Podcasts about bafta

This episode is sponsored by smartwater®Ruth E. Carter is a trailblazing costume designer known for her work on Malcolm X, the Black Panther films, Sinners, and so many more iconic works. She has been awarded Academy Awards, a BAFTA, a Critics Choice Award, the Costume Designers Guild Award, and a star on the Hollywood Walk of Fame. But before that, she was exploring Black literature and history in Black Studies-focused enrichment programs in her home state of Massachusetts. When she was a young adult, she was deconstructing clothing and taking notes from grunge scenes, citing Lisa Bonet and Madonna as early beauty and style inspiration. In our conversation, Ruth walks us through her life and career, explaining how the girl who dressed like a grunge artist would introduce Afrofuturism to the world. During our chat, Ruth tells us about how she has always drawn on her interest in literary, dramatic, and visual arts to design on film sets. She shared the initial culture shock she experienced at her HBCU, Hampton, and how the theater department helped her blend her artistic sensibilities with the coiffed presentation of her classmates. Ruth detailed how she drew on these experiences in her first position in School Daze, and how her dedication led to the first of many creative collaborations with directors like Spike Lee, which would shape her career. Our conversation ranges from the specific way she employs the lessons her psychologist mother taught her, like gaining and keeping people's trust, to spending time with Tina Turner. We discussed so much of her portfolio, and what compelled her to begin archiving her designs, which now make up the traveling exhibition “Ruth E. Carter: Afrofuturism in Costume Design.” Ruth is open about her painstakingly detailed commitment to historical accuracy and how her early exposure to ideas about the future being a site of freedom and exploration shaped the visual identity for Black Panther. Tune in as we discuss:03:35 The Sinners Award Season08:56 Exploring Malcolm X's Time in a Massachusetts Correctional Facility12:50 The Loss of Personal Celebrity Style13:35 How The HBCU Experience Blew Her Mind15:15 Her Experience On School Daze And Working With Spike Lee23:55 Her Love Of Thrifting31:08 Deep Dive Into Her Experience On Sinners Set37:20 Deep Dive Into Her Experience On What's Love Got To Do With It Set40:20 Met Gala Experiences And Thoughts43:50 Deep Dive Into Her Experience On B.A.P.S Set47:44 Early Introduction To Afrofuturism52:02 Her Favorite African Designers52:50 Ruth's Personal Style54:30 The Power of Tailoring1:01:01 Maintaining a Calm Demeanor1:05:08 When Ruth Feels The Most BeautifulRate, Subscribe & Review the Podcast on AppleJoin the Naked Beauty Community on IG: @nakedbeautyplanetThanks for all the love and support. Tag me while you're listening @nakedbeautyplanet & as always love to hear your thoughts :)Check out nakedbeautypodcast.com for all previous episodes & search episodes by topicShop My Favorite Products & Pod Discounts on my ShopMyShelfStay in touch with me: @brookedevardFollow Ruth @therealruthcarter Hosted on Acast. See acast.com/privacy for more information.

This week, Glenn is joined by James Seddon-Brown, who has edited Love Island UK, Britain's Got Talent, The Circle, Big Brother UK, and Traitors Season 3 for which he was nominated for the Eddie and won the Primetime Emmy. David Moon, who has edited Gordon Ramsay's Kitchen Nightmares, Undercover Boss, Married at First Sight UK, Celebrity Race Across the World UK, for which he won the BAFTA for Factual Entertainment, and Gogglebox UK, for which he won the BAFTA for Best Reality and Constructed Factual. And Matthew Pratt, who has edited The Greatest Dancer, The Masked Dancer UK, Revenge TV and Britain's Got Talent. Now they have brought their excellent skills to Season 4 of the exciting reality show, The Traitors.  Thanks again to ACE for partnering with us on this podcast, check out their website for more.Thanks to Peacock for sponsoring this podcast.Want to see more interviews from Glenn? Check out "Editors on Editing" here.The Art of the Frame podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and, please leave a review so more people can find our show!  

"the affair which you have commemorated" [MUSG]  We welcome back Gus and Luke Holwerda, hosts of The Jeremy Brett Sherlock Holmes Podcast, along with their producer, David Youell, to discuss Brettcon 2: The Return. Scheduled for September 19, 2026, at the Dancehouse Theatre in Manchester, this second conference in the series continues to celebrate the 40th anniversary of legendary Granada Television series and the incomparable Jeremy Brett.    Following the success of their first conference in 2025, they reflect on the extraordinary sense of community the event inspired, bringing together fans from around the world with actors and crew members who shared memories of Jeremy Brett — a brilliant actor, and an admired and generous human being whose presence still resonates.   We discuss Brettcon 2's star-studded lineup, which includes actor Michael Siberry, BAFTA-winning costume designer Esther Dean, actor and stuntman Kiran Shah, and an exclusive for IHOSE of a very special pair of guests. From screenings of classic episodes to displays of original, unseen costumes, it's a salute to the artistry and community that defined the Granada era.    Beyond the main event, Gus, Luke and David also discuss the weekend extravaganza that takes fans into the heart of the show's production history, including a Friday meal at the former Granada Studios back lot, the original site of Baker Street. And they highlight the charitable mission at the heart of Brettcon, with all proceeds benefiting the mental health charity MindUK, in honor of Jeremy's own journey.   And you'll want to make sure you listen to additional bonus material as our conversation continued.   Our "Learned Societies" segment kicks off with Sherlockian society activities coming up in the second half of July. Then, it's a new edition of "Examining the Pictures," with the film critic, journalist, and author Christian Monggaard, BSI, as he reviews a cult classic from the 1970s. Finally, the Canonical Couplet quiz will test your Sherlock Holmes knowledge, with a copy of something from the vaults for the winner. Send your answer to comment @ihearofsherlock.com by June 14, 2026 at 11:59 a.m. EDT. All listeners are eligible to play.   As a reminder, our supporters can listen to the show ad-free and have access to occasional bonus material. Join us on the platform of your choice (Patreon | Substack). And if you need some show swag or gift ideas, or if you want to show off your good taste to other Sherlockians, check out our Merch Store, with mugs, notepads and more.   Leave I Hear of Sherlock Everywhere a five-star rating on Apple Podcasts and Spotify; listen to us wherever you listen to podcasts.   Links The Jeremy Brett Sherlock Holmes Podcast Brettcon 2: The Return Other episodes mentioned on the show: Episode 334: Remembering David Burke Episode 284: Brettcon Episode 203: The Jeremy Brett Sherlock Holmes Podcast Episode 33: Remembering Edward Hardwicke I Hear of Sherlock Everywhere / Trifles Merch Store     Explore more here. Find all of our relevant links and social accounts at linktr.ee/ihearofsherlock.   And would you consider leaving us a rating and or a review on Apple Podcasts, Spotify, or Goodpods? It would help other Sherlockians find us. Your thoughts on the show? Leave a comment below, send us an email (comment AT ihearofsherlock DOT com), call us at 5-1895-221B-5. That's (518) 952-2125.  

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture Our 2008 retrospective continues with "Revolutionary Road," starring Leonardo DiCaprio, Kate Winslet, Michael Shannon, Kathryn Hahn, David Harbour, and Kathy Bates. Directed by Winslet's real-life husband at the time, Academy Award winner Sam Mendes, and adapted by Justin Haythe from the award-winning novel by Richard Yates, this was considered a huge Oscar contender on paper before its release around Christmas time in 2008. Once it was released, it received mixed but still positive reviews, with most of the praise going to the acting of Winslet, DiCaprio, and Shannon, and eventually scored three Oscar nominations. Winslet, though, despite winning the Golden Globe and receiving BAFTA and SAG nominations, was Oscar-nominated for her other 2008 contender, "The Reader." How has the period domestic drama held up all these years later? Please tune in as Lauren LaMagna, Dan Bayer, Amy Kim, and I talk about the Mendes's direction, the story's themes, Roger Deakins's cinematography, Thomas Newman's score, the performance, its awards season run, and more in our SPOILER-FILLED review. Please check out our past reviews for "Frost/Nixon," "Doubt," and "Changeling." We appreciate your support and hope you enjoy our review! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

National treasure Jane McDonald boards Alan Air! Jane joins Captain Carr for a riotous trip through cruise ships, Nashville, Bridlington holidays, giant wedges, holiday romances and why her life permanently smells of bins. They chat about Jane's new album Living the Dream, filming Pole to Pole, nearly missing flights in Venice, bungee jumping in New Zealand, and pork pies from Wakefield. Plus: BAFTAs, sea legs, big cruise ships, South American hunks and why Jane thinks she should've been a country singer all along. Don't forget to like, subscribe and collect your emotional baggage from the carousel. 00:00 Jane McDonald boards Alan Air 00:48 Alan's BAFTA nominations & Jane's chart success 02:44 Jane's arena tour & Nashville album 03:33 Recording at Blackbird Studio in Nashville 04:41 “I should've been a country singer all along” 05:52 Pole to Pole & extreme travel filming 07:08 South America, Rio & beautiful people 08:22 Sprinting through Venice airport in giant wedges 10:09 Cruise ships in Venice & travelling with Gok 11:06 Selling Wakefield as a holiday destination 13:12 Childhood holidays to Bridlington 14:46 Jane's many holiday romances 15:31 The Jane McDonald Cruise gets chaotic 16:34 Why touring makes Jane happiest 18:19 “My life smells like a bin” 20:27 Bungee jumping in New Zealand 22:49 Street food, purple prawns & adventurous eating 24:17 Singing at the end of every travel show 26:06 Why there's a cruise for everyone 27:56 Quick Fire Questions 29:36 Final descent on Alan Air #LifesABeach #AlanCarr #JaneMcDonald #Cruise #TravelPodcast #LivingTheDream #Channel5 #ComedyPodcast #NationalTreasure #HolidayRomance #Nashville #CruiseShip #Bridlington Learn more about your ad choices. Visit megaphone.fm/adchoices

We are so happy to be joined by award winning comedy writer Jack Rooke on the podcast this week! Fresh from his BAFTA win for his beautiful comedy series ‘Big Boys' (and still suffering from a 2 day hangover), Jack joined us for brunch to celebrate the occasion. Jack is in the midst of preparing for the return of his comedy show ‘Good Grief', and we talked about how comedy helped him with the loss of his dad when he was a teen. We also covered meeting Celie Imrie, rating gifted lasagnes, his love of working in Paris, his dream of Christmas dinner & thanksgiving merged into one meal, and we even get a confession involving Jessie's mobile number! What a total delight to chat with the fabulous Jack, good luck with the tour! ‘Good Grief' is touring the UK from August to October, tickets on sale now.Listen & watch Table Manners here - https://tablemanners.komi.io/Follow Table Manners on:Instagram - https://www.instagram.com/tablemannerspodcast/TikTok - https://www.tiktok.com/@tablemannerspodcastFacebook - https://www.facebook.com/tablemannerspodcastYouTube - https://www.youtube.com/@TableMannersPodcast Hosted on Acast. See acast.com/privacy for more information.

