Podcast appearances and mentions of Margaret White

THEY'RE ALL GOING TO LAUGH AT YOU! We continue Mommy March with the iconic Stephen King adaptation, Brian De Palma's CARRIE. Join Anneliese and I as we gush all over this horror classic and dive deep into all the mommy issues associated with Margaret White. Enjoy!   Follow Would You Die? on  IG @wouldyoudieshow Twitter @wouldyoudieshow Facebook @  Would You Die? Email wouldyoudiepodcast@gmail.com for business inquiries Follow Austin everywhere @austinmtorres Follow Anneliese everywhere @whimsiwillow   Join us on Patreon! https://www.patreon.com/wouldyoudiepodcast   Subscribe to our YouTube Channel! You can find my short films, Spooky Spotlight hosted by Deanna Hope, and much more!   Visit the FANGORIA store: shop.fangoria.com/wouldyoudieshow Use Promo Code: WOULDYOUDIESHOW The Would You Die? Podcast can also be found on TikTok @wouldyoudiepodcast. Follow Austin on Letterboxd @torresau. Follow me on Bluesky @austinmtorres.bsky.social NEW Music is composed by Josie Palmer Podcast produced by Jeremy Lippitt Podcast graphics created by Crosshook Creative Watch my short film, The Blood Witch, here: https://www.youtube.com/watch?v=7Foz3PeQKJ4 Watch the trailer for my short film, Spider, here: https://youtu.be/r9lz_csWG8w?si=pbuCllGLZefI90oK Watch my short film, Ice Scream, here: https://youtu.be/tghxuuJjPxM Watch my short film, Best Day Ever, here: https://youtu.be/WDJbfRl2Qh4 Find Three Y's Men Media here! ThreeYsMenMedia.com    

1649 was a significant year in British History because King Charles I was executed for treason. A lesser known, but arguably equally important, historical moment occurred in that same year: the first publication of the Qu'ran in English. Surprisingly, it was instigated by an English woman, called Margaret White, who was the wife of a printer called Robert based in Fleet Street, London.Based on historical research, this drama imagines the circumstances as to how the Qu'ran came to be first published in the English language.Cast: Margaret ......... Erin Shanagher Ayesha ..................Laila Alj Robert ...................Graeme Hawley Nicholas ............ Jon-Paul Bell Sergeant ............ Hamilton BerstockProduction Co-ordinator - Pippa Day Studio Manager- Amy Brennan Sound Designer- Sharon Hughes Producer/Director- Jessica MiticWith thanks to Professor Suzanne Trill, the Arab British Centre and Dr Johnson's House Museum Historical consultant-Professor Matthew BirchwoodA BBC Studios Audio Production for Radio 4.

Send Kris and Rob a Text Message.Billy Chemirmir and the Pillowcase MurdersIn the realm of true crime, there are stories that shock, stories that haunt, and then there are stories like that of Billy Chemirmir, the face behind the chilling moniker "The Pillowcase Murderer." Between the years 2016 and 2018, the Dallas-Fort Worth area was gripped by a wave of perplexing deaths in luxury senior living facilities. Little did anyone know, a sinister figure lurked among them, preying on the vulnerable with a heart as cold as ice.In the guise of a maintenance worker or a health aide, Chemirmir gained unfettered access to the homes and rooms of unsuspecting elderly residents. What followed was a spree of unimaginable horror, as he smothered at least 22 women with pillows, leaving behind a trail of stolen jewelry and valuables. The most disturbing aspect? For the longest time, no one suspected foul play.The victims, predominantly in their eighties or beyond, seemed to succumb to natural causes, their deaths attributed to old age or age-related ailments. It was a perfect façade, a veil of normalcy shrouding the darkness within. But as the body count rose, so did the suspicion, until one fateful encounter shattered the illusion.A survivor emerged from the clutches of death, her harrowing ordeal unveiling the truth behind the facade of tranquility. Suddenly, the deaths of 22 women and men were no longer mere coincidences but deliberate, calculated acts of violence. The reign of terror orchestrated by Chemirmir sent shockwaves through the community, leaving families shattered and authorities scrambling for answers.Yet, amidst the chaos and devastation, questions lingered. How many more victims lay undiscovered in the wake of his heinous crimes? Could the number of lives he claimed extend beyond what we dare to imagine? The chilling reality is that the true extent of his atrocities may never be fully known.sources used for this podcastSupport the Show.JOIN THE HITCHED 2 HOMICIDE IN-LAWS AND OUTLAWSSTART KRIS CALVERT'S BOOKS TODAY FOR FREEH2H WEBSITEH2H on TWITTERH2H on INSTA

Carrie White turns 50 years old today! April 5th, 1974 – the day King's debut came out, and the world of horror we know live in changed forever.  To celebrate such an auspicious anniversary, there are only two people I could invite to this party. Step up Nat Cassidy and Ally Malinenko – writers who understand King and that bitter, brutal world between childhood and adulthood. We talk about empathy and monsters, about the horror of high school, the abject and the menstruation taboo and about how we are all living in Margaret White's America now… Raise a glass to the prom queen of horror. She can light her own candles. Enjoy! Support Talking Scared on Patreon Come talk books on Twitter @talkscaredpod, on Instagram, or email direct to talkingscaredpod@gmail.com Support the show

Known as "the voice of Broadway," acclaimed and award-winning performer Betty Buckley has made her mark in iconic roles like "Norma Desmond" in SUNSET BOULEVARD, "Grizabella" in CATS, "Margaret White" in CARRIE, and "Alice Nutting/Edwin Drood" in THE MYSTERY OF EDWIN DROOD, just to name a few.  In addition to her remarkable contributions on stage, she has release 16 solo albums and toured across the world. She has recently returned to the big screen in the highly anticipated thriller "Imaginary," playing in theaters now. In this episode, Betty discusses booking "Martha Jefferson" in the original Broadway company of 1776 on her first day in New York City, finding her voice through performing Bob Fosse's "Steam Heat" in her school talent show at 11-years-old, and hearing her younger self throughout pivotal moments in her multi-decade career. Tickets to Betty at Joes Pub Betty Buckley Cutting Horses Stages Podcast Swag

In this episode, I spoke with authors David and Margaret White about their book "Wings of War: The World War II Fighter Plane that Saved the Allies and the Believers Who Made It Fly". The incredible, untold story behind the rise of the P-51 Mustang, the World War II fighter plane that destroyed the Luftwaffe and made D-Day possible

[Puedes apoyarme en:https://www.buymeacoffee.com/HDeEspantos]Este es el quinto episodio de Carrie. Debido a que no tiene una división por capítulos, iré subiéndolo en pequeños episodios hasta completar las 3 partes que componen el libro de Carrie de Stephen King.En este episodio conoceremos un poco sobre la vida previa de Margaret White, así como la relación de Chris Hargensen y Sue Snell.Espero sea de su agrado y la disfruten, gracias por aventurarse conmigo en esta historia que es Carrie Colóquense unos audífonos o auriculares y disfruten de esta ópera prima de Stephen King. Si les gustó, pueden seguirme en mis redes sociales: ·Instagram: https://www.instagram.com/fer.mr.bones/ ·Facebook: https://www.facebook.com/fer.mr.bones/?_rdc=1&_rdr & https://www.facebook.com/FernandoPalaciosAKAMrBones ·Twitter: https://twitter.com/FerMrBones También lo encuentras en Spotify y cualquier otro servicio de podcast. https://anchor.fm/fernando-palacios94 https://podcasts.apple.com/mx/podcast/historias-de-espantos/id1554046415 --- Send in a voice message: https://podcasters.spotify.com/pod/show/historiasdeespantos/message

