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What does 2026 hold for indie authors and the publishing industry? I give my thoughts on trends and predictions for the year ahead. In the intro, Quitting the right stuff; how to edit your author business in 2026; Is SubStack Good for Indie Authors?; Business for Authors webinars. If you'd like to join my community and support the show every month, you'll get access to my growing list of Patron videos and audio on all aspects of the author business — for the price of a black coffee (or two) a month. Join us at Patreon.com/thecreativepenn. Joanna Penn writes non-fiction for authors and is an award-winning, New York Times and USA Today bestselling thriller author as J.F. Penn. She's also an award-winning podcaster, creative entrepreneur, and international professional speaker. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. (1) More indie authors will sell direct through Shopify, Kickstarter, and local in-person events (2) AI-powered search will start to shift elements of book discoverability (3) The start of Agentic Commerce (4) AI-assisted audiobook narration will go mainstream (5) AI-assisted translation will start to take off beyond the early adopters (6) AI video becomes ubiquitous. ‘Live selling' becomes the next trend in social sales. (7) AI will create, run, and optimise ads without the need for human intervention (8) 1000 True Fans becomes more important than ever You can find all my books as J.F. Penn and Joanna Penn on your favourite online store in all the usual formats, or order from your local library or bookstore. You can also buy direct from me at CreativePennBooks.com and JFPennBooks.com. I'm not really active on social media, but you can always see my photos at Instagram @jfpennauthor. 2026 Trends and Predictions for Indie Authors and Book Publishing (1) More indie authors will sell direct through Shopify, Kickstarter, and local in-person events — and more companies like BookVault will offer even more beautiful physical books and products to support this. This trend will not be a surprise to most of you! Selling direct has been a trend for the last few years, but in 2026, it will continue to grow as a way that independent authors become even more independent. The recent Written Word Media survey from Dec 2025 noted that 30% of authors surveyed are selling direct already and 30% say they plan to start in 2026. Among authors earning over $10,000 per month, roughly half sell direct. In my opinion, selling direct is an advanced author strategy, meaning that you have multiple books and you understand book marketing and have an email list already or some guaranteed way to reach readers. In fact, Kindlepreneur reports that 66% of authors selling direct have more than 5 books, and 46% have more than 10 books. Of course, you can start with the something small, like a table at a local event with a limited number of books for sale, but if you want to consistently sell direct for years to come, you need to consider all the business aspects. Selling direct is not a silver bullet. It's much harder work to sell direct than it is to just upload an ebook to Amazon, whether you choose a Kickstarter campaign, or Shopify/Payhip or other online stores, or regular in-person sales at events/conferences/fairs. You need a business mindset and business practices, for example, you need to pay upfront for setup as well as ongoing management, and bulk printing in some cases. You need to manage taxes and cashflow. You need to be a lot more proactive about marketing, as you won't sell anything if you don't bring readers to your books/products. But selling direct also brings advantages. It sets you apart from the bulk of digital only authors who still only upload ebooks to Amazon, or maybe add a print on demand book, and in an era of AI rapid creation, that number is growing all the time. If you sell direct, you get your customer data and you can reach those customers next time, through your email list. If you don't know who bought your books and don't have a guaranteed way to reach them, you will more easily be disrupted when things change — and they always change eventually. Kindlepreneur notes that “45% of the successful direct selling authors had over 1,000 subscribers on their email lists,” with “a clear, positive correlation between email list size and monthly direct sales income — with authors having an email list of over 15,000 subscribers earning 20X more than authors with email lists under 100 subscribers.” Selling direct means faster money, sometimes the same day or the same week in many cases, or a few weeks after a campaign finishes, as with Kickstarter. And remember, you don't have to sell all your formats directly. You can keep your ebooks in KU, do whatever you like with audiobooks, and just have premium print products direct, or start with a very basic Kickstarter campaign, or a table at a local fair. Lots more tips for Shopify and Kickstarter at https://www.thecreativepenn.com/selldirectresources/ I also recommend the Novel Marketing Podcast on The Shopify Trap: Why authors keep losing money as it is a great counterpoint to my positive endorsement of selling direct on Shopify! Among other things, Thomas notes that a fixed monthly fee for a store doesn't match how most authors make money from books which is more in spikes, the complexity and hassle eats time and can cost more money if you pay for help, and it can reduce sales on Amazon and weaken your ranking. Basically, if you haven't figured out marketing direct to your store, it can hurt you.All true for some authors, for some genres, and for some people's lifestyle. But for authors who don't want to be on the hamster wheel of the Amazon algorithm and who want more diversity and control in income, as well as the incredible creative benefits of what you can do selling direct, then I would say, consider your options in 2025, even if that is trying out a low-financial-goal Kickstarter campaign, or selling some print books at a local fair. Interestingly, traditional publishers are also experimenting with direct sales. Kate Elton, the new CEO of Harper Collins notes in The Bookseller's 2026 trend article, “we are seeing global success with responsive, reader-driven publishing, subscription boxes and TikTok Shop and – crucially – developing strategies that are founded on a comprehensive understanding of the reader.” She also notes, “AI enables us to dramatically change the way we interact with and grow audiences. The opportunities are genuinely exciting – finding new ways to help readers discover books they will love, innovating in the ways we market and reach audiences, building new channels and adapting to new methods of consuming content.” (2) AI-powered search will start to shift elements of book discoverability From LinkedIn's 2026 Big Ideas: “Generative engine optimization (GEO) is set to replace search engine optimization (SEO) as the way brands get discovered in the year ahead. As consumers turn to AI chatbots, agentic workflows and answer engines, appearing prominently in generative outputs will matter more than ranking in search engines.” Google has been rolling out AI Mode with its AI Overviews and is beginning to push it within Google.com itself in some countries, which means the start of a fundamental change in how people discover content online. I first posted about GEO (Generative Engine Optimisation) and AEO (Answer Engine Optimisation) in 2023, and it's going to change how readers find books. For years, we've talked about the long tail of search. Now, with AI-powered search, that tail is getting even longer and more nuanced. AI can understand complex, conversational queries that traditional search engines struggled with. Someone might ask, “What's a good thriller set in a small town with a female protagonist who's a journalist investigating a cold case?” and get highly specific recommendations. This means your book metadata, your website content, and your online presence need to be more detailed and conversational. AI search engines understand context in ways that go far beyond simple keywords. The authors who win in this new landscape will be those who create rich, authentic content about their books and themselves, not just promotional copy. As economist Tyler Cowen has said, “Consider the AIs as part of your audience. Because they are already reading your words and listening to your voice.” We're in the ‘organic' traffic phase right now, where these AI engines are surfacing content for ‘free,' but paid ads are inevitably on the way, and even rumoured to be coming this year to ChatGPT. By the end of 2026, I expect some authors and publishers to be paying for AI traffic, rather than blocking and protesting them. For now, I recommend checking that your author name/s and your books are surfaced when you search on ChatGPT.com as well as Google.com AI Mode (powered by Gemini). You want to make sure your work comes up in some way. I found that Joanna Penn and J.F. Penn searches brought up my Shopify stores, my website, podcast, Instagram, LinkedIn, and even my Patreon page, but did not bring up links to Amazon. If you only have an author presence on Amazon, does it appear in AI search at all? Do you need to improve anything about what the AI search brings up? Traditional publishers are also looking at this, with PublishersWeekly doing webinars on various aspects of AI in early 2026, including sessions on GEO and how book sales are changing, AI agents, and book marketing. In a 2026 predictions article on The Bookseller, the CEO of Bloomsbury Publishing noted, “The boundaries of artificial intelligence will become clearer, enabling publishers to harness its benefits while seeking to safeguard the intellectual property rights of authors, illustrators and publishers.” “AI will be deeply embedded in our workflows, automating tasks such as metadata tagging, freeing teams to focus on creativity and strategy. Challenges will persist. Generative AI threatens traditional web traffic and ad revenue models, making metadata optimisation and SEO critical for visibility as we adjust to this new reality online.” (3) The start of Agentic Commerce AI researches what you want to buy and may even buy on your behalf. Plus, I predict that Amazon does a commerce deal with OpenAI for shopping within ChatGPT by the end of 2026. In September 2025, ChatGPT launched Instant Checkout and the Agentic Commerce Protocol, which will enable bots to buy on websites in the background if authorised by the human with the credit card. VISA is getting on board with this, so is PayPal, with no doubt more payment options to come. In the USA, ChatGPT Plus, Pro, and Free users can now buy directly from US Etsy sellers inside the chat interface, with over a million Shopify merchants coming soon. Shopify and OpenAI have also announced a partnership to bring commerce to ChatGPT. I am insanely excited about this as it could represent the first time we have been able to more easily find and surface books in a much more nuanced way than the 7 keywords and 3 categories we have relied on for so long! I've been using ChatGPT for at least the last year to find fiction and non-fiction books as I find the Amazon interface is ‘polluted' by ads. I've discovered fascinating books from authors I've never heard of, most in very long tail areas. For example, Slashed Beauties by A. Rushby, recommended by ChatGPT as I am interested in medical anatomy and anatomical Venuses, and The Macabre by Kosoko Jackson, recommended as I like art history and the supernatural. I don't think I would have found either of these within a nuanced discussion with ChatGPT. Even without these direct purchase integrations, ChatGPT now has Shopping Research, which I have found links directly to my Shopify store when I search for my books specifically. Walmart has partnered with OpenAI to create AI-first shopping experiences, and you have to wonder what Amazon might be doing? In Nov 2025, Amazon signed a “strategic partnership” with OpenAI, and even though it's focused on the technical side of AI, those two companies in a room together might also be working on other plans … I'm calling it for 2026. I think Amazon will sign a commerce agreement with OpenAI sometime before the end of the year. This will enable at least recommendation and shopping links into Amazon stores (presumably using an OpenAI affiliate link), or perhaps even Instant Checkout with ChatGPT for Amazon. It will also enable a new marketing angle, especially if paid ads arrive in ChatGPT, perhaps even integrating with Amazon Ads in some way as part of any possible agreement, since ads are such a good revenue stream for Amazon anyway. The line between discovery, engagement, and purchase is collapsing. Someone could be having a conversation with an AI about what to read next, and within that same conversation, purchase a bookwithout ever leaving the chat interface. This already happens within TikTok and social commerce clearly works for many authors. It's possible that the next development for book discoverability and sales might be within AI chats. This will likely stratify the already fragmented book eco-system even more. Some readers will continue to live only within the Amazon ecosystem and (maybe) use their Rufus chatbot to buy, and others will be much wider in their exploration of how to find and discover books (and other products and services). If you haven't tried it yet, try ChatGPT.com Shopping Research for a book. You can do this on the free tier. Use the drop down in the main chat box and select Shopping Research. It doesn't have to be for your book. It can be any book or product, for example, our microwave died just before Christmas so I used it to find a new one. But do a really nuanced search with multiple requirements. Go far beyond what you would search for on Amazon. In the results, notice that (at the time of writing) it does not generally link to Amazon, but to independent sites and stores. As above, I think this will change by the end of 2026, as some kind of commerce deal with Amazon seems inevitable. (4) AI-assisted audiobook narration will go mainstream I've been talking about AI narration of audiobooks since 2019, and over the years, I've tried various different options. In 2025, the technology reached a level of emotional nuance that made it much easier to create satisfying fiction audio as well as non-fiction. It also super-charges accessibility, making audio available in more languages and more accents than ever before. Of course, human narration remains the gold standard, but the cost makes it prohibitive for many authors, and indeed many small traditional publishers, for all books. If it costs $2000 – $10,000 to create an audiobook, you have to sell a lot to make a profit, and the dominance of subscription models have made it harder to recoup the costs. Famous narrators and voice artists who have an audience may still be worth investing in, as well as premium production, but require an even higher upfront cost and therefore higher sales and streams in return. AI voice/audio models are continuing to improve, and even as this goes out, there are rumours on TechCrunch that OpenAI's new device, designed by Jony Ive who designed the iPhone, will be audio first and OpenAI are improving their voice models even more in preparation for that launch. In 2026, I think AI-narrated audio will go mainstream with far-reaching adoption across publishing and the indie author world in many different languages and accents. This will mean a further stratification of audiobooks, with high quality, high production, high cost human narrated audio for a small percentage of books, and then mass market, affordable AI-narrated audio for the rest. AI-narrated audiobooks will make audio ubiquitous, and just as (almost) every print book has an ebook format, in 2026, they will also have an audio format. I straddle both these worlds, as I am still a human audiobook narrator for my own work. I human-narrated Successful Self-Publishing Fourth Edition (free audiobook) and The Buried and the Drowned, my short story collection. I also use AI narration for some books. ElevenLabs remains my preferred service and in 2025, I used my J.F. Penn voice clone for Death Valley and also Blood Vintage, while using a male voice for Catacomb. I clearly label my AI-narration in the sales description and also on the cover, which I think is important, although it is not always required by the various services. You can distribute ElevenLabs narrated audiobooks on Spotify, Kobo Writing Life, YouTube, ElevenReader, and of course your own store if you use Shopify with Bookfunnel. There are many other services springing up all the time, so make sure you check the rights you have over the finished audio, as well as where you can sell and distribute the final files. If they are just using ElevenLabs models in the back-end, then why not just do that directly? (Most services will be using someone's model in the back-end, since most companies do not train their own models.) Of course, you can use Amazon's own narration. While Amazon originally launched Audible audiobooks with Virtual Voice (AVV) in November 2023, it was rolled out to more authors and territories in 2025. If your book is eligible, the option to create an audiobook will appear on your KDP dashboard. With just a few clicks, you can create an audiobook from a range of voices and accents, and publish it on Amazon and Audible. However, the files are not yours. They are exclusive to Amazon and you cannot use them on other platforms or sell them direct yourself. But they are also free, so of course, many authors, especially those in KU, will use this option. I have done some for my mum's sweet romance books as Penny Appleton and I will likely use them for my books in translation when the option becomes available. Traditional publishers are experimenting with AI-assisted audiobook narration as well. MacMillan is selling digital audiobooks read by AI directly on their store. PublishersWeekly reports that PRH Audio “has experimented with artificial voice in specific instances, such as entrepreneur Ely Callaway's posthumous memoir The Unconquerable Game,” when an “authorized voice replica” was created for the audiobook. The article also notes that PRH Audio “embrace artificial intelligence across business operations—my entire department [PRH Audio] is using AI for business applications.” And while indie authors can't use AI voices on ACX right now, Audible have over 100 voices available to selected publishing partnerships, as reported by The Guardian with “two options for publishers wishing to make use of the technology: “Audible-managed” production, or “self-service” whereby publishers produce their own audiobooks with the help of Audible's AI technology.” In 2026, it's likely that more traditional publishers — as well as indie authors — will get their backlist into audio with AI narration. (5) AI-assisted translation will start to take off beyond the early adopters Over the years, I've done translation deals with traditional publishers in different languages (German, French, Spanish, Korean, Italian) for some fiction and non-fiction books. But of course, to get these kinds of deals, you have to be proactive about pitching, or work with an agent for foreign rights only, and those are few and far between! There are also lots of languages and territories worldwide, and most deals are for the bigger markets, leaving a LOT of blue water for books in translation, even if you have licensed some of the bigger markets. I did my first partially AI-translated books in 2019 when I used Deepl.com for the first draft and then worked with a German editor to do 3 non-fiction books in German. While the first draft was cheap, the editing was pretty expensive, so I stopped after only doing a couple. I have made the money back now, but it took years. In 2025, AI Translation began to take off with ScribeShadow, GlobeScribe.ai, and more recently, in November 2025, Kindle Translate boosting the number of translated books available. Kindle Translate is (currently) only available to US authors for English into Spanish and also German into English, but in 2026, this will likely roll out to more languages and more authors, making it easier than ever to produce translations for free. Of course, once again, the gold standard is human translation, or at least human-edited translations, but the cost is prohibitive even just for proof-reading, and if there is a cheap or even free option, like Kindle Translate, then of course, authors are going to try it. If the translation gets bad reviews, they can just un-publish. There are many anecdotal stories of indie success in 2025 with AI-translated genre fiction sales (in series) in under-served markets like Italian, French, and Spanish, as well as more mainstream adoption in German. I was around in the Kindle gold-rush days of 2009-2012 and the AI-translation energy right now feels like that. There are hardly any Kindle ebooks in many of these languages compared to how many there are in English, so inevitably, the rush is on to fill the void, especially in genres that are under-served by traditional publishers in those markets. Yes, some of these AI translated books will be ‘AI-slop,' but readers are not stupid. Those books will get bad reviews and thus will sink to the bottom of the store, never to be seen again. The AI translation models are also improving rapidly, and Amazon's Kindle Translate may improve faster than most, for books specifically, since they will be able to get feedback in terms of page reads. Amazon is also a major investor in Anthropic, which makes Claude.ai, widely considered the best quality for creative writing and translation, so it's likely that is used somewhere in the mix. Some traditional publishers are also experimenting with AI-assisted translation, with Harlequin France reportedly using AI translation and human proofreaders, as reported by the European Council of Literary Translators' Associations in December 2025. Academic publisher Taylor and Francis is also using AI for book translation, noting: “Following a program of rigorous testing, Taylor & Francis has announced plans to use AI translation tools to publish books that would otherwise be unavailable to English-language readers, bringing the latest knowledge to a vastly expanded readership.” “Until now, the time and resources required to translate books has meant that the majority remained accessible only to those who could read them in the original language. Books that were translated often only became available after a significant delay. Today, with the development of sophisticated AI translation tools, it has become possible to make these important texts available to a broad readership at speed, without compromising on accuracy.” (6) AI video becomes ubiquitous. ‘Live selling' becomes the next trend in social sales. In 2025, short form AI-generated video became very high quality. OpenAI released Sora 2, and YouTube announced new Shorts creation tools with Veo 3, which you can also use directly within Gemini. There are tons of different AI video apps now, including those within the social media sites themselves. There is more video than ever and it's much easier to create. I am not a fan of short form video! I don't make it and I don't consume it, but I do love making book trailers for my Kickstarter campaigns and for adding to my book pages and using on social media. I made a trailer for The Buried and the Drowned using Midjourney for images and then animation of those images, and Canva to put them together along with ElevenLabs to generate the music. But despite the AI tools getting so much easier to use, you still have to prompt them with exactly what you want. I can't just upload my book and say, “Make a book trailer,” or “Make a short film.” This may change with generative video ads, which are likely to become more common in 2026, as video turns specifically commercial. Video ads may even be generated specifically for the user, with an audience of one, maybe even holding your book in their hands (using something like Cameos on Sora), in the same way that some AI-powered clothing stores do virtual try-ons. This might also up-end the way we discover and buy things, as the AI for eCommerce and Amazon Sellers newsletter says about OpenAI's Sora app, “OpenAI isn't just trying to build a TikTok competitor. They're building a complete reimagining of how we discover and buy things …” “The combination of ChatGPT's research capabilities and Sora's potential for emotional manipulation—I mean, “engagement”—could create something we've never seen before: an AI ecosystem that might eventually guide you through every type of purchase, from the most considered to the most impulsive.” In 2026, there will be A LOT more AI-generated video, but that also leads to the human trend of more live video. While you can use an AI avatar that looks and sounds like you using tools like HeyGen or Synthesia, live video has all the imperfect human elements that make it stand-out, plus the scarcity element which leads to the purchase decision within a countdown period. Live video is nothing new in terms of brand building and content in general, but it seems that live events primarily for direct sales might be a thing in 2026. Kim Kardashian hosted Kimsmas Live in December 2025 with a 45 minute live shopping event with special guests, described as entertainment but designed to be a sales extravaganza. Indie authors are doing a similar thing on TikTok with their books, so this is a trend to watch in 2026, especially if you feel that live selling might fit with your personality and author business goals. It's certainly not for everyone, but I suspect it will suit a different kind of creator to those who prefer ‘no face' video, or no video at all! On other aspects of the human side of social media, Adam Mosseri the CEO of Instagram put a post on Threads called Authenticity after Abundance. He said, “Everything that made creators matter—the ability to be real, to connect, to have a voice that couldn't be faked—is now suddenly accessible to anyone with the right tools.” “Deepfakes are getting better and better. AI is generating photographs and videos indistinguishable from captured media. The feeds are starting to fill up with synthetic everything. And in that world, here's what I think happens.Creators matter more.” It's a long article so just to pick a few things from it: “We like to talk about “AI slop,” but there is a lot of amazing AI content … we are going to start to see more and more realistic AI content.” I've talked to my Patreon Community about this ‘tsunami of excellence' as these tools are just getting better and better and the word ‘slop' can also be applied to purely human output, too. If you think that AI content is ‘worse' than wholly human content, in 2026, you are wrong. It is now very very good, especially in the hands of people who can drive the AI tools. Back to Adam's post: “Authenticity is fast becoming a scarce resource, …The creators who succeed will be those who figure out how to maintain their authenticity [even when it can be simulated] …” “The bar is going to shift from “can you create?” to “can you make something that only you could create?” He talks about how the personal content on Instagram now is: “unpolished; it's blurry photos and shaky videos of people's daily experiences … flattering imagery is cheap to produce and boring to consume. People want content that feels real… Savvy creators are going to lean into explicitly unproduced and unflattering images of themselves. In a world where everything can be perfected, imperfection becomes a signal. Rawness isn't just aesthetic preference anymore—it's proof. It's defensive. A way of saying: this is real because it's imperfect.” While I partially love this, and I really hope it's true, as in I hope we don't need to look good for the camera anymore I would also challenge Adam on this, because pretty much every woman I know on social media has been sent sexual messages, and/or told they are ugly and/or fat when posting anything unflattering. I've certainly had both even for the same content, but I don't expect Adam has been the target for such posting! But I get his point. He goes on:“Labeling content as authentic or AI-generated is only part of the solution though. We, as an industry, are going to need to surface much more context about not only the media on our platforms, but the accounts that are sharing it in order for people to be able to make informed decisions about what to believe. Where is the account? When was it created? What else have they posted?” This is exactly what I've been saying for a while under my double down on being human focus. I use my Instagram @jfpennauthor as evidence of humanity, not as a sales channel. You can do both of course, but increasingly, you need to make sure your accounts at places have longevity and trust, even by the platforms themselves. Adam finishes: “In a world of infinite abundance and infinite doubt, the creators who can maintain trust and signal authenticity—by being real, transparent, and consistent—will stand out.” For other marketing trends for 2026, I recommend publicist Kathleen Schmidt's SubStack which is mostly focused on traditional publishing but still interesting for indies. In her 2026 article, she notes: “We have reached a social media saturation point where going viral can be meaningless and should not be the goal; authenticity and creativity should. She also says, “In-person events are important again,” and, “Social media marketing takes a nosedive… we have reached a saturation point … What publishers must figure out is how to make their social media campaigns stand out. If they remain somewhat uninspired, the money spent on social ads won't convert into book sales.” I think this is part of the rise of live selling as above, which can stand out above more ‘produced' videos. Kathleen also talks about AI usage. “AI can help lighten the burden of publicity and marketing.” “A lot of AI tools are coming to market to lessen the load: they can write pitches, create media lists for you, send pitches for you, and more. I know the industry is grappling with all things AI, but some of these tools are huge time savers and may help a book more than hurt it.” On that note … (7) AI will create, run, and optimise ads without the need for human intervention Many authors will be very happy about this as marketing is often the bane of our author business lives! As I noted in my 2026 goals, I would love to outsource more marketing tasks to AI. I want an “AI book marketing assistant” where I can upload a book and specify a budget and say, ‘Go market this,' then the AI will action the marketing, without me having to cobble together workflows between systems. Of course, it will present plans for me to approve but it will do the work itself on the various platforms and monitor and optimize things for me. I really hope 2026 is the year this becomes possible, because we are on the edge of it already in some areas. Amazon Ads launched a new agentic AI tool in September 2025 that creates professional-quality ads. I've also been working with Claude in Chrome browser to help me analyse my Amazon Ad data and suggest which keywords/products to turn off and what to put more budget into. I'll do a Patreon video on that soon. Meta announced it will enable AI ad creation by the end of 2026 for Facebook and Instagram. For authors who find ad creation overwhelming or time-consuming, this could be a game-changer. Of course, you will still need a budget! (8) 1000 True Fans becomes more important than ever Lots of authors and publishers are moaning about the difficulty of reaching readers in an era of ‘AI slop' but there is no shortage of excellent content created by humans, or humans using AI tools. As ever, our competition is less about other authors, or even authors using AI-assisted creation, we're competing against everything else that jostles for people's attention, and the volume of that is also growing exponentially. I've never been a fan of rapid release, and have said for years that you can't keep up with the pace of the machines. So play a different game. As Kevin Kelly wrote in 2008, If you have 1000 true fans, (also known as super fans), “you can make a living — if you are content to make a living but not a fortune.” [Kevin Kelly was on this show in 2023 talking about Excellent Advice for Living.] Many authors and the publishing industry are stuck in the old model of aiming to sell huge volumes of books at a low profit margin to a massive number of readers, many of them releasing ever faster to try and keep the algorithms moving. But the maths can work for the smaller audience of more invested readers and fans. If you only make $2 profit on an ebook, you need to sell 500 ebooks to make $1000, and then do it again next month. Or you can have a small community like my patreon.com/thecreativepenn where people pay $2 (or more) a month, so even a small revenue per person results in a better outcome over the year, as it is consistent monthly income with no advertising. But what if you could make $20 profit per book? That is entirely possible if you're producing high quality hardbacks on Kickstarter, or bundle deals of audiobooks, or whole series of ebooks. You would only need to sell to 50 people to make $1000. What about $100 profit per sale, which you can do with a small course or live event? You only need 10 people to make $1000, and this in-person focus also amplifies trust and fosters human connection. I've found the intimacy of my live Patreon Office Hours and also my webinars have been rewarding personally, but also financially, and are far more memorable — and potentially transformative — than a pre-recorded video or even another book. From the LinkedIn 2026 Big Ideas article: “In an AI-optimized world, intentional human connection will become the ultimate luxury.” The 1000 True Fans model is about serving a smaller, more personal audience with higher value products (and maybe services if that's your thing). As ever, its about niche and where you fit in the long long long long long tail. It's also about trust. Because there is definitely a shortage of that in so many areas, and as Adam Mosseri of Instagram has said, trust will be increasingly important. Trust takes time to build, but if you focus on serving your audience consistently, and delivering a high quality, and being authentic, this emerges as part of being human. In an echo of what happened when online commerce first took off, we are back to talking about trust. Back in 2010, I read Trust Agents: by Julien Smith and Chris Brogan, which clearly needs a comeback. There was a 10th anniversary edition published in 2020, so that's worth a read/listen. Chris Brogan was also on this show in 2017 when we talked about finding and serving your niche for the long term. That interview is still relevant, here's a quick excerpt, where I have (lightly edited) his response to my question on this topic back in 2017: Jo: The principle of know, like, and trust, why is that still important or perhaps even more important these days? Chris: There are a few things that at play there, Joanna. One is that the same tools that make it so easy for any of us to start and run a business also allow certain elements to decide whether or not they want to do something dubious. And with all new technologies that come, you know, there's nothing unique about these new technologies. In the 1800s, anyone could put anything in a bottle and sell it to you and say, this is gonna cure everything. Cancer — gone. And the bottle could have nothing in. You know, it could be Kool-Aid. And so, the idea of trying to understand what's behind the business though, one beautiful thing that's come is that we can see in much more dimensions who we're dealing with. We can understand better who's the face behind the brand. I really want people to try their best to be a lot clearer on what they stand for or what they say. And I don't really mean a tagline. I mean, humans don't really talk like that. They don't throw some sentence out as often as they can that you remember them for that phrase. But I would say that, we have so many media available to us — the plural of mediums — where we can be more of ourselves. And I think that there's a great opportunity to share the ‘you' behind the scenes, and some people get immediately terrified about this, ‘Ah, the last thing I want is for people to know more about me,' but I think we have such an opportunity. We have such an opportunity to voice our thoughts on something, to talk about the story that goes behind the product. We were all raised on overly produced material, but I think we don't want that anymore. We really want clarity, brevity, simplicity. We want the ability for what we feel is connection and then access. And so I think it's vital that we connect and show people our accessibility, not so that they can pester us with strange questions, but more so that you can say, this person stands with their product and their service and this person believes these things, and I feel something when I hear them and I wanna be part of that.” That's from Chris Brogan's interview here in 2017, and he is still blogging and speaking at writing at ChrisBrogan.com and I'm going to re-listen to the audiobook of Trust Agents again myself as I think it's more relevant than ever. The original quote comes from Bob Burg in his 1994 book, Endless Referrals, “All things being equal, people will do business with, and refer business to, those people they know, like and trust.” That still applies, and absolutely fits with the 1000 True Fans model of aiming to serve a smaller audience. As Kevin Kelly says in 1000 True Fans, “Instead of trying to reach the narrow and unlikely peaks of platinum bestseller hits, blockbusters, and celebrity status, you can aim for direct connection with a thousand true fans.” “On your way, no matter how many fans you actually succeed in gaining, you'll be surrounded not by faddish infatuation, but by genuine and true appreciation. It's a much saner destiny to hope for. And you are much more likely to actually arrive there.” In 2026, I hope that more authors (including me!) let go of ego goals and vanity metrics like ranking, gross sales (income before you take away costs), subscribers, followers, and likes, and consider important business numbers like profit (which is the money you have after costs like marketing are taken out), as well as number of true fans — and also lifestyle elements like number of weekends off, or days spent enjoying life and not just working! OK, that's my list of trends and predictions for 2026. Let me know what you think in the comments. Do you agree? Am I wrong? What have I missed? The post 2026 Trends And Predictions For Indie Authors And The Book Publishing Industry with Joanna Penn first appeared on The Creative Penn.

