Podcasts about Frank Zappa

This week in the Labyrinth we're joined by an incredible guest — and a family connection! Guitarist Browan Lollar from St. Paul and The Broken Bones drops by to talk about their upcoming self-titled album (out October 10th). Browan is also the younger brother of our own Dustin Lollar, so we get some fun family stories along the way. Plus, Tim and Browan dive into some Frank Zappa talk, influences, and what it's like balancing band life with side projects (including Browan's surf rock outfit Tsar Bomba). If you're a fan of Southern soul, psychedelic grooves, and stories from the road — this one's for you. Watch the show on YouTube: https://youtu.be/htimVveCrjk

What's myth and what's fact in the story of Charles Manson? What were the true motives behind the murders and who was really involved? There are many books covering this topic, yet very few have broken through the 'official' tale told by the trial's prosecutors and the news media at the time. This book includes hundreds of hours of research into court and police documents, witness statements, media reports and interviews with those involved.How do Terry Melcher, Elvis Presley, the Beach Boys, Jane Fonda, the Mamas and the Papas, Michael Caine, Dean Martin, Angela Lansbury, Peter Sellers, Warren Beatty, Yul Brynner, Peter Falk, Cary Grant, Steve McQueen, Neil Young, Frank Zappa, Nancy Sinatra, Ronald Reagan and Debbie Harry fit into the tale? What Hollywood secrets did the industry, the police and the prosecution strive to keep hidden? Were the victims really chosen at random by a crazed cult of serial killers, high on a mix of LSD, Satanism and the music of the Beatles? Read on to uncover the secrets of the Manson family, their trial, the main players in the case and the murky world of Hollywood.The book contains 564 pages, 200,000+ words containing a complete history of the life of Charles Manson.A detailed examination of the Hinman, Shea, Tate and LaBianca murders, appraisal of all the most prominent theories surrounding the case, explanations of the coded confessions revealed in interviews with Manson.Stories of celebrity encounters, facts about Manson's relationship with the music industry, details of organised crime connections, faults with the prosecution's case, troubling indications about the motives and character of Vincent Bugliosi, examinations of further murders and other criminal activity possibly connected to Manson.Revelations about the main players involved in the case, embarrassing secrets of the Hollywood elite, suggestions of police ineptitude, signs of a cover-up, bizarre coincidences, strange occurrences, salacious gossip, radical political movements, riots, the Black Panthers, The Beatles, The Beach Boys, cults, religion, sex, drugs and murder.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Garth Heckman The David Alliance TDAgiantSlayer@Gmail.com    Robin: EVERYTHING WAS HOLY….       What are five things no one would know about Burt Ward who played Robin in the TV show Batman?   ### 1. **A Speed-Reading Sensation**   Before hitting the big time, young Burt became an accomplished speed-reader. He was tested before the American Medical Society in Beverly Hills and clocked a staggering **30,000 words per minute with 90% comprehension**—far beyond average reading speeds. ([Classic Movie Hub - CMH][1], [TV Banter][2])   ---   ### 2. **World's Youngest Professional Ice Skater**   At just **two years old**, Burt was featured in the magazine *Strange as It Seems* as the **world's youngest professional ice skater**, thanks to a traveling ice show owned by his father. ([Wikipedia][3], [Classic Movie Hub - CMH][1])   ---   ### 3. **He Did (Most of) His Own Dangerous Stunts**   Unlike many stars, Burt performed most of his own stunts, even though his face made using a stunt double difficult. This led to multiple emergency room visits—**dozens**, he says—due to injuries from stunts like being tied to a table with a real buzz saw inches away or suspended above Bengal tigers. ([Wikipedia][3], [Express][4])   A Reddit user humorously shared one of Burt's more wild stories, recalling how during one stunt he was flung from the Batmobile when the door unexpectedly opened—and cracked an arm. ([Reddit][5])   ---   ### 4. **Musical Collaborations with Frank Zappa**   During *Batman*'s peak, Burt recorded several tracks produced by Tom Wilson and arranged by Frank Zappa. Notably, he released a single featuring "Boy Wonder, I Love You" (written by Zappa) and a cover of "Orange Colored Sky." ([Wikipedia][3], [Classic Movie Hub - CMH][1])   ---   ### 5. **Rescue Work for Giant-Breed Dogs**   Beyond Hollywood, Burt—and his wife Tracy—devoted themselves to canine welfare. In **1994**, they founded *Gentle Giants Rescue and Adoptions*, significantly impacting the lives of giant-breed dogs. Their nonprofit has facilitated **over 15,500 adoptions** and often houses around **50 dogs at home** awaiting forever families. ([Wikipedia][3], [People.com][6]) Additionally, their company *Gentle Giants* produces natural pet food aimed at boosting pets' longevity and wellbeing. ([People.com][6])   ---   ### Bonus Tidbits:   * Burt actually chose his own stage name: swapping “Gervis” for *Ward* (his mother's maiden name) and altering “Bert” to “Burt” because it had more punch. ([Wikipedia][3], [Classic Movie Hub - CMH][1]) * He holds a **Guinness World Record** for portraying the same live-action superhero in the most episodes (120 as Robin). ([Facts.net][7], [The Famous People][8]) * In **2020**, Burt received a star on the **Hollywood Walk of Fame**—a fitting tribute to the iconic Boy Wonder. ([Hollywood Walk of Fame][9])   To understand the deep meaning of redemption in Greek scripture, it is essential to explore the key terms used by New Testament writers, primarily agorazō and its cognates (exagorazō), and lytron with its related forms (apolytrōsis, lytrōsis). These words paint a picture of redemption as a decisive, costly, and legally binding rescue from the slavery of sin and its consequences.  Key Greek words for redemption Agorazō (ἀγοράζω) and exagorazō (ἐξαγοράζω) The verb agorazō means "to buy or purchase" and is derived from agora, the Greek marketplace or slave market. The related verb exagorazō, which means "to buy out or buy from," intensifies this meaning.  Bought at a price: The use of agorazō emphasizes that humanity was on the auction block of sin but has been purchased by Christ. Paul writes in 1 Corinthians 6:20, "For you were bought with a price" (ēgorasthēte timēs), underscoring the high cost of this purchase. Freedom from the Law: The more intensive term exagorazō highlights a targeted purchase designed to remove something or someone from their previous state. For example, Galatians 4:5 says Christ came to "redeem those who were under the law" (exagorazō tous hupo nomon). This signifies not just a general purchase but a deliberate act of freeing people from the curse and bondage of the Law.  Lytron (λύτρον), apolytrōsis (ἀπολύτρωσις), and lytrōsis (λύτρωσις) This cluster of words emphasizes the idea of a ransom payment that brings about release. Lytron (ransom price): Lytron specifically refers to the monetary price paid to free a slave or captive. In Matthew 20:28 and Mark 10:45, Jesus says he came "to give his life as a ransom (lytron) for many," directly comparing his death to a payment made to secure the freedom of others. Apolytrōsis (completed redemption): The preposition apo is an intensifier, making apolytrōsis a "stronger form" of the word that denotes a complete and finalized liberation. This is the word used when describing the future, full redemption of believers' bodies at the resurrection (Romans 8:23) and the day of ultimate redemption (Ephesians 4:30). Lytrōsis (the experience of release): This noun refers to the deliverance or liberation that results from the payment of a ransom. Hebrews 9:12 explains that Christ "obtained eternal redemption (lytrōsis) for us".  The holistic and progressive nature of redemption The deep meaning of redemption in the Greek New Testament moves beyond a simple, one-time transaction to a multi-faceted and progressive work of God.  Past: An accomplished fact The price for sin has been paid through Christ's death on the cross, accomplishing a decisive and objective redemption for all believers. The sacrifice of Christ is the ultimate ransom (lytron), securing our justification and the forgiveness of sins (Romans 3:24).  Present: An ongoing reality The power of redemption is at work in believers' lives, delivering them from sin's power and purifying them to be a people for God's possession (Titus 2:14). As part of this transformation, believers are no longer slaves to sin but bondservants of righteousness (Romans 6:18).  Future: A complete deliverance Redemption is not yet fully realized. Believers "groan inwardly as we wait eagerly for our adoption as sons, the redemption of our bodies" (Romans 8:23). The final stage of redemption will be the complete liberation from corruption and the resurrection of our bodies when Christ returns (Luke 21:28).  A covenantal and communal significance Understanding the Greek word for redemption also brings with it significant implications for our relationship with God and others.  A treasured possession (peripoiēsis) 1 Peter 2:9 refers to believers as "a people for his own possession (peripoiēsis)." The Greek term highlights that God did not simply purchase us to release us, but to acquire and preserve us as his treasured property. This identity echoes the Old Testament concept of Israel as God's segullah, his special, prized possession.  Motivating holiness - HOLY MOTIVATION BATMAN The knowledge that we belong to God motivates believers to live holy lives and not grieve the Holy Spirit (Ephesians 4:30). The infinite cost of our redemption, the blood of Christ (1 Peter 1:18–19), calls believers to live not for themselves but for Christ. 