[Puedes apoyarme en: https://www.buymeacoffee.com/HDeEspantos] Este es el cuarto episodio de Carrie. Debido a que no tiene una división por capítulos, iré subiéndolo en pequeños episodios hasta completar las 3 partes que componen el libro de Carrie de Stephen King. En este episodio conoceremos un poquito sobre la vida de Tommy y Sue Snell; así como la relación de Carry y Margaret White. Espero sea de su agrado y la disfruten, gracias por aventurarse conmigo en esta historia que es Carrie Colóquense unos audífonos o auriculares y disfruten de esta ópera prima de Stephen King. Si les gustó, pueden seguirme en mis redes sociales: ·Instagram: https://www.instagram.com/fer.mr.bones/ ·Facebook: https://www.facebook.com/fer.mr.bones/?_rdc=1&_rdr & https://www.facebook.com/FernandoPalaciosAKAMrBones ·Twitter: https://twitter.com/FerMrBones También lo encuentras en Spotify y cualquier otro servicio de podcast. https://anchor.fm/fernando-palacios94 https://podcasts.apple.com/mx/podcast/historias-de-espantos/id1554046415 --- Send in a voice message: https://podcasters.spotify.com/pod/show/historiasdeespantos/message

“Carrie White Eats S***" For 1974's Carrie: Introduction: Kim C. is Impressed! 50 King Titles and Carrie's 50th Birthday (16:43) Characters: -Chris & Billy, -Sue & Tommy, -Rita Desjardin, -Margaret White & Carrie (45:44) Strengths: -Epistolary Structure -Born in Blood -The Dark Feminine??? -Dark Cinderella (USA Hardcover Pgs: 62-64) (121:37) Criticism & Questions: -Deeper Characterization & Carrie White's Blood Line -The 1976 Bryan DePalma Film -Final Thoughts: Twitter: @UnderratedSKPod Instagram: UnderratedSKPodcast End Credits: Keys of Moon (Sound Cloud) UnderratedSK@gmail.com Kim C. Will Return Soon with the Best of Underrated King 2023!

Mothers- the givers of life; the great nurturers. As we look back on Mother's Day we look at the mom's place in horror, from the Oedipal derangement of Norma Bates to the religious abuse of Margaret White to the vengeful murders of Pamela Voorhees, it has always been an important piece of great stories. Jerry and Matt look at the heroic Donna Trenton from Cujo (1983) and the vile and morally repugnant Ruth Chandler from The Girl Next Door (2007).

These queens need a hero, not a zero in this episode of heroic percentages.Review Breaking Form on Apple Podcasts here.  Please support Breaking Form and buy Aaron's and James's  books:Aaron's STOP LYING is available from the Pitt Poetry Series. James's ROMANTIC COMEDY is available from Four Way Books.In the Season 5 Finale of Game of Thrones, Cersei Lannister (Lena Headey) was forced to walk naked through the city. The scene lasts for 6 minutes, not 8 as James says. The nun who follows behind Cersei, ringing a bell and calling out "Shame!" in intervals, is played by Hannah Waddingham. You can get a sense of the scene here. TW for intense misogyny.Wednesday Addams was played by Christina Ricci in the movies The Addams Family (1991) and Addams Family Values (1993). See the lemonade stand scene here and the "I'd pity him" scene here. Aaron references the Fire Swamp in The Princess Bride. Measuring about 8.3 square miles, the Florin/Guilder Fire Swamp is located between Florin and Guilder. Like other fire swamps, it has large, lush trees, and contains a large percentage of gas bubbles, especially sulfur, which spontaneously combust.In Fargo, Marge delivers the "And it's a beautiful day" speech in the police cruiser, with the murder suspect in the back of her car as she's driving. In a freaking blizzard.When Clarice Starling first meets Hannibal Lecter in The Silence of the Lambs, Lecter calls Starling a rube and mocking her accent. It occurs around the 5:21 mark here. Foster says that Hopkins improvised the part where Lecter makes fun of Starling's accent. And she also told Graham Norton that she and Hopkins never spoke to one another on set until the end of shooting.Read more about Weaver landing the role of Ellen Ripley in the Alien films here. Watch Ripley fight the Supreme Alien here; watch Ripley tell Burke to fuck off here.You can read more about the idea for cutting (and then recovering) "Over the Rainbow" from The Wizard of Oz here. Goldie Hawn is a riot as the titular Private Benjamin. Watch Benjamin tell Capt. Lewis she joined a different army here. Carrie is a 1976 film starring Sissy Spacek as Carrie White, and it's based on Stephen King's first published novel of the same name (1974). Piper Laurie plays Carrie's mother, the uber-unstably-religious Margaret White. Watch the tender and poetic Prom scene with Carrie and Tommy here. And watch Carrie argue about her Prom dress with her mom here. 

No Labels co-executive director Margaret White joins Chad to talk about the possibility of No Labels putting a ticket together to challenge the Democrats and Republicans for the presidency in 2024.

More money for Minnesota tourism marketing? Chad talks about why he doesn't want more money spent on pushing Minnesota as a vacation destination before a conversation about the 2024 election with Margaret White of No Labels.

Margaret White Funeral Sermon Old Testament: Isaiah 25:6-9 Epistle: 1 Thessalonians 4:13-18 Gospel: John 14:1-6 Preacher: Rev. Garrett Buvinghausen Resurrection's YouTube channel: https://www.youtube.com/channel/UCkMElsXgDXU2QcBmC4fVwRw resurrectionfbg.org

This week Victoria Rae Sook guest hosts to discuss everyone's favorite prom date, CARRIE. Vic is currently directing a production of Carrie the Musical at Ohio University and provides some insight into adapting this classic Stephen King tale from the page to the stage. We also discuss bullying, dirty pillows, and recent horror releases. LET'S GO RICK OR TREATING!PODCAST:INSTA: @RickOrTreatPodVICTORIA RAE SOOK (Guest Host):SOCIALS: @victoriaraesookWEBSITE: www.victoriaraesook.comRICKY (Host):INSTA: @rickrtreatMY WRITING:www.Rue-Morgue.comwww.SpoilerFreeReviews.comLETTERBOXD: RickOrTreatLESTAT VON MONDLICHT (Music by):Youtube:https://www.youtube.com/@lestatvonmondlichtCRIMSON SOUL:Insta: @crimsonsoulofficialhttps://www.facebook.com/crimsonsoulofficialAFTER DARK (Band):https://www.facebook.com/afterdarkofficialuyhttps://www.instagram.com/afterdarkuyhttps://www.youtube.com/@afterdarkuyDROP BEAT EMPIRE (Electrogoth project):https://linktr.ee/dropbeatempireuy

