Podcasts about rsc

　シーズン大詰めを迎えた豪州最高峰RSCレプコ・スーパーカー・チャンピオンシップの第11戦『Boost Mobile Gold Coast 500（ブースト・モバイル・ゴールドコースト500）』が10月24～26日に争わ […]

Follow up to our little discussion on Twitter / X. What is the advantage of using RSCs? When is it better to use loaders and actions? What are the trade-offs? In which situations would you recommend using RSC with React Router?

In this episode of Money Tales, our guest is David Adjmi. From childhood, our money stories shape the way we see the world—sometimes with clarity, and sometimes with confusion. For playwright David, growing up in a family and a neighborhood where money was about hustle, performance, and status left him questioning what financial security and self-worth really meant. David Adjmi's plays have been produced at theatres around the world such as Lincoln Center, RSC, Steppenwolf, and Soho Rep--where he was the Mellon Foundation playwright-in-residence for three years. Stereophonic (music by Will Butler of Arcade Fire) is running on London's West End after a successful run on Broadway, where it became the most Tony-nominated play in history. Stereophonic received the 2024 Drama Desk Award, New York Drama Critics' Circle Award, Outer Critics Circle Award, Drama League, and Tony Awards for Best Play. The Stumble was recently excerpted in The Paris Review, and his two-part play The Blind King is currently in development with The Public. Adjmi's controversial hit 3C was selected as one of the top ten plays of the year by the New York Post, Time Out and the Advocate. Elective Affinities premiered at the Royal Shakespeare Company and received a sold-out U.S. premiere at Soho Rep starring Zoe Caldwell (Top 10 of the year in Time Out, The New Yorker.) Other plays include Stunning, The Evildoers, and Marie Antoinette. He was awarded a Guggenheim Fellowship, the Whiting Writers' Award, the Kesselring Prize for Drama, and the Steinberg Playwright Award, among others.  He holds commissions from The Public, Playwrights Horizons, Yale Rep, Berkeley Rep, and the Royal Court (UK). His critically acclaimed memoir Lot Six was published by HarperCollins in 2020, and his collected plays are published by TCG.

