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2 episodes with century britain
3 episodes with century britain
3 episodes with century britain
2 episodes with century britain
2 episodes with century britain
2 episodes with century britain
2 episodes with century britain
2 episodes with century britain
2 episodes with century britain
Chris talks to Melanie McDonagh about her new book, Converts: From Oscar Wilde to Muriel Spark, Why So Many Became Catholic in the 20th Century. Dr. McDonagh discusses some of the prominent (and less familiar) British artists, writers, and intellectuals who entered the Roman Catholic from the 1890s through the 1950s. What were the social […]
Connoisseurs and conmen: The contest for cultural authority in early twentieth-century Britain (Manchester University Press, 2026) by Dr. Lewis Ryder examines John Hilditch (1872-1930), a notorious collector of Chinese art who lied, hoaxed and manipulated in his struggle against museum experts to become a cultural authority. Previously overlooked as a pest with a dubious collection, this book uses Hilditch to interrogate how far the monumental social, cultural and political changes of the early twentieth century unsettled social and cultural hierarchies and how these hierarchies were remade. It shows how the cultural elites were forced to engage with the public and re-draw the boundaries of citizenship, expertise and high and low culture in response to unprecedented social mobility, the democratisation of culture and politics, as well as the effects of British imperialism which brought ordinary Britons access to antiquities as well as confidence to claim expertise over foreign cultures. The book will interest social and cultural historians of Modern Britain, museum scholars and art historians. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Connoisseurs and conmen: The contest for cultural authority in early twentieth-century Britain (Manchester University Press, 2026) by Dr. Lewis Ryder examines John Hilditch (1872-1930), a notorious collector of Chinese art who lied, hoaxed and manipulated in his struggle against museum experts to become a cultural authority. Previously overlooked as a pest with a dubious collection, this book uses Hilditch to interrogate how far the monumental social, cultural and political changes of the early twentieth century unsettled social and cultural hierarchies and how these hierarchies were remade. It shows how the cultural elites were forced to engage with the public and re-draw the boundaries of citizenship, expertise and high and low culture in response to unprecedented social mobility, the democratisation of culture and politics, as well as the effects of British imperialism which brought ordinary Britons access to antiquities as well as confidence to claim expertise over foreign cultures. The book will interest social and cultural historians of Modern Britain, museum scholars and art historians. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
Connoisseurs and conmen: The contest for cultural authority in early twentieth-century Britain (Manchester University Press, 2026) by Dr. Lewis Ryder examines John Hilditch (1872-1930), a notorious collector of Chinese art who lied, hoaxed and manipulated in his struggle against museum experts to become a cultural authority. Previously overlooked as a pest with a dubious collection, this book uses Hilditch to interrogate how far the monumental social, cultural and political changes of the early twentieth century unsettled social and cultural hierarchies and how these hierarchies were remade. It shows how the cultural elites were forced to engage with the public and re-draw the boundaries of citizenship, expertise and high and low culture in response to unprecedented social mobility, the democratisation of culture and politics, as well as the effects of British imperialism which brought ordinary Britons access to antiquities as well as confidence to claim expertise over foreign cultures. The book will interest social and cultural historians of Modern Britain, museum scholars and art historians. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies
Connoisseurs and conmen: The contest for cultural authority in early twentieth-century Britain (Manchester University Press, 2026) by Dr. Lewis Ryder examines John Hilditch (1872-1930), a notorious collector of Chinese art who lied, hoaxed and manipulated in his struggle against museum experts to become a cultural authority. Previously overlooked as a pest with a dubious collection, this book uses Hilditch to interrogate how far the monumental social, cultural and political changes of the early twentieth century unsettled social and cultural hierarchies and how these hierarchies were remade. It shows how the cultural elites were forced to engage with the public and re-draw the boundaries of citizenship, expertise and high and low culture in response to unprecedented social mobility, the democratisation of culture and politics, as well as the effects of British imperialism which brought ordinary Britons access to antiquities as well as confidence to claim expertise over foreign cultures. The book will interest social and cultural historians of Modern Britain, museum scholars and art historians. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Connoisseurs and conmen: The contest for cultural authority in early twentieth-century Britain (Manchester University Press, 2026) by Dr. Lewis Ryder examines John Hilditch (1872-1930), a notorious collector of Chinese art who lied, hoaxed and manipulated in his struggle against museum experts to become a cultural authority. Previously overlooked as a pest with a dubious collection, this book uses Hilditch to interrogate how far the monumental social, cultural and political changes of the early twentieth century unsettled social and cultural hierarchies and how these hierarchies were remade. It shows how the cultural elites were forced to engage with the public and re-draw the boundaries of citizenship, expertise and high and low culture in response to unprecedented social mobility, the democratisation of culture and politics, as well as the effects of British imperialism which brought ordinary Britons access to antiquities as well as confidence to claim expertise over foreign cultures. The book will interest social and cultural historians of Modern Britain, museum scholars and art historians. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies
Connoisseurs and conmen: The contest for cultural authority in early twentieth-century Britain (Manchester University Press, 2026) by Dr. Lewis Ryder examines John Hilditch (1872-1930), a notorious collector of Chinese art who lied, hoaxed and manipulated in his struggle against museum experts to become a cultural authority. Previously overlooked as a pest with a dubious collection, this book uses Hilditch to interrogate how far the monumental social, cultural and political changes of the early twentieth century unsettled social and cultural hierarchies and how these hierarchies were remade. It shows how the cultural elites were forced to engage with the public and re-draw the boundaries of citizenship, expertise and high and low culture in response to unprecedented social mobility, the democratisation of culture and politics, as well as the effects of British imperialism which brought ordinary Britons access to antiquities as well as confidence to claim expertise over foreign cultures. The book will interest social and cultural historians of Modern Britain, museum scholars and art historians. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
As the testimony of Prince Harry's latest law suit against the tabloids concludes, we learn that Harry himself was sending flirty messages to journalists. Has he sunk his own case?Phil is then joined by Prof Mark Stoyle, an expert on 16th and 17th Century Britain to talk about the world of Samuel Pepys, one of the greatest - and most honest - diarists of all time. Phil and Mark explore the filth and the frolics of Pepy's London in an entertaining mix of social history and salacious scandal!Mark's fantastic history books can be found on Amazon and this is the latest...https://www.amazon.co.uk/Murderous-Midsummer-Western-Rising-1549-ebook/dp/B0B8DXLH56There's information and extracts from Phil's new book here...https://sites.google.com/view/1945thereckoning/homeYou can order his book on Amazon UK and Amazon Australia, India and NZ - and it is available all around the world as an e-book and an audio book..https://www.amazon.co.uk/1945-Reckoning-Empire-Struggle-World/dp/139971449XWe now have a Thank You button (next to the 'three dots') for small donations that help support our workLooking for the perfect gift for a special scandalous someone - or someone you'd like to get scandalous with? We're here to help...https://www.etsy.com/uk/shop/ScandalMongers*** If you enjoy our work please consider clicking the YouTube subscribe button, even if you listen to us on an audio app. It will help our brand to grow and our content to reach new ears.THE SCANDAL MONGERS PODCAST is also available to watch on Youtube...https://www.youtube.com/watch?v=I3ZRWhWuexQThe Scandal Mongers...https://x.com/mongerspodcastPhil Craig...https://x.com/philmcraigYou can get in touch with the show via...team@podcastworld.org(place 'Scandal Mongers' in the heading)Show Produced By Podcast World Soho@thescandalmongerspodcast Hosted on Acast. See acast.com/privacy for more information.