Few politicians produced the musical reaction that Ronald Reagan did. His California-branded conservatism inspired countless young people to pick up guitars and thrash out their political angst. Punk bands across the United States took aim at the man, his presidency, and the idea of America he was selling to voters nationwide. Small yet vibrant scenes across the country emerged to challenge the communal norms and social values projected on them by the popular media and consumer culture. Punk enthusiast Robert Fitzgerald argues that these songs' lyrics aren't just catchy and fun to scream along with; they also reveal the thoughts and feelings of artists reacting to their political environment in real, forthright, and uncensored time.In Hardcore Punk in the Age of Reagan (UNC Press, 2025), Fitzgerald shows how these lyrics illustrated what young adults felt and how they reacted to one of the most influential and divisive leaders of the era. Punk lyrics are seemingly simple, the author argues, but they sketch out a complex, musically inspired countermovement that is as canonical in the American songbook as the folk and rock protest music that came before. Robert Fitzgerald is a laboratory school administrator and a lifelong punk fan. Robert Fitzgerald on UNC Press's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Pamela Des Barres, born in California, emerged from the 1960s Los Angeles rock scene as both participant and witness. Introduced to Captain Beefheart in high school, she soon immersed herself in the vast Los Angeles demimonde, befriending and dating musicians from The Byrds to Led Zeppelin. With Frank Zappa's guidance, she co-founded the performance collective the GTOs, documenting her experiences in diaries that became the foundation of her seminal memoir I'm With the Band. She later married rocker Michael Des Barres—also known to television audiences for his role as the assassin Murdoc on MacGyver. Pamela herself went on to publish multiple books and establish a career as an author, teacher, and chronicler of rock history, in her role as the definitive voice of the “groupie.”

The word "like" has been around for centuries, but it reached a new cultural prominence in the 1980s, partially thanks to Frank Zappa's song "Valley Girl." Since then, "like" has taken on a life of its own, inspiring strong emotions. This hour, we look at the meaning and evolution of "like." Plus, how movies like the now 30-year-old Clueless have impacted our language. GUESTS: Megan C. Reynolds: An editor at Dwell and author of Like: A History of the English Language’s Most Hated (and Misunderstood) Word Kory Stamper: Lexicographer and author of Word By Word: The Secret Life of Dictionaries Veronica Litt: English Professor and author of Ugh! As If!: Clueless Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Great to be back with Timothy Finn for our always electic and enjoyable musical banter. This time new videos for older tunes, documentaries, oddities and more featuring Billy Joel, Buckingham/Nicks, Talking Heads, Frank Zappa, upcoming live shows, and other updates. Enjoy!

Joining host Michael Azevedo on this episode is Jonathan Berman, director of the newly restored documentary "Commune." Originally released in 2005, the film has been newly restored with vibrant sound and picture quality and is currently making the rounds at movie houses across the US.    Commune chronicles the story of Black Bear Ranch, launched in 1968 with help from luminaries like The Doors, Frank Zappa, and The Monkees. This abandoned goldmine transformed into a hub for radical living, fueled by the motto "Free Land for Free People."   The film is packed with rare interviews—including with well-know actor and frequent documentary narrator Peter Coyote—as well as home movies and candid stories that unpack the contradictions, challenges, and wild hope behind the commune movement.   From free love and experiments in co-parenting, to the practical struggles of survival, "Commune" lets viewers consider what it really takes to build, and sustain, genuine community.   Learn more about screenings near you: https://www.opensignalstudios.com/films/commune   Making Media Now is sponsored by Filmmakers Collaborative, a non-profit organization dedicated to supporting media makers from across the creative spectrum. From providing fiscal sponsorship to presenting an array of informative and educational programs, Filmmakers Collaborative supports creatives at every step in their journey. About the host: www.writevoicecreative.com and https://www.linkedin.com/in/michael-azevedo/   Sound Engineer: A.J. Kierstead  

Sometimes the universe doesn't operate on a level playing field. What we learned in preschool. Song lyrics that are saving us now. The Thunderbirds at the Chicago Air and Water Show have wrought chaos at Turi's house. Marci admits to liking the Hamburger Helper Hand on her daughter's but...or at least preferring it to the ear guages. 

In this episode, Nathan sits down with documentary filmmaker Jonathan Berman to discuss the newly restored 20th anniversary release of his 2005 film Commune—a fascinating portrait of Black Bear Ranch, a real-life countercultural commune founded in 1968 with help from rock legends like The Doors, Frank Zappa and The Monkees.Together, they explore the ideals and contradictions of communal living, what it means to build something outside the system and why Commune feels more relevant than ever in today's fractured world. Jonathan shares the behind-the-scenes journey of tracking down former residents, preserving decades-old archival footage and telling a story that still sparks conversation and curiosity.Whether you're drawn to the 1960s counterculture, alternative living experiments or just love thoughtful documentary filmmaking—this is a conversation worth tuning into.Watch the film / Learn more: communethemovie.comFollow the film on Instagram: @communethemovie More from Jonathan Berman: OpenSignalStudios.comRead Nathan's thoughts on ‘Commune.'Support the podcast: https://www.buymeacoffee.com/moviesarelife

Few politicians produced the musical reaction that Ronald Reagan did. His California-branded conservatism inspired countless young people to pick up guitars and thrash out their political angst. Punk bands across the United States took aim at the man, his presidency, and the idea of America he was selling to voters nationwide. Small yet vibrant scenes across the country emerged to challenge the communal norms and social values projected on them by the popular media and consumer culture. Punk enthusiast Robert Fitzgerald argues that these songs' lyrics aren't just catchy and fun to scream along with; they also reveal the thoughts and feelings of artists reacting to their political environment in real, forthright, and uncensored time.In Hardcore Punk in the Age of Reagan (UNC Press, 2025), Fitzgerald shows how these lyrics illustrated what young adults felt and how they reacted to one of the most influential and divisive leaders of the era. Punk lyrics are seemingly simple, the author argues, but they sketch out a complex, musically inspired countermovement that is as canonical in the American songbook as the folk and rock protest music that came before. Robert Fitzgerald is a laboratory school administrator and a lifelong punk fan. Robert Fitzgerald on UNC Press's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Few politicians produced the musical reaction that Ronald Reagan did. His California-branded conservatism inspired countless young people to pick up guitars and thrash out their political angst. Punk bands across the United States took aim at the man, his presidency, and the idea of America he was selling to voters nationwide. Small yet vibrant scenes across the country emerged to challenge the communal norms and social values projected on them by the popular media and consumer culture. Punk enthusiast Robert Fitzgerald argues that these songs' lyrics aren't just catchy and fun to scream along with; they also reveal the thoughts and feelings of artists reacting to their political environment in real, forthright, and uncensored time.In Hardcore Punk in the Age of Reagan (UNC Press, 2025), Fitzgerald shows how these lyrics illustrated what young adults felt and how they reacted to one of the most influential and divisive leaders of the era. Punk lyrics are seemingly simple, the author argues, but they sketch out a complex, musically inspired countermovement that is as canonical in the American songbook as the folk and rock protest music that came before. Robert Fitzgerald is a laboratory school administrator and a lifelong punk fan. Robert Fitzgerald on UNC Press's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices

Few politicians produced the musical reaction that Ronald Reagan did. His California-branded conservatism inspired countless young people to pick up guitars and thrash out their political angst. Punk bands across the United States took aim at the man, his presidency, and the idea of America he was selling to voters nationwide. Small yet vibrant scenes across the country emerged to challenge the communal norms and social values projected on them by the popular media and consumer culture. Punk enthusiast Robert Fitzgerald argues that these songs' lyrics aren't just catchy and fun to scream along with; they also reveal the thoughts and feelings of artists reacting to their political environment in real, forthright, and uncensored time.In Hardcore Punk in the Age of Reagan (UNC Press, 2025), Fitzgerald shows how these lyrics illustrated what young adults felt and how they reacted to one of the most influential and divisive leaders of the era. Punk lyrics are seemingly simple, the author argues, but they sketch out a complex, musically inspired countermovement that is as canonical in the American songbook as the folk and rock protest music that came before. Robert Fitzgerald is a laboratory school administrator and a lifelong punk fan. Robert Fitzgerald on UNC Press's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Scott Robinson joins the show. Frank Zappa. Evel Knevel. Music talk.

Few politicians produced the musical reaction that Ronald Reagan did. His California-branded conservatism inspired countless young people to pick up guitars and thrash out their political angst. Punk bands across the United States took aim at the man, his presidency, and the idea of America he was selling to voters nationwide. Small yet vibrant scenes across the country emerged to challenge the communal norms and social values projected on them by the popular media and consumer culture. Punk enthusiast Robert Fitzgerald argues that these songs' lyrics aren't just catchy and fun to scream along with; they also reveal the thoughts and feelings of artists reacting to their political environment in real, forthright, and uncensored time.In Hardcore Punk in the Age of Reagan (UNC Press, 2025), Fitzgerald shows how these lyrics illustrated what young adults felt and how they reacted to one of the most influential and divisive leaders of the era. Punk lyrics are seemingly simple, the author argues, but they sketch out a complex, musically inspired countermovement that is as canonical in the American songbook as the folk and rock protest music that came before. Robert Fitzgerald is a laboratory school administrator and a lifelong punk fan. Robert Fitzgerald on UNC Press's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Few politicians produced the musical reaction that Ronald Reagan did. His California-branded conservatism inspired countless young people to pick up guitars and thrash out their political angst. Punk bands across the United States took aim at the man, his presidency, and the idea of America he was selling to voters nationwide. Small yet vibrant scenes across the country emerged to challenge the communal norms and social values projected on them by the popular media and consumer culture. Punk enthusiast Robert Fitzgerald argues that these songs' lyrics aren't just catchy and fun to scream along with; they also reveal the thoughts and feelings of artists reacting to their political environment in real, forthright, and uncensored time.In Hardcore Punk in the Age of Reagan (UNC Press, 2025), Fitzgerald shows how these lyrics illustrated what young adults felt and how they reacted to one of the most influential and divisive leaders of the era. Punk lyrics are seemingly simple, the author argues, but they sketch out a complex, musically inspired countermovement that is as canonical in the American songbook as the folk and rock protest music that came before. Robert Fitzgerald is a laboratory school administrator and a lifelong punk fan. Robert Fitzgerald on UNC Press's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Facebook and Bluesky.

