Podcasts about Atlantic Records

"Eddie (Harris) was an enigma. He was also a soulful intellectual. He was an innovator who had hit records. He was a success, but he didn't appear all that popular. I think he must have had 3 audiences in one. Each person seeing something different in his music, and that's problematic to navigate in. But he was who he was. He was a creative force with many talents and interests."   Saxophonist/bandleader/composer Eric Person   We couldn't put it better ourselves, so how about if we give Eddie Harris a good, hard listen?  This Monday (5/12) from 6p to 9p NYC time, host Mitch Goldman invites Eric Person to the WKCR studios for a powerful Deep Focus.  If only they had rare, unreleased recordings of Eddie Harris from the WKCR archives.  Hmmm... We'll have to work on that!    Tune in this Monday (4/27) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Eddie Harris 1972 Atlantic Records, Public domain, via Wikimedia Commons.   #WKCR #DeepFocus #EricPerson #EddieHarris #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman

"Eddie (Harris) was an enigma. He was also a soulful intellectual. He was an innovator who had hit records. He was a success, but he didn't appear all that popular. I think he must have had 3 audiences in one. Each person seeing something different in his music, and that's problematic to navigate in. But he was who he was. He was a creative force with many talents and interests."   Saxophonist/bandleader/composer Eric Person   We couldn't put it better ourselves, so how about if we give Eddie Harris a good, hard listen?  This Monday (5/12) from 6p to 9p NYC time, host Mitch Goldman invites Eric Person to the WKCR studios for a powerful Deep Focus.  If only they had rare, unreleased recordings of Eddie Harris from the WKCR archives.  Hmmm... We'll have to work on that!    Tune in this Monday (4/27) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Eddie Harris 1972 Atlantic Records, Public domain, via Wikimedia Commons.   #WKCR #DeepFocus #EricPerson #EddieHarris #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman

MK-Ultra digs deep into his vinyl stash for a gritty dose of 1970s Funk and Soul, inspired by Blaxploitation classics like Shaft, Foxy Brown and Superfly. Written by Thomas Oakland and featuring narration by TJ Trueh, who returns after his unforgettable performance in Raunchy Radio. A visceral and cinematic lo-fi journey through the seedy side of life on the mean streets.This podcast episode features content created or published by Armando Curcio Editore, Atlantic Records, Because Music, Blue Note Records, Flying Dutchman Records, Numbero, Parlophone Records, Polydor Records, Rhino, Sleeve Records, Tamla, Warner Music Group and others.Thomas Oakland & TJ Trueh - Welcome To The Game [Skit #1]Bobby Womack - Across 110th StreetDonny Hathaway - Little Ghetto BoyKool & The Gang - Father, FatherThe Jimmy Castor Bunch - What's Best?Johnson, Hawkins, Tatum & Durr - You Can't Blame MeThomas Oakland & TJ Trueh - The Illusion [Skit #2]Sisters Love - Give Me Your LoveJeremy Steig - Come With MeMandrill - Mango MeatThe Hygrades - Keep On MovingThomas Oakland & TJ Trueh - The Bigger They Are [Skit #3]Jackie Moore - IfMarvin Gaye - Right OnGil Scott-Heron - Pieces Of A ManCurtis Mayfield - PushermanDonald Byrd - Black ByrdThomas Oakland & TJ Trueh - Walk Away Clean [Skit #4]

Aretha Franklin got her start at an early age in Gospel music.  As the granddaughter of Gospel great Mahalia Jackson and the daughter of a prominent Baptist preacher, Franklin was heard on her father's "gospel caravan" tours at the age of twelve.  By the time she became an adult in 1960 she had decided that she wanted to go into more pop music, and moved to New York for this purpose.  She signed a deal with Columbia Records, in 1960, but her career would not really take off until moving to Atlantic Records in 1966.  By 1968 she was considered by many to be the most successful singer in the nation, and already crowned the "Queen of Soul."Franklin toured outside the US for the first time in late April 1968 through May 1968.  She performed in Paris on May 7, 1968, and this concert would be released as the live album Aretha in Paris in the fall of 1968.  It was Franklin's second live album, and the first for Atlantic Records where most of her hits were recorded.Some have criticized the backing band as not up to the task of supporting Franklin.  However, this album captures Franklin at the top of her game at a time when she was cranking out some of the biggest hits of her career.  It would be difficult for any supporting band to keep up, particularly one assembled for an overseas tour.  Regardless, this is a great album to explore as a snapshot of Aretha Franklin at the height of success.Lynch brings us a high energy live soul album from the Queen of Soul in her prime for today's podcast. (I Can't Get No) SatisfactionThis Rolling Stones cover is the lead-off track to the album and to the concert.  The Stones had released this song in 1965, and it had become their first number 1 song in the States.  Franklin takes the tempo up for this cover.(You Make Me Feel Like) A Natural WomanCarole King and Gerry Goffin wrote this song for Franklin based on an idea from producer Jerry Wexler.  It originally appeared on Franklin's album "Lady Soul", and went to number 8 on the U.S. charts.  It would make history when it hit the UK charts a week after Franklin's death in 2018, 51 years after the single was first released. (Sweet Sweet Baby) Since You've Been GoneThe original single for this live song was released on the "Lady Soul" album, and reached number 5 on the Billboard Hot 100.  This song was written by Franklin and her then-husband Teddy White. The studio version of this song utilized the talents of the Muscle Shoals Rhythm Section, who were flown in from Alabama to record in a New York City studio.Chain of FoolsSongwriter Don Covay wrote this song in his youth, and presented it to producer Jerry Wexler as a song for Otis Redding.  Wexler decided to have Franklin record it instead of Redding.  It was a big hit, taking the number 1 slot on the R&B charts for four weeks, number 2 on the Billboard Hot 100, and delivering Franklin a Grammy for Best R&B Vocal Performance. ENTERTAINMENT TRACK:Theme from the television comedy show “Laugh In”This sketch comedy show would capture a lot of American counter-culture of the time from Tiny Tim to "sock it to me!" STAFF PICKS:Ride My See Saw by the Moody BluesWayne kicks off the staff picks with a psychedelic song from the second Moody Blues album, "In Search of the Lost Chord."  The song is about leaving school and finding that the world isn't what you thought it would be.  On the album, the song is preceded by a spoken word introduction called "Departure."Harper Valley PTA by Jeannie C. RileyRob's staff pick is a storytelling song written by Tom T. Hall about a widow named Mrs. Johnson and her tangle with the PTA.  When her teenage daughter received a note from the Harper Valley PTA criticizing the way she is living, Mrs. Johnson attends the next meeting and reveals some indiscretions of the other PTA members.Light My Fire by Jose FelicianoBruce features an acoustic cover of the Doors hit single with a Latin twist.  Jose Feliciano is best known for the Christmas song "Feliz Navidad," but this Puerto Rican artist also had a hit with this cover that peaked at number 3 on in late summer 1968.  His album "Feliciano!" is a selection of acoustic cover songs, and his most successful one.  He won "Best Male Pop Vocal Performance" at the 1969 Grammy Awards for this cover.Son of a Preacher Man by Dusty SpringfieldLynch closes out the staff picks with a song that writers John Hurley and Ronnie Wilkins wrote with Aretha Franklin in mind.  When Atlantic Records producer Jerry Wexler heard it, he thought it would be a good fit for Dusty Springfield who was recording her "Dusty in Memphis" album at the time.  INSTRUMENTAL TRACK:And I Love Her by Jose FelicianoWe double up on the Latin acoustic stylings of Feliciano as this Beatles cover takes us out of this week's podcast.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

No matter where you are in your career, you'll benefit from listening to 3Q. 3Q provides a window into the careers of some of the best in the music business. Every episode is an insider's view of the realities of life as a music executive. Topics include issues of empowerment, uncertainty, trust, finances, etc; issues that will impact you both personally and professionally. The executives we interview represent every aspect of the industry including but not limited to A&R, Marketing, Music Supervision, Artist Management, Promotion, and more.About Pete:Pete Ganbarg is a 2X Grammy Award-winning record producer and A&R executive who is currently President of Pure Tone Music. Most recently President of A&R for Atlantic Records, Pete has spent the past 35 years as a senior A&R executive for major label groups, including Arista, Epic, and SBK/EMI. Some of the artists that Pete has worked with in his career include Santana (the 9X Grammy-winning album “Supernatural”), Lin-Manuel Miranda (the Diamond-certified “Hamilton” cast album), as well as contemporary stars (Twenty One Pilots, Christina Perri, Melanie Martinez), all-time classic artists (Chaka Khan, Donna Summer, America), and hit Broadway cast recordings and film soundtracks (Dear Evan Hansen, Mean Girls, The Greatest Showman).Pete's two GRAMMY Awards come from his role as producer on the Original Broadway Cast Recording of Dear Evan Hansen and the Original Broadway Cast Recording of Jagged Little Pill. Additionally, he was named International Music Person Of The Year for 2023 by the music industry organization MUSEXPO and currently serves as a member of the board of directors of the Songwriters Hall of Fame.As a music publisher, Ganbarg operates Songs With A Pure Tone and Margetts Road Music, joint ventures currently in partnership with Warner Chappell Music. Songs published by Pure Tone include 2024's Grammy-winning Record of the Year, "Flowers" by Miley Cyrus, as well as hits by Benson Boone, Charli XCX, Beyoncé, Lizzo, Justin Bieber, Maroon 5, Katy Perry, OneRepublic, Lewis Capaldi, Ed Sheeran, Andy Grammer, and more.

