Podcasts about Sussex

"Deranged conspiracy and melodrama". That's how Harry and Meghan have described Tom Bower's explosive new book about them - 'Betrayal' - saying it had "crossed the line from criticism into fixation". On today's Daily T, Tom joins Camilla and Tim in the studio and says that's nonsense; they're awful, and the treachery, disloyalty, and duplicity of the Sussex's post Royal life could see them being cut out of the Royal Family for good.We want to hear from you! Email us at thedailyt@telegraph.co.uk or find @dailytpodcast on TikTok, Instagram and X► Sign up to our most popular newsletter, From the Editor. Look forward to receiving free-thinking comment and the day's biggest stories, every morning. telegraph.co.uk/fromtheeditorProducers: Lilian FawcettSenior Producer: John CadiganExecutive Producer: Charlotte SeligmanVideo Producer: James EnglandStudio Operator: Meghan SearleEditor: Camilla Tominey Hosted on Acast. See acast.com/privacy for more information.

Under international law, when can a country declare war on another?Was it legal for Israel and the United States to have carried out "pre-emptive" airstrikes across most of Iran's provinces, which started the war? The USA says the attacks were justfied, because of an imminent threat from Iran's nuclear programme, and Israel claims it acted in self-defence. The Israeli President went further - telling the BBC that focusing on the legality of the war instead of regional security is "mind-boggling" to him. And what of Iran's response? Was it reasonable under international law? In the last few weeks, practically all its Gulf-state neighbours have been targeted, as well as its drones or missiles landing in Syria, Cyprus, Turkey and Azerbajan. So does the Iranian retalliation justify the American and Israeli attacks under international law? And if any country breaks international laws - are there any real consequences? Presenter: Dr Joelle Grogan Producers: Ravi Naik and Charlotte Rowles Editor: Tom BigwoodContributors: Susan Breau, Professor of International law at the Institute of Advanced Legal Studies, University of London Christian Henderson, Professor of International Law, University of Sussex Éamon Chawke, intellectual property, data protection and commercial law solicitor, Briffa Legal

Dutch political economist Kees van der Pijl analyzes the volatile shifting of global power, focusing on the Middle East conflict involving Israel, Iran, and the U.S. He argues Israel has superseded the EU in the Atlantic relationship with the U.S., leading to a strategy where the U.S. increasingly fights wars to benefit Israeli interests. Van der Peel explores the possibility of false flag operations and the use of technological control systems to manage domestic populations through a state of permanent emergency. He also suggests hypersonic missile technology and drone warfare have fundamentally altered military superiority, potentially signaling the decline of Western imperial dominance. Furthermore, the discussion touches on the historical context of Israeli investments in global IT and intelligence sectors as a means of maintaining geopolitical leverage. Overarching themes include popular resistance in Europe and the emergence of a new multipolar world order led by BRICS. Watch on BitChute / Brighteon / Rumble / Substack / YouTube *Support Geopolitics & Empire! Become a Member https://geopoliticsandempire.substack.com Donate https://geopoliticsandempire.com/donations Consult https://geopoliticsandempire.com/consultation **Listen Ad-Free for $4.99 a Month or $49.99 a Year! Apple Subscriptions https://podcasts.apple.com/us/podcast/geopolitics-empire/id1003465597 Supercast https://geopoliticsandempire.supercast.com ***Visit Our Affiliates & Sponsors! Above Phone https://abovephone.com/?above=geopolitics American Gold Exchange https://www.amergold.com/geopolitics easyDNS (15% off with GEOPOLITICS) https://easydns.com Escape The Technocracy (15% off with GEOPOLITICS) https://escapethetechnocracy.com/geopolitics Outbound Mexico https://outboundmx.com PassVult https://passvult.com Sociatates Civis https://societates-civis.com StartMail https://www.startmail.com/partner/?ref=ngu4nzr Wise Wolf Gold https://www.wolfpack.gold/?ref=geopolitics Websites States of Emergency (BOOK) https://www.claritypress.com/product/states-of-emergency-keeping-the-global-population-in-check Flight MH17, Ukraine and the New Cold War (BOOK) https://manchesteruniversitypress.co.uk/9781526131096 X https://x.com/KeesvdPijl1 Academia.edu https://independent.academia.edu/KeesVanderPijl About Kees van der Pijl Kees van der Pijl (1947) taught at the University of Amsterdam and was professor at the University of Sussex, UK, from 2000. He made his name with The Making of an Atlantic Ruling Class (1984, reprint 2012) and was awarded the 2008 Deutscher Prize for Nomads, Empires, State, Vol. I of a trilogy on Modes of Foreign Relations and Political Economy (2007-2014). He also wrote novels and edited a number of works, most recently STATES OF EMERGENCY: Keeping the Global Population in Check (2022) and The Militarization of the European Union (2021). His previous monograph, Flight MH17, Ukraine and the New Cold War (2018) has been translated into four other languages. *Podcast intro music used with permission is from the song “The Queens Jig” by the fantastic “Musicke & Mirth” from their album “Music for Two Lyra Viols”: http://musicke-mirth.de/en/recordings.html (available on iTunes or Amazon)

Meghan Markle is set to headline a women-only weekend retreat in Sydney during her April trip to Australia, with tickets starting at about $1,800 and VIP packages running around $2,100 for front-row seats and a group photo. The event is being marketed as “a girls' weekend like no other,” complete with yoga, meditation, manifestation workshops, a gala dinner and a fireside-style chat with the Duchess of Sussex.The paid appearance is fueling fresh questions about the Sussex brand, especially as Prince Harry is also due to speak at a separate ticketed event in Melbourne. Critics say the couple's mix of humanitarian messaging and premium lifestyle commerce feels increasingly disconnected. We also look at fresh expert warnings that Meghan's As Ever brand lacks a clear identity, why some consultants think she may be “stronger alone” than alongside Harry right now, and the latest eyebrow-raising promotion offering free chocolate only if customers spend at least $150.Plus: a columnist argues Meghan's social media approach with Princess Lilibet amounts to “performative privacy.”Get episodes of Palace Intrigue by becommming a paid subscriber on Apple Podcasts. Click the button that says uninterrupted listening.  Just $5 a month, and that includes many ofther shows on the Caloroga Shark network.Royal Books:William and Catherine: The Monarchy's New Era: The Inside StoryThe Royal Insider: My Life with the Queen, the King and Princess Diana

To finish off Season 7, we have a gorgeous watercolour by the one and only J. M. W. Turner, which depicts Exhibition on Screen's hometown of Brighton circa 1824, complete with Royal Pavilion and the Chain Pier which was destroyed by a storm in 1896. With special guest Dr Amy Concannon, Manton Senior Curator of Historic British Art at Tate Britain and contributor in our new Turner & Constable film - in cinemas 10 March 2026.Support the show

Prince Harry and Meghan Markle have confirmed they will return to Australia in mid-April, marking their first visit to the country since their hugely publicized 2018 royal tour.The Duke and Duchess of Sussex are expected to take part in a mix of private business, philanthropic and media engagements in Sydney and Melbourne. Meghan is also rumored to appear on the Australian podcast Her Best Life.The trip is already stirring debate because it will take place at roughly the same time King Charles theThird is expected to visit the United States. Royal insider Deep Crown notes that the timing will inevitably create a competing global spotlight.Supporters say Harry and Meghan's more informal approach to visits helps them connect with younger audiences and humanitarian groups. Critics argue the couple continue to operate like a parallel royal court while no longer representing the monarchy.The visit comes seven years after their 2018 South Pacific tour, when the newly married couple drew huge crowds and announced Meghan's pregnancy with Prince Archie.Get episodes of Palace Intrigue by becommming a paid subscriber on Apple Podcasts. Click the button that says uninterrupted listening.  Just $5 a month, and that includes many ofther shows on the Caloroga Shark network.Royal Books:William and Catherine: The Monarchy's New Era: The Inside StoryThe Royal Insider: My Life with the Queen, the King and Princess Diana

A bit of everything today! From Kanye's latest court battle, to your chance to see Meghan up close in Sydney (for a hefty price tag) and sports presenter Mel McLaughlin faces a huge health battle. ☕ Alex Warren opens up about his doomed Grammys performance ☕ Your $3000 chance to see Meghan, Duchess of Sussex in Sydney ☕ Nicole Kidman gives a rare comment on her divorce ☕ Mel McLaughlin's tough cancer battle ☕ Kanye heads to court THE END BITSOnce you’ve devoured this morning’s celeb stories, get your daily news headlines from The Quicky here.Find our new Bridgerton podcast in the Watch Party feed on Apple or Spotify.Support independent women's mediaFollow us on TikTok, Instagram and Facebook. And subscribe to our Youtube channel. Read all the latest entertainment news on Mamamia... here.Discover more Mamamia Podcasts here.CREDITSHost & Producer: Ash LondonExecutive Producer: Monisha IswaranBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Join our 2026 Annual General Meeting on March 11: zoom.us/meeting/register/6aweHqYJRhKE8oSyrAnPLA -- Paid message: Sign up for the University of Zurich International Summer School: freshedpodcast.com/summerschool -- Today we explore higher education in conflict. My guests are Savo Heleta and Mario Novelli. We focus our conversation on the new special issue of the journal Globalization, Societies and Education entitled: Supporting and learning from universities in times of conflict: towards resilience and resistance in higher education, which was co-edited by Helen Murray, Birgul Kutan, Samia Al-Botmeh, Savo Heleta, Sardar Saadi, and Mario Novelli. Savo Heleta is a research associate with the Chair for critical studies in higher education transformation at Nelson Mandela University. Mario Novelli is professor in the political economy of education at the University of Sussex. freshedpodcast.com/heleta-novelli/ -- Get in touch! LinkedIn: @FreshEdpodcast Facebook: FreshEd Email: info@freshedpodcast.com