From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression. In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism. Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism. Frank Zappa's Americexamines the musician's messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it. Bradley Morgan, a media arts professional based in Chicago, is the author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships for CHIRP Radio 107.1 FM and directs the station's music film festival. Morgan also interviews authors of music and pop culture books for the New Books Network podcast. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

We got a couple of world-class curmudgeons here - who share more than might meet the ear initially: two native Californians renown for their curdled opinion of the world they inhabit, and the populace with whom they share the space; We're talking Hollywood, specifically, but their bile was generous enough to accommodate the whole of humanity - in all its corrupt, hypocritical manifestations; both lost too early - victims of cancer's cruelty; both musical geniuses with solid classical training and rock n roll credentials; and, funny? Goddamn right, they were!Frank Zappa and Warren Zevon, two outlaws who could not be silenced or ignored are being celebrated here today. It should be noted that Frank was inducted posthumously into the Rock n Roll Hall of Fame; Warren is still owed his due. FRANK ZAPPAThe man loved freaks, and had to create his own label to promote them. From the time he appeared on the Steve Allen show in the early 60's, playing the bicycle, to the early 90's, when he visited Czech Republic as an honored guest to the President, playwright-turned politician, Vaclav Havel after their Velvet Revolution, and throughout his vociferous fight against censorship in the halls of our Congress, Frank always stood strong for freedom of expression, and against hypocrisy.In “Plastic People” from his second album ABSOLUTELY FREE, you can hear so many elements mixed together that have become tropes: the abrupt changes in tempo and mood, the stinging social satire, the weird orchestration, the rock n roll name checks…. Good stuff!WARREN ZEVONWe always knew that Warren was tortured by demons. He struggled with his alcoholism for a long time and was subject to depression. But, despite it all he kept his unique humorous perspective. And, with a prodigious gift for melody, he wrote some of pop's most haunting ballads. He was, to borrow the words of Kris Kristofferson, a “walking contradiction” who could go to the darkest of dark sides, like in his rockers about serial killers, such as Excitable Boy and Werewolves of London - then, swing 180 degrees to express wrenching heartbreak in such timeless elegies as Hasten Down the Wind and Carmelita.In Splendid Isolation you get both - the swinging of the hips, and the stinging of the poisoned barb. It has an autobiographical persuasion which illuminates the soul of a man who longs to be left alone - the world is just too fucked up to navigate. There's a bitter sadness articulated, but its flavored with that ever-present Zevon wit. 

From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression. In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism. Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism. Frank Zappa's Americexamines the musician's messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it. Bradley Morgan, a media arts professional based in Chicago, is the author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships for CHIRP Radio 107.1 FM and directs the station's music film festival. Morgan also interviews authors of music and pop culture books for the New Books Network podcast. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression. In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism. Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism. Frank Zappa's Americexamines the musician's messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it. Bradley Morgan, a media arts professional based in Chicago, is the author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships for CHIRP Radio 107.1 FM and directs the station's music film festival. Morgan also interviews authors of music and pop culture books for the New Books Network podcast. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression. In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism. Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism. Frank Zappa's Americexamines the musician's messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it. Bradley Morgan, a media arts professional based in Chicago, is the author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships for CHIRP Radio 107.1 FM and directs the station's music film festival. Morgan also interviews authors of music and pop culture books for the New Books Network podcast. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression. In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism. Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism. Frank Zappa's Americexamines the musician's messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it. Bradley Morgan, a media arts professional based in Chicago, is the author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships for CHIRP Radio 107.1 FM and directs the station's music film festival. Morgan also interviews authors of music and pop culture books for the New Books Network podcast. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression. In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism. Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism. Frank Zappa's Americexamines the musician's messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it. Bradley Morgan, a media arts professional based in Chicago, is the author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships for CHIRP Radio 107.1 FM and directs the station's music film festival. Morgan also interviews authors of music and pop culture books for the New Books Network podcast. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

From his early albums with the Mothers of Invention, Frank Zappa established a reputation as a musical genius who pushed the limits of culture throughout the 1960s and 1970s, experimenting with a blend of genres in innovative and unheard-of ways. Not only did his exploratory styles challenge the expectations of what popular music could sound like, but his prolific creative endeavors also shaped how audiences thought about the freedom of artistic expression. In Frank Zappa's America (LSU Press, 2025), Bradley Morgan casts the artist as an often-misunderstood figure who critiqued the actions of religious and political groups promoting a predominantly white, Christian vision of the United States. A controversial and provocative satirist, often criticized for the shocking subject matter of his songs, Zappa provided social commentary throughout his career that spoke truth to power about the nefarious institutions operating in the lives of everyday Americans. Beginning in the late 1970s, his music frequently addressed the rise of extremist religious influence in American politics, specifically white Christian nationalism. Despite commercial and critical pressure, Zappa refused to waver in his support for free speech during the era of Reagan and MTV, including his pointed testimony before the U.S. Senate at the Parents Music Resource Center (PMRC) hearings. Throughout the 1980s, and until his death in 1993, Zappa crafted his art form to advocate for political engagement, the security of individual liberties, and the advancement of education. Music became his platform to convey progressive views promoting the rights of marginalized communities most at risk in a society governed by the principles of what he perceived as Christian radicalism. Frank Zappa's Americexamines the musician's messaging through song, tracing the means by which Zappa created passionate, at times troubling, art that combats conservativism in its many manifestations. For readers in the twenty-first century, his music and public advocacy demonstrate the need to preserve democracy and the voices that uphold it. Bradley Morgan, a media arts professional based in Chicago, is the author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships for CHIRP Radio 107.1 FM and directs the station's music film festival. Morgan also interviews authors of music and pop culture books for the New Books Network podcast. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Bruce Sudano is a singer, songwriter, and storyteller whose music draws deeply from a lifetime of love, heartache, struggle, and spirituality. A true New Yorker at heart, Bruce formed his first band at age 13 and was performing in clubs not long after, quickly immersing himself in the vibrant local music scene.He first made waves on the charts in 1969 with "Ball of Fire," co-written with Tommy James, followed by the 1970 hit "Tighter, Tighter" with his band Alive N Kickin', which opened for acts like Chicago and Frank Zappa. In 1977, Bruce co-founded the band Brooklyn Dreams, which signed with Millennium Records and soon found success collaborating with Donna Summer. Together, they co-wrote the chart-topping hit “Bad Girls” and appeared on her Top 5 single “Heaven Knows.” Bruce and Donna also began a personal relationship, eventually marrying.Over the decades, Sudano has continued to evolve as a solo artist. His latest album, Talkin' Ugly Truth, Tellin' Pretty Lies, showcases his signature blend of soul, rhythm, and lyrical introspection. The album features the anthemic “Make The World Go Away,” produced by hitmaker Ken Lewis, and the heartfelt duet “Two Bleeding Hearts” with legendary singer/songwriter Valerie Simpson.Highlights from Toby Gribben's Friday afternoon show on Shout Radio. Featuring chat with top showbiz guests. Hosted on Acast. See acast.com/privacy for more information.