In this week's episode, we interview narrator Hollis McCarthy, who has narrated over 300 audiobooks, including many of THE GHOSTS and CLOAK MAGES. She is also co-author with her mother Dee Maltby of the MAGIC OF LARLION series, which you can learn more about at https://deemaltbyauthor.com/. This coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store: DRAGONSKULL25 The coupon code is valid through October 27, 2025. So if you need a new ebook this fall, we've got you covered! TRANSCRIPT Introduction and Writing Updates (00:00): Hello, everyone. Welcome to Episode 273 of The Pulp Writer Show. My name is Jonathan Moller. Today is October 17th, 2025, and today we have an interview with audiobook narrator Hollis McCarthy. Hollis has narrated many audiobooks, including numerous books from the Ghost and Cloak Mage series, so we'll talk with her about that. Before we get to our main topic, we'll have Coupon of the Week and then a progress update on my current writing projects. This week's coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store, and that coupon code is DRAGONSKULL25. The coupon code is valid through October 27th, 2025. So if you need some new ebooks to read for this fall, we've got you covered. And as always, the coupon code and the links to my store will be available in the show notes. Now for an update on my current writing projects. As of this recording, I am 80% of the way through the first round of edits in Cloak of Worlds, so making good progress and if all goes well, the book should be out before the end of the month. I'm also 14,000 words into Blade of Shadows, which will be my next main project after Cloak of Worlds is published, which means I also have to write the outline for Elven-Assassin soon, and that will be the fifth book in the Rivah series. In audiobook news, recording will be underway next week for Blade of Flames. That will be narrated excellently by Brad Wills. Ghost in Siege is now out. It should be available at of all the audiobook stories (except Spotify) and it should be available there in a few days. And that is the final book in my Ghost Armor series that is excellently narrated by Hollis McCarthy. So that is where I'm at with my current writing and audiobook and publishing projects, which makes for a good segue into our main topic, our interview with Hollis McCarthy, which begins now. 00:03:56 Interview With Hollis McCarthy Hi everyone. I'm here today with Hollis McCarthy, who is a classically trained actor. Hollis has played leads in regional and off-Broadway theater, specializing in Shakespeare. On CBS. she's been a recurring guest star judge on Bull, the president of Ireland on Bluebloods, and a senator on Netflix's House of Cards. She's narrated more than 300 books for a variety of publishers and is the proud co-author of her mom Dee Maltby's epic fantasy series, The Magic of Larlion. Hollis, thanks for coming on the show today. Hollis: My pleasure. Jonathan: So to start, can you tell us a little bit about yourself and how you got into acting and performing? Hollis: That's a great question. I think it all started with doing my little brother's Sesame Street finger puppets. He's 10 years younger than me, so I mean, I got to reread all my favorite books with him and I started voicing the finger puppets to Burt, Ernie and Cookie Monster and all those guys in the backseat of the car and playing all the characters. And then my brother went into theater. My other brother's seven years older than me, and I used to go see his shows up at the college when I was in high school and kind of fell in love with it there. I absolutely meant to be an aeronautical engineer/physicist like my dad, but it didn't end up working out. I fell in love with theater and went to Stratford. I had a dual major because I was in an honors program, so I didn't have to declare a major until my fifth year of undergrad. But then I went to Stratford up in Canada and I saw two Shakespeare shows in one day and that was it. I had to do that. That was what I loved. Jonathan: Well, since we've had many audiobooks together, I'm glad it worked out that way. Hollis: Me too. Yeah, so I got my BFA in acting, and then I got my MFA from the University of Missouri-Kansas City in performance, and I was lucky enough to have some great coaches from the RSC and did a bunch more Shakespeare, and I've done that regionally a lot. And then I fell into audiobooks because I got tired of traveling, and I love to work from my home in my jammies. Jonathan: That is the dream. Speaking of that, could you tell us a bit more about how you sort of got into audiobooks or ended up doing a lot of that? Hollis: Yeah. Well, again, it starts with my childhood. My mom, who was a writer and an artist, she had, there were five of us kids and she would read out loud to us in the kitchen to keep us from fighting when we were cleaning up. So she started with Tolkien and Watership Down and Narnia and all of that. And then I got to, like I said, read to my little brother all my favorite books. And so I started doing all different voices for the characters and I always thought that was normal until, of course I volunteered to read in class in high school and people thought I was some sort of freak, but I always loved playing all the characters. And so when I started looking at staying home more and what could I do to work from home instead of being on the road for work, which was great for a long time, but then at some point you want to stay home and have a life as an actor as well as doing what you love. And audiobooks seemed a good fit. So my husband, who's also an actor, took a class from Paul Rubin here in the city in New York. We live in the New York area now. And he got a bunch of good tips from that that he passed on to me. And then my agent got me an audition with Audible and Mike Charzuk there. I came in and read a couple of pieces for him and he came back to the booth with a book he wanted me to start on. And from there I just kept building and got a lot of great indie authors through ACX like you. I don't know how many books we've done together now. Jonathan: It's over 30, I think. Yeah, 30 over the last seven years. So it's been a while. Hollis: And you're seriously, I mean, I'm not saying this because I'm on your blog, but your series are absolutely my favorites, especially because, yeah, the two series that I do, one is Nadia from the Midwest like me and then the other one with Caina, the epic fantasy world, which uses all my British and Irish bits and I absolutely love them. So yeah, I've just kept building up, getting in with a few more publishers now, which is harder to do and I just love it. Our first booth, when the pandemic hit, we had to build a booth at home and I had been going to studios in the city up until that point, but it hit pretty suddenly. It was obvious on St. Patrick's Day when it was like us going to the studio and people who were absolutely desperate folks were the only other ones on the street. We had to stay home. So my husband took our rapier blade (we fight with swords. We're actor combatants, like you said). He took two broadsword blades and a rapier blade, and he's handy with carpentry, fortunately. That's how he worked his way through school. He bracketed those to the wall and we ordered through Amazon before they kind of shut down too. We ordered packing blankets to hang over them and I ordered a new microphone and a new interface and it was trial and error for a bunch of days. And we had an engineer on call who talked us through how to run the software programs and stuff, how to set them up. And from there I've just kept recording at home. I sometimes still go into the studios when they have a budget where they can spring for a studio, but mostly they want you to work from home these days. So that's mostly what I do. Jonathan: Oh, building a recording booth out of swords. That's very Caina. Hollis: It's very Caina. I love Caina. Caina is me as a young woman. If I had been a superhero, I would've been a Caina. All my favorite roles in Shakespeare were the girl as boy ones. You asked, one of my favorite roles in theater was when I was at Alabama Shakespeare and I was playing Queen Elizabeth in Richard III and dressing in gorgeous gowns and being very seductive and very powerful and manipulative and all that. But in the earlier scenes, we did the three plays and in the Richard III and the Henry VI we did all three. And in the earlier scenes where Elizabeth wasn't in, I got to dress up and doublet and hose and I like stippled some stipple of beard on my face and climbed a siege ladder with a sword in one hand and did a spectacular pratfall running away from the bad guys and would slide on my stomach on the deck of the stage and I would come out into the lobby and the other guys who were playing my fellow fighters would be holding up rating cards for how far I'd slid that day. Jonathan: Sounds like very practical cardio. Hollis: Yeah, very. It was a lot of fun. That was probably my most fun I've ever done, though I also loved Beatrice and Much Ado, which I got to do twice because she's just so funny and witty and passionate. She's great, and Shakespeare, you know. Jonathan: Very good. So after all these audiobooks, what goes into preparing to record an audiobook? Hollis: That's a great question, too. It depends on the book, really. And I'm lucky enough to do a lot of series now, so when you're doing a series, it gets easier as you go along. I remember with the first ones I did for you, the first Caina, it probably took me an hour of prep to get through the first chapter. There were so many made up place names that I needed to figure out how to say, and then you have to be consistent. Even if they're made up, you still have to be consistent. So I really used my theater training there because I learned the international phonetic alphabet when I was in school, and so I can write down phonetic pronunciations and for each book, I'm old school with my prep, I'll keep a legal pad and I'll write down phonetic pronunciations, the word, page number, and the phonetic pronunciation for each word, so I have a record. You don't retain them from book to book. Pronunciations is a big part of what you do. Also, character voices, because again, you want to be true to the author's intent and you want to stay consistent. Again, for Caina, it became very complicated because you had to have Caina's basic voice, which is this [speaks in Caina's voice]. She started out a bit higher because she was younger. And then as she aged, she's gotten more medium pitch-wise, but then she was in disguise as various people. She was disguised as a cockney guy for a while, and she was an Irish guy for a while. And so for each of those personas, you have to notate for yourself in the script. Oh, now she has this accent. Now she has this one. And really for each chunk of dialogue, every time a character speaks, I'll put the initial of their name and if there are a lot of characters in the scene, I will have to differentiate between them pretty frequently. If it's two characters and I know them both very well, then I kind of have the shorthand in my head. So the different character voices I also put on my legal pad so I have a record, so Calvia sounds like this [speaks a line in the character's voice]. And sometimes I'll write down physical aspects of them so that I can just kind of feel the character. And after I do them for a while, the feel of the character will give me the voice and you write down everything that the author says about the character too. I'll just notate for myself that will oftentimes give you the voice. If it's a good author, which thank God you are, you write in different voices, which makes my job easier. Jonathan: The joke I sometimes say is I didn't do audiobooks for the first seven years I was publishing, and people would ask me, how do you pronounce this? I say, I don't care, pronounce it however you want. And then suddenly we started doing audiobooks and suddenly no, it matters very much how it's pronounced. Hollis: Yeah, exactly. It's funny, I'm just looking at my tablet. I have your Shield of Power up on my tablet. I've been reading that on the treadmill and at lunch. But yeah, we have to keep tabs. And when we have so many books now, I've started special folders just for the Ghost series and the Cloak series because a lot of times a character will show up from several books previous and I go, I remember them, but I don't remember what they sounded like. So I will have notated forward alto, slightly Irish or something like that for them. I have shorthand for all of it, and so I'll do that. Jonathan: Yeah, I spent a lot of time with Control + F searching through Word documents, trying to remember the first time I wrote this character and what they looked like. Hollis: Yeah, I bet you do. Some writers I guess do, well, if they don't do it all themselves. And if they have somebody who's like an administrative assistant, they have somebody who gives you, I've gotten these from authors before. Their assistant will send me a story log of characters with everything that's said about the character. I'm like, oh, well, that's very organized and helpful, but I would think it would be massively time consuming. Jonathan: It is. I did hire someone to help me with that this year. It was getting to be too much to go back and search through things and it is a very time consuming project, but once it's done, it's very helpful because it's quite easy to find things and look things up and refresh your memory. Hollis: I bet so. When I was working on my mom's books, we hired an editor and she did a spreadsheet, a database kind of different terms and characters and what was said about them. And I go back to that and amend it all the time now that I'm trying to write book eight. Jonathan: Yeah, that kind of thing is very helpful. But on a related topic of preparation, since you've done audiobooks, stage, and TV, how would say narrating audiobooks is different from the experience of doing theater or TV? Hollis: The major thing and the hardest thing for me when I was starting out was you can't move around all the time. I had an engineer at Audible. It was just, and a lot of times the chair is very important because if you move, what you're bound to do, if you're producing your voice correctly, you need to sit up and you need to use your hands to express yourself, and you have to have an absolutely silent chair. And the chairs at Audible at that time, were not absolutely silent. So every time I moved, the chair would squeak and we'd have to stop and start again. So that was very, very hard for me. In fact, I've been doing so much audiobooks now, and I also do TV and film, but that's gone to all for auditioning for that. It's all self tape, which means it's just like head and shoulders, so still you're just kind of using a little part of your body. And I had a theater callback for Pygmalion in the city the other day, in person, in a studio, in a rehearsal room. The day before, I used to do those all the time, and that's so rare now for them to do in-person auditions since the pandemic. But I put on my character shoes and my skirt and I practice just being bigger, opening my body up and doing all this stuff I learned to do in school and that you do when you're on stage to own the space because the space is the back wall of the theater. And that's a big difference between theater, film, TV, and audiobooks is the scope of it. When I did Beatrice, I was in an 1,100 seat unamplified stone amphitheater outdoors in Colorado. So you can imagine the scope physically and vocally is so big. And then for TV, film and you have to what they say, reach the back wall of whatever space you're in. Well, for film and TV, the back wall is the camera. It's right in front of your face a lot of the times. And the back wall is really kind of the inside of your head. It's almost like you have to have internal gaze so that the thoughts are just happening. You don't have to project them, you don't have to project your voice because all the equipment comes right to you, and all you have to do is feel the feelings and think the thoughts and the camera and microphone picked that up. Similarly with audiobooks, I'm just in a little tiny padded booth. My microphone is just a few inches from my face, and so I could be very, very intimate and everything gets picked up, and you have to do a lot less work for the emotion to come through. Again, really all you have to do is kind of feel the emotion. And for me, that's always for me is being in the moment and feeling the moment and letting that dictate the pace and the vocals and everything. I guess I'm pretty Method. I'm very Method, but that's how I trained. It's what works for me. Not every narrator is like that. There's a million different proper ways to narrate, and that's just my take on it. But everything is right there. So it's just kind of keeping it much smaller and more intimate. And in fact, when you want to be big like [character name's said in the character's] voice and he was yelling a lot, and I would have to pull back from the microphone to let his scope come out. Jonathan: Well, after 30 audiobooks together, I can say that method definitely works. Related to that, as we mentioned earlier, you're now at over 300 titles on Audible over the last 12 years. Congratulations for that. What would you say is most surprising or unexpected things about audiobooks you learned during that time? Hollis: Oh, well, it was very surprising that we could make a booth out of sword blades and blankets. That surprised me. Yeah, that's a great question. It's surprising to me how simple I can be. I went back and I had an author recently who wanted me to do a new chapter to begin and end a book that I had done like 2014, something like that, shortly after I started. And I thought at the time that I was really filling these voices and what I did was fine. You're always your own worst critic. But what I've discovered now is the more you do it, the more you record, the more you use your instrument every single day for 300 some books, the more effortless it becomes and the more depth you can bring to it. And as a young actor, we always resist that. My acting coach used to say, age and experience. There's no substitute for it. I'm like, yeah, yeah, but talent and hard work, that's something. But it's really true that just the repetition, there's no substitute for it. Those chapters that I did, they were the same voices basically. But when I went back and listened to the original, I was like, oh, it surprised me how without really changing anything mechanically, the work has just gotten deeper, more effortless, but it sounds better at the same time. Does that make sense? Jonathan: It does. Because you've probably noticed I've redesigned the covers for the Caina series like seven times over the last 10 years. And every time you think this is it, this is it. I'm done. This is good. And then with more practice, you look back and think, well, maybe I can improve this again, though. I suppose that's not often something that happens in the audiobook world where you get to go back and revisit something you did previously. Hollis: That is one of the hardest and most surprising things about audiobooks. And I've heard people say that this happens to every young narrator when they're starting out, you get through the first two chapters of a new book and you go, oh God, now I get it. I want to go back and start again. Well, there's no do overs with audiobooks. With audiobooks, “done is good” is what they always tell you when you're starting out. So even in film and TV, which you don't get much rehearsal for, you get a couple of run run-throughs, but with audiobooks, you got your prep. Not everyone does, but I always read the whole book before I start if possible, because otherwise you get surprises. But you get your one read through, your prep, and then you go and yes, you can stop. You can punch and roll, edit over. If you make a mistake, you go back half a line, you start again there. But there's no evolution of the work, which is what's great about series too, I think, because with the series you get, yeah, Caina was here last time I did her and now she's going through something new. And then the character grows and it becomes less and less effortful, but it also becomes like someone you really know so that it gets so much deeper and it's so much more fun to play with. Jonathan: That makes sense. 12 years really is a long time to have done audio narration or anything. So what do you think is the key to sticking it out for audiobooks for the long term? Hollis: Well, a lot of things make a difference. I didn't do it before this interview, which is why my voice is kind of rocky, but I always warm up in the morning when I'm setting up a session. I always do a vocal warmup. You got to get a good night's sleep, you have to drink water every couple of pages. I have a tea that I drink that keeps my stomach quiet because stomach gurgles is another bad thing about audiobooks. You have to eat very carefully and drink tea to keep your stomach quiet. You don't want to have to stop every time for that. And a lot of training, a lot of vocal training. I had Linklater training and the Lavan training, and Linklater to me is the most useful. And a lot of the stuff that applies to Shakespeare applies to audiobooks too. You warm up, you get yourself breathing, you warm up your resonators, your sinus, your mask resonators, the back of your head, your chest resonators. For the men [imitates male voice], you really have to have your chest warmed up, get the vibrations going here. And so I get all that kind of going before I sit down in the booth. And that also keeps you, then you keep your throat open so you're not hurting yourself. You have to have good posture so that the air can move from your diaphragm up to your throat and have it be open. And then optimally, like with Caina, Caina has a lot of mask resonance. Brits do; they are very far forward. So you really have to have all that warmed up and then that has to have no impediments between the front of your face all the way down to your diaphragm where the breath originates. And if you can do all that, then you could be an audiobook narrator. Also diction. I warm up my diction to everything from [imitates several vocal exercises] in just to get your mouth moving. You don't want lazy mouth with, there's a lot of enunciation in audiobooks that's important. But I also don't like, I really hate when you hear people enunciating. I don't like that. And with Caina, even though she's upper class, she's not like that. She's not pretentious. And certainly Nadia, you want to be able to understand what she says, but you don't want her to be enunciating. That be weird. So all of all that stuff I worked on in grad school and did all the Shakespeare plays, I would always get to the theater an hour early. You have to be there half hour for makeup and check in, but I would always get there an hour early and do at least 15 to 20 minutes of physical and vocal warmups. And so those habits have really helped me. I think I have pipes of iron, fortunately. I'm very lucky. So all that stuff really matters with audiobooks. Jonathan: It's amazing in how many different fields of life the answer seems to boil down to do the things you're supposed to over and over again forever. Hollis: Exactly. That's really true. When are we going to get old enough that we don't have to do that anymore? [laughs] Jonathan: Just one side question. What is Linklater training? I don't think I've heard that term before. Hollis: Oh, Kristen Linklater is, she's probably the biggest American vocal coach. She has a lot of books out there about voice and the actor and all of her training stems from allowing the breathing to drop in as she calls it, not forcing it to drop into the diaphragm, and then creating a pool of vocal vibrations that go from the diaphragm through an open throat to the resonators. And you can use every resonator in your body to project that sound. When I was doing Beatrice and Gertrude at Colorado Shakes in that unamplified stone amphitheater in the foothills of the Rockies, there was winds that would come down out of the mountains when we were on stage, and that theater was known for eating women's voices. And I had to thank God the vocal coach that summer was a Linklater coach, which is the method that I trained in, and he helped me work with even resonators. If you can imagine in your back, just using the whole chest box and shaking the vibrations through your body so that basically you're making your whole human skeleton an amplifier for the vocal energy coming from your breath. And that's Linklater. She's fascinating. If you ever want to study voice, you can't do better than Linklater, to my mind. Cicely Berry is another one I studied. She's the British guru for the RSC and the Royal Shakespeare Company and all those people, and she's great too. Jonathan: Well, that's just exciting. I learned something new today. Hollis: That's always good. Always learning from your books too about Medieval combat. Jonathan: We always want to learn something new every day, whether we like it or not. Hollis: Right. Jonathan: So to turn it around a little bit, what advice would you give a new indie author who is working with a narrator for the first time? Hollis: Oh yeah, I actually, I made some notes. I thought that was such a good question. Make sure that your narrator knows what you expect from them upfront. If you go through ACX, they have this great thing called the first 15 where your narrator is, if you're new to this author, you record the first 15 minutes of the book and you put that on ACX for your author to listen to and approve. You don't have to approve it if you don't like it. And in fact, if you don't like it, it's very important you don't approve it and you tell your narrator specifics about what you need them to change before they go on with the book. Because what you can't really do is once a book is recorded, say, oh, I really don't like it. I'm not going to pay you for it. I need you to go back and do it again. That's not acceptable and it will make narrators never want to work with you. But what's great about the first 15 is you have that chance to say, well, this voice was, she was a little higher than I wanted. I hear her in my head more as an alto because for me as a narrator, what I want to do is I want to take what you, Jonathan, hear your characters being as you're writing them in your head. I want to take that and translate that into an audiobook for you. So the more you give your narrators information about your characters, the better they're going to voice it. Also, if there's a style in your head, like with Nadia books, there's a little touch of noir there. It was a dark and stormy night kind of feel. If there's a style you kind of hear in your head, that would be a good thing to give them. But ACX has also, I think a character sheet where you can tell them about the different characters. You can fill that out for your narrator. That's tremendously helpful, age of the character, if you hear a vocal pitch range, soprano, alto, tenor, bass, any dialects, they need to know that. The narrator's nightmare is you finish up a book and you shouldn't do this, you should read ahead, but you get to the last line: “I love you, darling,” he said in his beautiful French accent. Jonathan: It explicitly shows up there for the first time. Hollis: Exactly. And then for the narrator, it's like, oh my God, I have to go back and rerecord everything this guy said, which is hours and hours and hours of work for you and your editor who will kill you. But yeah, let them know about all the character traits that you can and just, I think it's on the narrator too, to, I've been lucky with my authors, we always have a good give and take. I come from a theater background and you want to collaborate. You want to realize the author's vision and you want to be a partner in creating that. So try to be partners and give them more information than you think they need and use that first 15. It is totally acceptable to send it back and say, I'm going to need you to do this again, and I'm going to need these changes. And then once you get that ironed out, then you'll probably be ready to go ahead and have a book. And when you get the book, you won't be shocked and you'll be happy (hopefully) with the read. Is that helpful? Jonathan: It does. New authors, if you're listening to this, listen to that advice. Hollis: Yeah. Jonathan: Now for a slightly different topic, can you tell us about the Magic of Larlion books and how you ended up publishing that series? Hollis: Yeah. The Magic of Larlion is an epic fantasy adventures series seven, almost eight volumes. I'm working on finishing book eight now. The first book, Wizard Stone, my brilliant mother Dee Maltby started years and years ago, probably, gosh, maybe 20 years ago now, I think when my little brother moved out from home and she had an empty nest and she had more time to write, and she wrote Wizard Stone, and she sent it out a few places, and that was the only way you could get published back when she wrote it and didn't pursue it, she got discouraged, I think, by rejections from publishers, sat in her drawer for a while, and my sister-in-law, Dana Benningfield, who's also an actor, and she was my best friend even before she married my brother. I introduced them. So yeah, that was all me. She was an editor professionally for a while, and when she moved to Ohio where I'm from and was living with my brother and my parents lived right across the orchard, I told her about this book. And she wasn't editing at the time, she was kind of done with it, but she asked mom if she could read it. So she read it and edited it, and then it became a much better book and really encouraged my mom to keep writing, which I had been telling her to do for years. But hearing somebody who wasn't family, somehow giving her that input that it was really something special, changed her perspective. So she kept writing and she and I started, I was on the road doing Shakespeare a lot. We started trading chapters. She'd send me a chapter a week and I would edit it and send it back. And so Wizard Stone evolved from there into its current form, and then she started the next book, Wizard Wind and Wizard Storm. And we went that way through five and a half books. And my dad finally, when he retired from being a physicist, said he was going to, I always told you I'd get your published Dee, I'm going to take it down to the print shop and get a hundred copies made. And by this time I was working with you and a bunch of other great indie authors who were letting thousands of happy readers read their books through an independent platform. And I said, well, wait a minute. I could do better than that. So I convinced them to hire an editor that I had worked with, and I did the rewrites and got it through the pre-production process and hired a cover artist, very talented artist. And you and Meara Platt, another of my authors, gave me so much information and help. And we got it published in 2022, I believe. We had three ready to go. And we published those all within a month of each other. One a month for three months, and then four and five, and then six came. And I co-authored five, six, and seven because my mother was losing her sight and her hearing at that point. We got those done. We had six out and a lot of people reading them and loving them and reviewing them before my mom passed. And I think it's probably one of the most satisfying things I've done in my life, because not only do I love the books, and they're just a rip roaring, fantastic adventure-filled epic trip through this incredible world my mom invented. But when she was about to, one of the last things she said to me was, I told her how many people had read her books. I just went through the Kindle numbers and thousands of people in different countries and all over the world were reading and loving her books. And I told her that, and she said, that's all that matters. And she felt such a sense of pride in herself and accomplishment because they were being received for what they are, which is a brilliant creative flight of fancy, this magical world in the tradition of all the books she loved, always Tolkien. And so I promised her I'd finish it. So after she died, I published six and seven and I've got eight about 90% written now, and I'm hoping to bring that out by the end of the year, although I've been too darn busy with narration to really spend the time. I've got the big climactic Jonathan Moeller type battle at the end sketched in my head and on an outline, but I got to write that. And then we can get that out there and finish that too. Jonathan: Will you stop with eight or keep going after eight? Hollis: My feeling is that this series will culminate with book eight. It's been a long saga of Beneban, this young wizard who kind of gets flung off a mountain by his evil wizard master and has to master his fledgling wizardry powers and his magical sword to win his love Laraynia, a powerful sorceress, and save the kingdom. And that's book one. And there's ice dragons, and then they have kids, and then the later books have become much more about their kids. And the more I write, the more it's become about young women fighting with swords. Jonathan: Well, they say write what you know. Hollis: Defeating the bad guys. Plucky young women, overachieving, competing with men. And so I think that's all going to come to a head with book eight, and that will be the end of that series. But I do think I'm going to spin it off into possibly more on the younger characters. I don't know if it's going to be YA per se, I think it'll still be for adults, but more of a YA feel to it, the younger characters of the ice dragon riding school of battle and the wizarding school. I don't know if I want to make it schools necessarily, it might limit you too much. And that's kind of been done too. But I do think the ice dragons are going to figure largely in it. Oh, and I don't know, there's a plot point I probably shouldn't give away, but my mother's full name was Willa Dee Maltby. She writes under Dee Maltby and there is a character, a very magical character named Willa that shows up in this book eight. So I think Willa will be a big character going forward and the younger generation of women and some boys too. I like boys, I do. Jonathan: Well, I suppose if people want to know more, they will have to read and find out. Hollis: Yes. And please go to the website is deemaltbyauthor.com and everything you want to know (well, maybe not everything), but everything you can know for now is there. Jonathan: Well, I was going to ask you what you would say was the most rewarding things about publishing the books, but I think you covered that pretty well. On the flip side, what was the biggest unexpected challenge in publishing them? Hollis: The PR is hard. You seem to be great at it. I even did PR professionally to work my way through undergrad and then in between grad school and undergrad and after I graduated and I had an assistantship in it at my university. But the book world specifically is a whole different kind of PR and learning Amazon ads and Facebook ads and it's a lot. It's a lot. And again, you have been so helpful with it. And I mean, there are a lot of online resources out there too, which is great. But what I'm really finding, trying to do it part-time is overwhelming. You really need a full-time block of time to not only write the books, but then to publicize them the way they deserve to be publicized. Jonathan: Yeah, the tricky part is, as you said, book advertising is very different from anything else. I was talking with a guy who is an Amazon reseller for various toiletries and hygiene products and makes a good living doing that. I was telling him how much I pay per click on Amazon ads. He's just appalled. It's like, you can't make any money doing that. And then the flip side of that too is that Internet marketing is so different than any other form of PR, so it's just sort of constant challenge there. Hollis: I know, and I know I actually signed up for a TikTok account and I just don't, again at the time. Plus every time I turn it on, I'm like, I don't want to watch that. I'm allergic to the format. You'd think being an actor, being used to being on camera, I could come up easily with little things to do for the books and I probably could for TikTok. But again, just learning the platform and then applying yourself to it is just such a big time hack that I don't have that amount of time. I know that narrators are now more and more marketing themselves by recording themselves on camera narrating and putting that out there, which I can do, I guess. And that's why I got this ring light and everything. I can do that now. I haven't done anything with it, but I guess if some of the book work dries up, I'll be more motivated to do it. Jonathan: Well, that's how anything works. You try it and if you enjoy it and it works, keep doing it. And if you don't enjoy it and it doesn't work, no point in carrying on with it. Hollis: I think that's true. And you just have to keep learning too, as we know with everything. You got to keep learning new things. Jonathan: Well, this has been a very enjoyable interview and thank you for coming on the show. Hollis: My pleasure. Jonathan: Let's close out with one last question. You've obviously done a lot of theater, so what, out of all the productions you've done was the one you would say was your favorite or that you enjoyed the most? Hollis: I think I have to go back to Beatrice probably. I mean, the Alabama Shakes getting to play a man thing, that was a lot of fun. But Beatrice, we did a Wild West Much Ado about Nothing at Colorado Shakespeare. The premise was that I was the niece of Leonardo, who is the tavern keeper, the bar keeper in this Wild West world. And there was a bar fight opening this Wild West production, and I entered through a swinging tavern door with a six shooter in one hand and a bull whip in the other. And I shot the pistol and cracked the bull whip and broke up the fight and then got to do Shakespeare's incredible Beatrice and Benedict story from there. It was so much fun. Jonathan: It almost seems like the soundtrack could have been “I Shot the Sheriff.” Hollis: Yeah. Yeah, it really could. It was a heck of a lot of fun. Jonathan: Well, speaking of fun, it was good talking with you, and thank you for taking the time to be on the show. Hollis: Yeah, I am excited to start the next Cloak book soon. So I was going to offer to do a little snatch of you want the introduction for Cloak here? Jonathan: Oh, I think we'll save it for the Real Thing. Hollis: Oh, okay. All right. Well thank you, Jonathan. It's been a pleasure. Jonathan: It's been a pleasure. And see you soon for Cloak Mage #10. Hollis: Alright. So that was our interview with Hollis McCarthy. Thank you for coming on the show and giving us a very informative and entertaining interview. A reminder that the website with the Magic of Larlion books is deemaltbyauthor.com. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.