Hier sind wir in der Schöpfungsgeschichte des Rock. 1955 – Let there be Sound – an there was Sound.Ganz biblisch geht es hier um den Urknall der den Rock´n´Roll losgetreten hat.Vielleicht brauchen wir aber gerade in Zeiten der Krisen und des Durcheinanders feste Bezugspunkte, Sachen, die immer da sind, auf die ich mich verlassen kann – die dadurch Halt und Sicherheit geben. Ich denke wir fahren zurzeit mit unseren Lebensschiffen durch das Meer der Aufregung – da brauchen wir auch Inseln der Gelassenheit – wo nichts passiert was uns überrascht, sondern er ist wie immer und es ist schön.So können AC/DC auch dafür stehen, dass es manchmal darauf ankommt – nur bei einer Sache zu bleiben, diese Sache zu vertiefen, sich nicht zu verzetteln – Let There Be Rock – Sound, Light, Drums, GuitarLet There Be Light – And There was Light, die News die Tchaikovsky in Roll Over Beethoven erfahren hatte und die News die Jesus hier verkündigt die drehen sich darum, dass ich mich für das Licht einsetze, wenn der weiße Schmalz und der schwarze Blues aufeinander treffen dann eben nicht den Blick zu senken und Dunkelheit verbreiten und irgend etwas auszugrenzen und wegzumachen sondern, den AC/DC Geistesblitz groß werden zu lassen – es zusammen klingen zu lassen – Let There Be Sound – and there was Sound – insofern sind wir alle mit leuchtenden Augen eingeladen uns von dieser einfachen aber einfach großartigen Musik fröhlich machen zu lassen.Wenn wir wissen worauf es ankommt, dann geht es auch einfach – ich muss es eben nur machen.Foto © Keith Morris, Atlantic Records

This week on Jazz After Dinner, Joe is  featuring Pianist Lennie Tristano from his 1956/1962 Atlantic Records recordings, titled “Lennie Tristano/The New Lennie Tristano.”

Dale  Earnhardt Jr. welcomes Top-40 music artist and longtime NASCAR fan Edwin McCain to the Download to chat about his journey from a humble, local music scene to writing one of the most memorable songs in history. Edwin also shares how Dale Jr.'s 2001 July Daytona win had a profound impact on his life.  After being born in Greenville, South Carolina, Edwin was put up for adoption but admits he has never sought out much information about his biological mother. Dale and Edwin relate on the experience of asking parents hard questions at the end of their lives to get the real picture of their upbringing. Edwin explains he began playing music at an early age after struggling in school due to dyslexia. He and Dale chat about the music they enjoyed growing up and what musicians were a major influence on Edwin, and led him to pick up a guitar.Edwin gives listeners an idea of what the music scene was like in the mid-90s, when he, Dave Matthews and Hootie and the Blowfish were finding their way to major record label contracts. Edwin admits that his signing was largely thanks to the kindness of Hootie, who asked Atlantic Records to give him a shot. After an underperforming debut, in part due to Edwin's disconnection from the project, Edwin saved his career with the smash hit “I'll Be,” which remains one of the greatest love songs ever written. Edwin talks candidly about developing an addiction problem and his journey to rehab. Today, he is on the other side of hardship and celebrating the release of his new album “Lucky,” which is his first new release in almost 15 years.Dirty Mo Media is launching a new e-commerce merch line! They've got some awesome Dale Jr. Download merch on the site. Visit shop.dirtymomedia.com to check out all the new stuff.And for more content check out our YouTube page: https://www.youtube.com/@DirtyMoMedia Must be 21+ and present in select states (for Kansas, in affiliation with Kansas Star Casino) or 18+ and present in D.C. First online real money wager only. $5 first deposit required. Bonus issued as nonwithdrawable bonus bets which expire 7 days after receipt. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG. Call 1-888-789-7777 or visit ccpg.org/chat in Connecticut, or visit mdgamblinghelp.org in Maryland. Hope is here. Visit GamblingHelpLineMA.org or call (800) 327-5050 for 24/7 support in Massachusetts, or call 1-877-8HOPE-NY or text HOPENY in New York.

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2015 conversation with Swamp Dogg.  ABOUT SWAMP DOGGR&B cult favorite Jerry “Swamp Dogg” Williams is best known as the co-writer, with Gary U.S. Bonds, of the cross-genre classic, “She's All I Got,” which became a Top 10 R&B single for Freddie North and a #2 country hit for Johnny Paycheck in 1971. Tracy Byrd recorded it in 1996, hitting #4 on Billboard's Country rankings and introducing the song to a new generation of fans. Williams' career began in 1954 when, at the age of 12, he made his first record, “HTD Blues.” He found success in the 1960s, recording the Top 40 R&B hit “Baby You're My Everything” under the name Little Jerry Williams, and writing songs for other artists, including Gene Pitney's Top 20 Pop single, “She's a Heartbreaker.” He became Atlantic Records' first African American staff producer in 1968, but left the following year to pursue independent projects in Muscle Shoals, Alabama. By the 1970s he was an in-demand producer and songwriter, penning Top 40 R&B hits for Doris Duke, Arthur Conley, and Dee Dee Warwick. Around the same time, he reinvented himself as Swamp Dogg, releasing a series of eccentric deep soul albums whose gonzo lyrics were marked by frank sexuality, biting satire, radical politics, and provocative social observations. His debut LP, Total Destruction to Your Mind, was eventually certified Gold, while subsequent releases, including Gag a Maggott, I'm Not Selling Out – I'm Buying In, An Awful Christmas and a Lousy New Year, and The White Man Made Me Do It have earned considerable accolades among underground music lovers and earned Swamp what one journalist described as “a cultural niche somewhere between Rudy Ray Moore and Frank Zappa.” In recent years, his vast catalog has been sampled by Kid Rock, Talib Kweli, DMX, and others. 

Send us a message, so we know what you're thinking!Why do you like the music you do?  Is it as simple as “It's what I heard on the radio”? Or something deeper? People with elder siblings may be exposed to music earlier than first children.   Jeff had an older brother, so was exposed earlier to cool music - Beatles, Janis, Hendrix, and so on.  Mick was the eldest in his family and had to find his own taste. (No surprise considering what he listens to!) Were you bullied as a child?  Influence!  Did you share music with your friends?  Influence!  Did you have access to a good radio station?  Or print media?  Influence!! We talk about our early influences – musical & otherwise – and look at how they played a role in what we listen to today.    In Rock News, Ringo has released a country album, and Toto is touring.  Oh well, shouldn't take them long to play their 3 hits. You know Jeff's obsessed with AI, so he asked three AI brands to nominate the greatest albums of 1971.  Not much variation, really.  One day, we may ask them to understand quality, rather than sales figures, and see what they give us.    Our Album You Must Listen to Before you Die is “Blue” by Joni Mitchell - an top grade album that deserves to be here.  Mick references Atlantic Records' sampler called “Very Together” which featured “Carey” from this album, and pointed out a link between Joni Mitchell and Scottish hard rock band, Nazareth. How did YOUR tastes develop?  Drop us a line & let us know. Enjoy! References:  RAM Magazine, Rock Australia Magazine, Countdown, Molly Meldrum, 2DoubleJay, The Magus/Holger Brockman, Chris Winter, Mac Cocker, “Never Mind the Bollocks”, The Sex Pistols, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, David Bowie, “Five Years”, “Room to Move”, Chris Winter, “Starman”, “Rock'n'roll Suicide”, Birdland, Weather Report, Joe Zawinul, Brian Eno, “Another Green World”, “Zawinul Lava”, “Rock'n'Roll Animal”, Lou Reed, Steve Hunter, “Sweet Jane”, “Heroin”, “Rock'n'Roll”, Berlin, Alice Cooper, Velvet Underground, Peter Gabriel, “Car”, “Stranded”, Roxy Music, Bryan Ferry, “Song for Europe”, “Street Life”, “Psalm”, Sisters of Mercy, XTC, Nico, REM, Television, Patti Smith, “Sgt Pepper's Lonely Heart Club Band”, The Beatles, "Within You Without You”, “Tomorrow Never Knows”, Bob Dylan's Greatest Hits, Like a Rolling Stone”, Revolver, Bridge Over Troubled Water, Simon and Garfunkel, Pearl, Janis Joplin, Tapestry, Carole King, Slade Alive, Hot August Nigh”, “Goodbye Yellow Brick Road”, “Dark Side of the Moon”, “Led Zeppelin IV”, “Silk Degrees”, Box Scaggs, “Journey to the Centre of the Earth”, Rick Wakeman, “Woodstock”, “Monterey Pop”, “The Song Remains the Same”, “The Last Waltz”, The Guitar Spa, Redeye Records, John Foy, bootleg records, “His Master's Voice”, “Sheetkeeckers”, Australian electronica/dance music store, Hipgnosis, Pink Floyd, Peter Gabriel, Regurgitator, “I like your old stuff better than your new stuff", DeepSeek, ChatGPT, Google Gemini, Blue, Joni Mitchell, Henry Lewy, “Very Together”, “This Flight Tonight”, Nazareth  Episode Playlist  The first song played by 2DoubleJay - “You Just Like Me ‘Cos I'm Good in Bed” 

Parliamo (anche) di: Atlantic Records, Borealis, Dimmi di sì, Scarcity... 

