Podcasts about berklee

After almost a month of packing, moving, unpacking, and barely touching the bass, I'm finally back in the studio, and my chops definitely aren't where I need them.With a weekend at Birdland with Steve Smith and Vital Information coming up, it would be very easy to panic and spend every available minute working on the music for the gig.Instead, I'm trying something different.I've been going back to classical music (Brahms in particular) and experimenting with arranging music I love for solo electric bass. Rather than immediately putting pressure on myself to be "gig ready," I'm using completely unrelated music to reconnect with the instrument, rebuild the mechanics of my playing, and get my ears and imagination working again.Make sure you're signed up to this substack newsletter so you get every podcast episode, all the news about new music recordings, and all the lessons and behind the scenes information I share from my little world of bass and music. In this episode, I work through part of Brahms' Poco Allegretto from Symphony No. 3 and start asking some of the questions that might eventually shape an entire solo classical bass album.How much of the original harmony should I keep?Should I reharmonize it?Do I play the melodies completely solo, or use loops?Should there be improvisation?Could classical repertoire live alongside original music and more ambient, experimental sounds?And how far can I push the orchestration when I'm trying to make all of this work on a five-string electric bass tuned E–C?We also get into one of the harmonic exercises I've been using to get my hands moving again: taking V–I resolutions and breaking triadic ideas into groups of five using 2+3 and 3+2 patterns. It's a simple concept that opens up a huge amount of melodic and rhythmic material. You can find it in my book From Practice to PerformanceThis episode ended up becoming a pretty accurate snapshot of where my musical brain is right now. I start with Brahms, move into dominant harmony, disappear into ambient sounds and effects, and somehow end up seriously thinking about what a solo classical electric bass record could become.There's also a little history behind all of this. Before bass became my instrument, I was heavily involved in classical guitar, working through the UK grade system to Grade 8 and playing solo classical guitar and in ensembles. A lot of the chordal and right-hand techniques I use on bass today actually come directly from that period of my life.I'd love your input on where I take it.If I make a solo classical electric bass album, would you want the visual side to be an important part of the project — filmed performances in a beautiful space — or would you rather put on headphones, close your eyes, and experience it purely as a record?Let me know in the comments.Also in this episode: the new studio is slowly coming together, the blue couch has returned, the new transcription book is finally in stock, and I found a photograph from my first semester at Berklee in 1998 featuring a fellow bass player you might recognize...More soon, JanekThe Complete Bass Mastery eBook Course Get full access to Janek's Newsletter at janekgwizdala.substack.com/subscribe

Ana Petrova is a jazz pianist and organist from Kazakhstan. Her playing is a combination of improvisation, groove, and jazz traditions. She studied at Berklee with Danilo Pérez, John Patitucci, and Joe Lovano. She's shared the stage with Dave Liebman, Catherine Russell, and Terri Lyne Carrington, among others. She's performed at clubs like Dizzy's and The Bitter End, and at festivals like the Umbria, Panama, and Monterey Jazz Festivals. My featured song is “Trippin”, from the album of the same name. Spotify link. —------------------------------------ The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH ANA:www.anapetrovamusic.com —------------------------------------ ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

Daniel “Sky” Szczepanski is a trumpet player based in New York City, born in 1993 in Warsaw, Poland. In the spring of 2020 Daniel graduated from Berklee Global Jazz Institute with aMaster's degree in Music. Berklee helped him not only with improving his abilities in performance, but also in composing and in the field of social change, music education and awareness.Today he joins The Jazz Podcast with Rob Cope to share his approach to music making and creativity. Support the show

Jon Finn Group, Berklee College of Music, Kato Tsumoto, Fallout Shelter August 14, Skunk Baxter, Jimi Hendrix, Terry Kath, Carlos Santana, No Static, Steely Dan, Chuck Berry and the Mills Brothers. Great fun and perfection on guitar. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send us Fan MailVaughnette Bigford is one of Trinidad & Tobago's most celebrated performers, but behind the sold-out concerts and standing ovations was a deeply personal journey through depression, perimenopause, identity and rebuilding her life.In this powerful conversation, Vaughnette opens up about the hardest year of her life, why she believes more women need to speak openly about menopause, the devastating closure of Petrotrin, building her own brand without waiting for opportunities, and how studying at Berklee changed the way she viewed Caribbean music forever.She also reflects on entrepreneurship, confidence, parenting, community, jazz, calypso and why finding your authentic voice matters more than trying to become someone else.━━━━━━━━━━━━━━━━━━━━━━

„Spousta mladých studentů – Romů i Neromů – se mě ptá na různé otázky... že mají sen jít studovat do Ameriky a jak sehnat sponzory, jak se mi to povedlo a koho jsem tehdy oslovoval. Mám vždycky radost z toho, že můžu sdílet svoje poznatky,“ říká klavírista a skladatel Tomáš Kačo. Které vzácné hosty můžeme slyšet na jeho albech? Co bylo v jeho hudebním životě největším zlomem? A jakou kompozici představí na festivalu v Českém Krumlově? Poslechněte si rozhovor.Všechny díly podcastu Host Radiožurnálu můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

„Spousta mladých studentů – Romů i Neromů – se mě ptá na různé otázky... že mají sen jít studovat do Ameriky a jak sehnat sponzory, jak se mi to povedlo a koho jsem tehdy oslovoval. Mám vždycky radost z toho, že můžu sdílet svoje poznatky,“ říká klavírista a skladatel Tomáš Kačo. Které vzácné hosty můžeme slyšet na jeho albech? Co bylo v jeho hudebním životě největším zlomem? A jakou kompozici představí na festivalu v Českém Krumlově? Poslechněte si rozhovor.Všechny díly podcastu Host Radiožurnálu můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Recorded July 16th, 2026 On this episode of The Jazz Journey, host Doug Hall welcomes four time Grammy Award-winning drummer, composer, educator, and activist Terri Lyne Carrington for a thoughtful conversation about the intersection of music and social change. Terri discusses her upcoming album, Trip the Night Fantastic, and the mission behind her acclaimed ensemble, Social Science, whose music confronts issues such as children's rights, criminal justice reform, environmental awareness, and humanitarian crises. The conversation explores how artists can use music to tell powerful stories, inspire empathy, and encourage meaningful action. Doug and Terri also reflect on the role of protest music today, the importance of collective artistic action, and the next generation of jazz musicians through Berklee College of Music's Institute of Jazz and Gender Justice, which Terri founded to foster mentorship, inclusion, and artistic excellence. Whether you're passionate about jazz, social justice, or the ability of music to bring people together, this inspiring conversation offers a compelling look at how art can help shape a more compassionate world. Topics include: -The making of Trip the Night Fantastic -The mission behind Social Science -Music as a catalyst for social change -Children's Song and Abolition Song -Protest music and humanitarian advocacy -Berklee's Institute of Jazz and Gender Justice -Mentorship and the future of jazz