Last time we spoke about the second Russian Counter Offensive over the Heights. Night operations opened the action: scouts moved in darkness, wires were cut, and Hill 52 fell before dawn, followed by Shachaofeng as dawn pressed the front. The Russians responded with a heavy counterattack, tanks, aircraft, and sustained artillery, yet the Japanese adapted quickly, shifting guns and reinforcing sectors to hold the crest. By 3–5 August, Japanese and Soviet forces fought in a fragmented front across multiple sectors: Hill 52, Changkufeng, Shachaofeng, the lake. Japanese commanders coordinated between infantry, engineers, and mountain artillery, while seeking long-range support from Kwantung Army. Soviet artillery sought to disrupt lines of communication and press from the Crestline with massed tanks and air strikes. Despite intense bombardments and repeated tank assaults, Japanese regimental guns, antitank teams, and close-quarters defense bore the brunt of the defense, inflicting heavy Soviet losses. Yet in the end the Japanese had yet again repelled the enemy from the heights.   #183 The end was near for Changkufeng Welcome to the Fall and Rise of China Podcast, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about the history of Asia? Kings and Generals have an assortment of episodes on history of asia and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel where I cover the history of China and Japan from the 19th century until the end of the Pacific War. While the front-line fighting raged on 6 August, Tokyo moved to supply the 19th Division with the coveted long-range artillery and antiaircraft support. In the evening, the Korea Army officially learned from the AGS that, by Imperial order, the Kwantung Army would add the strength already informally approved: four 7.5-centimeter field guns, two 15-centimeter cannons, two 10-centimeter railway guns, and two 7.5-centimeter antiaircraft guns. The North China Area Army would also provide mobile antiaircraft units. The Korea Army estimated that the field and heavy artillery reinforcements would reach the town of Tumen on 7–8 August. The new guns were expected to ease the division's pressure in due course. The fighting continued on the 7th. The 75th Infantry observed that, despite the Russians' vigorous attacks aimed at capturing Hill 52 and Changkufeng on 6 August, they failed at both objectives and were repelled with heavy losses. Because of the Soviets' ignominious defeat at Changkufeng, they seemed determined to seize Hill 52 on 7 August. Most of the shallow and isolated Japanese positions at Hill 52 had been shattered by bombardments. Some men retrieved Japanese corpses still piled atop one another; the wounded were to proceed to the rear by themselves. Many had not eaten since the morning of 6 August, yet morale remained high. It was decided to knock out the Soviets' advancing tanks under the cover of darkness, employing infantry and engineers. At 03:00, these elements moved against the armor 150 meters behind the Russian wire, killed some advancing infantry, and destroyed two tanks. The infantry platoon leader, Warrant Officer Kanaoka, jumped aboard a tank, pried open the turret, and fought with his blade as blood dripped from the blade. The eastern sky brightened as he stood there smiling and holding his bloodied sword; at that moment, Private First Class Kimura exploded a grenade inside the tank, which promptly blew up. The assault force returned safely at dawn. At dawn, from heavy-weapon positions 200–300 meters in front, the Soviets opened fire, exploiting gaps between the smashed armor. Since 04:00, sixty Russian tanks had been moving south on the far side of Khasan. By daybreak, more than ten machines could be seen in the dip northeast of Hill 52, with several dozen other tanks newly active along Hill 29 Crestline as infantry deployed in gullies. At 05:30, Russian artillery began firing from all directions. In addition to shelling from Gaho, Hill 29, and Maanshan, the Soviets directed flank fire against Hill 52, using two rapid-fire guns 700 meters northeast and three mountain guns on the slope of Changkufeng. As the works at Hill 52 were progressively pulverized, K. Sato dispatched reinforcements from the 76th Regiment there. Near 11:00, the Russian barrage intensified and became more accurate; positions were destroyed one by one, and casualties rose. A new apex of fury occurred between 13:30 and 14:30, when a pall of smoke blanketed the region, producing a ghastly impression. Russian planes bombed and strafed Hill 52 from 11:00; a raid by twelve bombers against the western slope at 13:30 was particularly fierce, though many bombs fell harmlessly into the Tumen. The Russian lines were built up gradually, and all types of Soviet weapons were employed. From 14:30, about 100 Russians approached, led by four tanks, and penetrated the defense positions. Close-quarter counterattacks were launched by elements of three Japanese infantry companies, a machine-gun platoon, and an engineer platoon. One officer recalled "It was tough and costly fighting. Men were overrun by tanks, some losing limbs." Nine engineers linked up with the infantry, placing explosives under tank turrets and blowing up two machines. During the crisis, with tanks and infantry overrunning his lines. From the right wing, in the Eleventh Company sector, the Japanese fought fiercely against Soviet heavy weapons and infantry who had advanced to point-blank range. Master Sergeant Suzuki, acting company commander, on his own initiative ordered the main force to counterattack. Through coordinated action, the Japanese knocked out four tanks that had penetrated their positions. Two enemy battalions that had "come close bravely" were nearly wiped out. Total Soviet strength committed in this sector amounted to three battalions and forty tanks. Japanese losses on the Hill 52 front were heavy indeed: seventy-four had been killed and eighty-five wounded, one hundred fifty-nine out of three hundred twenty-eight men in action. The remnants of one infantry company were commanded by a superior private; sergeants led two other infantry and two machine-gun companies. Seven of thirteen heavy weapons were inoperable.  Meanwhile 9th Company elements defended Noguchi Hill, 800 meters southeast of Changkufeng. By 05:00 on 7 August, Soviet troops facing the hill numbered 200 infantry, five tanks, and two rapid-fire guns. From positions set up the previous night along the lake, the Russians opened fire at dawn while 50 soldiers moved to attack with the tanks in support. Captain Noguchi's men poured fire on the enemy and inflicted heavy losses. But the Russians, who possessed superior supporting fire, fought their way forward until, after 40 minutes, they got within 70 meters. The Soviet tanks disappeared into a dead angle near the lakeshore. When the fog lifted at 06:00, the Russians on the southeast slope of Changkufeng fired down at Noguchi Hill with four heavy machine guns. Seven tanks, advancing anew from the gully northeast of Hill 52, came as close as 80 to 200 meters, deployed to encircle, and opened fire. By now, eight Japanese had been killed and five wounded; most of the light machine guns and grenade dischargers had been crippled and all three heavy weapons were out of action. The Russians attacked again at 08:00, hurling grenades and shouting. A dozen tanks operated in support of two infantry companies. The Japanese responded with grenades; yellow and black smoke masked the heights, and the scene was extremely impressive. Desperate hand-to-hand combat raged along the sector for a half-hour until the Soviets fell back after suffering enormous losses.  At 10:40, the Russians assaulted with infantry from the southeast front and from the Changkufeng direction, aided by tanks from the zone between. Captain Noguchi sortied with his remnant, charged the Russians, and drove them off. In this fighting, however, he was shot in the chest and most of his subordinates were killed or wounded. Somehow the captain stayed on his feet. He and six survivors threw grenades at the Russians, who were now behind the Japanese, and then he led a last charge back to the highest positions. Once the enemy had been evicted, Captain Noguchi collapsed. Only three or four soldiers were in fighting condition. The captain begged them to report to Sato, but, refusing to abandon him, the men managed to help him down to the rear. It was 11:30. Captain Noguchi's unit, which had fought bravely since the first combat on 6 August, had been destroyed. Of 78 officers and men, 40 lay killed and another 31 wounded. The hill had been lost. Meanwhile, Soviet bombardment of the Hill 52 district had been heavy, and phone contact with the regiment was severed. Suddenly, the indomitable Captain Noguchi appeared at headquarters, and the regiment finally learned that the foe had penetrated the defenses. The bleeding captain pleaded for a counterattack and kept trying to return to the fight; K. Sato had to restrain him by ordering him to leave for the rear. It was true that the position Captain Noguchi had occupied was the key point connecting Hill 52 and Changkufeng. But Sato reasoned that if they held solidly to the latter hills, their defenses would never be in danger, and it would be easy to retake Noguchi Hill at any time by concentrating fire from all the high ground and by employing artillery, once strength could be spared. Around sunset, however, Sato received an order from the brigade, and a report came from Changkufeng that "our troops' brave fighting has tied us over the crisis." Reassured, Sato proceeded to Hill 52, cheered on Kojima and the soldiers, and examined the condition of the wounded and the heaped-up corpses.  The 75th Infantry estimated that there had been 900 Russian casualties in the right sector and that more than ten tanks and three heavy machine guns had been put out of action. The regiment itself had lost four officers killed and had four wounded. In the entire right sector which included 1,332 men in action, 140 had been killed and 180 wounded. Seven soldiers of the 75th Infantry were also listed as missing in action but presumed dead. Total casualties including the missing, as a percentage of those listed as engaged, amounted to 25 percent for the right sector unit. On the 7th, the unit had lost 19 machine guns and 11 grenade dischargers. As of 18:00 on 7 August, Japanese intelligence estimated that the Russians had committed a grand total of 25 infantry battalions, up six from 6 August, 80 artillery pieces, up 10, and 200 tanks . Situation maps showed one Soviet infantry battalion east of Changkufeng, another north of Hill 52, armor and infantry in unknown strength east of that hill, and artillery positions from northeast to southeast of Khasan. On the 7th, spotters also observed seven large steamers entering Posyet and Khansi, as well as one 10,000-ton vessel at Yangomudy. At least 200 or 300 enemy soldiers in the Karanchin sector were working to strengthen positions. Units moving south from Novokievsk included 350 trucks, 60 tanks, and 400 troops. Heading north from the region of the battlefield were 100 trucks and 150 horsemen. Meanwhile, on the front in eastern Manchuria, elements of the Kwantung Army's 8th Division had forcibly ousted a small party of Soviet border trespassers. The "punch" had gone out of the Russians in the Hill 52 sector after their thorough defeat on 6 and 7 August, but they continued to build up firepower, deploying heavy weapons and artillery observation posts. The bombardments grew more accurate; even regiment and brigade headquarters lost their last dead angles. By daylight on the 8th, two Soviet infantry battalions plus tanks were deployed on the Hill 52 front. Their main forces were distributed along a line 800 meters from the Japanese, and snipers and machine gunners held positions 200 to 300 meters away. "Each time they detected movement, they sniped at us and interfered with our observation." From 09:00, the Japanese sustained scattered artillery fire. At 13:30 there was a bombing raid by 15 planes, but no casualties were incurred. Soviet guns pounded Hill 52 around 18:30, and the Japanese suffered four or five casualties, but morale was generally high, and they sought to strengthen and repair their positions throughout the night. On the Changkufeng front, which had drawn rather serious attention, Russian heavy guns opened slow fire after 05:00 from east of Khasan and from Maanshan. Through the night of 7–8 August, Soviet infantry had assembled near the lake crossing. Russian troop strength increased beyond one-and-a-half battalions. The defenders ran out of grenades and had to resort to rocks, but by 10:00 the Soviet assault waves began to weaken after five hours of fierce resistance. Supporting the Japanese lines had been barrages by grenade launchers, flank fire by a heavy-machine-gun platoon at Chiangchunfeng, and supported by the mountain artillery. Around 10:30, the attackers fled to Khasan. The battlefield quieted, but enemy snipers dug foxholes 300 meters away and kept up persistent fire, and infantry mounted repeated attacks in varying strength.    Since morning, the mountain gun and the two battalion guns at Fangchuanting had engaged infantry and machine guns that appeared on the middle of the Changkufeng crest as well as in the Hill 52 area. The timely fire from these guns caused severe losses, especially to Russian observation posts. But Lieutenant Maeoka, who commanded the mountain platoon from Changkufeng, was wounded badly at 10:30. The mountain battalion also fired at targets in the Changkufeng sector from the Korean side of the Tumen. At 13:20, the Russians pressed new attacks against Changkufeng from three sides, using a total of two companies and three tanks. Although they got close and attacked persistently, they were driven off each time; these afternoon efforts were not very vigorous. Fighters strafed at low altitude and more than ten bombers attacked near 15:00, igniting fires in the village of Fangchuanting. The raids by planes and guns caused frequent cuts in signal lines again. At 06:50 on the 8th, Soviet forces in the left sector resumed their efforts until they were pinned down at 100 meters and had to dig in. Excepting spotter posts, everyone must enter shelters from warning till all-clear. Meanwhile, T. Sato estimated that although enemy attacks were aimed mainly against Changkufeng, there existed some danger that hostile forces would cross the Tumen near Yangkuanping and launch a sudden attack against our left rear, as actions in that area had become pronounced. He accordingly issued an order at 17:00: all of us, superiors as well as subordinates, must overcome exhaustion, make nighttime guardings rigorous, and leave the foe not the slightest opening between friendly battalions or from the shores of the Tumen River.  Suetaka estimated in the morning of the 8th that the Russians were trying to generate propaganda advantageous to them at home and abroad by staking their honor and seizing Changkufeng quickly. From the standpoint of overall political tactics, it was imperative to thwart their intentions. The enemy relied consistently on elements that remained on the Crestline southeast of Changkufeng and served as a base; they must be deprived of that attack base. If his assault plans were to be successful, the 37th Brigade would require reinforcement. The first battalion-size elements of Cho's infantry were arriving. As an initial step, Hanyu's battalion should cross the Tumen and join the brigade, while the main body of the regiment, due that afternoon, should be ready to enter the lines. The division chief of staff issued an order in the name of Suetaka, stipulating that the division would secure its positions while adhering to the great policy of nonexpansion. At 22:30 Morimoto speculated that the Russians were hoping for the good fortune of retaking Changkufeng. Strict guard measures were enjoined. Eventually, before midnight, Suetaka met Cho at Seikaku station. To implement Suetaka's request that the Russian foothold southeast of Changkufeng be wiped out soon, Morimoto decided in the morning to employ the new battalion from Cho's regiment. But since Hanyu's unit was delayed by enemy fire, Morimoto had to turn to the reserve 76th Regiment. At 16:00 Okido was told to prepare an attack, using one infantry battalion and an engineer squad. The mission was to take advantage of darkness to expel the foe remaining on Changkufeng, secure the heights in concert with the elements on the hill, and smash any serious attack at night. At 17:00 Okido issued his detailed order. Enemy elements were located near the cliff close to the northern top of Changkufeng. Apparently hostile bases existed in scattered fashion on the southern slopes as well, as well as a rather large base on the middle of Akahage "Red Bald" Hill, formerly held by Captain Noguchi's company. The regiment was to drive those forces north of Hill 52. The 3rd Battalion commander, Major Hashimoto Seishiro, was to direct both companies' assaults, and, once the foe had been ousted, secure the locations until dawn, after which he would return to the reserve unit.  On the 8th, at 19:30, Hashimoto proceeded with his battalion staff to the foot of Changkufeng and conferred with Major Sato and Captain Shimomura, the majors commanding the units with which he was to cooperate. The assault units moved out from Chiangchunfeng, but their timing was thrown off by a half-hour of artillery checking fire from northeast of the lake. At 20:50, Captain Iwai's 10th Company, supported by a machine-gun platoon, attacked the rock corner on the east side of Changkufeng. After cutting down Soviet sentries, the Japanese rushed in; 40–50 Russian soldiers retreated toward Akahage. On that hill there had been only 20–30 Soviet troops to begin with, but their strength had been built up to two companies plus tanks and infantry guns. The Russians laid down violent small-arms fire, causing 17 Japanese casualties in a short period, after which 30–40 enemy soldiers sought to counterattack. The Japanese drove back this effort, readied their own offensive, and continued to launch close assaults against the heavy-machine-gun nest at the rock corner. Simultaneously, Captain Shidara's 7th Company jumped off with five attached demolition engineers. The 1st Platoon broke through the entanglements and cut down lookouts while the 2nd Platoon proceeded to mop up footholds on the north side—about ten Russian soldiers who dotted the slope at four locations. In the process, the company ran into the positions Iwai had been attacking. Terrain and enemy fire dictated a detour south of the ridgeline. Shidara's men moved up behind Iwai on the right, joining Hashimoto's command. The battalion commander consolidated his lines and directed reconnaissance preparatory to an attack against Akahage. Hours passed; Okido, at the command post, decided it might be wiser to wait till daybreak and call for artillery support. Hashimoto then issued his own instructions from the eastern salient, cautioning his men to dig in well. Near 04:00 the redeployments were completed, but construction did not progress due to the rocky terrain; soldiers were barely able to scoop knee-high firing trenches by daybreak. Total Russian losses on the 8th were estimated to exceed 1,500. More than 100 tanks were claimed publicly, and it was "confirmed" that since the 1st, six planes had been shot down, two of which had fallen behind Japanese lines. In Tokyo, the war ministry and the Gaimusho denied categorically that the Russians had retaken Changkufeng. Soviet troops had attempted to rush positions 600 feet from the crest at 1400 hours; after two and a half hours of furious hand-to-hand fighting, they were beaten off with presumably heavy casualties on both sides. Soviet tanks were reported moving north from Posyet Bay, though it remained unclear whether this indicated withdrawal or strategic movement. Right sector casualties were relatively light on 8 August: eight killed and 41 wounded, the 75th Infantry suffering five and 38 of these respectively. Officer casualties were proportionately high: two wounded in the 75th Regiment, one in the 76th Regiment, and a fourth in the mountain artillery. Personnel rosters of the 75th Regiment, as of 30 July and 8 August, showed a reduction from 1,403 to 826, down 41 percent. The cumulative effect of Japanese losses and the scale of Soviet commitment troubled the Korea Army. Suetaka reported Japanese casualties as: through 2 August, 45 killed, 120 wounded; from 3-5 August, 25 killed, 60 wounded; since 6 August, killed unknown, 200 wounded. Remarkably, the same casualty totals were released publicly by the war ministry on the night of the 8th. Throughout 9 August at 15:20 the Japanese were hit by a very intense barrage from Hill 29. The mountain gun was damaged by shellfire and had to be moved to the foot of Fangchuanting. Tanaka had ordered his artillery to conduct long-range artillery neutralization and communications-cutoff fire, and short-range neutralization as well as checking fire. The accuracy of our artillery elements had improved, and the power of our guns had been enhanced greatly. On the left, from 05:30, T. Sato dispatched an antitank platoon, under cover of mist, to finish off immobilized Soviet tanks whose main armament was still operational and which had done some severe firing the day before. As the day wore on, spirits rose, for the men heard the roar of friendly 15-cm cannon laying down mighty neutralization fire against enemy artillery. Near 14:15, Russian troops were detected creeping forward in the woods 400 meters away on the right. Supporting mountain artillery wiped out this threat in short order. Suetaka decided to move his division headquarters to Seikaku and his combat command post to the Matsu'otsuho message center. Anxiety about the Wuchiatzu sector to the north had diminished greatly; in addition, the entire strength of the division had already been brought to the front. Lastly, dealings with the Seoul and Tokyo levels had by now become rather secondary in importance. Suetaka could discern the steady, disturbing exhaustion of his front-line troops. On the other hand, newly arrived Cho was raring to go. After receiving authorization from Suetaka, Cho allowed Nakajima's battalion to cross the river at Matsu'otsuho but kept Osuga's battalion on the Korean bank as division reserve. Since Tanaka had surmised that the Russians' intention was to direct their main offensive effort against the Japanese right wing, it seemed best to transfer the mountain guns to strengthen the right sector positions. The brigade order of 17:30 endorsed Tanaka's shift of defensive emphasis, particularly with regard to the artillery and the new elements from Cho's regiment. Morimoto added that the core of the Soviet assault force southeast of Changkufeng amounted to two infantry battalions. T. Sato accordingly ordered Obo's battalion to integrate its heavy firepower and deliver swift fire in timely fashion. Soon afterward, Obo discerned a massed battalion of Russian infantry, who had been hauled up by trucks, on the northeastern skirt of Changkufeng. He unleashed every available weapon, organic and attached, at 19:30. The Soviets seemed taken completely by surprise; they showed extreme bewilderment and dispersed in an instant. The right sector unit estimated that on 9 August it had caused 450 casualties, stopped five tanks, and knocked out one light artillery piece and seven heavy machine guns. Japanese casualties in the right sector had amounted to 28 killed and 43 wounded. Ammunition expenditures were considerably higher than on the 8th.  During the night of 9–10 August, the 74th Infantry reinforcements crossed the Tumen steadily. In the early hours, Okido concluded that Soviet attack designs had been frustrated for the time being. The Hill 52 front was relatively calm. Soviet automatic weapons and riflemen were still deployed 200 to 300 meters from Japanese positions, where they sniped selectively. Russian artillery was quiet, apparently as the result of the movement of the main Japanese artillery force to the right wing and the arrival of long-range guns. The 75th Regiment command post at Fangchuanting was the focal point of Japanese artillery activity. Firing began at 07:10, when four battalion guns engaged and smashed two Soviet mountain pieces.  As for Soviet ground assaults, one company attacked at Changkufeng as early as 05:20 under cover of fog but was driven off after 40 minutes. The Russians struck again from three directions in formidable strength between 09:00 and 10:00. Morimoto, growing concerned about the danger of irruptions through gaps between Changkufeng and Shachaofeng, sent elements of Nakajima's battalion to Chiangchunfeng. Since the right wing of the Russians atop Changkufeng was spilling onto the western slopes, at 10:30 Nakajima had his heavy machine guns and battalion guns lay down strong fire from the peak of Chiangchunfeng. Meanwhile, heavy weapons from the left sector were also contributing to the repulse of the morning assaults. A battalion of Soviet infantry attacked Changkufeng all afternoon. Fierce gunfire by the 75th Regiment at 14:00 routed troops massing on the slopes facing the red flag. Considerable losses were inflicted on 75 Russians sighted northeast of Hill 52. An enemy company on the Khasan shore and another two east of Akahage Hill were attempting to occupy positions from which to strike Fangchuanting with the support of two rapid-fire guns. By 17:00 the Russians had been repulsed by the energetic fire of Japanese small arms, battalion guns, and artillery. Soviet forces dispersed toward the lakeshore and Hill 52, leaving many corpses behind. The last important firing by Japanese battalion guns at Fangchuanting on the 10th was a mission against the eastern slopes of Changkufeng at 18:00. Thereafter, the battle zone grew still.  In the left sector, T. Sato concluded that, to secure Changkufeng, it would be best to reinforce flank fire instead of concentrating on the direct attack or defense of the Changkufeng district. He therefore made arrangements with Okido to borrow one machine-gun platoon and assign it to Obo. As of 05:30, enemy troops were still holding a line 300 meters from the positions of Obo's right battalion and 800 to 1,000 meters ahead of Takenouchi's left battalion. Shortly afterward, good news was received at the left sector command post: the last battalion of the 73rd Regiment was to have left Nanam at 16:00 on 9 August and would arrive in the near future. On the right wing of the left sector, the Russians facing Kadokura's company began to operate energetically from 09:00, advancing in two lines, 150 meters apart, with a total strength of one company: two platoons up, one platoon back. They were supported by forces on the high ground north of Khasan and on Akahage. Kadokura waited for the enemy to close to 200 meters before ordering his men to open fire; particularly effective was the flanking fire by the machine-gun company and by elements of Okuda's company. Many heavy artillery shells were hitting the Japanese lines now, but defensive fire pinned down the attacking infantry for a while, 100 meters from the breastworks. Then 30 or 40 Soviet soldiers, covered by firepower, worked forward as close as 30 meters, hurling grenades and giving every indication of mounting a charge. The Japanese responded with grenades. At the same time, the left-flank squad of Kadokura's company was being annihilated. Thus encouraged, Russian assault troops plunged close, whereupon Kadokura assembled his available men, a dozen or so, from the command teams and runners—and grappled with the foe at point-blank range. An ammunition man joined in the melee and broke up the Soviet assault by expert use of hand grenades. The second echelon gradually fell back around 10:30, in the face of heavy fire laid down by the machine guns and Okuda's company. The Russians appeared to be adjusting their deployment but made no further efforts to close. At Changkufeng, meanwhile, two or three enemy companies were approaching the crest. Left sector raiding fire caused the Russians to flee. Japanese casualties in the old right sector had been nine killed and 22 wounded on 10 August. It was estimated that Soviet casualties amounted to 600 killed or wounded, with five heavy machine guns knocked out. By this time, the Soviets had committed their maximum infantry and artillery strength: 27 battalions and 100 guns, the same as on 9 August but up 17 battalions and 60 units since 3 August. Higher headquarters reported no tanks at the front, though 75th Infantry situation maps indicated some Soviet armor still faced Hill 52 sector. Although Japanese officers insisted that Changkufeng Hill remained in Japanese possession, they acknowledged increased casualties due to the accuracy of Soviet shelling. Losses were not as severe as might have been expected because the enemy did not time their charges with their bombardments; Japanese troops lay in trenches and met the attackers with grenades. Every combat unit of the 19th Division had been committed. Nevertheless, the maimed and the fresh battalions had amounted to a combined maximum strength of only 12 infantry battalions and 37 artillery pieces, primarily 75-mm mountain guns, without armor or aircraft. These forces had to cope with 27 enemy infantry battalions and 100 artillery pieces, including many long-range guns, as well as sizable tank and aerial units. Every echelon, regiment, division, and army, had voiced the need for troop replacements and reinforcements.  By evening of 10 August, the situation had deteriorated to the point that the division chief of staff sent Seoul a very long and painful message that ended with: "There is danger of radical change in combat situation in few days if matters go on. It is estimated that this division has only one or two days left in which it can retain definite freedom of action,initiative to advance or retreat. Even if overall situation should develop to our advantage in next three or four days, we ought to be patient from broader standpoint, and be satisfied with our achievement, that Japanese Army has manifested its strength against enemy till now. While we do retain freedom of action, it would be appropriate to solve incident now through speedy diplomatic negotiations. Such measures are entirely up to Korea Army and high command but, so far as division is concerned, there is no other way except of course to make desperate efforts to maintain occupation line for sake of mission. Please take these matters into sympathetic consideration and conduct appropriate measures urgently". I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. Night raids and artillery opened the fight, with Hill 52 and Changkufeng changing hands amid intense Soviet tank and air assaults. Japanese forces, aided by engineers, infantry, and mountain guns, mounted tenacious defense, repelling repeated Soviet breakthroughs though suffering heavy casualties. By August 10, Japanese divisions faced mounting exhaustion and warnings of potential strategic shifts, while both sides suffered substantial casualties and material losses.

