Podcasts about garden hose

So, zis iz eet! Our show about those two hissy consonants, /s/ and /z/. Phil and Eric chat their way through a discussion of sibilance, and spend a lot of time talking about so-called-gay-speech, and other aspects of what may be perceived as the continuum of masculinity/femininity in speakers, regardless of gender, sexual orientation or affectional preferences. Show Notes:Voiced/ Voiceless Apical/Laminal Alveolar Fricative (sibilant)FormationEither tongue tip up or down, narrowing behind the upper front teeth; groove down the center of the tongue; pulmonic air pressureSibilants, sibilance, hyper-sibilant, hypo-sibilantDentalizationJaw thrustHow to explore/modify degree of sibilanceGarden Hose metaphor: like putting your thumb over the end of the hoseadjust: • the size of the hose (make the groove wider, relax your tongue)• your thumb position (aim the air stream more/less at your teeth or gum ridge; explore laminal or apical articulation; check jaw position)• turn the water down (less air pressure)Story of teacher who told me to say "'even 'wan' 'wam 'wiftly and 'ilently".Symbols s/zDiacritics: dental (subscript bridge: a little tooth-like staple shape) apical (subscript turned bridge)laminal (subscript box)Symbol History:Proto-semitic: bum shape; Phoenician shin: W; Etruscan S, angular 3 shape; Greek Sigma Σ; The minuscule form of s was ſ, called the long s, up to the fifteenth century or so, and the form 'S' was used then only as upper case, just like 'G' and 'A' were only upper case. With the introduction of printing, the modern form s began to be used at the end of words by some printers. Later, it was used everywhere and eventually spread to manuscript letters as well. For example, "sinfulness" would be rendered as "ſinfulneſſ" in all medieval hands, later it was "ſinfulneſs" in some blackletter hands and in print. The modern usage "sinfulness" didn't become widespread in print until the beginning of the 19th century, largely to prevent confusion of 'ſ' with the lower case f in typefaces which had a very short horizontal stroke in their lowercase 'f'. The ligature of ſs (or ſz) became the German ess-tsett, ß.Occurrence -s plurals: when ending is after a voiceless consonant, (or, arguably, at the end of an utterance)-z plurals: when end is after a voiced consonant or a vowel-es plurals: Words Ending in 'sh', 'ch', 's', 'x', and 'z'Pathology: lispsLaterial Lisp: substitutes voiceless ɬ and voiced ɮ for s and zInterdental Lisp: substitutes voiceless θ and voiced ð for s and zPalatal Lisp: substitutes voiceless ç and voiced ʝ for s and zWhistle /s/: gopher from Winnie the PoohSo-called-Gay-LispWikipedia: Two studies (Linville, 1998; Munson et al., 2006) did find that a subset of gay men produce /s/ distinctively; however, the way in which /s/ was pronounced—with a high peak frequency and a highly negatively skewed spectrum—made it more distinctive from other similar sounds, rather than less. That is, this was arguably a hyper-correct /s/.[5][6]Rogers et al found that what people perceived as "gayer sounding" was longer duration /s/ and /z/ and higher peak frequencies for s,z. He also found that their vowels tended to be more "Distinct", that is, more spread out on the vowel chart.Gender difference around /s/ pitch exerciseKorean /s/ tense and lax? Dutch /s/Sean ConneryRSC /s/

The Prologue to Geoffrey Chaucer's Canterbury Tales, read for you on LibriVox (by Kara Shallenburg). The modern English translation is me glossing the text using the definitions on the Librarius.com page. "Garden of Roses" is by Spring Heeled Jacks Original Swinging Jass Band. Gerard Manley Hopkins wrote "Pied Beauty." "Grow a Garden" is by Kesang Marstrand. Thomas Carew wrote "The Spring." Evidently I pronounced his name wrong: it should be said "Carey." "Flowers" is by Gold Box Kingdom (featuring AMY B). Garden Gnome Liberation provides the free template "Letter to Gnome Captor." "Bees and Flowers/Joe Smallwood's Reel" is by Duane Andrews. Charles Dudley Warner wrote "My Summer in a Garden." Please note that times were different then. However, the difficulties that beset the gardener are pretty much the same now. "Flower" is by Supraluxe. Edgar Wilson Nye wrote "The Garden Hose." "Farmyard Rock n Roll" is by The Jackass-Penguin Show. You may recognize it from my Episode 6. Frances Hodgson Burnett wrote The Secret Garden. "Among the Green Leaves" is by Kesang Marstrand. All the music on this podcast was provided by Mevio.com.