Today we meet EWP adjunct faculty Suryamayi Aswini Clarence-Smith to explore her work in Utopian studies, shaped by her upbringing in Auroville and her roots in Integral Yoga. We discuss integral approaches to education and her CIIS course, Prefiguring Utopia, which asks what a utopian learning experience might look like. We discuss the limits of rational teleology in utopian praxis and the importance of integral frameworks, like the Integral Yoga of Sri Aurobindo and the Mother, that emphasize the complementarity of multiple ways of knowing, harmonizing the planes and parts of the self, necessary to support collective transformation. The conversation also explores the scholar-practitioner as a site of transformation, and she shares a little about her course at CIIS, Awareness Through the Body, which guides students in exploring embodiment and contemplation, experimenting with their physical and psychic constitution, and we discuss this as a practice of cultivating conditions for transformative experiences grounded in revolutionary, evolutionary, and utopian ideals. Book - Prefiguring Utopia: The Auroville Experiment Book Talk - here Dr. Suryamayi Clarence-Smith is an award-winning scholar, educator and facilitator based in Auroville, India, the largest intentional community in the world. Suryamayi holds a PhD in International Development from the University of Sussex, and a BA from the University of California, Berkeley; she is currently affiliated with the Sri Aurobindo International Institute for Educational Research (SAIIER) in Auroville. Her research on utopian and prefigurative practice has been published by leading editors and publishers in the field, notably in the Ralahine Utopian Studies series (Peter Lang), the Alternatives to Capitalism in the 21st century series (Bristol University Press), and the Antipode Book Series (Wiley). Dedicated to sharing the outcomes of her research to various audiences, she lectures internationally in both academic and activist settings. The EWP Podcast credits Connect with EWP: Website • Youtube • Facebook Hosted by Stephen Julich (EWP Core Faculty) and Jonathan Kay (EWP Phd, Adjunct Faculty) Produced by: Stephen Julich and Jonathan Kay Edited and Mixed by: Jonathan Kay Music: Mosaic, by Monsoon on the album Mandala Introduction Voiceover: Roche Wadehra Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Paul and Zach welcome Nick Goode back to the show to discuss what they've been reading lately. They also talk about Nick's comic Sussex, a WWII espionage thriller that explores mental health and depression. Chapter 3 and 4 of Sussex are currently looking for support on Kickstarter!  Timestamps: 00:00:00 - Start/Last Week in Comics 00:02:10 - Endeavour #1 00:07:34 - Altamont 00:15:23 - Outer Lands 00:20:46 - A Star Called the Sun 00:23:16 - Gideon Falls 00:2600 - Batman/Green Arrow/Question: Arcadia #3 00:29:47 - Sussex 00:54:04 - Wrap Producer: Kait Lamphere & Danny MartinezProoflistener: Nick WhiteEditor: Zander Riggs Music provided by Infinity Shred. Find them on Bandcamp.IRCB Avatars by @ICELEVELIRCB Logo by Kyle RoseSupport us on Patreon to get access to our Patreon-only series: IRCB Movie Club, Saga of Saga, Giant Days of Our Lives, A Better Batmobile, and more! patreon.com/ircbpodcastBuy a copy of our anniversary zine Totally Not A Cult: https://ircbpodcast.com/shop/p/totally-not-a-cult-zine-1Email: ircbpodcast@gmail.comTwitter: @ircbpodcastInstagram: @ircbpodcastDiscord: discordapp.com/invite/E8JUB9sReddit: ireadcomicbooks.reddit.comIRCB GoodreadsMerch: ircbpodcast.com/shop

Four fresh Sussex stories in one tight round-up. Reports claim Prince Harry and Meghan's Jordan visit irritated officials in Washington because it landed during escalating regional tension, with one source calling their presence “unhelpful” and “unnecessary noise.”Critics also branded the trip a “photo op,” while Angela Levin said, “I think it's disgusting,” and alleged some people connected to events in Jordan “are Hamas,” a claim for which no public evidence has been presented.Next, Meghan's As Ever brand takes incoming after a new jam promo photo: commenters mocked the “three spreads” caption against a picture showing five spoons, with one joking, “Either she can't count or two of them are doubled up.”Then the numbers: SimilarWeb data cited by Newsweek suggests traffic to As Ever has climbed from 196,831 visits in October to 268,200 in January, but about two-thirds of visitors reportedly come from outside the United States, where international shipping is not currently offered.And finally, yes, handwriting analysis is now content: a graphologist says Meghan and Harry's notes in Jordan show they are “two very different people,” with Meghan described as more presentation-focused and assertive, and Harry as more reserved and pragmatic.Get episodes of Palace Intrigue by becommming a paid subscriber on Apple Podcasts. Click the button that says uninterrupted listening.  Just $5 a month, and that includes many ofther shows on the Caloroga Shark network.Royal Books:William and Catherine: The Monarchy's New Era: The Inside StoryThe Royal Insider: My Life with the Queen, the King and Princess Diana

Fresh criticism for Meghan, Duchess of Sussex, as Megyn Kelly accuses her of “playing a role” and claims she “doesn't know who she is,” pointing to a viral NBA clip and questioning the couple's approach to privacy. Meanwhile, Sky News Australia commentators mock a potential Royal Lodge stay, with one calling her the “queen of tacky,” and columnist Daniela Elser argues the Sussexes' Jordan trip comes at the worst possible moment amid what she calls “extreme public sensitivity” about royal titles.Plus: GB News calls for Harry and Meghan to be stripped of their titles, reports say the couple have offered their Montecito home to Princess Beatrice and Princess Eugenie during the Epstein fallout, and RadarOnline claims Prince Andrew is “basically trying to find God” as isolation deepens. We also look at questions surrounding Sarah Ferguson's reported stays in Zurich, the UAE and Ireland — and how she funds it all.Get episodes of Palace Intrigue by becommming a paid subscriber on Apple Podcasts. Click the button that says uninterrupted listening.  Just $5 a month, and that includes many ofther shows on the Caloroga Shark network.Royal Books:William and Catherine: The Monarchy's New Era: The Inside StoryThe Royal Insider: My Life with the Queen, the King and Princess Diana

Reports claim Harry and Meghan are encouraging Beatrice and Eugenie to speak publicly about the Epstein fallout, a move some fear could detonate new family divisions. Jan Moir says the Jordan tour made the Sussexes look like “Windsor saints,” while Tessa Dunlop argues William could end the exile with a single public gesture. Attention also turns to the King's high-risk U.S. visit, where lawyers, politicians and the First Amendment could collide with royal protocol.Get episodes of Palace Intrigue by becommming a paid subscriber on Apple Podcasts. Click the button that says uninterrupted listening.  Just $5 a month, and that includes many ofther shows on the Caloroga Shark network.Royal Books:William and Catherine: The Monarchy's New Era: The Inside StoryThe Royal Insider: My Life with the Queen, the King and Princess Diana

This week we do something that we've never done before on the ACP. We read, rate and talk in-depth about the latest issue of 2000AD! Does it hook in new readers? Are the stories killer? Is Judge Dredd still a badass? Is it worth checking out? All this and more get discussed, as well as an insight into comic marts, laser pointers, shenanigans and as always tons of great indie comics to check out! Great stuff to check out: Newport Comic Fair, 2000Ad, Judge Dredd, Zine Tales, Jonny Cannon, Adam Falp, Sussex, Nick Goode, Matt Bunce, Mystic the Megagician, Yo! Comics Con, Green Archer Comics, Lemonade, Ash Comics, Ghosted, Skybound, The Punisher, The Lights of Niteroi, Fantagraphics, Champ

We were invited to join Today Junior in their studio for a live session. We also sat down to talk about how they all came together, some of their make or break setbacks and how they have zero intentions on stopping any time soon. Turns out the Pagan Place and the bandmates have a number of long running tie-ins. If you like what you hear on this episode, Find their singles wherever you stream music and check out their Instagram. The Tracks you'll hear in this episode (all recorded live at their studio): Fired Up, Anything, Life on Mars & Monster. A big thanks to friend of the cast Elissa from Picadilly Coffee Roasters for the closing should out. Definitely the finest roasts that the Maritimes has to offer. If you want to see that they have going on, check out their website , Instagram or pop in if you're every visiting Sussex, NB. You can also find them on Facebook and Instagram. Find us wherever you get your podcasts and follow us on ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠. Special thanks to Frank James. Intro track: "Coldsnap" by ⁠⁠⁠⁠⁠⁠Well Well Well Episode Photo: Kelsey Cassidy

This week, we welcome back comic creator Nick Goode, a good friend from the very beginnings of the show! The guys kick things off with a Retro Round Table dedicated to the greatest spies in pop culture history. They discuss everything from the comedy of Spies Like Us and Inspector Gadget to the gritty realism of Tinker Tailor Soldier Spy and The Imitation Game. Plus, we debate the future of James Bond and settle the score on which N64 shooter reigns supreme. Then we turn our attention to Nick to discuss his comic Sussex: Chapters Three and Four, currently available on Kickstarter! Nick explains how he blends a World War II espionage thriller with personal themes of mental health, anxiety, and depression. It is a fascinating look at how real history and personal struggles come together in Chapters 3 and 4 of his story. Don't miss your chance to back this project! Click the link below! Sussex: Chapter Three and Four Kickstarter Link: https://www.kickstarter.com/projects/nickgoode/sussex-chapters-three-and-four?tab=prelaunch-story Nick on Instagram: @goodie182 CannedAirPodcast.com Instagram: @Canned_Air TikTok: @CannedAirPodcast Thanks for watching! Be sure to like, comment, and subscribe to the channel for more amazing guests and episodes. Check out more exclusive content on Patreon and join the Canned Air community. We appreciate your support!  #comics #comiccreator #kickstarter #spies #podcast #goldeneye007n64 #goldeneye007 #jamesbond007 #popculturespies #wwiispystories Learn more about your ad choices. Visit megaphone.fm/adchoices

Despite significant volumes of illicit finance flowing through the UK, asset recovery from kleptocratic networks remains limited. In this episode, regular KB host Robert Barrington speaks with Maria Nizzero, the Head of Sanctions Policy at UK Finance and Honorary Research Fellow at Exeter University, about her recent research that proposes reconceptualizing kleptocracy as a transnational criminal enterprise. Through comparative analysis of anti-racketeering legislation across multiple jurisdictions, the research identifies five distinctive features that enable more effective prosecution and asset recovery. These include targeting organizational structures rather than individuals, establishing liability through patterns of conduct, employing flexible evidentiary standards, and justifying intervention based on societal harm. The conversation examines how these frameworks address persistent challenges in kleptocracy cases, particularly the problem of tracing assets to historical predicate offenses in uncooperative jurisdictions, and explores the implications of situating illicit finance within national security frameworks rather than traditional corruption paradigms. Links to related papers: Nizzero, M., Heathershaw, J., and Mayne, T. 2026. The Kleptocratic Enterprise: Lessons from organised crime to target transnational corruption and strengthen asset recovery in the UK. GI ACE Working Paper. Brighton: University of Sussex. https://giace.org/resources/the-kleptocratic-enterprise/ Heathershaw, J., Prelec, T. and Mayne, T., 2021. Indulging kleptocracy: British service providers, postcommunist elites, and the enabling of corruption. Oxford University Press. https://academic.oup.com/book/58173 Nizzero, M. (2023). How to Seize a Billion: Exploring Mechanisms to Recover the Proceeds of Kleptocracy. SOC ACE Research Paper No. 16. Birmingham, UK: University of Birmingham.https://www.rusi.org/explore-our-research/publications/external-publications/how-seize-billion-exploring-mechanisms-recover-proceeds-kleptocracy

