Podcasts about Sussex

Tras la desaparición del imperio romano en Gran Bretaña la isla cayó en manos de un conjunto de pueblos llegados de la Europa continental, fundamentalmente de lo que hoy es Alemania y Dinamarca. Estos pueblos de origen germánico, los anglos, los sajones y los jutos, se apoderaron paulatinamente de la antigua Britannia romana, donde se encontraron con una población local, los britanos, que estaba tibiamente romanizada. Siempre se creyó que la invasión había sido violenta y se materializó desplazando a los britanos. Esta idea tan bien asentada y glosada por las crónicas de aquella época, entre ellas la de Beda el Venerable, ha evolucionado a raíz de los descubrimientos de la arqueología moderna. Fue un proceso mucho más orgánico y tranquilo en el curso del cual las distintas tribus se fueron colonizando el territorio y asimilando a los britanos. Conforme estos grupos se asentaron, la geografía política de la isla se fragmentó en una serie de reinos rivales conocidos como la Heptarquía. Estos reinos eran Northumbria, Mercia, Anglia Oriental, Essex, Kent, Sussex y Wessex. Este periodo fue una era de guerreros y jefes tribales, pero también el escenario de una de las conversiones al cristianismo más famosas de la historia de Europa. Los germanos abandonaron el paganismo y se pasaron en masa a la iglesia de Roma. En ello tuvo mucho que ver la llegada de la misión gregoriana a Kent en el año 597 y la influencia de las iglesias celtas desde el norte. Aquello marcó un renacimiento cultural que floreció especialmente en los monasterios. Fue en estos centros donde se preservó el conocimiento clásico y donde surgieron obras maestras de la literatura y el arte, como el poema épico Beowulf y los manuscritos iluminados que fusionaban la estética entrelazada germánica con la simbología cristiana. La estructura social anglosajona estaba rígidamente jerarquizada. A la cabeza estaba el rey y su séquito de nobles guerreros, conocidos como “thegns”, que estaban vinculados al monarca por lazos de lealtad personal. Debajo de ellos, la gran mayoría de la población estaba compuesta por los “ceorls”, hombres libres que cultivaban la tierra y formaban la base de la economía, que en la Gran Bretaña de entonces era eminentemente agraria. Esta relativa estabilidad se vio sacudida a finales del siglo VIII con la aparición de una nueva amenaza: las incursiones vikingas. Los ataques escandinavos desmantelaron casi todos los reinos anglosajones. Sólo quedó el de Wessex como último bastión de resistencia con el rey Alfredo el Grande a su cabeza. Alfredo detuvo el avance danés y emprendió ambiciosas reformas educativas y militares. Con los sucesores de Alfredo, especialmente el rey Athelstan, se consolidó por primera vez la idea de una Inglaterra unificada, la llamada “Englaland”. Este periodo de madurez política vio el desarrollo de instituciones administrativas algo más complejas, como el consejo de sabios o Witan, y la división territorial en condados o shires. A pesar de la conquista normanda en 1066, que marcó el fin de la era anglosajona, el legado de este pueblo perduró en el idioma inglés antiguo, en el sistema legal de derecho consuetudinario y en una estructura parroquial que sobreviviría durante siglos, lo que vendría a demostrar que los anglosajones no fueron simples invasores, sino los padres de lo que terminaría siendo Inglaterra. Para tratar este tema nos acompaña Yeyo Balbás, bien conocido por la audiencia de La ContraHistoria y que, aparte de ser toda una autoridad en lo referente a los visigodos, sabe mucho también de los anglosajones. A él se debe la traducción de “Anglosajones. La primera Inglaterra”, el libro de Marc Morris que publicó hace no mucho la editorial Desperta Ferro. Bibliografía: “Anglosajones. La primera Inglaterra” de Marc Morris - https://amzn.to/3NJqE1O “La Inglaterra anglosajona” de Carlos Domínguez - https://amzn.to/4roXcwD “Breve historia de Inglaterra” de Simon Jenkins - https://amzn.to/4t8oLM2 “La formación de Inglaterra” de Isaac Asimov - https://amzn.to/4a2aEiV Colección Grandes Autores de la Literatura Gredos - literaturagredos.com · Canal de Telegram: https://t.me/lacontracronica · “Contra el pesimismo”… https://amzn.to/4m1RX2R · “Hispanos. Breve historia de los pueblos de habla hispana”… https://amzn.to/428js1G · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Contra la Revolución Francesa”… https://amzn.to/4aF0LpZ · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #anglosajones #inglaterra Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

The pipes and flutes of curlews, oystercatchers and redshanks rise occasionally above the rush and roar of breakers on this little visited haven along the Sussex coast. You walk along the high tide line, splashing through pools of cockle and limpet shells. BBC Countryfile Magazine's Sound Escapes are a weekly audio postcard from the countryside to help you relax and transport you somewhere beautiful, wherever you happen to be. Recorded by Fergus Collins and introduced by Hannah Tribe. Email the Plodcast team – and send your sound recordings of the countryside – to: theplodcast@countryfile.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Meghan Markle unveils As Ever's first Valentine's Day collection, featuring Strawberry Spread now sold on its own, the return of Raspberry Spread, and gift-style bundles with keepsake packaging. U.S. shipping cutoffs are posted for February 2, but the products still aren't available to customers in the United Kingdom, and not everything sold out instantly. We also have a viral-ish unboxing clip from podcast host Dana Bowling, who claims an As Ever candle arrived with no wick, despite instructions that say to trim the wick before lighting.Plus, Heat World claims Harry and Meghan's disagreements follow familiar triggers: the U.K., Harry's relationship to royal life, and how much he's expected to participate in the Hollywood machine. Fox News Digital contributors weigh in on how Spare and the post-royal era continue to shape Harry's role, with some suggesting he risks becoming a supporting character to Meghan's brand strategy. And Closer magazine claims Meghan is unwilling to “play nice” with Queen Camilla, even if security arrangements improve.Palace Intrigue is your daily royal family podcast, diving deep into the modern-day drama, power struggles, and scandals shaping the future of the monarchy.Hear our new show "Crown and Controversy: Prince Andrew" here.Check out "Palace Intrigue Presents: King WIlliam" here.

The Timeless Appeal of Sherlock Holmes: Unraveling "The Out-of-Date Murder"In this episode of the new adventures of Sherlock Holmes, we delve into the intriguing case of the 'Out-of-Date Murder.' The story begins with Dr. Watson recounting a visit to a museum where they meet Professor Evan Whittle, who has made a remarkable discovery of mummified specimens in underground caves. The plot thickens when Lady Clavering arrives, seeking Holmes's advice about her missing husband, Sir George Clavering, who has been absent for five years. As the narrative unfolds, Holmes and Watson explore the caves, uncovering a perfectly preserved body that leads them to a shocking revelation about the past and present of the Clavering family. The episode masterfully intertwines elements of mystery, human emotion, and the complexities of relationships, culminating in a dramatic confrontation that reveals the true nature of the crime.In the shadowy depths of Eastbourne, a tale of mystery and intrigue unfolds as Sherlock Holmes and Dr. Watson embark on a much-needed respite, only to be drawn into a perplexing case. The story begins with a visit to Professor Evan Whittle, whose recent archaeological discoveries have made him a figure of renown. However, the tranquility of their visit is shattered by the arrival of Lady Clavering, whose husband, Sir George Clavering, vanished five years prior under mysterious circumstances.Holmes, ever the astute detective, is drawn into the enigma of Sir George's disappearance, a case that echoes the historical vanishing of Sir Nigel Clavering in 1777. As the investigation deepens, Holmes and Watson find themselves exploring the eerie lime caves, uncovering mummified remains and ancient artifacts. The discovery of a body dressed in 18th-century attire, complete with a diary, sets the stage for a revelation that challenges the boundaries of time and deception.The narrative crescendos with a dramatic confrontation, revealing a plot of jealousy and betrayal orchestrated by none other than Professor Whittle. His love for Lady Clavering and envy of her affections for another drive him to conceal Sir George's body, crafting an elaborate hoax that nearly eludes even Holmes' keen intellect.As the case concludes, Holmes reflects on the complexities of human nature and the bittersweet satisfaction of justice served. The story closes with a poignant glimpse into Holmes' future, hinting at his eventual retirement to a bee farm in Sussex, a serene contrast to the tumultuous adventures that defined his career.This captivating episode not only showcases the brilliance of Holmes' deductive prowess but also enriches the canon with its imaginative storytelling, leaving audiences both old and new enthralled by the enduring legacy of Sherlock Holmes.TakeawaysHolmes is a man of contradictions, brilliant yet deeply human.Lady Clavering's charm masks her true intentions.The discovery of the mummified body reveals a historical murder.Holmes's methods may be unorthodox, but his integrity remains intact.The case reflects the complexities of human relationships and jealousy.Sherlock Holmes, Dr. Watson, Out-of-Date Murder, mystery, crime detection, Basil Rathbone, Anthony Boucher, Dennis Green, classic radio drama

Outlouders, have a little listen to today's subscriber episode. Listen to the full episode of A Royal Summer Update Of Very Big Feelings at 5pm today. Not a subscriber? Get on it.Mia's firmly in charge on today's subscriber episode — and taking the Royals with her. Holly and Jessie join her to dissect the Sussexes’ messy summer of rebrands, resignations and 'philanthropy', and ask the question no one in Montecito wants to answer: can you be famous and furious about fame? Half-in, half-out? Not in this economy. We get into leaked photos, charity confusion, royal egos, sibling feuds, e-scooters on palace grounds and why being announced as “Duchess” when no one’s in the room might be… a choice. It’s chaotic, deeply opinionated — and exactly why you’re here.Remember, this is just a taste; an amuse bouche for podcast gourmets. The full auditory meal is coming in hot at 5pm for subscribers. We’re giving away a Your Reformer Pilates bed (worth $3,400). And the good news is — as a subscriber, you're already in the running to win.

