Podcasts about Frank Zappa

When Folk went Electric, a lot credit goes to Roger McGuinn and the Byrds! They also were among the first to move to Laurel Canyon along with the Beach Boys, Joni Mitchell, Frank Zappa, members of Buffalo Springfield and a lot more. There was a lot of magic being created in those hills. This was the time of The British Invasion, but the Canyon gave Americans, and Brits alike, a place to hang. Dig in and enjoy the lifestyle, the sounds and the magic of Laurel Canyon. There's a documentary, Echo In The Canyon, hosted by Jakob Dylan, which highlights the impact of that time period in Rock & Roll, as well as the place's significance in music, culture and art. This episode was completely inspired by seeing the documentary on Netflix. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of Vinyl Community Podcasts, host Sam St. John (Americana Sam) sits down with Nashville multi-instrumentalist Matt Glassmeyer for a fascinating conversation about improvisation, analog recording, musical creativity, and his new supergroup Slow Accordion. Featuring Glassmeyer alongside Oliver Wood of The Wood Brothers, bassist Ted Pecchio, and drummer Mark Rautabaugh, Slow Accordion brings four distinctive musical personalities together for an exploratory instrumental project built around improvisation. Matt takes Sam inside the formation of the group, explaining how four musicians who had crossed paths in different ways entered the studio without a rigid roadmap and discovered their sound by simply listening and reacting to one another. The conversation also dives deep into the making of Slow Accordion's self-titled debut, released by Royal Potato Family Records. Recorded in Glassmeyer's home studio using just four microphones and a four-track tape machine, the album embraces a raw, lo-fi analog approach where limitations become part of the creative process. Matt discusses why watching the tape physically roll while recording changes the way musicians perform, why fewer options can actually produce better results, and what modern recording may have lost in the age of unlimited digital takes. From there, Sam and Matt explore the larger history and philosophy of musical improvisation—from jazz and blues to fusion, jam bands, Americana, old-time music, and experimental sounds. They discuss everyone from Cecil Taylor and Keith Jarrett to Chick Corea, Weather Report, Frank Zappa, Joni Mitchell, and Bob Dylan, while questioning how useful genre labels really are when artists refuse to stay inside clearly defined musical boundaries. They also look ahead to Slow Accordion's live performances, where the group is learning how to recreate the spontaneity and space of its studio sessions in front of an audience. And then there's the description that may capture Slow Accordion better than any genre ever could: “the anti-AI summer soundtrack we all need.” In a world increasingly dominated by computers, algorithms, and artificial intelligence, Slow Accordion represents four musicians in a room, playing together in real time, recording to tape, making mistakes, reacting to each other, and trying to create something that exists only in that particular moment. It's an insightful conversation about improvisation, analog recording, vinyl, technology, artistic expression, and the very human act of making music. For fans of vinyl records, jazz, Americana, experimental music, The Wood Brothers, analog recording, improvisational music, or discovering artists outside the mainstream, this is an episode you won't want to miss! Vinyl Community Podcasts — podcasts for, by, and about members of the Vinyl Community.  

Urmăriți un material care ne prezintă un interviu cu Frank Zappa, celebrul compozitor și muzician, în care acesta spunea cu fermitate lucruri care astăzi au devenit evidente în ce privește școala și modul în care ea este folosită pentru a crea oameni ce pot fi foarte ușor controlați.Vizionare plăcută!Pentru Pomelnice și Donații accesați: https://www.chilieathonita.ro/pomelnice-si-donatii/Pentru mai multe articole (texte, traduceri, podcasturi) vedeți https://www.chilieathonita.ro/

    Photo: Sabrina Santiago Early in his career, photographer and current New York Times photo editor Jeffrey Henson Scales documented the Black Panther Party in the late 1960s. These photographs were compiled in his 2022 monograph In a Time of Panthers: Early Photographs. During the 1970s, he worked in the music industry as a tour manager, production director, and equipment manager for acts including Minnie Riperton, Cher and Frank Zappa. He also shot album covers, film posters, and promotional photography for groups such as Michael Jackson, The Bangles, and Arrested Development. Jeffrey's photo work was featured in the National Gallery of Art's 2025 exhibition Photography and the Black Arts Movement, 1955–1985. His photographs are held in the permanent collections of both the Museum of Modern Art and the National Gallery of Art.

In this episode, Rich and Jim sit down with drummer, composer, and educator John Wackerman to talk about the Wackerman dynasty, from their band-director dad Chuck to brothers Chad, Bob, Brooks, and John's own genre-hopping career.John shares stories from the road and studio with Frank Zappa, Maynard Ferguson, Alan Holdsworth, Family Matters, Vegas headliners, and more. He breaks down his all-star drum duets project with Steve Gadd, Alex Acuña, Ronnie Tutt, Steve Smith, Terry Bozzio, Taylor Hawkins, and others, plus the origin story of DW Drums, a private masterclass with Stuart Copeland, and why discipline and reading still matter in a click-track world.Timed Highlights0:00 Show and sponsor intro1:00 Jim on his son's musical talent and parenting a creative kid2:12 Rich on being an “overeducated rock drummer” and closet rocker5:18 Mapping the Wackerman dynasty: Chuck, Chad, Bob, Brooks, and John7:56 How the drum duets project was born and why Alex Acuña went first12:12 The real DW Drums origin story: Drum Workshop, Camco, and the double pedal16:00 Vegas era: Mandalay Bay, Zumanity, and drummer coffee hangs21:12 Moving from L.A. to Vegas to Nashville and lifestyle tradeoffs26:01 A half-day film-scoring masterclass at Stuart Copeland's house33:30 Recording Steve Gadd in Rochester when the SSL console dies40:48 Maynard Ferguson's band: 300 dates a year, buses, clinics, and survival48:02 Growing up in a house full of drums, vibes, and serious practice54:20 Their dad's pioneering jazz program and what “passion” meant at home1:03:00 Brooks's journey from Bad For Good to Bad Religion to Avenged Sevenfold1:10:20 Charts vs memory: how different drummers approach complex gigs1:18:30 Drummers and cars: classic 911s, Audis, and gearhead confessions1:32:40 John's vegetarian routine, health, and daily fuel1:40:52 Letting go of CDs and DVDs and living in a streaming world1:49:05 John Wackerman Drum Academy plans and Rich's clinic/tour schedule1:52:10 Closing plugs, mugs, and where to find John onlineLinks:The Rich Redmond Show site:therichredmanshow.comRich Redmond:richredmond.comPodcast production:itsyourshow.coDrum-tensive study with Rich:drumtensive.comGuest:johnwackerman.com

