Podcasts about bafta

This week, the boys drink some whiskey and head to 1960 to discuss the less famous slasher movie of the year, “Peeping Tom”! Directed by Michael Powell, this film was a major inspiration for Martin Scorsese and a terror to the people of England, leading to its removal from theaters after only 5 days. Unlike “Psycho”, it was subsequently banned from many other countries… yet today, this movie feels like a tone poem of modern culture. We give you a 1960 year-in-review and discuss. linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 18:55 1960 Year in Review; 46:50 Films of 1960: “Peeping Tom”; 1:20:49 What You Been Watching?; 1:36:12 Next Week's Episode Teaser Additional Cast/Crew: Leo Marks, Albert Fennell, Otto Heller, Karlheinz Böhm, Anna Massey, Moira Shearer, Maxine Audley, Brenda Bruce, Miles Malleson, Esmond Knight, Martin Miller, Michael Goodliffe, Jack Watson, Shirley Anne Field, Pamela Green, Derek Cianfrance, Timotheé Chalamet, Channing Tatum, Liam Neeson, Akiva Schaffer, Joel Edgerton, Kerry Condon, William H. Macy.  Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Train Dreams, Stranger Things Finale, Stranger Things Season 5, The Naked Gun, Wicked: For Good, Caught Stealing, Fallout, Roofman, Additional Tags: Gordon Ramsay, Thelma Schoonmaker, Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.     

The Writing Community Chat Show is back for 2026, and we are kicking off Season 17 with a masterclass in humor. Whether you're writing a laugh-out-loud sitcom or looking to inject a bit of levity into a dark thriller, this guest is the person who quite literally “wrote the book” on the subject.We were joined by the legendary Dave Cohen. a founding member of the Comedy Store Players, a BAFTA-winning songwriter for Horrible Histories, and a writer for iconic shows like Spitting Image and Not Going Out.Dave shared his incredible journey from Leeds to the heart of the UK comedy scene, offering invaluable advice for writers at every level.Key Takeaways from the Interview.* Comedy is Character: Dave emphasizes that the best jokes aren't just one-liners; they are born from character. In comedy, the obstacle isn't just an external “baddie”—it's often the character themselves looking in the mirror.* The “Momentary Removal of Sympathy”: Referencing comedy guru Dennis Norden, Dave explains that we laugh at characters like Stan and Ollie or Basil Fawlty because of a brief break in our sympathy, only to reconnect with their humanity moments later.* Humor in Genre: You don't have to be writing a “funny novel” to use comedy. Dave discusses how writers like Mark Billingham use humor to provide a necessary change of pace and relieve tension in even the grimmest thrillers.* The Shakespeare Mindset: Dave gave us a sneak peek into his brand new project, The Shakespeare Mindsetpodcast. He explores how Shakespeare was essentially writing “sitcom” elements into his deepest tragedies and why the Bard is the ultimate guide for navigating the complexities of modern life.* Finish the First Draft: A vital tip for all writers: use a different “brain” for each draft. The first draft is for getting it down without judgment; the third or fourth draft is where you start “punching up” the jokes.Connect with Dave Cohen.Dave is passionate about building a community for comedy writers. If you're looking for a writing group or want to hone your craft, you can find his courses, his novels, and his new podcast at davecohen.org.uk.Watch or Listen Below.You can watch the full interview right here or head over to YouTube to join the conversation in the comments. The Writing Community Chat Show is also available on all major podcasting platforms. Our Spreaker Prime Show.Watch it right here:The WCCS is a live-streaming YouTube podcast featuring interviews with NYT best-sellers, celebrities, and indie authors. We were recently ranked #3 in the Top 10 writing podcasts in the UK for 2025.Together as one, we get it done!Support Our Non-Profit CICAs many of you know, The Writing Community Chat Show is now officially a non-profit Community Interest Company (CIC). Our mission is to support authors and creatives through interviews, workshops, competitions, and community projects.Running the show takes time, effort, and resources — from live streaming and editing, to event hosting and outreach. If you enjoy what we do and want to help us continue providing a platform for authors, please consider donating directly to our PayPal. Every contribution goes right back into growing the show and supporting the writing community.Donate here: https://www.paypal.com/paypalme/TheWCCSEven the price of a coffee makes a difference in helping us keep the lights on, the mics live, and the conversations flowing. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit thewccs.substack.com/subscribeBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-writing-community-chat-show--5445493/support.

In the October 12, 2023 issue of The Hollywood Reporter, Scott Feinberg offered an annotated list of the 100 greatest film books of all time. Drawing on a jury of 322 people who make, study, and are otherwise connected to the movies, Feinberg assembled an annotated list that reads like the ultimate film study syllabus. In this interview, Dan Moran asks him about the voting process, top winners, some omissions, and what the list reveals about the industry as a whole. Scott Feinberg has led The Hollywood Reporter's awards coverage since 2011 (he covered awards for the Los Angeles Times before that). He is best known for his “Feinberg Forecast,” through which he assesses the standings of various showbiz awards races, and for Awards Chatter, the interview-centric podcast that he started in 2015, for which he has conducted career-retrospective interviews with some 500 of Hollywood's biggest names. An alumnus of Brandeis University, he is also a trustee professor at Chapman University's Dodge College of Film and Media Arts, serves on the board of the Los Angeles Press Club and is a voting member of BAFTA and the Critics Choice Association. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the October 12, 2023 issue of The Hollywood Reporter, Scott Feinberg offered an annotated list of the 100 greatest film books of all time. Drawing on a jury of 322 people who make, study, and are otherwise connected to the movies, Feinberg assembled an annotated list that reads like the ultimate film study syllabus. In this interview, Dan Moran asks him about the voting process, top winners, some omissions, and what the list reveals about the industry as a whole. Scott Feinberg has led The Hollywood Reporter's awards coverage since 2011 (he covered awards for the Los Angeles Times before that). He is best known for his “Feinberg Forecast,” through which he assesses the standings of various showbiz awards races, and for Awards Chatter, the interview-centric podcast that he started in 2015, for which he has conducted career-retrospective interviews with some 500 of Hollywood's biggest names. An alumnus of Brandeis University, he is also a trustee professor at Chapman University's Dodge College of Film and Media Arts, serves on the board of the Los Angeles Press Club and is a voting member of BAFTA and the Critics Choice Association. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

To celebrate the old bird/broad role models who've appeared on The Shift with Sam Baker, I'll be rerunning some of these conversations throughout December and into January. Next up, screenwriting legend Lynda La Plante... ---- My guest this week is a woman who - to coin a bit of 1980s jargon - punched through the glass ceiling for women in TV, creating not just one but a series of female lead characters who broke the mould. And not just any old female lead but OLDER female leads. There would be no Happy Valley or Scott & Bailey if it wasn't for Lynda La Plante's groundbreaking creation, detective Jane Tennison, brought to life by Helen Mirren. The BAFTA and Emmy award winning screenwriter of Prime Suspect, Widows and many other hit TV shows, Lynda has written 43 bestselling books, including the young Tennison series - the latest of which is Unholy Murder - that takes Jane Tennison back to the 80s as she battles to break through in the macho Met.  Lynda is now 78 and it's 30 years since her groundbreaking creation hit our small screens (back when there were only four channels and primetime telly really mattered). But Lynda started out as a dyslexic drama student who, she says, was “too short and plain” to get good parts. Lucky for us, she decided to try her hand at writing them instead. Lynda tells me what it was really like to be a woman in TV in the 80s and 90s (and noughties!), the humiliation that shaped her, how she learnt not to let things get to her and why you should always always ALWAYS read the small print! She has a few things to say about contemporary crime TV drama, but this is a bit of a masterclass for any wannabe crime writers. * You can buy all the books mentioned in this podcast at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Shift bookshop on Bookshop.org⁠. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠buymeacoffee.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theshiftwithsambaker.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Editors on Editing, Glenn is joined by writer, director and editor Chloé Zhao and her editor, Alffonso Gonçalves. Chloé has written, directed and edited all of her films, including Songs My Brothers Taught Me, The Rider,  Nomadland, for which she was nominated as an editor for the BAFTA, Eddie and Oscar. She won the Oscar for directing Eternals. Alffonso's credits include Mildred Pierce for which he was nominated for the Eddie, Beasts Of The Southern Wild, True Detective, for which he was nominated for a primetime Emmy and won the Eddie, Carol, The Velvet Underground, for which he was co-nominated for the Eddie and, The Lost Daughter. Now Chloé & Alffonso have brought their exquisite skills to the mesmerizing film, Hamnet.Thanks again to ACE for partnering with us on this podcast, check out their website for more.Thanks also to Focus Features, and Hamnet for helping to make this podcast happen. Want to see more interviews from Glenn? Check out "Editors on Editing" here.The Art of the Frame podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and, please leave a review so more people can find our show!  

Today we're putting The Tonearm's needle on violinist and composer Bryan Senti.Bryan Senti won a BAFTA for scoring the BBC series Mood. He's composed for films since 2015 and worked with artists like Regina Spektor and Mark Ronson. But his new album La Marea tells a different story—his father's story.La Marea takes Cuban migration and turns it into sound. His previous album, Manu, honored his Colombian mother through short violin pieces. This time, Bryan recorded with the Czech National Symphony Orchestra. The result mixes classical precision with Latin American folk traditions and ambient textures. He recorded it specifically for Dolby Atmos. 800 tracks of strings, all acoustic, creating what he calls the feeling of being adrift at sea.In this conversation, I talk with Bryan about rediscovering the violin as an adult, how techno influenced a string orchestra album, and what it means to honor family stories through music.(The musical excerpts heard in the interview are from Bryan Senti's album La Marea)–Dig DeeperVisit Bryan Senti at bryansenti.comFollow Bryan Senti on Instagram, Facebook, Bluesky, and YouTubePurchase Bryan Senti's La Marea from Bandcamp or Qobuz and listen on your streaming platform of choiceBryan Senti's previous album ManuDustin O'Halloran - composer and collaboratorFrancesco Donadello - mixer, Synecdoche Music ResearchJustin Moshkevich - co-producer, Igloo MusicSpencer Zahn - bassist, 'Quiet in a World Full of Noise'Noah Hoffeld - cellistRrose - techno artistCzech National Symphony OrchestraAndrea Franco - video directorDig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today we're putting The Tonearm's needle on violinist and composer Bryan Senti.Bryan Senti won a BAFTA for scoring the BBC series Mood. He's composed for films since 2015 and worked with artists like Regina Spektor and Mark Ronson. But his new album La Marea tells a different story—his father's story.La Marea takes Cuban migration and turns it into sound. His previous album, Manu, honored his Colombian mother through short violin pieces. This time, Bryan recorded with the Czech National Symphony Orchestra. The result mixes classical precision with Latin American folk traditions and ambient textures. He recorded it specifically for Dolby Atmos. 800 tracks of strings, all acoustic, creating what he calls the feeling of being adrift at sea.In this conversation, I talk with Bryan about rediscovering the violin as an adult, how techno influenced a string orchestra album, and what it means to honor family stories through music.(The musical excerpts heard in the interview are from Bryan Senti's album La Marea)–Dig DeeperVisit Bryan Senti at bryansenti.comFollow Bryan Senti on Instagram, Facebook, Bluesky, and YouTubePurchase Bryan Senti's La Marea from Bandcamp or Qobuz and listen on your streaming platform of choiceBryan Senti's previous album ManuDustin O'Halloran - composer and collaboratorFrancesco Donadello - mixer, Synecdoche Music ResearchJustin Moshkevich - co-producer, Igloo MusicSpencer Zahn - bassist, 'Quiet in a World Full of Noise'Noah Hoffeld - cellistRrose - techno artistCzech National Symphony OrchestraAndrea Franco - video directorDig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

This week's Christmas book guest is Introducing Mrs Collins by Rachel Parris.Sara and Cariad are joined for a special festive episode by the award winning, BAFTA nominated comedian, writer, improvisor, actor and star of Mock the Week and The Mash Report - Rachel Parris herself.In this episode they discuss the Napoleonic Wars, marriage, Janeites, Hunsford and sex with Mr Collins.Thank you for reading with us. We like reading with you!Introducing Mrs Collins by Rachel Parris is available here.Follow Sara & Cariad's Weirdos Book Club on Instagram @saraandcariadsweirdosbookclub and Twitter @weirdosbookclubTickets for Sara's tour show I Am A Strange Gloop are available to buy from sarapascoe.co.ukCariad's children's book Lydia Marmalade and the Christmas Wish is out in paperback here now. Recorded and edited by Naomi Parnell for Plosive.Artwork by Welcome Studio. Hosted on Acast. See acast.com/privacy for more information.

