Podcasts about Royal Television Society

Joining us this episode to discuss the highs and lows of parenting (and life) is the brilliant actor, writer and comedian - Tom Basden. Tom is known for co-creating and starring in Plebs, which won the Royal Television Society award for Best Scripted Comedy in 2014. He was nominated for Best Newcomer at the 2007 Edinburgh Comedy Awards and is a member of the sketch group Cowards. He's also appeared in hit comedy 'Afterlife', 'Derek', 'Star Stories' and more! Tom's new film 'The Ballad of Wallis Island' is in cinemas now - it's a fantastic, funny, moving and brilliant film so please check it out at your local cinema. FILM SYNOPSIS: Eccentric lottery winner Charles dreams of getting his favorite musicians, McGwyer Mortimer,back together. The fantasy becomes real when the bandmates and former lovers agree to play a private show at his home on Wallis Island. Old tensions resurface as Charles tries desperately to salvage his dream gig. Parenting Hell is a Spotify Podcast, available everywhere every Tuesday and Friday. Please subscribe and leave a rating and review you filthy street dogs... xx If you want to get in touch with the show with any correspondence, kids intro audio clips, small business shout outs, and more.... here's how: EMAIL: Hello@lockdownparenting.co.uk Follow us on instagram: ⁠⁠⁠⁠@parentinghell⁠⁠⁠⁠  Join the mailing list to be first to hear about live show dates and tickets, Parenting Hell merch and any other exciting news... MAILING LIST: ⁠⁠⁠⁠⁠⁠⁠parentinghellpodcast.mailchimpsites.com⁠⁠⁠⁠⁠⁠⁠ A 'Keep It Light Media' Production  Sales, advertising, and general enquiries: hello@keepitlightmedia.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Editors - Todd Downing ACE and Amelia Allwarden ACE OVERCOMPENSATING editors Todd and Amelia often leaned on each other for perspective throughout the post process. As Todd recounted, "You lose perspective, but there are other jokes that you always, always laugh at, and then you know it's a gem."  Editing comedy, as Amelia noted, involves understanding the micro-timing of jokes — knowing precisely when to cut away or linger, to maximize comedic impact.  Todd echoes this sentiment, explaining that edits can drastically influence the pacing and timing essential for landing a joke. Ultimately, the collaborative dynamic between the two allowed them to strike a balance between comedy and the series' more serious undertones. OVERCOMPENSATING tells the story of Benny, a former high school football star and valedictorian from Idaho, as he begins his freshman year of college at the fictional Yates University, where his sister Grace is a junior. He is closeted and masks his true identity by aping the machismo of his male peers, particularly that of Peter, Grace's jock boyfriend. On his first day on campus, Benny befriends Carmen, a freshman from New Jersey who was an outsider in high school. Together, Benny and Carmen navigate their first year of college, which includes new relationships, pledging the college's secret society, and figuring out their true selves. TODD DOWNING, ACE Todd Downing, ACE edits television series, films, and documentaries across a wide range of genres, from arthouse animation to slapstick comedy to documentaries about the Syrian civil war.  His credits include Russian Doll, Difficult People, Frontline, and Mrs. America.  He's worked in both the U.K. and the U.S.A., and has been nominated for three BAFTAS, an ACE Eddie, and won two Royal Television Society awards. AMELIA ALLWARDEN, ACE Amelia Allwarden, ACE is a Los Angeles-based film and television editor.  Originally from New Hampshire, she earned a highly coveted spot in the American Cinema Editors (ACE) internship program in 2015. She then spent a season and a half as an assistant editor on TNT's Good Behavior, before being promoted to editor in season 2. Amelia worked as an assistant editor on season 2 of HBO's Westworld under showrunners Jonathan Nolan & Lisa Joy. During this time, Amelia edited Evan Rachel Wood's debut short film Queen. In 2021, she reunited with Nolan & Joy as an editor on Westworld season 4. She most recently edited Dune: Prophecy for HBO, and the Marvel Studios series Echo. Amelia edited six episodes across all seasons of the Emmy nominated Hulu series Pen15. She collaborated with writer/director Aubrey Plaza on Cinema Toast, a Duplass Brothers anthology series on Showtime. The Credits Visit ExtremeMusic for all your production audio needs Listen to Todd talk about editing MRS. AMERICA, RUSSIAN DOLL and CLIPPED Hear Amelia discuss cutting LITTLE FIRES EVERYWHERE, PEN15 and DUNE: PROPHECY Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube  

Tim Tate – Interesting FilmsEd is joined by the founder of Interesting Films, Tim Tate.In an interview covering many topics – notably Conspiracy of Silence and Children Of The Master Race. Discussions include the Nazi scheme of WW2, Jimmy Savile, The Yorkshire Ripper, Ingrid von Oelhafen, the BBC scandal, Jeffrey Epstein & Prince Andrew, Satanic Ritual Abuse and much more  - the whole wide gamut of his work and research.He talks of censorship and difficulties getting research out there, of how the messenger is targetted and not the object of the story. He also talks in depth about the tragic case of Troy Bonner.BACKGROUNDMr Tate's work has been seen and commissioned by all major British television, including the  BBC, ITV, Channel 4 and Channel 5 networks – as well as the Discovery Channel, A&E Networks & Al Jazeera International.Several of these films have won awards, including honours from: Amnesty International, Royal Television Society, New York Festivals, National Academy of Cable Broadcasting (US), UNESCO, Association for International Broadcasting and International Documentary Association.Book Links : Hitler's Forgotten Children, The Yorkshire Ripper – The secret murders,Website : Interesting Films Personal SiteTwitter : Tim TateBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Prof Stewart Purvis is the former content regulator at Ofcom, a former Editor of Channel 4 News and ITN Chief Executive. As the Vice President of the Royal Television Society we discuss: the RTS Awards controversy withdrawing an award for Gaza journalists, Stewart's experience reviewing BBC Middle East coverage and the fallout from the landmark GB News vs. Ofcom legal case and the ability of foreign governments to influence British broadcasting. "What's at stake is the future of broadcast journalism. The system is creaking, and we need to decide whether we're going to resolve some of the issues which have arisen."RTS Awards:“What I would hope would come out of this was, as soon as we've got some clarity about whether there is any connection at all between what happened at the BBC documentary and the entrance for the RTS awards, and particularly the rightful winners of this special award that those Gaza journalists should get an award.”Listen to all our episodes here: https://podfollow.com/beebwatch To support our journalism and receive a weekly blog sign up now for £1.99 per month (NB we only charge for one creation per month): www.patreon.com/BeebWatch/membership Or if you'd rather make a one-off payment (which doesn't entitle you to the blog) please use our crowdfunding page:https://www.crowdfunder.co.uk/p/roger-boltons-beeb-watch-podcast @BeebRogerInstagram: rogerboltonsbeebwatchLinkedIn: Roger Bolton's Beeb Watchemail: roger@rogerboltonsbeebwatch.comwww.goodeggproductions.uk Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Pioneering broadcaster, journalist and author Charlene White discusses the danger of banning books, dealing with grief and loss, and her interest in what home means to others.   Charlene began presenting ITV News in 2008 and in 2014 became the first Black woman to present ITV News at Ten. She's also one of the presenters of daytime show, Loose Women, and helmed the show's first all-black panel special, which won a Royal Television Society award and was nominated for a BAFTA. In 2020 Charlene presented the award-winning ITV series IRL with Team Charlene - a mix of short films, animation and music dealing with racism in the UK, and how it impacts the lives of young people. She uses her platform to mentor aspiring journalists, and work alongside various organisations to achieve better representation in the industry. As a writer, Charlene is a regular columnist for the iPaper and has written for the New York Post. Her critically acclaimed debut non-fiction book, No Place Like Home, was published last year.  Charlene's book choices are: ** The Jolly Postman by Janet and Allan Ahlberg **Forever by Judy Blume ** And Still I Rise by Maya Angelou ** Queenie by Candice Carty-Williams **A Life Reimagined: My Journey of Hope in the Midst of Loss by Jill Halfpenny Vick Hope, multi-award winning TV and BBC Radio 1 presenter, author and journalist, is the host of season eight of the Women's Prize for Fiction Podcast. Every week, Vick will be joined by another inspirational woman to discuss the work of incredible female authors. The Women's Prize is one of the most prestigious literary awards in the world, and continues to champion the very best books written by women. Don't want to miss the rest of season eight? Listen and subscribe now! This podcast is sponsored by Baileys and produced by Bird Lime Media.

Fifth Season's Jennifer Ebell, the Royal Television Society's Theresa Wise and OUTtv's Lauren Whitelaw celebrate International Women's Day 2025 and discuss the challenges that still face the industry [15:24]; and C21's Nico Franks investigates how the UK's secondary TV rights landscape is changing as producers, broadcasters and streamers increasingly embrace YouTube [01:59].

Agus 9 n-ainmniúchan faighte ag an stáisiún i nGradaim an Royal Television Society, labhair muid le Ceannasaí Spóirt TG4 Rónán Ó Coisdealbha.

