Podcasts about edinburgh scotland

Ben Lowe's journey into agriculture is nothing short of inspiring. From having no farming background to managing a diverse enterprise in Aberdeenshire, Ben has proved that determination and innovation can lead to incredible success.

mike@niddrie.org (Niddrie Community Church)no

He had a STEPHEN COLBERT TV series and plays comedy clubs worldwide, including New York, Edinburgh and London. He's been on channels including Comedy Central and is big on social media. He's done multiple shows at the Edinburgh Fringe Festival. He had a recurring role in a Stephen Colbert show who's one of the huge US late night talk TV presenters and presents The Late Show which has remained the highest-rated US talk show for seven consecutive seasons  and won 9 Emmy Awards. Stand up is his big love and he thrives in front of a live audience with his hilarious stories, audience interaction and powerful songs. This is best in London, according to   Otter Lee Please FOLLOW and SUBSCRIBE TO  BEST OF LONDON as we have great shows coming up. For links on all the platforms and social media, just click here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/bestolondon ⁠⁠  E-mail: ben@lifemac.com ⁠⁠⁠ben@lifemac.com⁠⁠⁠ You can listen to the FULL episode which this HIDDEN GEM is taken from by going to the previous edition of BEST OF LONDON or by clicking here: https://open.spotify.com/episode/60sI0DM2AdP3g8GspjAiqU?si=G0YBvUczRBWKD-529adxIA Each week I ask a guest 7 questions including what's your best London venue, event, place to eat, area and London Lifehack. You'll find out the best things to do and places to go. I read and reply to all your e-mails. Intro and Outro music by Ben Holland Best of London is presented and produced by Ben Holland and Ben Afleck. Best of London Instagram/x is @bestolondon with NO F Ben's instagram is @benpodz Ben's TikTok is @bentiktoks We are on X @bh27 BEST OF LONDON logo and artwork by Bob Magill of ⁠⁠⁠⁠⁠⁠recolodesign.com⁠⁠⁠⁠⁠⁠. If you or your company would like to work with him email: ⁠⁠⁠⁠⁠⁠bob@recolodesign.com⁠⁠⁠⁠⁠⁠ Follow and subscribe to BEST OF LONDON for links on ALL the platforms including apple podcasts, amazon music, audible, instagram, twitter/x and Facebook, please click here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/bestolondon⁠⁠⁠

MONOLOGUE Canada's Spineless Surrender: Extremists Thrive, Leaders Shrug Liberals to vote for new leader Mar. 9 with tightened membership rules https://tnc.news/2025/01/10/liberals-to-vote-for-new-leader-mar-9/ Elections BC to probe election complaint lodged by BC Conservatives https://tnc.news/2025/01/09/rustad-review-bc-election-non-citizens Wyatt Claypool Senior Correspondent for The National Telegraph THE SOFA CINEFILE Nick Soter reviews the 2013 Canadian Film, "I'll Follow You Down" starring Haley Joel Osment and Gillian Anderson THE LIMRIDDLER   Cheerleader  Kick off a cheer to applaud or approve. Show you're in vogue with a trend-setting groove. Attuned and aware Of a plan or affair. Pulsating part of a Presley-like move. MONOLOGUE Defending Sir John A. Macdonald's Legacy from the Woke Mob Liberal leadership race rules announced, Trudeau's replacement picked March 9 https://www.westernstandard.news/canadian/liberal-leadership-race-rules-announced-trudeaus-replacement-picked-march-9/61047  Photos link Mark Carney to sex trafficker Ghislaine Maxwell https://www.westernstandard.news/canadian/photos-link-mark-carney-to-sex-trafficker-ghislaine-maxwell/61056  Christopher Oldcorn, Editor-In Chief of the SaultOnline and Saskatchewan Bureau Chief for The Western Standard TROUT TALK Tonight the Steelheads will be in Kitchener to take on the Rangers, who have won 6 consecutive games. How will Brampton slow them down tonight? Brendan Lang, Brampton Steelheads Play by Play and Colour Commentator, Host of Trout Talk THERE'S SOMETHING HAPPENING HERE!  How Bureaucratic Incompetence and Woke Ideology Led to California Fires Greg Carrasco – Host of The Greg Carrasco Show, Saturday Mornings 8-11am   LIMRIDDLE ANSWER AND WINNERS  Cheerleader  Kick off a cheer to applaud or approve. Show you're in vogue with a trend-setting groove. Attuned and aware Of a plan or affair. Pulsating part of a Presley-like move. The Answer to this week's Limriddle was: HIP The first 5 to answer correctly were: 1. Bill Heller, Edinburg, Texas 2. Tracy Bonafacio, Georgetown, Ontario 3. Rosalind, Mitchell, Peterborough, Ontario 4. Kelly Eldridge, Toronto, Ontario 5. Judith Mason, Collingwood, Ontario   Kick off a cheer to applaud or approve. “Hip, hip” usually leads to “Hooray!” The cheer expresses congratulations, commendation or approval, and can be used for anything from celebrating birthdays to greeting monarchs at public events. Show your in vogue with a trend-setting groove. Hip is like cool, chic, rad, sick or groovy. Of course, these words can themselves fall out favour, in which case they are no longer cool, chic, rad, sick or groovy. Attuned and aware Of a plan or affair. You're in the know when you're hip to what's happening. Pulsating part of a Presley-like move. When Elvis-the-Pelvis introduced his trademark hip gyrations in the 1950s, he was met with disgust, ridicule and censure by many [parents] of his fans. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this conversation, Luis and Nick jump into all things Scotland! This episode accompanies Episode 15 of the Exploring Greatness show titled The Sweet Sights and Sounds of Scotland. Nick shares his experiences in both Edinburgh and Glasgow, the incredible sights, sounds and fun aspects of each city. Listen as Nick details the immence architecture and how it can inspire creativity and uniqueness in entrepreneurs. He tells a few fun stories from each city, and also relays how Founders Live events got started during the weeks he visited. Watching the epsidode and then listening to this conversation surely will awaken the travel bugs!  Exploring Greatness Season 1, Episode 15Watch: Episode 15 here - https://www.youtube.com/watch?v=x5JIVaL0dI4

After multiple requests, and much consideration, Mickey-Jo is sharing his recommendations for which shows to see in the West End and the rest of the UK in 2025. But with so many new productions opening, Mickey-Jo decided this year he'd let you know how strongly he felt about each of them with a traffic light system indicating his enthusiasm! From plays like My Neighbour Totoro and Stereophonic to musicals including Hercules and Shucked, and with stars such as Brie Larson, Jonathan Bailey, and Paul Mescal, there's plenty to get excited about! Check it out, let Mickey-Jo know which of these shows you're most looking forward to and comment below with any recommendations he's missed. • 00:00 | introduction 02:08 | January 05:07 | February 07:38 | March 11:26 | April 16:33 | May 19:47 | June 22:08 | Summer onwards 25:26 | unconfirmed / tours • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Day 1,052Today, as top diplomat Kaja Kallas claims the EU will be ready to step into the breach if the US withdraws support for Ukraine, we discuss the latest weapon donations at Ramstein and include a dispatch from Kyiv at a drone workshop.Contributors:Adélie Pojzman-Pontay (Journalist & narrative podcast producer). @adeliepjz on X.Dominic Nicholls (Associate Editor of Defence). @DomNicholls on X.Francis Dearnley (Executive Editor for Audio). @FrancisDearnley on X.Content Referenced:'Ukraine's Resilience' event co-hosted by Chatham House in Edinburgh:https://www.chathamhouse.org/events/all/research-event/maintaining-ukraines-resilienceDonald Trump pushes back Ukraine war deadline in sign of support for Kyiv (Financial Times):https://www.ft.com/content/989dc02e-2a13-4c21-8ad0-0b32e098c410Scholz blocks new billion-euro package for Ukraine (Der Spiegel):https://www.spiegel.de/politik/ukraine-krieg-olaf-scholz-blockiert-milliarden-paket-fuer-fuer-kiew-a-15318d4e-bc41-40e1-9a31-1d57409db2d5Exclusive—Chinese Patents Reveal Aim to Cut Undersea Cables (Newsweek):https://www.newsweek.com/china-conflict-undersea-cables-cutting-internet-data-subsea-marine-baltic-taiwan-2012396Exclusive: Border Patrol arrests former Russian mercenary near Roma (Valley Central):https://www.valleycentral.com/news/local-news/border-patrol-arrests-former-russian-mercenary-near-roma/Drone Workshop:For more information, see:https://klyn.io/Subscribe to The Telegraph: telegraph.co.uk/ukrainethelatestEmail: ukrainepod@telegraph.co.uk Hosted on Acast. See acast.com/privacy for more information.

Lets look at the neuroscience of addiction with James Swanwick You can find more about James's work at www.jamesswanwick.com Thanks for joining us for Setting your intentions for 25 there is a chance to access the video recording and the Manifestation audio meditation from Sandy https://www.thesoberclub.com/product/manifestation-meditation/ You can get a copy of From Wham to Woo - A Life on the mic ⁠HERE⁠ or message me if you'd like a signed copy and I will add P * P EVENTS TONIGHT !  Come see me at The Lights Andover Fri 10 Jan 2025 https://www.thesoberclub.com/events/ NEW DATE Jan 29 Edinburgh Blackwells bookshop Please pop the date in the diary, there will be a Sober inspiration meet up before this event in Edinburgh, venue and tickets TBA Family Constellations Sun 23 Feb Souful sobriety holistic retreat – luxury Essex farmhouse 7-9 March https://www.soberhaven.co.uk/event-details/3-day-soulful-sobriety-retreat-in-countryside-essex-uk For more info Janey at janeyleegrace.com New to Sobriety? Sober Curious? Check out The Sober Club, for low cost support, accountability, inspiration, connection and a whole host of content on holistic living. Membership includes and online course Get the Buzz without the Booze, our private non judgemental community online and regular zoom meetings, plus a whole library of exclusive wellbeing content If you want to support the work go to www.buymeacoffee.com/janeyleegrace Thank you for listening! Please share, rate and review If you're struggling, always reach out, tell someone you're doing this! @janeyleegrace  Ditched the Booze and want to inspire others? Janey offers holistic sober coach training, our next course starts end April 25, email Janey for a chat to see if its right for you – janey at janeyleegrace.com  Supplements for recovery  The BEST Magnesium blend ever is the blend from Clive – if you use this ⁠ link ⁠for everything you buy, a bit goes into our Sober Club giveback fund Currently there is a discount message me for info  If you can afford it, also get Vit D3, Amino Acids and Iodine (if you're menopausal)  Use this link for everything: https://clivedecarle.ositracker.com/315625/11489  Check out my new Substack, you can be a free subscriber or paid for some juicy extras Sobriety Rocks…& The Woo Works Follow Janey on social media @janeyleegrace  

