Podcasts about Atlantic Records

Air Week: August 25-31, 2025 Atlantic Records, Pt. 6 – 1953 Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc […]

In 1984, the Bronx brought the boom box to the big screen with Beat Street, a film that didn’t just ride the hip-hop wave—it helped define and export it. The Beat Street soundtrack is a time capsule of early hip-hop and electro-funk, capturing the birth of a movement before it was fully commercialized. Released by Atlantic Records, this album wasn’t just background music—it was the culture. The album features legendary contributions from Grandmaster Melle Mel & the Furious Five, Afrika Bambaataa & the Soulsonic Force, The System, Juicy, and Arthur Baker, among others. Each track highlights a different element of the hip-hop universe: from DJing and breakdancing to graffiti and street storytelling. Standout tracks like “Beat Street Breakdown” by Melle Mel paint vivid lyrical murals of life in the city, while “Frantic Situation” by Soulsonic Force lays down a pulse-pounding, futuristic vibe that made dance floors shake from the Bronx to Berlin. This soundtrack helped introduce the four pillars of hip-hop to the mainstream—making Beat Street a cornerstone not just of music, but of cultural education. Whether it’s breakbeats, synth-laced funk, or early rap poetics, this vinyl spins with history and rhythm. Beat Street isn't just a soundtrack—it's a sonic blueprint for hip-hop’s global explosion. For our Soundtrack Summer series, this album reminds us where the culture started and how vital music was in telling those early stories. It's a soundtrack with soul, struggle, and street smarts—straight from the boogie-down Bronx.

On this week's episode of Artist Friendly, Joel Madden is joined by Elliot Grainge. As the CEO of Atlantic Records, Grainge embodies the very ethos of “Artist Friendly,” promoting a hands-off approach and trusting the process. Before stepping into that role, though, he was releasing independent music through his label ⁠10K Projects⁠, founded shortly after graduating from Northeastern University (using ⁠money earned from flipping an apartment⁠ in Boston). Over the years, he's signed a slew of talent, including ⁠Ice Spice⁠, ⁠iann dior⁠, and ⁠Trippie Redd⁠. During the episode, Madden sits down with his brother-in-law for a rare and personal conversation. They dive into family, fatherhood, and the music business while reflecting on love, loss, resilience, and what it takes to build a lasting legacy. Listen to their conversation on Artist Friendly wherever you listen to podcasts. You can also watch the episode over at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Veeps⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  Follow Artist Friendly! IG: @artist.friendly TikTok: @artist.friendly YouTube: www.youtube.com/goodcharlotte ------- Host: Joel Madden, @joelmadden Executive Producers: Joel Madden, Benji Madden, Jillian King Producers: Josh Madden, Joey Simmrin, Janice Leary Visual Producer/Editor: Ryan Schaefer Audio Producer/Composer: Nick Gray Music/Theme Composer: Nick Gray Cover Art/Design: Ryan Schaefer Additional Contributors: Anna Zanes, Neville Hardman Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's episode of Artist Friendly, Joel Madden is joined by Elliot Grainge. As the CEO of Atlantic Records, Grainge embodies the very ethos of “Artist Friendly,” promoting a hands-off approach and trusting the process. Before stepping into that role, though, he was releasing independent music through his label 10K Projects, founded shortly after graduating from Northeastern University (using money earned from flipping an apartment in Boston). Over the years, he's signed a slew of talent, including Ice Spice, iann dior, and Trippie Redd. During the episode, Madden sits down with his brother-in-law for a rare and personal conversation. They dive into family, fatherhood, and the music business while reflecting on love, loss, resilience, and what it takes to build a lasting legacy. Listen to their conversation on Artist Friendly wherever you listen to podcasts. You can also watch the episode over at ⁠⁠⁠⁠⁠⁠⁠⁠⁠Veeps⁠⁠⁠⁠⁠⁠⁠⁠⁠.  Follow Artist Friendly! IG: @artist.friendly TikTok: @artist.friendly YouTube: www.youtube.com/goodcharlotte ------- Host: Joel Madden, @joelmadden Executive Producers: Joel Madden, Benji Madden, Jillian King Producers: Josh Madden, Joey Simmrin, Janice Leary Visual Producer/Editor: Ryan Schaefer Audio Producer/Composer: Nick Gray Music/Theme Composer: Nick Gray Cover Art/Design: Ryan Schaefer Additional Contributors: Anna Zanes, Neville Hardman Learn more about your ad choices. Visit megaphone.fm/adchoices

Atlantic Records que consiguió encontrar la voz de Aretha Franklin y dio el cornetazo del rock psicodélico con la banda CREAM y más adelante con Led Zeppelin. El éxito de Atlantic continuó para conseguir fichar a ACDC. El sueño Sire fue uno de los impulsores del punk en Estados Unidos con el éxito de grupos como Los Ramones. Después del éxito de este género continuó en Reino Unido con el controvertido origen de Sex Pixtols; sin embargo, la moda del punk fue breve y las discográficas dieron paso a la llegada de otros grupos de rock meteóricos como U2 y la 'New wave'.

Air Week: August 18-24, 2025 Atlantic Records, Pt. 5 – 1952-53 Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc […]

The New Orleans rock band Zebra has always existed out of time. Despite having one of the fastest selling debuts in Atlantic Records' history, Zebra never really fit in with the glammed up ‘80s metal bands they were being lumped in with on the pages and airwaves of Hit Parader and MTV. But that apparent inability to fit in may be exactly what endeared them to hordes of avid listeners who would wear out their bare bones cassette of ZEBRA and eventually go to Kmart and stealthily rip open a vinyl copy of the record to steal the lyric sheet so he could figure out what Randy Jackson was singing. Okay. We may be talking about Scott here. ANYWAY — this week we're thrilled to welcome Mr. Jackson to the podcast to talk about the 50th anniversary of Zebra, recording with Jack Douglas, being a rock band in New Orleans, being a rock band in Long Island, befriending Twisted Sister, touring with Cheap Trick, seeing The Beatles live, being forced to talk about Bon Jovi, and the lyrical prowess of the Moody Blues. And more black beans.

Air Week: August 11-17, 2025 Atlantic Records, Pt. 4 – 1952 Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc […]

Linktree: ⁠https://linktr.ee/Analytic⁠Become A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: ⁠https://ow.ly/oPsc50VBOuH⁠ Join Analytic Dreamz on Notorious Mass Effect for a deep-dive segment into F1 The Album, released June 27, 2025, via Atlantic Records. Featuring Don Toliver, Doja Cat, Rosé, Ed Sheeran, and more, this pop, hip-hop, K-pop, and country fusion soundtrack for the F1 film hit #12 on Billboard 200 with 500M streams. Analytic Dreamz explores its chart success, TikTok virality with “Lose My Mind,” and cultural impact, boosted by Miami Grand Prix performances. Tune in for exclusive insights into this global music phenomenon! Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

She took the R&B world by storm in the late '80s and early '90s with hits like “Heart Donor” and “Get A Life” — now she's back, on her terms.Join us for an unforgettable deep-dive with Ann G (Angela Webb Irons) — singer, songwriter, producer, and former Atlantic Records artist. From her roots in Memphis and Clarkston, Georgia to rubbing shoulders with Jermaine Dupri, Troy Taylor, and the iconic Brick, Ann G pulls back the curtain on her rise, her reinvention, and her reign as a fierce independent creative force in Los Angeles.Hear the stories behind the hits, the grind behind the glory, and why she's more inspired than ever. Whether you're an R&B lover or a creative soul chasing your dreams — this is the interview you don't want to miss.#AnnG #RnBQueen #IndieArtist #WomenInMusic #MusicIndustryRealTalk

Air Week: August 4-10, 2025 Atlantic Records, Pt. 3 – 1951 Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc […]