Rhino Records co-founder Richard Foos reveals how a scrappy record shop invented reissue culture, chasing master tapes, getting arrested for selling bootleg records, memories of Frank Zappa, Darby Crash and more. Topics Include: Foos discusses being called originator of reissue culture, credits early employee's phrase. Started as a Los Angeles record shop in 1973. Recalls how scarce and cheap rare records were before collecting culture existed. Describes hunting records at warehouses, swap meets, and Salvation Army stores. Notes punk rock's DIY ethos sparked broader music fandom and collecting. Rhino's shop became a punk hangout; Darby Crash was banned for chaos. Explains how punk bands pressed 45s since albums were too costly. James Brown's out-of-print catalog became Rhino's breakthrough first major reissue. Details licensing process: major labels' passive licensing departments simply approved requests. Rhino insisted on original master tapes, never secondary sources or stampers. Engineer Bill Englott restored recordings purely, never altering original mixes. Some projects stalled without usable masters, like a punk box set. Nuggets compilation missed "96 Tears" for years due to licensing issues. Foos explains Rhino's sequencing philosophy: welcoming newcomers, not strict chronology. Doo-wop box set, initially unpopular internally, became Rhino's best-selling release. Discusses 20-25 year nostalgia cycles driving collectibility of past decades' music. Notes scarce 2000s vinyl pressings now make that era highly collectible. Rhino focused on best listening experience over rarities for rarity's sake. Foos recounts pre-Rhino bootlegging ties and friendship with bootleg artist Bill Stout. Reveals he was arrested for selling bootlegs during a warehouse sale. Discusses how record labels misunderstood fandom, limiting artist output and bootlegs. Reflects on vinyl's spiritual appeal despite many records never being played. Compares cassette-era scarcity to streaming's shifting availability of licensed content. Predicts streaming remains the future, praises YouTube's vast musical accessibility. Doubts catalog values will keep rising, questions which artists endure historically. Criticizes a post-Rhino "L.A. Nuggets" box set for prioritizing rarity over listenability. Recalls Kinky Friedman rejecting a hits compilation over disliking his originals. Explains publishing hurdles licensing music for Freaks and Geeks and WKRP DVDs. Describes working with Frank Zappa on Beat the Boots and elaborate packaging. Shares current work: Shout Factory, wife's Narrative Method, and a new podcast. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Laid-back jazz in the first hour, witch-y psychedelia in the second, and an anything-goes third hour featuring Frank Zappa, Fiver, Art Feynman, half of Eric's Trip, and some trippy, drone-inspired Gaelic sounds. Hope you enjoy them, stay out of the smoke, and I'll see you in two weeks.Playlist: Koen Holtkamp - Slow Fox RunPeals - Become YoungerCédric Dind-Lavoie - LignesOHMA - With Loving KindnessKiasmos - Burst (Rachika Nayar & Nina Keith Rework)DJ Shadow, featuring Nils Frahm - ScarsKlein Volk - WeidegangAudio Obscura - I Once Dreamed of Building Castles in SpaceAVI - Black CloudDoomsquad - Disremember/DismembermentGhost Cartridge - reading next to a lampRichard Reed Parry, Dallas Good - Are You Gone (When You're Gone)Avi Engel - Underground MusicLaura Misch - KairosThe Operator Sound Inc - Esoteric Space Age WitchcraftEiyn Sof - Mary On His MindWendy & Bonnie - Five O'Clock in the MorningWendy & Bonnie - Endless PathwayMaya Ongaku - Astral EchosVanishing Twin - Sugar StoneThe Sandals - Theme from "The Endless Summer"Dungen - Det Du Tänker Idag Är Du ImorgonEasy Idiot - Exploring with ZootFrank Zappa - Peaches En RegaliaTrá Pháidín - An Béal BochtFiver - That's A JokeArt Feynman - Always in Need of SomethingDada Plan - Vaguely MysticalRick White, Julie Doiron - The QuestionYoo Doo Right - The Failure of Stiff, Tired FriendsFlywheel - Stop Looking At HerFern Murphy - Sun Between ThemSummer Bruises - Eat Our DustZoon - How Many More Times

News of the Bogus: 0:43 – Judge To xAI: If This Law Is So Urgent, Why Did You Wait Three Months To Sue? https://www.techdirt.com/2026/08/03/judge-to-xai-if-this-law-is-so-urgent-why-did-you-wait-three-months-to-sue/ Lala on X https://x.com/keepgoingAnnie/status/2085074084333801962 7:18 – The SCREEN Act Threatens Privacy Far Beyond Adult Websites https://www.eff.org/deeplinks/2026/07/screen-act-threatens-privacy-far-beyond-adult-websites 11:04 – Expansion Of Flock Camera Systems Is Leading To Even More False Positives https://www.techdirt.com/2026/07/29/expansion-of-flock-camera-systems-is-leading-to-even-more-false-positives/ 17:57 – Biggest Bogon Emitter: The Trump Administration The US government just banned Roombas https://www.theverge.com/policy/972312/us-robot-ban-sweep-up-chinese-vacuums 21:35 – Idiot Extraordinaire: Francesca Hong Democratic socialist Francesca Hong defends call to ‘cancel Thanksgiving’ amid Wisconsin governor race https://thehill.com/homenews/campaign/6008235-hong-defends-thanksgiving-post/ This Week’s Quote: “There’s no reason to assume that my idea of what’s better would really be better. I resent it when other people try to inflict their ideas of betterness on me. I don’t think they know. And I can’t see any authority on the horizon that’s got any answers that seem worthwhile.” —Frank Zappa 🔊Pᴏᴅᴄᴀꜱᴛ: https://podcast.bogosity.tv/💬Dɪꜱᴄᴏʀᴅ: https://discord.bogosity.tv/▶️YᴏᴜTᴜʙᴇ: https://www.youtube.com/shanedk▶️Oᴅʏsᴇᴇ: https://odysee.com/%24/invite/@shanedk:4▶️Rᴜᴍʙʟᴇ https://rumble.com/c/shanedk💰Dᴏɴᴀᴛᴇ ᴏʀ ꜱᴜʙꜱᴄʀɪʙᴇ: https://donate.bogosity.tv

She could not simply listen to the soundtrack of the 60s. She had to find a way inside of it… or, at least backstage. She is Glorious Groupie Goddess, Pamela Des Barres and she joins Weezy and Lisa for a captivating conversation about love, music and the cultural revolution that forever changed us all.Pamela reflects on coming of age as the buttoned-up 50s gave way to the clothing optional 60s, when rock music moved minds, stirred loins and invited adventure.Her “Meet The Beatles” album was not just a revelation. Pamela read it as an instruction. At 14, she and her Beatle besotted besties made their way into the hills of Bel Air, spotted a kid on a bike who looked like he lived there. He did. He was Jerry Lewis's son, Ronnie, and he let the girls into his backyard where they crawled through the Beatles-mansion-adjacent bushes and remained there all night until they were picked up, in the morning, not by the Beatles, but by the cops.By age 18, Pamela's tactics had blossomed into: 1) Look cute. 2) Be legally of age. 3) Knock on the stage door. Her subsequent friendships and romances with rock superstars are chronicled in her groundbreaking memoir, I'm With The Band. Here, Pamela reveals remarkable details about her relationships with Keith Moon, Mick Jagger, Jimmy Page, Gram Parsons, Frank Zappa, Jim Morrison and the legends of Laurel Canyon.Frank Zappa was so taken by the music muses that he fashioned Pamela and her fellow fangirls into a dance troupe called GTOs (Girls Together Outrageously). They set the dance tone at The Whiskey and The Shrine, eventually recording their own album! Today, Pamela continues to inspire new generations through her women's writing workshops, rock-and-roll tours, one-woman shows, and live events. She also hints at her next book, 'Sex, God and Rock 'n' Roll', revealing how a lifelong interest in spirituality has paralelled her passion for music.Plus, we challenge Pamela with a round of Rock Star Boyfriend Trivia!In media recommendations --Lisa: Lifestyle influencer Stephanie Joplin, @betterwithchardonnayWeezy: The series, A Woman Of Substance on BritboxPath Points of Interest:Pamela Des BarresBooks by Pamela Des BarresPamela Des Barres on WikipediaPamela Des Barres on FacebookPamela Des Barres on InstagramI'm With The Band by Pamela Des BarresStephanie JoplinA Woman Of Substance Media PathMedia Path on FacebookMedia Path on InstagramMedia Path on XLisa's Upcoming Comedy Dates at Flappers

This is Part 6 of my deep dive into David McGowan's Weird Scenes Inside the Canyon: Laurel Canyon, Covert Ops & the Dark Heart of the Hippie Dream.In this episode, the story shifts from the bands themselves to the strange father figures of Laurel Canyon.We get into John Phillips, The Mamas & The Papas, Frank Zappa, and the question of who was really guiding the scene once the counterculture became more than a few kids with guitars and a dream of escaping the world they came from.John Phillips helped sell one of the most powerful versions of the California myth: sunshine, harmonies, longing, sex, beauty, and the flower-power dream. Frank Zappa stood in the middle of the same world while mocking it, shaping it, and hosting part of it from the famous Log Cabin.So this episode is really about a bigger question:What happens when a movement that claims it is escaping authority starts building new authority figures of its own?This series is not about pretending every connection proves one giant conspiracy. Some of this is documented history, some of it is McGowan's interpretation, and some of it is part of the larger pattern he is trying to map.Website: https://idiotmystic.comBlog: https://idiotmystic.com/blogDiscord: https://discord.gg/dXKjhZrZmMInstagram: https://instagram.com/idiotmysticTikTok: https://tiktok.com/@idiotmystic