Welcome back to Part 2 of our "Carrie the Musical" 35th anniversary podcast episode with Erik Champney! Erik explains how his "Carrie: The Master Cut" film helped Linzi Hateley and others in the cast and the creative team escape 35 years of being haunted by this musical! Right away he counters any notion you have that the 1988 musical was a Broadway Flop! As Erik says, "Why are we still talking about and obsessed with a musical that is a Flop"? Erik and Andrew dig into the complex relationship between Carrie and Margaret White and their abused/abuser relationship...But Erik says there's a point where "the abused becomes the abuser." What made Linzi and Betty's chemistry so dynamic and powerful? In the song "And Eve Was Weak," Margaret belts out (so expertly done by Betty) the lyric "Oh Lord I've seen this powerful before"! Why has she seen Carrie's telekinetic power before? Erik has a lot of thoughts and let's just say that ancient Greek mythology plays a big role in his analysis! Get ready to understand how much ancient Greek myth and culture is present in Stephen King's narrative and especially in Terry Hands' direction (remember he was part of the Royal Shakespeare Company so knew his ancient Greek drama really well). Have your notebook handy so you can take down notes about mythology and how it impacts your analysis of Carrie, Margaret, Chris, Sue, Billy, Tommy, and Miss Gardner. But wait what about the Prom of it all! You're cordially invited to our Bonus Episode "Let's Talk About the Prom," an extra 35 minutes of content! Head on over to the ITBR Cafe (our Patreon) where Erik and Andrew dissect the Prom in the musical compared to the movie and why "Carrie" lives on in 2023! Only $5 a month! patreon.com/ivorytowerboilerroom A special shout out to those from the 1988 production including the amazing Betty Buckley, Linzi Hateley, Charlotte d'Amboise, Sally Ann Triplett, Gene Anthony Ray, Paul Gyngell, Scott Wise, Debbie Allen, Larry Cohen, Michael Gore, Dean Pitchford, and Darlene Love...thank you all for creating and being part of this musical! Watch Erik's "Carrie: The Master Cut" here: https://www.youtube.com/watch?v=k2k8B8qQemE&t=229s Follow Erik on Instagram, @erikchampney. Read more about Erik's work here: https://www.erikchampney.com/ Head to Broadview Press, an independent academic publisher, for all your humanities related books. Use code ivorytower for 20% off your broadviewpress.com order. To subscribe to The Gay and Lesbian Review visit glreview.org. Click Subscribe, and enter promo code ITBR to receive a free copy with any print or digital subscription. Order from @mandeemadeit, mention ITBR, and with your first order you'll receive a free personalized gift! Follow @thatolgayclassiccinema, and @skinmedspapj. Follow ITBR on IG, @ivorytowerboilerroom, TikTok, @ivorytowerboilerroom, and Twitter, @IvoryBoilerRoom! --- Support this podcast: https://podcasters.spotify.com/pod/show/ivorytowerboilerroom/support

One of the lowest points of World War 2 for the Allies was autumn 1943, when bombing runs from England to Germany were ramping up. Hundreds of B-17s flew out to strike military targets, but they flew unescorted due to being the only planes with enough range (fighters could only make it from England to Belgium and back) and were sitting ducks for German fighters. Losses were as high as 25 percent. Flight crews were grounded and murmured mutiny.But what change everything was the revolutionary P-51 Mustang fighter. It had a top speed of over 400 mph and fly over 2,000 miles – outrunning and outlasting any other fighter in the war. But not many know the story of how it gained its reputation—how it nearly didn't make it to the skies at all. Today's guests are David and Margaret White, author of “Wings of War: The World War II Fighter Plane that Saved the Allies and the Believers Who Made It Fly.”We discuss how the P-51 Mustang airplane was not only used in the war, but how it was created, the roadblocks that almost prevented it from taking flight against the Luftwaffe, and how it ultimately won the war.

On February 13th, 1988, "Carrie the Musical" premiered at the Royal Shakespeare Company, in Stratford, and on April 28th, it would begin previews at the Virginia Theater on Broadway (now the August Wilson). To celebrate 35 years of this enigma powerhouse of a musical, Andrew welcomes Erik Champney, a NYC playwright, screenwriter, and director, who created "Carrie: The Master Cut" which is the first professional cinematic reconstruction of the 1988 musical! Right away Erik explains his origin story for discovering the Broadway musical, and like Andrew, it all started with their first encounter with Stephen King's powerful novel! Erik explains why Terry Hands, the director of "Carrie," was so drawn to this narrative and what ancient Greek tragedies and opera have to do with Terry Hands' interpretation! Andrew has always been fascinated with the complex and powerful Debbie Allen choreography so they get into how this aspect of the show connects to Carrie's home life with her mother, Margaret. Why are the high school musical numbers so drastically different than Carrie and Margaret's numbers, or are they connected somehow? Andrew taught the 1988 Broadway production to his Broadway Musical students at Stony Brook University and with Erik, the two analyze and dissect Act One of the musical. They begin with the audience walking in and being surrounded by black walls and then being plunged into darkness with the 80s rock overture! How does Erik interpret the high school students and why is ancient Greek culture and society so important for this analysis? They get into the nuanced dynamics between Tommy and Sue compared to Billy and Chris! Erik leaves us in suspense when he explains how his "Carrie: The Master Cut" helped Linzi and others escape 35 years of being haunted by this musical. And, what about Carrie and Margaret White? Can't wait for Part Two of this conversation? Head to the ITBR Café (our Patreon) and become a member to watch/listen to Part Two and get access to a special bonus episode (hint hint...you're invited to the Prom): patreon.com/ivorytowerboilerroom A special shout out to those from the 1988 production including the amazing Betty Buckley, Linzi Hateley, Charlotte d'Amboise, Sally Ann Triplett, Scott Wise, Debbie Allen, Larry Cohen, Michael Gore, and Dean Pitchford...thank you all for creating and being part of this musical! Watch Erik's "Carrie: The Master Cut" here: https://www.youtube.com/watch?v=k2k8B8qQemE&t=229s Follow Erik on Instagram, @erikchampney. Read more about Erik's work here: https://www.erikchampney.com/ Head to Broadview Press, an independent academic publisher, for all your humanities related books. Use code ivorytower for 20% off your broadviewpress.com order. To subscribe to The Gay and Lesbian Review visit glreview.org. Click Subscribe, and enter promo code ITBR to receive a free copy with any print or digital subscription. Be sure to follow @mandeemadeit and @skinmedspapj. Follow ITBR on IG, @ivorytowerboilerroom, TikTok, @ivorytowerboilerroom, and Twitter, @IvoryBoilerRoom! --- Support this podcast: https://podcasters.spotify.com/pod/show/ivorytowerboilerroom/support

The P-51 Mustang changed the course of the air war in Europe, but it almost didn't make it off the assembly line.  The story of the Mustang's evolution and the pilots that flew it in combat is the subject of a great new book by David & Margaret White titled “ Wings of War; The World War II Fighter Plane That Saved the Allies and the Believers Who Made It Fly.” The genesis of the book is Margaret's 103 year old father who served as a ground officer with the 20th Fighter Group in England and often regaled her with stories. David was already a published author so the two teamed up to write “Wings of War”. The Mustang was originally developed for use by the British Royal Air Force but did not inspire interest among US Military leaders.  The story of the P-51 might have ended there were it not for Tommy Hitchock, a former WWI pilot who fought the bureaucracy as ferociously as the Mustang fought the Germans.  His advocacy for the aircraft was critical. Margaret shares that a certain level of bias against using a British manufactured engine in the Mustang was an issue. Outright corruption by Major General Bennett Myers also played a role in holding the Mustang back. Myers was eventually courts martialed. When the nimble P-51 was introduced, it was able to outfly anything the Luftwaffe could put in the air. Most importantly, it had the fuel capacity to escort the bombers all the way to the heart of Germany and back. We also discuss some of the very interesting pilots who flew the Mustang including Don Blakeslee. Blakeslee was such a fan of the Mustang that he told his commander he could have his pilots trained in 24 hours. Many of the pilots learned to fly the P-51 on their way to the target. TAKEAWAY:  Pilot Joe Peterburs said “I'm nineteen years old. They gave me a plane with 2,000 horsepower and six 50 caliber machine guns and they said go have fun. I had fun!”

