Podcasts about Atlantic Records

pWotD Episode 3330: Oliver Tree Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 1,508,668 views on Sunday, 14 June 2026 our article of the day is Oliver Tree.Oliver Tree Nickell (June 29, 1993 – June 14, 2026) was an American singer-songwriter, rapper, record producer, comedian, and filmmaker. Born in Santa Cruz, California, Tree signed to Atlantic Records in 2017 after his song "When I'm Down" went viral and released his debut studio album Ugly Is Beautiful on July 17, 2020. He achieved international recognition with his songs "Life Goes On" in 2021, and "Miss You" in 2022.Tree released his second studio album, Cowboy Tears on February 18, 2022, his third studio album, Alone in a Crowd, on September 29, 2023, and his fourth studio album, Love You Madly Hate You Badly, on April 24, 2026. Tree died on June 14, 2026, in a helicopter crash in Rio de Janeiro, Brazil.This recording reflects the Wikipedia text as of 05:14 UTC on Monday, 15 June 2026.For the full current version of the article, see Oliver Tree on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Olivia.

Interview by Kris PetersThirty years after the tragic loss of frontman Bradley Nowell, California's premier ska-punk icons Sublime have defied the impossible. The band has returned with their new album Until the Sun Explodes (June 15), their first full-length studio album of entirely original material since 1996. Arriving via Atlantic Records, this highly anticipated 21-track LP is a monumental generational handoff. Stepping into the frontman role is Bradley's son, Jakob Nowell, who unites with original founding members Eric Wilson (bass) and Bud Gaugh (drums) to create a record that feels less like a modern reboot and more like a beautifully crafted epilogue.To capture the definitive, sun-soaked identity of the band, Jakob and producer Jon Joseph meticulously catalogued every chord progression, sonic texture, and lyrical boundary of the classic Sublime discography. The result is a vibrant resurrection of their signature formula: an intoxicating blend of reggae-infused punk, dub, hip-hop, and Southern California absurdism. The rollout has already proven historically successful; the explosive lead single Ensenada spent eight weeks at No. 1 on Billboard's Alternative Airplay chart, eclipsing the chart-topping run of their 1996 timeless hit What I Got.While the music captures the nostalgic energy of the 1990s, the thematic core of the album rests heavily on legacy, sobriety, and profound gratitude. On the poignant title track, Until the Sun Explodes, Jakob's vocals eerily mirror his father's chill cadence as he sings directly to Bradley's memory: “Until the sun blows up in the sky/I owe you my life”. Rather than trying to rewrite history, Jakob has explicitly framed this album as a final, heartfelt thank-you letter to his father and the fans who kept the scene alive.HEAVY sat down with Jakob to dive deeper. We ask about the difficulties he faced with making an album that represented the entire career of Sublime, while still making it sound fresh and vibrant, asking if he and the rest of the band sat down and studied past releases to get the sound they were after or if it was more of a natural process."A little bit of both," he replied. "There's a lot of study going into it for me and our producer, John. We wanted to really do our work and take this gig seriously. Every single released piece of Sublime media and all of the interviews and the bootlegs, and then going back and listening to all of their influences and all the bands that really made them excited. We wanted to factor all this in so the sounds we were using had some precedent in the Sublime release catalogue, so we weren't just pushing the sound in some random directions for no reason. Then bringing Bud and Eric in to write these songs and fleshing them out with those two, who obviously already know how to make Sublime records, that part was the most natural part."We ask Jakob if he felt much internal or external pressure to get it right on the album."Yeah, yeah," he nodded. "Pressure abounds, for sure. We all deal with pressure differently, but acknowledging it is a big part of the process. I know how many people love Sublime, and I know how much my Father's legacy and memory mean to me and how much the very idea of even doing this might be ill-advised or fraught with peril. I think I had to go into it with that amount of respect. The way that I deal with all those expectations and fears and imposter syndrome is I try to remember at the end of the day, 'okay, this is important and is deserving of my respect, and I'm gonna take this job seriously as a professional'. But at the end of the day, I always say we're not curing cancer here. We're making rock and roll music (laughs). That is something I believe I know how to do."In the full interview, Jakob talks more about the new and final Sublime album, including the musicality present and what they were going for. He tells us about the pressures of not only filling his Father's shoes as frontman, but also personal fears and expectations around doing his Dad justice.We spoke about Jakob's first time fronting Sublime in the studio and how he feels about it, the fact that this is Sublime's final album and what the future holds. The album collaborations were fleshed out, and we talked about Sublime's recent shows at Red Rock Ampitheatre and plans for the rest of the year, plus more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

fWotD Episode 3305: Running Out of Time (song) Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Saturday, 23 May 2026, is Running Out of Time (song)."Running Out of Time" is a song by the American rock band Paramore. It was released on May 23, 2023, by Atlantic Records as the fourth single from the band's sixth studio album This Is Why (2023). Hayley Williams, Taylor York, and Zac Farro wrote the song in the early stages of the album's production, and Carlos de la Garza produced it. The band premiered the song at a concert at the Grand Ole Opry on February 7, 2023, and performed it on Jimmy Kimmel Live! on February 14.Described by critics as a pop-rock and dance-rock song, "Running Out of Time" deals with time management and comments on social anxieties over death, aging, and losing friends. Williams said the song was influenced by her personal struggle with punctuality and her friendship with Taylor Swift. Critics positively reviewed the song, praising its lyrics as playful and its composition as well-balanced. In 2023, the song peaked on the New Zealand Hot Singles chart, the UK Singles Chart, and the Billboard Hot Rock & Alternative Songs and Rock Airplay charts in the United States, and ranked on Billboard's year-end Alternative Airplay chart.Ivanna Borin directed a music video for "Running Out of Time" that Paramore released on February 16, 2023. In the video, Williams enters an Alice in Wonderland-themed world, where she confronts the anxieties addressed in the song. The video received praise for its costuming, including vintage Vivienne Westwood and contemporary Rodarte outfits.This recording reflects the Wikipedia text as of 00:48 UTC on Saturday, 23 May 2026.For the full current version of the article, see Running Out of Time (song) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Joanna.

8:05PM: The American Academy of Pediatrics finds kids of all ages K-12 need regular recess for physical and mental health. First new guidance in 13 years about this unstructured time at school and how it needs to be protected. Guest: Dr. Charles Hannum, MD, General Pediatrician at Tufts Medical Center 8:15PM: Boston 2026 World Expo offers 8 days of free, first-class fun for all ages. Happening May 23-30, 2026 at the Boston Convention & Exhibition Center.- Sponsored by the United States Postal Service, Boston 2026 will play host to all sorts of collectors, former collectors and folks interested in history, geography and art. With over 1,000 fascinating displays and 300+ presentations on all sorts of topics (many of them provided by the Smithsonian Institution). Guest: Lloyd de Vries - former ABC/CBS/NPR Writer/Producer - President of two of the stamp collecting organizations participating in this show, the Writers Unit and the American First Day Cover Society. Both have meetings and seminars at the show. 8:30PM: Red Sox inconsistency, clubhouse dynamics, trade deadline outlook, and front-office scrutiny. Guest: Peter Abraham – Boston Globe sportswriter and columnist 8:45PM: Women’s football finally gets its Olympic spotlight & Women’s flag football could become an NCAA sport… Guest: Andra Douglas - former national champion in rugby and quarterback in women’s tackle football, she later became a creative executive at Atlantic Records—and for nearly two decades owned the two-time national champion New York Sharks women’s pro football team, She also wrote a book that just came out: Changing Cadence: Friendship, Football and the Art of TransitionSee omnystudio.com/listener for privacy information.

Love to be... Radio | Trimtone & Roger Sanchez Love to be… Radio Episode 297 Trimtone are joined by Roger Sanchez for 2 hours of the very best house music from around the globe. Each episode features a curated journey through upfront house, timeless classics, exclusive promos, and guest mixes from some of the biggest names in the scene, alongside rising talent from across the globe. PARt 1 - TRIMTONE DAYL - In Ya System [Flashmob Records] BL3SS 'terms and conditions' [Atlantic Records] 2 Ronnie Herel ft Haifa - The Mood Bro Berri - DAMMIT [Mattei & Omich Music] Trimtone - I Wanna Dance - David Penn re-edit Tony Romera - Waste My Time [Toolroom] Dan Corco - Time To Party [Spacedisco Records] PARt 2/3 - ROGER SANCHEZ PART 4 - TRIMTONE Punk Rock - Midnight [PHXBLK] Wh0 & Rue Jay - Plastic Dreams (Wh0 Plays) Dj Shorty - Live Your Life (LyL) DJ Lora, ManDem - Soundboi [Phoenix Music] Marvin Sykes - Intertwine Marco Lys, Thomas Newson, David LeSal - Hause Muzica Sam Divine - Club Muzik [555] This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

This week the people demanded it, and we complied! Therefore, we give you “Grave Mistake: ZEBRA Shoulda Been Huge!!!”. This is our celebration of an amazing power trio from New Orleans / Long Island that has been largely forgotten in the pantheon of rock n' roll. They also happen to be very musically proficient, with a bona fide guitar god in the band that rarely gets the praise he deserves!  This episode is rooted in our Should Have Been category. This is a band that Captain Content casually mentioned a few weeks ago and our socials lit up like a Christmas tree. While their first album went gold in the US, they have been largely forgotten in the hard rock world today. We think they should be remembered as titans of rock alongside the likes of RUSH and TRIUMPH! Songs this week include: Zebra - “Tell Me What You Want” from Zebra (1983) Zebra - “As I Said Before” from Zebra (1983) Zebra - “No Tellin' Lies” from No Tellin' Lies (1984) Zebra - “Drive Me Crazy” from No Tellin' Lies (1984) Zebra - “Better Not Call” from 3.V (1986) Zebra - “Wait Until The Summer's Gone” from Zebra Live (1990) Zebra - “K.K. Is Hiding” from IV (2003) Zebra - “Walk With You” from Live At City Winery (Boston, MA 10/11/25) (2025) Zebra - “Who's Behind The Door” from Zebra Live (1990) Please subscribe everywhere that you listen to podcasts! Visit us: https://inobscuria.com/ https://www.facebook.com/InObscuria https://twitter.com/inobscuria https://www.instagram.com/inobscuria/ Buy cool stuff with our logo on it: InObscuria Store Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/ If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/ If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

