Podcasts about Atlantic Records

What makes a classic compilation album? This week, Dude and Don explore the role compilations play in music history: introducing new genres, bridging musical generations, and proving the staying power of great songs. From Stax and Atlantic soul to KISS's stadium anthems reimagined, we celebrate two landmark compilations that defined eras for new listeners and longtime fans.The Theme: Why Compilations MatterVarious artist compilations curate the sound of a scene, a label, or a moment, letting listeners discover diverse voices side by side. Whether for promotion, charity, or creative tribute, these albums shape how entire generations experience and remember music.Album #1: This Is Soul (1968)Artists: Wilson Pickett, Aretha Franklin, Otis Redding, Carla Thomas, Percy Sledge, Sam & Dave, Ben E. King, moreBackground: Issued by Atlantic Records for the UK, showcasing both Stax and Atlantic soul stars; quickly became the UK's gateway to American soul. Features 12 definitive tracks from Pickett's “Mustang Sally” to Aretha's “I Never Loved a Man (The Way I Love You)”.Sound: Cohesive due to Muscle Shoals and Stax/Volt studio magic—tight grooves, big horns, urgent vocals.Legacy: Cemented soul's place in popular music; educated a generation; still one of the best introductions to the genre.Songs: “Mustang Sally,” “When a Man Loves a Woman,” “B-A-B-Y,” “Fa-Fa-Fa-Fa-Fa (Sad Song),” “Land of a Thousand Dances” and more.Album #2: Kiss My Ass: Classic Kiss Regrooved (1994)Artists: Lenny Kravitz (with Stevie Wonder), Anthrax, Garth Brooks, Shandi's Addiction, Toad the Wet Sprocket, moreBackground: Official 20th-anniversary KISS tribute, curated by Gene Simmons, uniting alt-rockers, country stars, and metal bands; gold-certified, sweeping styles from rock to orchestral piano.Sound: Every cover brings a new color—funk-infused by Kravitz, thrash by Anthrax, mellow by Toad. Highlights what makes KISS songs durable.Legacy: Shifted focus from KISS's image to their songwriting craft, underlining their influence across genres and eras.Songs: “Deuce,” “Calling Dr. Love,” “Rock and Roll All Nite,” “Black Diamond,” and more reimagined for the ‘90s and beyond.Diggin'Curtis Harding – Departures & Arrivals: Adventures of Captain Curt (2025): Space-funk concept album with deep soul roots.Ratt – Out of the Cellar (1984): Polished ‘80s glam metal and classic MTV glam hooks.Cut Copy – Moments (2025): Australian indie-dance euphoria.Anne Murray – Here You Are (2025): Canadian pop/country veteran covers timeless standards.Join the ConversationWhat compilations got you hooked on a genre or artist? Share with us on Instagram, Facebook, Threads, or BlueSky @albumnerds or email podcast@albumnerds.com. For more, check albumnerds.com and subscribe wherever you listen.Wrap up: “Classic compilations like these aren't just playlists—they're passports to musical worlds. Keep spinning, keep diggin', and keep sharing the records that move you!”

Air Week: September 15-21, 2025 Atlantic Records, Pt. 9 – 1955 Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc […]

In 1980, Foreigner — after parting ways with keyboardist Ian McDonald and guitarist and vocalist Al Greenwood — went into Electric Lady Studios in New York City to record their fourth album. The aptly titled 4 was released in July 1981, and thanks to such hits as "Juke Box Hero," "Waiting on a Girl Like You" and "Urgent," spent more time on the Billboard 200 than any other artist in the history of Atlantic Records, including AC/DC, The Rolling Stones and Led Zeppelin. To celebrate the 44th anniversary of 4, Rhino Records has released a deluxe version that includes newly remastered stereo and Atmos mixes, 14 early and alternate versions of various songs, 15 instrumentals, and 15 live performances from around the globe. ​This one-hour special contains songs from this reissue along with insights from Mick Jones and Lou Gramm. Come join us and enjoy some fantastic Rock and Roll music that DESERVES to be heard!

Between four outfit changes, three VMA wins, and hosting a meet and greet with everyone in the room, Ariana Grande was the one to watch at the 2025 Video Music Awards. We're recapping the entire show from Sabrina Carpenter's trans rights statements, Lady Gaga causing Mayhem, and everything in between. PLUS Hilary Duff's new music endeavor, RuPaul on the silver screen, Lady Gaga's new tour dates, and more! Follow us on InstagramSubscribe to our SubstackChapters:00:00 Introduction06:32 New Music Releases14:31 Hilary Duff signs to Atlantic Records for new studio album19:13 RuPaul set to star in the first Drag Race universe feature film22:57 Lady Gaga announces second US leg of the Mayhem Ball28:34 2025 VMAs Recap01:18:00 Yes and Mess of the Week

Philly Rapper Toure joins the Mina's House Podcast for the 246th episode. They discuss his new release "Where Do I Start" and his distribution deal with Atlantic Records. Toure also shares his Top 5 Philly Rapper all time!    

•Damita is a trailblazing voice in gospel and inspirational music, known for her powerful vocals, heartfelt songwriting, and unmatched creativity. She began her career in 1991 with the a cappella group Adoration N Prayze, earning a Stellar Award nomination with their debut album Time Is Running Out. Her song “He's Wonderful” was later recorded by Donald Lawrence & The Tri-City Singers, further showcasing her gift as a songwriter. •She went on to co-write and lead with Voices of Unity, earning a Stellar Award in 2003 for “My Soul Says Yes, ” andlater signed with Atlantic Records for her self-titled solo debut DAMITA, which brought multiple award nominations, including the Dove Awards.•A three-time cancer survivor and recipient of the Lifetime Presidential Award from President Joe Biden and VicePresident Kamala Harris, Damita's story is one of resilience and purpose. She has worked alongside legends like Aretha Franklin, contributing vocals to the Waiting to Exhale soundtrack, and has written for major gospel acts like Men ofStandard.•Still touring, recording, and producing, Damita continues to inspire audiences worldwide with a sound that is bold, healing, and timeless.•Her latest single, “Fiy” is available on all digital streaming outlets.•Please send Let's Talk: Gospel Music Gold an email sharing your thoughts about this show segment also if you have any suggestions of future guests you would like to hear on the show. Send the email to ⁠⁠⁠letstalk2gmg@gmail.com⁠⁠⁠ •You may Subscribe to the podcast and be alerted when the newest episode is published. Subscribe on Spotify and we will know you are a regular listener.•LET'S TALK: GOSPEL MUSIC GOLD RADIO SHOW AIRS EVERY SATURDAY 9:00 AM CST / 10:00 AM EST ON WMRM-DB INTERNET RADIO STATION  AND WJRG RADIO INTERNET RADIO STATION 12:00 PM EST / 11:00 AM CST •Follow us on Let's Talk: Gospel Music Gold Facebook page ( @LetsTalk2GMG ) where all episodes are posted as well.    •The Podcast and Radio shows are heard anywhere in theWorld on the Internet! •BOOK RELEASES"If We Can Do It, You Can Too!" •“Legacy of James C. Chambers And his Contributions to Gospel Music History”•NEW RELEASE 2025•"Molding a Black Princess"Order Information https://www.unsungvoicesbooks.com/asmithgibbs

Air Week: September 8-14, 2025 Atlantic Records, Pt. 8 – 1954, Pt. 2 Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, […]

Send us a textKelli Owens Hutton has had it all--and has had it as well.  A musician, once signed to Atlantic Records, Owens Hutton found herself: midlife, middle class, midwestern and in crisis.  Raising a family and wondering what to do with her rock n' roll, she founded MomCore--an exploration of the famous saying "all men lead lives of quiet desperation" but from the perspective of the 21st century, holding-it-all together woman.  Real life and real issues come to roost on the soccer field, the playground, the house and the job.  Owens Hutton has crafted songs that are punk, angry, frustrated and can elicit a knowing wry smile perhaps in the simplicity her take on everyday reality.  And that reality is a battleground for relevance and sanity.  She knows her way around a guitar and is masterful in her lyric writing as well.  For any aspiring musician who thinks that cool can't drive a minivan, study what Owens Hutton is all about.  Her website is www.kelliowenshutton.com.Support the showWe are always grateful to have you listening to STRUNG OUT. Here are some important links:SUPPORT THE SHOW:https://www.buymeacoffee.com/MartyfineaKMARTIN'S WEBSITE:http://www.MARTINMcCORMACK.COM (note---you can get my weekly bulletin when you sign up on the list!)MARTIN'S MUSIC: Music | Martin Laurence McCormack (bandcamp.com)Martin McCormack | SpotifyMARTIN'S YOUTUBE CHANNELMartin McCormack - YouTubeFACEBOOKFacebook...