#SoCalledLiving #MarkMaia #DarkComedyComic #VampireComics #IndieComics #ComicKickstarter #SupernaturalComedy #WerewolvesAndZombies #JackTheVampire #MaiaComics #BoardGameCoffee #StorycomicPresents #WebtoonComics #GlobalComix #ComicBookCommunity In this episode of Storycomic Presents, I'm joined by Mark Maia, BAFTA-winning game designer and creator of the dark comedy comic series So-Called Living. We dig into his freshly funded Kickstarter for So-Called Living: Books 5–8, the final chapters of his 8-issue saga where vampires, werewolves, zombies, and “us normies” all try to muddle through life in the same messed-up world.  The series follows Jack, an average guy whose life is turned inside out when he's unwillingly turned into a vampire. Suddenly he's juggling mob-run werewolves, murderous bunnies, and the kind of bad decisions that feel way too relatable. So-Called Living blends sitcom timing, horror vibes, and heartfelt character moments into a comedic universe that still hits with real emotional stakes. Mark and I talk about wrapping a long-form indie series, building a fanbase across multiple campaigns, collaborating with artist Marco Leone and other guest cover artists, and how his storytelling brain moves between game design and comics. If you like monster worlds with big laughs and bigger heart, this is an interview you'll want to catch—and then go back the books while you still can.  The Title sequence was designed and created by Morgan Quaid. See more of Morgan's Work at: https://morganquaid.com/   Storycomic Logo designed by Gregory Giordano See more of Greg's work at: https://www.instagram.com/gregory_c_giordano_art/   Want to start your own podcast?  Click on the link to get started: https://www.podbean.com/storycomic   Follow us: Are you curious to see the video version of this interview?  It's on our website too! www.storycomic.com www.patreon.com/storycomic www.facebook.com/storycomic1 https://www.instagram.com/storycomic/ https://twitter.com/storycomic1 For information on being a guest or curious to learn more about Storycomic? Contact us at info@storycomic.com   Thank you to our Founders Club Patrons, Michael Winn, Higgins802, Von Allan, Stephanie Nina Pitsirilos, Marek Bennett, Donna Carr Roberts, Andrew Gronosky, Simki Kuznick, and Matt & Therese. Check out their fantastic work at: https://marekbennett.com/ https://www.hexapus-ink.com/ https://www.stephanieninapitsirilos.com/ https://www.vonallan.com/ https://higgins802.com/ https://shewstone.com/ https://www.simkikuznick.com/ Also to Michael Winn who is a member of our Founders Club!

This episode contains very strong language and isn't suitable for small ears. Sophie Willan is a double BAFTA award-winning writer, comedian and actor, perhaps best known for her BBC comedy drama, Alma's Not Normal. But it wasn't always red carpets and award ceremonies. Willan experienced an unsettled childhood with spells in foster care, which she talks openly about in this episode. We also talk about a failed Edinburgh show that coincided with an ‘intense' relationship and what these experiences taught her. Moving, funny and honest, this episode was recorded in front of a lovely live audience at The Lowry in Salford, Manchester. ✨ IN THIS EPISODE: 00:00 Introduction 02:00 Alma's Not Normal: Success and Challenges 03:00 The Emotional Toll of Comedy 03:55 Awards and Recognition 05:03 Personal Struggles and Triumphs 08:43 Reflections on Care Experience 14:39 Family Stories and Humor 23:46 The Fine Line Between Madness and Comedy 24:49 A Disastrous Improv Show 26:55 The Novice Detective: A Misplaced Comedy 27:55 Facing Criticism and Misogyny in Comedy 31:32 Stories of Care: Empowering Voices 32:27 The Edinburgh Experience: Highs and Lows 38:06 Writing Process: Chaos and Creativity

Comedian, actor and improviser Rachel Parris discusses why people can be so wrong about Jane Austen, the knotty complexities of female friendship and her love for crime fiction.  Rachel is officially a member of the British comedy elite – she has appeared on Live at the Apollo, Have I Got News For You, and Mock the Week, and was BAFTA-nominated for her satirical sketches on BBC's The Mash Report, which have garnered over 100 million views online. She's a regular on BBC Radio 4 where she can be heard on Just A Minute, I'm Sorry I Haven't A Clue and, formerly, The Now Show. Rachel hosts the comedy podcast How Was It For You?, with her husband, Marcus Brigstocke; and another podcast for the Children's Book Project called The Power of a Book, where guests share the children's stories that mean the most to them. On the stage, she is a co-founder of Austentatious – a Jane Austen themed improv comedy show in the West End.  Her debut novel, Introducing Mrs Collins, is a tale of love, loss, and second chances, for anyone who's wondered if there's more to the sensible character we met in Pride and Prejudice. Rachel's book choices are:  **Demon Copperhead by Barbara Kingsolver **Pride and Prejudice by Jane Austen **The Names by Florence Knapp **My Brilliant Friend by Elena Ferrante **The Lost by Claire McGowan Vick Hope, multi-award winning TV and BBC Radio 1 presenter, author and journalist, is the host of season eight of the Women's Prize's Bookshelfie Podcast. Every week, Vick will be joined by another inspirational woman to discuss the work of incredible female authors. The Women's Prize for Fiction is the biggest celebration of women's creativity in the world and has been running for over 30 years.  Don't want to miss the rest of season eight? Listen and subscribe now! You can buy all books mentioned from our dedicated shelf on Bookshop.org – every purchase supports the work of the Women's Prize Trust and independent bookshops.  This podcast is sponsored by Baileys and produced by Bird Lime Media.

After scoring a BAFTA nomination and winning Best Actress at the Cannes Film Festival for The Worst Person in the World, Renate Reinsve is rightfully zeroing in on her first Academy Award nomination for Joachim Trier's Sentimental Value.Reinsve leads the film, which is one of the year's best, as stage actress Nora, the estranged daughter of acclaimed filmmaker Gustav Borg played by Stellan Skarsgård. When Gustav attempts to reconnect with Nora by offering her the lead role in his new film, she adamantly refuses, so Gustav turns to a Hollywood star instead, Elle Fanning as Rachel Kemp. Now Nora and her sister Agnes (Inga Ibsdotter Lilleaas) must navigate their complex family dynamic while their father focuses on what could be his comeback film after a 15-year hiatus.Yes, Reinsve delivers yet another staggeringly impressive performance that's bound to pave the way to a significant awards season run, but as Reinsve explained while at the Collider Ladies Night studio, she didn't always feel so widely embraced. In fact, much of her earlier years involved getting kicked out of places. Hosted on Acast. See acast.com/privacy for more information.

Chris McCausland is perhaps now best known as the first blind contestant on Strictly Come Dancing and the show's 2024 champion.His famous waltz with dancer Diane Buswell even won a Bafta as the most memorable moment in TV.He first started losing sight as a young boy due to a genetic condition, and was fully blind in his early twenties. But he has never let disability define him.In his latest autobiography, Keep Laughing, Chris details the journey of a boy from Liverpool who goes on to win the hearts of the nation.On this episode of Ways to Change the World, he talks to Krishnan Guru-Murthy about why it was important for him to take part in Strictly Come Dancing, the frustrations and identity challenges he faced as he grappled with losing sight, and how he continues to challenge perceptions.

