Podcasts about Frank Zappa

While we usually don't cover the pre-show in the podcast description, here's a link to the Sleepers show at the Takoma Park Folk Festival this past weekend. https://youtu.be/mshuwyTpHEc?si=3qasvm-B9sfM9YKvWe kick things off with a News with Nick. Mark Volman, of the Turtles, Flo & Eddie, and a tenure with Frank Zappa and the Mothers in the early 70s, passed last week. Apple now lets you import playlists from other services, Radiohead announces a European tour, and Tay-Tay's engaged.Song: Frank Zappa & The Mothers - “Call Any Vegetable (Live)”Greg caught the last show of Oasis's reunion tour in L.A. and he is pumped to deliver a Tales from the Concert. The Rose Bowl was sold out, with approximately 90,000 in attendance, and the crowd was electric. Oasis never had a Number 1 hit in the U.S. and never played venues like this, but they were received as rock n' roll royalty and Greg thinks they've earned it.Song: Oasis - “Wonderwall (Live in Dublin)”Jay shares an article by Kelefa Sanneh of the New Yorker called “How Music Criticism Lost Its Edge” which explores the rise of poptimism and the decline of the snarky critic. The guys revisit a conversation they've explored in past episodes, what do we lose when music criticism loses its edge?Song: The Cure - “Cold”

Episode 595 brings an extraordinary deep dive into one of the most ambitious and creative works from guitarist, composer, and producer Dweezil Zappa. In this exclusive conversation, Dweezil revisits his 1991 album Confessions, guiding listeners through a rare track-by-track exploration. Known for his technical brilliance and fearless approach to blending rock, jazz, funk, and experimental textures, Dweezil provides not only a look at the music but also the personal and creative moments that shaped each song.Released at a pivotal point in his career, Confessions showcased Dweezil Zappa's evolution from guitar prodigy into a fully realized artist with a distinct voice. With its mix of virtuosic solos, clever arrangements, and genre-defying songwriting, the album cemented his reputation beyond the shadow of his legendary father, Frank Zappa. In this episode, Dweezil reflects on the musical climate of the early '90s and how Confessions fit into that landscape, offering listeners insight into both the challenges and triumphs of creating such a bold record.The conversation takes listeners through Confessions one track at a time, unpacking the stories, techniques, and inspirations behind each song. From the high-energy guitar-driven anthems to the more experimental and introspective cuts, Dweezil reveals the details of the writing and recording process. He shares anecdotes about studio sessions, collaborators, and the gear that shaped the album's sound, offering fans an intimate glimpse into the craftsmanship behind the music.What makes this breakdown truly compelling is Dweezil's honesty and perspective. He speaks candidly about the lessons learned from making Confessions, how the album was received, and how his own understanding of the songs has evolved over time. These reflections give the episode its heart, revealing not just the technical brilliance of the record but also the emotional journey behind it. For longtime fans, it's a chance to reconnect with a classic album; for new listeners, it's an invitation to discover a hidden gem in Zappa's discography.Episode 595 is both a celebration of artistry and a masterclass in the creative process. By breaking down Confessions song by song, Dweezil Zappa reintroduces his album with fresh context and appreciation, showing how its music continues to resonate decades later. Whether you're a dedicated Zappa fan, a guitar enthusiast, or simply someone who loves hearing the story behind the songs, this episode offers a rare and rewarding journey into the mind of one of rock's most innovative musicians.

R.U. Sirius, Founding Editor of Mondo 2000 and author, discusses how intentional weirdness is a powerful tool for community and resistance when the fight for reality is being waged.Names referenced in this episode:Alex Jones, Art Bell, Richard Linklater, Robert Anton Wilson, Abby Hoffman, Paul Krasner, Lyndon Johnson, John F. Kennedy, Alfred E. Newman, Timothy Leary, Genesis P-Orridge, Joe Coleman, Aaron Black, Donna Haraway, David Byrne, Jesus, Bob Dylan, Naomi Klein, Astra Taylor, Cory Doctorow, Sandy Pearlman, Lester Bangs, Frank Zappa, Gomez Addams, Andy Warhol, Jerry Garcia, Mark Andreessen, Elvis Presley, David Bowie, Marty Balin, Susan Sarandon, Charlie Manson, Donald Trump, Patty Hearst, Joseph Stalin, Ben Goertzel, Elon Musk, Peter Thiel, Perry Farrell, Jacques Vallée, Kathy Acker, John Barlow, John Oswald, Sam Altman, Walter KirnTeam Human is proudly sponsored by Everyone's Earth.Learn more about Everyone's Earth: https://everyonesearth.com/Change Diapers: https://changediapers.com/Cobi Dryer Sheets: https://cobidryersheets.com/Use the code “rush10” to receive 10% off of Cobi Dryer sheets: https://cobidryersheets.com/Support Team Human on Patreon: https://www.patreon.com/teamhumanFollow Team Human with Douglas Rushkoff:Instagram: https:/www.instagram.com/douglasrushkoffBluesky: https://bsky.app/profile/rushkoff.comGet bonus content on Patreon: patreon.com/teamhuman Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

The story of one of the sunniest and funniest personalities to emerge in the world of rock, the Turtles‘ Mark Volman, is being told in a  book whose title is a play on the name of his biggest hit, “Happy Together”. However, unlike many memoirs, Volman's own words comprise less than five percent of the text. Instead, this is a third-person oral history, much like Legs McNeil's wonderful punk rock history opus from 2016, Please Kill Me.Mark Volman's Happy Forever is told almost entirely by 100 of his famous collaborators, rock scenesters, friends, and family, with the occasional sidebar from Mark himself. This six-decade-long narrative includes his rise to fame with the Turtles alongside his singing partner Howard Kaylan, their brilliant stint with Frank Zappa's the Mothers of Invention, their solo career as Flo & Eddie, and their role as backup singers on mega-hits by Marc Bolan, Bruce Springsteen, Alice Cooper, the Ramones, Steely Dan and more.

This week we talk about some of our favorite album covers and the Cradle of Filth controversy.In reviews we cover the movie Grandma's Noy and the Frank Zappa album Ship arriving too late to save a drowning witch

Send us a textEpisode OverviewIn this episode, we honor the remarkable career of Mark Volman, a musician, songwriter, and producer best recognized as a founding member of The Turtles and later as one half of the duo Flo & Eddie. Volman's humor, distinctive vocals, and collaborative spirit paved the way for a unique journey through the rock and pop landscape of the 1960s and beyond.Key Topics CoveredThe Early Days: Growing up in Los Angeles and forming The Turtles, who went on to achieve massive success with hits like “Happy Together.”Life After The Turtles: How Mark and Howard Kaylan reinvented themselves as Flo & Eddie, working with Frank Zappa and The Mothers of Invention.Personal Journey: Reflections on resilience, humor, and longevity in a career that has spanned more than five decades.Why Listen?Mark Volman's journey is a testament to reinvention, creativity, and resilience in an ever-evolving industry. Whether you're familiar with his iconic role in “Happy Together” or his adventurous escapades with Frank Zappa, this episode offers a quick glimpse into the life of a man who significantly influenced the history of pop music through his exceptional talent and sharp wit.Memorable Quotes“Happy Together wasn't just a song—it became a cultural anthem.”“Flo & Eddie were about freedom—musical and personal.”Resources & ExtrasListen to “Happy Together” (1967)Explore Flo & Eddie's work with Frank ZappaBelmont University: Music Business Program

This is the story of music performed on the streets, in subways, in parks, in schoolyards, on the back of flatbed trucks, and beyond, from the 1920s to the present day. Drawing on years of interviews and eyewitness accounts, Down On The Corner (Jawbone Press, 2025) introduces readers to a wide range of locations and a myriad of musical genres, from folk to rock'n'roll, the blues to bluegrass, doo-wop to indie rock. Some of the performers he features--Lucinda Williams, Billy Bragg, The Violent Femmes--went on to become international stars; others settled into the curbs, sidewalks, and Tube stations as their workplace for the duration of their careers. Anyone who has lived in or travelled through a city will have encountered street musicians of one kind or another. For the first time, veteran journalist and music-industry publicist Cary Baker tells the complete history of these musicians and the music they play, from tin cups and toonies to QR codes and PayPal. Born on Chicago's South Side, Cary Baker began his writing career at sixteen with an on-spec feature about Chicago street singer Blind Arvella Gray for the Chicago Reader. His return to writing follows a forty-two-year hiatus during which time he directed publicity for six record labels (including Capitol and IRS) and two of his own companies, working with acclaimed artists such as R.E.M., Bonnie Raitt, The Smithereens, James McMurtry, The Mavericks, Bobby Rush, Willie Nile, and more. Prior to his PR years, Baker wrote for the Chicago Reader, Creem, Trouser Press, Bomp!, Goldmine, Billboard, Mix, Illinois Entertainer, and Record magazine. He has also written liner notes for historical reissues from Universal, Capitol/EMI, Numero Group, and Omnivore. He has been a voting member of the Recording Academy since 1979. He lives in Southern California. Cary Baker's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This is the story of music performed on the streets, in subways, in parks, in schoolyards, on the back of flatbed trucks, and beyond, from the 1920s to the present day. Drawing on years of interviews and eyewitness accounts, Down On The Corner (Jawbone Press, 2025) introduces readers to a wide range of locations and a myriad of musical genres, from folk to rock'n'roll, the blues to bluegrass, doo-wop to indie rock. Some of the performers he features--Lucinda Williams, Billy Bragg, The Violent Femmes--went on to become international stars; others settled into the curbs, sidewalks, and Tube stations as their workplace for the duration of their careers. Anyone who has lived in or travelled through a city will have encountered street musicians of one kind or another. For the first time, veteran journalist and music-industry publicist Cary Baker tells the complete history of these musicians and the music they play, from tin cups and toonies to QR codes and PayPal. Born on Chicago's South Side, Cary Baker began his writing career at sixteen with an on-spec feature about Chicago street singer Blind Arvella Gray for the Chicago Reader. His return to writing follows a forty-two-year hiatus during which time he directed publicity for six record labels (including Capitol and IRS) and two of his own companies, working with acclaimed artists such as R.E.M., Bonnie Raitt, The Smithereens, James McMurtry, The Mavericks, Bobby Rush, Willie Nile, and more. Prior to his PR years, Baker wrote for the Chicago Reader, Creem, Trouser Press, Bomp!, Goldmine, Billboard, Mix, Illinois Entertainer, and Record magazine. He has also written liner notes for historical reissues from Universal, Capitol/EMI, Numero Group, and Omnivore. He has been a voting member of the Recording Academy since 1979. He lives in Southern California. Cary Baker's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

This is the story of music performed on the streets, in subways, in parks, in schoolyards, on the back of flatbed trucks, and beyond, from the 1920s to the present day. Drawing on years of interviews and eyewitness accounts, Down On The Corner (Jawbone Press, 2025) introduces readers to a wide range of locations and a myriad of musical genres, from folk to rock'n'roll, the blues to bluegrass, doo-wop to indie rock. Some of the performers he features--Lucinda Williams, Billy Bragg, The Violent Femmes--went on to become international stars; others settled into the curbs, sidewalks, and Tube stations as their workplace for the duration of their careers. Anyone who has lived in or travelled through a city will have encountered street musicians of one kind or another. For the first time, veteran journalist and music-industry publicist Cary Baker tells the complete history of these musicians and the music they play, from tin cups and toonies to QR codes and PayPal. Born on Chicago's South Side, Cary Baker began his writing career at sixteen with an on-spec feature about Chicago street singer Blind Arvella Gray for the Chicago Reader. His return to writing follows a forty-two-year hiatus during which time he directed publicity for six record labels (including Capitol and IRS) and two of his own companies, working with acclaimed artists such as R.E.M., Bonnie Raitt, The Smithereens, James McMurtry, The Mavericks, Bobby Rush, Willie Nile, and more. Prior to his PR years, Baker wrote for the Chicago Reader, Creem, Trouser Press, Bomp!, Goldmine, Billboard, Mix, Illinois Entertainer, and Record magazine. He has also written liner notes for historical reissues from Universal, Capitol/EMI, Numero Group, and Omnivore. He has been a voting member of the Recording Academy since 1979. He lives in Southern California. Cary Baker's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

This is the story of music performed on the streets, in subways, in parks, in schoolyards, on the back of flatbed trucks, and beyond, from the 1920s to the present day. Drawing on years of interviews and eyewitness accounts, Down On The Corner (Jawbone Press, 2025) introduces readers to a wide range of locations and a myriad of musical genres, from folk to rock'n'roll, the blues to bluegrass, doo-wop to indie rock. Some of the performers he features--Lucinda Williams, Billy Bragg, The Violent Femmes--went on to become international stars; others settled into the curbs, sidewalks, and Tube stations as their workplace for the duration of their careers. Anyone who has lived in or travelled through a city will have encountered street musicians of one kind or another. For the first time, veteran journalist and music-industry publicist Cary Baker tells the complete history of these musicians and the music they play, from tin cups and toonies to QR codes and PayPal. Born on Chicago's South Side, Cary Baker began his writing career at sixteen with an on-spec feature about Chicago street singer Blind Arvella Gray for the Chicago Reader. His return to writing follows a forty-two-year hiatus during which time he directed publicity for six record labels (including Capitol and IRS) and two of his own companies, working with acclaimed artists such as R.E.M., Bonnie Raitt, The Smithereens, James McMurtry, The Mavericks, Bobby Rush, Willie Nile, and more. Prior to his PR years, Baker wrote for the Chicago Reader, Creem, Trouser Press, Bomp!, Goldmine, Billboard, Mix, Illinois Entertainer, and Record magazine. He has also written liner notes for historical reissues from Universal, Capitol/EMI, Numero Group, and Omnivore. He has been a voting member of the Recording Academy since 1979. He lives in Southern California. Cary Baker's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

What's myth and what's fact in the story of Charles Manson? What were the true motives behind the murders and who was really involved? There are many books covering this topic, yet very few have broken through the 'official' tale told by the trial's prosecutors and the news media at the time. This book includes hundreds of hours of research into court and police documents, witness statements, media reports and interviews with those involved. This book examines the current theories surrounding the case and appraises their likelihood against a timeline of events and the words of Manson himself. The prosecution case promoted by Vincent, Bugliosi, the Process Church influence as endorsed by Ed Sanders and David McGowan, the robbery scenario as spoken of by Nikolas Shreck and William Scanlon Murphy and the possibility of MK Ultra mind control as discussed by Adam Gorightly are all examined and tested.How do Terry Melcher, Elvis Presley, the Beach Boys, Jane Fonda, the Mamas and the Papas, Michael Caine, Dean Martin, Angela Lansbury, Peter Sellers, Warren Beatty, Yul Brynner, Peter Falk, Cary Grant, Steve McQueen, Neil Young, Frank Zappa, Nancy Sinatra, Ronald Reagan and Debbie Harry fit into the tale? What Hollywood secrets did the industry, the police and the prosecution strive to keep hidden? Were the victims really chosen at random by a crazed cult of serial killers, high on a mix of LSD, Satanism and the music of the Beatles? Read on to uncover the secrets of the Manson family, their trial, the main players in the case and the murky world of Hollywood.The book contains 564 pages, 200,000+ words containing a complete history of the life of Charles Manson.A detailed examination of the Hinman, Shea, Tate and LaBianca murders, appraisal of all the most prominent theories surrounding the case, explanations of the coded confessions revealed in interviews with Manson.Stories of celebrity encounters, facts about Manson's relationship with the music industry, details of organised crime connections, faults with the prosecution's case, troubling indications about the motives and character of Vincent Bugliosi, examinations of further murders and other criminal activity possibly connected to Manson.Revelations about the main players involved in the case, embarrassing secrets of the Hollywood elite, suggestions of police ineptitude, signs of a cover-up, bizarre coincidences, strange occurrences, salacious gossip, radical political movements, riots, the Black Panthers, The Beatles, The Beach Boys, cults, religion, sex, drugs and murder.This book has been read, enjoyed, praised and promoted by friends of Charlies and members of ATWA. https://amzn.to/4naItmKBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

When approaching a discussion as vast as the music of Frank Zappa, the question is, "Where to begin?" The answer is: The Mothers, naturally. Markus and Ray talk about that incredible period, and the wealth and variety of music it gave us. Give us your Mothers Moment via email: imbalancedhistory@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

When approaching a discussion as vast as the music of Frank Zappa, the question is, "Where to begin?" The answer is: The Mothers, naturally. Markus and Ray talk about that incredible period, and the wealth and variety of music it gave us. Give us your Mothers Moment via email: imbalancedhistory@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This week in the Labyrinth we're joined by an incredible guest — and a family connection! Guitarist Browan Lollar from St. Paul and The Broken Bones drops by to talk about their upcoming self-titled album (out October 10th). Browan is also the younger brother of our own Dustin Lollar, so we get some fun family stories along the way. Plus, Tim and Browan dive into some Frank Zappa talk, influences, and what it's like balancing band life with side projects (including Browan's surf rock outfit Tsar Bomba). If you're a fan of Southern soul, psychedelic grooves, and stories from the road — this one's for you. Watch the show on YouTube: https://youtu.be/htimVveCrjk

SUNNY SONGS: LOW YO YO STUFF by Captain Beefheart (WB, 1972)We do what we gotta do to survive. We've got to activate our low yo yo stuff. Don Van Vliet, aka Captain Beefheart knew that better than most. Frank Zappa's high school buddy and inspiration blew in from the desert fully formed as a cubist blues man. He reordered our mitochondria by breaking the order of music apart, and lyrically accessing a deeper realm of abstraction. But, this was always done with tongue in cheek, slightly, or at least with a wink. And, later, when the public outcry died down, he went back to the desert to paint and write poetry. I'm turning off the noise, he seemed to say, but never abandoning the low yo yo stuff. That's the essential ingredient for the spice of life.Low Yo Yo Stuff is the opening track from the Clear Spot album - certainly his most accessible record, produced by Warner Brother's maestro Ted Templeton. And, it was almost commercial! Someone said this is the album to initiate you to Don's weirdness by inviting you to put your musical toe in the pool, before diving into the deep end of Trout Mask Replica. That's how it worked for me, and I'm grateful for having had the experience. 

Dennis Dunaway of the original Alice Cooper band talks about Frank Zappa's role in Alice Cooper's success, why the band broke up in 1974, and his experiences with Ozzy!

What's myth and what's fact in the story of Charles Manson? What were the true motives behind the murders and who was really involved? There are many books covering this topic, yet very few have broken through the 'official' tale told by the trial's prosecutors and the news media at the time. This book includes hundreds of hours of research into court and police documents, witness statements, media reports and interviews with those involved.How do Terry Melcher, Elvis Presley, the Beach Boys, Jane Fonda, the Mamas and the Papas, Michael Caine, Dean Martin, Angela Lansbury, Peter Sellers, Warren Beatty, Yul Brynner, Peter Falk, Cary Grant, Steve McQueen, Neil Young, Frank Zappa, Nancy Sinatra, Ronald Reagan and Debbie Harry fit into the tale? What Hollywood secrets did the industry, the police and the prosecution strive to keep hidden? Were the victims really chosen at random by a crazed cult of serial killers, high on a mix of LSD, Satanism and the music of the Beatles? Read on to uncover the secrets of the Manson family, their trial, the main players in the case and the murky world of Hollywood.The book contains 564 pages, 200,000+ words containing a complete history of the life of Charles Manson.A detailed examination of the Hinman, Shea, Tate and LaBianca murders, appraisal of all the most prominent theories surrounding the case, explanations of the coded confessions revealed in interviews with Manson.Stories of celebrity encounters, facts about Manson's relationship with the music industry, details of organised crime connections, faults with the prosecution's case, troubling indications about the motives and character of Vincent Bugliosi, examinations of further murders and other criminal activity possibly connected to Manson.Revelations about the main players involved in the case, embarrassing secrets of the Hollywood elite, suggestions of police ineptitude, signs of a cover-up, bizarre coincidences, strange occurrences, salacious gossip, radical political movements, riots, the Black Panthers, The Beatles, The Beach Boys, cults, religion, sex, drugs and murder.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

In this series Dweezil and I sat down weekly to breakdown and deep dive into one his albums.This week in episode 1 Dweezil shares his first single and recording at his Frank Zappa"s studio with Eddie Van Halen. Each episode in loaded with stories and memories from that time period.New deep dive into his albums of his every week. Subscribe and hit bell not to miss!

Garth Heckman The David Alliance TDAgiantSlayer@Gmail.com    Robin: EVERYTHING WAS HOLY….       What are five things no one would know about Burt Ward who played Robin in the TV show Batman?   ### 1. **A Speed-Reading Sensation**   Before hitting the big time, young Burt became an accomplished speed-reader. He was tested before the American Medical Society in Beverly Hills and clocked a staggering **30,000 words per minute with 90% comprehension**—far beyond average reading speeds. ([Classic Movie Hub - CMH][1], [TV Banter][2])   ---   ### 2. **World's Youngest Professional Ice Skater**   At just **two years old**, Burt was featured in the magazine *Strange as It Seems* as the **world's youngest professional ice skater**, thanks to a traveling ice show owned by his father. ([Wikipedia][3], [Classic Movie Hub - CMH][1])   ---   ### 3. **He Did (Most of) His Own Dangerous Stunts**   Unlike many stars, Burt performed most of his own stunts, even though his face made using a stunt double difficult. This led to multiple emergency room visits—**dozens**, he says—due to injuries from stunts like being tied to a table with a real buzz saw inches away or suspended above Bengal tigers. ([Wikipedia][3], [Express][4])   A Reddit user humorously shared one of Burt's more wild stories, recalling how during one stunt he was flung from the Batmobile when the door unexpectedly opened—and cracked an arm. ([Reddit][5])   ---   ### 4. **Musical Collaborations with Frank Zappa**   During *Batman*'s peak, Burt recorded several tracks produced by Tom Wilson and arranged by Frank Zappa. Notably, he released a single featuring "Boy Wonder, I Love You" (written by Zappa) and a cover of "Orange Colored Sky." ([Wikipedia][3], [Classic Movie Hub - CMH][1])   ---   ### 5. **Rescue Work for Giant-Breed Dogs**   Beyond Hollywood, Burt—and his wife Tracy—devoted themselves to canine welfare. In **1994**, they founded *Gentle Giants Rescue and Adoptions*, significantly impacting the lives of giant-breed dogs. Their nonprofit has facilitated **over 15,500 adoptions** and often houses around **50 dogs at home** awaiting forever families. ([Wikipedia][3], [People.com][6]) Additionally, their company *Gentle Giants* produces natural pet food aimed at boosting pets' longevity and wellbeing. ([People.com][6])   ---   ### Bonus Tidbits:   * Burt actually chose his own stage name: swapping “Gervis” for *Ward* (his mother's maiden name) and altering “Bert” to “Burt” because it had more punch. ([Wikipedia][3], [Classic Movie Hub - CMH][1]) * He holds a **Guinness World Record** for portraying the same live-action superhero in the most episodes (120 as Robin). ([Facts.net][7], [The Famous People][8]) * In **2020**, Burt received a star on the **Hollywood Walk of Fame**—a fitting tribute to the iconic Boy Wonder. ([Hollywood Walk of Fame][9])   To understand the deep meaning of redemption in Greek scripture, it is essential to explore the key terms used by New Testament writers, primarily agorazō and its cognates (exagorazō), and lytron with its related forms (apolytrōsis, lytrōsis). These words paint a picture of redemption as a decisive, costly, and legally binding rescue from the slavery of sin and its consequences.  Key Greek words for redemption Agorazō (ἀγοράζω) and exagorazō (ἐξαγοράζω) The verb agorazō means "to buy or purchase" and is derived from agora, the Greek marketplace or slave market. The related verb exagorazō, which means "to buy out or buy from," intensifies this meaning.  Bought at a price: The use of agorazō emphasizes that humanity was on the auction block of sin but has been purchased by Christ. Paul writes in 1 Corinthians 6:20, "For you were bought with a price" (ēgorasthēte timēs), underscoring the high cost of this purchase. Freedom from the Law: The more intensive term exagorazō highlights a targeted purchase designed to remove something or someone from their previous state. For example, Galatians 4:5 says Christ came to "redeem those who were under the law" (exagorazō tous hupo nomon). This signifies not just a general purchase but a deliberate act of freeing people from the curse and bondage of the Law.  Lytron (λύτρον), apolytrōsis (ἀπολύτρωσις), and lytrōsis (λύτρωσις) This cluster of words emphasizes the idea of a ransom payment that brings about release. Lytron (ransom price): Lytron specifically refers to the monetary price paid to free a slave or captive. In Matthew 20:28 and Mark 10:45, Jesus says he came "to give his life as a ransom (lytron) for many," directly comparing his death to a payment made to secure the freedom of others. Apolytrōsis (completed redemption): The preposition apo is an intensifier, making apolytrōsis a "stronger form" of the word that denotes a complete and finalized liberation. This is the word used when describing the future, full redemption of believers' bodies at the resurrection (Romans 8:23) and the day of ultimate redemption (Ephesians 4:30). Lytrōsis (the experience of release): This noun refers to the deliverance or liberation that results from the payment of a ransom. Hebrews 9:12 explains that Christ "obtained eternal redemption (lytrōsis) for us".  The holistic and progressive nature of redemption The deep meaning of redemption in the Greek New Testament moves beyond a simple, one-time transaction to a multi-faceted and progressive work of God.  Past: An accomplished fact The price for sin has been paid through Christ's death on the cross, accomplishing a decisive and objective redemption for all believers. The sacrifice of Christ is the ultimate ransom (lytron), securing our justification and the forgiveness of sins (Romans 3:24).  Present: An ongoing reality The power of redemption is at work in believers' lives, delivering them from sin's power and purifying them to be a people for God's possession (Titus 2:14). As part of this transformation, believers are no longer slaves to sin but bondservants of righteousness (Romans 6:18).  Future: A complete deliverance Redemption is not yet fully realized. Believers "groan inwardly as we wait eagerly for our adoption as sons, the redemption of our bodies" (Romans 8:23). The final stage of redemption will be the complete liberation from corruption and the resurrection of our bodies when Christ returns (Luke 21:28).  A covenantal and communal significance Understanding the Greek word for redemption also brings with it significant implications for our relationship with God and others.  A treasured possession (peripoiēsis) 1 Peter 2:9 refers to believers as "a people for his own possession (peripoiēsis)." The Greek term highlights that God did not simply purchase us to release us, but to acquire and preserve us as his treasured property. This identity echoes the Old Testament concept of Israel as God's segullah, his special, prized possession.  Motivating holiness - HOLY MOTIVATION BATMAN The knowledge that we belong to God motivates believers to live holy lives and not grieve the Holy Spirit (Ephesians 4:30). The infinite cost of our redemption, the blood of Christ (1 Peter 1:18–19), calls believers to live not for themselves but for Christ. 

Few politicians produced the musical reaction that Ronald Reagan did. His California-branded conservatism inspired countless young people to pick up guitars and thrash out their political angst. Punk bands across the United States took aim at the man, his presidency, and the idea of America he was selling to voters nationwide. Small yet vibrant scenes across the country emerged to challenge the communal norms and social values projected on them by the popular media and consumer culture. Punk enthusiast Robert Fitzgerald argues that these songs' lyrics aren't just catchy and fun to scream along with; they also reveal the thoughts and feelings of artists reacting to their political environment in real, forthright, and uncensored time.In Hardcore Punk in the Age of Reagan (UNC Press, 2025), Fitzgerald shows how these lyrics illustrated what young adults felt and how they reacted to one of the most influential and divisive leaders of the era. Punk lyrics are seemingly simple, the author argues, but they sketch out a complex, musically inspired countermovement that is as canonical in the American songbook as the folk and rock protest music that came before. Robert Fitzgerald is a laboratory school administrator and a lifelong punk fan. Robert Fitzgerald on UNC Press's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Pamela Des Barres, born in California, emerged from the 1960s Los Angeles rock scene as both participant and witness. Introduced to Captain Beefheart in high school, she soon immersed herself in the vast Los Angeles demimonde, befriending and dating musicians from The Byrds to Led Zeppelin. With Frank Zappa's guidance, she co-founded the performance collective the GTOs, documenting her experiences in diaries that became the foundation of her seminal memoir I'm With the Band. She later married rocker Michael Des Barres—also known to television audiences for his role as the assassin Murdoc on MacGyver. Pamela herself went on to publish multiple books and establish a career as an author, teacher, and chronicler of rock history, in her role as the definitive voice of the “groupie.”

The word "like" has been around for centuries, but it reached a new cultural prominence in the 1980s, partially thanks to Frank Zappa's song "Valley Girl." Since then, "like" has taken on a life of its own, inspiring strong emotions. This hour, we look at the meaning and evolution of "like." Plus, how movies like the now 30-year-old Clueless have impacted our language. GUESTS: Megan C. Reynolds: An editor at Dwell and author of Like: A History of the English Language’s Most Hated (and Misunderstood) Word Kory Stamper: Lexicographer and author of Word By Word: The Secret Life of Dictionaries Veronica Litt: English Professor and author of Ugh! As If!: Clueless Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Great to be back with Timothy Finn for our always electic and enjoyable musical banter. This time new videos for older tunes, documentaries, oddities and more featuring Billy Joel, Buckingham/Nicks, Talking Heads, Frank Zappa, upcoming live shows, and other updates. Enjoy!

Joining host Michael Azevedo on this episode is Jonathan Berman, director of the newly restored documentary "Commune." Originally released in 2005, the film has been newly restored with vibrant sound and picture quality and is currently making the rounds at movie houses across the US.    Commune chronicles the story of Black Bear Ranch, launched in 1968 with help from luminaries like The Doors, Frank Zappa, and The Monkees. This abandoned goldmine transformed into a hub for radical living, fueled by the motto "Free Land for Free People."   The film is packed with rare interviews—including with well-know actor and frequent documentary narrator Peter Coyote—as well as home movies and candid stories that unpack the contradictions, challenges, and wild hope behind the commune movement.   From free love and experiments in co-parenting, to the practical struggles of survival, "Commune" lets viewers consider what it really takes to build, and sustain, genuine community.   Learn more about screenings near you: https://www.opensignalstudios.com/films/commune   Making Media Now is sponsored by Filmmakers Collaborative, a non-profit organization dedicated to supporting media makers from across the creative spectrum. From providing fiscal sponsorship to presenting an array of informative and educational programs, Filmmakers Collaborative supports creatives at every step in their journey. About the host: www.writevoicecreative.com and https://www.linkedin.com/in/michael-azevedo/   Sound Engineer: A.J. Kierstead  

Sometimes the universe doesn't operate on a level playing field. What we learned in preschool. Song lyrics that are saving us now. The Thunderbirds at the Chicago Air and Water Show have wrought chaos at Turi's house. Marci admits to liking the Hamburger Helper Hand on her daughter's but...or at least preferring it to the ear guages. 

In this episode, Nathan sits down with documentary filmmaker Jonathan Berman to discuss the newly restored 20th anniversary release of his 2005 film Commune—a fascinating portrait of Black Bear Ranch, a real-life countercultural commune founded in 1968 with help from rock legends like The Doors, Frank Zappa and The Monkees.Together, they explore the ideals and contradictions of communal living, what it means to build something outside the system and why Commune feels more relevant than ever in today's fractured world. Jonathan shares the behind-the-scenes journey of tracking down former residents, preserving decades-old archival footage and telling a story that still sparks conversation and curiosity.Whether you're drawn to the 1960s counterculture, alternative living experiments or just love thoughtful documentary filmmaking—this is a conversation worth tuning into.Watch the film / Learn more: communethemovie.comFollow the film on Instagram: @communethemovie More from Jonathan Berman: OpenSignalStudios.comRead Nathan's thoughts on ‘Commune.'Support the podcast: https://www.buymeacoffee.com/moviesarelife

Award-nominated composer Andrew McCrorie-Shand joins Francesca de Valence to share a songwriting journey shaped by curiosity, cinematic vision, and emotional depth. From hit TV themes like Teletubbies to reflective solo work, Andy's decades-spanning career reveals the power of imagination and storytelling in music.About Andrew: Andy is a multi-instrumentalist, arranger, producer and composer. As a teen he was greatly influenced by the American rock musician, composer and filmmaker Frank Zappa and British rock musician Keith Emerson. In 1974 Andy joined the progressive rock band Druid, with whom he co-composed and recorded 2 albums for EMI: Toward the Sun (1975) and Fluid Druid (1976). He went on to play with Curved Air, which included a pre-Police Stewart Copeland on drums.Contact Andrew: WebsiteSong Credit: “Streetlights" - Written by Andrew McCrorie-Shand. Performed by Andrew McCrorie-Shand.Ready to deep dive into songwriting? Join our 10-week online intensive course to write 10 new songs with lessons, personalised mentorship and practical tools to refine your craft. Learn more at iheartsongwritingclub.com/songwritingcourses.Find out more and contact us at I Heart Songwriting Club & Francesca de Valence.Get your creativity, confidence, and songwriting output flowing. Join The Club and receive the support and structure to write 10 songs in 10 weeks and get feedback from a private peer community. Just getting started on your songwriting journey and need more hands-on support? Establish a firm foundation and develop your musical and lyric skills with our Beginner Songwriting Courses. Don't struggle to write your next album - write an album a year with ease! Watch our Free Songwriting Masterclass. Get songwriting insights from I Heart Songwriting Club: Instagram / Facebook / YouTubeBe inspired by Francesca on socials: YouTube / Facebook / InstagramTheme song: “Put One Foot In Front Of The Other One” music and lyrics by Francesca de Valence If you love this episode, please subscribe, leave a review and tell everyone you know about The Magic of Songwriting.

Musik ist Trumpf ist zurück aus der Sommerpause. Till & Henning feiern Frankreich. Französische Kultur, die auf so vielen GebietenVorreiter war und ganze Genres geprägt hat. Dazu gibt es wieder persönliche Geschichten von Tills „je suis boulangerie“ Frankreichurlaub und Henning berichtet wie der berühmte Modeschöpfer Jean-Paul Gaultier den Gruppennamen „H-Blockx“ auf französich ausspricht. Mehr geht nicht! C´ést magnifique, c´ést Musik ist Trumpf! Die Songs der Sendung: 1) C´ést comme ca / Les Rita Mitsouku2) Antisocial / Trust3) Oxygène, Pt. IV / Jean-Michel Jarre4) Dimanche à Orly / Gilbert Becaud5) Silver Groover / F.F.F.6) Cours vite / Silmarils7) Signatune / DJ Mehdi8) Le Bien, le Mal / Guru, MC Solaar Links zur Sendung: Gilbert Becaud: Ein bisschen Glück und Zärtlichkeithttps://www.youtube.com/watch?v=7WMghyfWw80 Thorsten Schütte: Eat that question! Dokumentarfilm (2016) über Frank Zappa.https://en.wikipedia.org/wiki/Eat_That_Question:_Frank_Zappa_in_His_Own_Words Made in France – DJ Mehdihttps://www.arte.tv/de/search/?q=Made%2Bin%2BFrance&genre=all Informationen zu unserem Werbepartner:Das 3 Tagesticket für den Guitar Summit vom 26.9. - 28.9.24 in Mannheim jetzt bestellen auf www.guitarsummit.de ! Es gibt 10% Rabatt mit dem Code TRUMPF10 . Till ist am Freitag, dem 26.9. live auf dem Guitar Summit (Rockantenne Stage) mit einer Live-Folge von "Musik ist Trumpf“ u. Samstag, 27.9. mit einer Live-Folge seiner Gitarre & Bass-Kolumne „Till & Tone“! Hosted on Acast. See acast.com/privacy for more information.

Few politicians produced the musical reaction that Ronald Reagan did. His California-branded conservatism inspired countless young people to pick up guitars and thrash out their political angst. Punk bands across the United States took aim at the man, his presidency, and the idea of America he was selling to voters nationwide. Small yet vibrant scenes across the country emerged to challenge the communal norms and social values projected on them by the popular media and consumer culture. Punk enthusiast Robert Fitzgerald argues that these songs' lyrics aren't just catchy and fun to scream along with; they also reveal the thoughts and feelings of artists reacting to their political environment in real, forthright, and uncensored time.In Hardcore Punk in the Age of Reagan (UNC Press, 2025), Fitzgerald shows how these lyrics illustrated what young adults felt and how they reacted to one of the most influential and divisive leaders of the era. Punk lyrics are seemingly simple, the author argues, but they sketch out a complex, musically inspired countermovement that is as canonical in the American songbook as the folk and rock protest music that came before. Robert Fitzgerald is a laboratory school administrator and a lifelong punk fan. Robert Fitzgerald on UNC Press's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Few politicians produced the musical reaction that Ronald Reagan did. His California-branded conservatism inspired countless young people to pick up guitars and thrash out their political angst. Punk bands across the United States took aim at the man, his presidency, and the idea of America he was selling to voters nationwide. Small yet vibrant scenes across the country emerged to challenge the communal norms and social values projected on them by the popular media and consumer culture. Punk enthusiast Robert Fitzgerald argues that these songs' lyrics aren't just catchy and fun to scream along with; they also reveal the thoughts and feelings of artists reacting to their political environment in real, forthright, and uncensored time.In Hardcore Punk in the Age of Reagan (UNC Press, 2025), Fitzgerald shows how these lyrics illustrated what young adults felt and how they reacted to one of the most influential and divisive leaders of the era. Punk lyrics are seemingly simple, the author argues, but they sketch out a complex, musically inspired countermovement that is as canonical in the American songbook as the folk and rock protest music that came before. Robert Fitzgerald is a laboratory school administrator and a lifelong punk fan. Robert Fitzgerald on UNC Press's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices

Few politicians produced the musical reaction that Ronald Reagan did. His California-branded conservatism inspired countless young people to pick up guitars and thrash out their political angst. Punk bands across the United States took aim at the man, his presidency, and the idea of America he was selling to voters nationwide. Small yet vibrant scenes across the country emerged to challenge the communal norms and social values projected on them by the popular media and consumer culture. Punk enthusiast Robert Fitzgerald argues that these songs' lyrics aren't just catchy and fun to scream along with; they also reveal the thoughts and feelings of artists reacting to their political environment in real, forthright, and uncensored time.In Hardcore Punk in the Age of Reagan (UNC Press, 2025), Fitzgerald shows how these lyrics illustrated what young adults felt and how they reacted to one of the most influential and divisive leaders of the era. Punk lyrics are seemingly simple, the author argues, but they sketch out a complex, musically inspired countermovement that is as canonical in the American songbook as the folk and rock protest music that came before. Robert Fitzgerald is a laboratory school administrator and a lifelong punk fan. Robert Fitzgerald on UNC Press's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Scott Robinson joins the show. Frank Zappa. Evel Knevel. Music talk.

Few politicians produced the musical reaction that Ronald Reagan did. His California-branded conservatism inspired countless young people to pick up guitars and thrash out their political angst. Punk bands across the United States took aim at the man, his presidency, and the idea of America he was selling to voters nationwide. Small yet vibrant scenes across the country emerged to challenge the communal norms and social values projected on them by the popular media and consumer culture. Punk enthusiast Robert Fitzgerald argues that these songs' lyrics aren't just catchy and fun to scream along with; they also reveal the thoughts and feelings of artists reacting to their political environment in real, forthright, and uncensored time.In Hardcore Punk in the Age of Reagan (UNC Press, 2025), Fitzgerald shows how these lyrics illustrated what young adults felt and how they reacted to one of the most influential and divisive leaders of the era. Punk lyrics are seemingly simple, the author argues, but they sketch out a complex, musically inspired countermovement that is as canonical in the American songbook as the folk and rock protest music that came before. Robert Fitzgerald is a laboratory school administrator and a lifelong punk fan. Robert Fitzgerald on UNC Press's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression. In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism. Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism. Frank Zappa's Americexamines the musician's messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it. Bradley Morgan, a media arts professional based in Chicago, is the author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships for CHIRP Radio 107.1 FM and directs the station's music film festival. Morgan also interviews authors of music and pop culture books for the New Books Network podcast. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

We got a couple of world-class curmudgeons here - who share more than might meet the ear initially: two native Californians renown for their curdled opinion of the world they inhabit, and the populace with whom they share the space; We're talking Hollywood, specifically, but their bile was generous enough to accommodate the whole of humanity - in all its corrupt, hypocritical manifestations; both lost too early - victims of cancer's cruelty; both musical geniuses with solid classical training and rock n roll credentials; and, funny? Goddamn right, they were!Frank Zappa and Warren Zevon, two outlaws who could not be silenced or ignored are being celebrated here today. It should be noted that Frank was inducted posthumously into the Rock n Roll Hall of Fame; Warren is still owed his due. FRANK ZAPPAThe man loved freaks, and had to create his own label to promote them. From the time he appeared on the Steve Allen show in the early 60's, playing the bicycle, to the early 90's, when he visited Czech Republic as an honored guest to the President, playwright-turned politician, Vaclav Havel after their Velvet Revolution, and throughout his vociferous fight against censorship in the halls of our Congress, Frank always stood strong for freedom of expression, and against hypocrisy.In “Plastic People” from his second album ABSOLUTELY FREE, you can hear so many elements mixed together that have become tropes: the abrupt changes in tempo and mood, the stinging social satire, the weird orchestration, the rock n roll name checks…. Good stuff!WARREN ZEVONWe always knew that Warren was tortured by demons. He struggled with his alcoholism for a long time and was subject to depression. But, despite it all he kept his unique humorous perspective. And, with a prodigious gift for melody, he wrote some of pop's most haunting ballads. He was, to borrow the words of Kris Kristofferson, a “walking contradiction” who could go to the darkest of dark sides, like in his rockers about serial killers, such as Excitable Boy and Werewolves of London - then, swing 180 degrees to express wrenching heartbreak in such timeless elegies as Hasten Down the Wind and Carmelita.In Splendid Isolation you get both - the swinging of the hips, and the stinging of the poisoned barb. It has an autobiographical persuasion which illuminates the soul of a man who longs to be left alone - the world is just too fucked up to navigate. There's a bitter sadness articulated, but its flavored with that ever-present Zevon wit. 

From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression. In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism. Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism. Frank Zappa's Americexamines the musician's messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it. Bradley Morgan, a media arts professional based in Chicago, is the author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships for CHIRP Radio 107.1 FM and directs the station's music film festival. Morgan also interviews authors of music and pop culture books for the New Books Network podcast. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression. In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism. Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism. Frank Zappa's Americexamines the musician's messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it. Bradley Morgan, a media arts professional based in Chicago, is the author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships for CHIRP Radio 107.1 FM and directs the station's music film festival. Morgan also interviews authors of music and pop culture books for the New Books Network podcast. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression. In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism. Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism. Frank Zappa's Americexamines the musician's messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it. Bradley Morgan, a media arts professional based in Chicago, is the author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships for CHIRP Radio 107.1 FM and directs the station's music film festival. Morgan also interviews authors of music and pop culture books for the New Books Network podcast. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression. In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism. Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism. Frank Zappa's Americexamines the musician's messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it. Bradley Morgan, a media arts professional based in Chicago, is the author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships for CHIRP Radio 107.1 FM and directs the station's music film festival. Morgan also interviews authors of music and pop culture books for the New Books Network podcast. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Bruce Sudano is a singer, songwriter, and storyteller whose music draws deeply from a lifetime of love, heartache, struggle, and spirituality. A true New Yorker at heart, Bruce formed his first band at age 13 and was performing in clubs not long after, quickly immersing himself in the vibrant local music scene.He first made waves on the charts in 1969 with "Ball of Fire," co-written with Tommy James, followed by the 1970 hit "Tighter, Tighter" with his band Alive N Kickin', which opened for acts like Chicago and Frank Zappa. In 1977, Bruce co-founded the band Brooklyn Dreams, which signed with Millennium Records and soon found success collaborating with Donna Summer. Together, they co-wrote the chart-topping hit “Bad Girls” and appeared on her Top 5 single “Heaven Knows.” Bruce and Donna also began a personal relationship, eventually marrying.Over the decades, Sudano has continued to evolve as a solo artist. His latest album, Talkin' Ugly Truth, Tellin' Pretty Lies, showcases his signature blend of soul, rhythm, and lyrical introspection. The album features the anthemic “Make The World Go Away,” produced by hitmaker Ken Lewis, and the heartfelt duet “Two Bleeding Hearts” with legendary singer/songwriter Valerie Simpson.Highlights from Toby Gribben's Friday afternoon show on Shout Radio. Featuring chat with top showbiz guests. Hosted on Acast. See acast.com/privacy for more information.

In this fiery episode of Packernet After Dark, host Ryan and passionate Packers fans dive into the latest training camp updates, highlighting the standout performances of Lucas Van Ness, the defensive backs, and the beefy offensive and defensive lines. Callers weigh in on the excitement around Green Bay's roster depth, while poking fun at Bears fans' overhyped expectations for Caleb Williams, who's struggling in camp. From hilarious rants about media narratives to a call for an AI-crafted Packers anthem, this episode is packed with unfiltered fan energy and insights. Plus, we discuss the coaching fit, player development timelines, and why big dudes in the trenches are the key to dominance. Don't miss the Frank Zappa-inspired outro! To advertise on this podcast please email: ad-sales@libsyn.com Or go to: https://advertising.libsyn.com/packernetpodcast

In this fiery episode of Packernet After Dark, host Ryan and passionate Packers fans dive into the latest training camp updates, highlighting the standout performances of Lucas Van Ness, the defensive backs, and the beefy offensive and defensive lines. Callers weigh in on the excitement around Green Bay's roster depth, while poking fun at Bears fans' overhyped expectations for Caleb Williams, who's struggling in camp. From hilarious rants about media narratives to a call for an AI-crafted Packers anthem, this episode is packed with unfiltered fan energy and insights. Plus, we discuss the coaching fit, player development timelines, and why big dudes in the trenches are the key to dominance. Don't miss the Frank Zappa-inspired outro! To advertise on this podcast please email: ad-sales@libsyn.com Or go to: https://advertising.libsyn.com/packernetpodcast

Five years ago I interviewed a young chap who was making a living as a musician. A week ago I attended his latest album release party at Asbury Lanesand, wow! I can't rave enough about his band, We Used to Cut the Grass.  We talked about Frank Zappa's influence on his music - and Zappa's misogyny - as well as his attitude toward different music genres, from rap to classical to country. His opinions might surprise you! Here's a link to Cody's YouTube channel. Check it out! https://www.youtube.com/user/vestibulemusic/about    Pardon the background noise. It was during Covid so we talked on my deck. 

Gibby Haynes discusses his upcoming EU/UK tour, the completed Butthole Surfers documentary, early punk memories, near-death stage experiences, vinyl reissues and lots more. EU/UK Tour Tickets here  Topics Include: Gibby discusses upcoming European & UK tour with Scott Thunes and musical kids Tour dates are limited, zero chance of expansion beyond Europe/UK Scott Thunes was Frank Zappa's former bassist and "clone meister" Gibby confirms he's a Frank Zappa fan, particularly loved "Apostrophe" album Lost interest in Zappa after "Apostrophe" due to scatological humor focus Initial confusion about Scott Thunes - Gibby doesn't know who he is Clarifies he works with Paul Green's School of Rock for 20 years Scott Thunes may be coming on tour, is friend of Paul Green Gibby has no direct connection to Scott Thunes, only knows Paul Green Sometimes tours individually with kids, different kids each time Butthole Surfers once toured Europe with School of Rock as opener Kids' performance quality varies - sometimes really good, sometimes not Gibby lost entire record collection when engineer sold it during tour Collection was 3-4 feet of curated vinyl, mostly punk and hardcore Had valuable Buzzcocks singles collection among other rare records Met record dealer in San Antonio mall who introduced great albums Dealer showed him Devo's first album when it came out Key collection moment was hitchhiking trip to LA in summer 1979 Saw early LA punk shows including Go-Gos opening for Fear LA was only US city where audience spit at bands Witnessed massive amounts of phlegm on Belinda Carlisle during show John Belushi was standing next to him at the Go-Gos show Almost saw the Dickies' "last show" but it was cancelled Dickies are apparently still performing, contrary to expectations Gibby wrote memoir "Me and Mr. Cigar," wants to do sequel Criticizes most musician memoirs as ghostwritten, prefers authentic voices Cites Bob Dylan and Patti Smith as examples of self-written memoirs Discusses looking at legacy, mentions end being closer than beginning Still painting but doesn't do regular gallery shows or solo exhibitions Questions whether rockers are musicians or entertainers, favors entertainment label Believes rockers make better actors than actors make musicians Cites Childish Gambino and Lady Gaga as successful crossover examples Mentions Russell Crowe's band "50 Odd Foot of Grunts" dismissively Did artwork for several album covers including "P" and other releases Sold all artwork at LA gallery show while Sonic Youth members sold none David Yow pointed out his success, making him particularly happy Maintains friendships with successful musicians like Red Hot Chili Peppers Gets VIP access to major shows, brings 15-year-old son along Son says he loves Gibby but frequency might be concerning Kids don't appreciate backstage access until they can drink alcohol Mentions Dwarves show where son enjoyed the beer more than music Discusses Eagles of Death Metal and Queens of Stone Age name quality David Crosby once asked why they chose "Butthole Surfers" as name Responded that "Haynes, Walthall, Pincus and Coffey were already taken" Band appeared on Beavis and Butthead with respectful introduction Used different band names for every show, including outrageous ones Paul Leary nearly died from electrical shock at CBGB performance Sound engineer failed to warn about dangerous electrical outlet Butthole Surfers documentary "The Hole Truth" is completed, seeking distribution Twenty percent of documentary viewers cry during screenings, usually same moment Band controls all their catalog rights across different labels Potential vinyl box set in works, discusses remastering philosophy 50+ Minutes Extra-Extended and high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Greg Koch sits down with guitar virtuoso Dweezil Zappa for a fascinating deep dive into musical authenticity, technical mastery, and the challenge of preserving a legendary legacy. Their conversation reveals the extraordinary dedication required to perform Frank Zappa's intricate compositions, with Dweezil candidly sharing his 14-year journey to truly internalize his father's musical vocabulary.What begins as a discussion about guitar techniques evolves into profound insights about musical connection. Dweezil explains why, despite growing up as Frank Zappa's son, he initially gravitated toward more guitar-centric players, such as Eddie Van Halen, before tackling his father's complex work. He compares performing Frank's arrangements to an "orchestral mindset" where precision and teamwork are paramount, revealing that despite years of touring, he must essentially relearn most pieces before each performance.The conversation takes unexpected turns through musical philosophy, modern guitar culture, and the realities of today's music industry. Dweezil offers a valuable perspective for independent musicians, suggesting that cultivating meaningful relationships with a dedicated fanbase is far more sustainable than chasing mainstream success: "Instead of trying to get a dollar from a million people, what if you cultivated a relationship with 10,000 people who want to spend a hundred dollars every year?" Throughout their exchange, both guitarists reflect on finding balance between technical skill and emotional connection, agreeing that the ability to move an audience often transcends pure virtuosity.

MRC welcome back all-time Marvel expert Douglas Wolk to discuss the books of February 1968, featuring Amazing Spider-Man 57, Daredevil 37, Thor 149, Tales to Astonish with Namor and Hulk 100, and X-Men 41! More amnesia! Dr. Doom meets Galactus (in Daredevil)! Frank Zappa! Massive coincidences! Grotesk with a K! Check it out!

Eliott Edge revisits his first book, Three Essays in Virtual Reality, while giving us a sneak preview of his thinking for his upcoming opus on Simulation theory. Edge is a critically-acclaimed author, artist, and international speaker. Edge has published and presented through The Institute of Ethics and Emerging Technologies, The University of Melbourne, Stevens Institute of Technology, Anthology Film Archives, The C.G. Jung Center, The Fenris Wolf, The Museum of Computer Arts, VRTO, Block Seoul, and Disinformation.Names cited:Ayn Rand, Bob Monroe, Nick Bostrom, Carlos Castaneda, Charles Eisenstein, Chris Anderson, Daniel Dennett, David Graeber, Elon Musk, Frank Zappa, Jeffrey Epstein, John Ellis, Kurt Gödel, Lawrence Krauss, Nick Land, Peter Thiel, Rupert Sheldrake, Susan Blackmore, Thomas Campbell, Walter Kirn, Zoltan Istvan Team Human is proudly sponsored by Everyone's Earth.Learn more about Everyone's Earth: https://everyonesearth.com/Change Diapers: https://changediapers.com/Cobi Dryer Sheets: https://cobidryersheets.com/Use the code “rush10” to receive 10% off of Cobi Dryer sheets: https://cobidryersheets.com/Support Team Human on Patreon: https://www.patreon.com/teamhumanFollow Team Human with Douglas Rushkoff:Instagram: https:/www.instagram.com/douglasrushkoffBluesky: https://bsky.app/profile/rushkoff.comGet bonus content on Patreon: patreon.com/teamhuman Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.