Join the Bad Boys of EDM in discussing controversy topics and unfiltered commentary. On this episode we discuss Skrillex's new Album (Mixtape?) our honest thoughts on the music, some crazy conspiracies on why this happend & more off the wall topics...

Thank you to Southwest Philly's own RecoHavoc for coming on my show for an interview! Recohavoc talked about his new record White Dove, his new song with Young Chris, and what he learned from being in the studio with Nipsey Hussle. He discussed opening for G Herbo, PnB Rock supporting him early on, and how he got connected to the Dollarboyz. He also got into his time with Atlantic Records, wanting to work with Bruno Mars, and his work with DJ Crazy. Stay tuned! Contact this number: 855-339-1515 for all RecoHavoc updates! RecoHavoc's new single White Dove is available on all platforms, including Apple Music: https://music.apple.com/us/album/white-dove/1799058287?i=1799058288. Follow RecoHavoc on Instagram: @recohavocayo and X: @recohavoc Shoutout to L Nyce for connecting us! Follow L Nyce on Instagram and X: @lnyce Follow me on Instagram and X: @thereelmax Website: https://maxcoughlan.com/index.html. Website live show streaming link: https://maxcoughlan.com/sports-and-hip-hop-with-dj-mad-max-live-stream.html. MAD MAX Radio on Live365: https://live365.com/station/MAD-MAX-Radio-a15096. Subscribe to my YouTube channel Sports and Hip Hop with DJ Mad Max: https://m.youtube.com/channel/UCE0107atIPV-mVm0M3UJyPg. RecoHavoc on "Sports and Hip-Hop with DJ Mad Max" visual on YouTube: https://www.youtube.com/watch?v=nDWnIFuKOps. 

For our last series of the season, we have the story of the rise and fall, the rebirth and eventual demise of the legendary Memphis R&B, soul and funk label, Stax Records. This month we're talking about the groundbreaking album that helped kickstart what came to be known as the “Memphis sound” - the first official release on the Stax Record Label, 1962's “Green Onions” by Booker T. & the M.G.s.

The Spinners' story is one of perseverance, evolution, and timeless music that continues to resonate with fans of Motown, Philly Soul, funk, and classic R&B. Their smooth harmonies, intricate vocal arrangements, and signature choreography have made them one of the most enduring groups in soul music history. From their early days in Detroit with Motown to their meteoric rise with Atlantic Records, The Spinners are true legends of the genre.Formed in the '50s in Michigan, The Spinners came together as a vocal group determined to make their mark in the burgeoning R&B scene. They found themselves signed to Motown Records in the '60s, a label that was home to acts like The Temptations, The Supremes, and Marvin Gaye. But The Spinners never quite achieved the same success as their labelmates during their time there. They struggled to break through in a roster filled with some of the biggest names in soul music.Their fate changed in the early '70s when they made a decision that would define their career. Leaving Motown, the band joined Atlantic, under the guidance of producer Thom Bell. With Bell at the helm, The Spinners recorded a string of hits that defined an era. Songs like I'll Be Around, Could It Be I'm Falling in Love, One of a Kind (Love Affair), Mighty Love, and Then Came You—their duet with Dionne Warwick—all became massive hits. Their run of success continued throughout the '70s, with classic tracks like Games People Play and Rubberband Man. The group became known not only for their vocal prowess but also for their stage presence. Their synchronized dance moves and sharp suits made them one of the most exciting live acts of the era.As time passed, The Spinners underwent several lineup changes. They continued to tour and perform, keeping their music fresh for new generations of fans. Even as the music industry evolved, The Spinners remained a staple of classic soul, their songs continuing to be played on R&B stations and featured in movies, commercials, and TV shows.Amidst the transitions, one of the most significant moments in the group's more recent history was the inclusion of Jessie Peck. A longtime fan of The Spinners, Jessie grew up admiring them as a child, wishing one day to be a part of their act. Before joining the group, Jessie had already made a name for himself as a talented vocalist with a deep appreciation for classic R&B. His rich baritone and smooth delivery made him a natural fit for The Spinners' sound, and when the opportunity arose for him to join the legendary group, it was a dream come true.Jessie's arrival injected new energy into the group while maintaining the signature style that fans had come to love. He stepped into his role with the utmost respect for the foundation laid by those who came before him. His passion for the music, combined with his natural talent and stage presence, made him a seamless addition to the lineup.As a performer, Jessie embraced The Spinners' commitment to delivering not just great music but an unforgettable show. The Spinners have always been about more than just singing—they're entertainers in the truest sense, combining tight harmonies with choreographed moves that keep audiences engaged from the first note to the last.Even after decades in the industry, The Spinners continue to thrive, bringing their soulful sound to audiences around the world. Their influence can be heard in countless artists who followed in their footsteps, and their ability to bridge generations of music lovers is a testament to the timeless nature of their songs. Jessie Peck's presence in the group is a reflection of their commitment to excellence, ensuring that The Spinners remain not just a nostalgic act but a living, breathing force in the world of soul, R&B, and classic funk.Jessie Peck joins us this week to share some amazing stories about The Spinners.#classichits #r&b #musiclegends

For this episode we're joined all the way from Harlem in New York City by venerable hip hop writer Havelock Nelson. The first rap editor at industry bible Billboard talks about his early years in his birthplace Guyana and his love of marching bands in the country's capital Georgetown. From there we hear about his family's move to Brooklyn in 1973 and his early exposure to rap and breakbeat tapes in high school. Havelock recalls the pioneering hip hop fanzines Word Up! and Black Beat – plus the seminal rap writings of Greg Tate and Nelson George – before recounting his experiences as a columnist on Billboard. He also explains the genesis of Bring the Noise, the 1991 "guide to rap music and hip-hop culture" he co-authored with fellow RBP contributor Michael A. Gonzales. Mention of our guest's 1994 interview with the Notorious B.I.G. takes us into discussion of the synergy between hip hop's rising stars and rap media such as The Source magazine. Havelock also reflects on memorable interviews he did with the likes of KRS-One, Slick Rick, LL Cool J and Salt-N-Pepa. The latter duo takes us into audio clips from an audio interview with a Virginia-born artist who was profoundly influenced by them: the one and only Missy Elliott, speaking to Sara Scribner after the release of 1997's debut album Supa Dupa Fly... followed by the voices of her collaborators Timbaland and Magoo. The publication of Taschen's monumental new 75 Years of Atlantic Records prompts reflections on the legendary label co-founded by the late Ahmet Ertegun, plus our thoughts on the present-day roster that includes Charli XCX, Bruno Mars, Coldplay and Ed Sheeran. The episode concludes with quotes from newly-added library pieces about artists such as Wee Willie Harris, Jeff Barry & Ellie Greenwich, the Pharcyde and André 3000. Many thanks to special guest Havelock Nelson. Find his writing on Rock's Backpages and join his Going Way Back group on Facebook. Dr. Dre: The Chronic, B.I.G.: Rap's Next Big Thing, The Rap Column: Media's Rap On Rap Is Out Of Balance, Missy Elliott audio, The Age of Atlantic: Jerry Wexler, Rick Rubin: Def Jam's Man With The Plan, Ahmet Ertegun and The History of Atlantic Records, The Age of Atlantic: Making Tracks, Wee Willie Harris, Jeff Barry and Ellie Greenwich, The Pharcyde: New Rap Masters and André 3000: New Blue Sun.

On this episode of BSTV, Ya Boi Shad & G. Downs sat down with the legendary Alley Boy. They discussed his upbringing in the Edgewood neighborhood of Atlanta, sharing insights into his life and experiences. Alley Boy candidly spoke about his involvement in drug dealing and addiction, including his struggles with codine cough syrup and the subsequent damage it caused to his kidneys, revealing his allergy to opiates. He also regaled the audience with stories of his early passion for rap music, starting at the tender age of nine and honing his craft by learning how to format a song. Alley Boy then recounted the genesis of the record label Duct Tape Entertainment, highlighting his role as the first flagship artist. He candidly addressed the pressure he faced to become a superstar, acknowledging the challenges and sacrifices he made along the way. The conversation took a dramatic turn as Alley Boy spoke about his involvement in an armed robbery and murder charge at the age of 18. He then shared a heartwarming story of meeting Gucci Mane at the age of 17, describing a friendship that has endured to this day. Alley Boy also spoke about his mentorship under Big Bank Black, taking on a leadership role in his early career. The conversation continued with Alley Boy reflecting on the day he signed with Atlantic Records, expressing regret for not choosing Def Jam Records. He candidly discussed his dissatisfaction with the promotion he received from Atlantic Records, feeling that they didn't fully support his artistic vision. Despite this, Alley Boy remains proud of owning his masters and publishing rights, ensuring that his legacy will continue to thrive after he's gone. Alley Boy then delved into his close friendship with hip-hop superstar Future, sharing stories of their lifelong bond and shared upbringing in the same neighborhood. He also addressed his long-standing feud with Jeezy and T.I., expressing his belief that Jeezy lacked genuine character. Despite this, Alley Boy maintains a cordial relationship with T.I., emphasizing that their beef was never serious. The conversation concluded with Alley Boy's move to Los Angeles to collaborate with hip-hop legend Master P and Fat Trell. He also spoke fondly of his close friendship with Nipsey Hussle, recounting the time he brought Hussle to Atlanta for the first time. He also spoke on once moving to Denver to acquire knowledge about cultivating marijuana. Subsequently, he delved into his conflicts with his former collaborator, Yung LA, explaining that he had to distance himself from him because LA was not in a state of mental well-being. He also briefly touched upon the passing of his close friend and labelmate, Trouble. Lastly, he discussed his upcoming projects and the new music he will be releasing soon. https://www.youtube.com/c/BadSpeakersTV https://www.instagram.com/badspeakerspodcast https://www.tiktok.com/@badspeakerspodcast https://twitter.com/BadSpeakers https://www.facebook.com/badspeakerspodcast