Rock 'n' roll appeared in the 1950s as the high-energy, electrically amplified music of young dancers and listeners, first in the United States and then around the globe, and from the beginning it symbolized more than music. First popularized as a marketing rubric to sell African-American rhythm and blues to white teenagers, it stood for racial integration, sexual freedom, youthful rebellion, and for change and modernity. It was never a single kind of music, and historians disagree about when it began and which artists or records should be included in its canon--but it was always a flashpoint, whether condemned as an assault on cultural standards or hailed as the most exciting movement of the twentieth century. Rock ‘N' Roll: A Very Short Introduction (Oxford University Press, 2026) explores the complex musical styles and evolutions of the genre and also examines it as product, symbol, and vehicle of societal change. The introduction seamlessly integrates the genre with elements of 1955-1965's mass influence including the rise of television and niche radio formats, the civil rights movement, a new concept of "teenagers" as a unique age group, and a sexual revolution. Rock 'n' Roll traces the rise and trajectories of the styles and musicians grouped as rock 'n' roll and their journey to becoming emblems of much more Elijah Wald is a Grammy winning writer, musician, and historian. His books include Escaping the Delta: Robert Johnson and the Invention of the Blues; How the Beatles Destroyed Rock 'n' Roll: An Alternative History of American Popular Music; Jelly Roll Blues: Censored Songs and Hidden Histories; The Mayor of MacDougal Street (source for the movie Inside Llewyn Davis); and Dylan Goes Electric! (source for the movie A Complete Unknown). He has taught at various universities and holds a PhD in ethnomusicology and sociolinguistics. Elijah Wald's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Rock 'n' roll appeared in the 1950s as the high-energy, electrically amplified music of young dancers and listeners, first in the United States and then around the globe, and from the beginning it symbolized more than music. First popularized as a marketing rubric to sell African-American rhythm and blues to white teenagers, it stood for racial integration, sexual freedom, youthful rebellion, and for change and modernity. It was never a single kind of music, and historians disagree about when it began and which artists or records should be included in its canon--but it was always a flashpoint, whether condemned as an assault on cultural standards or hailed as the most exciting movement of the twentieth century. Rock ‘N' Roll: A Very Short Introduction (Oxford University Press, 2026) explores the complex musical styles and evolutions of the genre and also examines it as product, symbol, and vehicle of societal change. The introduction seamlessly integrates the genre with elements of 1955-1965's mass influence including the rise of television and niche radio formats, the civil rights movement, a new concept of "teenagers" as a unique age group, and a sexual revolution. Rock 'n' Roll traces the rise and trajectories of the styles and musicians grouped as rock 'n' roll and their journey to becoming emblems of much more Elijah Wald is a Grammy winning writer, musician, and historian. His books include Escaping the Delta: Robert Johnson and the Invention of the Blues; How the Beatles Destroyed Rock 'n' Roll: An Alternative History of American Popular Music; Jelly Roll Blues: Censored Songs and Hidden Histories; The Mayor of MacDougal Street (source for the movie Inside Llewyn Davis); and Dylan Goes Electric! (source for the movie A Complete Unknown). He has taught at various universities and holds a PhD in ethnomusicology and sociolinguistics. Elijah Wald's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Chaz is still buzzing about his first-ever Dave Matthews show, and shared his enthusiasm with Live Nation's Jimmy Koplik. Plus, the Tribe called in their concert questions and stories, from the Rush tour, to MGMT plans, and Frank Zappa. Photo credit: Jimmy Koplik at Summer Jam

Rock 'n' roll appeared in the 1950s as the high-energy, electrically amplified music of young dancers and listeners, first in the United States and then around the globe, and from the beginning it symbolized more than music. First popularized as a marketing rubric to sell African-American rhythm and blues to white teenagers, it stood for racial integration, sexual freedom, youthful rebellion, and for change and modernity. It was never a single kind of music, and historians disagree about when it began and which artists or records should be included in its canon--but it was always a flashpoint, whether condemned as an assault on cultural standards or hailed as the most exciting movement of the twentieth century. Rock ‘N' Roll: A Very Short Introduction (Oxford University Press, 2026) explores the complex musical styles and evolutions of the genre and also examines it as product, symbol, and vehicle of societal change. The introduction seamlessly integrates the genre with elements of 1955-1965's mass influence including the rise of television and niche radio formats, the civil rights movement, a new concept of "teenagers" as a unique age group, and a sexual revolution. Rock 'n' Roll traces the rise and trajectories of the styles and musicians grouped as rock 'n' roll and their journey to becoming emblems of much more Elijah Wald is a Grammy winning writer, musician, and historian. His books include Escaping the Delta: Robert Johnson and the Invention of the Blues; How the Beatles Destroyed Rock 'n' Roll: An Alternative History of American Popular Music; Jelly Roll Blues: Censored Songs and Hidden Histories; The Mayor of MacDougal Street (source for the movie Inside Llewyn Davis); and Dylan Goes Electric! (source for the movie A Complete Unknown). He has taught at various universities and holds a PhD in ethnomusicology and sociolinguistics. Elijah Wald's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Rock 'n' roll appeared in the 1950s as the high-energy, electrically amplified music of young dancers and listeners, first in the United States and then around the globe, and from the beginning it symbolized more than music. First popularized as a marketing rubric to sell African-American rhythm and blues to white teenagers, it stood for racial integration, sexual freedom, youthful rebellion, and for change and modernity. It was never a single kind of music, and historians disagree about when it began and which artists or records should be included in its canon--but it was always a flashpoint, whether condemned as an assault on cultural standards or hailed as the most exciting movement of the twentieth century. Rock ‘N' Roll: A Very Short Introduction (Oxford University Press, 2026) explores the complex musical styles and evolutions of the genre and also examines it as product, symbol, and vehicle of societal change. The introduction seamlessly integrates the genre with elements of 1955-1965's mass influence including the rise of television and niche radio formats, the civil rights movement, a new concept of "teenagers" as a unique age group, and a sexual revolution. Rock 'n' Roll traces the rise and trajectories of the styles and musicians grouped as rock 'n' roll and their journey to becoming emblems of much more Elijah Wald is a Grammy winning writer, musician, and historian. His books include Escaping the Delta: Robert Johnson and the Invention of the Blues; How the Beatles Destroyed Rock 'n' Roll: An Alternative History of American Popular Music; Jelly Roll Blues: Censored Songs and Hidden Histories; The Mayor of MacDougal Street (source for the movie Inside Llewyn Davis); and Dylan Goes Electric! (source for the movie A Complete Unknown). He has taught at various universities and holds a PhD in ethnomusicology and sociolinguistics. Elijah Wald's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Rock 'n' roll appeared in the 1950s as the high-energy, electrically amplified music of young dancers and listeners, first in the United States and then around the globe, and from the beginning it symbolized more than music. First popularized as a marketing rubric to sell African-American rhythm and blues to white teenagers, it stood for racial integration, sexual freedom, youthful rebellion, and for change and modernity. It was never a single kind of music, and historians disagree about when it began and which artists or records should be included in its canon--but it was always a flashpoint, whether condemned as an assault on cultural standards or hailed as the most exciting movement of the twentieth century. Rock ‘N' Roll: A Very Short Introduction (Oxford University Press, 2026) explores the complex musical styles and evolutions of the genre and also examines it as product, symbol, and vehicle of societal change. The introduction seamlessly integrates the genre with elements of 1955-1965's mass influence including the rise of television and niche radio formats, the civil rights movement, a new concept of "teenagers" as a unique age group, and a sexual revolution. Rock 'n' Roll traces the rise and trajectories of the styles and musicians grouped as rock 'n' roll and their journey to becoming emblems of much more Elijah Wald is a Grammy winning writer, musician, and historian. His books include Escaping the Delta: Robert Johnson and the Invention of the Blues; How the Beatles Destroyed Rock 'n' Roll: An Alternative History of American Popular Music; Jelly Roll Blues: Censored Songs and Hidden Histories; The Mayor of MacDougal Street (source for the movie Inside Llewyn Davis); and Dylan Goes Electric! (source for the movie A Complete Unknown). He has taught at various universities and holds a PhD in ethnomusicology and sociolinguistics. Elijah Wald's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky.