What happens when curiosity, resilience, and storytelling collide over a lifetime of building something meaningful? In this episode, I welcome Nick Francis, founder and CEO of Casual Films, for a thoughtful conversation about leadership, presence, and what it takes to keep going when the work gets heavy. Nick's journey began with a stint at BBC News and a bold 9,000-mile rally from London to Mongolia in a Mini Cooper, a spirit of adventure that still fuels how he approaches business and life today. We talk about how that early experience shaped Casual into a global branded storytelling company with studios across five continents, and what it really means to lead a creative organization at scale. Nick shares insights from growing the company internationally, expanding into Southeast Asia, and staying grounded while producing hundreds of projects each year. Along the way, we explore why emotionally resonant storytelling matters, how trust and preparation beat panic, and why presence with family, health, and purpose keeps leaders steady in uncertain times. This conversation is about building an Unstoppable life by focusing on what matters most, using creativity to connect people, and choosing clarity and resilience in a world full of noise. Highlights: 00:01:30 – Learn how early challenges shape resilience and long-term drive. 00:06:20 – Discover why focusing on your role creates calm under pressure. 00:10:50 – Learn how to protect attention in a nonstop world. 00:18:25 – Understand what global growth teaches about leadership. 00:26:00 – Learn why leading with trust changes relationships. 00:45:55 – Discover how movement and presence restore clarity. About the Guest: Nick Francis is the founder and CEO of Casual, a global production group that blends human storytelling, business know-how, and creativity turbo-charged by AI. Named the UK's number one brand video production company for five years, Casual delivers nearly 1,000 projects annually for world-class brands like Adobe, Amazon, BMW, Hilton, HSBC, and P&G. The adventurous spirit behind its first production – a 9,000-mile journey from London to Mongolia in an old Mini – continues to drive Casual's growth across offices in London, New York, LA, San Francisco, Amsterdam, Barcelona, Sydney, Singapore, Hong Kong and Greater China. Nick previously worked for BBC News and is widely recognised for his expertise in video storytelling, brand building, and corporate communications. He is the founding director of the Casual Films Academy, a charity helping young filmmakers develop skills by producing films for charitable organisations. He is also the author of ‘The New Fire: Harness the Power of Video for Your Business' and a passionate advocate for emotionally resonant, behaviorally grounded storytelling. Nick lives in San Francisco, California, with his family. Ways to connect with Nick**:** Website: https://www.casualfilms.com/ YouTube: https://www.youtube.com/@casual_global  Instagram: https://www.instagram.com/casualglobal/  Facebook: https://www.facebook.com/CasualFilms/  Nick's LinkedIn: https://www.linkedin.com/in/nickfrancisfilm/  Casual's LinkedIn: https://www.linkedin.com/company/casual-films-international/  Beyond Casual - LinkedIn Newsletter: https://www.linkedin.com/build-relation/newsletter-follow?entityUrn=6924458968031395840 About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:21 Well, hello everyone. I am your host, Mike hingson, that's kind of funny. We'll talk about that in a second, but this is unstoppable mindset. And our guest today is Nick Francis, and what we're going to talk about is the fact that people used to always ask me, well, they would call me Mr. Kingston, and it took me, as I just told Nick a master's degree in physics in 10 years to realize that if I said Mike hingson, that's why they said Mr. Kingston. So was either say Mike hingson or Michael hingson. Well, Michael hingson is a lot easier to say than Mike hingson, but I don't really care Mike or Michael, as long as it's not late for dinner. Whatever works. Yeah. Well, Nick, welcome to unstoppable mindset. We're glad you're Nick Francis  02:04 here. Thanks, Mike. It's great to be here. Michael Hingson  02:08 So Nick is a marketing kind of guy. He's got a company called casual that we'll hear about. Originally from England, I believe, and now lives in San Francisco. We were talking about the weather in San Francisco, as opposed to down here in Victorville. A little bit earlier. We're going to have a heat wave today and and he doesn't have that up there, but you know, well, things, things change over time. But anyway, we're glad you're here. And thanks, Mike. Really looking forward to it. Tell us about the early Nick growing up and all that sort of stuff, just to get us started. Nick Francis  02:43 That's a good question. I grew up in London, in in Richmond, which is southwest London. It's a at the time, it wasn't anything like as kind of, it's become quite kind of shishi, I think back in the day, because it's on the west of London. The pollution from the city used to flow east and so, like all the kind of well to do people, in fact, there used to be a, there used to be a palace in Richmond. It's where Queen Elizabeth died, the first Queen Elizabeth, that is. And, yeah, you know, I grew up it was, you know, there's a lot of rugby played around there. I played rugby for my local rugby club from a very young age, and we went sailing on the south coast. It was, it was great, really. And then, you know, unfortunately, when I was 10 years old, my my dad died. He had had a very powerful job at the BBC, and then he ran the British Council, which is the overseas wing of the Arts Council, so promoting, I guess, British soft power around the world, going and opening art galleries and going to ballet in Moscow and all sorts. So he had an incredible life and worked incredibly hard. And you know, that has brought me all sorts of privileges, I think, when I was a kid. But, you know, unfortunately, age 10 that all ended. And you know, losing a parent at that age is such a sort of fundamental, kind of shaking of your foundations. You know, you when you're a kid, you feel like a, you're going to live forever, and B, the things that are happening around you are going to last forever. And so, you know, you know, my mom was amazing, of course, and, you know, and in time, I got a new stepdad, and all the rest of it. But you know, that kind of shaped a lot of my a lot of my youth, really. And, yeah, I mean, Grief is a funny thing, and it's funny the way it manifests itself as you grow. But yeah. So I grew up there. I went to school in the Midlands, near where my stepdad lived, and then University of Newcastle, which is up in the north of England, where it rains a lot. It's where it's where Newcastle Football Club is based. And you know is that is absolutely at the center of the city. So. So the city really comes alive there. And it was during that time that I discovered photography, and I wanted to be a war photographer, because I believe that was where life was lived at the kind of the real cutting edge. You know, you see the you see humanity in its in its most visceral and vivid color in terrible situations. And I kind of that seemed like an interesting thing to go to go and do. Michael Hingson  05:27 Well, what? So what did you major in in college in Newcastle? So I did Nick Francis  05:31 history and politics, and then I went did a course in television journalism, and ended up working at BBC News as a initially running on the floor. So I used to deliver the papers that you know, when you see people shuffling or not, they do it anymore, actually, because everything, everything's digital now digital, yeah, but when they were worried about the the auto cues going down, they we always had to make sure that they had the up to date script. And so I would be printing in, obviously, the, you know, because it's a three hour news show, the scripts constantly evolving, and so, you know, I was making sure they had the most up to date version in their hands. And it's, I don't know if you have spent any time around live TV Mike, but it's an incredibly humbling experience, like the power of it. You know, there's sort of two or 3 million people watching these two people who are sitting five feet in front of me, and the, you know, the sort of slightly kind of, there was an element of me that just wanted to jump in front of them and kind of go, ah. And, you know, never, ever work in live TV, ever again. But you know, anyway, I did that and ended up working as a producer, writing and developing, developing packets that would go out on the show, producing interviews and things. And, you know, I absolutely loved it. It was, it was a great time. But then I left to go and set up my company. Michael Hingson  06:56 I am amazed, even today, with with watching people on the news, and I've and I've been in a number of studios during live broadcasts and so on. But I'm amazed at how well, mostly, at least, I've been fortunate. Mostly, the people are able to read because they do have to read everything. It isn't like you're doing a lot of bad living in a studio. Obviously, if you are out with a story, out in the field, if you will, there, there may be more where you don't have a printed script to go by, but I'm amazed at the people in the studio, how much they are able to do by by reading it all completely. Nick Francis  07:37 It's, I mean, the whole experience is kind of, it's awe inspiring, really. And you know, when you first go into a Live, a live broadcast studio, and you see the complexity, and you know, they've got feeds coming in from all over the world, and you know, there's upwards of 100 people all working together to make it happen. And I remember talking to one of the directors at the time, and I was like, How on earth does this work? And he said, You know, it's simple. You everyone has a very specific job, and you know that as long as you do your bit of the job when it comes in front of you, then the show will go out. He said, where it falls over is when people start worrying about whether other people are going to are going to deliver on time or, you know, and so if you start worrying about what other people are doing, rather than just focusing on the thing you have to do, that's where it potentially falls over, Michael Hingson  08:29 which is a great object lesson anyway, to worry about and control and don't worry about the rest Nick Francis  08:36 for sure. Yeah, yeah, for sure. You know, it's almost a lesson for life. I mean, sorry, it is a lesson for life, and Michael Hingson  08:43 it's something that I talk a lot about in dealing with the World Trade Center and so on, and because it was a message I received, but I've been really preaching that for a long time. Don't worry about what you can't control, because all you're going to do is create fear and drive yourself Nick Francis  08:58 crazy, completely, completely. You know. You know what is it? Give me the, give me this. Give me the strength to change the things I can. Give me the give me the ability to let the things that I can't change slide but and the wisdom to know the difference. I'm absolutely mangling that, that saying, but, yeah, it's, it's true, you know. And I think, you know, it's so easy for us to in this kind of modern world where everything's so media, and we're constantly served up things that, you know, shock us, sadness, enrage us, you know, just to be able to step back and say, actually, you know what? These are things I can't really change. I'd have to just let them wash over me. Yeah, and just focus on the things that you really can change. Michael Hingson  09:46 It's okay to be aware of things, but you've got to separate the things you can control from the things that you can and we, unfortunately aren't taught that. Our parents don't teach us that because they were never taught it, and it's something. That, just as you say, slides by, and it's so unfortunate, because it helps to create such a level of fear about so many things in our in our psyche and in our world that we really shouldn't have to do Nick Francis  10:13 completely well. I think, you know, obviously, but you know, we've, we've spent hundreds, if not millions of years evolving to become humans, and then, you know, actually being aware of things beyond our own village has only been an evolution of the last, you know what, five, 600 years, yeah. And so we are just absolutely, fundamentally not able to cope with a world of such incredible stimulus that we live in now. Michael Hingson  10:43 Yeah, and it's only getting worse with all the social media, with all the different things that are happening and of course, and we're only working to develop more and more things to inundate us with more and more kinds of inputs. It's really unfortunate we just don't learn to separate ourselves very easily from all of that. Nick Francis  11:04 Yeah, well, you know, it's so interesting when you look at the development of VR headsets, and, you know, are we going to have, like, lenses in our eyes that kind of enable us to see computer screens while we're just walking down the road, you know? And you look at that and you think, well, actually, just a cell phone. I mean, cell phones are going to be gone fairly soon. I would imagine, you know, as a format, it's not something that's going to abide but the idea that we're going to create technology that's going to be more, that's going to take us away from being in the moment more rather than less, is kind of terrifying. Because, I would say already, even with, you know, the most basic technology that we have now, which is, you know, mind bending, compared to where we were even 20 years ago, you know, to think that we're only going to become more immersive is, you know, we really, really as a species, have to work out how we are going to be far better at stepping away from this stuff. And I, you know, I do, I wonder, with AI and technology whether there is, you know, there's a real backlash coming of people who do want to just unplug, yeah, Michael Hingson  12:13 well, it'll be interesting to see, and I hope that people will learn to do it. I know when I started hearing about AI, and one of the first things I heard was how kids would use it to write their papers, and it was a horrible thing, and they were trying to figure out ways so that teachers could tell us something was written by AI, as opposed to a student. And I almost immediately developed this opinion, no, let AI write the papers for students, but when the students turn in their paper, then take a day to in your class where you have every student come up and defend their paper, see who really knows it, you know. And what a great teaching opportunity and teaching moment to to get students also to learn to do public speaking and other things a little bit more than they do, but we haven't. That hasn't caught on, but I continue to preach it. Nick Francis  13:08 I think that's really smart, you know, as like aI exists, and I think to to pretend somehow that, you know, we can work without it is, you know, it's, it's, it's, yeah, I mean, it's like, well, saying, you know, we're just going to go back to Word processors or typewriters, which, you know, in which it weirdly, in their own time, people looked at and said, this is, you know, these, these are going to completely rot our minds. In fact, yeah, I think Plato said that was very against writing, because he believed it would mean no one could remember anything after that, you know. So it's, you know, it's just, it's an endless, endless evolution. But I think, you know, we have to work out how we incorporate into it, into our education system, for sure. Michael Hingson  13:57 Well, I remember being in in college and studying physics and so on. And one of the things that we were constantly told is, on tests, you can't bring calculators in, can't use calculators in class. Well, why not? Well, because you could cheat with that. Well, the reality is that the smart physicists realized that it's all about really learning the concepts more than the numbers. And yeah, that's great to to know how to do the math. But the the real issue is, do you know the physics, not just the math completely? Nick Francis  14:34 Yeah. And then how you know? How are the challenges that are being set such that you know, they really test your ability to use the calculator effectively, right? So how you know? How are you lifting the bar? And in a way, I think that's kind of what we have to do, what we have to do now, Michael Hingson  14:50 agreed, agreed. So you were in the news business and so on, and then, as you said, you left to start your own company. Why did you decide to do that? Nick Francis  14:59 Well, a friend of. Ryan and I from University had always talked about doing this rally from London to Mongolia. So, and you do it in an old car that you sort of look at, and you go, well, that's a bit rubbish. It has to have under a one liter engine. So it's tiny, it's cheap. The idea is it breaks down you have an adventure. And it was something we kind of talked about in passing and decided that would be a good thing to do. And then over time, you know, we started sending off. We you know, we applied, and then we started sending off for visas and things. And then before we knew it, we were like, gosh, so it looks like we're actually going to do this thing. But by then, you know, my job at the BBC was really taking off. And so I said, you know, let's do this, but let's make a documentary of it. So long story short, we ended up making a series of diary films for Expedia, which we uploaded onto their website. It was, you know, we were kind of pitching this around about 2005 we kind of did it in 2006 so it was kind of, you know, nobody had really heard of YouTube. The idea of making videos to go online was kind of unheard of because, you know, broadband was just kind of getting sorry. It wasn't unheard of, but it was, it was very, it was a very nascent industry. And so, yeah, we went and drove 9000 miles over five weeks. We spent a week sitting in various different repair yards and kind of break his yards in everywhere from Turkey to Siberia. And when we came back, it became clear that the internet was opening up as this incredible medium for video, and video is such a powerful way to share emotion with a dispersed audience. You know, not that I would have necessarily talked about it in that in those terms back then, but it really seemed like, you know, every every web page, every piece of corporate content, could have a video aspect to it. And so we came back and had a few fits and starts and did some, I mean, we, you know, we made a series of hotel videos where we were paid 50 quid a day to go and film hotels. And it was hot and it was hard work. And anyway, it was rough. But over time, you know, we started to win some more lucrative work. And, you know, really, the company grew from there. We won some awards, which helped us to kind of make a bit of a name for ourselves. And this was, there's been a real explosion in technology, kind of shortly after when we did this. So digital SLRs, so, you know, old kind of SLR cameras, you know, turned into digital cameras, which could then start to shoot video. And so it, there was a real explosion in high quality video produced by very small teams of people using the latest technology creatively. And that just felt like a good kind of kick off point for our business. But we just kind of because we got in in kind of 2006 we just sort of beat a wave that kind of started with digital SLRs, and then was kind of absolutely exploded when video cell phones came on the market, video smartphones. And yeah, you know, because we had these awards and we had some kind of fairly blue chip clients from a relatively early, early stage, we were able to grow the company. We then expanded to the US in kind of 2011 20 between 2011 2014 and then we were working with a lot of the big tech companies in California, so it felt like we should maybe kind of really invest in that. And so I moved out here with some of our team in 2018 at the beginning of 2018 and I've been here ever since, wow. Michael Hingson  18:44 So what is it? What was it like starting a business here, or bringing the business here, as opposed to what it was in England? Nick Francis  18:53 It's really interesting, because the creatively the UK is so strong, you know, like so many, you know, from the Beatles to Led Zeppelin to the Rolling Stones to, you know, and then on through, like all the kind of, you know, film and TV, you know, Brits are very good at kind of Creating, like, high level creative, but not necessarily always the best at kind of monetizing it, you know. I mean, some of those obviously have been fantastic successes, right? And so I think in the UK, we we take a lot longer over getting, getting to, like, the perfect creative output, whereas the US is far more focused on, you know, okay, we need this to to perform a task, and frankly, if we get it 80% done, then we're good, right? And so I think a lot of creative businesses in the UK look at the US and they go, gosh. Firstly, the streets are paved with gold. Like the commercial opportunity seems incredible, but actually creating. Tracking it is incredibly difficult, and I think it's because we sort of see the outputs in the wrong way. I think they're just the energy and the dynamism of the US economy is just, it's kind of awe inspiring. But you know, so many businesses try to expand here and kind of fall over themselves. And I think the number one thing is just, you have to have a founder who's willing to move to the US. Because I think Churchill said that we're two two countries divided by the same language. And I never fully understood what that meant until I moved here. I think what it what he really means by that is that we're so culturally different in the US versus the UK. And I think lots of Brits look at America and think, Well, you know, it's just the same. It's just a bit kind of bigger and a bit Brasher, you know, and it and actually, I think if people in the US spoke a completely different language, we would approach it as a different culture, which would then help us to understand it better. Yeah. So, yeah. I mean, it's been, it's been the most fabulous adventure to move here and to, you know, it's, it's hard sometimes, and California is a long way from home, but the energy and the optimism and the entrepreneurialism of it, coupled with just the natural beauty is just staggering. So we've made some of our closest friends in California, it's been absolutely fantastic. And across the US, it's been a fantastic adventure for us and our family. Michael Hingson  21:30 Yeah, I've had the opportunity to travel all over the US, and I hear negative comments about one place or another, like West Virginia, people eat nothing but fried food and all that. But the reality is, if you really take an overall look at it, the country has so much to offer, and I have yet to find a place that I didn't enjoy going to, and people I never enjoyed meeting, I really enjoy all of that, and it's great to meet people, and it's great to experience so much of this country. And I've taken that same posture to other places. I finally got to visit England last October, for the first time. You mentioned rugby earlier, the first time I was exposed to rugby was when I traveled to New Zealand in 2003 and found it pretty fascinating. And then also, I was listening to some rugby, rugby, rugby broadcast, and I tuned across the radio and suddenly found a cricket game that was a little bit slow for me. Yeah, cricket to be it's slow. Nick Francis  22:41 Yeah, fair enough. It's funny. Actually, we know what you're saying about travel. Like one of the amazing things about our Well, I kind of learned two sort of quite fundamentally philosophical things, I think, you know, or things about the about humans and the human condition. Firstly, like, you know, traveling across, you know, we left from London. We, like, drove down. We went through Belgium and France and Poland and Slovenia, Slovakia, Slovenia, like, all the way down Bulgaria, across Turkey into Georgia and Azerbaijan and across the Caspian Sea, and through Turkmenistan, Uzbekistan, Kyrgyzstan, Kazakhstan, into Russia, and then down into Mongolia. When we finished, we were due north of Jakarta, right? So we drove, we drove a third of the way around the world. And the two things that taught me were, firstly that human people are good. You know, everywhere we went, people would invite us in to have meals, or they'd like fix our car for not unit for free. I mean, people were so kind everywhere we went. Yeah. And the other thing was, just, when we get on a plane and you fly from here to or you fly from London, say to we, frankly, you fly from London to Turkey, it feels unbelievably different. You know, you fly from London to China, and it's, you know, complete different culture. But what our journey towards us, because we drove, was that, you know, while we might not like to admit it, we're actually quite, you know, Brits are quite similar to the French, and the French actually are quite similar to the Belgians, and Belgians quite similar to the Germans. And, you know, and all the way through, actually, like we just saw a sort of slowly changing gradient of all the different cultures. And it really, you know, we are just one people, you know. So as much as we might feel that, you know, we're all we're all different, actually, when you see it, when you when you do a drive like that, you really, you really get to see how slowly the cultures shift and change. Another thing that's quite funny, actually, was just like, everywhere we went, we would be like, you know, we're driving to Turkey. They'd be like, Oh, God, you just drove through Bulgaria, you know, how is like, everything on your car not been stolen, you know, they're so dodgy that you Bulgarians are so dodgy. And then, you know, we'd get drive through the country, and they'd be like, you know, oh, you're going into Georgia, you know, gosh, what you go. Make, make sure everything's tied down on your car. They're so dodgy. And then you get into Georgia, and they're like, Oh my God, you've just very driven through Turkey this, like, everyone sort of had these, like, weird, yeah, kind of perceptions of their neighbors. And it was all nonsense, yeah, you know. Michael Hingson  25:15 And the reality is that, as you pointed out, people are good, you know, I think, I think politicians are the ones who so often mess it up for everyone, just because they've got agendas. And unfortunately, they teach everyone else to be suspicious of of each other, because, oh, this person clearly has a hidden agenda when it normally isn't necessarily true at all. Nick Francis  25:42 No, no, no, certainly not in my experience, anyway, not in my experience. But, you know, well, oh, go ahead. No, no. It's just, you know, it's, it is. It's, it is weird the way that happens, you know, well, they say, you know, if, if politicians fought wars rather than, rather than our young men and women, then there'd be a lot less of them. Yeah, so Well, Michael Hingson  26:06 there would be, well as I tell people, you know, I I've learned a lot from working with eight guy dogs and my wife's service dog, who we had for, oh, gosh, 14 years almost, and one of the things that I tell people is I absolutely do believe what people say, that dogs love unconditionally, unless they're just totally traumatized by something, but they don't trust unconditionally. The difference between dogs and people is that dogs are more open to trust because we've taught ourselves and have been taught by others, that everyone has their own hidden agenda. So we don't trust. We're not open to trust, which is so unfortunate because it affects the psyche of so many people in such a negative way. We get too suspicious of people, so it's a lot harder to earn trust. Nick Francis  27:02 Yeah, I mean, I've, I don't know, you know, like I've been, I've been very fortunate in my life, and I kind of always try to be, you know, open and trusting. And frankly, you know, I think if you're open and trusting with people, in my experience, you kind of, it comes back to you, you know, and maybe kind of looking for the best in everyone. You know, there are times where that's not ideal, but you know, I think you know, in the overwhelming majority of cases, you know, actually, you know, you treat people right? And you know what goes what goes around, comes around, absolutely. Michael Hingson  27:35 And I think that's so very true. There are some people who just are going to be different than that, but I think for the most part, if you show that you're open to trust people will want to trust you, as long as you're also willing to trust Nick Francis  27:51 them completely. Yeah, completely. Michael Hingson  27:54 So I think that that's the big thing we have to deal with. And I don't know, I hope that we, we will learn it. But I think that politicians are really the most guilty about teaching us. Why not to trust but that too, hopefully, will be something we deal with. Nick Francis  28:12 I think, you know, I think we have to, you know, it's, it's one of the tragedies of our age, I think, is that the, you know, we spent the 20th century, thinking that sex was the kind of ultimate sales tool. And then it took algorithms to for us to realize that actually anger and resentment are the most powerful sales tools, which is, you know, it's a it's something which, in time, we will work out, right? And I think the problem is that, at the minute, these tech businesses are in such insane ascendancy, and they're so wealthy that it's very hard to regulate them. And I think in time, what will happen is, you know, they'll start to lose some of that luster and some of that insane scale and that power, and then, you know, then regulation will come in. But you know whether or not, we'll see maybe, hopefully our civilization will still be around to see that. Michael Hingson  29:04 No, there is that, or maybe the Vulcans will show up and show us a better way. But you know, Nick Francis  29:11 oh, you know, I'm, I'm kind of endlessly optimistic. I think, you know, we are. We're building towards a very positive future. I think so. Yeah, it's just, you know, get always bumps along the way, yeah. Michael Hingson  29:24 So you named your company casual. Why did you do that? Or how did that come about? Nick Francis  29:30 It's a slightly weird name for something, you know, we work with, kind of, you know, global blue chip businesses. And, you know, casual is kind of the last thing that you would want to associate with, a, with a, with any kind of services business that works in that sphere. I think, you know, we, the completely honest answer is that the journalism course I did was television, current affairs journalism, so it's called TV cadge, and so we, when we made a film for a local charity as part of that course. Course, we were asked to name our company, and we just said, well, cash, cash casual, casual films. So we called it casual films. And then when my friend and I set the company up, kind of formally, to do the Mongol Rally, we, you know, we had this name, you know, the company, the film that we'd made for the charity, had gone down really well. It had been played at BAFTA in London. And so we thought, well, you know, we should just, you know, hang on to that name. And it didn't, you know, at the time, it didn't really seem too much of an issue. It was only funny. It was coming to the US, where I think people are a bit more literal, and they were a bit like, well, casual. Like, why casual, you know. And I remember being on a shoot once. And, you know, obviously, kind of some filmmakers can be a little casual themselves, not necessarily in the work, but in the way they present themselves, right? And I remember sitting down, we were interviewing this CEO, and he said, who, you know, who are you? Oh, we're casual films. He's like, Oh, is that why that guy's got ripped jeans? Is it? And I just thought, Damn, you know, we really left ourselves open to that. There was also, there was a time one of our early competitors was called Agile films. And so, you know, I remember talking to one of our clients who said, you know, it's casual, you know, when I have to put together a little document to say, you know, which, which supplier we should choose, and when I lay it on my boss's desk, and one says casual films, and one says agile films, it's like those guys are landing the first punch. But anyway, we, you know, we, what we say now is like, you know, we take a complex process and make it casual. You know, filmmaking, particularly for like, large, complex organizations where you've got lots of different stakeholders, can be very complicated. And so, yeah, we sort of say, you know, we'll take a lot of that stress off, off our clients. So that's kind of the rationale, you know, that we've arrived with, arrived at having spoken to lots of our clients about the role that we play for them. So, you know, there's a kind of positive spin on it, I guess, but I don't know. I don't know whether I'd necessarily call it casual again. I don't know if I'm supposed to say that or not, but, oh, Michael Hingson  32:00 it's unique, you know? So, yeah, I think there's a lot of merit to it. It's a unique name, and it interests people. I know, for me, one of the things that I do is I have a way of doing this. I put all of my business cards in Braille, so the printed business cards have Braille on them, right? Same thing. It's unique completely. Nick Francis  32:22 And you listen, you know what look your name is an empty box that you fill with your identity. They say, right? And casual is actually, it's something we've grown into. And you know it's we've been going for nearly 20 years. In fact, funny enough for the end of this year is the 20th anniversary of that first film we made for the for the charity. And then next summer will be our 20th anniversary, which is, you know, it's, it's both been incredibly short and incredibly long, you know, I think, like any kind of experience in life, and it's been some of the hardest kind of times of my entire life, and some of the best as well. So, you know, it's, it is what it is, but you know, casual is who we are, right? I would never check, you know? I'd never change it. Michael Hingson  33:09 Now, no, of course not, yeah. So is the actual name casual films, or just casual? Nick Francis  33:13 So it was casual films, but then everyone calls us casual anyway, and I think, like as an organization, we probably need to be a bit more agnostic about the outcome. Michael Hingson  33:22 Well, the reason I asked, in part was, is there really any filming going on anymore? Nick Francis  33:28 Well, that's a very that's a very good question. But have we actually ever made a celluloid film? And I think the answer is probably no. We used to, back in the day, we used to make, like, super eight films, which were films, I think, you know, video, you know, ultimately, if you're going to be really pedantic about it, it's like, well, video is a digital, digital delivery. And so basically, every film we make is, is a video. But there is a certain cachet to the you know, because our films are loved and crafted, you know, for good or ill, you know, I think to call them, you know, they are films because, because of the, you know, the care that's put into them. But it's not, it's, it's not celluloid. No, that's okay, yeah, well, Michael Hingson  34:16 and I know that, like with vinyl records, there is a lot of work being done to preserve and capture what's on cellular film. And so there's a lot of work that I'm sure that's being done to digitize a lot of the old films. And when you do that, then you can also go back and remaster and hopefully in a positive way, and I'm not sure if that always happens, but in a positive way, enhance them Nick Francis  34:44 completely, completely and, you know, it's, you know, it's interesting talking about, like, you know, people wanting to step back. You know, obviously vinyl is having an absolute as having a moment right now. In fact, I just, I just bought a new stylist for my for my record. Play yesterday. It sounded incredible as a joy. This gave me the sound quality of this new style. It's fantastic. You know, beyond that, you know, running a company, you know, we're in nine offices all over the world. We produce nearly 1000 projects a year. So, you know, it's a company. It's an incredibly complicated company. It's a very fun and exciting company. I love the fact that we make these beautifully creative films. But, you know, it's a bit, I wouldn't say it's like, I don't know, you don't get many MBAs coming out of business school saying, hey, I want to set up a video production company. But, you know, it's been, it's been wonderful, but it's also been stressful. And so, you know, I've, I've always been interested in pottery and ceramics and making stuff with my hands. When I was a kid, I used to make jewelry, and I used to go and sell it in nightclubs, which is kind of weird, but, you know, it paid for my beers. And then whatever works, I say kid. I was 18. I was, I was of age, but of age in the UK anyway. But now, you know, over the last few 18 months or so, I've started make, doing my own ceramics. So, you know, I make vases and and pictures and kind of all sorts of stuff out of clay. And it's just, it's just to be to unplug and just to go and, you know, make things with mud with your hands. It's just the most unbelievably kind of grounding experience. Michael Hingson  36:26 Yeah, I hear you, yeah. One of the things that I like to do is, and I don't get to do it as much as I would like, but I am involved with organizations like the radio enthusiasts of Puget Sound, which, every year, does recreations of old radio shows. And so we get the scripts we we we have several blind people who are involved in we actually go off and recreate some of the old shows, which is really a lot of fun, Nick Francis  36:54 I bet, yeah, yeah, sort of you know that connection to the past is, is, yeah, it's great radio. Radio is amazing. Michael Hingson  37:03 Anyway, what we have to do is to train some of the people who have not had exposure to old radio. We need to train them as to how to really use their voices to convey like the people who performed in radio, whatever they're doing, because too many people don't really necessarily know how to do that well. And it is, it is something that we're going to work on trying to find ways to get people really trained. And one of the ways, of course, is you got to listen to the old show. So one of the things we're getting more and more people to do when we do recreations is to go back and listen to the original show. Well, they say, Well, but, but that's just the way they did it. That's not necessarily the way it should be done. And the response is, no, that's not really true. The way they did it sounded natural, and the way you are doing it doesn't and there's reality that you need to really learn how to to use your voice to convey well, and the only way to do it is to listen to the experts who did it. Nick Francis  38:06 Yeah, well, it's, you know, it's amazing. The, you know, when the BBC was founded, all the news readers and anyone who appeared on on the radio to to present or perform, had to wear like black tie, like a tuxedo, because it was, you know, they're broadcasting to the nation, so they had to, you know, they had to be dressed appropriately, right, which is kind of amazing. And, you know, it's interesting how you know, when you, when you change your dress, when you change the way you're sitting, it does completely change the way that you project yourself, yeah, Michael Hingson  38:43 it makes sense, yeah, well, and I always enjoyed some of the old BBC radio shows, like the Goon Show, and completely some of those are so much fun. Nick Francis  38:54 Oh, great, yeah, I don't think they were wearing tuxedo. It's tuxedos. They would Michael Hingson  38:59 have been embarrassed. Yeah, right, right. Can you imagine Peter Sellers in a in a tux? It just isn't going to happen. Nick Francis  39:06 No, right, right. But yeah, no, it's so powerful. You know, they say radio is better than TV because the pictures are better. Michael Hingson  39:15 I agree. Yeah, sure, yeah. Well, you know, I I don't think this is quite the way he said it, but Fred Allen, the old radio comedian, once said they call television the new medium, because that's as good as it's ever going Nick Francis  39:28 to get. Yeah, right, right, yeah. Michael Hingson  39:32 I think there's truth to it. Whether that's exactly the way he said it or not, there's truth to that, yeah, but there's also a lot of good stuff on TV, so it's okay. Nick Francis  39:41 Well, it's so interesting. Because, you know, when you look at the it's never been more easy to create your own content, yeah, and so, you know, and like, in a way, TV, you know, he's not wrong in that, because it suddenly opened up this, this huge medium for people just to just create. Right? And, you know, and I think, like so many people, create without thinking, and, you know, and certainly in our kind of, in the in the world that we're living in now with AI production, making production so much more accessible, actually taking the time as a human being just to really think about, you know, who are the audience, what are the things that are going to what are going to kind of resonate with them? You know? Actually, I think one of the risks with AI, and not just AI, but just like production being so accessible, is that you can kind of shoot first and kind of think about it afterwards, and, you know, and that's never good. That's always going to be medium. It's medium at best, frankly. Yeah, so yeah, to create really great stuff takes time, you know, yeah, to think about it. Yeah, for sure, yeah. Michael Hingson  40:50 Well, you know, our podcast is called unstoppable mindset. What do you think that unstoppable mindset really means to you as a practical thing and not just a buzzword. Because so many people talk about the kinds of buzzwords I hear all the time are amazing. That's unstoppable, but it's really a lot more than a buzzword. It goes back to what you think, I think. But what do you think? Nick Francis  41:15 I think it's something that is is buried deep inside you. You know, I'd say the simple answer is, is just resilience. You know, it's, it's been rough. I write anyone running a small business or a medium sized business at the minute, you know, there's been some tough times over the last, kind of 1824, months or so. And, you know, I was talking to a friend of mine who she sold out of her business. And she's like, you know, how are things? I was like, you know, it's, it's, it's tough, you know, we're getting through it, you know, we're changing a lot of things, you know, we're like, we're definitely making the business better, but it's hard. And she's like, Listen, you know, when three years before I sold my company, I was at rock bottom. It was, I genuinely thought it was so stressful. I was crushed by it, but I just kept going. And she's just like, just keep going. And the only difference between success and failure is that resilience and just getting up every day and you just keep, keep throwing stuff at the wall, keep trying new things, keep working and trying to be better. I think, you know, it's funny when you look at entrepreneurs, I'm a member of a mentoring group, and I hope I'm not talking out of school here, but you know, there's 15 entrepreneurs, you know, varying sizes of business, doing all sorts, you know, across all sorts of different industries. And if you sat on the wall, if you were fly on the wall, and you sit and look at these people on a kind of week, month to month basis, and they all present on how their businesses are going. You go, this is this being an entrepreneur does not look like a uniformly fun thing, you know, the sort of the stress and just, you know, people crying and stuff, and you're like, gosh, you know, it's so it's, it's, it's hard, and yet, you know, it's people just keep coming back to it. And yet, I think it's because of that struggle that you have to kind of have something in built in you, that you're sort of, you're there to prove something. And I, you know, I've thought a lot about this, and I wonder whether, kind of, the death of my father at such a young age kind of gave me this incredible fire to seek His affirmation, you know. And unfortunately, obviously, the tragedy of that is like, you know, the one person who would never give me affirmation is my dad. And yet, you know, I get up every day, you know, to have early morning calls with the UK or with Singapore or wherever. And you know, you just just keep on, keeping on. And I think that's probably what and knowing I will never quit, you know, like, even from the earliest days of casual, when we were just, like a couple of people, and we were just, you know, kids doing our very best, I always knew the company was going to be a success act. Like, just a core belief that I was like, this is going to work. This is going to be a success. I didn't necessarily know what that success would look like. I just but I did know that, like, whatever it took, we would map, we'd map our way towards that figure it out. We'd figure it out. And I think, you know, there's probably something unstoppable. I don't know, I don't want to sound immodest, but I think there's probably something in that that you're just like, I am just gonna keep keep on, keeping on. Michael Hingson  44:22 Do you think that resilience and unstoppability are things that can be taught, or is it just something that's built into you, and either you have it or you don't? Nick Francis  44:31 I think it's something that probably, it's definitely something that can be learned, for sure, you know. And there are obviously ways that it can there's obviously ways it can be taught. You know, I was, I spent some time in the reserve, like the Army Reserve in the UK, and I just, you know, a lot of that is about teaching you just how much further you can go. I think what it taught me was it was so. So hard. I mean, honestly, some of the stuff we did in our training was, like, you know, it's just raining and raining and raining and, like, because all your kits soaking wet is weighs twice what it did before, and you just, you know, sleeping maybe, you know, an hour or two a night, and, you know, and there wasn't even anyone shooting at us, right? So, you know, like the worst bit wasn't even happening. But like, and like, in a sense, I think, you know, that's what they're trying to do, that, you know, they say, you know, train hard and fight easy. But I remember sort of sitting there, and I was just exhausted, and I just genuinely, I was just thought, you know, what if they tell me to go now, I just, I can't. I literally, I can't, I can't do it. Can't do it. And then they're like, right, lads, put your packs on. Let's go and just put your pack on. Off you go, you know, like, this sort of, the idea of not, like, I was never going to quit, just never, never, ever, you know, and like I'd physically, if I physically, like, literally, my physical being couldn't stand up, you know, I then that was be, that would be, you know, if I was kind of, like literally incapacitated. And I think what that taught me actually, was that, you know, you have what you believe you can do, like you have your sort of, you have your sort of physical envelope, but like that is only a third or a quarter of what you can actually achieve, right, you know. And I think what that, what the that kind of training is about, and you know, you can do it in marathon training. You can do it in all sorts of different, you know, even, frankly, meditate. You know, you train your mind to meditate for, you know, an hour, 90 minutes plus. You know, you're still doing the same. You know, there's a, there's an elasticity within your brain where you can teach yourself that your envelope is so much larger. Yeah. So, yeah, you know, like, is casual going to be a success? Like, I'm good, you know, I'm literally, I won't I won't stop until it is Michael Hingson  46:52 right, and then why stop? Exactly, exactly you continue to progress and move forward. Well, you know, when everything feels uncertain, whether it's the markets or whatever, what do you do or what's your process for finding clarity? Nick Francis  47:10 I think a lot of it is in having structured time away. I say structured. You build it into your calendar, but like, but it's unstructured. So, you know, I take a lot of solace in being physically fit. You know, I think if you're, if you feel physically fit, then you feel mentally far more able to deal with things. I certainly when I'm if I'm unfit and if I've been working too much and I haven't been finding the time to exercise. You know, I feel like the problems we have to face just loom so much larger. So, you know, I, I'll book out. I, you know, I work with a fan. I'm lucky enough to have a fantastic assistant who, you know, we book in my my exercise for each week, and it's almost the first thing that goes in the calendar. I do that because I can't be the business my my I can't be the leader my business requires. And it finally happened. It was a few years ago I kind of, like, the whole thing just got really big on me, and it just, you know, and I'm kind of, like, being crushed by it. And I just thought, you know what? Like, I can't, I can't fit other people's face mask, without my face mask being fit, fitted first. Like, in order to be the business my business, I keep saying that to be the lead in my business requires I have to be physically fit. So I have to look after myself first. And so consequently, like, you know, your exercise shouldn't be something just get squeezed in when you find when you have time, because, you know, if you've got family and you know, other things happening, like, you know, just will be squeezed out. So anyway, that goes in. First, I'll go for a bike ride on a Friday afternoon, you know, I'll often listen to a business book and just kind of process things. And it's amazing how often, you know, I'll just go for a run and, like, these things that have been kind of nagging away in the back of my mind, just suddenly I find clarity in them. So I try to exercise, like, five times a week. I mean, that's obviously more than most people can can manage, but you know that that really helps. And then kind of things, like the ceramics is very useful. And then, you know, I'm lucky. I think it's also just so important just to appreciate the things that you already have. You know, I think one of the most important lessons I learned last year was this idea that, you know, here is the only there. You know, everyone's working towards this kind of, like, big, you know, it's like, oh, you know, when I get to there, then everything's going to be okay, you know. And actually, you know, if you think about like, you know, and what did you want to achieve when you left college? Like, what was the salary band that you want? That you wanted to achieve? Right? A lot of people, you know, by the time you hit 4050, you've blown way through that, right? And yet you're still chasing the receding Summit, yeah, you know. And so actually, like, wherever we're trying to head to, we're already there, because once you get there, there's going to be another there that you're trying to. Head to right? So, so, you know, it's just taking a moment to be like, you know, God, I'm so lucky to have what I have. And, you know, I'm living in, we're living in the good old days, like right now, right? Michael Hingson  50:11 And the reality is that we're doing the same things and having the same discussions, to a large degree, that people did 50, 100 200 years ago. As you pointed out earlier, the fact is that we're, we're just having the same discussions about whether this works, or whether that works, or anything else. But it's all the same, Nick Francis  50:33 right, you know. And you kind of think, oh, you know, if I just, just, like, you know, if we just open up these new offices, or if we can just, you know, I think, like, look, if I, if I'd looked at casual when we started it as it is now, I would have just been like, absolute. My mind would have exploded, right? You know, if you look at what we've achieved, and yet, I kind of, you know, it's quite hard sometimes to look at it and just be like, Oh yeah, but we're only just starting. Like, there's so much more to go. I can see so much further work, that we need so many more things, that we need to do, so many more things that we could do. And actually, you know, they say, you know, I'm lucky enough to have two healthy, wonderful little girls. And you know, I think a lot of bread winners Look at, look at love being provision, and the idea that, you know, you have to be there to provide for them. And actually, the the truest form of love is presence, right? And just being there for them, and like, you know, not being distracted and kind of putting putting things aside, you know, not jumping on your emails or your Slack messages or whatever first thing in the morning, you know. And I, you know, I'm not. I'm guilty, like, I'm not, you know, I'm not one of these people who have this kind of crazy kind of morning routine where, like, you know, I'm incredibly disciplined about that because, you know, and I should be more. But like, you know, this stuff, one of the, one of the things about having a 24 hour business with people working all over the world is there's always things that I need to respond to. There's always kind of interesting things happening. And so just like making sure that I catch myself every so often to be like, I'm just going to be here now and I'm going to be with them, and I'm going to listen to what they're saying, and I'm going to respond appropriately, and, you know, I'm going to play a game with them, or whatever. That's true love. You know? Michael Hingson  52:14 Well, there's a lot of merit to the whole concept of unplugging and taking time and living in the moment. One of the things that we talked about in my book live like a guide dog, that we published last year, and it's all about lessons I've learned about leadership and teamwork and preparedness from eight guide dogs and my wife's service dog. One of the things that I learned along the way is the whole concept of living in the moment when I was in the World Trade Center with my fifth guide dog, Roselle. We got home, and I was going to take her outside to go visit the bathroom, but as soon as I took the harness off, she shot off, grabbed her favorite tug bone and started playing tug of war with my retired guide dog. Asked the veterinarians about him the next day, the people at Guide Dogs for the Blind, and they said, Well, did anything threaten her? And I said, No. And they said, there's your answer. The reality is, dogs live in the moment when it was over. It was over. And yeah, right lesson to learn. Nick Francis  53:15 I mean, amazing, absolutely amazing. You must have taken a lot of strength from that. Michael Hingson  53:20 Oh, I think it was, it was great. It, you know, I can look back at my life and look at so many things that have happened, things that I did. I never thought that I would become a public speaker, but I learned in so many ways the art of speaking and being relaxed at speaking in a in a public setting, that when suddenly I was confronted with the opportunity to do it, it just seemed like the natural thing to do. Nick Francis  53:46 Yeah, it's funny, because I think isn't public speaking the number one fear. It is. It's the most fit. It's the most feared thing for the most people. Michael Hingson  53:57 And the reality is going back to something that we talked about before. The reality is, audiences want you to succeed, unless you're a jerk and you project that, audiences want to hear what you have to say. They want you to be successful. There's really nothing to be afraid of but, but you're right. It is the number one fear, and I've never understood that. I mean, I guess I can intellectually understand it, but internally, I don't. The first time I was asked to speak after the World Trade Center attacks, a pastor called me up and he said, we're going to we're going to have a service outside for all the people who we lost in New Jersey and and that we would like you to come and speak. Take a few minutes. And I said, Sure. And then I asked him, How many people many people were going to be at the service? He said, 6000 that was, that was my first speech. Nick Francis  54:49 Yeah, wow. But it didn't bother me, you know, no, I bet Michael Hingson  54:54 you do the best you can, and you try to improve, and so on. But, but it is true that so many people. Are public speaking, and there's no reason to what Nick Francis  55:03 did that whole experience teach you? Michael Hingson  55:06 Well, one of the things that taught me was, don't worry about the things that you can't control. It also taught me that, in reality, any of us can be confronted with unexpected things at any time, and the question is, how well do we prepare to deal with it? So for me, for example, and it took me years after September 11 to recognize this, but one of the things that that happened when the building was hit, and Neither I, nor anyone on my side of the building really knew what happened. People say all the time, well, you didn't know because you couldn't see it. Well, excuse me, it hit 18 floors above us on the other side of the building. And the last time I checked X ray vision was fictitious, so nobody knew. But did the building shake? Oh, it tipped. Because tall buildings like that are flexible. And if you go to any tall building, in reality, they're made to buffet in wind storms and so on, and in fact, they're made to possibly be struck by an airplane, although no one ever expected that somebody would deliberately take a fully loaded jet aircraft and crash it into a tower, because it wasn't the plane hitting the tower as such that destroyed both of them. It was the exploding jet fuel that destroyed so much more infrastructure caused the buildings to collapse. But in reality, for me, I had done a lot of preparation ahead of time, not even thinking that there would be an emergency, but thinking about I need to really know all I can about the building, because I've got to be the leader of my office, and I should know all of that. I should know what to do in an emergency. I should know how to take people to lunch and where to go and all that. And by learning all of that, as I learned many and discovered many years later, it created a mindset that kicked in when the World Trade Center was struck, and in fact, we didn't know until after both towers had collapsed, and I called my wife. We I talked with her just before we evacuated, and the media hadn't even gotten the story yet, but I never got a chance to talk with her until after both buildings had collapsed, and then I was able to get through and she's the first one that told us how the two buildings had been hit by hijacked aircraft. But the mindset had kicked in that said, You know what to do, do it and that. And again, I didn't really think about that until much later, but that's something that is a lesson we all could learn. We shouldn't rely on just watching signs to know what to do, no to go in an emergency. We should really know it, because the knowledge, rather than just having information, the true intellectual knowledge that we internalize, makes such a big difference. Nick Francis  57:46 Do you think it was the fact that you were blind that made you so much more keen to know the way out that kind of that really helped you to understand that at the time? Michael Hingson  57:56 Well, what I think is being blind and growing up in an environment where so many things could be unexpected, for me, it was important to know so, for example, when I would go somewhere to meet a customer, I would spend time, ahead of time, learning how to get around, learning how to get to where they were and and learning what what the process was, because we didn't have Google Maps and we didn't have all the intellectual and and technological things that we have today. Well intellectual we did with the technology we didn't have. So today it's easier, but still, I want to know what to do. I want to really have the answers, and then I can can more easily and more effectively deal with what I need to deal with and react. So I'm sure that blindness played a part in all of that, because if I hadn't learned how to do the things that I did and know the things that I knew, then it would have been a totally different ball game, and so sure, I'm sure, I'm certain that blindness had something to do with it, but I also know that, that the fact is, what I learned is the same kinds of things that everyone should learn, and we shouldn't rely on just the signs, because what if the building were full of smoke, then what would you do? Right? And I've had examples of that since I was at a safety council meeting once where there was somebody from an electric company in Missouri who said, you know, we've wondered for years, what do we do if there's a fire in the generator room, in the basement, In the generator room, how do people get out? And he and I actually worked on it, and they developed a way where people could have a path that they could follow with their feet to get them out. But the but the reality is that what people first need to learn is eyesight is not the only game in town. Yeah, right. Mean, it's so important to really learn that, but people, people don't, and we take too many things for granted, which is, which is really so unfortunate, because we really should do a li