Episode 88 Occupied by Tim Rich   Tim Rich reads ‘Occupied' and discusses the poem with Mark McGuinness. https://media.blubrry.com/amouthfulofair/media.blubrry.com/amouthfulofair/content.blubrry.com/amouthfulofair/88_Occupied_by_Tim_Rich.mp3 This poem is from: Dark Angels: Three Contemporary Poets Available from: Dark Angels is available from: The publisher: Paekakariki Press Amazon: UK   Occupied by Tim Rich We buttered the cat's pawsand baked bread in borrowed tinsto make the unfamiliar speak of pleasureand our intentions to remain All that first daythe house talked to itselfabout us Later than I expected, light withdrew across our table, unopened cratesback through thin glasstowards tomorrow So the room released its formand we sat among one anothergiving our ears to the conversation:inner doorways muttering behind flat hands; oak floors—masonic in their black treacle gloss—deciding whether to settleunder our presence Later still, in bed, I stared sideways into an unlit universe, absentlymindwalking the bounds,relocking iron door-bolts like an old rifle, drawingdrawn curtains a little closer,charting the evaporating pathbehind that plane's descent In time, each stray thought went to its home, leaving this accommodation to take place: the air held here sighing gently,like contented tortoise breaths; the softening percussion of bodies sleeping; the punctuating crack and hiss as fresh eggs are brokeninto a smoking pan; someoneopening a window   Interview transcript Mark: Tim, where did this poem come from? Tim: So, almost always for me, poems just emerge out of some sort of inner dusk. I'm not someone that can go to their desk with a plan to write about a particular message or topic or piece of content. The poem just presents itself to me. And actually I don't really have any choice in the matter. I'm sort of just forced to be a transcriber in that moment. And I was looking at the sea the other day, and I had this moment when I just thought my poems are a bit like strange sea creatures that live on the seabed. And at a particular point in their life, they decide that they just want to go to the light and they start floating up through the murky water and explode in bubbles on the surface. And, you know, hopefully I'm there sitting in the poet's boat ready to haul them on board. So, that's almost always how poems start for me. And this poem very much began that way. I was at home on a winter's evening, and it just began to come through me, as it were. And the context for that was that after many years of living in the same house, my wife and I were starting to think about the possibility of moving. And, you know, it was a really exciting prospect but also it definitely was stirring up the sediment of my unconscious. I'm someone that really feels the need for a settled home, a settled place, and this unsettled me. So, I think that that was what was giving the raw energy to the content. And there was something else, which is what informed the scenery of the poem, if you like, which is this idea of light withdrawing from a space and what that does within the space. And when I was 11, I was living just with my dad, and he would come home from work later than I would get home from school. So, for the first year or so, he arranged for me to go to some elderly neighbours on the way home from school. So I was, sort of, watched, and we would sit in their front room, and they would load up their coal fire. And through the windows, the sun would set slowly, and they were so calm. They would hardly speak. When they did speak, it was about these, kind of, wonderful domestic details like, you know, what needs to be chopped for dinner, or are there any windfalls in the garden that we can harvest tomorrow? It was very, very calm. And, you know, the coals in the fire were glowing red, but the rest of the room just lost its light. And I remember the shape of their very heavy old furniture, and the picture frames, and the curtains all began to disappear. And that must have just lodged somewhere deep within me, because that's very much, as the poem came out, where I was also taken to in my mind. Mark: So, I like this. So, I mean, to put it bluntly, it's not like you moved into a house and then you wrote this. You were thinking about moving and then a house emerged from your unconscious, from memories of other houses and so on. Tim: Yeah, yeah. Absolutely. Mark: And I think that's kind of a salutary thing to hear because… And this is a poem that really you read it and you totally believe it. It feels like a first-hand account of, well, we did this and this is what happened. And yet you're, kind of, pulling the rug from under our feet here, which is a nice thing in poetry. I think that you can't necessarily take it literally or face value. Tim: Well, we moved house… Yeah, we moved house about six months after I wrote the poem. So, I went through the experience of living the poem, which seems to be quite a good way around. Mark: Did you conjure the house, Tim? Tim: Actually, it was wonderful because it confirmed to me part of what motivated the poem, which is that I think we can all become a little bit… I don't know. Complacent seems to be too loaded a term, but we get so used to how our houses speak that we stop hearing them. And actually, there's this kind of wonderful symphony going on the whole time, you know, radiators making those strange percussive noises, and the way that the door squeaks, or suddenly, you know, how your staircase gets to a particular temperature in the middle of the night and decides to squeak. And they're constantly making these noises. And when you're living there, you stop hearing them. But when you move to somewhere for the first time, or sometimes if you go and stay in a haunted Airbnb in the woods, that first night particularly, everything's coming to you fresh. So, I think there's a strong sense of what's it like when a person moves into a space for the first time and that space has a character, and an energy, and a being of its own. Mark: So, really it's that state of heightened awareness, isn't it? You know, apparently this is how the mind works. If you've got a constant stimulus, the mind will tune it out. It's that Heaney line, you know, ‘The refrigerator whinnied into silence,' which is just that moment of… You only hear the fridge when it stops. Tim: Yeah. Mark: And what you're describing is the reverse of that. When you're in the house for the first time and everything is new and you're on hyperalert for the voices of the house. Tim: Yeah. And we're listening to our houses right now because there's a 1066 Line train from Hastings that's just gone into the tunnel over there. But we probably can't quite hear it on the microphones, but it's in the air and it's just touching elements of the house. And we're surrounded by this the whole time. And I think it's important to say, as soon as the poem had laid itself out on the page for the first time, it was clear to me that this poem was about people moving into a home for the first time, but it is also quite a vivid description, I think, of what was going through me at the time in terms of that unsettled nature. You know, I was quite surprised by the nature of the metaphors that my unconscious had presented me with. I mean, it's quite a portrait of anxiety to double-check the curtains, to lock a bolt as if it's an old rifle. You know, this is partly a portrait of an unsettled, anxious mind, which is, I think, something that I was going through at the time. Mark: And you've got some great similes, you know, the iron door bolts like an old rifle. And there's this lovely bit where you talk about ‘drawing drawn curtains'. And if you look on the website, then you can see that there's a line break after drawing, so it's drawing, line break, drawn curtains, which really just emphasises it's already drawn. You don't need to do it. This is the OCD kicking in, which really speaks to that anxiety you're describing. And I really love the second section where you say, ‘All that first day, the house talked to itself about us,' which is just a wonderfully unsettling idea that we are the intruders and the house has an opinion. Tim: Yeah, I definitely wasn't being sort of whimsically mystical about infrastructure and materials. It was definitely the feeling that there is an exchange when animals, human and other, come into a space. There's a change in energies and temperatures and sound and smells. And, you know, the dynamism of creatures come into a space that has been unoccupied, which is what generally most houses are, you know, sometimes for days, sometimes for months, and years before the new occupants come in. And I was just really taken with that idea that the house also needs to find its way of settling under these new occupants. And that seemed like a moment of 24 hours of the two parties eyeing each other and listening to each other and wondering about, ‘Who is this that I need to live with for these next years?' Mark: And it's quite a humbling poem, isn't it? Because, you know, when you think of owning the house or occupying the house, it's like you're the one in charge. But this poem just kind of subverts that idea that it's the house that's weighing us up, as in the people in the poem. It made me think of that TV series David Olusoga does, A House Through Time, where he gets an old house, and he goes through the records, and he looks at all the people who lived in the house and tells their story. And there's quite a lot of them, like, much more than I would have expected. You know, each episode goes on and on and on, and you just realise the house is staying there. The house is constant. These people, they're temporary. They might think they're the owners, but we're just passing through. Tim: We are passing through. It is a reminder of our mortality and our houses often way outlive us. Also, in recent years and decades, there's been an increase in the way in which people work from home, but that isn't a new thing. So, I wrote this poem in the house we lived in before, which was built to be a weaver's cottage, a live/work weaver's cottage. And, you know, they would find their living accommodation in quite modest corners of the house because a lot of it, at different times in the process, was given to equipment and storing material and a very intense version of live/work and working from home. And, you know, I think that part of when people suddenly a whole generation through particularly lockdowns but also just this change in working habits are spending much more of their life within the home quite often and what that means in terms of their relationship to the space and how the house relates to that. Tim: I think, just as I'm speaking, it occurs to me that perhaps also part of the influence of the atmosphere in the poem is around some of the fiction that I enjoy. And I haven't thought about this until we were talking now, but I like an M. R. James novel, or, you know, The Haunting of Hill House has just come to mind, and buildings and atmospheres that speak, as sort of some of the atmospheres you get in a Robert Aickman type horror novel. So, some of the classic British horror novels and that type of fiction. And just as we were talking about that, and I was also casting my eyes down the poem, there's some of the dusk that you get with those places, which is in this poem. And it's great, isn't it, coming back to one of your own poems quite a while after you wrote it, and you perhaps see some of the reasons for its being in a slightly different way. Mark: I mean, that's the basic premise of the haunted house is that the house is alive. I mean, you've not gone full Hammer Horror with this one. It's maybe a little more subtle, but you've definitely got some really wonderfully suggestive details. I loved ‘inner doorways muttering behind / flat hands, oak floors – masonic / in their black treacle gloss'. And that's so true. There are so many of these old houses. It's like, what happens to the wood? How does it get to be like treacle? And there's that heaviness and that opacity about it that you convey really well. Tim: Yeah. I was taken with the idea of the house being almost quite an august figure in some ways. It would be wrong to say it's proud of itself, but deciding whether to settle under our presence is quite… Mark: It's not aiming to please, is it? Tim: It's not. It's not easily won over. I mean, you know… Yeah, let's see what these new occupants are like. You know, what do they get up to? What are their tastes? What do we think of the prints that they put up on the wall? Mark: Yeah. Will they get it? Will they behave themselves? So you've got this lovely line in the third paragraph, ‘So the room released its form / and we sat among one another.' Well, thinking about the form of the poem, how close is this to, say, the first draft when you were hauling the sea creature out from the depths over the side of your poetic boat? Tim: Yeah, when the poem came out onto the page, it actually made a demand of me. It said, ‘I don't want you to put me into very organised type measures. I don't want to be sorted into regular stanzas. And also, I want you to be quite careful about any linguistic bells and whistles.' It just was a bit like the house. It had almost a sort of slightly stern feeling to it as a poem. It was very clear, and it was saying each of these stanzas, or scenes maybe, has to be as long as it wants to be. ‘I don't want you to spend time evening things up or creating consistency.' And there are many other poems that I've written where, of course, I'm deliberately very measured, very consistent. At the moment, a lot of the poems I'm writing have a lot of half rhymes but particularly a lot of internal rhymes. And, goodness, audaciously, you know, I even have a rhyming couplet in a poem that I'm working on at the moment. But this poem just said, ‘I don't want any of that.' Now, that's not to say that there aren't some half rhymes or suggestions of rhymes, and certainly some lovely withholding with words at the end of the line that only resolve as you move through into the next line, the enjambment of the word and the meaning falling over into the next line. Definitely that happens. But I tried to edit this into different shapes. I probably tried it five different ways, and each time it just felt wrong quite quickly actually. I tried to give it a consistent number of lines per stanza, and it repulsed me as a poem. It just said, ‘No, I need to be this free form.' And also, I had to accept that it's probably a little bit messier than I normally feel comfortable with. And it was good. I was like, ‘Actually, you know, just stop fighting. Just stop fighting it.' Sometimes your poems can be more irregular, more free, less obviously organised. And I think it has its rhythms that hold it together. It does for me. And listeners will decide, when they hear it, whether those rhythms are actually holding it together. Mark: Well, for me, it feels a bit like one of those old houses where you go in and there's not a right angle in sight. You know, the floors are sloping. The doors have to be a kind of trapezium to open and close, which I think is obviously true to the spirit of the thing. And it's like the house itself. It's not trying too hard. You can read it quite quickly, and it seems quite plain-spoken and spartan. But when you look, you notice the little details. Like, you know, there's the door bolts like a rifle, and the ‘nasonic', a wonderful adjective. And I've just noticed now, as we were talking, in the final verse, ‘In time, each stray thought / went to its home, leaving this / accommodation to take place'. And that's a lovely reframing of ‘accommodation', because the everyday sense is a place where you go and live, but it's an accommodation in the sense of a mutual alignment, almost like a negotiation or getting used to each other, which I think is really delightful. Mark: Okay, Tim, so I have to ask, looking again at the poem, what on earth is going on with buttering the cat's paws at the beginning? Tim: So, buttering the cat's paws is a bit of folk wisdom. And the idea is that when you move to a new house, if you have a cat or cats, that you actually put lovely, creamy butter on their paws and that they, you know, as cats do, will then spend time licking and licking and licking. And it means that more of their scent is put into the floor and the grounds of the place so they feel at home quicker and sooner. So they're sensing the place much more actively sooner. Now, I don't think there's any scientific evidence to suggest it works. But, you know, if anyone has any experience with this, I would love to hear it. But I don't really care, because the whole image of spreading beautiful, creamy butter onto the paws of the cat and that somehow just inviting them to feel that this place is home is more than enough for me. And I'd heard the phrase years and years and years before. And again, I think it was just the very first phrase that came out as the poem emerged. I think it was opening the doorway to the poem, and it felt very natural for it to be the beginning of the poem. I wonder now, looking back, whether there's something to do with the eye opened with an animal spirit. And so much of this poem really has come up from the unconscious. And I'm not starting with a very measured, conscious human, you know, activity or… I'm not saying, you know, ‘we made the decision to move'. It's not a person-led piece in the sense that, okay, we're doing the buttering, but it's the cat that's front and centre in that open line. And that's not something that I particularly thought about consciously at the time. But looking back, I think there's a hint there that we're not just talking about a straightforward human, rational response to living in a place. There are animal spirits too. Mark: Yeah, and it feels like a wonderful piece of folk magic. I mean, cats are magical creatures like witches' familiars. And, you know, maybe there's a magical aspect to that. It's a little ritual, isn't it? Tim: It is. I had a question for you, but it just came out of part of my experience of this poem going out into the world, which is that I've just been surprised, in a wonderful way, by how diverse and often surprising people's responses are to poems, how I can never really tell what it is about a poem someone's going to pick up and come back to you about. You know, for example, someone has given copies of this poem to friends when they move house. Mark: Oh, lovely. Tim: …as a housewarming present, a printed letterpress, which is very, very beautiful. Someone else said that they really loved sort of, what did they say, the soft absurdity around the house being almost this grand piece. And others have responded in different ways. And I think it's one of the wonders of poetry, maybe something that doesn't get talked about quite so much, which is that we interrogate the meaning for ourselves. And if you work with your editor and sometimes reviewers, meaning is discussed. But actually, my experience, when poems go out into the world, is it's just incredible how broad the range of response is and what people pick up on. And I suddenly think, well, is that just my experience? So what's it like for you? Are you constantly surprised by what people pick up and come back to and focus on with your poems? Mark: Yeah, it's a little bit like a Rorschach test, isn't it? People see themselves in it to a degree, or they see something that will resonate for them. And to me, it's the sign of a real poem if it can do that, if different people see different things in it. If it was too obvious and too, you know, two-dimensional, then that's fine, but it's not really a poem. And I think this is part of the magic of why poems can persist over time. Society is shifting all around them. Maybe a few of the houses are constant, but the poem still inhabits the space, and people still relate to it for decades or hundreds or even thousands of years sometimes. Tim: Yeah, I think there's an important point for poets that you have to maintain your confidence in ambiguity and what might feel like potential confusion. Of course, you need to think through how you're writing it and avoid unintended, poor consequences. But there's also a point in which I think you have to protect some of the messiness of meaning and not try to pin things down too much. Of course, there are different types of poets, and some poets need to be very clear and very message-driven. But I'm thinking, for me, there are sometimes moments when I think, ‘Am I just leaving this hanging and ambiguous and a bit dusky in terms of meaning?' And that's the point at which I think, ‘No, quite often just trust that people will find their own way into the poem.' Mark: Yeah, absolutely. And this is something I've seen a lot in classes, and it certainly happened to me very often. You know, the teacher will say you can cut the last line because we already get it. You don't need to underline the message of the poem. Sometimes we feel a bit nervous just leaving it hanging. And you've absolutely had the confidence to do that with the wonderful ending of this, where you talk about ‘the punctuating crack and hiss / as fresh eggs are broken / into a smoking pan. Someone / opening a window' – and that's it. I mean, tell me about that ending. How did you arrive at that? And did you go back and forth? Did you think, ‘Can I leave that window open, that line?' And by the way, listener, there is no full stop either to hang on to at that point! Tim: Yeah. I have to say, I do find myself clearing away more and more of the furniture of the poems. And there is a very deliberate lack of a full stop there. It was all there in the first draft that came out. It wasn't a constructed or reconstructed ending later on. Again, the poem seemed to want to open into something rather than close itself down and make a point. I think that in the action of the poem, we've moved through this dusky night, including a sort of bout of insomnia, of staring into the darkness. And then morning is coming, and it's full of new things. And there is something about that morning of waking up in a new house. What a moment in someone's life that is. Mark: Yeah. Yeah, yeah, yeah. Tim: It's just extraordinary. And there's a natural link there into the egg as a symbol. Something new, something is being born. And yeah, there may be many reasons why that window needed to be open. The smoke from the pan is one thing, which is all about the… Mark: Right, right. Setting the smoke alarm off! Tim: Yeah, it goes off in our kitchen quite often. And of course, the cooking is, again, this thing of humans being in a house and occupying it and all of the energy and dynamics. And how are you most going to make a new home your own? You're going to get out and start cooking and making a mess and eating together and getting things moving. I have no idea who the someone is, and I don't know what their motivation is for opening a window. And I like that. Mark: Okay. Well, let's have another listen to the poem and maybe, you know, each of us, as we listen to this this time, just see what associations come up for you. You know, houses you've lived in, places you've been, memories it conjures up. Thank you very much, Tim. What a lovely space to explore with this poem.   Occupied by Tim Rich We buttered the cat's pawsand baked bread in borrowed tinsto make the unfamiliar speak of pleasureand our intentions to remain All that first daythe house talked to itselfabout us Later than I expected, light withdrew across our table, unopened cratesback through thin glasstowards tomorrow So the room released its formand we sat among one anothergiving our ears to the conversation:inner doorways muttering behind flat hands; oak floors—masonic in their black treacle gloss—deciding whether to settleunder our presence Later still, in bed, I stared sideways into an unlit universe, absentlymindwalking the bounds,relocking iron door-bolts like an old rifle, drawingdrawn curtains a little closer,charting the evaporating pathbehind that plane's descent In time, each stray thought went to its home, leaving this accommodation to take place: the air held here sighing gently,like contented tortoise breaths; the softening percussion of bodies sleeping; the punctuating crack and hiss as fresh eggs are brokeninto a smoking pan; someoneopening a window   Dark Angels: Three Contemporary Poets ‘Occupied' is from Dark Angels: Three Contemporary Poets, published by Paekakariki Press. Available from: Dark Angels is available from: The publisher: Paekakariki Press Amazon: UK     Tim Rich Tim Rich grew up in the woods of Sussex and now lives and writes by the sea in Hastings. His poems have been published in numerous anthologies and journals, including Dark Angels: Three Contemporary Poets (Paekakariki Press) and Poet Town (Moth Light Press). The Landfall series – exhibited at the Bloomsbury Festival, London — brought together his poetry and photography. He has five poems in the anthology Family Matters, a collection of poetry about family, to be published in 2026. Alongside poetry, Tim writes, edits and ghostwrites books.  timrich.com Photograph by Maxine Silver   A Mouthful of Air – the podcast This is a transcript of an episode of A Mouthful of Air – a poetry podcast hosted by Mark McGuinness. New episodes are released every other Tuesday. You can hear every episode of the podcast via Apple, Spotify, Google Podcasts or your favourite app. You can have a full transcript of every new episode sent to you via email. The music and soundscapes for the show are created by Javier Weyler. Sound production is by Breaking Waves and visual identity by Irene Hoffman. A Mouthful of Air is produced by The 21st Century Creative, with support from Arts Council England via a National Lottery Project Grant. Listen to the show You can listen and subscribe to A Mouthful of Air on all the main podcast platforms Related Episodes Occupied by Tim Rich Episode 88 Occupied by Tim Rich  Tim Rich reads ‘Occupied' and discusses the poem with Mark McGuinness.This poem is from: Dark Angels: Three Contemporary PoetsAvailable from: Dark Angels is available from: The publisher: Paekakariki Press Amazon: UK... Dover Beach by Matthew Arnold Episode 87 Dover Beach by Matthew Arnold  Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold.Poet Matthew ArnoldReading and commentary by Mark McGuinnessDover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies... Recalling Brigid by Orna Ross Orna Ross reads and discusses ‘Recalling Brigid’ from Poet Town.