Goalhanger's Tony Pastor explores building the U.K.'s leading independent podcast production company which includes shows like The Rest is History, The Rest is Politics and The Rest is Football. Episode TranscriptPlease note, this transcript  may contain minor inconsistencies compared to the episode audio.Damian: I'm Damian Fowler and welcome to this edition of The Current Podcast. This week we sit down with Tony Pastor, the co-founder of Goalhanger, the UK's leading independent podcast production company. After a career as a TV producer, first at the BBC and then at ITV in the sports department, Tony teamed up with Gary Lineker, the former international football star turned broadcaster, to create the company. It launched its podcast hub in 2019. In just a few years, Goal Hanger has gone from strength to strength with hit podcast shows like The Rest is Football and The Rest is History, which apparently clock up 42 million downloads a month and counting. We'll get into the creative process in a minute about what makes these shows so successful. But first, I wanted to ask Tony about how Goalhanger was created.  Tony: I set up Goal Hanger with my co host Gary Lineker, who in the UK is a well known media figure and former [00:01:00] footballer back in 2014. I'd been, a producer at ITV, a big TV company in the UK, and then left to set up my own production company. We concentrated largely on making sports documentaries, and then slowly the business changed, and, by 2019, we were launching our own podcasts, and in the last couple of years, it's become the main part of our business.  Damian: You know, the podcast hub was launched, I know more recently than the actual whole production company and it's now like hosting some of the UK's most popular podcasts. I know that the company's just reported record audience figures for the May, July period this 2024. Big hit shows like the rest is football, which is co hosted by Gary Lineker. And the rest is politics and several others, you know, I'm kind of curious to how you achieved this in a world with, let's say, tens of thousands of podcasts.  Tony: Well, it's a good question. [00:02:00] And the big challenge in the world of podcasting is discoverability. It's not easy for audiences, listeners to find new content. There's an awful lot of really good podcasts out there, but unfortunately they're not easy to find. We have had a bit of luck on that front because once you build a successful podcast, you can then tell people about anything new that you do. And there's no doubt that the number one way you can make sure that people know about a new podcast is if they're already listening to a podcast because they're on the right platform there, then they're enjoying the right form of medium. Once we had the rest is history at a super successful level, it made the launch of political shows and our entertainment shows and our sports shows that bit easier . Damian: So the rest is history was the kind of vehicle was the kind of prototype as it were. Is that fair?  Tony: Well, actually we launched a podcast, that was a real niche podcast, in 2019. It's called we have ways of making you talk and [00:03:00] it's all about the history of the second world war and I did it really almost as a hobby. It was great fun. I launched it with a great historian called James Holland and a comedian called Al Murray, both of whom are real aficionados of the period. It quite quickly became a bit of a cult. No doubt lockdown during the COVID period helped in a way because it meant people were stuck at home seeking content. Podcasts are, producible remotely, we were able to really up the amount of content we produced. Suddenly it went from being very niche to some, to having quite a significant audience. And then the next iteration really was to say, we've got a successful podcaster that is, doing north of a million downloads a month, it's making some money and what would happen if we, did a podcast about more than just six years of history? In fact, let's do the whole of history. And that's how the rest is history was born and it broke out, became a super success and it really showed us that the format of intelligent people talking in an entertaining way about something they know a great deal about [00:04:00] really could work.  Damian: That's pretty ambitious. I've got to say, the idea of doing the whole of history. And I've got to say, I am an avid listener to the rest is history. Absolutely fantastic show with the two co-hosts, Dominic Sandbrook and Tom Holland, who've got this got this brilliant rapport. Between them, I'm wondering if you could sort of like for people who haven't heard it  just give a kind of distillation of the kind of tone and style of that podcast.  Tony: Sure, it's a history podcast. It tells narrative stories, fabulous stories from history. Be that the story of Napoleon or the French revolution or the sinking of the Titanic, the rise of the Nazis. These are all subjects that have been covered extensively in the last 12 months, for example. But what it really does is it's two, people who know an awful lot about the subject, who research it really, really well, but then have a fantastic conversation. Fairly light conversation in a very entertaining, witty, well informed way. The best way I can [00:05:00] describe the tone of voice of The Rest is History is if you could imagine being sat in a bar or a cafe and hearing two people who know each other really well and are good mates chatting about something they're fascinated by in a very entertaining way. That's The Rest is History.  Damian: And that formula also kind of carries over into the other podcasts, like for instance, the rest is football similarly, it's like, three guys having a kind of elevated, smart, funny conversation about what's just happened in the week, the week in, whether it be the Premier League or international football or what have you, is that fair?  Tony: Yes, I think that is fair. I mean, we don't, create relationships on air with our podcasters. We basically, listen in on relationships that already exist. So Gary Lineker, Micah Richards and Alan Shearer, all great soccer players in their own right. But more important than that, their mates, and you get a real strong sense of that when you listen to them talking, they love their football, they watch it endlessly, they [00:06:00] have a WhatsApp group that frankly you could publish and probably get 100,000 subscribers to, it's so entertaining, it's all about what's going on in football constantly, and they basically bring that conversational style, that very matey friendly, but intelligent and analytical style to their conversations three times a week on a Monday, they look back over the weekend's action on a Wednesday. They try and answer as many of the audience's questions as they can. And on Friday they review the midweek and look forward to the weekend. So it's an ongoing conversation, between three guys who frankly. If we weren't recording it, would be having the same conversations anyway. Damian: I love that, insight. Damian: So I want to shift a little bit to ask you about the, business perspective. And what need, as it were, did you tap in the UK market? Which, obviously has a wide variety and diversity of broadcast options because the BBC is there. So, how did you get that market?  Tony: Well, I think first of all, I would say that the BBC does a brilliant, brilliant [00:07:00] job. It's a wonderful broadcast that makes an incredible amount of diverse content, but it has to, it has to serve an awful lot of people so it can, find itself spread a little thin. One of the great attributes of podcasting as we discovered with our second world war history pod is that you can super serve a group of people who want something very specific. So the second world war pod is listened to by about 80 to 100,000 people. But it's listened to by them religiously twice a week and that means we get 1. 2 million downloads a month. That audience is not being served anywhere else. So that was our first insight. We then looked at kind of the broader history offering in traditional radio and it was all slightly stale. It had been the same for a long time when we wanted to have a slightly fresher, newer, more entertainment focused approach and, I'd like to tell you it was super planned, but in fact, it was about getting too [00:08:00] great talent to have good conversations. And, we spent nothing on marketing the entire growth of that podcast. The question I get asked most, which is really insightful in many ways, I think was it, why wasn't history taught like this at school? If it had been taught like this at school, I would never have dropped it as a subject. I've always loved history, but it was always done in such a dry way. Why couldn't it have been taught in this entertaining fashion at school? And I hope that's what we're actually providing for those for all those millions of people who love their history. We're giving them a new access point to it. Damian: Yeah, absolutely. I just listened to the five part series on Martin Luther and I remember going back to my history A level where I had, you know, hopefully she's not listening, but a pretty dull history teacher, but I learned everything about Martin Luther now, all these years later from that podcast. Absolutely brilliant with all its references.  Tony: Absolutely, so there's one other thing I'm going to say to you which is, I think the commissioning model is slightly broken. I think the traditional model whereby somebody in their [00:09:00] broadcast ivory tower decides whether or not a pitch, a content pitch, will be the right thing for their audience. I think it just doesn't work anymore. There's, it's too, we've got to a point now where commissioners are trying to satisfy too many things at once. Whereas we can just say, this is what we want to do. We don't need a commissioner. We don't need, the finances of a traditional broadcaster. We'll self fund this. We believe in it. We can experiment. We can try stuff and it's been liberating for us creatively because we can, we can decide we want to do a podcast on Martin Luther which frankly nobody would ever commission and we can do it. And lo and behold it found a terrific audience,  likewise we did, you know we did four parts on the falklands war. We did an extended season on custer. We did a long series on the nazis now the nazis will always get covered  in traditional media. But,  we were able to do, for example, this year, we took the guys to Sarajevo to talk about the start [00:10:00] of the first world war and the first shot that was fired, the assassination of our shoot, Franz ferdinand, you know, that's the kind of thing I just don't think traditional broadcasters are going to commission, but we're able to do it and find an audience with it. Damian: Yeah, I want to ask you a little bit about the revenue model from a business perspective. you know, um, a little bit, we, we keep hearing in the U S about the ad opportunity, especially in podcasts. I'm curious from your perspective, what's that opportunity like in the UK?  Tony: Well, the ad part of it is challenging. The UK is not a very big market. It is nothing like the US market. For example, the advertising slash sponsorship market in the US around podcasting is something like $4 billion a year. In the UK it's more like a hundred million. Dollars a year. It's a pretty small pizza in terms of, that needs slicing up between, all the commercial players in the UK and frankly, if the BBC enter into this market as they're [00:11:00] threatening to do, it will be even more challenging for us. We've had to be pretty creative around the commercial side of it. So yes, we're absolutely fishing in the advertising and sponsorship pond, but we're also looking at subscription models. In fact, we've got six very successful subscription clubs for our podcasts. This is where audiences, super fans who really love the pod can get access early, can get it ad free, can get bonus content, can get live show tickets early, et cetera. And that's proved very successful. We also do live shows and the live shows, do very well. You know, the rest is history last night we did it live in Cambridge, in the university center, Cambridge in front of more than a thousand people. The rest is politics is going on a nationwide tour. We're doing seven cities. We've sold 30, 000 tickets across that tour. So yes, we've had to be quite. Smart, frankly, and see disparate potential,  financial models for our podcasts so that they can really function.  Damian: Yeah, it makes [00:12:00] sense. I know,  people talk a lot about the kind of, the special relationship that, Podcast hosts have with their audience and sort of ipso facto that kind of translates a little bit into advertising and how advertising works, whether it be host read or ~whether it comes in, Tony: programmaticly Damian: programmatically. yeah. that's the word. I'm kind of curious to hear what response you've had from advertisers, in terms of what's your pitch to them?  Tony: Yeah. I mean, our pitch to them is really relatively straightforward unlike nearly all other forms of media currently we're growing, the traditional TV and radio commercial radio models are shrinking. They're struggling. It's not easy for them. The streamers, Netflix and Apple And all the usual customers are now. Causing traditional TV to have to be very inventive and work with smaller budgets. We're the opposite. We know the, the podcast market is growing. every year. Our audience is very [00:13:00] young, so we skew much younger than all of the other mediums. So, 48 percent of our listeners are under 34. So half of our audience is effectively in their teens, twenties and early thirties, which is,  attractive to commercial partners. And, we have very, very long listen times. People are fine, find the content compelling and engaging. So,  the rest of history's average listen time is 41 minutes. Now,  this is great news. I'm always very reassured by this because people have told me for a long time that young audiences want only bite sized content that they can swipe through and everything has to be a minute or less. What we might call the tick tock generation. Well, we're discovering that's not true  People in their twenties and thirties want long form, intelligent, entertaining conversations. They want, they want to hear content that entertains them, that informs them, that educates them. I'm starting to sound positively BBC wreathian, but you know, they basically They basically do want [00:14:00] long form. People are commuting, they're exercising, they're walking dogs, they're cooking. They want to have something that entertains them, that, that informs them and a lot of people we know listen to our podcasts while they're doing something else. So I think the sell to commercial partners really is that, our listeners are super engaged. They're young, they're highly educated and by and large,  we've done surveys, by the way, large scale surveys of over 20, 000 of our listeners, they earn really good salaries. They usually are executive and managerial levels in their businesses. These are the movers and shakers, the people who inform the way that,  that our nations are moving. So there are really, really interesting and valuable audience.  Damian: Yeah, it's, such a cliche now to say that young people have no attention. Clearly that's, that's not the case.  Tony: It's, it's, it's absolute nonsense. It's not true.  Damian: Yeah, it really is. And It's reassuring to hear that too. You know, in terms of the,  you mentioned it's growing. How far can it grow? What's the sort of [00:15:00] scale you can, when you think about I think the statistic I read was that 20 percent of UK listeners listen to a podcast every week. That's a lot of headroom, right? You've got left.  Tony: Oh, it's super exciting on that score. We are definitely nowhere near peak podcasting. I can tell you why, because nobody over about 55 is listening to podcasts because they, they never did. They didn't do growing up with it. The older generations, the people who are perhaps retired and who would enjoy our podcast most are just not listening. , They're perhaps didn't grow up with the technology. They're not quite as comfortable, opening an app and downloading audio content. I think that as people age with that native ability to use the technology and enjoy the content, there's a whole generation of people we will add between say 55 and 80, whatever, who will suddenly become listeners. There's probably 30 percent upside just when we start being listened to and enjoyed by an older generation, which is not happening at the moment. Damian: [00:16:00] That's a great point. Yeah, I think as people, get used to the tech, that's it. And then I don't, who knows what's coming up. You also have talked about, pushing podcasts into video as well.  And I are talking right now on zoom, but people listening are just listening to this, with their air pods or what have you, what's the benefit in a way of, pushing podcasts, onto video, is it to see those hosts sparring with each other, people are curious. Tony: This is the area that intrigues us most about what we do. The advent of video really came from the US. We started to hear Prominent podcasters talk about watching podcasts rather than listening to podcasts. And we started to ask ourselves, why are they doing that? What is the gain? Surely it's not just for the programmatic ads on YouTube or Facebook. We were determined to trial it and see what the benefits were by practice, by actually trying it out.  And what we discovered was, This was [00:17:00] an entirely different audience. So for example, during the euros, as I mentioned, 9. 7 million audio downloads and 10 million video downloads. They're not the same people with that. This was entirely additional audience. The other thing about it is, but there's a couple of things. One is that it helps with cross promotion. We can cut this content up, put a push it out on social, on Insta and Tik TOK and Twitter, et cetera. But also when it comes to having partnerships, you know, with some of the bigger brands, there's that, that hundred million dollar UK podcast market is suddenly much greater. If you're talking to brands about partnerships that include video and social, there's a whole extra set of people you're in conversation with. And so you can effectively turn a podcast back into a show, a 360 show, which. Frankly, we don't mind where people encounter. We don't mind whether you watch, you listen, you see the clips on your social media feeds. As long as you're encountering our [00:18:00] content, we're happy. And that's really why we've pushed so heavily into video. So we take the opposite position of the walled garden. We're not a walled garden. We're not going to tell you to come over to our place and enjoy our content. We're going to say, Where are you comfortable? Where do you want to be? Damian: Yeah, love that. Love that thought. Is podcast growth dependent to a certain extent on those different platforms and platform growth? You know, if people listen through Spotify or Apple, what have you?  Tony: Well, I don't know whether it's dependent on that growth. It's an interesting question. What I can say is that we're agnostic. We don't mind where you are. We have a really good relationship with Spotify who are our, ad and sponsorship sales partner. But similarly, you know, we have a great relationship with Apple too, who handle a lot of our subscription clubs. And frankly, as I say, you know if you're there on YouTube or if you're there on Apple or Spotify, that's all fine. Yes, it does require people to be digitally native and comfortable with the digital platforms, but increasingly, as I say, apart from [00:19:00] perhaps my father's generation, who I still have to download podcasts for, you know apart from his generation,  I think most people now are pretty comfortable with the media.  Damian: So one of the great advantages of podcast production is that you, have a very close relationship with your audience. Could you give me some insight into how that breaks down in terms of subscribers and people who listen for free? What are you seeing? Tony: Sure. What we're seeing is that unlike the traditional, media relationship whereby a production company like us, we're Goalhanger. We would go in to see the commissioner at the BBC or channel four or ITV or NBC and we pitched them our idea and they would either say yes or no, usually no. But if they did commission it, we'd make it for them. We'd hopefully keep doing it. 10 percent production fee, they would then put it out. They would sell the ad slots to,  commercial partners and ultimately the relationship between the production company and the final audience is really remote. So ours is [00:20:00] really close. When we put our pods out free to air,  the audience listens to them. They contact us. We incorporate their questions. We have a very good relationship, very close relationship, but not nearly as close as we do with our subscribers. We've got about 90, 000 subscribers across our various podcasts. And what they get is a direct personal relationship with us. There's no, advertising. There's no sponsorship.  They don't have to wait for a podcast. So for example,  we'll, do a, six part series on the sinking of the Titanic. You can listen to that content spread out over three weeks for free with ads, Monday, Thursday, Monday, Thursday, Monday, Thursday, or if you're a subscriber on that first Monday, you can have all six episodes immediately as a box set. That kind of a relationship is, I think, unique to podcasting where you love the content. You decide that for the Cost of an oat milk latte. You can basically get all six episodes immediately. And many of our listeners now are just saying, you know what? I want my content clean. I'd like to just come to you direct. I'll have it [00:21:00] immediately. By the way, I'd love to get prioritized for the live tickets for the show in New York. I'd like to get them ahead of the rest of the public. And so you develop this fantastic relationship with your listeners and your fans.  Damian: There seems to be a kind of recognition that staying authentic, is the way to scale. I was just, I was reading some comments by, Netflix boss Ted Sarandos at the RTS conference, Royal Television Society conference, who was saying, one of the big hits this year for them was Baby Reindeer, which is a very UK, British sensibility, but yet it's done really well. They didn't pander to a global audience. They kept it authentic. It seems like that is the same formula that's having success for you.  Tony: Well, it's really interesting this, isn't it? Because,  I've got three, I've got three, sons, two teenagers and a 20 year old, and they're watching tons of content on Netflix and, uh, and the variety of the streamers, and they're very happy watching, for example, Korean TV with subtitles. They'll watch dramas from Scandinavia with subtitles. They're very comfortable. [00:22:00] Watching authentic drama and cultural content from other nations. I don't know whether the kind of globalization of content has finally happened, the days when, if it didn't, when, if a movie didn't have a, an American star, it could never be watched around the world. I think it's gone. I think people are much more comfortable enjoying content from a variety of nations. Damian: Well, Tony, thank you so much for these insights. Great talking with you.  Tony: An absolute pleasure. Thanks very much for having me on. Damian: And that's it for this edition of The Current Podcast. We'll be back next week, so stay tuned. The current podcast theme is by Love Caliber. The current team includes Kat Vesey and Sydney Kearns. And remember, Tony: We're not a walled garden. We're not going to tell you to come over to our place and enjoy our content. We're going to say, Where are you comfortable? Where do you want to be. Damian: I'm Damian and we'll see you next time. And if you like what you hear, please subscribe and leave us a review. Also tune into our other podcast, The Current Report.