In this episode of See See by Ceci, Dr Stephen Cave, philosopher of technology, intelligence and the human quest to outlive death, joins us in our Berlin studio. At heart, this episode turns on two questions most of us would sooner leave undisturbed: why do human beings insist on ranking one another, and why can we not make our peace with the fact that we die? Academic Director of the Leverhulme Centre for the Future of Intelligence and Co-Director of the Institute for Technology and Humanity, both at the University of Cambridge, Dr Cave took his PhD in philosophy at Cambridge before spending the better part of a decade as a British Foreign Office diplomat. He is the author of Immortality: The Quest to Live Forever and How It Drives Civilization, a New Scientist Book of the Year, and, with the philosopher John Martin Fischer, Should You Choose to Live Forever?: A Debate. He is also co-editor of AI Narratives, Imagining AI and Feminist AI, all published by Oxford University Press. In this wide-ranging conversation, Dr Cave traces the idea of "intelligence" across two and a half thousand years, from Aristotle's "natural slaves" to Francis Galton's invention of both eugenics and the IQ test, showing how so slender a concept came to serve as the perfect instrument for justifying patriarchy, colonialism and scientific racism. It is precisely this buried history, he argues, that explains the dread super-intelligent machines now inspire in us. The real peril, he suggests, lies not in what artificial intelligence might do to us, but in the deep-seated biases and failings already entrenched our societies, that is, in what we might be tempted to do to one another with it: in surveillance, in the automation of labour, and, above all, in the quiet erosion of the human relationships that hold a society together and lend our lives their meaning. He then turns to mortality: the four stories every civilisation tells itself to outwit death, why a genuine immortality would prove a curse rather than a gift, and how our very finitude is the thing that makes a life worth living. From the Epic of Gilgamesh to Borges's deathless troglodytes, from Dorian Gray to the laboratories where great fortunes are now spent in pursuit of longer life, he asks what such a life is truly worth if it is not also a life of meaning, and warns that "work, scroll, repeat" is no less hollow at two hundred than at eighty. He arrives, in the end, at something disarmingly simple: an answer that has rather less to do with intelligence than we might expect, and everything to do with finitude, and with what, and whom, a life is spent upon. With reflections from the philosopher and cognitive scientist Paul Thagard on whether a machine can ever truly care; from the posthumanist scholar N. Katherine Hayles on the human aura in the age of the deep fake and the promised revision of the Enlightenment; from the drummer, composer and Berklee professor Terri Lyne Carrington on music and the eternal present; from the historian Philip Matyszak on the Roman afterlife and the building of "moral muscles"; and from the cognitive neuropsychologist Alfonso Caramazza on the remarkable flexibility of the human mind. This is an episode about power and the stories it tells to justify itself; about the older stories we tell to cheat death; and about a quiet, radical proposition: that to be human is not to be the cleverest thing in the room, but to know that our days are numbered, and to spend them building and delighting in our bonds with one another.

Last Second Dropout (Canadian led band, formed at Berklee and based in Brooklyn) returns with a reimagined version of their song “Aspartame,” available on all streaming platforms June 12. Last Second Dropout – “Aspartame” – Digital Assets Originally released earlier in the band's career, the new version, produced by Garth Richardson, captures both the evolution of the band's sound and the perspective that comes with revisiting a song years later. Blending pop-punk, alternative rock, emo, and hip-hop influences, “Aspartame” pairs explosive guitars and emotionally charged vocals with modern production and a sharper sense of urgency. Canadian lead singer Mark MacDonald explains: “’Aspartame’ is about the difference between the truth of what power people and corporations try to tell you is the truth. It’s also about Diet Coke unless you’re Coca-Cola and you’re gonna sue us then it’s about Diet Pepsi.” Last Second Dropout is a NYC/Toronto-based alternative band that is a little pop-punk, a touch emo, a tad alternative rock and with some hip-hop influences, that create emotionally driven songs built for both catharsis and connection. Known for high-energy performances and emotionally honest songwriting, the band continues to grow through touring, independent releases, and a dedicated online fanbase. Social LinksWebsiteSpotifyApple MusicInstagramFacebookTikTokYouTube Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_fAlso my Weekly Tour Vlog is up an live on the YouTubeshttps://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shopCheck out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ephttps://distrokid.com/hyperfollow/foursquare/seven-oh-sevenhttps://distrokid.com/hyperfollow/foursquare/industry-at-home–21st-anniversary-remix-remasteredhttps://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends

We recap the madness of the Claypool Gold tour, from the stage production to the lineups and songs, sit-ins, cross-pollination, and all the little tidbits that made the tour special. Did you attend? How was it? Let us know!Les at Berklee: https://vimeo.com/1199432977Hoffer Grizz drum cam: https://www.youtube.com/watch?v=o3LrE4BsE-oGet involvedInstagramFacebookEmailBurn your money 

On this episode we are trying something new: Engage Guest Host Mode! Enjoy this lovely chat with Ryan Gaston hosted by the living legend himself, Todd Barton. Todd Barton: https://www.toddbarton.com/ Ryan Gaston: https://ryangastonmusic.com/instruments More Goodies: KEANU Matrix Mixer Module: https://afterlateraudio.com/products/keanu Support Pod Mod PATREON (https://www.patreon.com/podularmodcast) LOUSY FALCON ALBUM: https://podularmodcast.bandcamp.com/album/forty-eight-feathers-a-collection-of-live-performances Thank you Novation: https://us.novationmusic.com/products/circuit-tracks# Signal Sounds: https://signalsounds.com/ Expert Sleepers: https://expert-sleepers.co.uk/ waveform magazine: https://waveformmagazine.com/

Click here to join Sync Producer Hub Jason shares his journey from Gary, Indiana church drummer to Berklee grad, touring musician and background vocalist, and how he pivoted into sync music. He discusses his workflow (templates, sound libraries like KeepForce, drum roots), getting placements on shows like CSI and Below Deck, the value of consistency and networking, and his approach to using AI as a creative tool.

Monica Valli has been playing the guitar since she was 8 years old. She put it down for 6 years but then picked it back up around 14 (possibly because of Bon Jovi) and has never put it back down. She's toured around the country as a touring guitarist for years, but just in the last two years she's started to put her own music out into the world. Her most recent single "Turns Out It Wasn't Me" came out just a couple of months ago, and she's planning on releasing new music soon. She was nice enough to come on the show and talk about her career up to this point. Doc and Monica talk about her wedding, starting to play the guitar, playing at Cheers in St. Louis, going to Berklee, moving to Nashville, being a touring musician, moving to Austin, starting to sing, song writing, Lord of the Rings and much much more. Meanwhile on the rest of the show, Doc has decided he's going to move the show to tape. He needs some physical hardcopies to combat AI. Make sure to listen! Introduction: 0:00:23 Birthday Suit 1: 12:52 Ripped from the Headlines: 19:25 Shoutouts: 38:20 Monica Valli Interview: 42:07 Mike C Top 3: 1:32:17 Birthday Suit 2: 1:50:18 Birthday Suit 3: 1:53:15

After nearly 16 years at Atlantic Records (the last six as President of A&R) Pete Ganbarg has a clearer view than almost anyone of what separates artists who break through from artists who don't. In this conversation, he shares what that view looks like in 2026, when the barrier to entry for releasing music has collapsed and the bar for being heard has never been higher. Pete unpacks the working principles behind a career that includes A&R credits on Santana's Supernatural, the Hamilton cast album, and Twenty One Pilots, plus publishing credits on Miley Cyrus's "Flowers" and Alex Warren's "Ordinary." But the substance of this conversation isn't the credit list — it's what he's learned to listen for, what he tells his students at Berklee and NYU, and what he wishes more independent artists understood about the work. Topics covered in this conversation include: the "megaphone" mindset behind major-label promotion, the hard math of who makes it and who doesn't, the only opinion that matters in music, A&R'ing yourself when no executive will, and more. Pete Ganbarg is CEO of Pure Tone Music and host of Rock School Podcast. Support the Unstarving Musician The Unstarving Musician exists solely through the generosity of its listeners, readers, and viewers. Learn how you can offer your support at UnstarvingMusician.com/CrowdSponsor This episode was brought to you by Podcast Startup. Ready to launch your podcast or take it to the next level? Podcast Startup gives you the frameworks, systems, and insider knowledge to build a show that actually grows your audience and serves your goals. Whether you're just getting started or looking to improve your existing podcast, you'll get actionable strategies on equipment selection, content planning, audience building, and sustainable production workflows—without the overwhelm. Learn more at UnstarvingMusician.com/PodcastStartup. Join podcasters who are building shows that last. Resources The Unstarving Musician's Guide to Getting Paid Gigs, by Robonzo Dreamhost – See the latest deals from Dreamhost, save money and support the UM in the process. More Resources for musicians Disclosure: Some of the links in this post are affiliate links. This means I make a small commission, at no extra charge to you, if you purchase using those links. Thanks for your support! For show notes and episode a list of past episodes, please visit UnstarvingMusician.com. Stay in touch! @RobonzoDrummer on  Instagram @UnstarvingMusician on Facebook  and  YouTube   

