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15 episodes with Liz Lochhead
4 episodes with Liz Lochhead
3 episodes with Liz Lochhead
2 episodes with Liz Lochhead
Ms Yemenakis and Mrs Ravenscroft discuss ‘Storyteller' by Liz Lochhead. Don't forget to download the handout here.
In 1972, Liz Lochhead published her debut collection, Memo For Spring, a landmark in Scottish literature. In an extended interview with Colin Waters, the then Scots Makar discusses what the early 1970s poetry scene she emerged into was like, one in which women poets were few and far between. She recalls early meetings with the elder generation – Norman MacCaig, Edwin Morgan, Robert Garioch – and with contemporaries such as Tom Leonard, James Kelman and Alasdair Gray. She also speaks about life during the era of the three-day week and compares it with an economically troubled present-day that, in some respects, mirrors 1972. And she reads several poems from Memo For Spring. Photo by Norman McBeath.
Best Scottish Poems is the Scottish Poetry Library's annual online anthology of the 20 Best Scottish Poems, edited each year by a different editor. Bookshops and libraries – with honourable exceptions – often provide a very narrow range of poetry, and Scottish poetry in particular. Best Scottish Poems offers readers in Scotland and abroad a way of sampling the range and achievement of our poets, their languages, forms, concerns. It is in no sense a competition but a personal choice, and this year's editors, the novelists Louise Welsh and Zoë Strachan, checked and balanced each other's predilections. Their introduction demonstrates how widely they read, and how intensely. All the Best Scottish Poems selections are available on the SPL website. This special podcast features readings by established voices and emerging talent. With readings by Kathleen Jamie, Liz Lochhead, Robin Robertson, John Burnside, and many more. Photo by Jen Hadfield.
Kevin Clifton entertained the nation for years on Strictly, now he can often be found treading the boards instead – and is currently starring in Chicago as it tours the country. Poet and former Scots Makar Liz Lochhead talks about her collection of poems A Handsel ahead of her appearance at the Winter Words Festival in Pitlochry. Coinneach MacLeod, best known as The Hebridean Baker, has found a global audience for his Scottish recipes. His latest release is The Hebridean Baker: The Scottish Cookbook. Olivier Award-nominated Dawn Sievewright's next project is Wild Rose, a stage musical adaptation of the 2018 film. She shares a track from the show ahead of it's premiere in March. Jazz/soul ensemble Mama Terra perform from their new album Chameleons: Live Interpretations of Herbie Hancock.
Recommendations: Ruth Cove and Kilcreggan Book Festival 2024 Amongst the popular authors this year are Liz Lochhead, Alex Gray, and a much lauded new kid on the block called Jen Stout, who has been recalling her adventures covering the conflict in Ukraine. Tickets, both weekend and single event are available via the button below. Breaking News ! We are pleased to announce our full list of Authors. Saturday 23rd November Liz LochheadAlex GrayAasmah MirJosie Long Sunday 24th November Ken McNabJen StoutGavin FrancisPeter Ross More details on the authors can be found here Tickets for the Individual Author Sessions are now available at the link below at £8 per session. Weekend Passes at £55 each are still on sale and offer a £9 saving on individual tickets. You will receive a ticket by email in the form of a PDF attachment which can be printed out or presented on your phone at the event. As soon as your payment is processed your name will be added to our list which will be available at the Cove Burgh Hall door. Cove Burgh Hall, Shore Road, Cove, G84 0LY. Shetland - BBC The dark side of one of the most beautiful places on earth. Uncovering secrets and lies from the past - detective drama starring Douglas Henshall, Ashley Jensen and Alison O'Donnell. A Glasgow Girl: A memoir of growing up and finding your voice - Aasmah Mir A Glasgow Girl is the coming of age story of Aasmah Mir's childhood growing up in 1970s Glasgow. From a vivacious child to a teenage loner, Aasmah candidly shares the highs and lows of growing up between two cultures - trying to fit in at school and retreating to the safe haven of a home inhabited by her precious but distant little brother and Helen, her family's Glaswegian guardian angel. Intricately woven into this moving memoir is the story of Aasmah's mother, as we follow her own life as a young girl in 1950s Pakistan to 1960s Scotland and beyond. Both mother and daughter fight, are defeated and triumph in different battles in this sharp and moving story. A Glasgow Girl is a remarkable memoir about family, identity and finding yourself where you are. Steeple Chasing: Around Britain by Church - Peter Ross A thoroughly beguiling tour around the manifold riches of Britain's churches, Ross' immersive book ranges from unassuming parish to mighty cathedral and tells a defiantly human story of art, architecture, history and culture. David: Rebels and Renegades: Sheila Rock Street Level Photoworks are pleased to present REBELS & RENEGADES, a two part exhibition featuring the outstanding work of Sheila Rock and Jill Furmanovsky, two pioneering women photographers who captured the zeitgeist of punk and the post-punk unfolding in music and style. https://www.middleeasteye.net/ - Why Dutch support for Israel's football hooligans has roots in colonial racism Eamonn My Salinger Year - film In New York City's late nineties, a young aspiring writer lands a day-job at J.D. Salinger's literary agency. While her eccentric and old-fashioned boss tasks her to process Salinger's voluminous fan mail, she struggles to find her own voice. SALINGER- Documentary Features interviews with 150 subjects - including Salinger's friends and colleagues who have never spoken on the record - as well as film footage, photographs, and other material never before seen.