Questions, suggestions, or feedback? Send us a message!Our guest this week is William Sargent. He co-founded Framestore in 1986 and led its rise from an award winning commercials production house to world renowned film and digital studio. During three decades the company has worked on all the Harry Potter films (and the JK Rowling 'Fantastic Beasts') , Alfonso Cuarón's Gravity, James Gunn's Guardians of the Galaxy, Paul King's Paddington, Dr Strange, Christopher Robin, Blade Runner 2049 and Marvel's Avengers Series.William and his team have won all the major creative awards including 3 Oscars, British Academy, Primetime Emmys, D&AD, Royal Television Society and most recently over 100 global awards for the newest format Virtual Reality.Equally at home in Hollywood and government, he was Permanent Secretary, Regulatory Reform, at the Cabinet Office, and Board Director of HM Treasury. He is currently a governor at Europe's largest arts complex Southbank Center, the U.K. governments innovation agency, Trinity College Dublin's Provost Council and the London Mayor's Business Council. William is a fellow of the Royal Society for the Arts, member of BAFTA and the Academy. He received a CBE in 2004 and was knighted by the Queen in 2008.We talk about:Rear ProjectionStop motion animationAlfonso Cuaron's GravityHow music videos started the UK film industryGeorge Lucas' vision of multi-platform story tellingHow car manufacturing robots help in filmmakingTennis balls and florescent tapeHow to create dinosaursThe next decade of filmmakingLet's roll.Web: www.whereshallwemeet.xyzTwitter: @whrshallwemeetInstagram: @whrshallwemeet

In this conversation we speak to Billy Boyd Cape. We discuss how he transitioned into the commercial industry, his process of working with actors, and discovering emotion on set. This episode is sponsored by Smoke & Mirrors. Billy is represented worldwide by Academy Films.Billy started his career while still at Bournemouth Film School; he began directing music videos which garnered millions of views and produced feature-doc ‘Beyond Clueless' which premiered at SXSW (and later landed on Netflix and Mubi). His graduation short film 'More Hate Than Fear' was nominated for awards at Camerimage and the Royal Television Society.Billy directed 'Reach', an award winning short for Channel 4 Random Acts, followed immediately by 'Somewhere Over The Rainbow' for Pride in London. Pride won a D&AD Yellow Pencil and New Director Awards at the British Arrows, Kinsale and Ciclope Festivals, plus gained inclusion at the Saatchi & Saatchi New Creators Showcase in Cannes. Billy was also selected by Campaign Magazine as one of the Top 10 Directors in its end of year issue.Since then Billy has directed multi-award winning work for the likes of Nike, ITV, Co-op, NHS and Cadbury, cementing him as one of the most sought after new directing names in advertising.Most recently he has directed work for Alzheimer's Society, the Justice & Care Coalition and the BBC, leading to multiple industry awards including Best Of Show at AICP, plus 3 further Golds and 2 Gold, 3 Silver and 4 Bronze at the British Arrows.Billy's short film ‘Wings' was premiered at the BFI and is currently being entered into short film festivals around the world.Hope you enjoy.

John Suchet OBE is a well-loved radio and TV presenter, author, and journalist. For thirty years he was known primarily as a reporter and newscaster for ITN, covering major world events including the Philippines Revolution and the fall of the Berlin Wall. In 2008, the Royal Television Society awarded him with their highest accolade, the Lifetime Achievement Award. After leaving TV news John fell headfirst into a second career, in which he has been able to indulge his lifelong passion for music (Beethoven in particular). He presented Classic FM's flagship morning show for around a decade, later moving to The Classic FM Concert, and he still returns to present special series to this day.John's eighth book on Beethoven is out tomorrow via Elliot and Thompson. Titled In Search of Beethoven: A Personal Journey, it is quite unlike his others so far in that it combines the lives of both Beethoven and John himself; in a book that is part biography, part memoir, and part travelogue.In this episode, John talks about… well, Beethoven, but also why the process of writing this book was different to his others; and the nature of evolving scholarship meaning that things we've known to be true for years can suddenly turn out to be incorrect. John also talks about the tricky juxtaposition of his love and admiration for Beethoven ‘the artist' with his difficult feelings about Beethoven ‘the man'. Away from Beethoven, John shares how the pinnacle of his news career happened due to – in his words – sheer luck, and also the story of the time that same high-flying news career imploded on him.-------------------John's links:Website-------------------Follow The Classical Circuit on InstagramDid you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*No offence taken if not.--------------------Music: François Couperin - Le Tic-Toc-Choc ou Les MaillotinsPerformed by Daniel Lebhardt--------------------This podcast is also available to listen to via The Violin Channel--------------------The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart). Hosted on Acast. See acast.com/privacy for more information.