Harry and Meghan arrive in Jordan for their first overseas trip in 18 months, but the spotlight lands on a $1,000 designer suit, “Duchess Wrinkle Pants,” and a penalty kick against a child. Critics call it a faux royal tour with political undertones, while the couple highlight WHO partnerships, Gaza child evacuations and mental health work. Humanitarian mission or Sussex brand management?Get episodes of Palace Intrigue by becommming a paid subscriber on Apple Podcasts. Click the button that says uninterrupted listening.  Just $5 a month, and that includes many ofther shows on the Caloroga Shark network.Royal Books:William and Catherine: The Monarchy's New Era: The Inside StoryThe Royal Insider: My Life with the Queen, the King and Princess Diana

Prime Minister Anthony Albanese has landed in hot water after using a single word to describe former Australian of the Year Grace Tame... difficult. While the PM has since apologised and clarified he was referring to Tame’s "difficult life" rather than her personality, the comment has reignited a fierce debate about the labels used to silence women who refuse to "play nice". Today we're exploring the long lineage of "difficult" women who were once written off by the powerful, only to later be celebrated as icons who changed the world. And in headlines today, Hilary Clinton tells committee she doesn't recall ever meeting Jeffrey Epstein; Talks between Iran and the US have been paused; The Duke and Duchess of Sussex have visited children in a Jordan cancer centre; Instagram is rolling out a new alert system letting parents know if their children are searching for suicide or self harm content; Gold medal winning Summer Olympian Lauren Parker named on the Aussie Milano-Cortina Winter Olympic team; Former Aotearoa Prime Minister Jacinda Ardern will soon call Australia home THE END BITS Support independent women's media Check out The Quicky Instagram here GET IN TOUCHShare your story, feedback, or dilemma! Send us a voice note or email us at thequicky@mamamia.com.au CREDITS Hosts: Taylah Strano & Claire Murphy Guest: Associate Professor Lauren Rosewarne, University of Melbourne Audio Producer: Lu Hill Group Executive Producer: Ilaria BrophyBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

‘We must build our hard power because that is the currency of the age,' Keir Starmer declared to the Munich Security Conference earlier this month. It's a sentiment shared across Europe, where leaders have cited Russia's invasion of Ukraine, the rise of Chinese power and US instability to justify substantially increased defence spending. But the rearmament consensus has so far not been accompanied by much detail on where the money needs to go or what accountability there will be for the use of this ‘hard power'. To discuss the origins and implications of Europe's militarisation, James is joined by Sam Jones, European security correspondent at the Financial Times, and Anna Stavrianakis, professor of international relations at the University of Sussex.  Read more on politics in the LRB: ⁠https://lrb.me/lrbpolitics⁠ From the LRB Subscribe to the LRB: ⁠⁠https://lrb.me/subslrbpod Close Readings podcast: ⁠https://lrb.me/crlrbpod⁠ LRB Audiobooks: ⁠https://lrb.me/audiobookslrbpod⁠ Bags, binders and more at the LRB Store: ⁠https://lrb.me/storelrbpod⁠ Get in touch: podcasts@lrb.co.uk

Neil Lanctot explains how following the Sussex sinking, Wilson faces pressure to sever German ties, as international ambassadors clash and German leaders grow increasingly distrustful of the American president. 5

Imagine if you were listening to an opera or a Taylor Swift concert, and as the lights in the auditorium dimmed, the music was accompanied by a rainbow of colours only you could see. Perhaps while listening to your friends talking, you simultaneously experience a smorgasbord of tastes, with different words evoking different flavours, maybe a delicious ice cream, or something as disgusting as ear wax... This merging of the senses is known as synaesthesia, and it's the rich research world of neuropsychologist Professor Julia Simner. Julia runs the Multisense lab at the University of Sussex and has pioneered research into understanding how special brains process our sensory world in special ways. In the studio she tests Jim to see if he might be a synaesthete or have aphantasia, which is the inability to view images in the mind's eye. The results are surprising. Julia's discovered links to autism, and to different personality types, as well as a number of previously unknown sensory differences. She describes her career and her life as a series of swerves, or sliding door moments, that have led her to study the subject and the people she's passionate about. She says that the more she looks for these unusual traits in us the more she finds.

Prince Harry has reportedly softened his once rigid stance on keeping Prince Archie and Princess Lilibet completely out of the public eye, aligning more closely with Meghan's controlled and curated visibility strategy. Sources claim Meghan has even received informal brand guidance from Kris Jenner. In a separate development, Meghan is said to be advising Brooklyn Beckham to consider a structured interview — possibly with Oprah Winfrey — following his public family allegations, arguing that narrative control matters. Meanwhile, reports of detailed conditions tied to a possible UK return in 2026, including security demands and accommodation preferences, have unsettled palace aides. Add in renewed scrutiny over Meghan's NBA outing jewellery and body language analysis, and the Sussex spotlight shows no signs of dimming.Get episodes of Palace Intrigue by becommming a paid subscriber on Apple Podcasts. Click the button that says uninterrupted listening.  Just $5 a month, and that includes many ofther shows on the Caloroga Shark network.Royal Books:William and Catherine: The Monarchy's New Era: The Inside StoryThe Royal Insider: My Life with the Queen, the King and Princess Diana

As a starting point for this project, I did some research into the person who played the barrel organs on the recording.It transpired that Freddy Hill (born 1932 in Sussex, UK) was a very gifted man. The son of a headmaster and a clockmaker by profession, he also taught carpentry and music and was an expert restorer of antique musical instruments including the chamber barrel organs in this recording. Freddy was a founder member of the Musical Box Society of Great Britain which was established in 1962. The three barrel organs being played here were built between 1764 and 1850, and the recordings were made in April 1967 after Freddy's repairs and restoration. Most of the sounds on this 42-minute recording are of Freddy speeding through the barrel organ cylinders to check functionality, however the "Morning Hymn'"and "Evening Hymn" sections are played through at a nice pace and stood out to me, so I extracted these as the base for my work. After a number of abandoned approaches, rather than “reinterpret” the sounds, I have built a world around them, orchestrating with strings and brass, and blending sounds both natural and unnatural into the mix aiming to give the finished track a widescreen feel.I considered contacting Freddy to tell him what I was doing, but he died in 2005. It was at that point I realised that this piece could be my small tribute to his life, hence the title I have chosen. Via Facebook I managed to locate someone who knew Freddy, and they have agreed to inform his only known relative; his nephew Michael Richards - of this project and submission. Freddy's collection of clocks, musical instruments and barrel organs were bequeathed to the Royal College of Music.Barrel organs reimagined by Adam Leonard.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

••• Living A Balanced Life, Ep 417b . ••• Bible Study Verses: Genesis 2.18, Psalm 68.6, Philippians 2:5-8 . ••• Part-A Bible Verses: Psalm 61:1-4, Jeremiah 8:22, Proverbs 23:7, Proverbs 4:23, Proverbs 22:28, Luke 10.38-42 . ••• “An exquisite watch went irregularly, though no defect could be discovered in it. At last it was found that the balance wheel had been near a magnet; and here was all the mischief. If the soundest mind be magnetized by any predilection, it must act irregularly”, Richard Cecil, 1748-1777. † ••• “Then the apostles gathered to Jesus and told Him all things, both what they had done and what they had taught. And He said to them, “Come aside by yourselves to a deserted place and rest a while” For there were many coming and going, and they did not even have time to eat. So they departed to a deserted place in the boat by themselves” Mark 6.3-32 NKJV . ••• What are 5-Negative consequences of living an unbalanced life? ••• What are 3-reasons why so many people have adapted a life of social isolation? ••• What are 7-ways to help some to win the battle of the mind? ••• Are you going to ask your small group to pray that you will intentionally live a more balanced life through the power of Holy Spirit? Part-A Bible Study Questions: ••• Why is suicide amongst 5-year olds to 17-years olds the highest it's ever been in such an affluent society? ••• Why are there so many sad people in churches? ••• What is the battle OF the mind? ••• What 2-types of people have no problems or troubles? ••• Why are so many people having difficultly in dealing with everyday issues? ••• What does 'do not remove ancient landmarks' mean in issues of the mind? ••• What are 5-important components of commonsense living? ••• What are 5-Negative consequences of living an unbalanced life? ••• Pastor Otuno expounds on this and much more on the exciting journey of Fresh Encounter Radio Podcast originally aired on WNQM, Nashville Quality Ministries and WWCR World Wide Christian Radio broadcast to all 7-continents on this big beautiful blue marble, earth, floating through space. Please be prayerful before studying The Word of God so that you will receive the most inspiration possible. ••• This Discipleship Teaching Podcast is a listener supported production by all the beloved of God who believe in its mission through prayer and support. Thank you . ••• Broadcaster's Website - https://www.lifelonganointing.com/ . ••• Exceeding Thanks to Universe Creator Christ Jesus AND photo by Etty Fidele Photography, Paris France, https://www.fideletty.com/, https://www.instagram.com/fideletty/, https://www.paypal.com/paypalme/FideleEtty, Direction by gil on his mac with free mac layout software . ••• † http://christian-quotes.ochristian.com/Richard-Cecil-Quotes/ . Evangelical Anglican clergyman of the 18th & 19th centuries. His father was an Anglican while his mother was a Dissenter, whose family had been devout Christians for generations. He later became minister of 2-small livings in Lewes, Sussex. After the death of his parents, he moved, because of bad health, to Islington, London & preached at different churches & chapels there. For some years he preached a lecture at Lothbury at 6 AM Sabbath morning & later an evening lecture in Orange St., followed by the chapel in Long Acre. From 1787 he preached the evening lecture at Christ Church, Spitalfields. In 1788 he became minister of St John's Chapel, Bedford Row, which became a major Evangelical Anglican venue continuing into the mid 19th century . ••• SHARING LINK: https://shows.acast.com/fresh-encounter-radio-podcast/ep417b-winning-the-battle-of-for-the-mind-pt2b . ••• Study Guides at - https://shows.acast.com/fresh-encounter-radio-podcast/episodes . ••• RESOURCE: FREE Max Maclean Chronological Audio Bible! https://tinyurl.com/godspeaks777 . ••• RESOURCE - https://www.soundcloud.com/thewaytogod/ . ••• FERP260228 Episode#417b GOT260228 Ep417b . ••• Winning The Battle Of the Mind, Part-2b of 10: Living A Balanced Life, Ep 417b . ††† Hosted on Acast. See acast.com/privacy for more information.