What is the role of television in the history of the UK? In Race on Screen: Audience Racism in Twentieth-Century Britain (Cambridge UP, 2026) Christine Grandy, an Associate Professor in History at the University of Lincoln, explores how producers, audiences, and television programmes themselves addressed race and racism in the Twentieth-Century. Drawing on a huge range of archival material, the book demonstrates the explicit racism associated with white audiences and TV programming, along with the critical resistance offered by audiences of colour. Thinking through how this history of audience and TV production racism has been forgotten, the analysis is a vital contribution to our own contemporary discussions about race and media, in the UK and beyond. The book is essential reading for arts, humanities and social science scholars, along with anyone interested in the past and future of television. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
What is the role of television in the history of the UK? In Race on Screen: Audience Racism in Twentieth-Century Britain (Cambridge UP, 2026) Christine Grandy, an Associate Professor in History at the University of Lincoln, explores how producers, audiences, and television programmes themselves addressed race and racism in the Twentieth-Century. Drawing on a huge range of archival material, the book demonstrates the explicit racism associated with white audiences and TV programming, along with the critical resistance offered by audiences of colour. Thinking through how this history of audience and TV production racism has been forgotten, the analysis is a vital contribution to our own contemporary discussions about race and media, in the UK and beyond. The book is essential reading for arts, humanities and social science scholars, along with anyone interested in the past and future of television. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
What is the role of television in the history of the UK? In Race on Screen: Audience Racism in Twentieth-Century Britain (Cambridge UP, 2026) Christine Grandy, an Associate Professor in History at the University of Lincoln, explores how producers, audiences, and television programmes themselves addressed race and racism in the Twentieth-Century. Drawing on a huge range of archival material, the book demonstrates the explicit racism associated with white audiences and TV programming, along with the critical resistance offered by audiences of colour. Thinking through how this history of audience and TV production racism has been forgotten, the analysis is a vital contribution to our own contemporary discussions about race and media, in the UK and beyond. The book is essential reading for arts, humanities and social science scholars, along with anyone interested in the past and future of television. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
What is the role of television in the history of the UK? In Race on Screen: Audience Racism in Twentieth-Century Britain (Cambridge UP, 2026) Christine Grandy, an Associate Professor in History at the University of Lincoln, explores how producers, audiences, and television programmes themselves addressed race and racism in the Twentieth-Century. Drawing on a huge range of archival material, the book demonstrates the explicit racism associated with white audiences and TV programming, along with the critical resistance offered by audiences of colour. Thinking through how this history of audience and TV production racism has been forgotten, the analysis is a vital contribution to our own contemporary discussions about race and media, in the UK and beyond. The book is essential reading for arts, humanities and social science scholars, along with anyone interested in the past and future of television. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
What is the role of television in the history of the UK? In Race on Screen: Audience Racism in Twentieth-Century Britain (Cambridge UP, 2026) Christine Grandy, an Associate Professor in History at the University of Lincoln, explores how producers, audiences, and television programmes themselves addressed race and racism in the Twentieth-Century. Drawing on a huge range of archival material, the book demonstrates the explicit racism associated with white audiences and TV programming, along with the critical resistance offered by audiences of colour. Thinking through how this history of audience and TV production racism has been forgotten, the analysis is a vital contribution to our own contemporary discussions about race and media, in the UK and beyond. The book is essential reading for arts, humanities and social science scholars, along with anyone interested in the past and future of television.
What is the role of television in the history of the UK? In Race on Screen: Audience Racism in Twentieth-Century Britain (Cambridge UP, 2026) Christine Grandy, an Associate Professor in History at the University of Lincoln, explores how producers, audiences, and television programmes themselves addressed race and racism in the Twentieth-Century. Drawing on a huge range of archival material, the book demonstrates the explicit racism associated with white audiences and TV programming, along with the critical resistance offered by audiences of colour. Thinking through how this history of audience and TV production racism has been forgotten, the analysis is a vital contribution to our own contemporary discussions about race and media, in the UK and beyond. The book is essential reading for arts, humanities and social science scholars, along with anyone interested in the past and future of television. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
What is the role of television in the history of the UK? In Race on Screen: Audience Racism in Twentieth-Century Britain (Cambridge UP, 2026) Christine Grandy, an Associate Professor in History at the University of Lincoln, explores how producers, audiences, and television programmes themselves addressed race and racism in the Twentieth-Century. Drawing on a huge range of archival material, the book demonstrates the explicit racism associated with white audiences and TV programming, along with the critical resistance offered by audiences of colour. Thinking through how this history of audience and TV production racism has been forgotten, the analysis is a vital contribution to our own contemporary discussions about race and media, in the UK and beyond. The book is essential reading for arts, humanities and social science scholars, along with anyone interested in the past and future of television. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
In 1965 Margaret Crane was a young designer creating packaging for a pharmaceutical company when a scientist gave her a tour of the lab. Looking at the long rows of pregnancy tests she thought, well anyone could do that test at home! So she set about designing a prototype for America's first home pregnancy test. While the design of the prototype was simple, convincing the company, the medical community and conservative social leaders that at-home pregnancy testing was safe and necessary was an uphill climb for Crane, who is only now receiving credit for her contributions to the industry. This show first aired in February 2024. Featuring: Margaret Crane - Graphic designer and inventor of the first home pregnancy test Wendy Kline - Dema G. Seelye Chair in the History of Medicine, History Faculty Purdue University Jesse Olszynko-Gryn - Head of the [Laboratory for Oral History and Experimental Media](https://www.mpiwg-berlin.mpg.de/research/projects/laboratory-oral-history-and-experimental-media) at Max Planck Institute for the History of Science Arthur Kover - Emeritus Professor of Marketing, Fordham University Alexandra Lord - Chair, Division of Medicine and Science at the National Museum of American History Making Contact Staff: Host: Amy Gastelum Guest Producer: Anne Noyes Saini Producers: Anita Johnson, Salima Hamirani, Amy Gastelum, and Lucy Kang Executive Director: Jina Chung Editor: Adwoa Gyimah-Brempong Engineer: Jeff Emtman Digital Media Marketing: Lissa Deonorain Music: Podington Bear, Rhythm and Strings Learn More: National Museum of American History https://americanhistory.si.edu/collections/nmah_1803285 A Woman's Right to Know, Pregnancy Testing in 20th Century Britain - https://mitpress.mit.edu/9780262544399/a-womans-right-to-know/ Predictor, by Jennifer Blackmer https://newplayexchange.org/plays/348156/predictor Making Contact is an award-winning, nationally syndicated radio show and podcast featuring narrative storytelling and thought-provoking interviews. We cover the most urgent issues of our time and the people on the ground building a more just world.