Forestry experts are warning that the UK needs to plant more trees for timber. We import around 80% of the timber we use, but there are fears of a shortage of wood for house building, pallets or fencing if more conifer plantations aren't created. MPs on the all party group on forestry are discussing the issue. We speak to the industry body Confor which says we can grow they type of wood we need.Feijoas are a popular fruit in New Zealand but a bit of a mystery to most Brits. The fruit isn't really imported and until now it wasn't grown here. Well, that changed when a New Zealander in Sussex had an idea. We meet the couple behind a new growing enterprise.All week we're focusing on sustainability in farming, whether that's from an environmental point of view, resilience in supply chains or from a financial perspective. Farming is seasonal and unpredictable, which can make it hard to plan financially - veg growers for example find it hard to predict how much they'll earn from one month to the next. Margins are tight and prices don't necessarily reflect the cost of production. We speak to a producer and campaigner who's part of a cooperative which would like to see a basic income for all farmers.Presenter = Charlotte Smith Producer = Rebecca Rooney

Speculation flares after Harry and Meghan post a dance clip, with Radar Online claiming the couple are discussing a third child in 2026 and that Meghan may be reassessing her public strategy. People sources insist As Ever's apparent stockpile is preparation for international expansion, including a big push into the UK, though insiders say Harry is worried about the cost and the pace. Plus, GB News draws backlash for using a Harry lookalike to reenact courtroom testimony, and royal commentators weigh whether Meghan would return to the UK for Invictus. We also revisit claims Harry advised Brooklyn Beckham and debunk a viral TikTok rumour about Meghan and Jimmy Kimmel that appears to have no evidence behind it.Palace Intrigue is your daily royal family podcast, diving deep into the modern-day drama, power struggles, and scandals shaping the future of the monarchy.Hear our new show "Crown and Controversy: Prince Andrew" here.Check out "Palace Intrigue Presents: King WIlliam" here.

