Podcasts about nostophobia

The Two Gay Geeks

Episode 65, I have a conversation with Jess and Tony from the Progressive Death Metal band from Portland, Or called Sea Sleeper! Of course I ask these guys how the band formed up, and then find out what music they listened to growing up. We go on to some of their influences and ask them about the local Portland music scene. I asked them about their recording experience they did when coming up with their album Nostophobia. We also talked about the music videos they have done for their music and more, so check it out!!! The opening theme music was made by Hostages who has given me full permission to use it. I also had permission to use Sea Sleeper's songs, "Salt" and "Old Guard". You can check out Sea Sleeper at their FB page at: Sea Sleeper | Facebook, you can also check them out on IG at: sea_sleeper and also to see videos of them play, their YouTube page is: Sea Sleeper - YouTube --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Metalheads!! We check out the Mastodon-ish debut album by Portland, Oregon outfit Sea Sleeper!

Professor Cairns Craig’s new book, The Wealth of the Nation: Scotland, Culture and Independence (Edinburgh University Press, 2018), which has been shortlisted for the Saltire History Book of the Year Award, is a wide-ranging study of the ways in which Scottish culture was defined, exported, transformed, and smuggled through its assimilation in the British State and the British Empire, their rise, their fall, and the more recent fallout. Adam Smith’s The Wealth of Nations (1776), and the Chicago School and Thatcher’s distortions of its lessons, is a central theme: A considered analyses of the structure of Smith’s thought, its uses and abuses open and close the argument. Craig develops and applies very original critical concepts to Scotland’s cultural history. These include: ‘Xeniteian migration’ (as opposed to diasporic migration: these are institution-builders, recasting the world in Scotland’s image); ‘Nostophobia’ (revulsion toward the culture of one’s own country, especially where it is seen to be ‘past-oriented’); and ‘Theoxenia’ (hospitality to strangers on the basis that they might be Gods in disguise; this notion is close to the idea of a vast horizon of possible Scotlands that was ignited during the 2014 Independence Referendum). Beginning among the thinkers of the Scottish Enlightenment, Craig’s argument casts its net wide, incorporating, for example: the history Scottish Free Masonry; the reception of Walter Scott’s historical novels; the development of so-called ‘race science’; the history of theoretical physics; the intent and impact of pastoral literatures; Associationist aesthetics; film history; modern and contemporary sculpture; contemporary Scottish politics; and a vast array of Scottish literary authors, from Scott to Liz Lochhead. The Wealth of the Nation is vital reading for those interested in the deeper currents of contemporary debates around Scotland’s cultural politics, and for anyone interested in the foundational relationships between what Craig calls ‘Cultural Wealth’ and a more materialist, or dryly economic notion of historical processes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Professor Cairns Craig’s new book, The Wealth of the Nation: Scotland, Culture and Independence (Edinburgh University Press, 2018), which has been shortlisted for the Saltire History Book of the Year Award, is a wide-ranging study of the ways in which Scottish culture was defined, exported, transformed, and smuggled through its assimilation in the British State and the British Empire, their rise, their fall, and the more recent fallout. Adam Smith’s The Wealth of Nations (1776), and the Chicago School and Thatcher’s distortions of its lessons, is a central theme: A considered analyses of the structure of Smith’s thought, its uses and abuses open and close the argument. Craig develops and applies very original critical concepts to Scotland’s cultural history. These include: ‘Xeniteian migration’ (as opposed to diasporic migration: these are institution-builders, recasting the world in Scotland’s image); ‘Nostophobia’ (revulsion toward the culture of one’s own country, especially where it is seen to be ‘past-oriented’); and ‘Theoxenia’ (hospitality to strangers on the basis that they might be Gods in disguise; this notion is close to the idea of a vast horizon of possible Scotlands that was ignited during the 2014 Independence Referendum). Beginning among the thinkers of the Scottish Enlightenment, Craig’s argument casts its net wide, incorporating, for example: the history Scottish Free Masonry; the reception