[This blog will always be free to read, but it's also how I pay my bills. If you have suggestions or feedback on how I can earn your paid subscription, shoot me an email: cmclymer@gmail.com.]The state funeral for James Earl “Jimmy” Carter, Jr., the 39th President of the United States, was as well attended by dignitaries as one might expect — or hope.Among the hundreds in attendance at the Washington National Cathedral were Presidents Biden, Obama, Bush, and Clinton; Vice Presidents Harris, Pence, Gore, and Quayle; Secretaries of State Clinton and Kerry; first and second spouses; Chief Justice Roberts and Associate Justices Sotomayor, Kagan, Kavanaugh, Barrett, and Jackson; current and former heads of government from Canada, Colombia, Japan, Portugal, and the United Kingdom; Prince Edward, Duke of Edinburgh; Antonio Guterres, Secretary General of the United Nations; and scores of senators and members of Congress and ambassadors and other luminaries.I may be missing a notable name or two. Perhaps at least two. That is possible.Garth Brooks and Trisha Yearwood sang “Imagine" — one of the late president's favorite songs.Steve Ford, the son of President Gerald Ford, whom Pres. Carter defeated in the 1976 election, delivered a beautiful eulogy in which he said to the Carter family: “God did a good thing when he made your dad.”President Biden, in what is likely the final major public speech of his tenure, summed up President Carter in three words: “Character, character, character.”It all felt right and good. It felt fitting. It felt rare and maybe fleeting. It felt like we may not see this kind of easy agreement across the political spectrum for a long time.But with all due respect, it didn't come close to matching the quiet and hardy adoration that could be observed in the previous 36 hours on the grounds of the U.S. Capitol and surrounding streets.It is cold in D.C. this week, enough during the day to aggressively bundle up and enough at night to find any excuse to be indoors and immediately reject that one friend's insane invite to go out for a drink, much less an evening stroll. It is, for most of us, bitterly cold. It is so cold—at least to this Texas gal—that nothing less than the threat to life and limb to a loved one would be enough to convince me to venture into the elements. It is so cold that “outside” is wholly inadequate and only the word “elements” carries a sufficiently adequate connotation.Last night, at 9pm, the temperature was easily below 20 degrees with the wind chill. I understand some of you up north consider this balmy. You must understand that most of us think you're crazy.So, it was painfully cold and uninviting, and yet, even late into the night, there were thousands and thousands of people across all walks of life waiting in line outside for several hours just to enter the Capitol Rotunda for a few moments and walk around the flag-draped casket of one Jimmy Carter and pay their respects to a model human being.There were those who were off for the federal holiday and those who came after a long day of work—suits and dresses and military uniforms—young and old, Democrats and Republicans and independents, the working class and the wealthy, entire families, all of them standing outside in the freezing cold for several hours.That's not an exaggeration. The wait was several hours. At best, one could reasonably hope to get through the line and the quick orbit within the Rotunda in just over three hours. Some folks waited longer, some as many as five hours depending on when they got in line. When was the last time you waited five hours in line for anything? When was the last time you waited three hours in line? When was the last time you did this in the bone chilling cold? When was the last time you did this without any expectation of a tangible reward?They all knew there was no material incentive to be had here. It wasn't like everyone who made the journey got a cookie or gold star after leaving the Rotunda. There were no certificates of appreciation conferred upon completion. No dinner coupons. No drink tickets. No free t-shirts.Need to use the restroom? Walk a few blocks to a nearby restaurant or bar and hope someone is kind enough to hold your spot in line.It was so cold that even the usually familiar sight of phones capturing every angle of any given political event for social media was scarce. Gotta keep those hands warm.People heard the updates. It's gonna be three hours. Maybe four. Maybe five.They stayed in line.It wasn't as though Pres. Carter could do anything for these thousands upon thousands of people who came to say goodbye beyond what he did for them in life, deeds already completed and offered without any assumption of reciprocity.This man who hadn't been president in more than four decades, who had a 31 percent approval rating the month he lost reelection, who was unfairly maligned for many years over his job performance, who was unjustly a punchline to much of the country afterward for so long after leaving office — it was this man they came to honor.They stayed in line, freezing, probably hungry, probably needing to use the restroom at some point, many of them probably wishing they were at home with a hot beverage and blanket in hand.They stayed in line.This one-term president, who went back to his peanut farm after leaving office, who was detested by the bulk of D.C. political circles, who didn't cash out and join a bevy of corporate boards, who didn't feel it necessary to say what was popular or easy, who navigated his life thereafter as a private citizen with such grace and integrity that even his most ardent detractors had to tip their hats and acknowledge his decency.I realize there are so many reasons to feel pessimistic about the future of our country at the moment, but if such decency is so honored as we've seen by everyday Americans on the ground in our Nation's Capitol over these past few days, tell me that isn't cause for hope.Tell me that isn't a glimmer of what we could still be. Charlotte's Web Thoughts is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Charlotte's Web Thoughts at charlotteclymer.substack.com/subscribe

Trauma and Chronic Pain with DK Ciccone On this episode of Make Mental Health Matter Show, Kelli talks with Dana Karen (“DK”) Ciccone. She will share her journey through a decades-long battle with low back pain from a young age tied to undiagnosed anxiety and trauma. The long journey to unraveling her pain flare-ups required that she honor the needs of her nervous system and mental health. She thinks many people are suffering needlessly with pain being the first sign of unresolved emotional distress. DK is a certified Pilates instructor who helps people in pain improve strength, mobility, and well-being in a weight-neutral environment. DK is a graduate of the MSMS Advanced Movement Studies Program and is also trained in pain reprocessing therapy through the Pain Psychology Center. Having begun her own journey with chronic back pain as a young teen, she has been exploring ways to help herself and others regain joy of movement for decades. After twenty years in the health sector, DK left a corporate career to follow her passion, later launching Movement Remedies, a chronic pain–focused Pilates studio and movement coaching business. Her first book, You're Meant to Move: A Guide to Conquering Chronic Pain, Increasing Stress Resilience, and Reclaiming an Active Life, was released December 2023. DK is based in Edinburgh, Scotland. Find out more about DK here: https://movementremedies.org https://www.facebook.com/movement.remedies.llc/ https://www.instagram.com/movement_remedies/ https://www.youtube.com/@movementremediesllc Want to find out when the next incredible episode of Make Mental Health Matter show is dropping? Sign up for the Make Mental Health Matter newsletter for special tips, and insider only offers. Click HERE to sign up today! Need more resources? www.makementalhealthmatter.org  https://linktr.ee/makementalhealthmatter

Special Edition: London, England Airports   In this episode, the FAQ is: What are some of the biggest changes for travel in 2025?   Today's Destination is: London Airports   Today's Misstep- Wearing the wrong shoes   Travel Advice: When buying an airline ticket, pause.   FAQ: What are some of the biggest changes for travel in 2025? Expect more opportunities for local immersion, where you can experience the daily life of local communities through homestays, service projects, and interactive cultural programs for seniors. Solo female travel is on the rise, with women comprising 71% of solo travelers. Many travel companies now offer solo-friendly options, such as cruises without single supplements and women-only trips to destinations like Saudi Arabia, where my parents almost moved in 1980, when it was very different for women. Decision Fatigue The solo traveler is solely responsible for all decisions, from choosing accommodations and dining spots to navigating routes. This can lead to decision fatigue and frustration and isolation in challenging situations. Lack of Immediate Support Solo travelers may not have immediate support in moments of illness or emergencies. Reliance on strangers for help can be daunting, and having communication devices like a satellite communicator is crucial1. Cultural and Language Barriers Solo female travelers may encounter cultural and language barriers, leading to uncomfortable situations. Respecting local traditions, dress codes, and learning basic phrases in the local language can help mitigate these challenges. Loneliness Solo travel can sometimes lead to feelings of loneliness. To combat this, travelers can seek social gatherings, connect with fellow travelers, or engage in group tours and activities. Today's Special Episode: London, England Airports London's major airports each have distinct features catering to different traveler needs. Here's a rundown on each and some important aspects for solo female travelers over 50: First, the Best Overall Recommendations for Solo Female Travelers Over 50 Best for On-Time Flights: London City Airport (LCY) Best for Service: Heathrow Airport (LHR) Best for Pricing: Stansted (STN) or Luton (LTN) Best Overall Experience: Heathrow (LHR) (for amenities and comfort) or Gatwick (LGW) (for balance between cost and comfort) 1. Heathrow Airport (LHR) Location: West London, about 15 miles from Central London. Identity: The largest and busiest airport in the UK, known for long-haul international flights and a wide array of shopping and dining options. Pros: Excellent amenities, extensive shopping and dining, good transportation links (Heathrow Express, London Underground). Considerations: Can be crowded; peak times may involve long lines. Solo travelers might find comfort in its high-security standards and numerous on-site assistance points. Ratings: On-Time: Generally good but can experience delays due to high traffic. Service: Known for high service standards and amenities, including comfortable lounges. Pricing: Usually more expensive than other London airports. Overall Experience: Best for travelers looking for comfort and amenities, even if it means a higher price. 2. Gatwick Airport (LGW) Location: South of London, about 30 miles from Central London. Identity: Known for offering both international and low-cost European flights. Pros: Competitive pricing on flights, good amenities, easy rail access to Central London. I was bussed from Heathrow here and back for my Africa travels. That was a chance to see London, from the window, thanks to British Air. Considerations: Less busy than Heathrow, and offers options like the Gatwick Express, a fast train to Central London. Ideal for budget-conscious travelers looking for convenience. Ratings: On-Time: Tends to have good punctuality compared to Heathrow. Service: Offers a range of services, though fewer luxury options than Heathrow. Pricing: Competitive, especially for European flights. Overall Experience: Suitable for those who value a balance of comfort and cost. 3. London City Airport (LCY) Location: East London, close to Canary Wharf and the city center. Identity: Compact and designed for business travelers, with quick access to London. Pros: Fast check-ins, less crowded, closest to Central London, and primarily caters to short-haul destinations. Considerations: Ideal for quick, efficient entry to London, though limited to short-haul flights. Its size can be comforting for solo travelers who want to avoid larger crowds. Ratings: On-Time: Known for high punctuality rates. Service: Tailored services for business and solo travelers, though limited amenities. Pricing: Higher, given its proximity and convenience. Overall Experience: Best for solo travelers who prioritize quick, stress-free entry and exit. I have not flown here yet. 4. Stansted Airport (STN) Location: North East of London, about 40 miles from Central London. Identity: A hub for budget airlines that is popular for European flights. Pros: Affordability, a variety of low-cost airlines, and straightforward access to London via train. I flew here from Milan for $20 as long as I had a personal item, not a carry-on. It was Ryan Air. I flew out a week later to Edinburgh, but that was a bit of a crazy crowded airport with people all over trying to wait until their flights. Yes, it was very crowded. Ratings: On-Time: Generally decent but can experience delays due to high traffic on budget flights. Service: Basic but sufficient; less luxurious than Heathrow or Gatwick. Pricing: Most competitive, particularly for European destinations. Overall Experience: Ideal for those seeking low-cost travel and are comfortable with basic amenities. 5. Luton Airport (LTN) Location: North of London, about 30 miles from Central London. Identity: Budget-friendly with numerous low-cost airlines. Pros: Good for low-cost European flights, straightforward access to London via trains. Considerations: It is generally busy, with fewer service amenities; it is best for budget-minded travelers who don't mind fewer frills. Ratings: On-Time: Average, with some delays during peak times. Service: Basic but functional. Pricing: Low-cost options make it appealing for budget travelers. Overall Experience: Suitable for budget-conscious solo travelers willing to trade amenities for savings.    Today's Misstep: Wearing the wrong shoes  Talk about the wrong step. I had the wrong shoes. First, I had sandals with heels, and it was really cold, so I should have worn something warmer with socks.  Then I got blisters because the sandals rubbed my foot. Don't wear stylish shoes just for looks when you should wear something more sensible and comfortable. Your feet are here for life, and anyone who judges your choice of footwear can pound sand. Let them. Today's Travel Advice- When buying an airline ticket, pause. Today's airline tickets are almost all self-serve. You may buy them infrequently, so you may not notice all of the changes that are happening when you buy a ticket. Before you click the button, be sure you check everything. Do you have the correct dates? Are you ok with the luggage choices? Did you spell your name correctly? Is there a better price directly with the airline? Is it refundable? Do you need insurance or not? Can you use your miles or credits instead of cash? It's becoming more challenging to purchase your ticket, so practice before you buy. You may save hundreds of dollars if you do. Connect with Dr. Travelbest 5 Steps to Solo Travel website Dr. Mary Travelbest X Dr. Mary Travelbest Facebook Page Dr. Mary Travelbest Facebook Group Dr. Mary Travelbest Instagram Dr. Mary Travelbest Podcast Dr. Travelbest on TikTok Dr.Travelbest onYouTube In the news  

As we get ready for Burns Night on 25 January, we're delving into the Love Scotland archives to bring you three episodes that reveal the life and legacy of Robert Burns. - We all know the songs and poems written by one of Scotland's most famous sons – but who were the people that most influenced his life and his writing? Host Jackie Bird is on a mission to find out. This week, she's joined by Christoper Waddell, learning manager at the Robert Burns Birthplace Museum, and Professor Gerard Carruthers, Fellow of the Royal Society of Edinburgh and Francis Hutcheson Chair of Scottish Literature at the University of Glasgow. Together, they look at poets, family members, friends and educators who made their mark on the Bard. To enjoy more episodes of Love Scotland, please follow or subscribe wherever you get your podcasts. For more information on the Robert Burns Birthplace Museum, click here. Explore the National Trust for Scotland's Robert Burns Collection online here. Use of Green Grow The Rashes, O by Bill Adair, courtesy of University of Glasgow. - A brand new series of Love Scotland will appear in your podcast feed later this spring.

The hit off-Broadway musical TITANIQUE, from Marla Mindelle, Constantine Rousouli, and Tye Blue, has arrived in London this week with an official opening at the Criterion Theatre in the West End. The show, which parodies the popular 1997 James Cameron film Titanic, features the songs of the iconic Celine Dione as it wittily retells the story of Jack, Rose, and the fateful iceberg. Check out this full video review for my thoughts on why the show's material works as well as it does, what has been the secret to its success, and how it lands with a new crowd and an all-star West End cast at the helm. Don't forget to comment below with your thoughts about TITANIQUE, whether you've already seen it in London, or elsewhere around the world! • 00:00 | introduction 02:21 | material 11:11 | UK reception 17:15 | performances • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

10.01.2025 | Dijital Hayat Bölüm516 - TRT Radyo1 | "Sömürünün Yeni Hali: Veri Sömürgeciliği" Bilal Eren'in hazırlayıp, sunduğu Dijital Hayat programımızda bu hafta; Edinburgh Üniversitesi Öğretim Üyesi Doç. Dr. Uğur Özdemir ile; - Veri Sömürgeciliği Nedir, Nasıl Tanımlanabilir? - Geleneksel Sömürgecilik Anlayışından Farkı/Farkları Neler? - Bu Sömürgecilik Modeli, Yepyeni mi, Eski Yeni Bir İş Modeli mi? - İsteyerek ve İstemeden, Zorunlu Olarak Paylaşılan Verilerin Hangileri, Veri Sömürgeciliğine Uğruyor? - Sağlık, Güvenlik gibi Paylaşmak Zorunda Olduğumuz Veriler, Kimlere, Nasıl Fayda Sağlıyor? - 20 Yıldır Devam Eden Veri Petroldür Söylemi Doğru mu, Daha Fazlası mı? - Veri Sömürgeciliği ile Veri Kolonizasyonu Arasında Nasıl Bir İlişki Var? - Veri Sömürgeciliğinin Çözümü, Dekolonizasyon mu? - Somutlaştıracak Olur isek, Google Antitröst Davası ile Olası Bölünme, Çözüm müdür? Başlıklarını konuştuk. Dijital Hayat, her cuma saat 15:30​​​​​​​​​​​​​'da TRT Radyo1 mikrofonlarında canlı yayında... Tüm geçmiş ve gelecek yayınlarımız için; Web: https://www.dijitalhayat.tv

Fresh from a fourth-placed finish at the Hampshire cross-country champs, Edinburgh-based athlete Chris Bain joins to talk finding his stride in the sport, challenging the top of the island's all-time lists and his eye-catching pre-race nutrition.Plus we hear from track star Ala Chalmers as we round up the winners from this week's Sporting Achievement Awards and there's a look ahead to Raiders' long-awaited home return this weekend.Hosted by Tony Curr, Gareth Le Prevost and Jamie Ingrouille. Hosted on Acast. See acast.com/privacy for more information.