*triggers: contains description of physical assault Emily Atack left school at 16, confident she wouldn't need a GCSE for what she wanted to do: act. It turns out, she was correct. She starred as Charlotte Hinchcliffe in the smash-hit comedy The Inbetweeners when she was just 17 and is currently on our screens as Sarah Stratton in Disney+'s hit drama Rivals, as well as co-hosting a new ITV game show, Nobody's Fool, with Danny Dyer. But it hasn't always been easy: she faced sexual harassment and abuse from the age of 10. We talk about the impact this has had on how she now understands her own capabilities and about how her unbreakable bond with her sister, Martha, has helped her survive the toughest challenges. ✨ IN THIS EPISODE: 00:00 Introduction to Emily 03:19 Learning Boundaries 05:33 Class and Growing Up 07:39 Paul McCartney Connection 10:00 Failing to Believe In Herself 14:58 Leaving Home at Sixteen 25:10 Inbetweeners Fame Fallout 30:18 Praise for Rivals 31:23 Earning Creative Trust 32:51 Emotional Regulation Struggles 35:40 Forgiveness and Loneliness 37:20 Childhood Trauma and Sex 41:35 Alistair and Finding Home 46:52 Motherhood and Body Image 55:19 Keeping Nice Things and Goodbye

On this episode, Rachel La Loca teams up with Victoria Alonso — founder and former President of Production at Marvel Studios. Together, they dive into Victoria's journey inside Marvel HQ, all of which she unpacks even further in her new book, Possibility is Your Superpower: Unleash Your Infinite Potential. But then, the conversation takes a turn (insert dramatic music). Victoria flips the script and taps into Rachel La Loca's own powers, pulling tools from her metaphorical utility belt. Suddenly things get real. ABOUT VICTORIA From 2006 to 2023, one of the founding members of Marvel Studios, Victoria was President of Film, Television and Animation Production at Marvel Studios, producing more than 35 successful Films, 15 Series and Animated shows. These films produced a record box office gross of over $30 billion dollars, receiving 15 Academy Awards nominations and 7 Primetime Emmy nominations and 2 Children's and Family Emmy wins. In 2022, she produced the international hit ARGENTINA 1985 for Amazon Studios. The film received worldwide awards such as the Venice International Film Festival and the San Sebastián International Film Festival; nominated for the Oscars and BAFTA as Best International Film and awarded the Golden Globe Awards and Goya Awards. She has more than 40 international awards and nominations. She was named by The Hollywood Reporter's "Women in Entertainment Power 100" for eight consecutive years and Forbes "Top 100 Latino Women".   Purchase Victoria's book here:  https://amzn.to/43AIiJx Hardcover Follow Rachel Follow Latinos Out Loud Follow Victoria #Marvel #MCU #VictoriaAlonso #LatinosOutLoud #Podcast Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

James Holland is one of the greatest WWII historians alive, and his new book should be on the desk of every world leader. We get into the three decisions that built the entire postwar order, and why dismantling them might be the biggest mistake of our lifetime. James Holland, one of WWII's finest historians, is the co-author of Victory '45, and author of Cassino '44, The Savage Storm, Brothers in Arms, Sicily '43, Normandy '44, Big Week, The Rise of Germany, and The Allies Strike Back in The War in the West trilogy, Burma '44, and Dam Busters. He has written and presented the BAFTA shortlisted documentaries Battle of Britain and Dam Busters for the BBC, and his WWII podcast, “We Have Ways of Making You Talk,” now has millions of listeners. He is the founder of the annual Chalke Valley History Festival, and I am proud to attend again this year. I love James Holland, and his new book (OUT TODAY), The Visionaries: Bretton Woods, the Marshall Plan, and the Making of the Post-World War II Order, does not disappoint and is critical at this time. Anthony Scaramucci is the founder and managing partner of SkyBridge, a global alternative investment firm, and founder and chairman of SALT, a global thought leadership forum and venture studio. Pre-order my next book, All the Wrong Moves: How Three Catastrophic Decisions Led to the Rise of Trump, out on the 17th of September in the UK and the 22nd of September in the US: ⁠https://www.scaramucci.net/allthewrongmoves Here is what James Holland had to say about my new book, All The Wrong Moves: "All the Wrong Moves is a profound, compelling, and deeply thought-provoking book. Drawing on the past centuries of America's rich history, this is a story filled with razor-sharp analysis, wisdom, and pragmatic common sense. Authoritative, incisive, often disturbing, but ultimately offering a path for redemption, it needs to be read by as wide an audience as possible." ―James Holland, author of Normandy '44 Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, the boys drink and talk about heading to the movies twice to catch Mando and Grogu, and we sat in packed theaters to see “Obsession”, the horror-thriller that did 30% better in the second weekend of its wide release than its first. We drink and try to stay positive, but that wasn't difficult when discussing these awesome movies! Grab a drink and listen along.  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro;4:40 “Star Wars: The Mandalorian and Grogu”: Films of 2026; 44:40 “Obsession”: Films of 2026; 01:24:44 What You Been Watching?; 1:30:34 Next Week's Episode Teaser Additional Cast/Crew: Pedro Pascal, Dave Faloni, Jon Favreau, Martin Scorsese, Jeremy Allen White, Noah Kloor, Michael Johnston, Curry Barker, Inde Navarrette, Megan Lawless, Cooper Tomlinson. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Widow's Bay, The Boys, The Pitt, Shrinking, Hacks, Send Help, The Yogurt Shop Murders.  Additional Tags: Robert Duvall, Sports Documentary, Bowling, Bette Davis, SZA, Keke Palmer, Amazon Studios, Warner Discovery, Paramount Skydance, Conan O'Brien, Weapons, Sinners, One Battle After Another, Frankenstein, Annapurna Films, Old Man Marley, Home Alone, Shawshenk Redemption, Gordon Ramsay, Thelma Schoonmaker, Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars 2026, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg. 

Whether you want to sell a dead parrot to an unsuspecting customer, travel around the world with a wry view of life, or simply figure out why a fish is called Wanda -- Michael Palin is your man. The creator of many of Monty Python's most beloved sketches, Palin carved out a fine post-Python career as the host of numerous BBC travel shows, as well as a full resume of character roles such as that of Ken Pile, a stuttering gangster, in A Fish Called Wanda. What did the public think of Michael? How about four Bafta awards and an appointment as a Commander of the Order of the British Empire. Just don't ask too many questions -- you don't want him to think it's some sort of Spanish Inquisition! As always find extra clips below and thanks for sharing our shows! Want more Michael Palin? Another Palin classic was this long running gag about some people you would never expect. https://youtu.be/psMMKgvpGfg?si=mkTPwDC9wMC5hUpu Michael was at the center of many classic Python bits, including this musical tribute to the men of the woods! https://youtu.be/B6mzobwTYyo?si=Riix_96cfDIrNZmS Michael had a huge post-Python career hosting a series of witty travel programs for the BBC. Not bad work if you can get it! https://youtu.be/jXddPTxv8DM?si=fgUNl6S6BStyeqFR Michael is a fine character actor and his role as stuttering gangster Ken Pile in A Fish Called Wanda is one of his best. https://youtu.be/4vsFC6Gt2EE?si=1ATBkJEGlBBIVa7R

This week, the boys have a blast getting political, discussing 1969's “Z”. This French-language movie was filmed in Algeria about a true story in Greece, and it feels like it could be 2026. The themes of the film are deep, and the tension is high, but we drink whiskey and beer, so we had fun discussing! Grab a beer and listen along, unless you're a child. linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 9:27 1969 Year in Review; 37:18 “Z”: Films of 1969; 01:17:04 What You Been Watching?; 1:28:04 Next Week's Episode Teaser. Additional Cast/Crew: Costa-Gavras, Jean-Louis Trintignant, Jacques Perrin, Yves Montand. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Kurosawa's Ran, Throne of Blood, Star Wars: The Mandalorian and Grogu, Taxi Driver 50th Anniversary, Shrinking.  Additional Tags: Robert Duvall, Sports Documentary, Bowling, Bette Davis, SZA, Keke Palmer, Amazon Studios, Warner Discovery, Paramount Skydance, Conan O'Brien, Weapons, Sinners, One Battle After Another, Frankenstein, Annapurna Films, Old Man Marley, Home Alone, Shawshenk Redemption, Gordon Ramsay, Thelma Schoonmaker, Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars 2026, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg. 

Robert meets Belfast-born Kathryn Ferguson is an Emmy and BAFTA nominated, BIFA and IFTA winning director whose innovative and boundary-pushing documentary work has screened globally. We explore art as activism and how film has the power to reveal, and more widely share, untold stories. Kathryn studied at Central Saint Martins and the Royal College of Art, and in 2022 was awarded the inaugural BFI & Chanel Award for Creative Audacity. In 2018, Kathryn's short documentary Taking the Waters premiered at Sheffield Doc Fest, and was long-listed for a BAFTA. Then, in 2021, Kathryn worked with Passion Pictures on the short Space to Be for The Guardian's acclaimed documentary series. After a decade of short-form work centred on identity, gender politics, and community, Kathryn recently completed her debut feature documentary Nothing Compares - which takes as its subject Sinéad O'Connor's artistry and activism. The film premiered at Sundance Film Festival 2022 then toured the international festival circuit, where it picked up multiple awards, before hitting cinemas in October 2022. It has received over thirty award nominations internationally, including Emmy, Critics Choice, IDA, and PGA Awards, and was awarded winner of Best Feature Documentary at BIFA 2022 and IFTA 2023. Nothing Compares is now available to watch on Showtime and Sky. Her second feature, Bogart: Life Comes in Flashes (Universal), was released in US cinemas in 2024. In 2024 she also co-founded Tara Films with producer Eleanor Emptage; their latest, Blue Road - The Edna O'Brien Story, premiered at TIFF 2024, and the company is currently developing a slate of non-fiction and drama projects. Alongside her film work, Ferguson has directed campaigns for Nike, Selfridges, Amnesty International, and Air France, and collaborated with artists such as Lady Gaga and Neneh Cherry. Nostalgie, Kathryn's first drama short starring Aiden Gillen, about a faded 80's pop star, has recently been nominated for a BAFTA and won Best Short Film at the IFTAs 2026. The film is available to watch on Channel 4. Hosted on Acast. See acast.com/privacy for more information.