‘Sekend joins Target Talk to talk about the long road behind the music, from growing up as a pastor's son and singing in church to studying at Berklee and slowly stepping into his own identity as an artist. He reflects on what church gave him, how he first started taking singing seriously, and why creating a clear separation between Cedric Jackson II and ‘Sekend became important once the music started feeling fully his.We also get into the move to LA, how he landed with Kanye West's Sunday Service, and what that experience taught him about performance, preparation, and thinking bigger. Plus, ‘Sekend talks Helluva Night, the live show behind it, and why this next chapter feels like the right time to put even more of himself out front.Follow him: @worldofsekend

Welcome to another Friday LIVE! episode of Mostly Superheroes with Logan Janis! This week, we cover exciting local St. Louis events with the Team Jakey Foundation, prep for the new Supergirl movie, and announce our fundraiser to send Jules to San Diego Comic-Con 2026. Plus, Scotty Scoop drops early reviews for Steven Spielberg's 'Disclosure Day' and the indie horror hit 'Obsession'. Stick around for our X-Men '97 Season 2 hype and a special interview announcement with manga artist Wade Cito Wheelington III. Timestamps: 00:00 - Welcome to Friday Live & Team Jakey Updates 02:18 - Neon Nights Festival & Cahill Family Benefit 03:40 - Supergirl Alamo Drafthouse Screening Details 04:26 - Upcoming Interview: Manga Artist Wade Cito Wheelington III 05:37 - St. Louis Events: Festival of Nations & Foodies Eat First 08:48 - Scotty Scoop's Movie Review: Disclosure Day 11:51 - Scotty Scoop's Movie Review: Obsession 13:51 - X-Men '97 Season 2 & Viral Recap 14:52 - Send Jules to San Diego Comic-Con 2026! 16:56 - Logan's Motivational Sign-Off & Outro We need your help sending our newest co-host, Jules Duboe, to San Diego Comic-Con 2026 to cover Hall H and the biggest Marvel drops! Check out MostlySuperheroes.com to support the campaign and help us hit our goal! https://mostlysuperheroes.com/posts/jules-deboe  Support our amazing sponsors! Check out these incredible upcoming local events: ⚡ Nikola Tesla "Light It Up" – An Original Rock Opera Catch the world premiere of this high-impact, contemporary rock opera bringing the genius of Nikola Tesla to the stage! Featuring a driving rock score, an 8-member live band playing 13 original songs, and immersive cinematic multimedia, it's an electrifying journey through Tesla's life and legacy. Date: Saturday, June 20, 2026 Location: Delmar Hall, St. Louis, MO Tickets & Info: https://mostlysuperheroes.com/events/nikola-tesla-light-it-up | teslalightitup.com ☕ Sunday Morning Café presents: Resilience & Creativity Step away from the noise and join Dr. Tom Wagner for an afternoon of reflection, live music, and deep conversation. Featuring special guest Royce Martin—an award-winning Berklee-trained pianist and creator of "Swagtime"—this event explores how creativity, vulnerability, and shared experiences help us navigate uncertainty and build resilience. Date: Sunday, August 2, 2026 (3:00 PM – 6:00 PM CDT) Location: Schroer Commons at Eden Theological Seminary, Webster Groves, MO Tickets & Info: https://mostlysuperheroes.com/events/sunday-morning-cafe-aug-2-2026 | tomwagnerspeaker.com/events | sundaymorningcafe.com Watch listen subscribe and support at mostlysuperheroes.com/support ©2026 Carrogan Studios

Episodio#32 Hoy tenemos el placer de conversar con dos invitados muy talentosos que han colaborado en numerosos proyectos creativos juntos y forman un gran equipo.Nos acompaña Guillermo Casarin, escritor y director del cortometraje musical Mariachi Mask, además de graduado de la Escuela de Artes Cinematrografica de USC. También está con nosotros Kevin Robles, compositor de la música de Mariachi Mask y graduado de la prestigiosa Escuela de Música Berklee.A lo largo de los años, Guillermo y Kevin han unido sus talentos en múltiples producciones, combinando narrativa y música de una manera única. En este episodio, Guillermo nos comparte cómo nació la idea de esta increíble historia, el proceso creativo detrás de Mariachi Mask y la colaboración que ha hecho posible este proyecto tan especial, Kevin tambien nos platica como fue el proceso de componer las canciones de Mariachi Mask. Espero que disfruten esta episodio! tanto como nosotros. Con Lisa Hernández séptima generación , hija de Pedro Rey.Follow us:Instagram: https://www.instagram.com/mariachiymasoficial/Tiktok:https://www.tiktok.com/@mariachiymasoficialFacebook: https://www.facebook.com/profile.php?id=61558870352458Instagram: https://www.instagram.com/lisahernandezoficial/YouTube: https://www.youtube.com/@MariachiYMasoficialInstagram: @themariachimask

Penelope Jane Harriman is a rising young bluegrass artist with exceptional and abundant talent as a singer, a songwriter and a musician. In the first of three segments, Penelope talks about her passion for music, how she progressed from violin and piano to the mandolin (and what prompted her learning to play the mandolin) and perhaps most importantly the bond and love she has with, and for, her equally talented family. She has musical heroes but it all began, and continues, at home. The Christopher Gabriel Program ----------------------------------------------------------- Please Like, Comment and Follow 'The Christopher Gabriel Program' on all platforms: The Christopher Gabriel Program is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. --- The Christopher Gabriel Program | Website | Facebook | X | Instagram | --- Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

This is the free episode — the full conversation is available exclusively for Producer Pal subscribers on Patreon: patreon.com/producerpoints

This is the free episode — the full conversation is available exclusively for Producer Pal subscribers on Patreon: patreon.com/producerpointsIn this episode of Producer Points, Justin sits down with Collin Pastore and Jake Finch — a Nashville-based producer-writer duo quietly behind some of the best-sounding indie and alternative records of the last few years. From boygenius and Lucy Dacus to Ashe, Julien Baker, and Suki Waterhouse, their productions share a rawness and honesty that feels live, human, and never overcooked. Two studios, one shared vision, and a philosophy built around capturing real performances.

Vivienne Aerts is a NYC-based Dutch Singer, Educator, and Psychologist, for many years on the faculty of the Berklee College of Music. I've been following her inspiring creative practice for a couple of years and I'm excited to tell you that for this episode you'll be hearing clips from her beautiful upcoming album Current, produced on a tiny 1951 Dutch sailboat, blending jazz, electronics, and vocal loops with water-inspired soundscapes. Her husband, the renowned pastry chef Ted Steinebach also made a documentary film about the journey, which features several other wonderful musicians who hopped on the boat to record.I found it uplifting to get to know Vivienne's interdisciplinary approach, rooted in mindfulness and how she got started as a student creating interesting opportunities for artists. You'll also be hearing clips from a couple of her previous projects including the award-winning Typuhthâng featuring 100 female musicians which supports Congolese female cacao farmers through a partnership with Original Beans.In this age of AI, I'm inspired by Vivienne's trust and hopefulness in the need for us to engage all of our senses and the power of mobilizing micro-communities to support meaningful creative work.You can also watch this video on my YouTube; I've also linked the transcript, Vivienne's website, other suggested episodes, podcast newsletter sign-up, podcast merch, and how you can buy me a coffee to support this independent podcast! Everything linked here in the complete show notes: https://www.leahroseman.com/episodes/vivienne-aertsphoto: Ted Steinebach(00:00) Intro(02:48) album Current and film with excerpt of track 1(08:30) collaborations with husband chef Ted Steinebach(12:54) Current, mindfulness, the film, excerpt of track 5(17:33) creative process Current, excerpt strack 5 and 11(22:08) songwriting, South Korea(27:49) Current, clip of track 8 Closer, living on the boat(35:26) other linked episodes(36:23) creative process album Polaroid with clip of Streetlamps(39:16) Susanne Alt with clip of track 11(43:31) Typuhthâng album with clips track 9, 4, 1, 6, Original Beans chocolate(50:17) Vivi Talks podcast, teaching, Berklee, entrepreneurship(55:16) her educational path, railway festival, micro-communities(01:04:51) album launch concerts on boats(01:08:12) career path with psychology and music, Dutch culture(01:12:15) Effortless Mastery Kenny Werner, different approach to teaching mindfulness with self compassion

While Kyle is away, we got together with the wonderful Adrienne Cowan from Seven Spires to chat about Power Metal, South American shows, the Berklee experience, and achieving a dream gig: getting to work with Roy Khan. Stay Powerful ⚔️ For the impatient: 00:00:00 Intro 00:00:14 Sup Nerds 00:01:30 Top 4 Power Metal bands 00:01:56 Video works! 00:03:33 Being lumped in with Power Metal 00:07:08 Studying music at Berklee as a Metal enthusiast 00:13:17 First South American Tour 00:16:11 Contacting Roy Khan for the first time 00:19:19 Meeting Khan in Brasil 00:21:11 Becoming Khan's live band 00:23:27 Kyle's Curse 00:25:32 The South American crowds 00:28:57 Wrapping Up Support us on Patreon!https://www.patreon.com/powerfulpodcast Follow us! Spotify, Apple Podcasts, etc - powerful. a power metal podcastFacebook - https://www.facebook.com/powerfulpodcastInstagram - https://www.instagram.com/powerfulpodcastTwitter - https://twitter.com/powerfulpm Music by Fernando ReyEdited by Fernando Rey

What happens when you sit down with a songwriter who's done everything from early fan-funded records, to major-label pop, to K-pop, to sync, to teaching songwriting at Berklee - and ask him what really matters in the studio today?Bleu McAuley and I go deep into the intersection of creativity, workflow, sync licensing, AI, and staying inspired at a time when music creation is changing fast. We start with his early days in Boston, learning four-tracks and alternate tunings, following Ducky Carlisle around Room 9 From Outer Space, and eventually being pushed by producer John Fields to take a real swing in Los Angeles. Bleu talks about shaping his voice as a solo artist, capturing inspiration quickly, and why most of the battle in the studio is simply removing friction.We dig into sync: how commercial music is its own ecosystem, why high-dollar sync often has nothing to do with the pop charts, and how entire micro-genres exist only inside advertising. Bleu breaks down the difference between library production music and custom sync, how briefs actually work, what trends supervisors follow, and how studying commercial catalogs (not Spotify playlists) changes your instincts. He explains why inspiration disappears in moments, why setups must be instant, why inspiration beats fidelity, and how he builds his studio workflow - from synth routing to outboard to leaving drums mic'd up permanently - so artists never lose the spark.In the second half, we talk about AI's impact on music production and why it's already reshaping expectations, budgets, and the perceived value of human-created work. Bleu predicts that production music will be “decimated,” that executives are already asking “can't you just AI that?”, and why musicians must prepare for a world where non-AI work has to be obviously human. We talk cassette 4-track records, reel-to-reel inspiration, talent that shines through limitations, and why unique sonic imperfections may soon become a calling card. Bleu also breaks down vocal technique, why control matters more than range, and why producers should avoid technical talk during emotional takes. Finally, we look at career longevity, creative spaces, studio setup philosophy, and what advice he'd give his younger self (hint: invest early, learn piano, and chase control over perfection).Get access to FREE mixing mini-course: https://MixMasterBundle.comTHANKS TO OUR SPONSORS!http://UltimateMixingMasterclass.comhttps://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off!https://www.native-instruments.com Use code ROCK10 to get 10% off!https://www.spectra1964.comhttps://gracedesign.com/https://pickrmusic.com https://RecordingStudioRockstars.com/Academyhttps://www.thetoyboxstudio.com/Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusicListen to this guest's discography on Apple Music:https://music.apple.com/us/playlist/bleu-production-highlights/pl.u-KVXB2eLtm8P9MyIf you love the podcast, then please leave a review: https://RSRockstars.com/ReviewCLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/558

Producer, engineer and artist Sarah Tudzin is busy. In addition to her own band, Illuminati Hotties, she has worked on pivotal records from Weyes Blood, Amen Dunes, Slowdive, Logic, and Boygenius. In 2021, she launched her imprint label for Hopeless Records, and has continued to release her own albums while maintaining a full schedule of production, engineering, and mixing for other artists. Geoff Stanfield caught up with Sarah from her home in Los Angeles to discuss her formative years in Southern California, her time at Berklee in Boston, maintaining perspective on her own music, and working with Chris Coady, John Congleton , and Boygenius. Enjoy!

Ella es Niki Castilla: una de las primeras jóvenes colombianas neurodivergentes graduada en Berklee

Comedian (soon to be film composer?) Eric Andre and composer-producer Prateek Rajagopal (co-writer, executive producer, and the man whose range runs from The Mandalorian to India's premier death metal export GUTSLIT) bring their new BLARF album “Film Scores for Films That Don't Exist” to SCORE. An orchestral fever dream five years in the making, recorded with live players in Los Angeles and Budapest, and the unlikely creative partnership nobody saw coming. And why Eric Andre is ready to become a film composer (and has beef with John Williams).How a Berklee-trained upright bassist became one of comedy's most chaotic forces, and how Prateek — whose credits span Hollywood, Bollywood and immersive media, with contributions to projects by Bobby Krlic, Ludwig Goransson and Joseph Shirley — became the secret weapon who turned five years of Eric's voice memos into a full orchestral album.Plus, why BLARF evolved from sample-clearance nightmares to full symphonic chaos, and what does Dead Ballerina actually look like in their heads? Plus, the Ennio Morricone influence that drives the whole project, the death metal detonation hiding inside the track “What's for Dinner” (guess which one pushed for that), how this album is inspired by Nine Inch Nails' Ghost, and why Eric destroyed a piano with an axe. Also, the unaired Eric Andre Show sketch that passed S&P clearance and still got killed (a pro-Al Qaeda country song he sings in full), details on a role in the new Street Fighter film (Jason Momoa had other plans), and all the times Eric was nearly stabbed, shot or beaten up for his gags.Interview by Kenny Holmes and Matt Schrader at Stonesthrow Studios in Los Angeles. Production coordination by Dan Russell.

Join Sync Producer Hub Welcome to the Sync Producer Spotlight hosted by Jason Dowty where Nikki da Jukebox (Nicole Whitehead) shares her journey from early vocal competitions and Berklee training to producing, engineering, and sync placements. She discusses mentorship, her first placement on NBA Ballers, vocal techniques (including singing guitar parts), arranging tight a cappella harmonies, and lessons learned at Shades of Sync. Nikki explains balancing artistic expression with client needs, her approach to crafting harmonies and arrangements, and how Sync Producer Hub sharpened her skills. She embraces new tools like AI while focusing on creating music that serves stories for TV, film, and lasting sync opportunities.

Jae Carelli was adopted from Korea at 5 months old and is the oldest of 5 children adopted from Korea through Holt International. They grew up in New Jersey and Cape Cod, and attended the Boston Conservatory at Berklee for their Bachelor's. They struggled with mental health issues as a child and young adult, which sent them on a journey, reckoning with their adoption, through multiple unsuccessful search attempts. Jae is now living in Brooklyn, NY, and works as a vocalist, musician, songwriter, and voice pedagogue whose work examines duality and identity through voice and sound. Jae navigates the space across binaries to explore the capabilities of voice as one of the key markers of identity, which guides their artistic expression as a transracial adoptee and their research with trans/gender non-conforming singers in their Master's program with the Voice Study Centre. Last year, they released an album, American Doll, and premiered their show solo, Homeward Bound: a Korean Adoptee exploring the longing for belonging in 2025, using the 7 core issues of adoption as the concept for the projects. You can find more about Jae at jae-ci.com   Season 12 Book: The Adoption Paradox by Jean Kelly Widner Sign up to be part of our mailing list! Thank you to our Patreons! Join at the $10 level and be part of our monthly ADOPTEE CAFE community. The next meeting will be Saturday, May 16th, at 1 pm ET. RESOURCES for Adoptees: Adoptees Connect Adoptee Mentoring Society Gregory Luce and Adoptee Rights Law Fireside Adoptees Facebook Group Dr. Liz Debetta: Migrating Toward Wholeness Movement Moses Farrow - Trauma therapist and advocate National Suicide Prevention Lifeline – 1-800-273-8255 OR Dial or Text 988. Kristal Parke Because She Is Adopted Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode of The Bandwich Tapes, I sit down with Elizabeth Ziman of Elizabeth & the Catapult, and at the time of this conversation, she's about to release her new album. Now that the record is officially out in the world, we get to talk about everything that went into bringing it to life.We begin right at that moment, standing on the edge of a release. Elizabeth describes the feeling of finally letting go of a project after years of writing, recording, and refining, comparing it to sending something deeply personal out into the world and hoping it finds its place.From there, we dig into how this album differs from her past work. What started as scattered home recordings across multiple cities eventually became a deeply collaborative project, bringing together friends, choir members, and longtime collaborators. It's a record shaped not just by sound, but by movement, transition, and a desire to reconnect after a period of isolation.We also spend time talking about something that really resonates: the balance between perfectionism and letting go. Elizabeth shares how some songs took years to finish, while others were written and recorded quickly, and how learning to trust both processes has been a major part of her growth as an artist.There's also a fascinating conversation about the realities of being an independent artist today, the tension between creating meaningful work and navigating the demands of social media, promotion, and constant visibility. Elizabeth speaks candidly about that push and pull, and how she tries to stay grounded in what actually matters: the music and the connection it creates.One of my favorite moments in this episode is going full circle, talking about seeing her live back in 2009 at Eddie's Attic in Atlanta. That moment becomes a springboard into reflecting on a nearly 20-year career, and how her perspective on music has shifted from “this is hard” to “I get to do this.”We also explore her background, from classical piano and Manhattan School of Music competitions to Berklee, where she found her artistic voice and began collaborating with musicians like Esperanza Spalding. Along the way, we talk about film scoring, directing a women's choir, and the many creative paths that continue to shape her work.This is a conversation about evolution, perspective, and learning to hold both discipline and freedom at once.Key TakeawaysElizabeth Ziman's new album is now out, marking a deeply collaborative and expansive creative chapter.The project began as home recordings across multiple cities before evolving into a full studio production.Balancing perfectionism with spontaneity has become central to her songwriting process.The modern music landscape presents both opportunities and challenges, especially around visibility and promotion.Nearly 20 years into her career, her perspective has shifted toward gratitude and creative freedom.Her background in classical piano and Berklee continues to influence her work today.Collaborating across disciplines—film scoring, choir directing, and teaching—feeds her creativity.Music from the EpisodeResponsible Friend - Elizabeth and the Catapult50/50 - Elizabeth and the CatapultBored of Myself - Elizabeth and the CatapultI Love You Still - Elizabeth and the CatapultAbout the PodcastThe Bandwich Tapes is my chance to sit down with musicians, songwriters, and creative artists for thoughtful conversations about their craft, their journey, and the experiences that shape the music we hear.Connect with the ShowEmail: contact@thebandwichtapes.com

After five years away from releasing new music, Big D and the Kids Table return with renewed energy and a fresh perspective—and in this episode of Caught on the Mike, frontman David McWane breaks it all down. From their roots in the Boston ska scene to becoming one of the most consistent and independent voices in punk, Big D has spent decades doing things their own way. David joins the show to talk about the band's upcoming album The Good Ole American Saturday Night, the meaning behind their new single “Whiplash,” and how they've managed to stay creatively inspired after more than 30 years. This conversation dives into the band's evolution, the freedom that comes with carving your own path, and the mindset that fuels their legendary live shows. It's a look at what it takes to last in music without chasing trends—and why Big D continues to connect with fans across generations. If you're into ska, punk, high-energy live music, or stories about longevity and passion in the independent music world, this episode delivers.

Laufey (A Matter of Time, Mei Mei the Bunny, and Bewitched) is a two-time Grammy Award–winning singer-songwriter and multi-instrumentalist. Laufey joins Armchair Expert in between Coachella performances to discuss growing up between Iceland and the US with a violinist mother in the Iceland Symphony Orchestra, how having an identical twin helped shape her sense of self, and navigating her identity as a biracial kid in a homogenous society. Laufey and Dax talk about the discipline of classical music training at Berklee, building a fanbase during COVID through her Sunday livestreams and vintage jazz-inspired covers, and why she believes general admission is the best way to experience Coachella. Laufey explains how discipline should be about building habits rather than winning, how choice can be more overwhelming than limitation, and how vulnerability is the real key to connection - both onstage and off.Take printer ink off your to-do list with HP Smart Tank | hp.com/SmartTankCheck Allstate first for a quote that could save you hundreds: https://www.allstate.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of The Bandwich Tapes, I sit down with guitarist, composer, and producer Matthew Stevens for a conversation about identity, collaboration, and the kind of artistic clarity that only seems to come through real-life change. I've been a fan of Matthew's playing for a long time, so getting to talk with him about his new self-titled record felt especially meaningful.We start with the album itself, and one of the first things I ask him is why this record carries his name. Matthew shares that the years leading up to it brought major shifts, moving from New York to Boston, beginning to teach at Berklee, going through divorce, and eventually finding a new sense of grounding in his personal life. What comes through clearly is that this album feels like his most complete expression of himself so far. It's not self-titled as a branding move. It's self-titled because it sounds like who he is now.We also talk in depth about collaboration, how Matthew brought in trusted co-producers Josh Johnson and Eric Doob, and how their presence helped him let go of control in a healthy way. That thread runs through the whole conversation: surrounding yourself with people you trust, writing with specific musicians in mind, and allowing the music to become a real conversation. We get into the sound of the record too, its grounding rhythm section, the feel of tracks like “Take Heart”, and the way so much of the album was captured live in the room over just a few days.One of my favorite parts of this conversation is hearing Matthew talk about influence, producing, and teaching. We talk about working with heroes like Jeff Parker and Terri Lyne Carrington, producing the beautiful Doc Watson tribute project, and what it's like to return to Berklee now as a faculty member after being deeply shaped by that school as a student. We also get into the pressures younger musicians face now, especially around social media and self-promotion—and Matthew offers a really grounded perspective on what it means to use that time instead to build actual musicianship.This is a thoughtful conversation about sound, feel, growth, and what it means to become more fully yourself as an artist.Key TakeawaysA self-titled album can be a personal statement — for Matthew, this record reflects the clearest version of who he is right now.Life changes can deepen artistic identity — moving, teaching, heartbreak, and rebuilding all shaped this music.Trusting collaborators can open the music up — working with Josh Johnson and Eric Doob helped Matthew let go of some control and go deeper.Sound and feel are at the center of everything — even simple musical ideas come alive when the players are deeply connected.Producing is about meeting artists where they are — Matthew's work on the Doc Watson tribute shows how great producers guide without forcing.Community is one of music school's greatest gifts — the relationships built there often matter as much as the training itself.Young musicians face new pressures — Matthew is thoughtful about how social media can compete with the slower work of building real craft.Music from the EpisodeTake Heart - Matthew Stevens (ft. Joel Ross)Who Does She Hope to Be - Matthew Stevens (ft. Terri Lynne Carrington & Jeff Parker)Hazy -Matthew Stevens (ft. Josh Johnson)Alberta - Matthew Stevens (ft. Anna B Savage & Josh Johnson)About the PodcastThe Bandwich Tapes is a podcast hosted by Brad Williams, featuring conversations with musicians, composers, producers, and creative thinkers about their musical journeys. Each episode explores the influences, decisions, and experiences that shape a life in music—one conversation at a time.Connect with the ShowEmail: contact@thebandwichtapes.com

Guitarist, composer and Berklee professor Lyle Brewer joins us this week. We talk about his journey as a professional guitarist and educator, how he ended up teaching at Berklee (and what the students are listening to), his influences (from Pat Metheny to Andy Shauf), his love for nylon-string guitars, workshopping new music on the internet, and so much more. Brewer has a ton of insights on composing, songwriting, the future of AI and music, and more.  https://lylebrewermusic.net Join us at our 2026 Fretboard Summit in Chicago for three days of guitar demos, concerts, workshops and podcast tapings with some of our favorite artists: https://fretboardsummit.org This year's Summit has over 80 luthiers and brands showcasing their new and prototype gear!  Subscribe to the Fretboard Journal's quarterly print magazine: https://shop.fretboardjournal.com/products/fretboard-journal-annual-subscription We are brought to you by Peghead Nation: https://www.pegheadnation.com  (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Mike & Mike's Guitar Bar: https://mmguitarbar.com

It's YOUR time to #EdUpPCO In this episode, YOUR guest is Debbie Cavalier, CEO and Co-Founder of Berklee Online at the Berklee College of Music. YOUR host is Amrit Ahluwalia⁠⁠.Some key questions we tackle:·      How does the team at Berklee balance tradition and innovation when making strategic decisions on the future?·      How is AI being thoughtfully leveraged to improve online student learning experiences?·      What value is non-degree education bringing to program design and strategy?Listen in to #EdUp! Thank YOU so much for tuning in. Join us on the next episode for YOUR time to EdUp!Connect with YOUR EdUp Team - ⁠⁠⁠⁠Elvin Freytes⁠⁠⁠⁠ & ⁠⁠⁠⁠Dr. Joe Sallustio⁠⁠⁠⁠Join YOUR EdUp community at ⁠⁠⁠⁠The EdUp Experience⁠⁠⁠⁠!We make education YOUR business!

“You curate life like anything else. If you want that kind of life and you make it happen, then it will happen.” - Cliff Beach The funk, the hustle, and the grind Musician, author, and creative entrepreneur Cliff Beach joins Jim Wills for a lively conversation on persistence, reinvention, and building a life around passion. Cliff shares his journey from studying at Berklee, auditioning for American Idol, performing on cruise ships, and eventually creating his own lane as an independent artist with more than a dozen albums to his name. They dive into the realities of the music business, why talent alone is never enough, and how entrepreneurship gave Cliff the freedom to fund his own art on his own terms. The conversation also explores creativity, discipline, health, side hustles, AI in music, and why art still matters in a distracted world. Funny, honest, and full of wisdom, this episode is a masterclass in staying true to yourself while evolving with the times. images: ©cliff beach cliff beach instagram cliff beach on spotify Subscribe: iTunes | Android | Spotify | Email | RSS MORE ART UNKNOWN PODCASTS

On this episode of The Bandwich Tapes, I sit down with guitarist and composer Stash Wyslouch for a conversation that moves easily between music, teaching, parenthood, and the deeper question of how artists actually learn. Stash has built a unique musical voice that draws from bluegrass, jazz, metal, and avant-garde traditions, and hearing how those influences intersect in his life and work makes for a fascinating conversation.We begin with a big life moment: Stash recently welcomed a newborn into the world. He reflects on how becoming a parent shifts perspective—not just personally, but creatively. Themes like humility, empathy, patience, and time suddenly carry new weight, and those ideas show up in how he approaches collaboration, teaching, and the creative process itself.From there, we trace his musical path—from early experiences in heavy metal to discovering bluegrass, jazz, and experimental music. Growing up in New England, studying at Berklee College of Music, and being part of a tight-knit musical community all helped shape his artistic voice. We also talk about the complicated role of labels like “avant-garde”—how they can be useful shorthand while also limiting how audiences hear the music.We spend real time on influences—Charles Ives, Arnold Schoenberg, Lennie Tristano, and Anthony Braxton—and how ideas from those composers intersect with improvisation, ear training, and creative freedom. And finally, Stash shares details about his upcoming duo record Matty and Debbie with drummer Sean Trischka, a project that pulls together bluegrass, jazz, metal, hymnody, and pure curiosity into one cohesive musical statement.Key TakeawaysParenthood reshapes perspective — becoming a parent can influence creativity, collaboration, and priorities.Musical identity can span genres — Stash's work draws from metal, bluegrass, jazz, and experimental music.Labels can both help and hinder — terms like “avant-garde” describe music but can also narrow how people hear it.Community shapes artists — New England roots and Berklee connections helped shape Stash's musical path.Learning the process matters more than chasing results — growth comes from patience and curiosity.Rhythm and feel take time — some musical skills simply can't be rushed.Creative projects thrive on curiosity — his upcoming duo record with Sean Trischka explores multiple traditions at once.Music from the EpisodeAcoustic Metal Party - Stash WyslouchStash's Turkey in the Straw - Stash WyslouchOver in the Gloryland - Stash WyslouchAbout the PodcastThe Bandwich Tapes is a podcast hosted by Brad Williams, featuring conversations with musicians, composers, producers, and creative thinkers about their musical journeys. Each episode explores the influences, decisions, and experiences that shape a life in music—one conversation at a time.Connect with the ShowEmail: contact@thebandwichtapes.com

Charlie Puth joins Switched On Pop in Studio A at Power Station at Berklee NYC, live before a room of current students, ten days after performing the national anthem at Super Bowl 60 and weeks before releasing his fourth album, Whatever's Clever. The conversation is grounded in one question: how do you absorb the music you love and turn it into something that actually sounds like you? Puth traces his national anthem arrangement through a lineage running from Jose Feliciano's 1968 World Series performance to Marvin Gaye's 808-driven 1983 All-Star Game version to Whitney Houston's 1991 Super Bowl rendition. The through-line: citation is letting your influences dissolve into your hands until they become unrecognizable. That principle runs throughout the new record, from the Quincy Jones guitar tone on "Cry" to the Chick Corea quotation buried in "Boy" that Puth didn't realize was there until after writing it. Songs Discussed Bruce Springsteen – "Born in the USA" Madonna – "Like a Virgin" David Bowie – "Let's Dance" Charlie Puth ft. Wiz Khalifa – "See You Again" Charlie Puth – "We Don't Talk Anymore" Charlie Puth – "Attention" Charlie Puth – "Light Switch" Whitney Houston – "The Star-Spangled Banner" Babyface – "Whip Appeal" Jose Feliciano – "The Star-Spangled Banner" Jimi Hendrix – "The Star-Spangled Banner" Marvin Gaye – "The Star-Spangled Banner" Marvin Gaye – "Sexual Healing" Soulja Boy – "Crank That (Soulja Boy)" DeBarge – "Who's Holding Donna Now" Charlie Puth ft. Jeff Goldblum – "Until It Happens to You" Charlie Puth – "Changes" Charlie Puth – "Cry" Kenny G – "Lullaby" SOPHIE – "It's Okay to Cry" Michael Jackson – "Human Nature" Johnny Hates Jazz – "Shattered Dreams" Madonna – "Into the Groove" Joshua Redman – "St. Thomas" Charlie Puth – "Boy" Chick Corea – "Spain" Charlie Puth – "How Long (Has This Been Going On)" Bell Biv DeVoe – "Poison" Elton John – "Don't Let the Sun Go Down on Me" Prince – "When Doves Cry" Schoolly D – "PSK What Does It Mean" Rick Astley – "Never Gonna Give You Up" Charlie Puth – "Beat Yourself Up" Britney Spears – "Lucky" George Benson – "Give Me the Night" No Doubt – "Hella Good" Michael Jackson – "Beat It" Michael Jackson – "Billie Jean" Charlie Puth – "Washed Up" Charlie Puth – "I Used to Be Cringe" Richard Smallwood – "Center of My Joy" Richard Smallwood – "Total Praise" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Alex Kilroy has not had a short ride to get to his first album. He started off playing piano in Romania, dreaming of America. He switched from piano to guitar when he found a DVD of Stevie Ray Vaughan. He created a Stevie Ray Vaughan cover band and traveled around Europe. He went to Berklee College for a summer program. He worked way around the blues circuit in Chicago, he went back to Romania a couple of times, he went to Nashville, he played around on Broadway. But it wasn't until just about a year ago that he really got a good shot a making his own album. This may Alex is releasing his debut album Break My Chains. Before it comes out he was nice enough to come on the Doc G Show and talk about it! Doc and Alex talk about practicing the piano, seeing the improvisational difference of playing the blues, performing as Stevie Ray Vaughan, going to Berklee for a summer program, working on Broadway in Nashville and so much more! Meanwhile on the rest of the show Doc and Mike brace themselves for potential April Fool's day pranks! Introduction: 0:00:21 Birthday Suit 1: 10:46 Ripped from the Headlines: 14:47 Shoutouts: 32:17 Alex Kilroy Interview: 36:48 Mike C Top 3: 1:25:16 Birthday Suit 2: 1:40:34 Birthday Suit 3: 1:46:31

Send us Fan MailMusic careers rarely move in a straight line, and Willie Pollock is proof. We talk about how a junior high knee injury took him out of sports and pushed him into a music store, where a rented guitar and Mel Bay books started a chain reaction that never really stopped. From learning solos off vinyl and chasing Duane Allman's slide sound to hearing Robben Ford on Long Island radio and realizing there was a deeper vocabulary to master, Willie shares the moments that shaped his ear, his taste, and his identity as a guitarist.The story turns when an unexpected Jazz Improv elective in college makes the whole thing click and puts him in demand overnight. That spark leads to Berklee College of Music, then back to the Long Island music scene and the Manhattan grind, where original bands, showcase gigs, and low pay test your spirit fast. Willie breaks down the real-life mechanics of becoming a working musician: relationships, subs, bandleaders, touring opportunities, and why “connections” often come from simply showing up and playing well.We also get into the part of the journey people don't romanticize: choosing a teaching career for stability while staying a musician at heart. Willie explains how he brings music into the classroom, what he learns from kids as technology changes, and why phones, social media, and AI music tools like Suno raise big questions about creativity and craft. He closes with the freedom retirement brings, including a hard line many players eventually draw: only taking gigs that feel meaningful.If you care about blues guitar, Berklee stories, the working musician life, music education, and what AI might do to songwriting, press play. Subscribe, share this with a musician friend, and leave a review with your biggest takeaway.Support the show

Teri Bracken's career as Brontë Fall began almost accidentally. The singer, songwriter and multi-instrumentalist who was born and raised in the Chicago suburbs had always been a music obsessive, dreaming of forming her own bands and playing on stages. While working as the “door girl” at an indie music venue in Chicago, a chance opportunity allowed her to book her first gig as an artist. She quickly came up with a band name (honoring her favorite writers, the Brontë sisters), compiled all the original songs she had, and never, ever looked back. Bracken's road to acclaimed songwriter began in childhood, when she picked up piano at age 7. Classical violin lessons soon followed, and eventually she was tapped as the singer/violinist in a college rock band with a group of nineties rock loving frat boys. After leaving the guys, she further pursued her passion for violin playing at Berklee, which is where she fell in love with songwriting once and for all. Bracken eventually made her way to Nashville—a dream come true considering it is a songwriter's mecca.Teri Bracken's new album as Brontë Fall, Not Done Yet is about resolve and spirit and ignoring anything in the way of dreaming — even yourself. Bracken wrestles with herself throughout the album. She almost quits, she pulls herself back; she laughs at those who told her to get a more sustainable career; she curses herself for not getting a more sustainable career. The album, defiant and beautiful and mournful and triumphant, is a chronicle of a life lived exactly as Bracken wants, compromising to no one in her quest to continue building a budding and supportive scene for alt-Americana around the country.https://www.brontefall.com/https://linktr.ee/brontefall?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAZXh0bgNhZW0CMTEAc3J0YwZhcHBfaWQMMjU2MjgxMDQwNTU4CGNhbGxzaXRlAjE1AAGnDw6Xr5SZcvarPqUSegemPi_U49RAUn0rrULQYte9wwxe-sJ5Wj_5fRz1ceA_aem_i0Syg85DVncZ8lqfU72o2wTheme song: “Hollywood Faded' by Luna Halo@treymitchellphotography @feeding_the_senses_unsensoredfacebook.com/profile.php?id=100074368084848www.threads.net/@treymitchellphotographyftsunashville@gmail.com

Welcome Kansas City-native Andrew Bone! Andrew opens up about the changing chapters of life and his shift in career focus. Recently married, he discusses the intentionality of stepping back from the grind of 6–7 days a week on Broadway, while aiming to get back to higher-level touring and more fulfilling gigs. We discuss the realities of post-COVID pay, knowing your worth, professionalism and reliability as a sub, and handling playback/Ableton, IEMs, and onstage failures. We delve into charting vs memorization, learning large volumes of material, working respectfully with a crew, using AI tools for admin and career planning, building a home studio identity, and early influences from KISS to music academia. Andrew also reflects on moving from Kansas City, his brief experience at Berklee, and why relationships, preparation, and good conduct matter more than chops. We hope you enjoy!Chapters:0:00 Intro1:44 Welcome, Andrew! 3:08 Life Crossroads and Marriage 3:56 Broadway Grind 9:49 Pay Reality Post-COVID 11:42 Subbing w/ Nate Smith 16:20 Ableton and Show Design 19:32 Charts vs Memorizing 32:10 Kids, Sticks, and Joy 41:09 Rezo Custom Drum Heads (Sponsor) 42:10 Broadway Burnout Plan 43:46 ChatGPT Career Reset 51:04 Coffee & Hands Crew 54:58 Drum Box (Sponsor) 55:59 Playing Stadiums 1:03:34 Low Boy Beaters (Sponsor) 1:04:40 Gear Fail Lessons 1:09:05 Audio Nerd to Drum Pro 1:20:18 Home Studio 1:32:04 Drum Supply (Sponsor) 1:33:01 Kansas City Roots and KISS 1:39:17 Music City Audiology (Sponsor) 1:43:31 Time at Berklee 1:48:24 Move to Nashville 2:00:11 Broadway Material 2:08:05 Rapid Fire Questions 2:12:00 OutroThank you to our Episode Sponsors:Rezo Custom Drum Headshttps://rezoheads.comDrum Boxhttps://drumbox.spaceDrum Supplyhttps://www.drumsupply.comLow Boy Beatershttps://lowboybeaters.comMusic City Audiologyhttp://musiccityaudiology.comConnect with Andrew:Instagram: https://www.instagram.com/andrewbonedrumsMusic Featured in this Episode:"Drink Along" - Josh GallagherSupport the showConnect with us:WebsiteInstagramTikTokYouTubeFacebookRecorded at Garden Groove Recording Space, Nashville, TNPodcast Artwork: GENUINE CREATIVE ART ⓒ 2026 Nashville Drummers Podcast, LLC

On episode one hundred sixty eight of Holy Ghost Notes, Matt and Tim welcome their friend, Will Davidson. Will talks about what ignited his love for music production that led to his internship at Atrium Audio, studying at Berklee school of music, and a ton of experience producing his own music. The guys immediately get into AI music and how it's effecting the music industry and the future of music. Will also drops some golden nuggets for aspiring musicians and producers making music at home.

Bridging Western & Indian Classical Music w/ Srikanth Chary | VS Pop™ Orchestral ThinkingCR Srikanth is a U.S.-based composer and producer blending Western classical, Indian classical traditions, and modern cinematic pop. A Berklee-trained composer and ASCAP member with over 250 original works, he bridges concert composition, media scoring, and contemporary releases through his imprint VS Pop™. Today he shares insights on cross-cultural composition, orchestral thinking in modern music, and building an independent career in today's digital music landscape.Linkshttps://open.spotify.com/artist/16N9BJJPufgA3rnpQ06iSa?si=08pc-fGLRfGyOeirNfdzkQhttps://www.instagram.com/crsrikanth_creator_vspop/Tabs:Music History,Musician,Music Licensing,Music Producer,Music Production,Pop Culture,Bridging Western & Indian Classical Music w/ Srikanth Chary | Pop™ Orchestral Thinking,Live Video Podcast Interview,Podcast,Interview,Phantom Electric Ghost Podcast,PodmatchSupport PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page

Episode 100: Miguel Gandelman. This man is the Musical Director behind Bad Bunny's Super Bowl Halftime Show, one of the biggest and most complex live television performances in the world. Miguel Gandelman aka "Miga" is a Berklee graduate and longtime force in live TV and touring. He has worked with some of the biggest artists on the planet including Christina Aguilera, Stevie Wonder, Usher, Shakira, Lady Gaga, Janet Jackson, Jonat Brothers, Beyoncé, Rihanna, Babyface, John Mayer, Aretha Franklin, served as Music Director for The Masked Singer, and was a member of The Tonight Show Band with Rickey Minor. In this episode, he breaks down how the Super Bowl Halftime Show was built from the ground up in just one month. From getting the call to stepping onto the biggest stage in entertainment, we talk about how you prepare a 15 minute performance seen by over 100 million people. What goes into building a show at that level? What does music direction actually mean on a production of this scale? We discuss arranging for stadiums, working with an artist who had never used a musical director before, leading world class musicians, handling live TV pressure, and translating an artist's vision into a global moment. We also dive into his journey from growing up in a musical family in Brazil to becoming one of the most trusted Musical Directors in the industry, and the mindset required to operate at the highest level of live performance. If you have ever wondered how massive live shows and television actually come together, this conversation is a masterclass. Hope you enjoy my conversation with the great saxophonist, programmer, musical director, and human, Miga. Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Big thanks to our friends Moises for supporting the show! If you need stems, they're the best in the game. Check them out! https://moises.ai/ Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. https://www.patreon.com/gowithelmo  Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Miga: https://www.instagram.com/miguelgandelman/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard https://www.instagram.com/jammcard/ jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

As SABIAN's Director of Artist & Public Relations, Chris Stankee leads the charge in shaping and nurturing the company's artist program on a worldwide scale. His responsibilities span from talent recruitment to artist development and support, all while playing a pivotal role in product development and elevating SABIAN's presence across social media platforms. In this episode, Chris talks about:     The Sabian Podcast     Chris' formative years from Berklee to life on tour     Interning at Yamaha     Events that lead to his work at Sabian     The unique steps to creating cymbals     Understanding trends in sounds and making it attainable     Working with artists that are hands-on in the R&D department     The stick/cymbal relationship     Sabian lore     Memories of Neil Peart ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage

Award-winning folk-pop artist Genna Matthew finds the sonic sweet spot between timeless roots influences and dreamy indie-pop hooks. Genna was raised by the vibrant Folk/Amaricana scene of central Virginia. Her bittersweet sound sugarcoats wistful lyrics with honey-smooth vocals. In 2018 she traded the Blue Ridge Mountains for the Spanish coast, where she completed her Masters in Contemporary Music Performance and Production at Berklee's Valencia campus. Now based in Nashville, TN, Genna recently released her first full-length album, Broken Record, which has reached nearly 2 million streams across platforms. Produced by Jake Finch, this record explores a new sonic space that wraps her folk-inspired writing in a lush, indie-pop atmosphere.https://www.instagram.com/gennamatthewhttps://linktr.ee/Gennamatthew?utm_source=linktree_profile_share<sid=4db3553f-e7a4-40f6-9f36-4cb625d80f5fTheme song: “Hollywood Faded' by Luna Halo@treymitchellphotography @feeding_the_senses_unsensoredfacebook.com/profile.php?id=100074368084848www.threads.net/@treymitchellphotographyftsunashville@gmail.com

Andy Frasco sits down with Wolves of Glendale for a wildly honest, hilarious, and surprisingly deep conversation about comedy music, blowing up online, and saying "yes" when the universe nudges you. They break down how Wolves of Glendale went from Berklee kids and side projects to opening for Tenacious D, selling out shows, and building a massive fanbase. You'll hear how comedy and musicianship collided to create something real, plus why testing songs live, embracing failure, and trusting your gut still beats "posting at the right time." The crew also dives into Iron Songwriter, their new time-crunch songwriting series that turns movie lines into full songs in under an hour. If you're a musician, comedian, creator, or just someone trying to figure out how the hell anything works anymore, stick around.

Today's guest has quietly shaped the sound of a generation.He has written and produced some of the biggest songs of the last 15 years—from One Direction's "Story of My Life" to Niall Horan's "Slow Hands," Sabrina Carpenter's "Taste", Teddy Swims' "Lose Control," and Olivia Dean's "So Easy to Fall in Love."A true songwriter's songwriter, John Ryan doesn't just chase hits—he shapes careers, defines sounds, and knows exactly when inspiration is knocking.In this episode, John breaks down what it really takes to stay relevant across multiple eras, why authenticity always wins, and how he went from a Berklee kid living in his manager's parents' house to becoming one of the most trusted voices in pop music.We talk about:- The hardest years of his career- The real batting rate of the best songwriters- Meeting Sabrina Carpenter and Teddy Swims- Working with One Direction and losing Liam- Gems upon GEMS for up and coming musicians, songwriters, and producersand a special live performance of some of his biggest hits.A special thank you to our sponsors…Our lead Sponsor, NMPA— the National Music Publishing Association. Your support means the world to us.And @splice — the best sample library on the market. Period.Chapters:00:00 Intro: John Ryan02:30 How John Got Into the Music Industry06:30 Songs from Eighth Grade & Writing Early10:30 Writing Like a Kid Again (The Picasso Effect)13:00 Berklee, Pro Tools & Learning the Craft17:00 How Many Songs Actually Make It Out?19:30 Maroon 5's “Cold”21:30 Niall Horan: From One Direction to Solo Artist24:15 The Lowest Point of His Career26:00 The Realization That Saved Him28:00 Meeting Teddy Swims & Sabrina Carpenter31:00 Social Media, Virality & “I Don't Have That on My Phone”33:30 Writing “Heaven” with Niall Horan34:00 Sabrina Carpenter's “Feather”36:00 Stop Chasing Numbers. Start Betting on People38:00 Co-Writing with Amy Allen41:56 How John Ryan Produces Songs44:50 Country Music & Expanding Taste47:20 Liam Payne51:03 Olivia Dean – “So Easy to Fall in Love”56:45 John Ryan's Take on Collaboration58:50 Writing “Tears” with Sabrina Carpenter59:40 Managing Life, Energy & Relationships1:02:01 “Steal My Girl” & “Night Changes” Should've Been Bigger1:04:52 Choosing Great People Over “Sure Things”1:07:00 John Plays & Sings His Hits1:20:00 Why 10,000 Hours Isn't Enough1:21:06 GEM: Ruthlessly A/B Your Music to Get BetterHosted by Ross GolanProduced by Joe London and Jad SaadEdited by Jad SaadPost-Production VFX by Pratik Karki Hosted on Acast. See acast.com/privacy for more information.

Host Marina Franklin takes a deep dive into the future of AI with Justin Feinstein's new book, "Your Behavior Will Be Monitored," and the hilarious Sami Beason! Tune in to our latest episode for laughs, insights, and more. Justin Feinstein is a writer and storyteller across multiple media. Available now for pre-order: "Your Behavior Will Be Monitored" is Justin's debut specu-lative novel about a reckless AI company racing towards a launch, published by Tachyon Publications. The official release is in April 2026. Justin is also an essayist and culture writer and has written about jazz for the Associated Press, about the UFC for VICE, and about being a celebrity doppelgänger for Salon. His work as an advertising copywriter and creative director has received accolades from the New York Times, Adweek, and BuzzFeed. Justin works as an editor and writing coach and is an instructor for the Sackett Street Writers' Workshop. He was a Berklee-trained profes-sional hand percussionist in a past life and performed, recorded, and taught music for ten years. More recently, Justin earned an MA in media studies from The New School. He lives in Los Angeles with his wife, writer Julia Fierro, their two children, and two dogs. Sami Beason is a rising comedy talent from Denver, celebrated for their quick wit, authentic storytelling, and constant giggle. In 2024, they took home the Best of Fest award at the Colorado Springs Festival and now has a special on YouTube called "First Gen" through open bar.