Society underestimates people with Down's. In this special series devoted to widening our circle of empathy for people who often feel marginalized or misunderstood, watch this heart-warming episode featuring George Webster, the first person with Down Syndrome to become a BBC presenter.As a BAFTA-winning TV host of CBeebies, George has been an inclusion trailblazer who has inspired millions. He shares how he overcame communication challenges, why he's written three books, and helps us transcend dated stereotypes about Trisomy 21.00:00 Preview01:16 Introduction 02:26 About George Webster04:41 Misconceptions about Down Syndrome07:00 George's communication journey, from Makaton to spoken language09:08 What is special about George's man cave?11:27 Making history as the first CBeebies presenter with Down's15:45 George's books inspire kids to dream big19:31 George and the Mini Dragon23:05 What role does empathy play in George's life?25:17 George's message to people with Down Syndrome32:37 What would George say if the world listened for one minute?37:02 George Webster's Purposeful Empathy storyCONNECT WITH ANITA✩ Email purposefulempathy@gmail.com ✩ Website https://www.anitanowak.com✩ Buy a copy of Purposeful Empathy http://tiny.cc/PurposefulEmpathyCA✩ LinkedIn https://www.linkedin.com/in/anitanowak/✩ Instagram https://tinyurl.com/anitanowakinstagram✩ Podcast Audio https://tinyurl.com/PurposefulEmpathyPodcast✩ Bluesky https://bsky.app/profile/anitanowak.bsky.socialCONNECT WITH GEORGE✩ Instagram https://www.instagram.com/george_webster_actor/?hl=en SHOW NOTES✩ This is Me https://www.booktrust.org.uk/book-recommendations/bookfinder/this-is-me ✩ Why Not? https://www.amazon.co.uk/Why-Not-brilliantly-inspiring-presenter/dp/0702319155 ✩ George and the Mini Dragon https://www.amazon.co.uk/George-Mini-Dragon-CBeebies-Websters/dp/0702337293 Video edited by Jad Misri, Green Horizon Studio

The boys head to prison on Devil's Island to discuss 1973's “Papillon”! One of the highest-grossing movies of the year, this true-story account of Steve McQueen's character befriending Dustin Hoffman's character to help keep each other alive and prepare their escape from the no-chance-of-return prison, a world away from their native France. Made by the team behind Oscar-winner “Patton” from 1971, shot very much on location, some call this McQueen's best performance. Before we get into it, John gives us a mini-review of “Hamnet”, the romantic drama film by Chloé Zhao starring Paul Mescal and Jessie Buckley, based on the book based on the play. Grab a beer and join in!  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 9:41 John's “Hamnet” mini-review; 15:08 1973 Year in Review; 41:21 Films of 1973: “Papillon”; 1:24:21 What You Been Watching?; 1:29:08 Next Week's Episode Teaser Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Cast & Crew: Chloé Zhao, Maggie O'Farrell, Paul Mescal, Jessie Buckley, Fred J Koenekamp, Henri Charriere, Dalton Trumbo, Lorenzo Semple Jr., William Goldman, Franklin J. Schaffner. Recommendations: Hamnet, Welcome to Derry, The Witcher, Slow Horses, Home Alone, The Righteous Gemstones, Sisu 2, Pluribus, The Exorcist, Enter The Dragon, Live and Let Die, The Sting, American Graffiti, Soylent Green. Additional Tags: French Guyana, Paris, Honduras, Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.   

• To celebrate the old bird/broad role models who've appeared on The Shift with Sam Baker, I'll be rerunning some of these conversations throughout December and into January. First up Miriam Margolyes... ---- It's the final episode of the season and all my podcasting dreams have come true. Because my guest this week - by popular demand and a whole ton of begging - is the one, the only, the legend that is Miriam Margolyes. Miriam started her career in theatre and radio, voiced some of the best known ads of the late 20th century (hello Cadburys Caramel bunny), won a BAFTA for her role in Martin Scorsese's Age of Innocence and millions of tiny hearts as Professor Sprout in Harry Potter. At 82, she is busier than ever; A Vogue cover star, one of TV's best-loved documentary makers and the bestselling author of two memoirs, This Much Is True and Oh Miriam! Can you tell how excited I was?! I met Miriam in Glasgow ahead of her live show to talk about everything from having her womb out in her mid-30s (she only went to the dr for a sore nose!), wearing trainers to Buckingham palace (before that was a thing) and why she's really really bored of being labelled “just a lesbian”. We also discussed never wanting children, her 54 year love match and the power of living a life with no secrets. * You can buy all the books mentioned in this podcast at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Shift bookshop on Bookshop.org. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠buymeacoffee.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theshiftwithsambaker.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

You will recognise the BAFTA nominated actor Paul Bettany best as the superhero Vision, the trudging Geoffrey Chaucer in A Knight's Tale, or maybe as the long suffering surgeon opposite Russell Crow in Master and Commander…a role which saw him learn to play a period accurate cello.But, his familial lineage is full of musical stars and Paul himself was even a busker on the London Underground for a time.What then will he choose for his Inheritance Tracks.Inherited: The Eton Rifles by The Jam Passing on: Hollow Ponds by Damon AlbarnProducers: Anna Bailey and Ben Mitchell

EPISODE 139: Blair Mowat is a BAFTA-nominated, award-winning composer with over 200 projects and nearly two decades of experience across film, television, and theatre. Credits include Class (a spin-off from Doctor Who), McDonald & Dodds, Hammer Horror's Doctor Jekyll, Russell T Davies's Nolly (TV BAFTA-nominated score and Camille Award winner), The Guest, After the Flood, and The Age of Disclosure, an explosive and record breaking documentary that, since release, has entered the global news conversation. blairmowat.co.ukContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

In this episode, Kenneth Lonergan moderates a conversation about Stereophonic, David Adjmi's Tony Award-winning play. Set in mid-1970s Sausalito, the story takes us inside a recording studio where a rock band on the brink of superstardom struggles to create their sophomore album. Fueled by booze, sleep deprivation, and a giant bag of cocaine, the band's relationships are pushed to the breaking point as a process meant to last weeks stretches indefinitely. With original songs by Arcade Fire's Will Butler, Adjmi's epic play offers an electrifying portrait of creative tension, division, and the pursuit of a masterpiece. David Adjmi's other works include Stunning, Marie Antoinette, 3C, Elective Affinities, and The Evildoers. He is a Guggenheim Fellow, Whiting Writers' Award recipient, and Steinberg Playwright Award winner, and his memoir Lot Six was published by HarperCollins. Kenneth Lonergan, celebrated as a playwright and filmmaker, co-wrote Gangs of New York and wrote and directed You Can Count on Me, Margaret, and Manchester by the Sea, for which he won the Academy Award and BAFTA for Best Original Screenplay. Lonergan's best-known plays include This Is Our Youth, Lobby Hero, and The Waverly Gallery. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the boys head to the supernatural- or is it a psychological drama?- and watch Jeff Nichols' second feature film, 2011's “Take Shelter”. Co-starring Jessica Chastain and Shea Whigham, Michael Shannon starts to experience vivid dreams that lead him to think they may be premonitions- or are they symptoms that his mother experienced when she was diagnosed with manic schizophrenia?? John also has a mini-review of Joachim Trier's "Sentimental Value". We crack open some beers and discuss! linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 6:34 John's “Sentimental Value” mini-review; 14:41 2011 Year in Review; 35:16 Films of 2011: “Take Shelter”; 57:19 SPOILERS; 1:19:05 What You Been Watching?; 1:25:22 Next Week's Episode Teaser Additional Cast/Crew: Eskil Vogt, Renate Reinsve, Stelan Skarsgård, Inga Ibsdotter Lilleaas, Elle Fanning. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Welcome to Derry, Stranger Things, Sisu 2, Possession, The Beast In Me, Pluribus. Additional Tags: Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Philippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.   

Joining me this episode to discuss their travel and holiday stories is the brilliant BAFTA-winning magician, comedian, and TV presenter - Stephen Mulhern. Enjoy!! Please subscribe and review. Thanks, Alan. xx ‘Life's A Beach' everyone's favourite travel podcast is here to give you all the vitamin D you need. More celebrity passengers unpack their travel suitcases dishing the dirt on their holiday high-jinks. Buckle up, sit back and enjoy the inflight entertainment!! A 'Keep It Light Media' Production Sales, advertising, and general enquiries: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠hello@keepitlightmedia.com⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

What happens when a BAFTA winning VFX veteran walks away from the studio system to help reinvent the film pipeline with AI? In this episode, Alex is joined by Ben Lock, a producer with over 20 years in animation, VFX and virtual production, with credits including Star Wars: The Force Awakens, Rogue One and Ready Player One. After decades at Aardman, Lucasfilm and ILM, Ben is now Director of Production Strategy at Asteria Film and Moon Valley, where he is working on a new generation of ethical, AI driven workflows for film and animation. Ben shares why he believes the future of filmmaking lies in visual intelligence rather than prompt driven tools, and how rapid visualisation can transform pre production, VFX and animation. He explains how AI can reduce friction, keep artists closer to performance and story, and even help make high quality animated features in under a year. The conversation explores: - How AI is reshaping the production pipeline without replacing artists - Why Moon Valley is built around visual intelligence, not just language models - What a faster, more iterative animation and VFX workflow looks like in practice - How generative tools can support virtual production and independent visions - What the VFX industry needs to do now to adapt and thrive Sharing insights from across his career working on tentpole studio projects as well as independent filmmaking, Ben conveys his vision for how AI might just help the film industry become more creative, more sustainable and more responsive to new stories and audiences. About Ben Lock Ben Lock - A BAFTA-winning producer with over 20 years of experience in animation, VFX, and virtual production. He has produced award-winning content for studios in Europe, Asia and the US including Aardman, Lucasfilm, and ILM, with credits on global franchises such as Star Wars: The Force Awakens, Rogue One, and Ready Player One. As Director of Production Strategy at Asteria Film, he helps develop scalable, ethical AI workflows for film and animation. Ben is the Chair of the VES Education Committee, member of BAFTA, PGA, ATAS and a UK National Film and Television School alumni.

“Jane was so admired, nothing could be like it. Everybody said how well she looked; and Mr. Bingley thought her quite beautiful . . . .” —Mrs. Bennet, Pride and PrejudiceJane Bennet, the eldest of the five Bennet sisters, is an undisputed beauty, but Austen tells us Jane also “unite[s] with great strength of feeling, a composure of temper, and an uniform cheerfulness of manner.” In this episode, we sit down with Susannah Harker—beloved by Janeites for her portrayal of Jane Bennet in the iconic 1995 adaptation of Pride and Prejudice—to explore the nuances of Jane's character and Susannah's experiences bringing her to life on screen. We also touch on Susannah's theatrical heritage, the enduring appeal of the 1995 adaptation, and her plans for a new comedy-drama project, Jane Bennet's Second Spring.Actor and writer Susannah Harker is best known to Janeites for her role as Jane Bennet in the 1995 BBC Pride and Prejudice miniseries. Her extensive television work also includes many roles in mystery series and contemporary and period dramas, and she received a BAFTA award nomination for her role as Mattie in the original House of Cards. Among her film roles is that of Titania in A Caribbean Dream, an adaptation of A Midsummer Night's Dream. On stage, she has starred in Abigail's Party, The Glass Menagerie, and many other plays. Harker is currently writing a script for a new comedy-drama project, Jane Bennet's Second Spring.For a transcript and show notes, visit https://jasna.org/austen/podcast/ep30/.*********Visit our website: www.jasna.orgFollow us on Instagram and FacebookSubscribe to the podcast on our YouTube channelEmail: podcast@jasna.org

Today on Art of the Cut we speak with Oscar-nominated editor Tom Eagles, ACE, about editing the film Nuremberg.Tom was on Art of the Cut previously to talk about The Harder They Fall. Before that I spoke to Tom about his BAFTA and Oscar-nominated film - and WINNER of the 2020 ACE Eddie for Best Edited Feature film, JoJo Rabbit.Tom has also edited films like Hunt for the Wilderpeople and TV series like What We Do in the Shadows,  Ash versus the Evil Dead and Spartacus: Blood and Sand.This interview discusses choosing performances to hide story revelations, the importance of POV, and using less intercutting to actually break an un-desired connection between characters.You can read along with this interview and see exclusive photos and timeline screenshots on the BorisFX blog site:borisfx.com/blog/aotc

This week the boys head to 1936 to discuss “Dodsworth”, the film that may very well have catapulted William Wyler to the upper echelon of great directors of the time, and actors flocked to him- he'd be working with Bette Davis, Henry Fonda, and Lawrence Olivier within three years! Starring an incredible Walter Huston and Ruth Chatterton as a three-dimensional villainess of sorts, the scene work, art direction, and adult subject matters give us lots to discuss… while drinking. Crack open a tinny and give us a listen! linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 9:56 1936 Year in Review; 28:33 Films of 1936: “Dodsworth”; 1:13:35 What You Been Watching?; 1:20:05 Next Week's Episode Teaser Additional Cast/Crew: Sidney Howard, Sinclair Lewis, Alfred Newman, Robert Wyler, Paul Lukas, David Niven, Mary Astor, Gregory Gaye, Maria Ouspenskaya, Odette Myrtil, Spring Byington, Harlan Briggs, Samuel Goldwyn. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Welcome to Derry, Stranger Things, Sisu 2, The Abandons, Knives Out, The Abandons, I Like Me: John Candy, Planes, Trains, and Automobiles.  Additional Tags: Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg. 

She'll slash. She'll stab. She'll sing!Anna and the Apocalypse is a 2017 British Christmas musical zombie film directed by John McPhail from a screenplay by Alan McDonald and Ryan McHenry, based on McHenry's 2010 BAFTA nominated short Zombie Musical. It stars an ensemble cast of largely unknown young talent, including Ella Hunt, Malcolm Cumming, Sarah Swire, Christopher Leveaux, Marli Siu and Ben Wiggins with Mark Benton and Paul Kaye.A zombie apocalypse threatens the sleepy town of Little Haven - at Christmas - forcing Anna and her friends to fight, slash and sing their way to survival, facing the undead in a desperate race to reach their loved ones. But they soon discover that no one is safe in this new world, and with civilization falling apart around them, the only people they can truly rely on are each other.00:00 Intro 08:40 Horror News28:31 What We've Been Watching52:28 Film Review1:51:02 Film Rating1:54:10 Outrowww.horrorhangout.co.ukPodcast - https://fanlink.tv/horrorhangoutPatreon - http://www.patreon.com/horrorhangoutFacebook - http://www.facebook.com/horrorhangoutpodcastX - http:/x.com/horror_hangout_TikTok - http://www.tiktok.com/@horrorhangoutpodcastInstagram - http://www.instagram.com/horrorhangoutpodcastBen - https://x.com/ben_errington​​​Andy - https://www.instagram.com/andyctwrites/Stu - https://www.instagram.com/stootoobs/Audio credit - Taj Eastonhttp://tajeaston.comSupport this show http://supporter.acast.com/thehorrorhangout. Hosted on Acast. See acast.com/privacy for more information.

In this engaging conversation, David Peck interviews Matt Whitaker and Rupert Evans about their film Truth and Treason. They explore the complexities of good and evil and the emotional weight of loyalty and doubt in the context of Nazi Germany. We dig into the nature of violence, the importance of subtext in relationships, and the challenges of bravery and conformity. The film serves as a poignant reminder of the need for compassion and the call to action against oppression in today's world.Rupert Evans is an actor and director best known for his leading roles in Amazon's The Man in the High Castle, CBS's Charmed & Netflix's Bridgerton Season 2. His recent work includes the BBC adaptation of the Moonflower Murders alongside Lesley Manville, & the Nordic crime drama Wisting. Evans' feature breakthrough came as FBI agent John Meyers in Guillermo Del Toro's Hellboy. He has since starred in American Pastoral with Ewan McGregor & Jennifer Connelly, the thriller The Boy with Lauren Cohan, and Alejandro Amenábar's Agora opposite Rachel Weisz. Evans has led acclaimed productions such as the Golden Globe–nominated Emma & the BAFTA nominated Fingersmith. His other notable credits include The Secrets, Fleming, The Village, Lucan, World Without End, and Poirot.On stage, Evans is a Royal Shakespeare Company alumnus, having played the Dauphin in King John, earning an Ian Charleson Award nomination.Matt Whitaker has written and directed for film and television, becoming a leading storyteller for more than 30 years, in the WWII genre. His produced screenplays include the acclaimed war dramas Saints & Soldiers & Instrument of War. Beyond narrative features, he has creative-produced or directed over 100 commercials and short films across more than 30 countries. Whitaker's documentary work includes award winning films for PBS such as Ancestors & Small Fortunes: Microcredit & the Future of Poverty, featuring Nobel Prize Laureate Muhammad Yunus & Academy Award–winning actress Linda Hunt.In 2002, Whitaker traveled to Germany with the last surviving member of a teenage resistance group opposing the Nazis. That profound experience resulted in the PBS documentary Truth & Conviction: The Helmuth Hübener Story.David Peck is a writer, speaker, and award-winning podcaster who works at the intersection of storytelling, social change, and meaningful dialogue. As the host of Face2Face and former host of Toronto Threads on 640 AM, he has published over 650 in-depth interviews with some of the world's most compelling thinkers, artists and storytellers, including Viggo Mortensen, Sarah Polley, Raoul Peck, Werner Herzog, Chris Hadfield, David Cronenberg, Gillian Anderson and Wade Davis.With a background in philosophy and international development, David brings a thoughtful, globally aware perspective to every conversation. He's a published author and experienced keynote speaker, known for creating spaces where complexity is welcomed and ideas come alive. Whether moderating panels, hosting live events, or speaking on issues ranging from ethics to media, David's work is grounded in a deep curiosity about people.At heart, he simply loves good conversation and believes it's one of the best ways we grow, connect, and make sense of the world. For more information about David Peck's podcasting, writing and public speaking please visit his site here.F2F Music and Image Copyright: David Peck, ICBL and Face2Face. Used with permission. Hosted on Acast. See acast.com/privacy for more information.

Lorraine Kelly is a journalist and broadcaster who has been a mainstay of daytime television for over 40 years. She has hosted her own show Lorraine since its launch in 2010 and she was awarded a lifetime achievement BAFTA in 2024.Lorraine was born in Glasgow and later moved with her family to the new town of East Kilbride. She became a junior reporter at the East Kilbride News when she was in her teens and in 1983 joined the BBC as a researcher. In 1984 she started at TV-am as a reporter covering Scottish news. During her time there she reported on some of the biggest stories in the UK including the Piper Alpha disaster and the bombing of Pan Am Flight 103 over Lockerbie. In January 1990 she became a co-presenter of Good Morning Britain on TV-am alongside Mike Morris. In 1996 Lorraine and Eamonn Holmes reported for GMTV on the Dunblane school shooting in which sixteen pupils and their teacher were killed. The tragedy left a lasting impact on Lorraine, who formed a lasting bond with several affected families. She returned to Dunblane in 2021 to mark the 25th anniversary with a commemorative documentary.Lorraine lives in Buckinghamshire with her husband Steve.DISC ONE: Starman - Davie Bowie DISC TWO: Mama Said - Dusty Springfield DISC THREE: Careful - Horse DISC FOUR: Rock the Casbah - The Clash DISC FIVE: Truth - Hue & Cry DISC SIX: Warm Leatherette - Grace Jones DISC SEVEN: Love is All Around - Wet Wet Wet DISC EIGHT: That's When He Told Her - The ProclaimersBOOK CHOICE: South: The Last Antarctic Expedition of Shackleton and the Endurance by Sir Ernest Shackleton LUXURY ITEM: A solar-powered digital photo album CASTAWAY'S FAVOURITE: Careful - Horse Presenter: Lauren Laverne Producer: Paula McGinleyThere are more than 2000 programmes in our archive available for you to listen to. We have cast away other journalists and presenters including Sir Terry Wogan, Christiane Amanpour, Lindsey Hilsum and Clive Myrie. You can find their episodes on BBC Sounds or on our Desert Island Discs website.

In this fascinating Part II of our conversation with multi-instrumentalist and composer Alexander Parsons, we explore how spatial audio and virtual reality are revolutionizing the concert experience. We chat about combining VR, augmented reality, and liver performances to create memorable and meaningful experiences for audiences. Alexander shares his groundbreaking work with The Room is Not Silent Collective and their immersive installation "From the Fields." Topics Covered in this Episode: -How spatial audio creates immersive 3D soundscapes with 64+ speakers -The future of VR concerts blending mixed reality with live orchestration -Behind the scenes of Mirror Shot Collective's multi-sensory performances at BAFTA and SXSW -Creating "From the Fields" - a historical audio installation exploring London's Saint Giles district -Why spatial audio changes music beyond just "sounds whizzing around" -The intersection of classical training, DJ culture, and software-based sound design

99 Reasons to Forgive: And Revenge Ain't One by Geoff Thompson. GEOFF THOMPSON  is a BAFTA-winning screenwriter, penning multi-award-winning films for luminaries such as Ray Winstone and Orlando Bloom. Geoff is also among the world's highest-ranking self-defence and martial arts instructors.  Geoff was sexually abused at the tender age of 11 by a trusted and beloved teacher. By the time he was 30 years old, he was unconsciously displacing his rage into violence, sexual self-harm and long bouts of debilitating depression. In this deeply empirical study, Thompson reveals the true definition and the incredible power of forgiveness, clearly defining the difference between forgiving someone and letting them off. Geoff can be found on Instagram @Geoff_Thompson_Official

Today we're speaking with Oscar-nominated Australian-born editor, Paul Machliss, ACE. We'll be talking about his latest collaboration with director Edgar Wright, “The Running Man.”Paul last chatted on Art of the Cut when he cut Wright's “Last Night in Soho,” and before that for “Baby Driver” for which he won a BAFTA, and was nominated for an ACE Eddie and an Oscar. Paul was also nominated for an ACE Eddie for his work on “Scott Pilgrim versus the World.” He's edited TV, including “Fleabag.” And dozens of musical specials, documentaries and concerts for the likes of Led Zeppelin and Diana Krall.This interview discusses how Paul's early career as an on-line editor helped him on this film, the value of editing on-set, and the technology that kept the whole post machine whirring.If you want to read along with this interview, you can check it out on BorisFX.com's blog site:borisfx.com/blog/aotc

This week, the boys pick up DeNiro in between “The Mission” and “Goodfellas” when my man just wanted to have some FUN in “Midnight Run”, an action adventure comedy directed by Martin Brest (Beverly Hills Cop). The FBI, the cops, the mafia, bounty hunters, white collar crime, blue collar crime, smoking on airplanes…The movie looks real, the people are real, the car crashes are real, the helicopter is terrifyingly real, and DeNiro's comedy chops with Charles Grodin, Joe Pantoliano, Dennis Farina, Yaphet Kotto, and more. We open the show with some mini-reviews of “Wicked: For Good”, “The Running Man”, “Train Dreams”, and more. Grab a beer and listen along!  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 8:03 “The Running Man” - Dave's mini-review; 9:57 “Wicked: For Good” Jeff & Dave's mini-review; 17:59 Gripes; 21:03  “Nuremberg”, “Rental Family”, and “Train Dreams” - John's mini-reviews; 28:57 1988 Year in Review; 48:06 Films of 1988: “Midnight Run”; 1:23:59 What You Been Watching?; 1:32:47 Next Week's Episode Teaser Additional Cast/Crew: Donald Thorin, Philip Baker Hall, Danielle DuClos, Wendy Phillips, Dennis Farina, John Ashton, George Gallo, Brendan Frasier, Joel Edgerton, Edgar Wright, Glen Powell, Clint Bentley, Clifton Collins Jr., Felicity Jones, Cynthia Erivo, Ariana Grande, Jeff Goldblum, Jonathan Bailey, Michelle Yeoh, John Chu,  Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Welcome to Derry, Pennywise, Say Something, Mr. Scorsese, Roofman, Buginia, A House of Dynamite. Additional Tags: Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.     

Jez Alborough is the author and illustrator of over 45 books for children. His Eddy and the Bear trilogy (which began with the much loved WHERE'S MY TEDDY in 1992) has sold nearly four and a half million copies and was made into a Bafta award-winning animated television special and series.DUCK IN THE TRUCK (1999) heralded the start of another bestselling series, this time featuring the irrepressible Duck and his three friends - Frog, Goat and Sheep. There are nine books in the Duck series (1.3 million copies sold) including DUCK'S KEY WHERE CAN IT BE? which won the Child magazine Best of the Year Award.In 2000 Jez created HUG - a powerful and touching book of only three words about a baby chimpanzee called Bobo who loses his Mum. HUG was raved about by Oprah Winfrey on her show when she chose it for her recommended reading list while Richard Curtis (the writer and director of Four Weddings and a Funeral) selected HUG as one of his ‘Best Books' calling it: ‘classic family drama which holds up well next to Jez's other masterpieces.' Bobo went on to star in three more classics; TALL (which along with HUG won the Oppenheim Toy Portfolio Platinum Book Award), YES and PLAY. The series has sold around 2 million copies. Jez's other books include SOME DOGS DO (2004) and the NAT THE CAT series (2013).Takeaways: Smiling is a contagious act, capable of spreading joy across vast distances. The journey of creativity often begins with a single idea that evolves over time. The relationship between an author and a publisher is crucial for a book's success. Illustration and storytelling are intertwined, where images and text complement each other. Learning is a continuous process that requires both patience and resilience from the learner. Inspiration can strike unexpectedly, leading to the creation of impactful works of art. Chapters:00:08 - The Ripple Effect of a Smile00:34 - Introduction to the Education on Far Podcast13:21 - The Journey of Creation: From Idea to Publication29:32 - The Intersection of Creativity and Technical Skill44:15 - The Power of Inspirationhttps://jezalborough.com/https://jezalborough.com/numberwondersgame/Show Sponsor – National Association for Primary Education (NAPE) https://nape.org.uk/Find out more about their Primary First Journal: https://www.educationonfire.com/nape

Lennie James is a British actor and writer. In 2025, he received the BAFTA for Leading Actor for his portrayal of Barrington Walker in the TV adaptation of Bernadine Evaristo's novel Mr. Loverman.This award adds to his collection, which also includes accolades for writing. At seventeen, he wrote Trial and Error and won the National Youth Theatre–Texaco Playwriting Competition, earning the title of Most Prominent Playwright Under 21.For a decade, Lennie played Morgan Jones in The Walking Dead and its spin-off Fear the Walking Dead, gaining such global recognition that he was even recognised by Vatican guards.He also created and starred in the critically acclaimed Sky Atlantic drama Save Me, which premiered in 2018. Its second season, Save Me Too, won the BAFTA TV Award for Best Drama Series in 2021.Raised by his mother Phyllis, who emigrated from Trinidad to work as a nurse, Lennie faced hardship after her death when he was eleven. He and his brother Kestor were placed in a children's home, and later Lennie moved into foster care after the home was sold by Wandsworth Council.Encouraged by a youth theatre group, Lennie pursued acting and later trained at the Guildhall School of Music and Drama in London.He met his wife, Giselle, at seventeen in the same youth theatre group. They have three daughters and divide their time between the US and the UK.DISC ONE: Touch The Hem Of His Garment - Gene Martin DISC TWO: I Found Lovin' - Fatback Band DISC THREE: Doesn't Make It Alright - The Specials DISC FOUR: Living For The City - Stevie Wonder DISC FIVE: Any Old Time - Artie Shaw and his Orchestra with Billie Holiday DISC SIX: For me... Formidable - Charles Aznavour DISC SEVEN: Champagne Supernova - Oasis DISC EIGHT: Try a Little Tenderness - Otis Redding BOOK CHOICE: The Collected Novels of Toni Morrison LUXURY ITEM: A guitar CASTAWAY'S FAVOURITE: For me... Formidable - Charles Aznavour Presenter: Lauren Laverne Producer: Sarah TaylorDesert Island Discs has cast many actors and writers away including the author of Mr. Loverman, Booker Prize winner Bernadine Evaristo and the creator of Line of Duty, Jed Mercurio. You can hear their programmes if you search through BBC Sounds or our own Desert Island Discs website.

This week Sara and Cariad are joined for a very special episode all about audiobooks by the queen of audio narration - BAFTA nominated and Olivier award winning actress, Juliet Stevenson. In this episode they discuss Elizabeth Gaskell, kids books, bully directors, José Saramago, acting and Geordie accents.The Speakies British Audio Awards take place on the 24th November at the Royal Opera House.We've partnered with the Best Audiobook: Fiction category. There are some brilliant audiobooks nominated in that category including Intermezzo by Sally Rooney, read by Éanna Hardwicke. Why not go back and listen to our episode on Intermezzo where we talked to the brilliant Aisling Bea. Juliet is also nominated for the Best Audiobook: Non-Fiction category for her brilliant narration of Persian Pictures by Gertrude Bell.Thank you for reading with us. We like reading with you!Follow Sara & Cariad's Weirdos Book Club on Instagram @saraandcariadsweirdosbookclub and Twitter @weirdosbookclubTickets for Sara's tour show I Am A Strange Gloop are available to buy from sarapascoe.co.ukCariad's children's book Lydia Marmalade and the Christmas Wish is out in paperback here now. Recorded and edited by Naomi Parnell for Plosive.Artwork by Welcome Studio. Hosted on Acast. See acast.com/privacy for more information.

Season three of reigning BAFTA-winning police drama Blue Lights will premiere November 13 on BritBox. One of New York Times' “Best Shows of 2024” and heralded as “...Belfast's answer to The Wire…” (Los Angeles Times) episodes of the new season will drop weekly with the finale on December 18.Two years into their jobs as response officers Grace, Annie and Tommy are accustomed to life under the blue lights. But their work will take them into a sinister world hidden behind the veneer of middle-class life, the world of the accountants and lawyers who facilitate organized crime. The old political and criminal order has gone and a new global gang rule Belfast, bringing danger closer to home for our officers than ever before. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Four-time Academy Award nominee and BAFTA and Caesar Awards winner Sylvain Chomet (director of "The Triplets of Belleville" and "The Illusionist") joins me to discuss his latest animated feature, "A Magnificent Life", about French playwright, poet and filmmaker Marcel Pagnol. It opens in select theaters for an awards-qualifying run this Friday Nov. 21 and will officially release in North America on Feb. 20, 2026.

This week's Kermode on Film features the brilliant guests who appeared on the MK3D show at the BFI Southbank on Monday 17 November 2025.First up, Mark talks to Jack Howard, Caroline Goodall and Hannah Onslow about Oscar- and BAFTA-qualifying short film THE SECOND TIME AROUND. which is now available on Channel 4 television.Then, documentary filmmaker Amy Berg, who was in town to talk about her feature, IT'S NEVER OVER JEFF BUCKLEY, joins Mark on stage.The pod wraps up with Christopher Frayling discussing his brilliant new book, THE HOLLYWOOD HISTORY OF ART.Make sure to tune into next week's episode where Mark talks to Tamsin Greig, Felicity Jones and John Simm. Thanks for listening. Stay safe, and keep watching the skies.----Opening title quotes from:Mary Poppins (Robert Stevenson, Walt Disney Productions – featuring Julie Andrews)Nope (Jordan Peele, Universal Pictures – featuring Keke Palmer)Withnail & I (Bruce Robinson, HandMade Films – featuring Richard E. Grant)The Exorcist (William Friedkin, Warner Bros. – featuring Ellen Burstyn and Linda Blair)These films are essential viewing.Watch them. Love them. Share them.They are masterpieces.Mark Kermode Live in 3D and Kermode on Film are HLA Agency productionsThis episode was edited by Alex Archbold JonesImage by Ruby Bradshaw© HLA Agency Hosted on Acast. See acast.com/privacy for more information.

DescriptionStep into a deeper understanding of who you truly are. This episode explores how to awaken your higher self and access the power of divine energy for healing, balance, and transformation. Through guided wisdom and practical insight, you'll discover how energy, awareness, and intention can reshape your inner and outer world.✨ In this session, you'll experience:How to connect with your higher consciousnessTechniques to channel divine healing energyThe truth about spiritual awakening and ego releaseUsing vibration and thought to create harmonyAligning your energy with divine flowThe journey toward self-realization and purposeThis is your guide to spiritual transformation — filled with light, wisdom, and energy activation for those seeking healing and divine connection.

Caroline Flack was a Bafta-winning TV presenter, host of shows including Love Island and The X Factor. In February of 2020, she took her own life ahead of a court case in which she was charged with the assault of her then boyfriend, after weeks of press scrutiny. Her mother Christine Flack tells Clare McDonnell about spending the past five years uncovering documents from the Metropolitan Police and the Crown Prosecution Service to try to find out more about the events around Caroline's death and she also questions the role of the press. That journey is documented in a two-part documentary out on Disney+ called Caroline Flack: Search for the Truth.This week, Women's Super League Football officially unveil Design Guidelines for the Delivery of Elite Women's Stadiums in England – a world first framework supporting clubs, local authorities, and architects in building or upgrading venues specifically for their women's teams. They say the rapid growth of the women's game has demonstrated that football venues, historically built and designed for male players and fans, need to be better equipped to cater towards the specific needs of female athletes and supporters. Hannah Buckley, Head of Infrastructure, Safety and Sustainability for WSL football and Suzy Wrack, women's football correspondent for the Guardian discuss.Pelvic Girdle Pain, also known as pubic symphysis dysfunction, affects an estimated one in five pregnant women. It is often mild but can sometimes be debilitating and it's been highlighted by a BBC news report that has come out today. It's not harmful to the baby, but it can affect simple things like the mother's mobility. Kylie Pentelow spoke to Victoria Roberton, who experienced Pelvic Girdle Pain during her first pregnancy - she is now coordinator at the Pelvic Partnership, and Dr Nighat Arif, a GP specialising in women's health.As part of the Radio 4 Fatherhood season, Clare McDonnell and her guests discuss the role of fatherhood in men's lives. Darren Harriott is a 37-year-old comedian and presenter of Father Figuring. Darren has now lived longer than his dad, who took his own life while in prison, and he is questioning would he be a good dad? What even makes a good dad? They were joined by Dr Robin Hadley who has written a book looking at why men, like himself, do not become fathers.Eleanor of Castile was England's Queen as wife of Edward I. When she died in Lincoln in 1290, heartbroken Edward brought her body back to London with a 200 mile funeral cortege, commissioning 12 elaborate crosses to be created at every place her body rested. Historian Alice Loxton retraced the walk last year on the anniversary of the procession, a mere 734 years later. She joined Kylie Pentelow to tell her why.Presenter: Kylie Pentelow Producer: Annette Wells

We're live from the Museum of Comedy today and thrilled to finally have the brilliant Laura Checkley on the show, the crime should be how long this took to arrange!Laura kicks us off by recounting a criminal story for which the trio of perps should prepare their BAFTA acceptance speeches, and where the only real winner was the locksmith.The team - and audience - then unravel a case which sees a cast of many come out of their shells, while the audience crime could be a classic case of sell de fence (listen to the episode to understand that one). See Taylor and Hannah LIVE in Autumn / Winter '25...Sat 15th November: Watford Palace Theatre Mon 15th December: Komedia, Brighton AND, Tickets for their 2026 UK tour are now on sale - dwsctour26 | Instagram | LinktreeDon't forget DWSC now drops TWICE weekly! Episodes will be on general release every Wednesday AND Friday.BUT you can get both shows in one hit, by going to our Patreon where you can sign up for early access and get both episodes every Tuesday.As well as this, you'll get ad free eps, invites to watch our live zoom records, video of all our studio eps, bespoke shout outs and MORE! Hosted on Acast. See acast.com/privacy for more information.

This week, the boys head to 1949 to check out a classic American adventure heist movie, Raoul Walsh's “White Heat”! This movie has everything: Train robberies, men hiding in oil trucks, prison breaks, a kingpin who's a mother, James Cagney as a psychopath. John gets us started with mini-reviews of Derek Cianfrance's “Roofman” and the new hit “Bugonia” by Yorgos Lanthimos. Should Jesse Plemons win an Oscar???? Grab a beer and join in. linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 7:36 John's mini-reviews of “Roofman” and “Bugonia”; 13:10Gripes; 17:36 1949 Year in Review; 37:14 Films of 1949: “White Heat”; 1:12:32 What You Been Watching?; 1:20:40 Next Week's Episode Teaser Additional Cast/Crew: Virginia Mayo, Ivan Goff, Ben Roberts, Virginia Kellogg, Max Steiner, Louis F Edelman, Will Tracy, Jang Joon-hwan, Aidan Delbis, Emma Stone, Vanessa Eng, Marc T. Lewis, Cedric Dumornay, Alicia Silverstone, Edmond O'Brien, Margaret Wycherly, Wally Cassell, Steve Cochran, John Archer, Fred Clark, Ben Mendelsohn, Kirt Gunn, Tony Revolori, Kirana Kuic, Kirsten Dunst, Peter Dinklage, LaKeith Stanfield, Channing Tatum. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Welcome to Derry, Pennywise, Say Something, Mr. Scorsese, Pluribus, the Vanishing, Death in the Family: The Murdaugh Murders. Additional Tags: Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg. 

#413 Brian Conley's C*ck - Richard is discombobulated after returning (briefly) to Shepherd's Bush after five years away. His guest is the fantastic stand up Chris McCausland. They talk about what pushed him towards stand up and why he was reluctant initially to do too much about his blindness, nearly becoming a spy, that amazing BAFTA bit with Lee Mack, performing for Prince William, being on the Jubilee bus and and why Chris hates the name of his own tour. Plus how working hard on a panel show appearance can help your career. Who knew?See Chris on tour https://chrismccausland.com/tour/Buy Richard's new book here. http://gofasterstripe.com/ballSUPPORT THE SHOW!See details of the RHLSTP LIVE DATES Watch our TWITCH CHANNELBecome a badger and see extra content at our WEBSITE Buy DVDs and books from GO FASTER STRIPE Hosted on Acast. See acast.com/privacy for more information.

Caroline Flack was a Bafta-winning TV presenter, host of shows including Love Island and The X Factor. In February of 2020, she took her own life ahead of a court case in which she was charged with the assault of her then boyfriend, after weeks of press scrutiny. Her mother Christine Flack tells Clare McDonnell about spending the past five years uncovering documents from the Metropolitan Police and the Crown Prosecution Service to try to find out more about the events around Caroline's death and she also questions the role of the press. That journey is documented in a two-part documentary out on Disney+ called Caroline Flack: Search for the Truth.A new schools inspection system begins in England today. Overall judgements, such as 'good' or 'requires improvement,' have been scrapped and schools will now be given one of five grades in several different categories. The changes were prompted by the death of the head teacher Ruth Perry, who took her own life in January 2023 whilst waiting for the publication of an Ofsted report she knew would grade her school as "inadequate." Clare speaks to the BBC Education Reporter Vanessa Clarke and Tom Middlehurst, Deputy Director of Policy at the Association of School and College Leaders.Louise Penny is the multi award-winning Canadian crime novelist. Her books have sold over 18 million copies worldwide and this year marks the 20th anniversary of her hugely popular Inspector Gamache series. Her latest novel is called The Black Wolf and follows on from her previous one The Grey Wolf. Gamache has foiled a plot to poison Montreal's drinking water, but has discovered that this is simply phase one of a dark master plan and he needs to take on not only an organised crime syndicate, but also delve into the murky depths of government and power to discover who the black wolf is. There is a brand new podcast out from a familiar voice - Emma Barnett: Ready to Talk, in which Emma invites listeners into her world for bold, honest, and deeply human conversations about the experiences in life that shape and connect us. In the first episode Emma talks to her friend, the journalist and presenter Kate Thornton, about something she's never spoken about publicly before: perimenopause. In the UK, 13 million women are currently experiencing the perimenopause, or menopause, but information about what it is and what can help can be hard to find. Emma tells Clare about her own experience.Presenter: Clare McDonnell Producer: Andrea Kidd

On this week's episode of WeeklyTrek, TrekCore's news podcast, host Alex Perry is joined by legendary Star Trek designer Doug Drexler for a supplemental interview special. Doug Drexler is one of Star Trek's true renaissance figures — an Oscar, Emmy, and BAFTA-winning artist whose career has spanned makeup, design, illustration, and visual effects across nearly every corner of the Star Trek universe. A lifelong fan who once co-owned New York's famed Federation Trading Post before crossing over to work on Star Trek: The Next Generation, Deep Space Nine, Voyager, Enterprise, and multiple feature films, Drexler has left his creative fingerprints on everything from the NX-01 to the 26th-century Enterprise-J.  In this interview, he joins WeeklyTrek to discuss the Kickstarter for Trek Star: The Doug Drexler Documentary that aims to tell the story of his life and career. In the interview, we reflect on Doug's journey from fan to creator, the realities of working inside the thing you love, and what fans rarely see about the collaborative artistry that brings Star Trek to life.  *** Do you have a wish or theory you'd like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!