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Dive into Notorious Mass Effect with Analytic Dreamz for a detailed segment on Don Toliver's “Tiramisu,” released Sept. 5, 2025, via Cactus Jack & Atlantic Records. Analytic Dreamz unpacks the track's journey from a 2024 HARDSTONE PSYCHO throwaway to a June 2025 leak and its official drop. Explore its trippy hip-hop/R&B vibe, fan-favorite lyrics, and strategic Instagram teasers. With insights on fan reactions, Reddit buzz, and Toliver's 2025 momentum, including Psycho Tour and Flog Gnaw, Analytic Dreamz delivers key stats and context for this career-defining single.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Label: Atlantic 2518Year: 1968Condition: M-Price: $24.00Here's a beautiful copy of one of Aretha's very best -- and hardest-to-find -- singles. This copy has such great audio I had to celebrate by making an mp3 "snippet" of it... Enjoy! Note: This 45 record comes in a vintage Atlantic Records factory sleeve. The labels grade Near Mint with a drillhole (not shown in the scan). The vinyl looks almost untouched, and the audio sounds very close to Mint. (This scan is a representative image from our archives.)

Singer, songwriter and guitarist Tanner Usrey just released his latest album These Days on Atlantic Records.

Air Week: September 1-7, 2025 Atlantic Records, Pt. 7 – 1954, Pt. 1 Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, […]

Ed Sheeran BioSnap a weekly updated Biography.Ed Sheeran has dominated headlines in recent days with a string of developments that highlight both his creative evolution and philanthropic spirit. As August draws to a close, Sheeran's schedule is packed—he's preparing for a major show tonight, August 31, in Copenhagen's Øresundsparken, one of four gigs there this month and part of his continuing “Mathematics Tour,” which runs through early September according to Shazam and IQ Magazine. His tour schedule has been intense, covering 45 shows already in 2025 across 18 countries, including upcoming dates in New Zealand and Australia.Most notably, Sheeran's eighth album, Play, is set to drop September 12 via Gingerbread Man Records and Atlantic Records. He calls it a “rollercoaster of emotions,” inspired by his desire for joy after a dark personal period. The lead single Azizam, released in April, showcased Persian influence, and Old Phone, written in India at 2 a.m., hints at the album's global flair. Play includes tracks like Sapphire, Opening, Camera, Don't Look Down, and The Vow according to Sportskeeda and his own Instagram. Sheeran has stated he waited to release Play until after his tour concluded, wanting fans to experience his new music as an evolution, not a distraction.Musically, Sheeran has turned heads by reuniting with Rupert Grint for A Little More's music video, premiering August 7—a direct sequel to their iconic Lego House collaboration from 2011. Grint plays the same obsessive character, fresh out of prison. Sheeran's Instagram gushed over this “utterly bonkers” fun but angry video, which fans and media alike have called a highlight in his videography. The synergy between Sheeran and Grint captures the public's imagination and nostalgia, though some critics on social media question Sheeran's frequent collaborations with celebrities, wondering if they're genuine creative ventures or calculated attempts to remain at the forefront.In the philanthropic arena, Sheeran revealed he's raised over a million dollars for charity this week by selling his splatter paintings, as reported by 106.7 KMX and HelloRayo. All proceeds support his Ed Sheeran Foundation, which is committed to advancing music education for disadvantaged youth—demonstrating Sheeran's ongoing dedication to giving back.His social media presence remains formidable, with viral clips from his surprise on-stage partnership with actress Phoebe Dynevor for a music video shoot sparking both adoration and skepticism online. Some fans loved the crossover creativity, while others wondered aloud if Sheeran was chasing celebrity trends over his musical roots.As the new album release nears and his worldwide tour rolls on, Sheeran shows no signs of slowing down—blending heartfelt artistry, headline collaborations, and charitable impact into his ever-expanding legacy.Get the best deals https://amzn.to/3ODvOta

Air Week: August 25-31, 2025 Atlantic Records, Pt. 6 – 1953 Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc […]

Send us a textKelli Owens Hutton walks the walk.  A Berklee College of Music graduate, she was signed with Atlantic Records for a while, pursuing the rock and roll dream.  Then life stepped in, (as life has a way of doing) and Kelli found herself married, middle-aged, middle class and a mother.   What's a rocker to do?   Find a genre, that's what.  From her experience as both an artist, a woman and yes, mom she launched MomCore.  MomCore is hard driving rock n' roll, with punk sensibilities delving into the everyday issues, such as that 12-year-old heading into the teenage years, or the mother-in-law hovering over your shoulder.  Kelli punches out two-minute, jangly guitar laden songs of angst, anger and telling-it-like-it-is music.  Her style (and her genre) not surprisingly resonates with a LOT of women out there.  And men like her style as well.  Working with Producer Liam Davis (also a Chicago-based artist) Owens Hutton put together the EP album Soccer Trophy.  Her style is brass and doesn't shy from the occasional f-bomb, like any good mom who has had it up to here with being everything for everyone 24/7/365. Kelli's website is www.kelliowenshutton.comSupport the showWe are always grateful to have you listening to STRUNG OUT. Here are some important links:SUPPORT THE SHOW:https://www.buymeacoffee.com/MartyfineaKMARTIN'S WEBSITE:http://www.MARTINMcCORMACK.COM (note---you can get my weekly bulletin when you sign up on the list!)MARTIN'S MUSIC: Music | Martin Laurence McCormack (bandcamp.com)Martin McCormack | SpotifyMARTIN'S YOUTUBE CHANNELMartin McCormack - YouTubeFACEBOOKFacebook...

In 1984, the Bronx brought the boom box to the big screen with Beat Street, a film that didn’t just ride the hip-hop wave—it helped define and export it. The Beat Street soundtrack is a time capsule of early hip-hop and electro-funk, capturing the birth of a movement before it was fully commercialized. Released by Atlantic Records, this album wasn’t just background music—it was the culture. The album features legendary contributions from Grandmaster Melle Mel & the Furious Five, Afrika Bambaataa & the Soulsonic Force, The System, Juicy, and Arthur Baker, among others. Each track highlights a different element of the hip-hop universe: from DJing and breakdancing to graffiti and street storytelling. Standout tracks like “Beat Street Breakdown” by Melle Mel paint vivid lyrical murals of life in the city, while “Frantic Situation” by Soulsonic Force lays down a pulse-pounding, futuristic vibe that made dance floors shake from the Bronx to Berlin. This soundtrack helped introduce the four pillars of hip-hop to the mainstream—making Beat Street a cornerstone not just of music, but of cultural education. Whether it’s breakbeats, synth-laced funk, or early rap poetics, this vinyl spins with history and rhythm. Beat Street isn't just a soundtrack—it's a sonic blueprint for hip-hop’s global explosion. For our Soundtrack Summer series, this album reminds us where the culture started and how vital music was in telling those early stories. It's a soundtrack with soul, struggle, and street smarts—straight from the boogie-down Bronx.

On this week's episode of Artist Friendly, Joel Madden is joined by Elliot Grainge. As the CEO of Atlantic Records, Grainge embodies the very ethos of “Artist Friendly,” promoting a hands-off approach and trusting the process. Before stepping into that role, though, he was releasing independent music through his label ⁠10K Projects⁠, founded shortly after graduating from Northeastern University (using ⁠money earned from flipping an apartment⁠ in Boston). Over the years, he's signed a slew of talent, including ⁠Ice Spice⁠, ⁠iann dior⁠, and ⁠Trippie Redd⁠. During the episode, Madden sits down with his brother-in-law for a rare and personal conversation. They dive into family, fatherhood, and the music business while reflecting on love, loss, resilience, and what it takes to build a lasting legacy. Listen to their conversation on Artist Friendly wherever you listen to podcasts. You can also watch the episode over at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Veeps⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  Follow Artist Friendly! IG: @artist.friendly TikTok: @artist.friendly YouTube: www.youtube.com/goodcharlotte ------- Host: Joel Madden, @joelmadden Executive Producers: Joel Madden, Benji Madden, Jillian King Producers: Josh Madden, Joey Simmrin, Janice Leary Visual Producer/Editor: Ryan Schaefer Audio Producer/Composer: Nick Gray Music/Theme Composer: Nick Gray Cover Art/Design: Ryan Schaefer Additional Contributors: Anna Zanes, Neville Hardman Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's episode of Artist Friendly, Joel Madden is joined by Elliot Grainge. As the CEO of Atlantic Records, Grainge embodies the very ethos of “Artist Friendly,” promoting a hands-off approach and trusting the process. Before stepping into that role, though, he was releasing independent music through his label 10K Projects, founded shortly after graduating from Northeastern University (using money earned from flipping an apartment in Boston). Over the years, he's signed a slew of talent, including Ice Spice, iann dior, and Trippie Redd. During the episode, Madden sits down with his brother-in-law for a rare and personal conversation. They dive into family, fatherhood, and the music business while reflecting on love, loss, resilience, and what it takes to build a lasting legacy. Listen to their conversation on Artist Friendly wherever you listen to podcasts. You can also watch the episode over at ⁠⁠⁠⁠⁠⁠⁠⁠⁠Veeps⁠⁠⁠⁠⁠⁠⁠⁠⁠.  Follow Artist Friendly! IG: @artist.friendly TikTok: @artist.friendly YouTube: www.youtube.com/goodcharlotte ------- Host: Joel Madden, @joelmadden Executive Producers: Joel Madden, Benji Madden, Jillian King Producers: Josh Madden, Joey Simmrin, Janice Leary Visual Producer/Editor: Ryan Schaefer Audio Producer/Composer: Nick Gray Music/Theme Composer: Nick Gray Cover Art/Design: Ryan Schaefer Additional Contributors: Anna Zanes, Neville Hardman Learn more about your ad choices. Visit megaphone.fm/adchoices

Atlantic Records que consiguió encontrar la voz de Aretha Franklin y dio el cornetazo del rock psicodélico con la banda CREAM y más adelante con Led Zeppelin. El éxito de Atlantic continuó para conseguir fichar a ACDC. El sueño Sire fue uno de los impulsores del punk en Estados Unidos con el éxito de grupos como Los Ramones. Después del éxito de este género continuó en Reino Unido con el controvertido origen de Sex Pixtols; sin embargo, la moda del punk fue breve y las discográficas dieron paso a la llegada de otros grupos de rock meteóricos como U2 y la 'New wave'.

Atlantic Records que consiguió encontrar la voz de Aretha Franklin y dio el cornetazo del rock psicodélico con la banda CREAM y más adelante con Led Zeppelin. El éxito de Atlantic continuó para conseguir fichar a ACDC. El sueño Sire fue uno de los impulsores del punk en Estados Unidos con el éxito de grupos como Los Ramones. Después del éxito de este género continuó en Reino Unido con el controvertido origen de Sex Pixtols; sin embargo, la moda del punk fue breve y las discográficas dieron paso a la llegada de otros grupos de rock meteóricos como U2 y la 'New wave'.

Air Week: August 18-24, 2025 Atlantic Records, Pt. 5 – 1952-53 Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc […]

The New Orleans rock band Zebra has always existed out of time. Despite having one of the fastest selling debuts in Atlantic Records' history, Zebra never really fit in with the glammed up ‘80s metal bands they were being lumped in with on the pages and airwaves of Hit Parader and MTV. But that apparent inability to fit in may be exactly what endeared them to hordes of avid listeners who would wear out their bare bones cassette of ZEBRA and eventually go to Kmart and stealthily rip open a vinyl copy of the record to steal the lyric sheet so he could figure out what Randy Jackson was singing. Okay. We may be talking about Scott here. ANYWAY — this week we're thrilled to welcome Mr. Jackson to the podcast to talk about the 50th anniversary of Zebra, recording with Jack Douglas, being a rock band in New Orleans, being a rock band in Long Island, befriending Twisted Sister, touring with Cheap Trick, seeing The Beatles live, being forced to talk about Bon Jovi, and the lyrical prowess of the Moody Blues. And more black beans.

The song that most defined the great Ray Charles's life and career was written the same year in which he was born.It was 1930 on cold, stormy night in New York City when “Georgia on My Mind” was written by Hoagy Carmichael and his roommate Stuart Gorrell.“In a third-floor apartment overlooking 52nd Street,” Gorrell recalled, “with cold feet and warm hearts, we looked out the window, and, not liking what we saw, we turned our thoughts to the pleasant Southland.”Carmichael later added to the story in his autobiography Sometimes I Wonder. As reported earlier, he got the idea for the tune from his friend saxophonist Frankie Trumbauer, who noted that songs about states were almost always marketable. “Nobody ever lost money writing songs about the South,” Frankie said. “Why don't you write a song about Georgia? I'll even give you the first line: ‘Georgia, Georgia….'”The resulting song was immediately huge in the jazz world, a hit for Louis Armstrong and Billie Holiday, for Gene Krupa and Jo Stafford, for Bing Crosby, Dean Martin, Kay Starr, Eddy Arnold and many more. But it was first recorded by Hoagy himself in October 1930 in the last studio session with his buddy and mentor, the legendary jazz cornetist Bix Beiderbecke. Enter Brother RayLess than a month before Hoagy and Bix's recording session — and a thousand miles away in southwest Georgia — Ray Charles Robinson was born in the town of Albany on the Flint River.Today many fans associate “Georgia on My Mind” with Brother Ray's iconic performance, but the song actually was rather late in coming into his life. By 1960, Charles had been in show business for 15 years, rocking the world of rhythm and blues. Already he had recorded classics for Atlantic Records, legendary discs like “Mess Around,” “Midnight Hour” and “I've Got a Woman,” like “Drown in My Own Tears” and “Hallelujah I Love Her So.”Whew! And all of those were recorded before his 30th birthday. How “Georgia” Met RayWhat Ray didn't have yet in 1960 was a No. 1 hit on the Billboard Hot 100. But now the stage was set.He had left Atlantic for ABC Records, at which Charles would be recorded and pitched for the burgeoning new crossover market, especially with albums like his two Modern Sounds in Country and Western Music discs. (In the process, Ray also became one of the first black musicians to be granted artistic control by a mainstream record company.)Central to the start of this new chapter in the Ray Charles story was The Genius Hits the Road, a concept album that paid tribute to different destinations around the country. Think “New York My Home” and “Blue Hawaii,” “Moon Over Miami” and “Alabamy Bound.” But of course, the cut that eclipsed all the other tracks on the album was Charles's powerful, emotional interpretation of “Georgia on My Mind.” And that song had an unusual trip to the studio. The idea of singing Carmichael's classic came, not from A&R men or fellow musicians, but from Ray's driver who all the time heard his boss humming the thing. Jim Crow UglinessCharles' hit rendition of “Georgia on My Mind” — the first of his three career No. 1 hits — became the most widely-known version of the tune from that time on. But it came with racism and nasty politics getting into the mix.Barely a year after his “Georgia” hit the airwaves, Ray was due to play in Augusta, Ga. It was 1961 and Jim Crow laws were still very much in effect in the segregated South. Activists warned the singer that the theater at which the show was booked was strictly reserved for a white-only audience.Charles decided that no, he would not to play that night. As Elodie Maillot wrote recently in the online Pan African Music site, “Like Sam Cooke and others who refused to sing in front of all-white audiences, he was torn between his mainstream celebrity and his (being) kept in perpetual subjugation by segregationist laws.”For canceling the Augusta gig, Ray was fined $700 by the show's producer. After that, it would be years before he agreed to play in Georgia again, “but,” Maillot added, “‘Georgia on My Mind' became the symbol of his activism.”It took the state of Georgia nearly 20 years to finally apologize its native son, doing so when it chose Charles's recording as the official state anthem. Ray returned to perform in Georgia on March 7, 1979, serenading the state's General Assembly in Atlanta.Meanwhile, nearly 30 after that and some 200 miles to the south, a bronze statue of Ray Charles was unveiled in his hometown of Albany in 2007 in the middle of a square named for him. But Ray didn't live to see that; he died four years earlier in Los Angeles.However, he did live to see Rolling Stone magazine choose his recording for its list of the 50 greatest songs of all times.Our Take on the TuneAt last week's rehearsal, Danny Cox and Randy Hamilton did some serious gold mining in this old sweet song. This track opens with Charlie Bowen and Jack Nuckols laying down the basic melody and rhythm, then just listen as Danny starts spreading out all the riches he's found in those lovely old chords. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Air Week: August 11-17, 2025 Atlantic Records, Pt. 4 – 1952 Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc […]

Linktree: ⁠https://linktr.ee/Analytic⁠Become A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: ⁠https://ow.ly/oPsc50VBOuH⁠ Join Analytic Dreamz on Notorious Mass Effect for a deep-dive segment into F1 The Album, released June 27, 2025, via Atlantic Records. Featuring Don Toliver, Doja Cat, Rosé, Ed Sheeran, and more, this pop, hip-hop, K-pop, and country fusion soundtrack for the F1 film hit #12 on Billboard 200 with 500M streams. Analytic Dreamz explores its chart success, TikTok virality with “Lose My Mind,” and cultural impact, boosted by Miami Grand Prix performances. Tune in for exclusive insights into this global music phenomenon! Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Air Week: August 4-10, 2025 Atlantic Records, Pt. 3 – 1951 Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc […]

Today on another encore edition of the Rarified Heir Podcast, we are talking to Peter Knego, son of actor Peter Coe and model Rosalee Calvert. Peter doesn't pull many punches on this episode as we discuss the mercurial character that was his father. Known for his roles in films from the 1940s onward, be it Gung Ho!, Gypsy Wildcat or Louisiana Hussy, Coe is best remembered for his for his wild offscreen ways, his dark good look, his many wives and more. In fact, many will remember Peter Coe best for his horror film career in films like House of Frankenstein & The Mummy's Curse both which starred Lon Cheyney Jr. However it might be his lasting friendship at the very end of his life with b-movie director Ed Wood that piques the most interest with fans. In fact, Wood died in Coe's apartment. And our guest Peter was there to witness it all believe it or not. We discuss this fascinating and disturbing story coming up.   We also discuss Peter's mother, model Rosalee Cavlert who might have been the most famous model of the 1950s and 1960s. In fact, while she did act, she often played a model in films like Made in Paris and The Oscar, both starring host Josh Mills' mother, Edie Adams. We talk about Peter's time with his mother growing up pretty much in poverty while somehow living in an exclusive enclave of Los Angeles. The story Peter weaves about how this happens is fascinating. Along the way we discuss couture designer James Galanos, Atlantic Records music mogul Ahmet Ertegun, how Coe escaped the Nazi's, the cult rock band Sparks, Bela Lugosi, having dinner with Mel Brooks, grade Z actor Paul Marco & much more. Peter is nothing if not self-effacing, straight forward, funny, matter of fact and quite happy to tell us both the good and the bad of growing up the child of a celebrity. Take a listen. Everyone has a story. Rarely are they this unique.

Air Week: July 28-August 3, 2025 Atlantic Records, Pt. 2 – 1949-50 Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, […]

#brucespringsteen #eminem #rocknrollphotography #rocknroll #podcast #storytimepodcast Jesse DeFlorio is a director & photographer BORN in New Jersey and living in NASHVILLE. Touring since the age of sixteen, Jesse has worked in all fifty states and nearly 30 countries. He has toured with Olivia Rodrigo, Kelsea Ballerini, Imagine Dragons, Matt Maeson, Dermot Kennedy, Billy Raffoul, the All-American Rejects and many more.His clients include A24, HBO, ROLLING STONE, HONDA, Interscope Records, Budweiser, Atlantic Records, SONY, Capitol Records, Hype Machine, Dine Alone Records, Red Bull Records, AEW, WWE, Kobalt, Fuse.He joins us in studio to discuss touring Europe, visiting Japan, meeting idol Bruce Springsteen, landing an Eminem cover, touring South Africa and crazy backstage stories from years, traveling the globe alongside the most famous artists in the world.Don't forget to like and subscribe GRAB YOUR KNOX HYDRATION - https://www.knoxhydrate.com/For Super Powers fueled by nature, grab your Super Mushroom Focus, Health, Athlete or Sleep at https://supermushrooms.co.za/FOR MORE INFO Jesse DeFlorio - https://www.instagram.com/jessedeflorio/Joshua Eady - https://www.instagram.com/justblamejosh/Storytime Podcast - https://www.instagram.com/storytimepodcastjosh/WATCHhttps://youtu.be/0Dn9iYvgzB4

INXS recorded their biggest album, Kick, in Sydney and Paris, produced by Chris Thomas. Atlantic Records didn't like the record offered them $1 million to go back to Australia and record another album. The band said no. Good call. Kick was released in October 1987 and peaked at No. 1 in Australia, No. 3 on the US Billboard 20, and had four top 10 singles But they had more than Kick. INXS' music filled a niche, on the radio and in your head  They were a band that was electrifying live, had a charismatic frontman, and a mix of rock, pop, and funk.  And they were knocked around more than a little because they weren't simply a straight-ahead rock and roll band. Seems unfair to be judged based on what others sounded like, because INXS was unique: A rock band that had grooves and thump and a full dance floor.  And Hutchence is one of the great frontmen of the rock era. I wanted to travel their album path and hear the before and after around Kick. I found some gems and underappreciated rockers.  I also explore why they were not always loved by critics. Let's go. And let's rock, because INXS does. Turn it up

Air Week: July 21-27, 2025 Atlantic Records, Pt. 1 – 1947-49 Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc […]

In this episode of SoundCentric, we sit down with Malik Wilson, President of Bu Vision, to talk about his journey from Baltimore to becoming a rising force in the music industry. Malik shares how he discovered artists like Sailorr, 4batz, and Ian, and breaks down the strategy behind their branding, TikTok presence, and fan engagement. We dive into the role of storytelling in artist development, what makes an artist stand out today, and how Bu Vision built momentum leading to moments like a Drake co-sign and a XXL Freshman nod. If you're an artist, exec, or just obsessed with how careers are built in 2025, this one's for you.   Find us on social media for daily content and information regarding all things music industry Twitter: https://twitter.com/soundcentricmus Instagram:https://https://www.instagram.com/soundcentricmusic/ Tik Tok: https://www.tiktok.com/@soundcentricmusic Facebook: https://www.facebook.com/SoundCentricmusic Website: https://soundcentricmusic.com Podcast: https://www.soundcentricmusic.com   00:00:10 – Intro & Guest Introduction (Malik Wilson of Bu Vision)   00:01:25 – What XXL Freshman List Still Means Today   00:03:10 – Malik's Journey from Baltimore to the Music Industry   00:05:40 – Discovering Artists Early – Juice WRLD, Yeat, Doechii   00:07:25 – What Malik Looks for in Rising Artists   00:08:40 – First Real Marketing Experience with Shordie Shordie   00:09:25 – Starting AUC Who Got Next at Morehouse   00:11:30 – Breaking into Streamcut via TikTok Strategy   00:13:40 – Winning the Internship Challenge with Sports Page   00:17:40 – Building Saucy Santana's TikTok Fan Page   00:20:40 – Shifting to Vertical Agency & TikTok Strategy Evolution   00:22:40 – Joining Bu vision and Meeting Boo   00:23:40 – How Bu vision Found and Developed Sailor   00:27:10 – Fan Engagement & Touring with Sailorr   00:30:10 – The Importance of Live Shows & Building a Core Fanbase   00:33:10 – Handling Cultural Appropriation Criticism   00:37:30 – SAILORR & Ian's Humor, Branding, and Superpower as Artists 00:45:05– 4Batz & Getting the Drake Co-Sign   00:46:00 – The Role of Atlantic Records in Bu vision's Growth   00:46:45 - Advice for artists for how to separate themselves to cut through the noise 00:50:25 – Advice to Rising Artists: Music, Consistency, and Being Different   00:51:20 – What's Next for Bu Vision, Ian, SAILORR, 4Batz, and Malik's Socials  

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2016 conversation with Mike Stoller. ABOUT MIKE STOLLERMike Stoller has written more than 60 songs that have appeared on the Billboard charts, including the #1 hits “Hound Dog,” “Kansas City,” “Yakety Yak,”  “Searchin',” “Jailhouse Rock,” “Poison Ivy,” “Stand By Me,” “Young Blood,” “Don't,” and “Ruby, Baby." After Stoller and songwriting partner Jerry Leiber found early R&B success with recordings by Little Esther, Charles Brown, Ray Charles, and Big Mama Thornton, Elvis Presley turned their song "Hound Dog" into a #1 single on the pop, R&B, and country charts in 1956. Elvis went on to record more than 20 Leiber and Stoller titles, including the hits "Love Me," "Loving You," "Jailhouse Rock," "Treat Me Nice," "She's Not You," and "Bossa Nova Baby." Mike and Jerry signed an independent production deal with Atlantic Records in the mid-1950s, where they wrote and produced a series of hits for several artists, including the Drifters' "There Goes My Baby," "Dance With Me," and "On Broadway." Additionally, the pair wrote and produced all the Coasters' singles, including "Young Blood," "Searchin'," "Charlie Brown," "Along Came Jones," and "Poison Ivy." Other highlights from the Leiber and Stoller songbook include "Love Potion No. 9," which was a hit for both the Clovers and the Searchers, and "Is That All There Is," which was a hit for Peggy Lee. Eleven different versions of their song “Stand By Me” appeared on the Billboard charts over the span of 50 years, with the original version by Ben E. King hitting the Top 10 in both 1961 and 1986. Smokey Joe's Cafe, which included 40 Leiber and Stoller songs, opened in 1995 and became the longest running musical revue in Broadway history. Stoller received the prestigious ASCAP Founders Award in 1991, has a star on the Hollywood Walk of Fame, and is a member of both the Songwriters Hall of Fame and the Rock and Roll Hall of Fame.

Episode 80: Mike Caren. If you're in the music industry, you hear the name Mike Caren all the time. He's one of the most powerful people in music, with a career that's led to billions of streams, multiple GRAMMY wins, and chart-topping, career-defining hits as both an A&R and executive. He's signed and/or helped break artists like Bruno Mars, Charlie Puth, Ed Sheeran, Kehlani, YoungBoy Never Broke Again, Wiz Khalifa, Flo Rida, T.I., Trey Songz, Ava Max, Kevin Gates, and Don Toliver. He started his career at Atlantic Records at just 18 years old, eventually becoming President of Worldwide A&R at Warner Music Group. Today, he is the founder and CEO of APG, which includes Artist Partner Group (label) and Artist Publishing Group (publishing), one of the most successful independent music companies in the world. This is Mike Caren's first-ever long-form, on-camera interview. Mike usually keeps a low profile, so I was honored he agreed to do this. We dive into his full trajectory, how he got where he is today, lessons learned, and his advice for artists, songwriters, and A&Rs trying to build meaningful careers in today's music landscape. We also talk artist development, the balance of creativity and business, AI and more. There's so much to take away from this one. Hope you enjoy my conversation with the great Mike Caren! ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. (0:00:00) INTRO (0:07:13) EARLY CAREER, GROWING UP (0:08:22) RADIO SHOW WITH THE ALCHEMIST (0:09:20) INTERSCOPE RECORDS INTERNSHIP 1993 (0:13:10) PROVIDE VALUE (0:14:34) MARKETING ROLES (0:17:14) CRAIG KALLMAN, BIG BEAT, ATLANTIC (0:19:21) BLACK EYED PEAS, SIGNING TWISTA (0:21:56) THE PHARCYDE REMIX, STARTING IN A&R (0:24:23) BECOMING EVP OF A&R AT ATLANTIC RECORDS, SIGNING TRICK DADDY, TRINA, T.I., TREY SONGZ, NAPPY ROOTS (0:28:10) STARTING APG (0:31:37) ATLANTIC AND APG (0:33:18) BEING AN EXEC WHILE RUNNING A PUBLISHING COMPANY, STARTING ELEKTRA RECORDS (0:34:15) CEELO GREEN (0:34:30) B.O.B, “NOTHING ON YOU” WITH BRUNO MARS (0:35:13) SIGNING ED SHEERAN (0:36:49) SIGNING BRUNO MARS, BRANDY, AARON BAY-SCHUCK (0:41:09) BEING A CO-PRESIDENT WITH JOHN JANICK (0:42:35) SIA & DAVID GUETTA “TITANIUM” (0:48:23) PRESIDENT OF A&R WARNER MUSIC GROUP, SIGNING KEVIN GATES (0:51:57) CHARLIE PUTH, WIZ KHALIFA, LIL WAYNE (0:54:09) KEHLANI (0:56:16) “SEE YOU AGAIN” CHARLIE PUTH (0:57:43) CREDITING (1:03:01) HOW TO PRIORITIZE (1:10:10) CRAFTING HIT SONGS IN 2025 (1:17:24) A.I. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated!   Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Mike: https://www.instagram.com/mikecaren/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This month's ThrowBLKs dives into Plies' debut album 'The Real Testament' and the gritty, unforgettable voice that helped define the Gunshine State!From football fields to Fort Myers blocks, Plies' path to rap stardom was anything but traditional, built alongside the dream of his brother Big Gates. Tune in to hear the initial "silent investments" he made toward the birth of Big Gates Records, leading to his first deal with Slip N Slide Records and the mixtapes that would spread like wildfire across the state of Florida. We also chat about the controversial night in Gainesville that halted his mainstream start with Atlantic Records, along with the numerous attempts at singles that would eventually lead to his breakthrough feature on DJ Khaled's "I'm So Hood" and the single with another Florida legend that would birth one of hip-hop's greatest love songs.Enjoy our track-by-track retrospective on the August 2007 release of 'The Real Testament' through our favorite records, the sections we would swap out to make an all-time classic debut and much more.

Linktree: ⁠https://linktr.ee/Analytic⁠Become A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: ⁠https://ow.ly/oPsc50VBOuH⁠ Join Analytic Dreamz on Notorious Mass Effect for an in-depth breakdown of Cardi B's highly anticipated album, Am I the Drama?, set for release on September 19, 2025, via Atlantic Records. This segment dives into the album's 23 tracks, including hits like “WAP” and “Outside,” exploring its bold themes of reinvention, karma, and emotional depth. With a nod to Scarlet Envy's iconic Drag Race quote, Analytic Dreamz unpacks Cardi's creative rollout, crow-filled imagery, and personal evolution, highlighting why this LP could redefine her legacy and dominate 2025. Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode we talk to Buzz Osborne, the singer and guitarist for legendary rock band Melvins. Before the Pacific Northwest became known for grunge, Melvins, a notable influence on Nirvana frontman Kurt Cobain, were making sludgy, heavy rock music in Washington State.  After grunge broke in the early ‘90s, the band was signed to Atlantic Records for two albums, Stone Witch from '94 and Stag from '96. Otherwise, Melvins have recorded for indie labels such as Amphetamine Reptile Records and their home for over two decades, Ipecac Recordings. Melvins' latest album, Tarantula Heart, was released by Ipecac in 2024.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Phonte Coleman is best known as a founding member of hip-hop group Little Brother, and as one of the co‑hosts of the podcast Questlove Supreme with Questlove. In the late 90s, Phonte met Thomas “Big Pooh” Jones and Patrick “9th Wonder” Douthit and they started making music together as the hip-hop collective, Justus League and released their first album The Listening in 2003. They changed their name to Little Brother and signed a record deal with Atlantic Records and released The Minstrel Show in 2005. They left Atlantic not long after and then released Getback in 2007 and Leftback in 2010, but then disbanded. Phonte and Big Pooh reunited in 2018 at the Art of Cool Festival and started working on the album May the Lord Watch which came out the following year. There's a documentary called May the Lord Watch you can find online that tells their story, from founding to breakup to reunion. Their final tour which is underway now.Phonte is also co-founder of the Grammy-nominated group The Foreign Exchange with Dutch producer Nicolay. They've put out six studio albums and several singles. SONG 1: “Think (About It)” by Lyn Collins from the 1972 album of the same name. https://youtu.be/vCByeJsq65M?si=e6yfkujwMOUfo5izSONG 2: “Word Play” by A Tribe Called Quest off their 1996 album Beats, Rhymes and Life.https://youtu.be/LfWtkay3lEo?si=VnnVZE9s5eCZEx-pSONG 3: Natalie Cole's “La Costa” released in 1977 on her album Thankful.https://youtu.be/E1ckb_LDGnA?si=gqZpULJymfyKuCru

Among the legendary singers of the 27 Club who captivated the world with their music and lyrics, is a woman who is not as well known—one whose powerful voice and thought-provoking lyrics set her apart from the men dominating the industry. Mia Zapata and her band, The Gits, were on the verge of becoming a household name in Seattle's grunge and punk rock scene when everything was ripped away one night in July of 1993. Mia Zapata's violent murder shocked Seattle as a whole. Who would want to kill a woman, with no enemies, who was so dynamic, vibrant, and creative, and how did they get away with murder for a decade?Connect with us on Social Media!You can find us at:Instagram: @bookofthedeadpodX: @bkofthedeadpodFacebook: The Book of the Dead PodcastTikTok: BookofthedeadpodOr visit our website at www.botdpod.comABOUT — The Gits. (n.d.). The Gits. https://www.thegits.com/aboutAbout Antioch - Antioch College. (2025, May 23). Antioch College. https://antiochcollege.edu/about/Aug 22, 1993, page 143 - The Plain Dealer at Newspapers.com. (n.d.). Newspapers.com. https://www.newspapers.com/image/1070983951/?match=1&terms=mia%20zapataClark, S. J. (1993, July 16). Capital Hill woman found strangled. Seattle Gay News, 1.Dec 20, 1993, page 58 - The Gazette at Newspapers.com. (n.d.). Newspapers.com. https://www.newspapers.com/image/424249475/?match=1&terms=mia%20zapataGreen, P., & Green, P. (2024, October 11). The Life of Mia Zapata and Love After Tragedy - Gen X Watch. Gen X Watch - Stories, Rants, and Being Left Alone. https://www.genxwatch.com/the-life-of-mia-zapata-and-love-after-tragedy/Haring, B. (2021, May 31). Killer of Mia Zapata, influential Seattle punk musician, dies in prison. Deadline. https://deadline.com/2021/05/killer-mia-zapata-seattle-punk-musician-dies-in-prison-1234762659/Holding on to Mia's magic -- Singer's killing leaves grief in the 2 worlds she lived in. (1993, August 26). The Seattle Times. https://archive.seattletimes.com/archive/19930826/1717883/holding-on-to-mias-magic----singers-killing-leaves-grief-in-the-2-worlds-she-lived-inMendez, S. (2025, February 3). Mia Zapata of The Gits is still influential 30 years after her death - Los Angeles Times. Los Angeles Times. https://www.latimes.com/entertainment-arts/music/story/2025-01-31/mia-zapata-the-gits-is-still-influential-30-years-after-her-deathMia zapata. (n.d.). The Gits. https://web.archive.org/web/20130406042509/http://thegits.com/?page_id=410Pian Chan, S. (2009, January 30). Singer's killer sentenced to 36 years in prison again. The Seattle Times. https://www.seattletimes.com/seattle-news/singers-killer-sentenced-to-36-years-in-prison-again/Sheehy, P. (1993, August 1). Mia Zapata: 1965-1993. The Rocket, 9.STATE V. MEZQUIA (2005). (2005). In Case Law (No. 54246-0–I). Court of Appeals of Washington,Division 1. https://caselaw.findlaw.com/court/wa-court-of-appeals/1329872.htmlStone, R. (2019, December 8). The 27 Club: A Brief History. Rolling Stone. https://www.rollingstone.com/culture/culture-lists/the-27-club-a-brief-history-17853/jeremy-michael-ward-25302/Throwaway style: on the gits and what it means to puke the blues. (n.d.). https://www.kexp.org/read/2025/1/30/throwaway-style-the-gits-mia-zapata-historical-essay/Unsolved Mysteries. (2020, September 7). Mia Zapata - Unsolved Mysteries. https://unsolved.com/gallery/mia-zapata/Who murdered Mia Zapata? -- No arrests, few clues 5 years after slaying. (1998, August 23). The Seattle Times. https://archive.seattletimes.com/archive/19980823/2768095/who-murdered-mia-zapata----no-arrests-few-clues-5-years-after-slaying

Peter Wolf is bringing rock ‘n' roll to You Are What You Read this week with his all-new memoir, Waiting on the Moon: Artists, Poets, Drifters, Grifters, and Goddesses. Peter Wolf is best known as the lead vocalist of The J. Geils Band. In 1970 the band was signed by Jerry Wexler for Atlantic Records where they went on to release nine influential albums and earned a reputation as one of rock's most exciting live acts. In 1979 they were signed by EMI America topping the charts world-wide with their hit songs “Freeze Frame,” “Love Stinks,” and “Centerfold.” Peter began his career as a solo artist in 1984 with his album, Lights Out. He collaborated with Aretha Franklin, Merle Haggard, John Lee Hooker, and Mick Jagger, among others. His album Sleepless was voted one of the top five hundred albums of all time by Rolling Stone. He currently tours with his band ‘The Midnight Travelers' and will be releasing his ninth solo album in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the more underrated - some might say virtually lost - bands of the early rock era is Delaney & Bonnie.  This singer-songwriter duo is made of session guitarist/vocalist Delaney Bramlett and his wife and former Ikette Bonnie Bramlett.  Just as important as this founding couple is the number of talented musicians they brought into their recordings, with albums often being referenced as recorded by "Delaney & Bonnie and friends."  These "friends" included luminaries such as Leon Russell, Eric Clapton, George Harrison, Duane Allman, Greg Allman, Steve Howe, and Rita Coolidge.  D&B Together is the sixth and final album from Delaney & Bonnie.  Originally entitled "Country Life," the album was delivered to Atco/Atlantic Records behind schedule and rushed into distribution.  Although Atlantic executive Jerry Wexler was a friend of the duo, he didn't think the quality was where it needed to be and withdrew it from the market.  He later sold the contract and the album's master tapes to CBS, who reordered the running sequence and re-released it in March 1972.  In addition to frequent collaborators Eric Clapton, Leon Russell, and Duane Allman, this album also contains the work of "friends" like Dave Mason, Billy Preston, and Tina Turner. Despite the title, Delaney and Bonnie would divorce shortly after the album came out.  Drugs were taking their toll on the couple and their relationship could not survive it.  However, they did have a daughter named Bekka Bramlett, who was a member of Fleetwood Mac from 1993-1995 and had a long career as a backing vocalist in the music industry.Bruce presents this underrated rock/soul album for this week's podcast.Comin' HomeThis song was released in December 1969 by Atco Records (US) and Atlantic Records (international).  It was co-written by Bonnie Bramlett and Eric Clapton, and features Eric Clapton.  It went to number 84 on the US pop charts.  The lyrics are about being on the road and getting ready to come home to the one the singer loves.  Only You Know and I KnowDave Mason originally wrote and recorded this song in 1970, and it became his first charting single, going to number 42 on the Billboard Hot 100.  Delaney & Bonnie re-recorded it and took it to number 20 on the same chart.  This single was released in 1971, another single that came out before the album.  I Know Something Good About YouThis is a deeper cut on the album with an upbeat, funky sound.  It was written by Delaney Bramlett and Joe Hicks.  Groupie (Superstar)Most people recognize this as a hit from the Carpenters, but this is the original.  Rita Coolidge came up with the idea after observing female groupies with rock starts in the late 60's, and the song was written by Bonnie Bramlett and Leon Russell.  It was the B-side to "Comin' Home."  Richard Carpenter picked it up for the Carpenters, and changed some of the lyrics to be less risqué.   ENTERTAINMENT TRACK:Main theme from the television series The RookiesThis police action series debuted in October 1972. STAFF PICKS:And You and I by YesWayne leads off the staff picks with an excerpt of the 10+ minute work written by Jon Anderson, Bill Bruford, Steve Howe, and Chris Squire. The entire song consists of four parts, but the first two were released as a single edit which hovered just outside the top 40 on the Billboard charts.   You Wear It Well by Rod StewartRob brings us the first single from Stewart's fourth studio album, "Never a Dull Moment."  It went to number 13 on the Billboard Hot 100, and number 1 on the UK singles chart.  Many consider this an arrangement of Stewarts hit "Maggie May."  As with his previous album, members of the Faces join in as musicians on "Never a Dull Moment."Lean On Me by Bill WithersLynch features a song written and performed by Withers.  It was inspired by his experience growing up in a mining town in West Virginia. The community ethic of that town was something Withers missed when he moved to Los Angeles.  It was the first single from Withers' second album, "Still Bill." Turn to Stone by BarnstormBruce brings us a song inspired by frustration over the Vietnam War, the Nixon Administration, and the protesting that was going on at the time.  Joe Walsh left the James Gang and formed a group called Barnstorm.  The group put out three albums including one with the wonderful title "The Smoker You Drink, the Player You Get."  This song is off the group's self-titled debut album.  COMEDY TRACK:My Ding-a-Ling by Chuck BerryWe close out this week's podcast with Berry's double entendre masterpiece, on the charts in this month.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

"Eddie (Harris) was an enigma. He was also a soulful intellectual. He was an innovator who had hit records. He was a success, but he didn't appear all that popular. I think he must have had 3 audiences in one. Each person seeing something different in his music, and that's problematic to navigate in. But he was who he was. He was a creative force with many talents and interests."   Saxophonist/bandleader/composer Eric Person   We couldn't put it better ourselves, so how about if we give Eddie Harris a good, hard listen?  This Monday (5/12) from 6p to 9p NYC time, host Mitch Goldman invites Eric Person to the WKCR studios for a powerful Deep Focus.  If only they had rare, unreleased recordings of Eddie Harris from the WKCR archives.  Hmmm... We'll have to work on that!    Tune in this Monday (4/27) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Eddie Harris 1972 Atlantic Records, Public domain, via Wikimedia Commons.   #WKCR #DeepFocus #EricPerson #EddieHarris #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman  

Sodie Orr is an incredibly talented musician who left college to pursue a career in music. His journey has been one of highs, lows, success, failures, and lessons ever since.In addition to his songwriting, Sodie plays in a family band with his stepdad, Wayne Johnson, dubbed The Swingin Johnsons. They play all over North County, San Diego, and over the 10+ years of performing, have found that sometimes, success can be found in the most unexpected places.Expect to learn:How Sodie was signed to Atlantic Records at age 19What he learned from being Too Short's intern Why he thinks he'd be dead if he became famousHow he is finding purpose again We also talk a lot about therapy, doing hard things, and how we both unintentionally manifested rock bottom moments for ourselves.Shownotes:https://www.instagram.com/swinginjohnsons/https://www.instagram.com/sodieboyy/

"Eddie (Harris) was an enigma. He was also a soulful intellectual. He was an innovator who had hit records. He was a success, but he didn't appear all that popular. I think he must have had 3 audiences in one. Each person seeing something different in his music, and that's problematic to navigate in. But he was who he was. He was a creative force with many talents and interests."   Saxophonist/bandleader/composer Eric Person   We couldn't put it better ourselves, so how about if we give Eddie Harris a good, hard listen?  This Monday (5/12) from 6p to 9p NYC time, host Mitch Goldman invites Eric Person to the WKCR studios for a powerful Deep Focus.  If only they had rare, unreleased recordings of Eddie Harris from the WKCR archives.  Hmmm... We'll have to work on that!    Tune in this Monday (4/27) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Eddie Harris 1972 Atlantic Records, Public domain, via Wikimedia Commons.   #WKCR #DeepFocus #EricPerson #EddieHarris #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman

"Eddie (Harris) was an enigma. He was also a soulful intellectual. He was an innovator who had hit records. He was a success, but he didn't appear all that popular. I think he must have had 3 audiences in one. Each person seeing something different in his music, and that's problematic to navigate in. But he was who he was. He was a creative force with many talents and interests."   Saxophonist/bandleader/composer Eric Person   We couldn't put it better ourselves, so how about if we give Eddie Harris a good, hard listen?  This Monday (5/12) from 6p to 9p NYC time, host Mitch Goldman invites Eric Person to the WKCR studios for a powerful Deep Focus.  If only they had rare, unreleased recordings of Eddie Harris from the WKCR archives.  Hmmm... We'll have to work on that!    Tune in this Monday (4/27) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: Eddie Harris 1972 Atlantic Records, Public domain, via Wikimedia Commons.   #WKCR #DeepFocus #EricPerson #EddieHarris #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman

MK-Ultra digs deep into his vinyl stash for a gritty dose of 1970s Funk and Soul, inspired by Blaxploitation classics like Shaft, Foxy Brown and Superfly. Written by Thomas Oakland and featuring narration by TJ Trueh, who returns after his unforgettable performance in Raunchy Radio. A visceral and cinematic lo-fi journey through the seedy side of life on the mean streets.This podcast episode features content created or published by Armando Curcio Editore, Atlantic Records, Because Music, Blue Note Records, Flying Dutchman Records, Numbero, Parlophone Records, Polydor Records, Rhino, Sleeve Records, Tamla, Warner Music Group and others.Thomas Oakland & TJ Trueh - Welcome To The Game [Skit #1]Bobby Womack - Across 110th StreetDonny Hathaway - Little Ghetto BoyKool & The Gang - Father, FatherThe Jimmy Castor Bunch - What's Best?Johnson, Hawkins, Tatum & Durr - You Can't Blame MeThomas Oakland & TJ Trueh - The Illusion [Skit #2]Sisters Love - Give Me Your LoveJeremy Steig - Come With MeMandrill - Mango MeatThe Hygrades - Keep On MovingThomas Oakland & TJ Trueh - The Bigger They Are [Skit #3]Jackie Moore - IfMarvin Gaye - Right OnGil Scott-Heron - Pieces Of A ManCurtis Mayfield - PushermanDonald Byrd - Black ByrdThomas Oakland & TJ Trueh - Walk Away Clean [Skit #4]

Aretha Franklin got her start at an early age in Gospel music.  As the granddaughter of Gospel great Mahalia Jackson and the daughter of a prominent Baptist preacher, Franklin was heard on her father's "gospel caravan" tours at the age of twelve.  By the time she became an adult in 1960 she had decided that she wanted to go into more pop music, and moved to New York for this purpose.  She signed a deal with Columbia Records, in 1960, but her career would not really take off until moving to Atlantic Records in 1966.  By 1968 she was considered by many to be the most successful singer in the nation, and already crowned the "Queen of Soul."Franklin toured outside the US for the first time in late April 1968 through May 1968.  She performed in Paris on May 7, 1968, and this concert would be released as the live album Aretha in Paris in the fall of 1968.  It was Franklin's second live album, and the first for Atlantic Records where most of her hits were recorded.Some have criticized the backing band as not up to the task of supporting Franklin.  However, this album captures Franklin at the top of her game at a time when she was cranking out some of the biggest hits of her career.  It would be difficult for any supporting band to keep up, particularly one assembled for an overseas tour.  Regardless, this is a great album to explore as a snapshot of Aretha Franklin at the height of success.Lynch brings us a high energy live soul album from the Queen of Soul in her prime for today's podcast. (I Can't Get No) SatisfactionThis Rolling Stones cover is the lead-off track to the album and to the concert.  The Stones had released this song in 1965, and it had become their first number 1 song in the States.  Franklin takes the tempo up for this cover.(You Make Me Feel Like) A Natural WomanCarole King and Gerry Goffin wrote this song for Franklin based on an idea from producer Jerry Wexler.  It originally appeared on Franklin's album "Lady Soul", and went to number 8 on the U.S. charts.  It would make history when it hit the UK charts a week after Franklin's death in 2018, 51 years after the single was first released. (Sweet Sweet Baby) Since You've Been GoneThe original single for this live song was released on the "Lady Soul" album, and reached number 5 on the Billboard Hot 100.  This song was written by Franklin and her then-husband Teddy White. The studio version of this song utilized the talents of the Muscle Shoals Rhythm Section, who were flown in from Alabama to record in a New York City studio.Chain of FoolsSongwriter Don Covay wrote this song in his youth, and presented it to producer Jerry Wexler as a song for Otis Redding.  Wexler decided to have Franklin record it instead of Redding.  It was a big hit, taking the number 1 slot on the R&B charts for four weeks, number 2 on the Billboard Hot 100, and delivering Franklin a Grammy for Best R&B Vocal Performance. ENTERTAINMENT TRACK:Theme from the television comedy show “Laugh In”This sketch comedy show would capture a lot of American counter-culture of the time from Tiny Tim to "sock it to me!" STAFF PICKS:Ride My See Saw by the Moody BluesWayne kicks off the staff picks with a psychedelic song from the second Moody Blues album, "In Search of the Lost Chord."  The song is about leaving school and finding that the world isn't what you thought it would be.  On the album, the song is preceded by a spoken word introduction called "Departure."Harper Valley PTA by Jeannie C. RileyRob's staff pick is a storytelling song written by Tom T. Hall about a widow named Mrs. Johnson and her tangle with the PTA.  When her teenage daughter received a note from the Harper Valley PTA criticizing the way she is living, Mrs. Johnson attends the next meeting and reveals some indiscretions of the other PTA members.Light My Fire by Jose FelicianoBruce features an acoustic cover of the Doors hit single with a Latin twist.  Jose Feliciano is best known for the Christmas song "Feliz Navidad," but this Puerto Rican artist also had a hit with this cover that peaked at number 3 on in late summer 1968.  His album "Feliciano!" is a selection of acoustic cover songs, and his most successful one.  He won "Best Male Pop Vocal Performance" at the 1969 Grammy Awards for this cover.Son of a Preacher Man by Dusty SpringfieldLynch closes out the staff picks with a song that writers John Hurley and Ronnie Wilkins wrote with Aretha Franklin in mind.  When Atlantic Records producer Jerry Wexler heard it, he thought it would be a good fit for Dusty Springfield who was recording her "Dusty in Memphis" album at the time.  INSTRUMENTAL TRACK:And I Love Her by Jose FelicianoWe double up on the Latin acoustic stylings of Feliciano as this Beatles cover takes us out of this week's podcast.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Linktree: https://linktr.ee/AnalyticBecome A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: https://ow.ly/oPsc50VBOuHTune Into A Guy With Big Dreamz On The Internet Giving His Passionate Perspective On Gaming, Hip-Hop, & R&B ️ Dive into Analytic Dreamz's Notorious Mass Effect for an in-depth segment on Rosé's “Messy” from F1: The Album (releasing June 27, 2025, via Atlantic Records). Released May 8, 2025, “Messy” features a vibrant music video showcasing Rosé on the Las Vegas Strip, with club scenes and F1 movie footage. The 17-track album includes stars like Doja Cat, Ed Sheeran, and Peggy Gou. Analytic Dreamz explores the film's plot, directed by Joseph Kosinski, and Rosé's career, from her No. 3 Billboard 200 debut with Rosie to her Miami Grand PrixSupport this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Dale  Earnhardt Jr. welcomes Top-40 music artist and longtime NASCAR fan Edwin McCain to the Download to chat about his journey from a humble, local music scene to writing one of the most memorable songs in history. Edwin also shares how Dale Jr.'s 2001 July Daytona win had a profound impact on his life.  After being born in Greenville, South Carolina, Edwin was put up for adoption but admits he has never sought out much information about his biological mother. Dale and Edwin relate on the experience of asking parents hard questions at the end of their lives to get the real picture of their upbringing. Edwin explains he began playing music at an early age after struggling in school due to dyslexia. He and Dale chat about the music they enjoyed growing up and what musicians were a major influence on Edwin, and led him to pick up a guitar.Edwin gives listeners an idea of what the music scene was like in the mid-90s, when he, Dave Matthews and Hootie and the Blowfish were finding their way to major record label contracts. Edwin admits that his signing was largely thanks to the kindness of Hootie, who asked Atlantic Records to give him a shot. After an underperforming debut, in part due to Edwin's disconnection from the project, Edwin saved his career with the smash hit “I'll Be,” which remains one of the greatest love songs ever written. Edwin talks candidly about developing an addiction problem and his journey to rehab. Today, he is on the other side of hardship and celebrating the release of his new album “Lucky,” which is his first new release in almost 15 years.Dirty Mo Media is launching a new e-commerce merch line! They've got some awesome Dale Jr. Download merch on the site. Visit shop.dirtymomedia.com to check out all the new stuff.And for more content check out our YouTube page: https://www.youtube.com/@DirtyMoMedia Must be 21+ and present in select states (for Kansas, in affiliation with Kansas Star Casino) or 18+ and present in D.C. First online real money wager only. $5 first deposit required. Bonus issued as nonwithdrawable bonus bets which expire 7 days after receipt. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG. Call 1-888-789-7777 or visit ccpg.org/chat in Connecticut, or visit mdgamblinghelp.org in Maryland. Hope is here. Visit GamblingHelpLineMA.org or call (800) 327-5050 for 24/7 support in Massachusetts, or call 1-877-8HOPE-NY or text HOPENY in New York.

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2015 conversation with Swamp Dogg.  ABOUT SWAMP DOGGR&B cult favorite Jerry “Swamp Dogg” Williams is best known as the co-writer, with Gary U.S. Bonds, of the cross-genre classic, “She's All I Got,” which became a Top 10 R&B single for Freddie North and a #2 country hit for Johnny Paycheck in 1971. Tracy Byrd recorded it in 1996, hitting #4 on Billboard's Country rankings and introducing the song to a new generation of fans. Williams' career began in 1954 when, at the age of 12, he made his first record, “HTD Blues.” He found success in the 1960s, recording the Top 40 R&B hit “Baby You're My Everything” under the name Little Jerry Williams, and writing songs for other artists, including Gene Pitney's Top 20 Pop single, “She's a Heartbreaker.” He became Atlantic Records' first African American staff producer in 1968, but left the following year to pursue independent projects in Muscle Shoals, Alabama. By the 1970s he was an in-demand producer and songwriter, penning Top 40 R&B hits for Doris Duke, Arthur Conley, and Dee Dee Warwick. Around the same time, he reinvented himself as Swamp Dogg, releasing a series of eccentric deep soul albums whose gonzo lyrics were marked by frank sexuality, biting satire, radical politics, and provocative social observations. His debut LP, Total Destruction to Your Mind, was eventually certified Gold, while subsequent releases, including Gag a Maggott, I'm Not Selling Out – I'm Buying In, An Awful Christmas and a Lousy New Year, and The White Man Made Me Do It have earned considerable accolades among underground music lovers and earned Swamp what one journalist described as “a cultural niche somewhere between Rudy Ray Moore and Frank Zappa.” In recent years, his vast catalog has been sampled by Kid Rock, Talib Kweli, DMX, and others.