The Flood band room is usually a rather raucous place — rocking tunes, loud talk, lots of laughter — but often that mood can turn on a dime to something softer, even almost fragile. We hadn't done this old Jackson Browne song for years, but something last week — about watching the beautiful spring evening come falling in, seeing those long shadows rolling down over the newly green leaves outside our windows — brought this song back to mind.About the Song“Jamaica Say You Will,” which Browne wrote in 1969 when he was just 20 years old, not only launched the singer/songwriter's career, but also even helped found the record company that would bring his music to the world.The story goes that artist manager David Geffen signed Browne in 1970 after listening to a demo of this specific song. Right away, Geffen started searching for a record contact for his new artist.At one point, he pitched Browne to Atlantic Records president Ahmet Ertegun, saying, “You'll make a lot of money.” To that, Ertegun reportedly replied, “You know what, David? I have a lot of money. Why don't you start a record company and then you'll have a lot of money.”A year later, Geffen partnered with his old friend Elliot Roberts to create Asylum Records with the help of Ertegun, who put up the initial funds. Atlantic Records distributed Asylum Records with the profits split 50/50.Jackson Browne was one of first artists whom Geffen and Roberts signed for Asylum, and “Jamaica Say She Will” was the opening track of Browne's self-titled debut album when it was released in September 1972. Browne was quickly joined on the new label that same year by Linda Ronstadt, John David Souther, David Blue, Joni Mitchell, Glenn Frey and others.For more about the song's back story, see our earlier Flood Watch article by clicking here.“Jamaica” is one of several Jackson Browne songs in The Flood's repertoire. As reported elsewhere in Flood Watch, from its earliest days the band has played “These Days” from Browne's second album, For Everyman. More Song History?Meanwhile, if these back stories about songs hit the spot, you might want to browse Flood Watch's growing archive of articles that explore the history of tunes in the band's eclectic repertoire by visiting the free “Song Stories” department.There you can browse songs by their titles or by the time periods in which they were written and/or discovered. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

What happens when you leave behind security, move across countries with almost no plan, and trust that life will somehow work out? I talk with stand-up comic and creative entrepreneur Sadia Carone about her wild path from Ohio to Paris, New York, Brazil, Los Angeles, and Las Vegas. Sadia shares how she walked away from a difficult family life, built careers in software testing and entertainment, survived 9/11 in New York, took huge risks to chase comedy and acting, and learned how to handle rejection, failure, and negative people without losing herself. You will hear honest lessons about resilience, creativity, career pivots, faith, comedy, and why success is rarely instant. Highlights: 00:01:32 – How music helped Sadia teach English in Paris. 00:10:32 – Why she left tech to pursue comedy and acting. 00:14:45 – What it was like living in New York during 9/11. 00:27:07 – Why she moved to Las Vegas with no real plan. 00:35:41 – How faith helped her through major setbacks. 00:51:21 – Why creative careers take patience and preparation. About the Guest: SADIA CARONE was born in the Midwest and has since lived in Paris, France and Rio de Janeiro, Brazil. She currently lives in Las Vegas, Nevada where she regularly performs stand-up comedy. Sadia was brought up to choose "the safe path" and she graduated from the University of Pennsylvania in Philadelphia with a BA English and a BA in French. She wanted to go to music school  -- but at the time, that was out of the question ( = her parents forbid it). Well her parents were wrong! Sadia took voice lessons and started writing songs. Atlantic Records was going to sign her -- then 9/11 happened and both the record executives and her music producer had other things to deal with.  And now Sadia has a comedy album! She performs her original songs on stage! Along the way, she got her SAG card (national actors' union) and earlier this year, she taught a stand-up comedy workshop in Reno, Nevada for the SAG Conservatory! Sadia's approach to life is "follow your heart" and "carefully assess the risks". In other words -- timing is everything! Do your research. Make informed decisions. Then when the time is right -- take that leap of faith! Sadia's career highlights include   * IT manager for the USPTO * software tester for the National Red Cross HQ * TEDx Speaker * Host, Jimmy Kimmel's Comedy Club * Karaoke DJ at Vegas #1 karaoke spot * Tour Guide, Big Bus Las Vegas * Yellow M&M, The M&M Store in Las Vegas * Apartment Building Manager, West Hollywood / Northern Hollywood / Studio City, California  * Official SongBird and Queen of Culture and Creativity, Shitshow Creative * Founder, Music for Emotions which received a grant from SEED Vegas. Sadia speaks English natively, fluent French and Portuguese, business-level Spanish, intermediate Hindi/Urdu and bits of Russian and Arabic. Ways to connect with Sadia: LinkedIn  www.linkedin.com/in/sadiacarone Instagram @sadiacarone About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes:

Renowned bassist Marion Hayden will return to The Station at Michigan Central with the Grammy-nominated band Straight Ahead for a special Mother's Day edition of Fridays at The Station, on May 8, 2026. The Detroit-born Hayden was the first artist to perform at the first-ever Fridays at The Station event, in April 2025. She has performed and recorded with a number of leading musicians from the 1980s onwards and is considered one of the best acoustical bassists in the country. She began performing at age 15 under the tutelage of master trumpeter Marcus Belgrave and saxophonist Wendell Harrison. She would go on to perform with legends such as Regina Carter, Nancy Wilson, Lionel Hampton and George Benson. She also received the Kresge Eminent Artist Award in 2025, and is widely recognized as an advocate for the preservation of the cultural and artistic legacy of jazz. She is a co-founder of the Grammy-nominated ensemble Straight Ahead—the first all-woman jazz ensemble signed to Atlantic Records. Over the years, members of the band have shared the concert stage with a who's-who of the music world, including Ray Charles, Tony Bennett, George Duke, Stanley Clark, the Yellowjackets and Dianne Reeves. “Straight Ahead will present a celebration of women as creatives, composers, arrangers and conceptualists,” Hayden said. “The band will open a musical conversation, engaging the audience in themes of womanhood, power and intentionally creating a space where women are uplifted.” Featuring Hayden on bass, Alina Morr on keys, Gayelynn McKinney on drums, Ingrid Racine on trumpet and the vocal stylings of Kymberli Wright. Widely recognized for their eclectic and soulful approach to creating music, the Straight Ahead sound ranges comfortably from jazz, to Latin music and jazzy hip-hop.

Hoy nos adentramos en las entrañas de Giant Steps, el quinto álbum de estudio de John Coltrane como líder y su debut absoluto para el sello Atlantic Records en 1960. Este disco representa el "paso de gigante" definitivo del saxofonista, alejándose de la sombra de sus maestros para erigir un sistema armónico propio, los célebres "Coltrane Changes". A través de siete piezas originales, Coltrane nos ofrece un laberinto de terceras mayores y tempos frenéticos que, seis décadas después, sigue siendo la prueba de fuego para cualquier músico que aspire a la maestría en el lenguaje del jazz post-bop. Listado de Temas y Compositores Giant Steps – John Coltrane Cousin Mary – John Coltrane Countdown – John Coltrane Spiral – John Coltrane Syeeda's Song Flute – John Coltrane Naima – John Coltrane Mr. P.C. – John Coltrane Listado Completo de Músicos en la Grabación John Coltrane Saxofón Tenor Tommy Flanagan Piano Wynton Kelly Piano Paul Chambers Contrabajo

Tanner Usrey is a Texas country singer songwriter from Prosper, Texas. Tanner signed with Atlantic Records in 2023 and has released two albums, Crossing Lines and These Days. His music has been featured on hit TV shows Yellowstone and Landman, with songs including "The Light," "Take Me Home," "Crossing Lines," and "Destiny." He has accumulated tens of millions of streams and continues to tour nationally.Tanner Usrey: ⁠⁠Instagram⁠⁠ l ⁠⁠Facebook⁠⁠ l ⁠⁠Website⁠ l Spotify l Apple MusicEnjoy The Jarrod Morris Vibe? Please leave us a review on ⁠⁠⁠⁠⁠⁠⁠Apple⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠The Jarrod Morris Vibe Links:⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠

With the show coming back into dropping regular episodes this year, we're dropping a few flashback shows for everyone!Our commentary during this 2018 episode touched base on updates with the after effects of the earthquake + tsunami in Japan, the recent U.N. intervention in Libya news, the possible upcoming U.S. government shutdown due to budget issues and why it's just ridiculous how politicians are dragging this along, the re-birth of the "Birther" fake controversy with President Barack Obama and some other diverse topics here and there.We also had a great interview with Forbes magazine staff writer Zack O'Malley Greenburg about the creative inspiration, work & drama behind his latest book, "Empire State of Mind: How Jay-Z Went From Street Corner to Corner Office".Book Summary:Empire State of Mind tells the story behind Jay-Z's rise to the top as told by the people who lived it with him–from classmates at Brooklyn's George Westinghouse High School; to the childhood friend who got him into the drug trade; to the DJ who convinced him to stop dealing and focus on music. This book explains just how Jay-Z propelled himself from the bleak streets of Brooklyn to the heights of the business world.Zack O'Malley Greenburg draws on his one-on-one interviews with hip-hop luminaries such as DJ Clark Kent, Questlove of The Roots, Damon Dash, Fred “Fab 5 Freddy” Brathwaite, MC Serch; NBA stars Jamal Crawford and Sebastian Telfair; and recording industry executives including Craig Kallman, CEO of Atlantic Records, to paint a tantalizing portrait of a very private mogul._________FuseBox Radio Playlist for the Week of March 30, 2011Top Spins (Music Still Lasting in Rotation/Music Played Live on Air Each Week/As Well As Music Requested By The Listeners)1. Pharoahe Monch/Let My People Go/W.A.R. Media & Duck Down Records (Played Live)2. Marsha Ambrosius/Butterflies/J Records (Played Live)3. Illvibe Collective/Medicine Man/Soulspaszm & Fat Beats4. L*A*W/Brooklyn!/Planet 12 Productions (Played Live)Top Adds (New Joints Played Live On This Week's Broadcast)1. R.E.K.S. feat. Lil' Fame of M.O.P./Cigarettes/Brick Records & Showoff2. Robert Koch & John Robinson/Channeling/Project Mooncircle3. Sizzla feat. Anthony Red Rose/Mr. Right/White Label4. Floyd Lawson/Roof Top Sugar/Record KicksDJ Fusion Flashback Tracks:Del The Funky Homosapien/Wrong Place/ElektraA Tribe Called Quest feat. Raphael Saadiq & Faith Evans/Stressed Out RMX/JiveJay-Z feat. Nas/Success/White LabelJay-Z/Dead Presidents/Roc-A-FellaPLUS Some Extra Special Hidden Tracks in the Ausar Ra Black Hawk Master Mix w/ Old School Black Music Classics and Independent Music Finds

With flag football officially heading to the Olympics, there's a bigger story that hasn't been told about the women who play football. Andra Douglas is one of those women. A former national champion in rugby and quarterback in women's tackle football, she later became a creative executive at Atlantic Records—and for nearly two decades owned the two-time national champion New York Sharks women's pro football team. She's been at the center of a sports world most people don't even realize exists. Until now. As women's football finally gets its Olympic spotlight, Andra can speak candidly about: The business, politics, and culture behind women's sports How her career spans both professional sports and the music industry Her personal experience as a female athlete in an often-misunderstood sport Her new novel, Changing Cadence, is part memoir, part novel, and follows a woman facing the end of her career in women's tackle football, while her mother adjusts to life in Florida at an assisted living community. As both women navigate change, an unexpected connection forms between a New York football team and a group of small-town seniors. Andra Douglas' story is both heartfelt and humorous, and her experience in the world of women's sports is sure to delight and inspire your audience. Billie Jean King called her book, "more than a sports story; it is a love letter to those who are committed to being their authentic selves." Andra is thoughtful, funny, and not afraid to challenge the narrative—exactly the kind of voice that sparks a real conversation.

Linktree: ⁠⁠https://linktr.ee/Analytic⁠⁠Join The Normandy For Ad-Free NME, Additional Bonus Audio And Visual Content For All Things Nme+! Join Here:⁠⁠ ⁠⁠https://ow.ly/msoH50WCu0K⁠⁠In this segment of Notorious Mass Effect, Analytic Dreamz breaks down Melanie Martinez's highly anticipated album HADES. Released March 27, 2026 via Atlantic Records, HADES serves as Part 1 of a double album concept project with its utopian counterpart MM5.Analytic Dreamz examines the 18-track, 70-minute dystopian AI underworld narrative featuring the new protagonist “Circle.” The discussion covers the album's core themes including climate crisis, racism, misogyny, toxic masculinity, religious hypocrisy, cyberbullying, body dysmorphia, capitalism, and social media toxicity.This episode delivers detailed analysis of the album's alternative pop and dark pop sound, experimental production, pitched vocals, talk-singing, and cinematic storytelling. Analytic Dreamz reviews the polarized critical reception, chart performance, and commercial results including the #3 Billboard 200 debut with 84,000 first-week units (63,000 pure sales), 22.85 million streams, and strong international showings such as #5 in the UK and #2 in Scotland.Additional coverage includes single performance for “Possession” and “Disney Princess,” fan engagement metrics, catalog impact, and the strategic importance of HADES in Melanie Martinez's career following her 30+ billion career streams and previous releases Cry Baby, K-12, and Portals.Privacy & Opt-Out: https://redcircle.com/privacy

Southern California-based vocalist, songwriter, bass player, engineer, and producer who has worked out of some of L.A.'s most renowned studios. She has worked on projects with artists ranging from Brittany Broski to Elishéva Lilla to Moral to Still Motions and more. She is also an Ampeg artist and is also part of the alt-punk / hardcore / indie-rock band Cun.trol. She has even worked for Warner Music and Atlantic Records.

Ep. 205 features John Caldwell, Co-Founder of i3Soft, a gaming technology company building next-generation poker and casino products designed to improve player experience, increase liquidity, and bridge the gap between poker and casino gameplay.   Hear them discuss: John's unconventional journey from the music industry (Atlantic Records, Stone Temple Pilots, Hootie & the Blowfish) into poker and eventually gambling tech Building PokerNews into the leading global poker media platform and later transitioning to PokerStars during the online poker boom The core problem with online poker today: long tournament times and a broken experience for recreational players The vision behind i3Soft, including AI-assisted tournament formats (“Skip It”) designed to shorten gameplay and restore balance between pros and casual players “Poker Casino” and the strategy of using poker-adjacent games to improve cross-sell from poker into casino products Challenges of selling a new category to operators, and why liquidity remains the biggest barrier in online poker The four-year product development journey, including a failed early build and eventual breakthrough to launch Funding i3Soft through a mix of self-funding, friends & family, and unconventional “drip” investment structures The current state of poker: strong live demand but ongoing struggles to translate that momentum online 2026 priorities for i3Soft, including operator adoption, scaling distribution, and expanding poker liquidity networks   SBC Americas First Pitch is back in Fort Lauderdale (June 9–11), bringing together some of the most exciting companies in real money gaming for a chance to win an exclusive prize package valued at $100,000. Applications are now open. Submit your application before April 17th using this link: https://sbcevents.com/sbc-summit-americas/first-pitch/   Catch the video version of this episode here.   Learn more

Despite the allusion in the title, today's song has no spiritual content or religious references. It's just a description of life on the road with a hard rock band that's paying its dues. And, as the band members would tell you, they were–and are–a rock band, not a punk band, thank you very much. AC/DC was formed in 1973 by brothers Malcolm and Angus Young in their hometown of Sydney, Australia. The band name came from an electrical adapter on a sewing machine owned by their sister and not, dear reader, from the street slang that hints at one's sexual orientation. Within two months, the brothers Young were in the studio at their first recording sessions, and five months after that's they were touring Australia supporting and opening for Lou Reed. Their first lead singer, Bon Scott, joined the band in time to record their first studio album, High Voltage, in November 1974. That record was released in a limited market at first, but it did give the band its first Top 20 hit (“Baby, Please Don’t Go”) and their first radio play in the United States. The follow-up, T.N.T., led to an international deal with Atlantic Records in 1976. The next five years were undoubtedly the golden years for the band. Their third offering, Dirty Deeds Done Dirt Cheap, was released in late 1976, and the band toured extensively around Australia, Europe and the Americas for the better part of the next three years. Put yourself in their shoes — 4 albums in as many years, with each album requiring at least 128 concerts a year — and you'd start to think of the road as being hellish. And that's the origin of the song we dive into in this episode.

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Ad-Free NME, Additional Bonus Audio And Visual Content For All Things Nme+! Join Here:⁠ ⁠⁠https://ow.ly/msoH50WCu0K⁠In this segment, Analytic Dreamz breaks down rising alt-pop artist Bella Kay and her standout track “iloveitiloveitiloveit.” Born Bella K. Williams in 2006 in Texas and now 19 years old, Bella Kay is based in Orlando, Florida. Her style blends alternative-pop and indie pop with a signature bedroom-pop aesthetic, acoustic grit, and intimate emotional vocals. Influenced by Olivia Rodrigo and Gracie Abrams, she gained early attention through raw, viral songs about heartbreak, identity, and toxic relationships. Her 2025 EP sick to my stomach featured the breakout track “The Sick,” which surpassed 115 million streams. She is currently signed to Atlantic Records.The song “iloveitiloveitiloveit,” released on January 11, 2026, runs 3 minutes and 3 seconds and serves as a track from her upcoming EP A Couple Minutes Out (February 2026). Written by Bella Kay and Alexis Kesselman and produced by Idarose, the track explores addiction to toxic relationships with a central theme of emotional dependency on chaos and drama, highlighted by the key lyric “I love it when we fight.” It acts as a spiritual sequel to her earlier hit “The Sick.”The rollout began with organic virality on TikTok in December 2025, generating over 100,000 user-created videos by February 2026. This fan-driven momentum produced 15 million global streams before any major radio push. Atlantic later amplified the release, leading to strong chart performance. In the United States, the song debuted at #66 on the Billboard Hot 100 and peaked at #18, while reaching #2 on Hot Rock & Alternative Songs. Globally, it peaked at #13 on the Billboard Global 200. In the United Kingdom it reached #2 on the UK Singles Chart, hit #1 in Ireland and Norway, #3 in Australia and New Zealand, and #10 in Canada. Certifications include UK Silver (200,000 units) and Australian Gold (35,000 units), achieved within roughly two to three months.Streaming metrics show approximately 144 million Spotify streams total, with the track charting on daily viral lists in 14 countries including the US and UK. U.S. on-demand streams grew from 1.46 million in week one to 3.75 million in week three, representing a 156% increase. Radio impact began with addition to U.S. CHR formats on March 10, 2026, boosting its pop crossover. Additional amplification came through fan-generated remixes, lyric videos, and multi-platform activity on YouTube and SoundCloud.Analytic Dreamz analyzes how “iloveitiloveitiloveit” exemplifies a successful organic-to-mainstream pipeline. The track's emotional relatability and TikTok-native structure drove early virality with minimal initial promotion, later scaled by Atlantic Records. This strategy enabled genre crossover from indie/alt roots into mainstream pop, delivering rapid certifications and international reach. The song positions Bella Kay as an emerging Gen Z alt-pop crossover star with proven streaming power and global appeal.This segment explores the key metrics, growth patterns, and strategic elements behind one of 2026's fastest-rising breakout hits.Privacy & Opt-Out: https://redcircle.com/privacy

This week on Jazz after Dinner, Joe features Pianist Cyrus Chestnut from his 1998 Atlantic Records recording, titled “Cyrus Chestnut.”