On the debut episode of "Mixed and Mastered," Jeffrey Sledge sits down with A&R visionary Sean Barron to uncover the untold stories behind modern music's biggest stars. From discovering Drake on MySpace to shaping hits at Atlantic Records, Barron shares how instinct, hustle, and timing propelled him from Buffalo to the industry's inner circle. With behind-the-scenes insights on working with talents like Miguel, Frank Ocean, and Bruno Mars, this episode offers a rare look at the art—and heart—of making music that lasts. Subscribe and listen to the full episode at https://mixedandmasteredpod.buzzsprout.com/Unglossy will be back later this week with playwright, poet, actor, director, and producer, Keenan Scott II."Unglossy: Decoding Brand in Culture," is produced and distributed by Merrick Studio and hosted by Merrick Chief Creative Officer, Tom Frank, hip hop artist and founder of Pendulum Ink, Mickey Factz, and music industry veteran, Jeffrey Sledge. Tune in to hear this thought-provoking discussion on Apple Podcasts, Spotify, YouTube, or wherever you catch your podcasts. Follow us on Instagram @UnglossyPod to join the conversation and support the show at https://unglossypod.buzzsprout.com/Send us a textSupport the show

Unglossy presents a new podcast from Merrick Studios.Mixed and Mastered is the podcast where the untold stories of the music industry come to life. Hosted by Jeffrey Sledge, a veteran music executive and former VP of A&R at Atlantic Records and Jive Records, each episode dives deep into the journeys, challenges, and triumphs of the people shaping the sound of today. From label executives and producers to artists, songwriters, and managers, Jeffrey brings you behind the scenes to meet the minds driving the industry forward. There's a gap in the marketplace for these voices, and Mixed and Mastered is here to fill it—one conversation at a time. Because the best stories are told by those who lived them.Mixed and Mastered is produced and distributed by Merrick Studio, and hosted by music industry veteran, Jeffrey Sledge. Tune in to the discussion on Apple Podcasts, Spotify, YouTube, or wherever you catch your podcasts. Follow us on Instagram @MixedandMasteredPod to join the conversation and support the show at https://mixedandmasteredpod.buzzsprout.com/Send us a textSupport the show

Listener Paul Hayden suggested creating some episodes on the music of the Bee Gees before they hit the disco floor and caught Saturday Night Fever and here they are! In the final episode of the series, Paul and Patrick examine the changes the band made when they switched to Atlantic Records, tuned in to the radio and worked with producer Arif Mardin.  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart,Djinn RecordsStitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Hey Hey beautiful people here is this weeks Radio Rewind in High Definition Sounds The paradise sessions - Discos Revenge returns this Sunday with @markymmp on @cruise_fm 10 am - 12 pm UK cruise FM. So in Sundays's program I will paying tribute to Roy Ayers the “Vibes Master” who we sadly lost on the 4th March. His music inspired me to play more Jazz Funk in my sets and his amazing journey across 6 decades of amazing music gave us the soundtrack to our lives. The Who? Roy Edward Ayers Jr. (September 10, 1940 – March 4, 2025) was an American vibraphonist, record producer, and composer. Ayers began his career as a post-bop jazz artist, releasing several studio albums with Atlantic Records, before his tenure at Polydor Records beginning in the 1970s, during which he helped pioneer jazz-funk. He is a key figure in the acid jazz movement, and has been described as "The Godfather of Neo Soul". He is best known for his compositions "Everybody Loves the Sunshine", "Lifeline", and "No Stranger to Love" and others that charted in the 1970s. At one time Ayers was listed among the performers whose music was most often sampled by rappers. Tracks Roy Ayers - Everybody Loves the Sunshine Roy Ayers - Hey Uh What You Say Come On Ethel Beatty - I Know You Care Roy Ayers Feat Merry Clayton - Oh What a Lonely Feeling Roy Ayers - Poo Poo La La Roy Ayers - Goree Island Roy Ayers - Blast the Box Roy Ayers - Don't Stop the Feeling Roy Ayers - Can't You See Me (Dr Packer Remix - Extended) The Vision - Wasting (feat. Ben Westbeech & Roy Ayers) Ferry Ultra, Roy Ayers, Emmaculate - Dangerous Vibes (Emmaculate Remix) Roy Ayers - Holiday Kenny Dope Main Pass SUGAR [THE REFLEX REVISION] 24 - 44 final master Belezamusica - Running Away (Seamus Haji Remix) Roy Ayers - Get On Up, Get On Down (Joey Negro Revibe) Elements Of Life - You Came Into My Life (Louie Vega Roots NYC Mix) GooDisco - Love Taste (Original Mix) Louise Spiteri, DJ Spen - Thinkin' About You (DJ Spen Remix) Luis Radio - The EWF Theme (Original Mix) DJ Wady, First Class Funk - Hey Girl (Original Mix) Followed in the second hour with DJ Allan's Awesome 4Some Much Love Marky MMP Cruise FM, and hope you can join me on this special weekly journey delivered with love..

Stax Records and Special Guest Rob BowmanStax Records, founded in 1957 by Jim Stewart and Estelle Axton in Memphis, Tennessee, played a pivotal role in developing soul and R&B music. Originally called Satellite Records, it was rebranded in 1961, merging the founders' last names. Known for its deep, emotive sound, Stax produced timeless hits through iconic artists like Otis Redding, Isaac Hayes, Booker T. & the MG's, and Sam & Dave. The label's house band, Booker T. & the MG's, contributed immensely to its distinctive grooves. Stax also stood out for its progressive integration of black and white artists and staff, which was rare. After a split with Atlantic Records in 1968 and financial troubles, Stax ceased operations in 1975. Despite its short lifespan, Stax's influence endures. Rob Bowman, a renowned Stax historian, continues to highlight its enduring legacy in shaping soul, R&B, and pop music history. Rob Bowman's book Soulsville, U.S.A.The Story of Stax Records offers an in-depth look at the label's history, detailing its origins, rise, and eventual decline. The book also provides comprehensive biographies of the promoters, producers, and performers who contributed to the label's legacy. In addition to the book, there's an HBO Original four-part documentary series titled STAX: SOULSVILLE U.S.A. -the series delves into the rich history of Stax Records. It premiered on May 20, 2024, and is available for streaming on HBO Max.