For the latest Scots Whay Hae! podcast Ali spoke to writer and musician Colin MacIntyre, better known to most as Mull Historical Society, to talk about his amazing album 'In My Mind There's A Room', which brings together his twin loves of music and literature. Colin describes how this album came together and the processes involved in marrying his music to the words of a number of his favourite writers, including Colin's own grandfather - the 'Bard of Mull' - Angus Macintyre. He talks warmly about his inspirational grandfather, recording these tracks in the room where Angus and his family used to live, the serendipitous series of events which accompanied the making of the record, achieving the dream of working at Abbey Road studios, and so much more. The two also talk about the stories behind some of the songs as well as the upcoming series of gigs, (including one at Oran Mor on the 8th February where he will be joined by Liz Lochhead, Val McDermid and James Robertson), and the new 'Ivor Punch' novel 'When the Needle Drops' which will be published by Black & White later this year. It was such a pleasure talking to Colin and we hope you enjoy listening as much as we did recording it. For full details, and all the relevant links, go to https://www.scotswhayhae.com
My Mother's Suitors By Liz Lochhead
Inventory By Liz Lochhead
Poem For My Sister By Liz Lochhead
Revelation By Liz Lochhead
Laundrette By Liz Lochhead
Epithalamium By Liz Lochhead
The Bargain By Liz Lochhead
Poem For Other Poor Fools By Liz Lochhead
Lanarkshire Girls By Liz Lochhead
In The Dreamschool By Liz Lochhead
Kidspoem.Bairnsong By Liz Lochhead
It's finally here! Yellow Brit Road welcomed 2023 with some help from our listeners: this week's show was curated by you, the you the listener, on the theme of new beginnings. Here's the uncut version with all your suggestions kept in. Plus, Hogmanay poetry by Liz Lochhead. Music by: Michael Jackson Kirsty MacColl The Beatles A.R. Rahman Art Tatum Nova Twins Courtney Barnett Kynsy ABBA Buzzard Buzzard Buzzard Let's Eat Grandma Absofacto Surfaces The Millennial Club Mitski Gabe Dixon SELF ESTEEM The Mountain Goats Gillian Welch Kid Kapichi, Bob Vylan And many more! Find this week's complete playlist here. Do try and support artists directly, all Bandcamp links above are 100% fresh and ethically sourced. x Get involved with the CFRC Funding Drive! (Update: it is still going on) Do touch that dial and tune in live! We're on at CFRC 101.9 FM in the Kingston area, or on cfrc.ca, Sundays 8 to 9 PM! (Full shows are available in the archive for 3 months from release) Get in touch with the show for requests, submissions, giving feedback or anything else: email yellowbritroad@gmail.com or tweet @YellowBritCFRC. PS: submissions, cc music@cfrc.ca if you'd like other CFRC DJs to spin your music on their shows as well. --- Send in a voice message: https://anchor.fm/yellowbritroad/message
A Night In By Liz Lochhead
On The Verb this week we're raising the curtain on playwriting. Ian McMillan is joined by four playwrights; Winsome Pinnock whose recent work includes The Principles of Cartography and Rockets and Blue Lights; by Liz Lochhead, whose writing ranges widely over playwriting and poetry and who has written for the National Theatre of Scotland, Steve Waters who works for stage, radio and screen and Keisha Thompson Director and CEO of Contact Theatre in Manchester. Presenter: Ian McMillan Producer: Cecile Wright
Incontro con Liz Lochhead, Lello Voce, Marco Fazzini. Presenta Valerio Cuccaroni Una scelta (A choosing) è l'antologia che raccoglie i testi composti da Liz Lochhead in un arco temporale di quasi quarant'anni, dai quali emergono le profonde disuguaglianze del sistema patriarcale scozzese e la volontà di far rivivere, le tradizioni secolari e soprattutto lo Scots, lo storico idioma nazionale. Edizione 2022 www.pordenonelegge.it
A quick analysis of Box Room by Liz Lochhead. Meant for those doing Lochhead as their Scottish Text in this year's Higher English exam; but can be enjoyed by all!