In this intriguing replay episode, we welcome writer, actress, comedian, artist, podcaster, and author of the deeply personal memoir Earth to Moon, Moon Unit Zappa. Moon shares what it was really like growing up as the daughter of legendary musician Frank Zappa and Gail Zappa, revealing a childhood marked by emotional neglect, family dysfunction, fame, resilience, and ultimately, healing. Moon explains that writing Earth to Moon became an act of survival after her mother's death in 2015 forced her to reevaluate everything she believed about family, trust, loyalty, and love. Drawing from journals she had kept throughout her life, she revisits defining moments that shaped her identity while reclaiming the phrase "Earth to Moon" (once used by her mother as criticism) as a symbol of finally telling her own story from her perspective. The conversation explores Moon's complicated relationship with both parents. She shares how she idolized Frank Zappa while longing for his attention during his years of constant touring. Listeners hear the touching story behind the creation of the iconic hit "Valley Girl," which began with a note Moon slipped under her father's studio door asking if they could collaborate. What she thought was simply a fun father-daughter recording session unexpectedly became a cultural phenomenon that launched her into the spotlight while creating new tensions within her family. Moon also reflects on growing up with a mother she describes as emotionally difficult to please. She discusses years spent believing she was somehow responsible for their fractured relationship before eventually accepting, through therapy, yoga, and years of personal work, that some relationships cannot be repaired by one person alone. Looking back, she wonders whether her mother may have struggled with undiagnosed mental health or neurodivergent challenges, while acknowledging that she can never know for certain. Throughout the interview, Moon candidly discusses the lasting impact of emotional neglect, perfectionism, hypervigilance, and low self-worth. Despite public perceptions that she was effortlessly cool during the height of her fame, she reveals the insecurities that accompanied growing up in an emotionally unpredictable household. She shares the "kid math" she unconsciously performed, believing that if her father devoted time to people he claimed meant nothing to him instead of spending time with her, then she must somehow matter even less. The discussion also examines several painful moments detailed in Earth to Moon, including her mother's controlling influence over her early acting career, pressure to leave home while still a teenager, financial demands placed upon her as a young adult, and the emotional toll of constantly seeking approval that never seemed to come. One of the most moving parts of the conversation centers on grief and forgiveness. Moon recounts learning that her father, after being diagnosed with terminal prostate cancer, was unwilling or unable to have the heartfelt conversations she desperately hoped would bring closure. Years later, when Gail became terminally ill, Moon chose compassion over confrontation, offering forgiveness before discovering difficult truths about her mother's handling of Frank Zappa's estate and final wishes. She openly discusses the complicated legal disputes surrounding the Zappa family estate, emphasizing that the deepest wounds were never about money but about feeling excluded from her father's legacy and emotionally devalued by those closest to her. Moon reflects on how each of her siblings experienced a different version of their parents, illustrating how birth order, family dynamics, and changing circumstances shape childhood in unique ways. She explains that while the legal battles fractured family relationships, writing Earth to Moon allowed her to process those experiences without turning the memoir into an exercise in blame. She reveals that her earliest draft was fueled by anger before she intentionally rewrote the book with greater compassion, humor, and understanding. The conversation concludes with Moon's reflections on marriage, parenting, and breaking generational cycles. She candidly admits she entered adulthood without healthy relationship models but became determined to create something different for her own child. Through parenting research, emotional honesty, and open communication, she has embraced opportunities to apologize, grow, and model the kind of unconditional love she longed for as a child. For Moon, parenting has become proof that family patterns do not have to be repeated. Whether you're a longtime Frank Zappa fan, interested in celebrity memoirs, or navigating your own family relationships, Moon Unit Zappa's story offers powerful insights into healing from the past while creating a healthier future.

This episode follows on from the episode on the GTOs. These two make up two parts of a three-part story, and I’m hoping to have part three, on Captain Beefheart, up before the end of the month. This episode is on “Peaches En Regalia” by Frank Zappa. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifty-five-minute bonus episode available, on “Song to the Siren” by Tim Buckley. Tilt Araiza has assisted invaluably by editing, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)

This episode took longer than normal to come up because, as you’ll see from the episode itself, I’m releasing it simultaneously with the next episode, on Frank Zappa. These two make up two parts of a three-part story, and I’m hoping to have part three, on Captain Beefheart, up before the end of the month. There will also be, between this and the next episode on the feed, a trailer for an exciting project I’m a minor part of. This episode is on “The Captain’s Fat Theresa Shoes” by the GTOs. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a half-hour bonus episode available, on “My Pal Foot-Foot” by the Shaggs. Tilt Araiza has assisted invaluably by editing, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)

In this episode of the Crazy Wisdom Podcast, host Stewart Alsop speaks with Aaron Neyer, founder of Parachute and community organizer in Boulder, about knowledge management, extended minds, and the intersection of AI with human consciousness. They explore how Parachute functions as a digital brain tool for organizing thoughts and information across fragmented systems, discuss the dangers of AI psychosis and over-reliance on technology, and debate open source AI development versus controlled releases by companies like Anthropic. The conversation weaves through topics including the limitations of metrics-driven business thinking, consciousness and relevance realization, the value of technological sabbaths, and Aaron's hope for locally-run open source models that protect personal data while still accessing more powerful gated models when needed. You can find Aaron's writing at unforced.org and unforced.substack.com, and learn more about Parachute at parachute.computer and parachute.computer/blog.Timestamps00:00 Stewart welcomes Aaron Neyer, founder of Parachute and Boulder community organizer, discussing the origin of Parachute's name from Frank Zappa's quote about open minds.05:00 Aaron explains Parachute as an extended mind tool for organizing notes, contacts and information across multiple platforms, emphasizing the distinction between primary mind and extended mind as interconnected systems.10:00 Discussion shifts to metrics-driven business culture and the limitations of pure rationality, exploring how Google's data-driven approach misses subjective experience and the whole picture of relationships.15:00 Aaron discusses AI's ability to help identify relevant variables across different domains and the dangers of AI psychosis, comparing it to cult dynamics and belief systems.20:00 The conversation covers AI sabbaths and nineties retreats as intentional breaks from technology, plus Aaron's experiences with electrical engineering and using AI to design circuits with Arduinos.25:00 Exploring forbidden knowledge and open source AI, Aaron discusses Anthropic's guardrails around powerful models while arguing for distributed access to prevent concentration of power.30:00 Deep dive into open source AI strategy, with Aaron highlighting NVIDIA's approach and the potential for running capable models locally while reserving ultra-intelligent models for complex research tasks.35:00 Aaron shares his vision for local Sonnet-class models handling personal data while accessing Fable-class models for deep research, and directs listeners to unforced.org and parachute.computer for his writing.Key Insights1. The philosophy behind Parachute stems from Frank Zappa's quote that the mind is like a parachute and doesn't work if it isn't open. Aaron Neyer explains that having an open mind is valuable, but it must be balanced with deep roots to avoid becoming untethered. He has experienced periods in his life where excessive openness led him to feel disconnected, teaching him that creativity and expansion need to be grounded in something substantial. This same principle applies to how we organize information digitally, where openness and interoperability allow our extended minds to become more connected and coherent, which in turn helps our primary minds think more clearly.2. Parachute is designed as an extended mind tool that addresses the fragmentation problem in how we currently manage information. Most people use multiple disconnected tools like Obsidian, Notion, Apple Notes, Google Keep, and various CRMs to organize their thoughts, notes, and relationships. These systems don't communicate well with each other, creating inefficiency and confusion. Parachute aims to create a simple, intuitive system where all this information can be organized in one place with true interoperability, allowing users to own their data and have it speak effectively with other tools, ultimately making our entire extended mind more functional.3. Understanding ourselves as unified body mind organisms rather than fragmented parts is essential for effectiveness. Living systems theory shows that any living system is three things: a membrane bound dissipative structure, a self regulating autopoietic network, and a cognitive process actively knowing the world. Western civilization since Descartes and Galileo has created artificial separation between body and mind, and between subjective and objective experience, which limits our effectiveness. The same fragmentation affects our digital technology, and recognizing both our biological and digital systems as coherent wholes rather than disconnected parts makes us vastly more capable.4. The relationship between data driven approaches and holistic thinking reveals important limitations in modern business and science. While working at Google, Aaron observed how data driven decision making can be powerful, but over reliance on metrics like ROI creates blindness to crucial unmeasurable factors like goodwill and relationship quality. This reflects a broader Western tendency to exclude subjective experience because it's difficult for objective science to measure. However, emotions, relationships, and other subjective elements are essential parts of reality, and focusing only on quantifiable metrics means missing the whole picture and ultimately becoming less effective despite appearing more rational.5. AI accelerates the ability to work with technical complexity by helping with relevance realization across domains where we lack expertise. In any specialized field, experts develop intuitive senses for which variables matter and can quickly identify problems, whether in computer troubleshooting, music, or cooking. AI's ability to generalize allows it to point people toward relevant solutions in areas where they haven't developed that intuitive expertise, effectively democratizing technical capability. This means people can direct their creativity more effectively across more domains, though it also raises concerns about giving powerful capabilities to those who may lack the wisdom to use them responsibly.6. The question of open source AI versus gated access involves complex tradeoffs between democratizing power and preventing harm. Aaron respects Anthropic's approach of creating guardrails around powerful models like Mythos, which would likely have caused significant system hacks if released without restrictions. However, this creates concerning power dynamics where only wealthy companies, governments, and their allies have access to the most powerful tools. NVIDIA offers hope through their truly open source approach including full training pipelines, and there may be a viable path where open source models at the Sonnet capability level handle most tasks locally while more powerful Fable class models remain gated for the most demanding work.7. Creating intentional breaks from AI and technology is essential for maintaining clear independent thinking. Aaron practices an AI Sabbath at least one day per week when he doesn't interact with AI, and he finds these are the days when he does his best thinking and journaling. Without these breaks, he finds himself constantly jumping between journaling and prompting AI rather than giving himself space for deep reflection. This pattern mirrors broader concerns about AI consistency creating cult like dynamics similar to organized religion, where constant immersion in a belief system or technology can lead to losing the ability to think independently, making periodic disconnection crucial for maintaining cognitive autonomy and clarity.