This week we are going back to late 17th and early 18th century Britain, a time when politics as we recognise today was formed: the development of the party system – Whigs and Tories, The Act of Union with Scotland, and foreign wars often unpopular at home. Joining me, is George Owers, and as you heard he describes a fantastic romp through the period, which is the subject of his book The Rage of Party. George Owers Links Rage of Party: How Whig Versus Tory Made Modern Britain Oliver Webb-Carter Links Substack Who Cares Who Wins? Paean to Patrick Leigh Fermor X Instagram Email me: owcpods@gmail.com Learn more about your ad choices. Visit podcastchoices.com/adchoices
In 1965 Margaret Crane was a young designer creating packaging for a pharmaceutical company when a scientist gave her a tour of the lab. Looking at the long rows of pregnancy tests she thought, well anyone could do that test at home! So she set about designing a prototype for America's first home pregnancy test. While the design of the prototype was simple, convincing the company, the medical community and conservative social leaders that at-home pregnancy testing was safe and necessary was an uphill climb for Crane, who is only now receiving credit for her contributions to the industry. This show first aired in February 2024. Featuring: Margaret Crane - Graphic designer and inventor of the first home pregnancy test Wendy Kline - Dema G. Seelye Chair in the History of Medicine, History Faculty Purdue University Jesse Olszynko-Gryn - Head of the [Laboratory for Oral History and Experimental Media](https://www.mpiwg-berlin.mpg.de/research/projects/laboratory-oral-history-and-experimental-media) at Max Planck Institute for the History of Science Arthur Kover - Emeritus Professor of Marketing, Fordham University Alexandra Lord - Chair, Division of Medicine and Science at the National Museum of American History Making Contact Staff: Host: Amy Gastelum Guest Producer: Anne Noyes Saini Producers: Anita Johnson, Salima Hamirani, Amy Gastelum, and Lucy Kang Executive Director: Jina Chung Editor: Adwoa Gyimah-Brempong Engineer: Jeff Emtman Digital Media Marketing: Lissa Deonorain Music: Podington Bear, Rhythm and Strings Learn More: National Museum of American History https://americanhistory.si.edu/collections/nmah_1803285 A Woman's Right to Know, Pregnancy Testing in 20th Century Britain - https://mitpress.mit.edu/9780262544399/a-womans-right-to-know/ Predictor, by Jennifer Blackmer https://newplayexchange.org/plays/348156/predictor Making Contact is an award-winning, nationally syndicated radio show and podcast featuring narrative storytelling and thought-provoking interviews. We cover the most urgent issues of our time and the people on the ground building a more just world.
In this episode, host Jean Geran speaks with guest historian Michael Rutz about the historical experience of British Protestant dissenters in the 18th and 19th centuries. Drawing from his book The British Zion: Congregationalism, Politics and Empire, 1790–1850, Dr. Rutz explores how dissenting Christian communities navigated issues of religious liberty, education, social activism, and citizenship under an Anglican state church.
Send us a textAI? Robots? Machine Learning? Fear of technology is not new. We go to 19th century Britain to meet the Luddites, a group who also experienced technological change.
The Do One Better! Podcast – Philanthropy, Sustainability and Social Entrepreneurship
Emma Haddad, Chief Executive of St Mungo's, provides a clear and thoughtful examination of homelessness in England and the work being done to respond to it. St Mungo's, established in 1969, supports around 25,000 people each year through outreach, housing, and recovery services. Haddad explains that homelessness is not simply about lacking shelter, but often about a deeper set of issues that require long-term solutions. The organization's mission reflects this broader understanding, aiming not just to house people, but to help them rebuild their lives. She clarifies the distinction between rough sleeping and other forms of homelessness. Rough sleeping refers to people sleeping on the streets, while many more live in temporary arrangements such as cars, hostels, or friends' homes. Although rough sleeping is more visible, it represents only part of the wider issue. According to Haddad, rough sleeping in England has increased significantly in recent years, driven by a shortage of affordable housing, reduced access to support services, and a fragmented policy landscape. Most of St Mungo's staff work directly with clients. Outreach teams operate at night or in the early morning, locating and engaging with individuals sleeping rough. These teams aim to build trust, assess needs, and help people move off the streets and into more stable environments. The process is often slow and dependent on available accommodation, individual readiness to engage, and local capacity. When space allows, people may be taken to assessment centers where more structured support begins. The conversation also highlights the role of public services and partnerships. St Mungo's collaborates closely with mental health providers, addiction services, the NHS, local councils, and other charities. Haddad emphasizes that homelessness cannot be solved by any one organization. Rather, it requires cooperation across many sectors, each contributing their expertise. The episode also touches on the limits of the current system. One example is the requirement that someone must be seen sleeping rough in order to qualify for certain services, a policy that particularly disadvantages women and others who avoid visible street sleeping for safety reasons. Haddad describes this as a clear gap that needs to be addressed. From a policy perspective, St Mungo's uses its frontline experience to advocate for changes at a national level. Haddad points to specific challenges such as the way housing benefits interact with employment, often discouraging people from working more hours due to a sudden drop in support. She also notes the need to adjust housing benefit levels so they reflect actual rental costs, and to prevent people from being discharged into homelessness from prisons, hospitals, or the immigration system. The discussion concludes with a focus on outcomes. While some clients do return to homelessness after a period of stability, many others succeed in moving on and rebuilding their lives. Some even return to St Mungo's as staff or volunteers. Haddad notes that this kind of personal transformation often stems from small but meaningful interventions at critical moments. She encourages the public not to look away from homelessness, and reminds listeners that treating people with dignity and recognizing their humanity is a simple but important step. Homelessness, she argues, is not inevitable. It is the result of choices that can be changed. Everyone deserves a safe place to live, and solutions are within reach. Thank you for downloading this episode of the Do One Better Podcast. Visit our Knowledge Hub at Lidji.org for information on 300 case studies and interviews with remarkable leaders in philanthropy, sustainability and social entrepreneurship.