Join Robert Child for a conversation with authors David and Margaret White. David White studied history at Harvard and worked as a reporter for The New York Times. Margaret White is a freelance researcher and editor of nonfiction book projects about scientific breakthroughs and how they have changed the course of history. Their book is called Wings of War: The World War II Fighter Plane that Saved the Allies and the Believers Who Made It Fly. Sign up for our twice monthly email Newsletter SOCIAL: YouTube Twitter Facebook Website --- Support this podcast: https://anchor.fm/robert-child/support

This week, Mark Rennie from 2 Old Queens is here to talk about 1 Prom Queen - CARRIE!! Brian De Palma's first commercial hit is also the best horror movie ever made. Who knew! We're also talking other potential Margaret White vehicles, the balancing act of teenagerhood, and aggressive gym teachers! Don't miss out! from the "not corrections but clarifications i guess" department: A flame is a mixture of gases (vaporized fuel, oxygen, carbon dioxide, carbon monoxide, water vapor, etc) and so is matter, but the light and heat produced by the flame are both energy, not matter.  ----more----PLUS: Check out the BLHHiP Patreon to get early access to episodes, bonus episodes, discord access and more! Most recent bonuses include a spotlight on Human Centipede 2 with Nate Kiley, a new triple threat Legal Thriller episode with 5 Day Rentals, and spotlights on Synecdoche, New York with Michael Swaim and The Blob (1988) with Mike Mitchell. November's bonus episode is about Basket Case 3 with Taylor Moore.

Dan and Ellen talk with Mary Margaret White, the CEO of Mississippi Today, a nonprofit digital news outlet that has been covering the state for more than six years. The staff has a robust presence at the statehouse in Jackson, and provides cultural and sports coverage, as well.  Mary Margaret is a Mississippi native. She has a bachelor's in English and journalism and a master's in Southern Studies from the University of Mississippi. She also spent almost 10 years working for the state, with jobs in arts and tourism. Her work has appeared in The Listening Post Collective, The New Encyclopedia of Southern Culture and on Mississippi Public Broadcasting radio. Dan has a Quick Take on a major transition at the New Haven Independent. Last week the indefatigable founder, Paul Bass, announced he was stepping aside as editor of the Independent. The new editor will be Tom Breen, currently the managing editor. Luckily, Bass isn't going anywhere but will continue to play a role. Ellen's Quick Take is on another big transition at the Texas Tribune. Economist Sonal Shah is becoming CEO at the Tribune in January. Shah, who has had leadership roles at Google, the White House, and other high-impact nonprofits, replaces co-founder Evan Smith, who is taking a role as senior adviser to the Emerson Collective. It's a big transition at a pioneering nonprofit newsroom. Smith says he'll continue to spread the local news gospel in his new role. 

What is a culture of care?In this episode, I'm joined by the brilliant Margaret White of Sandpiper Consulting - a consultancy that helps schools to develop a strong culture of care for their staff so both they and the young people they educate can flourish.  Margaret shares her experience of working in the independent school sector and how she empowers leaders to embed various systems to look after their teams, which in turn supports student wellbeing, ensuring everyone can flourish. References and ResourcesSandpiper Consulting: www.sandpiperconsulting.orgEpisode 026: Leading change with Professor Julie Hodges, Durham University Business SchoolFor support with the Ukraine crisis and the wider impact it can have on your school, take a look at my new resource: Preparing for economic downturn: A checklist for private schoolsCatch up on previous podcast episodes at www.consultjuliet.co.uk/podcastThank you so much for listening to The Independent School Podcast. I would be grateful if you could spare a couple of minutes to send me some feedback here. This helps me make the podcast as helpful as possible to listeners. Thank you!

We discuss Margaret White, AKA Carrie's mom, from the film Carrie (1976)! We talk: Telekinesis, the boys sniffin' and dating you, hyperreligiosity, things we believe in that others might find weird, and much more as we attempt to understand and relate to Margaret White. At the end, Tiana shares her horrifying poem written from Margaret's perspective. This episode is almost as horrifying as the movie Carrie itself and beware of...the blood!!!!!!!! Resources & Sources: Hyperreligiosity Vanity Fair: Why the Movies Love Telekinetic Women, and Why We Fear Them "Period Shaming in the Bible" by Ilana Reimer Thoughts? Email us at nextdoorvillain@gmail.com We have merchandise. Get it here. Subscribe to our monthly newsletter here. Check out our Instagram: @nextdoorvillain Check out our website: https://www.nextdoorvillain.com/ #Carrie #Horror #Podcast --- Send in a voice message: https://anchor.fm/nextdoorvillain/message Support this podcast: https://anchor.fm/nextdoorvillain/support

In this episode of Reality Right After we deep dive into the last episode of RHONJ where we see Teresa throw the entire table of drinks and plates on Margaret. Plus Erika throughs Garcelle's book in the trash + MORE!

In this episode of the Don't Know Her? podcast we are back to chat about another performer we feel deserving of a lot more recognition than they have received so far. This time we are delighted to be joined by a guest from all the way Down Under, it's James Kunovski - host of the Out of Oscar podcast - who has brought the delightful Patricia Clarkson to round off our miniseries focussing in on one-time Oscar Nominees Patricia will be a familiar face to many for her eclectic work in American indie cinema and for her award-winning supporting turns in TV shows like Sharp Objects and Six Feet Under. In this episode we focus on a few of her many film performances, including The Station Agent, Far From Heaven, Easy A, and her Oscar-nominated turn in Pieces of April. We even dip into her less celebrated work in the 2002 TV adaptation of Stephen King's Carrie, where she plays iconic literary/screen mother, Margaret White. In the quiz this time Michael pits James against Scott to establish who is the bigger fan of Ms. Clarkson. Following on from this we all make our suggestions for what we'd love to see from Patricia down the line. Will any of these choices get picked up for development - we certainly hope so. We hope you enjoy this episode and that if you haven't already you'll join us on social media. Follow @dontknow_her on Twitter and Instagram to keep updated on upcoming episodes and to have your say on future episodes. Link to Don't Know Her? on Twitter: https://twitter.com/dontknowher_pod Link to Don't Know Her? on Instagram: https://www.instagram.com/dontknowher_pod/ Link to Out of Oscar podcast: https://linktr.ee/outofoscarpod --- Send in a voice message: https://anchor.fm/dontknowherpod/message

It seems the Omicron variant of COVID issues for most teams are starting to become a thing of the past (knock on wood). We are getting back to seeing most DIII games taking place. That means upsets and surprises along with teams continuing their impressive ways. Some of those seemingly impressive teams are still flying under the radar for most. On Thursday's edition of Hoopsville, we talk to them. Some are cracking the Top 25 while others don't seem to have anyone's attention. Plus, we do a Double-Take of the latest women's Top 25 with two new panelists. Guests include: - Todd McGuinness, No. 24 Case Western Reserve men's coach - Margaret White, Marymount women's coach - Top 25 Women's Double-Take with Brendan Gulick and Scott Pederson - Jason Leone, No. 25 Oswego State men's coach - Rich Murphy, Redlands women's coach Hoopsville is presented by D3hoops.com and airs from the NABC Studio. All guests appear on the BlueFrame Technology Hoopsville Hotline.

