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It's a shame this year's Oscar nominations have been named because John's new film idea could have swept the board. Watch out John Ford with your record 4 wins for Best Director, watch out James Cameron with your highest-grossing films, there's a new auteur in town.However, it isn't all positivity for our Robins. After the highs of creativity, the lows of having your heart broken by someone you thought was a good friend. Elis's foul-mouthed review of one of Frank Zappa's albums leaves a sour taste in the mouth, and ends up with Elis being put in the Dweeb Gang with fellow Zappa detractor Snoop Dogg.Elsewhere there's a Winter Olympics-based Made Up Game where Elis just simply will not show his workings, Drs Chris and Xand van Tulleken leave John a heartwarming message, and a harmless game of 20 questions goes down like a lead balloon...Keep sending in your top tier correspondence to elisandjohn@bb.co.uk.
The story of The Cure: a tall tale of a truly unique British band. The Cure's story is a fantastical pop fable, but their trajectory has not been one of unbroken success. Along the way, their uneven, uneasy pop odyssey has taken in fierce intra-band tensions and fall-outs, numerous line-up changes and even a bitter court case that saw original group members feuding over payments and ownership of the band's name. There has been alcoholism, substance abuse and countless long, dark nights of the soul, many of which have been translated into luscious dark-rock symphonies. From gawky teenage art-punks in Crawley to gnomic, venerable rock royalty with 30 million record sales to their name, their journey has been a scarcely believable, vivid pop hallucination. The Cure: A Perfect Dream (Gemini Books, 2025) is the tall tale of a truly unique British band. It's the story of The Cure. This fully updated edition includes a deep dive into the band's long-awaited 14th studio album released in 2024: Songs of a Lost World. Ian Gittins has interviewed and reviewed The Cure during a 30-year career as a music writer on titles such as Melody Maker, Time Out, Q and the Guardian. He is the co-author with Motley Crew's Nikki Sixx of the 2007 New York Times best-seller The Heroin Diaries: A Year in the Life of a Shattered Rock Star. He lives in London. Ian Gittin's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The story of The Cure: a tall tale of a truly unique British band. The Cure's story is a fantastical pop fable, but their trajectory has not been one of unbroken success. Along the way, their uneven, uneasy pop odyssey has taken in fierce intra-band tensions and fall-outs, numerous line-up changes and even a bitter court case that saw original group members feuding over payments and ownership of the band's name. There has been alcoholism, substance abuse and countless long, dark nights of the soul, many of which have been translated into luscious dark-rock symphonies. From gawky teenage art-punks in Crawley to gnomic, venerable rock royalty with 30 million record sales to their name, their journey has been a scarcely believable, vivid pop hallucination. The Cure: A Perfect Dream (Gemini Books, 2025) is the tall tale of a truly unique British band. It's the story of The Cure. This fully updated edition includes a deep dive into the band's long-awaited 14th studio album released in 2024: Songs of a Lost World. Ian Gittins has interviewed and reviewed The Cure during a 30-year career as a music writer on titles such as Melody Maker, Time Out, Q and the Guardian. He is the co-author with Motley Crew's Nikki Sixx of the 2007 New York Times best-seller The Heroin Diaries: A Year in the Life of a Shattered Rock Star. He lives in London. Ian Gittin's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
The story of The Cure: a tall tale of a truly unique British band. The Cure's story is a fantastical pop fable, but their trajectory has not been one of unbroken success. Along the way, their uneven, uneasy pop odyssey has taken in fierce intra-band tensions and fall-outs, numerous line-up changes and even a bitter court case that saw original group members feuding over payments and ownership of the band's name. There has been alcoholism, substance abuse and countless long, dark nights of the soul, many of which have been translated into luscious dark-rock symphonies. From gawky teenage art-punks in Crawley to gnomic, venerable rock royalty with 30 million record sales to their name, their journey has been a scarcely believable, vivid pop hallucination. The Cure: A Perfect Dream (Gemini Books, 2025) is the tall tale of a truly unique British band. It's the story of The Cure. This fully updated edition includes a deep dive into the band's long-awaited 14th studio album released in 2024: Songs of a Lost World. Ian Gittins has interviewed and reviewed The Cure during a 30-year career as a music writer on titles such as Melody Maker, Time Out, Q and the Guardian. He is the co-author with Motley Crew's Nikki Sixx of the 2007 New York Times best-seller The Heroin Diaries: A Year in the Life of a Shattered Rock Star. He lives in London. Ian Gittin's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
The story of The Cure: a tall tale of a truly unique British band. The Cure's story is a fantastical pop fable, but their trajectory has not been one of unbroken success. Along the way, their uneven, uneasy pop odyssey has taken in fierce intra-band tensions and fall-outs, numerous line-up changes and even a bitter court case that saw original group members feuding over payments and ownership of the band's name. There has been alcoholism, substance abuse and countless long, dark nights of the soul, many of which have been translated into luscious dark-rock symphonies. From gawky teenage art-punks in Crawley to gnomic, venerable rock royalty with 30 million record sales to their name, their journey has been a scarcely believable, vivid pop hallucination. The Cure: A Perfect Dream (Gemini Books, 2025) is the tall tale of a truly unique British band. It's the story of The Cure. This fully updated edition includes a deep dive into the band's long-awaited 14th studio album released in 2024: Songs of a Lost World. Ian Gittins has interviewed and reviewed The Cure during a 30-year career as a music writer on titles such as Melody Maker, Time Out, Q and the Guardian. He is the co-author with Motley Crew's Nikki Sixx of the 2007 New York Times best-seller The Heroin Diaries: A Year in the Life of a Shattered Rock Star. He lives in London. Ian Gittin's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
Hollywood and Horsepower Show with Mark Otto Guest, John Barbour of Talk Movies and John Barbour's World https://johnbarboursworld.com/ Hollywood Legend John Barbour: The Bumpy Road from Canadian Dropout to Reality TV Pioneer John Barbour: Hollywood & Horsepower The Bumpy Life of the "Father of Reality TV" & Sinatra's Secret Writer Editorial Abstract Core Narrative From a Salvation Army charity ward in Toronto to the heights of Hollywood, John Barbour's career was built on "accidents" and raw wit. A high-school dropout and former Vegas gambler who became a 5-time Emmy winner. "Television is the only industry in America where competition does not improve the product." KEY MILESTONES • Created Real People (1st Reality Show) • 4.5 years as Sinatra's private writer • Directed definitive JFK documentaries • Discovered/Mentored Pat Morita LIFE PHILOSOPHY • "Better to be liked than talented" • Atheism at 12 (The "God's Will" debate) • Success through accidental timing The Inner Circle FS Frank Sinatra "The Chairman" & Employer JG Jim Garrison JFK Investigator & Mentor RF Redd Foxx Lifelong Friend & Mentor FEATURED WORK "Your Mother's Not a Virgin" The definitive autobiography of a Canadian dropout. #RealityTV #JFKConspiracy #Sinatra Interview Date: Feb 12, 2026 • 105 min read This interview explores the extraordinary life of John Barbour, the "Father of Reality TV," tracing his journey from a dysfunctional childhood in Toronto to the heights of Hollywood success. Barbour shares candid anecdotes about his "accidental" career, his time as Frank Sinatra's private writer, and his groundbreaking work on the first reality show, Real People. The conversation also delves into his deep involvement in investigating the JFK assassination alongside Jim Garrison. Detailed Summary 1. Roots of Resilience: A Troubled Beginning John Barbour's life began in a Salvation Army charity ward in Toronto in 1933, born into a severely dysfunctional environment. His father left to fight in WWII when John was six and never returned, later surfacing as a successful advertising executive in Scotland. Raised by an alcoholic mother in an abusive household, Barbour found refuge in two places: the local hockey rink and the cinema, where he developed a lifelong love for storytelling and movies. His early life was marked by poverty and minor delinquency, including stints in jail, which he balanced by spending his free time in libraries. 2. The Accidental Path to Fame Barbour attributes his greatest successes to "accidents." At 17, he became a professional gambler after memorizing books on dice and cards, eventually winning enough to buy a suit and a bus ticket to the United States. A train delay led him to Lake Tahoe, where he witnessed the arrival of Frank Sinatra and mobster Sam Giancana—a precursor to his future role as Sinatra's private writer for four and a half years. After moving to Hollywood, he transitioned from gambling to comedy, inspired by the conversational wit of Jack Paar. The "Accidental" Career Timeline 1933: Born in Toronto charity ward. 1950: Moves to US; witnesses Sinatra in Tahoe. 1960s: Mentors Pat Morita; breaks into stand-up comedy. 1979: Creates Real People, the first reality TV show. Present: Investigative documentarian (JFK/Jim Garrison). 3. Mentorship and the Comedy Scene Barbour played a pivotal role in the careers of other icons, most notably Pat Morita. He encouraged Morita to embrace his Japanese heritage in his act, providing the specific cultural jokes that helped Morita find his unique voice in comedy. Barbour also shares a deep, lifelong friendship with Redd Foxx, whom he describes as his mentor. Despite his success, Barbour remained a "controversial" figure in the industry, often clashing with network executives and fellow hosts like Johnny Carson over creative integrity and political outspokenness. 4. The JFK Investigation and Jim Garrison A significant portion of Barbour's later career has been dedicated to the JFK assassination. After reading Jim Garrison's Heritage of Stone, Barbour became a close associate of the New Orleans District Attorney. He produced definitive documentaries on the subject, arguing that Garrison had essentially solved the case in 1967. Barbour remains a vocal critic of the official Warren Commission narrative, a stance that he admits has occasionally made him persona non grata in mainstream Hollywood circles. Key Industry Connections John Barbour's influence spanned multiple generations of talent. Frank Sinatra: Private writer for 4.5 years. Pat Morita: Gave him his "Japanese comic" concept. Redd Foxx: Lifelong friend and comedy mentor. Jim Garrison: Partner in JFK investigative media. Key Data Birth Year: 1933. Sinatra Collaboration: 4.5 years as a private writer. Peak Earnings: $23,000 per week during the height of Real People. JFK Special Date: November 22nd, 4:00 PM – 6:00 PM Pacific Time. To-Do / Next Steps Read John Barbour's autobiography, Your Mother's Not a Virgin, available on Amazon. Tune in to the live two-hour JFK special on November 22nd via BBS Radio/TV. Visit John Barbour's website to view archival interviews with Redd Foxx and Frank Zappa. Research the "No Fallen Heroes" foundation to support veterans and first responders. Conclusion John Barbour's story is a testament to the power of storytelling and the unpredictability of life. From a "Canadian dropout" to a television pioneer, his career has been defined by a refusal to compromise his wit or his search for the truth, whether in comedy or in the investigation of American history.
*“Did Red Peters' Wild Boston Roots & Howard Stern Stories Spark His Rise?
(00:00:00) Frank Zappa - Burnt Weeny Sandwich / 1970 (00:34:16) Queensrÿche - Rage for Order / 1986 (01:07:12) J Dilla - Donuts / 2006
durée : 00:12:39 - Objets trouvés / Objets sonores - Marc-André Hamelin - Le pianiste canadien Marc-André Hamelin enregistre un programme de pièces atonales, de John Cage à Frank Zappa, de Salvatore Martirano à John Oswald. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
As long as there has been music, the form has been used as a vehicle for storytelling. Artists who have something to say often find that putting it into music is the ideal means of communicating thoughts and feelings to others. And the concept-album form is a logical extension of that storytelling impulse, often writ large. It allows the writer to tackle bigger themes, more involved story lines, more finely textured characters and ideas. In the pages of What's the Big Idea? (Hozac, 2025), author Bill Kopp explores 30 remarkable concept albums, drawing on new, firsthand interviews with the artists behind their creation. Author of the critically acclaimed Disturbing the Peace, Kopp turns us down the darkest road of musical blind-spots yet, the concept album, a previously shunned genre, now worthy of your curiosity. And then you hear something like Ogden's Nut Gone Flake, and The Turtles Present Battle of the Bands, or S.F. Sorrow, and you're really second-guessing yourself now, right? As it turns out, there's something genuinely interesting about this “concept” in itself, and it lends us a look into a world when musical creativity really had been unleashed in its full glory. Yes, those extravagances produced much audio garbage, but very few people even get that chance anymore, despite the ease of home recording. Even Captain Sensible and The Church committed this ‘big ideas' into noteworthy efforts, along with Hawkwind, William Shatner, Ghostface Killa, and of course, Pete Townshend, who graciously offers an exclusive interview here. Bill Kopp is a freelance journalist and the author of Reinventing Pink Floyd: From Syd Barrett to the Dark Side of the Moon and Disturbing the Peace: 415 Records and the Rise of New Wave. Bill Kopp's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
As long as there has been music, the form has been used as a vehicle for storytelling. Artists who have something to say often find that putting it into music is the ideal means of communicating thoughts and feelings to others. And the concept-album form is a logical extension of that storytelling impulse, often writ large. It allows the writer to tackle bigger themes, more involved story lines, more finely textured characters and ideas. In the pages of What's the Big Idea? (Hozac, 2025), author Bill Kopp explores 30 remarkable concept albums, drawing on new, firsthand interviews with the artists behind their creation. Author of the critically acclaimed Disturbing the Peace, Kopp turns us down the darkest road of musical blind-spots yet, the concept album, a previously shunned genre, now worthy of your curiosity. And then you hear something like Ogden's Nut Gone Flake, and The Turtles Present Battle of the Bands, or S.F. Sorrow, and you're really second-guessing yourself now, right? As it turns out, there's something genuinely interesting about this “concept” in itself, and it lends us a look into a world when musical creativity really had been unleashed in its full glory. Yes, those extravagances produced much audio garbage, but very few people even get that chance anymore, despite the ease of home recording. Even Captain Sensible and The Church committed this ‘big ideas' into noteworthy efforts, along with Hawkwind, William Shatner, Ghostface Killa, and of course, Pete Townshend, who graciously offers an exclusive interview here. Bill Kopp is a freelance journalist and the author of Reinventing Pink Floyd: From Syd Barrett to the Dark Side of the Moon and Disturbing the Peace: 415 Records and the Rise of New Wave. Bill Kopp's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
As long as there has been music, the form has been used as a vehicle for storytelling. Artists who have something to say often find that putting it into music is the ideal means of communicating thoughts and feelings to others. And the concept-album form is a logical extension of that storytelling impulse, often writ large. It allows the writer to tackle bigger themes, more involved story lines, more finely textured characters and ideas. In the pages of What's the Big Idea? (Hozac, 2025), author Bill Kopp explores 30 remarkable concept albums, drawing on new, firsthand interviews with the artists behind their creation. Author of the critically acclaimed Disturbing the Peace, Kopp turns us down the darkest road of musical blind-spots yet, the concept album, a previously shunned genre, now worthy of your curiosity. And then you hear something like Ogden's Nut Gone Flake, and The Turtles Present Battle of the Bands, or S.F. Sorrow, and you're really second-guessing yourself now, right? As it turns out, there's something genuinely interesting about this “concept” in itself, and it lends us a look into a world when musical creativity really had been unleashed in its full glory. Yes, those extravagances produced much audio garbage, but very few people even get that chance anymore, despite the ease of home recording. Even Captain Sensible and The Church committed this ‘big ideas' into noteworthy efforts, along with Hawkwind, William Shatner, Ghostface Killa, and of course, Pete Townshend, who graciously offers an exclusive interview here. Bill Kopp is a freelance journalist and the author of Reinventing Pink Floyd: From Syd Barrett to the Dark Side of the Moon and Disturbing the Peace: 415 Records and the Rise of New Wave. Bill Kopp's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
As long as there has been music, the form has been used as a vehicle for storytelling. Artists who have something to say often find that putting it into music is the ideal means of communicating thoughts and feelings to others. And the concept-album form is a logical extension of that storytelling impulse, often writ large. It allows the writer to tackle bigger themes, more involved story lines, more finely textured characters and ideas. In the pages of What's the Big Idea? (Hozac, 2025), author Bill Kopp explores 30 remarkable concept albums, drawing on new, firsthand interviews with the artists behind their creation. Author of the critically acclaimed Disturbing the Peace, Kopp turns us down the darkest road of musical blind-spots yet, the concept album, a previously shunned genre, now worthy of your curiosity. And then you hear something like Ogden's Nut Gone Flake, and The Turtles Present Battle of the Bands, or S.F. Sorrow, and you're really second-guessing yourself now, right? As it turns out, there's something genuinely interesting about this “concept” in itself, and it lends us a look into a world when musical creativity really had been unleashed in its full glory. Yes, those extravagances produced much audio garbage, but very few people even get that chance anymore, despite the ease of home recording. Even Captain Sensible and The Church committed this ‘big ideas' into noteworthy efforts, along with Hawkwind, William Shatner, Ghostface Killa, and of course, Pete Townshend, who graciously offers an exclusive interview here. Bill Kopp is a freelance journalist and the author of Reinventing Pink Floyd: From Syd Barrett to the Dark Side of the Moon and Disturbing the Peace: 415 Records and the Rise of New Wave. Bill Kopp's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
What makes Weird Al songs so indelible? Why is Bo Burnham more than just a comic? How do the biggest pop hits make us crack up in the middle of a somber ballad? Humor is always present in music, but we rarely confront it head on. Until now. With the help of Comedian Chris Duffy, author of the book Humor Me: How Laughing Can Make You More Connected, Present, and Happy, and a series of lyrical submission from our listeners, we try to answer the question once posed by Frank Zappa, once and for all: Does humor belong in music? Songs discussed: Sabrina Carpenter – ManchildMarcia Belsky – 100 TamponsBo Burnham – From God's PerspectiveSnoop Dogg – Gin and JuiceThe Gourds – Gin and JuiceTaylor Swift – All Too Well (10 Minute Version)“Weird Al” Yankovic – Amish Paradise“Weird Al” Yankovic – My BolognaStevie Wonder – Pastime ParadiseCoolio – Gangsta's ParadiseBo Burnham – That Funny FeelingBo Burnham – FaceTime With My MomElaine Stritch – Are You Having Any Fun?Barenaked Ladies – If I Had $1,000,000Kendrick Lamar – Not Like UsEminem – The Real Slim Shady2 Chainz – Birthday SongLil Jon – Snap Yo FingersOlivia Rodrigo – Get Him BackChappell Roan – CasualAudrey Hobert – I like to touch peopleAudrey Hobert – Bowling alleyJensen McRae – Immune Learn more about your ad choices. Visit podcastchoices.com/adchoices
Zurück aus der Winterpause melden sich Till & Henning mit einem ganz speziellen Thema: Genialität, trotz oder gerade wegen mentaler Krankheit oder Probleme. Oder wegen eines sonnigen Gemüts, alles ist möglich, denn Genies erscheinen in vielen Gewändern, von Frank Zappa über Jim Gordon bis zu Maite Kelly! Bitte beachtet auch die Links in den Shownotes! Die Songs der Sendung: 1) Apostrophe / Frank Zappa2) Space Captain / Barbara Streisand3) Rikki don´t lose that number / Steeley Dan4) Apache / Incredible Bongo Band5) Tschu Tschu wa / Simone Sommerland6) Oimara / Wackekontakt7) Der Morgen danach / Maite Kelly8) Risin´ high / H-Blockx Links zur Sendung:YouTube Jim Gordon (Enhanced Drums You´re so vain):https://www.youtube.com/watch?v=DUROMLyVDF0 Buch: Drums & Demons – The tragic journey of Jim Gordon:https://www.amazon.de/Drums-Demons-Tragic-Journey-Gordon/dp/1635768993 Spotify-Playlist „Jim Gordon Drumming“:https://open.spotify.com/playlist/7JE8DOinSTXAjBmCOhkY3R?si=a548b58994fc45b3 Hosted on Acast. See acast.com/privacy for more information.
Since its release in 1976, ABBA's song "Fernando" has been loved by fans around the globe both for its sing-along chorus and its revolutionary spirit. In Fernando: A Song by ABBA (Duke UP, 2025), Kay Dickinson takes readers from Sweden and Chile to Australia and Poland, tracing the complicated ways the song could express support with anticapitalist and Third World liberation struggles while remaining an unrepentant commodity. A song about freedom fighters was unlikely to become a pop mega-hit, yet as Dickinson demonstrates, ABBA's lucrative, longstanding appeal rests on their ability to bridge contradictions within everyday life. Five decades later, "Fernando's" rousing calls for freedom continue to resonate with gay liberation movements and other social struggles, demonstrating how a song can be both revolutionary and an envoy for global capital. Kay Dickinson is Programme Convenor for Creative Arts and Industries at the University of Glasgow and author of Supply Chain Cinema: Producing Global Film Workers. Kay on the University of Glasgow's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Since its release in 1976, ABBA's song "Fernando" has been loved by fans around the globe both for its sing-along chorus and its revolutionary spirit. In Fernando: A Song by ABBA (Duke UP, 2025), Kay Dickinson takes readers from Sweden and Chile to Australia and Poland, tracing the complicated ways the song could express support with anticapitalist and Third World liberation struggles while remaining an unrepentant commodity. A song about freedom fighters was unlikely to become a pop mega-hit, yet as Dickinson demonstrates, ABBA's lucrative, longstanding appeal rests on their ability to bridge contradictions within everyday life. Five decades later, "Fernando's" rousing calls for freedom continue to resonate with gay liberation movements and other social struggles, demonstrating how a song can be both revolutionary and an envoy for global capital. Kay Dickinson is Programme Convenor for Creative Arts and Industries at the University of Glasgow and author of Supply Chain Cinema: Producing Global Film Workers. Kay on the University of Glasgow's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
Since its release in 1976, ABBA's song "Fernando" has been loved by fans around the globe both for its sing-along chorus and its revolutionary spirit. In Fernando: A Song by ABBA (Duke UP, 2025), Kay Dickinson takes readers from Sweden and Chile to Australia and Poland, tracing the complicated ways the song could express support with anticapitalist and Third World liberation struggles while remaining an unrepentant commodity. A song about freedom fighters was unlikely to become a pop mega-hit, yet as Dickinson demonstrates, ABBA's lucrative, longstanding appeal rests on their ability to bridge contradictions within everyday life. Five decades later, "Fernando's" rousing calls for freedom continue to resonate with gay liberation movements and other social struggles, demonstrating how a song can be both revolutionary and an envoy for global capital. Kay Dickinson is Programme Convenor for Creative Arts and Industries at the University of Glasgow and author of Supply Chain Cinema: Producing Global Film Workers. Kay on the University of Glasgow's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
"A mind is like a parachute, it doesn't work if it is not open." - Stine deelt een levenswijsheid over een deugd van componist Frank Zappa.
durée : 00:57:57 - La Série musicale - par : Zoé Sfez - Pourquoi Maurice Ravel est-il un des compositeurs les plus repris de l'histoire de la musique ? En quoi est-il, encore aujourd'hui, si moderne et si contemporain ? De Benny Goodman à Gilbert Bécaud, en passant par Frank Zappa, Ravel est partout, même là où on ne le devine pas… - réalisation : Doria Zénine, Luc-Jean Reynaud
durée : 00:57:57 - La Série musicale - par : Zoé Sfez - Pourquoi Maurice Ravel est-il un des compositeurs les plus repris de l'histoire de la musique ? En quoi est-il, encore aujourd'hui, si moderne et si contemporain ? De Benny Goodman à Gilbert Bécaud, en passant par Frank Zappa, Ravel est partout, même là où on ne le devine pas… - réalisation : Doria Zénine, Luc-Jean Reynaud
Papai Noel pros surfistas é Netuno!O musculoso e magnânimo deus romano trouxe para o Boia de Natal ninguém menos que Nelson Machado, aquele mesmo da loja Waimea (Montenegro 129) e dos mitológicos campeonatos Waimea 5000.A trilha chega com Rio dos Duran Duran, Waimea 55.000 do Jorge Ben, Waimea Bay do Lalo Schifrin e Sleep Dirt do Frank Zappa.
Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Hoy, cuando se publica este nuevo episodio de Subterranea Rarities, es 21 de diciembre y, hace 85 años, nació Frank Zappa. Carles Pinós dedicará este Rarities a contarnos lo más destacado de las más recientes publicaciones de los archivos sempiternos del genio de Baltimore; pero también nos contará detalles de Zappatistas. Por su parte, David Pintos nos hablará de los dos primeros discos de estudio de la banda francesa Nemo. Como siempre, un programa imperdible. Edición: David Pintos. www.subterranea.eu www.davidpintos.com Escucha este episodio completo y accede a todo el contenido exclusivo de Subterranea Podcast. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/17710
Recordamos la relación de Frank Zappa con el cine, gracias a Manuel de la Fuente, que ha publicado Franz Zappa, obra lírica completa, en la editorial libros del Kultrum. Celebramos el centenario del nacimiento de Wojciech Jerzy Has recuperando su obra con Tomasz Kolankiewicz, director de la Filmoteca Polaca y Joanna Bardzinska , directora de AVA Arts Foundation. Terminamos con Lois Patiño y su última película: Ariel, que se estrenará el próximo miércoles 24.Escuchar audio
El 21 de diciembre de 1940 nació Frank Zappa, compositor, guitarrista, cantante, productor discográfico y director de cine estadounidense. Con una carrera de más de treinta años, Zappa compuso rock, jazz, blues, electrónica, música artística y música concreta, entre otros.
National short girl appreciation day. Entertainment from 1967. Pan Am flight 103 Lackabie bombing, 1st basketball game played, 1st crossword puzzle printed. Todays birthdays - Phil Donahue, Jane Fonda, Frank Zappa, Samuel L. Jackson, Nick Gilder, Jane Kaczmarek, Lee Roy Parnell, Ray Romano, Keifer Sutherland. George S. Patton died. (2024)Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Short girls - Don ArndtDay dream believer - The MonkeesFor loving you - Bill Anderson Jan HowardBirthdays - In da club - 50 Cent http://50cent.com/Don't eat the yellow snow - Frank ZappaSamuel L. Jackson in Snakes on a planeHot child in the city - Nick GilderWhat kind of fool do you think I am - Lee Roy ParnellExit - It's not love - Dokken http://dokken.net/
Andrew For America continues talking about the themes from the previous episode, "When Men Became Gods." In this episode, Andrew talks about Robert Maxwell and the Pergamon Press, as well as the progression of how we have transformed a society of independent workers into controlled consumers from 1970 to today. Andrew also ties some of the subject matter back to the Orwell and Huxley conversation from previous episodes. Andrew also plays clips from Glenn Beck, Frank Zappa, Larry Ellison, and others discussing how "reality is scripted" and how this is done to "steer" or engineer our society in the direction of what the world elites want.The song selection is the song, "Wait" by the band Under Influence.Visit allegedlyrecords.com and check out all of the amazing punk rock artists!Visit soundcloud.com/andrewforamerica1984 to check out Andrew's music!Like and Follow The Politics & Punk Rock Podcast PLAYLIST on Spotify!!!Check it out here: https://open.spotify.com/playlist/1Y4rumioeqvHfaUgRnRxsy...politicsandpunkrockpodcast.comFollow Future Is Now Coalition on Instagram @FutureIsOrgwww.futureis.org
In 1981, David Bowie and Queen both happened to be in Switzerland: They met and made "Under Pressure." Recorded on a lark, the song broke the path for subsequent pop anthems. In Under Pressure (Duke University Press, 2025), Max Brzezinski tells the classic track's story, charting the relationship between pop music, collective politics, and dominant institutions of state, corporations, and civil society. Brzezinski shows that, like all great pop anthems, "Under Pressure" harnesses collective sentiments in order to model new ways of thinking and acting. As we continue to live under the sign of the global oppressive power the song names, analyzes, and attempts to move beyond, we remain, in Bowie and Freddie Mercury's phrase, under pressure. Max Brzezinski is the author of Vinyl Age: A Guide to Record Collecting Now. Max on Instragram Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In 1981, David Bowie and Queen both happened to be in Switzerland: They met and made "Under Pressure." Recorded on a lark, the song broke the path for subsequent pop anthems. In Under Pressure (Duke University Press, 2025), Max Brzezinski tells the classic track's story, charting the relationship between pop music, collective politics, and dominant institutions of state, corporations, and civil society. Brzezinski shows that, like all great pop anthems, "Under Pressure" harnesses collective sentiments in order to model new ways of thinking and acting. As we continue to live under the sign of the global oppressive power the song names, analyzes, and attempts to move beyond, we remain, in Bowie and Freddie Mercury's phrase, under pressure. Max Brzezinski is the author of Vinyl Age: A Guide to Record Collecting Now. Max on Instragram Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
If you're familiar with a certain very-not-politically-correct song* of Frank Zappa's, which concerns the really problematic activities of young women aboard certain tour buses... then you'll recognize this tune. If you're not, well... look it up if you're really in the mood for inappropriate lyrics with crazy-cool production. Music: Frank Zappa Lyrics, guitars, bass, drums, percussion, vocals, arrangement, production: SG Voice of Mary: Kendra Shepherd Harmonica: Chris "Freight Train" Floyd Helpful help: Niamh Bagnell Many thanks to the great Gary Talley for the use of his Sitar-Guitar! * "Crew Slut" is the very-not-politically-correct Zappa song in question
In 1981, David Bowie and Queen both happened to be in Switzerland: They met and made "Under Pressure." Recorded on a lark, the song broke the path for subsequent pop anthems. In Under Pressure (Duke University Press, 2025), Max Brzezinski tells the classic track's story, charting the relationship between pop music, collective politics, and dominant institutions of state, corporations, and civil society. Brzezinski shows that, like all great pop anthems, "Under Pressure" harnesses collective sentiments in order to model new ways of thinking and acting. As we continue to live under the sign of the global oppressive power the song names, analyzes, and attempts to move beyond, we remain, in Bowie and Freddie Mercury's phrase, under pressure. Max Brzezinski is the author of Vinyl Age: A Guide to Record Collecting Now. Max on Instragram Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
In 1981, David Bowie and Queen both happened to be in Switzerland: They met and made "Under Pressure." Recorded on a lark, the song broke the path for subsequent pop anthems. In Under Pressure (Duke University Press, 2025), Max Brzezinski tells the classic track's story, charting the relationship between pop music, collective politics, and dominant institutions of state, corporations, and civil society. Brzezinski shows that, like all great pop anthems, "Under Pressure" harnesses collective sentiments in order to model new ways of thinking and acting. As we continue to live under the sign of the global oppressive power the song names, analyzes, and attempts to move beyond, we remain, in Bowie and Freddie Mercury's phrase, under pressure. Max Brzezinski is the author of Vinyl Age: A Guide to Record Collecting Now. Max on Instragram Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
Beloved Australian songwriter Paul Kelly has just turned 70 – “it sounds Biblical, threescore years and ten.” He looks back here at the road he took to get there, from early days in Adelaide to the pub circuit to his catalogueof stirring and eloquent songs about the big issues of life and love, as Neil Finn says, “with not a trace of pretence or fakery”. You'll find … … the moment he felt he'd arrived … the story of How To Make Gravy – “a Christmas song with no chorus about a man in prison” – and Rita Wrote A Letter, its ghostly sequel … early records he loved – Tommy Roe, Peter Paul & Mary, Yes, Deep Purple, Frank Zappa, the “chaotic” Duke Ellington and Louis Armstrong … life on the Melbourne pub circuit playing Neil Young, Gram Parsons and Hank Williams … touring with Leonard Cohen – “a masterclass in performance, like a prayer, a ritual, like a Vaudevillian Rabbi” .. the storytelling songs of the Stanley Brothers, the Louvin Brothers and Buck Owens ... the great Calypso cricket tradition and the track he wrote about Shane Warne … “the odd-sock drawer”: the file in his computer where he stores early sketches … I'm In Love With A Blue Frog, the five chords that underpinned 50 years of songwriting! … the intricacy of Neil Finn's impressionistic lyrics … and the things you hear in your songs when someone else sings them. Order Paul Kelly's ‘Seventy' here: https://paulkelly.lnk.to/seventyHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Beloved Australian songwriter Paul Kelly has just turned 70 – “it sounds Biblical, threescore years and ten.” He looks back here at the road he took to get there, from early days in Adelaide to the pub circuit to his catalogueof stirring and eloquent songs about the big issues of life and love, as Neil Finn says, “with not a trace of pretence or fakery”. You'll find … … the moment he felt he'd arrived … the story of How To Make Gravy – “a Christmas song with no chorus about a man in prison” – and Rita Wrote A Letter, its ghostly sequel … early records he loved – Tommy Roe, Peter Paul & Mary, Yes, Deep Purple, Frank Zappa, the “chaotic” Duke Ellington and Louis Armstrong … life on the Melbourne pub circuit playing Neil Young, Gram Parsons and Hank Williams … touring with Leonard Cohen – “a masterclass in performance, like a prayer, a ritual, like a Vaudevillian Rabbi” .. the storytelling songs of the Stanley Brothers, the Louvin Brothers and Buck Owens ... the great Calypso cricket tradition and the track he wrote about Shane Warne … “the odd-sock drawer”: the file in his computer where he stores early sketches … I'm In Love With A Blue Frog, the five chords that underpinned 50 years of songwriting! … the intricacy of Neil Finn's impressionistic lyrics … and the things you hear in your songs when someone else sings them. Order Paul Kelly's ‘Seventy' here: https://paulkelly.lnk.to/seventyHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Beloved Australian songwriter Paul Kelly has just turned 70 – “it sounds Biblical, threescore years and ten.” He looks back here at the road he took to get there, from early days in Adelaide to the pub circuit to his catalogueof stirring and eloquent songs about the big issues of life and love, as Neil Finn says, “with not a trace of pretence or fakery”. You'll find … … the moment he felt he'd arrived … the story of How To Make Gravy – “a Christmas song with no chorus about a man in prison” – and Rita Wrote A Letter, its ghostly sequel … early records he loved – Tommy Roe, Peter Paul & Mary, Yes, Deep Purple, Frank Zappa, the “chaotic” Duke Ellington and Louis Armstrong … life on the Melbourne pub circuit playing Neil Young, Gram Parsons and Hank Williams … touring with Leonard Cohen – “a masterclass in performance, like a prayer, a ritual, like a Vaudevillian Rabbi” .. the storytelling songs of the Stanley Brothers, the Louvin Brothers and Buck Owens ... the great Calypso cricket tradition and the track he wrote about Shane Warne … “the odd-sock drawer”: the file in his computer where he stores early sketches … I'm In Love With A Blue Frog, the five chords that underpinned 50 years of songwriting! … the intricacy of Neil Finn's impressionistic lyrics … and the things you hear in your songs when someone else sings them. Order Paul Kelly's ‘Seventy' here: https://paulkelly.lnk.to/seventyHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
The Not Ready for Prime Time Podcast: The Early Years of SNL
Christmas is coming early this year to The Not Ready for Prime Time Project. This week we're re-releasing a VINTAGE episode of The Early Years of SNL as we look back at not only the best holiday episode of the original (or any) era, but also one of the best episodes of the entire first five years.Candice Bergen returns to Saturday Night Live for the 3rd time to host the Christmas episode for the second year in a row. This one is loaded with killer sketches from “Adopt Belushi for Christmas” to “Santi-Wrap” to the iconic “Consumer Probe.” It's got a great monologue and two sketches, “Gary Gilmore” and “The Killer Trees,” which are sleeper gems you may have forgotten about. And, speaking of forgetting, we also get one of the most memorable “breaks” in show history as Candice forgets who is playing who in a sketch and calls Gilda by Candice's own character's name, causing both women to just lose it.To top it all off, Frank Zappa performs three numbers – all of which are top notch. He even manages to sneak into a sketch.We love this episode. We hope you do too. Happy holidays! ---------------------------------Subscribe today! Follow us on social media: Twitter: @NR4PTProject Instagram: @nr4ptproject Bluesky: @nr4ptproject.bsky.social Facebook: The Not Ready for Prime Time Project Contact Us: Website: https://www.nr4project.comEmail: nr4ptproject@gmail.com
In this episode, I talk with legendary timpanist, educator, and musical pioneer Jonathan Haas. Jonathan's journey weaves together St. Louis, Chicago, New York, Juilliard, Frank Zappa, Emerson Lake & Palmer, Philip Glass, and a powerful new project responding to the world we live in today.Jonathan tells the story of how a newspaper clipping from his mom led him to Washington University, where he studied with Rich O'Donnell, John Kasica, Tom Stubbs, and Rick Holmes—often taking four private lessons a week while subbing with the St. Louis Symphony.From there, he describes:Heading to Juilliard to study with Saul GoodmanSubbing with the New York PhilharmonicAuditioning for and touring with Emerson, Lake & Palmer (including opening Bolero in front of 50,000 people at Soldier Field!)A 20-year relationship and collaboration with Frank Zappa, sparked by a handwritten letterThe long road to commissioning the Philip Glass Double Timpani Concerto and why it had to become a double concertoHis work at NYU, including powerful new pieces by Lenny White and Tim Adams, connected to Black Lives Matter and the murder of George FloydJonathan is a phenomenal storyteller, and the combination of history, humor, honesty, and perspective makes this one of the most compelling conversations I've had.Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.
Hoy les traemos un Historias de Historietas sobre editoriales de comics independientes o menos conocidas. Esta vez, dos extintas, con American Comics Group (que tenía ciertos nexos con lo que hoy es DC) y Anglo-American Publishing (un sello canadiense creado por necesidades de la Segunda Guerra Mundial); y dos activas, Ahoy Comics (una editorial muy reciente) y Antarctic Press (una empresa con cuatro décadas de experiencia, pioneros del manga en EEUU). Además, una nota con Matías Castro, uno de los responsables de la muestra de originales de comics uruguayos "La Original Historieta Uruguaya", puntapié de un proyecto de conservación y archivo para el noveno arte del país. Con música de Frank Zappa, y Men Without Hats. Próximo programa: Magic Knight Rayearth (Parte II).
Welcome back to Music Maniacs W/ Sight After Dark! In this episode we had the pleasure of speaking with drum extraordinaire Joe Travers! Not only is Joe the current Vaultmeister of the MASSIVE Frank Zappa archives, but he is an incredibly talented drummer who has played with such legendary acts as Z (with Dweezil and Ahmet Zappa) and Duran Duran. We had a fantastic discussion about Frank Zappa, the past, present, and future of the music industry and so much more. As always, we went on a few maniacal tirades a long the way. Enjoy! ________________________________________________________________________ Do you love Music, and Music History, with a side of Comedy? Well you're in the right place! Sight After Dark (Singer Sifa Graffiti and Guitarist Dan Berg) is a band out of Brooklyn, NY that loves two things: 1) Talking Music. 2) Cracking Jokes. One day we were sitting around, discussing our favorite artists, and thought: ”if this isn't a podcast, we don't know what is!” Basically, Instead of keeping our musical conversations to ourselves, we decided to record them for all to hear. Come along as we discuss music, and whatever maniacal topics our brains decide to cover at the time new episodes every Wednesday! ____________________________________________________________________________ If you like our content, and feel like being generous, please consider adding to our virtual tip jar! Every dollar helps us to continue making content like this! https://www.paypal.com/paypalme/sightafterdark? Checkout our latest music: Buy here: https://sightafterdark.bandcamp.com/album/live-after-dark-2 Stream here: https://distrokid.com/hyperfollow/sightafterdark/live-after-dark Support us by purchasing Sight After Dark Merchandise! https://sightafterdark.myspreadshop.com/all _________________________________________________________________________ Social Media: Twitter: https://twitter.com/sightafterdark Instagram: https://www.instagram.com/sight_afterdark/?hl=en Facebook: https://www.facebook.com/sightafterdark/ Website: www.sightafterdarkonline.com Dan Berg: Twitter: @danbergmusic Instagram: @danbergmusic YouTube: Dan Berg Music Sifa Graffiti: Instagram: @sifa.graffiti movementgraffiti.info Business inquiries? Shoot us an email here: sightafterdark@gmail.com
A spectacular graphic novel about the life and times of the legendary Fela Kuti—the Pan-African frontman, multi-instrumentalist, sociopolitical powerhouse, and father of Afrobeat. In Fela: Music Is the Weapon (Amistad, 2025), artist Jibola Fagbamiye and writer Conor McCreery team up to tell the remarkable origin story of one of Nigeria's most famous sons, the King of Afrobeat, Fela Kuti, who rose to superstardom with his band Africa 70 in the 1970s, during a charged political period for his nation. A once-in-a-lifetime musical talent who innovated the musical genre Afrobeat, Fela was also an outspoken critic of the Nigerian military regime. Fela focuses on a pivotal moment in his life, when he and his mother Funmilayo Ransome-Kuti, the renowned Nigerian suffrage activist, were ruthlessly attacked in their own home by soldiers who suffered no repercussions for their violence. It also explores Fela's complex relationship with women, including his mother and Sandra Izsadore, the American singer and activist who revitalize and inspired him. Over the course of his life, Fela married 27 women, fathered numerous children, and founded the Kalakuta Republic commune, where he and his band lived, declaring themselves independent from military rule. As rich and original as its subject, Fela complements the historical with the surreal, featuring parallel dream world sequences, set between this realm and the next, in which Fela receives visions about his future and the dangerous path he will have to walk. Chronicling Fela's perilous journey to capture his destiny—to become the King of Afrobeat, and to advocate for Pan-African unity in the face of European imperialism and white supremacy—this masterful biographical graphic novel celebrates this enduring legend and his legacy, offering inspiration for our own troubled time. Jibola Fagbamiye is a visual artist based in Toronto. His work draws inspiration from his two great loves: African history and North American pop culture. Jibola has exhibited in galleries in Toronto, Los Angeles, and Lagos, and his work has been featured on AfroPunk, Toronto Life, ByBlacks, and BlogTO. Jibola's website and Bluesky. Conor McCreery is a former journalist turned comics scribe. He has written Assassin's Creed, Sherlock Holmes vs Harry Houdini, Adventure Time, Regular Show, and has worked for many of the industry's top publishers including DC, IDW, BOOM!, Titan, and Dark Horse. He lives in Toronto with his wife and three children. Conor on Facebook and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
A spectacular graphic novel about the life and times of the legendary Fela Kuti—the Pan-African frontman, multi-instrumentalist, sociopolitical powerhouse, and father of Afrobeat. In Fela: Music Is the Weapon (Amistad, 2025), artist Jibola Fagbamiye and writer Conor McCreery team up to tell the remarkable origin story of one of Nigeria's most famous sons, the King of Afrobeat, Fela Kuti, who rose to superstardom with his band Africa 70 in the 1970s, during a charged political period for his nation. A once-in-a-lifetime musical talent who innovated the musical genre Afrobeat, Fela was also an outspoken critic of the Nigerian military regime. Fela focuses on a pivotal moment in his life, when he and his mother Funmilayo Ransome-Kuti, the renowned Nigerian suffrage activist, were ruthlessly attacked in their own home by soldiers who suffered no repercussions for their violence. It also explores Fela's complex relationship with women, including his mother and Sandra Izsadore, the American singer and activist who revitalize and inspired him. Over the course of his life, Fela married 27 women, fathered numerous children, and founded the Kalakuta Republic commune, where he and his band lived, declaring themselves independent from military rule. As rich and original as its subject, Fela complements the historical with the surreal, featuring parallel dream world sequences, set between this realm and the next, in which Fela receives visions about his future and the dangerous path he will have to walk. Chronicling Fela's perilous journey to capture his destiny—to become the King of Afrobeat, and to advocate for Pan-African unity in the face of European imperialism and white supremacy—this masterful biographical graphic novel celebrates this enduring legend and his legacy, offering inspiration for our own troubled time. Jibola Fagbamiye is a visual artist based in Toronto. His work draws inspiration from his two great loves: African history and North American pop culture. Jibola has exhibited in galleries in Toronto, Los Angeles, and Lagos, and his work has been featured on AfroPunk, Toronto Life, ByBlacks, and BlogTO. Jibola's website and Bluesky. Conor McCreery is a former journalist turned comics scribe. He has written Assassin's Creed, Sherlock Holmes vs Harry Houdini, Adventure Time, Regular Show, and has worked for many of the industry's top publishers including DC, IDW, BOOM!, Titan, and Dark Horse. He lives in Toronto with his wife and three children. Conor on Facebook and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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Crockett is framed for stealing money from a drug dealer, played by Frank Zappa. Zappa's character is a big time Weasel Dust dealer (whatever that is) and obviously wants his money back. Can The Miami Vice boys clear Crockett's name with some help from the DEA? Listen to find out.
The radio careers of Mike Boyle and Paul Heine, have taken them from legendary radio stations to the influential world of trade journalism. They both share inside stories from their days behind the mic and their pivotal roles at publications like FMQB and Billboard Radio Monitor, painting a vivid picture of an era when radio and records were at the cultural crossroads.Listen in as Mike and Paul recount remarkable encounters with iconic artists: Donny Osmond causing office pandemonium, one-on-one moments with Stevie Nicks and Ronnie James Dio, and unforgettable interviews with Howard Stern and Frank Zappa. From witnessing history in Berlin as the Wall came down to swapping stories from behind-the-scenes at conventions and concerts, this episode is packed with nostalgia, industry insights, and lessons on navigating career transitions.Season 5 is off to a great start with more intimate, heartfelt looks into the friendships, the risks, and the evolution of radio from the personalities who helped shape it.You can download or stream every episode of AIRCHECK from Apple Podcasts, and Spotify. You can also listen on YouTube. Ask your Smart Speaker to “Play Aircheck Podcast”.If you're a radio vet with a story to tell we want to hear from you.Email us at Aircheckme@gmail.comFollow us on Facebook: facebook.com/aircheckmeTell us what you think and your favorite episode!
Send us a textFrank stops by the show to discuss his solo record, his childhood adventures with his brother and so much more. *****Living Between the Lines is the debut solo LP from Frank Meyer. A long time coming, Meyer's been hinting at it for a while now with Bandcamp exclusive tracks, covers on tribute albums, acoustic solo shows, and his acclaimed collaboration album with Eddie Spaghetti of the Supersuckers. Like the Eddie collab, LBTL is out on Kitten Robot Records. The 11-song album adds touches of blues and soul to Meyer's expected high-energy rock ‘n 'roll, revealing a more mature voice. He is joined for duets by longtime friend and collaborator Lisa Kekaula of the Bellrays on the title track, Runaways icon Cherie Currie on “Piece of Me” and Spaghetti himself on “Partners In Crime.”An award-winning musician, filmmaker and author, Meyer has a track record that covers rock ‘n 'roll, punk, heavy metal, blues, and country. Known for his work with everyone from Rock ‘n 'Roll Hall of Famers James Williamson (Iggy & the Stooges) and Wayne Kramer (MC5) to legendary punk act FEAR, Meyer has carved out a career full of unlikely collaborations, hard work, searing guitar playing, and ace songwriting skills.“It meant a lot to have these particular vocalists join me on my solo debut,” says Meyer. “Lisa and I go way back to my earliest days of the music scene in L.A.. Eddie is also an ld friend and touring buddy, and was a big inspiration in making this album. Cherie saw the Streewalkin' Cheetahs early on and helped us get signed. So all of them are dear to me and have been integral in my career.”As kids, Frank and his brother (actor Breckin Meyer) put on plays and lip-sync concerts for their parents. By age 12, lil 'Frankie was playing guitar, writing songs and recording at Frank Zappa's house with his childhood friends Ahmet and Dweezil. By age 15, he was gigging professionally around the ‘80s Hollywood club scene with his teenage high school band. In the mid-'90s, Meyer formed punk act the Streetwalkin' Cheetahs, who went on to record many acclaimed albums, tour the world and carve out a niche as one of L.A.'s hardest working, hardest rocking bands. The band remains active with new releases and reissues out in stores on Rum Bar Records, Heavy Medication Records, and Ghost Highway Records, plus European and US touring activity.*****If you would like to contact the show about being a guest, please email us at Dauna@bettertopodcast.comUpcoming guests can be found: https://dmneedom.com/upcoming-guest Follow us on Social MediaInstagram: https://www.instagram.com/author_d.m.needom/Facebook: https://www.facebook.com/bettertopodcastwithdmneedomIntro and Outro music compliments of Fast Suzi©2025 Better To...Podcast with D. M. NeedomSupport the show
Guess the film from the reworded quote. LOVE TRIVIA WITH BUDDS? CHECK OUT THE MNEMONIC MEMORY PODCAST! "Knowledge is rooted in memory—listen to The Mnemonic Memory Podcast today." http://www.themnemonictreepodcast.com/ Fact of the Day: "Pirates World" a 100 acre theme park in Southern FL that predated Disneyworld, and hosted such musical acts as Led Zeppelin, the Grateful Dead and Frank Zappa. Triple Connections: Nude, Polish, Enthusiast THE FIRST TRIVIA QUESTION STARTS AT 01:34 SUPPORT THE SHOW MONTHLY, LISTEN AD-FREE FOR JUST $1 A MONTH: www.Patreon.com/TriviaWithBudds INSTANT DOWNLOAD DIGITAL TRIVIA GAMES ON ETSY, GRAB ONE NOW! GET A CUSTOM EPISODE FOR YOUR LOVED ONES: Email ryanbudds@gmail.com Theme song by www.soundcloud.com/Frawsty Bed Music: "EDM Detection Mode" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ http://TriviaWithBudds.com http://Facebook.com/TriviaWithBudds http://Instagram.com/ryanbudds Book a party, corporate event, or fundraiser anytime by emailing ryanbudds@gmail.com or use the contact form here: https://www.triviawithbudds.com/contact SPECIAL THANKS TO ALL MY AMAZING PATREON SUBSCRIBERS INCLUDING: Mollie Dominic Vernon Heagy Brian Clough Sarah Nassar Nathalie Avelar Becky and Joe Heiman Natasha raina Waqas Ali leslie gerhardt Skilletbrew Bringeka Brooks Martin Yves Bouyssounouse Sam Diane White Youngblood Evan Lemons Trophy Husband Trivia Rye Josloff Lynnette Keel Nathan Stenstrom Lillian Campbell Jerry Loven Ansley Bennett Gee Jamie Greig Jeremy Yoder Adam Jacoby rondell Adam Suzan Chelsea Walker Tiffany Poplin Bill Bavar Sarah Dan Katelyn Turner Keiva Brannigan Keith Martin Sue First Steve Hoeker Jessica Allen Michael Anthony White Lauren Glassman Brian Williams Henry Wagner Brett Livaudais Linda Elswick Carter A. Fourqurean KC Khoury Tonya Charles Justly Maya Brandon Lavin Kathy McHale Chuck Nealen Courtney French Nikki Long Mark Zarate Laura Palmer JT Dean Bratton Kristy Erin Burgess Chris Arneson Trenton Sullivan Jen and Nic Michele Lindemann Ben Stitzel Michael Redman Timothy Heavner Jeff Foust Richard Lefdal Myles Bagby Jenna Leatherman Albert Thomas Kimberly Brown Tracy Oldaker Sara Zimmerman Madeleine Garvey Jenni Yetter JohnB Patrick Leahy Dillon Enderby James Brown Christy Shipley Alexander Calder Ricky Carney Paul McLaughlin Casey OConnor Willy Powell Robert Casey Rich Hyjack Matthew Frost Brian Salyer Greg Bristow Megan Donnelly Jim Fields Mo Martinez Luke Mckay Simon Time Feana Nevel
Michael Brown undertakes a thorough study of Eyeliner's Eyeliner's Buy Now (Bloomsbury 2025) a vaporwave homage to the kitsch electronic sounds of the 1980s and 1990s. Eyeliner's BUY NOW (2015) belongs to a new genre for our times: vaporwave. Emerging in the early 2010s on the internet, vaporwave originated with a cohort of millennial artists who reimagined the musical soundtracks of 1980s-1990s consumerism with an adroit mixture of irony and sincerity. One of these was Eyeliner, the alias of New Zealand computer musician Luke Rowell (a.k.a. Disasteradio). For his vaporwave masterpiece, Rowell harnessed computer software to craft a unique album, a catchy, funky, and witty tour through the utopias of advertising at "the end of history." BUY NOW epitomizes a new kind of album for the internet age: made DIY-style, all digital, free, licensed under Creative Commons, and released to a "virtual" community, an online scene without geographic center. Drawing on original interviews and the album's production archive, Eyeliner's BUY NOW (Bloomsbury 2025) uses BUY NOW's story to investigate what it means to create, distribute, and consume independent music in an era of global networks and digital technology. It places the album in both the real-world and online contexts of Rowell's life and career, from early websites to the Spotify era, from Lower Hutt to the world. Michael Brown on Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Nick has another Tales from the Concert. Furious Bongos, featuring Chad Wackerman on drums, came to Hagerstown last week to perform Frank Zappa's music and they did not disappoint.Song: Furious Bongos - “Black Page #2”Wayan Zoey is back to sub for Greg this week. He heard about Nick & Jay's recent experience seeing DOOM GONG and wanted to relay how there subsequent show in NYC went. Needless to say, the band had a less than optimal experience with a venue.Song: SML - “Chicago Four”Jay is excited to have our guest host this week because he's recently caught the Phish bug and has a lot of questions he needs answered. Wayan is a lifelong Phish fan and completely up on the band's lore. It's time for a Phish Q&A.Clip: Phish - Live in Saratoga, NY 7/25/25
Master violinist/vocalist/composer L. Shankar (aka Shenkar) has spent the past four decades developing a personal style that ranges from strict Indian classical music to Western instrumental pop although usually he lands somewhere in the middle. Since playing his first solo concert at the age of seven, he has gone on to accompany many of South India's leading vocalists and become a major soloist. Schooled in voice, violin, and the drums, he has composed new ragas and folk songs, and played with countless other master musicians. In the 1970s, with John McLaughlin, Zakir Hussain, Vikku Vinayakram, and Ramnad Raghavan, he co-founded the legendary Indo-jazz group Shakti. In the 1980s, he introduced a custom-made 10-string double violin capable of covering the whole range of the orchestra's string section from violin to double bass. He has collaborated with Frank Zappa and Peter Gabriel and has continued to expand the international audience for Indian music, often combining North Indian (Hindustani) and South Indian (Carnatic) styles, (Robert Browning Associates program notes, 2022). L. Shankar performs original works, in-studio.Set list: 1. Ananda Nadamadum Tillaj Sankara 2. Ganapathiye Varuvaai 3. Shamudu