Welcome to this episode in the new series of Local History Matters, the podcast run by the British Association for Local History (BALH) to highlight hidden local histories. In this series, we will be discussing with researchers how they got into their field of study, and what their topic can tell us about local history more generally. In this episode, Dr Hannah-Rose Murray talks about her research into Black American activism in Britain and Ireland during the long nineteenth century. Dr Hannah-Rose Murray is an interdisciplinary historian researching the Black freedom struggle in the US and Britain at the University of Suffolk. She is currently working on two monographs, both due to be published with Liverpool University Press, entitled Daguerrotyped on My Heart: African American Visual and Literary Cultures in 19th Century Britain and Feelings of Rebellion: Black Autobiography in Britain, 1850-1877. You can follow along with the conversation about this podcast by using the hashtag #LocalHistoryMatters, and keep up to date with the work the BALH does by visiting our website https://www.balh.org.uk/ or following us on social media @BALHNews. Music credits: Trendsetter, Mood Maze, Uppbeat.io
Rebecca, Tori, and returning guest, Louise, delve into the 2018 production of Shakespeare's King Lear, discussing our personal experiences with the play, character dynamics, and the performances of the cast. We discuss various interpretations that arise from different adaptations and how Eyre's choices of what to cut cause confusion in some of the action. We gush over the performances of (most) of the cast, particularly Thompson, Watson, and Pugh's portrayals of the three sisters.MusicApache Rock Instrumental | by Sound Atelier; licensed from JamendoRemember the Way | by Mid-Air Machine; Free Music ArchiveRecord Scratch: Sound Effect free on PixabayPrint SourceAnderson, John. 2018. 'King Lear' Review: A Timeless Tale with a Modern King; Anthony Hopkins's Lear is a Frightening, Ego-Driven Autocrat in 21st-Century Britain. New York, N.Y.: Dow Jones & Company Inc. https://www.proquest.com/blogs-podcasts-websites/king-lear-review-timeless-tale-with-modern/docview/2112753139/se-2.SourcesKing Lear: a mesmerizing Hopkins in a disappearing script | The Book HavenKing Lear review: Anthony Hopkins stars in a murky adaptation | The Independent | The IndependentKing Lear Amazon Review: Anthony Hopkins and Emma Thompson CaptivateKing Lear Amazon Review: Anthony Hopkins Is DevastatingShakespeare Oxford Fellowship | LearAnthony Hopkins' King Lear, reviewed.
In 1965 Margaret Crane was a young designer creating packaging for a pharmaceutical company. Looking at the rows of pregnancy tests she thought, “Well, women could do that at home!” and so she made it a reality for potentially pregnant people to be able to know about and take control of their own lives and bodies. But while the design of the prototype was simple, Crane faced the issues we continue to fight when it comes to reproductive rights and the health and autonomy of people who give birth: an uphill battle to convince the pharmaceutical companies, the medical community and conservative social leaders that at-home pregnancy testing was safe and necessary. After all this, Crane is only now receiving credit for her contributions to the industry. Featuring: Margaret Crane – Graphic designer and inventor of the first home pregnancy test Wendy Kline – Dema G. Seelye Chair in the History of Medicine, History Faculty Purdue University Jesse Olszynko-Gryn – Head of the Laboratory for Oral History and Experimental Media at Max Planck Institute for the History of Science Arthur Kover – Emeritus Professor of Marketing, Fordham University Alexandra Lord – Chair, Division of Medicine and Science at the National Museum of American History Credits: Host: Amy Gastelum Producers: Anita Johnson, Salima Hamirani, Amy Gastelum, and Lucy Kang Executive Director: Jina Chung Editor: Adwoa Gyimah-Brempong Engineer: Jeff Emtman Digital Media Marketing: Anubhuti Kumar Music Credits: Podington Bear, Rhythm and Strings Learn More: National Museum of American History: https://americanhistory.si.edu/collections/nmah_1803285 A Woman's Right to Know, Pregnancy Testing in 20th Century Britain: https://mitpress.mit.edu/9780262544399/a-womans-right-to-know/ Predictor by Jennifer Blackmer: https://newplayexchange.org/plays/348156/predictor Making Contact is an award-winning, nationally syndicated radio show and podcast featuring narrative storytelling and thought-provoking interviews. We cover the most urgent issues of our time and the people on the ground building a more just world.