After several days of intense cold deep in the Sussex countryside, a bright, warmer morning encourages a procession of birds to move through the garden in search of food – from rooks and jackdaws to dunnocks, robins and long-tailed tits. The resident sparrows seem to cheerfully welcome these visitors. BBC Countryfile Magazine's Sound Escapes are a weekly audio postcard from the countryside to help you relax and transport you somewhere beautiful, wherever you happen to be. Recorded by Fergus Collins and introduced by Hannah Tribe. Email the Plodcast team – and send your sound recordings of the countryside – to: theplodcast@countryfile.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Charlene, Chris, Lizzie, and Royal Commentator Afua Hagan unpack Harry's emotionally charged week fighting the Daily Mail's publisher in court.After Prince Harry gave evidence against the publisher of the Daily Mail, Charlene White is joined by Royal Editor Chris Ship, Royal Expert Lizzie Robinson, and Royal Commentator Afua Hagan to unpack what we've learnt and what might come next.Chris was in court as Prince Harry became almost overwhelmed with emotion, fighting back tears as he described how the press had made his wife's life "an absolute misery". Harry is one of seven claimants bringing this group action against the Daily Mail's Publisher Associated Newspapers Ltd (ANL), including Elton John, Liz Hurley and Baroness Doreen Lawrence, the mother of the murdered teenager Stephen Lawrence.They all claim ANL had written articles based on information, which was gathered unlawfully, like phone hacking, phone tapping and blagging.Associated Newspapers Limited denies the claims of wrongdoing and says the articles were based on 'legitimate sources' and 'carefully curated contacts'.The team explain why Prince Harry has chosen to fight the case now, why it's different from his previous legal battles with the press, and what happens if he wins.Also this week on Talking Royals: Where is Meghan? The Duchess of Sussex was not in the UK with Harry - indeed, the Prince has always said he would not bring his family back to Britain without his full personal security being reinstated.  Now the pair are off to Sundance Film Festival, where they executive produced a documentary about Girl Scouts selling cookies. Plus, what's going on with Princess Eugenie and her father Andrew Mountbatten-Windsor? Reports suggest Eugenie has cut off all contact with him following a series of allegations relating to his relationship with Jeffrey Epstein - allegations he strongly denies.Meanwhile, the Prince and Princess of Wales were up in Scotland where they tried their hands at curling - and Kate managed to style out a precarious moment where she lost her balance on the ice!And, hot on the heels of a popular online trend: What was the Royal Family doing in 2016? We take a look back at the best photos of the year - from Harry and Meghan's third date in Botswana to the Queen's 90th birthday to Prince George's meeting with President Obama.

A road map for taking the pressure off.    Claudia Hammond is an award-winning writer and broadcaster. She is Visiting Professor of the Public Understanding of Psychology at the University of Sussex and is the presenter of BBC Radio 4's All in the Mind. Her latest book is Overwhelmed: Ways to Take the Pressure Off.   In this episode we talk about: How to define "overwhelm" – and modern causes for its existence Why the search for perfection is futile  Claudia's three-part recipe for handling overwhelm Antidotes for the comparing mind  What we should all know about procrastination  How to not let the news overwhelm you  What we learn from regret – and how to stop beating up on your past self A key technique for worrying less The case for nostalgia How to get into a "flow state"   Related Episodes: If You Want To Be More Productive, You Need More Rest. Here's How To Get It. | Claudia Hammond   Get the 10% with Dan Harris app here Sign up for Dan's free newsletter here Follow Dan on social: Instagram, TikTok Subscribe to our YouTube Channel   Additional Resources:  The Art of Rest: How to Find Respite in the Modern Age The Keys to Kindness Time Warped: Unlocking the Mysteries of Time Perception Mind over Money: The Psychology of Money and How to Use It Better Emotional Rollercoaster: A Journey Through the Science of Feelings Claudia's BBC Podcasts Thanks to our sponsor:  Function: Visit functionhealth.com/Happier or use the gift code Happier25 for a $25 credit towards your membership. To advertise on the show, contact sales@advertisecast.com or visit https://advertising.libsyn.com/10HappierwithDanHarris  

The Duke of Sussex has been giving evidence in the high court, accusing the publisher of the Daily Mail of ‘grave breaches of privacy' and unlawfully gathering information. The prince is joined in the legal action by a group of other notable figures including Sir Elton John, Liz Hurley and Doreen Lawrence. Lucy Hough speaks to the senior national news editor Aaron Sharp. Help support our independent journalism at theguardian.com/infocus

Meghan Markle's Netflix series With Love, Meghan is not coming back for a third season after failing to crack the streamer's Top Ten, with sources saying her focus has shifted to smaller lifestyle projects tied to As Ever. Meanwhile, Prince Harry returns to the High Court for day two of his legal battle with the publisher of the Daily Mail, as lawyers clash over allegations of phone hacking, surveillance and sourcing. Add fresh scrutiny of a Sussex dance video from a body language expert, more Montecito family content on social media, and King Charles stepping into the spotlight with a Windsor Castle film premiere and a discounted Burns Night at Highgrove, and it's another busy morning for the House of Windsor.Palace Intrigue is your daily royal family podcast, diving deep into the modern-day drama, power struggles, and scandals shaping the future of the monarchy.Hear our new show "Crown and Controversy: Prince Andrew" here.Check out "Palace Intrigue Presents: King WIlliam" here.

In 1933 when a young, London inventor died under suspicious circumstances, his two surviving brothers turned to the talents of spiritualist mediums in the hopes of finding some answers to the many questions they had following the wholly satisfying inquest. Over a period of six months, the two men sat for several well known mediums, but by the end of it all, were given no hard answers to any of the bigger matters; Exactly who had been with him at the time of his death, and how had it come about? If anything, they were only asked a new question; Were any of the details given by the mediums to be trusted at all?SOURCES Gay, Kathleen (1957). The case of Edgar Vandy. Journal of the Society for Psychical Research 39, 2-61. London, UK. Mackenzie, Andrew (1970) The unexplained; some strange cases in psychical research. Abelard Schumann, London, UK. ​​Keen, M. (2002). The case of Edgar Vandy: Defending the evidence. Journal of the Society for Psychical Research 66, 247-59. London, UK. West Ham & South Essex Mail (1912) Funeral of Mr G.H Vandy. West Ham & South Essex Mail, Fri 7 June 1912, p8.  London, UK. Liverpool Daily Post (1967) The Unexplained. Liverpool Daily Post, Mon 6 Feb 1967, p9. Liverpool, UK. BBC (1975) Leap in the Dark. [Video] https://youtu.be/_9LrYSWaDxY?si=pdJCgxyv7j0ziQTU. BBC, London, UK. Sussex Express (1933) Bathing Fatality At Nutley. Sussex Express, Fri 11 Aug 1933, p5. Sussex, UK. ------ For almost anything, head over to the podcasts hub at ⁠⁠⁠⁠⁠darkhistories.com ⁠⁠⁠⁠⁠ Support the show by visiting our Patreon for bonus episodes and Early Access: ⁠⁠⁠⁠⁠https://www.patreon.com/darkhistories⁠⁠⁠⁠⁠ The Dark Histories books are available to buy here: ⁠⁠⁠⁠⁠http://author.to/darkhistories⁠⁠⁠⁠⁠ Dark Histories merch is available here: ⁠⁠⁠⁠⁠https://bit.ly/3GChjk9⁠⁠⁠⁠⁠ Connect with us on Facebook: ⁠⁠⁠⁠⁠http://facebook.com/darkhistoriespodcast⁠⁠⁠⁠⁠ Or find us on Twitter: ⁠⁠⁠⁠⁠http://twitter.com/darkhistories⁠⁠⁠⁠⁠ & Instagram: ⁠⁠⁠⁠⁠https://www.instagram.com/dark_histories/⁠⁠⁠⁠⁠ Or you can contact us directly via email at ⁠⁠⁠⁠⁠contact@darkhistories.com⁠⁠⁠⁠⁠ or join our Discord community: ⁠⁠⁠⁠⁠https://discord.gg/cmGcBFf⁠⁠⁠⁠⁠ The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that.   Learn more about your ad choices. Visit megaphone.fm/adchoices

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Samantha Gourd from Country Space explains the profound benefits and opportunities presented by connecting educational institutions with British farms. The initiative aims to provide immersive, hands-on learning experiences for students, facilitating a deeper understanding of agriculture and sustainability.By engaging children in activities such as growing vegetables and caring for animals, the program not only enhances educational curricula but also fosters a lifelong respect for nature. The conversation underscores the critical role of primary education in shaping future citizens who appreciate the origins of their food and the importance of environmental stewardship. This dialogue serves as a clarion call for schools to embrace experiential learning beyond the confines of the traditional classroom.Takeaways:The conversation with Samantha Gourd emphasizes the critical importance of connecting schools with British farms to foster experiential learning opportunities for children.Through immersive workshops, students gain hands-on experience in farming, which cultivates empathy and respect for nature and sustainability.Samantha's initiative aims to address the pressing challenges faced by British farming, thereby ensuring food security and sustainability for future generations.Early exposure to farming and food production significantly influences children's values and perceptions about agriculture as they grow into adulthood.Country Space serves as a vital intermediary between educational institutions and farms, facilitating safe and enriching experiences that benefit both parties.The podcast underscores the necessity of integrating real-world experiences into the educational system to inspire future generations about the origins of their food.Chapters:00:00 - Connecting Schools to British Farms05:30 - The Importance of Agricultural Education09:40 - Understanding Food Education in Schools11:49 - The Impact of Nature on Well-Being19:49 - The Impact of Farm Visits on Education22:34 - Inspiration and Engagement in Educationhttp://www.country-space.co.uk/Countryspaceuk - to connect on social mediaFor all primary schools looking to join workshops on their Kent and Sussex farms - mention Education on Fire to get 10% offShow Sponsor – National Association for Primary Education (NAPE) https://nape.org.uk/Find out more about their Primary First Journal: https://www.educationonfire.com/nape

Explosive claims suggest Meghan Markle has laid out strict conditions for any UK return, including luxury hotel lockdowns, security demands and title usage—allegations swiftly denied by Sussex allies. Meanwhile, Harry is set to miss seeing his family again, the King reaffirms support for Ukraine, Meghan faces warnings over a letter to her father, and Kate quietly steals attention by driving herself to a royal engagement.Palace Intrigue is your daily royal family podcast, diving deep into the modern-day drama, power struggles, and scandals shaping the future of the monarchy.Hear our new show "Crown and Controversy: Prince Andrew" here.Check out "Palace Intrigue Presents: King WIlliam" here.

Dr. Lee sits down with third-generation chiropractor Erica Sussex-Grant of Allgood Health Chiropractic to talk spinal health, movement, and whole-body wellness. Erica shares her journey to Algood after COVID, breaks down the science behind chiropractic care, and explains why spinal health matters from “the womb to the tomb.” The conversation tackles common pain issues, posture problems, myths about chiropractic treatment, and why more families are turning to early chiropractic care. Plus, Erica offers practical tips for staying healthy, explains cold laser therapy, and walks listeners through what to expect at their first appointment. Listen To The Local Matters Podcast Today! News Talk 94.1

Meghan's As Ever takes a hit after critics claim her luxury candle arrived with no wick — and yes, two different unboxings are now being waved around online like evidence in a very dumb trial. Plus, the “inventory leak” saga continues: huge stock numbers, Reddit sleuthing, and experts arguing over whether big warehouses mean “booming brand” or “uh-oh.” Then the UK return chatter won't quit, with reports tying any Meghan comeback to Harry's security fight — and one columnist basically warns Kensington Palace to start war-gaming the wardrobe. We wrap with more cookbook side-eye and a fresh reminder that, in the Sussex universe, everything is always “one pivot away.”Palace Intrigue is your daily royal family podcast, diving deep into the modern-day drama, power struggles, and scandals shaping the future of the monarchy.Hear our new show "Crown and Controversy: Prince Andrew" here.Check out "Palace Intrigue Presents: King WIlliam" here.