of Walter Scott’s historical novels; the development of so-called ‘race science’; the history of theoretical physics; the intent and impact of pastoral literatures; Associationist aesthetics; film history; modern and contemporary sculpture; contemporary Scottish politics; and a vast array of Scottish literary authors, from Scott to Liz Lochhead. The Wealth of the Nation is vital reading for those interested in the deeper currents of contemporary debates around Scotland’s cultural politics, and for anyone interested in the foundational relationships between what Craig calls ‘Cultural Wealth’ and a more materialist, or dryly economic notion of historical processes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Professor Cairns Craig’s new book, The Wealth of the Nation: Scotland, Culture and Independence (Edinburgh University Press, 2018), which has been shortlisted for the Saltire History Book of the Year Award, is a wide-ranging study of the ways in which Scottish culture was defined, exported, transformed, and smuggled through its assimilation in the British State and the British Empire, their rise, their fall, and the more recent fallout. Adam Smith’s The Wealth of Nations (1776), and the Chicago School and Thatcher’s distortions of its lessons, is a central theme: A considered analyses of the structure of Smith’s thought, its uses and abuses open and close the argument. Craig develops and applies very original critical concepts to Scotland’s cultural history. These include: ‘Xeniteian migration’ (as opposed to diasporic migration: these are institution-builders, recasting the world in Scotland’s image); ‘Nostophobia’ (revulsion toward the culture of one’s own country, especially where it is seen to be ‘past-oriented’); and ‘Theoxenia’ (hospitality to strangers on the basis that they might be Gods in disguise; this notion is close to the idea of a vast horizon of possible Scotlands that was ignited during the 2014 Independence Referendum). Beginning among the thinkers of the Scottish Enlightenment, Craig’s argument casts its net wide, incorporating, for example: the history Scottish Free Masonry; the reception of Walter Scott’s historical novels; the development of so-called ‘race science’; the history of theoretical physics; the intent and impact of pastoral literatures; Associationist aesthetics; film history; modern and contemporary sculpture; contemporary Scottish politics; and a vast array of Scottish literary authors, from Scott to Liz Lochhead. The Wealth of the Nation is vital reading for those interested in the deeper currents of contemporary debates around Scotland’s cultural politics, and for anyone interested in the foundational relationships between what Craig calls ‘Cultural Wealth’ and a more materialist, or dryly economic notion of historical processes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Professor Cairns Craig’s new book, The Wealth of the Nation: Scotland, Culture and Independence (Edinburgh University Press, 2018), which has been shortlisted for the Saltire History Book of the Year Award, is a wide-ranging study of the ways in which Scottish culture was defined, exported, transformed, and smuggled through its assimilation in the British State and the British Empire, their rise, their fall, and the more recent fallout. Adam Smith’s The Wealth of Nations (1776), and the Chicago School and Thatcher’s distortions of its lessons, is a central theme: A considered analyses of the structure of Smith’s thought, its uses and abuses open and close the argument. Craig develops and applies very original critical concepts to Scotland’s cultural history. These include: ‘Xeniteian migration’ (as opposed to diasporic migration: these are institution-builders, recasting the world in Scotland’s image); ‘Nostophobia’ (revulsion toward the culture of one’s own country, especially where it is seen to be ‘past-oriented’); and ‘Theoxenia’ (hospitality to strangers on the basis that they might be Gods in disguise; this notion is close to the idea of a vast horizon of possible Scotlands that was ignited during the 2014 Independence Referendum). Beginning among the thinkers of the Scottish Enlightenment, Craig’s argument casts its net wide, incorporating, for example: the history Scottish Free Masonry; the reception of Walter Scott’s historical novels; the development of so-called ‘race science’; the history of theoretical physics; the intent and impact of pastoral literatures; Associationist aesthetics; film history; modern and contemporary sculpture; contemporary Scottish politics; and a vast array of Scottish literary authors, from Scott to Liz Lochhead. The Wealth of the Nation is vital reading for those interested in the deeper currents of contemporary debates around Scotland’s cultural politics, and for anyone interested in the foundational relationships between what Craig calls ‘Cultural Wealth’ and a more materialist, or dryly economic notion of historical processes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Professor Cairns Craig’s new book, The Wealth of the Nation: Scotland, Culture and Independence (Edinburgh University Press, 2018), which has been shortlisted for the Saltire History Book of the Year Award, is a wide-ranging study of the ways in which Scottish culture was defined, exported, transformed, and smuggled through its assimilation in the British State and the British Empire, their rise, their fall, and the more recent fallout. Adam Smith’s The Wealth of Nations (1776), and the Chicago School and Thatcher’s distortions of its lessons, is a central theme: A considered analyses of the structure of Smith’s thought, its uses and abuses open and close the argument. Craig develops and applies very original critical concepts to Scotland’s cultural history. These include: ‘Xeniteian migration’ (as opposed to diasporic migration: these are institution-builders, recasting the world in Scotland’s image); ‘Nostophobia’ (revulsion toward the culture of one’s own country, especially where it is seen to be ‘past-oriented’); and ‘Theoxenia’ (hospitality to strangers on the basis that they might be Gods in disguise; this notion is close to the idea of a vast horizon of possible Scotlands that was ignited during the 2014 Independence Referendum). Beginning among the thinkers of the Scottish Enlightenment, Craig’s argument casts its net wide, incorporating, for example: the history Scottish Free Masonry; the reception of Walter Scott’s historical novels; the development of so-called ‘race science’; the history of theoretical physics; the intent and impact of pastoral literatures; Associationist aesthetics; film history; modern and contemporary sculpture; contemporary Scottish politics; and a vast array of Scottish literary authors, from Scott to Liz Lochhead. The Wealth of the Nation is vital reading for those interested in the deeper currents of contemporary debates around Scotland’s cultural politics, and for anyone interested in the foundational relationships between what Craig calls ‘Cultural Wealth’ and a more materialist, or dryly economic notion of historical processes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Professor Cairns Craig’s new book, The Wealth of the Nation: Scotland, Culture and Independence (Edinburgh University Press, 2018), which has been shortlisted for the Saltire History Book of the Year Award, is a wide-ranging study of the ways in which Scottish culture was defined, exported, transformed, and smuggled through its assimilation in the British State and the British Empire, their rise, their fall, and the more recent fallout. Adam Smith’s The Wealth of Nations (1776), and the Chicago School and Thatcher’s distortions of its lessons, is a central theme: A considered analyses of the structure of Smith’s thought, its uses and abuses open and close the argument. Craig develops and applies very original critical concepts to Scotland’s cultural history. These include: ‘Xeniteian migration’ (as opposed to diasporic migration: these are institution-builders, recasting the world in Scotland’s image); ‘Nostophobia’ (revulsion toward the culture of one’s own country, especially where it is seen to be ‘past-oriented’); and ‘Theoxenia’ (hospitality to strangers on the basis that they might be Gods in disguise; this notion is close to the idea of a vast horizon of possible Scotlands that was ignited during the 2014 Independence Referendum). Beginning among the thinkers of the Scottish Enlightenment, Craig’s argument casts its net wide, incorporating, for example: the history Scottish Free Masonry; the reception of Walter Scott’s historical novels; the development of so-called ‘race science’; the history of theoretical physics; the intent and impact of pastoral literatures; Associationist aesthetics; film history; modern and contemporary sculpture; contemporary Scottish politics; and a vast array of Scottish literary authors, from Scott to Liz Lochhead. The Wealth of the Nation is vital reading for those interested in the deeper currents of contemporary debates around Scotland’s cultural politics, and for anyone interested in the foundational relationships between what Craig calls ‘Cultural Wealth’ and a more materialist, or dryly economic notion of historical processes. Learn more about your ad choices. Visit megaphone.fm/adchoices