Taylor Momsen joins Eddie Trunk to discuss The Pretty Reckless' first album in five years, 'Dear God'. She shares stories from touring with AC/DC and The Rolling Stones, revealing how she's formed close friendships with her rock idols. Taylor opens up about the personal struggles that inspired her new music, particularly the track 'When I Wake Up', which explores themes of excess and recovery. She also talks about finding balance through surprising hobbies like crocheting and boxing, her emotional performance at the Rock Hall honoring Soundgarden, and her excitement about headlining shows with new material after years of supporting other acts. Following that, thrash metal veterans Bobby 'Blitz' Ellsworth of Overkill and Chuck Billy of Testament join Eddie to discuss their tour with Destruction. The old friends reminisce about their decades-long careers, share hilarious road stories including Blitz's infamous 'Airborne tablet' incident, and discuss how they've maintained their vocal abilities over the years. They also provide updates on new music, with Testament promoting their latest album Parabellum and Overkill working on new material. The conversation touches on health challenges both frontmen have overcome, their approach to band management, and their excitement about regaining rights to their classic Atlantic Records catalogs after 35 years. Catch Eddie Trunk every M-F from 3:00-5:00pm ET on Trunk Nation on SiriusXM Faction Talk Channel 103.And don't forget to follow Eddie on X and Instagram!Follow the link to get your free 3-month trial of SiriusXM: http://siriusxm.com/eddietrunk Find all episodes of Trunk Nation: https://siriusxm.com/trunknation Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On February 20, 2026, the Kenilworth Library hosted an intimate evening with Dick Bauerle, a celebrated Buffalo Music Hall of Fame inductee. Bauerle captivated the audience with stories from his expansive musical journey, offering a rare glimpse into the life of a professional musician. A poignant highlight of the night was Bauerle's tribute to the late Art Kubera, emphasizing Kubera's profound and lasting influence on the Western New York music scene. The event felt even more historic with fellow Hall of Famer Carol Jean Fremy Swist in attendance. Swist added her own voice to the tribute, sharing personal reflections on her professional association with Mr. Kubera, further cementing his legacy as a cornerstone of the local industry. From a $20 acoustic guitar inspired by the Beatles' debut to the Buffalo Music Hall of Fame, Dick Bauerle's career is a masterclass in musical evolution. A veteran of the Western New York scene, he rose to prominence with the legendary band Hardtimes before co-founding Select Sound Studios in 1975. As an elite producer and session guitarist, he's collaborated with icons like Rick James and Paul Shaffer. Whether topping smooth jazz charts on Atlantic Records or landing tracks in Mel Brooks' Spaceballs, Bauerle's "musical muse" has traversed pop, country, and jazz. This is the story of a true sonic architect.

Let Us Know What You Think of the Show!Date: March 11, 2026Name of Podcast: Backstage Pass RadioS10: E5: Denny Somach - Getting the Led Out!SHOW SUMMARY:What if the biggest band in the world won by saying no? Author and hall of fame broadcaster Denny Somach joins us to unpack how Led Zeppelin rewrote the rules—refusing singles, skipping TV, guarding the studio—and still built a global legend on the strength of live shows, mystery, and relentless craft. Drawing on a vast archive, Denny shares the raw voices behind the myth: label chiefs, engineers, publicists, peers, and the band members themselves.We dive into Atlantic Records' unprecedented deal with Zeppelin and why Jimmy Page and Peter Grant's terms created a fortress around the music. Then we head to Headley Grange for a ground-level look at Physical Graffiti, Cashmere's hypnotic power, and the ambient tricks that made John Bonham's drums feel like thunder in a stairwell. Denny opens the vault on rare memorabilia—global picture sleeves that “weren't supposed to exist”—and the touring strategy that transformed college halls into a nationwide campaign. Along the way, we chase the near-mythic: Sabbath and Zeppelin jamming with tape maybe rolling, the XYZ sessions with Page and members of Yes, and a $500 Billy Joel headliner that foreshadowed Allentown.Beyond Zeppelin, Denny explains why classic rock radio lost its catalog and how his show, Rock and Roll for Grown Ups, brings back the songs we loved but stopped hearing—paired with tight interview clips that reveal the stories behind them. It's a conversation about taste, memory, and preservation: what survives, what gets erased, and how to listen with new ears.If you love rock history told by the people who lived it, you'll feel right at home. Hit play, then tell us your favorite Zeppelin track, the deep cut you miss on radio, and which lost story surprised you most. Subscribe, share with a friend, and leave a review to help others find the show.Sponsor Link:WWW.ECOTRIC.COMWWW.SIGNAD.COMWWW.RUNWAYAUDIO.COMBackstage Pass Radio Social Media Handles:Facebook - @backstagepassradiopodcast @randyhulseymusicInstagram - @Backstagepassradio @randyhulseymusicTwitter - @backstagepassPC @rhulseymusicWebsite - backstagepassradio.com and randyhulsey.comArtist(s) Web Page:https://www.linkedin.com/in/dennysomach/https://rocknroll4grownups.com/Call to actionWe ask our listeners to like, share, and subscribe to the show and the artist's social media pages. This enables us to continue pushing great content to the consumer. Support Backstage Pass Radio - https://www.buzzsprout.com/1628902/support Thank you for being a part of Backstage Pass Radio Your Host,Randy Hulsey Support the showSupport the show