The fundamental rules of creativity and ownership, established in law since the time of the printing press, are now collapsing under the weight of Generative AI. Its rapid-fire creation is built upon billions of human-authored works, leading to the “Original Sin” of the algorithm: the unauthorized copying of protected content for training. This conflict has ignited high-stakes lawsuits—from the New York Times challenging the AI input phase to the music industry battling against the creation of “almost identical” outputs—forcing the legal system to confront the “Authorship Challenge” and the threat of voice cloning. Join us as we explore the legal and ethical price of convenience with our guest, Dr. Andrés Guadamuz, a Reader in Intellectual Property Law at the University of Sussex and Editor-in-Chief of the Journal of World Intellectual Property. Dr. Guadamuz's groundbreaking research illuminates how centuries-old copyright principles must adapt to find a functional middle way that protects human ingenuity while allowing for technological innovation. Hosted by: Alexa Raad and Leslie Daigle. Further reading: A Scanner Darkly: Copyright Liability and Exceptions in Artificial Intelligence Inputs and Outputs Do Androids Dream of Electric Copyright? Comparative Analysis of Originality in Artificial Intelligence-Generated Works Record Companies Bring Landmark Cases for Responsible AI Against Suno and Udio in Boston and New York Federal Courts, Respectively IP/ENTERTAINMENT CASE LAW UPDATES: New York Times v. Microsoft Corp. The views and opinions expressed in this program are our own and may not reflect the views or positions of our employers.

Meghan Markle is facing online ridicule after posting a promotional clip for her As Ever tea that critics claim looked “unhygienic.” The Instagram Story showed hot water being poured into a pink heart-shaped mug, but viewers fixated on what appeared to be stained white tile beneath it. Social media users piled on, joking about “bathroom floors” and “bacteria adding flavor.”Meanwhile, Prince Harry is set to deliver a paid speech at the International Association of Privacy Professionals Global Summit 2026, where he will discuss digital responsibility and cybersecurity. According to reports, he will receive $50,000 — far below the reported $1 million per speech he once sought after stepping back from royal duties. One insider said the Sussex brand “doesn't carry the same weight anymore.” Get episodes of Palace Intrigue by becommming a paid subscriber on Apple Podcasts. Click the button that says uninterrupted listening.  Just $5 a month, and that includes many ofther shows on the Caloroga Shark network.Royal Books:William and Catherine: The Monarchy's New Era: The Inside StoryThe Royal Insider: My Life with the Queen, the King and Princess Diana

Tara Williams, PhD: Innovative Collegiate Consultants - Supporting Neurodivergent Students Transitioning from K-12 to College. This is episode 817 of Teaching Learning Leading K12, an audio podcast, Dr. Tara Williams is the founder of Innovative Collegiate Consultants and a tenured chemistry professor at College of the Canyons in Santa Clarita, California.  With a PhD in Synthetic Inorganic Chemistry from the University of Sussex, she has spent over twenty years teaching and more than a decade supporting neurodivergent students as they transition from K–12 to college.  Her team specializes in executive functioning coaching and academic support grounded in Universal Design principles to help students build confidence and self-advocacy.  Dr. Williams is currently writing a book about her educational journey and her work with neurodivergent college students, set for release next year. Great conversation! Awesome thoughts and ideas! So much to think about! Thanks for listening. Please share! Before you go... You could help support this podcast by Buying Me A Coffee. Not really buying me something to drink but clicking on the link on my home page at https://stevenmiletto.com for Buy Me a Coffee or by going to this link Buy Me a Coffee. This would allow you to donate to help the show address the costs associated with producing the podcast from upgrading gear to the fees associated with producing the show. That would be cool. Thanks for thinking about it.  Hey, I've got another favor...could you share the podcast with one of your friends, colleagues, and family members? Hmmm? What do you think? Thank you! You are AWESOME! Connect & Learn More: https://innovativecollegiateconsultants.com/ https://www.linkedin.com/in/tara-williams-phd/ https://www.facebook.com/iccedservices# Length - 56:32

••• Living A Balanced Life, Ep 416a . ••• Bible Study Verses: Psalm 61:1-4, Jeremiah 8:22, Proverbs 23:7, Proverbs 4:23, Proverbs 22:28, Luke 10.38-42 . ••• “An exquisite watch went irregularly, though no defect could be discovered in it. At last it was found that the balance wheel had been near a magnet; and here was all the mischief. If the soundest mind be magnetized by any predilection, it must act irregularly”, Richard Cecil, 1748-1777. † ••• “Then the apostles gathered to Jesus and told Him all things, both what they had done and what they had taught. And He said to them, “Come aside by yourselves to a deserted place and rest a while” For there were many coming and going, and they did not even have time to eat. So they departed to a deserted place in the boat by themselves” Mark 6.3-32 NKJV . ••• Why is suicide amongst 5-year olds to 17-years olds the highest it's ever been in such an affluent society? ••• Why are there so many sad people in churches? ••• What is the battle OF the mind? ••• What 2-types of people have no problems or troubles? ••• Why are so many people having difficultly in dealing with everyday issues? ••• What does 'do not remove ancient landmarks' mean in issues of the mind? ••• What are 5-important components of commonsense living? ••• What are 5-Negative consequences of living an unbalanced life? ••• Are you going to ask your small group to pray that you will intentionally live a more balanced life through the power of Holy Spirit? PART-B Bible Study Questions: ••• What are 5-Negative consequences of living an unbalanced life? ••• How do you win the battle for the mind? ••• What are 4-reasons why is the state of your heart is so important in your life? ••• Pastor Otuno expounds on this and much more on the exciting journey of Fresh Encounter Radio Podcast originally aired on WNQM, Nashville Quality Ministries and WWCR World Wide Christian Radio broadcast to all 7-continents on this big beautiful blue marble, earth, floating through space. Please be prayerful before studying The Word of God so that you will receive the most inspiration possible.••• This Discipleship Teaching Podcast is a listener supported production by all the beloved of God who believe in its mission through prayer and support. Thank you . ••• Broadcaster's Website - https://www.lifelonganointing.com/ .••• Exceeding Thanks to Universe Creator Christ Jesus AND photo by Etty Fidele Photography, Paris France, https://www.fideletty.com/, https://www.instagram.com/fideletty/, https://www.paypal.com/paypalme/FideleEtty, Direction by gil on his mac with free mac layout software . ••• † http://christian-quotes.ochristian.com/Richard-Cecil-Quotes/ . Evangelical Anglican clergyman of the 18th & 19th centuries. His father was an Anglican while his mother was a Dissenter, whose family had been devout Christians for generations. He later became minister of 2-small livings in Lewes, Sussex. After the death of his parents, he moved, because of bad health, to Islington, London & preached at different churches & chapels there. For some years he preached a lecture at Lothbury at 6 AM Sabbath morning & later an evening lecture in Orange St., followed by the chapel in Long Acre. From 1787 he preached the evening lecture at Christ Church, Spitalfields. In 1788 he became minister of St John's Chapel, Bedford Row, which became a major Evangelical Anglican venue continuing into the mid 19th century . ••• SHARING LINK: https://shows.acast.com/fresh-encounter-radio-podcast/ep416a-winning-the-battle-of-for-the-mind-pt2a . ••• Study Guides at - https://shows.acast.com/fresh-encounter-radio-podcast/episodes . ••• RESOURCE: FREE Max Maclean Chronological Audio Bible! https://tinyurl.com/godspeaks777 .••• RESOURCE - https://www.soundcloud.com/thewaytogod/ . ••• FERP250214 Episode#416a GOT 250214 Ep 416a . ••• Winning The Battle Of the Mind, Part-2a of 10: Living A Balanced Life, Ep 416a . ††† Hosted on Acast. See acast.com/privacy for more information.

Fresh chatter suggests Meghan Markle could be facing a deeply uncomfortable memoir — this time from former best friend Jessica Mulroney.According to claims attributed to gossip writer Rob Shuter and unnamed publishing insiders, Mulroney has allegedly been approached about a book deal worth up to $1 million. One source claims, “Jessica has absolutely nothing left to lose,” adding, “She saw everything. And she remembers all of it.” Mulroney was once firmly inside Meghan's Toronto inner circle and closely involved in the 2018 royal wedding before their friendship collapsed after Mulroney's 2020 public controversy.Meanwhile, a chocolate promo video featuring Prince Harry has sparked online fascination after eagle-eyed viewers spotted military patches, a “Love You Papa” card believed to be from Archie and Lilibet, and a photo of Princess Diana inside Harry's home office.There are also renewed whispers about Harry's emotional pull toward Britain, with sources claiming he sees the UK as “unfinished business,” even as his family life remains rooted in California. Add in resurfaced claims about Meghan's long-term ambitions, friction with Queen Camilla, and fresh criticism of her As Ever brand — and it's another week of relentless Sussex speculation.As royal turbulence continues, questions are also swirling around a potential U.S. visit by King Charles and whether Andrew Mountbatten-Windsor's legal cloud could complicate diplomatic plans.Palace Intrigue is your daily royal family podcast, diving deep into the modern-day drama, power struggles, and scandals shaping the future of the monarchy."Crown and Controversy: Norway" is covering the trial of Marius Borg Høiby as the Norwegian Royal Family is faced with multiple scandals of their own.Check out "Palace Intrigue Presents: King WIlliam" here.

Dr. Seth is a Professor of Cognitive and Computational Neuroscience at the University of Sussex in the United Kingdom. The author of over 200 research papers, Anil integrates psychology, philosophy, computer science, and neuroscience to explore how our brains generate subjective experiences. Outside the laboratory, Anil has a knack for communication, too. His TED Talk has reached nearly 15 million viewers, and his bestselling book Being You: A New Science of Consciousness takes a baffling topic and makes it relatable and engaging for general readers. Anil joins the podcast to explain why animals may be conscious, but artificial intelligence is not, and why, despite the potential for technological dystopias, he is optimistic about the future. Are you curious about consciousness? Don't miss out on our intriguing story "Can Digital Computers Ever Achieve Consciousness?" by Marcus Arvan on Templeton Ideas. What did you think of this episode? Let us know with a rating and a review! Join the conversation on social media: Twitter, Facebook, Instagram, LinkedIn and YouTube. 