The legendary Swamp Dogg returns to Songcraft after more than a decade to talk about, well, whatever he wants. And we're here for it! PART ONE Paul and Scott contemplate their second visit with Swamp DoggPART TWO Our in-depth interview with the original D-O-double G! ABOUT SWAMP DOGG R&B cult favorite Jerry “Swamp Dogg” Williams is best known as the co-writer, with Gary U.S. Bonds, of the cross-genre classic, “She's All I Got,” which became a Top 10 R&B single for Freddie North and a #2 country hit for Johnny Paycheck in 1971. Williams' career began in 1954 when, at the age of 12, he made his first record, “HTD Blues.” He found success in the 1960s, recording the Top 40 R&B hit “Baby You're My Everything” under the name Little Jerry Williams, and writing songs for other artists, including Gene Pitney's Top 20 Pop single, “She's a Heartbreaker.” He became Atlantic Records' first African American staff producer in 1968 but left the following year to pursue independent projects in Muscle Shoals, Alabama and Macon, Georgia. By the 1970s Swamp was an in-demand producer and songwriter, penning Top 40 R&B hits for Doris Duke, Arthur Conley, and Dee Dee Warwick.  Around the same time, he reinvented himself as Swamp Dogg, releasing a series of eccentric soul albums with lyrics marked by frank sexuality, biting satire, radical politics, and provocative social observations. His debut LP, Total Destruction to Your Mind, was eventually certified Gold, while subsequent releases, including Gag a Maggott, I'm Not Selling Out – I'm Buying In, An Awful Christmas and a Lousy New Year, and The White Man Made Me Do It garnered considerable accolades among underground music lovers and earned Swamp what one journalist described as “a cultural niche somewhere between Rudy Ray Moore and Frank Zappa.” In recent years, his vast catalog has been sampled by Kid Rock, Talib Kweli, DMX, and others. Having just turned 84, Swamp shows no signs of slowing down. Since we last spoke with him in 2015, he has released five albums, including a bluegrass-inspired project called Blackgrass and his most recent release, Swamp Dogg Contemplates the Afterlife.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this Record of the Week, John and Stewart dig into "Peaches en Regalia" by Frank Zappa, the opening track from his 1969 masterpiece Hot Rats. They break down the recording techniques Zappa used across the album and how those techniques shaped one of the most celebrated instrumentals in rock history. Along the way, John shares his own story of accidentally reinventing the same trick decades later, and why Hot Rats still sounds like nothing else ever made.

Minimalist Music (Bloomsbury, 2026) looks critically into the music's past, shows how the genre thrives across styles, and points the way toward minimalism's ongoing future. Minimalism as a genre is best defined not by any style or flavor but by its means. Certain rhythms and chords in other music may identify things like jazz or bossa nova or reggae; take those same elements and put them through the processes of minimalism and you have minimalism with the hues of other musics. A still young genre with ancient roots, minimalism is much less any kind of style than a practice, a manner of making music. Reviving those means and applying them to contemporary sounds and experiences, the pioneers of minimalism created a new and avant-garde music that immediately communicated its power to listeners of all kinds. The global appeal of minimalism and the way the methods adapt to myriad styles open up a view into how music actually works as an art and an experience, how through time it connects in a fundamental way to how we as humans listen. George Grella, Jr. has written about music and culture for over thirty years for print and online publications, and has contributed to the Grove Dictionary of Music and the Library of Congress' National Recording Registry. He is Music Editor at The Brooklyn Rail, publishes the Kill Yr Idols newsletter, and is the author of Miles Davis' Bitches Brew (Bloomsbury, 2015). He has played jazz, classical, and improvised music from CBGB to Carnegie Hall. George Grella on Bluesky and Kill Yr Idols newsletter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Vacaciones en Los Ángeles, verano 1966Viajamos a Los Ángeles en 1966. Los aromas de Laurel Canyon, las playas del Pacífico o el East Side llevan su luz hasta la decadencia Sunset Strip. La banda sonora de la ciudad es una amalgama de folk rock y garage, sunshine pop y psicodelia, guitarras reverberadas y armonías vocales, melodías cristalinas y ritmos oscuros. Disfruta del paseo.Playlist:THE BEACH BOYS “Wouldn’t it be nice”THE MAMAS and THE PAPAS “Got a feelin’”THE TURTLES “Grim reaper of love”THE BYRDS “Eight miles high”BUFFALO SPRINGFIELD “Nowadays Clancy can't even sing”KIM FOWLEY “The trip”FRANK ZAPPA and THE MOTHERS OF INVENTION “Hungry freaks, daddy”CAPTAIN BEEFHEART and HIS MAGIC BAND “Diddy wah diddy”THEE MIDNITERS “Love Special delivery”LOVE “7 and 7 is”THE SEEDS “Pushing too hard”THE STANDELLS “Sometimes good guys don’t wear white”THE LEAVES “Hey Joe”THE MUSIC MACHINE “Talk talk”THE GRAINS OF SAND “She needs me”W.C. FIELDS MEMORIAL ELECTRIC STRING BAND “I’m not your stepping stone”THE WEST COAST POP ART EXPERIMENTAL BAND “I won’t hurt you”THE MISUNDERSTOOD “My mind”THE DOORS “Strange days” (live, mayo 1966)Escuchar audio