Show #1142 In Memoriam John Hammond 01. The Davidson Trio - War (5:11) (Follow You EP, self-release, 2026) 02. Bywater Call - How Long (4:52) (Single, self-release, 2026) 03. Parlor Greens - Emeralds (3:31) (Emeralds EP, Colemine Records, 2026) 04. Bernard Allison - Left Me With My Guitar (3:31) (Single, Ruf Records, 2026) 05. Darren Flynn - I Ain't Gonna Worry About It (3:17) (The Pinebox, self-release, 2026) 06. Ruben Bertrands & the Nightcaps - Funky Butt (7:32) (Roots EP, self-release, 2026) 07. Harry Kappen - Balance (3:16) (After The Crossing, MTS Records, 2026) 08. Wildcat O'Halloran Band - Muddy Waters Is Home (4:57) (Welcome To Sunderland, Guitar One Records, 2026) 09. Ricky Z - Time Served (4:37) (Back To The Truth, MoMojo Records, 2026) 10. John Hammond - Barbecue Blues (3:22) (Big City Blues, Vanguard Records, 1964) 11. John Hammond - Going To New York (1:57) (I Can Tell, Atlantic, 1967) 12. John Hammond - My Time After Awhile (4:04) (Southern Fried, Atlantic Records, 1970) 13. John Hammond, Mike Bloomfield & Dr John - Cha-Dooky-Doo (3:40) (Triumvirate, Columbia Records, 1973) 14. John Hammond - Cant Beat The Kid (2:21) (Cant Beat The Kid, Capricorn Records, 1975) 15. John Hammond & the Nighthawks - Last Night (3:10) (Hot Tracks, Vanguard Records, 1979) 16. John Hammond - Killing Me On My Feet (4:08) (Nobody But You, Flying Fish Records, 1988) 17. John Hammond - Driftin' Blues (5:09) (Got Love If You Want It, Pointblank/Virgin Records, 1992) 18. John Hammond - Just Your Fool (2:42) (Trouble No More, Pointblank/Virgin Records, 1994) 19. John Hammond - Heartattack And Vine (4:40) (Wicked Grin, Pointblank/Virgin Records, 2001) 20. John Hammond - I Got A Woman (3:08) (In Your Arms Again, Back Porch Music, 2005) 21. John Hammond - Slick Crown Vic (3:53) (Rough & Tough, Chesky Records, 2009) 22. Oz Noy & Joe Bonamassa - Equinox (9:00) (Live at The Bitter End NYC, OzNoy on YouTube, 2025) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Ad-Free NME, Additional Bonus Audio And Visual Content For All Things Nme+! Join Here:⁠ ⁠⁠https://ow.ly/msoH50WCu0K⁠ The Notorious Mass Effect segment breaks down Alex Warren's explosive new single “Fever Dream”, released February 26, 2026, via Atlantic Records. Hosted by Analytic Dreamz, this analysis covers the 25-year-old artist's evolution from Hype House founder and TikTok creator to major pop force following his 2025 breakout.“Ordinary” dominated with 10 weeks at No. 1 on the Billboard Hot 100, over 2.4 billion global streams, Billboard Top New Artist win, and Best New Artist Grammy nomination—setting a high bar for 2026.“Fever Dream,” produced by Adam Yaron, shifts to upbeat, cinematic pop with glossy synths, driving four-on-the-floor percussion, and romantic euphoria inspired by meeting his wife Kouvr Annon. It marks a strategic pivot to radio-ready hooks from confessional ballads.Early performance (first days as of March 3, 2026): 4.27 million global Spotify debut streams (#12 worldwide, #7 US with 1.33 million US streams), sustained ~2.9M (Feb 28) and ~2.4M (Mar 1) daily. iTunes #1 in US, UK, Canada, Australia, Germany, Ireland, Slovakia; #3 worldwide. Apple Music #19 global, strong Europe entry.The music video, directed by Andrew Theodore Balasia, features surreal Hollywood chaos: Warren as a celebrity-tour bus driver, horror parody with Kouvr, paparazzi frenzy, Paris Hilton cameo, and wake-up twist—perfect for viral clips.Compared to “Ordinary,” “Fever Dream” shows faster digital surge: immediate #1 iTunes in key markets vs. gradual viral climb, highlighting grown fanbase and algorithmic push.Analytic Dreamz explores reception (catchy earworm with vocal charisma, some overplay concerns), autobiographical roots amid past hardships, and the “Finding Family On The Road” / Little Orphan Alex Live arena tour kicking off Europe (April 2026: Düsseldorf PSD Bank Dome, Amsterdam Ziggo Dome, Paris Accor Arena, London O2, more) then North America (May–July: Bridgestone Arena Nashville, Toyota Center Houston, Madison Square Garden New York, etc.).This launch signals strong Hot 100 Top 10 potential, arena-headliner status, and seamless shift to glossy romantic pop while retaining emotional depth.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/exclusive-contentPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: ⁠⁠https://linktr.ee/Analytic⁠⁠Join The Normandy For Ad-Free NME, Additional Bonus Audio And Visual Content For All Things Nme+! Join Here:⁠⁠ ⁠⁠https://ow.ly/msoH50WCu0K⁠⁠The Notorious Mass Effect segment delivers a detailed breakdown of Bruno Mars' long-awaited solo return with The Romantic, released February 27, 2026, via Atlantic Records. Hosted by Analytic Dreamz, this analysis covers the 9-track, 31-minute album—his first solo project in nearly a decade since 24K Magic (2016)—blending retro-soul, disco-pop, funk, 1970s influences (Curtis Mayfield, Philly soul), and Latin elements like bolero, cha-cha, and mariachi for a crooner-forward, romantic vibe timed near Valentine's.Lead single “I Just Might” (January 9, 2026) debuted at No. 1 on the Billboard Hot 100 with retro-funk/disco energy and a Leo Sayer interpolation. Follow-up “Risk It All” dropped with the album, featuring mariachi-styled visuals and wedding-themed romance. Early streaming shows strong momentum on Spotify and Apple Music, boosted by billions from recent hits “Die With a Smile” (with Lady Gaga, 2025 Grammy winner) and “APT.” (with Rosé, Grammy-nominated).Critical reception is mixed: praise for vocal polish, production, and crowd-pleasing retro-soul (Rolling Stone: positive crowd-pleaser; NME: 4/5 mature persona), but some critique homage-heavy predictability and sentimentality (Paste: D+ overly sentimental). Physical editions include translucent red and gold vinyl for collectors.Analytic Dreamz highlights strategic insights: short runtime for high completion/replay rates, playlist-friendly nostalgia, Latin market expansion, wedding/event utility for long-tail streams, catalog halo from legacy smashes (“Just the Way You Are,” “Versace on the Floor”), and steady streaming over viral spikes.The Romantic Tour kicks off early April 2026 in Las Vegas (Allegiant Stadium), spanning North America through late May, Europe (Paris, Berlin, Amsterdam, Madrid, Milan, London) late June–mid July, and back to U.S./Vancouver by mid-October. Features Anderson .Paak as DJ Pee .Wee, plus select supports like Leon Thomas, Raye, Victoria Monet.This polished, formula-consistent revival reinforces Bruno's retro-romantic brand, leveraging hiatus demand and prior collaborations for sustained commercial longevity.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/exclusive-contentPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Ad-Free NME, Additional Bonus Audio And Visual Content For All Things Nme+! Join Here:⁠ ⁠⁠https://ow.ly/msoH50WCu0K⁠Analytic Dreamz breaks down Bruno Mars' highly anticipated return with The Romantic, his 4th solo studio album released February 27, 2026—his first in 10 years since the Grammy-winning 24K Magic. The compact 9-track, 31-minute project on Atlantic Records delivers a ballad-heavy, mid-1970s retro-soul vibe with strong Motown and Philly soul influences, emphasizing slow-dance romance and timeless dancing.Launch day dominated US Spotify: lead single "I Just Might" (January 2026 Hot 100 #1, Grammy-performed) jumped to #3, while "Risk It All"—a Latin-influenced bolero ballad with mariachi trumpets, violins, guitarrón, and vihuela—debuted at #1 with 2.32 million streams. "Cha Cha Cha" (#6) and "God Was Showing Off" (#8) joined for 4 Top 10 entries, plus 8 in the Top 20 total."Risk It All" music video (co-directed by Mars and Daniel Ramos) features a wedding narrative in a vintage Catholic church, mariachi band, all-white suit and cowboy hat, "Just Married" exit, and life montage—perfect for Latin crossover appeal, backed by co-signs from Rancho Humilde, Fuerza Regida's JOP, and Ivan Cornejo.Critical takes praise vocal prowess, cohesive aesthetic, and authentic vintage textures, though some note cliché lyrics and limited depth compared to Silk Sonic's collaborative energy.Promotion included The Romantic Flower Shop pop-up in LA with free flowers, photo ops, merch, and global "love lock" walls. The Romantic Tour kicks off April 2026 in Las Vegas, featuring Anderson .Paak (as DJ Pee .Wee) on all dates, plus Victoria Monét, RAYE, and Leon Thomas on select shows across North America and Europe.Analytic Dreamz analyzes the streaming explosion, Latin fusion strategy, multi-generational wedding/slow-dance potential, and Bruno's enduring pop dominance post-2025 hits like "APT." and "Die With a Smile."Tune in for the full unfiltered review on Analytic Dreamz—hip-hop and pop culture insights.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/exclusive-contentPrivacy & Opt-Out: https://redcircle.com/privacy

fWotD Episode 3212: Mindful (song) Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Thursday, 19 February 2026, is Mindful (song)."Mindful" is a song by American singer K. Michelle from her third studio album More Issues Than Vogue (2016). T-Pain wrote and produced the song, which Atlantic Records released as the album's third single on February 19, 2016. Throughout the hip-hop and R&B track, Michelle raps the lyrics and warns people to be "mindful" of her. Some reviewers noted that its uptempo production differed from Michelle's previous singles, and she stated that it was one of the first times she recorded a more light-hearted song. Critics praised Michelle's rapping in "Mindful", and referred to it as a highlight of her singles. The song's music video, which was released on March 10, 2016, portrays Michelle arguing with women in a trailer park, and was described by reviewers as colorful.This recording reflects the Wikipedia text as of 00:21 UTC on Thursday, 19 February 2026.For the full current version of the article, see Mindful (song) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Salli.

Before there was the "Experience," there was Lithofayne. Lithofayne Pridgon wasn't just a muse; she was the Queen of Harlem who gave a struggling Jimi Hendrix a place to live, a connection to the music scene, and the inspiration for "Foxey Lady."In this bonus episode of Behind The Song, dig into the story of the mysterious woman who stood toe-to-toe with James Brown, managed the chaos of Sly Stone, and was so punk-rock she refused to release her own Atlantic Records album because it wasn't "perfect" enough.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to Off the Beaten Clef! This week, we are in week three of our deep dive into Jawbox, discussing their jump to Atlantic Records and their monstrous album - For Your Own Special Sweetheart. We get into the background of how they made the leap as an indie band to the majors, background information on the recording process of the album, and so much more. It's our favorite album from Jawbox thus far, and we can't wait to hear your guys's thoughts. Let us know how you are feeling about Jawbox on instagram or discord.Next week, we will be wrapping up our deep dive into Jawbox by covering their final album, the self titled from 1995.To listen to Your Own Special Sweetheart by Jawbox on Spotify / Apple Music / TidalSong of the Show:Cody - Diversion by Footballhead (Spotify / Apple Music / Tidal) Dil - I Think I'll Live by HARBOUR (Spotify / Apple Music / Tidal) Intro / Outro song is GO GO GO by LUCKY SHOT (Spotify / Apple Music / Tidal) used with permission from the band. Follow Us on Instagram / TikTokJoin the Discord Thanks for listening!

"The Gospel According to Atlantic Records" - an hour-long survey of gospel recordings from Atlantic Records (1949-1972).