Today on another encore edition of the Rarified Heir Podcast, we are talking to Peter Knego, son of actor Peter Coe and model Rosalee Calvert. Peter doesn't pull many punches on this episode as we discuss the mercurial character that was his father. Known for his roles in films from the 1940s onward, be it Gung Ho!, Gypsy Wildcat or Louisiana Hussy, Coe is best remembered for his for his wild offscreen ways, his dark good look, his many wives and more. In fact, many will remember Peter Coe best for his horror film career in films like House of Frankenstein & The Mummy's Curse both which starred Lon Cheyney Jr. However it might be his lasting friendship at the very end of his life with b-movie director Ed Wood that piques the most interest with fans. In fact, Wood died in Coe's apartment. And our guest Peter was there to witness it all believe it or not. We discuss this fascinating and disturbing story coming up.   We also discuss Peter's mother, model Rosalee Cavlert who might have been the most famous model of the 1950s and 1960s. In fact, while she did act, she often played a model in films like Made in Paris and The Oscar, both starring host Josh Mills' mother, Edie Adams. We talk about Peter's time with his mother growing up pretty much in poverty while somehow living in an exclusive enclave of Los Angeles. The story Peter weaves about how this happens is fascinating. Along the way we discuss couture designer James Galanos, Atlantic Records music mogul Ahmet Ertegun, how Coe escaped the Nazi's, the cult rock band Sparks, Bela Lugosi, having dinner with Mel Brooks, grade Z actor Paul Marco & much more. Peter is nothing if not self-effacing, straight forward, funny, matter of fact and quite happy to tell us both the good and the bad of growing up the child of a celebrity. Take a listen. Everyone has a story. Rarely are they this unique.

Air Week: July 28-August 3, 2025 Atlantic Records, Pt. 2 – 1949-50 Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, […]

#brucespringsteen #eminem #rocknrollphotography #rocknroll #podcast #storytimepodcast Jesse DeFlorio is a director & photographer BORN in New Jersey and living in NASHVILLE. Touring since the age of sixteen, Jesse has worked in all fifty states and nearly 30 countries. He has toured with Olivia Rodrigo, Kelsea Ballerini, Imagine Dragons, Matt Maeson, Dermot Kennedy, Billy Raffoul, the All-American Rejects and many more.His clients include A24, HBO, ROLLING STONE, HONDA, Interscope Records, Budweiser, Atlantic Records, SONY, Capitol Records, Hype Machine, Dine Alone Records, Red Bull Records, AEW, WWE, Kobalt, Fuse.He joins us in studio to discuss touring Europe, visiting Japan, meeting idol Bruce Springsteen, landing an Eminem cover, touring South Africa and crazy backstage stories from years, traveling the globe alongside the most famous artists in the world.Don't forget to like and subscribe GRAB YOUR KNOX HYDRATION - https://www.knoxhydrate.com/For Super Powers fueled by nature, grab your Super Mushroom Focus, Health, Athlete or Sleep at https://supermushrooms.co.za/FOR MORE INFO Jesse DeFlorio - https://www.instagram.com/jessedeflorio/Joshua Eady - https://www.instagram.com/justblamejosh/Storytime Podcast - https://www.instagram.com/storytimepodcastjosh/WATCHhttps://youtu.be/0Dn9iYvgzB4

INXS recorded their biggest album, Kick, in Sydney and Paris, produced by Chris Thomas. Atlantic Records didn't like the record offered them $1 million to go back to Australia and record another album. The band said no. Good call. Kick was released in October 1987 and peaked at No. 1 in Australia, No. 3 on the US Billboard 20, and had four top 10 singles But they had more than Kick. INXS' music filled a niche, on the radio and in your head  They were a band that was electrifying live, had a charismatic frontman, and a mix of rock, pop, and funk.  And they were knocked around more than a little because they weren't simply a straight-ahead rock and roll band. Seems unfair to be judged based on what others sounded like, because INXS was unique: A rock band that had grooves and thump and a full dance floor.  And Hutchence is one of the great frontmen of the rock era. I wanted to travel their album path and hear the before and after around Kick. I found some gems and underappreciated rockers.  I also explore why they were not always loved by critics. Let's go. And let's rock, because INXS does. Turn it up

Air Week: July 21-27, 2025 Atlantic Records, Pt. 1 – 1947-49 Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc […]

In this episode of SoundCentric, we sit down with Malik Wilson, President of Bu Vision, to talk about his journey from Baltimore to becoming a rising force in the music industry. Malik shares how he discovered artists like Sailorr, 4batz, and Ian, and breaks down the strategy behind their branding, TikTok presence, and fan engagement. We dive into the role of storytelling in artist development, what makes an artist stand out today, and how Bu Vision built momentum leading to moments like a Drake co-sign and a XXL Freshman nod. If you're an artist, exec, or just obsessed with how careers are built in 2025, this one's for you.   Find us on social media for daily content and information regarding all things music industry Twitter: https://twitter.com/soundcentricmus Instagram:https://https://www.instagram.com/soundcentricmusic/ Tik Tok: https://www.tiktok.com/@soundcentricmusic Facebook: https://www.facebook.com/SoundCentricmusic Website: https://soundcentricmusic.com Podcast: https://www.soundcentricmusic.com   00:00:10 – Intro & Guest Introduction (Malik Wilson of Bu Vision)   00:01:25 – What XXL Freshman List Still Means Today   00:03:10 – Malik's Journey from Baltimore to the Music Industry   00:05:40 – Discovering Artists Early – Juice WRLD, Yeat, Doechii   00:07:25 – What Malik Looks for in Rising Artists   00:08:40 – First Real Marketing Experience with Shordie Shordie   00:09:25 – Starting AUC Who Got Next at Morehouse   00:11:30 – Breaking into Streamcut via TikTok Strategy   00:13:40 – Winning the Internship Challenge with Sports Page   00:17:40 – Building Saucy Santana's TikTok Fan Page   00:20:40 – Shifting to Vertical Agency & TikTok Strategy Evolution   00:22:40 – Joining Bu vision and Meeting Boo   00:23:40 – How Bu vision Found and Developed Sailor   00:27:10 – Fan Engagement & Touring with Sailorr   00:30:10 – The Importance of Live Shows & Building a Core Fanbase   00:33:10 – Handling Cultural Appropriation Criticism   00:37:30 – SAILORR & Ian's Humor, Branding, and Superpower as Artists 00:45:05– 4Batz & Getting the Drake Co-Sign   00:46:00 – The Role of Atlantic Records in Bu vision's Growth   00:46:45 - Advice for artists for how to separate themselves to cut through the noise 00:50:25 – Advice to Rising Artists: Music, Consistency, and Being Different   00:51:20 – What's Next for Bu Vision, Ian, SAILORR, 4Batz, and Malik's Socials  

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2016 conversation with Mike Stoller. ABOUT MIKE STOLLERMike Stoller has written more than 60 songs that have appeared on the Billboard charts, including the #1 hits “Hound Dog,” “Kansas City,” “Yakety Yak,”  “Searchin',” “Jailhouse Rock,” “Poison Ivy,” “Stand By Me,” “Young Blood,” “Don't,” and “Ruby, Baby." After Stoller and songwriting partner Jerry Leiber found early R&B success with recordings by Little Esther, Charles Brown, Ray Charles, and Big Mama Thornton, Elvis Presley turned their song "Hound Dog" into a #1 single on the pop, R&B, and country charts in 1956. Elvis went on to record more than 20 Leiber and Stoller titles, including the hits "Love Me," "Loving You," "Jailhouse Rock," "Treat Me Nice," "She's Not You," and "Bossa Nova Baby." Mike and Jerry signed an independent production deal with Atlantic Records in the mid-1950s, where they wrote and produced a series of hits for several artists, including the Drifters' "There Goes My Baby," "Dance With Me," and "On Broadway." Additionally, the pair wrote and produced all the Coasters' singles, including "Young Blood," "Searchin'," "Charlie Brown," "Along Came Jones," and "Poison Ivy." Other highlights from the Leiber and Stoller songbook include "Love Potion No. 9," which was a hit for both the Clovers and the Searchers, and "Is That All There Is," which was a hit for Peggy Lee. Eleven different versions of their song “Stand By Me” appeared on the Billboard charts over the span of 50 years, with the original version by Ben E. King hitting the Top 10 in both 1961 and 1986. Smokey Joe's Cafe, which included 40 Leiber and Stoller songs, opened in 1995 and became the longest running musical revue in Broadway history. Stoller received the prestigious ASCAP Founders Award in 1991, has a star on the Hollywood Walk of Fame, and is a member of both the Songwriters Hall of Fame and the Rock and Roll Hall of Fame.