Contemporary artist Tanoa Sasraku unearths complex relations with British landscapes and natural resources, connecting environments from the north coast of Scotland to South West England, and flagging colonial extractivism in Ghana, through their series of Terratypes (2022-Now). Dartmoor: A Radical Landscape runs at the Royal Albert Memorial Museum (RAMM) in Exeter until 23 February 2025. Tituba, Who Protects Us? runs at the Palais de Tokyo in Paris until 1 May 2025. A major solo exhibition of Tanoa's work opens at the Institute of Contemporary Arts (ICA) in London in October 2025. For more about Invasion Ecology (2023), co-curated by Jelena Sofronijevic for Radical Ecology, and Southcombe Barn on Dartmoor, listen to the episodes with the exhibition's artists: - Ingrid Pollard, on expanded photography, Blacknesses, and British identities, in Carbon Slowly Turning (2022) at the Turner Contemporary in Margate: pod.link/1533637675/episode/e00996c8caff991ad6da78b4d73da7e4 - Hanna Tuulikki, on selkies, Scottish folklore, and performance, in Avi Alarm (2023): pod.link/1533637675/episode/21264f8343e5da35bca2b24e672a2018 You can also read about Hanna's installation, ⁠under forest cover (2021)⁠, at City Art Centre in Edinburgh: gowithyamo.com/blog/edinburghs-environmental-exhibitions-the-local And hear about Fern Leigh Albert's activist photographic practice, now on display at RAMM. - Ashish Ghadiali - whose film Can you tell the time of a running river? (2024), from the series Cinematics of Gaia and Magic (2023-Now), also features at RAMM - in the episode from Against Apartheid (2023) at KARST in Plymouth: pod.link/1533637675/episode/146d4463adf0990219f1bf0480b816d3 For more about Ibrahim Mahama's 2024 exhibition at Fruitmarket in Edinburgh, drawing from archives, and mineral extraction in West Africa, hear the artist's episode about Sekondi Locomotive Workshop (2024): pod.link/1533637675/episode/ed0be49d016ce665c1663202091ce224 PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: ⁠instagram.com/empirelinespodcast⁠ And Twitter: ⁠twitter.com/jelsofron/status/1306563558063271936⁠ Support EMPIRE LINES on Patreon: ⁠patreon.com/empirelines

Tourism is undergoing a groundbreaking transformation as the world confronts the challenges of over-tourism and cultural degradation. Iconic destinations like Spain and Greece have seen protests against overcrowding, skyrocketing living costs, and the strain seasonal tourism places on local communities. In response, SITEnetwork is reshaping the future of travel through its innovative use of blockchain, AI, and Virtual Reality. At the heart of this vision is the XPEDITION Token (XPED), a revolutionary digital currency designed to create a sustainable, community-focused tourism ecosystem. Empowering Communities and Preserving Heritage with creative tourism SITEnetwork is pioneering this initiative in Edinburgh, Scotland, home to globally recognized landmarks like Edinburgh Castle. However, rather than replicating these sites as lifeless digital constructs, SITEnetwork is empowering locals to use smartphone cameras to create highly detailed 3D models of their streets and monuments. This approach ensures that communities retain control over their cultural narratives and derive direct economic benefits from tourism. Graeme Stevens, SITEnetwork's Chief Commercial Officer, captures this sentiment, stating, "People crave authenticity, not fabricated experiences. By giving communities the tools to digitize their environments, we ensure they control their stories and reap the rewards." This bold vision goes far beyond visual accuracy. SITEnetwork employs AI to fill in gaps in these models, even recreating historically informed environments. Residents can enhance these digital spaces with unique local stories and hidden gems, providing travelers with an unmatched sense of place. Damian Pike, the CEO of SITEnetwork, emphasizes, "Over-tourism can render places unlivable for locals, while under-tourism deprives hidden gems of much-needed economic activity. By returning control to communities, we're ensuring a more balanced and equitable tourism economy." The XPED token is central to this initiative, functioning as a universal digital currency that simplifies transactions for travelers and locals alike. XPED allows visitors to book tours, engage with local guides, and even revisit destinations virtually to purchase unique products they may have missed during their trip. Stevens notes, "XPED seamlessly connects the physical and virtual worlds of tourism, empowering creators and communities to benefit directly." This model has global potential. SITEnetwork's innovative approach not only addresses over-tourism in major cities like Venice and Rome but also brings underexplored locations into the spotlight. David Sime, SITEnetwork's Chief Technical Officer, highlights its scalability, saying, "This isn't just about technology; it's about solving real-world problems and fostering deeper connections between people and places." Recognized for its potential, Sime has been invited by the United Nations to contribute to its Citiverse initiative, aimed at using emerging technologies to redefine urban development and tourism. As SITEnetwork looks to expand beyond Edinburgh to cities like Miami, its framework demonstrates cultural adaptability and scalability. By combining AI-driven digital twins with blockchain governance, SITEnetwork is setting new standards for sustainable, immersive tourism. The initial private sale of the XPED token sold out within 72 hours, raising €123,000, with a public launchpad sale scheduled for February. Tourism is entering an exciting new era where the experiences of travelers are enriched, the voices of locals are amplified, and the preservation of cultural heritage becomes a shared priority. SITEnetwork is leading this transformation, making travel not only more authentic but also more equitable, sustainable, and inspiring. See more breaking stories here.

More than 130,000 people in California were ordered to evacuate as dry, hurricane-force winds hindered firefighters and spread the blazes. We hear from Dr Ella Gilbert, climate scientist of the British Antarctic Survey, who specialises in the impact of mountain winds.Reactions to Meta boss Mark Zuckerberg's plan to end Facebook fact-checkingHow long do people live after dementia diagnosis?Also in this episode:E-cigarettes ‘are four times more profitable for convenience stores than tobacco', according to researchers at the University of Edinburgh.Robot-guided “smart biopsy” technique tested on UK patients - could this one day end invasive operations?CES 2025: air purifier for your pet catFor all the latest news head to standard.co.uk. Hosted on Acast. See acast.com/privacy for more information.

Liz Truss - reports the Telegraph - has sent the Prime Minister a 'Cease and desist' letter threatening him with legal action for saying that she 'crashed the economy'. Her lawyers contest that the statement is 'false and defamatory' and contributed to her losing her Norfolk seat in the election. So, what is the free speech champion hoping to achieve by this legal battle? And how do we decide if she 'did' crash the economy? We chat to her ally, Mark Littlewood. Later, the Chancellor is heading to China just when rising borrowing costs are throwing the bond markets into turmoil. Is this wise? What's going on? And what's at the bottom of all the negative sentiment about the UK? We chat to Sky News economic and data editor, Ed Conway.Tickets to The News Agents Live On Stage with HSBC UK are now on sale! You can get your tickets for Birmingham, Manchester and Edinburgh here: https://articles.globalplayer.com/7giHoMavXLgdrd6gaC3GxWG7T8Editor: Tom HughesExecutive Producer: Louis DegenhardtProducer: Natalie IndgeDigital Editor: Michaela WaltersSocial Media Editor: Georgia FoxwellVideo Production: Rory Symon, Shane Fennelly & Arvind BadewalDigital Journalist: Michael BaggsYou can watch Lewis's special report on the abortion crisis in America here: https://www.youtube.com/watch?v=df5BCL0ocFEDon't forget you can also subscribe to our other News Agents podcasts via the link below:https://linktr.ee/thenewsagentsThe News Agents USA now have merch! Click here to buy yours now: https://store.global.com/collections/the-news-agents-usaYou can listen to this episode on Alexa - just say "Alexa, ask Global Player to play The News Agents"The News Agents is brought to you by HSBC UK - https://www.hsbc.co.uk/

On this episode, Tony Brueski digs into the eerie depths of the Edinburgh Vaults, one of Scotland's most infamous underground haunts. Buried beneath the bustling streets of Edinburgh, these vaults have a history steeped in crime, poverty, and mystery. From their construction in the late 18th century to their rediscovery in the 1980s, the vaults have witnessed centuries of human suffering—and possibly something far more sinister.  Tony explores the ghostly phenomena reported by visitors and investigators, diving into spine-chilling stories of shadowy figures, chilling screams, and encounters with the infamous “Mr. Boots.” But are these tales a product of the vaults' dark history, or is there a rational explanation? Tune in for a deep dive into one of the world's most haunted locations.

Russell Napier is the Keeper of the Library of Mistakes, in Edinburgh, Scotland. Napier has worked in the investment business for 30 years and has been advising global institutional investors on asset allocation since 1995. He also is the author of the book “Anatomy of The Bear: Lessons From Wall Street's Four Great Bottoms” and he is founder and course director of The Practical History of Financial Markets course that is part of the Edinburgh Business School MBA.

Why does it already feel as if Trump is President? Last night, he gave an hour long press conference at Mar-a-Lago and we suddenly remembered what it's going to be like. On the bingo card: Greenland, Canada, Panama Canal, and the January 6th protesters. Little mention of either the cost of living or immigration but hey, early days. On today's episode we hear from two sides of the Republican party - the MAGA wing and the WTF wing - and we try once again to figure out what Donald Trump actually means versus what he just says.Tickets to The News Agents Live On Stage with HSBC UK are now on sale! You can get your tickets for Birmingham, Manchester and Edinburgh here: https://articles.globalplayer.com/7giHoMavXLgdrd6gaC3GxWG7T8Editor: Tom HughesExecutive Producer: Louis DegenhardtProducers: Natalie Indge & Rory SymonDigital Editor: Michaela WaltersSocial Media Editor: Georgia FoxwellVideo Production: Rory Symon, Shane Fennelly & Arvind BadewalDigital Journalist: Michael BaggsYou can watch Lewis's special report on the abortion crisis in America here: https://www.youtube.com/watch?v=df5BCL0ocFEDon't forget you can also subscribe to our other News Agents podcasts via the link below:https://linktr.ee/thenewsagentsThe News Agents USA now have merch! Click here to buy yours now: https://store.global.com/collections/the-news-agents-usaYou can listen to this episode on Alexa - just say "Alexa, ask Global Player to play The News Agents"The News Agents is brought to you by HSBC UK - https://www.hsbc.co.uk/

"Don't wear white, don't bring white"Today's episode has a random mix of subjects, so strap in.The girls discuss argument styles, and Georgie overshares her "biggest" argument with Brian and Georgie shares her proud moment of a kiss under lighting at an Alpine wedding.Bitches from a bride - An extended family member brings drugs to the wedding....Let us know your thoughts and bitches in our DM's.************************************Unfiltered Bride Podcast Tour - TICKETS NOW AVAILABLE!You are NOT going to want to miss this year's tour... you are in for the night of your live's!Edinburgh - 01.02.25Birmingham- 07.02.25Manchester - 28.02.25 London - 01.03.25Get your tickets here - https://www.theunfilteredbridepodcast.co.uk/event-list************************************The Unfiltered Wedding HubWe have built a community for couples that are planning their wedding!Think of it as your favourite podcast chat... in your pocket. Ask questions, gain inspo, find suppliers and chat sh*t.With industry experts, fellow couples and your two favourite girls – Georgie & Beth, The Unfiltered Wedding Hub will be the only resource you need to plan your big day.Sign up today and get full access for £14.99 p/m (no cancellation period) - https://the-unfiltered-wedding-hub.circle.so/home***************************************So... Georgie has written a book!Pre-order 'It's Your Wedding: A Step-by-Step Down the Aisle' today (release date 13th Feb 2025) - https://amzn.eu/d/3THATBx***************************************Make sure you follow us on Instagram & TikTok!The Unfiltered Bride - @the.unfiltered.brideGeorgie - @georgina.rose.eventsBeth - @etiquetteeventstyling Hosted on Acast. See acast.com/privacy for more information.