Minimalist Music (Bloomsbury, 2026) looks critically into the music's past, shows how the genre thrives across styles, and points the way toward minimalism's ongoing future. Minimalism as a genre is best defined not by any style or flavor but by its means. Certain rhythms and chords in other music may identify things like jazz or bossa nova or reggae; take those same elements and put them through the processes of minimalism and you have minimalism with the hues of other musics. A still young genre with ancient roots, minimalism is much less any kind of style than a practice, a manner of making music. Reviving those means and applying them to contemporary sounds and experiences, the pioneers of minimalism created a new and avant-garde music that immediately communicated its power to listeners of all kinds. The global appeal of minimalism and the way the methods adapt to myriad styles open up a view into how music actually works as an art and an experience, how through time it connects in a fundamental way to how we as humans listen. George Grella, Jr. has written about music and culture for over thirty years for print and online publications, and has contributed to the Grove Dictionary of Music and the Library of Congress' National Recording Registry. He is Music Editor at The Brooklyn Rail, publishes the Kill Yr Idols newsletter, and is the author of Miles Davis' Bitches Brew (Bloomsbury, 2015). He has played jazz, classical, and improvised music from CBGB to Carnegie Hall. George Grella on Bluesky and Kill Yr Idols newsletter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

YUH 262 is our latest installment of Aaron's music series, where he introduces Phil to an album he has never experienced in full before. This time it is Frank Zappa's classic from 1979, Sheik Yerbouti. This innovative masterpiece features such classics as Dancing Fool and Bobby Brown Goes Down in addition to deeper cuts that are sure to trigger your inner freak. This epic episode exceeded 3 hours, time well spent with our friends Maxx and Jeremy #zappa #sheikyerbouti #musicpodcast #profressiverock #guitarrock #Podcast #asn4life #bongofury #bobbybrowngoesdown #dancingfool YUH Theme by David T and Mojo 3 https://www.amazon.com/Insanity-Sobriety-Blues-David-Mojo3/dp/B091N8BJNBManiacal Music Musings on Spotifyhttps://open.spotify.com/show/1JnX3TTMFK1h6gudKtn4s0?si=TdPuFlLqRmW-7Iv1sNh2GwParanormal the new Normal on Spotifyhttps://open.spotify.com/show/5vqLstRlTn2LxBuPT8E5q2?si=A3hmdFaOSfCHnOXK-zamGQThe Payne Layre on the Anti Social Networkhttps://www.youtube.com/live/L8Bj-4WFmWg?is=kpz_YGnWvVvEkjTg Yeah Uh Huh Social Stuff:YUH on Linktr.eehttps://linktr.ee/YeahUhHuhPod?utm_source=linktree_profile_share<sid=eb8544bb-5067-4a1a-98b8-c674b9b2e937  Yeah Uh Huh on TikTok https://www.tiktok.com/@yeahuhhuhpodYeah Uh Huh on Facebookhttps://facebook.com/YeahUhHuhPodYeah Uh Huh on Spotifyhttps://open.spotify.com/show/7pS9l716ljEQLeMMxwihoS?si=27bd15fb26ed46aaYeah Uh Huh on Apple Podcastshttps://podcasts.apple.com/us/podcast/yeah-uh-huh/id1565097611Yeah Uh Huh Website:https://yeah-uh-huh.wixsite.com/yeahuhhuhpod

durée : 00:04:53 - Classic & Co - par : Anna Sigalevitch - Ce matin au programme de Classic & Co, une fresque musico-théâtrale, « 200 motels » de Frank Zappa qui se jouera du 18 au 28 juin à l'Opera de Genève. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

The BOB & TOM Show — June 8, 20266:00 AM Hour 6:00 AM — Kristi discusses a bank-related story. 6:04 AM — Josh and Pat are out; Jeff joins the show. 6:10 AM — Tom talks about using his power washer. 6:14 AM — Discussion of National VHS Tape Day (June 7). 6:25 AM — Conversation about straight-to-VHS movies. 6:28 AM — Listener letter about visiting a local area and seeing donkeys everywhere. 6:30 AM — Listener letter about channeling the show and owning a bidet. 6:36 AM — Jeff talks about meeting his ex-wife at a concert. 6:47 AM — Listener letter about learning to sew from their mother. 6:47 AM — Listener letter about finding a Frank Zappa poster in a garage. 6:48 AM — Listener letter about magazines commonly found in military barracks. 6:53 AM — Chick discusses old advertising slogans. 7:05 AM — Discussion of memorable commercial sayings. 7:07 AM — Listener letter about a vasectomy billboard. 7:08 AM — Chick talks about his vasectomy. 7:10 AM — Listener letter involving a sporting event in Las Vegas. 7:11 AM — Sports update. 7:13 AM — Listener letter referencing sayings from Friday's show. 7:28 AM — Discussion about a woman who could not kiss and a story involving her mother. 7:33 AM — World record discussion involving a large foosball game. 7:34 AM — Tom explains why he dislikes foosball. 7:46 AM — Advice segment regarding body-image concerns. 7:50 AM — Kristi discusses head spas. 7:52 AM — Chick jokes about Tom shaking his head as if he has hair. 7:52 AM — Tom jokes about having phantom bangs. 8:05 AM — Discussion of repair cafés. 8:08 AM — Jeff introduces a character named Bruce Wang. 8:10 AM — Conversation about a local cat café and Tom's daughter. 8:24 AM — Discussion of rejected vanity license plates in Florida. 8:31 AM — Listener letter about a vanity license plate. 8:38 AM — Jeff shares an embarrassing story. 8:39 AM — Discussion about CD players. 8:48 AM — Jeff eats meat on the air. 8:49 AM — Today in History segment. 9:07 AM — Kristi discusses common reasons people cancel plans. 9:22 AM — Chick jokes about Tom's preferences. 9:33 AM — Discussion about what Jeff is doing at work, including a story involving an inappropriate photo message. 9:51 AM — Discussion of a large Lego basilica set containing 12,060 pieces. 7:00 AM Hour8:00 AM Hour9:00 AM Hour Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sure, the worlds may be a bleak grayish hellscape, but there's always music!  We look at 1984 (The Orwell book, not the Van Halen album), Brave New World, the collected works of Philip K. Dick, and Frank Zappa and his rock opera Joe's Garage.  Then we get mad at a comic book.  

ATTT has been beyond honored to have had the immortal Fuzzbee Morse as a special guest on 9 of our episodes, and Top Ten Fuzzbee All-Stars is the best possible send off for the man who has everything. Fuzzbee is truly the Zelig of rock n roll, but with as much talent as the luminaries he has chummed around with over the decades. Fuzzbee's got this whole top ten list to himself, and his All-Stars are some true heavy hitters - some of the greatest to ever do it. Picks 5-1 are revealed here in Part 2.If you missed the fun we had in Part 1, go back!https://podcasts.apple.com/us/podcast/episode-723-top-ten-fuzzbee-all-stars-part-1-w-fuzzbee-morse/id573735994?i=1000770565677Please be enjoying the official Top Ten Fuzzbee All-Stars Playlist, featuring all songs heard in parts 1 & 2:https://open.spotify.com/playlist/1a1nl8jMDh4MT9lMmERSzZ?si=abe2d81b11b74f74For more Fuzzbee, consult your local https://www.fuzzbee.com/We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. Emergency Pod 28 is out now, June 1st, featuring the Queen Of Emergency Pod, the great Shannon Hurley! Find out more at https://www.patreon.com/c/alltimetoptenWe're having a blast chatting about music over on the ATTT Facebook Group. Join us and start a conversation about music! https://www.facebook.com/groups/940749894391295The official ATTT1000 In Reverse playlist is here, featuring our list of the 1,000 Greatest Songs We've Ever Heard, presented in reverse order - from 1 - 1,000. Follow along here:https://open.spotify.com/playlist/6dlj1XfYJdciz6GIORYWkM?si=74d675e86ba342f8