Episode 80: Mike Caren. If you're in the music industry, you hear the name Mike Caren all the time. He's one of the most powerful people in music, with a career that's led to billions of streams, multiple GRAMMY wins, and chart-topping, career-defining hits as both an A&R and executive. He's signed and/or helped break artists like Bruno Mars, Charlie Puth, Ed Sheeran, Kehlani, YoungBoy Never Broke Again, Wiz Khalifa, Flo Rida, T.I., Trey Songz, Ava Max, Kevin Gates, and Don Toliver. He started his career at Atlantic Records at just 18 years old, eventually becoming President of Worldwide A&R at Warner Music Group. Today, he is the founder and CEO of APG, which includes Artist Partner Group (label) and Artist Publishing Group (publishing), one of the most successful independent music companies in the world. This is Mike Caren's first-ever long-form, on-camera interview. Mike usually keeps a low profile, so I was honored he agreed to do this. We dive into his full trajectory, how he got where he is today, lessons learned, and his advice for artists, songwriters, and A&Rs trying to build meaningful careers in today's music landscape. We also talk artist development, the balance of creativity and business, AI and more. There's so much to take away from this one. Hope you enjoy my conversation with the great Mike Caren! ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. (0:00:00) INTRO (0:07:13) EARLY CAREER, GROWING UP (0:08:22) RADIO SHOW WITH THE ALCHEMIST (0:09:20) INTERSCOPE RECORDS INTERNSHIP 1993 (0:13:10) PROVIDE VALUE (0:14:34) MARKETING ROLES (0:17:14) CRAIG KALLMAN, BIG BEAT, ATLANTIC (0:19:21) BLACK EYED PEAS, SIGNING TWISTA (0:21:56) THE PHARCYDE REMIX, STARTING IN A&R (0:24:23) BECOMING EVP OF A&R AT ATLANTIC RECORDS, SIGNING TRICK DADDY, TRINA, T.I., TREY SONGZ, NAPPY ROOTS (0:28:10) STARTING APG (0:31:37) ATLANTIC AND APG (0:33:18) BEING AN EXEC WHILE RUNNING A PUBLISHING COMPANY, STARTING ELEKTRA RECORDS (0:34:15) CEELO GREEN (0:34:30) B.O.B, “NOTHING ON YOU” WITH BRUNO MARS (0:35:13) SIGNING ED SHEERAN (0:36:49) SIGNING BRUNO MARS, BRANDY, AARON BAY-SCHUCK (0:41:09) BEING A CO-PRESIDENT WITH JOHN JANICK (0:42:35) SIA & DAVID GUETTA “TITANIUM” (0:48:23) PRESIDENT OF A&R WARNER MUSIC GROUP, SIGNING KEVIN GATES (0:51:57) CHARLIE PUTH, WIZ KHALIFA, LIL WAYNE (0:54:09) KEHLANI (0:56:16) “SEE YOU AGAIN” CHARLIE PUTH (0:57:43) CREDITING (1:03:01) HOW TO PRIORITIZE (1:10:10) CRAFTING HIT SONGS IN 2025 (1:17:24) A.I. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated!   Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Mike: https://www.instagram.com/mikecaren/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This month's ThrowBLKs dives into Plies' debut album 'The Real Testament' and the gritty, unforgettable voice that helped define the Gunshine State!From football fields to Fort Myers blocks, Plies' path to rap stardom was anything but traditional, built alongside the dream of his brother Big Gates. Tune in to hear the initial "silent investments" he made toward the birth of Big Gates Records, leading to his first deal with Slip N Slide Records and the mixtapes that would spread like wildfire across the state of Florida. We also chat about the controversial night in Gainesville that halted his mainstream start with Atlantic Records, along with the numerous attempts at singles that would eventually lead to his breakthrough feature on DJ Khaled's "I'm So Hood" and the single with another Florida legend that would birth one of hip-hop's greatest love songs.Enjoy our track-by-track retrospective on the August 2007 release of 'The Real Testament' through our favorite records, the sections we would swap out to make an all-time classic debut and much more.

Linktree: ⁠https://linktr.ee/Analytic⁠Become A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: ⁠https://ow.ly/oPsc50VBOuH⁠ Join Analytic Dreamz on Notorious Mass Effect for an in-depth breakdown of Cardi B's highly anticipated album, Am I the Drama?, set for release on September 19, 2025, via Atlantic Records. This segment dives into the album's 23 tracks, including hits like “WAP” and “Outside,” exploring its bold themes of reinvention, karma, and emotional depth. With a nod to Scarlet Envy's iconic Drag Race quote, Analytic Dreamz unpacks Cardi's creative rollout, crow-filled imagery, and personal evolution, highlighting why this LP could redefine her legacy and dominate 2025. Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode we talk to Buzz Osborne, the singer and guitarist for legendary rock band Melvins. Before the Pacific Northwest became known for grunge, Melvins, a notable influence on Nirvana frontman Kurt Cobain, were making sludgy, heavy rock music in Washington State.  After grunge broke in the early ‘90s, the band was signed to Atlantic Records for two albums, Stone Witch from '94 and Stag from '96. Otherwise, Melvins have recorded for indie labels such as Amphetamine Reptile Records and their home for over two decades, Ipecac Recordings. Melvins' latest album, Tarantula Heart, was released by Ipecac in 2024.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Phonte Coleman is best known as a founding member of hip-hop group Little Brother, and as one of the co‑hosts of the podcast Questlove Supreme with Questlove. In the late 90s, Phonte met Thomas “Big Pooh” Jones and Patrick “9th Wonder” Douthit and they started making music together as the hip-hop collective, Justus League and released their first album The Listening in 2003. They changed their name to Little Brother and signed a record deal with Atlantic Records and released The Minstrel Show in 2005. They left Atlantic not long after and then released Getback in 2007 and Leftback in 2010, but then disbanded. Phonte and Big Pooh reunited in 2018 at the Art of Cool Festival and started working on the album May the Lord Watch which came out the following year. There's a documentary called May the Lord Watch you can find online that tells their story, from founding to breakup to reunion. Their final tour which is underway now.Phonte is also co-founder of the Grammy-nominated group The Foreign Exchange with Dutch producer Nicolay. They've put out six studio albums and several singles. SONG 1: “Think (About It)” by Lyn Collins from the 1972 album of the same name. https://youtu.be/vCByeJsq65M?si=e6yfkujwMOUfo5izSONG 2: “Word Play” by A Tribe Called Quest off their 1996 album Beats, Rhymes and Life.https://youtu.be/LfWtkay3lEo?si=VnnVZE9s5eCZEx-pSONG 3: Natalie Cole's “La Costa” released in 1977 on her album Thankful.https://youtu.be/E1ckb_LDGnA?si=gqZpULJymfyKuCru

Among the legendary singers of the 27 Club who captivated the world with their music and lyrics, is a woman who is not as well known—one whose powerful voice and thought-provoking lyrics set her apart from the men dominating the industry. Mia Zapata and her band, The Gits, were on the verge of becoming a household name in Seattle's grunge and punk rock scene when everything was ripped away one night in July of 1993. Mia Zapata's violent murder shocked Seattle as a whole. Who would want to kill a woman, with no enemies, who was so dynamic, vibrant, and creative, and how did they get away with murder for a decade?Connect with us on Social Media!You can find us at:Instagram: @bookofthedeadpodX: @bkofthedeadpodFacebook: The Book of the Dead PodcastTikTok: BookofthedeadpodOr visit our website at www.botdpod.comABOUT — The Gits. (n.d.). The Gits. https://www.thegits.com/aboutAbout Antioch - Antioch College. (2025, May 23). Antioch College. https://antiochcollege.edu/about/Aug 22, 1993, page 143 - The Plain Dealer at Newspapers.com. (n.d.). Newspapers.com. https://www.newspapers.com/image/1070983951/?match=1&terms=mia%20zapataClark, S. J. (1993, July 16). Capital Hill woman found strangled. Seattle Gay News, 1.Dec 20, 1993, page 58 - The Gazette at Newspapers.com. (n.d.). Newspapers.com. https://www.newspapers.com/image/424249475/?match=1&terms=mia%20zapataGreen, P., & Green, P. (2024, October 11). The Life of Mia Zapata and Love After Tragedy - Gen X Watch. Gen X Watch - Stories, Rants, and Being Left Alone. https://www.genxwatch.com/the-life-of-mia-zapata-and-love-after-tragedy/Haring, B. (2021, May 31). Killer of Mia Zapata, influential Seattle punk musician, dies in prison. Deadline. https://deadline.com/2021/05/killer-mia-zapata-seattle-punk-musician-dies-in-prison-1234762659/Holding on to Mia's magic -- Singer's killing leaves grief in the 2 worlds she lived in. (1993, August 26). The Seattle Times. https://archive.seattletimes.com/archive/19930826/1717883/holding-on-to-mias-magic----singers-killing-leaves-grief-in-the-2-worlds-she-lived-inMendez, S. (2025, February 3). Mia Zapata of The Gits is still influential 30 years after her death - Los Angeles Times. Los Angeles Times. https://www.latimes.com/entertainment-arts/music/story/2025-01-31/mia-zapata-the-gits-is-still-influential-30-years-after-her-deathMia zapata. (n.d.). The Gits. https://web.archive.org/web/20130406042509/http://thegits.com/?page_id=410Pian Chan, S. (2009, January 30). Singer's killer sentenced to 36 years in prison again. The Seattle Times. https://www.seattletimes.com/seattle-news/singers-killer-sentenced-to-36-years-in-prison-again/Sheehy, P. (1993, August 1). Mia Zapata: 1965-1993. The Rocket, 9.STATE V. MEZQUIA (2005). (2005). In Case Law (No. 54246-0–I). Court of Appeals of Washington,Division 1. https://caselaw.findlaw.com/court/wa-court-of-appeals/1329872.htmlStone, R. (2019, December 8). The 27 Club: A Brief History. Rolling Stone. https://www.rollingstone.com/culture/culture-lists/the-27-club-a-brief-history-17853/jeremy-michael-ward-25302/Throwaway style: on the gits and what it means to puke the blues. (n.d.). https://www.kexp.org/read/2025/1/30/throwaway-style-the-gits-mia-zapata-historical-essay/Unsolved Mysteries. (2020, September 7). Mia Zapata - Unsolved Mysteries. https://unsolved.com/gallery/mia-zapata/Who murdered Mia Zapata? -- No arrests, few clues 5 years after slaying. (1998, August 23). The Seattle Times. https://archive.seattletimes.com/archive/19980823/2768095/who-murdered-mia-zapata----no-arrests-few-clues-5-years-after-slaying

Peter Wolf is bringing rock ‘n' roll to You Are What You Read this week with his all-new memoir, Waiting on the Moon: Artists, Poets, Drifters, Grifters, and Goddesses. Peter Wolf is best known as the lead vocalist of The J. Geils Band. In 1970 the band was signed by Jerry Wexler for Atlantic Records where they went on to release nine influential albums and earned a reputation as one of rock's most exciting live acts. In 1979 they were signed by EMI America topping the charts world-wide with their hit songs “Freeze Frame,” “Love Stinks,” and “Centerfold.” Peter began his career as a solo artist in 1984 with his album, Lights Out. He collaborated with Aretha Franklin, Merle Haggard, John Lee Hooker, and Mick Jagger, among others. His album Sleepless was voted one of the top five hundred albums of all time by Rolling Stone. He currently tours with his band ‘The Midnight Travelers' and will be releasing his ninth solo album in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the more underrated - some might say virtually lost - bands of the early rock era is Delaney & Bonnie.  This singer-songwriter duo is made of session guitarist/vocalist Delaney Bramlett and his wife and former Ikette Bonnie Bramlett.  Just as important as this founding couple is the number of talented musicians they brought into their recordings, with albums often being referenced as recorded by "Delaney & Bonnie and friends."  These "friends" included luminaries such as Leon Russell, Eric Clapton, George Harrison, Duane Allman, Greg Allman, Steve Howe, and Rita Coolidge.  D&B Together is the sixth and final album from Delaney & Bonnie.  Originally entitled "Country Life," the album was delivered to Atco/Atlantic Records behind schedule and rushed into distribution.  Although Atlantic executive Jerry Wexler was a friend of the duo, he didn't think the quality was where it needed to be and withdrew it from the market.  He later sold the contract and the album's master tapes to CBS, who reordered the running sequence and re-released it in March 1972.  In addition to frequent collaborators Eric Clapton, Leon Russell, and Duane Allman, this album also contains the work of "friends" like Dave Mason, Billy Preston, and Tina Turner. Despite the title, Delaney and Bonnie would divorce shortly after the album came out.  Drugs were taking their toll on the couple and their relationship could not survive it.  However, they did have a daughter named Bekka Bramlett, who was a member of Fleetwood Mac from 1993-1995 and had a long career as a backing vocalist in the music industry.Bruce presents this underrated rock/soul album for this week's podcast.Comin' HomeThis song was released in December 1969 by Atco Records (US) and Atlantic Records (international).  It was co-written by Bonnie Bramlett and Eric Clapton, and features Eric Clapton.  It went to number 84 on the US pop charts.  The lyrics are about being on the road and getting ready to come home to the one the singer loves.  Only You Know and I KnowDave Mason originally wrote and recorded this song in 1970, and it became his first charting single, going to number 42 on the Billboard Hot 100.  Delaney & Bonnie re-recorded it and took it to number 20 on the same chart.  This single was released in 1971, another single that came out before the album.  I Know Something Good About YouThis is a deeper cut on the album with an upbeat, funky sound.  It was written by Delaney Bramlett and Joe Hicks.  Groupie (Superstar)Most people recognize this as a hit from the Carpenters, but this is the original.  Rita Coolidge came up with the idea after observing female groupies with rock starts in the late 60's, and the song was written by Bonnie Bramlett and Leon Russell.  It was the B-side to "Comin' Home."  Richard Carpenter picked it up for the Carpenters, and changed some of the lyrics to be less risqué.   ENTERTAINMENT TRACK:Main theme from the television series The RookiesThis police action series debuted in October 1972. STAFF PICKS:And You and I by YesWayne leads off the staff picks with an excerpt of the 10+ minute work written by Jon Anderson, Bill Bruford, Steve Howe, and Chris Squire. The entire song consists of four parts, but the first two were released as a single edit which hovered just outside the top 40 on the Billboard charts.   You Wear It Well by Rod StewartRob brings us the first single from Stewart's fourth studio album, "Never a Dull Moment."  It went to number 13 on the Billboard Hot 100, and number 1 on the UK singles chart.  Many consider this an arrangement of Stewarts hit "Maggie May."  As with his previous album, members of the Faces join in as musicians on "Never a Dull Moment."Lean On Me by Bill WithersLynch features a song written and performed by Withers.  It was inspired by his experience growing up in a mining town in West Virginia. The community ethic of that town was something Withers missed when he moved to Los Angeles.  It was the first single from Withers' second album, "Still Bill." Turn to Stone by BarnstormBruce brings us a song inspired by frustration over the Vietnam War, the Nixon Administration, and the protesting that was going on at the time.  Joe Walsh left the James Gang and formed a group called Barnstorm.  The group put out three albums including one with the wonderful title "The Smoker You Drink, the Player You Get."  This song is off the group's self-titled debut album.  COMEDY TRACK:My Ding-a-Ling by Chuck BerryWe close out this week's podcast with Berry's double entendre masterpiece, on the charts in this month.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