We get a sense of what prices and the jobs market are like in Venezuela, and also look at the country's oil sector.And we also talk the about the global obsession surrounding Korean skincare and cosmetics - K-beauty.You can contact us on WhatsApp or send us a voicenote: +44 330 678 3033.

In our first podcast of 2026, we're reflecting on 10 years of podcasting, the chaos of coming out of the holidays, and how routines change as you get older.We dive deep into No Other Choice, the Korean film generating major Oscar buzz — why going in blind made the experience better, how modern movie marketing overshares everything, and why word of mouth matters more than trailers in 2026.From there, the conversation expands into the death of the traditional movie star, the rise of directors as the real draw, how social media has reshaped fame, and why today's actors are promoted very differently than stars of the past.We also touch on AI, automation, job anxiety, Stranger Things, and throw out some bold (and questionable) predictions for the year ahead.This episode is a mix of film, culture, tech, and real-life reflection — exactly how we're starting 2026.

Send Us an Email to Chat!This week we watch Kathy's favorite Korean show Mignon. We also drink Buzzballz and talk about everything good about New Year!Follow us on Instagram:@Gaspatchojones@Homewreckingwhore@The_Miseducation_of_DandG_Pod@QualityHoegramming@MullhollanddazeCheck Out Our WebsiteSpirit Box PodcastDespite being placed on sabbatical for her supernatural research, Professor Toni...Listen on: Apple Podcasts SpotifySupport the show

Born amidst cultural complexities in Korea to an American soldier and a Korean mother, Mark Wills faced an extraordinary start to life. Discover how Mark's journey from an orphanage to a diverse family of 25 siblings in America shaped him into the notary coach and family man he is today. This episode of the Wandering Tree Podcast highlights Mark's experiences, the enduring impact of early love from his biological mother, and how gratitude has played a pivotal role in his personal growth and success.With Mark's personal reflections, we challenge conventional narratives and highlight the importance of empathy and understanding for both adoptees and adoptive parents. By sharing anecdotes and insights, we aim to foster healing and grace within the adoptee community, encouraging listeners to view life as a continual journey rather than a final destination. Mark's story is a testament to the power of self-discovery and healing. We discuss overcoming childhood traumas, the impact of control and overthinking on relationships, and the journey towards harmony with one's past. This episode emphasizes the importance of unpacking emotional baggage, employing empathy, and accepting the complexities of human ties. Join us as we explore how embracing our narratives and turning trauma into triumph can lead to a more realistic harmony with our personal stories.

**Special note to our listeners** Love the show? Help us keep the conversation going! Become a paid subscriber through our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Your contributions help us continue to make content on issues related to the Asian-American, immigrant, modern parent experience.THANK YOU to our super awesome listeners who have already signed up!---------------------------------------Korean BBQ, Kimchi, Bibimbap, Kimbap, Seafood Pancake, Soondu Jigae, Seolleongtang, Naengmyun, Kalbi Jjim - is your mouth watering yet?Riding the broader wave of "Hallyu" (or Korean pop culture) in America, Korean food and ingredients are showing up in more places as well. Kimchi at your local Krogers, gochujang on your pork ribs? And it's not only traditional Korean food that's having a significant influence - what's the story with Paris Baguette in Pittsburgh or (gasp)... Paris? (yes the one in France).In true MMM fashion, we walk through the wonder world that is Korean food and its rising influence in the West. We make your mouth savor with our loving descriptions of how Korean flavors and textures hit our taste buds (we told you - don't listen hungry!), give you a 101 on the traditional Korean table to help deepen your understanding and give you the socio-political-economic take on why Korean food is the way it is and how it's been exported, re-imported and re-exported to be the delightfully delicious array it is today.

Hello, welcome to the 46th episode of my podcast

YA GIRL'S KDrama Podcast is hosted by Maddie, Christina, and Elle—three friends brought together by their shared love of KDramas......Since 2022, we've been podcasting about everything from brand-new releases to beloved throwback dramas. We laugh, squeal, ham it up, and hype up the shows—while also SWOONING over the amazing male leads that grace our TV screens. ....As the Pod Sisters, we each bring different KDrama tastes to the table, which means there's always something for every kind of viewer!.....Our episodes include reviews of old and new dramas, throwback series where we watch older shows for the first time, and our fan-favorite CHINGU CHATS —a segment created by Maddie and Christina where we talk about Korean-related topics and dive into popular KDrama tropes.....Thank you for finding our podcast. We hope listening brings you as much joy as recording and creating it brings us.안녕 Maddie, Christina, and Elle

Quaranteam - Dave In Dallas: Part 12 Consequences.

Have you ever been excited to share something—a post, a message, a video—only to freeze the moment you're about to hit “publish”? That sudden contraction isn't a confidence problem or a mindset failure. It's your nervous system having a temper tantrum, and how you respond determines whether you open to abundance or shut it down completely.In this powerful New Year's episode, Elaine Starling reveals how your subconscious uses your body to signal safety or danger, why visibility often feels threatening, and how to shift from contraction into coherence so abundance can flow again. Inspired by Korean parenting techniques, neuroscience, and Divine guidance, Elaine teaches you how to lead your Inner Child with loving presence instead of pressure or perfection.If you're ready for 2026 to be your year of expansion, clarity, and courageous self-expression, this Abundance Upgrade will show you how to align your energy, regulate your nervous system, and say YES to the opportunities already waiting for you.Topics Covered0:00 – The hidden reason you freeze right before you share your giftsWhy resistance isn't a mindset issue—it's a safety signal.3:20 – The nervous system temper tantrumHow your subconscious controls 95% of your choices and shuts down visibility.7:05 – The Korean parenting insight that changes everythingWhy calm presence—not logic—regulates overwhelm.10:40 – The 3 breaths + Intention + 78-second alignment ritualHow energetic connection dissolves resistance before you begin.15:30 – What actually happens when you withhold your giftsHow contraction collapses your electromagnetic field (and abundance with it).19:45 – Performance vs. PresenceThe shift that stops fear from driving the bus.24:20 – A real-life story: When Divine inspiration meets inner panicHow Elaine navigated a visibility wobble and restored safety.28:55 – The Re-Centering LoopA 5-step method to regulate your energy and return to alignment.36:10 – Protective NO vs. Growth NOHow your body distinguishes danger from expansion.41:30 – Visibility as Service, not self-promotionWhy sharing your truth answers someone's prayer.46:00 – The true Abundance UpgradeHow compassion, steadiness, and Divine partnership expand your receiving field.Key Takeaways (Skimmable Wins)Your body isn't sabotaging you—it's protecting you based on old data.Abundance flows where your nervous system feels safe.Contraction in one area (visibility) closes your ability to receive in all areas.Presence leads the room; fear only leads to shutdown.Sharing your gifts is an act of service—not a performance.“When you open, abundance follows.” — Elaine StarlingThe Abundance Upgrade Method (Step-by-Step)1 – Notice the ContractionSay:“Something in me is contracting.”Naming it reduces the emotional charge.2 – Pause & GroundHand on heart + belly.Inhale: I...

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight's show features Asian Refugees United and Lavender Phoenix in conversation about art, culture, and organizing, and how artists help us imagine and build liberation. Important Links: Lavender Phoenix: Website | Instagram Asian Refugees United: Website | Instagram | QTViệt Cafe Collective Transcript: Cheryl: Hey everyone. Good evening. You tuned in to APEX Express. I'm your host, Cheryl, and tonight is an AACRE Night. AACRE, which is short for Asian Americans for Civil Rights and Equality is a network made up of 11 Asian American social justice organizations who work together to build long-term movements for justice. Across the AACRE network, our groups are organizing against deportations, confronting anti-blackness, xenophobia, advancing language justice, developing trans and queer leaders, and imagine new systems of safety and care. It's all very good, very important stuff. And all of this from the campaigns to the Organizing to Movement building raises a question that I keep coming back to, which is, where does art live In all of this, Acts of resistance do not only take place in courtrooms or city halls. It takes place wherever people are still able to imagine. It is part of how movements survive and and grow. Art is not adjacent to revolution, but rather it is one of its most enduring forms, and tonight's show sits in that very spirit, and I hope that by the end of this episode, maybe you'll see what I mean. I;d like to bring in my friends from Lavender Phoenix, a trans queer API organization, building people power in the Bay Area, who are also a part of the AACRE Network. This summer, Lavender Phoenix held a workshop that got right to the heart of this very question that we're sitting with tonight, which is what is the role of the artist in social movements? As they were planning the workshop, they were really inspired by a quote from Toni Cade Bambara, who in an interview from 1982 said, as a cultural worker who belongs to an oppressed people, my job is to make the revolution irresistible. So that raises a few questions worth slowing down for, which are, who was Toni Cade Bambara? What does it mean to be a cultural organizer and why does that matter? Especially in this political moment? Lavender Phoenix has been grappling with these questions in practice, and I think they have some powerful answers to share. So without further ado, I'd like to introduce you to angel who is a member of Lavender Phoenix. Angel: My name is Angel. I use he and she pronouns, and I'm part of the communications committee at LavNix. So, let's explore what exactly is the meaning of cultural work.  Cultural workers are the creators of narratives through various forms of artistic expression, and we literally drive the production of culture. Cultural work reflects the perspectives and attitudes of artists and therefore the people and communities that they belong to. Art does not exist in a vacuum. You may have heard the phrase before. Art is always political. It serves a purpose to tell a story, to document the times to perpetuate and give longevity to ideas. It may conform to the status quo or choose to resist it. I wanted to share a little bit about one cultural worker who's made a really big impact and paved the way for how we think about cultural work and this framework. Toni Cade Bambara was a black feminist, cultural worker, writer, and organizer whose literary work celebrated black art, culture and life, and radically supported a movement for collective liberation. She believed that it's the artist's role to serve the community they belong to, and that an artist is of no higher status than a factory worker, social worker, or teacher. Is the idea of even reframing art making as cultural work. Reclaimed the arts from the elite capitalist class and made clear that it is work, it does not have more value than or take precedence over any other type of movement work. This is a quote from an interview from 1982 when Toni Cade Bambara said, as a cultural worker who belongs to an oppressed people, my job is to make revolution irresistible. But in this country, we're not encouraged and equipped at any particular time to view things that way. And so the artwork or the art practice that sells that capitalist ideology is considered art. And anything that deviates from that is considered political, propagandist, polemical, or didactic, strange, weird, subversive or ugly. Cheryl: After reading that quote, angel then invited the workshop participants to think about what that means for them. What does it mean to make the revolution irresistible? After giving people a bit of time to reflect, angel then reads some of the things that were shared in the chat. Angel: I want my art to point out the inconsistencies within our society to surprised, enraged, elicit a strong enough reaction that they feel they must do something. Cheryl: Another person said, Angel: I love that art can be a way of bridging relationships. Connecting people together, building community. Cheryl: And someone else said. Angel: I want people to feel connected to my art, find themselves in it, and have it make them think and realize that they have the ability to do something themselves. Cheryl: I think what is rather striking in these responses that Angel has read aloud to what it means to make art that makes the revolution irresistible isn't just aesthetics alone, but rather its ability to help us connect and communicate and find one another to enact feelings and responses in each other. It's about the way it makes people feel implicated and connected and also capable of acting. Tony Cade Bambara when she poses that the role of cultural workers is to make the revolution irresistible is posing to us a challenge to tap into our creativity and create art that makes people unable to return comfortably to the world as is, and it makes revolution necessary, desirable not as an abstract idea, but as something people can want and move towards  now I'm going to invite Jenica, who is the cultural organizer at Lavender Phoenix to break down for us why we need cultural work in this political moment. . Speaker: Jenica: So many of us as artists have really internalized the power of art and are really eager to connect it to the movement.  This section is about answering this question of why is cultural work important.  Cultural work plays a really vital role in organizing and achieving our political goals, right? So if our goal is to advance radical solutions to everyday people, we also have to ask ourselves how are we going to reach those peoples? Ideas of revolution and liberation are majorly inaccessible to the masses, to everyday people. Families are being separated. Attacks on the working class are getting worse and worse. How are we really propping up these ideas of revolution, especially right in America, where propaganda for the state, for policing, for a corrupt government runs really high. Therefore our messaging in political organizing works to combat that propaganda. So in a sense we have to make our own propaganda. So let's look at this term together. Propaganda is art that we make that accurately reflects and makes people aware of the true nature of the conditions of their oppression and inspires them to take control of transforming this condition. We really want to make art that seeks to make the broader society aware of its implications in the daily violences, facilitated in the name of capitalism, imperialism, and shows that error of maintaining or ignoring the status quo. So it's really our goal to arm people with the tools to better struggle against their own points of views, their ways of thinking, because not everyone is already aligned with like revolution already, right? No one's born an organizer. No one's born 100% willing to be in this cause. So, we really focus on the creative and cultural processes, as artists build that revolutionary culture. Propaganda is really a means of liberation. It's an instrument to help clarify information education and a way to mobilize our people. And not only that, our cultural work can really model to others what it's like to envision a better world for ourselves, right? Our imagination can be so expansive when it comes to creating art. As organizers and activists when we create communication, zines, et cetera, we're also asking ourselves, how does this bring us one step closer to revolution? How are we challenging the status quo? So this is exactly what our role as artists is in this movement. It's to create propaganda that serves two different purposes. One, subvert the enemy and cultivate a culture that constantly challenges the status quo. And also awaken and mobilize the people. How can we, through our art, really uplift the genuine interests of the most exploited of people of the working class, of everyday people who are targets of the state and really empower those whose stories are often kept outside of this master narrative. Because when they are talked about, people in power will often misrepresent marginalized communities. An example of this, Lavender Phoenix, a couple years ago took up this campaign called Justice for Jaxon Sales. Trigger warning here, hate crime, violence against queer people and death. Um, so Jaxon Sales was a young, queer, Korean adoptee living in the Bay Area who went on a blind like dating app date and was found dead the next morning in a high-rise apartment in San Francisco. Lavender Phoenix worked really closely and is still connected really closely with Jaxon's parents, Jim and Angie Solas to really fight, and organize for justice for Jaxon and demand investigation into what happened to him and his death, and have answers for his family. I bring that up, this campaign because when his parents spoke to the chief medical examiner in San Francisco, they had told his family Jaxon died of an accidental overdose he was gay. Like gay people just these kinds of drugs. So that was the narrative that was being presented to us from the state. Like literally, their own words: he's dead because he's gay. And our narrative, as we continue to organize and support his family, was to really address the stigma surrounding drug use. Also reiterating the fact that justice was deserved for Jaxon, and that no one should ever have to go through this. We all deserve to be safe, that a better world is possible. So that's an example of combating the status quo and then uplifting the genuine interest of our people and his family. One of our key values at Lavender Phoenix is honoring our histories, because the propaganda against our own people is so intense. I just think about the everyday people, the working class, our immigrant communities and ancestors, other queer and trans people of color that really fought so hard to have their story told. So when we do this work and think about honoring our histories, let's also ask ourselves what will we do to keep those stories alive? Cheryl: We're going to take a quick music break and listen to some music by Namgar, an international ethno music collective that fuses traditional Buryat and Mongolian music with pop, jazz, funk, ambient soundscapes, and art- pop. We'll be back in just a moment with more after we listen to “part two” by Namgar.    Cheryl: Welcome back.  You are tuned in to APEX express on 94.1 KPFA and 89.3 KPFB B in Berkeley and online at kpfa.org.  That song you just heard was “part two” by Namgar, an incredible four- piece Buryat- Mongolian ensemble that is revitalizing and preserving the Buryat language and culture through music. For those just tuning in tonight's episode of APEX Express is all about the role of the artist in social movements. We're joined by members of Lavender Phoenix, often referred to as LavNix, which is a grassroots organization in the Bay Area building Trans and queer API Power. You can learn more about their work in our show notes. We talked about why cultural work is a core part of organizing. We grounded that conversation in the words of Toni Cade Bambara, who said in a 1982 interview, as a cultural worker who belongs to an oppressed people, my job is to make revolution irresistible. We unpacked what that looks like in practice and lifted up Lavender Phoenix's Justice for Jaxon Sales campaign as a powerful example of cultural organizing, which really demonstrates how art and narrative work and cultural work are essential to building power Now Jenica from Levner Phoenix is going to walk us through some powerful examples of cultural organizing that have occurred in social movements across time and across the world. Speaker: Jenica: Now we're going to look at some really specific examples of powerful cultural work in our movements. For our framework today, we'll start with an international example, then a national one, a local example, and then finally one from LavNix. As we go through them, we ask that you take notes on what makes these examples, impactful forms of cultural work. How does it subvert the status quo? How is it uplifting the genuine interest of the people? Our international example is actually from the Philippines. Every year, the Corrupt Philippines president delivers a state of the nation address to share the current conditions of the country. However, on a day that the people are meant to hear about the genuine concrete needs of the Filipino masses, they're met instead with lies and deceit that's broadcasted and also built upon like years of disinformation and really just feeds the selfish interests of the ruling class and the imperialist powers. In response to this, every year, BAYAN, which is an alliance in the Philippines with overseas chapters here in the US as well. Their purpose is to fight for the national sovereignty and genuine democracy in the Philippines, they hold a Peoples' State of the Nation Address , or PSONA, to protest and deliver the genuine concerns and demands of the masses. So part of PSONA are effigies. Effigies have been regular fixtures in protest rallies, including PSONA. So for those of you who don't know, an effigy is a sculptural representation, often life size of a hated person or group. These makeshift dummies are used for symbolic punishment in political protests, and the figures are often burned. In the case of PSONA, these effigies are set on fire by protestors criticizing government neglect, especially of the poor. Lisa Ito, who is a progressive artists explained that the effigy is constructed not only as a mockery of the person represented, but also of the larger system that his or her likeness embodies. Ito pointed out that effigies have evolved considerably as a form of popular protest art in the Philippines, used by progressive people's movements, not only to entertain, but also to agitate, mobilize and capture the sentiments of the people. This year, organizers created this effigy that they titled ‘ZomBBM,' ‘Sara-nanggal' . This is a play on words calling the corrupt president of the Philippines, Bongbong Marcos, or BBM, a zombie. And the vice president Sara Duterte a Manananggal, which is a, Filipino vampire to put it in short, brief words. Organizers burnt this effigy as a symbol of DK and preservation of the current ruling class. I love this effigy so much. You can see BBM who's depicted like his head is taken off and inside of his head is Trump because he's considered like a puppet president of the Philippines just serving US interests. Awesome. I'm gonna pass it to Angel for our national perspective. Angel: Our next piece is from the national perspective and it was in response to the AIDS crisis. The global pandemic of HIV AIDS began in 1981 and continues today. AIDS is the late stage of HIV infection, human immunodeficiency virus, and this crisis has been marked largely by government indifference, widespread stigma against gay people, and virtually no federal funding towards research or services for everyday people impacted. There was a really devastating lack of public attention about the seriousness of HIV. The Ronald Reagan administration treated the crisis as a joke because of its association with gay men, and Reagan didn't even publicly acknowledge AIDS until 19 85, 4 years into the pandemic. Thousands of HIV positive people across backgrounds and their supporters organize one of the most influential patient advocacy groups in history. They called themselves the AIDS Coalition to Unleash Power or ACT up. They ultimately organize and force the government and the scientific community to fundamentally change the way medical research is conducted. Paving the way for the discovery of a treatment that today keeps alive, an estimated half million HIV positive Americans and millions more worldwide. Sarah Schulman, a writer and former member of ACT Up, wrote a list of ACT UPS achievements, including changing the CDC C'S definition of aids to include women legalizing needle exchange in New York City and establishing housing services for HIV positive unhoused people. To highlight some cultural work within ACT Up, the AIDS activist artist Collective Grand Fury formed out of ACT Up and CR and created works for the public sphere that drew attention to the medical, moral and public issues related to the AIDS crisis. Essentially, the government was fine with the mass deaths and had a large role in the active killing off of people who are not just queer, but people who are poor working class and of color. We still see parallels in these roadblocks. Today, Trump is cutting public healthcare ongoing, and in recent memory, the COVID crisis, the political situation of LGBTQ people then and now is not divorced from this class analysis. So in response, we have the AIDS Memorial Quilt, this collective installation memorializes people who died in the US from the AIDS crisis and from government neglect. Each panel is dedicated to a life lost and created by hand by their friends, family, loved ones, and community. This artwork was originally conceived by Cleve Jones in SF for the 1985 candlelight March, and later it was expanded upon and displayed in Washington DC in 1987. Its enormity demonstrated the sheer number at which queer folk were killed in the hiv aids crisis, as well as created a space in the public for dialogue about the health disparities that harm and silence our community. Today, it's returned home to San Francisco and can be accessed through an interactive online archive. 50,000 individual panels and around a hundred thousand names make up the patchwork quilt, which is insane, and it's one of the largest pieces of grassroots community art in the world. Moving on to a more local perspective. In the Bay Area, we're talking about the Black Panther Party. So in October of 1966 in Oakland, California, Huey Newton and Bobby Seale founded the Black Panther Party for self-defense. The Panthers practiced militant self-defense of black communities against the US government and fought to establish socialism through organizing and community-based programs. The Black Panthers began by organizing arm patrols of black people to monitor the Oakland Police Department and challenge rampant rampant police brutality. At its peak, the party had offices in 68 cities and thousands of members. The party's 10 point program was a set of demands, guidelines, and values, calling for self-determination, full employment of black people, and the end of exploitation of black workers housing for all black people, and so much more. The party's money programs directly addressed their platform as they instituted a free B Breakfast for Children program to address food scarcity Founded community health clinics to address the lack of adequate, adequate healthcare for black people and treat sickle cell anemia, tuberculosis, and HIV aids and more. The cultural work created by the Black Panther Party included the Black Panther Party newspaper known as the Black Panther. It was a four page newsletter in Oakland, California in 1967. It was the main publication of the party and was soon sold in several large cities across the US as well as having an international readership. The Black Panther issue number two. The newspaper, distributed information about the party's activities and expressed through articles, the ideology of the Black Panther Party, focusing on both international revolutions as inspiration and contemporary racial struggles of African Americans across the United States. Solidarity with other resistance movements was a major draw for readers. The paper's international section reported on liberation struggles across the world. Under Editor-in-Chief, David Du Bois, the stepson of WEB Du Bois, the section deepened party support for revolutionary efforts in South Africa and Cuba. Copies of the paper traveled abroad with students and activists and were tra translated into Hebrew and Japanese. It reflected that the idea of resistance to police oppression had spread like wildfire. Judy Juanita, a former editor in Chief Ads, it shows that this pattern of oppression was systemic. End quote. Paper regularly featured fiery rhetoric called out racist organizations and was unabashed in its disdain for the existing political system. Its first cover story reported on the police killing of Denzel Doel, a 22-year-old black man in Richmond, California. In all caps, the paper stated, brothers and sisters, these racist murders are happening every day. They could happen to any one of us. And it became well known for its bold cover art, woodcut style images of protestors, armed panthers, and police depicted as bloodied pigs. Speaker: Jenica: I'm gonna go into the LavNix example of cultural work that we've done. For some context, we had mentioned that we are taking up this campaign called Care Not Cops. Just to give some brief background to LavNix, as systems have continued to fail us, lavender Phoenix's work has always been about the safety of our communities. We've trained people in deescalation crisis intervention set up counseling networks, right? Then in 2022, we had joined the Sales family to fight for justice for Jaxon Sales. And with them we demanded answers for untimely death from the sheriff's department and the medical examiner. Something we noticed during that campaign is that every year we watch as people in power vote on another city budget that funds the same institutions that hurt our people and steal money from our communities. Do people know what the budget is for the San Francisco Police Department? Every year, we see that city services and programs are gutted. Meanwhile, this year, SFPD has $849 million, and the sheriff has $345 million. So, honestly, policing in general in the city is over $1 billion. And they will not experience any cuts. Their bloated budgets will remain largely intact. We've really been watching, Mayor Lurie , his first months and like, honestly like first more than half a year, with a lot of concern. We've seen him declare the unlawful fentanyl state of emergency, which he can't really do, and continue to increase police presence downtown. Ultimately we know that mayor Lurie and our supervisors need to hear from us everyday people who demand care, not cops. So that leads me into our cultural work. In March of this year, lavender Phoenix had collaborated with youth organizations across the city, youth groups from Chinese Progressive Association, PODER, CYC, to host a bilingual care, not cops, zine making workshop for youth. Our organizers engaged with the youth with agitating statistics on the egregious SFPD budget, and facilitated a space for them to warm up their brains and hearts to imagine a world without prisons and policing. And to really further envision one that centers on care healing for our people, all through art. What I really learned is that working class San Francisco youth are the ones who really know the city's fascist conditions the most intimately. It's clear through their zine contributions that they've really internalized these intense forms of policing in the schools on the streets with the unhoused, witnessing ice raids and fearing for their families. The zine was really a collective practice with working class youth where they connected their own personal experiences to the material facts of policing in the city, the budget, and put those experiences to paper.   Cheryl: Hey everyone. Cheryl here. So we've heard about Effigies in the Philippines, the AIDS Memorial Quilt, the Black Panther Party's newspaper, the Black Panther and Lavender Phoenix's Care Cop zine. Through these examples, we've learned about cultural work and art and narrative work on different scales internationally, nationally, locally and organizationally. With lavender Phoenix. What we're seeing is across movements across time. Cultural work has always been central to organizing. We're going to take another music break, but when we return, I'll introduce you to our next speaker. Hai, from Asian Refugees United, who will walk us through, their creative practice, which is food, as a form of cultural resistance, and we'll learn about how food ways can function as acts of survival, resistance, and also decolonization. So stay with us more soon when we return.   Cheryl: And we're back!!. You're listening to APEX express on 94.1 KPFA, 89.3 KPFB in Berkeley. 88.1. KFCF in Fresno and online@kpfa.org. That was “Juniper” by Minjoona, a project led by Korean American musician, Jackson Wright.  huge thanks to Jackson and the whole crew behind that track.  I am here with Hai from Asian Refugees United, who is a member QTViet Cafe Collective. A project under Asian Refugees United. QTViet Viet Cafe is a creative cultural hub that is dedicated to queer and trans viet Liberation through ancestral practices, the arts and intergenerational connection. This is a clip from what was a much longer conversation. This episode is all about the role of the artist in social movements and I think Hai brings a very interesting take to the conversation. Hai (ARU): I think that what is helping me is one, just building the muscle. So when we're so true to our vision and heart meets mind and body. So much of what QTViet Cafe is, and by extension Asian refugees and like, we're really using our cultural arts and in many ways, whether that's movement or poetry or written word or song or dance. And in many ways I've had a lot of experience in our food ways, and reclaiming those food ways. That's a very embodied experience. We're really trying to restore wholeness and health and healing in our communities, in our bodies and our minds and our families and our communities that have been displaced because of colonization, imperialism, capitalism. And so how do we restore, how do we have a different relationship and how do we restore? I think that from moving from hurt to healing is life and art. And so we need to take risk and trying to define life through art and whatever means that we can to make meaning and purpose and intention. I feel like so much of what art is, is trying to make meaning of the hurt in order to bring in more healing in our lives. For so long, I think I've been wanting a different relationship to food. For example, because I grew up section eight, food stamps, food bank. My mom and my parents doing the best they could, but also, yeah, grew up with Viet food, grew up with ingredients for my parents making food, mostly my mom that weren't necessarily all the best. And I think compared to Vietnam, where it's easier access. And there's a different kind of system around, needs around food and just easier access, more people are involved around the food system in Vietnam I think growing up in Turtle Island and seeing my parents struggle not just with food, but just with money and jobs it's just all connected. And I think that impacted my journey and. My own imbalance around health and I became a byproduct of diabetes and high cholesterol and noticed that in my family. So when I noticed, when I had type two diabetes when I was 18, made the conscious choice to, I knew I needed to have some type of, uh, I need to have a different relationship to my life and food included and just like cut soda, started kind of what I knew at the time, exercising as ways to take care of my body. And then it's honestly been now a 20 year journey of having a different relationship to not just food, but health and connection to mind, body, spirit. For me, choosing to have a different relationship in my life, like that is a risk. Choosing to eat something different like that is both a risk and an opportunity. For me that's like part of movement building like you have to. Be so in tune with my body to notice and the changes that are needed in order to live again. When I noticed, you know, , hearing other Viet folks experiencing diet related stuff and I think knowing what I know also, like politically around what's happening around our food system, both for the vie community here and also in Vietnam, how do we, how can this regular act of nourishing ourselves both be not just in art, something that should actually just honestly be an everyday need and an everyday symbol of caregiving and caretaking and care that can just be part of our everyday lives. I want a world where, it's not just one night where we're tasting the best and eating the best and being nourished, just in one Saturday night, but that it's just happening all the time because we're in right relationship with ourselves and each other and the earth that everything is beauty and we don't have to take so many risks because things are already in its natural divine. I think it takes being very conscious of our circumstances and our surroundings and our relationships with each other for that to happen. I remember reading in my early twenties, reading the role of, bring Coke basically to Vietnam during the war. I was always fascinated like, why are, why is Coke like on Viet altars all the time? And I always see them in different places. Whenever I would go back to Vietnam, I remember when I was seven and 12. Going to a family party and the classic shiny vinyl plastic, floral like sheet on a round table and the stools, and then these beautiful platters of food. But I'm always like, why are we drinking soda or coke and whatever else? My dad and the men and then my family, like drinking beer. And I was like, why? I've had periods in my life when I've gotten sick, physically and mentally sick. Those moments open up doors to take the risk and then also the opportunity to try different truth or different path. When I was 23 and I had just like crazy eczema and psoriasis and went back home to my parents for a while and I just started to learn about nourishing traditions, movement. I was Very critical of the us traditional nutrition ideas of what good nutrition is and very adamantly like opposing the food pyramid. And then in that kind of research, I was one thinking well, they're talking about the science of broths and like soups and talking about hard boiling and straining the broth and getting the gunk on the top. And I'm like, wait, my mom did that. And I was starting to connect what has my mom known culturally that now like science is catching up, you know? And then I started just reading, you know, like I think that my mom didn't know the sign mom. I was like, asked my mom like, did you know about this? And she's like, I mean, I just, this is, is like what ba ngoai said, you know? And so I'm like, okay, so culturally this, this is happening scientifically. This is what's being shared. And then I started reading about the politics of US-centric upheaval of monocultural agriculture essentially. When the US started to do the industrial Revolution and started to basically grow wheat and soy and just basically make sugar to feed lots of cows and create sugar to be put in products like Coke was one of them. And, and then, yeah, that was basically a way for the US government to make money from Vietnam to bring that over, to Vietnam. And that was introduced to our culture. It's just another wave of imperialism and colonization. And sadly, we know what, overprocessed, like refined sugars can do to our health. And sadly, I can't help but make the connections with what happened. In many ways, food and sugar are introduced through these systems of colonization and imperialism are so far removed from what we ate pre colonization. And so, so much of my journey around food has been, you know, it's not even art, it's just like trying to understand, how do we survive and we thrive even before so many. And you know, in some ways it is art. 'cause I making 40 pounds of cha ga for event, , the fish cake, like, that's something that, that our people have been doing for a long time and hand making all that. And people love the dish and I'm really glad that people enjoyed it and mm, it's like, oh yeah, it's art. But it's what people have been doing to survive and thrive for long, for so long, you know? , We have the right to be able to practice our traditional food ways and we have the right for food sovereignty and food justice. And we have the right to, by extension, like have clean waters and hospitable places to live and for our animal kin to live and for our plant kin to be able to thrive. bun cha ga, I think like it's an artful hopeful symbol of what is seasonal and relevant and culturally symbolic of our time. I think that, yes, the imminent, violent, traumatic war that are happening between people, in Vietnam and Palestine and Sudan. Honestly, like here in America. That is important. And I think we need to show, honestly, not just to a direct violence, but also very indirect violence on our bodies through the food that we're eating. Our land and waters are living through indirect violence with just like everyday pollutants and top soil being removed and industrialization. And so I think I'm just very cognizant of the kind of everyday art ways, life ways, ways of being that I think that are important to be aware of and both practice as resistance against the forces that are trying to strip away our livelihood every day. Cheryl: We just heard from Hai of Asian refugees United who shared about how food ways function as an embodied form of cultural work that is rooted in memory and also survival and healing. Hai talked about food as a practice and art that is lived in the body and is also shaped by displacement and colonization and capitalism and imperialism. I shared that through their journey with QTV at Cafe and Asian Refugees United. High was able to reflect on reclaiming traditional food ways as a way to restore health and wholeness and relationship to our bodies and to our families, to our communities, and to the earth. High. Also, traced out illness and imbalance as deeply connected to political systems that have disrupted ancestral knowledge and instead introduced extractive food systems and normalized everyday forms of soft violence through what we consume and the impact it has on our land. And I think the most important thing I got from our conversation was that high reminded us that nourishing ourselves can be both an act of care, an art form, and an act of resistance. And what we call art is often what people have always done to survive and thrive Food. For them is a practice of memory, and it's also a refusal of erasure and also a very radical vision of food sovereignty and healing and collective life outside of colonial violence and harm. As we close out tonight's episode, I want to return to the question that has guided us from the beginning, which is, what is the role of the artist in social movements? What we've heard tonight from Tony Cade Bambara call to make revolution irresistible to lavender Phoenix's cultural organizing here, internationally to Hai, reflections on food ways, and nourishing ourselves as resistance. It is Really clear to me. Art is not separate from struggle. It is how people make sense of systems of violence and carry memory and also practice healing and reimagining new worlds in the middle of ongoing violence. Cultural work helps our movements. Endure and gives us language when words fail, or ritual when grief is heavy, and practices that connect us, that reconnect us to our bodies and our histories and to each other. So whether that's through zines, or songs or murals, newspapers, or shared meals, art is a way of liberation again and again. I wanna thank all of our speakers today, Jenica, Angel. From Lavender Phoenix. Hi, from QTV Cafe, Asian Refugees United, And I also wanna thank you, our listeners for staying with us. You've been listening to Apex Express on KPFA. Take care of yourselves, take care of each other, and keep imagining the world that we're trying to build. That's important stuff. Cheryl Truong (she/they): Apex express is produced by Miko Lee, Paige Chung, Jalena Keane-Lee, Preeti Mangala Shekar. Shekar, Anuj Vaidya, Kiki Rivera, Swati Rayasam, Nate Tan, Hien Nguyen, Nikki Chan, and Cheryl Truong  Cheryl Truong: Tonight's show was produced by me, cheryl. Thanks to the team at KPFA for all of their support. And thank you for listening!  The post APEX Express – January 1, 2026 – The Role of the Artist in Social Movements appeared first on KPFA.

In this special episode, created by one of our student podcast fellows, NYU student Rachel Fang interviews Dr. Matthew Pellegrino, a composer, music educator, and professor at the NYU Steinhardt School of Culture, Education, and Human Development. Korean culture is everywhere, and with the recent success of Netflix's K-Pop Demon Hunters, K-pop's importance in particular has taken on new heights. Rachel speaks with Dr. Pellegrino about his musical upbringing, how his Korean identity has shaped the way he hears and thinks about music, and how this all influences his teaching as an NYU professor.Dr. Matthew Jihoon Pellegrino is an award-winning composer, Fulbright researcher, and music educator. He has enjoyed an eclectic musical upbringing; one which combines Western classical, traditional Korean music, and a brief stint in a metal band. Uncompromising in his work, Pellegrino seeks to create music that engages equally with casual audiences as well as the most serious of listeners. In his research and his music he most enjoys bringing Korean music into the classroom and concert hall by exploring Korean instruments and folk melodies, and analyzing trends in recent K-pop songs.For a full transcript of this episode, please email career.communications@nyu.edu. 

① FM Wang Yi says China values and welcomes the South Korean president's visit. What should we watch for? (00:51) ② Dozens of countries voice support for China over its countermeasures and military drills around Taiwan. What does this say about the broader international consensus on the Taiwan question? (15:44) ③ Exclusive with Dominican President Sylvanie Burton. (27:20) ④ China ratifies the UN High Seas Treaty. What role will it play in protecting marine life beyond national borders? (34:15) ⑤ Türkiye grants visa-free entry to Chinese tourists. How will this boost tourism and people-to-people ties? (45:03)

Fluent Fiction - Korean: Lost & Found: A Ring, Redemption, and Rekindled Love Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ko/episode/2026-01-01-08-38-20-ko Story Transcript:Ko: 서울의 새해 첫날, 눈이 소복이 쌓인 거리엔 고요함이 감돌았다.En: On the first day of the New Year in Seoul, the streets, blanketed with snow, were wrapped in silence.Ko: 하지만 경찰서는 그와는 대조적으로 바쁜 모습이었다.En: In stark contrast, the police station was bustling with activity.Ko: 사람들은 민원을 제기하느라 분주했고, 몇몇은 실수로 주차 위반을 했다고 항의하고 있었다.En: People were busy filing complaints, and some were arguing over mistaken parking violations.Ko: 준호는 초조한 마음으로 경찰서에 들어섰다.En: Junho entered the police station with an anxious heart.Ko: 그의 손은 차갑게 떨렸고, 심장이 두근거렸다.En: His hands trembled with cold, and his heart pounded.Ko: 그는 탐정 김을 찾아가 무슨 말을 해야 할지 머릿속에서 되뇌었다.En: He kept rehearsing in his mind what he would say to Detective Kim.Ko: 약혼 반지가 도둑맞았다는 사실이 부끄럽기만 했다.En: He felt embarrassed about the fact that his engagement ring had been stolen.Ko: 하지만 중요한 건 반지를 되찾는 것이었다.En: However, the important thing was reclaiming the ring.Ko: 탐정 김은 친절한 얼굴로 준호를 맞았다.En: Detective Kim greeted Junho with a kind face.Ko: "안녕하세요, 무엇을 도와드릴까요?"라고 물었다.En: "Hello, how can I assist you?" he asked.Ko: 준호는 떨리는 목소리로 설명했다. "며칠 전 약혼 반지를 잃어버렸어요.En: With a trembling voice, Junho explained, "I lost my engagement ring a few days ago.Ko: 제 여자친구가 곧 그 사실을 알게 될까봐 걱정이에요."En: I'm worried that my girlfriend will soon find out."Ko: 김 탐정은 고개를 끄덕이며 상황을 이해했다.En: Detective Kim nodded, understanding the situation.Ko: "어디서 잃어버렸는지 아세요?"En: "Do you know where you lost it?"Ko: 준호는 어리둥절한 눈빛으로 대답했다. "식당에서 손을 잠깐 씻으러 갔는데, 그사이에 사라진 것 같아요."En: Junho replied with a confused look, "I went to wash my hands briefly at a restaurant, and it seems to have disappeared in the meantime."Ko: 탐정 김은 메모를 하며 말했다. "알겠습니다.En: Detective Kim took notes and said, "I see.Ko: 현재 몇몇 지문을 조사 중인 사건이 있는데, 그 중 하나가 비슷한 범인의 소행일 가능성이 있습니다."En: We're currently investigating several cases involving fingerprints, and one of them might have been committed by a similar perpetrator."Ko: 준호의 마음이 조그만 희망으로 가득찼다.En: Junho's heart was filled with a sliver of hope.Ko: 그는 그동안 안절부절못했던 자신이 놀라웠다.En: He was surprised at how restless he had been.Ko: 몇 시간 후, 김 탐정이 다시 와서 말했다. "좋은 소식입니다.En: A few hours later, Detective Kim returned and said, "Good news.Ko: 우리 팀이 반지를 찾았습니다."En: Our team has found the ring."Ko: 준호는 기쁨과 안도를 동시에 느끼며 감사를 표했다.En: Junho felt both joy and relief as he expressed his gratitude.Ko: "정말 감사합니다!"En: "Thank you so much!"Ko: 김 탐정은 미소를 지었다. "정말 소중한 물건이네요.En: Detective Kim smiled. "It's a really precious item.Ko: 앞으로는 꼭 지켜주세요."En: Please make sure to take care of it from now on."Ko: 준호는 고개를 깊이 숙였고, 경찰서를 나서며 결심했다.En: Junho bowed deeply and left the police station, making a decision.Ko: 그는 소라에게 모든 것을 솔직히 말하고 이번 일을 계기로 더 솔직히 대화하기로 했다.En: He decided to be honest with Sora and use this experience as an opportunity to communicate more openly.Ko: 맑고 찬 겨울 공기 속에서도 준호의 마음은 따뜻하게 느껴졌다.En: Despite the clear and cold winter air, Junho's heart felt warm.Ko: 그날 밤, 준호는 소라에게 모든 이야기를 털어놓았고, 그녀는 그의 정직함에 대해 이해하고 고마워했다.En: That night, Junho shared everything with Sora, and she understood and appreciated his honesty.Ko: 그렇게 준호는 중요한 것을 배웠다. 신뢰와 소통이 사랑을 지탱한다는 것을.En: Thus, Junho learned something important: that trust and communication sustain love. Vocabulary Words:blanketed: 소복이 쌓인silence: 고요함bustling: 바쁜complaints: 민원mistaken: 실수로anxious: 초조한trembled: 떨렸고embarrassed: 부끄럽기만 했다reclaiming: 되찾는sliver: 조그만restless: 안절부절못했던precious: 소중한opportunity: 계기communicate: 대화하기hope: 희망grateful: 감사를 표했다kind: 친절한disappeared: 사라진perpetrator: 범인astonished: 놀라웠다filing: 제기하느라fingerprints: 지문despite: 에도 불구하고sustain: 지탱한다gratitude: 감사engagement: 약혼frozen: 차갑게acknowledged: 이해했다resolve: 결심했다understanding: 이해하고

Fluent Fiction - Korean: Courage Under Snowflakes: Ji-ho's Unyielding New Start Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ko/episode/2026-01-01-23-34-02-ko Story Transcript:Ko: 서울의 차가운 겨울, 새해 첫날 아침에 경찰서는 분주했다.En: On a cold winter morning in Seoul, the police station was bustling on New Year's Day.Ko: 커피의 증기가 가득찬 공간에서 외투를 탈의하는 사람들은 저마다의 사연을 가지고 있었다.En: In the space filled with the steam of coffee, people were taking off their coats, each with their own story.Ko: 그곳에서 새로운 시작을 결심한 사람이 있었다.En: Among them was someone determined to make a new start.Ko: 지호였다.En: It was Ji-ho.Ko: 지호는 최근의 가족 모임에서 큰 알레르기 반응으로 어려움을 겪은 후, 그 사건을 신고하기 위해 경찰서에 왔다.En: Ji-ho had come to the police station to report an incident after having suffered a severe allergic reaction during a recent family gathering.Ko: 머릿속에 떠오르는 수많은 걱정에도 불구하고, 지호는 자신과 다른 이들을 지키기 위해 용기를 내기로 했다.En: Despite the multitude of worries swirling in his mind, Ji-ho decided to muster the courage to protect himself and others.Ko: “괜찮을 거야,” 지호는 스스로에게 속삭였다.En: "It'll be alright," Ji-ho whispered to himself.Ko: 그의 곁에는 친한 친구 민석과 수진이 함께했다.En: By his side were his close friends, Min-seok and Su-jin, who were his silent but steadfast supporters.Ko: 경찰서 안은 쉴 새 없이 돌고 있는 전화기 소리와 사람들의 이야기로 가득했다.En: The police station was filled with the incessant ringing of phones and the chatter of people.Ko: 그 공간의 긴장감은 지호의 불안함을 더했다.En: The tension in that space only added to Ji-ho's anxiety.Ko: “어서 가자, 지호야,” 민석이 말했다. 그의 목소리는 따뜻하고 진정성이 있었다.En: "Let's go, Ji-ho," Min-seok said, his voice warm and sincere.Ko: “응,” 지호는 깊게 숨을 들이마시고 경찰서 데스크로 다가갔다.En: "Yeah," Ji-ho took a deep breath and approached the police desk.Ko: 데스크에 앉아 있는 경찰관에게 시선을 맞추는 것이 쉽지는 않았다.En: It wasn't easy to make eye contact with the officer seated there.Ko: 수많은 사람들 앞에서 그는 목소리를 내야 했다.En: He had to speak up in front of many people.Ko: “저... 저는 지호라고 합니다.En: "Uh... my name is Ji-ho.Ko: 며칠 전 새해 행사에서 스튜밀네트 지나치게 들어간 음식 때문에 알레르기 반응을 일으켰어요.”En: A few days ago, I had an allergic reaction because of excessive stewmillenette in the food at a New Year's event."Ko: 경찰관은 지호의 말을 주의 깊게 들었다.En: The officer listened to Ji-ho's words attentively.Ko: “그래서, 혹시 음식에 뭔가가 잘못된 것 같았나요?” 경찰관이 물었다.En: "So, did anything seem wrong with the food?" the officer asked.Ko: 그 순간, 지호의 손은 떨렸고, 다시 한 번 숨이 막히기 시작했다.En: At that moment, Ji-ho's hands trembled, and he started to feel breathless again.Ko: 그는 눈을 감고 마음을 진정시켰다.En: He closed his eyes to calm himself.Ko: 옆에서 수진이 그의 팔을 잡아주며 힘을 줬다.En: Next to him, Su-jin held his arm, giving him strength.Ko: “정확히 기억은 잘 나지 않았지만, 제가 평소 먹던 음식에서 훨씬 이상한 맛이 났어요.” 지호는 노력해서 말을 이었다.En: "I can't remember exactly, but the food tasted much stranger than usual," Ji-ho continued with effort.Ko: 친구들의 도움과 경찰관의 이해력 있는 태도에 지호는 더욱 침착해졌다.En: With the help of his friends and the officer's understanding attitude, Ji-ho became more composed.Ko: 경찰은 지호의 신고를 받아들여 음식 사건을 조사하기로 결정했다.En: The police decided to accept Ji-ho's report and investigate the food incident.Ko: 식당 관리 소홀인지, 아니면 누군가의 장난인지 알 수 없었지만, 지호의 신고는 더 큰 사고를 막는 데 중요한 발걸음이 될 수 있었다.En: Whether it was due to restaurant negligence or someone's prank was unclear, but Ji-ho's report could be an important step in preventing a bigger accident.Ko: 경찰서를 나서며 지호는 한층 가벼워진 마음을 느꼈다.En: As Ji-ho left the police station, he felt a lightened heart.Ko: 그동안 무서워했던 기억이 더 이상 그를 괴롭히지 않았다.En: The memory that had scared him no longer tormented him.Ko: 민석과 수진은 그를 응원하며 곁에서 든든하게 지켰다.En: Min-seok and Su-jin supported him, staying close by his side.Ko: 길거리에서 흩날리는 눈송이가 그들의 머리카락 위에 살짝 내려앉았다.En: Snowflakes gently settled atop their hair as they walked down the street.Ko: “해냈어, 지호야. 정말 잘했어,” 수진이 미소를 지으며 말했다.En: "You did it, Ji-ho. You did really well," Su-jin said with a smile.Ko: 지호는 작지만 큰 변화를 느꼈다.En: Ji-ho felt a small but significant change.Ko: 두려움을 이겨냈고, 그로 인해 다가올 미래엔 조금 더 용감해질 수 있을 것 같았다.En: Overcoming his fear made him feel like he could be a bit braver in the future.Ko: 이번 겨울, 그는 자기 자신을 지켜낸 것이 가장 의미 있는 새해 선물이었다.En: This winter, protecting himself was the most meaningful New Year's gift he could receive. Vocabulary Words:bustling: 분주했다steam: 증기determined: 결심한allergic reaction: 알레르기 반응muster: 용기를 내다courage: 용기steadfast: 든든한incessant: 쉴 새 없는anxiety: 불안함encounter: 맞추는effort: 노력해서composed: 침착해졌다investigate: 조사하기로negligence: 관리 소홀prank: 장난tormented: 괴롭히지lightened: 가벼워진braver: 용감해질incident: 사건severe: 큰strange: 이상한tension: 긴장감attitude: 태도memory: 기억silent: 말없이filled: 가득했다chatter: 사람들의 이야기trembled: 떨렸고breathless: 숨이 막히기sincere: 진정성이

Happy New Year! Today we're discussing the 1988 Korean intersex lesbian film Sa Bangji.  Join us as we learn about the real 15th-century woman behind the film's main character, discover how 1980s government policy inadvertently led to the creation of a queer movie, and admire some historical hats. Check out our website, where you can find our sources, as well as everything there is to know about Queer as Fact. If you enjoy our content, consider supporting us on Patreon, checking out our merch, and following us on Instagram, Tumblr and Bluesky.  

Send us a textThere is no Waffle House in Korea.For decades, the pojangmacha was the last line of defense against going home hungry, broke, or blackout drunk. It was cheap, social, messy, and human. And then it slowly disappeared.In Part 1 of Where Have All the Soju Tents Gone, we trace the origins of the pojangmacha from Japanese yatai and Joseon-era taverns to its explosion after the Korean War. We talk about why these tents mattered, who ran them, what people ate there, and why they became one of the most important informal social spaces in modern Korean history.This is not just a story about street food dying. It is a story about how Seoul systematically removed the spaces that ordinary people built for themselves. Korea's #1 ghost and dark history walking tour. Book at DarkSideOfSeoul.com Get your comic at DarkSideOfSeoul.comSupport the showJoin our Patreon to get more stuff https://patreon.com/darksideofseoul Book a tour of The Dark Side of Seoul Ghost Walk at https://darksideofseoul.com Pitch your idea here. https://www.darksideofseoul.com/expats-of-the-wild-east/ Credits Produced by Joe McPherson and Shawn Morrissey Music by Soraksan Top tier Patrons Angel EarlJoel BonominiDevon HiphnerGabi PalominoSteve MarshEva SikoraRon ChangMackenzie MooreHunter WinterCecilia Löfgren DumasJosephine RydbergDevin BuchananAshley WrightGeorge Irion Facebook Page | Instagram

Quaranteam - Dave In Dallas: Part 10 Dave & Olivia use skills meant for a last resort.Based on a post by RonanJWilkerson, in 12 parts. Listen to the Podcast at Explicit Novels. Let's review the list of characters: David Belsus – 46, physics & astronomy professor at Eastfield college, a community college in the Dallas area. Prepper, survivalist, has a greenhouse in his backyard and lives in an outer ring suburb. Six foot, fit, short cropped hair. Lupie Ramos – 32, former financial advisor, Dave's neighbor, got caught out of state when the lockdowns started. She spent two frantic weeks trying to get back to her daughter. Lupie has been in love with Dave for over a year. Long, dark brown hair, medium build, and a lovely smile. Esme – 9, daughter of Lupie, prone to the occasional snarky comment. Adores Dave. Becca; 18, Lupie's babysitter, was watching Esme when lockdowns occurred. Her refusal to abandon Esme, as her mother insisted, likely saved Becca's life, since her extended family ignored precautions and died of Duo. Esme, Lupie, and Dave are all Becca has left in the world. Short, medium build, small tits, with short blond hair and a smile that is shy with strangers and beams with family and friends. Janice Wheeler; 33, Dave's first partner to arrive, a librarian at Cedar Valley, another community college member of DCCCD. Slender build and medium height, Janice is 3/4 Korean, her paternal grandfather is Anglo. Medium length black hair often pulled back in a bun for work or ponytail at home. Shawna Cooper; 36, senior meteorologist at WFAA, Master's degree in meteorology from O U, worked at NSSL and spent time as a storm chaser. Whole hog sci-fi nut, beginning with Start Trek TNG. 5' 10", large tits, medium brown skin, dark brown eyes, shoulder length black hair styled like a frizzy weeping willow. Olivia Tyler (Liv); 21, senior studying horticulture at Tarleton State University, near Dallas. Daughter of Carter and Janelle, Dave's best friends since college. Had a well-known crush on Dave throughout her teen years. Since her dad was former SF and a survivalist, Liv is skilled with several firearms as well as bladed weapons. Never failed to take a deer any season she's hunted. 5'10" long, dark brown hair, large tits, lightly tanned, brown eyes, and a wide smile. Melanie Ustanich; 22, graduate student in IT at Tarleton, Liv's roommate, recently found a passion for cooking. Spent most of her life in foster homes, Liv's parents accepted her like family the first time she went with Liv on Thanksgiving Break. 5'8" medium length auburn hair, green eyes, small mouth with a ready, mischievous smile. The ladies came through, leaving one mug beside the detective and swiftly exiting with the pot, several mugs, a milk jug, and a small container that may have just been repurposed as a sugar dish. Verratti pushed her mask up to her nose to take a sip, holding the mug like a sacred talisman, her eyes closed and a look of bliss dawning on her face. It was a short day. She opened her eyes and the distance they contained sent the brief appearance of joy below the horizon once again. Laying her mug back on the table, she pulled her mask back into place. "The man that was with you that day at the range?" "Yes, my friend Carter. He was the one that arranged the time on the range." "And how did he manage that? Didn't you say a few times he was a security guy?" "He runs physical and digital security checks for sites his company guards. He and his guys also get hired out by insurance companies to check out their client's security plans as well." For a moment, Dave allowed himself to forget the pain and use the present tense. "I think you mentioned a few times before class that he was in special forces?" "Yep. He likes to say his civilian job is kinda similar to his work in the army, just with paintball or laser tag gear." "Good." She motioned him to sit close, so she could speak lower. "You've stumbled into something no one seems to be working hard to solve." Dave's eyebrows stitched together. Her tone was more ominous than her words. "Nine weeks ago, a truck carrying seven vaccinated women was attacked. It was on its way to some rich neighborhood to deliver partners to the McMansion set. The attackers covered their tracks reasonably well, so we never caught them. Two weeks ago, a shipment of vaccine got hit between Grand Prairie and the Vax Center. They didn't even try to take the whole shipment, just grabbed a bunch and ran like hell. The chopper that was following them didn't have infrared on it, so they lost track of them in the trees in the dark." Dave stayed silent as she paused to gather her thoughts. "Look, I shouldn't have said any of this, but nobody's doing anything. Your friend has the skills to deal with the problem. And the way you've always presented yourself, if he's your friend, then he'll want to apply his skills to right a great big fucking wrong that's being ignored. There's an Air Force liaison office in the station right now. They're supposed to coordinate a military response to big attacks, but they've been blasé about both attacks." "Wait? Military to take out crooks? I mean, even big deal shit like this? Shouldn't that be done by SWAT or ATF?" She stared at him. If he had to guess, her lips were tightly pressed together under her mask. Her words were tightly spoken as she continued. "The fact your attackers cut their fallen buddies' nuts off suggests they had bonded female partners. That means either the hijacked transport, or the vaccine attack. Maybe both. And that means they may have been coming here to abduct your partners and bind them to themselves." "But that would kill them!" Dave started out as a loud interjection, but at her look, and as his own self-control kicked in, he dropped to a strenuous whisper. "There; is a way. But only if the man is dead. There was an ER nurse on the first transport. She would have known about the procedure, at least in broad terms." She pulled a map from her valise. Unfolding it, she pointed to two locations. The attacks happened here, and here." "Yeah, that stretch of I-20 is a bit empty, even being in the middle of urban sprawl." "Because of that attack, they moved the flights to Love Field." "No rural hideouts along the way." "Exactly. Now look, here's where the chopper last was sure they had an eye on them." Her finger indicated a spot southeast of Athens. "What I'm asking you is to get a hold of your friend. See if he and some of his team are willing to investigate; and maybe rescue some of these women. No one else is doing anything about this. And they are escalating." "Do you think they'll try again here?" "I don't know. Not anytime soon, you gave them plenty of reasons to give this place a wide berth. I can't swear to that, but I'd say they'll at least leave you alone for a while." Which means they may be coming for my family again. Whenever they feel like trying again. No point in telling her about Carter. I'll have to do this myself, but I'm not telling her that. A trained, former special forces operative that still does security testing is a reasonable person to ask to do this. A community college professor that's been trained by his prepper buddy doesn't sound nearly as reassuring. Fuck Carter, why the hell did you have to die? "How sure are you on that last sighting?" She flipped her notebook back several pages. After consulting her notes, she carefully laid her finger again on the map. "Right there." Dave stared at the indicated location, noting nearby major road intersections and the distances from each to the tip of her finger. Mainly, he looked at the roads that formed a boundary around the area. The raiders may not be inside that space, but it was a place to begin. "Be very careful. There's suspicion that some army deserters are with these guys." She took a deep breath. "It's like pulling teeth getting anything out of the Air Force woman about this. Please professor, talk to your friend. I'll contact you in a day or so to see if he's responded." "Why don't I just call you?" "I'd rather have that discussion when I'm not at the station or around other officers." "Okay. You need anything else from me detective?" "No. No, I should be going. I'll call in a few days." "I'll be ready." Hope I've found them by then . Dave walked her to the door and locked up behind her. He slipped over to the parlor to check the window patch for any air leaks. Dave ran his hand around the edges, slowly, but felt no movement, not cold streams. Some of the family had come downstairs, now that the weather was once again outside. Dave sat in a chair, staring off into space while the others red or talked. This may take more than a day, just to find these guys. And once I do, I'll need time to observe, and then time to plan. Food, water, ammunition. I'll need something long-range. My best bet will probably be picking them off one at a time at first. I've got silencers for the MP5's, but no subsonic ammo. It's still going to be obvious when I shoot. Carter has all the subsonic ammo. Imagine the look on the face of whoever finds his armory. Fuck, what if they just bulldoze the place? Yeah, Liv and I need to try and get his weapons and equipment. Wait, I have subsonic.22LR. I could use that for the first few. Fuck, I'm really doing this. That means I'll be gone for a few days. It's already been two days for Rebecca, and she's on such a short fuse. We really ought to ask the vaccine experts why that is. Gee, what a call to make. "Hey, vaccine guys? Yeah, look, I've got this eighteen year old cutie that just insists on having sex every four days. Like, she's climbing the walls by day five. What's up with that?" I'm sure they'll have all kinds of sympathy. Well, I have my first thing I've got to do before I go. Dave found Becca in the room she and Reena shared. The one they'd previously used as a 'hotel room' the night the ladies put together for prom. Reena was not around. "Hey, sexy nerd girl, what're you up to?" Becca rolled on to her back from her book reading. Her face was glowing, though she was also blushing from her scalp to, well, lower than her shirt collar. She very cutely bit her lower lip. Dave chuckled. "You are so damn cute, ya know that?" Her face twisted a little. "Demotion huh? I've gone from sexy to cute in less than a minute." "One does not preclude the other. There is an intersection of the two. In my opinion, you exist within that intersection." "God, you know how weirdly sexy it is that you can talk math about sex?" "You know how great it is that you're one of two partners I can talk to that way? Most of the others either won't get it, or will be turned off by it." The radiant look Becca got from the compliment was exactly what Dave was going for. She wasn't just a teen hottie, or gamer girl, or some other check box. She was his younger nerd partner that he got to introduce to so many things he loved that were new to her. Or, things she'd heard about, but not yet experienced. And she was fun in bed. Becca's hand slipped to the hem of her t-shirt. Dave stepped swiftly up to her bed and grabbed her hands. He pulled her around so her ass hung off the edge of the bed and her head was braced against the wall. She and Dave were still experimenting with different ways to have sex. She'd recently mentioned that quickies sounded kinda hot. Dave figured now would be a good time to try. He grabbed her shorts and panties at the hips and pulled both down to her calves, bringing her legs straight up in the same motion. Dave leaned against her, her ankles on one of his shoulders, as he unbuttoned his pants and shoved pants and boxers to mid-thigh. The aroma of Becca's arousal reached Dave's nostrils, matching the signal that her panting breath and lust-filled eyes were sending. Truth to be told, he was fairly revved as well. The little gasp she gave as he hand-fed his mostly hard cock into her saturated pussy was delicious. Dave leaned in closer, folding her legs back onto her body, her ankles on either side of his head, her shorts against his collarbone. He drilled her fast and hard. This wasn't love making, wasn't a tantric exercise, and was not 'the full Dave'. A quickie was just that; hard, fast, and get 'er done. Becca's cute little huffs and grunts urged him to keep going, her moist, rippling channel gripping his shaft and egging him on. In due time, Dave felt that familiar tingle in his balls rising up through his cock and he began firing his hot seed into her eager passage. Becca shuddered and convulsed the same as if Dave had taken most of an hour lifting her to ecstatic heights. Dave leaned a bit further in to kiss Becca tenderly on the lips. Becca giggled. "That was fun." "Good, we can add that to the repertoire," Dave said, buckling his pants. He leaned in for another kiss, this one with just a moment of lingering, before walking away. Becca's eyes shone brightly as they followed him. Now I wait. Dave spent the rest of the evening sitting with his ladies, sometimes talking, mostly listening. Lupie called everyone to the dinner table. A nice warm casserole that soothed the insides after most of the day with the inside matching the weather outside. Downstairs anyway. Mostly what Dave remembered from the evening was looking around the table at his family as they chatted and moved on from the events of the morning. Mostly. Every once in a while, someone's attention wavered, or they flinched from a sound. That's why I have to do this. Dinner was late enough that some began their night time routine once it was over. It had been a draining day, even for those that had huddled upstairs. The emotional impact, the fear and anxiety they'd gone through took a physical toll. "Hey, Shawna, let's meet in my office in a few minutes, okay? I'll find Liv and Mel and have them join us." "Sure. Night security?" "Yeah. The detective was reasonably sure there wouldn't be a repeat tonight, but let's be safe." "Okay." Shawna hugged him tightly. Dave went off to find the other two, then made his way to his office. Even though they'd just finished dinner, he felt a bit munchie. He pulled a half-eaten pint of blueberries out of his fridge and snacked slowly. Each woman smirked as they entered. Shawna started imitating the guitar intro of a certain song by Black Sabbath. Dave just shook his head with a rueful smile. Then he popped a few more berries in his mouth. "We need to maintain a watch tonight," he informed them once he'd cleared his mouth. "The threat is perceived to be low, but I'd rather not take a chance. I'll take first watch, then wake Shawna to relieve me. She can wake Liv, and when Liv's shift is over, she can wake Mel." The way Olivia stared at Dave made him wonder if she suspected his real plan, but she said nothing. "We'll post guard here in Shawna's morning room with the door open. It's right at the top of the stairs, so anyone would have to come past the guard to get to any of us. I'll drag the chair from that room to the door, far back enough that anyone looking in will see darkness, but near enough the guard can see the head of the stairs and part of the hallway in each direction." "That's it. Get some sleep. When it's time to switch over, get up and get moving. We'll have one pistol out and transfer that over. Don't go to bed until your relief is in place." Shawna came in for a kiss before she left. A long, slow kiss with no tongue. She looked meaningfully into his eyes before she walked out, saying nothing. Dave waited over an hour for all the activity in his house to settle and everyone to fall asleep. He slowly and quietly rose from his seat. He slipped in to the master bedroom to find Shawna on the outer edge of the bed. Of course she'd thought ahead so she wouldn't disturb the others. Dave lightly tapped her foot, and she stirred awake. Dave went back to his post while she dressed. Once she got there, he handed over the pistol. "You're going after them aren't you?" she whispered low and urgent. "Yes. It's the only way to ensure everyone's safety. These guys are a danger to us, and others. The detective was so frustrated with the inaction, she told me other events that have happened, but no response from the police." "Other houses have been attacked?" "No, the other attacks haven't been on houses, but they look related." "How far away are they?" "I don't know for sure. She gave me some information on the last place they were seen." "Then how long will you be gone?!" She kept her voice low to not disturb anyone, but there was a 'shouting' tone to her whisper. "I don't know. I'm taking food and water in addition to the rest of the gear." "David, please be careful. All our lives depend on you." He wrapped his arms around her for a tight hug. "I know. I'm doing this for your safety. No more middle of the night break ins." He paused for a moment. "Carter took me through a few scenarios that apply. We had to use paintball guns for those trainings, but I've spent plenty of time on the range with all of these weapons. I won't be as good as Carter, but I'm good enough to pull this off. I'm coming back to you babe." He pulled back so they could look each other in the eyes. "You are plenty of reason to come back." "Me and eight others," she said with a teasing grin. "Anyone of you alone is enough to go fight this fight and get my ass back here in one piece. I finally understand Carter now. Somethings you have to fight for." He slipped away from her and went to the master bedroom closet. In a box tucked away in a corner, he pulled out a set of lightly used 90's era BDU that Carter'd urged him to get from an Army-Navy store. It was not the only set, but he wasn't going to be gone that long. Hell, his partners would all be screaming for doses by then. After dressing, and donning his combat boots, he walked silently out of the bedroom. That he had to pause and prep his mind for. Carter had shown him how to walk quietly in these boots, it just took practice and care. It had been a long time, so he ran through the lessons and practices in his head for a minute after he had them on. He trod gently down the stairs to the gun closet. He typed in the code and swung open the door. That's when the darkness at the end of the unlit hall moved. "Go to bed Olivia." His voice was flat. "You are not going after these guys alone." Dave flipped on the light in the small space. The illumination spilling into the hallway revealed Olivia in a matching pair of BDU. "How the hell?" "I mailed myself a box to this address before I reported to the vaccine center. Mostly other stuff, but one set of woodlands and my best broken-in boots." "Livy, you need to stay here and watch the others." "I need to watch over your ass and bring you home so you can keep fucking all these women that are addicted to your cum." Dave felt a wave of shame at the comment. That he was risking himself, some, but their safety required he take out this threat. That he was; unfaithful to any of these women, because none of them were the only one. Yes, he could personally enumerate all the reasons why, but that didn't change the visceral reaction of a man that never wanted a lot of women, just one that he could be devoted to, and vice versa. "Liv ;” "I'm not trying to talk you out of this. I'm certainly not condemning you for having multiple partners, David. On behalf of myself, and all your partners, I insist I go with you and provide overwatch. You know I'm a better sniper than you. You're better at CQB. We do this together." A cold hand gripped Dave's chest. "Olivia, I already dragged you into one gunfight. I won't do it again." "You didn't drag me into anything. The world sucks and some people are assholes. The same guy that taught you raised me not to just stand idly by. I'm going with you." She came in close, molding her hand to his jawline. "You didn't cause the attack this morning. You stood in the gap, and I stood with you. What you're about to do is needed. And I'm standing with you again." Without another word, she slipped around him and started gathering her gear. Dave joined her. Within half an hour, they loaded tactical gear, ammo, weapons, water jugs, canteens, and field rations in Liv's pickup and got on the road. They were completely in sync, though neither spoke a word. Chapter 12; A Walk on the Chaotic Good Side. October 29, 2020 12:30am The hum of the heater fan on its lowest setting combined with the warm air coming off the windshield were not helping Dave maintain alertness. Livy drove while he checked their route against what he'd seen on the detective's map. So far, it was just a matter of 'drive towards Athens'. Dave snuck the window down a little, inviting some cool air to help him stay fresh. Not too far, though. Occasionally, they'd run into an isolated cloud still giving up a pittance of drizzle, remnants of what passed over their house yesterday morning. Mostly it was just cold. "I miss the little triangle windows that pivoted open on Dad's old beater pickup." Dave chuckled. "Yeah, those were useful. Guess somebody decided to save money and make them fixed instead of movable." Olivia humphed in response. When she said nothing for a few minutes, he reached into the bag on the seat between them and pulled out an apple. She didn't notice until he took his first crackling bite. "Damn. Again?" she laughed. "Fill up too much and you'll bust out that stab shirt. Sorry, it's just;” "I'm eating way more often than the rest of you, and not gaining any weight. Yeah, I know. They said this serum shit has weird side effects. Seems for me it's kicked my metabolism into the stratosphere." "Oh, big words like 'stratosphere' huh? Hmm, ya know, the higher metabolism would explain why you're outrunning me." Dave turned his head towards her, a mock annoyed expression on his face. "I've been faster than you for years. For a bit there in your teens you gave me a good challenge." Liv giggled. "I got faster so you'd have to look at my ass." "I worked harder to stay ahead of you so I wasn't looking at a sixteen-year-old's ass." Out of the corner of his eye, Dave noted Livy giving him a rueful look. With a quiet voice; and one eye on the road; she asked, "Is this the only way we could have been together?" His heart skipped a beat. His voice was deepened with loss when he replied, "I don't know, Olivia. I just don't know. The two of us together would have been a very unusual pairing in other circumstances. No law would have stopped us being together but a lot of custom and tradition would interfere." He reached his hand out and she took it. "So it was either this, or an asteroid hitting the Earth for me to get you?" Dave laughed. "Maybe not quite that dramatic." Their joined hands lay on the seat between them for a time, enjoying the union of their lives as the cold, damp miles passed. Half an hour later, signs proclaimed a junction ahead as they neared their first waypoint. "Want me to stay on 175 and go east around Athens?" "No, west on 7. When we get to the southside of town, we'll take 19 south." Dave waited before asking, "You need to switch out. We've both had long days." "I'm good. Just hand me another Dr. Pepper." Dave knee-stood in the seat, reaching back to the cooler with water, soda and reusable freezer packs. Ice would have been too loud loading at the house, and going to an automated ice station was more deviation than he was willing to take. The drinks weren't ice-cold this way, but they were at least cool. Between the caffeinated soda, and the No-Doz bottle in the glove box, they could fight off the drowsiness the road hum threatened to induce. Weirdly, the squeeze from the compression shirt for the stab plates helped keep him awake, though it did make it tougher to twist around for things. Maybe if he wore it more often, he'd know how to move better in it. With the late hour, and pandemic rules in effect, they hadn't seen another vehicle since pulling out of their own driveway. They crossed three overpasses for major roads out of town before exiting to southbound 19 / Palestine St. The creepy feeling intensified as they took their exit. The north side of the road held a hospital with what was undoubtedly the only ER for thirty miles around. In some directions, even further than that. And there was no activity at all. The lights were on. But no signs of human movement. A few miles down the road they passed the middle school, completely abandoned since March. Liv's hand slipped back to the middle of the bench seat. Dave added his to hers, holding her gently but firmly. Ten minutes later, with their headlights boring holes into the pitch black, Dave's phone buzzed. He pulled it out, noting the time was now approaching 2am. -There's been another attack, this time on a very rich man's estate. Bodyguards dead, left laying there. -Rich man dead, carried off, along with most of his partners. -Last seen southbound on 45, suspect they are taking that to 287 until Palestine. No intelligence beyond that. Please ask your friend to decide quickly. Dave quietly fumed. Another attack meant more suffering that he hadn't prevented. That was the whole point of this crazy scheme wasn't it? Immediately, he recalled a story Carter had told only once, after they'd been roommates for more than a year. It was a 'Boy's Night In' with two pizzas and a tsunami of beer, and some typical action flicks playing. Dave's friend related a time when they'd been too late to protect a local villager that had cooperated with the Special Forces team. The local government goons had not been kind to the collaborator. Or his family. "We found out too late, got there too late, not a fucking thing we could do. Not one fucking thing. Except," he raised his head so his bloodshot eyes were revealed, "we tracked the fuckers and took them out before they got back to their base. It was beyond our mandate. We were supposed to train only, not engage directly. We did it, and never talked about it." Track the fuckers down and take them out. Little wonder why that particular memory surfaced now. "Something wrong?" "Text from the detective. They hit another house. Successfully this time." "Oh shit. What are we going to do?" "What an old friend once told me was the only real option. Track the fuckers down and kill them." "Dad was such an eloquent man." Dave barked a laugh as he texted back. -We're already enroute. -We'll locate them on the run and track them to their base. -Thank God. -And thank your friend for me. Dave still saw no reason to inform her of his omission. Well, he felt a little guilty, but she'd get over it. Lupie on the other hand, might just tie him to the bed and spoon feed him between each woman's 'dosing' turn. Shawna might or might not help Lupie, but she was not going to help Dave avoid Lupie. Hell, by the time he got back, Lupie might be so worked up she'd chew him out exclusively in Spanish for over an hour. In between kisses and hugs because his dumb ass came home in one piece. Getting his mind back on the present, Dave pulled up a map on his phone. "This may make it easier to find their base. They're coming down 287. Previous attempts tracked them as far as Palestine. We'll intersect with 287 just outside Palestine, so we'll pick a good spot when we get there and wait. I suspect they will be an hour or half hour behind us." "K." Dave zoomed and scrolled on his map for several minutes. "There's a community college north of the intersection. It has a parking lot that will give us a good view, but far enough away we could miss something. There's also a gas station and a convenience store on the south of the intersection, on the west side that would give better views, but higher risk of detection. It's probably closed. If we're the only car there, it's going to be awfully suspicious; especially if we pull out right after they pass." "Don't worry, Dad gave me a few lessons on shaking a tail, and on tailing. Just before I went off to college, he even had me drive back country roads with no lights; on the road or car. If we can avoid getting noticed when we first pull out; by waiting 'til we can just see their tail lights; we should be fine." "Let's go for the convenience store first. If it looks too dicey, we'll move off to the college parking lot." Liv nodded her agreement. The silence that followed persisted until the intersection loomed. The community college parking lot had all of its lights on, as did the Exxon just south of it. The Valero on the west side and south of the intersection had its awning lights on, but no more. No lights were on around the convenience store south of the highway confluence. Even better, there were two vehicles parked in the lot. Liv pulled into a space near one of the other vehicles. But not too close. She killed the lights, lowered the windows halfway, and turned off the ignition. Both occupants of the truck surveyed first the near vehicle, then the more distant one, looking for any sign of occupancy. If these guys were good, they might have a lookout posted to watch for a tail. During the forty-five minute wait, neither their eyes nor ears detected any sign of another person in the parking lot. For that matter, there was no sign of anyone around the college, or in the gas station south of them. The station across the way probably had an attendant inside. A low rumble coming from the northwest initially alerted Dave and Liv to their approaching quarry. Without exchanging words, they each hunched down in their seats. Both were on full alert. Hunter versus hunter was a dangerous game. Of course, if one hunter doesn't know the other is around, so much the better. For the other at least. Five S U V, varying from mid-size to huge, rolled swiftly through the interchange. They slowed from far in excess of highway speeds, down to something reasonable for the possibility of merging; if one had incredibly sparse traffic to handle. Which worked just fine, since there was absolutely zero traffic to merge with. As the engine sounds began to fade, Livy sat up and started the engine. She quickly doused the lights that automatically lit up before backing out from behind the vehicle two parking spaces over. Hopefully, it shielded them from the target's notice. Well, that and the fact the targets were headed away from them, and presumably keeping hostages in check. With swift, smooth motions, Olivia got the pickup on the highway following the distant trail of tail lights. Noting the woodlands on both sides of the highway limiting visibility around the curves, Livy began rapidly closing the distance. Balancing that were the few streetlamps and the need to not show up in the last vehicle's rearview mirror. The train of S U V passed under one, went dark again except for the taillight; which brightened briefly; then were illuminated again for a flash before disappearing. "Shit," she muttered. "It's gotta be the underpass for the loop. That's why they went left and cut off. They went behind the embankment. Just take the loop to the left and keep pressing. We'll catch them. Just be careful of more street lamps. I'm not sure if this loop they're hopping on is limited access. If they hit stoplights, we'll need to be very careful to avoid notice." "Right." There were a few traffic lights to negotiate, but both were solid green the entire time the runners and the pursuers were in view. The greater concern was the street lights near the intersections. Increasing their following distance once a traffic light became visible bought them some grace. They also took the risk of allowing the convoy to get out of view over a small rise while they waited just outside the pool of light before making the left at Park Ave. That was followed by mild panic until they could catch up with their quarry. A sweeping left turn awaited just over the crest. Dave spotted tail lights turning right as they finally hit a straight section. It turned out to be another curve in the road. This road had just enough curves to allow Livy to close the distance and remain unobserved. As the pursuing duo came around one curve, the convoy ahead was disappearing around the next. Just as they cleared a shallow 's' turn, Dave spotted tail lights disappearing to their right. "Ease up, I think we're going off onto a narrower road." By the time they reached the turn, Liv had them at an appropriate speed. No sign of the convoy ahead, and greater darkness with the trees closer in, she had to go slower. Fortunately, the road was winding through a few tight turns which caused the convoy to go even slower. They managed to catch sight of taillights and hear engine noises through the trees before they got close enough to be noticed. The asphalt took a gradual rightward curve, but a faint red glow inside the dust cloud ahead signaled the convoy had plunged ahead onto the dirt road. Hunter and unwitting prey slowed again, but the frequent braking and the scattering effect of the dust kept Dave and Liv well aware of their quarry's position. Liv coasted and maintained distance so she never had to touch the brake. To do so would reveal their pursuit. The convoy slowed further and Liv allowed the truck to coast to a stop. "Let's find a place to park this thing and dismount." Dave pointed off to a small pocket beside the road where the trees curved away from the dirt track. Each opened their door gingerly, sliding quietly to the wet grass. Liv and Dave first checked their own gear, then each other's. Satisfied they wore or carried everything they thought they would need, they eased the doors closed, latching them softly. "One benefit of this weather; the gators will be hibernating, and maybe the snakes too," Dave said in a whisper. "Brumating. And probably yes on both counts. The gators will be in the water, but the snakes will find a burrow or hollow log. So stay away from likely hidey holes." "Yes, professor." Dave's wry grin was both smart ass and respectful. Liv's nature knowledge far exceeded his own. Her reply smile was appreciative. Then both faces went blank as the two focused on their mission. Using every technique Carter had taught him, Dave slipped stealthily through the trees. Crouching, he moved swiftly from bole to bole, taking care to avoid rock piles and downed logs. The red glow in the distance was diminishing. He noticed sets of tail lights lining up side-by-side before extinguishing. They were parking. That was a good thing, because Dave and Liv were already on foot. That also meant the possibility of guards on the perimeter. Dave paused a bit longer in his position, searching for any sign of patrols or stationary sentinels. Seeing none, he dashed forward to a new location and watched again for any sign of an observer. Liv moved from her prior spot to the place Dave had just vacated. Morning twilight was in full swing, so the pair had good lighting. Periodically, Dave observed men moving to each vehicle, removing a woman, and leading her to one of the buildings. A few men guarded the vehicles, but their focus was on the occupants, not someone outside. All the better. Dave and Liv found themselves places within whisper distance a few feet back from the tree line. Unobstructed views with low probability of getting spotted. In better circumstances, they would observe for hours, from multiple positions around the clearing, gathering information and striking in the wee hours, or at first light tomorrow. But; those women being taken inside compelled faster action. Whatever these assholes were doing needed to be stopped. At the same time, they couldn't just rush in, or they'd lose, Dave would be dead, and Liv would be dead or worse. And not long after, the rest of his family would be in very dire straits. So don't fuck up, asshole . This had to be what Carter meant about walking the razor's edge. One thing was clear; these guys had no security posted. The pre-dawn twilight was sufficiently bright that someone looking out the window would spot them if they got stupid. The trees opened up into a large clearing. Within the open space sat the parked S U V, two large buildings, and several smaller ones. The two large buildings were corner adjacent and perpendicular on their long axes. They were somewhat longer than they were wide. The large building stretched wide across their eyeline seemed to be where everyone was gathered. That's the building the women had been taken into. Several others converged on that location not long after. About half an hour after the last man disappeared into the big building, Dave and Liv spotted someone leaving. He had someone over his shoulder. He headed for one of the smaller buildings. About five minutes later, it happened again. Time to communicate. He pulled out his phone, already set to silent, no vibration. Fortunately, he had a few bars. -Compound located. Track my location. Stuffing his phone in his pocket without waiting for a reply, Dave slid closer to his partner. "I'm going in closer. I'll get under the windows and listen in." Liv's face was unconvinced. "Is that wise?" "We need to know more before we do anything. I've got to get close enough to hear them. Get your rifle ready to snipe. Keep me covered. I'll pass on the outside of the first building," he pointed to the one that lay along their line of sight and perpendicular to the target building, "and then cross along the near wall of the one they're in. You'll be able to see me for most of that time, and you can see either end. You'll know if someone's about to come around and spot me." "We need Dad's low watt tactical radios." "If wishes were horses, hun." He gave her a quick kiss, then silently backed further into the trees. This allowed him to move more quickly without detection, though he still remained on alert for any sentries out here in the trees. There were none. Approaching the tree line again, he scanned thoroughly with eyes and ears, for any sign of someone that would spot him emerging. With still no sign, Dave dashed from the trees to the near wall of the likely empty large building. There he waited, listening for any sound suggesting he'd been seen. His heart was pounding. He worked to calm himself so he could hear anything over the roar of the blood in his ears. Of course, that could just be the contrast. This rural fall morning was incredibly quiet thus far. Satisfied he was as yet undetected, Dave moved stealthily to the far corner of the building. He put a hand on the wall, feeling the rough brick exterior. It was distinctly not new, but not decrepit either. A few short steps brought him to the building's corner. Using the 'slicing the pie' tactic Carter taught him so long ago; and re-taught over and over and over; Dave passed around the corner to find no one there. Hugging the wall, he crept by, pausing at each of the two doors, listening for any sign of occupancy. By the time he reached the end of the building near the occupied building, the sun was not yet up, but the sky was well-lit. As was the compound. With more on the line, Dave took more time with his pie-slicing cornering technique. The rest of the compound, then the side wall of the other building, and then the back wall of the target building came slowly into view, all devoid of other humans. He slid carefully along the sidewall of the empty building until he was near the corner closest to his target. With his head only he once more rounded the corner, verifying no one had entered the small area bounded by the two buildings on two sides in the time he'd been behind the first one. Sure that he was clear, he crossed the gap to the second building. He watched his footfalls carefully since the area conjoining the two buildings had been cemented in a rectangular shape. Postholes along the edges suggested this might be some sort of outdoor area with an awning during warmer times. A broom at the corner Dave was heading for suggested someone took the time to keep it clear of debris. At least he didn't have to worry about stepping on a twig. Dave heard a door open, then close. Footsteps in grass reached his ears but receded. He swiftly slid along the wall to the front of the building and took a cautious peek. Once again, a man was walking toward one of the smaller buildings, this time carrying a woman in his arms rather than over his shoulder. Dave eased himself away from that corner and back to the corner proximate to the back wall. He had to step carefully around the broom again as he came around to the semi-enclosed courtyard. Dave eased his way carefully along the back wall. At least now he had the benefit of knowing Liv could watch the area around him and cover him as needed. He crept carefully, listening for sounds through the wall. Primarily though, he knew his best chances were under the three windows, two of which were close together, more than halfway down the building's length. As he approached an exterior vent for a dryer, he paused. For a moment the thought flashed through his mind that this would be the ideal place for a snake to hide. Then his rational brain took over, reminding him that the intermittent nature was likely insufficient to help a snake survive through the winter. They were more likely off in the woods somewhere or hiding in the walls of one of the houses. The first window was just past the vent. Dave paused. He waited for a few minutes, but heard nothing. He edged up, his face upturned, his nose turned away from the building. Edging upward, he allowed his peripheral vision a first glimpse in the window. It was dark. He turned his head slowly, seeking greater detail. A few shadows and a small light on the back wall limned out an empty kitchen space for a community. Efficient, but a little too regimented for Dave's taste. A little too zombie group think. Dave moved forward. This time he skirted around a pile of small diameter metal pipes. Must be for a future irrigation project or outdoor faucet. The next window was only a few feet past the pile. Dave had to be careful how far out he went. He crouched and quickly got back to the wall once past the pipes. He could already hear voices. Someone was angry. "I said sit the fuck back down. You dumbasses cost us three men with your half-assed raid. No, you don't get a shot at any of the women from this raid. You're lucky we let you fucking live. One more fucking word out of your fucking mouth and I will shit-can all your asses. And you, big mouth, you'll go last; after I ass fuck your sister without a new dose! You can watch her melt like somebody poured battery acid in her shithole, then I'll kill you, with the memory of her screams in your fucking ears!" Dave went cold. His mind called up one of the videos about the dangers for a woman exposed to the semen of any man other than her partner. Anger welled up in him, but he tamped it down. A berserker rage banged against the walls of Dave's discipline. He held his focus, knowing he would only accomplish his goal with cold efficiency. All the things Carter said over the years, words that had been whirling in his ears since the moment of the break-in, all settled into cold clarity. Yeah, they were gonna die. In due time. He crept closer. Again taking care to avoid detection, Dave saw a woman select a syringe full of a vibrant green substance. She moved over to; a dead body on the floor? What the hell? Why is she injecting the dead guy? Wait, now it's purple inside? Maybe he just misidentified the earlier color? The woman with the syringe stood. A man dragged a blonde woman over to a table near the lady with the syringe. Dave heard her whimpering once she was close. A second man took the woman's other arm. The two men held her pinned, face down, against the table as her whimpering turned to active cries. Dave's stomach turned over. A third man pulled the woman's pajama pants down. She wore no panties. The woman with the syringe approached. The way she walked, and the look on her face, gave the impression she was walking to the gallows. Dave swore she mouthed the word 'Sorry' to the pinned woman before injecting her with the purple contents of her syringe. Immediately, the woman jerked and thrashed. The man behind her dropped his pants. Dave dropped low, not needing to see anymore. Hell, he'd seen far more than he ever wanted to. The cries and sounds he heard had a certain resonance with the priming and later imprinting orgasms of his partners. But overlaid with a guttural, raw emotionality. Then there was no more sound from the woman. A few low conversations between the men, and then Dave heard the door on the other side of the building open. Dave duck-walked away from the window and around the pipes. Once against the wall again he raised up a bit and paused. He needed to collect his thoughts. What to do was clear. Kill every man here. Given what they were doing, there were no innocents. The only questions revolved around how to do what needed to be done. Ideas formed in his head, but he needed to confer with Olivia. At the very least, she needed to know his intentions. Teamwork would be vital. He also trusted her judgment. Her input could prove useful. It often did. Something more about Olivia was rattling around the back of his head. A thought jumping up and down, demanding attention, but not coming forward. Like a word sitting on the tip of your tongue you just can't say. Something he knew, but wasn't fully acknowledging. It didn't seem related to the immediate task, so Dave moved his attention elsewhere. The number of trips from the large building to the smaller ones was very nearly the number of trips from the cars to the big building earlier. That meant soon the men would no longer be occupied with; what they had been doing. Since some had recently come back from a raid, they were likely to bed down soon. That would be a good time to strike. Time to move and communicate. The door had cycled twice more during Dave's thinking. As he rounded the corner of the empty building, free to move unobserved, he heard the door slam open. He froze in place, a few steps past the corner, where he could listen without being detected. Multiple footsteps approached, and sharp mutterings between two men. The footfalls changed as they crossed from the grass onto the concrete. Their voices became clearer too. "Why drag her all the way out here? It's fucking cold and wet." "'Cuz I don't wanna clean up the fucking mess when the old bitch slags, that's why! Grass will just eat it up and get nice and green next summer. Inside, the carpet and the fucking pad have to be replaced." Dave's blood boiled. He tamped it down for immediate purposes. He also started moving back the way he came. Weapon at the ready, he rounded the corner again. Three figures were just crossing off the concrete pad and back into the grass. Two males in hunter camo and a naked blonde woman sobbing as they dragged her between them. They stopped several steps off the pad. One man was out of view, the empty building blocking Dave's line of sight to him. Liv surely had a good shot on him, but she might not yet know enough to take it. She'd know soon enough though. The man Dave could see was turned away from Dave, with the woman collapsed, on her knees in front of him, looking away from Dave also. By their orientations, the man that was out of sight was probably facing the corner and would see Dave the instant he came around it. Fortune favors the brave . One of Carter's favorite phrases. Dave slipped the MP5 back behind him, on safe, he pulled the.22 pistol from his holster, and the silencer from his cargo pocket, mated them gently, and carefully began screwing the silencer in place. The woman cried out, pleading for mercy. Unseen by Dave, the second man slapped her, the sound unmistakable. Dave was moving as the slap echoed. His face etched in stone. No anger in his visage, no mercy in his eyes. His weapon came up smoothly as his feet accelerated him along the wall towards the man in his vision. Dave was now a fire and maneuver platform for the pistol. Just before he cleared the corner, he fired three rounds, all into the man's upper left back. His shot group was as perfect as the practices with Carter over the years. At least one of the rounds went through the man's heart. The suppressor dulled the sound of firing, and the subsonic ammunition avoided the supersonic crack of the rounds that would surely draw attention. The stricken man fell even as Dave came around the corner, rounding on the next target. That man was just beginning to look towards the corner with a curious expression. Dave fired again. Three rounds, just as Carter had trained him. He also dropped with no further resistance or sound. The first target was on the ground and the second descending, knees buckling beneath a falling torso, when the shuddering blonde woman registered the changes. She began to rise and turn around. Dave reached her at that same moment, grabbing her bicep and hauling her to her feet. To forestall undesirable attention, he shifted his hand from her arm to her mouth, clamping it shut. He got there just in time. The woman stared at him, terror in her wide-open eyes. He held his pistol low and to the side, but her eyes ping-ponged several times from it to his face. As frightened as she was, her eyes settled, then roved over his face. Within seconds her terror was held in check. Not gone but shoved aside. Like she was ready to believe something less evil than that of the other men's plans was now upon her. "Stay quiet, I need to get you out of here." She nodded. Wariness was present, but also a willingness to believe in; something. Grabbing her hand, Dave led her across the concrete pad and around the corner of the empty building. He didn't stop until they'd passed the length of the building, now leaning against the short wall, in full sight of Olivia. In pausing, Dave was reminded consciously of what his subconscious had of course noted; the woman wore not a stitch of clothing. He quickly averted his eyes, but not before registering her phenomenal figure. Granted, the condition of her skin on her face and her body indicated a woman with more than just a few decades of experience on this little ball of rock, but she was none the worse for wear by any means. Fit was an entirely apt description. Her tits had a natural sag, but still bore a certain firmness as well as a modest heft. And her eyes. Her eyes were captivating. Penetrating even. They stared at him from a gently rectangular face. Modestly arched eyebrows topped those gazing deep green orbs, and model perfect cheekbones provided a pedestal for those eyes to rest upon. Shapely, proportionate lips still trembled slightly beneath a nose that was not quite angular, and more than a button. Her face would fit in on a magazine cover or a boardroom. A face that could launch a thousand simps. "Let's get into the trees. My partner, Olivia, is waiting for us. Once we get away from prying eyes, we can give you something to cover up with. What's your name?"" Her face warmed briefly even as her arms instinctively moved to shield her tits. "Natasha." Her voice was unsteady, but not weak. "That way, Natasha." Dave pointed to a small gap between two young trees. Nothing he'd seen suggested she was a plant or any other kind of trap, but with only himself and Liv, he realized there was no room for fuck-ups. He spent much of his time walking sideways, keeping an eye to their rear. They entered the trees easily and without getting spotted. Natasha immediately slowed, picking her places to step more carefully with her bare feet on the woodland surface. They proceeded straight back from the buildings, in reverse of Dave's approach. He caught her arm when they reached the point to turn left towards Liv. Pointing quietly, Dave directed her on the new course. She nodded and kept moving. A few steps later, things started getting exciting. "Oh, holy Shit!" Even before his head turned, he knew the speaker was in the same vicinity as the two bodies he'd left behind. Through the intervening trees, Dave spotted a man standing in the gap between buildings. He safed the pistol and started unscrewing the silencer. There was no angle in stealth anymore. Once separated, the pistol went back in the holster and the silencer in his cargo pocket. He brought his MP5 back around. The man circled the two bodies slowly. Dave quietly moved closer to Liv, until they could see each other. With her attention on him, Dave drew his hand across his neck, then pointed at the man still examining the space where his friends had fallen. He heard the report of the rifle at nearly the same instant the back of the man's head sprouted a jet of blood and tissue. Dave hustled the last several steps to Liv's position. Liv gave him a wry smile as she looked behind him. "Recruiting more ladies, David?" As Dave began to object, her smile dropped. "I saw the whole thing. I didn't hear what was said, but they had it coming, that's for sure." "Yeah well, we need to get her warm and clothed. And still deal with these guys." "I've got spare clothes in the truck. Let her hide inside. At least get her out of the elements." Two men appeared, one on either end of the occupied building. Dave, Liv, and their charge were too deep in the trees for the men to spot. Besides, they were focused on the three bodies they could see. "Okay, I'm going to get her in sight of the truck, and then head down the backside of that building," Dave pointed to the empty building. "Got it. So, do I let these guys go back inside?" Do I tell her to take the shot? We're already all in here . Something in Dave went cold. "Once they turn back, take the shot." Liv merely nodded, her attention, earlier divided between her scope and Dave, was now fully downrange. Dave ushered Natasha along a tiny foot path, giving her some ease in foot placement. He tried to keep his eyes off her naked form, but when she jumped at Liv's first shot, the jostling of her tits was magnetic. He turned his eyes away quickly. Fortunately, he was able to spot the truck at this range. "We're going to have to work quickly to shut these guys down. Can you see that white patch through the trees?" Dave pointed in the direction he wanted her to look. Natasha nodded. "That's our truck. The door is unlocked. Get in there and get out of the wind. That will help you warm up some. Liv says she has a change of clothes behind the seat. Take a quick look to see if you can find a shirt or something. Then stay low, stay out of sight." The woman nodded again. "You are leaving me?" "I have to stop all of them before they hurt anyone else." Another shot rang out. She lunged at Dave, wrapping her arms around his neck. He was alarmed for just a moment, but he felt the shaking of her silent cries. She jolted again with the next shot. He gave her several seconds, then peeled her arms off of him. "I have to go." With that, he turned and hustled to a spot along the tree line proximate to the edge of the empty building. He was still covered by trees when he spotted a man moving toward him along the building. He's trying to flank Liv . Dave took up a firing position braced against a tree. Then he fired three rounds. The man dropped without a sound, though the shots echoed through the compound. Another crack from Liv's rifle announced her continued engagement with their opponents. If Dave didn't get engaged soon, they could overwhelm her. He sprinted across the gap and raced down the building's length. Another shot rang out. Dave reached the corner of the building, breathing hard, heart pounding. He heard feet slapping concrete and then go quiet. Swiftly turning the corner, he saw two men sprinting away, through the gap between buildings, and one more passing the other end of the building in the distance. Then another came around the corner near him, the follow-on to the two with their backs to him. He noticed Dave as Dave's SMG reached chest height. Dave's trigger finger pulled three times, smoothly, in quick succession. Three widely spaced red spots erupted on the man's chest. He fell against the wall and slid down. The man's weapon clattered to the concrete pad. Immediately, Dave shifted to the men headed away. One was beginning to turn. Dave fired on him first, this time with his weapon fully raised, taking aim and grouping his shots. Dave shifted to the second man that hadn't yet keyed on Dave's position behind him. With three rounds in his upper chest while running full tilt, the man tumbled to the ground. While Dave was taking out his targets, he'd registered two shots from Liv's rifle. That meant ten men in total they'd killed. But how many were there? At least ten, since the S U V had two men each. What Dave didn't know was how many were left behind to hold down the fort while the attackers were out. As he mulled over the issue, he dealt with two more immediate concerns. His weapon locked open on his last shot. He triggered the magazine release with his right, catching and removing the spent magazine with his left. Quickly, he stuffed the empty mag in his cargo pocket before pulling a fresh magazine from his tacvest. With a fresh magazine in place, he pressed the bolt release, driving a new round home. To be continued in part 11, Based on a post by RonanJWilkerson, in 12 parts, for Literotica.

Fluent Fiction - Korean: Triumph Under the Stars: A Night at Gyeongbokgung Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ko/episode/2025-12-31-23-34-02-ko Story Transcript:Ko: 경복궁은 겨울밤 별처럼 반짝였다.En: Gyeongbokgung shone like stars on a winter night.Ko: 눈이 쌓인 궁의 지붕은 마치 하얀 이불을 덮은 듯했다.En: The snow-covered roofs of the palace seemed as if draped with a white blanket.Ko: 새해를 맞이하려는 사람들로 궁 주변은 북적거렸다.En: The area around the palace was crowded with people looking to welcome the New Year.Ko: 경복궁의 신년 전야 대축제가 열렸다.En: The New Year's Eve grand festival at Gyeongbokgung was in full swing.Ko: 사람들은 두꺼운 옷을 입고 춤추고 노래 부르며 새해를 맞이할 준비를 했다.En: People, dressed in thick clothes, danced and sang as they prepared to welcome the New Year.Ko: 그 중에서도 가장 바쁜 사람은 보안 담당자 민지였다.En: Among them, the busiest person was Minji, the security manager.Ko: 그녀는 프로페셔널한 태도로 방문객의 안전을 지켰다.En: She maintained the safety of visitors with a professional attitude.Ko: 늘 그녀의 일에 최선을 다하는 민지는 이날도 예외가 아니었다.En: Always giving her best to her work, Minji was no exception on this day.Ko: 그러나 그녀 가슴속엔 또 다른 바람이 숨어 있었다.En: However, hidden in her heart was another desire.Ko: 조금 더 창의적인 일에 도전해 보고 싶었다.En: She wanted to challenge herself with more creative work.Ko: 그녀와 함께 일하는 동료 지수는 반대였다.En: Her coworker, Jisoo, was the opposite.Ko: 그는 여유롭고 사람들을 잘 다루는 성격으로 유명했다.En: Known for his laid-back and personable nature, he was talented at handling people.Ko: 지수는 보안 일을 좋아했지만, 속으론 작은 카페를 운영해 보고 싶었다.En: Although he enjoyed security work, secretly he wanted to run a small cafe.Ko: 밤이 깊어갈수록 방문객들은 자정의 불꽃놀이를 기대하며 경복궁 앞을 메웠다.En: As the night grew deeper, visitors filled the front of Gyeongbokgung, anticipating the midnight fireworks.Ko: 그러던 중 갑자기 모든 곳의 불이 꺼졌다.En: Suddenly, all the lights went out.Ko: "우르르!" 군중들이 술렁거리기 시작했다.En: "Boom!" The crowd started to buzz with unease.Ko: 민지는 상황을 빠르게 파악했다.En: Minji quickly assessed the situation.Ko: 중요한 전시물들의 안전이 위협받고 있었다.En: The safety of critical exhibits was at risk.Ko: 그녀는 심호흡을 하고 결심했다.En: She took a deep breath and made a decision.Ko: 민지는 모든 직원들을 소집하여 복구 계획을 세웠다.En: Minji gathered all the staff to formulate a recovery plan.Ko: 지수는 그의 특유의 침착함으로 방문객들을 진정시켰다.En: Jisoo calmed the visitors with his characteristic composure.Ko: 민지는 전기 시스템을 확인하고 직원들과 협력하여 필수 시설들을 먼저 복구하기 시작했다.En: Minji checked the electrical systems and began restoration of essential facilities with the help of the staff.Ko: 몇 시간이 지나고, 자정이 가까워졌다.En: After several hours, midnight approached.Ko: 마침내 민지의 노력으로 전력은 돌아왔다.En: Finally, thanks to Minji's efforts, power was restored.Ko: 불빛이 다시 켜지자 사람들은 환호성을 질렀다.En: As the lights came back on, people cheered.Ko: 곧이어 밤하늘을 가로지르는 불꽃놀이가 시작되었다.En: Soon, fireworks began to cross the night sky.Ko: 상사의 칭찬을 들은 민지는 안도의 한숨을 내쉬었다.En: Hearing the praise from her superior, Minji let out a sigh of relief.Ko: 그녀는 자신의 리더십에 대한 새로운 신뢰를 얻었다.En: She gained a newfound confidence in her leadership.Ko: 불꽃놀이의 환상적인 장관 속에서 민지는 생각했다. "도전은 기회가 된다."En: Amidst the fireworks' spectacular display, Minji thought, "Challenges become opportunities."Ko: 그리고 그녀는 언젠가 더 창의적인 역할에 도전할 날을 기대하며 잠시 꿈꾸었다.En: She dreamed for a brief moment about the day when she would take on a more creative role.Ko: 새해가 시작되는 순간, 민지는 자신감과 새로운 희망으로 가득 찬 채 미소를 지었다.En: As the New Year began, Minji smiled, filled with confidence and new hope. Vocabulary Words:shone: 반짝였다draped: 덮은crowded: 북적거렸다festival: 대축제composure: 침착함buzz: 술렁거리기assessed: 파악했다critical: 중요한exhibits: 전시물들risk: 위협formulate: 세웠다recovery: 복구facility: 시설restoration: 복구cheered: 환호성을 질렀다praise: 칭찬sigh of relief: 안도의 한숨spectacular: 환상적인display: 장관opportunity: 기회confidence: 자신감blanket: 이불anticipating: 기대하며talented: 능숙한restore: 회복하다superior: 상사professional: 프로페셔널한creative: 창의적인challenges: 도전leadership: 리더십

Fluent Fiction - Korean: Secret Soiree at the Busan Naval Base: A Night of Defiance Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ko/episode/2025-12-31-08-38-20-ko Story Transcript:Ko: 해가 질 무렵, 기지의 바람은 차가웠다.En: As the sun was setting, the wind at the base was cold.Ko: 밤하늘엔 코발트색 구름이 흩어져 있었다.En: Cobalt-colored clouds were scattered across the night sky.Ko: 지금은 부산 해군 기지에 있는 것만으로도 육체적으로나 정신적으로 생생한 긴장감을 느낄 수 있었다.En: Just being at the Busan naval base made one feel a vivid tension, both physically and mentally.Ko: 지수는 여러 개의 두툼한 외투를 껴입고 쓰러질 것 같은 눈으로 기지를 둘러보았다.En: Jisoo bundled up in several thick coats and looked around the base with weary eyes.Ko: "오늘 밤만큼은 팀원들을 위한 무언가를 하고 싶다," 그녀는 혼잣말을 했다.En: "Just for tonight, I want to do something for my team," she murmured to herself.Ko: 이곳은 부산 해군 기지.En: This was the Busan naval base.Ko: 부서진 콘크리트와 강철이 조화를 이루며 차갑고 송곳 같은 바람이 계속 몸을 휘감았다.En: Broken concrete and steel harmonized as the cold, piercing wind continued to wrap around the body.Ko: 이곳 모든 장병이 규칙을 철저히 지켜야 한다는 것은 너무나도 당연한 사실이었다.En: It was a given that everyone here had to strictly follow the rules.Ko: 하지만 지수는 올해는 달랐으면 했다.En: However, Jisoo wished this year could be different.Ko: 지수는 몇 달 동안 열심히 일해왔고 그녀의 팀도 마찬가지였다.En: Jisoo had been working hard for months, along with her team.Ko: 그는 이 어려운 시기에 많은 동료들에게 작은 기쁨을 주고 싶었다.En: She wanted to bring a small joy to many of her colleagues during these tough times.Ko: 그리고 바로 그 이유로 미준과 대양을 불렀다.En: And that's why she called Mijun and Daeyang.Ko: "미준, 대양, 우리 오늘 밤 비밀 파티를 열자," 지수가 말했다.En: "Mijun, Daeyang, let's throw a secret party tonight," Jisoo said.Ko: 미준은 깜짝 놀라며 눈이 휘둥그레졌다.En: Mijun was surprised and his eyes widened.Ko: "규칙인데... 하지만 재미있을 것같아."En: "It's against the rules... but it sounds fun."Ko: 대양은 긴장한 듯 시선을 둘러봤다.En: Daeyang looked around nervously.Ko: "하지만 어떻게 해요? 지켜야 할 사항이 많잖아요."En: "But how can we? There are so many rules to follow."Ko: 지수는 말없이 웃었다.En: Jisoo silently smiled.Ko: "우리는 공급 저장실을 이용할 거야. 미준, 넌 나를 도와 준비하자. 대양, 넌 바깥에서 지켜봐."En: "We'll use the supply storeroom. Mijun, you help me prepare. Daeyang, you keep watch outside."Ko: 야외 기온이 낮고 깜깜했지만, 세 사람의 얼굴에는 웃음이 가득했다.En: Even though the outdoor temperature was low and it was dark, their faces were full of smiles.Ko: 그들은 차근차근 계획을 세웠다.En: They slowly crafted a plan.Ko: 그리고 저녁 9시가 되었고, 그들은 모든 준비를 마쳤다.En: By 9 PM, they had completed all the preparations.Ko: 저장실은 작고 엉망이었지만, 사랑과 기대로 가득했다.En: The storeroom was small and messy, but it was filled with love and anticipation.Ko: "대양, 우리가 준비하는 동안 엿보는 대문 밖을 보고 있어," 미준이 손에 열쇠를 잡고 말했다.En: "Daeyang, keep an eye on the doorway while we set up," Mijun said, holding a key in his hand.Ko: 지수는 작은 라이트를 켰고,En: Jisoo turned on a small light.Ko: 그의 결정은 흔들리지 않았다.En: Her resolve was unwavering.Ko: 지수는 귤과 음료수를 준비해 두었다.En: She had prepared tangerines and drinks.Ko: 세 사람은 조그만 지하실에서 작은 희망을 만들어 냈다.En: The three of them created a small hope within the tiny basement.Ko: 카운트다운이 시작되고, 시계는 빠르게 11시 59분을 가리켰다.En: The countdown began, and the clock quickly pointed to 11:59.Ko: "10, 9, 8, 7..." 일행 셋은 입을 모았다.En: "10, 9, 8, 7..." the trio chanted in unison.Ko: 그런데, 문 소리가 나서 모두 고개를 돌렸다.En: Then, a sound came from the door, and they all turned their heads.Ko: 지휘관이었다.En: It was the commander.Ko: 방은 조용해졌다.En: The room fell silent.Ko: 누구 하나 숨도 쉬지 않았다.En: No one even dared to breathe.Ko: 하지만 지휘관의 얼굴에 미소가 번졌다.En: But a smile spread across the commander's face.Ko: "과거에 나도 이런 파티를 열곤 했어," 그는 회상하는 눈빛으로 말했다.En: "I used to hold parties like this in the past," he said with a reminiscing gaze.Ko: "계속해. 금지할 이유가 없어."En: "Continue. There's no reason to stop you."Ko: 지수와 그녀의 친구들은 안도의 한숨을 쉬었다.En: Jisoo and her friends breathed a sigh of relief.Ko: 모두 함께 잡은 손을 놓지 않았다.En: None of them let go of each other's hands.Ko: 규칙을 어긴 것은 불안했지만, 결과적으로 이들은 서로 더 가까워졌다.En: Although they were anxious about breaking the rules, in the end, they felt closer to one another.Ko: 감히 규칙의 경계를 넘어 본 보람이 있음을 느꼈다.En: They felt it was worth daring to cross the boundary of the rules.Ko: 새해는 새로운 희망을 안고 찾아왔다.En: The new year arrived, bearing new hopes. Vocabulary Words:setting: 질 무렵scattered: 흩어져vivid: 생생한bundled up: 껴입고weary: 쓰러질 것 같은murmured: 혼잣말을 했다harmonized: 조화를 이루며piercing: 송곳 같은strictly: 철저히colleagues: 동료들surprised: 깜짝 놀라며widened: 휘둥그레졌다nervously: 긴장한 듯storeroom: 저장실anticipation: 기대resolve: 결정unwavering: 흔들리지 않았다countdown: 카운트다운chanted: 입을 모았다unison: 합창으로gaze: 눈빛command: 지휘relief: 안도의dared: 감히boundary: 경계bear: 안고daunting: 어려운bundle: 끼워 넣다remotely: 멀리서sigh: 한숨

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Greg Vorst and Michael Nolan are the co-founders of Embodied Recovery, a treatment center in Silicon Valley which helps people transform addiction and mental health struggles into soul growth and empowered living.   Their Empowered Living Teachings blend psychology, ancient wisdom, and embodied practices. Drawing from their experience and expertise including therapy, 12-step recovery, and the ancient Korean practice of Sundo, Greg and Michael guide their clients with inner wisdom and healing.   Greg and Michael both share their own personal stories about dealing with addiction and mental health issues. They describe how their journeys crossed each other's paths, and how they developed a synergistic and holistic approach to helping others heal from addiction and mental health issues. They also share valuable insights into the power of integrating psyche with soma, the power of awareness and introspection, and how pain is often the portal to the path to recovery. Download this powerful and impactful episode to hear their story as well as the message of hope that healing is always possible.   Connect with Greg and Michael: https://www.embodiedrecovery.com/ https://www.facebook.com/embodiedrecoverycenters https://www.youtube.com/@embodiedrecoverycenters https://www.instagram.com/embodiedrecoverycenters/ Want to be a guest on TheFemiNinjaProject? Send Cheryl Ilov a message on PodMatch, here: https://www.podmatch.com/hostdetailpreview/1620842117560x116520069523704300

Today I'm reviewing She Gets the Girl and its sequel novella Joy to the Girls—a contemporary YA sapphic romance duology that's heartfelt, charming, and emotionally grounded.At the center are two compelling leads: Alex, who is navigating life with an alcoholic mother and the weight that comes with it, and Molly, a thoughtful introvert grappling with connecting to her Korean heritage. Their relationship grows through vulnerability, humor, and genuine emotional connection, making their love story feel both tender and real.These books shine in their character work, exploring identity, family, and self-acceptance alongside romance. If you love contemporary YA, sapphic love stories, and character-driven narratives that handle serious topics with care, this duology is absolutely worth picking up.✨ Tune in for my spoiler-free breakdown of what makes these stories so meaningful and why they resonate long after the final page. Follow on Spotify and subscribe on YouTube for more YA, romance, and LGBTQ+ book reviews.#SheGetsTheGirl #JoyToTheGirls #SapphicRomance #ContemporaryYA #LGBTQBooks #BookReviewPodcast #SpotifyPodcasts #BookTube #QueerYA #RomanceReads

Fluent Fiction - Korean: A Teahouse Tale: Finding Inspiration in Seoul's Heart Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ko/episode/2025-12-30-23-34-02-ko Story Transcript:Ko: 비 내리는 겨울 저녁, 지훈, 은서, 민규는 서울 인사동을 걷고 있다.En: On a rainy winter evening, Jihoon, Eunseo, and Mingyu were walking through Seoul Insa-dong.Ko: 인사동 거리에는 전통 등불이 밝혀져 있고, 축제 분위기로 가득 차 있다.En: Traditional lanterns lit up the streets of Insa-dong, filled with a festive atmosphere.Ko: 하지만 사람들로 북적여서 지훈은 생각에 잠기기 어려웠다.En: However, the bustling crowd made it difficult for Jihoon to get lost in thought.Ko: 그는 역사 과제의 주제를 찾고 있었고, 영감을 찾기 위해 조용한 곳이 필요했다.En: He was searching for a topic for his history assignment and needed a quiet place to find inspiration.Ko: 은서는 그림의 영감을 찾고 있었고, 민규는 불확실한 미래에 대해 고민하고 있었다.En: Eunseo was seeking inspiration for her painting, and Mingyu was pondering over an uncertain future.Ko: 갑자기 지훈이 말했다, "조금 더 조용한 찻집으로 가자."En: Suddenly, Jihoon said, "Let's go to a quieter teahouse."Ko: 그들은 인사동 끝자락에 있는 작은 전통 찻집을 찾았다.En: They found a small traditional teahouse at the edge of Insa-dong.Ko: 찻집은 나무 장식과 부드러운 조명으로 따뜻하고 안락했다.En: The teahouse, adorned with wooden decorations and soft lighting, felt warm and cozy.Ko: 창문 밖으로 보이는 눈이 더욱 분위기를 더해주었다.En: The snow seen through the window added to the atmosphere.Ko: 세 사람은 따뜻한 차를 마시며 이야기를 나누었다.En: The three sat down to enjoy warm tea and shared stories.Ko: 가족 이야기로 대화가 이어지고, 민규는 뜻밖의 이야기를 들려주었다.En: The conversation turned to family stories, and Mingyu shared an unexpected tale.Ko: "우리 할아버지가 옛날 한국의 전통을 많이 알고 계셨어."En: "My grandfather knew a lot about traditional Korean customs."Ko: 민규의 이야기는 지훈의 마음 깊은 곳에 다가왔다.En: Mingyu's story deeply resonated with Jihoon.Ko: 그는 처음 듣는 가족 전통이었고, 그의 역사 과제에 딱 맞는 영감이었다.En: It was a family tradition he had never heard before, and it was perfect inspiration for his history assignment.Ko: 지훈은 이제 주제에 대한 명확한 방향을 잡았다.En: Jihoon now had a clear direction for his topic.Ko: 은서도 그 이야기 속에서 그림의 주제를 찾았다.En: Eunseo also found a theme for her painting within the story.Ko: 민규도 자신이 좋아하는 이야기를 다시금 탐구해야겠다고 결심했다.En: Mingyu decided he needed to explore the stories he loved once more.Ko: 찻집을 나와 인사동 거리를 다시 걸으면서, 세 사람은 서로 미소를 나눴다.En: As they left the teahouse and walked through Insa-dong street again, the three of them exchanged smiles.Ko: 지훈은 자신의 학문적 여정에 자신감을 얻었다.En: Jihoon gained confidence in his academic journey.Ko: 은서는 새로운 그림에 대한 영감을 찾았다.En: Eunseo found inspiration for her new painting.Ko: 그리고 민규는 새로운 인생의 방향을 발견하고 희망을 가지게 되었다.En: And Mingyu discovered a new direction in life and felt hopeful.Ko: 그렇게 그들은 각자의 길을 찾아나갔다.En: Thus, they each embarked on their own path.Ko: 새로운 시작을 향한 설렘이 가득했다.En: They were full of excitement for a new beginning.Ko: 세 사람은 서로에게 말없이 약속했다. 언제나 서로의 꿈을 지원하리라고.En: The three silently promised each other to always support each other's dreams. Vocabulary Words:rainy: 비 내리는lantern: 등불bustling: 북적여서inspiration: 영감adorned: 장식된cozy: 안락한atmosphere: 분위기pondering: 고민하고 있었다uncertain: 불확실한resonated: 다가왔다unexpected: 뜻밖의customs: 전통academic: 학문적confidence: 자신감embarked: 찾아나갔다excitement: 설렘promised: 약속했다support: 지원하다assignment: 과제festive: 축제quiet: 조용한teahouse: 찻집soft lighting: 부드러운 조명theme: 주제journey: 여정direction: 방향smiles: 미소cherish: 간직하다tradition: 전통hopeful: 희망을 가지다

Fluent Fiction - Korean: Winter Wonders: Seeking Gifts and Joy in Myeong-dong Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ko/episode/2025-12-30-08-38-20-ko Story Transcript:Ko: 명동의 겨울은 특별하다.En: Winter in Myeong-dong is special.Ko: 날씨는 춥지만, 공기는 흥미롭고 활기차다.En: Although the weather is cold, the air is intriguing and lively.Ko: 명동 거리에는 겨울 세일을 맞아 다양한 사람들이 모인다.En: People from various backgrounds gather on Myeong-dong street to take advantage of the winter sales.Ko: 서늘한 바람 속에서, 동호와 지원, 수민이 함께 쇼핑을 하기에 이른다.En: Amidst the chilly breeze, Dong-ho, Ji-won, and Su-min set out for shopping together.Ko: 지원을 따라 걷는 동호는 복잡한 마음을 안고 있었다.En: Following Ji-won, Dong-ho was walking with a complex mix of emotions.Ko: 오늘 그의 목표는 여동생에게 줄 완벽한 선물을 찾는 것이다.En: His goal today was to find the perfect gift for his sister.Ko: 올해 내내 여동생이 보여준 힘찬 지원에 감사하는 마음이었다.En: It was his way of showing gratitude for her strong support throughout the year.Ko: 지원은 눈이 반짝이며 여기저기 매장을 둘러보고 있었다.En: Ji-won, with sparkling eyes, was browsing the stores here and there.Ko: “동호야! 저기 세일한다! 우리 조금 구경해 보자!” 지원이 외쳤다.En: “Dong-ho! There's a sale over there! Let's take a look!” Ji-won shouted excitedly.Ko: 동호는 미소를 지으며 답했다. “그래, 가보자. 하지만 선물도 잊지 말아야 해.”En: Dong-ho replied with a smile, “Sure, let's go. But don't forget about the gift.”Ko: 그러나 복잡한 인파 속에서 동호는 시간이 흘러가는 것을 느꼈다.En: However, as they navigated through the crowded streets, Dong-ho felt time slipping away.Ko: 그의 마음은 조금씩 조급해졌다.En: His mind grew increasingly anxious.Ko: "지원을 따라다니다가 필요한 걸 못 찾을 수도 있어." 그는 속삭였다.En: “I might not find what I need if I keep following Ji-won around,” he whispered.Ko: 지원은 동호의 고민을 눈치채고 말했다. "나중에 선물 찾아도 돼. 지금은 그냥 즐겨봐!"En: Noticing his concern, Ji-won reassured him, “You can find the gift later. Just enjoy the moment for now!”Ko: 하지만, 동호는 결심했다.En: Nonetheless, Dong-ho made up his mind.Ko: “조금 떨어져볼까?” 그는 고민 끝에 지원에게 말했다.En: “Shall we split up for a bit?” he finally said to Ji-won.Ko: 지원은 고개를 끄덕이며 응원했다. “그럼! 혼자 다니는 것도 재미있을 거야. 나중에 여기서 만나자!”En: She nodded and encouraged him, “Of course! Going around alone can be fun too. Let's meet up here later!”Ko: 동호는 홀로 길을 걸었다.En: Dong-ho walked down the road alone.Ko: 조금 지나자 머리가 어지러워지고, 발걸음이 무거워졌다.En: Soon he started to feel dizzy, and his steps became heavy.Ko: 인파는 점점 밀려들었고, 그는 심호흡을 했다.En: The crowd was swelling around him, and he took a deep breath.Ko: 그때 갑자기 작은 가게가 눈에 들어왔다.En: At that moment, a small shop caught his attention.Ko: 그 가게는 특이하게 장식되어 있었다. 호기심에 안으로 들어갔다.En: It was uniquely decorated, and out of curiosity, he went inside.Ko: 작은 촛불과 아기자기한 소품들이 빛나는 그곳.En: The small candles and cute trinkets lit up the place.Ko: 동호는 마음이 따뜻해지는 것을 느꼈다.En: Dong-ho felt his heart warming.Ko: 선반 위에 놓인 작은 음악상이 그를 사로잡았다.En: A small music box on the shelf captivated him.Ko: "이거다!" 그는 속으로 외치며 음악상을 구매했다.En: “This is it!” he exclaimed to himself and bought the music box.Ko: 여동생이 좋아할 거라는 확신이 들었다.En: He was sure his sister would love it.Ko: 다시 밖으로 나온 그는 지원을 찾아다녔다.En: Stepping back outside, he went looking for Ji-won.Ko: 명동의 빛과 소리 속에서, 숨어 있던 그를 찾게 되었다.En: Among the lights and sounds of Myeong-dong, he eventually found her hiding.Ko: “지원아!” 그는 손을 흔들며 달려갔다.En: “Ji-won!” he shouted, waving and running toward her.Ko: 지원은 웃으며 맞이했다. “찾았구나!”En: She welcomed him with a smile, “You found me!”Ko: 두 친구는 서로의 자랑을 나누며 따뜻한 음료를 손에 들고 길을 걸었다.En: The two friends shared their excitement as they held warm drinks in their hands and strolled down the road.Ko: 밤하늘에는 불꽃놀이가 시작되었고, 명동의 거리에는 새해가 가까워졌다는 기쁨이 넘쳐흘렀다.En: Fireworks began lighting up the night sky, and the streets of Myeong-dong were filled with the joy of the approaching new year.Ko: 동호는 그 순간 즐기는 것이 얼마나 중요한지를 깨달았다.En: Dong-ho realized the importance of enjoying the moment.Ko: 하지만 목표도 잊지 않았다.En: Yet, he didn't forget his goal.Ko: 이제 동호는 목표와 순간을 함께 즐길 줄 알게 되었다.En: Now, Dong-ho learned how to enjoy both goals and moments together.Ko: 예기치 않은 기쁨이 그를 덮고 있었다.En: Unexpected joy showered over him.Ko: 둘은 웃으며 겨울밤을 함께 걸었다.En: The two walked through the winter night laughing together.Ko: 그날은 동호가 이룬 소중한 하루였다.En: That day was a cherished day that Dong-ho accomplished. Vocabulary Words:intriguing: 흥미롭다lively: 활기차다gratitude: 감사sparkling: 반짝이다anxious: 조급하다navigate: 길을 찾다concern: 고민reassured: 안심시키다encouraged: 응원하다dizzy: 어지럽다curiosity: 호기심trinkets: 소품captivated: 사로잡다cherished: 소중한browse: 둘러보다exclaimed: 외치다swelling: 밀려들다slipping: 흘러가다breath: 심호흡하다strolling: 길을 걷다unexpected: 예기치 않다accomplished: 이루다moment: 순간complex: 복잡한goal: 목표support: 지원following: 따르다eventually: 결국holding: 들다decoration: 장식

Good morning! Today we will be discussing the differences between Korean and America cultures in Christianity. Is there such a thing as a "Korean" church? How are we to interpret different cultures in the church?

Happy December, Chingu Chat everyone!This segment is a special one on Ya Girl's K-Drama Podcast, where Maddie & Christina chat about all things Korean-related (like JK, for example).In this episode, the ladies talk about random shenanigans, share what dramas they are watching, which throwback dramas were their favorites this year, and discuss spicy hot takes.Grab your coffee, tea, or soju, and come laugh with them!….If you love Chingu Chats, make sure you check out all the other ones in their catalog. You are in for a REAL treat! (They are SO many! You're welcome

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When 'oppa' becomes '-ssi': linguistic markers of K-drama기사 요약: "오빠"와 "-씨" 라는 호칭의 미묘한 간극으로 바뀌는 드라마 속의 관계, 호칭의 언어학으로 풀어내는 K-드라마[1] If you've ever felt a K-drama relationship quietly recalibrate without a clear blowup, the explanation is often linguistic rather than plot-driven.recalibrate: 다시 조정하다blowup: 폭발, 큰 싸움linguistic: 언어의[2] Korean is a language that prioritizes relationships and social context over individual identity, and the way one person addresses another often betrays how they truly feel. In this regard, titles and honorifics frequently do the storytelling in K-dramas that the script doesn't explain in detail. Certain titles recur so often across K-dramas that recognizing them becomes a form of essential viewing literacy.address: 호칭하다. ~에게 말을 걸다.recur: 되풀이 되다, 재발하다[3] "Hyung" is literally translated as older brother, but that definition goes deeper in the K-drama context. In practice, hyung operates as a linguistic shortcut to chosen family. When used outside of blood relationships, it establishes a bond rooted in deep friendship and intimacy. When Nak-soo in "The Dream Life of Mr. Kim" refers to his workplace superior as hyung rather than by an official title, the atmosphere shifts. The hierarchy largely disappears, with the title signaling personal intimacy that exists beyond workplace ranks.in practice: 실제로는operate: 가동하다, 작동하다shortcut: 지름길기사 원문: https://www.koreaherald.com/article/10637471

A crumbling 1849 house, abolitionist lore, and a quest to cook for the next hundred years—this is the story of how Maggie and Matt Noble turned The Tavern on the Square into a living landmark. We sit down inside the restored space in New Wilmington, where original beams meet brand-new wiring, and the elevator isn't a luxury but a promise that everyone belongs at the table. We trace their unlikely route from California kitchens and construction sites to Amish-country sourcing in Western Pennsylvania. Culinary training in Napa taught discipline and seasonality; small-town life sharpened their commitment to scratch cooking. The result is a tavern menu with a conscience: stocks built from bones, sauces fired to order, and a flagship burger made from a single, 100% grass-fed, grass-finished cow raised three miles away. Beloved staples like Korean sticky ribs and crispy-skinned salmon sit alongside pizzas that turn local harvests into a seasonal showcase, and cocktails crafted to slow and savor the evening.Plan a visit to this historic gem and bucolic community for a delicious experience. Check hours, events, and specials on their website at www.thetavernonthesquare.com and on Instagram at @thetavernnewwilmington. If the story resonates, subscribe, share with a friend who loves thoughtful food, and leave a review to help others find the show.Support the showLiked the episode? We'd love a coffee!

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improve your listening skills by comparing different versions of "The Bundle of Sticks"

Narrator Greta Jung joins host Jo Reed to discuss narrating ALL THE TOMORROWS AFTER by Joanne Yi, one of AudioFile's picks for Best Young Adult Audiobooks of 2025. Greta discusses her connection to the Korean language and her own childhood, both of which helped her deliver an impactful, emotional performance. Jo and Greta also talk about the importance of stories that are especially resonant for children and teen listeners.  Read AudioFile's review of the audiobook Published by Simon & Schuster Audio AudioFile's 2025 Best Young Adult Audiobooks are: AMONG GHOSTS by Rachel Hartman, read by Will Watt ONE STEP FORWARD by Marcie Flinchum Atkins, read by Chanté McCormick SISTERS IN THE WIND by Angeline Boulley, read by Isabella Star LaBlanc (S)KIN by Ibi Zoboi, read by Bahni Turpin, Robin Miles UNDER THE SAME STARS by Libba Bray, read by January LaVoy, Jeremy Carlisle Parker, Major Curda ALL THE TOMORROWS AFTER by Joanne Yi, read by Greta Jung Explore the full list of 2025 Best Audiobooks on our website Support for our podcast comes from Dreamscape, an award-winning audiobook publisher with a catalog that includes authors L.J. Shen, Freida McFadden, and Katee Robert. Discover your next great listen at dreamscapepublishing.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Comment on this episode by going to KDramaChat.comToday, we'll be discussing Episode 6 of Start-Up, the hit K Drama on Netflix starring Bae Suzy as Seo Dal-mi, Nam Joo Hyuk as Nam Do-san, Kim Seon Ho as Han Ji Pyeong, Kang Han Na as Won In Jae, and Kim Hae Sook as Choi Won Deok. We discuss:The songs we featured during the recap: Where Is Dream by 10CM, Maybe You Know It by Park Sejun, and Game Room by Park Sejun. We also shared insights into 10CM's music career and unique vocal style.The concept of the “key man,” and how Nam Do-san, as the brilliant coder, is the true key person behind Samsan Tech's success, not Seo Dal-mi.An in-depth conversation about equity and ownership, with Han Ji Pyeong insisting that a CEO must have majority equity to lead effectively — a controversial claim that causes major friction in the team.The fallout among the Samsan Tech founders when Chul San and Yong San feel betrayed by Nam Do-san's proposed equity structure, prompting a near breakup.Seo Dal-mi's growth as a CEO, including how she proposes a new equity split and confronts Jeong Sa Ha with strength and confidence, signaling her rising leadership.The tension between being a good person and being an effective CEO, and how Seo Dal-mi learns to make hard decisions without trying to please everyone.The emotional weight of keeping the truth about the letters hidden from Seo Dal-mi, especially now that Nam Do-san learns the grandmother is losing her eyesight.The deepening love triangle between Seo Dal-mi, Nam Do-san, and Han Ji Pyeong, as seen in the nuanced facial expressions, especially during their scene on the bleachers.A sobering look at Won In Jae's fraught relationship with her stepfather and mother, and how her need to “win” is rooted in betrayal and guilt.The dark twist at the end of the episode, where a hooded figure leaves a message about revenge on the Sandbox wall — suggesting deeper intrigue ahead.A spotlight on the incredible Kim Hae Sook, who plays the grandmother, Choi Won Deok. We discuss her prolific career, her range as an actress, and her importance to Korean cinema and TV.ReferencesCould Malcolm Gladwell's Theory of Cockpit Culture Apply to Asiana Crash?Malcolm Gladwell's Outliers and Aircraft DispatchersThinking Beyond Cultural Legacy: The Case of Korean AirMalcolm Gladwell Theory Debunked - Hacker News

안녕하세요~ 제 마흔다섯 번째 중급 팟캐스트를 들으러 오신 걸 환영합니다

South Korea says it's ending the foreign adoptions of Korean children. AP correspondent Donna Warder reports.

On this episode, Ty sits down with Pastor Ché, a Korean immigrant and 46-year veteran pastor running for California Governor. Pastor Ché shares the moment God called him to run on April 28th, his immediate response of "God, please not this, it is impossible," and the miraculous White House invitation that came just five hours after he asked for confirmation. You'll hear his incredible story, from growing up as the son of a North Korean pastor imprisoned under communism to his own battle with drug addiction at 17. He shares the supernatural moment at a Deep Purple concert in 1973 when he encountered Jesus, walked out before the main act, and was instantly delivered from addiction. That was 52 years ago. Pastor Ché breaks down California's crisis points: Proposition 1 codifying abortion through the ninth month, transgender sanctuary state policies, teen suicide now the number one killer of youth ages 10 to 18, $5 billion spent on homelessness with $2.5 billion unaccounted for, the bullet train to nowhere that's burned through nearly $100 billion with not one foot of track laid, and defunded police departments. He lays out his vision for common-sense solutions: DOGE-style audits of every department, fully funding law enforcement, balanced environmental policies, and calling for a statewide day of prayer and fasting on day one. He's the only person of color running in a state where over 50% are people of color, has zero political background but 46 years of proven integrity, and brings a spiritual dimension focused on revival. Ty and Pastor Ché find common ground in running for office after receiving divine impressions and believing voters need to look beyond party affiliation to character and values. Pastor Ché's message is clear: California's problems are fundamentally spiritual, and it's going to take more than policy changes to bring restoration. Visit che4ca.com to support his campaign. Anyone in all 50 states can contribute. Most importantly, he asks for your prayers for California.   As always, we would like to hear from you! Email us at thetybradyway@gmail.com Or DM us on Instagram @thetybradyway

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This week, Jun and Daniel celebrate Christmas and close out 2025 with their third annual "Ssamary"—a comprehensive year-end wrap-up. The episode begins with a look at their current holiday vibes, exploring why Daniel is struggling to feel festive this year and Jun's memories of his father's unique "sparrow" surveillance tactic for behavior. As they transition into the review, they break down the podcast's statistics, celebrate milestones like surviving creative burnout to find a sustainable schedule, and share their personal highs and lows of the year, including Daniel's journey toward finding peace in Korea and Jun's resilience through career turbulence.If you're interested in hearing about the surprising history behind December 25th, the exorbitant price of Korean hotel Christmas cakes, or Daniel's daughter's ambitious Christmas wish list asking for a new house and baby twins, this episode offers plenty of laughs and insights. We also dive deep into our personal resolutions for 2026, including Jun's "9th inning" career mindset and Daniel's candid thoughts on whether his family will stay in Korea or move back to the US next summer. Whether you want to know which episodes were our favorites or just hear us reflect on the reality of aging and job stability, tune in for this special holiday edition.As a reminder, we publish our episodes bi-weekly from Seoul, South Korea. We hope you enjoy listening to our conversation, and we're so excited to have you following us on this journey!Support the showWe hope you enjoy listening to our conversation, and we're so excited to have you following us on this journey!Support us on Patreon:https://patreon.com/user?u=99211862Follow us on socials: https://www.instagram.com/koreanamericanpodcast/https://twitter.com/korampodcasthttps://www.tiktok.com/@koreanamericanpodcastQuestions/Comments/Feedback? Email us at: koreanamericanpodcast@gmail.com Member of the iyagi media network (www.iyagimedia.com)

In this episode of Mission Matters, ⁠Adam Torres⁠ interviews Heesung Han, CEO, and Jonghee Kim, Producer, of Star Platinum about their American Film Market experience, upcoming projects, and their mission to support emerging filmmakers while expanding Korean content through global collaboration. This interview is part of our AFM 2025 Series. Big thank you to ⁠American Film Market⁠ ! Follow Adam on Instagram at ⁠https://www.instagram.com/askadamtorres/⁠ for up to date information on book releases and tour schedule. Apply to be a guest on our podcast: ⁠https://missionmatters.lpages.co/podcastguest/⁠ Visit our website: ⁠https://missionmatters.com/⁠ More FREE content from Mission Matters here: ⁠https://linktr.ee/missionmattersmedia⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Colonel Peterburs is a highly decorated, retired U.S. Air Force Colonel and legendary P-51 Mustang fighter pilot whose extraordinary service spans three wars. During WWII, serving with the 20th Fighter Group, 55th Fighter Squadron, he achieved the remarkable feat of shooting down German jet ace Walter Schuck. Later shot down himself, Col. Peterburs was captured and became a prisoner of war—only to orchestrate a daring escape. After linking up with Russian forces, he fought alongside them until V.E. Day. His distinguished career continued through the Korean and Vietnam Wars, cementing his legacy as a true hero of the Greatest Generation. Recently celebrated at his 100th birthday, Col. Peterburs' story is one of courage, resilience, and unwavering service to his country. In 1945, Lt. Col. Joe Peterburs flew his final mission over Europe. His wingman, Lt. Kenneth Pettit, never made it home. Eighty years later, Joe is returning to England to honor Kenneth and the men of the 20th Fighter Group with a permanent memorial at their former base. This Afterburn episode tells their story of courage, loss, and brotherhood and a promise that even time can't erase. Their mission isn't over. Listen now and help carry it forward: gofund.me/57e9ed76

It's our final Breakfast All Day episode of 2025! And we have some great stuff and some not-so great stuff for you as we wrap up the year. All of these movies will be in theaters on Christmas Day: MARTY SUPREME. Timothée Chalamet gives an electrifying performance as a 1950s table tennis phenom. We both loved the film from writer and co-director Josh Safdie, which has the kind of kinetic, propulsive energy we've come to expect from the Safdie brothers as a whole. Gwyneth Paltrow and Odessa A'zion co-star. ANACONDA (2025). Our good friend William Bibbiani -- you know him as Bibbs -- has seen every single "Anaconda" movie. So he was the perfect person to help review this so-so reboot/remake/whatever you want to call it starring Paul Rudd and Jack Black as aspiring filmmakers in the Amazon. NO OTHER CHOICE. The great Korean director Park Chan-wook is back with another stylish and twisty thriller. "Squid Game" star Lee Byung-hun plays a middle manager who gets fired, then schemes to take out the competition for other jobs. Based on the Donald E. Westlake novel "The Ax." We loved it. Thank you so much for spending the year with us -- we're so grateful for our community. Keep an eye out for our best/worst lists at the start of January. Can't wait to see you in 2026! Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/

This week's podcast starts by discussing the U.N. General Assembly's adoption of a resolution condemning North Korea's human rights abuses for the 21st consecutive year. NK News correspondent Jooheon Kim explains the implications of the resolution and Seoul's support, before talking about messages to South Korean President Lee Jae Myung from the families of prisoners of war and abductees trapped in North Korea. Finally, the conversation turns to Hyundai Asan's stated goal of working with North Korea to resume inter-Korean tourism projects, including the commissioning of a vessel to transport South Korean tourists to the North. About the podcast: The North Korea News Podcast is a weekly podcast hosted by Jacco Zwetsloot exclusively for NK News, covering all things DPRK — from news to extended interviews with leading experts and analysts in the field, along with insights from our very own journalists.

A young woman from Vietnam sought a true cultivation practice and when she encountered Falun Dafa in 2016, she immediately began cultivating diligently. Here she shares her experiences of moving to Japan and learning Japanese to help spread the Fa, and how she and her Korean husband helped his family to learn Falun Dafa. This and other experience-sharing from the Minghui website. Original Articles: 1. [Fahui] Learning to Cherish the Path Arranged by Master2. A Noble Feat I Witnessed 23 Years Ago Still Encourages Me3. Falun Dafa Changed Her Outlook on Life To provide feedback on this podcast, please email us at feedback@minghuiradio.org

Last time we spoke about the Japanese Victory over Changkufeng. Japan's generals hatched a plan: strike at night, seize the peak, then bargain if need be. Colonel Sato, steady as a compass, chose Nakano's brave 75th Regiment, selecting five fearless captains and a rising star, Nakajima, to lead the charge. Ahead, scouts and engineers threaded a fragile path through darkness, while distant Soviet tanks rumbled like distant thunder. At 2:15 a.m., wire breached and soldiers slipped over the slope. The crest resisted with brutal tenacity, grenades flashed, machine guns spit fire, and leaders fell. Yet by 5:15 a.m. dawn painted the hill in pale light, and Japanese hands grasped the summit. The dawn assault on nearby Hill 52 and the Shachaofeng corridor followed, with Takeshita's and Matsunobe's units threading through fog, fire, and shifting trenches. Narukawa's howitzers answered the dawn with measured fury, silencing the Soviets' early artillery as Japanese infantry pressed forward. By daybreak, the Russians were driven back, their lines frayed and retreating toward Khasan. The price was steep: dozens of officers dead or injured, and a crescent of smoke and memory left etched on every face.    #181 The Russian Counter Offensive over the Heights Welcome to the Fall and Rise of China Podcast, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about the history of Asia? Kings and Generals have an assortment of episodes on history of asia and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel where I cover the history of China and Japan from the 19th century until the end of the Pacific War. After admitting the loss of Changkufeng and Shachaofeng by dawn on 31 July, the Russian government issued a communique the next day asserting that Soviet troops had "hurled back a Japanese division… after a two-day battle" involving tanks, artillery, and aircraft. Some hours after the Japanese penetration, Soviet regulars rushed to the scene and drove out the invaders. Japanese losses amounted to 400 men; Soviet losses were 13 killed and 55 wounded. On Soviet soil, the Japanese abandoned five cannons, 14 machine guns, and 157 rifles, while the Russians admitted losing one tank and one gun. A Soviet reconnaissance pilot may have fallen into Japanese hands after bailing out. "Both before and during the Japanese attack… Soviet troops did not once cross the Manchukuoan frontier,which deprived them of the possibility of surrounding or outflanking the invaders." By 1 August, Russian ground forces were deployed and the Soviet Air Force took action. Soviet aircraft appeared at 24:30 to reconnoiter. Soon after, more than ten planes flew in formation, launching strikes against forward units. Eight sorties, light bombers and fighters, roughly 120–150 aircraft in flights of two or three dozen, bombed and strafed. Raids were conducted by as many as 30 planes, though no Soviet losses were reported. The Russians also hit targets on the Korean side of the Tumen. The 75th Regiment judged that the Soviet Air Force sought only to intimidate. Russian planes dropped several dozen bombs on the Kyonghun bridge, but the span was not struck; damage was limited to the railway, producing an impression of severity that was misleading. The lack of air cover troubled the troops most. Japanese casualties on 1 August were modest: three men wounded in the 75th Infantry, and one wounded and a horse killed in the 76th. However the three Japanese battalions expended over 15,000 machine-gun and 7,000 rifle rounds that day. The appearance of Soviet air power at Changkufeng drew anxious international attention. Shanghai reports electrified observers, who anticipated that major Russo-Japanese hostilities would transform the China campaign overnight. Some observers were openly dismayed, foreseeing a prolongation of the mainland war with potential benefits to Soviet interests. Japanese Army spokesmen sought to downplay the situation. Officers in Hsinking told correspondents that the raids, while serious, represented only a face-saving measure. The Red Army was reportedly attempting to compensate for losses at Changkufeng and other disputed positions, but aside from the bombings, the frontier remained quiet. If the Russians were serious, observers noted, they would have bombed the vital Unggi railway bridge, which remained untouched; raids focused on minor bridges, with limited damage. In Tokyo, foreign observers believed the appearance of about 50 Soviet heavy bombers over North Korea signaled an extension of the incidents and that the Japanese government was taking urgent measures. Military leaders decided not to escalate but prepared for emergencies. The Korea Army Headquarters denied Soviet bombing of Harbin in Manchuria or Najin and Chongjin in Korea. Regarding retaliation, an American correspondent reported that the Japanese military had no intention of bombing Russian territory. Although Soviet use of aircraft introduced a new dimension of danger, the main efforts remained ground-based on both sides. After Japanese troops cleared Changkufeng and Shachaofeng, the Russians appeared to be redeploying to contract their defensive frontage; no troops or works remained west of Khasan. Four or five Russian infantry companies and ten artillery pieces stood between the lake and Paksikori, while the main forces, with numerous gun sites, were concentrated west of Novokievsk. On the Kwantung Army front in southeast Manchuria, no changes were observed. "The Russians were apparently shocked by their defeat at Changkufeng and must suddenly have resorted to negative, conservative measures." Korea Army Headquarters assessed the situation as of the evening of 31 July: "The enemy must fear a Japanese advance into the Novokievsk plain and therefore is concentrating his main forces in that district. Our interests require that we anticipate any emergency, so we must prepare the necessary strength in the Kyonghun region and reinforce positions at Wuchiatzu."  At 20:45 on the 31st, the 19th Division received a detailed message from the Hunchun garrison commander describing his northward deployments. Suetaka was heartened; he "earnestly desired to bring about the end of the incident as a result of the fighting of 30–31 July but was equally resolved to defend the border firmly, based on Japanese interpretation of the Hunchun pact, in case the Soviet side did not perform intensive self-reflection." First, Suetaka issued instructions from Kyonghun at 8:15 on the 31st via K. Sato: "It is our intention that Changkufeng and the high ground northwest of Shachaofeng be secured, as well as the high ground south of Shachaofeng if possible. Enemy attacks are to be met at our positions, but you are not to pursue far." Second, Colonel Tanaka was instructed not to fire as long as Russian artillery did not bombard friendly forces. "Except for preparing against counterassaults, your actions will be cautious. In particular, harassing fire against inhabited places and residents is prohibited." Suetaka was finally armed with formal authority, received at 22:05 on 1 August. He did not delay in implementing it. At 23:00 he ordered the immediate rail movement of strong reinforcements: the alerted infantry brigade headquarters, as well as four infantry battalions and the remaining mountain artillery battalion. Thus, Suetaka could deploy forward not only the forces he had requested but also a brigade-level organization to assume control of the now sizeable combat elements massed at the front for "maneuvers." Earlier that afternoon he had already moved his division's message center forward to the Matsu'otsuho heights at the Tumen, and he regularly posted at least one staff officer there so that the center could function as the division's combat headquarters. An additional matter of explosive potential was built into the divisional order: provision of Japanese Air Force cover for rail movements forward, although use of aircraft had been prohibited by all higher headquarters; Nakamura intended only ground cover. At the front, Japanese units spent most of their time consolidating their hard-won positions. By 3 on 1 August, a column of Soviet forces with vehicles was observed moving from the east side of Khasan. Late in the day, the division received an extremely important telegram from the 2nd (Intelligence) Section of the Kwantung Army: "According to a special espionage report from our OSS in Khabarovsk city, Red Army authorities there have decided to retake the high ground along Changkufeng." From other intelligence, the Kwantung Army concluded that the Russians were rebuilding in the Novokievsk region. Frequent movements observed immediately to the rear of the Soviet battle zone caused K. Sato to grow apprehensive about a dawn counterattack on the 1st, and he reinforced Changkufeng with the 6th Company. The second of August was marked by continuation of Soviet air attacks and the anticipated Russian counteroffensive. According to Japanese intelligence, Marshal Blyukher had arrived in Khabarovsk, and Lieutenant General Sokolov was in Voroshilov. An offensive buildup, estimated at about 3,000 men plus tanks and guns, was reported in the Kozando area by evening on the 1st. Hirahara, commanding the battalion at Changkufeng, grew concerned about Hill 52. With day's end approaching, he reinforced the defenses further and ordered the battalion medical officer to establish a dressing station at Fangchuanting. Around 15:00 Soviet artillery began firing at forward areas, especially gun positions; the bombardments were described as severe. Japanese artillery sought to conserve ammunition, firing only at worthwhile, short-range targets. Main Russian ground actions focused on the far-right (Hill 52) and far-left (Shachaofeng) sectors, not Changkufeng. In line with Hirahara's orders, two infantry companies and four heavy machine guns were moved by 8:00 from Changkufeng to the heights 800 meters southeast. Soviet heavy artillery pounded the zone between Fangchuanting and Hill 52; observing the enemy became difficult. Russian planes engaged at 9:00 fighters, then bombers, to soften defenses and gun positions. Meanwhile, the Soviets deployed firepower southeast of Khasan, while two infantry battalions and more than ten tanks advanced through the pines on the western slopes. Japanese regimental guns and two machine-gun platoons at Hill 52 attacked the enemy heavy machine guns and neutralized them. By 10:00 the Russians had advanced with heavy weapons to the high ground 800 meters from Hill 52. From Changkufeng, the battalion guns engaged heavy weapons. Hirahara moved with the engineers and battalion guns to the heights to which he had transferred reinforcements earlier, took command, and prepared an assault. Initially, Soviet troops advanced in formation, but after cresting a dip, they dispersed and moved onto the high ground opposite Hill 52. Heavily armed, they drew within 700 meters, with artillery and heavy machine guns providing coverage. By 10:00 Sato requested Shiozawa's mountain guns across the Tumen to unleash a barrage against Hill 52's front. For about half an hour, the battery fired. By 10:30, the Soviet advance grew listless. Believing the moment ripe, Hirahara deployed his men to charge the foe's right wing, ordering rapid movement with caution against eastern flank fire. On the heights north of Hill 52, Inagaki watched the struggle; with the telephone out and the situation urgent, he brought up firepower on his own initiative. Taking the main body of the 1st Machine Gun Company, along with the battalion guns, he moved out at noon, making contact with the 10th Company on Hill 52 around 14:00, where the Japanese machine guns and battalion guns joined the fray. The Russians, losing momentum, were checked by Japanese heavy weapons and by mountain guns from Hill 82. Hirahara's main battalion advanced onto the high ground north of Hill 52 around noon. By 15:00, two enemy companies began to fall back, climbing the western slopes of Hill 29 as the main forces retreated piecemeal to a dip. By 16:00, Suetaka observed that his units were continuing to secure their positions and were "gradually breaking the hostile intention." Despite heat and rain, front-line troops showed fatigue but remained vigilant. Between 11:00 and 16;00, Sato inspected the lines and directed defensive positions, particularly at Hill 52. After a poor initial performance, the Russians awaited reinforcements before attempting another assault on Hill 52. They moved up a mechanized corps, and by 15:00 50 tanks massed east of Maanshan. Around 17:00, the Russians began moving south along the high ground across Khasan. Another two Soviet battalions advanced along the Tumen hills, led by armor. Hirahara anticipated an assault at twilight, especially after 18:00, when nine bombers struck Hill 52. Earlier, Takeshita had received reports from the antitank commander, Lieutenant Saito, that at 17:00 several enemy tanks and three infantry battalions were advancing from Hill 29. Convinced of an imminent Soviet strike, Takeshita ordered the defense to conceal its efforts and to annihilate the foe with point-blank fire and hand-to-hand fighting. He sought to instill confidence that hostile infantry could not reach the positions. Before 19:00, the enemy battalions came within effective range, and Japan opened with all available firepower. Rapid-fire antitank guns set the lead tank alight; the remaining tanks were stopped. Support came from Hisatsune's regimental guns and two antitank gun squads atop Changkufeng. The Russian advance was checked. By nightfall, Soviet elements had displaced heavy weapons about 400 meters from Japanese positions. As early as 16:00, Suetaka ordered a mountain artillery squad to cross the river. Sato told Takeshita at 7:30 that there would be a night attack against Hill 52. Takeshita was to annihilate the foe after allowing them to close to 40–50 meters. The Russians did mount a night assault and pressed close between 8 and 9 p.m. with three battalions led by four tanks. The main force targeted Takeshita; all ten Russian heavy machine guns engaged that side. Japanese machine guns and battalion guns joined the fray. The Russians pressed within 30 meters, shouted "Hurrah! Hurrah!" and hurled grenades before advancing a further 15 meters. The Japanese repelled the first waves with grenades and emplaced weapons, leaving light machine guns and grenade dischargers forward. Soviet illuminating shells were fired to enable closer approaches within 100 meters. Japanese grenade-discharger fire blasted the forces massed in the dead space before the works. While the Hill 52 night attack collapsed, other Russian units, smaller in strength and with one tank leading, moved against the hill on the left that the Japanese had not yet occupied that morning. The Russians advanced along the Khasan slope north of Hill 52, came within point-blank range, and shouted but did not charge. By 22:00, the Japanese, supported by machine guns, had checked the foe. Thereupon, the 6th Company, now under a platoon leader, Narusawa, launched a counterattack along the lake. "The enemy was bewildered and became dislocated. Buddies were heard shouting to one another, and some could be seen hauling away their dead." The Soviet troops held back 300–400 meters and began to dig in. Sato decided artillery should sweep the zone in front of Hill 52. At 21:30, he requested support, but the mountain guns could not open fire. Still, by 23:00, not a shadow of an enemy soldier remained on the Hill 52 front, where the Japanese spent the night on alert. In the northern sector, eight Russian tanks crossed the Japanese-claimed border at 5:25 on 2 August and moved south to a position northwest of Shachaofeng. Around 7 Russian artillery opened fire to "prepare" the Japanese while a dozen heavy bombers attacked. An hour later, the ground offensive began in earnest, with one and a half to two infantry battalions, a dozen machine guns, and several tanks. Supporting Takenouchi's left wing were several batteries of mountain artillery and two heavy batteries. Well-planned counterfire stopped the offensive. There was little change north of Shachaofeng and in the southeast, where Kanda's company held its positions against attack. On Takenouchi's front, Akaishizawa notes 120-degree daytime heat and nighttime chill. Men endured damp clothes and mosquitoes. To keep warm at night, soldiers moved about; during the day they sought shade and camouflage with twigs and weeds. No defense existed against cold night rain. Nocturnal vigilance required napping by day when possible, but the intense sun drained strength. For three days, Imagawa's company had only wild berries and dirty river water to eat. At 6:00 on 2 August, Colonel Tanaka exhorted his artillery to "exalt maximum annihilation power at close range, engage confirmed targets, and display firepower that is sniperlike—precise, concentrated, and as swift as a hurricane." Tanaka devised interdiction sectors for day and night attacks. At 10:30, the artillery laid down severe fire and eventually caused the enemy assault to wither. Around 24:40, Rokutanda's battalion detected a Russian battalion of towed artillery moving into positions at the skirt of Maanshan. When the first shells hit near the vanguard, a commander on horseback fled; the rest dispersed, abandoning at least eight artillery wagons and ten vehicles. Suetaka, observing from the Kucheng BGU, picked up the phone and commended the 3rd Battalion. Japanese casualties on 2 August were relatively light: ten men killed and 15 wounded. Among the killed, the 75th Infantry lost seven, the 76th Infantry two, and the engineers one. Among the wounded, the 75th suffered nine and the 76th six. Infantry ammunition was expended at an even higher rate than on 30–31 July. In Hirahara's battalion area, small arms, machine guns, ammunition, helmets, knapsacks, and gas masks were captured. A considerable portion of the seized materiel was employed in subsequent combat, as in the case of an antitank gun and ammunition captured on 31 July. Soviet casualties to date were estimated at 200–250, including 70 abandoned corpses. Twelve enemy tanks had been captured, and five more knocked out on 1–2 August; several dozen heavy bombers and about 5,000 Soviet ground troops were involved in the concerted offensives.  Nevertheless, reports of an imminent Soviet night attack against Hill 52 on 2–3 August alarmed Suetaka as much as his subordinates. Shortly after 20:00 accompanied by his intelligence officer, Suetaka set out for the hill, resolved to direct operations himself. Somewhat earlier, the division had sent Korea Army Headquarters a message, received by 18:30, reflecting Suetaka's current outlook: 30 to 40 Soviet planes had been bombing all sectors since morning, but losses were negligible and morale was high. The division had brought up additional elements in accord with army orders, and was continuing to strive for nonenlargement, but was "prepared firmly to reject the enemy's large-scale attacks." Impressed by the severity of the artillery and small-arms fire, Suetaka deemed it imperative "quickly to mete out a decisive counterassault and thus hasten the solution of the incident." But Japanese lines were thinly held and counterattacks required fresh strength. This state of affairs caused Suetaka to consider immediate commitment of the reinforcements moving to the front, although the Korea Army had insisted on prior permission before additional troops might cross the Tumen. Suetaka's customary and unsurprising solution was again to rely on his initiative and authorize commitment of every reinforcement unit. Nearest was T. Sato's 73rd Regiment, which had been ordered the night before to move up from Nanam. Under the cover of two Japanese fighters, these troops had alighted from the train the next morning at Seikaku, where they awaited orders eagerly.   K. Sato was receiving reports about the enemy buildup. At 20:10 orders were given to the 73rd Regiment to proceed at once to the Matsu'otsuho crossing and be prepared to support the 75th. Involved were T. Sato's two battalions, half of the total infantry reinforcements. Suetaka had something else in mind: his trump, Okido's 76th Infantry. At 23:40 he ordered this regiment, coming up behind the 73rd, to proceed to Huichungyuan on the Manchurian side of the Tumen, via Kyonghun, intercept the enemy, and be ready to go over to the offensive. On the basis of the information that the division planned to employ Okido's regiment for an enveloping attack, K. Sato quickly worked out details. He would conceal the presence of the reinforcements expected momentarily from the 73rd Regiment and would move Senda's BGU and Shimomura's battalion to Huichungyuan to cover the advance of the 76th Regiment and come under the latter's control. Japanese forces faced the danger of Soviet actions against Changkufeng from the Shachaofeng front after midnight on 2 August. Takenouchi had been ready to strike when he learned that the enemy had launched an attack at 01:00 against one of his own companies, Matsunobe's southwest of Shachaofeng. Therefore, Takenouchi's main unit went to drive off the attackers, returning to its positions at 02:30. The Russians tried again, starting from 04:00 on 03 August. Strong elements came as close as 300 meters; near 05:00 Soviet artillery and heavy weapons fire had grown hot, and nine enemy fighters made ineffective strafing passes. By 06:30 the Russians seemed thwarted completely. Hill 52 was pummeled during the three battles on 2 August. Taking advantage of night, the Russians had been regrouping; east of the hill, heavy machine guns were set up on the ridgeline 500 meters away. From 05:00 on 03 August, the Russians opened up with heavy weapons. Led by three tanks, 50 or 60 infantrymen then attacked from the direction of Hill 29 and reached a line 700–800 meters from the Japanese defenses. Here the Russian soldiers peppered away, but one of their tanks was set ablaze by gunfire and the other two were damaged and fled into a dip. Kamimori's mountain artillery reinforcements reached Nanpozan by 07:15 on 03 August. Tanaka issued an order directing the battalion to check the zone east of Hill 52 as well as to engage artillery across Khasan. A site for the supply unit was to be selected beyond enemy artillery range; on the day before, Russian shells had hit the supply unit of the 3rd Mountain Artillery Battalion, killing two men and 20 horses. The exposed force was ordered to take cover behind Crestline 1,000 meters to the rear. After 09:00 on 03 August, the artillery went into action and Japanese morale was enhanced. Near 09:00, Soviet bombardment grew pronounced, accompanied by bomber strikes. The Japanese front-line infantry responded with intensive fire, supported by mountain pieces and the regimental guns atop Changkufeng. Enemy forces stayed behind their heavy weapons and moved no further, while their casualties mounted. At 11:00 the Russians began to fall back, leaving only machine guns and snipers. One reason the Soviets had been frustrated since early morning was that K. Sato had seen the urgency of closing the gap midway between Changkufeng and Hill 52 (a site called Scattered Pines) and had shifted the 2nd Company from Changkufeng. Between 06:00 and 07:40, the company fired on Soviet troops which had advanced north of Hill 52, and inflicted considerable casualties. A corporal commanding a grenade launcher was cited posthumously for leading an assault which caused the destruction of three heavy machine guns. In the afternoon, the Japanese sustained two shellings and a bomber raid. Otherwise, the battlefield was quiet, since Russian troops had pulled back toward Hill 29 by 15:00 under cover of heavy weapons and artillery. At Hill 52, however, defense posed a problem, for each barrage smashed positions and trenches. During intervals between bombardments and air strikes, the men struggled to repair and reinforce the facilities. Changkufeng was again not attacked by ground troops during the day but was hit by planes and artillery. Trifling support was rendered by the mountain gun which had been moved to the Manchurian side of the Tumen. Japanese infantry reinforcements were on the way. By 23:00 on 02 August, T. Sato had left Shikai. His 73rd Regiment pushed forward along roads so sodden that the units had to dismantle the heavy weapons for hauling. The rate of advance was little more than one kilometer per hour, but finally, at 05:20 on 03 August, he reached Chiangchunfeng with the bulk of two battalions. The esprit of the other front-line troops "soared." K. Sato, who was commanding all forces across the Tumen pending Morimoto's setting up of headquarters for the 37th Brigade, had T. Sato take over the line to the left of Changkufeng, employing Takenouchi's old unit and the 73rd Regiment to cover Shachaofeng. T. Sato set out with his battalions at 06:00 amid heavy rain. By 07:30, under severe fire, he was in position to command the new left sector. According to division orders to Morimoto, this zone was to include the heights south and northwest of Shachaofeng, but, in the case of the former, it was "permissible to pull back and occupy high ground west of the heights south of Shachaofeng." T. Sato contemplated using his regiment to encircle the foe on the north side of the lake, while Okido's 76th Infantry formed the other prong. Most of the day afterward, Soviet artillery was active; the Japanese responded with barrages of their own. Eventually, from 15:30, the entire enemy front-line force in this sector began falling back under violent covering fire. Morimoto's initial operations order, received at 18:00, advised T. Sato officially that he was coming under command of the 37th Brigade. The night of 03–04 August passed with the units uneasy, striving to conduct security and reconnaissance while working on the battered defenses. Total Japanese casualties on 3 August were light again: six men killed and ten wounded, four of the dead and seven of the wounded being suffered by the 75th Infantry, the rest by Takenouchi's battalion. Ammunition was expended at a lower rate than on the preceding day. The Japanese War Ministry reported no significant change since nightfall on 03 August. Thereafter, the battlefield seemed to return to quiescence; Japanese morale was high. In the press abroad, Changkufeng attracted overriding attention. The world was no longer talking of "border affrays." Three-column headlines on page 1 of the New York Times announced: "Soviet Hurls Six Divisions and 30 Tanks into Battle with Japanese on Border, 2 Claims Conflict, Tokyo Reports Victory in Manchukuo and Foes' Big Losses, Moscow Asserts It Won." The startling claim that six Soviet divisions were in action seemed to have been supplied for external consumption by Hsinking as well as Seoul. According to Nakamura Bin, the Russians employed 4,000 to 5,000 men supported by 230 tanks. Although Japanese casualties were moderate, Soviet artillery bombardment had stripped the hills of their lush summer grass. According to the uninformed foreign press, "the meager information showed both sides were heavily armed with the most modern equipment. The Russians were using small, fast tanks and the Japanese apparently were forewarned of this type of weapon and were well supplied with batteries of armor-piercing antitank guns." On 03 August the Russians lost 200 men, 15 tanks, and 25 light artillery pieces. One feature of the fighting was Japanese use of "thousands of flares" to expose fog-shrouded enemy ranks during a Soviet night attack. During the "first phase counteroffensive" by the Russians on 2–3 August, the 75th Regiment judged that the enemy's choice of opportunities for attacking was "senseless"; once they started, they continued until an annihilating blow was dealt. "We did not observe truly severe attacking capacity, such as lightning breakthroughs." With respect to tactical methods, the Japanese noted that Soviet offensive deployment was characterized by depth, which facilitated piecemeal destruction. When Russian advance elements suffered losses, replacements were moved up gradually. Soviet artillery fired without linkage to the front-line troops, nor was there liaison between the ground attacks staged in the Shachaofeng and Hill 52 sectors. Since enemy troops fought entirely on their own, they could be driven off in one swoop. Additionally, although 20–30 Russian tanks appeared during the counterattacks, their cooperation with the infantry was clumsy, and the armor was stopped. Soviet use of artillery in mobile warfare was "poorness personified." "Our troops never felt the least concern about hostile artillery forces, which were quite numerous. Even privates scoffed at the incapability of Russian artillery." It seemed that "those enemies who had lost their fighting spirit had the habit of fleeing far." During the combat between 31 July and 03 August, the defeated Russians appeared to fear pursuit and dashed all the way back to Kozando, "although we did not advance even a step beyond the boundary." On 4 August Suetaka prepared a secret evaluation: the enemy attacks by day and night on 2 August were conducted by front-line corps built around the 40th Rifle Division. "In view of the failure of those assaults, the foe is bound to carry out a more purposeful offensive effort, using newly arrived corps reinforcements." Russian actions on 02 August had been the most serious and persistent offensive efforts undertaken since the outset of the incident, but they were about the last by the front-line corps whose immediate jurisdiction lay in the region of the incident. Consequently, the enemy's loss of morale as a result of their defeat on 30–31 July, combined with their lack of unity in attack power, caused the attacks to end in failure. "We must be prepared for the fact that enemy forces will now mount a unified and deliberate offensive, avoiding rash attacks in view of their previous reversal, since large new corps are coming up." I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. In the shadowed night, Japan's Sato chose Nakano's 75th to seize a peak, sending five captains and a rising Nakajima into darkness. At 2:15 a.m., they breached wires and climbed the slope; dawn lit a hard-won crest, then Hill 52 and Shachaofeng yielded to resolve and fire. The day wore on with brutal artillery, fluttering bombers, and relentless clashes. By August's edge, casualties mounted on both sides, yet Japanese regiments held fast, repelling night assaults with grit.