Back in May, the Remix cofounders revealed they were reimagining Remix v3 from the ground up, and this past week at Remix Jam, they gave a sneak peek of it. It's fair to say this new framework shouldn't be called Remix at all because it's departed so far from its origins: devs manually update state, it uses signals, routes are defined in a TS doc, and it will ship with a component library, for starters. Will it catch on, who knows?Not to be outdone by React v19.2 last week, Next.js 16 beta debuted (with support for React 19.2 included). In addition to the latest version of React, Next.js 16 has also declared Turbopack, RSC support, and React Compiler all stable, and improved its caching system as well.And Bun is back in the news with the release of Bun 1.3, and it's a doozy of a minor version release. Bun wants to be a full-stack JavaScript runtime as it now includes a full-stack dev server, built in support for MySQL and Redis DBs, routing, and the ability to package an entire project into one executable for cross-platform support. Well done, Bun team!Chapter Markers:01:14 - Remix v310:38 - Next.js 16 beta17:35 - Bun 1.324:42 - Firefox 144 released w/view transition support25:19 - HBO changes TV channel names28:00 - W3C has a new logo31:25 - What's making us happyNews:Paige - Bun 1.3Jack - Remix v3TJ - Next.js 16 betaLightning News:Firefox 144 released w/view transition supportW3C has a new logo and the Gavin Belson signature from Silicon Valley HBO changes TV channel namesWhat Makes Us Happy this Week:Paige - The Gilded Age TV seriesJack - KPop Demon HuntersTJ - Madison, WIThanks as always to our sponsor, the Blue Collar Coder channel on YouTube. You can join us in our Discord channel, explore our website and reach us via email, or talk to us on X, Bluesky, or YouTube.Front-end Fire websiteBlue Collar Coder on YouTubeBlue Collar Coder on DiscordReach out via emailTweet at us on X @front_end_fireFollow us on Bluesky @front-end-fire.com

¿Puede una empresa usar su modelo de negocio central para generar un impacto social masivo y auténtico? En este episodio de Valor Compartido Podcast, tenemos una conversación reveladora con Christoph Gorder, director ejecutivo de Airbnb.org.Exploramos cómo esta fundación ha creado un "nuevo estándar global" para el alojamiento en causas sociales, yendo más allá de la RSE tradicional. Christophe nos detalla su alianza estratégica en México con la organización Vuela para apoyar a familias de niños con cáncer, explicando un modelo que combina la independencia de una ONG con los recursos y la tecnología de Airbnb. Aprenderás:Por qué el modelo de Airbnb.org "ha ido más allá de la figura tradicional de RSC".Cómo las alianzas con expertos locales son clave para un impacto real y integral.Qué gana una empresa al apostar por una iniciativa de este calado, más allá de la reputación.Los planes futuros para expandir este modelo a otras crisis sociales a nivel global.Si te dedicas a la RSE, la Sostenibilidad o la innovación social, este episodio está repleto de insights sobre cómo escalar el impacto usando los activos clave de una empresa. ¡No te lo pierdas! Escúchalo ahora en tu plataforma favorita.Descubre todas nuestras entrevistas y reportajes suscribiéndote a nuestro canal. Opina qué te pareció el episodio en los comentarios y no te olvides de dejarnos tantas estrellas como creas que lo merecemos. Nos ayudarás mucho a seguir contando historias sobre RSE y Sostenibilidad. Te dejamos nuestra web: valor-compartido.com

Catch Ronan Boyce chatting with Patrick Cooke from Match Night Live ahead of a big away day in Waterford! The lads are buzzing to bounce back after a rough last visit and keep their unbeaten streak going. With only a few games left and European football up for grabs, Ronan talks about what's driving the squad, the team vibes, and how the fans help fire everyone up. Join us live from 7:00pm live from the RSC, Waterford with Michael Kealey and James O'Toole on commentary & Dee Curran in the studio.

It's the last league episode of the season and Breifne Earley is joined once again by Meabh De Burca (@MeabhDeBurca) to wrap up a wild final weekend in the Women's Premier Division, reflect on the retirements of four legends, and look ahead to this weekend's FAI Women's Cup Final.

En este episodio, conversamos con Cristina Kessel, directora de Sustentabilidad y de la Fundación SEMPRA Infraestructura. Descubre cómo esta fundación empresarial pasó a un modelo estratégico basado en 4 ejes clave: Electrificación Sustentable, Educación para el Futuro, Empatía en Emergencias y Espíritu Colaborador. Cristina nos comparte  historias de cómo la instalación de paneles solares garantiza tratamientos contra el cáncer, cómo las becas educativas cambian vidas  y la crucial estructura interna que asegura la permanencia y el impacto real de su labor. Una entrevista imperdible sobre RSE, sostenibilidad y la poderosa misión de transformar vidas. ¡No te lo pierdas!Descubre todas nuestras entrevistas y reportajes suscribiéndote a nuestro canal. Opina qué te pareció el episodio en los comentarios y no te olvides de dejarnos tantas estrellas como creas que lo merecemos. Nos ayudarás mucho a seguir contando historias sobre RSE y Sostenibilidad. Te dejamos nuestra web: valor-compartido.com

No Arauto Repórter UNISC de hoje, você confere:- Primeiro dia da Oktoberfest Santa Cruz tem entrada gratuita e bailes em cinco palcos- Dois pardais da RSC-287 estão entre os que mais multam no Rio Grande do Sul- Santa Cruz inaugura novo espaço do Centro de Promoção de Saúde da Pessoa Idosa- E na segurança pública: Draco recupera carga de tabaco roubada em Santa Cruz

No Arauto Repórter UNISC de hoje, você confere:- Primeiro dia da Oktoberfest Santa Cruz tem entrada gratuita e bailes em cinco palcos- Dois pardais da RSC-287 estão entre os que mais multam no Rio Grande do Sul- Santa Cruz inaugura novo espaço do Centro de Promoção de Saúde da Pessoa Idosa- E na segurança pública: Draco recupera carga de tabaco roubada em Santa Cruz

¿Cómo puede una empresa minorista transformar su propósito de "facilitar estilo y mejorar la calidad de vida" en una estrategia de sostenibilidad con impacto real? En este episodio de Valor Compartido, conversamos con Guillermo Melín Madrigal, director de Cultura Organizacional de Grupo dportenis.Descubre cómo esta empresa mexicana, con casi 40 años en el mercado, ha integrado la responsabilidad social en su ADN, yendo mucho más allá de la venta de calzado deportivo. Puedes consultar su reporte de sostenibilidad en https://grupodportenis.com/Reportedesostenibilidad2024Descubre todas nuestras entrevistas y reportajes suscribiéndote a nuestro canal. Opina qué te pareció el episodio en los comentarios y no te olvides de dejarnos tantas estrellas como creas que lo merecemos. Nos ayudarás mucho a seguir contando historias sobre RSE y Sostenibilidad. Te dejamos nuestra web: valor-compartido.com

RSC artistic directors Reed Martin and Austin Tichenor are directing college productions of their comedies William Shakespeare's Long Lost First Play (abridged) and The Comedy of Hamlet! (a prequel), and they discuss the differences they discover in their scripts when other actors are performing them. Reed and Austin share how different actors bring different energies; the difference between a vaudeville and a play; how directing these young actors is like looking in a mirror; and how certain things just aren't necessary when you cast more than three actors. (Length 19:37) The post Directing Our Scripts appeared first on Reduced Shakespeare Company.

On this week's pod:We won (again)!! Games overview.Shout outs:The Journey Back visits Orange County, CARyder Cup victory for Europe!Fan Advisory Board minutes from recent meetingToronto #1 RSC leaves NARSALondon Marathon for the Royal British Legion: https://2026tcslondonmarathon.enthuse.com/pf/amanda-and-jason?fbclid=PAZXh0bgNhZW0CMTEAAafl8sHXDL5ULa79zTXOF2Mjqp8KZFX5SjbJLcht_KEbVjQpZIconU2qUWxczw_aem_8WwZqzTujho6BkAOlr5VgAMelbourne City Loyal RSC cultural event: https://www.facebook.com/groups/110256592359769/?multi_permalinks=9074145052637500&ref=share NARSA Business:Convention-specific NARSA Exec meeting WednesdayRTV emails re fees have been distributed to all clubsRangers Charity Foundation - Win 2x tickets for the gala ball!NARSA membership form: https://narsa.ca/application/ Communications:Gers GuideRWT beaten 1-0 by Glasgow CityPlease do like and subscribe wherever you hear this podcast. Pretty pleasehttps://narsa.ca/

Vor allem im Trockenbau, bei energetischen Sanierungen und im Holzbau relevant - die effiziente Dämmstoffbearbeitung. Mit unseren Maschinen und Zubehören. Erfahre in dieser Folge mehr über unsere Maschinen wie die ISC 240, die RSC 18 oder auch die UNIVERS SSU 200. Jetzt reinhören

RSC artistic directors and co-authors Reed Martin and Austin Tichenor discuss how they've updated All the Great Books (abridged), which embarks on a US tour this fall. Reed and Austin share what changes they've made to this script (and all the RSC scripts) and how our scripts, like all plays, develop new meanings depending on the personnel performing them and the times in which they're being performed. (Length 15:04) (PICTURED: Tré Tyler (Coach), Michael Faulkner (Professor), and Doug Harvey (Doug) in the Reduced Shakespeare Company production of All the Great Books (abridged), written and directed by Reed Martin and Austin Tichenor.) The post Updating Great Books appeared first on Reduced Shakespeare Company.

This week's guest is writer and actress Lizzie Hopley. Lizzie has appeared in productions such as Black Doves, The Crown, Brassic and The Day of The Triffids as well as many stage productions for the RSC. She has also written and appeared in over 80 audio plays for Big Finish. To see us live at Cultplex Manchester on the 10th October get your tickets here - ⁠⁠https://tinyurl.com/3x9e236r⁠⁠ To join Scarred Club and get fortnightly bonus episodes, monthly newsletters, ad-free listening and access to the members forum - sign-up here - ⁠⁠https://scarredforlife.supportingcast.fm/⁠⁠⁠⁠ Based on the hugely successful Scarred for Life books, this is a weekly exploration of the things that scared people growing up and what those things say about us today. Join Andy Bush and Dave Lawrence as each week they talk to a special guest who brings with them three terrors from their childhoods. Email us - contact@scarredforlifebooks.com Follow us on socials: Scarred For Life - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Andy Bush - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Producer - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dane Smith⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Production Company - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lock It In Studio Learn more about your ad choices. Visit podcastchoices.com/adchoices

Airton Artus, deputado estadual, esteve no Direto ao Ponto para trazer de talhes sobre o acompanhamento das obras de duplicação da RSC-287 e projetos voltados à área da saúde na Assembleia Legislativa do Rio Grande do Sul.

No Arauto Repórter UNISC de hoje, você confere:* Helena Hermany passa a responder na justiça na Operação Controle* Primavera começa com chegada de frente fria, temporais e fortes ventos* Duplicação da RSC-287 gera problemas de acesso ao transporte coletivo para moradores em Santa Cruz* Em destaque na segurança pública: Colisão frontal entre carro e ônibus deixa vítima fatal na RSC-287

Airton Artus, deputado estadual, esteve no Direto ao Ponto para trazer de talhes sobre o acompanhamento das obras de duplicação da RSC-287 e projetos voltados à área da saúde na Assembleia Legislativa do Rio Grande do Sul.

No Arauto Repórter UNISC de hoje, você confere:* Helena Hermany passa a responder na justiça na Operação Controle* Primavera começa com chegada de frente fria, temporais e fortes ventos* Duplicação da RSC-287 gera problemas de acesso ao transporte coletivo para moradores em Santa Cruz* Em destaque na segurança pública: Colisão frontal entre carro e ônibus deixa vítima fatal na RSC-287

Mark Dalgleish joins us to talk about the latest in React Router, including its growing support for React Server Components (RSC). He breaks down what RSC data mode, framework mode, and declarative mode mean for developers, and how features like the middleware API and route module API are simplifying work across tools like Vite and Parcel. We also dive into how React 19, static site generation with RSC, and smarter data batching are reshaping performance and the future of server-side rendering in React apps. Links X: https://x.com/markdalgleish GitHub: https://github.com/markdalgleish Website: https://markdalgleish.com LinkedIn: https://www.linkedin.com/in/markdalgleish Resources React Router and RSC: https://remix.run/blog/react-router-and-react-server-components RSC Preview: https://remix.run/blog/rsc-preview Chapters We want to hear from you! How did you find us? Did you see us on Twitter? In a newsletter? Or maybe we were recommended by a friend? Fill out our listener survey (https://t.co/oKVAEXipxu)! Let us know by sending an email to our producer, Em, at emily.kochanek@logrocket.com (mailto:emily.kochanek@logrocket.com), or tweet at us at PodRocketPod (https://twitter.com/PodRocketpod). Follow us. Get free stickers. Follow us on Apple Podcasts, fill out this form (https://podrocket.logrocket.com/get-podrocket-stickers), and we'll send you free PodRocket stickers! What does LogRocket do? LogRocket provides AI-first session replay and analytics that surfaces the UX and technical issues impacting user experiences. Start understanding where your users are struggling by trying it for free at LogRocket.com. Try LogRocket for free today. (https://logrocket.com/signup/?pdr) Special Guest: Mark Dalgleish.

Morse code transcription: vvv vvv Southern Water bans tankers doing runs to US billionaires lake Sir Kenneth Branagh returns to the RSC for first time in 30 years Bolsonaro sentenced to 27 years in prison for plotting Brazil coup Starmer facing fresh questions after Mandelson sacking The Ayrshire wedding crasher mystery solved after four years Nigel Farage faces questions over who funded 885,000 Clacton constituency home Charlie Kirk What we know about fatal shooting of conservative US activist Starmer is losing senior figures at the rate of one a week Warner Brothers Discovery and Paramount Skydance shares surge on buyout reports Nato strengthens defences after Russian drones shot down over Poland

Morse code transcription: vvv vvv Charlie Kirk What we know about fatal shooting of conservative US activist Starmer is losing senior figures at the rate of one a week Starmer facing fresh questions after Mandelson sacking Nato strengthens defences after Russian drones shot down over Poland Nigel Farage faces questions over who funded 885,000 Clacton constituency home Warner Brothers Discovery and Paramount Skydance shares surge on buyout reports Sir Kenneth Branagh returns to the RSC for first time in 30 years Southern Water bans tankers doing runs to US billionaires lake The Ayrshire wedding crasher mystery solved after four years Bolsonaro sentenced to 27 years in prison for plotting Brazil coup

Morse code transcription: vvv vvv Charlie Kirk What we know about fatal shooting of conservative US activist Bolsonaro sentenced to 27 years in prison for plotting Brazil coup Sir Kenneth Branagh returns to the RSC for first time in 30 years Starmer facing fresh questions after Mandelson sacking Nigel Farage faces questions over who funded 885,000 Clacton constituency home Warner Brothers Discovery and Paramount Skydance shares surge on buyout reports The Ayrshire wedding crasher mystery solved after four years Nato strengthens defences after Russian drones shot down over Poland Starmer is losing senior figures at the rate of one a week Southern Water bans tankers doing runs to US billionaires lake

Morse code transcription: vvv vvv Charlie Kirk What we know about fatal shooting of conservative US activist Bolsonaro sentenced to 27 years in prison for plotting Brazil coup Nigel Farage faces questions over who funded 885,000 Clacton constituency home Sir Kenneth Branagh returns to the RSC for first time in 30 years Nato strengthens defences after Russian drones shot down over Poland Starmer facing fresh questions after Mandelson sacking The Ayrshire wedding crasher mystery solved after four years Warner Brothers Discovery and Paramount Skydance shares surge on buyout reports Southern Water bans tankers doing runs to US billionaires lake Starmer is losing senior figures at the rate of one a week

In dieser Folge ist Jorge Moreno zu Gast bei zwoaus11. In seiner Werkstatt RSC Autotechnik, kümmert er sich um Fahrzeuge aus den 90ern, meist Mercedes-Benz. Spezialisiert auf Verdeckhydraulik, bietet RSC ein umfassendes Know-How und die passenden Ersatzteile.

Daniel Evans, Jo McInnes and Madeleine Potter make up the cast of the original production of Sarah Kane's 4.48 Psychosis, which opened at the Royal Court in the year 2000.  Daniel, Jo and Madeleine, reprised their roles in 4.48 Psychosis here at the Royal Court, 25 years on from its debut, directed by original director James Macdonald. The production ran here until 5 July, before embarking on a run at the RSC.  

En el episodio de hoy charlaremos con Alba Vilches sobre cómo está el sector de Recursos Humanos y cómo lidiar con los conflictos laborales. ➡️ Alba Vilches: https://www.instagram.com/albavilcheshr/?hl=es ❌ X: https://x.com/wallstwolverine

Stuart Maconie is joined by his 6Music weekend breakfast co-host Mark Radcliffe who's here to talk about his new book Et Tu, Cavapoo - all about Mark's springtime sojourn to Rome alongside his dog Arlo. Andi Osho is taking on the role of Tedra in the RSC's production of the Pulitzer Prize winning play Fat Ham and prolific novelist Adele Parks is with us to talk about the twists and turns of family dynamics in her new book A Beautiful Mess. There'll be music from The 7:45s and from the musical comedian Amy Webber, fresh from her Edinburgh Fringe run.Presenter: Stuart Maconie Producer: Elizabeth Foster

To end our second year of Rosebud, we have one of our most charming, talented and brilliant theatrical dames: Dame Eileen Atkins. Dame Eileen is a uniquely talented writer and actor, both on stage and screen - from Cranford, to the RSC, to The Killing of Sister George on Broadway, to Upstairs, Downstairs and The House of Eliot (which she co-created), to Mrs Dalloway (for which she wrote the screenplay). And this is one of our most entertaining interviews yet, with stories from Dame Eileen's long life and career . From her early years in Tottenham, when a gypsy going door-to-door prophesied that the three year-old Eileen would be a world-famous dancer, to her career as a child performer playing the working men's clubs, to her school days in Edmonton - the anecdotes from Eileen's life are brilliantly told. We then hear about her days at drama school, her friendship with Sir Alec Guinness and a couple of very funny stories from her working life. This is a fitting end to a fabulous two years for our podcast. We're very proud of the show we've created, and of our community of listeners - we're grateful to each and every one of you for your emails, your ears, your reviews, and your time. Thank you so much for being here with us! And thank you to Dame Eileen for this special conversation. Here's to many more years of Rosebud to come. Enjoy this. Hosted on Acast. See acast.com/privacy for more information.

You just can't keep TanStack out of the news for more than a few weeks before a new product appears. This week, it's TanStack Devtools, which provides a centralized devtools panel of all the Tanstack libraries for streamlined DX and custom devtools support.The State of CSS 2025 survey results are in, and highlights include: devs love the new `:has()` feature, Tailwind CSS continues to be the most popular CSS framework, and over 60% of respondents are still using Sass or SCSS in their web apps.Continuing the CSS topics, Panda CSS, a CSS-in-JS library that debuted in 2023, just hit v1. Panda gained traction by being a CSS-in-JS library built for the server-first era (meaning RSC support), and it adds new features like static analysis, type safety, and support for modern CSS like cascade layers, JSX style props, and a `createStyleContext` API for cross-framework design systems.Timestamps:0:56 - TanStack Devtools6:28 - State of CSS 2025 survey results15:23 - Panda CSS v123:19 - Perplexity wants to buy Chrome from Google25:52 - Google Gemini is having a mental breakdown30:50 - Bolt.new unveils Bolt Cloud35:14 - The dialog element's closedby attribute39:20 - What's making us happyLinks:Paige - Panda CSS v1 Jack - TanStack DevtoolsTJ - State of CSS 2025 survey resultsPerplexity wants to buy Chrome from GoogleGoogle Gemini's having a mental breakdownBolt.new unveils Bolt CloudThe dialog element's `closedby` attributePaige - Express VPNJack - A Psalm for the Wild Built bookTJ - The Retrievals podcast and The Savannah Bananas baseball teamThanks as always to our sponsor, the Blue Collar Coder channel on YouTube. You can join us in our Discord channel, explore our website and reach us via email, or talk to us on X, Bluesky, or YouTube.Front-end Fire websiteBlue Collar Coder on YouTubeBlue Collar Coder on DiscordReach out via emailTweet at us on X @front_end_fireFollow us on Bluesky @front-end-fire.comSubscribe to our YouTube channel @Front-EndFirePodcast

We just got back from the 2nd annual Rebel Scum Con in Frisco, TX, and had an absolute blast! This was the most productive convention we've ever been to! Not only did we host two panels, but we also had the opportunity to speak with many Star Wars alumni, from actors to artists.    The convention, held August 8-10, 2025 is a fan-run event, which means the organizers knew exactly what we wanted! Throughout the next month we will share ALL that content, so in this episode you'll hear from:   Omid Abtahi (Dr. Pershing in THE MANDALORIAN) Eric Walker (the original Mace in THE EWOK ADVENTURE films) Dermot Crowley (General Madine in RETURN OF THE JEDI)   TODAY in Star Wars History 8/12/1980   Once Upon A Galaxy: A Journal of the Making of The Empire Strikes Back, by Alan Arnold, is published by Del Rey.This paperback book includes a journal into the day-to-day making of The Empire Strikes Back, interviews with the cast and crew, and behind-the-scenes photos.       SPONSORS   Small World Vacations is an official sponsor of Skywalking Through Neverland. Contact them for a no obligation price quote at www.smallworldvacations.com. Tell them Skywalking Through Neverland sent you.   SUPPORT THE SHOW   Find out how you can become a part of the Skywalking Force and unlock bonus content.   CONTACT US   Instagram: http://instagram.com/skywalkingpod   Twitter: https://twitter.com/SkywalkingPod   Facebook: https://www.facebook.com/skywalkingthroughneverland   Send emails to share@skywalkingthroughneverland.com and follow us on Facebook.   If you dug this episode, click over to iTunes | Stitcher | YouTube and leave us a review!   Never Land on Alderaan!

We just got back from the 2nd annual Rebel Scum Con in Frisco, TX, and had an absolute blast! This was the most productive convention we've ever been to! Not only did we host two panels, but we also had the opportunity to speak with many Star Wars alumni, from actors to artists.    The convention, held August 8-10, 2025 is a fan-run event, which means the organizers knew exactly what we wanted! Throughout the next month we will share ALL that content, so in this episode you'll hear from:   Omid Abtahi (Dr. Pershing in THE MANDALORIAN) Eric Walker (the original Mace in THE EWOK ADVENTURE films) Dermot Crowley (General Madine in RETURN OF THE JEDI)   TODAY in Star Wars History 8/12/1980   Once Upon A Galaxy: A Journal of the Making of The Empire Strikes Back, by Alan Arnold, is published by Del Rey.This paperback book includes a journal into the day-to-day making of The Empire Strikes Back, interviews with the cast and crew, and behind-the-scenes photos.       SPONSORS   Small World Vacations is an official sponsor of Skywalking Through Neverland. Contact them for a no obligation price quote at www.smallworldvacations.com. Tell them Skywalking Through Neverland sent you.   SUPPORT THE SHOW   Find out how you can become a part of the Skywalking Force and unlock bonus content.   CONTACT US   Instagram: http://instagram.com/skywalkingpod   Twitter: https://twitter.com/SkywalkingPod   Facebook: https://www.facebook.com/skywalkingthroughneverland   Send emails to share@skywalkingthroughneverland.com and follow us on Facebook.   If you dug this episode, click over to iTunes | Stitcher | YouTube and leave us a review!   Never Land on Alderaan!

The boys welcome Michael Kanik on to the show to discuss all the big news coming from the major pod. They go over the big news of getting the MLB news and every question under the sun regarding the MLB news. Also discussed is the news of the Major guys linking up with AEW. They also go over the big names announced from San Diego Comic Con.   This week in the news RSC released their Q and A video with Bill Steve and Magic from Mattel. Jef and Scott go over all the questions. Also in the news Grapplers and Gimmicks showed off. Title Run toys also showed off their sketch art for Harley Race.   Pre Orders: Big Rubber Guys - Collectmajor.com Fig Collections - shop.figurecollections.com The patriot Buff Bagwell   Zombie Sailor - (zombiesailor.com) - Zombie is also on BBTS La Toonie 12 inch Road warriors (latoonie.com) KWK Shopkwk.com use code Fullyposeable to get 10 percent off your order. Also KWK's month of July pre order is Bull Nakano.  Thank you to everyone for keeping this show going!

Throughout history, ordinary Americans have done extraordinary things under the Lord's loving and watchful eyes. Senator Tim Scott's (R-SC) new book, "One Nation Always Under God," shares some of these incredible stories about a country comprised of people rooted in their faith.    Senator Scott shares some of these amazing stories with Shannon, including his own. He also describes the role faith plays in helping him make significant decisions in Congress. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Listen up as Nihal unfolds the Beyoncé/Destiny's Child theme he's spotted in this weeks' Loose Ends. He's humming "Irreplaceable" for the heroine of author Jo Wood's debut novel - The Resurrection of Flo - who's left her cheating husband Max (“To the left, to the left”). It's "I'm a Survivor" for the actor Bertie Carvel who is playing King Leontes in Shakespeare's intense psychological drama The Winter's Tale at the RSC. Newlywed comedian Rajiv Karia gets a blast of Crazy In Love on his way to performing at the Edinburgh Festival. And the actor and writer Tori Allen-Martin, who plays Cherry in the BBC sitcom Here We Go, won celebrity mastermind with the specialist subject of.....Beyoncé and Destiny's Child! All this with music from the classically trained, Bollywood influenced pop artist RIYA and from Indie folk duo Lost Chimes. Presented by Nihal Arthanayake Produced in Salford by Olive Clancy

Sir Gregory Doran is the former artistic director of the Royal Shakespeare Company. He spent a total of thirty five years with the RSC directing fifty productions in the UK and abroad. He's been called “one of the great Shakespeareans of his age” and has won multiple awards for his work.Born in 1958, Greg was brought up near Preston and played a number of female Shakespeare roles when he was a young pupil attending an all-boys secondary school. He went on to study English and Drama at Bristol University followed by a stint studying classical acting at the Bristol Old Vic Theatre School. After a few bit parts in TV sitcoms and a spell at Nottingham Playhouse, Sir Greg decided that he would prefer to carve out a career as a director. He went on to stage some of the most critically acclaimed theatre productions – including an all-black cast of Julius Caesar and took Titus Andronicus to South Africa.More recently, he has been touring the globe on his Shakespeare's First Folio tour to look at as many different copies of the texts as possible. He survives his husband, the actor Sir Anthony Sher whom he met in 1987 whilst they were both part of a production of the Merchant of Venice at the RSC in Stratford. Sir Greg lives in London.DISC ONE: Giulio Cesare in Egitto, HWV 17, Act 1: Duetto. "Son nata a lagrimar" (Cornelia, Sesto) Composed by Georg Friedrich Händel and performed by Nathalie Stutzmann (contralto) Philippe Jaroussky (counter tenor) Oreo 55 (Orchestra) DISC TWO: Sicut cervus – The Choir of Preston Catholic College DISC THREE: Born Free - Matt Monro DISC FOUR: It's Raining Men - The Weather Girls DISC FIVE: Diamonds on the Soles of Her Shoes - Paul Simon DISC SIX: J.S. Bach: Cantata "Ich habe genug" BWV 82: I. "Ich habe genug, ich habe den Heiland". Performed by Thomas Quasthoff (bass-baritone), Berliner Barock Solisten, conducted by Rainer Kussmaul DISC SEVEN: Piano Concerto No. 12 in A, K.414: 2. Andante. Composed by Mozart and performed by Alfred Brendel (piano) and Academy of St Martin in the Fields, conducted by Sir Neville Marriner DISC EIGHT: Where the Bee Sucks - Paul Englishby, Royal Shakespeare Company BOOK CHOICE: A 1609 copy of Shakespeare's Sonnets LUXURY ITEM: A shelf of photo albums CASTAWAY'S FAVOURITE: Piano Concerto No. 12 in A, K.414: 2. Andante. Composed by Mozart and performed by Alfred Brendel (piano) and Academy of St Martin in the Fields, conducted by Sir Neville MarrinerPresenter: Lauren Laverne Producer: Sarah Taylor

The next big Star Wars convention is just around the corner. We go behind-the-scenes and reveal what we are doing at Rebel Scum Con! This year marks the 2nd annual RSC held August 8-10th, 2025 in Frisco, TX, and we have convention coordinators Ken Tucky and Bobby Roberston on to get us hyped. Even if you're not attending, this episode has plenty of fun Star Wars discussions.   We discuss the special guests including the first U.S. appearance of Kyle Soller (Syril in Andor), Robert Emms aka #HotLonniSummer (Lonni in Andor), The Sackhoff Show with Katee Sackhoff (Bo-Katan in The Mandalorian), and more guests from Andor.    Our friends at The Virtual Cantina Network are putting on Boonta Eve with Star Wars Live Band and Karaoke on the first night of the convention - August 8th, where we will also be selling our books. Tickets are available now.   Episode discussion links: Rebel Scum Con Boonta Eve details “You Rebel Scum” actor Barrie Holland interview   TODAY in Star Wars History 7/5/2017   Walt Disney Parks and Resorts Chairman, Bob Chapek, reveals the official name of the new Star Wars land at Disney's D23 Expo as Star Wars: Galaxy's Edge.     SPONSORS   Small World Vacations is an official sponsor of Skywalking Through Neverland. Contact them for a no obligation price quote at www.smallworldvacations.com. Tell them Skywalking Through Neverland sent you.   SUPPORT THE SHOW   Find out how you can become a part of the Skywalking Force and unlock bonus content.   CONTACT US   Instagram: http://instagram.com/skywalkingpod   Twitter: https://twitter.com/SkywalkingPod   Facebook: https://www.facebook.com/skywalkingthroughneverland   Send emails to share@skywalkingthroughneverland.com and follow us on Facebook.   If you dug this episode, click over to iTunes | Stitcher | YouTube and leave us a review!   Never Land on Alderaan!

The next big Star Wars convention is just around the corner. We go behind-the-scenes and reveal what we are doing at Rebel Scum Con! This year marks the 2nd annual RSC held August 8-10th, 2025 in Frisco, TX, and we have convention coordinators Ken Tucky and Bobby Roberston on to get us hyped. Even if you're not attending, this episode has plenty of fun Star Wars discussions.   We discuss the special guests including the first U.S. appearance of Kyle Soller (Syril in Andor), Robert Emms aka #HotLonniSummer (Lonni in Andor), The Sackhoff Show with Katee Sackhoff (Bo-Katan in The Mandalorian), and more guests from Andor.    Our friends at The Virtual Cantina Network are putting on Boonta Eve with Star Wars Live Band and Karaoke on the first night of the convention - August 8th, where we will also be selling our books. Tickets are available now.   Episode discussion links: Rebel Scum Con Boonta Eve details “You Rebel Scum” actor Barrie Holland interview   TODAY in Star Wars History 7/5/2017   Walt Disney Parks and Resorts Chairman, Bob Chapek, reveals the official name of the new Star Wars land at Disney's D23 Expo as Star Wars: Galaxy's Edge.     SPONSORS   Small World Vacations is an official sponsor of Skywalking Through Neverland. Contact them for a no obligation price quote at www.smallworldvacations.com. Tell them Skywalking Through Neverland sent you.   SUPPORT THE SHOW   Find out how you can become a part of the Skywalking Force and unlock bonus content.   CONTACT US   Instagram: http://instagram.com/skywalkingpod   Twitter: https://twitter.com/SkywalkingPod   Facebook: https://www.facebook.com/skywalkingthroughneverland   Send emails to share@skywalkingthroughneverland.com and follow us on Facebook.   If you dug this episode, click over to iTunes | Stitcher | YouTube and leave us a review!   Never Land on Alderaan!

Bienvenidos a un nuevo episodio de Spicy4tuna. En el episodio de hoy hablaremos del Gandalf de los negocios, la estafa del Nutriscore, el mayor robo legal que han hecho en Estados Unidos, los mejores valores defensivos para incorporar a tu cartera, los famosos que más ganan estando muertos, ESG vs RSC y la película Interestellar. Sin más dilación, empecemos. Crea tu Página Web con Hostinger: https://www.hostinger.com/spicy4tuna Cupón de 10% de Descuento para planes de +12 meses: SPICY4TUNA : Invierte de forma segura y recibe un 2,27% sobre tu efectivo con Trade Republic: https://trade.re/spicy4tuna Invertir conlleva riesgos, los rendimientos no están garantizados. Aplican T&Cs. ️ Disfruta de 30 días gratis y acceder a los mejores podcast sin anuncios en Podimo: https://go.podimo.com/spicy4tuna Abre tu cuenta de empresa en Finom y comienza a operar en 24h: https://bit.ly/SpicyFinom Inspecciona tu futura vivienda y evita que se convierta en una pesadilla: https://hausum.com/?utm_source=spicy4tuna&utm_medium=youtube&utm_campaign=premier Invierte en inmuebles de forma pasiva y sin dolores de cabeza con Inversiva: https://link.inversiva.com/spicy4tuna_youtube Encuentra tu hogar con un alquiler con opción a compra fácil y flexible con Wannaprop: https://wannaprop.es/?utm_source=youtube&utm_medium=spicy4tuna&utm_campaign=acceso_a_la_vivienda Aprende a hablar inglés como un Nativo: https://youtalkonline.com/spicy4tuna ️ El curso digital #1 de Oratoria y Comunicación para Hablar en Público con Confianza: https://go.hotmart.com/L97199651U ⚪️ Consigue tu pulsera Whoop: https://join.whoop.com/Spicy4tuna ════════════════ ️ Accede a la Web de Spicy4tuna y Suscríbete a nuestra Newsletter: https://www.spicy4tuna.com Contacto para Sponsors ➡ https://tally.so/r/nrPNE5 Email de Contacto ➡ podcast@spicy4tuna.com ════════════════ Todos los episodios completos: https://www.youtube.com/playlist?list=PL9XxulgDZKuzf6zuPWcuF6anvQOrukMom ════════════════ REDES SOCIALES DE SPICY4TUNA ➜ INSTAGRAM: https://www.instagram.com/spicy4tunapodcast/ ➜ TIKTOK: https://www.tiktok.com/@spicy4tuna ➜ FACEBOOK: https://www.facebook.com/spicy4tuna ════════════════ ️ ESCUCHA SPICY4TUNA EN FORMATO PODCAST Spotify: https://open.spotify.com/show/2QPC17Z9LhTntCA4c3Ijk9?si=39b610a14bb24f1f iTunes: https://podcasts.apple.com/es/podcast/spicy4tuna/id1714279648 iVoox: https://www.ivoox.com/escuchar-audios-spicy4tuna_al_33258956_1.html ════════════════ ¿QUIÉNES SOMOS? · Euge Oller: https://www.instagram.com/euge.oller/ · Willyrex: https://www.instagram.com/willyrex/ · Marc Urgell: https://www.instagram.com/marcurgelldiaz/ · Alvaro845: https://www.instagram.com/alvaro845/ ════════════════ CAPÍTULOS: 00:00:00 Introducción 00:03:08 El Gandalf de los negocios 00:20:31 Acciones defensivas 00:34:03 El dueño de las oficinas de Amazon 00:44:50 RSC vs ESG 01:00:43 La Estafa del Nutriscore 01:10:10 Los millonarios muertos 01:25:59 El mayor robo legal en Estados Unidos 01:33:42 Films and business

We've got an exclusive for you on this week's show as Athlone Town's new chairman Nick Giannotti speaks for the first time since taking up his position at the Midlands club. The American business man also aquired a 50% share in Larne just last week while he is also a minority shareholder with Plymouth.  It's FAI Cup second round weekend, we shine the spotlight on one of the non-league teams taking part as Castlebar Celtic's manager Stevie Gavin joins us to look ahead to a reunion with his old team from his playing days, Longford Town.  Kieran & Gary react to last week's results and stories, in particular, the incident involving Cork City fans post-match at the RSC and Derry City's slip up in the title race away to Sligo Rovers.  As ever, we've got all the latest First Division goss as well as a reflection on Shels & Pat's European results and the upcoming second-leg ties.  All brought to you by our sponsor QuinnAv.ie

Tom is joined by reviewers Kate Maltby and Stephanie Merritt to discuss Laura Wade's adaptation for the RSC of Somerset Maugham's comedy The Constant Wife. Also Wendy Erskine's Belfast -set novel; The Benefactors. A polyphonic telling of a teenage girl's assault and its aftermath. And Rebecca Lenkiewicz's directorial debut Hot Milk. Based on Deborah Levy's novel, it stars Fiona Shaw and Emma Mackey. And we discuss the impact on music festivals and live broadcasts of last weekend's Glastonbury incident

This is a rebroadcast. The episode originally ran in September 2021. Michael A. Goodman has worked for the Church Educational System since 1989 and was the manager of CES College Curriculum before joining the Brigham Young University Church History and Doctrine department in 2007. He is a professor of Religious Education and serves as the RSC's Associate Publications Director and the Editor of the Religious Educator journal. Michael holds a bachelor's degree in Journalism with Public Relations, a master's degree in Information Technology, and a PhD in Marriage, Family, and Human Development. He is a co-investigator on the Family Foundations of Youth Development longitudinal research project, focused on adolescent and family faith development and mental health outcomes with a special emphasis on suicidality. Michael is married to Tiina Anita Goodman. Links Share your thoughts in the Leading Saints community Read the transcript of this podcast Get 14-day access to the Core Leader Library, including the Single Saints Virtual Conference Highlights 1:55 BYU Eternal Families course chair and online curriculum author 4:10 How does BYU teach the doctrine of Eternal Families? Courses based on doctrine with some social science mixed in Eternal principles and daily principles taught (money, sexuality etc) 5:50 We don't have to convince BYU students that the Church of Jesus Christ of Latter-day Saints values families, but they don't often know why. 8:30 D&C 131 and 132: The Degrees of Glory and importance of eternal families 10:40 The Family: A Proclamation to the World. Quotes document. 11:40 President Oaks Quote: “Our theology begins with Heavenly Parents. Our greatest aspiration is to be like them.” “The purpose of mortal like and the mission of the Church of Jesus Christ of Latter-day Saints is to prepare the sons and daughters of God for their eternal destiny- to become like our Heavenly Parents.” 13:35 Divine Identity and Divine Destiny… as children of God 15:45 Mother in Heaven: foundational doctrine 16:35 When speaking to single adults after the foundation has been laid, what do you say next? …Well someday?!? NO! Acknowledge their pain and the issues they face. 17:45 Neil L. Anderson quote: “We will continue to teach the Lord's pattern for families, but now with millions of members and the diversity among those in the church we need to be more thoughtful and sensitive. Our church culture and vernacular are sometimes quite unique. The Primary children are not going to stop singing 'Families can be Together Forever' but when they sing 'I'm so happy when Daddy comes home' or 'With father and mother leading the way…', not all children will be singing about their family.” 20:50 What do we need to know now, to feel joy now? Four overarching principles: No one denied any promised blessing because of something outside of their control YOU are included in the plan of salvation, and because of that inclusion there is hope. Heavenly Father will not abrogate agency. God loves us with a perfect love and will do anything in his power to exalt us. Through the grace of Christ, Heavenly Father can provide solutions to those things outside our control (24:51) 26:04 Quote President Kimball: “We promise you that in as far as eternity is concerned, NO soul will be deprived of rich and high and eternal blessings for anything which they could not help. That the Lord never fails in his promises. Every righteous person will eventually receive ALL to which they are entitled and have not forfeited through any fault of their own.” 28:15 Stay covenant-connected. 28:30 Quote President Nelson: Through no failing of their own “they” deal with the trails of life alone. May we all be reminded that in the Lord's own way and time no blessing will be withheld from his faithful saints. The Lords will judge and reward each individual according to their heartfelt desires as well as deeds.”

On Friday's Football Daily, Phil Egan brings you a full preview of tonight's League of Ireland action - which includes our live game from the RSC where Waterford play Bohemians. We hear from Blues boss John Coleman, Bohs winger Archie Meekison, as well as Stephen Bradley, Jamie Lennon, David Hurley, John Russell, Callum Flynn and more. Liverpool have turned their attentions towards Selhurst Park having practically wrapped up the sale of Jarrell Quansah. And a future Nottingham Forest player fells the Champions League winners in Pasadena.

Waterford made it back-to-back wins over Bohemians at the RSC in OTB's live game, beating the Gypsies by 2-goals to 1. After the game, match commentator Stephen Doyle caught up with the Blues manager John Coleman, his Bohs counterpart Alan Reynolds, and Waterford goalscorer Conan Noonan. LOI on Off The Ball is brought to you Rockshore 0.0 | #ALeagueOfOurOwn

Called “the finest actor of his generation,” Sir Simon Russell Beale has played just about everyone in Shakespeare's canon—Hamlet, Lear, Macbeth, Falstaff, Malvolio, Iago—and most recently, Titus Andronicus, for the Royal Shakespeare Company. In this episode, Beale reflects on the Shakespearean roles that have shaped his career and how his approach to them has evolved over time. He shares what drew him to Titus, and how he found surprising tenderness in Shakespeare's brutal tragedy. The actor revisits past performances, exploring grief in Hamlet, aging and dementia in King Lear, and how time has deepened his connection to the plays and the characters. Beale's memoir, A Piece of Work: Playing Shakespeare & Other Stories, is a moving and often humorous reflection on acting, Shakespeare, and the power of performance to reveal something essential about being human. Sir Simon Russell Beale studied at Cambridge before joining the RSC. Described by the Daily Telegraph as “the finest actor of his generation,” he has been lauded for both his stage and TV work, winning many awards including the Olivier Award for Best Supporting Actor, the Evening Standard Best Actor Award, and the BAFTA Best Actor Award. From the Shakespeare Unlimited podcast. Published June 17, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.

On this week's episode of Local Legends, the very last episode of Series 6, Martin is joined around the campfire by award-winning storyteller, performer, author, poet, lyricist, and very nice man, Hugh Lupton!Hugh's career spans over 40 years, both in terms of his solo projects and his partnerships with other artists, writers, musicians, illustrators and performers.As we discussed on Monday's episode, there is a sense in which Hugh is the golden thread that binds together modern British storytelling and several folk traditions, with his glimmer and shine helping to guide the oral tradition into the 21st century.He has, of course, toured both nationally and internationally, and has performed at the RSC, the National Theatre, and the Barbican. His repertoire ranges from Greek epics to the Grimms Fairy Tales, from Norse and Celtic myth to East Anglian folk-tales, and from the Great War to John Clare.Plus, in addition to his award-winning songwriting work, he has also written several excellent books, including Norfolk Folk Tales. You can learn more about Hugh and his work on his website, https://hughlupton.co.uk/, and do check the Diary section - he gets about, so do try to go and see him!For now though, let's gather in close around the Three Ravens campfire, have a sip of whatever's in your nut brown bowl, and listen in, to a chat about the life and work of perhaps the most influential storyteller alive today, the county of Norfolk, and tales such as the Peddlar of Swaffham, Black Shuck, those of fenland folk hero Tom Hickathrift, and so much more, with a true Local Legend: Hugh Lupton!Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Hosted on Acast. See acast.com/privacy for more information.

Jack Herrington, podcaster, software engineer, writer and YouTuber, joins the pod to uncover the truth behind server functions and why they don't actually exist in the web platform. We dive into the magic behind frameworks like Next.js, TanStack Start, and Remix, breaking down how server functions work, what they simplify, what they hide, and what developers need to know to build smarter, faster, and more secure web apps. Links YouTube: https://www.youtube.com/@jherr Twitter: https://x.com/jherr Github: https://github.com/jherr ProNextJS: https://www.pronextjs.dev Discord: https://discord.com/invite/KRVwpJUG6p LinkedIn: https://www.linkedin.com/in/jherr Website: https://jackherrington.com Resources Server Functions Don't Exist (It Matters) (https://www.youtube.com/watch?v=FPJvlhee04E) We want to hear from you! How did you find us? Did you see us on Twitter? In a newsletter? Or maybe we were recommended by a friend? Let us know by sending an email to our producer, Em, at emily.kochanek@logrocket.com (mailto:emily.kochanek@logrocket.com), or tweet at us at PodRocketPod (https://twitter.com/PodRocketpod). Follow us. Get free stickers. Follow us on Apple Podcasts, fill out this form (https://podrocket.logrocket.com/get-podrocket-stickers), and we'll send you free PodRocket stickers! What does LogRocket do? LogRocket provides AI-first session replay and analytics that surfaces the UX and technical issues impacting user experiences. Start understanding where your users are struggling by trying it for free at LogRocket.com. Try LogRocket for free today. (https://logrocket.com/signup/?pdr) Special Guest: Jack Herrington.

What's in our medicines? There are active ingredients, and there are excipients, which is everything else. From colorants to emulsifiers to adjuvants, excipients hide many horrors, and it's not even possible to know which ones are in your meds (or foods). Dairy that has been fortified with vitamins A & D also has seed oils and emulsifiers, but those things aren't on the label. The government database that should have all the information is full of errors. Polysorbate 80, a common emulsifier in food and drugs, is so complex that it hasn't been fully characterized, and is known to be cytotoxic generally, including being hemolytic—it breaks apart red blood cells. Meanwhile, Moderna's Covid “vax” has even more contaminants than previously recognized.*****Our sponsors:Masa Chips: Delicious chips made with corn, salt, and beef tallow—nothing else—in loads of great flavors. Go to http://masachips.com/DarkHorse, use code DarkHorse, for 20% off.Dose for your Liver: Tasty drink with milk thistle, ginger, dandelion & turmeric to support liver health. Save 30% of your first month at http://dosedaily.co/DarkHorse.Jolie: Beautiful showerheads that filter out the garbage without reducing water pressure. Go to http://jolieskinco.com/DarkHorse to get free shipping; free returns within 60 days.*****Join us on Locals! Get access to our Discord server, exclusive live streams, live chats for all streams, and early access to many podcasts: https://darkhorse.locals.comHeather's newsletter, Natural Selections (subscribe to get free weekly essays in your inbox): https://naturalselections.substack.comOur book, A Hunter-Gatherer's Guide to the 21st Century, is available everywhere books are sold, including from Amazon: https://amzn.to/3AGANGg (commission earned)Check out our store! Epic tabby, digital book burning, saddle up the dire wolves, and more: https://darkhorsestore.org*****Mentioned in this episode:FDA to ban petroleum-based dyes: https://www.fda.gov/news-events/press-announcements/hhs-fda-phase-out-petroleum-based-synthetic-dyes-nations-food-supplyMilk fortified with seed oils and Polysorbate 80: https://x.com/strong_sistas/status/1906085634357236222Abrantes et al 2016. An overview of pharmaceutical excipients: safe or not safe? Journal of pharmaceutical sciences, 105(7): 2019-2026: https://www.sciencedirect.com/science/article/abs/pii/S0022354916004470Betty Pezzimenti on DarkHorse, Nov 26, 2021: https://www.youtube.com/watch?v=-qA0wZD0iPwKinsella et al 2024. Inconsistent excipient listings in DailyMed: implications for drug safety. Naunyn-Schmiedeberg's Archives of Pharmacology, 397(9): 6851-6854: https://link.springer.com/article/10.1007/s00210-024-03067-xRFK on Dr. Phil: https://www.youtube.com/watch?v=ZofNzZ8UoPkOn Food and Cooking by Harold McGee: https://amzn.to/3EFZBAj (commission earned)Sun et al 2017. Component-based biocompatibility and safety evaluation of polysorbate 80. RSC advances, 7(25): 15127-15138: https://pubs.rsc.org/en/content/articlepdf/2017/ra/c6ra27242hMore contaminants in the Moderna vaccine: https://x.com/kevin_mckernan/status/1917252562442506303Support the show