The Young Rascals were one of the early groups which would define the genre of "blue eyed soul."  For a period of two to three years, this group would generate hit after hit.  Their third album, Groovin', would close out the era in which they were known as “The Young Rascals,” because follow-up albums would see them using simply the name "The Rascals."  Felix Cavaliere was a classically trained pianist, and joined a band called the Starliters, where he met David Brigati and his younger brother Eddie.  Cavaliere convinced Eddie Brigati and guitarist Gene Cornish to leave the Starliters and form a band, recruiting jazz drummer Dino Danilli to flesh out the band.  They called themselves "Them" until they found out that a group out of the UK was already using that name (Van Morrison's band).  They settled on "The Young Rascals" when comedian Soupy Sales used them as his back-up band when he toured the college circuit in 1965.Much of this album is a collection of singles rather than a cohesive piece of music.  Eight of the eleven songs are either A-side or B-side single releases.The Rascals moved into a more psychedelic direction after this album, and they would be largely done by the early 70's.  They were early inductees into the Rock and Roll Hall of Fame, receiving that honor in 1997.Bruce presents this soulful album for this week's podcast.Groovin'This signature song from the group almost didn't make it as a single.  Atlantic Records pushed back on this track because it was very different from the sound of their other songs, having a more Latin influence.  The inspiration for the lyrics was Cavaliere's girlfriend Adrienne Buccheri.  He only got to see her on Sundays because he was so occupied with the group, music, and touring on other days. You Better RunMany listeners who grew up in the 80's will be more familiar with Pat Benatar's cover of this song than the Young Rascals' original.  It was released a year before the album as a single, in May 1966.  The song has more of a garage band feel than other songs on the album.A Girl Like YouThis is the lead-off song for the album, and went to number 10 on the Billboard Hot 100.  Upbeat, feel good, this is the opening song of new love.  It starts off subdued with piano and vocals, then builds into the horns and percussion.  If You KnewThis song was released as the B-side to the single "I've Been Lonely Too Long" from their previous album called Collections.  It is the only song on the album to be listed as written by all member of the band.  Most songs were written by Felix Cavaliere and Eddie Brigati.  ENTERTAINMENT TRACK:Mrs. Robinson by Simon and Garfunkel (from the motion picture “The Graduate”) Dustin Hoffman's got his breakthrough role in this coming of age film.  STAFF PICKS:Green Tambourine by the Lemon PipersRob leads off the staff picks with the best known song from a short-lived Ohio band.  Unfortunately the success of this song would cause the record company to pigeonhole the group into doing more songs in the psychedelic genre.  The group was unenthusiastic about this direction, and would leave the label in 1969, dissolving shortly thereafter.Sunshine of Your Love by CreamLynch brings us a signature song from the original supergroup.  The song arose out of a bass riff that Jack Bruce created after seeing Jimi Hendrix for the first time.  Jack Bruce and Eric Clapton take turns with vocals while Ginger Baker utilizes a tribal beat on percussion.I Can See for Miles by The WhoWayne features the only single from the Who album “The Who Sell Out.“  Although it went to number 9 on the US charts, guitarist and writer Pete Townshend expected it to do much better.  The Who made use of the studio as an instrument on this heavier, psychedelic song, using techniques similar to the Beach Boys and the Beatles at the time.I Second That Emotion by Smokey Robinson & the MiraclesBruce closes out the staff picks with a song that originated from a trip Smokey Robinson and Al Cleveland took to a Detroit department store in search of a gift for Robinson's wife Claudette.  When Robinson told the salesman of a set of pearls, "I sure hope she likes them," Cleveland accidentally said "I second that emotion," rather than "I second that motion."  The two laughed about it and wrote this song which would go to number 3 on the Billboard Hot 100 in 1967.   INSTRUMENTAL TRACK:Hip Hug-Her by Booker T. & the M.G.'sWe close out with a funky instrumental which was on the charts at the time.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Nick brings us a Three For Thursday for Roberta Flack, who passed this week at the age of 88. She grew up in Arlington, VA, and upon graduating high school at the age of 15, she received a full music scholarship to Howard University. She began singing professionally in 1968, was signed to Atlantic Records, and went on to have a whirlwind of a successful career in the 1970s. Her voice touched a generation and she will be missed.Songs: Roberta Flack - “Compared to What”Roberta Flack - “Killing Me Softly (With His Song)”Roberta Flack & Donny Hathaway - “I (Who Have Nothing)”Heard it through the GREGvine that Christina Ricci really hates Live, but particularly “Lightning Crashes.” Also, Marshall Allen, current bandleader of Sun Ra, releases his debut album at age 100, breaking all sorts of records. Finally, the Red Hot Chili Peppers recorded music catalog is for sale, you can own it today for clean $350 million.Song: Bob Dylan “One More Cup of Coffee (feat. Scarlet Rivera)”Jay brings a listener inspired (thanks Mr. Lentz!) BienVenue for a long-gone Baltimore music spot: The Painters Mill Music Fair. It began as a tent in a parking lot in 1960, with the 2500 person venue constructed in 1967. A venue of that capacity hosted some pretty large acts in the years to come. Dave Brubeck, James Brown, Bob Dylan, Frank Zappa, Chick Corea, Bruce Springsteen, and more over the next fifty-five years. It was also where Greg Allman played his final show with the Allman Brothers. In 1991, the venue burned to the ground when a burglar attempted to access the safe with a butane torch.Song: Frank Zappa - “What's New in Baltimore? (Live at Painters Mill Star Theatre)”

We have lost another music icon—Roberta Cleopatra Flack passed away this week at the age of 88. Born in North Carolina, Flack's musical genius was evident early on. At just 15, she earned a full scholarship to Howard University, making her the youngest freshman in the school's history. Though she started as a classical pianist and teacher, her talent led her to jazz and pop, performing in Washington, D.C. clubs in the late 1960s. Les McCann discovered her at Mr. Henry's restaurant, leading to her record deal with Atlantic Records. From there, Flack delivered some of the most timeless and soulful music of our generation. Her hits like “The First Time Ever I Saw Your Face,” “Killing Me Softly with His Song,” and “Feel Like Makin' Love” topped the Billboard Hot 100, and she became the first artist to win back-to-back Grammys for Record of the Year. Though Clint Eastwood's use of her song in Play Misty for Me catapulted her into mainstream fame, her collaborations with Donny Hathaway and others defined the soundtrack of our lives. After being diagnosed with ALS, Flack retired from performing but remained active in philanthropy, supporting music education and animal rescues. Reports say she passed at home, though her manager stated she suffered cardiac arrest on her way to the hospital in Manhattan. Roberta Flack leaves behind a legacy of groundbreaking music and timeless artistry. May she rest in peace and power. For more on her life and legacy, follow @TanyaHollywood and visit @aurnonline. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rockshow episode 211 The Story of Stax RecordsStax Records was a pioneering American record label based in Memphis, Tennessee, that played a crucial role in the development of soul, R&B, and funk music. Founded in 1957 by Jim Stewart and his sister Estelle Axton, the label became synonymous with the gritty, raw, and deeply emotional sound that defined Southern soul.Stax was home to legendary artists such as Otis Redding, Booker T. & the M.G.'s, Sam & Dave, Wilson Pickett (through a deal with Atlantic), Isaac Hayes, and The Staple Singers. Unlike Motown, which had a polished and orchestrated style, Stax music was known for its raw energy, tight horn sections, and a heavy gospel influence.One of Stax's most defining characteristics was its integrated roster of musicians, producers, and executives during a time of deep racial segregation in the South. The studio band, Booker T. & the M.G.'s, featured both Black and white musicians, which was groundbreaking in the 1960s.The label thrived throughout the 1960s but faced difficulties after the tragic death of Otis Redding in 1967 and the loss of its distribution deal with Atlantic Records in 1968. It experienced a resurgence in the early 1970s, largely due to Isaac Hayes' massive success with Hot Buttered Soul and Shaft. However, financial struggles led to Stax's bankruptcy in 1975.In later years, Stax was revived as a brand, and its legacy continues through reissues and the Stax Museum of American Soul Music in Memphis. Its impact on music remains profound, influencing countless artists across multiple genres.https://staxrecords.com/https://youtube.com/@staxrecords?si=bPBfHvzs7kxHrb5Dhttps://staxmuseum.org/#StaxRecords #SoulMusic #MemphisSoul #OtisRedding #IsaacHayes #BookerTandTheMGs #SouthernSoul #RNB #ClassicSoul #SamAndDave #TheStapleSingers #SoulLegends #Funk #VintageVinyl #MusicHistory #StaxMuseum #RespectYourRoots

Linktree: https://linktr.ee/AnalyticIn this Notorious Mass Effect segment, Analytic Dreamz breaks down Alex Warren's 'Ordinary,' released February 7, 2025. From TikTok fame with 16M+ followers to a rising pop-folk artist under Atlantic Records, Warren's piano-driven track hit #7 on the UK Singles Chart. Analytic Dreamz explores its 2.9M Spotify streams on day one, TikTok-fueled hype, and themes of resilience. With a Joe Jonas remix teased and a 2025 tour ahead, Ordinary marks Warren's shift from internet star to music contender, poised for broader Billboard success.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

MAKE IT BIG. NO BIGGER—Paula Scher is not really a “magazine person.”But if you ever needed evidence of the value of what we like to call “magazine thinking,” look no further than Pentagram, the world's most influential design firm. The studio boasts a roster of partners whose work is rooted in magazine design: Colin Forbes, David Hillman, Kit Hinrichs, Luke Hayman, DJ Stout, Abbott Miller, Matt Willey, and, yes, today's guest.Paula has been a Pentagram partner since 1991. She's an Art Director's Club Hall of Famer—and AIGA Medalist. She has shaped the visual landscape for iconic brands—Coca-Cola, Citibank, Tiffany, and Shake Shack—always with her instinctive understanding of how typography, design, and storytelling come together.In other words, she plays the same game we do.In 1993, Paula collaborated with Janet Froelich on a redesign of The New York Times Magazine and built a platform for pioneering editorial innovation that continues to this day. In 1995, she helped me break down Fast Company's editorial mission, in her own distinctively reductive way: “It's about the ideas, not the people,” she said. It was a game-changer.But Paula isn't just a design legend—she's also a complete badass.Starting out at a time when the industry was still predominantly male, Paula carved out space for herself by fighting for it. Her work at CBS and Atlantic Records redefined album cover design. Later, her rebranding for cultural institutions like The Public Theater and the Museum of Modern Art helped cement the importance of an unforgettable identity system for any organization.And, as a longtime educator at New York's School of Visual Arts, Paula has molded generations of designers who have gone on to shape the industry in their own ways—including our very own Debra Bishop.We spoke to Paula upon the launch of her new, 500-plus page monograph, Paula Scher: Works.—This episode is made possible by our friends at Commercial Type and Freeport Press. Print Is Dead (Long Live Print!) is a production of Magazeum LLC ©2021–2025

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz dissects Chappell Roan's debut performance at the 2025 Grammy Awards, where she brought her hit "Pink Pony Club" to life with a visually stunning and thematic display. Roan, at 26, not only captivated the audience but also solidified her status as a major new talent in pop music, earning six Grammy nominations including Album of the Year for "The Rise and Fall of a Midwest Princess" and Best New Artist. We explore her journey from Willard, Missouri, to the Grammys stage, highlighting key career milestones like her support on Olivia Rodrigo's "Guts" tour and her previous performance at the MTV VMAs. The performance of "Pink Pony Club," which has maintained a strong presence on the Billboard Hot 100, was themed around Roan's love for Los Angeles, featuring a grand pink horse and rodeo clowns, culminating in a standing ovation from the likes of Janelle Monáe. Analytic Dreamz delves into Roan's early struggles, her initial signing and subsequent release from Atlantic Records, and her rise with tracks like "Pink Pony Club," which was recognized for its cultural impact. This segment provides an in-depth look at how Chappell Roan's unique blend of camp, queerness, and theatricality made her Grammys performance a pivotal moment in her burgeoning career.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This is a video about The Show About Stuff...Episode 26...Deborah McPhatterMarvelous conversation with Deborah McPhatter, the former Chairwoman of the NC Music Hall of Fame and daughter of legendary 2 time Rock and Roll Hall of Fame inductee Clyde McPhatter. It's a wonderful, nostalgic episode of times gone by. By the way, do you know who her brother is? Tune in to find out!!! Produced, directed, edited and hosted by Stephen E Davis.