F1 the Album is the soundtrack album for the 2025 film F1, directed by Joseph Kosinski. It is scheduled to be released by Atlantic Records and Apple Video Programming on June 27, 2025, the same day as the film's North American theatrical release. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Eddie (Harris) was an enigma. He was also a soulful intellectual. He was an innovator who had hit records. He was a success, but he didn't appear all that popular. I think he must have had 3 audiences in one. Each person seeing something different in his music, and that's problematic to navigate in. But he was who he was. He was a creative force with many talents and interests."   Saxophonist/bandleader/composer Eric Person   We couldn't put it better ourselves, so how about if we give Eddie Harris a good, hard listen?  This Monday (5/12) from 6p to 9p NYC time, host Mitch Goldman invites Eric Person to the WKCR studios for a powerful Deep Focus.  If only they had rare, unreleased recordings of Eddie Harris from the WKCR archives.  Hmmm... We'll have to work on that!    Tune in this Monday (4/27) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Eddie Harris 1972 Atlantic Records, Public domain, via Wikimedia Commons.   #WKCR #DeepFocus #EricPerson #EddieHarris #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman  

Sodie Orr is an incredibly talented musician who left college to pursue a career in music. His journey has been one of highs, lows, success, failures, and lessons ever since.In addition to his songwriting, Sodie plays in a family band with his stepdad, Wayne Johnson, dubbed The Swingin Johnsons. They play all over North County, San Diego, and over the 10+ years of performing, have found that sometimes, success can be found in the most unexpected places.Expect to learn:How Sodie was signed to Atlantic Records at age 19What he learned from being Too Short's intern Why he thinks he'd be dead if he became famousHow he is finding purpose again We also talk a lot about therapy, doing hard things, and how we both unintentionally manifested rock bottom moments for ourselves.Shownotes:https://www.instagram.com/swinginjohnsons/https://www.instagram.com/sodieboyy/

"Eddie (Harris) was an enigma. He was also a soulful intellectual. He was an innovator who had hit records. He was a success, but he didn't appear all that popular. I think he must have had 3 audiences in one. Each person seeing something different in his music, and that's problematic to navigate in. But he was who he was. He was a creative force with many talents and interests."   Saxophonist/bandleader/composer Eric Person   We couldn't put it better ourselves, so how about if we give Eddie Harris a good, hard listen?  This Monday (5/12) from 6p to 9p NYC time, host Mitch Goldman invites Eric Person to the WKCR studios for a powerful Deep Focus.  If only they had rare, unreleased recordings of Eddie Harris from the WKCR archives.  Hmmm... We'll have to work on that!    Tune in this Monday (4/27) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Eddie Harris 1972 Atlantic Records, Public domain, via Wikimedia Commons.   #WKCR #DeepFocus #EricPerson #EddieHarris #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman

"Eddie (Harris) was an enigma. He was also a soulful intellectual. He was an innovator who had hit records. He was a success, but he didn't appear all that popular. I think he must have had 3 audiences in one. Each person seeing something different in his music, and that's problematic to navigate in. But he was who he was. He was a creative force with many talents and interests."   Saxophonist/bandleader/composer Eric Person   We couldn't put it better ourselves, so how about if we give Eddie Harris a good, hard listen?  This Monday (5/12) from 6p to 9p NYC time, host Mitch Goldman invites Eric Person to the WKCR studios for a powerful Deep Focus.  If only they had rare, unreleased recordings of Eddie Harris from the WKCR archives.  Hmmm... We'll have to work on that!    Tune in this Monday (4/27) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Eddie Harris 1972 Atlantic Records, Public domain, via Wikimedia Commons.   #WKCR #DeepFocus #EricPerson #EddieHarris #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman

MK-Ultra digs deep into his vinyl stash for a gritty dose of 1970s Funk and Soul, inspired by Blaxploitation classics like Shaft, Foxy Brown and Superfly. Written by Thomas Oakland and featuring narration by TJ Trueh, who returns after his unforgettable performance in Raunchy Radio. A visceral and cinematic lo-fi journey through the seedy side of life on the mean streets.This podcast episode features content created or published by Armando Curcio Editore, Atlantic Records, Because Music, Blue Note Records, Flying Dutchman Records, Numbero, Parlophone Records, Polydor Records, Rhino, Sleeve Records, Tamla, Warner Music Group and others.Thomas Oakland & TJ Trueh - Welcome To The Game [Skit #1]Bobby Womack - Across 110th StreetDonny Hathaway - Little Ghetto BoyKool & The Gang - Father, FatherThe Jimmy Castor Bunch - What's Best?Johnson, Hawkins, Tatum & Durr - You Can't Blame MeThomas Oakland & TJ Trueh - The Illusion [Skit #2]Sisters Love - Give Me Your LoveJeremy Steig - Come With MeMandrill - Mango MeatThe Hygrades - Keep On MovingThomas Oakland & TJ Trueh - The Bigger They Are [Skit #3]Jackie Moore - IfMarvin Gaye - Right OnGil Scott-Heron - Pieces Of A ManCurtis Mayfield - PushermanDonald Byrd - Black ByrdThomas Oakland & TJ Trueh - Walk Away Clean [Skit #4]

Tonight's Jazz Feature spotlights a unique talent who explored various styles of Jazz throughout a long career. Jimmy Giuffre played all the saxophones and most famously, the clarinet. In his early years his clarinet style in which he focused on the lower register of the clarinet (the chalumeau register) was his unique achievement and hallmark. He later explored the clarinet's full register when he turned to more free form Jazz. Of the many styles he performed, tonight's Jazz Feature focuses on his first trio called The Jimmy Giuffre Three. It had Giuffre on tenor and baritone saxophones plus his low register clarinet with the great Jim Hall on guitar and bassist Ralph Pena. This living room sized band explored Giuffre's compositions and dipped into blues and folk music. It's first recording done in Los Angeles on December 3 & 4 1956 was an early masterpiece and issued by Atlantic Records. There was really nothing on the Jazz horizon like this music at this time and this album was greeted warmly by the critics and fans. Enjoy The Jimmy Giuffre Three as tonight's Jazz Feature.

Aretha Franklin got her start at an early age in Gospel music.  As the granddaughter of Gospel great Mahalia Jackson and the daughter of a prominent Baptist preacher, Franklin was heard on her father's "gospel caravan" tours at the age of twelve.  By the time she became an adult in 1960 she had decided that she wanted to go into more pop music, and moved to New York for this purpose.  She signed a deal with Columbia Records, in 1960, but her career would not really take off until moving to Atlantic Records in 1966.  By 1968 she was considered by many to be the most successful singer in the nation, and already crowned the "Queen of Soul."Franklin toured outside the US for the first time in late April 1968 through May 1968.  She performed in Paris on May 7, 1968, and this concert would be released as the live album Aretha in Paris in the fall of 1968.  It was Franklin's second live album, and the first for Atlantic Records where most of her hits were recorded.Some have criticized the backing band as not up to the task of supporting Franklin.  However, this album captures Franklin at the top of her game at a time when she was cranking out some of the biggest hits of her career.  It would be difficult for any supporting band to keep up, particularly one assembled for an overseas tour.  Regardless, this is a great album to explore as a snapshot of Aretha Franklin at the height of success.Lynch brings us a high energy live soul album from the Queen of Soul in her prime for today's podcast. (I Can't Get No) SatisfactionThis Rolling Stones cover is the lead-off track to the album and to the concert.  The Stones had released this song in 1965, and it had become their first number 1 song in the States.  Franklin takes the tempo up for this cover.(You Make Me Feel Like) A Natural WomanCarole King and Gerry Goffin wrote this song for Franklin based on an idea from producer Jerry Wexler.  It originally appeared on Franklin's album "Lady Soul", and went to number 8 on the U.S. charts.  It would make history when it hit the UK charts a week after Franklin's death in 2018, 51 years after the single was first released. (Sweet Sweet Baby) Since You've Been GoneThe original single for this live song was released on the "Lady Soul" album, and reached number 5 on the Billboard Hot 100.  This song was written by Franklin and her then-husband Teddy White. The studio version of this song utilized the talents of the Muscle Shoals Rhythm Section, who were flown in from Alabama to record in a New York City studio.Chain of FoolsSongwriter Don Covay wrote this song in his youth, and presented it to producer Jerry Wexler as a song for Otis Redding.  Wexler decided to have Franklin record it instead of Redding.  It was a big hit, taking the number 1 slot on the R&B charts for four weeks, number 2 on the Billboard Hot 100, and delivering Franklin a Grammy for Best R&B Vocal Performance. ENTERTAINMENT TRACK:Theme from the television comedy show “Laugh In”This sketch comedy show would capture a lot of American counter-culture of the time from Tiny Tim to "sock it to me!" STAFF PICKS:Ride My See Saw by the Moody BluesWayne kicks off the staff picks with a psychedelic song from the second Moody Blues album, "In Search of the Lost Chord."  The song is about leaving school and finding that the world isn't what you thought it would be.  On the album, the song is preceded by a spoken word introduction called "Departure."Harper Valley PTA by Jeannie C. RileyRob's staff pick is a storytelling song written by Tom T. Hall about a widow named Mrs. Johnson and her tangle with the PTA.  When her teenage daughter received a note from the Harper Valley PTA criticizing the way she is living, Mrs. Johnson attends the next meeting and reveals some indiscretions of the other PTA members.Light My Fire by Jose FelicianoBruce features an acoustic cover of the Doors hit single with a Latin twist.  Jose Feliciano is best known for the Christmas song "Feliz Navidad," but this Puerto Rican artist also had a hit with this cover that peaked at number 3 on in late summer 1968.  His album "Feliciano!" is a selection of acoustic cover songs, and his most successful one.  He won "Best Male Pop Vocal Performance" at the 1969 Grammy Awards for this cover.Son of a Preacher Man by Dusty SpringfieldLynch closes out the staff picks with a song that writers John Hurley and Ronnie Wilkins wrote with Aretha Franklin in mind.  When Atlantic Records producer Jerry Wexler heard it, he thought it would be a good fit for Dusty Springfield who was recording her "Dusty in Memphis" album at the time.  INSTRUMENTAL TRACK:And I Love Her by Jose FelicianoWe double up on the Latin acoustic stylings of Feliciano as this Beatles cover takes us out of this week's podcast.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Linktree: https://linktr.ee/AnalyticBecome A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: https://ow.ly/oPsc50VBOuHTune Into A Guy With Big Dreamz On The Internet Giving His Passionate Perspective On Gaming, Hip-Hop, & R&B ️ Dive into Analytic Dreamz's Notorious Mass Effect for an in-depth segment on Rosé's “Messy” from F1: The Album (releasing June 27, 2025, via Atlantic Records). Released May 8, 2025, “Messy” features a vibrant music video showcasing Rosé on the Las Vegas Strip, with club scenes and F1 movie footage. The 17-track album includes stars like Doja Cat, Ed Sheeran, and Peggy Gou. Analytic Dreamz explores the film's plot, directed by Joseph Kosinski, and Rosé's career, from her No. 3 Billboard 200 debut with Rosie to her Miami Grand PrixSupport this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week on Jazz After Dinner, Joe is  featuring Pianist Lennie Tristano from his 1956/1962 Atlantic Records recordings, titled “Lennie Tristano/The New Lennie Tristano.”

Dale  Earnhardt Jr. welcomes Top-40 music artist and longtime NASCAR fan Edwin McCain to the Download to chat about his journey from a humble, local music scene to writing one of the most memorable songs in history. Edwin also shares how Dale Jr.'s 2001 July Daytona win had a profound impact on his life.  After being born in Greenville, South Carolina, Edwin was put up for adoption but admits he has never sought out much information about his biological mother. Dale and Edwin relate on the experience of asking parents hard questions at the end of their lives to get the real picture of their upbringing. Edwin explains he began playing music at an early age after struggling in school due to dyslexia. He and Dale chat about the music they enjoyed growing up and what musicians were a major influence on Edwin, and led him to pick up a guitar.Edwin gives listeners an idea of what the music scene was like in the mid-90s, when he, Dave Matthews and Hootie and the Blowfish were finding their way to major record label contracts. Edwin admits that his signing was largely thanks to the kindness of Hootie, who asked Atlantic Records to give him a shot. After an underperforming debut, in part due to Edwin's disconnection from the project, Edwin saved his career with the smash hit “I'll Be,” which remains one of the greatest love songs ever written. Edwin talks candidly about developing an addiction problem and his journey to rehab. Today, he is on the other side of hardship and celebrating the release of his new album “Lucky,” which is his first new release in almost 15 years.Dirty Mo Media is launching a new e-commerce merch line! They've got some awesome Dale Jr. Download merch on the site. Visit shop.dirtymomedia.com to check out all the new stuff.And for more content check out our YouTube page: https://www.youtube.com/@DirtyMoMedia Must be 21+ and present in select states (for Kansas, in affiliation with Kansas Star Casino) or 18+ and present in D.C. First online real money wager only. $5 first deposit required. Bonus issued as nonwithdrawable bonus bets which expire 7 days after receipt. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG. Call 1-888-789-7777 or visit ccpg.org/chat in Connecticut, or visit mdgamblinghelp.org in Maryland. Hope is here. Visit GamblingHelpLineMA.org or call (800) 327-5050 for 24/7 support in Massachusetts, or call 1-877-8HOPE-NY or text HOPENY in New York.

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2015 conversation with Swamp Dogg.  ABOUT SWAMP DOGGR&B cult favorite Jerry “Swamp Dogg” Williams is best known as the co-writer, with Gary U.S. Bonds, of the cross-genre classic, “She's All I Got,” which became a Top 10 R&B single for Freddie North and a #2 country hit for Johnny Paycheck in 1971. Tracy Byrd recorded it in 1996, hitting #4 on Billboard's Country rankings and introducing the song to a new generation of fans. Williams' career began in 1954 when, at the age of 12, he made his first record, “HTD Blues.” He found success in the 1960s, recording the Top 40 R&B hit “Baby You're My Everything” under the name Little Jerry Williams, and writing songs for other artists, including Gene Pitney's Top 20 Pop single, “She's a Heartbreaker.” He became Atlantic Records' first African American staff producer in 1968, but left the following year to pursue independent projects in Muscle Shoals, Alabama. By the 1970s he was an in-demand producer and songwriter, penning Top 40 R&B hits for Doris Duke, Arthur Conley, and Dee Dee Warwick. Around the same time, he reinvented himself as Swamp Dogg, releasing a series of eccentric deep soul albums whose gonzo lyrics were marked by frank sexuality, biting satire, radical politics, and provocative social observations. His debut LP, Total Destruction to Your Mind, was eventually certified Gold, while subsequent releases, including Gag a Maggott, I'm Not Selling Out – I'm Buying In, An Awful Christmas and a Lousy New Year, and The White Man Made Me Do It have earned considerable accolades among underground music lovers and earned Swamp what one journalist described as “a cultural niche somewhere between Rudy Ray Moore and Frank Zappa.” In recent years, his vast catalog has been sampled by Kid Rock, Talib Kweli, DMX, and others. 

Join the Bad Boys of EDM in discussing controversy topics and unfiltered commentary. On this episode we discuss Skrillex's new Album (Mixtape?) our honest thoughts on the music, some crazy conspiracies on why this happend & more off the wall topics...

For our last series of the season, we have the story of the rise and fall, the rebirth and eventual demise of the legendary Memphis R&B, soul and funk label, Stax Records. This month we're talking about the groundbreaking album that helped kickstart what came to be known as the “Memphis sound” - the first official release on the Stax Record Label, 1962's “Green Onions” by Booker T. & the M.G.s.

For this episode we're joined all the way from Harlem in New York City by venerable hip hop writer Havelock Nelson. The first rap editor at industry bible Billboard talks about his early years in his birthplace Guyana and his love of marching bands in the country's capital Georgetown. From there we hear about his family's move to Brooklyn in 1973 and his early exposure to rap and breakbeat tapes in high school. Havelock recalls the pioneering hip hop fanzines Word Up! and Black Beat – plus the seminal rap writings of Greg Tate and Nelson George – before recounting his experiences as a columnist on Billboard. He also explains the genesis of Bring the Noise, the 1991 "guide to rap music and hip-hop culture" he co-authored with fellow RBP contributor Michael A. Gonzales. Mention of our guest's 1994 interview with the Notorious B.I.G. takes us into discussion of the synergy between hip hop's rising stars and rap media such as The Source magazine. Havelock also reflects on memorable interviews he did with the likes of KRS-One, Slick Rick, LL Cool J and Salt-N-Pepa. The latter duo takes us into audio clips from an audio interview with a Virginia-born artist who was profoundly influenced by them: the one and only Missy Elliott, speaking to Sara Scribner after the release of 1997's debut album Supa Dupa Fly... followed by the voices of her collaborators Timbaland and Magoo. The publication of Taschen's monumental new 75 Years of Atlantic Records prompts reflections on the legendary label co-founded by the late Ahmet Ertegun, plus our thoughts on the present-day roster that includes Charli XCX, Bruno Mars, Coldplay and Ed Sheeran. The episode concludes with quotes from newly-added library pieces about artists such as Wee Willie Harris, Jeff Barry & Ellie Greenwich, the Pharcyde and André 3000. Many thanks to special guest Havelock Nelson. Find his writing on Rock's Backpages and join his Going Way Back group on Facebook. Dr. Dre: The Chronic, B.I.G.: Rap's Next Big Thing, The Rap Column: Media's Rap On Rap Is Out Of Balance, Missy Elliott audio, The Age of Atlantic: Jerry Wexler, Rick Rubin: Def Jam's Man With The Plan, Ahmet Ertegun and The History of Atlantic Records, The Age of Atlantic: Making Tracks, Wee Willie Harris, Jeff Barry and Ellie Greenwich, The Pharcyde: New Rap Masters and André 3000: New Blue Sun.

On this episode of BSTV, Ya Boi Shad & G. Downs sat down with the legendary Alley Boy. They discussed his upbringing in the Edgewood neighborhood of Atlanta, sharing insights into his life and experiences. Alley Boy candidly spoke about his involvement in drug dealing and addiction, including his struggles with codine cough syrup and the subsequent damage it caused to his kidneys, revealing his allergy to opiates. He also regaled the audience with stories of his early passion for rap music, starting at the tender age of nine and honing his craft by learning how to format a song. Alley Boy then recounted the genesis of the record label Duct Tape Entertainment, highlighting his role as the first flagship artist. He candidly addressed the pressure he faced to become a superstar, acknowledging the challenges and sacrifices he made along the way. The conversation took a dramatic turn as Alley Boy spoke about his involvement in an armed robbery and murder charge at the age of 18. He then shared a heartwarming story of meeting Gucci Mane at the age of 17, describing a friendship that has endured to this day. Alley Boy also spoke about his mentorship under Big Bank Black, taking on a leadership role in his early career. The conversation continued with Alley Boy reflecting on the day he signed with Atlantic Records, expressing regret for not choosing Def Jam Records. He candidly discussed his dissatisfaction with the promotion he received from Atlantic Records, feeling that they didn't fully support his artistic vision. Despite this, Alley Boy remains proud of owning his masters and publishing rights, ensuring that his legacy will continue to thrive after he's gone. Alley Boy then delved into his close friendship with hip-hop superstar Future, sharing stories of their lifelong bond and shared upbringing in the same neighborhood. He also addressed his long-standing feud with Jeezy and T.I., expressing his belief that Jeezy lacked genuine character. Despite this, Alley Boy maintains a cordial relationship with T.I., emphasizing that their beef was never serious. The conversation concluded with Alley Boy's move to Los Angeles to collaborate with hip-hop legend Master P and Fat Trell. He also spoke fondly of his close friendship with Nipsey Hussle, recounting the time he brought Hussle to Atlanta for the first time. He also spoke on once moving to Denver to acquire knowledge about cultivating marijuana. Subsequently, he delved into his conflicts with his former collaborator, Yung LA, explaining that he had to distance himself from him because LA was not in a state of mental well-being. He also briefly touched upon the passing of his close friend and labelmate, Trouble. Lastly, he discussed his upcoming projects and the new music he will be releasing soon. https://www.youtube.com/c/BadSpeakersTV https://www.instagram.com/badspeakerspodcast https://www.tiktok.com/@badspeakerspodcast https://twitter.com/BadSpeakers https://www.facebook.com/badspeakerspodcast

On the debut episode of "Mixed and Mastered," Jeffrey Sledge sits down with A&R visionary Sean Barron to uncover the untold stories behind modern music's biggest stars. From discovering Drake on MySpace to shaping hits at Atlantic Records, Barron shares how instinct, hustle, and timing propelled him from Buffalo to the industry's inner circle. With behind-the-scenes insights on working with talents like Miguel, Frank Ocean, and Bruno Mars, this episode offers a rare look at the art—and heart—of making music that lasts. Subscribe and listen to the full episode at https://mixedandmasteredpod.buzzsprout.com/Unglossy will be back later this week with playwright, poet, actor, director, and producer, Keenan Scott II."Unglossy: Decoding Brand in Culture," is produced and distributed by Merrick Studio and hosted by Merrick Chief Creative Officer, Tom Frank, hip hop artist and founder of Pendulum Ink, Mickey Factz, and music industry veteran, Jeffrey Sledge. Tune in to hear this thought-provoking discussion on Apple Podcasts, Spotify, YouTube, or wherever you catch your podcasts. Follow us on Instagram @UnglossyPod to join the conversation and support the show at https://unglossypod.buzzsprout.com/Send us a textSupport the show

Unglossy presents a new podcast from Merrick Studios.Mixed and Mastered is the podcast where the untold stories of the music industry come to life. Hosted by Jeffrey Sledge, a veteran music executive and former VP of A&R at Atlantic Records and Jive Records, each episode dives deep into the journeys, challenges, and triumphs of the people shaping the sound of today. From label executives and producers to artists, songwriters, and managers, Jeffrey brings you behind the scenes to meet the minds driving the industry forward. There's a gap in the marketplace for these voices, and Mixed and Mastered is here to fill it—one conversation at a time. Because the best stories are told by those who lived them.Mixed and Mastered is produced and distributed by Merrick Studio, and hosted by music industry veteran, Jeffrey Sledge. Tune in to the discussion on Apple Podcasts, Spotify, YouTube, or wherever you catch your podcasts. Follow us on Instagram @MixedandMasteredPod to join the conversation and support the show at https://mixedandmasteredpod.buzzsprout.com/Send us a textSupport the show

Listener Paul Hayden suggested creating some episodes on the music of the Bee Gees before they hit the disco floor and caught Saturday Night Fever and here they are! In the final episode of the series, Paul and Patrick examine the changes the band made when they switched to Atlantic Records, tuned in to the radio and worked with producer Arif Mardin.  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart,Djinn RecordsStitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