*triggers: contains description of physical assault Katherine Parkinson is the two‑time BAFTA‑winning actor beloved for The IT Crowd, Doc Martin, Humans and most recently, Rivals, the hit Jilly Cooper adaptation that became an international Emmy winner. Fresh from her latest BAFTA win, she joins Elizabeth to reflect on the unexpected turns that shaped her life – from Surbiton to Oxford, from comedy to chaos, and from self‑doubt to a hard‑won sense of confidence. In this episode, we talk about her childhood dreams of becoming an astronaut, how her brothers are convinced she's in MI5 (we will never know), the class anxieties that coloured her university years, her lifelong battle with disorganisation and the pressure she put on herself to “earn her place”. Katherine also opens up – for the first time – about a violent assault she minimised for years, the shame she carried and how motherhood has reframed her understanding of fear, safety and resilience. We also explore the joy she found in acting, the liberation of embracing her own contradictions, the friendships that sustained her and the work that goes into rebuilding after trauma. ✨ IN THIS EPISODE: 00:00 Intro 03:48 Northern Ireland Roots 04:06 Why Rivals Works 05:34 Class and Oxford 08:08 Lizzie and Fred Fred 10:51 Jilly Cooper Loss 14:03 Failure One Disorganised 15:46 Exam Breakdown Story 19:14 Fear of Winning 20:52 MI5 and Astronaut Dreams 22:07 Academia vs Acting 23:07 Pressure and Perfectionism 23:59 Choosing the Actor Path 25:23 Facing Unprocessed Trauma 26:04 Assault 30:03 Shame and Cultural Context 33:45 Anxiety and Motherhood 38:56 Anger and Survival Instincts 40:08 Oboe Failure and Braces 42:21 Failing Freely as an Actor 43:49 Happiness and Goodbye

Charlotte Henry and Chuck Joiner discuss Apple TV's sports and awards momentum, from Lionel Messi's expanding U.S. profile and Friday Night Baseball visibility to major BAFTA and Tony recognition. They also examine how awards influence viewer choices, upcoming Apple TV projects with John Travolta and James Marsden, and frustrations with subtitle handling in multilingual shows.  Show Notes: Chapters: 0:00 Apple TV, soccer, and a 10-foot Lionel Messi inflatable1:28 Lowe's, Messi marketing, and World Cup branding3:19 Apple TV's role in Messi's rising U.S. profile5:26 Adidas, World Cup buzz, and MLS connections6:25 Sports marketing and the search for more giant inflatables7:22 Missing Friday Night Baseball and Apple TV visibility10:03 BAFTA recognition for The Studio11:29 Apple TV's quality content and subscriber discovery13:55 Do awards actually influence viewers?15:57 Awards as credibility markers for Apple TV18:52 Schmigadoon and Tony nominations20:52 Apple TV's growing strength across genres22:59 Reactions to the latest Ted Lasso direction24:32 John Travolta's new Apple TV project26:15 Disavowed and Apple TV's action-thriller plans28:54 Chief of War and multilingual subtitle frustrations31:36 Built-in subtitles vs. viewer-controlled captions34:31 Second-screen viewing and language presentation35:37 Where to find Charlotte and Chuck online Links: Lowe's Lionel Messi 10-Ft H Lighted Outdoor Inflatablehttps://www.lowes.com/pd/Lowe-s-Lionel-Messi-10-Ft-H-Lighted-Outdoor-Inflatable/5017758073 Apple Original Films' summer blockbuster “F1 The Movie” is now available on premium video on demand and electronic sell-through, in collaboration with Warner Bros. Pictures https://www.apple.com/tv-pr/news/2025/08/apple-original-films-summer-blockbuster-f1-the-movie-is-now-available-on-premium-video-on-demand-and-electronic-sell-through-in-collaboration-with-warner-bros-pictures/Apple may lose baseballhttps://www.sportspro.com/news/mlb-apple-tv-friday-night-baseball-august-2025/https://9to5mac.com/2025/08/19/apple-mlb-friday-night-baseball-to-end/Apple TV Plus is offering subscribers a 54% discount following a wave of cancellations after its latest price hike https://www.tomsguide.com/entertainment/apple-tv-plus/apple-tv-plus-is-offering-subscribers-a-54-percent-discount-following-a-wave-of-cancellations-after-its-latest-price-hikeWhat's being released soon. https://www.apple.com/tv-pr/originals/ Guests: Charlotte Henry is a media junkie, covering how Apple is not just a revolutionary tech firm, but a revolutionary media firm. She is based in London, writes and broadcasts for various outlets, and is the author of Not Buying It, an examination of fake news. You can find her on her The Addition blog, her podcast, in her The Addition newsletter on substack, and on Twitter, Facebook, Instagram and TikTok. Support:      Become a MacVoices Patron on Patreon     http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:     http://macvoices.com      Twitter:     http://www.twitter.com/chuckjoiner     http://www.twitter.com/macvoices      Mastodon:     https://mastodon.cloud/@chuckjoiner      Facebook:     http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:     http://www.facebook.com/macvoices/      MacVoices Group on Facebook:     http://www.facebook.com/groups/macvoice      LinkedIn:     https://www.linkedin.com/in/chuckjoiner/      Instagram:     https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes     Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

Charlotte Henry and Chuck Joiner discuss Apple TV's sports and awards momentum, from Lionel Messi's expanding U.S. profile and Friday Night Baseball visibility to major BAFTA and Tony recognition. They also examine how awards influence viewer choices, upcoming Apple TV projects with John Travolta and James Marsden, and frustrations with subtitle handling in multilingual shows.  Show Notes: Chapters: 0:00 Apple TV, soccer, and a 10-foot Lionel Messi inflatable 1:28 Lowe's, Messi marketing, and World Cup branding 3:19 Apple TV's role in Messi's rising U.S. profile 5:26 Adidas, World Cup buzz, and MLS connections 6:25 Sports marketing and the search for more giant inflatables 7:22 Missing Friday Night Baseball and Apple TV visibility 10:03 BAFTA recognition for The Studio 11:29 Apple TV's quality content and subscriber discovery 13:55 Do awards actually influence viewers? 15:57 Awards as credibility markers for Apple TV 18:52 Schmigadoon and Tony nominations 20:52 Apple TV's growing strength across genres 22:59 Reactions to the latest Ted Lasso direction 24:32 John Travolta's new Apple TV project 26:15 Disavowed and Apple TV's action-thriller plans 28:54 Chief of War and multilingual subtitle frustrations 31:36 Built-in subtitles vs. viewer-controlled captions 34:31 Second-screen viewing and language presentation 35:37 Where to find Charlotte and Chuck online Links: Lowe's Lionel Messi 10-Ft H Lighted Outdoor Inflatable https://www.lowes.com/pd/Lowe-s-Lionel-Messi-10-Ft-H-Lighted-Outdoor-Inflatable/5017758073 Apple Original Films' summer blockbuster "F1 The Movie" is now available on premium video on demand and electronic sell-through, in collaboration with Warner Bros. Pictures https://www.apple.com/tv-pr/news/2025/08/apple-original-films-summer-blockbuster-f1-the-movie-is-now-available-on-premium-video-on-demand-and-electronic-sell-through-in-collaboration-with-warner-bros-pictures/ Apple may lose baseball https://www.sportspro.com/news/mlb-apple-tv-friday-night-baseball-august-2025/ https://9to5mac.com/2025/08/19/apple-mlb-friday-night-baseball-to-end/ Apple TV Plus is offering subscribers a 54% discount following a wave of cancellations after its latest price hike https://www.tomsguide.com/entertainment/apple-tv-plus/apple-tv-plus-is-offering-subscribers-a-54-percent-discount-following-a-wave-of-cancellations-after-its-latest-price-hike What's being released soon. https://www.apple.com/tv-pr/originals/ Guests: Charlotte Henry is a media junkie, covering how Apple is not just a revolutionary tech firm, but a revolutionary media firm. She is based in London, writes and broadcasts for various outlets, and is the author of Not Buying It, an examination of fake news. You can find her on her The Addition blog, her podcast, in her The Addition newsletter on substack, and on Twitter, Facebook, Instagram and TikTok. Support:      Become a MacVoices Patron on Patreon      http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:      http://macvoices.com      Twitter:      http://www.twitter.com/chuckjoiner      http://www.twitter.com/macvoices      Mastodon:      https://mastodon.cloud/@chuckjoiner      Facebook:      http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:      http://www.facebook.com/macvoices/      MacVoices Group on Facebook:      http://www.facebook.com/groups/macvoice      LinkedIn:      https://www.linkedin.com/in/chuckjoiner/      Instagram:      https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes      Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

On this week's Vogue & Amber: Vogue addresses the BAFTA's fued rumours and tells us about her celebrity stalking exploits on the carpet.Plus, why are celebrities still buying bots? A surprise song made for Amber “with love” (questionable), and a cheating scandal gets exposed the old-school way...Vogue & Amber is a Global production, available every Tuesday and Thursday on Global Player, YouTube or wherever you get your shows. Make sure you subscribe so you never miss an episode.Watch us on Youtube! CLICK HERE! or search Vogue & AmberRemember, if you want to get involved you can:Email us at vogueandamberpod@global.com OR find us on socials @voguewilliams, @ambrerosolero @vogueandamberpod

This week wasn't messy. It was revealing. In this episode of Receipts & Reactions, we break down: • The escalating 50 Cent vs T.I. feud — and why ego never retires • Why family involvement changes the power dynamics in rap beef • The BAFTA controversy and what selective editing really says about media control • The viral Cardi B & Stefon Diggs breakup — and why holiday optics always tell the truth • The liquor industry losing $830 BILLION — and what Gen Z's shift away from alcohol reveals about culture • A memoriam honoring James Van Der Beek and civil rights leader Jesse Jackson This isn't gossip. We're talking ego, hierarchy, censorship, generational shifts, media optics, relationship psychology, and the difference between image and integrity. If you're tired of loud commentary and want sharp analysis instead — you're in the right place. "Ego is louder than talent."

This week's Inheritance Tracks come from stage and screen actor, Jason Watkins. Jason has been in brilliant in TV productions as various as the Crown, W1A and the The Lost Honour of Christopher Jeffries for which he won a BAFTA. Inherited: Al Bowlly - Love is the Sweetest Thing Pass on: Human League – Together in Electric DreamsProducer: Ribika Moktan

Award-winning screenwriter Malcolm Campbell has worked on some of the most influential shows on UK television. His impressive back catalogue of films includes the gripping What Richard Did as well as the deeply affecting Herself. Now, his latest feature, 500 Miles, has just hit cinemas. This moving family drama, featuring Bill Nighy and Maisie Williams, follows two young brothers on a poignant journey across Ireland.In this Film Ireland Podcast, Malcolm discusses adaptation, notes, writing with empathy, working with actors, and the collaborative process of bringing 500 Miles to the screen.Listen now on SoundCloud, Apple, Spotify, Acast and Amazon, or subscribe to Film Ireland wherever you get your podcasts.Malcolm CampbellMalcolm is an award-winning screenwriter from Mansfield, whose credits include the acclaimed feature films, What Richard Did and Herself. He created and wrote C4's hit TV drama series Ackley Bridge, now in its 5th and final series, and he has written for some of the UK's most popular dramas, including Shameless and Skins. Malcolm's ​screenplay for What Richard Did, directed by Lenny Abrahamson and produced by Element Pictures, won numerous awards including The Evening Standard British Film Award's Best Screenplay, The Writer's Guild's Best Screenplay and the Irish Film and TV Award's Best Film Script. Malcolm co-wrote the film Herself with its star Clare Dunne. Directed by Phyllida Lloyd, reviews for the film were outstanding and it was released globally across 2021, winning Best Script at the IFTAs that year.500 MilesWhile their fighting parents (Clare Dunne & Michael Socha) tear their hair out with worry, runaways Finn (Roman Griffin Davis) and his live-wire younger brother Charlie (Dexter Sol Ansell) embark on an epic adventure from Yorkshire, over land and sea, to the Wild West coast of Ireland. With the free-spirited busker Cáit (Maisie Williams) helping the young boys along the way, their destination is Dingle, County Kerry, and their estranged, beloved Grandfather (BAFTA-award winner Bill Nighy), who their parents haven't spoken to since the fateful events of the previous summer.Directed by BAFTA-winner Morgan Matthews and written by Malcolm Campbell, this powerful adaptation of Mark Lowery's acclaimed book Charlie and Me: 421 Miles from Home is produced by New Origin, Port Pictures and Minnow Films. Produced by David M. Thompson, Alexander Gordon, Martina Niland and Keren Misgav Ristvedt, and with music from Jamie Duffy, 500 MILES stars Bill Nighy (Love Actually, Living) alongside Roman Griffin Davis (Jojo Rabbit), Dexter Sol Ansell (A Knight of the Seven Kingdoms), Clare Dunne (Herself, Kin), Michael Socha (This is England) and Maisie Williams (Game of Thrones).In cinemas 15th May 2026.Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