In this fiery episode of Packernet After Dark, host Ryan and passionate Packers fans dive into the latest training camp updates, highlighting the standout performances of Lucas Van Ness, the defensive backs, and the beefy offensive and defensive lines. Callers weigh in on the excitement around Green Bay's roster depth, while poking fun at Bears fans' overhyped expectations for Caleb Williams, who's struggling in camp. From hilarious rants about media narratives to a call for an AI-crafted Packers anthem, this episode is packed with unfiltered fan energy and insights. Plus, we discuss the coaching fit, player development timelines, and why big dudes in the trenches are the key to dominance. Don't miss the Frank Zappa-inspired outro! To advertise on this podcast please email: ad-sales@libsyn.com Or go to: https://advertising.libsyn.com/packernetpodcast

In this fiery episode of Packernet After Dark, host Ryan and passionate Packers fans dive into the latest training camp updates, highlighting the standout performances of Lucas Van Ness, the defensive backs, and the beefy offensive and defensive lines. Callers weigh in on the excitement around Green Bay's roster depth, while poking fun at Bears fans' overhyped expectations for Caleb Williams, who's struggling in camp. From hilarious rants about media narratives to a call for an AI-crafted Packers anthem, this episode is packed with unfiltered fan energy and insights. Plus, we discuss the coaching fit, player development timelines, and why big dudes in the trenches are the key to dominance. Don't miss the Frank Zappa-inspired outro! To advertise on this podcast please email: ad-sales@libsyn.com Or go to: https://advertising.libsyn.com/packernetpodcast

Five years ago I interviewed a young chap who was making a living as a musician. A week ago I attended his latest album release party at Asbury Lanesand, wow! I can't rave enough about his band, We Used to Cut the Grass.  We talked about Frank Zappa's influence on his music - and Zappa's misogyny - as well as his attitude toward different music genres, from rap to classical to country. His opinions might surprise you! Here's a link to Cody's YouTube channel. Check it out! https://www.youtube.com/user/vestibulemusic/about    Pardon the background noise. It was during Covid so we talked on my deck. 

Gibby Haynes discusses his upcoming EU/UK tour, the completed Butthole Surfers documentary, early punk memories, near-death stage experiences, vinyl reissues and lots more. EU/UK Tour Tickets here  Topics Include: Gibby discusses upcoming European & UK tour with Scott Thunes and musical kids Tour dates are limited, zero chance of expansion beyond Europe/UK Scott Thunes was Frank Zappa's former bassist and "clone meister" Gibby confirms he's a Frank Zappa fan, particularly loved "Apostrophe" album Lost interest in Zappa after "Apostrophe" due to scatological humor focus Initial confusion about Scott Thunes - Gibby doesn't know who he is Clarifies he works with Paul Green's School of Rock for 20 years Scott Thunes may be coming on tour, is friend of Paul Green Gibby has no direct connection to Scott Thunes, only knows Paul Green Sometimes tours individually with kids, different kids each time Butthole Surfers once toured Europe with School of Rock as opener Kids' performance quality varies - sometimes really good, sometimes not Gibby lost entire record collection when engineer sold it during tour Collection was 3-4 feet of curated vinyl, mostly punk and hardcore Had valuable Buzzcocks singles collection among other rare records Met record dealer in San Antonio mall who introduced great albums Dealer showed him Devo's first album when it came out Key collection moment was hitchhiking trip to LA in summer 1979 Saw early LA punk shows including Go-Gos opening for Fear LA was only US city where audience spit at bands Witnessed massive amounts of phlegm on Belinda Carlisle during show John Belushi was standing next to him at the Go-Gos show Almost saw the Dickies' "last show" but it was cancelled Dickies are apparently still performing, contrary to expectations Gibby wrote memoir "Me and Mr. Cigar," wants to do sequel Criticizes most musician memoirs as ghostwritten, prefers authentic voices Cites Bob Dylan and Patti Smith as examples of self-written memoirs Discusses looking at legacy, mentions end being closer than beginning Still painting but doesn't do regular gallery shows or solo exhibitions Questions whether rockers are musicians or entertainers, favors entertainment label Believes rockers make better actors than actors make musicians Cites Childish Gambino and Lady Gaga as successful crossover examples Mentions Russell Crowe's band "50 Odd Foot of Grunts" dismissively Did artwork for several album covers including "P" and other releases Sold all artwork at LA gallery show while Sonic Youth members sold none David Yow pointed out his success, making him particularly happy Maintains friendships with successful musicians like Red Hot Chili Peppers Gets VIP access to major shows, brings 15-year-old son along Son says he loves Gibby but frequency might be concerning Kids don't appreciate backstage access until they can drink alcohol Mentions Dwarves show where son enjoyed the beer more than music Discusses Eagles of Death Metal and Queens of Stone Age name quality David Crosby once asked why they chose "Butthole Surfers" as name Responded that "Haynes, Walthall, Pincus and Coffey were already taken" Band appeared on Beavis and Butthead with respectful introduction Used different band names for every show, including outrageous ones Paul Leary nearly died from electrical shock at CBGB performance Sound engineer failed to warn about dangerous electrical outlet Butthole Surfers documentary "The Hole Truth" is completed, seeking distribution Twenty percent of documentary viewers cry during screenings, usually same moment Band controls all their catalog rights across different labels Potential vinyl box set in works, discusses remastering philosophy 50+ Minutes Extra-Extended and high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Greg Koch sits down with guitar virtuoso Dweezil Zappa for a fascinating deep dive into musical authenticity, technical mastery, and the challenge of preserving a legendary legacy. Their conversation reveals the extraordinary dedication required to perform Frank Zappa's intricate compositions, with Dweezil candidly sharing his 14-year journey to truly internalize his father's musical vocabulary.What begins as a discussion about guitar techniques evolves into profound insights about musical connection. Dweezil explains why, despite growing up as Frank Zappa's son, he initially gravitated toward more guitar-centric players, such as Eddie Van Halen, before tackling his father's complex work. He compares performing Frank's arrangements to an "orchestral mindset" where precision and teamwork are paramount, revealing that despite years of touring, he must essentially relearn most pieces before each performance.The conversation takes unexpected turns through musical philosophy, modern guitar culture, and the realities of today's music industry. Dweezil offers a valuable perspective for independent musicians, suggesting that cultivating meaningful relationships with a dedicated fanbase is far more sustainable than chasing mainstream success: "Instead of trying to get a dollar from a million people, what if you cultivated a relationship with 10,000 people who want to spend a hundred dollars every year?" Throughout their exchange, both guitarists reflect on finding balance between technical skill and emotional connection, agreeing that the ability to move an audience often transcends pure virtuosity.