We continue our series Christian Zionism, and here Daniel has a conversation with Palestinian theologian John Munayer about the impact of Christian Zionism on Palestinians themselves. John shares about his first encounters with Christian Zionism and how it has also infiltrated into the Palestinian society, particularly through some Palestinian Evangelical pastors and churches.  In their extended conversation for our Patreon supporters, John shares about his research on Holy Saturday and how he relates this religious practice to the social and political experience of Palestinians. To access this extended conversation and others, consider ⁠supporting us on Patreon⁠. John Munayer is a Palestinian theologian from Jerusalem. He is currently pursuing his PhD at the University of Edinburgh and writing about Palestinian theology. John is also managing the academic journal of Palestinian Christianity at the Bethlehem Bible College, which publishes in both Arabic and English. In addition, John is involved in interreligious efforts to promote justice and reconciliation in the Holy Land. If you enjoy our podcast, please consider becoming a Patreon monthly supporter at: https://www.patreon.com/AcrosstheDivide Follow Across the Divide on ⁠⁠YouTube⁠⁠ and ⁠Instagram⁠ ⁠⁠⁠‪@AcrosstheDividePodcast‬⁠⁠⁠ Show Notes: John Munayer and Samuel Munayer's article on “Decolonising Palestinian Liberation Theology: New Methods, Sources and Voices”

In our third episode celebrating Braille at 200, Steven Scott explores the state of Braille education globally, focusing on the challenges and opportunities in teaching Braille to children with visual impairments with special guest Elizabeth McCann, a QTVI (Qualified Teacher of Visually Impaired Children) who works at the University of Edinburgh and has previously worked in Toronto.The discussion highlights the importance of early education, the resurgence of interest in Braille, and the need for individualized approaches to learning. Elizabeth also addresses the resistance from parents and the misconceptions surrounding Braille usage, emphasizing the need for better awareness and advocacy. This conversation explores the challenges and advancements in visual impairment education, focusing on the importance of Braille literacy, the impact of inclusion in mainstream education, and the varying international approaches to teaching Braille. Elizabeth highlights the need for better support systems for teachers and students, the role of technology in enhancing Braille education, and the future of Braille in a rapidly changing educational landscape.Get in touch with Double Tap by emailing us feedback@doubletaponair.com or by call 1-877-803-4567 and leave us a voicemail. You can also now contact us via Whatsapp on 1-613-481-0144 or visit doubletaponair.com/whatsapp to connect. We are also across social media including X, Mastodon and Facebook. Double Tap is available daily on AMI-audio across Canada, on podcast worldwide and now on YouTube.

The NEurodivergent peer Support Toolkit (NEST) is a set of free resources for staff in mainstream secondary schools who wish to facilitate peer support for neurodivergent young people. The toolkit was co-created by researchers at the University of Edinburgh, neurodivergent young people and a neurodiverse group of adults who work with neurodivergent young people. The project was funded by the Salvesen Mindroom Research Centre Scientific Advisory Board. In this episode Katie Cebula and Catherine Crompton talk about how the NEST came about, what it involves and how it could support pupils in your school. You can find out more and download the resources here: https://salvesen-research.ed.ac.uk/our-projects/nest-neurodivergent-peer-support-toolkit  

This week Andy and Kristi chat with a creative evangelist (he once taught Kristi how to share the gospel with a paper clip!) with experience of student ministry and church pastoral work. Drawing on these areas and reflecting on the cultural changes over the years, he offers insight and encouragement for parents, pastors and lay people as they seek to "drip the gospel" into daily conversations.Clive Parnell is Teaching Pastor at Kirkliston Community Church on the northwest side of Edinburgh. He has served in the church since 2012. Previously Clive was with UCCF for nine years speaking at mission weeks all over the UK and abroad, training staff and students in creative evangelism.Clive is a singer/songwriter currently with Goldfinch Music whose recent release received airplay on BBC Radio Scotland and BBC Radio Ulster. He has also written Bible notes for “Daily Bread” and is currently working on his first book called “Everyday Worship.”

It was only 8 years ago that Mark Zuckerberg found himself apologising for misinformation posted and shared by the Facebook algorithm, acknowledging the harm and damage it was capable of causing, and putting forward the steps to rectify it. But eight years is a long time. Particularly when you have faced threats of imprisonment from the incoming administration. And yesterday, the CEO went full MAGA and decided that following Donald Trump's election it was time to scrap the fact check operation - that will save them huge amounts of money - and allow for a similar process of 'content moderation' to the kind Elon Musk is happy to use on X. Did the damascene conversion come as a result of those threats? 'Probably, yes'. Trump agreed. So has Facebook given up on Fact? And who will be the next tech giant to cave to Donald Trump? Later, we speak to Wes Streeting about election interference and why he thinks Tommy Robinson is now providing a template for some Tory MPs.Tickets to The News Agents Live On Stage with HSBC UK are now on sale! You can get your tickets for Birmingham, Manchester and Edinburgh here: https://articles.globalplayer.com/7giHoMavXLgdrd6gaC3GxWG7T8Editor: Tom HughesExecutive Producer: Louis DegenhardtProducer: Natalie IndgeDigital Editor: Michaela WaltersSocial Media Editor: Georgia FoxwellVideo Production: Rory Symon, Shane Fennelly & Arvind BadewalDigital Journalist: Michael BaggsYou can watch Lewis's special report on the abortion crisis in America here: https://www.youtube.com/watch?v=df5BCL0ocFEDon't forget you can also subscribe to our other News Agents podcasts via the link below:https://linktr.ee/thenewsagentsThe News Agents USA now have merch! Click here to buy yours now: https://store.global.com/collections/the-news-agents-usaYou can listen to this episode on Alexa - just say "Alexa, ask Global Player to play The News Agents"The News Agents is brought to you by HSBC UK - https://www.hsbc.co.uk/

On this episode, Tony Brueski digs into the eerie depths of the Edinburgh Vaults, one of Scotland's most infamous underground haunts. Buried beneath the bustling streets of Edinburgh, these vaults have a history steeped in crime, poverty, and mystery. From their construction in the late 18th century to their rediscovery in the 1980s, the vaults have witnessed centuries of human suffering—and possibly something far more sinister.  Tony explores the ghostly phenomena reported by visitors and investigators, diving into spine-chilling stories of shadowy figures, chilling screams, and encounters with the infamous “Mr. Boots.” But are these tales a product of the vaults' dark history, or is there a rational explanation? Tune in for a deep dive into one of the world's most haunted locations.

It's welcome back to the podcast after our Christmas and New Year break.We kick off by reflecting on how we both spent Hogmanay in our different ways, Lesley's island sojourn sounds affy braw.Much criticism has been levelled at BBC Scotland in particular for its pallid Hogmanay programming and Lesley takes the opportunity to compare the "official" media offerings with the work of the late Martyn Bennett and the Grit Orchestra. Suffice to say the authorised ones don't stand the comparison well.....It seems now is the time for a complete rethink on BBC and STV Hogmanay fare.We also discuss the cancellation of the official Edinburgh celebrations. Is it time for the capital to have a complete rethink ?Martyn Bennett's music and Danny MacAskill's cycling on the Cuillin - 81 million views!https://www.youtube.com/watch?v=xQ_IQS3VKjAGrit Orchestra gig - just two seats left!!https://tickets.glasgowlife.org.uk/34209/34210Lesley talks about her new, self filmed, series of short videos she's filming on her travels around Scotland.Lesley also reflects on the recent funeral of 'John the Bird' Chester on Eigg.https://x.com/LesleyRiddoch/status/1876598275693859210Anas Sarwar in his most recent speech talked about reducing the number of quangos but was somewhat less than comprehensive in how he would do this and even less specific on what a Labour administration would cut other than reducing the number of Health Boards.However is there a kernel of truth in Sarwar's statement?  Has the growth of quangos led to the creation, as Robin McAlpine said, of " A feudal system of nested fiefdoms each insulated from the transparency and accountability nominally radiating from the one above"?We also discuss Sarwar's appearance on Good Morning Scotland where Laura Maxwell grilled him on his stances on the 2 Child Benefit Cap, Winter Fuel Allowance, and the WASPI women. We also discuss Neil Mackay's recent Herald article analysing the growth in support for Scottish independence as UK Labour tanks in the polls.Is the SNP in a fit state to profit from this? Is it radical enough to get independence over the line?Listener Leslie Wilson got in touch after our chat on swimmer Duncan Scott to highlight the  television coverage-lack of- of Bruce Mouat's champion curling rink. We discuss. ★ Support this podcast ★

The Waterboys' MIKE SCOTT grew up in the '60s in Edinburgh and said: “I accepted the incredible happenings of that decade — with all its rapid evolution, colour, revelations and magic — as the normal order of things".   At the age of 4 he had his first mystical experience and remembers that from the minute he bought "Last Night in Soho" by Dave Dee, Dozy, Beaky, Mick & Tich in 1968 he knew he had to live a life in music. In the years since he has toured the world with The Waterboys and as a solo artist, had hit records with The Whole of the Moon, This is the Sea and Fishermans Blues andhas released 15 albums.   Now, The Waterboys have a new one featuring Bruce Springsteen, Steve Earle and Fiona Apple about to drop and it's a song cycle around the life of legendary actor and countercultural polymath Dennis Hopper.     Mike has been unashamedly open about the importance of spirituality in his life - even when that has been deeply unfashionable in the mainstream culture. He came to the Bureau to talk about all of that, his time at the Findhorn Foundation, Life, Death and Dennis Hopper - and much more.  For Mike and his work, music and adventures Universal Hall   Findhorn Foundation   #thewaterboys #mikescott #brucespringsteen #findhorn #findhornfoundation #steveearle #fionaapple #ladbrokegrove #thewholeofthemoon #dennishopper

Happy New Year dear listeners   Getting attacked by the Edinburgh poltergeist video here: https://www.tiktok.com/@confessions_of_ghost_boy/video/7453888641576815904?lang=en   Koppert ADHD Spotify link https://open.spotify.com/episode/3b8BXcz0REszyKtVn5is5t?si=92b360f3975d4e7f    Koppert ADHD Apple link https://podcasts.apple.com/gb/podcast/saving-billions-the-adhd-argument-you-need-to-hear/id1788770618?i=1000682889075 Book a free ticket to the poetry event here Leon the poet and friends - online book launch   Date: Thu, Jan 16 • 19:00 GMT   https://www.eventbrite.com/e/leon-the-poet-and-friends-online-book-launch-tickets-1119741138889?aff=ebdsshother&utm_share_source=favorite-events_android Send a tip if you feel you would like to  https://ko-fi.com/forteannewspodcast 

As Kemi Badenoch, Nigel Farage and Elon Musk call for a new inquiry into the grooming scandal, we speak to the man who uncovered the Rotherham abuse and whose reporting led to the original inquiry. Andrew Norfolk first wrote about this horrific widespread exploitation of young girls more than a decade ago as chief investigative reporter at The Times. He has given his first interview to The News Agents since Elon Musk's intervention to set the record straight on the scandal - and respond to those whom he accuses of 'shameful' behaviour - the weaponising of horrendous acts for political gain.Tickets to The News Agents Live On Stage with HSBC UK are now on sale! You can get your tickets for Birmingham, Manchester and Edinburgh here: https://articles.globalplayer.com/7giHoMavXLgdrd6gaC3GxWG7T8Editor: Tom HughesExecutive Producer: Louis DegenhardtProducer: Natalie IndgeDigital Editor: Michaela WaltersSocial Media Editor: Georgia FoxwellVideo Production: Rory Symon, Shane Fennelly & Arvind BadewalDigital Journalist: Michael BaggsYou can watch Lewis's special report on the abortion crisis in America here: https://www.youtube.com/watch?v=df5BCL0ocFEDon't forget you can also subscribe to our other News Agents podcasts via the link below:https://linktr.ee/thenewsagentsThe News Agents USA now have merch! Click here to buy yours now: https://store.global.com/collections/the-news-agents-usaYou can listen to this episode on Alexa - just say "Alexa, ask Global Player to play The News Agents"The News Agents is brought to you by HSBC UK - https://www.hsbc.co.uk/

Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's just perfect. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/sundaynightmystery A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers         sleep insomnia relax chill night nightime bed bedtime oldtimeradio drama comedy radio talkradio hancock tonyhancock hancockshalfhour sherlock sherlockholmes radiodrama popular viral viralpodcast podcast brett brettorchard orchard east devon seaton beer lyme regis village condado de alhama spain murcia The New Adventures of Sherlock Holmes is a radio drama series which aired in the USA from 1939 to 1950, it ran for 374 episodes, with many of the later episodes considered lost media. The series was based on the Sherlock Holmes stories by Arthur Conan Doyle. Some of the surviving episode recordings may be found online, in various audio quality condition. For most of the show's run, the program starred Basil Rathbone as Sherlock Holmes and Nigel Bruce as Dr. Watson. Other actors played Holmes and Watson in later seasons. Production From the outset of the show, the series was billed in different listings under various titles including Sherlock Holmes, Sherlock Holmes and Doctor Watson, and other titles. The most popularly remembered title is The New Adventures of Sherlock Holmes. On occasion, the title of a radio episode differs from that of its original story – for example, the radio adaption of "The Adventure of the Red Circle" is entitled "Mrs. Warren's Lodger". From 1939 until 1943, episodes were adapted or written by Edith Meiser[4] who had written the earlier series The Adventures of Sherlock Holmes which aired from 1930 to 1935. Meiser left the show after disagreements with a sponsor over the amount of violence in the program. It is also reported that Meiser left the show to focus on other projects. From 1943 onward, most episodes were written by the team of Denis Green and Anthony Boucher with some early episodes written by Green and Leslie Charteris. Edith Meiser returned to write for the show for its seventh season. Max Ehrlich and Howard Merrill wrote the episodes of season 8. Denis Green returned as a writer for the last season. Originally, the show starred Basil Rathbone as Sherlock Holmes and Nigel Bruce as Doctor Watson. Together, they starred in 220 episodes which aired weekly on Mondays from 8:30 to 9:00 pm. Basil Rathbone's last episode as the famous detective was "The Singular Affair of the Baconian Cipher". He was eager to separate himself from the show to avoid being typecast in the role. Tom Conway replaced him in the starring role, though Nigel Bruce got top billing. The new series lasted 39 episodes, and Bruce and Conway then left the series. From then until 1950 the series continued with various actors playing the two principal parts. The show first aired on the Blue Network but later moved to the Mutual Broadcasting System. The show moved to Mutual in 1943 at the start of its fourth season. The series was originally broadcast from Hollywood. During World War II, the show was also broadcast overseas through the Armed Forces Radio Service. The program aired on ABC instead of Mutual for its sixth and ninth seasons. Many episodes were recorded in front of a live audience. Cast Sherlock Holmes: Basil Rathbone (1939–1946) Tom Conway (1947) John Stanley (1947–1949) Ben Wright (The Singular Affair of the Ancient Egyptian Curse in 1947, as stand-in for Tom Conway, 1949–1950 as a regular) Dr. Watson: Nigel Bruce (1939–1947) Joseph Kearns (The Haunting of Sherlock Holmes in 1946, stand-in for Nigel Bruce) Alfred Shirley (1947–1948) Ian Martin (1948) Wendell Holmes (credited as "George Spelvin") (1948–1949) Eric Snowden (The Terrifying Cats in 1946, as a stand-in for Nigel Bruce, 1949–1950 as a regular) There is only a limited amount of information available about additional cast members, since complete cast lists are available only for a handful of episodes. In multiple episodes, Mary Gordon played Mrs. Hudson, a role she also played in the 1939–1946 Sherlock Holmes film series featuring Rathbone and Bruce. Professor Moriarty was played by multiple actors in the radio series, including Joseph Kearns (who also played Watson) and Lou Merrill. Frederick Worlock played Inspector Lestrade in at least three known episodes. Worlock also played different roles in multiple films in the 1939–1946 film series, such as the role of Geoffrey Musgrave in Sherlock Holmes Faces Death. Lestrade was played by Bernard Lenrow in the seventh season and Horace Braham in the eighth season. Rex Evans played Mycroft Holmes in at least two known episodes. Evans played an assassin in the Sherlock Holmes film Pursuit to Algiers. In each episode, the announcer would be presented as arriving at the home of Dr. Watson, then retired, who would share a story about Holmes and his adventures. The announcer for the first three seasons of the show was Knox Manning. In various episodes of the fourth season, the announcers were Owen Babbe, Marx Hartman, and Bob Campbell. Harry Bartell became the announcer for the fifth season. The announcer for the sixth season was Joseph Bell. Bell had previously been the announcer for The Adventures of Sherlock Holmes. Cy Harrice took over the role for the seventh and eighth seasons. Herb Allen was the announcer for the ninth season.[28] Actors who performed in multiple roles on the show include Verna Felton, Paula Winslowe, Carl Harbord (who also played Inspector Hopkins in the Sherlock Holmes film Dressed to Kill), Herbert Rawlinson, Paul Frees, Theodore von Eltz, and June Foray. Sponsors The show's announcer acted as the spokesman for the sponsor. Grove's Bromo Quinine sponsored the show for the first three seasons. Petri Wine was the sponsor for the fourth and fifth seasons. Petri Wine stopped sponsoring the show after the end of the fifth season. While Rathbone left the show at the same time, the reason Petri ceased their sponsorship was unconnected to Rathbone's departure according to one source, which states that the decision was made because it was more affordable for Petri to sponsor the radio series The Casebook of Gregory Hood instead. The sponsor for the series was Kreml Hair Tonic for the show's sixth season, and the Trimount Clothing Co. for the seventh season. Trimount renewed their sponsorship for the eighth season. Petri Wine returned as the sponsor for the ninth season. By May 1950, it was confirmed that Petri did not plan to renew their sponsorship if the series continued. Episodes Season 1 (October 2, 1939 – March 11, 1940; 24 episodes) started with an adaptation of "The Adventure of the Sussex Vampire" and ended with an adaptation of "The Adventure of the Retired Colourman". The last episode of the season was originally intended to be an adaptation of "The Final Problem". It is not known why the change was made, but it may be because "The Final Problem" had already been used on radio several times. It was announced on the penultimate show that "The Final Problem" would be the last episode; in the final episode, Watson said he had changed his mind about which story he was going to tell. Season 2 (September 29, 1940 – March 9, 1941; 24 episodes) started with an adaptation of "The Adventure of the Empty House". The last episode was an adaptation of "The Adventure of Shoscombe Old Place". The season included a six-episode serial adapted from The Hound of the Baskervilles. Season 3 (5 October 1941 – March 1, 1942; 22 episodes) started with an adaptation of "The Adventure of the Illustrious Client" and ended with an episode titled "The Giant Rat of Sumatra". An episode also titled "The Giant Rat of Sumatra", inspired by a reference in "The Adventure of the Sussex Vampire", had previously aired in 1932 in the second season of the radio series The Adventures of Sherlock Holmes. Season 4 (May 7, 1943 – May 28, 1945; 109 episodes) started with a dramatization of "The Adventure of the Copper Beeches". The last episode of the season is titled "Dance of Death". According to the Pittsburgh Press, Nigel Bruce "astounded sound engineers" by imitating the sound of a seagull required for the episode "Death in Cornwall", which aired on February 7, 1944. Some episodes in this season and the following two seasons were novelized by H. Paul Jeffers in his 2005 book The Forgotten Adventures of Sherlock Holmes. Season 5 (September 3, 1945 – May 27, 1946; 39 episodes) started with an episode titled "The Case of the Limping Ghost", based on an incident in "The Adventure of the Crooked Man". The last episode of the season was "The Singular Affair of the Baconian Cipher", suggested by an incident in The Sign of Four. This was the last season with Basil Rathbone playing Sherlock Holmes.[42] Rathbone and Bruce also appeared on the CBS radio program Request Performance in November 1945, and swapped roles as Holmes and Watson in a short sketch performance on the program. Some of the episodes in this season were novelized by Ken Greenwald in his book The Lost Adventures of Sherlock Holmes (1989). Season 6 (October 12, 1946 – July 7, 1947; 39 episodes) started with the episode "The Adventure of the Stuttering Ghost", suggested by an incident in "The Adventure of the Noble Bachelor". The season ended with "The Adventure of the Iron Maiden".[45] This was the last season with Nigel Bruce playing Watson. Season 7 (September 28, 1947 – June 20, 1948; 39 episodes) started with "The Case of the Dog Who Changed His Mind" and ended with an adaptation of "The Adventure of the Veiled Lodger". Season 8 (September 12, 1948 – June 6, 1949; 39 episodes) started with an episode titled "The Case of the Unwelcome Ambassador" and ended with an episode titled "The Adventure of the Red Death". Season 9 (September 21, 1949 – June 14, 1950; 39 episodes) started with an episode with an unknown title. The second episode, which aired on September 28, 1949, was titled "The Eloquent Corpse". Many of this season's episodes, including the last two episodes, have unknown titles. The last episode with a known title is "Command Performance", which aired on May 31, 1950.         Sherlock Holmes is a fictional detective created by British author Arthur Conan Doyle. Referring to himself as a "consulting detective" in his stories, Holmes is known for his proficiency with observation, deduction, forensic science and logical reasoning that borders on the fantastic, which he employs when investigating cases for a wide variety of clients, including Scotland Yard. The character Sherlock Holmes first appeared in print in 1887's A Study in Scarlet. His popularity became widespread with the first series of short stories in The Strand Magazine, beginning with "A Scandal in Bohemia" in 1891; additional tales appeared from then until 1927, eventually totalling four novels and 56 short stories. All but one[a] are set in the Victorian or Edwardian eras, between about 1880 and 1914. Most are narrated by the character of Holmes's friend and biographer Dr. John H. Watson, who usually accompanies Holmes during his investigations and often shares quarters with him at the address of 221B Baker Street, London, where many of the stories begin. Though not the first fictional detective, Sherlock Holmes is arguably the best known. By the 1990s, there were already over 25,000 stage adaptations, films, television productions and publications featuring the detective, and Guinness World Records lists him as the most portrayed human literary character in film and television history. Holmes' popularity and fame are such that many have believed him to be not a fictional character but a real individual; numerous literary and fan societies have been founded on this pretence. Avid readers of the Holmes stories helped create the modern practice of fandom. The character and stories have had a profound and lasting effect on mystery writing and popular culture as a whole, with the original tales as well as thousands written by authors other than Conan Doyle being adapted into stage and radio plays, television, films, video games, and other media for over one hundred years. Inspiration for the character Sir Arthur Conan Doyle (1859–1930), Sherlock Holmes's creator, in 1914 Edgar Allan Poe's C. Auguste Dupin is generally acknowledged as the first detective in fiction and served as the prototype for many later characters, including Holmes. Conan Doyle once wrote, "Each [of Poe's detective stories] is a root from which a whole literature has developed ... Where was the detective story until Poe breathed the breath of life into it?" Similarly, the stories of Émile Gaboriau's Monsieur Lecoq were extremely popular at the time Conan Doyle began writing Holmes, and Holmes's speech and behaviour sometimes follow those of Lecoq. Doyle has his main characters discuss these literary antecedents near the beginning of A Study in Scarlet, which is set soon after Watson is first introduced to Holmes. Watson attempts to compliment Holmes by comparing him to Dupin, to which Holmes replies that he found Dupin to be "a very inferior fellow" and Lecoq to be "a miserable bungler". Conan Doyle repeatedly said that Holmes was inspired by the real-life figure of Joseph Bell, a surgeon at the Royal Infirmary of Edinburgh, whom Conan Doyle met in 1877 and had worked for as a clerk. Like Holmes, Bell was noted for drawing broad conclusions from minute observations.[13] However, he later wrote to Conan Doyle: "You are yourself Sherlock Holmes and well you know it". Sir Henry Littlejohn, Chair of Medical Jurisprudence at the University of Edinburgh Medical School, is also cited as an inspiration for Holmes. Littlejohn, who was also Police Surgeon and Medical Officer of Health in Edinburgh, provided Conan Doyle with a link between medical investigation and the detection of crime. Other possible inspirations have been proposed, though never acknowledged by Doyle, such as Maximilien Heller, by French author Henry Cauvain. In this 1871 novel (sixteen years before the first appearance of Sherlock Holmes), Henry Cauvain imagined a depressed, anti-social, opium-smoking polymath detective, operating in Paris. It is not known if Conan Doyle read the novel, but he was fluent in French.[19] Similarly, Michael Harrison suggested that a German self-styled "consulting detective" named Walter Scherer may have been the model for Holmes. Fictional character biography Family and early life Magazine cover featuring A Study in Scarlet, with drawing of a man lighting a lamp The cover page of the 1887 edition of Beeton's Christmas Annual, which contains Holmes's first appearance (A Study in Scarlet) Details of Sherlock Holmes' life in Conan Doyle's stories are scarce and often vague. Nevertheless, mentions of his early life and extended family paint a loose biographical picture of the detective. A statement of Holmes' age in "His Last Bow" places his year of birth at 1854; the story, set in August 1914, describes him as sixty years of age.