Bradford and Eric feel the stink of the filthy roadhouse whiskey in Brian De Palma's Hitchcockian Stephen King adaptation Carrie, featuring Sissy Spacek and Piper Laurie in Oscar-nominated performances. And while they may not see eye to eye on the film, the last half hour provides a master class in suspense, and even Eric has to admit he's impressed. Background (spoiler-free) 0:00-14:19 Discussion (spoiler-heavy) 14:20-43:00 Awards (spoilers for days) 43:01 Hear Bradford's impression of Piper Laurie doing Margaret White's "filthy roadhouse whiskey" monologue at 5:38. Our theme music is by Sir Cubworth, with selections from the "Carrie" soundtrack by Pino Donaggio. For more information on this film, essays from your hosts, and other assorted bric-a-brac, visit our website, 21jumpscare.com. Please subscribe to this podcast in Apple or Google Podcasts, Stitcher, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a rating! Follow us on Facebook. Follow us on Instagram. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Pardon the audio this episode, we had some telekinetic difficulties but it's not like we burned down the prom or anything. This week we're queening out on Oscar nominee Piper Laurie as one of horror's most monstrous mothers, Margaret White in 1976's "Carrie." (The question is even posed as to whether she should have won the Academy Award over Beatrice Straight in "Network" that year!) We also have much to say about Broadway legend Betty Buckley in her film debut as Miss Collins, a sympathetic gym teacher fond of a face journey and a cigarette in the principal's office. Plus: Sue Snell and Tommy Ross as "good kids," Nancy Allen as the iconically evil Chris, John Travolta as her flunky hunk, Ellen Travolta as a brief tangent that has nothing to do with "Carrie," and praise for Pino, Priscilla Pointer and that perfectly bonkers ending. Email: thebsapod@gmail.com Twitter: @bsapod Colin Drucker Twitter: @colindrucker Instagram: @colindrucker_ Nick Kochanov Twitter: @nickkochanov Instagram: @nickkochanov

Charles Skaggs & Xan Sprouse continue their retrospective of Twin Peaks Actors in Other Films by discussing Carrie, the 1976 supernatural horror film based on the novel by Stephen King and directed by Brian De Palma, starring Sissy Spacek as Carrie White, Piper Laurie as Margaret White, Nancy Allen as Chris Hargensen, and John Travolta as Billy Nolan! Find Us Here: Twitter: @GhostwoodCast @CharlesSkaggs @udanax19 Facebook: Facebook.com/GhostwoodPodcast Email: GhostwoodPodcast@gmail.com Listen and subscribe to us in Apple Podcasts and leave us a review!

Have you ever wondered how Norma Desmond and Addison Dewitt related to the phenomenal Stephen King thriller, Carrie? Well wonder no more, because today Sam and Pissi are joined by the trail-blazing funny lady... Jackie Beat! She's going to explain exactly how those movie characters correlate, why this movie is so influential to young queer people, and even give you an insider's secret on just where Kevin Williamson got the idea for Scream. Enjoy!

Nolan is joined by Thomas Foster, Emily von Seele, Kat Adams, and Ben McBride to discuss Brian De Palma's CARRIE (1976) and Joachim Trier's THELMA (2017). The crew catch up on recent releases, new discoveries, and rewatches before the powers their religious parents tried to suppress finally manifest and wreak havoc on their social lives. Other movies discussed on this episode: SHADOW IN THE CLOUD (2021), SEPARATION (2021), DJINN (2021), SPIRAL (2021), HOUSE OF WAX (2005), PSYCHO GOREMAN (2021), A QUIET PLACE PART II (2021), HE KNOWS YOU'RE ALONE (1980), BLOODTHIRSTY (2021), KWAIDAN (1964), SAINT MAUD (2020), THE CONJURING: THE DEVIL MADE ME DO IT (2021). Links of interest and/or sources cited for research on this episode: The Three Faces of ‘Carrie's' True Villain, Margaret White by Emily von Seele (Bloody Disgusting) Review: UNBURIED is an Intensely Satisfying Queer Horror Anthology by Emily von Seele (Daily Dead) [TIFF Review] Striking Coming-of-Age Thriller ‘Thelma' Resembles ‘Carrie' by Joe Lipsett (Bloody Disgusting) Horror Queers (iTunes) (podcast) Gayly Helpful 2021 (Gayly Dreadful) (articles) Gayly Helpful 2021 (Tiltify) (fundraiser)

INTRODUCCIONEn el cine hemos visto el papel de madre siempre presente, como parte de la responsabilidad familiar al cuidado y bienestar de los hijos;Por ejemplo en la pelicula Aliens se nos presento el lado maternal de Ellen Ripley en Aliens, recordemos que Ripley tiene una hija, pero debido a las circunstancias que conocemos en esta segunda entrega de la franquicia, protege a Newt, una niña huerfana.Encontramos casos inclusive en la misma Biblia donde se nos habla del caso de Herodias:«Y Herodías estaba enojada contra él y quería matarle, pero no podía» (Mc. 6:19). Es también el evangelio de Marcos el que enfatiza el papel central de Herodías en la ejecución de Juan, mostrando a Salomé como un títere en manos de su madre, tal y como se evidencia en la última parte del relato, en la que el verdugo entrega la cabeza del Bautista a Salomé y ésta, a su vez, a su madre, lo que inequívocamente señala a la verdadera interesada en la muerte del profeta.O en las leyendas de la época colonial de Latinoamerica, puntualmente la leyenda de la Llorona, ¿que acaso fue una mala madre, llegando a asesinar a sus hijos por el abandono de un hombre?¿Pero que hay en el cine de terror?Claro que la figura de madre en el horror tambien ha dejado personajes inolvidables pero llevados al otro extremo, es decir, madres posesivas, sobreprotegedora y con gran influencia en las decisiones de los hijos en un filme llegando a ser tragico.Por citar algunos ejemplos, tenemos a la madre de Carrie, Margaret White interpretada por la gran actriz Piper Laurie, una madre fanaticamente religiosa quien atormenta a su timida hija.Tenemos a la madre de Norman Bates en Psycho, donde indiscutiblemente es una influencia muy marcada para Norman inclusive despues de su muerte.Annie, en Hereditary cinta de la cual acabamos de hablar y como su rol es fundamental para la trama.En la Biblia se habla de madres malas, como el caso de Herodías, esta mujer incito a su hija Salome para que le diera de regalo la cabeza de Juan Bautista, así murió el, decapitado por capricho de Herodías.Pero podemos atrevernos a decir que la mama mas recordada en el cine de horror por muchos es la señora Pamela Voorhees, madre de uno de los asesinos/villanos iconicos del cine de horror moderno: Jason en la franquicia Viernes 13.Algunos ejemplos en el cine: Ellen Ripley en Aliens Norma Bates en Psycho Jennifer Lawrence en Mother! Margaret White en Carrie Annie en Hereditary Amanda Kruger en Pesadilla En La Calle Del Infierno. Ella en Antichrist. Vera Cosgrove en Braindead Ana en Possesion Corrine Foxworth en Flores en el ático Pamela Vorhees en Viernes 13 ★ Support this podcast on Patreon ★

Welcome back for Part 2 of my interview with Tony Award winner Betty Buckley!   In Part 1 Betty talked about growing up in Texas and how she first became interested in performing and musical theatre and everything in her life that prepared her for and led up to her first big break in the musical 1776 on Broadway.  In this week’s episode, Betty shares her experiences working in film and TV, her Tony winning role in Cats and playing Margaret White in the cult musical Carrie on Broadway.  She also talks about her passion for teaching – which she is now doing online through the T. Schreiber Studio in New York.  

Fanatismo religioso, o horror da adolescência, bullying vegano, um delírio de anos 2000, a maldade luxuriosa, todos os tipos de sangue, perigo nas escolas, o mundo de acordo com a Chris, orações noturnas, os surtos cartunescos de Margaret White e uma festa inesquecível, No episódio de hoje os Esqueletos colocam seu vestidinho rosa e vão ao baile de formatura! Está no ar nosso especial sobre o livro e as adaptações de Carrie, a Estranha. Apresentado por: Luiz Machado - @machadolue no Twitter e no Instagram Alvaro de Souza - @AlvarodeSouza98 no Twitter e @alllvarusdesouza no Instagram João Neto - @jon3to no Twitter e @joaoneto_89 no Instagram Com a participação especialíssima de Gisele Scopel - @giselescopell no Instagram A tradução usada para a narração - Adalgisa Campos da Silva

In an award-winning career that has encompassed TV, film, stage and concert work around the globe, Betty Buckley is probably best known as the quintessential musical theatre actress.  Whether she’s breaking your heart with Andrew Lloyd Webber’s “Memory” in her Tony-winning turn as Grizabella the Glamour Cat in CATS, bringing down the house with “The Writing on the Wall” in a gender-bending performance in THE MYSTERY OF EDWIN DROOD, or simultaneously frightening and moving an entire audience as religious fanatic Margaret White in the cult-classic musical CARRIE, a Betty Buckley performance is one that remains indelibly etched into one’s mind and soul. Buckley’s film roles include Ms. Collins, the gym teacher in Brian dePalma’s 1976 classic CARRIE, country singer Dixie Scott in Bruce Beresford’s TENDER MERCIES (which features her soul-piercing rendition of the Academy Award-nominated and Golden Globe winning song “Over You”), and has regularly been featured in the films of M. Night Shyamalan.  She has been seen as a guest star on dozens of popular TV series, was a regular for three years on HBO’s OZ, and also played the lead role of Abby Bradford for four seasons on the seminal 1970’s family drama EIGHT IS ENOUGH.

In an award-winning career that has encompassed TV, film, stage and concert work around the globe, Betty Buckley is probably best known as the quintessential musical theatre actress.  Whether she’s breaking your heart with Andrew Lloyd Webber’s “Memory” in her Tony-winning turn as Grizabella the Glamour Cat in CATS, bringing down the house with “The Writing on the Wall” in a gender-bending performance in THE MYSTERY OF EDWIN DROOD, or simultaneously frightening and moving an entire audience as religious fanatic Margaret White in the cult-classic musical CARRIE, a Betty Buckley performance is one that remains indelibly etched into one’s mind and soul. Buckley’s film roles include Ms. Collins, the gym teacher, in Brian dePalma’s 1976 classic CARRIE, country singer Dixie Scott in Bruce Beresford’s TENDER MERCIES (which features her soul-piercing rendition of the Academy Award-nominated and Golden Globe winning song “Over You”), and has regularly been featured in the films of M. Night Shyamalan.  She has been seen as a guest star on dozens of popular TV series, was a regular for three years on HBO’s OZ, and also played the lead role of Abby Bradford for four seasons on the seminal 1970’s family drama EIGHT IS ENOUGH. Cocktails at Table 7- Inside New York’s Joe Allen is produced and hosted by Jason Woodruff, Dana Mierlak and Sean Kent, with music by James Rubio and logo and artwork design by Christina D’Angelo. The Producers would like to extend a special thank you to the owners of Joe Allen, Orso and Bar Centrale Restaurants.

No RdMCast desta semana abordamos de uma só vez dois grandes clássicos do horror: o livro de Stephen King, Carrie, a Estranha (1974), e o filme homônimo de 1976. Ao longo de uma profunda e instigante análise, destrinchamos os elementos relacionados ao bullying, a menstruação e o percebido perigo da sexualidade feminina, bem como a religiosidade fervorosa de Margaret White e suas bases. Ao mesmo tempo criticando e amando o filme de Brian de Palma, falamos ainda da continuação cara de pau de 1999 e seus CDs voadores, além dos remakes sem propósito de 2002 e 2013. * ARTE DA VITRINE: Estúdio Grim SEJA UM(A) APOIADOR(A) * Apoie o RdM a produzir mais conteúdo e ganhe recompensas exclusivas! * Acesse: https://apoia.se/rdm * Conheça a Sala dos Apoiadores: http://republicadomedo.com.br/sala-dos-apoiadores/] ESTÚDIO GRIM – Design para conteúdo digital * Portfólio: https://www.behance.net/estudiogrim * Instagram @estudiogrim * designgrim@gmail.com PODCAST EDITADO POR * Ilha Flutuante: https://www.ilhaflutuante.com.br/ CITADOS NO PROGRAMA * “Carrie, a Estranha” (1974 – Stephen King) * “Carrie, a Estranha” (1976) * “A Maldição de Carrie” (1999) * “Carrie, a Estranha” (2002) * “Carrie, a Estranha” (2013) Recomendações de textos sobre o olhar masculino da câmera: * “KAPLAN, E. Ann. A Mulher e O Cinema: Os dois lados da câmera. Rio de Janeiro: Rocco, 1995 * MULVEY, Laura. Visual Pleasure and Narrative Cinema. In: Film Theory and Criticism: Introductory Readings. New York: Oxford UP, 1999. Sobre Carrie Dissertação da Gabi – O Corpo Feminino no Cinema de Horror: Gênero e Sexualidade nos filmes Carrie, Halloween e Sexta-Feira 13 (1970 – 1980). Disponível aqui: https://www.academia.edu/27959027/O_Corpo_Feminino_no_Cinema_de_Horror_G%C3%AAnero_e_Sexualidade_nos_filmes_Carrie_Halloween_e_Sexta_Feira_13_1970_1980_ Se Eles Apenas Soubessem que Ela Tinha o Poder: a Monstruosidade Feminina em Carrie, a Estranha (1976). Disponível aqui: https://www.academia.edu/31428759/Se_Eles_Apenas_Soubessem_que_Ela_Tinha_o_Poder_a_Monstruosidade_Feminina_em_Carrie_a_Estranha_1976_ Entre O Anormal e O Monstruoso: Notas Sobre O Livro Carrie De Stephen King (1974) E O Filme Homônimo De Brian De Palma (1976). Disponível aqui: http://www.dialogarts.uerj.br/admin/arquivos_tfc_literatura/vozes_insolitas.pdf OUÇA O RDMCAST NO SPOTIFY! * Acesse: https://spoti.fi/2DWoFCX GRUPO ABERTO NO TELEGRAM * Link direto: http://bit.ly/2Ao6dOd Tem algo para nos contar? Envie um e-mail! Learn more about your ad choices. Visit podcastchoices.com/adchoices

We are giving our respect and allegiance to Beatrice Straight’s brief but breathtaking BSA performance in 1976’s “Network,” as Louise Schumacher, elevating the betrayed wife to Shakespearean levels. Perhaps it’s her experience as one of the original One Scene Queens, Lady Macduff, who we also queen out about this week. Plus: Piper Laurie’s magnetic Margaret White in “Carrie,” the powerhouse that is Lee Grant, the Broadway version of Louise, Glenn Close in “The Wife,” how to eat a Ferrero Rocher, birthday celebrations, plans for a Why She Won It episode, love for BSA of Instagram and a whole new lens on a camp classic. Follow us! Email: thebsapod@gmail.com Twitter: @bsapod Colin Drucker Twitter: @colindrucker Instagram: @colindrucker_ Nick Kochanov Twitter: @nickkochanov Instagram: @nickkochanov

Australian artists featured in Milan. Judith Blackall delivers an update on AUSTRALIA - ANTIPODEAN STORIES at Padiglione d'Arte Contemporanea, the biggest exhibition of Australian contemporary art ever to be staged outside of Australia.  Bushfire affected regional galleries across the country are struggling with diminished visitors, as the holiday tourist trade is shattered. We hear from Jan Goodwin and Margaret White from The Point Gallery and Craft (Greenwell Point) and Robert Creed at The Gallery in Mogo about the stress and aftermath of the bushfires in their area. Transcripts of interviews are available for download HERE. The transcriptions are made possible by the support from Pixel Perfect Prolab - The photolab for professionals.  

Welcome to a very special episode of Fright School! We had the pleasure of screening CARRIE (1976) at OnStage Playhouse with the cast and crew of CARRIE THE MUSICAL! We're joined on mic by Wendy Waddell who is portraying Margaret White and Lauren Ashley who plays Sue Snell! Mary Grace's Carrie was locked in her closet to pray for the sin of loosing the raven upon the world... FRIGHT SCHOOL PROM at opening night of CARRIE THE MUSICAL! September 27thClick here to get tickets to OnStage Playhouse's CARRIE THE MUSICAL September 27th-Nov 3rdFright School Recommended Texts:The Monster Show: A Cultural History of Horror by David J. SkalMen, Women, and Chain Saws: Gender in the Modern Horror Film by Carol J. CLoverHorror Noire: A History of Black Horror by Robin R Means ColemanProjected Fears by Kendall R. PhillipsThe Horror Genre: From Beelzebub to Blair Witch by Paul WellsFOLLOW US! Facebook Twitter InstagramSupport FRIGHT SCHOOL by donating to their Tip Jar: https://tips.pinecast.com/jar/fright-schoolFind out more at https://fright-school.pinecast.coThis podcast is powered by Pinecast.

Margaret shares her URM experience. 

This film is based on the first novel written by acclaimed horror writer, Stephen King (IT, The Shining, 'Salem's Lot, Pet Sematary). Brian De Palma (Dressed to Kill, The Untouchables, Phantom of the Paradise) was in the director’s chair for this production, leading a tremendous cast and meeting his future wife. The film stars Academy Award Winner, Sissy Spacek, as the titular Carrie. Her mother, Margaret White, is played by Academy Award Nominee, Piper Laurie. A young John Travolta (Saturday Night Fever, Face Off, Phenomenon) plays the cruel Billy Nolan, while his scheming girlfriend, Chris Hargensen, is played by Nancy Allen (Robocop 1-3). P.J. Soles (Stripes, The Devil’s Rejects, Halloween) plays one of Chris’ lackeys with possible the worse bangs ever to grace the silver screen. While undoubtedly less polarizing than The Shining, it does differ from the book, which we address. The essence remains the same across platforms (even the terrible musical): a bullied girl gets revenge using telekinesis. If you ever have feedback or recommendations on future episodes, please let us know at slasherspod@gmail.com. You can always find us on our social media: Instagram, Twitter, Slasher App: @slasherspod Facebook: /slasherspod Reddit: u/slasherspod https://www.youtube.com/c/slasherspodcast Dirtypillows, Mortimer Snerds, Tabitha King, horror movies, horror podcast, movie review, fun facts, trivia, movie production, sfx, makeup, book review, high school, prom, dance, pig’s blood for a pig, revenge, female lead, women in horror, prank, religion, Jesus, schoolgirl, murder, small town, coming of age, X-Men, Jean Grey, Marvel Girl, Dark Phoenix --- Support this podcast: https://anchor.fm/slasherspod/support

It's a hat trick, ladies and gentlemen! Our third official episode is live! This week, we discuss the Robert Rodriguez cult classic, The Faculty. Rodriguez was right off his smash hits El Mariachi, Desperado, and From Dusk Till Dawn. This was also in that sweet spot before he launched the much maligned Spy Kids trilogy. We review the parallels to The Breakfast Club, address each and every sci fi homage in the movie (Invasion of the Body Snatchers, The Puppet Master, Men in Black, The Thing, Alien, etc.), and we rank the film in comparison to our prior episodes. Casey Connor is played by a pre-Lord of the Rings, post-The Good Son, Elijah Wood. Wood has some serious horror credentials, having starred in Cooties, Maniac, and Come to Daddy. Perhaps the most horror-credentialed actor in the film, Clea DuVall, plays Stokes. She went on to be in Ghosts of Mars, The Grudge, Zodiac, Identity, American Horror Story, Lizzie Borden Took an Axe, and The Astronaut's Wife. Josh Hartnett was all the rage in the late 90's and early 2000s. He starred in 30 Days of Night, The Black Dahlia, and Halloween: H20. Jordana Brewster plays Delilah Profitt. We can't tell if that is a pun with prophet, as she is an aspiring reporter, or profit because she will stop at nothing for the story. Brewster later starred in the remake of The Texas Chainsaw Massacre., before selling her soul to the Fast & Furious franchise Piper Laurie, who played Margaret White in Carrie, has some tremendous moments in the film. Robert Patrick, of T2: Judgment Day fame, puts his steely gaze (pun intended) to good use as the coach of the football team, which in this small town where the pigskin is God, makes him a Patron Saint. Famke Janssen (X-Men, Goldeneye, Lord of Illusions) plays the piteous Miss Burke, who becomes a bold and empowered woman, albeit with a severed-head crawling across the pavement. If you ever have feedback or recommendations on future episodes, please let us know at slasherspod@gmail.com. You can always find us on our social media: Instagram, Twitter, Slasher App: @slasherspod Facebook: /slasherspod Reddit: u/slasherspod https://www.youtube.com/c/slasherspodcast --- Support this podcast: https://anchor.fm/slasherspod/support

On this Off-Topic episode, Nolan is joined by Thomas Foster, Emily von Seele, and Ben McBride to discuss their favorite horror movies of the year so far as well as the upcoming horror releases that they're excited about. Movies discussed: COLD HELL, REVENGE, UNSANE, A QUIET PLACE, ANNIHILATION, SEQUENCE BREAK, BEFORE I WAKE, HEREDITARY, THE RITUAL, UPGRADE, THE ENDLESS, THELMA. As will always be the case with this show, be aware that our discussion contains spoilers. However, since the movies we're discussing are still very recent, we wanted to call out the big spots where we get into deep into the details. Heavy Spoiler Warning: ANNIHILATION: 24:50 - 29:32 HEREDITARY: 43:00 - 1:00:43 Links of interest and/or sources cited for research on this episode: The Transformative Dream Of ANNIHILATION by Priscilla Page (Birth.Movies.Death.) Nihilistic At Play: The Strangers, 10 Years On by Emily von Seele (Talk Film Society) The Three Faces of ‘Carrie’s’ True Villain, Margaret White by Emily von Seele (Bloody Disgusting) Filmship 2: Bennifer’s Body (Filmship) (podcast)

From the blood-spattered shores of Crystal Lake to the strenuously strict atmosphere of Carrie White's household, we discuss mothers both maniacal and loving (and sometimes both) on a special Mother's Day episode of Corpse Club. Co-hosts Heather Wixson, Patrick Bromley, Scott Drebit, Derek Anderson, and Jonathan James gather around the microphones to pay tribute to some of their favorite (and least favorite) mothers in horror cinema, including Pamela Voorhees from Friday the 13th (1980), Margaret White from Carrie (1976), Mrs. Peltzer from Gremlins, and Norma Bates from Psycho (1960). So pick a bouquet of flowers, make a homemade card, and settle in for a special episode of the Corpse Club podcast... just make sure you don't do anything to upset mother!

This week on No Labels Radio, host A.B. Stoddard (RealClearPolitics) and guest host Margaret White, No Labels Senior Advisor, give you the inside scoop on No Labels’ campaign to change the rules that govern the House of Representatives. Problem Solvers Caucus member Congressman Tom Suozzi (D-NY) calls in to talk about the work of the House Foreign Affairs Committee and potential talks between North Korea, South Korea, and the United State. Caitlin Owens, of Axios, calls in to discuss congressional retirements and the effect of the midterm elections on the House. To close the show, Howard Gordon, who produces Showtime’s Homeland, tells us about how national politics influences his writing and the trip he takes to Washington, DC for inspiration before every season. No Labels Radio airs every Saturday morning at 10:00 AM ET on SiriusXM POTUS Channel 124.

This week on No Labels Radio, host A.B. Stoddard (RealClearPolitics) and guest hosts Gary Shapiro, No Labels Leader and Consumer Technology Association President and CEO, and Margaret White, No Labels Senior Advisor, discuss French President Emmanuel Macron’s address to Congress and the relationship between France and the United States. Congresswoman Stephanie Murphy (D-FL), who is a member of the Problem Solvers Caucus, called in to discuss her legislation on the opioid epidemic and gun reform. Next, Chris Stigall of The Chris Stigall Show on CBS Philadelphia joins to share his thoughts on the midterm elections and whether he thinks the Democrats have enough momentum to take control of Congress. To close the show, the co-hosts continue the conversation about midterms and wonder what issues will motivate voters at the polls. No Labels Radio airs every Saturday morning at 10:00 AM ET on SiriusXM POTUS Channel 124.

THE J.LOCKE SHOW WE WILL HAVE TYSCOT RECORDS SUPER GROUP LXW CHICAGO CHECK IN WITH US TO DISCUSS THEIR NEW PROJECT, DEITRICK HADDON AND HOW DIRECTOR ZEKE LOCKE SEE THE STATE OF THE GOSPEL MUSIC WORLD... TUNE IN!!! CALL IN TO LISTEN 917-889-2821

There are many teams right now asking everyone, have you noticed us? Big wins, great starts, record beginnings. On Thursday's edition of Hoopsville, Dave talked to those who are off to tremendous starts which may not have been noticed by many people... yet. You can watch Hoopsville or listen to the podcast(s) below. Guests included (in order): - Mike Moran, No. 11 John Carroll men's coach - Greg Curley, Juniata men's coach - Margaret White, Ursinus women's coach - Cindy Holbrook, UW-River Falls women's coach - Tim Grosz, Northwestern (Minn.) men's coach This is the last Thursday edition of Hoopsville before the holiday break (also due to D3football.com coverage of Gagliardi Trophy and Stagg Bowl next week). The Thursday edition of the show will return January 7, 2016.

Authoress Tonya Wilson of “The Time Is Now” sheds light On Issues Of Addictions, Recovery & Deliverance. On Sunday, August 23, 2015 @ 7:00 PM EST. If You Need Inspiration, Answers, or Support, The Time Is Now! Her Guest Panelist This week is, MARGARET WHITE .....Margaret White is a 60 year old divorced mother and grandmother. She is a writer, poet, and loves to sing. She is currently in the process of writing her first novel entitled, "FALLEN FROM GRACE" (The lesson, healing, and deliverance.) Join us as she shares her story of how GOD delivered her from her addiction..HIS WAY.   The call in number for the show is 1-347-884-8924. You can also listen on your computer and chat with us at this link > http://tobtr.com/s/7859577 The Recovery Corner is proudly brought to you by "The Literary Corner" we also provide a diverse platform to bring awareness to socioeconomic issues within our community, Christian Values, promotion of Small Businesses & Support of  Non-Profit organizations. Our Partnering NOP, The Theodore House provides invaluable services for people who suffer with addictions, mental health, homelessness & HIV. For information please contact: Ms. Tamikia Randall  www.theodorehouse.org

While appearing the new comedy "White's Lies", Betty Buckley talks about the career that has taken her from Texas to New York to London and back many times over. She discusses why she chose to play her current supporting role in an Off-Broadway comedy by a first-time writer for her first stage role in New York in seven years; how being discovered while still a Texas teen led to her Broadway debut, fresh off the bus, as Martha Jefferson in "1776" -- and what it was like to be one of only two women in a cast of 30 men; how she quickly followed that debut with her West End debut in the leading role of "Promises, Promises"; the professional challenges she faced in even getting seen for a role in "Pippin", where she ultimately replaced Jill Clayburgh; her bi-coastal stints in "I'm Getting My Act Together and Taking It On The Road"; how she convinced Trevor Nunn that she should play Grizabella in "Cats" and when she realized that the role wasn't really very big; what it was like to appear in the solo musical "Tell Me On a Sunday" as part of "Song and Dance"; the circumstances surrounding her succeeding Barbara Cook in the role of Margaret White in the now-legendary musical "Carrie" -- and why she believe the show should have gone the "Rocky Horror" route; why she considers Norma Desmond in "Sunset Boulevard" to have been her most fulfilling acting challenge; her affinity for the role of Mama Rose in "Gypsy" and the main reason that her performance was never seen in New York; and why she has taken so enthusiastically to Twitter. Original air date - May 5, 2010.

While appearing the new comedy “White's Lies”, Betty Buckley (1983 Tony Award winner for Best Performance by an Actress in a Featured Role in a Musical for “Cats”) talks about the career that has taken her from Texas to New York to London and back many times over. She discusses why she chose to play her current supporting role in an Off-Broadway comedy by a first-time writer for her first stage role in New York in seven years; how being discovered while still a Texas teen led to her Broadway debut, fresh off the bus, as Martha Jefferson in “1776” -- and what it was like to be one of only two women in a cast of 30 men; how she quickly followed that debut with her West End debut in the leading role of “Promises, Promises”; the professional challenges she faced in even getting seen for a role in “Pippin”, where she ultimately replaced Jill Clayburgh; her bi-coastal stints in “I'm Getting My Act Together and Taking It On The Road”; how she convinced Trevor Nunn that she should play Grizabella in “Cats” and when she realized that the role wasn't really very big; what it was like to appear in the solo musical "Tell Me On a Sunday" as part of “Song and Dance”; the circumstances surrounding her succeeding Barbara Cook in the role of Margaret White in the now-legendary musical “Carrie” -- and why she believe the show should have gone the “Rocky Horror” route; why she considers Norma Desmond in “Sunset Boulevard” to have been her most fulfilling acting challenge; her affinity for the role of Mama Rose in “Gypsy” and the main reason that her performance was never seen in New York; and why she has taken so enthusiastically to Twitter.

While appearing the new comedy "White's Lies", Betty Buckley talks about the career that has taken her from Texas to New York to London and back many times over. She discusses why she chose to play her current supporting role in an Off-Broadway comedy by a first-time writer for her first stage role in New York in seven years; how being discovered while still a Texas teen led to her Broadway debut, fresh off the bus, as Martha Jefferson in "1776" -- and what it was like to be one of only two women in a cast of 30 men; how she quickly followed that debut with her West End debut in the leading role of "Promises, Promises"; the professional challenges she faced in even getting seen for a role in "Pippin", where she ultimately replaced Jill Clayburgh; her bi-coastal stints in "I'm Getting My Act Together and Taking It On The Road"; how she convinced Trevor Nunn that she should play Grizabella in "Cats" and when she realized that the role wasn't really very big; what it was like to appear in the solo musical "Tell Me On a Sunday" as part of "Song and Dance"; the circumstances surrounding her succeeding Barbara Cook in the role of Margaret White in the now-legendary musical "Carrie" -- and why she believe the show should have gone the "Rocky Horror" route; why she considers Norma Desmond in "Sunset Boulevard" to have been her most fulfilling acting challenge; her affinity for the role of Mama Rose in "Gypsy" and the main reason that her performance was never seen in New York; and why she has taken so enthusiastically to Twitter. Original air date - May 5, 2010.