MRC welcome back all-time Marvel expert Douglas Wolk to discuss the books of February 1968, featuring Amazing Spider-Man 57, Daredevil 37, Thor 149, Tales to Astonish with Namor and Hulk 100, and X-Men 41! More amnesia! Dr. Doom meets Galactus (in Daredevil)! Frank Zappa! Massive coincidences! Grotesk with a K! Check it out!

Musicians recount the strange and unexpected story behind the making of your favorite albums. Frank Zappa assembled the Mothers to make anti-authoritarian, anti-hippie, anti-commercial music. This record is unlike anything else you will hear. The boys discuss the avant garde, skewering 60s culture while it's at its peak, and of course, pretentiousness in music. Join our Mailing List here: https://linktr.ee/1001albumcomplaintsEmail us your complaints (or questions / comments) at 1001AlbumComplaints@gmail.comListen to our episode companion playlist (compilation of the songs we referenced on this episode) here:https://open.spotify.com/playlist/4IcxUJeuyqbdC8QbuS6ea6?si=ba8cd857f8f64a40Listen to We're Only in it for the Money here:https://open.spotify.com/album/0L8n5dW0KfoNnLuYfyOFPg?si=swkpsp2jSrilJt60h5UnMwIntro music: When the Walls Fell by The Beverly CrushersOutro music: After the Afterlife by MEGAFollow our Spotify Playlist of music produced directly by us. Listen and complain at homeFollow us on instagram @thechopunlimited AND @1001AlbumComplaintsJoin us on Patreon to continue the conversation and access 40+ bonus shows!https://www.patreon.com/1001AlbumComplaintsWe have 1001 Merch! Support us by buying some.US Merch StoreUK Merch StoreNext week's album: Brian Eno - Before and After Science

The first critical biography of iconic musician Alanis Morissette, creator of Jagged Little Pill. The 1990s hardly saw a bigger hit than Jagged Little Pill. Alanis Morissette's defining album won Grammys, dominated the Billboard charts, and sold more than 30 million copies worldwide. It left a deep mark on the psyches of countless listeners. Three decades later, Megan Volpert checks in with Morissette, probing her rich and varied post-JLP career and bearing feminist witness to the existential anger that ties her recent work to enduring classics like "You Oughta Know," "One Hand in My Pocket," and "Ironic." Why Alanis Morissette Matters (UT Press, 2025) builds a bridge from Jagged Little Pill to the fascinating life and subtle intellect of its creator, exploring how the artist's philosophical interests and personal journey are reflected in each track. Morissette's struggles with censorship, mental health challenges, and Catholicism; her queer allyship, spiritual skepticism, zealous fandom, and philanthropic passions--all are carefully observed by a critic whose own life was touched by Jagged Little Pill. In the album's wake, Morissette has evolved as an artist and global citizen. With sensitivity and a profound love for the music, Volpert guides readers through the case for Morissette's enduring cultural relevance and creative impact. Megan Volpert is the author or editor of over a dozen books on popular culture, including two Lambda Literary Award finalists and an American Library Association honoree. She is the author of Straight Into Darkness: Tom Petty as Rock Mystic and she won Georgia Author of the Year for Boss Broad. She teaches at Kennesaw State and Reinhardt Universities. Megan Volpert on Facebook. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The first critical biography of iconic musician Alanis Morissette, creator of Jagged Little Pill. The 1990s hardly saw a bigger hit than Jagged Little Pill. Alanis Morissette's defining album won Grammys, dominated the Billboard charts, and sold more than 30 million copies worldwide. It left a deep mark on the psyches of countless listeners. Three decades later, Megan Volpert checks in with Morissette, probing her rich and varied post-JLP career and bearing feminist witness to the existential anger that ties her recent work to enduring classics like "You Oughta Know," "One Hand in My Pocket," and "Ironic." Why Alanis Morissette Matters (UT Press, 2025) builds a bridge from Jagged Little Pill to the fascinating life and subtle intellect of its creator, exploring how the artist's philosophical interests and personal journey are reflected in each track. Morissette's struggles with censorship, mental health challenges, and Catholicism; her queer allyship, spiritual skepticism, zealous fandom, and philanthropic passions--all are carefully observed by a critic whose own life was touched by Jagged Little Pill. In the album's wake, Morissette has evolved as an artist and global citizen. With sensitivity and a profound love for the music, Volpert guides readers through the case for Morissette's enduring cultural relevance and creative impact. Megan Volpert is the author or editor of over a dozen books on popular culture, including two Lambda Literary Award finalists and an American Library Association honoree. She is the author of Straight Into Darkness: Tom Petty as Rock Mystic and she won Georgia Author of the Year for Boss Broad. She teaches at Kennesaw State and Reinhardt Universities. Megan Volpert on Facebook. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The first critical biography of iconic musician Alanis Morissette, creator of Jagged Little Pill. The 1990s hardly saw a bigger hit than Jagged Little Pill. Alanis Morissette's defining album won Grammys, dominated the Billboard charts, and sold more than 30 million copies worldwide. It left a deep mark on the psyches of countless listeners. Three decades later, Megan Volpert checks in with Morissette, probing her rich and varied post-JLP career and bearing feminist witness to the existential anger that ties her recent work to enduring classics like "You Oughta Know," "One Hand in My Pocket," and "Ironic." Why Alanis Morissette Matters (UT Press, 2025) builds a bridge from Jagged Little Pill to the fascinating life and subtle intellect of its creator, exploring how the artist's philosophical interests and personal journey are reflected in each track. Morissette's struggles with censorship, mental health challenges, and Catholicism; her queer allyship, spiritual skepticism, zealous fandom, and philanthropic passions--all are carefully observed by a critic whose own life was touched by Jagged Little Pill. In the album's wake, Morissette has evolved as an artist and global citizen. With sensitivity and a profound love for the music, Volpert guides readers through the case for Morissette's enduring cultural relevance and creative impact. Megan Volpert is the author or editor of over a dozen books on popular culture, including two Lambda Literary Award finalists and an American Library Association honoree. She is the author of Straight Into Darkness: Tom Petty as Rock Mystic and she won Georgia Author of the Year for Boss Broad. She teaches at Kennesaw State and Reinhardt Universities. Megan Volpert on Facebook. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Bradley Morgan, author of "Frank Zappa's America", on Zappa's battle with the PMRC in 1985.Listen to Episode 301: Frank Zappa's Legacy: Music Against Mainstream Norms---------- BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:BLUESKYFACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com

It's the return of the ZappaCast!! And what an incredible treat we have for you! In this episode, we do a DEEP DISH dive into the new Frank Zappa album and film, CHEAPER THAN CHEEP! A virtually unheard of gem seeing the light of day from the Zappa Vault for the first time, Cheaper Than Cheep consists of performance material from a video shoot that Frank and the Mothers performed at for a television special that never materialized. Needless to say, this is MEGA! Vaultmeister Joe takes us behind the scenes of the making of this amazing project, which is a true gift to Zappa fans everywhere and a loving testament to an unbelievably great and unique Mothers lineup!