[21] His parents are not mentioned, although Holmes mentions that his "ancestors" were "country squires". In "The Adventure of the Greek Interpreter", he claims that his grandmother was sister to the French artist Vernet, without clarifying whether this was Claude Joseph, Carle, or Horace Vernet. Holmes' brother Mycroft, seven years his senior, is a government official. Mycroft has a unique civil service position as a kind of human database for all aspects of government policy. Sherlock describes his brother as the more intelligent of the two, but notes that Mycroft lacks any interest in physical investigation, preferring to spend his time at the Diogenes Club. Holmes says that he first developed his methods of deduction as an undergraduate; his earliest cases, which he pursued as an amateur, came from his fellow university students. A meeting with a classmate's father led him to adopt detection as a profession. Life with Watson Holmes (in deerstalker hat) talking to Watson (in a bowler hat) in a railway compartment Holmes (right) and Watson in a Sidney Paget illustration for "The Adventure of Silver Blaze" In the first Holmes tale, A Study in Scarlet, financial difficulties lead Holmes and Dr. Watson to share rooms together at 221B Baker Street, London. Their residence is maintained by their landlady, Mrs. Hudson. Holmes works as a detective for twenty-three years, with Watson assisting him for seventeen of those years. Most of the stories are frame narratives written from Watson's point of view, as summaries of the detective's most interesting cases. Holmes frequently calls Watson's records of Holmes's cases sensational and populist, suggesting that they fail to accurately and objectively report the "science" of his craft: Detection is, or ought to be, an exact science and should be treated in the same cold and unemotional manner. You have attempted to tinge it [A Study in Scarlet] with romanticism, which produces much the same effect as if you worked a love-story or an elopement into the fifth proposition of Euclid. ... Some facts should be suppressed, or, at least, a just sense of proportion should be observed in treating them. The only point in the case which deserved mention was the curious analytical reasoning from effects to causes, by which I succeeded in unravelling it. Nevertheless, when Holmes recorded a case himself, he was forced to concede that he could more easily understand the need to write it in a manner that would appeal to the public rather than his intention to focus on his own technical skill. Holmes's friendship with Watson is his most significant relationship. When Watson is injured by a bullet, although the wound turns out to be "quite superficial", Watson is moved by Holmes's reaction: It was worth a wound; it was worth many wounds; to know the depth of loyalty and love which lay behind that cold mask. The clear, hard eyes were dimmed for a moment, and the firm lips were shaking. For the one and only time I caught a glimpse of a great heart as well as of a great brain. All my years of humble but single-minded service culminated in that moment of revelation. After confirming Watson's assessment of the wound, Holmes makes it clear to their opponent that the man would not have left the room alive if he genuinely had killed Watson. Practice Holmes' clients vary from the most powerful monarchs and governments of Europe, to wealthy aristocrats and industrialists, to impoverished pawnbrokers and governesses. He is known only in select professional circles at the beginning of the first story, but is already collaborating with Scotland Yard. However, his continued work and the publication of Watson's stories raise Holmes's profile, and he rapidly becomes well known as a detective; so many clients ask for his help instead of (or in addition to) that of the police that, Watson writes, by 1887 "Europe was ringing with his name" and by 1895 Holmes has "an immense practice". Police outside London ask Holmes for assistance if he is nearby. A Prime Minister and the King of Bohemia visit 221B Baker Street in person to request Holmes's assistance; the President of France awards him the Legion of Honour for capturing an assassin; the King of Scandinavia is a client; and he aids the Vatican at least twice. The detective acts on behalf of the British government in matters of national security several times and declines a knighthood "for services which may perhaps some day be described". However, he does not actively seek fame and is usually content to let the police take public credit for his work. The Great Hiatus Holmes and Moriarty wrestling at the end of a narrow path, with Holmes's hat falling into a waterfall Holmes and archenemy Moriarty struggle at the Reichenbach Falls; drawing by Sidney Paget The first set of Holmes stories was published between 1887 and 1893. Conan Doyle killed off Holmes in a final battle with the criminal mastermind Professor James Moriarty[ in "The Final Problem" (published 1893, but set in 1891), as Conan Doyle felt that "my literary energies should not be directed too much into one channel". However, the reaction of the public surprised him very much. Distressed readers wrote anguished letters to The Strand Magazine, which suffered a terrible blow when 20,000 people cancelled their subscriptions to the magazine in protest. Conan Doyle himself received many protest letters, and one lady even began her letter with "You brute". Legend has it that Londoners were so distraught upon hearing the news of Holmes's death that they wore black armbands in mourning, though there is no known contemporary source for this; the earliest known reference to such events comes from 1949. However, the recorded public reaction to Holmes's death was unlike anything previously seen for fictional events. After resisting public pressure for eight years, Conan Doyle wrote The Hound of the Baskervilles (serialised in 1901–02, with an implicit setting before Holmes's death). In 1903, Conan Doyle wrote "The Adventure of the Empty House"; set in 1894, Holmes reappears, explaining to a stunned Watson that he had faked his death to fool his enemies. Following "The Adventure of the Empty House", Conan Doyle would sporadically write new Holmes stories until 1927. Holmes aficionados refer to the period from 1891 to 1894—between his disappearance and presumed death in "The Final Problem" and his reappearance in "The Adventure of the Empty House"—as the Great Hiatus. The earliest known use of this expression dates to 1946. Retirement In His Last Bow, the reader is told that Holmes has retired to a small farm on the Sussex Downs and taken up beekeeping as his primary occupation. The move is not dated precisely, but can be presumed to be no later than 1904 (since it is referred to retrospectively in "The Adventure of the Second Stain", first published that year). The story features Holmes and Watson coming out of retirement to aid the British war effort. Only one other adventure, "The Adventure of the Lion's Mane", takes place during the detective's retirement. Personality and habits Holmes examining a bicycle with Watson standing behind in "The Adventure of the Priory School" from 1904. Sidney Paget's illustrations in The Strand Magazine iconicised both characters. Watson describes Holmes as "bohemian" in his habits and lifestyle.[54] Said to have a "cat-like" love of personal cleanliness, at the same time Holmes is an eccentric with no regard for contemporary standards of tidiness or good order. Watson describes him as in his personal habits one of the most untidy men that ever drove a fellow-lodger to distraction. [He] keeps his cigars in the coal-scuttle, his tobacco in the toe end of a Persian slipper, and his unanswered correspondence transfixed by a jack-knife into the very centre of his wooden mantelpiece. ... He had a horror of destroying documents. ... Thus month after month his papers accumulated, until every corner of the room was stacked with bundles of manuscript which were on no account to be burned, and which could not be put away save by their owner. While Holmes can be dispassionate and cold, during an investigation he is animated and excitable. He has a flair for showmanship, often keeping his methods and evidence hidden until the last possible moment so as to impress observers. His companion condones the detective's willingness to bend the truth (or break the law) on behalf of a client—lying to the police, concealing evidence or breaking into houses—when he feels it morally justifiable. Except for that of Watson, Holmes avoids casual company. In "The Gloria Scott", he tells the doctor that during two years at college he made only one friend: "I was never a very sociable fellow, Watson ... I never mixed much with the men of my year." The detective goes without food at times of intense intellectual activity, believing that "the faculties become refined when you starve them". At times, Holmes relaxes with music, either playing the violin[62] or enjoying the works of composers such as Wagner and Pablo de Sarasate. Drug use Holmes in a blue bathrobe, reclining against a pillow and smoking his pipe 1891 Paget portrait of Holmes smoking his pipe for "The Man with the Twisted Lip" Holmes occasionally uses addictive drugs, especially in the absence of stimulating cases. He sometimes used morphine and sometimes cocaine, the latter of which he injects in a seven-per cent solution; both drugs were legal in 19th-century England. As a physician, Watson strongly disapproves of his friend's cocaine habit, describing it as the detective's only vice, and concerned about its effect on Holmes's mental health and intellect. In "The Adventure of the Missing Three-Quarter", Watson says that although he has "weaned" Holmes from drugs, the detective remains an addict whose habit is "not dead, but merely sleeping". Watson and Holmes both use tobacco, smoking cigarettes, cigars, and pipes. Although his chronicler does not consider Holmes's smoking a vice per se, Watson—a physician—does criticise the detective for creating a "poisonous atmosphere" in their confined quarters. Finances Holmes is known to charge clients for his expenses and claim any reward offered for a problem's solution, such as in "The Adventure of the Speckled Band", "The Red-Headed League", and "The Adventure of the Beryl Coronet". The detective states at one point that "My professional charges are upon a fixed scale. I do not vary them, save when I remit them altogether." In this context, a client is offering to double his fee, and it is implied that wealthy clients habitually pay Holmes more than his standard rate. In "The Adventure of the Priory School", Holmes earns a £6,000 fee (at a time where annual expenses for a rising young professional were in the area of £500). However, Watson notes that Holmes would refuse to help even the wealthy and powerful if their cases did not interest him. Attitudes towards women As Conan Doyle wrote to Joseph Bell, "Holmes is as inhuman as a Babbage's Calculating Machine and just about as likely to fall in love." Holmes says of himself that he is "not a whole-souled admirer of womankind", and that he finds "the motives of women ... inscrutable. ... How can you build on such quicksand? Their most trivial actions may mean volumes". In The Sign of Four, he says, "Women are never to be entirely trusted—not the best of them", a feeling Watson notes as an "atrocious sentiment". In "The Adventure of the Lion's Mane", Holmes writes, "Women have seldom been an attraction to me, for my brain has always governed my heart." At the end of The Sign of Four, Holmes states that "love is an emotional thing, and whatever is emotional is opposed to that true, cold reason which I place above all things. I should never marry myself, lest I bias my judgement." Ultimately, Holmes claims outright that "I have never loved." But while Watson says that the detective has an "aversion to women",[85] he also notes Holmes as having "a peculiarly ingratiating way with [them]". Watson notes that their housekeeper Mrs. Hudson is fond of Holmes because of his "remarkable gentleness and courtesy in his dealings with women. He disliked and distrusted the sex, but he was always a chivalrous opponent." However, in "The Adventure of Charles Augustus Milverton", the detective becomes engaged under false pretenses in order to obtain information about a case, abandoning the woman once he has the information he requires. Irene Adler Irene Adler is a retired American opera singer and actress who appears in "A Scandal in Bohemia". Although this is her only appearance, she is one of only a handful of people who best Holmes in a battle of wits, and the only woman. For this reason, Adler is the frequent subject of pastiche writing. The beginning of the story describes the high regard in which Holmes holds her: To Sherlock Holmes she is always the woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex. It was not that he felt any emotion akin to love for Irene Adler. ... And yet there was but one woman to him, and that woman was the late Irene Adler, of dubious and questionable memory. Five years before the story's events, Adler had a brief liaison with Crown Prince of Bohemia Wilhelm von Ormstein. As the story opens, the Prince is engaged to another. Fearful that the marriage would be called off if his fiancée's family learns of this past impropriety, Ormstein hires Holmes to regain a photograph of Adler and himself. Adler slips away before Holmes can succeed. Her memory is kept alive by the photograph of Adler that Holmes received for his part in the case. Knowledge and skills Shortly after meeting Holmes in the first story, A Study in Scarlet (generally assumed to be 1881, though the exact date is not given), Watson assesses the detective's abilities: Knowledge of Literature – nil. Knowledge of Philosophy – nil. Knowledge of Astronomy – nil. Knowledge of Politics – Feeble. Knowledge of Botany – Variable. Well up in belladonna, opium, and poisons generally. Knows nothing of practical gardening. Knowledge of Geology – Practical, but limited. Tells at a glance different soils from each other. After walks, has shown me splashes upon his trousers, and told me by their colour and consistence in what part of London he had received them. Knowledge of Chemistry – Profound. Knowledge of Anatomy – Accurate, but unsystematic. Knowledge of Sensational Literature – Immense. He appears to know every detail of every horror perpetrated in the century. Plays the violin well. Is an expert singlestick player, boxer, and swordsman. Has a good practical knowledge of British law. In A Study in Scarlet, Holmes claims to be unaware that the Earth revolves around the Sun since such information is irrelevant to his work; after hearing that fact from Watson, he says he will immediately try to forget it. The detective believes that the mind has a finite capacity for information storage, and learning useless things reduces one's ability to learn useful things. The later stories move away from this notion: in The Valley of Fear, he says, "All knowledge comes useful to the detective", and in "The Adventure of the Lion's Mane", the detective calls himself "an omnivorous reader with a strangely retentive memory for trifles". Looking back on the development of the character in 1912, Conan Doyle wrote that "In the first one, the Study in Scarlet, [Holmes] was a mere calculating machine, but I had to make him more of an educated human being as I went on with him." Despite Holmes's supposed ignorance of politics, in "A Scandal in Bohemia" he immediately recognises the true identity of the disguised "Count von Kramm". At the end of A Study in Scarlet, Holmes demonstrates a knowledge of Latin. The detective cites Hafez,[98] Goethe,[99] as well as a letter from Gustave Flaubert to George Sand in the original French. In The Hound of the Baskervilles, the detective recognises works by Godfrey Kneller and Joshua Reynolds: "Watson won't allow that I know anything of art, but that is mere jealousy since our views upon the subject differ." In "The Adventure of the Bruce-Partington Plans", Watson says that "Holmes lost himself in a monograph which he had undertaken upon the Polyphonic Motets of Lassus", considered "the last word" on the subject—which must have been the result of an intensive and very specialized musicological study which could have had no possible application to the solution of criminal mysteries. Holmes is a cryptanalyst, telling Watson that "I am fairly familiar with all forms of secret writing, and am myself the author of a trifling monograph upon the subject, in which I analyse one hundred and sixty separate ciphers." Holmes also demonstrates a knowledge of psychology in "A Scandal in Bohemia", luring Irene Adler into betraying where she hid a photograph based on the premise that a woman will rush to save her most valued possession from a fire. Another example is in "The Adventure of the Blue Carbuncle", where Holmes obtains information from a salesman with a wager: "When you see a man with whiskers of that cut and the 'Pink 'un' protruding out of his pocket, you can always draw him by a bet ... I daresay that if I had put 100 pounds down in front of him, that man would not have given me such complete information as was drawn from him by the idea that he was doing me on a wager." Maria Konnikova points out in an interview with D. J. Grothe that Holmes practises what is now called mindfulness, concentrating on one thing at a time, and almost never "multitasks". She adds that in this he predates the science showing how helpful this is to the brain. Holmesian deduction Colour illustration of Holmes bending over a dead man in front of a fireplace Sidney Paget illustration of Holmes examining a corpse for "The Adventure of the Abbey Grange" Holmes observes the dress and attitude of his clients and suspects, noting skin marks (such as tattoos), contamination (such as ink stains or clay on boots), emotional state, and physical condition in order to deduce their origins and recent history. The style and state of wear of a person's clothes and personal items are also commonly relied on; in the stories, Holmes is seen applying his method to items such as walking sticks, pipes, and hats. For example, in "A Scandal in Bohemia", Holmes infers that Watson had got wet lately and had "a most clumsy and careless servant girl". When Watson asks how Holmes knows this, the detective answers: It is simplicity itself ... my eyes tell me that on the inside of your left shoe, just where the firelight strikes it, the leather is scored by six almost parallel cuts. Obviously they have been caused by someone who has very carelessly scraped round the edges of the sole in order to remove crusted mud from it. Hence, you see, my double deduction that you had been out in vile weather, and that you had a particularly malignant boot-slitting specimen of the London slavey. In the first Holmes story, A Study in Scarlet, Dr. Watson compares Holmes to C. Auguste Dupin, Edgar Allan Poe's fictional detective, who employed a similar methodology. Alluding to an episode in "The Murders in the Rue Morgue", where Dupin determines what his friend is thinking despite their having walked together in silence for a quarter of an hour, Holmes remarks: "That trick of his breaking in on his friend's thoughts with an apropos remark ... is really very showy and superficial."[112] Nevertheless, Holmes later performs the same 'trick' on Watson in "The Cardboard Box" and "The Adventure of the Dancing Men". Though the stories always refer to Holmes's intellectual detection method as "deduction", Holmes primarily relies on abduction: inferring an explanation for observed details. "From a drop of water," he writes, "a logician could infer the possibility of an Atlantic or a Niagara without having seen or heard of one or the other." However, Holmes does employ deductive reasoning as well. The detective's guiding principle, as he says in The Sign of Four, is: "When you have eliminated the impossible, whatever remains, however improbable, must be the truth." Despite Holmes's remarkable reasoning abilities, Conan Doyle still paints him as fallible in this regard (this being a central theme of "The Yellow Face"). Forensic science See caption 19th-century Seibert microscope Though Holmes is famed for his reasoning capabilities, his investigative technique relies heavily on the acquisition of hard evidence. Many of the techniques he employs in the stories were at the time in their infancy. The detective is particularly skilled in the analysis of trace evidence and other physical evidence, including latent prints (such as footprints, hoof prints, and shoe and tire impressions) to identify actions at a crime scene, using tobacco ashes and cigarette butts to identify criminals, utilizing handwriting analysis and graphology, comparing typewritten letters to expose a fraud, using gunpowder residue to expose two murderers, and analyzing small pieces of human remains to expose two murders. Because of the small scale of much of his evidence, the detective often uses a magnifying glass at the scene and an optical microscope at his Baker Street lodgings. He uses analytical chemistry for blood residue analysis and toxicology to detect poisons; Holmes's home chemistry laboratory is mentioned in "The Naval Treaty". Ballistics feature in "The Adventure of the Empty House" when spent bullets are recovered to be matched with a suspected murder weapon, a practice which became regular police procedure only some fifteen years after the story was published. Laura J. Snyder has examined Holmes's methods in the context of mid- to late-19th-century criminology, demonstrating that, while sometimes in advance of what official investigative departments were formally using at the time, they were based upon existing methods and techniques. For example, fingerprints were proposed to be distinct in Conan Doyle's day, and while Holmes used a thumbprint to solve a crime in "The Adventure of the Norwood Builder" (generally held to be set in 1895), the story was published in 1903, two years after Scotland Yard's fingerprint bureau opened. Though the effect of the Holmes stories on the development of forensic science has thus often been overstated, Holmes inspired future generations of forensic scientists to think scientifically and analytically. Disguises Holmes displays a strong aptitude for acting and disguise. In several stories ("The Sign of Four", "The Adventure of Charles Augustus Milverton", "The Man with the Twisted Lip", "The Adventure of the Empty House" and "A Scandal in Bohemia"), to gather evidence undercover, he uses disguises so convincing that Watson fails to recognise him. In others ("The Adventure of the Dying Detective" and "A Scandal in Bohemia"), Holmes feigns injury or illness to incriminate the guilty. In the latter story, Watson says, "The stage lost a fine actor ... when [Holmes] became a specialist in crime." Guy Mankowski has said of Holmes that his ability to change his appearance to blend into any situation "helped him personify the idea of the English eccentric chameleon, in a way that prefigured the likes of David Bowie". Agents Until Watson's arrival at Baker Street, Holmes largely worked alone, only occasionally employing agents from the city's underclass. These agents included a variety of informants, such as Langdale Pike, a "human book of reference upon all matters of social scandal", and Shinwell Johnson, who acted as Holmes's "agent in the huge criminal underworld of London". The best known of Holmes's agents are a group of street children he called "the Baker Street Irregulars". Combat Long-barreled revolver with a black handle British Army (Adams) Mark III, the type probably carried by Watson Pistols Holmes and Watson often carry pistols with them to confront criminals—in Watson's case, his old service weapon (probably a Mark III Adams revolver, issued to British troops during the 1870s).[139] Holmes and Watson shoot the eponymous hound in The Hound of the Baskervilles, and in "The Adventure of the Empty House", Watson pistol-whips Colonel Sebastian Moran. In "The Problem of Thor Bridge", Holmes uses Watson's revolver to solve the case through an experiment. Other weapons As a gentleman, Holmes often carries a stick or cane. He is described by Watson as an expert at singlestick, and uses his cane twice as a weapon. In A Study in Scarlet, Watson describes Holmes as an expert swordsman, and in "The Gloria Scott", the detective says he practised fencing while at university.[59] In several stories ("A Case of Identity", "The Red-Headed League", "The Adventure of the Six Napoleons"), Holmes wields a riding crop, described in the latter story as his "favourite weapon". Personal combat Holmes fighting Holmes outfighting Mr Woodley in "The Solitary Cyclist" The detective is described (or demonstrated) as possessing above-average physical strength. In "The Yellow Face", Holmes's chronicler says, "Few men were capable of greater muscular effort." In "The Adventure of the Speckled Band", Dr. Roylott demonstrates his strength by bending a fire poker in half. Watson describes Holmes as laughing and saying, "'If he had remained I might have shown him that my grip was not much more feeble than his own.' As he spoke he picked up the steel poker and, with a sudden effort, straightened it out again." Holmes is an adept bare-knuckle fighter; "The Gloria Scott" mentions that Holmes boxed while at university. In The Sign of Four, he introduces himself to McMurdo, a prize fighter, as "the amateur who fought three rounds with you at Alison's rooms on the night of your benefit four years back". McMurdo remembers: "Ah, you're one that has wasted your gifts, you have! You might have aimed high if you had joined the fancy." In "The Yellow Face", Watson says: "He was undoubtedly one of the finest boxers of his weight that I have ever seen." In "The Solitary Cyclist", Holmes visits a country pub to make enquiries regarding a certain Mr Woodley which results in violence. Mr Woodley, Holmes tells Watson, ... had been drinking his beer in the tap-room, and had heard the whole conversation. Who was I? What did I want? What did I mean by asking questions? He had a fine flow of language, and his adjectives were very vigorous. He ended a string of abuse by a vicious backhander, which I failed to entirely avoid. The next few minutes were delicious. It was a straight left against a slogging ruffian. I emerged as you see me. Mr. Woodley went home in a cart. Another character subsequently refers to Mr Woodley as looking "much disfigured" as a result of his encounter with Holmes. In "The Adventure of the Empty House", Holmes tells Watson that he used a Japanese martial art known as baritsu to fling Moriarty to his death in the Reichenbach Falls. "Baritsu" is Conan Doyle's version of bartitsu, which combines jujitsu with boxing and cane fencing.     The Golden Age of Radio Also known as the old-time radio (OTR) era, was an era of radio in the United States where it was the dominant electronic home entertainment medium. It began with the birth of commercial radio broadcasting in the early 1920s and lasted through the 1950s, when television gradually superseded radio as the medium of choice for scripted programming, variety and dramatic shows. Radio was the first broadcast medium, and during this period people regularly tuned in to their favourite radio programs, and families gathered to listen to the home radio in the evening. According to a 1947 C. E. Hooper survey, 82 out of 100 Americans were found to be radio listeners. A variety of new entertainment formats and genres were created for the new medium, many of which later migrated to television: radio plays, mystery serials, soap operas, quiz shows, talent shows, daytime and evening variety hours, situation comedies, play-by-play sports, children's shows, cooking shows, and more. In the 1950s, television surpassed radio as the most popular broadcast medium, and commercial radio programming shifted to narrower formats of news, talk, sports and music. Religious broadcasters, listener-supported public radio and college stations provide their own distinctive formats. Origins A family listening to the first broadcasts around 1920 with a crystal radio. The crystal radio, a legacy from the pre-broadcast era, could not power a loudspeaker so the family must share earphones During the first three decades of radio, from 1887 to about 1920, the technology of transmitting sound was undeveloped; the information-carrying ability of radio waves was the same as a telegraph; the radio signal could be either on or off. Radio communication was by wireless telegraphy; at the sending end, an operator tapped on a switch which caused the radio transmitter to produce a series of pulses of radio waves which spelled out text messages in Morse code. At the receiver these sounded like beeps, requiring an operator who knew Morse code to translate them back to text. This type of radio was used exclusively for person-to-person text communication for commercial, diplomatic and military purposes and hobbyists; broadcasting did not exist. The broadcasts of live drama, comedy, music and news that characterize the Golden Age of Radio had a precedent in the Théâtrophone, commercially introduced in Paris in 1890 and available as late as 1932. It allowed subscribers to eavesdrop on live stage performances and hear news reports by means of a network of telephone lines. The development of radio eliminated the wires and subscription charges from this concept. Between 1900 and 1920 the first technology for transmitting sound by radio was developed, AM (amplitude modulation), and AM broadcasting sprang up around 1920. On Christmas Eve 1906, Reginald Fessenden is said to have broadcast the first radio program, consisting of some violin playing and passages from the Bible. While Fessenden's role as an inventor and early radio experimenter is not in dispute, several contemporary radio researchers have questioned whether the Christmas Eve broadcast took place, or whether the date was, in fact, several weeks earlier. The first apparent published reference to the event was made in 1928 by H. P. Davis, Vice President of Westinghouse, in a lecture given at Harvard University. In 1932 Fessenden cited the Christmas Eve 1906 broadcast event in a letter he wrote to Vice President S. M. Kinter of Westinghouse. Fessenden's wife Helen recounts the broadcast in her book Fessenden: Builder of Tomorrows (1940), eight years after Fessenden's death. The issue of whether the 1906 Fessenden broadcast actually happened is discussed in Donna Halper's article "In Search of the Truth About Fessenden"[2] and also in James O'Neal's essays.[3][4] An annotated argument supporting Fessenden as the world's first radio broadcaster was offered in 2006 by Dr. John S. Belrose, Radioscientist Emeritus at the Communications Research Centre Canada, in his essay "Fessenden's 1906 Christmas Eve broadcast." It was not until after the Titanic catastrophe in 1912 that radio for mass communication came into vogue, inspired first by the work of amateur ("ham") radio operators. Radio was especially important during World War I as it was vital for air and naval operations. World War I brought about major developments in radio, superseding the Morse code of the wireless telegraph with the vocal communication of the wireless telephone, through advancements in vacuum tube technology and the introduction of the transceiver. After the war, numerous radio stations were born in the United States and set the standard for later radio programs. The first radio news program was broadcast on August 31, 1920, on the station 8MK in Detroit; owned by The Detroit News, the station covered local election results. This was followed in 1920 with the first commercial radio station in the United States, KDKA, being established in Pittsburgh. The first regular entertainment programs were broadcast in 1922, and on March 10, Variety carried the front-page headline: "Radio Sweeping Country: 1,000,000 Sets in Use." A highlight of this time was the first Rose Bowl being broadcast on January 1, 1923, on the Los Angeles station KHJ. Growth of radio Broadcast radio in the United States underwent a period of rapid change through the decade of the 1920s. Technology advances, better regulation, rapid consumer adoption, and the creation of broadcast networks transformed radio from a consumer curiosity into the mass media powerhouse that defined the Golden Age of Radio. Consumer adoption Through the decade of the 1920s, the purchase of radios by United States homes continued, and accelerated. The Radio Corporation of America (RCA) released figures in 1925 stating that 19% of United States homes owned a radio. The triode and regenerative circuit made amplified, vacuum tube radios widely available to consumers by the second half of the 1920s. The advantage was obvious: several people at once in a home could now easily listen to their radio at the same time. In 1930, 40% of the nation's households owned a radio,[8] a figure that was much higher in suburban and large metropolitan areas. The superheterodyne receiver and other inventions refined radios even further in the next decade; even as the Great Depression ravaged the country in the 1930s, radio would stay at the centre of American life. 83% of American homes would own a radio by 1940. Government regulation Although radio was well established with United States consumers by the mid-1920s, regulation of the broadcast medium presented its own challenges. Until 1926, broadcast radio power and frequency use was regulated by the U.S. Department of Commerce, until a legal challenge rendered the agency powerless to do so. Congress responded by enacting the Radio Act of 1927, which included the formation of the Federal Radio Commission (FRC). One of the FRC's most important early actions was the adoption of General Order 40, which divided stations on the AM band into three power level categories, which became known as Local, Regional, and Clear Channel, and reorganized station assignments. Based on this plan, effective 3:00 a.m. Eastern time on November 11, 1928, most of the country's stations were assigned to new transmitting frequencies. Broadcast networks The final element needed to make the Golden Age of Radio possible focused on the question of distribution: the ability for multiple radio stations to simultaneously broadcast the same content, and this would be solved with the concept of a radio network. The earliest radio programs of the 1920s were largely unsponsored; radio stations were a service designed to sell radio receivers. In early 1922, American Telephone & Telegraph Company (AT&T) announced the beginning of advertisement-supported broadcasting on its owned stations, and plans for the development of the first radio network using its telephone lines to transmit the content. In July 1926, AT&T abruptly decided to exit the broadcasting field, and signed an agreement to sell its entire network operations to a group headed by RCA, which used the assets to form the National Broadcasting Company. Four radio networks had formed by 1934. These were: National Broadcasting Company Red Network (NBC Red), launched November 15, 1926. Originally founded as the National Broadcasting Company in late 1926, the company was almost immediately forced to split under antitrust laws to form NBC Red and NBC Blue. When, in 1942, NBC Blue was sold and renamed the Blue Network, this network would go back to calling itself simply the National Broadcasting Company Radio Network (NBC). National Broadcasting Company Blue Network (NBC Blue); launched January 10, 1927, split from NBC Red. NBC Blue was sold in 1942 and became the Blue Network, and it in turn transferred its assets to a new company, the American Broadcasting Company on June 15, 1945. That network identified itself as the American Broadcasting Company Radio Network (ABC). Columbia Broadcasting System (CBS), launched September 18, 1927. After an initially struggling attempt to compete with the NBC networks, CBS gained new momentum when William S. Paley was installed as company president. Mutual Broadcasting System (Mutual), launched September 29, 1934. Mutual was initially run as a cooperative in which the flagship stations owned the network, not the other way around as was the case with the other three radio networks. Programming In the period before and after the advent of the broadcast network, new forms of entertainment needed to be created to fill the time of a station's broadcast day. Many of the formats born in this era continued into the television and digital eras. In the beginning of the Golden Age, network programs were almost exclusively broadcast live, as the national networks prohibited the airing of recorded programs until the late 1940s because of the inferior sound quality of phonograph discs, the only practical recording medium at that time. As a result, network prime-time shows would be performed twice, once for each coast. Rehearsal for the World War II radio show You Can't Do Business with Hitler with John Flynn and Virginia Moore. This series of programs, broadcast at least once weekly by more than 790 radio stations in the United States, was written and produced by the radio section of the Office of War Information (OWI). Live events Coverage of live events included musical concerts and play-by-play sports broadcasts. News The capability of the new medium to get information to people created the format of modern radio news: headlines, remote reporting, sidewalk interviews (such as Vox Pop), panel discussions, weather reports, and farm reports. The entry of radio into the realm of news triggered a feud between the radio and newspaper industries in the mid-1930s, eventually culminating in newspapers trumping up exaggerated [citation needed] reports of a mass hysteria from the (entirely fictional) radio presentation of The War of the Worlds, which had been presented as a faux newscast. Musical features The sponsored musical feature soon became one of the most popular program formats. Most early radio sponsorship came in the form of selling the naming rights to the program, as evidenced by such programs as The A&P Gypsies, Champion Spark Plug Hour, The Clicquot Club Eskimos, and King Biscuit Time; commercials, as they are known in the modern era, were still relatively uncommon and considered intrusive. During the 1930s and 1940s, the leading orchestras were heard often through big band remotes, and NBC's Monitor continued such remotes well into the 1950s by broadcasting live music from New York City jazz clubs to rural America. Singers such as Harriet Lee and Wendell Hall became popular fixtures on network radio beginning in the late 1920s and early 1930s. Local stations often had staff organists such as Jesse Crawford playing popular tunes. Classical music programs on the air included The Voice of Firestone and The Bell Telephone Hour. Texaco sponsored the Metropolitan Opera radio broadcasts; the broadcasts, now sponsored by the Toll Brothers, continue to this day around the world, and are one of the few examples of live classical music still broadcast on radio. One of the most notable of all classical music radio programs of the Golden Age of Radio featured the celebrated Italian conductor Arturo Toscanini conducting the NBC Symphony Orchestra, which had been created especially for him. At that time, nearly all classical musicians and critics considered Toscanini the greatest living maestro. Popular songwriters such as George Gershwin were also featured on radio. (Gershwin, in addition to frequent appearances as a guest, had his own program in 1934.) The New York Philharmonic also had weekly concerts on radio. There was no dedicated classical music radio station like NPR at that time, so classical music programs had to share the network they were broadcast on with more popular ones, much as in the days of television before the creation of NET and PBS. Country music also enjoyed popularity. National Barn Dance, begun on Chicago's WLS in 1924, was picked up by NBC Radio in 1933. In 1925, WSM Barn Dance went on the air from Nashville. It was renamed the Grand Ole Opry in 1927 and NBC carried portions from 1944 to 1956. NBC also aired The Red Foley Show from 1951 to 1961, and ABC Radio carried Ozark Jubilee from 1953 to 1961. Comedy Radio attracted top comedy talents from vaudeville and Hollywood for many years: Bing Crosby, Abbott and Costello, Fred Allen, Jack Benny, Victor Borge, Fanny Brice, Billie Burke, Bob Burns, Judy Canova, Eddie Cantor, Jimmy Durante, Burns and Allen, Phil Harris, Edgar Bergen, Bob Hope, Groucho Marx, Jean Shepherd, Red Skelton and Ed Wynn. Situational comedies also gained popularity, such as Amos 'n' Andy, Easy Aces, Ethel and Albert, Fibber McGee and Molly, The Goldbergs, The Great Gildersleeve, The Halls of Ivy (which featured screen star Ronald Colman and his wife Benita Hume), Meet Corliss Archer, Meet Millie, and Our Miss Brooks. Radio comedy ran the gamut from the small town humor of Lum and Abner, Herb Shriner and Minnie Pearl to the dialect characterizations of Mel Blanc and the caustic sarcasm of Henry Morgan. Gags galore were delivered weekly on Stop Me If You've Heard This One and Can You Top This?,[18] panel programs devoted to the art of telling jokes. Quiz shows were lampooned on It Pays to Be Ignorant, and other memorable parodies were presented by such satirists as Spike Jones, Stoopnagle and Budd, Stan Freberg and Bob and Ray. British comedy reached American shores in a major assault when NBC carried The Goon Show in the mid-1950s. Some shows originated as stage productions: Clifford Goldsmith's play What a Life was reworked into NBC's popular, long-running The Aldrich Family (1939–1953) with the familiar catchphrases "Henry! Henry Aldrich!," followed by Henry's answer, "Coming, Mother!" Moss Hart and George S. Kaufman's Pulitzer Prize-winning Broadway hit, You Can't Take It with You (1936), became a weekly situation comedy heard on Mutual (1944) with Everett Sloane and later on NBC (1951) with Walter Brennan. Other shows were adapted from comic strips, such as Blondie, Dick Tracy, Gasoline Alley, The Gumps, Li'l Abner, Little Orphan Annie, Popeye the Sailor, Red Ryder, Reg'lar Fellers, Terry and the Pirates and Tillie the Toiler. Bob Montana's redheaded teen of comic strips and comic books was heard on radio's Archie Andrews from 1943 to 1953. The Timid Soul was a 1941–1942 comedy based on cartoonist H. T. Webster's famed Caspar Milquetoast character, and Robert L. Ripley's Believe It or Not! was adapted to several different radio formats during the 1930s and 1940s. Conversely, some radio shows gave rise to spinoff comic strips, such as My Friend Irma starring Marie Wilson. Soap operas The first program generally considered to be a daytime serial drama by scholars of the genre is Painted Dreams, which premiered on WGN on October 20, 1930. The first networked daytime serial is Clara, Lu, 'n Em, which started in a daytime time slot on February 15, 1932. As daytime serials became popular in the early 1930s, they became known as soap operas because many were sponsored by soap products and detergents. On November 25, 1960, the last four daytime radio dramas—Young Dr. Malone, Right to Happiness, The Second Mrs. Burton and Ma Perkins, all broadcast on the CBS Radio Network—were brought to an end. Children's programming The line-up of late afternoon adventure serials included Bobby Benson and the B-Bar-B Riders, The Cisco Kid, Jack Armstrong, the All-American Boy, Captain Midnight, and The Tom Mix Ralston Straight Shooters. Badges, rings, decoding devices and other radio premiums offered on these adventure shows were often allied with a sponsor's product, requiring the young listeners to mail in a boxtop from a breakfast cereal or other proof of purchase. Radio plays Radio plays were presented on such programs as 26 by Corwin, NBC Short Story, Arch Oboler's Plays, Quiet, Please, and CBS Radio Workshop. Orson Welles's The Mercury Theatre on the Air and The Campbell Playhouse were considered by many critics to be the finest radio drama anthologies ever presented. They usually starred Welles in the leading role, along with celebrity guest stars such as Margaret Sullavan or Helen Hayes, in adaptations from literature, Broadway, and/or films. They included such titles as Liliom, Oliver Twist (a title now feared lost), A Tale of Two Cities, Lost Horizon, and The Murder of Roger Ackroyd. It was on Mercury Theatre that Welles presented his celebrated-but-infamous 1938 adaptation of H. G. Wells's The War of the Worlds, formatted to sound like a breaking news program. Theatre Guild on the Air presented adaptations of classical and Broadway plays. Their Shakespeare adaptations included a one-hour Macbeth starring Maurice Evans and Judith Anderson, and a 90-minute Hamlet, starring John Gielgud.[22] Recordings of many of these programs survive. During the 1940s, Basil Rathbone and Nigel Bruce, famous for playing Sherlock Holmes and Dr. Watson in films, repeated their characterizations on radio on The New Adventures of Sherlock Holmes, which featured both original stories and episodes directly adapted from Arthur Conan Doyle's stories. None of the episodes in which Rathbone and Bruce starred on the radio program were filmed with the two actors as Holmes and Watson, so radio became the only medium in which audiences were able to experience Rathbone and Bruce appearing in some of the more famous Holmes stories, such as "The Speckled Band". There were also many dramatizations of Sherlock Holmes stories on radio without Rathbone and Bruce. During the latter part of his career, celebrated actor John Barrymore starred in a radio program, Streamlined Shakespeare, which featured him in a series of one-hour adaptations of Shakespeare plays, many of which Barrymore never appeared in either on stage or in films, such as Twelfth Night (in which he played both Malvolio and Sir Toby Belch), and Macbeth. Lux Radio Theatre and The Screen Guild Theater presented adaptations of Hollywood movies, performed before a live audience, usually with cast members from the original films. Suspense, Escape, The Mysterious Traveler and Inner Sanctum Mystery were popular thriller anthology series. Leading writers who created original material for radio included Norman Corwin, Carlton E. Morse, David Goodis, Archibald MacLeish, Arthur Miller, Arch Oboler, Wyllis Cooper, Rod Serling, Jay Bennett, and Irwin Shaw. Game shows Game shows saw their beginnings in radio. One of the first was Information Please in 1938, and one of the first major successes was Dr. I.Q. in 1939. Winner Take All, which premiered in 1946, was the first to use lockout devices and feature returning champions. A relative of the game show, which would be called the giveaway show in contemporary media, typically involved giving sponsored products to studio audience members, people randomly called by telephone, or both. An early example of this show was the 1939 show Pot o' Gold, but the breakout hit of this type was ABC's Stop the Music in 1948. Winning a prize generally required knowledge of what was being aired on the show at that moment, which led to criticism of the giveaway show as a form of "buying an audience". Giveaway shows were extremely popular through 1948 and 1949. They were often panned as low-brow, and an unsuccessful attempt was even made by the FCC to ban them (as an illegal lottery) in August 1949.[23] Broadcast production methods The RCA Type 44-BX microphone had two live faces and two dead ones. Thus actors could face each other and react. An actor could give the effect of leaving the room by simply moving their head toward the dead face of the microphone. The scripts were paper-clipped together. It has been disputed whether or not actors and actresses would drop finished pages to the carpeted floor after use. Radio stations Despite a general ban on use of recordings on broadcasts by radio networks through the late 1940s, "reference recordings" on phonograph disc were made of many programs as they were being broadcast, for review by the sponsor and for the network's own archival purposes. With the development of high-fidelity magnetic wire and tape recording in the years following World War II, the networks became more open to airing recorded programs and the prerecording of shows became more common. Local stations, however, had always been free to use recordings and sometimes made substantial use of pre-recorded syndica