This is episode 21 in our second season of The Directors Take Podcast. In this week's episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Paul Davies, the legendary Sound Designer who is best known for being one of Director Lynne Ramsay's closest collaborators, with their relationship spanning all the way back to her first feature film, Ratcatcher. He is exceptional in his own right however and his unique style has landed him work with directors such as Stephen Frears, Yann Demange, Rose Glass, Steve McQueen and Guillermo Del Toro amongst countless others.  Sound is as important if not more so than the image itself, so we are super excited to bring you a conversation with one of the absolute best in the business. This conversation covers:   -What is Sound Design? -What was his journey into the industry like?  -The importance of mentors?  -How did he come to meet Lynne Ramsay and build that relationship?  -Why do people keep coming back to him?  -How to sync up the process between sound and the edit?  -How does he approach character and perspective with sound?  -What are the mistakes that directors make when working with sound designers?    Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We've also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below…  http://scriptation.com/thedirectorstake    Paul's Bio With a background in music recording and composition, Paul Davies graduated from the sound department at the National Film and Television School (UK) in 1993. After graduation Paul worked as a freelance sound record recordist, sound editor and re-recording mixer on a variety of feature, broadcast, and corporate projects. In 1995 Paul joined the sound post production company VideoSonics as a sound editor, rising to become head of the sound editorial department. Whilst with VideoSonics Paul continued to hone his craft on a large range of feature film and television dramas. In 2000 Paul left VideoSonics to become a freelance supervising sound editor and Sound Designer and continues to work in these roles to this day. Notable directors he has with with include Stephen Frears, John Hillcoat, Lynne Ramsay, Guillermo Del Toro, Steve McQueen, Hideo Nakata, Rose Glass, Bart Layton, Anton Corijn, Saul Dibb, Julian Jarrold, Nick Broomfield and Julien Temple amongst many others, on films such as The Queen, Kinky Boots, You Were Never Really HEre, American Animals, Hunger, Mrs HEnderson Presents, The American, The Proposition, We need to Talk about Kevin, Saint Maud and Mogul Mowgli.    In addition to his work in sound production, Paul is a regular visiting tutor at the National Film and Television School in the UK The Baltic Film School in Estonia and the IFS in Cologne. Paul has also held Sound Design workshops at the School of sound, BAFTA, CPH Dox Festival-Denmark and The Sound of Story in Brighton UK. Paul is a voting member of BAFTA and AMPAS and a past chair of AMPS the UK's film and television sound craft guild. Paul has received nominations from BAFTA and The Royal Television Society for his sound design work in 2018, and won a BIFA for his Sound Design in You Were Never Really Here.    Nugget of the week   Paul: Beth Gibbons - Portishead lead singer & the strength of performance. Oz: Godzilla Minus One Marcus: How Liquid Death's Founder Started a $700million Water Brand | Found Effect   Credits Music by Oliver Wegmüller   Socials Paul Davies: Twitter (X) & Instagram The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com

Martin has masterminded some of the world's most significant major events including the London 2012 Olympic and Paralympic Opening and Closing Ceremonies, Hull UK City of Culture 2017, Unboxed; Creativity in the UK and most recently the ceremonies and cultural programmes for Birmingham Commonwealth Games 2022 and Eurovision in Liverpool on behalf of Ukraine. In January 2024 he was appointed Vice President of Global Live events at Tait, leading producing for the international renowned entertainment company.He was an advisor to the Japan 2020 Olympic and Paralympic Games and the Dubai Expo 2020.  In 2018 He was made CBE in The Queen's New Year Honours List. Eurovision has received two Royal Television Society and BAFTA awards.In this epsiode Martin is generous with his time as he shares examples of how his journey has given him so many experiences that have shaped the person he is today. Keep a track of all that's going on with the Podcast via; www.theeventsinsight.com/www.linkedin.com/company/the-events-insight-podcast/www.instagram.com/the_eventsin/ See more about our Season Sponsor RedBox Events via;https://www.redboxevents.com/Find out more about our Shoutout Sponsor The Hospitality Partnership via;https://www.hospitality-partnership.com/Our Season Quickfire round Sponsor is Fuchsia Exhibition & Conference Services; https://www.fuchsia-exhibition-services.com/Our partnership with Standout Magazine is also worth following;https://standoutmagazine.co.uk/Music Credits go to;Artist: Cathrine RannusTitle: The Events Insight Theme MusicMusic from #Uppbeat:Forever - Sega Williams https://uppbeat.io/t/sega-williams/foreverLicense code: 7F5KY293FYDFNVEVFly Away - Mountaineerhttps://uppbeat.io/t/mountaineer/fly-awayLicense code: EKN0IYNUKGUXMCTWClarity - Zoohttps://uppbeat.io/t/zoo/clarityLicense code: GL25RXVDXIBQWSWL 

Tim was founder member of ITV's Cook Report team and subsequently spent nearly 10 years as producer-director in Yorkshire Television's acclaimed documentaries department making films for series as diverse as First Tuesday, Network First, Dispatches and Secret History. In addition to making high-profile documentaries through Interesting Films, he has also worked within the BBC, ITV and Al Jazeera.His work has been honoured by Amnesty International, the Royal Television Society, The International Association of Broadcasting, The International Documentary Association, UNESCO, The New York Festivals and the US National Academy of Cable BroadcastingThe Interesting Film Company was set up by Tim Tate, a multi- award-winning film maker and best-selling author.The company is now based around a small core of dedicated film-makers who have learned their craft within some of the most prestigious production companies and documentary teams in British broadcasting: Yorkshire Television, the BBC, Granada and Carlton Television; First Tuesday, Network First and The Cook Report.http://interestingfilms.co.uk/Tim Tate : Conspiracy of Silence (Censored Franklin Cover up Documentary Filmmaker)6 years ago #(censored, #conspiracy, #conspiracy of silence, #cover, #documentary, #edopperman, #filmmaker), #franklin, #franklin cover up, #report, #silence, #tate, #tim, #tim tate, #upBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

This week, with so many riots, protests, and counter-protests happening across the UK, you might have missed the news of a student-led uprising that led to 300 people being killed, the toppling of a corrupt PM and violent regime, and a Nobel Peace Prize winner being installed as head a new interim government. In this edition, we're talking about some of the dramatic, violent and momentous events in Bangladesh this week with award-winning British-born investigative journalist David Bergman, who has been following and reporting on the scene for almost 30 years. He's written widely in Bangladesh for the international media, including The Daily Telegraph, Al Jazeera, the New York Times, and The Times. Between 2004 and 2017, he lived in Bangladesh, writing for several Bangladeshi newspapers, including New Age,[38] The Daily Star[39] and bdnews24.com.[40] He was forced to leave in 2017 due to his critical writing about government corruption and human rights violations.Since then, he's lived in London and helped found Netra News,[10] a media platform based in Sweden that published investigative news and analysis on BangladeshHe's also won a Royal Television Society award for a documentary he worked on about the atrocities that took place during Bangladesh's 1971 War of Independence. In the episode, David explains what happened there, what sparked it off, what's next for the country, what we know about the next potential leader and the fascinating links between a new Labour Minister and the now deposed Bangladeshi PM and her party. Links mentioned in the podcasthttps://x.com/TheDavidBergmanhttps://x.com/muktadirnewagehttps://x.com/nomhossainhttps://x.com/taqbirhudahttps://www.facebook.com/shafiqul.alam.71216 Hosted on Acast. See acast.com/privacy for more information.

Editors - Susy Benaim and Todd Downing, ACE CLIPPED editors Susy Benaim and Todd Downing are no strangers to telling true stories about real-life characters, compelling and complicated real-life characters.  Those storytelling skills were put to the test for CLIPPED, a sordid soap opera about the day of reckoning for one of the NBA's most notorious owners. Created by showrunner Gina Welch and based on the ESPN 30 for 30 podcast The Sterling Affairs, CLIPPED focuses on the downfall of Los Angeles Clippers owner Donald Sterling (Ed O'Neill), amid the team's drive to win a championship under new coach Doc Rivers (Laurence Fishburne). SUSY BENAIM Susana Benaim is a Venezuelan Film and Television Editor best known for her work on THE DROPOUT on Hulu, NATIONAL TREAURE: EDGE OF HISTORY series for Disney+, and SELF MADE: INSPIRED BY THE LIFE OF MADAM C.J. WALKER on Netflix.  Susy is currently a Junior Mentor for the ACE Diversity Mentorship Program, for which she was also a mentee a few years prior. She recently wrapped editing on the feature film HURRICANNA, directed by Francesca Gregorini. TODD DOWNING, ACE Todd Downing, ACE edits television series, films, and documentaries across a wide range of genres, from arthouse animation to slapstick comedy to documentaries about the Syrian civil war.  His credits include RUSSIAN DOLL, DIFFICULT PEOPLE, FRONTLINE, and MRS. AMERICA.  He's worked in both the U.K. and the U.S.A., and has been nominated for three BAFTAS, an ACE Eddie, and won two Royal Television Society awards. Editing CLIPPED In our discussion with CLIPPED editors Susy Benaim and Todd Downing, we talk about: Developing a "doom scroll" Being objective with dailies Spending time with horrible people Gina hates jazz Making a basketball series without basketball The Credits Visit Extreme Music for all your production audio needs Hear Todd talk about his work on MRS. AMERICA and RUSSIAN DOLL See the latest new features in Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show. VINCE POPE Vince Pope, a Royal Television Society and BAFTA-nominated composer has gained recognition for his unique blend of sophisticated neo-classical melodies and flawless electronics in noteworthy projects like Undercover, Black Mirror, Tigers Are Not Afraid, and the cult favorite, Misfits. In 2024, he is collaborating again with director Issa Lopez on HBO's critically acclaimed True Detective: Night Country, starring Jodie Foster and Kali Reis. Streaming on HBO and MAX, this promises to be another highlight in Vince's impressive career. Vince secured a place in the hearts of audiences with his work on the beloved Misfits, earning him a BAFTA nomination and ultimately winning the RTS Award for Best Original Score. Further, he expanded his repertoire to include scoring feature films, such as My Angel, starring Timothy Spall and Brenda Blethyn. Vince's knack for creating captivating music led him to projects like Wallander, Undercover (BBC One), and the groundbreaking Netflix dark sci-fi series Black Mirror with episode ‘Be Right Back.' His collaboration with Writer/Director Issa Lopez resulted in the psychological feature Tigers Are Not Afraid in 2017, showcasing the diversity of his talent. Continuing to accumulate accolades, Vince has contributed to projects like BBC's My Name Is Leon, Sky's Wolfe, Aisling Bea's This Way Up, Amazon Prime's Riches, and Channel 4's flagship prison drama, Screw. CHRIS BENSTEAD Academy and BAFTA award winner Chris Benstead, is a British composer with a distinct and captivating voice. His remarkable career spans a multitude of noteworthy projects. Collaborating extensively with director Guy Ritchie, Chris composed the score for the upcoming feature The Ministry Of Ungentlemanly Warfare starring Henry Cavil, and recently finished the much-anticipated NETFLIX series The Gentlemen, a follow up to the 2019 film that Chris also scored. His music for Guy Ritchie's The Covenant (starring Jake Gyllenhaal) and the Jason Statham thrillers Operation Fortune: Ruse de Guerre and Wrath of Man were received to much critical acclaim. Recent additions to his impressive portfolio include scoring the action thrillers Jericho Ridge and Rupture directed by Hamzah Jamjoom. Chris received OSCAR and BAFTA awards for his work as re-recording mixer on Alfonso Cuaron's masterpiece Gravity, starring Sandra Bullock and George Clooney. Chris is a versatile multi-instrumentalist and achieved a First-Class honours in music and sound recording from the University of Surrey. He was also named as Alumni of the year for his ground-breaking achievement in music mixing on ‘Gravity.' TRACKLIST: Vince Pope (feat. Tanya Tagaq) – The Bodies – True Detective: Night Country (Soundtrack from the HBO Original Series)Chris Benstead – Stan's Soiree – The Gentlemen (Soundtrack from the Netflix Series)Chris Benstead – Susie Glass – The Gentlemen (Soundtrack from the Netflix Series)Vince Pope – Ashes – True Detective: Night Country (Soundtrack from the HBO Original Series)Chris Benstead – Operation Postmaster – The Ministry of Ungentlemanly WarfareVince Pope (feat. Tanya Tagaq) – Your Story Never Told – True Detective: Night Country (Soundtrack from the HBO Original Series)Chris Benstead – Freddy Not Happy – The Gentlemen (Soundtrack from the Netflix Series)

GUEST 1 OVERVIEW: Jim Ferguson is a former Parliamentary candidate with The Brexit Party Barnsley. Businessman entrepreneur. Founder of Freedom Train International. GUEST 2 OVERVIEW: Andrew Eborn is a Barrister, Broadcaster, Futurist, and President of Octopus TV and the author of Andrew Eborn's Book of Failure® Andrew appears regularly on various channels around the world as well as being a keynote speaker and host at live events and festivals including in Cannes. Andrew also presents and chairs for a number of leading organisations including the Royal Television Society. GUEST 3 OVERVIEW: Dena Peacock's life changed drastically when she was diagnosed with Hepatitis C in 2017, a consequence of tainted blood transfusions she received decades earlier. Despite years of unexplained illness and visits to her GP, her condition remained undetected until her sixties. Determined to advocate for herself and others affected by the contaminated blood scandal, Dena became a vocal critic of the government's response. With the support of her family, she fought tirelessly for recognition, compensation, and support for all victims. Her resilience and courage inspired many to join the call for justice, ensuring that the voices of those impacted would not be silenced. GUEST 4 OVERVIEW: Warren Thornton is a journalist who broke 'Nazi in Parliament' story. He is Ex Military & an Aid worker with embassy, military, charity contacts.

On today's show, Andrew Eborn reviews the latest news. GUEST OVERVIEW: Andrew Eborn is a barrister, broadcaster, futurist, and President of Octopus TV. He appears regularly on various channels around the world as well as being a keynote speaker and host at live events and festivals including in Cannes. Andrew presents and chairs for a number of leading organisations including the Royal Television Society.  

GUEST 1 OVERVIEW: Hedley is the Managing Director and Lead Consultant at PharmaFlow Limited, a UK-based consultancy specialising in the strategic design and management of preclinical, clinical, and commercial supply chains in the pharmaceutical and life science industries. His previous appointments include senior positions at Bayer UK, British Biotech, Vernalis, Ortho Clinical Diagnostics, and OSI Pharmaceuticals. GUEST 2 OVERVIEW: Emma Kenny is a psychologist and broadcaster. GUEST 3 OVERVIEW: Andrew Eborn is a barrister, broadcaster, futurist, and President of Octopus TV. He appears regularly on various channels around the world as well as being a keynote speaker and host at live events and festivals including in Cannes. Andrew presents and chairs for a number of leading organisations including the Royal Television Society.

On today's show, Scarlett MccGwire discusses the election fallout. Later, Nick Buckley MBE discusses yesterday's Manchester Mayoral election. Also, Andrew Eborn reviews the latest news. GUEST 1 OVERVIEW: Scarlett MccGwire is a media and communications adviser to a host of organisations and prominent people, particularly politicians. She has worked with five of the last six Labour Party leaders and is a member of the board of Rights and Security International. Scarlett has worked in television and radio, at a national and local level, as a reporter and writer for 10 years. She has written for many publications including the Guardian, Observer, Independent, Independent on Sunday and New Statesman. GUEST 2 OVERVIEW: Nick Buckley MBE grew up in a challenging environment, but he overcame personal obstacles to become a successful entrepreneur and community leader. Starting from humble beginnings, he transitioned from market trading to a career in public service, where he excelled in roles aimed at reducing crime and antisocial behavior. In response to austerity measures, he founded the charity Mancunian Way, which has garnered numerous accolades for its work in supporting disadvantaged youth and addressing social issues such as homelessness and child exploitation. Buckley's approach to problem-solving is pragmatic and results-oriented, eschewing sentimentality for accountability and hard work. His commitment to integrity and action over popularity underscores his belief in the importance of honorable leadership in politics and society. GUEST 3 OVERVIEW: Andrew Eborn is a barrister, broadcaster, futurist, and President of Octopus TV. He appears regularly on various channels around the world as well as being a keynote speaker and host at live events and festivals including in Cannes. Andrew presents and chairs for a number of leading organisations including the Royal Television Society.

GUEST 1 OVERVIEW: Clare Muldoon is a writer and broadcaster. GUEST 2 OVERVIEW: Vanessa Frake-Harris worked for 27 years as "Governor" of Wormwood Scrubs - one of Britain's most infamous prisons. Vanessa is also the author of the book 'The Governor.' GUEST 3 OVERVIEW: Andrew Eborn is a Barrister, Broadcaster, Futurist, and President of Octopus TV and the author of Andrew Eborn's Book of Failure® Andrew appears regularly on various channels around the world as well as being a keynote speaker and host at live events and festivals including in Cannes. Andrew also presents and chairs for a number of leading organisations including the Royal Television Society.

GUEST 1 OVERVIEW: Andrew Eborn is a Barrister, Broadcaster, Futurist, and President of Octopus TV and the author of Andrew Eborn's Book of Failure® Andrew appears regularly on various channels around the world as well as being a keynote speaker and host at live events and festivals including in Cannes. Andrew also presents and chairs for a number of leading organisations including the Royal Television Society. GUEST 2 OVERVIEW: Shyam Batra, born in the UK to an Indian government official, faced early hardships after losing both parents. Yet, this fueled his determination. Beginning in finance in London, he excelled, overseeing transactions worth £100 million. Transitioning to entrepreneurship, he ventured into insurance and later the hotel industry, acquiring his first apartment hotel in 2006. Through strategic investments, he expanded his portfolio significantly. Today, Shyam leads a bespoke financial enterprise, leveraging his experience to empower others. Grounded in prudent choices, his philosophy aims to democratize property ownership, inspiring individuals to pursue their dreams. Shyam embodies the belief that dedication and determination pave the path to success.

Ed is joined by the founder of Interesting Films, Tim Tate.In an interview covering many topics – notably Conspiracy of Silence and Children Of The Master Race. Discussions include the Nazi scheme of WW2, Jimmy Savile, The Yorkshire Ripper, Ingrid von Oelhafen, the BBC scandal, Jeffrey Epstein & Prince Andrew, Satanic Ritual Abuse and much more - the whole wide gamut of his work and research.He talks of censorship and difficulties getting research out there, of how the messenger is targetted and not the object of the story. He also talks in depth about the tragic case of Troy Bonner.BACKGROUNDMr Tate's work has been seen and commissioned by all major British television, including the BBC, ITV, Channel 4 and Channel 5 networks – as well as the Discovery Channel, A&E Networks & Al Jazeera International.Several of these films have won awards, including honours from: Amnesty International, Royal Television Society, New York Festivals, National Academy of Cable Broadcasting (US), UNESCO, Association for International Broadcasting and International Documentary Association.Book Links : Hitler's Forgotten Children, The Yorkshire Ripper – The secret murders,Website: Interesting Films Personal SiteTwitter: Tim TateBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

In this week's episode of Sync Music Matters I'm talking to multi award winning composer, artist and producer Hannah Peel Last year Hannah Peel won the Ivor Novello Best TV Soundtrack award for her score to Sky's Midwich Cuckoos starring Keely Hawes. Having previously won awards with the Royal Television Society and Music Producers Guild She was Nominated for an Emmy for work on the documentary Games of Thrones - The Last Watch and is a regular collaborator with Paul Weller She is currently collaborating with Anne Nikitin. Also dabbles in a bit of theatre including productions at Sadler's Wells and as if that weren't enough, she also presents the BBC radio 3 show Night Tracks Often inspired by the connections between science and music, her solo record career includes the shortlisted 2021 Mercury Music Prize electronic album, Fir Wave; 2016's Awake But Always Dreaming, which became an ode to her grandmother's mind as she lived with dementia; and connecting our brain neurons to stars in our solar system, the space-themedMary Casio: Journey to Cassiopeia, scored for synthesisers and a 30 piece colliery brass band. A regular collaborator with Paul Weller, in 2018 she conducted and wrote all the orchestral arrangements for his shows at London's Royal Festival Hall and contributed to his new no.1 album ‘On Sunset'. A year later Peel composed and recorded the soundtrack for Game of Thrones: The Last Watch which earned her an 2019 Emmy nomination for ‘Outstanding Music Composition For A Documentary Series Or Special (Original Dramatic Score)'. Hannah Peel Website Jim Hustwit is a music producer and composer specialising in trailer music, production music and music for TV ads

In an in-depth interview, Devin Patrick Hughes speaks with former ITN journalist, ClassicFM host, and biographer John Suchet discusses his transition from journalism to classical music as a career because of his connection to Tchaikovsky's music. He shares his initial love for Tchaikovsky's melodies, developing an understanding of music through learning jazz trombone, and his eventual passion for writing about classical music composers. John touches upon Tchaikovsky's struggle with his identity and homosexuality, and how it influenced his symphonic works. Additionally, he considers the debate about Tchaikovsky's dubious death and the bizarre relationship that Tchaikovsky had with Nadezhda von Meck, his best-known patroness. John believes his approach to understanding music is through the man and not the music, and shares never before heard anecdotes about Tchaikovsky's relationships with other men.  00:00 Introduction and Early Life 00:16 Transition into Classical Music 00:34 Tchaikovsky's Early Musical Journey 01:49 Tchaikovsky's Career in Journalism 02:57 Tchaikovsky's Love for Classical Music 03:43 Tchaikovsky's Writing Career 04:13 Tchaikovsky's Love for Other Composers 05:47 Tchaikovsky's Self Doubt 08:13 Tchaikovsky's Struggles with Homosexuality 10:27 Tchaikovsky's Marriage and its Impact 11:57 Tchaikovsky's Influence and Legacy 28:28 Tchaikovsky's Death and its Controversy 38:47 Conclusion: Tchaikovsky's Enduring Impact As the host of The Classic FM Concert with John Suchet for 12 years, John Suchet is a household voice in classical music and broadcasting. Before his career at Classic FM, John was celebrated as one of the nation's foremost reporters and newscasters. At ITN, he covered pivotal global events such as the Iranian Revolution, the Soviet invasion of Afghanistan, and the Philippines Revolution. He has earned accolades including Television Reporter of the Year and Television Newscaster of the Year. In 2008, he received the Lifetime Achievement Award from the Royal Television Society, marking his remarkable career spanning nearly four decades in television news. John's lifelong passion for classical music, particularly the works of Beethoven, has been a driving force in his life. He authored seven books focusing on the legendary composer, with his latest publication, a special 250th anniversary edition of "Beethoven — The Man Revealed," released in 2020. His dedication to promoting classical music earned him prestigious honors such as an Honorary Doctorate from the University of Dundee and an Honorary Fellowship from the Royal Academy of Music. He has also authored books on Verdi, the Strausses, Mozart, and Tchaikovsky, the Man Revealed, which is the subject of today's discussion. Thank you for joining us on One Symphony. Thanks to John Suchet for sharing his wealth of knowledge. You can find more info at JohnSuchet.co.uk  and pick up a copy of Tchaikovsky The Man Reveals, and other books by great composers of John's wherever you get your books. Musical selections on this episode today include Tchaikovsky's 4th Symphony by the Berlin Phil, Bruckner's Seventh Symphony by Vienna Phil and Herbert von Karajan,, Strauss's Blue Danube Waltz by the Vienna Phil and Willi Boskovsky, Sugar Rum Cherry (Dance of the Sugar Plum Fairy from Three Suites by Duke Ellington, Tchaikovsky's First String Quartet by the Emerson String Quartet, and the Nutcracker by the Royal Philharmonic Orchestra. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music! https://www.listennotes.com/podcasts/one-symphony-with-devin-patrick-hughes-_UBbpoivcA3/ https://www.audible.com/pd/One-Symphony-with-Devin-Patrick-Hughes-Podcast/B08K57VY49      

This week we speak to veteran Channel 4 and BBC investigative journalist, Michael Crick as part of our 'Behind the Politics' feature where we interview experts in the field of politics, from campaign managers to pollsters to journalists like Michael... and maybe even the odd Special Advisor!Michael is a TV legend,  broadcaster, journalist and author. He was a founding member of the Channel 4 News team and remained there until joining the BBC in 1990. He started work on the BBC's Newsnight programme in 1992, serving as political editor from 2007 until his departure from the BBC in 2011. Crick then returned to Channel 4 News as political correspondent. In 2014 he was chosen as Specialist Journalist of the Year at the Royal Television Society television journalism awards.  In that same year, he even doorstepped our podcast host Jonny Ball, when Jonny was working for Grant Shapps MP!  Jonny and Michael talk about this rather amusing anecdote as well as Michael's current work unearthing the murky world of political selections via his Twitter/X feed @tomorrowsMPs which you must follow now!Big thanks to Bare Arms Military Support to Film & TV for lending us their podcast studio.  If you'd like to rent it, in the heart of Westminster, London, contacts Bags on: info@barearms.co.ukWhatsapp 07410 603080Web- https://barearms.co.uk/contact-bare-arms/SHOW LINKS:Join our Facebook Group community here: https://www.facebook.com/groups/2314725475490967/Engage with us on LinkedIn here:https://www.linkedin.com/groups/13628154/Insta/Twitter/Facebook: @CampaignForceUKor email the host jonny@campaignforce.co.ukStand Up and Serve Again!Support the show✅Support The Show Help Us Grow! Help us reach more veterans by donating the cost of a cup of coffee today...

Tim was founder member of ITV's Cook Report team and subsequently spent nearly 10 years as producer-director in Yorkshire Television's acclaimed documentaries department making films for series as diverse as First Tuesday, Network First, Dispatches and Secret History. In addition to making high-profile documentaries through Interesting Films, he has also worked within the BBC, ITV and Al Jazeera.His work has been honoured by Amnesty International, the Royal Television Society, The International Association of Broadcasting, The International Documentary Association, UNESCO, The New York Festivals and the US National Academy of Cable BroadcastingThe Interesting Film Company was set up by Tim Tate, a multi- award-winning film maker and best-selling author.The company is now based around a small core of dedicated film-makers who have learned their craft within some of the most prestigious production companies and documentary teams in British broadcasting: Yorkshire Television, the BBC, Granada and Carlton Television; First Tuesday, Network First and The Cook Report.http://interestingfilms.co.uk/Tim Tate : Conspiracy of Silence (Censored Franklin Cover up Documentary Filmmaker)7 years ago #(censored, #conspiracy, #conspiracy of silence, #cover, #documentary, #edopperman, #filmmaker), #franklin, #franklin cover up, #report, #silence, #tate, #tim, #tim tate, #upThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/1198501/advertisement

On today's show, Andrew Eborn discusses the outrage fest/drama over Laurence Fox's crude comments, Dan Wootton giggling about it and the allegedly aggrieved Ana Evans while we forget the conversation about helping men and boys. GUEST 1 OVERVIEW: Ben Walker​ is a British Royal Navy Veteran, who served in Afghanistan and in the Falklands and who now serves as the Party Chairman of UKIP. Ben has been a parliamentary candidate, Local Councillor and Town Mayor. GUEST 2 OVERVIEW: Andrew Eborn is a Barrister, Broadcaster, Futurist, and President of Octopus TV and the author of Andrew Eborn's Book of Failure® Andrew appears regularly on various channels around the world as well as being a keynote speaker and host at live events and festivals including in Cannes. Andrew also presents and chairs for a number of leading organisations including the Royal Television Society. https://www.octopus.tv  

An original short story commissioned by BBC Radio 4 from Northern Irish writer Tara West. Read by Julia Dearden. Tara West is a novelist and Creative Writing Lecturer at Queen's University Belfast. She is the author of novels Fodder and Poets Are Eaten as a Delicacy in Japan as well as the memoir The Upside of Down. She has short stories published in The Glass Shore and Female Lines. She was part of BBC Writersroom Belfast Voices 2020/21. She won an RTÉ Storyland commission for her first drama ‘The Good Christian Women's Writing Group' for which she was nominated for the Royal Television Society's Debut Writer Award. Writer: Tara West Reader: Julia Dearden Producer: Michael Shannon Editor: Andy Martin A BBC Northern Ireland production.

Alasdair Beckett-King was a regular panellist on Mock the Week, most notably appearing in the show's final ever episode. He was named Leicester Mercury Comedian of the Year 2017 and won the NATYs New Act of the Year in 2014. Alasdair's debut solo show ‘The Alasdair Beckett-King Mysteries' was a finalist in the Amused Moose Comedy Award 2017, made Dave's top 10 jokes of the fringe and went on to sell out at the Soho Theatre. A stand up comedian and animator, ABK has written and performed for BBC radio and for several indie video games. His stand up clip for 'BBC Scotland Short Stuff' went viral in 2017, with over 2 million views. A graduate of the London Film School, he won a student Royal Television Society award and was nominated for a Student Oscar in 2013. Alasdair's social media profile grew significantly during Lockdown when he began creating online comedy shorts. The videos gained great traction with his ‘Every Single Scandinavian Crime Drama' achieving over 2.5 Million views in less than a month.Alasdair Beckett-King is guest number 317 on My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Cab Calloway - St. James Infirmary Blues animation - https://www.youtube.com/watch?v=8r-6_EBw6T8For Alasdair's books, gigs and everything else, visit: abeckettking.com .Follow Alasdair Beckett-King on Twitter: @MisterABK & Instagram: @itsmisterabk . Follow My Time Capsule on Twitter, Instagram & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people. Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

Author SHELLEY HERMAN is an Emmy-nominated show-biz veteran, a longtime host, writer, producer and personality with decades of success on both sides of the camera. Now, she's taking us back to the beginning of her career – when she joined the famous NBC Studio Page program. My Peacock Tale: Secrets Of An NBC Page is the story of Herman, her fellow pages who became lifelong friends, and the dizzying array of celebrities, hangers-on, has-beens, and legends that found their way through the halls of NBC Burbank in the mid-late 1970s. Join Robert Manni, author of The Guys' Guy's Guide To Love as we discuss life, love and the pursuit of happiness. Subscribe to Guy's Guy Radio on iTunes! Buy The Guys' Guy's Guide to Love now!

Author SHELLEY HERMAN is an Emmy-nominated show-biz veteran, a longtime host, writer, producer and personality with decades of success on both sides of the camera. Now, she's taking us back to the beginning of her career – when she joined the famous NBC Studio Page program. My Peacock Tale: Secrets Of An NBC Page is the story of Herman, her fellow pages who became lifelong friends, and the dizzying array of celebrities, hangers-on, has-beens, and legends that found their way through the halls of NBC Burbank in the mid-late 1970s. Join Robert Manni, author of The Guys' Guy's Guide To Love as we discuss life, love and the pursuit of happiness. Subscribe to Guy's Guy Radio on iTunes! Buy The Guys' Guy's Guide to Love now!

Tim Tate – Interesting FilmsEd is joined by the founder of Interesting Films, Tim Tate.In an interview covering many topics – notably Conspiracy of Silence and Children Of The Master Race. Discussions include the Nazi scheme of WW2, Jimmy Savile, The Yorkshire Ripper, Ingrid von Oelhafen, the BBC scandal, Jeffrey Epstein & Prince Andrew, Satanic Ritual Abuse and much more - the whole wide gamut of his work and research.He talks of censorship and difficulties getting research out there, of how the messenger is targetted and not the object of the story. He also talks in depth about the tragic case of Troy Bonner.BACKGROUNDMr Tate's work has been seen and commissioned by all major British television, including the BBC, ITV, Channel 4 and Channel 5 networks – as well as the Discovery Channel, A&E Networks & Al Jazeera International.Several of these films have won awards, including honours from: Amnesty International, Royal Television Society, New York Festivals, National Academy of Cable Broadcasting (US), UNESCO, Association for International Broadcasting and International Documentary Association.Book Links : Hitler's Forgotten Children, The Yorkshire Ripper – The secret murders,Website: Interesting Films Personal SiteTwitter: Tim TateThe Opperman Reportcreating Podcasts185 patronsRecent PostsYour tiersOppermaniac$3 per month Give us $3/month and you get daily shows ad free. General SupportJoin $3 Tieror save 10% if you pay annuallyOppermaniac Jr.$5 per monthAll shows commercial free.Includes access to the Member's Section Archives, more than 250 shows being uploaded as we speak. Early access to episodesJoin $5 Tieror save 10% if you pay annuallyOppermaniac Sr.$10 per month-4 exclusive shows per month-Access to the Discord chatroom-Everything in the previous tier - 250 plus showsBonus episodes Early access to episodesJoin $10 Tieror save 10% if you pay annuallyOppermaniac Pro$20 per month- Access to 8 exclusive episodes per week - Get your questions answered on air, politely-Everything in the previous tiers, 250+ showsMonthly AMAsEarly access to episodes Bonus episodesJoin $20 Tieror save 10% if you pay annuallyDownloThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/1198501/advertisement

Jeremy Bowen is the BBC's award-winning international editor. He has been reporting from the world's conflict zones, including Iraq, Bosnia, the Middle East and Ukraine, for more than 30 years. Jeremy was born in Cardiff in 1960. His father was a journalist for BBC Wales, who covered the Aberfan disaster in 1966, and his mother was a press photographer. In 1984, after university, Jeremy joined the BBC as a news trainee and in 1989 he starting reporting from Afghanistan and El Salvador. From 1995 to 2000 he was based in Jerusalem as the BBC's Middle East correspondent. During that time he reported on the assassination of the Israeli prime minister Yitzhak Rabin. His coverage of the event won him the Royal Television Society's Award for Best Breaking News report. In 2022 Jeremy started reporting on the ground in Ukraine and earlier this year he returned to Iraq to discover how the country was coping, 20 years after the US-led invasion in March 2003. Jeremy lives in London with his partner Julia. DISC ONE: Let's Stay Together - Al Green DISC TWO: Symphony No. 2 in E-Flat Major, Op. 63: II. Larghetto. Composed by Edward Elgar and performed by Hallé Orchestra, conducted by Sir John Barbirolli DISC THREE: Piano Concerto No. 2 in C minor, Op 18. Composed by Sergei Rachmaninoff and performed by Vladimir Ashkenazi (piano) with the London Symphony Orchestra, conducted by André Previn DISC FOUR: America - Simon & Garfunkel DISC FIVE: La bohème: O soave fanciulla. Composed by Giacomo Puccini and performed by Plácido Domingo, Montserrat Caballé, London Philharmonic Orchestra, conducted by Georg Solti DISC SIX: Denn alles Fleisch, es ist wie Gras. Composed by Johannes Brahms and performed by Berliner Philharmoniker, conducted by Herbert von Karajan DISC SEVEN: In My Life – The Beatles DISC EIGHT: Waterloo Sunset - The Kinks BOOK CHOICE: The Complete Novels of George Orwell LUXURY ITEM: A manual typewriter CASTAWAY'S FAVOURITE: Symphony No. 2 in E-Flat Major, Op. 63: II. Larghetto. Composed by Edward Elgar and performed by Hallé Orchestra and Wiener Singverein, conducted by Sir John Barbirolli Presenter Lauren Laverne Producer Paula McGinley

If you've ever watched a television news dispatch from a warzone, the chances are you've seen Alex Crawford in a flak jacket and helmet, doing a piece to camera punctuated by the whistle of bullets. For 30 years, she has been the special correspondent for Sky News and has covered conflicts in Libya, Syria and the Ukraine. She has scooped multiple Baftas and Emmys for her work, as well as being the only journalist to have won the Royal Television Society's Journalist of the Year Award five times.Today, she joins me in an extraordinary interview to reveal how she does it. We talk about professional failures, imposter syndrome, what happened when she got taken hostage in Afghanistan, the challenge of keeping a sense of optimism about human nature and how she processes the trauma she witnesses. She talks frankly about being a mother-of-four and how this has led to her own personal conflicts while reporting on the global ones. And we discuss how ageism and sexism plays a part in how she's perceived in the notoriously fickle world of television.I adored this conversation and I adored this woman. An absolute legend.--How To Fail With Elizabeth Day is hosted and produced by Elizabeth Day. To contact us, email howtofailpod@gmail.com--Social Media:Elizabeth Day @elizabdayHow To Fail @howtofailpodAlex Crawford @alexcrawfordsky

Jamie Morton hosts the enormous worldwide hit podcast My Dad Wrote A Porno, with James Cooper and Alice Levine, where, every episode, Jamie reads a chapter of Belinda Blinked, an amateur erotic novel series written by his father under the pen name Rocky Flintstone and they all react to it! It has been downloaded over 440 million times, it's been an HBO comedy special and has been performed live all over the world, from the Edinburgh Fringe to Montreal's Just for Laughs comedy festival, the Sydney Opera House and The Royal Albert Hall in London. Apart from being a podcaster, Jamie is a director and one of the most sought after creatives in British production, having worked on some of the UK's most successful television formats including The Apprentice and the X Factor. He's worked on shows like the Royal Television Society award winning Being Human and Bafta winning The Fades, and Eating With My Ex for BBC THREE.Jamie Morton is guest number 278 on My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Follow Jamie Morton on Twitter & Instagram: @uncleegor .Follow My Time Capsule on Twitter, Instagram & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people. Get this podcast ad-free by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

Tee Cee joins our host Catherine Asta for a compassionate conversation to shine a light on her Late Discovered Autism. A presenter, writer, and filmmaker - Tee Cee is known for her colourful style, youthful nature and passion for Caribbean heritage. Diagnosed autistic aged 27, Tee Cee publicly revealed her diagnosis for the first time in her most recent documentary ‘Too Autistic for Black'. Commissioned by Warner Bros. Discovery as part of their Black British Unspoken series for Discovery Plus, the documentary explores what it's like to be Black, British, and marginalised in the autism discourse. In 2022, Tee Cee hosted at the Birmingham 2022 Festival as part of Commonwealth Games, presenting the daily cultural programme. The festival saw over 750,000 visitors from all over the UK, the largest cultural programme to have accompanied a Commonwealth Games. Skilled on and off screen, Tee Cee was nominated for the Royal Television Society's Breakthrough Off-Screen Award for her stellar TV and digital concepts, including a 45-episode short-form series ‘No Offence But' which was published weekly on BBC Three's socials and the 6-part iPlayer dating intervention series ‘My Mate's A Bad Date'. Outside of her TV career, Tee Cee can be found inspiring the next generation through professional speaking and digital content creation. She champions personal and professional development through her platform 'Not Your Average Girl', which supports young women in the TV and digital sector, and her passion for inclusive storytelling continues in her written work. Aged 16, she wrote and published her debut children's book ‘Snow Black, the Seven Rastas and Other Short Stories', which was re-released in 2019. Read more about Tee Cee on her website Follow Tee Cee on Instagram 3 ways you can support the podcast and the work we do... Become a member. Buy us a coffee. Rate & review the show The Late Discovered Club is hosted by Catherine Asta and edited by Caty Ava - visit our website Contact Catherine Asta Music by Allora Follow us on Instagram: Catherine Asta The Late Discovered Club

CMU's Andy Malt and Chris Cooke review key events in music and the music business from the last week, including the campaign against proposed cuts to BBC Music Introducing, which gained momentum last week after a plethora of music industry organisations published an open letter to the board of the BBC seeking reassurance that the service does not become an “unintended victim” of any changes being made to ensure the “future stability and viability” of the broadcaster. STORIES DISCUSSED THIS WEEK • Music industry groups say cuts to BBC Introducing local radio shows would be “fundamental blow to the health of the entire grassroots sector” • Tom Robinson urges artists and music fans to communicate their appreciation for the local BBC Introducing shows • BBC provides update on local radio cutbacks • BBC execs defend local radio cuts to MPs (December 2022) • BBC boss Tim Davie talks about an internet-centric future with fewer TV channels and radio stations (December 2022) ALSO MENTIONED • PRS announces new funding model for PRS Foundation, securing current levels of support • Full transcript of Tim Davie's Royal Television Society speech (BBC) MORE FROM CMU • Upcoming CMU webinars • Buy MMF and CMU Insights' Dissecting The Digital Dollar book on Amazon • Sign up to receive the CMU Daily news bulletin • Listen to the full Setlist theme tune

After three decades with the BBC reporting from South Asia and Afghanistan, David's expertise was called upon by the former Afghan President as an advisor; he now consults for the Foreign Office and trains mid-career diplomats. Amongst many other accolades, his 1998 reporting from behind the lines of the Kosovo Liberation Army earned him ‘Journalist of the Year' from the Royal Television Society.David reveals one of the least reported consequences of 9/11 — the surge in PTSD amongst journalists covering the attacks — and details his campaign for news organisations to provide better mental health support. He shares how a “freelance adventure” in Poland spamming LBC's news desk led to him becoming their official correspondent, and gives his top tips for uncovering a breaking story.

The Two Gay Geeks

How to Speak Whale is an investigation into the possibility, or otherwise, of human cetacean dialogue. It looks into the history of our relationship with these creatures—in some important ways so similar to us, in others, so profoundly different. It lays out our various attempts to interpret their song, and looks at how big data, combined with an open source philosophy might allow us to create a “Google Translate for animals”.It's also one man's quest to make sense of the particular, transcendent but terrifying moment, a humpback whale almost landed on top of him.Buy How to Speak Whale: https://www.shakespeareandcompany.com/product/6534146/mustill-tom-how-to-speak-whale*SUBSCRIBE NOW FOR BONUS EPISODESLooking for Friends of Shakespeare and Company read Ulysses? https://podfollow.com/sandcoulyssesIf you want to spend even more time at Shakespeare and Company, you can now subscribe for bonus episodes and access to complete chapters of Friends of Shakespeare and Company read Ulysses.Subscribe on Patreon here: https://www.patreon.com/sandcoSubscribe on Apple Podcasts here: https://podcasts.apple.com/fr/podcast/shakespeare-and-company-writers-books-and-paris/id1040121937?l=enAll money raised goes to supporting “Friends of Shakespeare and Company” the bookshop's non-profit, created to fund our noncommercial activities—from the upstairs reading library, to the writers-in-residence program, to our charitable collaborations, and our free events.*Tom Mustill studied Natural Sciences at Cambridge, before becoming a conservation biologist and then a wildlife filmmaker. His work with David Attenborough, Greta Thunberg, Stephen Fry and other conservation and science heroes across the globe have won over 30 international awards, including two Webbys, a Wildscreen Panda, two Jackson Wild Awards, as well as a Primetime Emmy nomination. He directed on the blockbuster Inside Nature's Giants' series which won a BAFTA, Royal Television Society and Broadcast award, as well as the ZSL Award for Communicating Zoology.Adam Biles is Literary Director at Shakespeare and Company. Buy a signed copy of his novel Feeding Time here: https://www.shakespeareandcompany.com/product/7209940/biles-adam-feeding-timeListen to Alex Freiman's Play It Gentle here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1 Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Tim was founder member of ITV's Cook Report team and subsequently spent nearly 10 years as producer-director in Yorkshire Television's acclaimed documentaries department making films for series as diverse as First Tuesday, Network First, Dispatches and Secret History. In addition to making high-profile documentaries through Interesting Films, he has also worked within the BBC, ITV and Al Jazeera. His work has been honoured by Amnesty International, the Royal Television Society, The International Association of Broadcasting, The International Documentary Association, UNESCO, The New York Festivals and the US National Academy of Cable Broadcasting The Interesting Film Company was set up by Tim Tate, a multi- award-winning film maker and best-selling author. The company is now based around a small core of dedicated film-makers who have learned their craft within some of the most prestigious production companies and documentary teams in British broadcasting: Yorkshire Television, the BBC, Granada and Carlton Television; First Tuesday, Network First and The Cook Report. http://interestingfilms.co.uk/ Tim Tate : Conspiracy of Silence (Censored Franklin Cover up Documentary Filmmaker)

Tim was founder member of ITV's Cook Report team and subsequently spent nearly 10 years as producer-director in Yorkshire Television's acclaimed documentaries department making films for series as diverse as First Tuesday, Network First, Dispatches and Secret History. In addition to making high-profile documentaries through Interesting Films, he has also worked within the BBC, ITV and Al Jazeera. His work has been honoured by Amnesty International, the Royal Television Society, The International Association of Broadcasting, The International Documentary Association, UNESCO, The New York Festivals and the US National Academy of Cable Broadcasting The Interesting Film Company was set up by Tim Tate, a multi- award-winning film maker and best-selling author. The company is now based around a small core of dedicated film-makers who have learned their craft within some of the most prestigious production companies and documentary teams in British broadcasting: Yorkshire Television, the BBC, Granada and Carlton Television; First Tuesday, Network First and The Cook Report. http://interestingfilms.co.uk/ Tim Tate : Conspiracy of Silence (Censored Franklin Cover up Documentary Filmmaker)

For episode 22, Layman welcomes David Fuller, the founder of Rebel Wisdom, to the Integral Stage to discuss the troubling lack of high-level discussion and informed sensemaking around charged social or foreign policy issues, even in our purported "higher discourse" communities. David leads with a rant on the contentious and often misinformed debates about Syria, and together they explore the challenges of informed and responsible sensemaking in our contemporary media environment -- where we all frequently suffer from the lack of access, time, and/or skill to meaningfully navigate our polluted and war-torn information ecologies. Throughout the discussion, David also reviews the "journey" of Rebel Wisdom over the past several years, from an early focus on Jordan Peterson and the IDW to a broadened field of engagement within the 'meta-community,' and answers some common criticisms about the platform's conservative leanings. David Fuller is a multi-skilled journalist and filmmaker - having worked for the UK's top news programme Channel 4 News for ten years as reporter, producer and director. He was the first mainstream TV journalist to cover the renaissance of psychedelic science back in 2008, and has consistently focused on the revolutionary ideas and technologies on the fringes of the culture, and attempted to shift the cultural conversation. He began making documentaries for the BBC and Channel 4 in 2011, primarily for the Emmy award-winning series ‘Unreported World'. His documentary ‘The Invisible People', about the plight of disabled Syrian refugees in Lebanon was shortlisted for the "Royal Television Society awards in 2015. This experience, combined with his intense interest in the evolution of ideas and philosophy (he studied philosophy at University in Manchester) – led to the birth of Rebel Wisdom – through which he and his partner, Alexander Beiner, have explored philosophical, transformational and cultural topics, making films about the problems with Sensemaking, the crisis of Meaning, and the necessity for inner growth. He also blogs frequently about politics and the inner world, and has written for publications including the Guardian and Buzzfeed. Professional website http://davidfuller.tv/ Rebel Wisdom website https://rebelwisdom.co.uk/

Stephen's "eyes on the horizon, feet on the ground" approach, coupled with a vast portfolio of effective large scale projects over three decades, have established him internationally as a widely and fondly recognized leader in the fields of learning, new media and technology. He was a school teacher for more than a decade, and has beena professor since 1989. Stephen has worked, and is working, with learner led projects, with governments around the world, with international agencies, Fortune 500 companies, with schools and communities, with his PhD students and with many influential trusts and organizations. Professor The Felipe Segovia Chair of Learning Innovation at Universidad Camilo José Cela, Madrid, from 2011 - continues Professor. Chair in New Media Environments, Centre for Excellence in Media Practice, Bournemouth University, Prof from from 2008 - 2017, Emeritus Professor Chair in New Learning Environments, Anglia Ruskin University, from 1989 - continues Executive chairman Learning Possibilities+ from 2010 - continues In June 2006 Stephen was awarded the Royal Television Society's Judges Award for Lifelong Services to Educational Broadcasting. In 2008 he received the prestigious BETT Award for Outstanding Achievement in ICT Education. In 2014 he was honoured to receive the UK's NAACE Award for Lifetime Achievement in educational technology. Stephen is, and has been, a regular face on TV all around the world - in the UK this ranges from Newsnight, the BBC Breakfast sofa and Sky News, to Channel 4's Things to Come. On radio too: from BBC Radio 4's You and Yours to the Steve Wright Show - or even right back to Phil Miles on Australia's Island Sound radio in 1992! In Australia radio regular appearances range from national ABC to statewide Mix Radio in WA. Website www.heppell.net Social Media Information Twitter @stephenheppell Facebook stephenheppell Resource Mentioned https://youtu.be/4hIGPSLNpwM (The Role of Podcasts in Education Marketing and Education Technology | BETT 2022 EdTech Talks) https://youtu.be/srxuzEniG60 (It's More Complex than Just CO2 | Professor Stephen Heppell | BETT 2022 EdTech Talks) Show Sponsor The National Association for Primary Education speaks for young children and all who live and work with them. Get a FREE e-copy of their professional journal at https://nape.org.uk/journal (nape.org.uk/journal) Are you looking for a FUN activity to do with your children this summer?   Would you love to make your own delicious ice cream?  Now you can learn exactly how by taking part in an exciting and engaging ice cream experience during the summer holiday.   Full details at: https://educationonfire.com/icecream (www.educationonfire.com/icecream)

In this episode of AntKast, we welcome TMT industry expert Paul Lee to discuss some of the latest innovations in the sports industry. Paul Lee is a Partner and the Global Head of Research for the Technology, Media, and Telecommunications (TMT) Industry at Deloitte UK. Topics include the digitalization of the sports industry and its business model, with a deep dive on the phenomenon of sports NFTs and blockchain technology, and what they mean for sports leagues, teams, players, and sports fans. Paul also sheds some light on the future of sports, the return to live sports, and technological changes in the overall TMT sector. Paul Lee has authored over 80 TMT reports, and leads the Deloitte Digital Consumer Trends Survey. He has also authored companion reports for the Royal Television Society's Cambridge Conference, the IBC Leaders' Summit, and the Guardian International Television Festival. Sections in this episode: 00:03 Intro 03:40 Big trends in sports digitalization in resent years 06:49 Sports NFTs and its different applications 10:12 Digital collecting as another form of engagement and revenue stream 13:24 How large is the current digital sports market? 21:38 What's important to a successful NFT release? 22:55 The move to greener blockchains 25:20 What does this mean for other media and entertainment players? 29:44 How has COVID been impacting consumer behavior? 38:24 Outro If you would like to repost this episode or partner with AntKast, please reach us through: zhumei.wzm@antgroup.com

Professor Brian Cox CBE is Professor of Particle Physics at The University of Manchester, The Royal Society Professor for Public Engagement in Science and a Fellow of the Royal Society. As a broadcaster, he has presented a number of highly acclaimed science programmes for the BBC including Wonders of the Solar System, Forces of Nature, Stargazing Live and, in 2019, The Planet, whilst his new series, Universe, premiered on BBC Two late last year. He is credited with boosting the popularity of subjects such as astronomy and physics and has garnered a host of accolades for his TV work, including two Royal Television Society awards and a Peabody Award for Wonders of the Solar System. Brian has also authored a series of best-selling books, including the widely acclaimed Human Universe. Brian broke his own Guinness World Record titles during his last live tour, Universal; for most tickets sold (158,589) for a science tour, and for most tickets sold for a science show (11,433 at The Arena in Birmingham in 2019).

This week's guest on The Unspeakable is British journalist, broadcaster and filmmaker David Fuller. In 2018 David founded Rebel Wisdom, a multi-format media platform devoted to intellectually honest, self-scrutinizing conversations about complex topics. The platform is part ecosystem of though that has come to be called “sense making” and Rebel Wisdom offers everything from a YouTube channel to online courses in its aim to showcase a range of thinkers and foster connections between likeminded—or even not so likeminded—people all over the world. David's very first Rebel Wisdom was an interview with Canadian psychologist Jordan Peterson and in the years since he has become both immersed in the so-called IDW space and somewhat disenchanted with it. Meghan was a guest on Rebel Wisdom last December and spoke with David about the phenomenon of audience capture and what happens when honest brokering threatens your “brand.” She invited David on The Unspeakable to continue the conversation and compare notes on how they're feeling about the heterodoxy these days. Is it failing in its initial mission to promote viewpoint diversity and becoming more like a “homodoxy?” Or is a new cohort of more nuanced, less didactic thinkers about to emerge onto the scene?      Guest Bio: David Fuller is the founder of Rebel Wisdom, a media project that attempts to make new paradigm thinking accessible and compelling to a new generation. He worked for the UK's top news program Channel 4 News for ten years as reporter, producer and director and was the first mainstream TV journalist to cover the renaissance of psychedelic science back in 2008. David began making documentaries for the BBC and Channel 4 in 2011, primarily for the Emmy award-winning series ‘Unreported World'. His documentary ‘The Invisible People', about the plight of disabled Syrian refugees in Lebanon was shortlisted for the "Royal Television Society awards in 2015.

Tim was founder member of ITV's Cook Report team and subsequently spent nearly 10 years as producer-director in Yorkshire Television's acclaimed documentaries department making films for series as diverse as First Tuesday, Network First, Dispatches and Secret History. In addition to making high-profile documentaries through Interesting Films, he has also worked within the BBC, ITV and Al Jazeera. His work has been honoured by Amnesty International, the Royal Television Society, The International Association of Broadcasting, The International Documentary Association, UNESCO, The New York Festivals and the US National Academy of Cable Broadcasting The Interesting Film Company was set up by Tim Tate, a multi- award-winning film maker and best-selling author. The company is now based around a small core of dedicated film-makers who have learned their craft within some of the most prestigious production companies and documentary teams in British broadcasting: Yorkshire Television, the BBC, Granada and Carlton Television; First Tuesday, Network First and The Cook Report. http://interestingfilms.co.uk/ Tim Tate : Conspiracy of Silence (Censored Franklin Cover up Documentary Filmmaker) 6 years ago #(censored, #conspiracy, #conspiracy of silence, #cover, #documentary, #edopperman, #filmmaker), #franklin, #franklin cover up, #report, #silence, #tate, #tim, #tim tate, #up