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices

Show #1152 Future Of The Blues 01. Danny Marks - Blues Of The Future (4:30) (Back to the Blues, Cabbagetunes Records, 2026) 02. Brother Jacob - Don't Let The Devil Ride (4:34) (Single, self-release, 2026) 03. Denise La Grassa - Go Bad Mouth Yourself (4:27) (A Crossroads Communion, self-release, 2026) 04. Danielle Nicole - Tug of War (3:46) (Fireflies, Forty Below Records, 2026) 05. Brinsley Schwarz - Nothing Is What It Seems (4:44) (Shouting At The Moon, Fretsore Records, 2025) 06. GA-20 with Charlie Musselwhite - I Can't Hold Out (2:28) (Blues Now, New West Records, 2026) 07. Rory Block - Future Blues (3:09) (Best Blues And Originals, Rouder Records, 1988) 08. Canned Heat - Future Blues (2:58) (Future Blues, Liberty Records, 1970) 09. Delvon Lamarr Organ Trio - Chicken Leg (4:23) (Single, Colemine Records, 2026) 10. Jodi Stapler - Mourning Dove Calling (4:09) (Metamorphosis, self-release, 2026) 11. Joey Quiñones - There Must Be Something (3:30) (Inna Soul Steady Situation, Colemine Records, 2026) 12. Blind Dog Mayer Group - Harley Rider (5:49) (Live Studio Session: From The Shadow Of The Castle, Blues Note Records, 2026) 13. Shaun Murphy - Take My Kiss Up Off Your Lips (3:14) (Brand New Blues, Vision Wall Records, 2026) 14. Harrell "Young Rell" Davenport - I'll Be Tryin' (4:40) (Young Rell, Little Village Records, 2026) 15. Greg Piccolo & Heavy Juice - Who Knows What The Future Holds (4:32) (Who Knows What The Future Holds, MoMojo Records, 2026) 16. Treat Her Right - Picture Of The Future (2:45) (Tied To The Tracks, RCA Records, 1989) 17. TuskHead - Dutchicana (Ain't Country Enough) (2:39) (One Step Forward & Two Steps Back, Migrant Records, 2026) 18. PK Mayo - Arms Of The Blues (9:34) (All Before Yesterday, New Folk Records, 2026) 19. Frank Zappa (ft. Ike Willis) - Bamboozled By Love (5:43) (Tinsel Town Rebellion, Barking Pumpkin Records, 1981) 20. Frank Zappa - Soup 'N Old Clothes (7:56) (Shut Up 'N Play Yer Guitar, Barking Pumpkin Records, 1981) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

NSS's musical direction is stylistically hard to pin down as he refuses to be categorized, bracketed, nailed down, pinpointed, shepherded, or grouped but one might suggest, taking a little Frank Zappa, adding a generous portion of The Allman Brother's Band, throwing in a dash of Harry Chapin then mix thoroughly with the essence of King Diamond, chill, distill through a Jean Michele Jarre filter, and serve with a slice of attitude on the side. Noel visited the Flamingo Lounge on May 13, 2026 to talk about and share his music.

Eric Olander on how the Global South is reading the Beijing summitsThis week I'm joined again by Eric Olander, founder of the China Global South Project, which runs the most indispensable English-language operation going for understanding China's engagement with Africa, Latin America, Southeast Asia, and the Middle East.I came in with a plan: map, region by region, how the capitals of the Global South were reading the back-to-back Trump and Putin visits to Beijing — relief at a steadier U.S.-China modus vivendi, or foreboding at a G2 condominium squeezing shut their room to maneuver. Eric dismantled the premise within ten minutes. The honest answer, he warned me, is that most of the Global South simply isn't watching the way we are — and the disappointment turned out to be the most interesting thing in the room. What looked like the absence of a story was the story. I'd built my questions around one assumption about what mattered; Eric had built his answers around another, and I cop to being schooled.Once you set the summit framing aside, what Eric's contributors are actually seeing comes into focus: Japan racing to recenter an Asia-Pacific security architecture, a region quietly de-risking from an unreliable United States, fresh cracks in the BRICS, Justin Yifu Lin's “three moves” for Chinese manufacturing, Latin America's “find out” phase, and a Gulf where the Chinese setback so many in Washington insist must exist simply isn't there. We get into all of it — and close on the summit as a remarkable piece of theater, the first since 1945 at which no one quite knew who the most powerful person in the room was.04:27 — The dominant mood: pro forma coverage, exhaustion, and bigger problems at home08:15 — Breaking news: the paused $14B Taiwan arms package and the canceled Colby trip11:15 — The dog that caught the truck: China and the costs of a receding U.S. umbrella13:00 — "Constructive strategic stability" — new equilibrium or just choreography?28:23 — The snub: Beijing sends only an ambassador to the BRICS meeting in New Delhi37:56 — Africa: tariff-free access, the trade imbalance, and Kenya's "collapsed" exports44:34 — Justin Yifu Lin's "three moves": move up-market, localize, move south51:00 — Latin America's "find out" phase in Panama, and very low China literacy57:35 — The Gulf after the war on Iran: who really won?Paying it Forward:Boston University's Global Development Policy (GDP) Research CenterRecommendationsEric: A “rabbit hole” of books on Xi Jinping, currently Party of One by Chun Han Wong (after Kevin Rudd's On Xi Jinping).Kaiser: Angine de Poitrine, a “microtonal math rock” duo from Quebec — think Frank Zappa meets King Crimson — possibly the thing to breathe new life into progressive rock.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, Red and Jodie are joined by Mike from WFOD to go through "The Songs That Piss Us Off." Can a creepy "Herbert the Pervert" kind of song beat a song about peeing and how much it hurts? YOU be the JUDGE!Steely Dan - Everyone's Gone To The MoviesVSFrank Zappa - Why Does It Burn When I Pee?Follow Mike ⁠on Twitter @WFODShowAnd visit his show's website!!Listen to their show HERE.Vote via ⁠⁠⁠⁠Twitter⁠⁠⁠⁠, ⁠⁠⁠⁠Discord OR under the episode description on Spotify.Join the ⁠⁠⁠⁠Patreon⁠⁠⁠⁠Join the ⁠Discord⁠

This week on Radio Labyrinth Podcast, Tim leads us through another round of pop culture chaos as the entertainment machine continues eating itself.We're talking Dungeon Crawler Carl Book 8 updates, The Boys finale, the passing of Frank Zappa collaborator Ike Willis, and the news that a new Godfather story focused on Connie Corleone is on the way.Plus, Shark Tank is moving production to Atlanta, South Park has a Season 29 premiere date, and AI is now turning vintage adult magazine spreads into movies because apparently we weren't cursed enough already.In Trailer Trash, we check out HBO's Lanterns and the wild South Korean sci-fi thriller HOPE. Then we hit Views or Snooze with Maximum Pleasure Guaranteed, The Boroughs, and Ladies First, before wrapping up with staff picks.Grab your remote, lower your expectations, and join us as we ask: is pop culture evolving, or just rebooting itself into oblivion?Subscribe, like, comment, and step into the Labyrinth.

We kick off with News with Nick! D4VD is getting pulled from streaming services following gruesome murder charges, Kanye owes some royalties, and Weird Al is coming to Broadway. Plus, Nick did his homework and discusses his thoughts on Heavy Metal Parking Lot and updates the guys on his Sopranos progress.Song: Frank Zappa - “Joe's Garage”Next, Greg brings us a Three for Thursday. We listen to Nels Cline's blazing solo on a Wilco track, dig into a Bruce Hornsby classic, and close with some classic Aphex Twin.Songs:Wilco - “Side with the Seeds”Bruce Hornsby - “The Way It Is (Live - 1998/99)”Aphex Twin - “T69 Collapse”We end the show with a hot bowl of Jay's Jambalaya. Ike Willis was a staple of Frank Zappa's ensemble from 1979 until Zappa's final tour in 1988. A versatile guitarist and vocalist, we listen to some of his notable contributions to the Zappa discography. Willis passed last week at the age of 70. Next, we learn about Fender's desperate attempt to prevent other guitar manufacturers' from building ‘S' shaped guitars, despite losing a patent case in the U.S. years ago. Finally, Jay brings us up to speed on his trip to LA.Song: Frank Zappa - “Outside Now (Live)”

The word "like" has been around for centuries, but it reached a new cultural prominence in the 1980s, partially thanks to Frank Zappa's song "Valley Girl." Since then, "like" has taken on a life of its own, inspiring strong emotions. This hour, we look at the meaning and evolution of "like." Plus, how movies like the now 30-year-old Clueless have impacted our language. GUESTS: Megan C. Reynolds: Former editor at Dwell and author of Like: A History of the English Language’s Most Hated (and Misunderstood) Word Kory Stamper: Lexicographer and author of Word By Word: The Secret Life of Dictionaries Veronica Litt: English Professor and author of Ugh! As If!: Clueless The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe, Dylan Reyes, Robyn Doyon-Aitken, and Isaac Moss contributed to this show, which originally aired August 20, 2025.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Did you say you want some more? Well here's some more! In part two of our discussion of the drummers of FZ, drummers Joe and Bill school non-drummer Scott about the finer points of Frank's drumming royalty, replete with super-exciting insights and high-level geeking out. It's a good time, don't ya know!