Prince William reportedly brings in crisis heavyweight Liza Ravenscroft from Edelman — officially “non-crisis,” which is exactly what people say right before the crisis. The Palace read is simple: if Harry's security gets restored and a Sussex presence returns to Britain ahead of Invictus 2027, Kensington wants its comms operation ready for impact. Also in the mix: the chatter about William's 2025 income and the jealousy narrative from the Sussex side, Kate's upcoming Windsor reception for the Red Roses, and the latest round of royal micro-drama — including who didn't post a birthday message and why everyone noticed. Toss in Sophie doing hockey drills, and the Tindalls living their best Australian life, and you've got a full royal buffet.Palace Intrigue is your daily royal family podcast, diving deep into the modern-day drama, power struggles, and scandals shaping the future of the monarchy.Hear our new show "Crown and Controversy: Prince Andrew" here.Check out "Palace Intrigue Presents: King WIlliam" here.

We’re back live January 19, 2026. In the meantime… Ricki is absolutely fuming after watching Meghan Markle's new Netflix special With Love, Meghan. We dive deep into all the moments that left Ricki rolling her eyes — from the awkward interviews to that cringeworthy moment when Mindy Kaling calls her Meghan Markle, and Meghan corrects her by saying she's "Sussex." Seriously? Buckle up for a no-holds-barred breakdown of the most baffling royal rebrand attempt ever.See omnystudio.com/listener for privacy information.

These days, it can be easy to feel like we have too much to do and too little time to do it in. This can lead to many of us feeling overwhelmed, or in extreme cases, can lead to burnout – a state of profound physical, mental and emotional exhaustion that can have far-reaching consequences for both our mental and physical health. So, what measures can we take to regain control of our lives if we are feeling overwhelmed, and what techniques can we employ to ensure we never reach this state of crisis in the first place? In this episode, we're joined by Claudia Hammond, a visiting professor of the Public Understanding of Psychology at the University of Sussex and presenter of BBC Radio 4's All in the Mind, to talk about her latest book, Overwhelmed, Ways to Take the Pressure Off. She tells how the rise of perfectionism is leading to more and more of us feeling overwhelmed, why we all tend to be our own worst critics, and shares a number of evidence-based tips we can all employ to make our loads feel a little bit lighter. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Arrival of the Fittest: Biology's Imaginary Futures, 1900–1935 by Jim Endersby In the early twentieth century, varied audiences took biology out of the hands of specialists and transformed it into mass culture, transforming our understanding of heredity in the process.In the early twentieth century communities made creative use of the new theories of heredity in circulation at the time, including the now largely forgotten mutation theory of Hugo de Vries. Science fiction writers, socialists, feminists, and utopians are among those who seized on the amazing possibilities of rapid and potentially controllable evolution. De Vries's highly respected scientific theory only briefly captured the attention of the scientific community, but its many fans appropriated it for their own wildly imaginative ends. Writers from H.G. Wells and Edith Wharton to Charlotte Perkins Gilman, J.B.S. Haldane, and Aldous Huxley created a new kind of imaginary future, which Jim Endersby calls the biotopia. It took the ambiguous possibilities of biology—utopian and dystopian—and reimagined them in ways that still influence the public's understanding of the life sciences. The Arrival of the Fittest recovers the fascinating, long-forgotten origins of ideas that have informed works of fiction from Brave New World to the X-Men movies, all while reflecting on the lessons—positive and negative—that this period might offer us. Jim Endersby is professor of the history of science at the University of Sussex. He is the author of Orchid: A Cultural History, Imperial Nature: Joseph Hooker and the Practices of Victorian Science, and A Guinea Pig's History of Biology. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Arrival of the Fittest: Biology's Imaginary Futures, 1900–1935 by Jim Endersby In the early twentieth century, varied audiences took biology out of the hands of specialists and transformed it into mass culture, transforming our understanding of heredity in the process.In the early twentieth century communities made creative use of the new theories of heredity in circulation at the time, including the now largely forgotten mutation theory of Hugo de Vries. Science fiction writers, socialists, feminists, and utopians are among those who seized on the amazing possibilities of rapid and potentially controllable evolution. De Vries's highly respected scientific theory only briefly captured the attention of the scientific community, but its many fans appropriated it for their own wildly imaginative ends. Writers from H.G. Wells and Edith Wharton to Charlotte Perkins Gilman, J.B.S. Haldane, and Aldous Huxley created a new kind of imaginary future, which Jim Endersby calls the biotopia. It took the ambiguous possibilities of biology—utopian and dystopian—and reimagined them in ways that still influence the public's understanding of the life sciences. The Arrival of the Fittest recovers the fascinating, long-forgotten origins of ideas that have informed works of fiction from Brave New World to the X-Men movies, all while reflecting on the lessons—positive and negative—that this period might offer us. Jim Endersby is professor of the history of science at the University of Sussex. He is the author of Orchid: A Cultural History, Imperial Nature: Joseph Hooker and the Practices of Victorian Science, and A Guinea Pig's History of Biology. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The release of Wicked: For Good has seen the return to the big screen of the stereotypical image we have of witches. They have green skin, a conical hat, a cauldron, and they fly on a broomstick.But where did that depiction come from?Laura Kounine is an Associate Professor of Early Modern History at the University of Sussex and joined Sean to discuss.

Send us a textAlan Welch is the host of The Busy Pro Fast Wellness Podcast, a podcast dedicated to helping busy professionals upgrade their health, energy, and mindset through fast, actionable habits.Alan brings a rare blend of experience to the wellness space: he's a former semi-professional musician from a family of elite performers, a former championship club runner with personal bests of 2:41 in the marathon and 71 minutes for the half marathon, and a seasoned educator with postgraduate training from both the Guildhall School of Music and the University of Sussex.He has lived and worked in Turkey, Spain, Italy, Portugal, France, China, and the UK. After overcoming a 30-year daily drinking habit, Alan now focuses on resilience, practical wellness, and sustainable behavior change.His mission is simple: make health achievable for people with real-world schedules. Alan's work sits at the crossroads of performance, behavior change, and real-world practicality - drawing from music, sport, global teaching……… and personal recovery to make wellness simple and achievable for busy people.Find Alan Welch at-Podcast- The Busy Pro Fast Wellness PodcastLK- @Alan J. WelchIG- @busyprofastwellnessFind Boundless Body at- myboundlessbody.com Book a session with us here!

The departure of Meredith Maines, Prince Harry and Meghan Markle's chief communications officer, has sparked sharply conflicting accounts from sources close to the Sussexes. Some describe her tenure as deeply troubled, while others insist she stayed on to manage key transitions at Archewell after being urged to remain.Commentators and former aides allege a culture of instability behind the scenes, with claims of constant reversals, late-night edits and staff being frozen out after negative press. Media figures suggest Meghan may be placing blame for unfavourable coverage on her publicists, as insiders describe the role as “miserable and impossible.”Elsewhere, Meghan's estrangement from her father, Thomas Markle, has taken another unusual turn, with reports that a recent letter was delivered via official channels and witnessed by legal counsel. Thomas has since spoken publicly about his recovery following surgery.We also note fresh sightings of Prince Andrew using a new Land Rover Defender at Royal Lodge, reportedly part of a wider vehicle arrangement with the Royal Family.Hear our new show "Crown and Controversy: Prince Andrew" here.Check out "Palace Intrigue Presents: King WIlliam" here.

Kate Benson, clarinet, Annalise King, euphonium, Jo Giessler, organ, The Handbell Ensemble Chancel Choir

As we near the end of 2025, it's time to take stock of the year. What were the big events this year and how might they impact the field of comparative education? What new ideas emerged? And where is our field headed in 2026? Continuing this FreshEd tradition, Susan Robertson and Mario Novelli join me for the last episode of the year. Mario Novelli is professor in the political economy of education at the University of Sussex. Susan Robertson is a professor of education at Wolfson College at the University of Cambridge as well as at the University of Manchester. They co-edit the journal Globalisation, Societies and Education. freshedpodcast.com/2025inreview -- Get in touch! Twitter: @FreshEdpodcast Facebook: FreshEd Email: info@freshedpodcast.com

Kate revisits the magic with Fixing Famous People co-hosts Chris DeRosa and Dominick Fupa, whose last appearance had listeners crying laughing. This time, we're diving into With Love, Meghan, Netflix's lifestyle series devoted to homemaking, entertaining, and intentional living—hosted by one of the most famous figures of the last five years, Meghan Markle, also known as the Duchess of Sussex. Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: https://www.tiktok.com/@itskatecasey?lang=en Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon List: https://www.amazon.com/shop/katecasey Like it to Know It: https://www.shopltk.com/explore/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Prince Henry— better known as Prince Harry — is quietly shedding the Sussex name and leaning into Wales, a move insiders say is a pointed snub likely to sting his wife, Meghan Markle. Meanwhile, Kim Kardashian admitted defeat after failing to corral North, Saint, Chicago and Psalm West for a perfect Christmas photo, confessing simply, “I really tried.” And across the pond, Bradley Cooper is reportedly more serious than ever about proposing to supermodel Gigi Hadid — signaling wedding bells may soon be ringing. Don't forget to vote in today's poll on Twitter at @naughtynicerob or in our Facebook group. See omnystudio.com/listener for privacy information.

Our latest episode of Soundtracking sees a welcome return to the podcast for the legend that is Warren Ellis, who joins us to discuss his score for The Death Of Bunny Munro, which he composed with Nick Cave. Based on Nick's novel, The Death Of Bunny Munro stars Matt Smith as a salesman who takes his son on a road trip around Sussex after his wife's suicide at the same time a serial killer is operating in the area.

Prince Harry sparks online confusion after being introduced as “Harry Wales” at a snow polo event in Aspen, despite his formal title remaining Duke of Sussex — and after Meghan recently insisted on the Sussex name publicly.We also cover reports that Harry and Meghan auctioned an exclusive dinner with themselves for charity, with bids said to reach six figures, and a viral unboxing video featuring gifts from Meghan's As Ever brand. Royal Insider Deep Crown weighs in on the monarchy's Christmas predictability — and what happens when it becomes annual drama. Hear our new show "Crown and Controversy: Prince Andrew" here.Check out "Palace Intrigue Presents: King WIlliam" here.

New IRS filings show a difficult year for the Archewell Foundation, with expenses rising to five point one million dollars as donations and grants fell to two point one million. The documents detail salaries, major “other expenses,” confirmed staff reductions, and note that Harry and Meghan take no salary while averaging one hour per week on charity work. We also review GB News reporting on the stated reasons for the Archewell Philanthropies shift, alongside the Sussexes' new Christmas card featuring Archie and Lilibet.Then, a quick look at the Archewell website as it pivots to “Archewell Philanthropies,” plus a note on Thomas Markle's fundraising appeal as he faces mounting medical bills. Tom Sykes questions the rebrand language emphasising “family,” and whether the Sussex children are being folded into the brand in real time.After the break, Prince George makes his first visit to The Passage, a charity with deep ties to Princess Diana and Prince William, helping prepare for the Christmas lunch for people experiencing homelessness and signing the same visitors book page his father and grandmother signed in nineteen ninety three.Hear our new show "Crown and Controversy: Prince Andrew" here.Check out "Palace Intrigue Presents: King WIlliam" here.

A slow weave of some of the past year's Field Recordings, from a child playing in the snow to a brass band playing Christmas carols in the street. Father and daughter build a snowman in the backyard, Copenhagen, Denmark on 2nd January 2025 – by Joyce de Badts Cracking the ice underfoot over a frozen puddle, Low Bentham, North Yorkshire, UK in early January 2025 – by Charlotte Petts Ice on Queen's Park Pond, Glasgow, Scotland in January 2025 – by Katie Revell “Recorded using a contact microphone at Queen's Park pond on the Southside of Glasgow, during a cold snap in January. The pond had frozen over (which doesn't happen often), and people were walking and skating on it. One person asked if I was measuring the thickness of the ice. I handed my headphones round a group of kids, and it was fun to watch their reactions to the sci-fi noises…” Snow slowly melting from a bridge next to Ribblehead viaduct, North Yorkshire, UK in early January 2025 – by Charlotte Petts Listening to the river flow as the snow melts into the water from the fields nearby,  River Wenning, Bentham, North Yorkshire, UK in early January 2025 – by Charlotte Petts Tawny Owls voicing the starry dark, the foot of Dartmoor, UK at 5am on 3rd January 2025 – by Kirsteen McNish “I stood on the doorstep to look at the stars because of the ice bright visibility and heard them calling to each other.” Primal scream atop Bernal Hill, San Francisco, USA on 20th January 2025 at 9am – by Kristina Loring “A group of organizers had distributed flyers in our neighborhood for a timely cathartic moment atop the large mountain park that overlooks the city of San Francisco and the bay. It was organized to coincide with the swearing-in of the newest conservative American regime on Inauguration day. But one's rage can't be limited to whoever is in the presidential office. We scream for a litany of injustices—an endless list that cannot be exhausted here. Many rages filled my lungs that day and escaped my mouth in an inarticulate howl. Beneath the rage was a yearning for: Justice for Palestinians everywhere. Justice for trans folks everywhere. Justice for refugees everywhere.” Dead leaves on a silver birch, Stanton Moor, Derbyshire, UK on 5th February 2025 – by Rose de Larrabeiti “I took myself to Derbyshire for a few days in early February. I walked up to Stanton Moor with my dog Rosie (not named by me!) looking for a Bronze Age stone circle called the Nine Ladies. Nearby were silver birches with their dead brown leaves rustling in the wind.” Babble of Ta Ta Creek spring, British Columbia, Canada in early February 2025 – by PJ Howe “Here is a little recording of our local spring. We hiked through 2ft of snow in the -10 temps to the head of our local creek. Due to the deep cold we are in, the ice formations around the spring are spectacular. The quiet babble of the creek makes this such a special place.” Geothermal mud pools in Rotorua, Aotearoa (New Zealand) on 8th February 2025 – by Will Coley Woodpecker in back garden, south-east London, UK on 14th February 2025 – by Cesar Gimeno Lavin “This morning I was delighted to find that, after quite a few months, this woodpecker has returned! Back to the very same tree. I love how the sound echoes around the garden.” ‘Silence' in Doubtful Sound, Aotearoa (New Zealand) on 15th February 2025 – by Will Coley Steam train arriving and then departing, Haworth, West Yorkshire, UK on 17th February 2025 – by Cesar Gimeno Lavin Walking in the dry, squeaky-crunchy snow on Elm Street in Whitehorse, Yukon, Canada on 22nd February 2025 – by Laura Nerenberg “The snow was delightfully squeaky and I took every chance I could to stomp around…” The last performance of the world's largest pipe organ, Philadelphia, USA on 22nd March 2025 – by Alex Lewis “Thousands of people gathered on Saturday, March 22nd at Macy's in Philadelphia, PA to hear the last performances of the Wanamaker Organ – possibly the world's largest pipe organ – as the department store marked its final weekend in business. This is an excerpt from the final recital by John Wanamaker Grand Court Organist Peter Richard Conte. My wife gave this piece the unofficial title: ‘an elegy for in-person shopping'.” Squeaky frogs, Watcarrick, near Eskdalemuir, Scotland on 25th March 2025 – by Geoff McQueen ‘Hands Off' March, New York, USA on Saturday 5th April 2025 – by Jon Moskowitz Nightingales at Knepp, Sussex, UK in April 2025 – by Charlotte Petts “…from my camp out at the Knepp estate last week – managed to creep up pretty close to a nightingale singing in the shrubby hedgerows. Absolutely gorgeous to fall asleep to them calling out to each other through the night.” Cows in Los Lagos de Covadonga, Asturias, Spain in May 2025 – by Sarah Kramer and Nina Porzucki  Bells heard through a window, Vilnius, Lithuania in the morning on 26th May 2025 – by Eleanor McDowall Creek bed, Lerderderg State Park on Wurundjeri Country, Australia in May 2025 – by Camilla Hannan Bingo on a roasting Saturday evening in Derbyshire, June 2025 – by Andrew Conroy ‘Little Tibet', Parco nazionale d'Abruzzo, Lazio e Molise, Italy in June 2025 – by Cosmin Sandu River through wood, Boise River, USA on 22nd June 2025 – by Ariana Martinez “This tape was gathered in Boise, Idaho with a contact microphone affixed to a tree root partially submerged in the Boise River.” Dawn chorus, Lopez Island, USA in 2025 – by Joe Harvey-Whyte Primary night watch party after Zohran Mamdani's win, Brooklyn Masonic Temple, New York on Wednesday 26th June 2025 – by Rachel Humphreys Protest after the vote, Westminster, London, UK on 2nd July 2025 – by Eleanor McDowall Ringing the peace bell, Hiroshima, Japan on 14th July 2025 – by Lisa Hack Knossos Palace, Crete, Greece on 17th July 2025 at 11.30am – by Giles Stokoe Pans protest outside Downing Street, London, UK at 6pm on 25th July 2025 “Hundreds gather outside Downing Street banging pots and pans as Israel's blockade continues to cause the starvation of Palestinians in the Gaza strip. 120 people – 80 of them children – have been confirmed dead from famine as of 26th July. In the last 24 hours two babies have died from malnutrition. Nearly 1000 Palestinians have been shot to death by Israeli soldiers whilst queuing for food.” Goats going home, Sabugueiro, Serra da Estrela, Portugal, late evening on 13th August 2025 – by Katherina Lindekens Gongs, Glastonbury Tor, Somerset, UK on 21st August 2025 – by Barny Smith Waves on a shingle beach, St Leonards-on-Sea, UK, late September 2025 – by Eleanor McDowall New York Mayoral Election Results, Paul's, Brooklyn, NY, USA on 4th November 2025 – by Brian Pester Democratic Socialists of America election night party, Bushwick, NY as Hell Gate NYC livestream called the race at 9.44pm on 4th November 2025 – by Kalli Anderson Inside a rainwater collection tank, London, UK on 10th November 2025 – by Cesar Gimeno Lavin 2 minutes silence from the rooftop of St Paul's Cathedral, Rememberance Sunday at 11am, 2025 – by Joe Harvey-Whyte Unknown instrument in the subway at two minutes to midnight, Metropolitan / Lorimer St station, New York, USA on 12th November – by Jonah Buchanan “Descending the stairs, I was disappointed to see a two-digit number in the wait time for the train. the music started a couple minutes later. they had a pedal and an instrument i couldn't identify. i wouldn't say it was dreamy, and there's not really a synonym i can find that captures it. maybe bewitching…” UK farmers tractor protest on the day of the budget, Rupert Street, Soho, London, UK at 14.29 on 26th November 2025 – by Clare Lynch “16th century Soho fields being ploughed in protest by 21st century musical tractors.” Cows grazing in the fog, Cerro, on the Lessini Mountains, North of Verona, Italy in late November 2025 – by Davide Erbogasto “…some cows were grazing in the field, regardless of the rain, fog or snow. Their bell kept me company through the week.” Crystal Palace Band playing at the Crystal Palace Christmas Tree lights turn-on, London, UK on 29th November 2025 – by Alan Hall First big snow of the season, Pittsburgh, USA on 2nd December 2025 – by Dennis Funk “This first big snow was really dreamy. It started late in the night after I'd gone to bed, and had already stopped by morning. When I woke up there was the shock of a white, white world and a few inches on the ground. I got lost in the stillness of the day, and watched little heaps tumble from branches when a breeze rattled through.”

This week President Trump's director of the Office of Management and Budget announced that a major climate research centre would be broken up. 2025 has brought a wave of reorganisations and funding cuts, reshaping the ways science is done in the USA. Veteran science journalist Roland Pease tells us whether we're starting to see the impacts.Victoria Gill gets a subterranean tour of Finland's new nuclear waste disposal facility. It's the first country in the world to get one and the UK are interested in learning how they did it. Victoria is also joined by science journalist Caroline Steel to talk about this week in science research.And 40 years ago, Dian Fossey was murdered at her home in Rwanda where she had spent decades studying mountain gorillas. Gilly Forrester, Professor of Comparative Cognition at the University of Sussex talks about why the data collected from Dian's ‘gorillas in the mist' continues to shape science today.To discover more fascinating science content, head to bbc.co.uk search for BBC Inside Science and follow the links to The Open University.Presenter: Victoria Gill Producers: Clare Salisbury, Kate White and Tim Dodd Editor: Martin Smith Production Co-ordinator: Jana Bennett-Holesworth

With Jessica den Outer.  For centuries, our legal systems have treated nature as something to be owned and exploited, for human gain. In recent decades, the tenor of conversation may have shifted towards conservation and protection, but nature remains an object. The environmental laws, treaties and international agreements we enact have little impact; ecosystems continue to collapse, global temperatures continue to rise. But a bold new movement is challenging this paradigm, calling time on inadequate, anthropocentric lawmaking, and ushering in an exciting new ecocentric approach based around the rights of nature. Jessica den Outer joins us on the show to talk about the history of this new legal movement, and dive into some of the challenges it is facing, and opportunities it is creating, around the world. We discuss the legal personality of the Whanganui River in Aotearoa / New Zealand, the enshrining of the rights of nature in the National Constitution of Ecuador, and the strength of grassroots movements for the Mar Menor in Spain and the River Ouse in Sussex, England. The Forest Fights Back: A Global Movement for the Rights of Nature is 40% off for podcast listeners on plutobooks.com. Use the coupon PODCAST at the checkout.

«Avez-vous fait pleurer Kate ?» Cette question, en apparence innocente n'est pas celle d'une enseignante à une élève mais celle de l'animatrice américaine star, Oprah Winfrey. Elle s'adresse à Meghan Markle, ancienne actrice outre-Atlantique, devenue duchesse de Sussex et membre de la famille royale britannique en épousant le Prince Harry. La Kate en question n'est autre que la Princesse de Galles et épouse du Prince William.   Cet épisode de 2018 sur la rivalité supposée entre les deux belles-sœurs royales n'a rien d'anodin, il a fait les choux gras de la presse people et a alimenté les conversations des diners en ville du monde entier. Car oui, la monarchie britannique et en particulier ses «pièces rapportées» féminines fascinent. Après l'affaire des larmes, il y a eu le choc de l'annonce du cancer de Kate, accompagné de ses théories du complot, mais avant, il y avait eu le divorce et la mort de la Princesse Diana. Encore bien avant, c'est Wallis Simpson, qui tenait le haut de l'affiche. Cette socialiste américaine doublement divorcée a conduit son amoureux le roi Edouard VIII à abdiquer pour l'épouser. Rien que ça !   À chaque époque, on trouve une saga de la famille royale. Chaque évènement, chaque tenue, chaque phrase est disséquée, analysée, sans que la machine ne s'épuise au fil du temps ni ne lasse un public sans cesse renouvelé.  Le cinéma, la télévision ou la littérature ont aussi bien compris le potentiel dramatique de ces femmes devenues pour certaines des icônes en intégrant la famille royale.   Wallis, Diana, Kate, Meghan, mais bien sûr la reine Elisabeth II, sa sœur Margareth, et toutes les autres, qu'est-ce qui nous fascine en elles ? Avec de telles existences «hors sol», en quoi ces femmes sont-elles malgré tout le reflet de nos sociétés ?   Avec : • Margareth Macdonald, journaliste et autrice de Royales et rebelles – et si c'était les femmes qui portaient la couronne ? (Les presses de la cité, 2025) • Philippe Chassaigne, historien, professeur d'Histoire contemporaine à l'Université Bordeaux-Montaigne et spécialiste de la Grande-Bretagne. En fin d'émission, la chronique IA débat, de Thibault Matha, chez 8 milliards de voisins. Alors que l'intelligence artificielle devient omniprésente dans notre quotidien et que son utilisation se démocratise, Thibault Matha interroge les outils, et analyse la pertinence de leurs réponses. Cette semaine, gros plan sur les traducteurs avec la comparaison de deux intelligences artificielles de traduction. Programmation musicale :   ► Sprinter - Dave & Central Cee  ► Shine - Lëk Sèn.   

The Daily Mail's Richard Eden reports on “Project Thaw,” a supposed effort to soften the Sussex freeze, with Harry's security review framed as part of a wider plan that could include UK schooling for the children—prompting a pointed response from royal insider Deep Crown about the logistics and emotional reality. New claims also swirl about tension between Queen Camilla and Catherine over whether Harry deserves any path back, while separate reporting suggests Kate's friendship with Sarah Ferguson is being watched closely amid worries about leaks. Overseas, Sweden's Royal Court confirms Princess Sofia was introduced to Jeffrey Epstein around 2005, stressing she declined a Caribbean invitation and has had no contact for 20 years. We also spot a small but loaded detail at Clarence House: family photos on display include images tied to Harry and Meghan's wedding and Louis's christening. And in a new ITV documentary, King Charles speaks candidly about climate, legacy, and the world his grandchildren will inherit—Steve Backshall's Royal Arctic Challenge airs on ITV1 at 9pm.Hear our new show "Crown and Controversy: Prince Andrew" here.Check out "Palace Intrigue Presents: King WIlliam" here.

What is the role of the state in supporting transitions and deeper transformations towards a more sustainable world?  Brought to you by the BISA Environment and Climate Politics Working Group. The role of the state in supporting shifts towards a more sustainable society is receiving increasing academic and policy attention from interest in green (new) deals to planet politics through to more critical attention to the ecocidal and extractivist nature of states. Despite this, the focus often starts and (frequently) ends with the governance of transitions, where the state is merely one actor among many and the tensions and contradictions between the range of roles it simultaneously performs are often left under-analysed. The state is often caricatured variously in political debate as too big, too powerful, too small, too inefficient, too ineffective or too unsustainable. But the reality is more complex, nuanced and contingent on the historical and geographical context, prevailing social relations and the state function and issue in question. States of Transition: From Governing the Environment to Transforming Society (Cambridge UP, 2025) takes a deep dive into the multiple roles states are playing in supporting transitions to a more sustainable world, exploring where there is scope for their transformation. Going beyond unhelpful binaries which cast the state as the central problem or the all-encompassing solution to ecological and social crises, it explores diverse current state practice across key domains from the military and democratic state to the welfare, entrepreneurial industrial and global state. To do this, it builds on theoretical resources from a range of disciplines, as befits the challenge of making sense of these diverse aspects of state power. It moves beyond existing analysis of the ‘environmental state' and normative projections around the form a ‘green state' might take, in order to explore scope for a ‘transition state' to emerge, capable of corralling and transforming all aspects of state power behind the goal of responding to the existential threat of planetary collapse. Peter Newell is a Professor of International Relations at the University of Sussex. He is a specialist in the politics and political economy of environment and development. For more than 25 years he has conducted research, consultancy and advisory work on issues of climate change and energy, agricultural biotechnology, corporate accountability and trade policy working in a number of countries including Argentina, Brazil, Chile, China, Costa Rica, Ethiopia, India, Kenya, Mexico and South Africa. In recent years his research has mainly focussed on the political economy of carbon markets and low carbon energy transitions. Pauline Heinrichs is a Lecturer in War Studies (Climate and Energy) at King's College London. Her research focuses on international climate diplomacy and the contestation of security in the context of climate change and international ordering. She currently holds a British Academy Knowledge Frontiers Grant working on critical actuarial science and climate justice. Pauline has worked with and led international teams in conflict and post-conflict countries such as Ukraine and the Baltic States, leading on qualitative methods and strategic narrative analysis. She has been selected as an Emerging Scholar by the Milton Wolf Seminar on Public Diplomacy. Pauline has also been a climate diplomacy professional working in foreign policy, and an international climate think tank. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Prince Andrew makes a rare public appearance for granddaughter Athena's christening at Saint James's Palace, arriving discreetly and separately from Sarah Ferguson, with Eugenie, Jack Brooksbank and even James Blunt among the guests. Meanwhile, Archewell attaches itself to Cookie Queens, a Girl Scouts documentary heading to Sundance 2026, as Meghan's former Girl Scout ties are highlighted in the announcement. The weekend's Sussex chatter continues with fresh commentary on Meghan and Thomas Markle, plus a new style-world datapoint: British Vogue's first “50 Best Dressed” list crowns Catherine as an “Eternal Influencer” while Meghan is left off entirely. Also: Prince William surprises the Welsh Guards at a Christmas gathering, and new details emerge about security upgrades and guest arrangements at Forest Lodge.Hear our new show "Crown and Controversy: Prince Andrew" here.Check out "Palace Intrigue Presents: King WIlliam" here.

What is the role of the state in supporting transitions and deeper transformations towards a more sustainable world?  Brought to you by the BISA Environment and Climate Politics Working Group. The role of the state in supporting shifts towards a more sustainable society is receiving increasing academic and policy attention from interest in green (new) deals to planet politics through to more critical attention to the ecocidal and extractivist nature of states. Despite this, the focus often starts and (frequently) ends with the governance of transitions, where the state is merely one actor among many and the tensions and contradictions between the range of roles it simultaneously performs are often left under-analysed. The state is often caricatured variously in political debate as too big, too powerful, too small, too inefficient, too ineffective or too unsustainable. But the reality is more complex, nuanced and contingent on the historical and geographical context, prevailing social relations and the state function and issue in question. States of Transition: From Governing the Environment to Transforming Society (Cambridge UP, 2025) takes a deep dive into the multiple roles states are playing in supporting transitions to a more sustainable world, exploring where there is scope for their transformation. Going beyond unhelpful binaries which cast the state as the central problem or the all-encompassing solution to ecological and social crises, it explores diverse current state practice across key domains from the military and democratic state to the welfare, entrepreneurial industrial and global state. To do this, it builds on theoretical resources from a range of disciplines, as befits the challenge of making sense of these diverse aspects of state power. It moves beyond existing analysis of the ‘environmental state' and normative projections around the form a ‘green state' might take, in order to explore scope for a ‘transition state' to emerge, capable of corralling and transforming all aspects of state power behind the goal of responding to the existential threat of planetary collapse. Peter Newell is a Professor of International Relations at the University of Sussex. He is a specialist in the politics and political economy of environment and development. For more than 25 years he has conducted research, consultancy and advisory work on issues of climate change and energy, agricultural biotechnology, corporate accountability and trade policy working in a number of countries including Argentina, Brazil, Chile, China, Costa Rica, Ethiopia, India, Kenya, Mexico and South Africa. In recent years his research has mainly focussed on the political economy of carbon markets and low carbon energy transitions. Pauline Heinrichs is a Lecturer in War Studies (Climate and Energy) at King's College London. Her research focuses on international climate diplomacy and the contestation of security in the context of climate change and international ordering. She currently holds a British Academy Knowledge Frontiers Grant working on critical actuarial science and climate justice. Pauline has worked with and led international teams in conflict and post-conflict countries such as Ukraine and the Baltic States, leading on qualitative methods and strategic narrative analysis. She has been selected as an Emerging Scholar by the Milton Wolf Seminar on Public Diplomacy. Pauline has also been a climate diplomacy professional working in foreign policy, and an international climate think tank. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Critics absolutely torch With Love, Meghan: Holiday Celebration, mocking broccoli wreaths, therapy-speak crackers and brunch guests in matching red PJs as reviewers label the show joyless, fake and unintentionally hilarious. The Free Press dubs Meghan the “Slop Princess,” while U.S. commentators say the Sussex brand is sliding fast: Harry's Trump joke draws boos, their star power is “waning,” and Meghan's eye is drifting toward Kardashians-style beauty deals. Now add in As Ever's twelve-dollar chocolate bars with bee pollen and “weeds” that social media calls “insane” and “gross,” and you've got the full Montecito package: high price, high gloss, and a reputation that's starting to melt.Hear our new show "Crown and Controversy: Prince Andrew" here.Check out "Palace Intrigue Presents: King WIlliam" here.

Poet, novelist, and broadcaster Salena Godden on turning love, grief, and fury into books and poems, surviving years in the wilderness before publication, and sustaining a boundaryless creative life through performance, early-morning writing, and community.You'll learn:Why you don't have to be a “starving artist” and how to make powerful work while loving yourself and looking after your health.How to treat your story as uniquely yours, with material that no one else can reproduce.How Salena's “rule of three” can help you balance meaning, generosity, and income in a creative career.Ways to draft poems and prose from an image or phrase and reshape darker early drafts into a final piece.How to write for “tomorrow you” first, using self-doubt and a critical future self as fuel for deeper revision.What it looks like to carry a memoir from years of rejection to publication without letting the work disappear.How to “compose on the lips” by walking, speaking drafts into your phone, and writing in the space between sleep and waking.Ways to ground yourself after writing emotionally charged work, including nature, slow rituals, and leaning on trusted loved ones.Resources and Links:

In this episode of Healthy Mind, Healthy Life, host Sana sits down with psychotherapist, lecturer, writer, and former British Army soldier Liam Wakefield to unpack what really sits behind the phrase adversity builds character. This is a straight talking deep dive into childhood adversity, war, chronic illness, identity fracture, PTSD language, and the messy inner work it takes to rebuild a self that feels honest. Liam breaks down adversity driven growth, the role of narrative, inner parts, surrender, isolation, and depth without glamorizing suffering.  About the Guest: Liam Wakefield is a psychotherapist, lecturer, and writer who previously spent 11 years as a British Army soldier. His life has moved through childhood adversity, dangerous deployments, a rare genetic condition, and a full career pivot into psychotherapy. He now runs clinical practices in Sussex and London, lectures on depth psychology and trauma, and writes about adversity driven growth, identity, and the internal architecture of the self. Key Takeaways : Adversity is inevitable suffering, not a virtue. It becomes a catalyst for growth only when we change our relationship to the wound instead of forcing quick positivity. The psyche often fractures under pressure. We build defensive structures to survive. Growth starts when we consciously meet those fractured parts instead of pretending to be “fine”. Surrender is different from giving up. Liam describes surrender as accepting that the current version of you cannot carry everything. That honest collapse creates space for a more aligned self to emerge. Identity is made of many parts. Soldier, carer, sick, strong, protector, vulnerable. Healing means learning which part is speaking, which part is in fear, and which part is capable of leading with integrity. Adversity can distort when it becomes your whole identity or a shield from accountability. It deepens character when it is integrated, not worshipped. Real growth is privilege coded to a degree. Community, resources, and psychological support matter. At the same time, isolation and disconnection are often bigger threats than the pain itself. The work is not to be grateful for suffering. The work is to use what happened as data, depth, and perspective without letting it define your future. Connect with the Guest: Listeners can connect with Liam Wakefield here: Website: https://www.liamjwakefield.com/  Social media: Instagram  | Facebook Search for “Liam J Wakefield” on your preferred platform to find his professional updates, writing, and talks on adversity driven growth, psychotherapy, and identity.  Clinical work: Liam runs clinical practices in Sussex and London and also lectures. Details and contact options are available through his website. How to Connect? Be a Guest on Healthy Mind, Healthy Life: Want to be a guest on Healthy Mind, Healthy Life? DM on PM. Send me a message on PodMatch DM Me Here. https://www.podmatch.com/hostdetailpreview/avik Disclaimer This video is for educational and informational purposes only. The views expressed are the personal opinions of the guest and do not reflect the views of the host or Healthy Mind By Avik™️. We do not intend to harm, defame, or discredit any person, organization, brand, product, country, or profession mentioned. All third party media used remain the property of their respective owners and are used under fair use for informational purposes. By watching, you acknowledge and accept this disclaimer. About Healthy Mind By Avik™️ Healthy Mind By Avik™️ is a global platform redefining mental health as a necessity, not a luxury. Born during the pandemic, it has become a sanctuary for healing, growth, and mindful living. Hosted by Avik Chakraborty. storyteller, survivor, wellness advocate. this channel shares powerful podcasts and grounded conversations on. Mental Health and Emotional Well being Mindfulness and Spiritual Growth Holistic Healing and Conscious Living Trauma Recovery and Self Empowerment With over 4,400+ episodes and 168.4K+ global listeners, we unite voices, break stigma, and build a world where every story matters. Subscribe and be part of this healing journey. Contact Brand. Healthy Mind By Avik™ Email. www.healthymindbyavik.com Based in. India and USA Open to collaborations, guest appearances, coaching, and strategic partnerships. Let's connect to create a ripple effect of positive impact. 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Imagine if you were listening to an opera or a Taylor Swift concert, and as the lights in the auditorium dimmed, the music was accompanied by a rainbow of colours only you could see. Perhaps while listening to your friends talking, you simultaneously experience a smorgasbord of tastes, with different words evoking different flavours, maybe a delicious ice cream, or something as disgusting as ear wax... This merging of the senses is known as synaesthesia, and it's the rich research world of neuropsychologist Professor Julia Simner. Julia runs the Multisense lab at the University of Sussex and has pioneered research into understanding how special brains process our sensory world in special ways. In the studio she tests Jim to see if he might be a synaesthete or have aphantasia, which is the inability to view images in the mind's eye. The results are surprising. Julia's discovered links to autism, and to different personality types, as well as a number of previously unknown sensory differences. She describes her career and her life as a series of swerves, or sliding door moments, that have led her to study the subject and the people she's passionate about. She says that the more she looks for these unusual traits in us the more she finds.Presenter Jim Al-Khalili Producer Geraldine Fitzgerald Executive Producer Alexandra Feachem

In this episode, we unpack the meaning and origins of the term Downland, and explore how this distinctive landscape helps us better understand the geography and terrain of the First World War.We take a closer look at the Lewis Machine Gun, examining how it worked, how a Lewis Gun section operated in battle, and its role on the Western Front.We also consider the influence of the Franco-Prussian War on both the military thinking and physical landscape of WW1, before turning to the decorations and medals awarded to British and Commonwealth soldiers, explaining how they differed and what they reveal about service and recognition in the Great War.A wide-ranging episode connecting landscape, weaponry, military history, and remembrance across the First World War.The Vickers Machine Gun Association: The Lewis Gun on the Western Front 1916-18.Main image: German offensive on the Lys. A Lewis Gun-post in Marquois, 13 April 1918. (IWM Q6528)Sign up for the free podcast newsletter here: Old Front Line Bulletin.You can order Old Front Line Merch via The Old Front Line Shop.Got a question about this episode or any others? Drop your question into the Old Front Line Discord Server or email the podcast.Send us a textSupport the show

USE CODE DEC25 FOR 50% OFF ALL PATREON SUBSCRIPTIONS UNTIL THE END OF DECEMBER https://www.patreon.com/lionsledbydonkeys In the early days of English ambassadorships to the Ottoman Empire, an increasingly petty collection of grievances among European envoys and Ottoman dignitaries set the conditions for a single errant snowball to incite an anti-English riot. Witness the story of the snowball that got a bunch of English guys' beaten with oblong objects. Research: Dr Joel Butler Reources: Public Records Office, The National Archives, Kew, London: SP 97/3; SP 97/4. ‘Bu bir nefret cinayetidir: Gazeteci Nuh Köklü, 'kartopu oynarken' öldürüldü.' Radikal (2 February 2015). ‘Gazeteci Nuh Köklü kar topu oynarken öldürüldü', BBC News Türkçe (18 February 2015). ‘Journalist Nuh Köklü murdered for playing snowball', Agos (18 February 2015). ‘Life in prison for man who stabbed Turkish journalist over snowball fight', Hürriyet Daily News (5 June 2015). Atran, S. ‘The Devoted Actor: Unconditional Commitment and Intractable Conflict across Cultures', Current Anthropology, 57/S13 (2016), S192-S203. Brotton, J. The Sultan and the Queen: The Untold Story of Elizabeth and Islam (New York, 2017) Brown, H.F. Calendar of State Papers Relating To English Affairs in the Archives of Venice, Volume 9, 1592-1603 (London, 1897). Burian, O. The Report of Lello, Third English Ambassador to the Sublime Porte / Babıâli Nezdinde Üçüncü İngiliz Elçisi Lello'nun Muhtırası (Ankara, 1952). Butler, J.D. ‘Between Company and State: Anglo-Ottoman Diplomacy and Ottoman Political Culture, 1565-1607', unpubd. DPhil thesis, University of Oxford (2022). _________. ‘Lello, Henry', The Oxford Dictionary of National Biography (Oxford, 2023). Coulter, L.J.F. ‘The involvement of the English crown and its embassy in Constantinople with pretenders to the throne of the principality of Moldavia between the years 1583 and 1620, with particular reference to the pretender Stefan Bogdan between 1590 and 1612', unpubd. PhD thesis, University of London (1993). Foster, W. (ed.) The Travels of John Sanderson in the Levant (1584-1602) (London, 1931). Horniker, A.L. ‘Anglo-French Rivalry in the Levant from 1583 to 1612', The Journal of Modern History, 18/4 (1946), 289-305. Hutnyk, J. ‘Nuh Köklü. Statement from Yeldeğirmeni Dayanışması' (20 February 2015) at: https://hutnyk.wordpress.com/2015/02/20/nuh-koklu-statement-from-yeldegirmeni-dayanismasi/ (accessed 8 March 2025). Kowalczyk, T.D. ‘Edward Barton and Anglo-Ottoman Relations, 1588-98', unpubd. PhD thesis, University of Sussex (2020). MacLean, G. ‘Courting the Porte: Early Anglo-Ottoman Diplomacy', University of Bucharest Review, 10/2 (2008), 80-88. MacLean, G. & Matar, N. Britain & the Islamic World, 1558-1713 (Oxford, 2011). Newson, M. ‘Football, fan violence, and identity fusion', International Review for the Sociology of Sport, 54/4 (2019), 431-444. Newson, M., Buhrmester, M. & Whitehouse, H. ‘United in defeat: shared suffering and group bonding among football fans', Managing Sport and Leisure, 28/2 (2023), 164-181. Purchas, S. Hakluytus Posthumus or Purchas His Pilgrimes, viii (Glasgow, 1905). Sheikh, H., Gómez, Á. & Altran, S. ‘Empirical Evidence for the Devoted Actor Model', Current Anthropology, 57/S13 (2016), S204-S209. Unknown Artist. (c1604). The Somerset House Conference, 1604 (oil on canvas). London: National Portrait Gallery.

Mary Greenwell is a makeup artist who has worked with some of the most famous faces in the world including Christy Turlington, Linda Evangelista, David Bowie and Cate Blanchett. Her less-is-more approach has won her plaudits in the beauty industry and she became Princess Diana's makeup artist of choice.Mary was born in Sussex and left school at 16. By the mid-1970s she was living in Los Angeles where she started out on the door at the legendary Joe Allen restaurant, escorting the likes of Paul Newman and Jack Lemmon to their tables. She received her one and only makeup lesson from the award-winning Ilana Harkavi and shortly afterwards created a look for 12-year-old actor Brooke Shields.Mary's big break came when she moved to Paris in 1984 and began working with the original supermodels; Christy Turlingon, Cindy Crawford, Linda Evangelista and Tatiana Patitz. In 1990 she met Princess Diana on a Vogue photo shoot and became her go-to makeup artist and friend.In 2025 Mary was appointed an MBE for services to the beauty and fashion industries and her charity work.Mary lives in London. DISC ONE: Lay Lady Lay - Bob Dylan DISC TWO: I Am Enough - Tallulah Rendall DISC THREE: Suzanne - Leonard Cohen DISC FOUR: Walk on the Wild Side - Lou Reed DISC FIVE: Wish You Were Here - Pink Floyd DISC SIX: Cold Little Heart - Michael Kiwanuka DISC SEVEN: Diamonds - Rihanna DISC EIGHT: Heroes - David Bowie BOOK CHOICE: The Temple of the Golden Pavilion by Yukio Mishima LUXURY ITEM: A bed CASTAWAY'S FAVOURITE: I Am Enough - Tallulah Rendall Presenter: Lauren Laverne Producer: Paula McGinleyThere are more than 2000 programmes in our archive available for you to listen to. We've cast away other hair and beauty experts including the makeup artist Pat McGrath, and hairdressers Vidal Sassoon and Trevor Sorbie. Cate Blanchett, one of Mary's clients, is in our archive too. You can find their episodes on BBC Sounds or on our Desert Island Discs website.