This week, the boys keep it positive as they reconvene in John Lennon's old home to watch the devil's son get birthed in “Rosemary's Baby”. We've done a surprising number of Roman Polanski movies considering, you know, his past. But this movie rocks. Screwed up, but it rocks. We discuss. John also gives a mini-review of “Mortal Kombat 2”. Grab a beer and listen along! linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 3:56 “The Devil Wears Prada 2” mini-review; 15:16 1968 Year in Review; 32:09 “Rosemary's Baby”: Films of 1968;01:13:47 What You Been Watching?; 1:20:42 Next Week's Episode Teaser Additional Cast/Crew: Mia Farrow, John Cassavettes, Ruth Gordon, Ralph Bellamy, Signey Blackmer, Karl Urban, Adeline RudolphMehcad Brooks, Jessica McNamee, Tati Gabrielle, Josh Lawson, Simon McQuoid.  Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Serenity, Send Help, Firefly, Serenity, The Firm, The Rainmaker, Wall Street, Apartment 7A, Gone With The Wind, JenBenet Ramsey. Additional Tags: Sports Documentary, Bowling, Bette Davis, SZA, Keke Palmer, Amazon Studios, Warner Discovery, Paramount Skydance, Conan O'Brien, Weapons, Sinners, One Battle After Another, Frankenstein, Annapurna Films, Old Man Marley, Home Alone, Shawshenk Redemption, Gordon Ramsay, Thelma Schoonmaker, Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars 2026, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.   

Donny Deutsch breaks down the brands shaping the cultural conversation this week on On Brand with Donny Deutsch. In this fast-moving Brands of the Week episode, Donny unpacks what's hot, what's not, and what's flying under the radar. This week's brand winners & losers include:

After a wild potty training journey, Renly's officially out of nappies! The ladies catch up on all the family sickness, Soph's BAFTA prep, and Emma's big road trip. Plus, they answer questions about innie or outie belly buttons and how to prepare for bringing a little one into the world. Hosted on Acast. See acast.com/privacy for more information.

Terence, Albert and Hesketh are back for episode 109, We're On Our Way. There's chaos off the pitch as Eagle Holdings head into administration, while former Palace goalkeeper Nigel Martyn eyes an England Over-60s cricket call-up. We also celebrate a BAFTA win for Palace fan Holly Walsh and reveal what listeners can win in the raffle supporting Terence's Palace for Life ‘Bike From Arsenal' charity ride.On the pitch, Palace march into the UEFA Europa Conference League Final after a memorable 2-1 win over FC Shakhtar Donetsk at Selhurst Park, before a dramatic 2-2 draw with Everton F.C. on Sunday. Both games saw another goal from the unstoppable Ismaïla Sarr, who now has 20 goals for the season — becoming the first Palace player to hit that mark in a Premier League campaign since Andy Johnson in 2004/05. Hosted on Acast. See acast.com/privacy for more information.

She Sought Out the People Who Threatened Her Deeyah Khan was editing a film when the BBC called. The threats were serious enough the police were already on their way. “Stay where you are,” they told her. “If there are windows in the room, move to a different one. Wait for us.” She had given an interview saying Britain would never be all white again. White supremacist sites in the United States picked it up and ran with it. One of those sites had been frequented by Dylann Roof, the man who murdered nine Black parishioners in Charleston in 2015. Now their followers were sending death threats by the hundreds, telling her to be afraid, telling her she should not exist. The police gave her a personal alarm and a security briefing. That night, sitting alone, she made an unusual decision. She would not hide. She would seek out the people threatening her, sit with them face to face, and try to understand who they were. I had the privilege of speaking with Deeyah recently on Cults, Culture & Coercion. She is a BAFTA and two-time Emmy winning documentary filmmaker. Over the past fifteen years, she has done what almost no one in journalism has been willing to do. She has interviewed convicted anti-abortion terrorists from the Army of God, the leader of America's oldest and largest neo-Nazi organization, and pro-Trump militia members plotting violence against refugees. She has done it warmly, with genuine curiosity, while also holding strong positions of her own about human rights, women's rights, and the basic dignity of every person. She is an inspiration and she has, but being respectful snd curious and asking questions without attacking, has been able to help deradicalize a major figure in the hate cult. Please read this blog on Substack and listen to this amazing interview. Learn more about your ad choices. Visit megaphone.fm/adchoices

The romantic recession is officially over. We’re deep-diving into the massive slate of book-to-screen adaptations just announced, including the spicy hockey romance the internet is obsessed with, and the cult-classic fake dating story finally getting the movie treatment. If you’ve spent the last year spiralling over these characters on TikTok, your weekend plans for the next two years are officially sorted.Then, we’re looking at the "terrifying" side of technology that has one of our favourite leading ladies calling out "losers" in the industry. From massive layoffs at a major studio to the digital ‘resurrection’ of an iconic actor, we explore the high-stakes feud between creative souls and the robots taking over Hollywood.Plus, a look at the historic night where a young star’s vision became a reality. We’re breaking down the wins from the biggest night in British TV and the heartbreaking tribute to a late, great icon that left the room in tears.Love binge-watching TV? The Spill has launched a new podcast called Watch Party where we deep dive into the shows everyone’s talking about. Follow the feed on Apple or Spotify now. Plus remember The Spill drops the tea twice a day in this feed so follow us for all the latest entertainment news… OR you can WATCH our show in full length video on the Apple Podcast app - make sure your phone is up to date and enjoy the watch! Link here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media: https://www.mamamia.com.au/subscribe/ Your subscription helps us continue to tell the stories that matter to women. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Alex and Ben discuss the 2026 TV Bafta's from all the winners and losers of the night. Find us: ⁠⁠⁠⁠⁠⁠http://linktr.ee/faithfulto ⁠⁠⁠⁠⁠⁠⁠⁠⁠If you'd like to support the podcast, please got to: https://buymeacoffee.com/faithful⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Sorry this was uploaded weeks late - a lot of things happened. We're getting caught up very quickly, though! I was at a tech conference this past week and it was a dystopia regarding agentic AI...and the agents didn't even work properly! While I was in town, I visited the new Nintendo San Francisco store! On the flight home, I started playing Tomodachi Life: Living The Dream, and I'm not as drawn into it as I was the original DS version. There is a new retro console that plays the original cartridges - the Neo Geo+ AES - and is also coming with 10 cartridge rereleases that work on the original hardware. An indie game trailer dealing with serious subjects was pulled from the BAFTA Games Awards while BAFTA talked about championing games dealing with serious subjects. Then we talk to Jamie about the Neo Geo+ AES.

Faith is a deeply personal thing and, for many of us, our relationship with it changes over time. Some people drift away from it, some come back to it, and others are still figuring out what it means to them. It's a journey that's rarely a straight line.Big Zuu knows that better than most. Over the years, he has struggled to work out what being a Muslim means to him. In this Great Moment, the BAFTA-winning TV chef and Grime artist opens up about reconnecting with his faith, how the process has shaped him and how he's found a way to balance two loves of his life: his music and his religion.Listen to the full episode HERE!If you enjoyed the show, you can also follow us: Instagram- @greatcompanypodcastTikTok - @greatcompanypodcast And if you've got thoughts, questions and comments, you can email us at: greatcompany@jampotproductions.co.uk THE CREDITSProducer: Helen BurkeAssistant Producer: Issy Weeks-HankinsVideo: Jake JiSocial Media: Laura CoughlanExec Producer: Ewan Newbigging-Lister & Jemima RathboneGreat Company is an original podcast from JamPot Hosted on Acast. See acast.com/privacy for more information.

Motherland spin-off Amandaland is back for a second series, starring Lucy Punch as Amanda and Joanna Lumley as her frosty mum, Felicity. Nuala McGovern talks to the show's award-winning writer and co-creator Holly Walsh about what's in store for the SoHa crew second time around, as Amanda navigates life as a single mum of teenagers, juggling online influencing and her ‘co-labs' with her dreams of moving up in the world.The classically trained pop musician Rosalía topped many end of year polls for her opera-influenced album, Lux. This week she graced the stage at the O2 Arena as her sell-out tour reached London and last week it was announced she'll receive the 2026 Ivor Novello award for International Songwriter of the Year. Pop Critic of The Observer, Kitty Empire joins us to profile the artist.TV personality Vicky Pattison, psychotherapist Gabrielle Rifkind and comedian Helen Thorn join Nuala to discuss tackling difficult conversations in our personal lives.The mainstreaming of violent sexual content is reshaping society, according to Clare McGlynn, a Professor of Law at Durham University, whose first book, Exposed, was published yesterday. In Clare's view, the problem isn't porn per se, it's patriarchal porn - pornographic content that was once niche and difficult to find, including incest, racism and rape, that has been normalised and is widely consumed. Clare joins Anita Rani to discuss the harms of extreme pornography.It was Sir David Attenborough's 100th birthday on Friday 8 May and the BBC has launched a week-long celebration of his work and legacy. So we wanted to take this moment to shine a spotlight on women working in nature programmes. Sophie Darlington was one of the first female wildlife cinematographers and her work has earned her a BAFTA and an Emmy. She joins Nuala to talk about her work and Sir David.Presenter: Anita Rani Producer: Simon Richardson

Have a comment? Send us a text! (We read all of them but can't reply). Email us: Will@faithfulpoliticspodcast.comWhat if racism is not just a belief someone holds, but something people do through everyday choices, institutions, and patterns of behavior?Ainsley LeSure joins Faithful Politics to explain why racism cannot be reduced to personal belief, private intent, or what someone claims is in their heart. Drawing from her book Locating Racism in the World, LeSure argues that racism is better understood through practice, behavior, outcomes, institutions, and the everyday relationships that shape our shared world. The conversation covers institutional racism, the post-civil rights era, Christian political mobilization, democracy, equality, voting rights, and the ways racial common sense continues to shape American politics. We also discuss the recent BAFTA awards incident involving racist language during an acceptance speech connected to Sinners, using it as a real-world example of how harm, responsibility, intent, and public response become more complicated when racism is treated only as a question of personal motive.Locating Racism in the World:https://global.oup.com/academic/product/locating-racism-in-the-world-9780197833865?cc=us&lang=en&Guest BioAinsley LeSure, Ph.D. is a political theorist and Assistant Professor of Political Science and Africana Studies at Brown University, where she specializes in race and racism, phenomenology, democratic theory, feminist theory, and political thought. Her book Locating Racism in the World develops a phenomenological account of antiblack racism and challenges post-civil rights understandings that reduce racism to individual belief or intent. Her work helps explain how racism operates through everyday practices, institutions, relationships, and democratic life. Support the show

Sir David Attenborough turns 100 today, marking a century of a life dedicated to the natural world. From his early days at the BBC in the 1950s to becoming the most recognisable voice in documentary history, we look back at the landmark career of a man who brought the wild into our living rooms.

Today on Art of the Cut we speak with Andrew Marcus, the editor of The Devil Wears Prada 2.Andrew has edited Howard's End, for which he was nominated for a BAFTA, Much Ado About Nothing, the 1994 Frankenstein movie, Hedwig and the Angry Inch, Remains of the Day, American Psycho, and Under the Tuscan Sun, among many others.Our discussion today is about the freedom he has in the editor's cut, the importance of calibrating the amount of set-up of a joke, and building montages that were not in the script.If you'd like to read along with this inteview and see images from the film, the trailer and clips, visit the BorisFX blog site.borisfx.com/blog/aotc

BAFTA-nominated indie darling Xalavier Neslon Jr. joins the podcast this week to discuss the diverse lineup of games from his studio Strange Scaffold and their approach to making games in an ever-changing industry. With games like I Am Your Beast, Clickolding, Creepy Redneck Dinosaur Mansion, the upcoming Truck-Kun is Supporting Me from Another World!? and the critically acclaimed (and soon-to-be major motion picture) El Paso Elsewhere under his belt, we break down how he's able to keep all these plates in the air at once, why acting in games is so fun, the case for a general video game industry workers union, and much more. We also cover all the Nintendo and gaming news such as updated rumors about the upcoming Star Fox Switch 2 game, rumblings on a new Super Smash Brothers from Sakurai, Gamestop & Steam Machine updates and many more such topics. As always, we close with the games we've been playing. Listen to Super Switch Headz on Apple Podcasts, Spotify, YouTube or wherever you enjoy podcasts. 0:00:00 Introduction 0:13:40 News and Rumors 0:44:20 Xalavier Nelson Jr. Interview 1:33:34 Games We're Playing Wishlist Truck-Kun Now: https://store.steampowered.com/app/3642010/Truckkun_is_Supporting_Me_from_Another_World/ Discord: https://discord.com/invite/CWbF4gb Facebook: https://www.facebook.com/groups/switchheadz Patreon: https://www.patreon.com/SuperSwitchHeadz/ Website: https://www.switchheadz.com/ Clips Channel: https://www.youtube.com/@SwitchHeadzClips 

This week, Jeff and John praise and endorse (and nitpick) “The Devil Wears Prada 2”, before discussing “Sullivan's Travels”. Two of us thought it was great. one DID NOT. Why did Preston Sturges' risky, genre-morphing social commentary turn off the Aussie? Grab a drink and tune in!  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 5:25 “The Devil Wears Prada 2” mini-review; 15:56 Gripe; 17:42 19411942 Year in Review; 29:25 “Sullivan's Travels”: Films of 1941/1942; 59:45 What You Been Watching?; 1:06:05 Next Week's Episode Teaser Additional Cast/Crew: Joel McCrea, Veronica Lake, Preston Sturges, Anne Hathaway, Meryl Streep, Emily Blunt, Stanley Tucci, Lady Gaga. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: The Pitt, The Boys, Daredevil, All That Heaven Allows, The Era's Tour, Florence + The Machine, The Mortician, Mad Men, Billions, The Boys: Season 5, Mud, The Expanse, The Era's Tour, The Alaska Murders, Ratatouille.  Additional Tags: Sports Documentary, Bowling, Bette Davis, SZA, Keke Palmer, Amazon Studios, Warner Discovery, Paramount Skydance, Conan O'Brien, Weapons, Sinners, One Battle After Another, Frankenstein, Annapurna Films, Old Man Marley, Home Alone, Shawshenk Redemption, Gordon Ramsay, Thelma Schoonmaker, Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars 2026, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg. 

Kyle Balda has had a great career in VFX and animation, including directing and co-directing four Illumination features — "Dr. Seuss' The Lorax", "Minions" (for which he was BAFTA nominated), "Despicable Me 3" and "Minions: The Rise of Gru". Now he's the director of the live-action / animated murder mystery family dramedy "The Sheep Detectives", in theaters nationwide this Friday May 8th.

A BBC News investigation exposes an unregulated, booming industry of so-called baby sleep influencers or "sleep consultants". Some people who become sleep consultants have relevant medical licenses, but others hold no qualifications and are pushing dangerous practices to desperate mothers, which doctors say risk causing harm. Those women now feel “traumatised” by the advice they've been given from "consultants" like these, and “guilty” for putting their babies through procedures they did not need, after paying high fees for the advice. Senior BBC reporter Divya Talwar and Olivia Hinge, NHS midwife and lactation nurse, join Nuala McGovern.On 18 June 2023,19 year-old Suleman Dawood died alongside his father, Shahzada, and three other men in the Titan submersible as it attempted to dive to the Titanic. They were 500 metres above the wreck when the submersible imploded. It was a horrifying tragedy that made headlines around the world. Christine Dawood has now written a book, Ninety-Six Hours and joins us to talk about what happened during the 4-day search for the lost sub. It's Sir David Attenborough's 100th birthday on Friday 8 May, and the BBC has launched a week-long celebration of his work and legacy... so we wanted to take this moment to shine a spotlight on women working in this industry. Sophie Darlington was one of the first female wildlife cinematographers and her work has earned her a BAFTA and an Emmy. She joins Nuala. KOGG is an experimental electronic duo created by Selena Kay and Cerys Hogg. Both formally trained - Selena has her roots in classical contemporary composition and Cerys in jazz improvisation and art. They combine their skills in composition and improvisation, create new instruments and have developed their own distinctive sound world, from recorded sources. KOGG discuss their sound, their debut album Mechanista and receiving a Women Make Music Grant.Presenter: Nuala McGovern Producer: Kirsty Starkey

Episode 80 - BAFTA-winning and world renowned composer Paul Leonard-Morgan joins me to discuss his daughter's Hirschsprung's experience, 13 years of kilt walking and completing ‘The Big One' in memory of his friend Aidan.Disclaimer: Please note that all information and content on the UK Health Radio Network, all its radio broadcasts and podcasts are provided by the authors, producers, presenters and companies themselves and is only intended as additional information to your general knowledge. As a service to our listeners/readers our programs/content are for general information and entertainment only.  The UK Health Radio Network does not recommend, endorse, or object to the views, products or topics expressed or discussed by show hosts or their guests, authors and interviewees.  We suggest you always consult with your own professional – personal, medical, financial or legal advisor. So please do not delay or disregard any professional – personal, medical, financial or legal advice received due to something you have heard or read on the UK Health Radio Network.

Editor - Brian Philip Davis Hokum editor Brian Philip Davis teams up once more with director Damian McCarthy.  Prior to this film the two joined forces to craft McCarthy's supernatural thriller, Oddity.  This time out, they double down on the dread and jack up the jump scares to keep audiences on the edge of, and often a few feet above, their seats. Written and directed by Damian McCarthy, Hokum stars Adam Scott as novelist Ohm Bauman.  When Bauman retreats to a remote inn to scatter his parents' ashes, he's consumed by tales of a witch that haunts the honeymoon suite. Soon, disturbing visions and a shocking disappearance force him to confront dark corners of his past. BRIAN PHILIP DAVIS Brian Philip Davis is known for his work in genre cinema, with films showcased at major festivals including Sundance, SXSW, Tribeca, TIFF, FrightFest, and Fantastic Fest. He has a strong ability to work across multiple genres—from horror to comedy—bringing a confident balance of tone that allows each project to feel cohesive, engaging, and distinctive. In addition to Damian McCarthy's Hokum, Brian's upcoming working also includes The Incomer, a folk comedy (starring Domhnall Gleeson), written and directed by Louis Paxton and winner of the Sundance Film Festival NEXT Innovator Award 2026. Additional titles include Oddity, Bad Day for the Cut, Boys from County Hell, The Occupant, Here Before, and The Devil's Doorway. He is a member of Irish Screen Editors, British Film Editors, and BAFTA, and is represented by UTA.   Visit Extreme Music for the new Extreme Music extension for Avid Media Composer See which Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

Adam talks with Rebecca Lucy Taylor AKA musician Self Esteem about Bake Off stress, ambition guilt, feeling out of place as an indie pop star, feeling at home in Cabaret, the challenges of following up a hit album, booze, why men love CBT and much else.Conversation recorded face-to-face in London on 23 June, 2025THE ADAM BUXTON BAND MAY 2026 TOUR ADAM BUXTON & MIRANDA SAWYER @ CHARLESTON FESTIVAL 14 May 2026, 9pmBUG BOWIE SPECIAL @ THE LIGHTROOM 17 June, 2-4 July, 2026 PEOPLE'S EMERGENCY BRIEFING FILM AND TALK WITH ADAM BUXTON & PATRICK BARKHAM @ NORWICH ARTS CENTRE, 28 June, 2026SAILY

Join the Marks on episode 257 of Fantha Tracks Radios Making Tracks as they wade through the waters of Mandalore looking for the Mythosaur of insight. This episode they look at Andor winning at the BAFTA's and the Peabodys Awards, discuss The Mandalorian and Grogu and how it's not season 4 redressed, the potential of a return for Cara Dune and Gina carano, the cancellation of London Film and Comic Con, welcome back interviewer supreme Paul Naylor as he chats to Dermot Crowley and take a few more listeners questions. All of that and some lovely blue macarons on episode 257 of Making Tracks. Remember to tune in to Good Morning Tatooine, LIVE Sunday evenings at 9.00pm UK, 4.00pm Eastern and 1.00pm Pacific on Facebook, YouTube, X, Instagram and Twitch and check out our Fantha Tracks Radio Friday Night Rotation every Friday at 7.00pm UK for new episodes of The Fantha From Down Under, Planet Leia, Desert Planet Discs, Start Your Engines, Collecting Tracks, Canon Fodder and special episodes of Making Tracks, and every Tuesday at 7.00pm UK time for your weekly episode of Making Tracks. Thanks to James Semple for the Fantha Tracks intro, Blues Harvest for our Making Tracks opening music and Mark Daniel and Vanessa Marshall for our voiceovers. Subscribe and tune in to all of our shows at https://radio.fanthatracks.com And of course for all your Lucasfilm and Star Wars news 24/7, 365 days a year head on over to https://www.fanthatracks.com You can contact our shows and send in your listeners questions by emailing radio@fanthatracks.com or by leaving a comment on our social media feeds: https://www.instagram.com/fanthatracks https://www.facebook.com/FanthaTracks https://www.x.com/FanthaTracks https://www.threads.net/@FanthaTracks https://www.reddit.com/r/fanthatracks/ https://mastodon.social/@fanthatracks https://bsky.app/profile/fanthatracks.com https://www.pinterest.co.uk/fanthatracks/ https://fanthatracks.tumblr.com/ And be sure to check out our live streams and video content at: https://www.youtube.com/@FanthaTracksTV/ https://www.tiktok.com/@fanthatracks https://www.twitch.com/fanthatrackstv All of our links can be found at https://links.fanthatracks.com/

This week, the boys get all Tom & Huck and head to the Mississippi River to discuss Jeff Nichols' “Mud”. The random year generator spun 2013, and we decided to follow up our recent “Take Shelter” episode to see how Nichols handled the McConaissance. What we didn't expect was finding some of the best youth performances ever by Tye Sheridan and Jacob Lofland in a Stand-By-Me-Meets-Huckleberry-Finn narrative. We were a little split on our overall takeaways, but boy did we appreciate the journey.  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 15:01 2013 Year in Review; 36:30 “Mud”: Films of 2013; 58:19 What You Been Watching?; 1:15:05 Next Week's Episode Teaser Additional Cast/Crew: Reese Witherspoon, Sam Shepard, Ray McKinnon, Sarah Laulson, Michael Shannon,Joe Don Baker, Paul Sparks Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: The Pitt, The Boys, Daredevil, All That Heaven Allows, The Era's Tour, Florence + The Machine, The Mortician, Mad Men, Billions, The Boys: Season 5, Mud.  Additional Tags: Sports Documentary, Bowling, Bette Davis, SZA, Keke Palmer, Amazon Studios, Warner Discovery, Paramount Skydance, Conan O'Brien, Weapons, Sinners, One Battle After Another, Frankenstein, Annapurna Films, Old Man Marley, Home Alone, Shawshenk Redemption, Gordon Ramsay, Thelma Schoonmaker, Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars 2026, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg. 

How can you navigate uncertainty in a constantly changing market? Why is persistence the key to a sustainable creative career? Plus why distribution is so important, and the four ways to monetise your creative work. All this and more with Adam Leipzig. In the intro, my reflections on running an author-publisher business after a fantastic e-commerce workshop run by Blubolt, and why you will always pay for marketing with either your time or your money; AI-Assisted Artisan Author webinars; and last call for my Kickstarter Bones of the Deep – J.F. Penn. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Adam Leipzig is a producer, former studio executive, and educator whose work spans film, media, and technology. He served as a senior executive at Walt Disney Studios and as President of National Geographic Films. His film credits include March of the Penguins and Dead Poets Society, with projects recognised by the Academy Awards, BAFTA, the Emmys, and Sundance. He is the author of several books on filmmaking and his latest book is Fearless Persistence: Creative Life, Creative Work, and the Ten Laws of Culturenomics. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why writing books still matters in a world saturated with visual media The Jeffrey Katzenberg “next” lesson and the power of fearless persistence How uncertainty and the “long middle” are essential parts of the creative process What film editing can teach writers about cutting, shaping, and refining their work The 10 Laws of Culturenomics, including why awareness is not desire and why distribution is everything How generative AI is changing filmmaking — and why creatives should be the architects, not the tools You can find Adam at AdamLeipzig.com. Transcript of Interview with Adam Leipzig Jo: Adam Leipzig is a producer, former studio executive, and educator whose work spans film, media, and technology. He served as a senior executive at Walt Disney Studios and as President of National Geographic Films. His film credits include March of the Penguins and Dead Poets Society, with projects recognised by the Academy Awards, BAFTA, the Emmys, and Sundance. He is the author of several books on filmmaking and his latest book is Fearless Persistence: Creative Life, Creative Work, and the Ten Laws of Culturenomics. Welcome to the show, Adam. Adam: Thank you so much for having me, Jo. Jo: I'm excited to talk to you today. You have written several books, but you have worked on many more films. So I wondered, why do you think books still have a part to play in reaching people? What do you love about writing books that is different to your filmmaking work? Adam: You can put so much information in a book, and the beautiful thing about a book is that you can pick it up wherever you want, whenever you want, and leave it off and go back to it. It's just waiting for you and it's there. It really allows me, and other authors like me, to share information in a different way, with more details and more stories and more specificity. I love the ability to just share that information and have it always available. You don't need a device, you don't need to have a subscription. You can just go to it whenever you want. You asked me what I love about writing. Like a lot of writers, I'm not sure I love writing, but I do love having written. The thing about a book is that it's a very solitary exercise. A film is a highly collaborative exercise. No movie gets made by one person. It's made by hundreds or sometimes thousands of people. But this book is just me and a laptop and notes and a lot of thought. It's a very introverted, almost monkish existence while you're doing that, and then it has to go out into the world—and that's when it really starts to interact with people. So there's this huge difference between being alone and being always in a collaborative environment, which is what happens when I'm making a movie. Jo: Most listeners will be independent authors in some way, and a lot of us do this because we're control freaks. We like being the only people. So how is that different? You mentioned collaboration in the film industry, but is it almost freeing to do a book without having that? I mean obviously you have editors and publishers and stuff, but— Is it freeing in some creative way? Adam: It is really nice, because there is not another point of view in the room and I can just say what I feel and know that that's there. At the same time, you're right—I have had some amazing editor help and I've had some great early readers that have given me feedback on it and helped me make it so much better than it was when I finished the first draft. I knew that going in. I always test and share what I'm doing to make sure that it lands in the way that I wanted it to land, and it can be helpful for people. Jo: Getting into the book, you have a chapter on “what you do matters.” I feel like this is super hard. This is not a political show, so we're not doing politics, but there are a lot of big things going on in the world. It can be very hard as writers to think, is writing my book actually going to make a difference? So how can you encourage people? Adam: That's the hardest thing, Jo, because there is a lot going on in the world right now. Everything that's going on in the world right now exists because it's following a certain narrative. I don't believe that narratives are come up with because people look at things that are happening and say, “Oh, well let's just write what happened.” I think that we do things from micro experiences that we have with ourselves, our relationships, our families, to the macro experiences of politics and global situations. I believe that happens because there is a narrative that is being followed. So what I say to all creative people is that it's our job to craft and express the narratives that matter—and different narratives—so those narratives can be followed. One of the points that I make in the book is that poets are not overtly really dangerous people. Poets are generally lovely people, a lot of them don't talk too much. They're great to have dinner with, and they just work with words—and often not a lot of words, right? Because beautiful poetry is often concise and simple and spare. Yet there are places where poets are in jail. Because the narratives of those concise, spare, gorgeous idealistic words matter so much that those voices need to be silenced, which means those narratives are dangerous sometimes. Those narratives present an alternate world, an alternate view of reality. I think it's really our job as creative people, as entrepreneurs, as people who are essentially creating narratives out of the soul of our lives and our experience—we want to express those to the world. It's really important for us to express those to the world, especially now, especially because so much is going on. Those narratives are going to become pathways that others can look at and maybe follow. I think that's really important. It's the reason why we do our work. Jo: I absolutely agree with you around writing the narratives that we want in the world. “Be the change you want to see in the world” and all that. I also want to call out the fact that there are hundreds of thousands of books now published, and you come from the film industry, and many more people really watch films or play games than read books. I've wondered about this myself. I've written a few screenplays and sometimes it feels that wouldn't it be better to try and put our words into a visual medium? A lot of authors listening will do micro video like TikTok and all of this. So this is back to the question of— Why books? How can we change these narratives when we feel like we're drowned out by all the media? Adam: I think it's great for authors to express themselves in other media. I have a pretty active Instagram channel, and I love doing that, but it's a really different thing. I'm talking to people in two-minute bursts with very specific things. It's not the same and not the same detail as a book. If we let our understanding of the ocean of content that is always coming to us stop us from doing anything, we wouldn't do anything. That's also true about movies. There are probably 10,000 movies made every year. There are a few hundred that are released. So if every day I thought, “Oh, the movie that I'm working on is maybe not going to be released because there's only a small percent of movies that are made that are released.” Or worse than that, “Of all the movies that are made, there's 500 different shows on Netflix and Apple and Amazon and there's so many choices.” If I thought that everything I was going to do is going to be drowned out, I wouldn't do anything. I just don't believe that's true. I think it's our job to do things. Yes, there's an ocean of content out there, but what we do really matters, and it doesn't have to matter at gigantic scale. We don't know the scale that our work is going to achieve over time. One of the early films that I worked on is a film called Dead Poets Society, and that script was passed on by every studio at least three times. It's probably a film that I couldn't get made now for all kinds of reasons, because it's not a sequel and it doesn't have superheroes or visual effects. When we made that movie, we didn't know the impact it was going to have. It could have been drowned out by things, but it rose to a level that everywhere in the world I go, someone has seen that movie, including people who were not born when that movie was made. We don't know the long arc of our work and the people that it affects. Jo: I love that movie too. “Oh Captain, my Captain.” I can hear everyone saying that behind the screens. This brings us to the title, Fearless Persistence, because of course Dead Poets Society ended up being an incredible success, but not everything turns out so well. I wondered if you could talk about this persistence. How do you keep creating after something you perceived as a failure, or perhaps all the things that didn't get made? Why is persistence so important that you use it in the title? Adam: I've been super fortunate. I've worked with amazing people and on great projects. I've made 40 films at this point, and I'm making more. I've tried to make 400 films. I failed at getting them made 90% of the time, and that's okay. I just keep going. When I was working at Disney and I was an executive at Walt Disney Studios for seven years, there was one movie that we were opening and nobody had really high expectations for it. But it opened huge on a weekend and it beat the competition. We were in our Monday morning meeting and we were dancing on the tables and we were so excited. Jeffrey Katzenberg, who was running the studio at that time, came in, looked around the room, put his hands on his hips, and said, “Next.” We just had to move on. I really learned the meaning of the word “next” about four months later when we had a film that we all knew was going to be hugely successful and make a lot of money and give everyone their bonuses, and it completely bombed at the box office. It was like you gave a party and nobody showed up to eat the hors d'oeuvres. We were in the Monday morning meeting, very glum and not sure what was going to happen. Were we going to be fired? What was going to happen? And Jeffrey walked into the room and said, “Next.” Jo: Mm-hmm. Adam: And we just keep going. I think that is the great and defining quality of people who really have sustainable lives, either as creatives or business people or entrepreneurs. We're persistent. We're just like those little birds—you put their beak in water and they just keep bobbing up. We just keep going. It's not about the people who are the most talented, because I'm certainly not the most talented. I'm certainly not the smartest. I'm certainly not the most creative. There are people who are smarter and more talented and more creative than me all the time, and I get so much energy in being able to know them and work with them. But I am super persistent. I don't stop. If there's something that I really believe in, I'll just keep going. I started taking notes on this book 10 years ago. There are movies that took 12 years to get made. You just keep going. There are times, as a producer, where everybody's fallen away. There was a director attached, there was a star attached. They all left, they did other projects. The material is no longer under option. You don't even have legal rights to it anymore. You just keep blowing on the embers and then eventually maybe it gets made. That's what it's about. Jo: Do you think there's some kind of serendipity or something more that makes a book or a film? Is it timing? Is there just some chemistry? You talked earlier about testing and sharing things to see if they're going to work, but as you mentioned, some films you think are going to be amazing and they bomb. Other things are a slow burn. How do you know when to make a film if you just can't predict this stuff? Adam: You can never predict it, but I think you start with: do you really, really think about it all the time? Do you really care about it? It's not like you're in a meeting or you read a script or you hear an idea and you're super excited about it—but are you still excited about it tomorrow morning? The next day and the next? If you keep waking up every morning thinking, “Wow, that's great, I've got to get that forward,” then I think that is the first indication for me that it's going to have some staying power. I don't think I am that different from everybody else. So if it's something that consistently excites me, I feel like there's going to be at least some other people in the world that it's also going to excite. Jo: Do you think you have a voice, I guess, as a filmmaker as much as a writer? Are there things that excite you consistently that you're drawn to? Or do you think it's much wider as a filmmaker than a writer? Adam: I think it's a lot wider as a filmmaker. Part of it's also just my capacity right now as a writer. I really like the writing in Fearless Persistence and I also recorded the audiobook. I love listening to the audiobook experience. I think it's some of the best writing I've ever done. I have not yet found the capacity to write a novel or to write fiction in the way that other people can. So part of it's just my skill and capacity at this point in my writing career, where I think I'm pretty good at expressing ideas in a nonfiction setting, but I haven't developed the skill set for fiction. In movies, I make documentaries. I make fiction feature films. What attracts me is character. It's always the character, the people, the journey. Are the people really interesting? Do I want to spend two hours of my life in a cinema with them, or 10 hours of my life watching those episodes on a streaming channel? That's what always starts with me. If the character is interesting, then I'll keep going. Jo: I think the book, Fearless Persistence, has a lot of your character in it and your experience. It's not just a nonfiction book of prescriptive rules. You did bring a lot of voice into it, I think. Adam: Thank you. I try to make it be like we're sitting down and we're talking and we're having a conversation. Jo: Coming back to the book—a quote from the book: “Uncertainty isn't the enemy of creativity. It's its greatest ally.” You talk about these messy and unpredictable times. I'm what we call a discovery writer. Some people say “pantser.” It mostly is quite chaotic and unpredictable. Could you talk about this uncertainty and messy creativity? Adam: One of the things I really try to do in Fearless Persistence is give support to all of us in this messy, unpredictable—what I call “the long middle”—where stuff is happening, but you're not seeing obvious results out there. You're either in the world or in your project, and you're just in this mess. That mess is a beautiful place, and I'm trying to give support to the fact that that mess is gorgeous and it's part of the process. It's part of everybody's process. We shouldn't feel as though we are not doing our job when we're in that long, unpredictable, uncertain middle. Because out of that, we discover what we actually want. It gives us a way to refine our taste and refine our direction because we are so uncertain. Then there's this moment—and I don't know if you find this in your own writing, Jo—but there's this moment where that uncertainty changes into: there's no choices here at all. This is just what I have to do. I actually think that the greatest freedom is when there's no choices. Where the path is just there, but we've got to get through the thicket to get to that path. And there's always a thicket. Jo: There's a moment for me where the chaos becomes more certain and I'm like, okay, that's the story. I thought it might have been something else, but now that's what it is. I often have too much material as well. So I wanted to ask you about this too, because as an author with a book, editing is hard for us. Of course there are lots of words and we have to go through it all, but editing on a film—I can't even imagine how hard the editing process is. Could you talk about editing and how you cut and organise these massive projects? Adam: Yes, editing is really hard, but it's also so fun. I think being on a set is great. It's the most fun a kid could have. But being in an editing room is also the most fun a kid could have, because you have all of the pieces and there are so many ways to do it. This is where a film is actually made—in the editing room. Probably the way books are made also is in the editorial process between the writer and your own brain as the editor, or if you have someone who's helping you edit it. Editing is really interesting because it's the only craft that did not exist before filmmaking. Everything else existed, right? There were scripts, there were actors, there were costumes, there was art direction, there was production design, there was music. Editing was a craft that had to be invented for film. So it's a craft that's only about 120 years old. When we make a film, the first thing that the editor does is just put all of the scenes together in a first editor's cut, a rough assembly. It's basically every scene that was in the script as it was shot, and the editor just tries to choose the best angles. That generally comes out maybe a week or two after we wrap photography, and that first cut could be three or four hours long because it's got everything in it. Then the process is: let's take that out. Let's take that out. You don't need this. You can move this scene here and move it there before the other scene. We don't really need that shot. Or can we get to a closeup there? And you get it down, down, down—just like in writing where you kill your darlings. I actually find editing the most fun I have. “Oh, I don't need that sentence.” Or, “I can take out three words here and the sentence is better.” We go through exactly the same process in film editing and squinch it all down to the most compelling and efficient way to tell the story. Jo: I'm glad you say it's fun because I also like editing. I find the editing much more creatively fulfilling because I actually can figure out the book that way. It's so funny, I think as writers, many people either love the editing or they love the first draft. It seems like you enjoy the whole process. Adam: I like the editing so much more than the first draft. I feel like I had to get through the first draft. That was my long middle, that was my uncertain period, that was my thicket. Then my editing was, “Oh, great. Let's cross this out. Let's change that word. Let's lose that paragraph.” That was fun. Jo: So let's say we now have a book or we have a film. In your book, law eight of culturenomics is that “without distribution, there is nothing.” So now we have to get this out there, and this is really difficult. Can you talk about how film distribution has changed? Can you also reflect on how it is for writers, because our distribution has changed a lot too? Adam: So, as you mentioned in the last section of the book, I've observed over the past 30 years that when a work is both aesthetically really excellent and also economically viable and sustainable for the creators, it always observes these ten principles. I call them the 10 Laws of Culturenomics. One of them is “without distribution, there is nothing,” by which I mean: unless your audience, your market, the people that you are seeking to share or serve with the work—unless they can get it, it doesn't really matter. It's like that tree falling in the forest and no one's around to hear it. I always think about my market and my distribution before I start making the movie. I was thinking about that as I was writing the book, because I really want it to be there to meet people where they are and I want them to be able to get it. Film distribution has changed a lot, especially during the pandemic. People stayed home and cinema admissions have fallen off 30% from pre-pandemic levels, so people are going out to cinemas less. That means fewer films are being distributed in cinemas for any viable period of time. Sometimes some movies will be out there for one or two days, literally, in cinemas, and then they go right to streaming. On the streaming side, there was a glut of streaming content. All the streaming channels overinvested in streaming. There were too many shows. I don't know about your Netflix queue or your Amazon queue, but it's unnavigable. There is so much stuff. Now they've cut back a lot—they're just doing a lot less. We're in a situation now where anything can get out there somehow. The question is, does your market, does your audience know about it? Do they want to invest the time to experience it? One of the other Laws of Culturenomics is that “awareness is not desire.” There's a lot of things that we're aware of that we don't want to spend our time with. Everybody was aware of Disney's new Snow White movie. Nobody wanted to go see it. Jo: I must say, I'm not the key demographic for that! Adam: But you knew about it? Jo: Was that a live action one? Adam: Yes. Jo: I don't understand those live action ones, to be honest. Maybe that's why— Adam: I think we are sequelled out. I look at the movie business and I just think what audiences really want is something new, please. Something we haven't seen before. We don't want the 95th iteration of something from the MCU. The studios, because the movies cost so much and they're so risk-averse, talk a lot about “pre-aware titles.” In other words, titles that you've heard of before, so you're going to go see the movie. It works to a certain extent, but I just think it's cinematically boring. In that world, you never could have predicted Oppenheimer. You never could have predicted Barbie. Movies that really don't have a precedent, but they did so well because they're different. I think audiences are craving something different right now. Jo: It's interesting though, isn't it? I agree on one level, but then I also watch Bridgerton and we watched the latest series as soon as it came out. I guess that is pre-aware to a point. I don't read historical romance, yet I really like the show. I think it's because of Shonda Rhimes. I watched Grey's Anatomy for about 20 years. Adam: She's great. Jo: She's amazing. So I feel like this is why it's hard, isn't it? It's hard to know. As fiction writers particularly listening, we have very specific genre audiences, and they often don't cross over into other genres. They love their genre fiction. So it is hard to balance original work that may not be easily sold and the other stuff. I guess that's why the studios do it, right, because they think they can make enough money with the next Marvel movie. Adam: Yes, but I'm curious to know what you think about this, because even within a genre, a really good genre movie or a really good genre book is not the same as all the other books or films in the genre. It's familiar in that it does what the genre says you have to do, but it's different. It's got those unique things that make us feel like super fans, that we really love it. It's familiar enough to fall within the genre—and yes, genres have rules that you've got to follow—but then there's something unique and different that's exciting. And that's why we say, “Hey Jo, you've got to read this book.” Jo: I agree with you. I love that you said “awareness is not desire.” This is another problem with our creative work, right? We have to do marketing. We can throw all this stuff out there, and yet it may or may not work. So let's talk about your book marketing. Obviously you are on this podcast, and I presume your publicists are pitching lots of podcasts, but— What are you doing to promote the book that might be different to a film release? Adam: Well, I don't have a hundred million dollars. Jo: Surprise! Adam: Right? I've got a few hundred dollars, so we're just doing it this way. As you know, once upon a time, legacy publishers actually did marketing. Legacy publishers barely do any marketing now. Every author has to do it themselves. So we have to do this ourselves. It's been the hardest thing. I think it's the hardest thing that we've all had to adopt, that we have to do this thing where there used to be a marketing department and you just hand it over to them and we could just be in our own little creative space. But no, we've got to do this also. So what am I doing? I've amped up my social media. I'm speaking. I am on podcasts like this. I'm sharing as much as I can. I'm asking circles of people who have been early readers of the book. I'm really grateful because I've had really enthusiastic response to it, both from creatives and also some business people, which was surprising to me, but really great. Someone said, “This is the best business book in the past 10 years,” which is really interesting, right? Because you read it, Jo, as an author, but she read it as someone who sits on the board of major companies. That was a pretty interesting response. I'm just asking them to be advocates and share it around. I'd just like to be those people who blow on the embers and let's see if we can make a fire. Jo: We talked about the fun bits earlier. I'm enjoying our conversation, but I know that marketing is not necessarily in the fun bucket. Are you finding bits of the marketing you enjoy? Adam: Yes, I love meeting the audience. I love meeting the people that I'm writing the book for and sharing it with. I've been fortunate enough to be asked to run a writer's workshop in Greece for the past few years. It's a retreat centre called Rosemary's House. It's on the east coast of Greece. A dozen writers. I work with writers all the time, but they're always writing a specific thing, like a screenplay or something. This was a dozen writers all writing different things, and I'd never done that before. I had an extraordinary time. The first year I went, I'd had all these notes for this book, Fearless Persistence, that I'd been compiling for some time. But there I was in the room and I was with the people that I was really intending to write the book for, and that kicked me in the butt and I wrote the book. Then the next year I was back and I finished it while we were there at the writer's retreat. So that was great, and I was with another group of writers. I'll be back there again later this year and the book will be out. So it's this fabulous continuation of really engaging with and meeting the people that I'm seeking to serve with this book. I really enjoy encouraging and mentoring and sharing the systems that are undergirding the creative process, and then the process of how do you build a sustainable life, including all these super practical things that they don't teach you in art school or writing school or film school or even business school. How do you actually build a sustainable life in this practice? I love that. I guess that's marketing, but it's also just being with the people that you're there to serve. Jo: I love that you use “serve.” I use the same word. I say, “Who do you serve?” And that can help people, because I feel like creative people are like, “We don't want to be marketers, we don't want to be salesy.” So if you reframe it as service—who are you trying to help, who are you trying to entertain—that actually helps. Coming to the business side, you mentioned systems. You are right, the book has a lot of business in it, which I love because we talk a lot about business on this show. In one section you say there are only four ways to monetise your creative work. So could you talk a bit about those different ways to monetise your creative work? Adam: Yes. This has been true for maybe 5,000 years because it's not about technology, it's just about how work is monetised. There are only four ways that any piece of work is monetised. For sale. You have a book, and you go to your favourite bookstore and you buy the book, and now you own the book. For rent. You could rent a book from your library, or in a movie context, what you're really renting is the seat for two hours to watch the movie. On subscription. People have subscriptions to Kindle Unlimited or other platforms, or people have subscriptions to a streaming service. Free. When it's ad-supported. That's like linear television where there's ads, or Amazon where there's ads and you don't pay for it. For sale, for rent, on subscription, or free—those are the only ways anything is ever transacted. When it's ad-supported, for example, some people have YouTube channels that are very successful. YouTube is free, and then YouTube is making money from the ads and the creators are getting a tiny little slice of the ad revenue. Jo: Like this podcast. I have sponsors who pay, and they're all related to the author industry. They're companies that I use and work with. I personally recommend them, and that means this podcast is free. Adam: Thank you, sponsors. Jo: Yes, thank you, sponsors! I also have patrons—people who subscribe to the show to support it as well. So I guess we don't have to be in one bucket or another. We can have our work in different buckets. Adam: Ideally, you can have your work in every single one of them. Not always, not necessarily always at exactly the same simultaneous moment, but at a certain point as the work gets out there into the world, as it's lived long enough, it probably will be in every bucket. That's great because we want our work to be as accessible to the people that we're serving in any way they want to get it. Jo: I totally agree. And your audiobook, as you mentioned, will be available in those different formats as well. Adam: Yes. Jo: I find that, especially with nonfiction audio, what I love is being able to listen to just a chapter, just a chapter in a specific part. Someone could actually listen to the 10 Laws of Culturenomics separately to some of the rest of the book. I love that. Adam: I'd never done that before. It was so powerful to record the audiobook because up until that moment, my relationship with this book was fingers typing keyboards, electrons on a screen. It was a completely silent experience. Then I was in this recording booth in Los Angeles and I started speaking the words, and I was visualising the people that I was writing it for as I was doing it. It was so powerful. Then I listened to it and I thought, wow, this is actually a really good experience. It was so powerful that I was recently in Paris because I'm working on some films that are in Europe, and I decided to create a special advanced listener edition of the audiobook, where I took the chapters and put them into individual or grouped listening units. In a recording studio in Paris, I recorded some prefaces and reflections on those listening units, which are now thematic. I'm really proud of that edition. It's not for everybody. The regular Audible audiobook is going to be out there, but this version, which is on my website, I think is a really wonderful version for someone who just wants me to walk with you as you go through the experience of the book. Jo: Are you selling that direct from your website? Adam: Yes, I'm selling it direct on the website. Jo: Brilliant, because we all do that too. You can actually make more money selling audio direct than you do from the streaming. Adam: Yes. Jo: I realise we don't have much time left, but I need to ask you this because the film industry and publishing are in this great time of change with the advent of generative AI. We've seen in the last week the actor Ben Affleck's company, InterPositive, has been acquired by Netflix. So it seems like technology is disrupting a lot. How do you think we can navigate this time? What are your feelings around this new wave of generative AI? Adam: It's a great tool. It's not a great writer. It's actually really a terrible writer. You can always tell when generative AI has written something because it has a certain very annoying style, but it's a great tool. I use it in my production. I teach at the business school at UC Berkeley. We train people on how to use it for various kinds of problems and solutions. But the important thing is that you are the architect of the machine. It's a machine. It is like a paintbrush, but it is not the hand that holds the paintbrush. So I am not concerned that AI is going to go make movies that we all care about, and I am not concerned that it's going to disrupt, in the largest sense, the employment picture. Certainly some jobs are being lost, but new jobs are being gained. It's really interesting. For example, you mentioned Ben Affleck's company, which Netflix just partnered with. It's not making new content. It's creating a better production workflow. It's taking what is shot or what is planned in the production workflow and just making it better and more efficient and implementing it and adding to it. That is a really good use of AI. All the creative power retains within the hands of the creative humans, but it's giving the humans more tools. Jo: I've been reflecting on the idea of the film director, in that people often know their names and they win awards, and yet they didn't necessarily write the script. Some do, obviously, but they didn't act in it, they didn't do all the editing, they didn't do all the different jobs, but it's their creative vision. So is that how you see us playing that part? Adam: I do. I think that's a really good analogy. And look, AI—it's good. It's going to keep getting better. It still has massive error rates, so we still have to be very careful about what we attribute to it and what powers we give it, and what facts we believe from it. Jo: So what are you excited about next? Obviously you are promoting this book, you are doing speaking things, but are you looking to your future continuing to work across film and books? What are you excited about in terms of your creative projects? Adam: The big arc of my creative life is creating ecosystems where creative people can do their best work. This book is part of that. With the movies that I make, as a producer, I try to create the ecosystems where people can do their best work. I envision, and I'm excited about, continuing to do that. Whether it is in a book or in a workshop or in a film that I'm making. I just want to keep doing that: creating these ecosystems where people can really do great work and express themselves creatively, entrepreneurially, and with a positive view of the world to come. Because that is a responsibility, coming back to the first question you asked me. Jo: Brilliant. So where can people find you and your book and everything you do online? Adam: You can find me at my website, which is AdamLeipzig.com, just like the city. Of course, the book is available wherever you buy your books, and the Kindle and the audiobook are exactly where you would expect to find them. You can also find me on Instagram at @AdamLeipzig, and you can find me on LinkedIn as Adam Leipzig. I love interacting with people, so come and find me. AdamLeipzig.com is the best place to find everything. Jo: Brilliant. Well, thanks so much for your time, Adam. That was great. Adam: Jo, thank you so much for having me. It was great talking with you.The post Navigating Uncertainty And Fearless Persistence In A Long Term Creative Career With Adam Leipzig first appeared on The Creative Penn.

Dave Cohen is a multi-BAFTA-winning BBC writer who has spent four decades as one of the most successful contributors to the British comedy scene. As a stand-up, he started the Comedy Store Improv Group with Mike Myers and Paul Merton. He has written for top BBC shows and is the main lyricist for smash-hit show and movie Horrible Histories. He has since become one of the most respected coaches of new comedy writers, and his new podcast, The Shakespeare Mindset, is all about how to succeed in an uncertain world.In today's episode of Smashing the Plateau, you will learn how to build a lasting solo career by embracing structure, mindset shifts, and the timeless wisdom of Shakespeare.Dave and I discuss:Dave's career journey from journalist to comedian [02:02]How uncertainty shaped his approach to new ventures [03:21]Key strategies for evaluating a new project [04:33]What generates long-term business success as a solo entrepreneur [05:47]The challenges of maintaining structure when working alone [07:26]Advice for those transitioning from employment to freelance [09:09]The importance of work-life boundaries as a freelancer [10:31]Why mastering your craft matters more than ever [09:35]How lying to yourself can make dreaded tasks bearable [14:45]The origin of The Shakespeare Mindset podcast [17:02]What Shakespeare teaches us about thriving in uncertain times [19:09]Why going it alone is a myth — even Shakespeare didn't do it [23:27]Learn more about Dave at https://www.davecohen.org.uk/.______________________________________________________________About Smashing the PlateauSmashing the Plateau is a podcast for experienced independent leaders who have left corporate roles to build sustainable, expertise-based businesses.Each episode features a thoughtful, experience-driven conversation about what changes when you no longer have the infrastructure of an organization behind you.We explore judgment, decision-making under uncertainty, growth plateaus, identity shifts, and the role of trusted thinking partners in sustaining long-term success.______________________________________________________________Take the Next Step• Experience the power of peer perspective.Join a live guest session and connect with experienced professionals navigating similar challenges:https://smashingtheplateau.com/guest• Stay connected to the conversation.Get new episodes, reflections, and invitations delivered to your inbox:https://smashingtheplateau.com/news

We're on a release break for new episodes, so here's one our past great chats from May 16, 2022!  Corey May speaks with the Oliver Lewin and Graham Parkes, two of the developers behind Before Your Eyes. Together they discuss how they created the blinking mechanic in game jams; the process of "learning by doing and learning by failing"; the technical and narrative challenges that arose from the game's central mechanic; and their experience releasing their first title to wide acclaim including winning a BAFTA.  This episode is supported by Xsolla Episode Host: Corey May Producers: Claudio Tapia and Josh Chu, The Academy of Interactive Arts & Sciences If you enjoyed this episode, please consider subscribing and leaving us a rating and review. Support the show and get all of our episodes early/ad-free: https://bit.ly/4kU34Lt Follow us: linktr.ee/AIAS Please consider supporting game dev students with: AIAS Foundation

Essa semana somos possuídos por uma IA no belo Replaced e tentamos cooperar com uma no desesperador Neve. Nas notícias, o anúncio de Metro 2039, as demissões na Iron Galaxy, o sincerão do Shuhei Yoshida, novidades sobre os filmes de Street Fighter, Zelda e Elden Ring e mais! 00:13:07: Demissões na Iron Galaxy 00:16:08: Polêmica no BAFTA 2026 00:22:23: Vencedores do BAFTA Games Awards 2026 00:25:33: Shuhei Yoshida critica Jim Ryan 00:36:46: Anúncio de Metro 2039 00:49:30: Novidades da Bloober Team 01:02:48: Novo trailer do filme de Street Fighter 01:11:55: Vazamentos do filme de Zelda 01:20:52: Novidades do filme de Elden Ring 01:29:16: Replaced 02:10:14: Neve 02:24:20: Perguntas dos Ouvintes 02:39:22: Finalmentes: Gecko Gods Contribua | Twitter | YouTube | Twitch | Contato

Burnie and Ashley discuss Monty Pyhton, cease fire theter, anti-paleontology rhetoric, Richter units, Bowser heritage, arch support, BAFTA games, Expedition 33, Atomfall, and the Windscale nuclear disaster.

British acting royalty, ‘Succession' star and BAFTA winner Brian Cox joins us in the Dream Restaurant this week. Yep, it's another national treasure. But does he think that dark matter is evil?Brian Cox's directorial debut ‘Glenrothan' is in cinemas on Fri 17 April.Follow Brian on Instagram @coxusaWatch the video version of this episode on the Off Menu YouTube on Thu 16 Apr.Off Menu is now on YouTube: @offmenupodcastFollow Off Menu on Instagram and TikTok: @offmenuofficial.And go to our website www.offmenupodcast.co.uk for a list of restaurants recommended on the show.Off Menu is a comedy podcast hosted by Ed Gamble and James Acaster.Produced, recorded and edited by Ben Williams for Plosive.Video production by Ben Williams and Megan McCarthy for Plosive.Artwork by Paul Gilbey (photography and design). Hosted on Acast. See acast.com/privacy for more information.

Today we're sharing our electric conversation with Jane Fonda. This one feels especially right for this moment—because so many of us are asking the same questions Jane has been answering with her life: How do we keep aging without disappearing? How do we stay awake—to our bodies, to each other, to the truth—when everything feels so chaotic and overwhelming? Jane reminds us that getting older doesn't mean getting quieter—it can mean getting whole. Not perfection, but integration. Not waiting until you have it all figured out—but showing up as you are and doing your part. - How she left her body as a child—and found her way back decades later - Why the goal isn't perfection—it's becoming whole - What she's learned about love, power, and choosing herself - How she kept showing up through backlash, surveillance, and public attacks - Why you don't have to be ready—you just have to begin About Jane:  Jane Fonda is a two-time Academy Award-winning actor (Best Actress in 1971 for Klute and in 1978 for Coming Home), producer, author, activist, and fitness guru. Her career has spanned over 50 years, accumulating a body of film work that includes over 45 films and crucial work on behalf of political causes such as women's rights, Native Americans, and the environment. She is a seven-time Golden Globe winner and was honored with the Cecil B. DeMille Award in 2021, Stanley Kubrick Excellence in Film Award as part of BAFTA's Britannia Awards in 2019, AFI Life Achievement Award winner in 2014, and Honorary Palme d'Or honoree in 2007.  Follow We Can Do Hard Things on:  Instagram — ⁠https://www.instagram.com/wecandohardthings⁠