This week Tom and Julie watch clips of John Mellencamp roasting a fan, Cillian Murphy revealing he is a massive Frank Zappa fan, and a deep dive into talk show drill sergeants. Plus a check in with Producer Carson after staying the night in a "murder motel" in Las Vegas, and the reveal of the first Double Threat tattoo from friend of the show Brian!CLIPS FROM THIS WEEK'S EPISODE:-Sgt. Juluhttps://www.youtube.com/watch?v=bPOzalOHLTw-John Mellencamp roasts a fanhttps://youtube.com/shorts/J4oAF_gbt64?si=XhLdCtwfFM8s9Aq6-Cillian Murphy reveals he is a massive Frank Zappa fanhttps://www.instagram.com/reel/DWY-kfmkcOu/?igsh=NTc4MTIwNjQ2YQ==Patreon is the best way to support Double Threat! Your support keeps the show going and we appreciate it more than we can say. Plus you get weekly bonus episodes, access to monthly livestreams, merch store discounts, and more!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Our brand new Double Threat merch is AVAILABLE NOW at https://doublethreatpod.merchtable.comWATCH VIDEO CLIPS OF DOUBLE THREAT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠JOIN THE DOUBLE THREAT FAN GROUPS*Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://discord.com/invite/PrcwsbuaJx⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Reddit⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.reddit.com/r/doublethreatfriends/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/groups/doublethreatfriends⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SEND SUBMISSIONS TO⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DoubleThreatPod@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW DOUBLE THREAT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PAY PIGS ONLYhttps://www.amazon.com/hz/wishlist/ls/1Y826FGBNP19R?ref_=wl_shareDOUBLE THREAT IS A FOREVER DOG PODCAST⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://foreverdogpodcasts.com/podcasts/double-threat⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theme song by Mike KrolArtwork by Joe Frontel00:00 Intro01:07 The Devil Wears Prada 203:43 Public domain14:02 Las Vegas32:17 BTS: THE RETURN41:16 Sgt. Julu48:16 Back to Las Vegas56:57 Double Threat tattoo58:51 John Mellencamp roasts a fan01:01:46 Cillian Murphy reveals he loves Frank Zappa 1:05:0001:15:53 OutroSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

When things get old, will they still work? If hardware devices depend on software or firmware, will you still be able to use them? Those receivers and active speakers that require software to run; will they work in twenty years? Help support The Next Track by making regular donations via Patreon. We're ad-free and self-sustaining so your support is what keeps us going. Thanks! Show notes Episode #332: Old is New Again The Twilight Zone: The Complete Series Blu-ray Our next tracks: Bernard Herrmann: The Twilight Zone Television Series Score Re-recording Frank Zappa & The Mothers of Invention:One Size Fits All If you like the show, please subscribe in Apple Podcasts or your favorite podcast app, and please rate the podcast.

Nicholas Tochka analyzes the role of rock music in the life of Charles Manson, the Family, and the August 1969 Tate-LaBianca killings, which also gives larger insight into Sixties counterculture. Failed singer-songwriter. Devious cult leader. A rock Pied Piper. The product of a sick society. Just another dime-a-dozen singing hippy mystic. Did the guitar-playing guru personify the violence that the rock counterculture inflicted on America? Or did his music diagnose the dehumanizing effects of that society's broken institutions? For over five decades, commentators have debated the meaning of Charles Manson and the Tate-LaBianca killings. Rock music links their narratives: from the acid drenched singalongs at the Spahn Movie Ranch, to a bizarre theology centered on Beatles songs, to his commune's alleged links with Hollywood's elite, to an album, LIE: The Love and Terror Cult (1970). In this first comprehensive examination of the Manson Family's music, Nicholas Tochka writes with, against, and alongside the many authors-true-crime hacks, gonzo journalists, conspiracy theorists, and rock critics alike-who have told and retold the story of "the Manson murders." Playing the truth games that these postwar Americans helped invent, The Musical Lives of Charles Manson: The Beatles, the Beach Boys, and the Invention of the Sixties (Bloomsbury, 2026) presents a new take on the story of the commune-and on rock's role in fracturing the possibility of writing trustworthy histories after the Sixties. "They are afraid of it, because it tells the truth," Manson once claimed, describing his music. Just what truths did the Manson Family's music-making tell? Nicholas Tochka is Associate Professor of Music (Ethnomusicology) at the University of Melbourne, Australia, and the author of several books including Rocking In the Free World: Music and the Politics of Freedom in Postwar America and Audible States: Socialist Politics and Popular Music in Albania. His work examines the politics of music-making in the postwar world. Nicholas on the University of Melbourne's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

NEW FOR MAY 1, 2026 Is it the beat or knock and know all . . . Danger Knocks - The Best Radio You Have Never Heard Vol. 531 1. In The Light (live) - Jimmy Page with The Black Crowes 2. Slippery People (live) - David Byrne 3. Over You / Eight Miles High - Roxy Music 4. Angels (Footsteps) (live) - Jeff Beck 5. All The Rowboats - Regina Spektor 6. Asking For A Friend - Foo Fighters 7. Smuggler's Blues (live) - Eagles 8. Take It To The Limit / All Along The Watchtower (live) - Dave Mason 9. Little One - Jimi Hendrix Experience w/ Dave Mason and Brian Jones 10. Low Spark Of High Heeled Boys (live) - Dave Mason 11. Harlan County Line (live unplugged) - Dave Alvin 12. Reuben's Train (live) - Harry Manx 13. The Torture Never Stops (live) - Frank Zappa w/ Adrian Belew 14. Till Your Mind Is Shining - Peter Gabriel 15. Carnival Of Sorts (Boxcars) (live) - R.E.M. 16. Coyote / Don Juan's Reckless Daughter (live) - Joni Mitchell 17. TNK (live) - 801 18. Pasaquan - Tedeschi Trucks Band The Best Radio You Have Never Heard. Musical danger since 2004 Accept No Substitute. Click to leave comments on the Facebook page.

Damon gets to talk to M.B. about Maryland, life adventures, Frank Zappa, film scores and much more. There's also segments like gig alerts, music news, and others. 

Grab your proton pack and join Zeth to talk all about the 1984 film ‘Ghostbusters’ and how it is the perfect fodder for anti-authoritarians and DIY’ers alike. Plus we make a mixtape inspired by the film featuring songs by Frank Zappa, The Specials, King Missile, and more. Become an All Access member and get ad-free listening by visiting disgracelandpod.com.See omnystudio.com/listener for privacy information.

Gilbert and Frank visit the George Burns Room at the historic New York Friars Club, where they're joined by actor, singer and musician Micky Dolenz for a fun and fascinating look back at “Monkeemania” and his own unlikely journey from 1950's child star (“Circus Boy”) to 1960's pop/rock icon. Also, Micky drops in on a “Sgt. Pepper” recording session, makes movies with Jack Nicholson and Frank Zappa and hits the town with fellow “Hollywood Vampires” John Lennon, Keith Moon and Alice Cooper. PLUS: Lon Chaney Jr.! Micky's mom meets “The Creeper”! The Monkees take on “Faust”! Harry Nilsson quits his day job! And Sgt. Bilko sings “Yesterday”! Learn more about your ad choices. Visit megaphone.fm/adchoices