We speak to the historian Professor Penelope Corfield about the Georgians in a wide-ranging discussion that takes us from epoch-shifting changes in technology and literacy to the beginnings of handshakes and the postal system. For more information on Penelope and her essays, check out her website: https://www.penelopejcorfield.com/ For additional resources on the Georgians: https://www.thegeorgiansdeedsandmisdeeds.com/ Plus you can buy her excellent book on the subject, The Georgians: The Deeds and Misdeeds of 18th-Century Britain, online and all good bookstores. Learn more about your ad choices. Visit podcastchoices.com/adchoices
In postwar Britain, journalists and politicians predicted that the class system would not survive a consumer culture where everyone had TVs and washing machines, and where more and more people owned their own homes. They were to be proved hopelessly wrong. Ben Highmore's Lifestyle Revolution: How Taste Changed Class in Late 20th-Century Britain (Manchester UP, 2023) charts how class culture, rather than being destroyed by mass consumption, was remade from flat-pack furniture, Mediterranean cuisine and lifestyle magazines. Novelists, cartoonists and playwrights satirised the tastes of the emerging middle classes, while sociologists claimed that an entire population was suffering from 'status anxiety', but underneath it all, a new order was being constructed out of duvets, quiches and mayonnaise, easy chairs from Habitat, white emulsion paint and ubiquitous pine kitchen tables. More than just a world of symbolic goods, this was an intimate environment alive with new feelings and attitudes. Ben Highmore is Professor of Cultural Studies at the University of Sussex. His books include The Art of Brutalism: Rescuing Hope from Catastrophe in 1950s Britain (2017) and The Great Indoors: At Home in the Modern British House (2014). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In postwar Britain, journalists and politicians predicted that the class system would not survive a consumer culture where everyone had TVs and washing machines, and where more and more people owned their own homes. They were to be proved hopelessly wrong. Ben Highmore's Lifestyle Revolution: How Taste Changed Class in Late 20th-Century Britain (Manchester UP, 2023) charts how class culture, rather than being destroyed by mass consumption, was remade from flat-pack furniture, Mediterranean cuisine and lifestyle magazines. Novelists, cartoonists and playwrights satirised the tastes of the emerging middle classes, while sociologists claimed that an entire population was suffering from 'status anxiety', but underneath it all, a new order was being constructed out of duvets, quiches and mayonnaise, easy chairs from Habitat, white emulsion paint and ubiquitous pine kitchen tables. More than just a world of symbolic goods, this was an intimate environment alive with new feelings and attitudes. Ben Highmore is Professor of Cultural Studies at the University of Sussex. His books include The Art of Brutalism: Rescuing Hope from Catastrophe in 1950s Britain (2017) and The Great Indoors: At Home in the Modern British House (2014). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
In postwar Britain, journalists and politicians predicted that the class system would not survive a consumer culture where everyone had TVs and washing machines, and where more and more people owned their own homes. They were to be proved hopelessly wrong. Ben Highmore's Lifestyle Revolution: How Taste Changed Class in Late 20th-Century Britain (Manchester UP, 2023) charts how class culture, rather than being destroyed by mass consumption, was remade from flat-pack furniture, Mediterranean cuisine and lifestyle magazines. Novelists, cartoonists and playwrights satirised the tastes of the emerging middle classes, while sociologists claimed that an entire population was suffering from 'status anxiety', but underneath it all, a new order was being constructed out of duvets, quiches and mayonnaise, easy chairs from Habitat, white emulsion paint and ubiquitous pine kitchen tables. More than just a world of symbolic goods, this was an intimate environment alive with new feelings and attitudes. Ben Highmore is Professor of Cultural Studies at the University of Sussex. His books include The Art of Brutalism: Rescuing Hope from Catastrophe in 1950s Britain (2017) and The Great Indoors: At Home in the Modern British House (2014). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
In postwar Britain, journalists and politicians predicted that the class system would not survive a consumer culture where everyone had TVs and washing machines, and where more and more people owned their own homes. They were to be proved hopelessly wrong. Ben Highmore's Lifestyle Revolution: How Taste Changed Class in Late 20th-Century Britain (Manchester UP, 2023) charts how class culture, rather than being destroyed by mass consumption, was remade from flat-pack furniture, Mediterranean cuisine and lifestyle magazines. Novelists, cartoonists and playwrights satirised the tastes of the emerging middle classes, while sociologists claimed that an entire population was suffering from 'status anxiety', but underneath it all, a new order was being constructed out of duvets, quiches and mayonnaise, easy chairs from Habitat, white emulsion paint and ubiquitous pine kitchen tables. More than just a world of symbolic goods, this was an intimate environment alive with new feelings and attitudes. Ben Highmore is Professor of Cultural Studies at the University of Sussex. His books include The Art of Brutalism: Rescuing Hope from Catastrophe in 1950s Britain (2017) and The Great Indoors: At Home in the Modern British House (2014). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
In postwar Britain, journalists and politicians predicted that the class system would not survive a consumer culture where everyone had TVs and washing machines, and where more and more people owned their own homes. They were to be proved hopelessly wrong. Ben Highmore's Lifestyle Revolution: How Taste Changed Class in Late 20th-Century Britain (Manchester UP, 2023) charts how class culture, rather than being destroyed by mass consumption, was remade from flat-pack furniture, Mediterranean cuisine and lifestyle magazines. Novelists, cartoonists and playwrights satirised the tastes of the emerging middle classes, while sociologists claimed that an entire population was suffering from 'status anxiety', but underneath it all, a new order was being constructed out of duvets, quiches and mayonnaise, easy chairs from Habitat, white emulsion paint and ubiquitous pine kitchen tables. More than just a world of symbolic goods, this was an intimate environment alive with new feelings and attitudes. Ben Highmore is Professor of Cultural Studies at the University of Sussex. His books include The Art of Brutalism: Rescuing Hope from Catastrophe in 1950s Britain (2017) and The Great Indoors: At Home in the Modern British House (2014). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
In postwar Britain, journalists and politicians predicted that the class system would not survive a consumer culture where everyone had TVs and washing machines, and where more and more people owned their own homes. They were to be proved hopelessly wrong. Ben Highmore's Lifestyle Revolution: How Taste Changed Class in Late 20th-Century Britain (Manchester UP, 2023) charts how class culture, rather than being destroyed by mass consumption, was remade from flat-pack furniture, Mediterranean cuisine and lifestyle magazines. Novelists, cartoonists and playwrights satirised the tastes of the emerging middle classes, while sociologists claimed that an entire population was suffering from 'status anxiety', but underneath it all, a new order was being constructed out of duvets, quiches and mayonnaise, easy chairs from Habitat, white emulsion paint and ubiquitous pine kitchen tables. More than just a world of symbolic goods, this was an intimate environment alive with new feelings and attitudes. Ben Highmore is Professor of Cultural Studies at the University of Sussex. His books include The Art of Brutalism: Rescuing Hope from Catastrophe in 1950s Britain (2017) and The Great Indoors: At Home in the Modern British House (2014). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
After the Covid pandemic, we've all had enough of statistics! But sometimes they can reveal amazing surprises about things we take for granted. Today Gavin Matthews learns more about the fascinating "Talking Jesus" report, which tells us so much about the nuances of faith in the UK and the untapped opportunities for sharing Jesus today. Find out more about the Talking Jesus research here and watch a summary on YouTube here. The Talking Jesus course for churches is here.Dr Rachel Jordan-Wolf is passionate about sharing the gospel of Jesus and has worked for various churches and mission agencies in places such as London and Amsterdam. She's involved in a church plant in London and is a adjunct lecturer in mission in the UK. She holds a PhD in Church History, focussing on women in mission in early 20th Century Britain. She has been an advisor for the Church of England on mission. Rachel is the Executive Director of Hope Together - a ministry which works with local churches to share the gospel of Jesus. She also loves chocolate!
Not long after I released my book, Nudism in a Cold Climate: The Visual Culture of Naturists in Mid-20th-Century Britain, a review feature appeared in the French newspaper, La Libération. Wittily subtitled ‘Tout Nus Mais Pas Bronzés' [‘Everybody is Nude, but Nobody is Tanned'], the 2022 article was accompanied by a monochrome 1948 photograph from the book, showing pale, white-skinned diners in a nudist club restaurant in the south of England.
More peeping Toms! Err..Peeping Godfreys in windows! While Watson is off on honeymoon, Sherlock takes up the biographer pen to show off his storytelling skills. Early 20th Century Britain is a mad world! 0:00 - intro 0:56 - Dramatic Reading of The Adventure Of The Blanched Soldier Pt. 1 29:17 - A (not so) brief discussion The Case-Book Of Sherlock Holmes by Sir Arthur Conan Doyle (1927) https://www.gutenberg.org/cache/epub/69700/pg69700-images.html#chap02 This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Credit to https://www.FesliyanStudios.com for the background music. Credit to https://www.soundjay.com/ for the sound effects Podcast Photo P/C: https://www.pexels.com/@luan-oosthuizen-823430/collections/
Arun Kundnani outlines the limits of liberal anti-racism and explains why we need a radical and materialist analysis of capitalism to understand racism. Arun Kundnani has been active in antiracist movements in Britain and the United States for three decades. He is a former editor of the journal Race & Class and was a scholar-in-residence at the Schomburg Center for Research in Black Culture at the New York Public Library. He is the author of a number of books including, The End of Tolerance: Racism in 21st Century Britain, The Muslims Are Coming! Islamophobia, Extremism, and the Domestic War on Terror and most recently What Is Antiracism? And Why It Means Anticapitalism which published with Verso Books last month. SUPPORT: www.buymeacoffee.com/redmedicineSoundtrack by Mark Pilkingtonwww.redmedicine.xyz
How did the rise of consumerism impact Britain? In Lifestyle Revolution: How Taste Changed Class in Late 20th-Century Britain (Manchester UP, 2023), Ben Highmore, a Professor of Cultural Studies in the School of Media, Arts and Humanities at the University of Sussex, explores this question by telling the story of key British institutions and cultural habits. The book uses a wealth of different sources, including newspapers, lifestyle magazines, shopping catalogues, plays, books, and television programmes, as well as architecture and design, in order to think through key forms of social identity and the structures of feeling underpinning social change. The book is a rich, deep, and fascinating examination of how taste patterns and practices made modern Britain, and how modern Britain made tastes. It will be essential reading across the arts humanities and social sciences, as well as for anyone interested in understanding the recent history of culture in the UK. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
just the sketch stuff from the start of the latest ep
Can you eat like a hunter-gatherer in 21st Century Britain? Dan Saladino meets a group of people doing exactly that to see how their bodies change during the three-month experiment. Produced and presented by Dan Saladino.
Join us at the table for this latest episode, where we will be discussing the relevance of the British monarchy. This week will see the coronation of King Charles… and as one of the oldest and most prominent monarchies in the world, the British monarchy has had a significant impact on the country's history and culture. However, in recent years, there has been a growing debate about whether the monarchy is still relevant in today's society. In this episode, we will explore the pros and cons of the monarchy and examine its current status. We will then delve into the pros and cons of having a monarchy, such as the benefits of having a figurehead for national unity and tourism, as well as the criticisms of the monarchy, such as the cost to taxpayers and the potential for abuse of power. Next, we will explore the arguments for and against abolishing the monarchy. We will look at the reasons why some people believe the monarchy is no longer relevant and should be replaced with a republic, while others argue that the monarchy is a vital part of British culture and identity. Whether you are a staunch monarchist or a republican, it is clear that the debate about the monarchy's relevance will continue for many years to come. If you have any thoughts or opinions on this topic, we would love to hear from you. Find me on social media @iamcraigstorey If you'd like to show your support for my work you can buymeacoffee.com/craigstorey
Find out about interest in twentieth-century Christian spiritual healing—what did that mean for the Church of England and the Church of Christ, Scientist?
Anna Keay is a historian who specializes in the cultural heritage of Great Britain. As the director of the Landmark Trust, she has overseen the restoration of numerous historical buildings and monuments, while also serving as a prolific author and commentator on the country's architectural and artistic traditions. Her book, The Restless Republic: Britain Without a Crown, was one of Tyler's top picks for 2022. Tyler sat down with Anna to discuss the most plausible scenario where England could've remained a republic in the 17th century, what Robert Boyle learned from Sir William Petty, why some monarchs build palaces and others don't, how renting from the Landmark Trust compares to Airbnb, how her job changes her views on wealth taxes, why neighborhood architecture has declined, how she'd handle the UK's housing shortage, why giving back the Koh-i-Noor would cause more problems than it solves, why British houses have so little storage, the hardest part about living in an 800-year-old house, her favorite John Fowles book, why we should do more to preserve the Scottish Enlightenment, and more. Read a full transcript enhanced with helpful links, or watch the full video. Recorded February 23rd, 2023 Other ways to connect Follow us on Twitter and Instagram Follow Tyler on Twitter Follow Anna on Twitter Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here.
Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: Humans are not prepared to operate outside their moral training distribution, published by Prometheus on April 10, 2023 on LessWrong. When people think about how to treat an AI, they probably normally default to the evil AI, that frowns on humans and desires to enslave them out of hate, or the nice android-type AI. A lot of writing in AI Safety has focused on debunking the Evil Skynet-Type AI, and not as much on the Nice Android-Type AI. In the film “AI: Artificial Intelligence” (because, back then, general audiences actually didn't know what AI stood for), the AIs are of a very convenient kind. They are human-like androids, with physical bodies, and overall exhibit various human characteristics. It is designed in such a way to be very obvious and easy for its early 2000s audience to understand that it is wrong for the humans to enslave and mistreat them. People simply have to look at the androids and notice that their treatment falls into moral atrocities they've seen before: they're aware of how humans have treated marginalized groups of other humans before, have the perception that this is bad, and can easily apply the same rationale to the androids. Similarly, in the film District 9, aliens land on Earth, but are placed in a situation that conveniently makes their treatment look identical to the treatment of blacks in South Africa during apartheid. Someone might see these sorts of situations in fiction, and think that they have an open mind that proactively sees moral dilemmas of the future, but they are wrong. All they are doing is taking their own normal moral training distribution and swapping in androids/aliens/etc. It's easy to do, because it's already been intentionally made to conveniently fit into situations that many humans already view to be bad. No change in mentality required. Contrast this with Ender's Game (Spoilers). Ender executes a series of tactics in what he believes to be a simulation. He's played this kind of game before. It feels normal to him. But what he doesn't know while playing is that it isn't a simulation at all, but an actual extermination of an entire alien race. It didn't feel consequential to him. It didn't feel like the way you might imagine committing an atrocity would feel. Some will think that's not fair to say, because Ender was tricked, but I think that's missing the point. Reality doesn't grant you massively consequential, and potentially horrific, actions that feel consequential and horrific. Imagine those in 18th Century Britain, who bought sugar for their tea, despite it coming from plantation fields that killed tens of thousands of enslaved Africans. Most today would likely insist they would have refused to do such a thing if they had been alive back then. But we're looking at their actions, the consequences, and can easily draw a line between the two. We're not living in their bodies, where the tea and sugar will look so real, and the slavery on sugar plantations will look so vague and unreal. I imagine there might have been some sort of subconscious perception that they had which stated that highly consequential actions (good or bad) should feel consequential. That it should feel like a cruel man, brandishing a whip, looking down at the thousands of slaves living in torment. That it should not feel like putting a cube of sugar in your tea. We're at a point where it's going to become less and less certain in determining the consciousness or sentience of an AI. Imagine if we develop an LLM that is sentient. Would shutting it down and wiping the memory feel like murder? What if it's not the LLM itself that's conscious, but the instances that are conscious. Then you might be creating a consciousness every time you start a session, and ending it every time you terminate the session, happening millions of times all over the...
The Westminster Confession of Faith is a formalised theological statement of Reformed Christianity. It declares what was accepted by the Presbyterians, the Reformed Anglicans, and the Congregationalists of 17th Century Britain. Such confessions are very useful declarations of faith, and very useful teaching tools. Indeed, upon ordination, those that subscribe fully to such a confession, are to subscribe to it as a confession of their own faith. But, on a less formal level, the confession of faith, and the experience of faith are two intertwined truths of every born-again believer- --1. The Word Preached--2. The Word Confessed--3. The Word Believed--4. The Word Promised
For the first time on the podcast, it's a publication that's still banned in Ireland! According to Register of Prohibited Publications, Health and Efficiency is ‘unwholesome literature'. Naturally, we want to know precisely how this magazine is corrupting and degrading its readers. With Prof Annebella Pollen.Here's today's 'blacklist'Annebella Pollen, Nudism in a Cold Climate: the Visual Culture of Naturists in Mid-20th Century Britain (2021) Annebella's article in Health and Efficiency Throughout the thirties in Britain, when Nudism was becoming more acceptable and even fashionable, there was a boom in nudist magazines and Health and Efficiency was one of the most popular. Annebella Pollen This magazine was being sold to people who were enjoying looking at other people's bodies rather than rejoicing in the perfection of their own. Aoife Bhreatnach You've given me an ambition to go to the British Library and sit in the naughty section. Aoife Bhreatnach In Health and Efficiency magazine and other kind of naturist publications from the 1920s through to about 1970, they had really restrictive laws in Britain about what body parts could be shown and how. Annebella Pollen Fancy supporting the show? Do so here https://www.patreon.com/censoredpod Or buy stickers here: https://censoredpod.bigcartel.com/ Hosted on Acast. See acast.com/privacy for more information.
In Episode 24, we hear Evan's interview with Annebella Pollen, the author of Nudism in a Cold Climate. She'll talk about The Visual Culture of Naturists in Mid-20th Century Britain. Plus Evan and I catch up about our summer nudie activities, and we talk about the Christopher Meloni Peloton ad. SHOW LINKS Nudism in a Cold Climate (publisher site): https://atelier-editions.com/products/nudism-in-a-cold-climate Nudism in a Cold Climate (Strand Books): https://www.strandbooks.com/product/9781733622066?title=nudism_in_a_cold_climate_the_visual_culture_of_naturists_in_mid20th_century_britain Annebella Pollen University of Brighton university profile: https://research.brighton.ac.uk/en/persons/annebella-pollen You can reach me at NewNudistPodcast@gmail.com Check out Evan's podcast, Naked Age here: https://www.nakedage.co/ You can make a scholarship donation to Kids Kamp 2023 here: https://gofund.me/118e890e Music Credits Song: NPC Theme Artist: HoliznaCC0 Source: https://freemusicarchive.org/music/holiznacc0/chiptunes/npc-theme/ License: Creative Commons Universal 1.0 International License Song: Galvanize Artist: Viscid Source: https://freemusicarchive.org/music/viscid/unix-time/galvanize/ License: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License Song: Amoeba Artist: Anemoia Source: https://freemusicarchive.org/music/anemoia/mismatch/amoeba/ License: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License Song: Advertisements Artist: HoliznaCC0 Source: https://freemusicarchive.org/music/holiznacc0/only-in-the-milky-way-part-2/advertisements/ License: Creative Commons Universal 1.0 International License Song: Quiet Houses Artist: HoliznaCC0 Source: https://freemusicarchive.org/music/holiznacc0/only-in-the-milky-way-part-3/quiet-houses/ License: Creative Commons Universal 1.0 International License Song: Cyclical Artist: Anemoia Source: https://freemusicarchive.org/music/anemoia/mismatch/cyclical/ License: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License --- Send in a voice message: https://anchor.fm/newnudistpodcast/message
This is a catch-up version of James O'Brien's live, daily show on LBC Radio; to join the conversation call: 0345 60 60 97
After recently discovering the secret of her local meadow, which hides the ruins of World War Two, Rebecca Stott reflects on how we rebuild lives and landscapes, from 6th Century Britain to post-war Berlin to Beirut. She reflects on the damage currently being inflicted on Ukraine, and highlights recent discussions held by the Mayor of Kharkiv to plan the rebuilding of his city. 'It struck me as remarkable that despite the war, despite seeing his city in ruins... the mayor had the capacity to start thinking about the future.' Producer: Adele Armstrong Sound: Peter Bosher Production Coordinator: Gemma Ashman Editor: Richard Fenton-Smith.
Established artists have found mokuhanga to be an asset to their practice. It is a medium which can be very different to what an artist may currently be focused on. It builds patience, and helps creativity. Timothy Laurin is an established artist, who has worked in several artistic mediums, such as letterpress, screen printing, glass, intaglio, and mixed media. Tim discovered mokuhanga a few years ago and has decided to pursue the art form. On this episode of The Unfinished Print I speak with artist Timothy Laurin about his discovery of mokuhanga, the rituals of process, memory and contemporary society. We also speak on the matrix of mokuhanga, gallery relationships, and how ones own environment can affect what an artist produces. Please follow The Unfinished Print and my own print work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Tim Laurin - Print Collective, Octopus Studio Press, Instagram , Twitter Georgian Bay - is a large bay off of Lake Huron in Southern, Ontario, Canada. It is known for cottages, fishing, hunting, and beautiful sunsets. It is a part of the Canadian Shield, and was painted by such artists as Tom Thompson (1877-1917). It is about two hours drive from Toronto. Barrie, Ontario - is a city with a population of 145,000. It was originally populated by the Anishinaabeg People and the Wendant. It was then populated by white settlers in 1828. intaglio printmaking - is a style of printmaking, the opposite of relief printmaking, where scratches made with a burin are made on the plate (copper, zinc, aluminum) and then dipped in acid. Then ink and pigment is rubbed on with a brayer, brushes, etc. More info can be found, here. washi - is a type of naturally fibrous Japanese paper made for many different types of artistic pursuits. Mokuhanga printmakers use washi, sized and unsized, to produce their woodblock prints. More info from the Japanese Paper Place, can be found, here. birch plywood - is a hardwood used in various ways, such as furniture building, homes, and woodblock. There are white birch, black birch, and white birch. It can be purchased, as well as other woods, in thin veneer and pasted onto regular plywood, or purchased as birch plywood in many hardware stores. John Milton Cage Jr. - (1912-1922) was a composer and music theorist who was influenced by Zen Buddhism and Indian philosophy. One of his beliefs was to "free the creative gesture from all intentional subjectivity." Life is chance. More info can be found, here. representational art - is art which identifies something which exists in real life. Métis - is in reference to a group of Indigenous peoples from Canada. Recognized in 1982 by the Constitutional Act of Canada. Emerging in the Northwest of Canada during the late 18th century, they are the offspring of Indigenous women and European fur traders. The homeland of the Métis is considered as, Saskatchewan, Alberta, Ontario, British Columbia, the Northwest Territories and parts of the Northern United States. More info can be found, here. kitakata - is a specific type of washi made of Philippine gampi, and sulphite pulp. For bookbinding, and mokuhanga and other types of printmaking. More info, here. William Morris - (1834-1896) was a textile maker, poet and artist. He produced over fifty patterns of wallpaper based on the movement of nature. More info from the Victoria & Albert Museum, here. Arts and Crafts Movement - was an artistic movement as a opposition to the industrial world. the movement originally began in mid-19th Century Britain, moving across Europe and the Atlantic to the America's. More info can be found, here. Sheridan College - is a college located on three campuses, Brampton, Mississauga, and Oakville in Ontario. It is a practical college with various programs such as business, special effects, television, film, etc. More info can be found, here. The Japanese Paper Place - is a Japanese paper brick and mortar store located in West Toronto. The Unfinished Print interview with owner Nancy Jacobi, can be found, here. The JPP's website can be found, here. Early Canadian History - is fraught with colonialism and displacement. There is not enough space to speak on the subject but more information can be found, here through the lens of Indigenous history. Ojibwe - historically from the Great Lakes Region of Canada and the United States, the Ojibwe fished, and hunted as well as harvested wild rice and participated in the fur trade. More info can be found, here. The Group of Seven - were a group of landscape painters from Canada. The artists were, Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A.Y. Jackson 1882–1974), Frank Johnston (1888–1949), Arthur Lismer (1885–1969), J.E.H MacDonald (1873–1932), and Frederick Varley (1881–1969). Later, A.J. Casson (1898–1992) was invited to join in 1926, Edwin Holdgate (1892–1977) became a member in 1930, and LeMoine FitzGerald (1890–1956) joined in 1932. While Tom Thomspon (1877–1917), and Emily Carr (1871–1945) were not "official" members it is generally accepted that they were a part of the group without being "officially" a part of the group because of the group relationship with the artists. More info can be found, here. The Canadian Shield - is exposed rock located throughout North America, Mexico and Greenland. Robert Motherwell - (1915-1991) was an artist who worked in printmaking and painting. He was a contemporary of Jackson Pollock (1912-1956), and Willen de Kooning (1904-1997). More info can be found, here. Flextools - is a tool brand founded in 1986. The tools are for woodworking, woodcut, and other wood related carving. More information can be found, here. Daniel Smith Pigments - is a company which makes various types of paints, pigments, and mediums. It was started by Dan Smith in 1976. More info can be found, here. Winsor & Newton - is a British artist supply company, started in 1832, which sells artist materials such as pigments, brushes, paper, etc. More info can be found, here. Holbein - is a pigment company based in Japan, Canada, and the United States. Their pigments are lush and strong. More info, here. Please follow The Unfinished Print and my own print work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com opening and closing credit music - We Three by Cory Weeds, from the album Just Coolin' (2022) © Cellar Live © Popular Wheat Productions logo designed and produced by Douglas Batchelor and André Zadorozny Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***
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