As the Epstein fallout intensifies around Andrew Mountbatten-Windsor, Meghan Markle is reportedly urging Prince Harry to stay silent and avoid being dragged into what one royal expert calls the biggest royal crisis since Princess Diana's death. Duncan Larcombe says Meghan will be wary of “guilt by association” and likely telling Harry, “keep your head down, don't get involved.”Harry is said to be especially distressed for Princess Beatrice and Princess Eugenie, two of the few royals who maintained ties with him. Meanwhile, Meghan is preparing a carefully curated Valentine's Day publicity blitz for her As Ever brand, built around romance and nostalgia — even as speculation swirls about the couple leading increasingly separate professional lives.Reports claim the Sussexes are on “different paths,” with Meghan focused on Hollywood and Harry on Invictus and UK commitments. There are even whispers of contingency plans should things unravel. Add in Kim Kardashian drama, an EastEnders jam joke, and accusations Meghan is in “meltdown mode,” and it's another week of relentless Sussex headlines.Meanwhile, Prince William attempts to refocus attention on conservation efforts in Saudi Arabia — planting trees, praising ecological restoration projects and talking Arabian leopards — as the wider royal storm shows no sign of easing.Palace Intrigue is your daily royal family podcast, diving deep into the modern-day drama, power struggles, and scandals shaping the future of the monarchy."Crown and Controversy: Norway" is covering the trial of Marius Borg Høiby as the Norwegian Royal Family is faced with multiple scandals of their own.Check out "Palace Intrigue Presents: King WIlliam" here.

Who else lives here?    Miles and Dave met in the Sussex countryside (in Dave's garden) to talk about the multispecies relationships which underpin our lives. Their conversation spans the ecology of bees, planting for wildlife, pesticides, and bringing people home to interdependence. Miles and Dave shared a lunch of pasta with mushrooms, nettles, wild garlic, hogweed, and cow parsley.   Dave, professor of Biology at the University of Sussex and author of Silent Earth: Averting the Insect Apocalypse, specialises in the ecology of insects, especially bees. He generously shares his research experiences and insight in their conservation conversation. By being attentive to the garden together, Miles and Dave share and grow in their understanding of what it means to live alongside so many other living things. Dave Goulson's upcoming book Eat the Planet Well can be found here.

How does a singing teacher land a vocal coaching job on a TV drama? In this episode, Alexa is joined by vocal coach, performer and returning guest - Candi Underwood, who shares her experience coaching Matt Smith for the Sky Atlantic adaptation of The Death of Bunny Munro, based on the novel by Nick Cave. They explore how the opportunity came about, what was required on set, and which skills singing teachers already have that translate directly into TV coaching work. Perfect listening for singing teachers curious about taking their work beyond the studio and onto screen.WHAT'S IN THIS PODCAST?  5:03 What is The Death of Bunny Munro?6:42 What was the production company looking for in a vocal coach?10:59 Preparing for the job16:01 Taking a history19:12 Surprising essential skills20:30 Working on technique23:39 Keeping it professional with high profile figures28:53 Top 3 skills singing teachers needs for a TV coaching role32:12 How to get your food in the doorAbout the presenter HERERELEVANT MENTIONS & LINKSSinging Teachers Talk - Ep31. Where to Start with Digital MarketingNick CaveMatt SmithThe Death of Bunny MunroFrank SinatraSinging Teachers Talk - Ep.198 Mastering Singing for Stage, Screen & the Music IndustrySinging Teachers Talk - Ep.242 Understanding Motor Learning: How It Can Help Us Give Better Singing Lessons - Eps. 155 & 156 Building Neurodiversity-Inclusive Voice StudiosSinging Teachers Talk - Ep.222 The Rise of AI: What It Means for Singers & TeachersSinging Teachers Talk - Ep.226 The Rise of AI: Practical Tools and Strategies For the Singing TeacherABOUT THE GUESTCandi Underwood is a professional performer, session singer, vocal coach and founder/leader of City of Stars, a group of intermediate musical theatre choirs across Sussex. With over 16 years of experience in the industry, she's been featured as both a singer and songwriter on BBC Radio 1, BBC Radio 6Music, Kerrang!, Metal Hammer, Radio X, Planet Rock and more, performed at nationwide festivals and featured in TV ads; all while building a successful coaching business dedicated to nurturing healthy, resilient voices and inspiring bold, fearless performances for singers and screamers alike. Most recently she collaborated with Nick Cave and Matt Smith on Sky TV's 'The Death of Bunny Munro', coaching the former through a singing scene, and featured in the Marks & Spencer Christmas Advert with her choir alongside Dawn French.WebsiteInstagram

Acompanhar as notícias internacionais nos deixa com o stress de conviver com um alarme permanente disparado, com a sensação de que as regras que deveriam impedir a escalada estão sempre correndo atrás dos fatos. No #535, a gente usa a estética do jogo War pra organizar o caos: ameaça, coerção, pressão territorial, agressão limitada, guerra — como essas ferramentas estão sendo usadas, por quem, onde e o que elas revelam sobre a crise do multilateralismo. A partir desse cenário vamos para a grande questão do momento: estamos vivendo uma transição ou uma ruptura da ordem internacional? O que está em jogo e como países médios (como o Brasil) se defendem quando o tabuleiro e as regras do jogo mudam? Tivemos o privilégio de receber para essa conversa:Lucas Leite — professor de Relações Internacionais da FAAP; pesquisador (INCT/NEU); doutor em RI; Natália Fingerman — professora de RI (ESPM); coordena núcleo de estudos e negócios africanos; mestrado em Sussex; doutorado na FGV; Passa um café, respira e vem entender melhor o mundo em boa companhia. Vamos juntos!

In this first episode of a new series of Our Plant Stories we are searching for Miriam. To be a bit more precise since this is a podcast filled with plant stories, we are searching for Clematis 'Miriam Markham'.Our search will take us from a graveyard in Sussex to a gardener's cottage on the Gravetye estate where once thousands of clematis were being propagated by Miriam Markham's husband Ernest and the owner of the estate William Robinson.We piece together this story with thanks to Sam Fry, a gardener at Gravetye and Raymond Evison a multi-award winning clematis grower. They'll also teach us how to grow these plants.And we're asking you - have you seen Miriam?Can I share my plant story with you? YES PLEASE! I called this OUR Plant Stories for a reason and that is that I love to hear from listeners wherever you are in the world!You can email me Sally@ourplantstories.com and tell me your plant story. That's all you need to do - I'll do the rest. I'll work out who we can talk to. Can we find someone who shares your passion for the plant, they maybe in the same country as you or the other side of the world. Our Plant Stories is presented and produced by Sally FlatmanThe music is Fade to Black by Howard LevyThis podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

An unlikely critic weighs in on the Sussex saga. Nicki Minaj tells Prince Harry to “go home,” likening him to E.T. while saying she loves the Royal Family and wishes he had not aired its dirty laundry. Meanwhile, Meghan Markle is back in sales mode, surprising Harry with As Ever chocolate on Instagram and reviving a royal-era dress for a new promo that sparked fresh online mockery.  Palace Intrigue is your daily royal family podcast, diving deep into the modern-day drama, power struggles, and scandals shaping the future of the monarchy."Crown and Controversy: Norway" is covering the trial of Marius Borg Høiby as the Norwegian Royal Family is faced with multiple scandals of their own.Check out "Palace Intrigue Presents: King WIlliam" here.

Ben, Phil and Yas react after Nepal fell agonisingly short of beating England in Mumbai and ask the question – is there a case to be made that they deserve more of the ICC's revenue split? Also on the show, Babar Azam's struggles, a broader round-up of the first weekend of T20 World Cup action, Vaibhav Sooryavanshi's U19 World Cup final heroics and ANOTHER new T20 league... 0:00 WPA Health Insurance / 0:34 Intro / 1:11 Nepal vs England / 22:24 Do Nepal deserve more money? / 36:45 Patreon / 37:15 Our brand new show... / 38:28 T20 World Cup / 47:43 U19 World Cup / 56:30 Sussex / 58:50 New Belgian T20 league / 1:00:42 Outro

In October 1986, two young girls vanished in Brighton, Sussex, England. 9 year old Nicola Fellows and Karen Hadaway were playing in Wild Park when a monster murdered them. The main suspect was identified quickly, but missteps in the investigation led to an acquittal. Thankfully, investigators did not give up and over three decades later, the girls finally got justice. The case became known as “The Babes in the Wood” murders after a classic English children's tale and was one of Sussex's longest investigations.  Click here to join our Patreon.  Connect with us on Instagram and join our Facebook group.  To submit listener stories or case suggestions, and to see all sources for this episode: https://www.inhumanpodcast.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Your next chance to play is weekdays at 7:20am!

A packed show for you today! Cricexec's Zee Zaidi explains how Pakistan's boycott impacts the rest of the world game, Paras Khadka talks to Ben about Nepal's cricketing obsession ahead of their game against England and MCC Laws Manager Fraser Stewart tells Yas about some important updates to the Laws of Cricket. 0:00 WPA Health Insurance / 0:45 Intro / 1:27 U19 World Cup / 8:26 What Pakistan's boycott means / 31:51 Sussex / 34:06 Updates to the Laws of Cricket / 56:08 Nepal's cricketing obsession / 1:15:01 Outro