In this episode of the Mixing Music Podcast, Dee Kei and Lu talk about NAMM 2025. We also have some brief updates as to why the podcast has been down the last couple weeks.SUBSCRIBE FOR 3X THE EPISODESDOWNLOAD FREE STUFFFOLLOW DEE KEI ON TWITCH!Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuCHECK OUT OUR OTHER RESOURCESJoin the ‘Mixing Music Podcast' Group:Discord & FacebookThe Mixing Music Podcast is sponsored by Tegeler Izotope, Antares (Auto Tune), Plugin Boutique, Lauten Audio, Spreaker, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei and Lu are both professionals in the Los Angeles music industry having worked with names like 6arelyhuman, Odetari, Natalie Jane, Rico Nasty, Keyshia Cole, Trey Songz, Smokepurrp, Benny the Butcher, Sueco the Child, Ari Lennox, G-Eazy, Lucky Daye, DDG, Lil Xan, Masego, $NOT, Kanye West, Symba, Bludnymph, charlieonnafriday, Blackway, Atlantic Records, Dreamville, BET, Universal Music, Interscope Records, etc.This video podcast is meant to be used for educational purposes only. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Explore the world of A&R with Pete Ganbarg on this episode of the "MUBUTV Music Business Insider Podcast", Artist and Repertoire A&R Masterclass With Pete Ganbarg Atlantic Records.

The Rock And Roll Hall of Fame welcomed its first inductees in a star-studded event at the Waldorf Astoria, New York on 23rd January, 1986. But the ceremony was not the glamorous HBO spectacular we have come to expect today: the audience was mostly music executives, and it was not filmed for television. Conceived by Atlantic Records chairman Ahmet Ertegun, the nonprofit foundation initially had lofty ambitions of recognising unsung heroes of the genre, and redressing racial injustice. In this episode, Arion, Rebecca and Olly explain how the Rock Hall came to be located in Cleveland, of all places; investigate the claims of sexism that have plagued the institution; and recall the phenomenal rejection issued by Axl Rose following an invitation to perform…  Further Reading: • ‘The Rock And Roll Hall Of Fame: From An Idea, To  A Labor Of Love, To A Spectacular Event' (Billboard, 2004): https://books.google.co.uk/books?id=0A8EAAAAMBAJ&pg=PA17&dq=ertegun+rock+and+roll+hall+of+fame&hl=en&sa=X&ved=2ahUKEwi3os-Fr7r8AhWQaMAKHZc8AzoQ6AF6BAgEEAI#v=onepage&q=ertegun%20rock%20and%20roll%20hall%20of%20fame&f=false • ‘Why the Rock & Roll Hall of Fame should be put out of its misery' (The Guardian, 2016): https://www.theguardian.com/music/2016/apr/04/rock-and-roll-hall-of-fame-should-be-destroyed • ‘Chuck Berry, Keith Richards, Jerry Lee Lewis, Neil Young – "Roll Over Beethoven"' (Rock And Roll Hall Of Fame, 1986):  https://www.youtube.com/watch?v=mM_1eDzWYzI&list=PLuYH1Vrzl1TMtAjBPm80j0EGOT0FL8Uc4&index=2 Love the show? Support us!  Join 

(S4 E7) Aretha Franklin -I Never Loved A Man The Way I Love You (Atlantic)  Released March 10, 1967. Recorded January 10 – February 26, 1967  I Never Loved a Man the Way I Love You (1967) marked Aretha Franklin's breakthrough as the "Queen of Soul," blending gospel, blues, and R&B into a revolutionary sound. Released by Atlantic Records, the album featured iconic tracks like Otis Redding's reimagined “Respect,” which became a feminist and civil rights anthem, and the heartfelt title track, her first major hit. Recorded at Muscle Shoals and Atlantic Studios, the album showcased Franklin's commanding vocals, her piano playing, and the Muscle Shoals Rhythm Section's soulful backing. Its mix of original compositions and inspired covers, such as Sam Cooke's “A Change Is Gonna Come,” elevated it as a timeless masterpiece. Topping R&B charts and reaching No. 2 on the Billboard 200, the album cemented Franklin's legacy as a cultural icon. Its impact extended beyond music, symbolizing empowerment and resilience while inspiring generations of artists and shaping soul music's trajectory. Signature Tracks: "Respect,"  "I Never Loved A Man (The Way I Love You)," "Dr. Feel Good (Love is a Serious Business)" Playlist YouTube Playlist  Spotify Playlist  Full Albums  Full Album on YouTube   Full Album on Spotify 

On today's episode, we sit down with the brilliant songwriter and performer Ben Abraham. Known for his evocative storytelling and soulful voice, Ben has released solo albums with Secretly Canadian and Atlantic Records. His songwriting credits include massive hits like Praying by Kesha and Grow As We Go by Ben Platt, solidifying his reputation as a collaborator with some of the music industry's biggest names.With billions of streams under his belt, Ben's career is nothing short of remarkable—but the road hasn't always been smooth. Now embracing life as an independent artist, Ben opens up about his creative journey, the highs and lows of the music business, and what's next for him.

On this week's episode of R&B Money, Tank and J Valentine are joined by artist/producer/executive, Hitmaka.They will discuss his beginnings being signed to DMX's Bloodline Records as a teen, being sent to military school and ultimately becoming a top tier songwriter. Hitmaka reminisces about nights on the road, his adventures in reality television and his philosophy about the music business. Hitmaka talks about his ascension to Vice President of A&R of Atlantic Records and his plans for the future. Listen and Enjoy! Follow the hosts Tank: @TheRealTank J Valentine: @JValentine See omnystudio.com/listener for privacy information.

n this thought-provoking episode of Mixing Music Podcast, host Dee Kei sits down with Sean, a seasoned entertainment industry insider who has worked behind the scenes with some of the most successful actors, comedians, and creatives. Together, they explore the habits, mindsets, and observations that define successful artists and creative professionals. From navigating fear and self-doubt to embracing collaboration and authenticity, this episode offers invaluable insights into what it takes to thrive in creative industries. Tune in for an honest and inspiring conversation. SUBSCRIBE FOR 3X THE EPISODES DOWNLOAD FREE STUFF FOLLOW DEE KEI ON TWITCH! Join the ‘Mixing Music Podcast' Discord! HIRE DEE KEI HIRE LU Find Dee Kei and Lu on Social Media: Instagram: @DeeKeiMixes @MasteredbyLu Twitter: @DeeKeiMixes @MasteredbyLu CHECK OUT OUR OTHER RESOURCES Join the ‘Mixing Music Podcast' Group: Discord & Facebook The Mixing Music Podcast is sponsored by Tegeler Izotope, Antares (Auto Tune), Plugin Boutique, Lauten Audio, Spreaker, Filepass, & Canva The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei and Lu are both professionals in the Los Angeles music industry having worked with names like 6arelyhuman, Odetari, Natalie Jane, Rico Nasty, Keyshia Cole, Trey Songz, Smokepurrp, Benny the Butcher, Sueco the Child, Ari Lennox, G-Eazy, Lucky Daye, DDG, Lil Xan, Masego, $NOT, Kanye West, Symba, Bludnymph, charlieonnafriday, Blackway, Atlantic Records, Dreamville, BET, Universal Music, Interscope Records, etc. This video podcast is meant to be used for educational purposes only. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.

It is a pleasure to welcome Marcel Katz to The Jake's Take with Jacob Elyachar Podcast.  Marcel founded the Art Plug, a vibrant hub where art transcends boundaries and ignites creativity. It is dedicated to fostering a dynamic global community of art enthusiasts, collectors, and creatives. The Art Plug Gallery provides access to works from hundreds of artists, including Salvador Dali, Jean-Michel Basquiat, Andy Warhol, Keith Haring, Banksy, Takashi Murakami, Kaws, and other elite contemporary artists. The Gallery holds a wide inventory, from paintings and sculptures to photography and limited-edition prints.  He also leads the Art Plug Collective, a Miami-based creative and artistic representation agency servicing artists, collectors, and brands. It provides a network of hundreds of artists, from illustrators to animators, muralists to sculptors, and an in-house team that is a one-stop shop for any business's creative needs. The Art Plug curated projects for globally recognized brands such as Atlantic Records, Alpha Tauri, Hyatt, Lyft, Red Bull, and Universal Music Group. Most notably, “The Real Surreal,” Miami's first-ever Dali exhibition, a collaboration with the Salvador Dali Universe, and “Bleeding in Color,” curated by Marcel in which he enlists a co-curator to help create a positive outlook on life's hardships and experiences through the exhibition of contemporary artists.  Beyond the gallery and the collective, Marcel Katz and Art Plug Services are dedicated to meeting the diverse needs of artists, collectors, and businesses. They offer services ranging from artistic representation, curation, and consultation to experiential exhibitions, private commissions, and collaborations. Marcel's work has also been featured in various media outlets, such as Forbes, Men's Journal, and The Miami Herald.  In this edition of The Jake's Take with Jacob Elyachar Podcast, Marcel Katz spoke about how he got into the art world, starting the Art Plug Collective and collaborating with Hyatt, Lyft, and the Universal Music Group.Let's connect on social media! Visit my channels on:A) BlueSky: https://bsky.app/profile/jacobelyachar.bsky.socialB) Facebook: https://www.facebook.com/JacobElyachar/C) Instagram: https://www.instagram.com/jacobelyachar/D) Threads: https://www.threads.net/@jacobelyacharE) Twitter (X): https://x.com/JacobElyacharcF) YouTube: https://www.youtube.com/@JacobElyacharBecome a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

What fears, habits, and beliefs hold you back in your creative journey? In this episode, we dive deep into what we're leaving behind in 2024, from the fear of judgment and gear obsession to feelings of inferiority and the constant need for validation. We explore the surprising role of ignorance in sparking creativity, the power of authenticity in art, and overcoming FOMO in creative careers. Join us as we unpack lessons on fear, ambiguity, and the balance between learning and teaching to start the year lighter and more empowered. SUBSCRIBE FOR 3X THE EPISODES DOWNLOAD FREE STUFF FOLLOW DEE KEI ON TWITCH! Join the ‘Mixing Music Podcast' Discord! HIRE DEE KEI HIRE LU Find Dee Kei and Lu on Social Media: Instagram: @DeeKeiMixes @MasteredbyLu Twitter: @DeeKeiMixes @MasteredbyLu CHECK OUT OUR OTHER RESOURCES Join the ‘Mixing Music Podcast' Group: Discord & Facebook The Mixing Music Podcast is sponsored by Tegeler Izotope, Antares (Auto Tune), Plugin Boutique, Lauten Audio, Spreaker, Filepass, & Canva The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei and Lu are both professionals in the Los Angeles music industry having worked with names like 6arelyhuman, Odetari, Natalie Jane, Rico Nasty, Keyshia Cole, Trey Songz, Smokepurrp, Benny the Butcher, Sueco the Child, Ari Lennox, G-Eazy, Lucky Daye, DDG, Lil Xan, Masego, $NOT, Kanye West, Symba, Bludnymph, charlieonnafriday, Blackway, Atlantic Records, Dreamville, BET, Universal Music, Interscope Records, etc. This video podcast is meant to be used for educational purposes only. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.

Join Yasi and Steven, along with Athletes and the Arts co-founder Randy Dick, as we talk to the quintessential Athlete and Artist, Tim Cunningham. He turned down a chance to play in the NFL to pursue a career as a professional jazz musician. Thirty years later, after recording 8 albums and touring all over the world, he is still going strong. He talks about the difficulty playing Division 1 football, maintaining his passion for music over the years, and staying healthy while playing the sax.Tim's website: www.timcunninghammusic.comInstagram: @tim.cunninghamsaxophonistFacebook: @TimCunninghamMusicPageBio: When Tim Cunningham was faced with the choice between the football field or the musical stage, fortunately he chose the latter. Having played the saxophone for over half his life, Tim spent his college years at Michigan State splitting his time between playing defense and playing music. And although a football scholarship saw him through school, his passion for the sax has carried him well beyond, as he passed up an NFL contract and eventually pursued a career in music.For decades the words "smooth , sultry, cool & funky" have been used to describe Tim's high energy and emotional stage show as his sexy blend of smooth jazz and soulful R&B connects with people of all ages, races and genres of music. This unique and versatile style has earned Tim the pleasure of opening for jazz greats Dave Koz, Norman Brown, Brian Culbertson and George Benson. On the flip side, his bumpin' R&B flavor has on occasion paired him with Earth Wind & Fire, Cameo, Boyz II Men, Patti Labelle, Frankie Beverly, Jeffrey Osborne, and the late Luther Vandross.Signed to Atlantic Records in 1994 Tim's first major label release, "Right Turn Only," featuring the efforts of Will Downing, Brian Culbertson, Kevin Whalum, and Bobby Lyle was released in 1996. It's featured single, "This is the Life," hit #19 on the Smooth Jazz Chart and received much international airplay. Tim's additional CD credits include "Sax Change Operation", "A Change in Altotude", "Waiting For Love", "Inner Peace", and "Manchester Road" which was picked up by Nite Breeze Music/Universal in 2008. His 2011 release entitled "Reflection", features a cool collection of original tracks packed with smooth grooves and emotional ballads. In 2012 Tim recorded and released "Tim Cunningham Live" where he covered a collection of some of his favorite songs.In 2019 Tim hosted and performed in the 1st Annual Smooth Jazz Cruise on Land in St. Louis. This inaugural festival featured Brian Culbertson, Eric Darius, Grace Kelly and Erin Bode and was produced by Entertainment Cruises Productions and producers of the Smooth Jazz Cruise.Tim's experiences bridge beyond the live stage to TV as he co-wrote and performed the theme song to 20th Century Fox's "Bertice Berry Show". He also appeared in the movie, "The Ghost Who Walks" as Officer Taylor, three episodes of "The Untouchables" TV series as The Saxophonist, BET's "Jazz Central and a commercial spot for Budweiser. In 2021 "Smile" co-written with Al Caldwell from Tim's "Waiting for Love" CD was featured in the movie, "The Job" written, directed and produced by Randy J. Goodwin.In October 2022, after nearly a 10 year recording hiatus "Freedom" was released, with his new single, "Enough Said" (remix) climbing the Smooth Jazz Network , Radio Wave and Smoothjazz.com charts.

Leslie Uggams' long-standing place in American pop culture matches that of any pop diva of similar longevity, going back all the way to her days as a child star on 1950s television variety and game shows. She won a Tony in 1967 for her performance in the musical Hallelujah, Baby, and she was the first African American woman to host her own variety show, the short-lived Leslie Uggams Show, which I, as a little homo-in-training, soaked up like a sponge! These days she's also celebrated for her participation in the Deadpool franchise and other high-profile projects. Today I've decided to shed some light on her status as a pop icon in the late 1960s, focusing on her three albums for Atlantic Records and subsequent releases in the 1970s on Dionne Warwick's Sonday Records label and Motown Records, in other words, the period from just before Hallelujah, Baby leading up to just before her starring role in the earth-shattering 1977 miniseries Roots. Uggams reveals herself to be a versatile entertainer of the first order, performing songs by everyone from Holland-Dozier-Holland to Burt Bacharach, from Jimmy Webb to Waylon Jennings, from Jon Hendricks to Jackie DeShannon, including the very first official commercial release of the Leiber and Stoller song “Is That All There Is,” a year before it became a massive hit for Peggy Lee. The episode ends with a pair of protest songs recorded in 1968. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

In this episode of the Mixing Music Podcast, Dee Kei and Lu talk about a bunch of things they have changed their minds about over the years. SUBSCRIBE FOR 3X THE EPISODES DOWNLOAD FREE STUFF FOLLOW DEE KEI ON TWITCH! Join the ‘Mixing Music Podcast' Discord! HIRE DEE KEI HIRE LU Find Dee Kei and Lu on Social Media: Instagram: @DeeKeiMixes @MasteredbyLu Twitter: @DeeKeiMixes @MasteredbyLu CHECK OUT OUR OTHER RESOURCES Join the ‘Mixing Music Podcast' Group: Discord & Facebook The Mixing Music Podcast is sponsored by Tegeler Izotope, Antares (Auto Tune), Plugin Boutique, Lauten Audio, Spreaker, Filepass, & Canva The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei and Lu are both professionals in the Los Angeles music industry having worked with names like 6arelyhuman, Odetari, Natalie Jane, Rico Nasty, Keyshia Cole, Trey Songz, Smokepurrp, Benny the Butcher, Sueco the Child, Ari Lennox, G-Eazy, Lucky Daye, DDG, Lil Xan, Masego, $NOT, Kanye West, Symba, Bludnymph, charlieonnafriday, Blackway, Atlantic Records, Dreamville, BET, Universal Music, Interscope Records, etc. This video podcast is meant to be used for educational purposes only. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.

Now that we all know that Stranger Things 5 is set in the fall of 1987, Collin and guest host Doug present a MEGA-sized episode all about the pop culture and headlines of that glorious time — from Iran-Contra to ‘Dirty Dancing' to little baby Jessica. What music is Dustin listening to on his Walkman? What movie is Lucas taking Max to? And what cool duds is Nancy wearing while hoisting her trusty shotgun? Grab your paperback of ‘Misery', pop your cassette of ‘Appetite for Destruction' into your mini boombox, and join us! American Top 40 - https://archive.org/details/casey-kasems-american-top-40-the-80s  INXS 'Guns in the Sky' - Atlantic Records  Reagan speech - The Ronald Reagan Presidential Library  Baby Jessica coverage - WFAA-TV  'Dirty Dancing' - LIONSGATE  'The Princess Bride' - 20th Century Fox  'LA Law' - NBC  'The Golden Girls' - NBC  'Growing Pains' - ABC  'The Real Ghostbusters' - ABC  'The Smurfs' - NBC

In this episode of the Mixing Music Podcast, we dive into "15 Things We Wish We Learned Earlier" as audio engineers and creatives. From financial management, choosing the right education, marketing yourself effectively, and building a strong community, we share personal regrets and hard-earned lessons. Topics include the importance of learning Pro Tools, maintaining physical health, understanding gear vs. plugins, and prioritizing hearing protection. We also explore essential skills like communication, setting boundaries, navigating career paths, relinquishing control when necessary, and systematizing your workflows for efficiency. This episode is packed with valuable insights to help you avoid common pitfalls and set yourself up for long-term success in the audio industry! SUBSCRIBE FOR 3X THE EPISODES DOWNLOAD FREE STUFF FOLLOW DEE KEI ON TWITCH! Join the ‘Mixing Music Podcast' Discord! HIRE DEE KEI HIRE LU Find Dee Kei and Lu on Social Media: Instagram: @DeeKeiMixes @MasteredbyLu Twitter: @DeeKeiMixes @MasteredbyLu CHECK OUT OUR OTHER RESOURCES Join the ‘Mixing Music Podcast' Group: Discord & Facebook The Mixing Music Podcast is sponsored by Tegeler Izotope, Antares (Auto Tune), Plugin Boutique, Lauten Audio, Spreaker, Filepass, & Canva The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei and Lu are both professionals in the Los Angeles music industry having worked with names like 6arelyhuman, Odetari, Natalie Jane, Rico Nasty, Keyshia Cole, Trey Songz, Smokepurrp, Benny the Butcher, Sueco the Child, Ari Lennox, G-Eazy, Lucky Daye, DDG, Lil Xan, Masego, $NOT, Kanye West, Symba, Bludnymph, charlieonnafriday, Blackway, Atlantic Records, Dreamville, BET, Universal Music, Interscope Records, etc. This video podcast is meant to be used for educational purposes only. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.

Linktree: https://linktr.ee/AnalyticOn Notorious Mass Effect, Analytic Dreamz provides an analytical look into ROSÉ's single "Toxic Till the End," from her debut solo album 'rosie.' This segment explores:Chart Performance in South Korea:MelOn: Without a music video, the song impressively reached #38, demonstrating significant organic streaming growth.Bugs: Hit a notable #3 position, one of ROSÉ's top chart achievements.Genie: Peaked at #21, showing consistent chart performance.FLO: Rose to #45, further underlining her impact.Global Presence:Highlighted on Spotify's prestigious 'Today's Top Hits' playlist.Debuted at #1 on Spotify's New Music Friday, indicating a strong international debut.Album Release Details:'rosie' was released on December 6, 2024, as ROSÉ's first solo venture post-YG Entertainment, now with The Black Label and Atlantic Records. The album has been met with intense fan support, reflected in streaming campaigns and sales.Music Video Impact:The video released alongside the album included a buzz-worthy scene with ROSÉ and actor Evan Mock, sparking extensive fan conversations and engagement.Fan Reaction and Social Media:Fans have been instrumental in promoting the song, using hashtags like #ROSÉrosie and #ROSÉDebut, especially on platforms like X.The album topped QQ Music's index in China, illustrating robust international fan support.Critical Acclaim:"Toxic Till the End" is noted for its introspective exploration of toxic relationships, earning praise for its lyrical depth and ROSÉ's evolution as a songwriter.Streaming Impact:The song has seen rapid growth across global charts and playlists, affirming ROSÉ's ability to resonate with a wide audience.Conclusion:This segment by Analytic Dreamz dissects how "Toxic Till the End" not only marks a successful solo debut for ROSÉ but also cements her status as an emerging global music icon through her music's depth and the strategic engagement with her fanbase.Tune into Notorious Mass Effect for this detailed analysis by Analytic Dreamz on ROSÉ's latest venture into the solo music scene.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode of the Mixing Music Podcast, Dee Kei and Lu talk about some of the plugins they are using as of late. SUBSCRIBE FOR 3X THE EPISODES DOWNLOAD FREE STUFF FOLLOW DEE KEI ON TWITCH! Join the ‘Mixing Music Podcast' Discord! HIRE DEE KEI HIRE LU Find Dee Kei and Lu on Social Media: Instagram: @DeeKeiMixes @MasteredbyLu Twitter: @DeeKeiMixes @MasteredbyLu CHECK OUT OUR OTHER RESOURCES Join the ‘Mixing Music Podcast' Group: Discord & Facebook The Mixing Music Podcast is sponsored by Tegeler Izotope, Antares (Auto Tune), Plugin Boutique, Lauten Audio, Spreaker, Filepass, & Canva The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei and Lu are both professionals in the Los Angeles music industry having worked with names like 6arelyhuman, Odetari, Natalie Jane, Rico Nasty, Keyshia Cole, Trey Songz, Smokepurrp, Benny the Butcher, Sueco the Child, Ari Lennox, G-Eazy, Lucky Daye, DDG, Lil Xan, Masego, $NOT, Kanye West, Symba, Bludnymph, charlieonnafriday, Blackway, Atlantic Records, Dreamville, BET, Universal Music, Interscope Records, etc. This video podcast is meant to be used for educational purposes only. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.

Life is a roller coaster—it's true... And so is this episode, Jane and Fi chat photo montages, Elon Musk's nan, and Joni Mitchell. Plus, civil rights lawyer Ben Crump and music industry exec Dorothy Carvello discuss Sean “Diddy” Combs, the music industry and Dorothy's civil lawsuit against Atlantic Records. Get your suggestions in for the next book club pick! If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Mixing Music Podcast, Dee Kei and James talk about the most important takeaways from the 1 million Downloads special episode! SUBSCRIBE FOR 3X THE EPISODES DOWNLOAD FREE STUFF FOLLOW DEE KEI ON TWITCH! Join the ‘Mixing Music Podcast' Discord! HIRE DEE KEI HIRE LU Find Dee Kei and Lu on Social Media: Instagram: @DeeKeiMixes @MasteredbyLu Twitter: @DeeKeiMixes @MasteredbyLu CHECK OUT OUR OTHER RESOURCES Join the ‘Mixing Music Podcast' Group: Discord & Facebook The Mixing Music Podcast is sponsored by Tegeler Izotope, Antares (Auto Tune), Plugin Boutique, Lauten Audio, Spreaker, Filepass, & Canva The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei and Lu are both professionals in the Los Angeles music industry having worked with names like 6arelyhuman, Odetari, Natalie Jane, Rico Nasty, Keyshia Cole, Trey Songz, Smokepurrp, Benny the Butcher, Sueco the Child, Ari Lennox, G-Eazy, Lucky Daye, DDG, Lil Xan, Masego, $NOT, Kanye West, Symba, Bludnymph, charlieonnafriday, Blackway, Atlantic Records, Dreamville, BET, Universal Music, Interscope Records, etc. This video podcast is meant to be used for educational purposes only. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.

THIS IS NOT FINANCIAL ADVICE. SUBSCRIBE FOR 3X THE EPISODES DOWNLOAD FREE STUFF FOLLOW DEE KEI ON TWITCH! Join the ‘Mixing Music Podcast' Discord! HIRE DEE KEI HIRE LU Find Dee Kei and Lu on Social Media: Instagram: @DeeKeiMixes @MasteredbyLu Twitter: @DeeKeiMixes @MasteredbyLu CHECK OUT OUR OTHER RESOURCES Join the ‘Mixing Music Podcast' Group: Discord & Facebook The Mixing Music Podcast is sponsored by Tegeler Izotope, Antares (Auto Tune), Plugin Boutique, Lauten Audio, Spreaker, Filepass, & Canva The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei and Lu are both professionals in the Los Angeles music industry having worked with names like 6arelyhuman, Odetari, Natalie Jane, Rico Nasty, Keyshia Cole, Trey Songz, Smokepurrp, Benny the Butcher, Sueco the Child, Ari Lennox, G-Eazy, Lucky Daye, DDG, Lil Xan, Masego, $NOT, Kanye West, Symba, Bludnymph, charlieonnafriday, Blackway, Atlantic Records, Dreamville, BET, Universal Music, Interscope Records, etc. This video podcast is meant to be used for educational purposes only. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.

Lupe Fiasco On Kick Push Vs Hood Street Music, Atlantic Records Hack, His 'Samurai' Album, + MoreSee omnystudio.com/listener for privacy information.