Frank Zappa's music is known for its intricate compositions, satirical lyrics, and iconoclastic viewpoints. He frequently used his music to critique societal norms, political institutions, and mainstream culture, often employing humor and absurdity to make his points. He fought for freedom of speech, self-education, and political participation, while also opposing censorship and recreational drug use. In this episode, author Bradley Morgan explores Zappa's messaging through song. Purchase a copy of Frank Zappa's AmericaVisit Bradley Morgan's websiteFollow Bradley Morgan: BlueskyInstagram ---------- BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:BLUESKYFACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

Dave and Ethan are joined by Matt Kelly and Matthew Milligan of the Weird Al-Gorithm podcast for the first part of the discussion to collectively determine the Definitive Top 5 Notable Weird Al Song Cameos! ABOUTSince 2019, Dave & Ethan's 2000″ Weird Al Podcast has covered all facets of the life, career, and fandom of “Weird Al” Yankovic. Hosted by Dave “Elvis” Rossi and Ethan Ullman, two Weird Al super fans, collectors, and historians - the podcast aims to spread the joy of Weird Al and his music while digging deep and learning from those who have worked with, or been inspired by, his work. LINKSFollow us on social media, Patreon, and more: https://linktr.ee/2000inchPast episodes available at WeirdAlPodcast.com PODCAST CREDITSIndependently produced, hosted, and created by Dave "Elvis" Rossi and Ethan UllmanCo-produced with Mike Minnick beginning in March 2025Theme song performed by the Grammy Award-Winning Jim "Kimo" WestPodcast logo designed by Heather Malone COPYRIGHT© 2019-2025 | Dave & Ethan's 2000" Weird Al Podcast

Welcome to LEGENDS: Podcast by All Day Vinyl, hosted by Scott Dudelson. In this episode, we sit down with a true icon of American rock—Mark Farner, the unmistakable voice, guitarist, and songwriting powerhouse behind Grand Funk Railroad. Mark takes us deep into the early days of Grand Funk, sharing vivid stories of the band's meteoric rise and the making of their first groundbreaking albums. He also reflects on unforgettable collaborations with music legends like Ringo Starr, Frank Zappa, and other heroes of rock history. Farner opens up about the spirit and soul behind the music—the raw energy of Grand Funk's explosive live shows, and how both the industry and his personal journey have evolved over the years. We also explore Mark's latest solo release, Closer To My Home, produced by Mark Slaughter (of the band Slaughter). He discusses the spiritual and emotional core of the record, a project rooted in love, forgiveness, and faith—and how his creative bond with Slaughter helped bring it to life. More than a conversation about music, this episode is a reflection on resilience, unity, and the power of song to uplift and inspire. Whether you're a lifelong Grand Funk Railroad fan or just discovering Farner's solo work, this is a rare and revealing conversation with one of rock and roll's most soulful voices. If you enjoy this episode, don't forget to like, rate, and subscribe.

On today's Trail Lunchbox, Tommy welcomed two beloved Missoulians deeply connected to the International Choral Festival: Saxon Holbrook, president of the festival and longtime choral singer, and Jürgen Knöller, brewmaster at Bayern Brewing and early festival supporter.They swap stories about the very first festival in 1987, flipping burgers for Carson, seeing Frank Zappa in Germany, and what makes Missoula's global celebration of voices so unique. Saxon walks us through what to expect at this year's festival — from the Choir Crawl to the finale at the Adams Center — while Jürgen shares how Missoula might be brewing up a cross-continental beer collaboration with a sister choral fest in Bavaria. 

Eliott Edge revisits his first book, Three Essays in Virtual Reality, while giving us a sneak preview of his thinking for his upcoming opus on Simulation theory. Edge is a critically-acclaimed author, artist, and international speaker. Edge has published and presented through The Institute of Ethics and Emerging Technologies, The University of Melbourne, Stevens Institute of Technology, Anthology Film Archives, The C.G. Jung Center, The Fenris Wolf, The Museum of Computer Arts, VRTO, Block Seoul, and Disinformation.Names cited:Ayn Rand, Bob Monroe, Nick Bostrom, Carlos Castaneda, Charles Eisenstein, Chris Anderson, Daniel Dennett, David Graeber, Elon Musk, Frank Zappa, Jeffrey Epstein, John Ellis, Kurt Gödel, Lawrence Krauss, Nick Land, Peter Thiel, Rupert Sheldrake, Susan Blackmore, Thomas Campbell, Walter Kirn, Zoltan Istvan Team Human is proudly sponsored by Everyone's Earth.Learn more about Everyone's Earth: https://everyonesearth.com/Change Diapers: https://changediapers.com/Cobi Dryer Sheets: https://cobidryersheets.com/Use the code “rush10” to receive 10% off of Cobi Dryer sheets: https://cobidryersheets.com/Support Team Human on Patreon: https://www.patreon.com/teamhumanFollow Team Human with Douglas Rushkoff:Instagram: https:/www.instagram.com/douglasrushkoffBluesky: https://bsky.app/profile/rushkoff.comGet bonus content on Patreon: patreon.com/teamhuman Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

My guests today are the filmmaker Jonathan Berman, director of "Commune", Elliott Sharp, the film's composer, and one of its producers, Christian Ettinger. In 1968, two hippies hiking near Mt. Shasta in Northern California stumbled across an unlikely property for sale: an abandoned goldmine and surrounding land, 300 acres for $22,000. Fueled by contributions from the Doors, the Monkees, Frank Zappa and others, they bought the property and named it Black Bear Ranch. It quickly became the prototypical 1960s commune, with the motto “Free Land for Free People.” Utopian communities have always been a part of the United States, but in the 60's and 70's their audacious goal was to reshape the world with free love and common property – creating a revolutionary movement that would spread to the rest of society. But utopia is different for each person, and these experiments often brought strife, jealousy and sometimes even endangered lives. Featuring interviews with several Black Bear alumni, including actor/activist Peter Coyote, alongside a wealth of photographs and home movies, this acclaimed documentary offers a candid look into the joys and difficulties of free love, nude farming, survival in the wilderness, multiple-parent childrearing and other fascinating aspects of communal living. "Commune" is enjoying a new theatrical release based on its recent 4K restoration. It will be screening at DCTV's Firehouse Cinema beginning Friday, July 11th.

Uma coisa que gostamos de fazer no Boia mais do que falar é ouvir.Adoramos quando os convidados tem paixão no jeito de expressar, mais ainda quando o entusiasmo é tanto que contagia o ambiente.No episódio 311, Júlio Adler, João Valente e Bruno Bocayuva recebem Nuande Pekel para uma conversa tão boa que merecia mais tempo, mais registros e mais histórias.As trilhas foram de Racionais MC com Vida Loka Parte 1, ao Lula Cortês e Zé Ramalho com Beira Mar do mítico álbum duplo Paêbirú, Donald Byrd com Where are we Going e Frank Zappa com St. Etienne.

Today, director John Waters, joins us to discuss his debut novel, ‘Liarmouth,’ Also, Scott Thompson and Dave Foley of The Kids in the Hall stop by to talk about their […]

This week we're tackling the wonderfully niche concept of anti-rock. Or more specifically, we're trying to work out what the hell it actually is, why Google doesn't seem to know either, and how it connects to everything from Frank Zappa taking the piss out of The Beatles to bands who are so talented they deliberately make themselves sound rubbish. Chris has dragged poor Mark and our resident punk professor Ferro down a rabbit hole that starts with French composers banging bits of concrete in the 1940s and somehow ends up at US Maple, a band that sounds like they're actively trying to annoy you. Along the way we encounter Captain Beefheart's deliberately mental Trout Mask Replica, The Residents being mysterious weirdos in eyeball masks, and Suicide essentially inventing electronic music with what amounts to a homemade fuzz box. We get properly stuck into the prehistory of experimental music, from Pierre Schaeffer's musique concrète through to the New York art scene of the 1970s. Our main thesis is that anti-rock isn't just noise for the sake of it - it's what happens when genuinely skilled musicians decide to systematically tear apart rock conventions from the inside. Think of it as punk's more cerebral, art school cousin who's read too much Derrida. This is part one of three. Next week we'll tackle the No Wave explosion in late 70s New York, and part three will finally explain why US Maple exist and why anyone would voluntarily listen to them. We also touch on Glenn Branca's guitar symphonies, Pere Ubu's Cleveland weirdness, and try to work out why some of the most influential experimental music came from artists who could absolutely play it straight if they wanted to. Spoiler: they definitely didn't want to. Timestamps: Episode Highlights: 00:00 Introduction and Initial Banter 00:51 Meet the Guest: Ferro (Not Pharaoh) 01:47 Ferro's Musical Journey and PhD in Punk 04:16 What the Hell Is Anti-Rock? 09:37 French Blokes Banging Concrete: The Birth of Musique Concrète 22:01 When Classical Composers Lost Their Minds 27:48 Moondog: The Homeless Viking of Sixth Avenue 28:25 How American Music Got Properly Weird 29:15 Snake Time Rhythms and Native American Influences 30:04 From Experimental Composers to Rock Subversion 30:36 Captain Beefheart's Deliberately Mental Masterpiece 35:05 Red Crayola: Texan Psychedelic Deconstructionists 40:42 The Residents: Eyeball Masks and Musical Terrorism 47:09 Suicide: Two Blokes and a Homemade Fuzz Box 52:06 Pere Ubu: Cleveland's Contribution to Musical Chaos 55:38 Setting Up the No Wave Explosion

He was the beat behind some of rock's greatest anthems—Layla, You're So Vain, Rikki Don't Lose That Number. A Grammy-winning drummer and a member of music royalty, Jim Gordon played with everyone from George Harrison to Frank Zappa. But behind the steady rhythm was a mind unraveling. Voices haunted him. Paranoia consumed him. And in 1983, it all came crashing down with the brutal murder of his own mother.This episode dives deep into the rise, fall, and haunting legacy of Jim Gordon—a man whose genius couldn't outrun his madness. That's today on Death in Entertainment.Story by Brandon Preo

Step into the world of classic American rock as “Takin a Walk” sits down with a founding member of Little Feat. In this episode, your host Buzz Knight journeys through the origins of the legendary band—born in 1969 when Lowell George left Frank Zappa’s Mothers of Invention and teamed up with keyboardist Bill Payne, bassist Roy Estrada, and drummer Richie Hayward to create a sound that fused rock, blues, funk, country, and jazz into something utterly distinctive.Bill Payne is a returning guest to the show and he is hear to talk about the bands triumphant new release called "Strike Up the Band, and he takes us behind the scenes into the creative process of the new music which has special guests Molly Tuttle and Larkin Poe and others collaborating on this project. Hear firsthand stories from the early days in Los Angeles, the making of iconic tracks like “Willin’” and “Dixie Chicken,” and the band’s evolution through triumphs, tragedies, and decades on the road. Whether you’re a lifelong fan or new to the Feat, this walk offers an inside look at the creative spark, musical legacy, and enduring spirit that have made Little Feat one of America’s most beloved and influential band. We also want to put in a loud good word for the band to be recognized for their amazing legacy by getting induction into The Rock & Roll Hall of Fame. A Note to our Community Your support means everything to us! As we continue to grow, we’d love to hear what guests you might find interesting and what conversations you’d like us to explore nest. Have a friend who might enjoy our conversations? Please share our podcast with them! Your word of mouth recommendations help us reach new listeners that could benefit from our content. Thank you for being part of our community. We’re excited for what’s ahead! Check out our newest podcast called “Comedy Saved Me” wherever you get your podcasts. Warmly Buzz Knight Founder Buzz Knight Media ProductionsSupport the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

The movie of the week is Stephen Sayadian's Dr. Caligari (1989). From wiki: “Dr. Caligari is a 1989 American avant-garde horror erotic film co-written and directed by Stephen Sayadian and starring Madeleine Reynal, Laura Albert, Gene Zerna, David Parry, Fox Harris and Jennifer Balgobin.[2] It is a quasi-sequel to the 1920 film The Cabinet of Dr. Caligari.[citation needed] The film details a disturbed doctor (the granddaughter of the original Dr. Caligari) and her illegal experiments on her patients.”Also discussed: Happy Birthday, Edie, the occupation of Los Angeles, Wes Anderson's The Phoenician Scheme, Catherine Breillat's A Real Young Girl, the posters of Brian De Palma, Forbidden Zone, Shock Treatment, Frank Zappa, Pink Narcissus, Querelle, fonts, and more!NEXT WEEK: Night of the Living Dead (1964)Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/‪@sisterhyde.bsky.social Joshua Conkelhttps://www.joshuaconkel.com/https://bsky.app/profile/joshuaconkel.bsky.socialhttps://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

Short Neil/Ferrall crossover. Neil plays all of Bobby Brown by Frank Zappa. POLL: Who is your favorite dead musician?