Si vous êtes un fan de la première heure, vous avez déjà écouté le premier épisode de Scandales sur Meghan et Harry, sorti en mars 2022. À l'époque, les Sussex étaient installés en Californie depuis peu, tout le monde s'intéressait au couple qui avait osé claquer la porte de Buckingham Palace, et on ne savait pas trop ce qu'ils allaient devenir… Des héros ou des losers, ou quelque chose entre les deux.  Depuis, il s'est passé 4 ans, autrement dit un siècle dans le monde fou fou des célébrités. Elizabeth II est morte, le prince Charles a été couronné roi, Meghan et Harry ont fait des annonces pharaoniques et signé de juteux contrats, Harry a sorti son livre explosif, Kate a annoncé son cancer… Et on peut se dire que c'est un bon moment pour répondre à cette question : que sont-ils devenus, ou que ne sont-ils pas devenus d'ailleurs ? Comment sont-ils tombés dans les limbes de la détestation des Britanniques et dans quelle mesure ont-ils même fini par saouler les Américains ? Et enfin, l'interrogation ultime : Harry pourrait-il finir par revenir au Royaume-Uni, comme certains le prédisent déjà ?  Au micro de Scandales ce succèdent :Elizabeth Holmes, journaliste américaine basée à Los AngelesMarc Roche, journaliste spécialiste de la famille royale britannique et auteur de Ma vie chez les WindsorNicole Prieur, psychologue spécialiste des relations familiales. Scandales est un podcast de Madame Figaro, écrit et présenté par Marion Galy-Ramounot, et produit par Lucile Rousseau-Garcia. Fanny Sauveplane a été chargée d'enquête. Océane Ciuni est la responsable éditoriale de Scandales, un podcast produit par Louie Créative, l'agence de contenus audios de Louie Média. Cet épisode est à retrouver sur toutes les plateformes d'écoutes : Apple Podcast, Spotify, Deezer et Amazon Music.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Tras la desaparición del imperio romano en Gran Bretaña la isla cayó en manos de un conjunto de pueblos llegados de la Europa continental, fundamentalmente de lo que hoy es Alemania y Dinamarca. Estos pueblos de origen germánico, los anglos, los sajones y los jutos, se apoderaron paulatinamente de la antigua Britannia romana, donde se encontraron con una población local, los britanos, que estaba tibiamente romanizada. Siempre se creyó que la invasión había sido violenta y se materializó desplazando a los britanos. Esta idea tan bien asentada y glosada por las crónicas de aquella época, entre ellas la de Beda el Venerable, ha evolucionado a raíz de los descubrimientos de la arqueología moderna. Fue un proceso mucho más orgánico y tranquilo en el curso del cual las distintas tribus se fueron colonizando el territorio y asimilando a los britanos. Conforme estos grupos se asentaron, la geografía política de la isla se fragmentó en una serie de reinos rivales conocidos como la Heptarquía. Estos reinos eran Northumbria, Mercia, Anglia Oriental, Essex, Kent, Sussex y Wessex. Este periodo fue una era de guerreros y jefes tribales, pero también el escenario de una de las conversiones al cristianismo más famosas de la historia de Europa. Los germanos abandonaron el paganismo y se pasaron en masa a la iglesia de Roma. En ello tuvo mucho que ver la llegada de la misión gregoriana a Kent en el año 597 y la influencia de las iglesias celtas desde el norte. Aquello marcó un renacimiento cultural que floreció especialmente en los monasterios. Fue en estos centros donde se preservó el conocimiento clásico y donde surgieron obras maestras de la literatura y el arte, como el poema épico Beowulf y los manuscritos iluminados que fusionaban la estética entrelazada germánica con la simbología cristiana. La estructura social anglosajona estaba rígidamente jerarquizada. A la cabeza estaba el rey y su séquito de nobles guerreros, conocidos como “thegns”, que estaban vinculados al monarca por lazos de lealtad personal. Debajo de ellos, la gran mayoría de la población estaba compuesta por los “ceorls”, hombres libres que cultivaban la tierra y formaban la base de la economía, que en la Gran Bretaña de entonces era eminentemente agraria. Esta relativa estabilidad se vio sacudida a finales del siglo VIII con la aparición de una nueva amenaza: las incursiones vikingas. Los ataques escandinavos desmantelaron casi todos los reinos anglosajones. Sólo quedó el de Wessex como último bastión de resistencia con el rey Alfredo el Grande a su cabeza. Alfredo detuvo el avance danés y emprendió ambiciosas reformas educativas y militares. Con los sucesores de Alfredo, especialmente el rey Athelstan, se consolidó por primera vez la idea de una Inglaterra unificada, la llamada “Englaland”. Este periodo de madurez política vio el desarrollo de instituciones administrativas algo más complejas, como el consejo de sabios o Witan, y la división territorial en condados o shires. A pesar de la conquista normanda en 1066, que marcó el fin de la era anglosajona, el legado de este pueblo perduró en el idioma inglés antiguo, en el sistema legal de derecho consuetudinario y en una estructura parroquial que sobreviviría durante siglos, lo que vendría a demostrar que los anglosajones no fueron simples invasores, sino los padres de lo que terminaría siendo Inglaterra. Para tratar este tema nos acompaña Yeyo Balbás, bien conocido por la audiencia de La ContraHistoria y que, aparte de ser toda una autoridad en lo referente a los visigodos, sabe mucho también de los anglosajones. A él se debe la traducción de “Anglosajones. La primera Inglaterra”, el libro de Marc Morris que publicó hace no mucho la editorial Desperta Ferro. Bibliografía: “Anglosajones. La primera Inglaterra” de Marc Morris - https://amzn.to/3NJqE1O “La Inglaterra anglosajona” de Carlos Domínguez - https://amzn.to/4roXcwD “Breve historia de Inglaterra” de Simon Jenkins - https://amzn.to/4t8oLM2 “La formación de Inglaterra” de Isaac Asimov - https://amzn.to/4a2aEiV Colección Grandes Autores de la Literatura Gredos - literaturagredos.com · Canal de Telegram: https://t.me/lacontracronica · “Contra el pesimismo”… https://amzn.to/4m1RX2R · “Hispanos. Breve historia de los pueblos de habla hispana”… https://amzn.to/428js1G · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Contra la Revolución Francesa”… https://amzn.to/4aF0LpZ · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #anglosajones #inglaterra Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

The pipes and flutes of curlews, oystercatchers and redshanks rise occasionally above the rush and roar of breakers on this little visited haven along the Sussex coast. You walk along the high tide line, splashing through pools of cockle and limpet shells. BBC Countryfile Magazine's Sound Escapes are a weekly audio postcard from the countryside to help you relax and transport you somewhere beautiful, wherever you happen to be. Recorded by Fergus Collins and introduced by Hannah Tribe. Email the Plodcast team – and send your sound recordings of the countryside – to: theplodcast@countryfile.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Outlouders, have a little listen to today's subscriber episode. Listen to the full episode of A Royal Summer Update Of Very Big Feelings at 5pm today. Not a subscriber? Get on it.Mia's firmly in charge on today's subscriber episode — and taking the Royals with her. Holly and Jessie join her to dissect the Sussexes’ messy summer of rebrands, resignations and 'philanthropy', and ask the question no one in Montecito wants to answer: can you be famous and furious about fame? Half-in, half-out? Not in this economy. We get into leaked photos, charity confusion, royal egos, sibling feuds, e-scooters on palace grounds and why being announced as “Duchess” when no one’s in the room might be… a choice. It’s chaotic, deeply opinionated — and exactly why you’re here.Remember, this is just a taste; an amuse bouche for podcast gourmets. The full auditory meal is coming in hot at 5pm for subscribers. We’re giving away a Your Reformer Pilates bed (worth $3,400). And the good news is — as a subscriber, you're already in the running to win.

Episode 88 Occupied by Tim Rich   Tim Rich reads ‘Occupied' and discusses the poem with Mark McGuinness. https://media.blubrry.com/amouthfulofair/media.blubrry.com/amouthfulofair/content.blubrry.com/amouthfulofair/88_Occupied_by_Tim_Rich.mp3 This poem is from: Dark Angels: Three Contemporary Poets Available from: Dark Angels is available from: The publisher: Paekakariki Press Amazon: UK   Occupied by Tim Rich We buttered the cat's pawsand baked bread in borrowed tinsto make the unfamiliar speak of pleasureand our intentions to remain All that first daythe house talked to itselfabout us Later than I expected, light withdrew across our table, unopened cratesback through thin glasstowards tomorrow So the room released its formand we sat among one anothergiving our ears to the conversation:inner doorways muttering behind flat hands; oak floors—masonic in their black treacle gloss—deciding whether to settleunder our presence Later still, in bed, I stared sideways into an unlit universe, absentlymindwalking the bounds,relocking iron door-bolts like an old rifle, drawingdrawn curtains a little closer,charting the evaporating pathbehind that plane's descent In time, each stray thought went to its home, leaving this accommodation to take place: the air held here sighing gently,like contented tortoise breaths; the softening percussion of bodies sleeping; the punctuating crack and hiss as fresh eggs are brokeninto a smoking pan; someoneopening a window   Interview transcript Mark: Tim, where did this poem come from? Tim: So, almost always for me, poems just emerge out of some sort of inner dusk. I'm not someone that can go to their desk with a plan to write about a particular message or topic or piece of content. The poem just presents itself to me. And actually I don't really have any choice in the matter. I'm sort of just forced to be a transcriber in that moment. And I was looking at the sea the other day, and I had this moment when I just thought my poems are a bit like strange sea creatures that live on the seabed. And at a particular point in their life, they decide that they just want to go to the light and they start floating up through the murky water and explode in bubbles on the surface. And, you know, hopefully I'm there sitting in the poet's boat ready to haul them on board. So, that's almost always how poems start for me. And this poem very much began that way. I was at home on a winter's evening, and it just began to come through me, as it were. And the context for that was that after many years of living in the same house, my wife and I were starting to think about the possibility of moving. And, you know, it was a really exciting prospect but also it definitely was stirring up the sediment of my unconscious. I'm someone that really feels the need for a settled home, a settled place, and this unsettled me. So, I think that that was what was giving the raw energy to the content. And there was something else, which is what informed the scenery of the poem, if you like, which is this idea of light withdrawing from a space and what that does within the space. And when I was 11, I was living just with my dad, and he would come home from work later than I would get home from school. So, for the first year or so, he arranged for me to go to some elderly neighbours on the way home from school. So I was, sort of, watched, and we would sit in their front room, and they would load up their coal fire. And through the windows, the sun would set slowly, and they were so calm. They would hardly speak. When they did speak, it was about these, kind of, wonderful domestic details like, you know, what needs to be chopped for dinner, or are there any windfalls in the garden that we can harvest tomorrow? It was very, very calm. And, you know, the coals in the fire were glowing red, but the rest of the room just lost its light. And I remember the shape of their very heavy old furniture, and the picture frames, and the curtains all began to disappear. And that must have just lodged somewhere deep within me, because that's very much, as the poem came out, where I was also taken to in my mind. Mark: So, I like this. So, I mean, to put it bluntly, it's not like you moved into a house and then you wrote this. You were thinking about moving and then a house emerged from your unconscious, from memories of other houses and so on. Tim: Yeah, yeah. Absolutely. Mark: And I think that's kind of a salutary thing to hear because… And this is a poem that really you read it and you totally believe it. It feels like a first-hand account of, well, we did this and this is what happened. And yet you're, kind of, pulling the rug from under our feet here, which is a nice thing in poetry. I think that you can't necessarily take it literally or face value. Tim: Well, we moved house… Yeah, we moved house about six months after I wrote the poem. So, I went through the experience of living the poem, which seems to be quite a good way around. Mark: Did you conjure the house, Tim? Tim: Actually, it was wonderful because it confirmed to me part of what motivated the poem, which is that I think we can all become a little bit… I don't know. Complacent seems to be too loaded a term, but we get so used to how our houses speak that we stop hearing them. And actually, there's this kind of wonderful symphony going on the whole time, you know, radiators making those strange percussive noises, and the way that the door squeaks, or suddenly, you know, how your staircase gets to a particular temperature in the middle of the night and decides to squeak. And they're constantly making these noises. And when you're living there, you stop hearing them. But when you move to somewhere for the first time, or sometimes if you go and stay in a haunted Airbnb in the woods, that first night particularly, everything's coming to you fresh. So, I think there's a strong sense of what's it like when a person moves into a space for the first time and that space has a character, and an energy, and a being of its own. Mark: So, really it's that state of heightened awareness, isn't it? You know, apparently this is how the mind works. If you've got a constant stimulus, the mind will tune it out. It's that Heaney line, you know, ‘The refrigerator whinnied into silence,' which is just that moment of… You only hear the fridge when it stops. Tim: Yeah. Mark: And what you're describing is the reverse of that. When you're in the house for the first time and everything is new and you're on hyperalert for the voices of the house. Tim: Yeah. And we're listening to our houses right now because there's a 1066 Line train from Hastings that's just gone into the tunnel over there. But we probably can't quite hear it on the microphones, but it's in the air and it's just touching elements of the house. And we're surrounded by this the whole time. And I think it's important to say, as soon as the poem had laid itself out on the page for the first time, it was clear to me that this poem was about people moving into a home for the first time, but it is also quite a vivid description, I think, of what was going through me at the time in terms of that unsettled nature. You know, I was quite surprised by the nature of the metaphors that my unconscious had presented me with. I mean, it's quite a portrait of anxiety to double-check the curtains, to lock a bolt as if it's an old rifle. You know, this is partly a portrait of an unsettled, anxious mind, which is, I think, something that I was going through at the time. Mark: And you've got some great similes, you know, the iron door bolts like an old rifle. And there's this lovely bit where you talk about ‘drawing drawn curtains'. And if you look on the website, then you can see that there's a line break after drawing, so it's drawing, line break, drawn curtains, which really just emphasises it's already drawn. You don't need to do it. This is the OCD kicking in, which really speaks to that anxiety you're describing. And I really love the second section where you say, ‘All that first day, the house talked to itself about us,' which is just a wonderfully unsettling idea that we are the intruders and the house has an opinion. Tim: Yeah, I definitely wasn't being sort of whimsically mystical about infrastructure and materials. It was definitely the feeling that there is an exchange when animals, human and other, come into a space. There's a change in energies and temperatures and sound and smells. And, you know, the dynamism of creatures come into a space that has been unoccupied, which is what generally most houses are, you know, sometimes for days, sometimes for months, and years before the new occupants come in. And I was just really taken with that idea that the house also needs to find its way of settling under these new occupants. And that seemed like a moment of 24 hours of the two parties eyeing each other and listening to each other and wondering about, ‘Who is this that I need to live with for these next years?' Mark: And it's quite a humbling poem, isn't it? Because, you know, when you think of owning the house or occupying the house, it's like you're the one in charge. But this poem just kind of subverts that idea that it's the house that's weighing us up, as in the people in the poem. It made me think of that TV series David Olusoga does, A House Through Time, where he gets an old house, and he goes through the records, and he looks at all the people who lived in the house and tells their story. And there's quite a lot of them, like, much more than I would have expected. You know, each episode goes on and on and on, and you just realise the house is staying there. The house is constant. These people, they're temporary. They might think they're the owners, but we're just passing through. Tim: We are passing through. It is a reminder of our mortality and our houses often way outlive us. Also, in recent years and decades, there's been an increase in the way in which people work from home, but that isn't a new thing. So, I wrote this poem in the house we lived in before, which was built to be a weaver's cottage, a live/work weaver's cottage. And, you know, they would find their living accommodation in quite modest corners of the house because a lot of it, at different times in the process, was given to equipment and storing material and a very intense version of live/work and working from home. And, you know, I think that part of when people suddenly a whole generation through particularly lockdowns but also just this change in working habits are spending much more of their life within the home quite often and what that means in terms of their relationship to the space and how the house relates to that. Tim: I think, just as I'm speaking, it occurs to me that perhaps also part of the influence of the atmosphere in the poem is around some of the fiction that I enjoy. And I haven't thought about this until we were talking now, but I like an M. R. James novel, or, you know, The Haunting of Hill House has just come to mind, and buildings and atmospheres that speak, as sort of some of the atmospheres you get in a Robert Aickman type horror novel. So, some of the classic British horror novels and that type of fiction. And just as we were talking about that, and I was also casting my eyes down the poem, there's some of the dusk that you get with those places, which is in this poem. And it's great, isn't it, coming back to one of your own poems quite a while after you wrote it, and you perhaps see some of the reasons for its being in a slightly different way. Mark: I mean, that's the basic premise of the haunted house is that the house is alive. I mean, you've not gone full Hammer Horror with this one. It's maybe a little more subtle, but you've definitely got some really wonderfully suggestive details. I loved ‘inner doorways muttering behind / flat hands, oak floors – masonic / in their black treacle gloss'. And that's so true. There are so many of these old houses. It's like, what happens to the wood? How does it get to be like treacle? And there's that heaviness and that opacity about it that you convey really well. Tim: Yeah. I was taken with the idea of the house being almost quite an august figure in some ways. It would be wrong to say it's proud of itself, but deciding whether to settle under our presence is quite… Mark: It's not aiming to please, is it? Tim: It's not. It's not easily won over. I mean, you know… Yeah, let's see what these new occupants are like. You know, what do they get up to? What are their tastes? What do we think of the prints that they put up on the wall? Mark: Yeah. Will they get it? Will they behave themselves? So you've got this lovely line in the third paragraph, ‘So the room released its form / and we sat among one another.' Well, thinking about the form of the poem, how close is this to, say, the first draft when you were hauling the sea creature out from the depths over the side of your poetic boat? Tim: Yeah, when the poem came out onto the page, it actually made a demand of me. It said, ‘I don't want you to put me into very organised type measures. I don't want to be sorted into regular stanzas. And also, I want you to be quite careful about any linguistic bells and whistles.' It just was a bit like the house. It had almost a sort of slightly stern feeling to it as a poem. It was very clear, and it was saying each of these stanzas, or scenes maybe, has to be as long as it wants to be. ‘I don't want you to spend time evening things up or creating consistency.' And there are many other poems that I've written where, of course, I'm deliberately very measured, very consistent. At the moment, a lot of the poems I'm writing have a lot of half rhymes but particularly a lot of internal rhymes. And, goodness, audaciously, you know, I even have a rhyming couplet in a poem that I'm working on at the moment. But this poem just said, ‘I don't want any of that.' Now, that's not to say that there aren't some half rhymes or suggestions of rhymes, and certainly some lovely withholding with words at the end of the line that only resolve as you move through into the next line, the enjambment of the word and the meaning falling over into the next line. Definitely that happens. But I tried to edit this into different shapes. I probably tried it five different ways, and each time it just felt wrong quite quickly actually. I tried to give it a consistent number of lines per stanza, and it repulsed me as a poem. It just said, ‘No, I need to be this free form.' And also, I had to accept that it's probably a little bit messier than I normally feel comfortable with. And it was good. I was like, ‘Actually, you know, just stop fighting. Just stop fighting it.' Sometimes your poems can be more irregular, more free, less obviously organised. And I think it has its rhythms that hold it together. It does for me. And listeners will decide, when they hear it, whether those rhythms are actually holding it together. Mark: Well, for me, it feels a bit like one of those old houses where you go in and there's not a right angle in sight. You know, the floors are sloping. The doors have to be a kind of trapezium to open and close, which I think is obviously true to the spirit of the thing. And it's like the house itself. It's not trying too hard. You can read it quite quickly, and it seems quite plain-spoken and spartan. But when you look, you notice the little details. Like, you know, there's the door bolts like a rifle, and the ‘nasonic', a wonderful adjective. And I've just noticed now, as we were talking, in the final verse, ‘In time, each stray thought / went to its home, leaving this / accommodation to take place'. And that's a lovely reframing of ‘accommodation', because the everyday sense is a place where you go and live, but it's an accommodation in the sense of a mutual alignment, almost like a negotiation or getting used to each other, which I think is really delightful. Mark: Okay, Tim, so I have to ask, looking again at the poem, what on earth is going on with buttering the cat's paws at the beginning? Tim: So, buttering the cat's paws is a bit of folk wisdom. And the idea is that when you move to a new house, if you have a cat or cats, that you actually put lovely, creamy butter on their paws and that they, you know, as cats do, will then spend time licking and licking and licking. And it means that more of their scent is put into the floor and the grounds of the place so they feel at home quicker and sooner. So they're sensing the place much more actively sooner. Now, I don't think there's any scientific evidence to suggest it works. But, you know, if anyone has any experience with this, I would love to hear it. But I don't really care, because the whole image of spreading beautiful, creamy butter onto the paws of the cat and that somehow just inviting them to feel that this place is home is more than enough for me. And I'd heard the phrase years and years and years before. And again, I think it was just the very first phrase that came out as the poem emerged. I think it was opening the doorway to the poem, and it felt very natural for it to be the beginning of the poem. I wonder now, looking back, whether there's something to do with the eye opened with an animal spirit. And so much of this poem really has come up from the unconscious. And I'm not starting with a very measured, conscious human, you know, activity or… I'm not saying, you know, ‘we made the decision to move'. It's not a person-led piece in the sense that, okay, we're doing the buttering, but it's the cat that's front and centre in that open line. And that's not something that I particularly thought about consciously at the time. But looking back, I think there's a hint there that we're not just talking about a straightforward human, rational response to living in a place. There are animal spirits too. Mark: Yeah, and it feels like a wonderful piece of folk magic. I mean, cats are magical creatures like witches' familiars. And, you know, maybe there's a magical aspect to that. It's a little ritual, isn't it? Tim: It is. I had a question for you, but it just came out of part of my experience of this poem going out into the world, which is that I've just been surprised, in a wonderful way, by how diverse and often surprising people's responses are to poems, how I can never really tell what it is about a poem someone's going to pick up and come back to you about. You know, for example, someone has given copies of this poem to friends when they move house. Mark: Oh, lovely. Tim: …as a housewarming present, a printed letterpress, which is very, very beautiful. Someone else said that they really loved sort of, what did they say, the soft absurdity around the house being almost this grand piece. And others have responded in different ways. And I think it's one of the wonders of poetry, maybe something that doesn't get talked about quite so much, which is that we interrogate the meaning for ourselves. And if you work with your editor and sometimes reviewers, meaning is discussed. But actually, my experience, when poems go out into the world, is it's just incredible how broad the range of response is and what people pick up on. And I suddenly think, well, is that just my experience? So what's it like for you? Are you constantly surprised by what people pick up and come back to and focus on with your poems? Mark: Yeah, it's a little bit like a Rorschach test, isn't it? People see themselves in it to a degree, or they see something that will resonate for them. And to me, it's the sign of a real poem if it can do that, if different people see different things in it. If it was too obvious and too, you know, two-dimensional, then that's fine, but it's not really a poem. And I think this is part of the magic of why poems can persist over time. Society is shifting all around them. Maybe a few of the houses are constant, but the poem still inhabits the space, and people still relate to it for decades or hundreds or even thousands of years sometimes. Tim: Yeah, I think there's an important point for poets that you have to maintain your confidence in ambiguity and what might feel like potential confusion. Of course, you need to think through how you're writing it and avoid unintended, poor consequences. But there's also a point in which I think you have to protect some of the messiness of meaning and not try to pin things down too much. Of course, there are different types of poets, and some poets need to be very clear and very message-driven. But I'm thinking, for me, there are sometimes moments when I think, ‘Am I just leaving this hanging and ambiguous and a bit dusky in terms of meaning?' And that's the point at which I think, ‘No, quite often just trust that people will find their own way into the poem.' Mark: Yeah, absolutely. And this is something I've seen a lot in classes, and it certainly happened to me very often. You know, the teacher will say you can cut the last line because we already get it. You don't need to underline the message of the poem. Sometimes we feel a bit nervous just leaving it hanging. And you've absolutely had the confidence to do that with the wonderful ending of this, where you talk about ‘the punctuating crack and hiss / as fresh eggs are broken / into a smoking pan. Someone / opening a window' – and that's it. I mean, tell me about that ending. How did you arrive at that? And did you go back and forth? Did you think, ‘Can I leave that window open, that line?' And by the way, listener, there is no full stop either to hang on to at that point! Tim: Yeah. I have to say, I do find myself clearing away more and more of the furniture of the poems. And there is a very deliberate lack of a full stop there. It was all there in the first draft that came out. It wasn't a constructed or reconstructed ending later on. Again, the poem seemed to want to open into something rather than close itself down and make a point. I think that in the action of the poem, we've moved through this dusky night, including a sort of bout of insomnia, of staring into the darkness. And then morning is coming, and it's full of new things. And there is something about that morning of waking up in a new house. What a moment in someone's life that is. Mark: Yeah. Yeah, yeah, yeah. Tim: It's just extraordinary. And there's a natural link there into the egg as a symbol. Something new, something is being born. And yeah, there may be many reasons why that window needed to be open. The smoke from the pan is one thing, which is all about the… Mark: Right, right. Setting the smoke alarm off! Tim: Yeah, it goes off in our kitchen quite often. And of course, the cooking is, again, this thing of humans being in a house and occupying it and all of the energy and dynamics. And how are you most going to make a new home your own? You're going to get out and start cooking and making a mess and eating together and getting things moving. I have no idea who the someone is, and I don't know what their motivation is for opening a window. And I like that. Mark: Okay. Well, let's have another listen to the poem and maybe, you know, each of us, as we listen to this this time, just see what associations come up for you. You know, houses you've lived in, places you've been, memories it conjures up. Thank you very much, Tim. What a lovely space to explore with this poem.   Occupied by Tim Rich We buttered the cat's pawsand baked bread in borrowed tinsto make the unfamiliar speak of pleasureand our intentions to remain All that first daythe house talked to itselfabout us Later than I expected, light withdrew across our table, unopened cratesback through thin glasstowards tomorrow So the room released its formand we sat among one anothergiving our ears to the conversation:inner doorways muttering behind flat hands; oak floors—masonic in their black treacle gloss—deciding whether to settleunder our presence Later still, in bed, I stared sideways into an unlit universe, absentlymindwalking the bounds,relocking iron door-bolts like an old rifle, drawingdrawn curtains a little closer,charting the evaporating pathbehind that plane's descent In time, each stray thought went to its home, leaving this accommodation to take place: the air held here sighing gently,like contented tortoise breaths; the softening percussion of bodies sleeping; the punctuating crack and hiss as fresh eggs are brokeninto a smoking pan; someoneopening a window   Dark Angels: Three Contemporary Poets ‘Occupied' is from Dark Angels: Three Contemporary Poets, published by Paekakariki Press. Available from: Dark Angels is available from: The publisher: Paekakariki Press Amazon: UK     Tim Rich Tim Rich grew up in the woods of Sussex and now lives and writes by the sea in Hastings. His poems have been published in numerous anthologies and journals, including Dark Angels: Three Contemporary Poets (Paekakariki Press) and Poet Town (Moth Light Press). The Landfall series – exhibited at the Bloomsbury Festival, London — brought together his poetry and photography. He has five poems in the anthology Family Matters, a collection of poetry about family, to be published in 2026. Alongside poetry, Tim writes, edits and ghostwrites books.  timrich.com Photograph by Maxine Silver   A Mouthful of Air – the podcast This is a transcript of an episode of A Mouthful of Air – a poetry podcast hosted by Mark McGuinness. New episodes are released every other Tuesday. You can hear every episode of the podcast via Apple, Spotify, Google Podcasts or your favourite app. You can have a full transcript of every new episode sent to you via email. The music and soundscapes for the show are created by Javier Weyler. Sound production is by Breaking Waves and visual identity by Irene Hoffman. A Mouthful of Air is produced by The 21st Century Creative, with support from Arts Council England via a National Lottery Project Grant. Listen to the show You can listen and subscribe to A Mouthful of Air on all the main podcast platforms Related Episodes Occupied by Tim Rich Episode 88 Occupied by Tim Rich  Tim Rich reads ‘Occupied' and discusses the poem with Mark McGuinness.This poem is from: Dark Angels: Three Contemporary PoetsAvailable from: Dark Angels is available from: The publisher: Paekakariki Press Amazon: UK... Dover Beach by Matthew Arnold Episode 87 Dover Beach by Matthew Arnold  Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold.Poet Matthew ArnoldReading and commentary by Mark McGuinnessDover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies... Recalling Brigid by Orna Ross Orna Ross reads and discusses ‘Recalling Brigid’ from Poet Town.

A road map for taking the pressure off.    Claudia Hammond is an award-winning writer and broadcaster. She is Visiting Professor of the Public Understanding of Psychology at the University of Sussex and is the presenter of BBC Radio 4's All in the Mind. Her latest book is Overwhelmed: Ways to Take the Pressure Off.   In this episode we talk about: How to define "overwhelm" – and modern causes for its existence Why the search for perfection is futile  Claudia's three-part recipe for handling overwhelm Antidotes for the comparing mind  What we should all know about procrastination  How to not let the news overwhelm you  What we learn from regret – and how to stop beating up on your past self A key technique for worrying less The case for nostalgia How to get into a "flow state"   Related Episodes: If You Want To Be More Productive, You Need More Rest. Here's How To Get It. | Claudia Hammond   Get the 10% with Dan Harris app here Sign up for Dan's free newsletter here Follow Dan on social: Instagram, TikTok Subscribe to our YouTube Channel   Additional Resources:  The Art of Rest: How to Find Respite in the Modern Age The Keys to Kindness Time Warped: Unlocking the Mysteries of Time Perception Mind over Money: The Psychology of Money and How to Use It Better Emotional Rollercoaster: A Journey Through the Science of Feelings Claudia's BBC Podcasts Thanks to our sponsor:  Function: Visit functionhealth.com/Happier or use the gift code Happier25 for a $25 credit towards your membership. To advertise on the show, contact sales@advertisecast.com or visit https://advertising.libsyn.com/10HappierwithDanHarris  

The Duke of Sussex has been giving evidence in the high court, accusing the publisher of the Daily Mail of ‘grave breaches of privacy' and unlawfully gathering information. The prince is joined in the legal action by a group of other notable figures including Sir Elton John, Liz Hurley and Doreen Lawrence. Lucy Hough speaks to the senior national news editor Aaron Sharp. Help support our independent journalism at theguardian.com/infocus

In 1933 when a young, London inventor died under suspicious circumstances, his two surviving brothers turned to the talents of spiritualist mediums in the hopes of finding some answers to the many questions they had following the wholly satisfying inquest. Over a period of six months, the two men sat for several well known mediums, but by the end of it all, were given no hard answers to any of the bigger matters; Exactly who had been with him at the time of his death, and how had it come about? If anything, they were only asked a new question; Were any of the details given by the mediums to be trusted at all?SOURCES Gay, Kathleen (1957). The case of Edgar Vandy. Journal of the Society for Psychical Research 39, 2-61. London, UK. Mackenzie, Andrew (1970) The unexplained; some strange cases in psychical research. Abelard Schumann, London, UK. ​​Keen, M. (2002). The case of Edgar Vandy: Defending the evidence. Journal of the Society for Psychical Research 66, 247-59. London, UK. West Ham & South Essex Mail (1912) Funeral of Mr G.H Vandy. West Ham & South Essex Mail, Fri 7 June 1912, p8.  London, UK. Liverpool Daily Post (1967) The Unexplained. Liverpool Daily Post, Mon 6 Feb 1967, p9. Liverpool, UK. BBC (1975) Leap in the Dark. [Video] https://youtu.be/_9LrYSWaDxY?si=pdJCgxyv7j0ziQTU. BBC, London, UK. Sussex Express (1933) Bathing Fatality At Nutley. Sussex Express, Fri 11 Aug 1933, p5. Sussex, UK. ------ For almost anything, head over to the podcasts hub at ⁠⁠⁠⁠⁠darkhistories.com ⁠⁠⁠⁠⁠ Support the show by visiting our Patreon for bonus episodes and Early Access: ⁠⁠⁠⁠⁠https://www.patreon.com/darkhistories⁠⁠⁠⁠⁠ The Dark Histories books are available to buy here: ⁠⁠⁠⁠⁠http://author.to/darkhistories⁠⁠⁠⁠⁠ Dark Histories merch is available here: ⁠⁠⁠⁠⁠https://bit.ly/3GChjk9⁠⁠⁠⁠⁠ Connect with us on Facebook: ⁠⁠⁠⁠⁠http://facebook.com/darkhistoriespodcast⁠⁠⁠⁠⁠ Or find us on Twitter: ⁠⁠⁠⁠⁠http://twitter.com/darkhistories⁠⁠⁠⁠⁠ & Instagram: ⁠⁠⁠⁠⁠https://www.instagram.com/dark_histories/⁠⁠⁠⁠⁠ Or you can contact us directly via email at ⁠⁠⁠⁠⁠contact@darkhistories.com⁠⁠⁠⁠⁠ or join our Discord community: ⁠⁠⁠⁠⁠https://discord.gg/cmGcBFf⁠⁠⁠⁠⁠ The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that.   Learn more about your ad choices. Visit megaphone.fm/adchoices