The Young Rascals were one of the early groups which would define the genre of "blue eyed soul."  For a period of two to three years, this group would generate hit after hit.  Their third album, Groovin', would close out the era in which they were known as “The Young Rascals,” because follow-up albums would see them using simply the name "The Rascals."  Felix Cavaliere was a classically trained pianist, and joined a band called the Starliters, where he met David Brigati and his younger brother Eddie.  Cavaliere convinced Eddie Brigati and guitarist Gene Cornish to leave the Starliters and form a band, recruiting jazz drummer Dino Danilli to flesh out the band.  They called themselves "Them" until they found out that a group out of the UK was already using that name (Van Morrison's band).  They settled on "The Young Rascals" when comedian Soupy Sales used them as his back-up band when he toured the college circuit in 1965.Much of this album is a collection of singles rather than a cohesive piece of music.  Eight of the eleven songs are either A-side or B-side single releases.The Rascals moved into a more psychedelic direction after this album, and they would be largely done by the early 70's.  They were early inductees into the Rock and Roll Hall of Fame, receiving that honor in 1997.Bruce presents this soulful album for this week's podcast.Groovin'This signature song from the group almost didn't make it as a single.  Atlantic Records pushed back on this track because it was very different from the sound of their other songs, having a more Latin influence.  The inspiration for the lyrics was Cavaliere's girlfriend Adrienne Buccheri.  He only got to see her on Sundays because he was so occupied with the group, music, and touring on other days. You Better RunMany listeners who grew up in the 80's will be more familiar with Pat Benatar's cover of this song than the Young Rascals' original.  It was released a year before the album as a single, in May 1966.  The song has more of a garage band feel than other songs on the album.A Girl Like YouThis is the lead-off song for the album, and went to number 10 on the Billboard Hot 100.  Upbeat, feel good, this is the opening song of new love.  It starts off subdued with piano and vocals, then builds into the horns and percussion.  If You KnewThis song was released as the B-side to the single "I've Been Lonely Too Long" from their previous album called Collections.  It is the only song on the album to be listed as written by all member of the band.  Most songs were written by Felix Cavaliere and Eddie Brigati.  ENTERTAINMENT TRACK:Mrs. Robinson by Simon and Garfunkel (from the motion picture “The Graduate”) Dustin Hoffman's got his breakthrough role in this coming of age film.  STAFF PICKS:Green Tambourine by the Lemon PipersRob leads off the staff picks with the best known song from a short-lived Ohio band.  Unfortunately the success of this song would cause the record company to pigeonhole the group into doing more songs in the psychedelic genre.  The group was unenthusiastic about this direction, and would leave the label in 1969, dissolving shortly thereafter.Sunshine of Your Love by CreamLynch brings us a signature song from the original supergroup.  The song arose out of a bass riff that Jack Bruce created after seeing Jimi Hendrix for the first time.  Jack Bruce and Eric Clapton take turns with vocals while Ginger Baker utilizes a tribal beat on percussion.I Can See for Miles by The WhoWayne features the only single from the Who album “The Who Sell Out.“  Although it went to number 9 on the US charts, guitarist and writer Pete Townshend expected it to do much better.  The Who made use of the studio as an instrument on this heavier, psychedelic song, using techniques similar to the Beach Boys and the Beatles at the time.I Second That Emotion by Smokey Robinson & the MiraclesBruce closes out the staff picks with a song that originated from a trip Smokey Robinson and Al Cleveland took to a Detroit department store in search of a gift for Robinson's wife Claudette.  When Robinson told the salesman of a set of pearls, "I sure hope she likes them," Cleveland accidentally said "I second that emotion," rather than "I second that motion."  The two laughed about it and wrote this song which would go to number 3 on the Billboard Hot 100 in 1967.   INSTRUMENTAL TRACK:Hip Hug-Her by Booker T. & the M.G.'sWe close out with a funky instrumental which was on the charts at the time.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Rockshow episode 211 The Story of Stax RecordsStax Records was a pioneering American record label based in Memphis, Tennessee, that played a crucial role in the development of soul, R&B, and funk music. Founded in 1957 by Jim Stewart and his sister Estelle Axton, the label became synonymous with the gritty, raw, and deeply emotional sound that defined Southern soul.Stax was home to legendary artists such as Otis Redding, Booker T. & the M.G.'s, Sam & Dave, Wilson Pickett (through a deal with Atlantic), Isaac Hayes, and The Staple Singers. Unlike Motown, which had a polished and orchestrated style, Stax music was known for its raw energy, tight horn sections, and a heavy gospel influence.One of Stax's most defining characteristics was its integrated roster of musicians, producers, and executives during a time of deep racial segregation in the South. The studio band, Booker T. & the M.G.'s, featured both Black and white musicians, which was groundbreaking in the 1960s.The label thrived throughout the 1960s but faced difficulties after the tragic death of Otis Redding in 1967 and the loss of its distribution deal with Atlantic Records in 1968. It experienced a resurgence in the early 1970s, largely due to Isaac Hayes' massive success with Hot Buttered Soul and Shaft. However, financial struggles led to Stax's bankruptcy in 1975.In later years, Stax was revived as a brand, and its legacy continues through reissues and the Stax Museum of American Soul Music in Memphis. Its impact on music remains profound, influencing countless artists across multiple genres.https://staxrecords.com/https://youtube.com/@staxrecords?si=bPBfHvzs7kxHrb5Dhttps://staxmuseum.org/#StaxRecords #SoulMusic #MemphisSoul #OtisRedding #IsaacHayes #BookerTandTheMGs #SouthernSoul #RNB #ClassicSoul #SamAndDave #TheStapleSingers #SoulLegends #Funk #VintageVinyl #MusicHistory #StaxMuseum #RespectYourRoots

Linktree: https://linktr.ee/AnalyticIn this Notorious Mass Effect segment, Analytic Dreamz breaks down Alex Warren's 'Ordinary,' released February 7, 2025. From TikTok fame with 16M+ followers to a rising pop-folk artist under Atlantic Records, Warren's piano-driven track hit #7 on the UK Singles Chart. Analytic Dreamz explores its 2.9M Spotify streams on day one, TikTok-fueled hype, and themes of resilience. With a Joe Jonas remix teased and a 2025 tour ahead, Ordinary marks Warren's shift from internet star to music contender, poised for broader Billboard success.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz dissects Chappell Roan's debut performance at the 2025 Grammy Awards, where she brought her hit "Pink Pony Club" to life with a visually stunning and thematic display. Roan, at 26, not only captivated the audience but also solidified her status as a major new talent in pop music, earning six Grammy nominations including Album of the Year for "The Rise and Fall of a Midwest Princess" and Best New Artist. We explore her journey from Willard, Missouri, to the Grammys stage, highlighting key career milestones like her support on Olivia Rodrigo's "Guts" tour and her previous performance at the MTV VMAs. The performance of "Pink Pony Club," which has maintained a strong presence on the Billboard Hot 100, was themed around Roan's love for Los Angeles, featuring a grand pink horse and rodeo clowns, culminating in a standing ovation from the likes of Janelle Monáe. Analytic Dreamz delves into Roan's early struggles, her initial signing and subsequent release from Atlantic Records, and her rise with tracks like "Pink Pony Club," which was recognized for its cultural impact. This segment provides an in-depth look at how Chappell Roan's unique blend of camp, queerness, and theatricality made her Grammys performance a pivotal moment in her burgeoning career.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode of the Mixing Music Podcast, Dee Kei and Lu talk about NAMM 2025. We also have some brief updates as to why the podcast has been down the last couple weeks.SUBSCRIBE FOR 3X THE EPISODESDOWNLOAD FREE STUFFFOLLOW DEE KEI ON TWITCH!Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuCHECK OUT OUR OTHER RESOURCESJoin the ‘Mixing Music Podcast' Group:Discord & FacebookThe Mixing Music Podcast is sponsored by Tegeler Izotope, Antares (Auto Tune), Plugin Boutique, Lauten Audio, Spreaker, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei and Lu are both professionals in the Los Angeles music industry having worked with names like 6arelyhuman, Odetari, Natalie Jane, Rico Nasty, Keyshia Cole, Trey Songz, Smokepurrp, Benny the Butcher, Sueco the Child, Ari Lennox, G-Eazy, Lucky Daye, DDG, Lil Xan, Masego, $NOT, Kanye West, Symba, Bludnymph, charlieonnafriday, Blackway, Atlantic Records, Dreamville, BET, Universal Music, Interscope Records, etc.This video podcast is meant to be used for educational purposes only. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy