this episode ad-free by joining the ITBR Patreon and get 50% off your membership with code ITBRPROFESSOR ⁠⁠⁠⁠⁠⁠patreon.com/ivorytowerboilerroom⁠We're back with a special classic film episode featuring returning guests Christian and Luke from That Ol' Gay Classic Cinema, Angela, and Michael from The Backstage Kingdom who are all classic film and musical theatre lovers! Because of our intern Sean's incredible editing skills, we present our conversation about the quintessential film noir classic, Sunset Boulevard which stars Gloria Swanson. So sit back, relax, and enjoy our discussion about why this film is as timeless as ever, why Gloria Swanson is such a gay icon, and why this may be the most meta film we have ever watched! @angelacatsaros, @learningreadswithchris, @lukedelmarofficial @thebackstagekingdom Our Sponsors:To subscribe to The Gay and Lesbian Review visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠glreview.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Click Subscribe and enter promo code ITBRChoice to get a free issue with a subscription purchase. Follow them on IG ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theglreview⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Head to Broadview Press, an independent academic publisher, for all your humanities related books. Use code ivorytower for 20% off your⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ broadviewpress.com ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠order. Follow them on IG ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@broadviewpress⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Follow That Ol' Gay Classic Cinema on IG ⁠⁠⁠⁠⁠⁠⁠@thatolgayclassiccinema⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Listen here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/that-ol-gay-classic-cinema/id1652125150⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thanks to the ITBR team! Dr. Andrew Rimby (Host and Director), Mary DiPipi (Chief Contributor), and Sean Penta (Intern)

Comedian Matt McCarthy joins us to talk about Sunset Boulevard (1950), the classic film noir about how being a screenwriter in Hollywood is easier when you have a famous girlfriend. We watched this week's movie for free on the app Kanopy which is free for EVERYONE with a library card!Tune in next week when our movie will be... Killer Klowns from Outer Space-----Follow Matt McCarthy on instagram and TikTok.Also, check out Matt McCarthy's Video Garage on Patreon!And listen to Matt McCarthy's wonderful podcast VHS Tapes Are Magic!Come see Matt do stand up at the Ice House in Pasadena on Weds October 1st!Watch Emily, Matt, and Jordan on Good Mythical Weekend! On Oct 22 you can get a copy of Jordan Morris's comic book Predator: Black White and Blood #4! Jordan will be signing the book Sat Oct 25th from 4-6pm at Things From Another World at Universal Citywalk. 

We keep our classic Hollywood streak going (2 weeks in a row!) as I finally watch one of the highest regarded films in history, Billy Wilder's masterpiece, Sunset Boulevard. And because this movie was a MAJOR touchstone for David Lynch, we welcome our Lynch correspondent, the co-host of the Austin Danger Podcast, McKenzie Wilkes.Chapters Introduction (00:00:00) Hatch News (00:12:10) Sunset Boulevard Roundtable (00:25:18) Your Letters (01:30:10) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Bluesky,Instagram, and TikTok. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

Nicole Scherzinger is a Tony Award–winning actress and Grammy-nominated singer who made her Broadway debut in Sunset Boulevard, which earned her the 2025 Tony for Best Leading Actress in a Musical. In this Sunday Sitdown from July 2025, Scherzinger joins Willie Geist over pizza to reflect on her run as Norma Desmond, her chart-topping career with The Pussycat Dolls and her new Netflix show Building the Band. She also opens up about her friendship with Liam Payne and working with him on his last major TV appearance before his passing. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We're going to Hollywood!!! Take a drive down two iconic Hollywood streets with us as we discuss 'Sunset Boulevard' and 'Mulholland Dr.' Full spoilers ahead! Sunset Boulevard discussion starts 00:51, Mulholland Dr discussion starts 24:50, Next episode recommendation starts 1:11:36.

Dana and Tom with returning guest, Frank Mandosa (Host of Reels of Cinema podcast, co-host of Movies across the Pod), discuss the Best Picture winner of 1980 - Ordinary People: directed by Robert Redford, written by Alvin Sargent, cinematography by John Bailey, music by Marvin Hamlisch, starring Donald Sutherland, Mary Tyler Moore, Judd Hirsch, and Timothy Hutton.Plot Summary: Ordinary People is a powerful drama about a family torn apart by loss. The Jarretts seem like a perfect upper-class family, but the death of their oldest son, Buck, leaves deep scars. Conrad, the younger son (Timothy Hutton), struggles with guilt and depression, leading to a suicide attempt. With the help of psychiatrist Dr. Berger (Judd Hirsch), he slowly begins to face his painful emotions and heal.Conrad's father, Calvin (Donald Sutherland), wants to connect and support him, but his mother, Beth (Mary Tyler Moore), cannot show her feelings and insists on keeping up appearances. This emotional distance pushes Conrad away, creating tension in her and Calvin's marriage. Ultimately, the family must confront the truth that love and healing require honesty, not denial.Guest:Frank MandosaHost of Reels of Cinema podcast, co-host of Movies across the Podhttps://linktr.ee/reelsofcinema; www.frankmandosa.weebly.comPreviously on The Sixth Sense, Sunset Boulevard (1950) RevisitChapters:00:00 Introduction, Cast, and Background for Ordinary People04:02 Welcome Back Frank Mandosa06:43 Being Compared to Raging Bull and Mental Health in the 1980s19:35 Relationships with Ordinary People25:25 Are We in a Better Place with Mental Health Today?30:52 What is Ordinary People About?38:08 Plot Summary for Ordinary People39:17 Did You Know?46:15 First Break47:18 What's Up with Frank Mandosa48:18 The Cinema Legacy Poll Release #258:33 Best Performance(s)01:21:14 Best Scene(s)01:35:56 Second Break01:36:34 In Memoriam01:41:00 Best/Funniest Lines01:44:46 The Stanley Rubric - Legacy01:51:59 The Stanley Rubric - Impact/Significance01:59:52 The Stanley Rubric - Novelty02:02:27 The Stanley Rubric - Classicness02:08:53 The Stanley Rubric - Rewatchability02:14:16 The Stanley Rubric - Audience Score and Final Total02:16:00 Remaining Questions for Ordinary People02:21:24 Listener Questions02:33:12 Thank You to Frank and Remaining Thoughts02:37:19 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to:

Meet Michael J. Wistock: The Executive by Day, Rockstar by NightWhat does it take to thrive in two drastically different worlds—corporate boardrooms and rock stages—while still managing to keep your feet on the ground (and your heart full)? My guest, Michael J. Wistock, is the definition of a modern renaissance man who proves that passion and professionalism don't have to live in separate lanes.By title, Michael holds a high-powered position in the corporate world as Senior Vice President of Global Sales in the telecom space. His work takes him around the globe, navigating strategic partnerships, closing multimillion-dollar deals, and leading teams in high-stakes environments. But what truly sets Michael apart is that once the blazer comes off, the mic comes on.That's right—Michael is also the frontman and creative heartbeat behind The Sunset Riot, a rock band that blends gritty soul, explosive guitar riffs, and raw emotion into a sound that stays with you long after the lights go down. Whether it's writing lyrics in hotel rooms between meetings or flying straight from a client dinner to a soundcheck, Michael juggles it all with a rare kind of grace and grit.And just when you think his plate couldn't get any fuller—he recently stepped into another lifelong role: husband. Michael is newly married to the beautiful Red, his partner, muse, and biggest supporter. Her influence is woven into much of his music and decision-making, offering him both grounding and inspiration in equal measure.It's not just about balance for Michael—it's about integration. He doesn't compartmentalize his life; he blends it. Each role fuels the other. His corporate mindset brings structure and drive to the band, while the creative spark from music adds color and emotional depth to his business strategies.In our conversation, we dive into how Michael manages the constant travel, the secret to switching gears between boardrooms and backstage, and how love, music, and leadership all play into his ever-evolving journey. Trust me—you don't want to miss this one.

In Episode 5 we take a shoddy look at "Niagara" and try not to go over the falls. Along with analyzing "Niagara", we mention “The Misfits”, "Gentlemen Prefer Blonds", “Some Like It Hot”, “The Seven Year Itch” and “Sunset Boulevard”. Next up is "My Favorite Brunette" You can always contact us at theshoemakerbrothers@gmail.com or Shodcast@gmail.com for that sweet audience interaction you are craving. If we remember to check, we'll respond. Go to patreon.com/TheShoemakerBrothers to support the show.

Jess is joined by “The Shakespeare of Pop Culture” (per NYT), writer-performer Ryan Raftery (@ryanraftery), to debut his new show exploring society's obsession with true crime. Topics — Stephen Sondheim summoning Ryan to his townhouse, a Kabbalah circle with Madonna & Christopher Ciccone, possibly writing the Patricia Field musical with Hedwig's Stephen Trask, Barbra Streisand's disdain for Sunset Boulevard starring Glenn Close—and more! Catch Ryan Raftery at Joe's Pub in The Ballad of JonBenét Ramsey Sep 12-17! IG: @jessxnyc | @ryanraftery

Boston Pop's Conductor Keith Lockhart co-hosts with Jim and Margery. Brian Stelter joins for Friday morning media analysis. We talk about 250 media outlets signing an appeal to have better protections for journalists in Gaza. Plus Trump calling for the FCC to revoke licenses for ABC and NBC.Jacyn Tremblay is a vocalist,  former Universal/Motown artist, and current one-third of the band Three Second Chances. She joins for Live Music Friday. Broadway star Mandy Gonzalez, from In the Heights and Hamilton, who plays Norma Desmond in the revival of Sunset Boulevard, joins ahead of a collaboration with The Pops on September 20th. Author and actor Marianne Leone discusses her new novel “Christina the Astonishing."

This week, we head back to a time of monochrome and unreliable box office receipts to discuss 1935's “The 39 Steps”. Alfred Hitchcock was 10 years and 22 films deep by this point in his directing career, and really caught his groove, to the point where this film is ranked the #4 British film by the BFI. We've talked about the top 3 on the show (1 & 2 in detail), and about 8 Hitchcocks, but grab a beer and hear what we have to say about this one! Also, listen to John talk about “Jaws” 50th anniversary & “Caught Stealing”. linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 3:29 John's “Jaws” 50th Anniversary mini-review; 6:06 John's “Caught Stealing” mini-review; 17:06 1935 Year in Review; 35:37 Films of 1935: “The 39 Steps”; 1:12:12 What You Been Watching; 1:17:45 Next Week's Episode Teaser Additional Cast/Crew: Alfred Hitchcock, John Buchan, Charles Bennett, Robert Donat, Madeleine Carrol, Austin Butler, Darren Aronofsky, Matt Smith, Regina King, Zoë Kravitz, Griffin Dunne, George Abud, Will Brill, Stephen Spielberg, Richard Dreyfuss, Robert Shaw. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Peacemaker, Twisted Tale of Amanda Knox, Platonic, Toy Story 4. What Women Want Additional Tags: Paramount, Poop Cruise, Netflix, Apple Film, Times Square, Formula 1, British Grand Prix at Silverstone, Austrian Grand Prix, Lando Norris, Charles Leclerc, Oscar Piastri, Shane, Stick, Peter Pan, Roman Holiday, Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, Tom Cruise, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), The Canadian Grand Prix. Montana,   

Send us a textRyan and Andrea time-travel back to the '90s to revisit the Family Matters two-part Disney World episode—and they've got thoughts. Was it good? Not exactly. Was it magical? Debatable. Did it feature peak MGM Studios and a whole lot of awkward blocking near Cinderella Castle? Absolutely.This episode is part critique, part nostalgic squeal, and 100% brought to you by the ghost of TGIF.Follow us @disneyinsideoutpodcast

Ashley Cullins and David Lubin are out with new books that delve into the histories of iconic films. First, in 1996, the character Ghostface was introduced to audiences in the first Scream movie. Cullins has written a history of these films–which are still being made–called Your Favorite Scary Movie. In today's episode, she joins NPR's Ayesha Rascoe to talk about the franchise. Then, this year marks the 75th anniversary of Sunset Boulevard – and Lubin has written an anatomy of the film called Ready for My Close-Up. In today's episode, he speaks with NPR's Ailsa Chang about genre-jumping, comeback narratives, and elements of the film that still feel current.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

In this deeply moving episode, we sit down with Broadway powerhouse Mandy Gonzalez—known for her unforgettable roles in In the Heights, Hamilton, and most recently as “Norma Desmond” in the Tony Award winning production of Sunset Boulevard—to explore her remarkable journey on and off the stage. Mandy opens up about her vibrant career, her deep connection to storytelling, and the strength she's drawn from her experiences. Mandy shares, with honesty and grace, her personal battle with breast cancer—how she faced her diagnosis while continuing to perform, the emotional and physical challenges of treatment, and the resilience she discovered within herself. Through it all, Mandy found power in community, in vulnerability, and in her voice—not just as a performer, but as an advocate for hope. This episode is a celebration of courage, creativity, and the healing power of art. Whether you're a theater lover, a survivor, or someone in need of inspiration, Mandy's story will leave you uplifted and reminded that strength often shines brightest in our most vulnerable moments. To buy tickets to hear Mandy with the Boston Pops on September 20th -  click here To buy tickets to hear Mandy at Carnegie Hall on November 21st - click here For more about Mandy go to mandygonzalez.com Follow Mandy on Instagram @mandy.gonzalez Be a part of the every.body.talks. community and join our wellness group: every.body.talks. wellness group Follow us on Instagram: @every.body.talks @jenngiamo @schully Subscribe to our YouTube channel! Don't forget to subscribe to the podcast for free wherever you're listening. Apple Podcasts Spotify Be sure to leave a 5 star rating! It really helps grow the show. If you like the show, telling a friend about it would be amazing!

We Review: Sunset Boulevard, Some Like it Hot, The Apartment, Ace in the Hole, The Lost Weekend, The Private Life of Sherlock Holmes, Double Indemnity"We're ready for our close-up", because the classic movie Sunset Boulevard is celebrating its 75th anniversary this month. We honor the occasion by discussing the film and then delving into the career of its prolific writer/director Billy Wilder. Subscribe on YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/@moviesshapedpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠follow us:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/moviesshapedpod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chapters:00:00:00 Intro00:01:20 Billy Wilder Thoughts00:12:24 Sunset Boulevard00:32:13 Some Like it Hot00:50:28 Double Indemnity 01:08:26 Ace in the Hole01:26:27 The Apartment01:42:41 The Private Life of Sherlock Holmes01:59:37 The Lost Weekend02:18:48 Next Episode Preview & Outro

This week, the boys grab some whiskey and beers and head back to 1984 to discuss The Coen Brothers' first feature film, “Blood Simple”. Previously visited during our trip to “Paris, Texas”, 1984 is an incredible year! We set the scene, talk about the PG-13 rating, which started this year, other favorite movies, and fun facts, and dive into this incredible film! Jeff and John also give brief reviews of some new films at the top. Grab a beer and join us! linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 4:27 Jeff's “Ne Zha 2” mini-review; 7:33 John's mini-reviews of “Nobody 2” and “Eden”; 17:59 Gripes; 27:12 1984 Year in Review; 48:22 Films of 2084: “Blood Simple”; 1:28:26 What You Been Watching?; 1:33:43 Next Week's Episode Teaser Additional Cast/Crew: Frances McDormand, Joel Coen, Ethan Coen, John Getz, Dan Hedaya, M. Emmet Walsh, Barry Sonnenfeld, Carter Burwell, Michelle Yeoh, Yu Yang, Zhonglin Xu, Xixing Lu, Yanting Lü, Joseph, Mo Han, Hao Chen, Crystal Lee, Ron Howard, Ana de Armas, Sydney Sweeney, Bob Odenkirk, Jude Law, Vanessa Kirby, Daniel Brühl, Felix Kammerer.  Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Peacemaker, Twisted Tale of Amanda Knox, Platonic, Toy Story 4. Additional Tags: Frances McDormand, The Coen Brothers, Peter Weir, Paramount, Poop Cruise, Netflix, Apple Film, Times Square, Formula 1, British Grand Prix at Silverstone, Austrian Grand Prix, Lando Norris, Charles Leclerc, Oscar Piastri, Shane, Stick, Peter Pan, Roman Holiday, Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, Tom Cruise, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), The Canadian Grand Prix. Montana, 

On the Overthinking It Podcast, we tackle the classic film “Sunset Boulevard” on the occasion of it’s 75th anniversary. Episode 894: An Extraordinarily Desirable Street originally appeared on Overthinking It, the site subjecting the popular culture to a level of scrutiny it probably doesn't deserve. [Latest Posts | Podcast (iTunes Link)]

Betty Buckley—Tony-winning Broadway legend, Olivier nominee, and beloved “Voice of Broadway”—has spent nearly six decades in theater, film, television, and music. Best known for Cats and Sunset Boulevard, she is an American Theater Hall of Fame inductee and recipient of the American Songbook Association's Lifetime Achievement Award. She joins to discuss her remarkable career, enduring artistry, and the stories behind her most memorable roles.For a chance to give your own TED Talk, fill out the Idea Search Application: ted.com/ideasearch. Hosted on Acast. See acast.com/privacy for more information.

Nicole Scherzinger, who won a Tony Award for the recent Broadway revival of Andrew Lloyd Webber's "Sunset Boulevard," talks with correspondent Tracy Smith about playing the "beautiful complexity" of femme fatale Norma Desmond. She also discusses the musical's themes of ageism in the entertainment industry; her early theater experiences; and why the original film's tragic story still resonates today. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Hosted by Jane Pauley. In our cover story, Lee Cowan looks at the impact of musician and songwriter Woody Guthrie. Also: John Blackstone discusses Steve Wozniak's fight against internet fraud, as Jo Ling Kent examines the rise of cryptocurrencies; Erin Moriarty reports on the release of the JFK Files; Tracy Smith marks the 75th anniversary of the classic film “Sunset Boulevard”; and Faith Salie finds out why the whispering sensation known as ASMR is making a lot of noise. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Adam and Josh, um, split on the Dave Franco-Alison Brie body horror movie TOGETHER, then catalog the wonders of Billy Wilder's SUNSET BOULEVARD, which still astonishes at 75. Plus, the new doc about T. Rex frontman Marc Bolan and the Deeply Flawed Filmspotting Poll asks you to relitigate the 1976 Best Picture race. This episode is presented by Regal Unlimited⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes and chapter starts may not be precise with ads.) Intro (00:00:00-00:01:54) Review: “Together” (00:01:55-00:40:06) Filmspotting Family (00:40:07-00:43:43) Review (AK): “AngelHeaded Hipster” (00:43:44-00:47:13) Next Week / Notes (00:47:14-00:52:29) Polls (00:52:30-01:01:13) Sacred Cow: “Sunset Boulevard” at 75 (01:01:14-01:42:46) Credits / New Releases (01:42:47-01:45:58) Links: -Cinema Interruptus: “The Player” https://www.siskelfilmcenter.org/interruptus -"AngelHeaded Hipster” Screenings https://greenwichentertainment.com/film/angelheaded-hipster-the-songs-of-marc-bolan-t-rex/ Feedback: -Email us at ⁠⁠feedback@filmspotting.net⁠⁠. -⁠⁠Ask Us Anything⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access. ⁠⁠http://filmspottingfamily.com⁠⁠ -T-shirts and more available at the Filmspotting Shop. ⁠https://www.filmspotting.net/shop⁠ Follow: ⁠⁠https://www.instagram.com/filmspotting⁠⁠ ⁠⁠https://letterboxd.com/filmspotting⁠⁠ ⁠⁠https://facebook.com/filmspotting⁠⁠ ⁠⁠https://twitter.com/filmspotting⁠⁠ ⁠⁠https://letterboxd.com/larsenonfilm⁠⁠ https://www.instagram.com/larsenonfilm https://bsky.app/profile/larsenonfilm.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices

Donald Trump has said repeatedly that Billy Wilder's SUNSET BOULEVARD (1950) is one of his favorite movies. We revisit one of Hollywood's enduring classics and try to figure out if the current president identifies more with Norma Desmond or Joe Gillis. PLUS: Are we entering the worst season for political memoirs of all time? "President Trump isn't happy about the Oscar for ‘Parasite.' What movies does he like?" by Josh Rottenberg - https://www.latimes.com/entertainment-arts/movies/story/2020-02-21/president-trump-favorite-movies-parasite-oscar "The Worst Campaign Book Season of All Time Is Here" by Katherine Krueger - https://www.discourseblog.com/p/the-worst-campaign-book-season-of

Willie sits down with actress and singer Nicole Scherzinger, fresh off of her Tony win for Best Leading Actress in a Musical with her Broadway debut in "Sunset Boulevard". She also looks back at her time with The Pussycat Dolls and talks about her new Netflix show "Building the Band”.

PREVIEW: CONSUMERS: Colleague Liz Peek comments that the American consumer remains confident that the economy is prospering and spends accordingly. More to come. 1949 Stork Club - Hollywood Stars This appears to be referencing notable Hollywood actresses who were likely at New York's famous Stork Club in 1949: Harriet Kreisler (possibly misspelled - could be referring to a lesser-known figure) Gloria Swanson - Major silent film star and actress, famous for "Sunset Boulevard" (1950) Myrna Loy - Popular actress known for "The Thin Man" series and many other films Jeanette MacDonald - Singer and actress, famous for her operettas with Nelson Eddy The Stork Club was the premier nightclub in New York City during the 1940s-50s, frequented by celebrities, politicians, and socialites. It was owned by Sherman Billingsley and was a legendary gathering place for the entertainment elite.

Award winning sound designer Nevin Steinberg has made it to the pod! Nevin is such a captivating storyteller and everything he talks about is infused with gorgeous detail and a palpable feeling of both awe and gratitude. You know how they say "how can you not be romantic about baseball?" How can you not be romantic about sound design?! That's what I say, anyway. In his first episode, Nevin walks us through his early career from working all night editing reel to reel tape with nothing but the ghost light and a healthy fear of the shadows (This is so fascinating and cinematic!! He can still taste the metal of the razor! That will make sense when you listen, I promise! I love it so much!) to dinner theatre and Sunset Boulevard and eventually a chance meeting on 42nd Street when he heard about a project called In the Heights.  Nevin has the most beautiful things to say about his experience working on Hamilton, including how it saved his career and reinstalled his faith in art and the people he gets to make it with.  Plus, Nevin explains audio details in songs like "Wait For It", "My Shot", "Yorktown", and "Satisfied" including how they changed from the workshops to what you hear on stage today (no matter where you see the show). The Wrong Man /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps