Podcasts about aea r88

We go to a local cell tower and dress the guide wires up with springs, cymbals, whilst contact-bowing metal objects through a bass amp. The airstream was once again used as a broadcast satellite, to then mic up using AEA R88 and condenser mics. The cell tower will soon be available to be loaded into your sampler and use the many new textures as an instrument, as heard in this podcast. Watch for the launch of SpiceRack; loops and samples from The Jawshop - Adventure Recording.

Chuck Anderson is an amazing musician. Not only is his technique on guitar remarkable, he is also a solid businessman who has made his living from music since he was a teenager. Over his long career, Chuck has worked with the top singers in the music business.But his steady passion is teaching. Since he was 16, he has taught thousands of students. He instructs them not only on the technique of the guitar, but also how to pursue their musical dreams, whether it is becoming a rock star, a studio musician, or just playing for a lifetime of enjoyment.In addition, Chuck has written 26 books, the first when he was 21 years old.I first met Chuck in 1974 when we recorded his first jazz trio album. That was my introduction to the serious jazz idiom. Since then, we recorded a couple of other albums, and recently we did a session where Chuck recorded an entire album of wonderfully improvised compositions in two hours. It's called “Spontaneity” and it will be available soon after you hear this.You can hear a sample from the album (24-bit/96kHz) on my podcast web site, www.dougfearn.com   Look under "Extras"   https://dougfearn.com/Extras/extras.htmlIn July 2021, Chuck called me to ask if I had any photos from the first project we worked on, a jazz trio album called “Mirror Within a Mirror,” recorded at my studio in 1974. I didn't, but after talking for a bit, we came up with the idea of recording a new album of solo guitar, entirely improvised in the studio.Chuck came in late one Saturday afternoon in August, after a full day of teaching, and we produced the entire album in about two hours. Setup took minutes, and we were ready to record almost immediately. Chuck played the Gibson L-5 guitar he has used all his life. I used an AEA R88 stereo ribbon microphone on the studio Vox AC-30 amp, with a pair of Coles 4038 ribbon mics out farther in the room. It sounded great right from the first note, so I never changed anything.There were no retakes, no punches, and no overdubs. The recording was done 24-bit, 96kHz sample rate, using D.W. Fearn VT-2 and VT-24 mic preamps into a pair of VT-4 equalizers on the main pickup, with a bit of bass roll-off to compensate for the close mic'ing of the guitar amp. No other eq or other processing was used.The session was recorded with a Merging Technologies Hapi converter, using Pyramix software. During the mix, a bit of Bricasti M7 digital reverb was added.A week later, we recorded this interview, using a pair of AEA R44 mics. For Covid safety reasons, we were well separated in the studio.In this wide-ranging conversation, Chuck talks about his career, his philosophy, and why he still works 12 hours a day, 7 days a week, teaching, composing, and exploring the world of music. Our conversation will continue in the next episode, where discuss his early albums, the beauty of silence, and some practical advice for people who want to make a living in music.You can learn more about Chuck Anderson at his web site, https://chuckandersonjazzguitar.com/?v=757e5b5109ed There you will find interesting information, samples of his music, and links to his social media.

Vancouver based musician, arranger, producer Thomas Hoeller joins us to discuss Frank Zappa, AEA R88 and his approach to writing and arranging.

An account of recording old gretsch drums in a corrugated grain silo using an AEA R88 stereo ribbon mic, and obtaining a reverb at 82 bpm that was unbelievable.

Converting the woodshed into a 10x24ft tracking room for AEA R88 mic, Abby Road Chambers plugin review, dusting off the old 4track, abandoned houses and instagram, Greg Smith finishes tracking album, NY Times article by Cal Newport ''Deep work'', and more lessons learned about the sensitivity of the ribbon mic.

On this episode we speak with actor, comedian, musician and cold brew enthusiast Chris Crofton. We talk about his life growing up in CT and Nashville and his move to LA on his path of continuing to pursue music and comedy. All music in this episode (except Gold Paint) was recorded at the Chattanooga Downtown Library on a single AEA R88 microphone with Chris and Matt Rowland. --- Support this podcast: https://anchor.fm/sonically-speaking/support

Discussion about scoring for the documentary series ''Avoidinice''. Two men have recently left in a 39 ft sailboat from St Catherines Ontario loaded with food and supplies to navigate the Northwest Passage of Canada and head south to Hawaii and beyond. The Jawshop is scoring for this series, and the writing/ recording process[s] are discussed. Also updates about the Airstream mobile studio, a recount of a visit by London sound-engineer Oscar Cainer, a Conn Organ fix, a suitcase speaker build, re-purposing dormant studio gear, Waves J37, AeA R88 ribbon mic, Danelectro Fab Echo and more thoughts about what to mix for.

A review of the AEA R88 ribbon stereo mic, plug-ins, and underwater hydrophones to be employed in Canada's arctic North West Passage, all things drums.