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Jack Harlow has officially announced his fourth studio album, Monica, set for release on March 13, 2026—coinciding with his 28th birthday. This marks his longest gap between projects, nearly three years since Jackman (2023), which peaked at No. 8 on the Billboard 200.The announcement dropped February 10, 2026, via Instagram, featuring striking cover art: a motion-blurred image of Harlow in sunglasses and a tilted brown cap, eyes closed, evoking a dreamlike, in-motion aesthetic. Vinyl pre-orders are live now, backed by Atlantic Records.Monica was written and recorded over the past year at the iconic Electric Lady Studios in New York City following Harlow's relocation from Louisville. The legendary venue—home to sessions for Lady Gaga, Taylor Swift, Stevie Wonder, and more—hints at a fresh creative chapter and potential sonic evolution.In a March 2025 Zane Lowe interview, Harlow previewed the project, expressing intent to "transcend" past work and take longer for something distinct. Details on tracklist, features, and sound direction remain under wraps, leaving fans speculating on whether it continues Jackman's introspective vibe or pivots toward commercial anthems like his "Lovin on Me" era.Recent activity includes the 2025 single "Just Us" with Doja Cat, plus tracks like "Set You Free." Celebrity nods from Victor Cruz and Karl-Anthony Towns, plus overlapping studio moments (Lorde praised Harlow's reaction to her work), add buzz.Join me, Analytic Dreamz, on this segment of Notorious Mass Effect for a concise breakdown of the announcement, key stats, development timeline, and what this birthday-timed rollout means for Jack Harlow's career pivot.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome to Off the Beaten Clef! This week, we are in week two of our Jawbox deep dive, discussing their sophomore record - Novelty. Novelty was released on Dischord and Desoto Records, and Jawbox's last release before making the leap to Atlantic Records. We discuss the album in detail, including the addition of guitarist Bill Barbot for this album, the departure of drummer Adam Wade after Novelty, and so much more. To listen to Novelty by Jawbox on Spotify / Apple Music / TidalStandout TracksCody - Cutoff, StaticDil - Cutoff, Spiral Fix, StaticSong of the Show:Cody - In My Room by Julia Wolf (Spotify / Apple Music / Tidal)Dil - Lemon by Callous Daoboys (Spotify / Apple Music / Tidal)Intro / Outro song is GO GO GO by LUCKY SHOT (Spotify / Apple Music / Tidal) used with permission from the band. Follow Us on Instagram / TikTokJoin the Discord Thanks for listening!

Support my new Pareon B-Sides Tier by clicking here Circa Survive was an American rock band formed in Philadelphia in 2004 by vocalist Anthony Green and guitarist Colin Frangicetto, later joined by Brendan Ekstrom, Nick Beard, and Steve Clifford. Green was previously the frontman of Saosin, bringing a distinct voice that became central to Circa Survive's identity. The band released their debut Juturna in 2005 on Equal Vision Records, followed by On Letting Go. Their third album, Blue Sky Noise, arrived in 2010 via Atlantic Records, marking their most mainstream release. In 2012, the band went independent with Violent Waves, before releasing Descensus and The Amulet on Sumerian and Hopeless Records. In 2022, Circa Survive announced an indefinite hiatus, which Green confirmed in 2025 had become a permanent disbandment, later reemerging as the vocalist for L.S. Dunes. I got Colin on the Zoom and this is what we chat about: His Ayusca trip Pearl Jam This Day Forward Starting to write with Anthony Green What they did with Equal Vision's advance Juturna leaking The Emanuel show where I saw Circa play for the first time Suspending Disbelief not being on Juturna Talking about his younger self (this part is super raw and prob one of the best parts of this interview) On Letting Go The debacle with self releasing Violent Waves And a ton more If you need a Freelance Graphic or Motion Designer, hire me for the following: Design support includes: • Branding and visual identity • Marketing and campaign design • Social, print, and digital assets  Video work includes: • Podcast video clips • Short-form content for Reels, Shorts, TikTok, and ads • Long-form edits for interviews, webinars, and YouTube • Sizzle reels and brand videos • Explainer and marketing video edits • Captioning, on-screen text, and light motion graphics Email mike@drive80.com for samples and pricing

What happens when an Army Veteran and Atlantic Records percussionist spends 50 years tracking the unexplained? Join us on The Untold Radio Network's Real American Monsters this Tuesday, 2/3/25 at 8 PM EST, as we sit down with Richard McCandlish. Richard is back with more one of a kind evidence from his research areas. Richard's life is as diverse as it is mysterious, spanning six years of military service, a professional music career touring with major stars, and five decades of dedicated Bigfoot and paranormal research.In this episode, Richard shares how his background as a soldier and musician shaped his investigative eye. From his days behind the drum kit to life on a Harley-Davidson with his wife Diana, Richard has never stopped searching for the truth. Whether he's metal detecting or deep in the woods, his 50-year obsession with Sasquatch and the supernatural has led to incredible discoveries. Tune in for a fascinating journey through the music industry, military life, and the hunt for cryptids.#Bigfoot #Paranormal #Veteran #AtlanticRecords #Sasquatch #RichardMcCandlish #RealAmerican Monsters #UntoldRadioNetwork

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠In the Notorious Mass Effect segment, Analytic Dreamz breaks down Don Toliver's explosive 2026 launch with his fifth studio album OCTANE, released January 30, 2026, via Cactus Jack, Atlantic Records, and Donnway & Co.The Houston rapper—born Caleb Zackery Toliver, June 12, 1994—builds on his psychedelic trap-R&B signature, influenced by Bobby Womack and Pharrell. After breakout mixtape Donny Womack (2018), Astroworld feature on "Can't Say," viral "No Idea" (#43 Hot 100 peak), and hits like "Lemonade," OCTANE follows Hardstone Psycho (2024) with 18 tracks including "E85," "Body" (sampling Justin Timberlake's "Rock Your Body" with Travis Scott co-production), "Rendezvous" (ft. Yeat), "Secondhand" (ft. Rema), "Tiramisu," and "ATM." Early buzz highlights the nostalgic Timberlake flip, visualizers, and high-energy, experimental production inspired by LA drives and creative immersion.With no chart data yet on release day, Toliver's streaming momentum positions OCTANE for strong Billboard Hot 100 and R&B impact, echoing prior successes.Adding to the momentum, Don Toliver headlines Summerfest 2026's American Family Insurance Amphitheater on June 19 in Milwaukee—his first time headlining the world's largest music festival—with special guests SahBabii, Che, SoFayGo, sosocamo, Chase B, and Lelo. Tickets went on sale January 30 at 10:00 a.m. via summerfest.com and Ticketmaster, including general admission. The lineup features other amphitheater headliners like Garth Brooks (June 16-17), Megan Moroney (June 18), Ed Sheeran (June 25), Post Malone (June 27), Muse (July 2), and Jelly Roll (July 4), confirming Toliver's rising festival draw.Analytic Dreamz analyzes how OCTANE evolves his sound, leverages samples for viral potential, and cements his top-tier status amid strong social media reception and touring announcements.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy

Chapter 675 - "It's A Very Rare And Special Situation" ...as read by Mike GitterToday we welcome Mike Gitter to the podcast. Mike was just announced as the new Global Head of A&R for Frontiers Label Group, who just relaunched BLKIIBLK, their metal, hardcore and extreme music label! Mike talks about starting a zine and how that zine led to him eventually becoming an A&R Rep for Atlantic Records, the journey the led him to working with Frontiers and BLKIIBLK, his passion for new music that keeps him going, and so much more.https://www.blkiiblk.comDiscordPatreonSubstackEmail: asthestorygrows@gmail.comChapter 675 Music:Biohazard - "Forsaken"Cro-Mags - "Signs Of The Times"Thrown Into Exile - "The Forsaken"Unto Others - "Cold World"

In this episode, Paula Amato joins Rhonda for an honest conversation about career reinvention, non-linear paths, and trusting long-term evolution over quick wins. Paula Amato, a seasoned PR and communications professional, shares how she transitioned from the music industry into wellness, storytelling, and ultimately transformational travel. Together, they explore career pivots, identity shifts, and what it really takes to build a meaningful professional life rooted in purpose, curiosity, and personal growth.Key Takeaways:Why career pivots often unfold over years, not months, and why patience mattersHow transferable skills like storytelling and communication unlock new industriesThe power of staying in a beginner's mindset during career transitionsWhy financial planning and timing are critical when leaving corporate rolesHow authentic brand building starts with self-trust, not external validationWhat transformational travel teaches us about growth, leadership, and perspectiveMeet Paula AmatoPaula Amato is a seasoned PR and communications professional whose career spans music and the arts, wellbeing, social impact, and transformational travel. She is the founder of PAI/Life, a creative communications consultancy based in New York City. Throughout her career, Paula has led strategic storytelling, brand positioning, event curation, and partnership development for iconic artists and musicians, award-winning producers, CEOs, authors, and forward-thinking brands.Before founding PAI/Life, Paula Amato served as National Publicity Director at Atlantic Records and later as an adjunct professor at New York University's Steinhardt School, where she taught public relations at the undergraduate level. Her work today bridges narrative strategy with purpose-driven impact, helping organizations communicate with clarity, depth, and intention.Visit her website | Follow her on LinkedInHow She PivotedPaula Amato's career has never followed a straight line—and that's exactly what made her evolution possible. After launching her career in the music industry at a young age, Paula later moved into independent consulting, where she explored wellness, functional medicine, and personal development. Over time, those interests naturally intersected with her communications expertise, opening the door to transformational travel and purpose-driven work.“My trajectory has not been linear, but every phase taught me something I needed for the next one.”Rather than forcing a fast transition, Paula allowed her pivot to unfold gradually. She spent years learning a new industry, building relationships, and redefining her role—proving that sustainable reinvention often requires curiosity, humility, and the willingness to sit in uncertainty.Insights for Ambitious WomenOne of Paula's most powerful lessons is that career transitions don't require abandoning your past, they require reframing it. She encourages women to recognize their transferable skills and trust that experience gained in one industry often becomes the foundation for success in another.“We all underestimate ourselves. Sometimes what feels likeWant More Like This?Be sure to subscribe to the podcast on your favourite platform so you never miss an episode. And if you're ready for even more honest stories, career inspiration, and powerful insights, join Rhonda's monthly newsletter. It's where ambitious women get the encouragement, tools, and behind-the-scenes wisdom to thrive—straight to your inbox. Subscribe to the newsletter and catch more episodes at RhondaColemanWandel.com

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠In this segment of Notorious Mass Effect, Analytic Dreamz delivers a sharp, data-driven analysis of Bruno Mars' explosive lead single “I Just Might,” released January 9, 2026, via Atlantic Records—the first preview of his fourth solo album The Romantic, set for February 27, 2026.Born October 8, 1985, Bruno Mars has sold over 200 million singles globally, earned multiple Grammys, and defined retro revivalism through 1970s disco, funk, soul, and Motown influences. After 24K Magic (2016), Silk Sonic, and recent smashes like “Die With a Smile” and “APT.,” this marks his first solo album in nearly a decade.Co-written/produced by Mars, D'Mile, Philip Lawrence, and Brody Brown, the mid-tempo disco-pop/pop-soul cut layers funk guitar, bold brass, and pristine vocals with nods to Leo Sayer's 1976 classic “You Make Me Feel Like Dancing.” The co-directed music video (Bruno Mars & Daniel Ramos; choreography by Mars & Phil Tayag) features a 1970s soundstage, multi-instrumental performance, and “clone” versions of Mars, quickly surpassing 11 million YouTube views.Early metrics (as of January 13-14, 2026) set career highs: Spotify US debut #1 (1.94M Day-1 streams), Global #3 (4.97M Day-1)—his largest solo Spotify global debut ever. It instantly topped US iTunes and claimed 71% of votes in Billboard's Best New Music poll, outpacing The Kid LAROI, Zach Bryan, and Robyn. Release triggered catalog resurgence, with “That's What I Like” and “Locked Out of Heaven” re-entering Billboard Global 200 charts, placing four Mars tracks simultaneously.Analytic Dreamz examines the strategic rollout: no genre reinvention, but flawless execution leveraging nostalgia, polished showmanship, and fan demand for elite streaming, digital sales, and immediate approval. Positive reception highlights catchiness, dance-floor energy, and nostalgia; pushback includes creative stagnation critiques and renewed cultural appropriation discussions around retro Black music homage. Yet the data underscores commercial dominance, priming The Romantic—a romantic, retro-forward feel-good project—for strong first-week impact, amplified by The Romantic Tour (April–October 2026 across North America, Canada, Europe; presale January 14, onsale January 15; supports DJ Pee .Wee/Anderson .Paak, Leon Thomas, Raye, Victoria Monét).Join Analytic Dreamz for this no-fluff breakdown of Bruno Mars' strategically perfect 2026 comeback launch. Stream “I Just Might” now and stay tuned for more Notorious Mass Effect.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy

Dylan is out of town this week, so we are releasing this month's Bookender in the main feed. Bookenders is the once a month show were Justin and Dave Brown discuss an album through the lens of it's first and last song.This month we are talking about the debut full length from the post Gorilla Biscuits band, CIV. Set Your Goals was released in 1995 on Atlantic Records, and resulted in the minor hit "Can't Wait One Minute More". We are taking a look at the opening title track, as well as the stripped down closer "Don't Got to Prove It". All episodes of Bookenders are available for free at patreon.com/punklottopod and oklahomalefty.substack.comhttps://patreon.com/punklottopodhttps://oklahomalefty.substack.com/Call our voicemail line 202-688-PUNK or send us a voice note at punklottopod@gmail.com to get it played on the showJoin our new $5 Patreon Producer Tier to get your name said on the show every week. You also get access to a Producer exclusive monthly bonus episode discussing a different EP, and you get to vote in the poll that determines what EP we talk about that month.You can also join our $1 tier to get access to all of our weekly bonus audio. We also have a $10 tier where you get to choose the album we discuss on an episode - patreon.com/punklottopodMajor Awards EP - majorawards.bandcamp.comMerch Shop  - redbubble.com/people/punk-lotto-pod/shopPodcast platforms and social media links at linktr.ee/punklottopodLeave us a review and rating on Apple Podcasts and Spotify.Song clips featured on this episode:intro / outro - Choices Made by CIVSet Your Goals by CIVDon't Got to Prove It by CIV

What happens when you sit down with an engineer who helped define multiple eras of music - from Foreigner to Timbaland - and he tells you the secret is still just listening for what feels good? Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Jimmy Douglass, legendary producer, mixer, and engineer whose career spans more than five decades. Jimmy began as a teenager at Atlantic Records in New York, making tape copies and quietly slipping into the back of sessions, where he learned by watching giants like Tom Dowd, Arif Mardin, and Jerry Wexler. He grew up in the era when you had to earn your way into the control room, and those lessons shaped everything that came after. Jimmy talked about working on classic records for Foreigner, including helping mix Follow You, Follow Me when Genesis was still emerging, and cutting his teeth editing music for radio versions - including early work on King Crimson. He also shared memories of the post-punk era, mixing records for Gang of Four and Television, including the iconic Marquee Moon, and how those productions influenced his sense of space, energy, and performance. Then Jimmy walked us into the world that many people know him for - his long-running creative partnership with Timbaland. He explained how Tim's rhythmic sensibility forced him to rethink timing, movement, and pocket, and stories of respectful sessions working with Snoop Dogg.   We also talked about longevity: how Jimmy stays inspired, how he keeps reinventing himself, why he still chases accidents and surprises in the studio, and the challenge of balancing instinct with intention across 50 years of making records. If you love stories from inside the control room or want to understand how great mixers think, this episode is loaded with wisdom and wild history.   https://metalliance.com/ https://www.sheencenter.org/events/detail/studio-confidential-1   THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.spectra1964.com https://gracedesign.com/ https://pickrmusic.com  https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/6voPl0icbbrLKCh7MqFiHe?si=7MKSFLWmT76HunqSyUQHLg If you love the podcast, then please leave a review: https://RSRockstars.com/Review   CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRoockstars.com/540

Saigon sits down with Ian Bick to tell the full story of his upbringing, how getting pulled into the streets and gangs led him down a path that ultimately landed him in New York State Prison, and the crime that changed his life forever. Saigon opens up about what surviving prison really took, how incarceration reshaped his mindset, and why he refused to glorify crime after his release. He breaks down how music became his way out, eventually signing with Atlantic Records, and working with Mark Wahlberg on Entourage. This is an honest conversation about prison survival, accountability, hip-hop, and building a future that doesn't lead back behind bars. _____________________________________________ #prisonstory #truecrime #prisonlife #statesprison #prisonsurvival #lockedin #realstories #rap _____________________________________________ Thank you to PRIZEPICKS for sponsoring this episode! Visit https://prizepicks.onelink.me/LME0/IANBICK and use code IANBICK and get $50 in lineups when you play your first $5 lineup! _____________________________________________ Connect with Saigon: https://www.instagram.com/saigontheicon/?hl=en Hosted, Executive Produced & Edited By Ian Bick: https://www.instagram.com/ian_bick/?hl=en https://ianbick.com/ Shop Locked In Merch: http://www.ianbick.com/shop _____________________________________________ Timestamps: 00:00 Prison vs the Streets: The Mindset That Changes Everything 02:00 Growing Up in New York: Family, Pressure & Environment 09:00 Music, Identity & Early Dreams 16:00 Teen Years in the Streets: How It Starts 24:00 First Arrests & Real Consequences 32:00 Chasing Reputation: Violence, Gangs & Image 39:00 Life on the Run & Finally Getting Caught 44:00 Inside the System: Rikers, Rockland & Prison Notoriety 50:00 Prison Reality: Gangs, Politics & Survival 58:00 The Turning Point: Mentors, Books & Mental Shift 01:04:00 Life After Prison: Music, Temptation & the Industry 01:13:00 Rejecting Gangster Rap & Choosing a Different Message 01:18:00 Acting, Entourage & Breaking Into Hollywood 01:23:00 Modern Rap, Violence & Where the Industry Went Wrong 01:32:00 Building a New Life: Music, Tech & Purpose 01:39:00 Final Advice to the Next Generation Learn more about your ad choices. Visit megaphone.fm/adchoices

Judson Spence (born in Pascagoula, Mississippi) is an American pop music singer, songwriter, multi-instrumentalist. He originally gained fame when he released his eponymously titled debut solo effort on Atlantic Records in 1988. The album was produced by Monroe Jones and David Tickle, and executive produced by future Interscope founder Jimmy Iovine.Although he had a top 40 hit with "Yeah, Yeah, Yeah" in 1988 and also had a minor hit with "Drift Away" from The Wonder Years soundtrack, Spence was dropped from Atlantic before completing his second album in 1991.After several years of struggle, Spence's composition "The Power" was covered by both Amy Grant and Cher and was also used for a national Century 21 advertising campaign. Subsequently, he recorded the indie release "painfaithjoy" in 1995.He performed with Trisha Yearwood on the Oscar nominated song "How Do I Live Without You" in 1997 and sang live with her on the American Music Awards, The Tonight Show, The Oscars, and the CMA Awards.In 1999, he released his third solo album in Japan, titled I Guess I Love It before his record label, Pioneer Music Group closed its doors. That album was produced by former Eagle Bernie Leadon. In 2000, he toured with Trisha Yearwood. The following year, Wynonna Judd cut Judson's song "New Day Dawning", and it became the title track to her album.In 2003, Spence released two albums: The Velvet Kitten Sessions, which was a mainstream collection, and Opus Dei, which was a religious-themed effort.In 2014, Spence filmed a movie about his life, Sing the Blues, that also featured his music.Now based in Birmingham, AL, Judson is constantly writing new music still.Theme song: “Hollywood Faded' by Luna Halo@treymitchellphotography @feeding_the_senses_unsensoredfacebook.com/profile.php?id=100074368084848www.threads.net/@treymitchellphotographyftsunashville@gmail.com

What happens when an Army Veteran and Atlantic Records percussionist spends 50 years tracking the unexplained? Join us on Untold Radio Network's Real American Monsters this Tuesday, 12/30/25 at 8 PM EST, and ring in the New Year as we sit down with Richard McCandlish. Richard's life is as diverse as it is mysterious, spanning with years of military service, a professional music career touring with major stars, and five decades of dedicated Bigfoot and paranormal research.In this episode, Richard shares how his background as a soldier and musician shaped his investigative eye. From his days behind the drum kit to life on a Harley-Davidson with his wife Diana, Richard has never stopped searching for the truth. Whether he's metal detecting or deep in the woods, his 50-year obsession with Sasquatch and the supernatural has led to incredible discoveries. Tune in for a fascinating journey through the music industry, military life, and the hunt for cryptids.Keywords: #Bigfoot #Paranormal #Veteran #AtlanticRecords #Sasquatch #RichardMcCandlish #RealAmerican Monsters #UntoldRadioNetwork

Johnny Brennan reveals how The Jerky Boys' underground cassette tapes became an American comedy phenomenon, spreading from NYC musicians to Howard Stern's radar before landing an Atlantic Records deal and finding success with voiceover work on Family Guy. Get yerself (or a friend) a Cameo holiday video from Johnny Brennan here Topics Include: Johnny Brennan reveals The Jerky Boys infiltrated American vocabulary for over five decades People still answer phones with "tough guy" and use Jerky Boys catchphrases daily Johnny started creating characters on tape for his brothers back in the 1960s Father's threat to "put boot in ass" drove kids to creative outdoor activities Nine-year-old Johnny was already doing fake sportscasting with neighborhood friends on tape Looking through Buy Lines magazine for trucks sparked idea to record prank calls First recordings made on boombox intended just for family gatherings upstate New York All characters based on real people: Frank Rizzo was Johnny's father's personality Sweet innocent voice character came directly from observing his mother's speaking style Friend Kamal discovered forgotten tapes and declared them funniest things he'd ever heard Kamal distributed copies to musician friends throughout NYC's Village music scene underground Tape trading exploded nationwide through word-of-mouth before internet or computers existed Howard Stern desperately searched on-air for mysterious Frank Rizzo character's true identity Atlantic Records' Ahmet Ertegun signed band after discovering underground cult phenomenon spreading Johnny's mom actually came up with "The Jerky Boys" name for the act Catchphrases like "sizzle chest" and "milky licker" were completely spontaneous during calls Johnny spent incredible week with Ozzy Osbourne filming The Jerky Boys movie Currently voices Mort Goldman on Family Guy for over twenty-one consecutive years Records at professional studio thirty seconds from home, works with hardcore bands Offers personalized Cameo messages, giving special shoutout to Australian fans after forty years High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

I help business owners diagnose what's really blocking their profit, then teach them how to fix it themselves through proven frameworks and practical solutions.My journey from Atlantic Records to major brands has equipped me with unique insights into what drives business success across industries – and more importantly, what causes businesses to stay stuck.I don't just consult; I partner with you to identify your specific profit blocks and guide you through the exact steps to overcome them. You'll understand not just what to do, but why you're doing it and how to replicate success on your own.Connect with Sean here:https://seanmatkinson.com/Don't forget to book your call with us to claim one of our VIP Early Bird Enrollment spots in our Expert Authority Mastermind here:https://scottaaron.as.me/expertauthorityconsult

El álbum sin título de Led Zeppelin (conocido coloquialmente como Led Zeppelin IV) es el cuarto álbum de estudio de la banda de rock Led Zeppelin, lanzado el 8 de noviembre de 1971 por Atlantic Records.[1]​Fue producido por Jimmy Page, guitarrista de la banda, y grabado entre diciembre de 1970 y febrero de 1971. Contiene las canciones "Black Dog", "Rock and Roll" y "Stairway to Heaven" (este último nunca fue publicado como sencillo, sin embargo fue la más popular para el álbum).

Ruthie Foster joins me on the show this week. I first met Ruthie about 20 years ago, when we were both playing at a Canadian folk festival. We had a few workshops together and really hit it off. She's one of the most incredible singers I've ever heard - so powerful and soulful, but also totally open to jamming and opening things up in a cool way. We re-connected this summer at the Vancouver Folk Festival and had a blast playing together again after all those years.Ruthie is a Grammy Award- winning recording artist (among many other awards!) who has an incredible new album out on Sun Records that she made here in Nashville with Tyler Bryant called “Mileage” - be sure to check it out! Ruthie came up singing in the church, performing all over Texas, and then had a stint in New York when she got signed to Atlantic Records. That didn't really pan out and Ruthie stepped back from music for a while, joined the Navy, which led to joining the Navy band, which sort of got her back into performing music. After her time in the Navy, Ruthie re-committed to music and started releasing her first solo albums, of which she now has 11 or 12 out since about 1997. They're all excellent, and Ruthie has always stayed true to her roots of blues, soul, gospel, folk and rock & roll. I got a chance to spend a bit of time with her here in Nashville during the Americanafest this year, and it was so great to hear her tell her story about her ineteresting path in the music world.You can get all Ruthie's current info and her busy tour schedule over at www.ruthiefoster.comPlease enjoy my conversation with Ruthie Foster!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

In celebration of the deluxe edition of Foreigner's fourth album, 4, we take a detailed look at how it was made. After Mick Jones broke into the music industry as a session musician while playing in multiple bands, including Spooky Tooth, he envisioned starting a new project for the songs he was writing. He recruited musicians Ian McDonald, Dennis Elliott, Al Greenwood and Ed Gagliardi before turning his attention to finding the right lead singer for the band. After recalling meeting Lou Gramm when he was the singer of the Rochester, New York band Black Sheep, Jones asked Gramm to audition in New York City. Gramm was immediately hired and the lineup was complete. They signed a deal with Atlantic Records and released their self-titled debut album in 1977, which became a big success. Their second album, Double Vision, was released in 1978 and continued their run of hit singles. For their third album, Head Games, they clashed with producer Roy Thomas Baker and the album was not as successful as the first two. Rick Wills had taken over on bass at this point and after Head Games, they decided to let go of Ian McDonald and Al Greenwood to become a four-piece. They hired producer Mutt Lange and began recording at Electric Lady Studios. Foreigner 4 was eventually released in 1981.  In this episode, Lou Gramm shares stories of growing up in Rochester, getting to see artists like Jimi Hendrix and the Rolling Stones, which went on to inspire his lyrics for “Jukebox Hero.” He describes this turning point moment for the band when they wanted to update their sound and image for the 1980s. By paring down to a four-piece and bringing in outside musicians like Thomas Dolby on synthesizers, they forged a new path forward for the band. With the help of producer Mutt Lange, they were able to focus on crafting a tight set of rock songs while exploring new sonic territory with songs like “Waiting for a Girl Like You” and “Urgent.” From long hours and late nights in the studio, to Mutt Lange's perfectionist tendencies, to Thomas Dolby's art rock approach, to Mick Jones falling in love with synthesizers, to spontaneously recruiting Junior Walker for a saxophone solo, to a mysterious muse in the studio while recording “Waiting for a Girl Like You,” to both Foreigner and Mutt Lange at the height of their powers, we'll hear the stories of how the album came together.

The JBP kicks off its latest episode with a recap of Marc Lamont Hill's Friendsgiving which included a spades game against Joe (11:04); before each member discusses their plans this holiday season (42:50). Shedeur Sanders is the first Browns QB since 1999 to win his first career start (1:03:11), the room reacts to Juelz Santana's comments about math vs. reading for the youth (1:15:18), plus Joe makes a phone call to Maino (1:26:20). Campbell's Soup executive called its products food for 'poor people' (1:38:11), the state of The Need to Know Podcast (1:44:52), the Cash Money Reunion Tour (2:12:24), and Marc gives shares the news of legends we lost in the past week (2:33:26). Also, the cast reacts to the viral clip of a sidechick jumping into the casket at a funeral (2:38:27), Mario gets groped during a concert (2:54:12), Lil Uzi Vert leaves Atlantic Records (3:06:46), the Do's and Dont's on Thanksgiving (3:34:27), and much more! Become a Patron of The Joe Budden Podcast for additional bonus episodes and visual content for all things JBP! Join our Patreon here: http://www.patreon.com/joebudden   Sleeper Picks: Joe | Mario - "Still In Love" Ice | Don Trip - "Walk 'Em Down" Parks | De La Soul (feat. Black Thought) - "EN EFF" Ish | Symba & Dr. Clips - "I AM" Marc | Noname (feat. Devin Morrison) - "Hundred Acres"

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠ Analytic Dreamz dives deep into Lil Uzi Vert's monumental shift to full independence after fulfilling the Atlantic Records contract with Eternal Atake 2 (Nov 2024, Billboard 200 #3 debut). Now distributed, managed, and published exclusively through Roc Nation, Uzi joins an ultra-elite circle alongside only Jay-Z and Rihanna. Roc Nation President Krystian Santini hails Uzi as a “global icon” granted complete creative control with maximum resources.The new era launched with a surprise two-pack drop: morning single “Chanel Boy” (prod. ZeeGoinXrazy) – a high-synth Eternal Atake throwback dripping in Chanel luxury references – paired with a gritty NYC video featuring helicopters, Black SUVs, and full designer flex. Hours later came “Relevant” (prod. Trillion & Rima), a red-bandana Balenciaga statement reasserting dominance with immediate visual accompaniment.Analytic Dreamz breaks down the full 2025 context: Uzi's low-profile year, cleared sexual harassment lawsuit (dismissed with prejudice), and the active $110M copyright case over “Just Wanna Rock” claiming 93–97% melodic similarity to Rief Rawyal's “Pain and Pleasure.”This segment analyzes how Uzi's Roc-backed independence creates one of rap's most powerful artist-business structures, signals a return to beloved spacey sonics, and kicks off a new rollout era with unstoppable momentum. Essential listening for Uzi fans and hip-hop business observers.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy