Podcasts about keston sutherland

Ian Patterson, in both poetry and prose, revels in language, its possibilities, absurdities and contradictions. He joined fellow poet Keston Sutherland for conversation at the Bookshop, and to read from and present his latest collection Shell Vestige Disputed.Find more events at the Bookshop: lrb.me/eventspodBuy Shell Vestige Disputed: lrb.me/ianpattersonpod Hosted on Acast. See acast.com/privacy for more information.

In this month's Resonance 104.4fm show, Juliet talks to poets Ed Luker (based in London) and Nat Raha (based in Edinburgh) about the state of poetry, publishing and funding in 21st century Britain. She asks Ed and Nat to share their poetry and their influences, discussing the Cambridge school of poets around J. H. Prynne and their studies at Sussex with Keston Sutherland. They discuss the divides between 'big' and 'small' presses and what sort of work(s) they publish, and the flaws of the 'underground' vs. 'mainstream' binary; the relationship between contemporary poetry and new currents in feminist and socialist politics; funding models for poets and publishers; and how new left-wing media might work with sympathetic poets. For a full list of references from the show, please subscribe to our Patreon for as little as £1 per month, via https://www.patreon.com/suite212.

I listened to a lecture on affect storms and poetry by scholar Keston Sutherland, and it got me thinking about the album Charles Mingus Plays Piano, Spontaneous Compositions and Improvisation.  I suspect that improvised music much more naturally exists within an affect storm than does poetry, let's look into. Originally aired and recorded on 8/2/2017.

'Cocaine' by John Wieners read by J.H. Prynne. 'Cocaine' was first published in 1964 by Wilson & Carr. A transcript can be found at https://www.poetryfoundation.org/poems/54890/cocaine . This recording was made by the poet Keston Sutherland and kindly give to this podcast by J.H. Prynne. More from J.H. Prynne can be found at https://www.poetryfoundation.org/poets/jh-prynne

Wednesday Reading Series Michael Leong is the author of e.s.p. (Silenced Press, 2009) and Cutting Time with a Knife (Black Square Editions, 2012). He has also published numerous chapbooks, most recently Li Po Meets Oulipo (Belladonna*, 2015) andFruits and Flowers and Animals and Seas and Lands Do Open (Burnside Review Press, 2015). Keston Sutherland is the author of Neocosis, Hot White Andy, Stress Position, The Stats on Infinity, The Odes to TL61P, Jenkins, Moore and Bird and other poems. His Poetical Works 1999-2015 was recently published by Enitharmon. He has published many essays, lots of them on Marx, and a book of critical theory and literary criticism, Stupefaction.

Keston Sutherland on IndieFeed Performance Poetry.  Show number 1575.

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. A lecture by J.H. Prynne and Keston Sutherland as part of the Poem Present series at The University of Chicago. Copyright 2009 The University of Chicago.

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. A lecture by J.H. Prynne and Keston Sutherland as part of the Poem Present series at The University of Chicago. Copyright 2009 The University of Chicago.

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Peter Manson (born 1969) is a contemporary Scottish poet. His books include For the Good of Liars (Barque Press 2006), Adjunct: an Undigest (Edinburgh Review 2005), Before and After Mallarmé (Survivors' Press 2005), Two renga (collaborations with the poet Elizabeth James, in the Reality Street Editions 4-pack "Renga+", 2002), Rosebud (Form Books 2002), Birth Windows (Barque Press 1999), me generation (Writers Forum 1997), iter atur e (Writers Forum 1995). Between 1994 and 1997, he co-edited (with Robin Purves) eight issues of the experimental/modernist poetry journal Object Permanence. In 2001, the imprint was revived as an occasional publisher of pamphlets of innovative poetry, and has so far published work by the poets J. H. Prynne, Keston Sutherland, Fiona Templeton and Andrea Brady. He was the 2005-6 Judith E. Wilson Visiting Fellow in Poetry at Girton College, Cambridge.