Award-winning novelist, playwright and short story writer Ali Smith is the author of 12 novels, three of which have been nominated for the Booker Prize for Fiction. Her best-selling How To Be Both won the Women's Prize for Fiction and the Costa Novel of the Year in 2014. Brought up in the Scottish Highlands, she was the youngest of five children in a working class family, studied English at Aberdeen University and began writing fiction whilst studying for a doctorate at Cambridge. Ali Smith tells John Wilson about the influence of cinema on her fiction, particularly the work of French new wave director Jacques Rivette whose disregard for conventional linear narrative in films including Céline and Julie Go Boating made a big impression. She also recalls how, as an aspiring writer, the work of fellow Scottish novelists and poets, including Liz Lochhead, Alistair Gray, James Kelman and Muriel Spark, helped give her the confidence to write her own fiction. Ali Smith also discusses 1960s pop artist Pauline Boty, a contemporary of Peter Blake and David Hockney, who tragically died at the age of 28 in 1966. Boty's life and work - overlooked for three decades after she died - became a central aspect of Ali Smith's 2016 novel Autumn, the first of a quartet of seasonal-themed books written and published over four years. Producer: Edwina Pitman
Do we underappreciate comic writing ? It's 400 years since the birth of France's great satirical playwright, Jean-Baptiste Pocquelin, better known by his pen-name Molière. Stendhal described him as “the great painter of man as he is” and his works have continued to be translated and performed on both the French and British stage with recent adaptations by Christopher Hampton, Anil Gupta and the Scottish poet and playwright, Liz Lochhead. She joins Anne McElvoy to help consider what we make of Molière now and how well his plays work in translation, alongside Clare Finburgh-Delijani, Professor of European Theatre at Goldsmiths, University of London and Suzanne Jones, a Junior Research Fellow in French at St Anne's College Oxford. Their discussion looks at various adaptations of Tartuffe, Moliere's play translated as The Hypocrite or The Imposter, which was first performed in 1664. Listen out for a Words and Music episode which picks out key speeches from plays including The Miser, the Imaginary Invalid, The School for Wives and the Misanthrope. You can hear that on BBC Radio 3 at 5.30pm Sunday 16th - followed by a new adaptation of The Miser scripted by Barunka O'Shaughnessy. You can also find out about the court music of Lully in Composer of the Week and there's a special edition of Radio 3's Early Music Show. Producer: Ruth Watts
Joining Nicola this week is the glorious playwright and poet Liz Lochead to chat about her career, being made ‘Makar' (National Poet) of Scotland, writing, and some wonderful anecdotes! ----more---- The Cultural Coven is a fortnightly podcast series that explores the lives of some of Scotland's leading arts and cultural figures through conversation (and a bit of banter) with podcast host, actress Nicola Roy. Presented in association with the Stephen Dunn Theatre Fund and the Lyceum Theatre. The first season of The Cultural Coven was produced by In Motion Theatre.
Welcome to the Ghost Gals podcast, we're rebranding and Adam is fired. Okay fine, he isn't fired, but Nat and guest Nicola Roy are dragging his skeptical bum back into the spectral realm as we explore a few famous ghosts of Edinburgh. Edinburgh Castle (day) Edinburgh Castle (night) The One o'clock Gun Greyfriars Churchyard Gates Greyfriars Kirk Cemetery George Mackenzie's Tomb Greyfriars Bobby Burke & Hare Jasper & Horace from 101 Dalmatians The Royal Lyceum Theatre Nicola in The Cherry Orchard at the Royal Lyceum Check out Nicola's podcast: The Cultural Coven The Cultural Coven Podcast, was “highly recommended” by Scotland's First Minister Nicola Sturgeon and mentioned in HELLO magazine. The Cultural Coven is a podcast that celebrates Scottish Art & Culture, explores the lives of its much loved artists and figures. In association with Edinburgh's Royal Lyceum Theatre where Nicola has tread the boards many times. The first series is available on all major podcast platforms, new series coming soon. Follow The Cultural Coven @culturalcoven on Twitter More on Nicola: Nicola Roy is an award-winning actress and accomplished voice artist. She has worked extensively in Scottish theatre, TV and radio, is a favorite at the Lyceum Theatre whereshe has appeared in many plays, most recently; ‘An Edinburgh Christmas,' ‘Belles Stratagem' (Cats awards ‘Best Ensemble' 2018) and ‘Thon Man Moliere' opposite Siobhan Redmond. Nicola has also worked at the Traverse Theatre, Dundee Rep, Kings Theatre, Citizens Theatre and Oran Mor. Joyce McMillan, the Scotsman Reviewer, recently described her as "one of Scotland's leading comic actresses." Just prior to lockdown Nicola had an international success playing Elmire in Liz Lochhead's ‘Tartuffe' in Adelaide, Australia, which won the ‘critics choice' award. TV appearances include playing Jen Lewis in BBC Scotland's River City, Hope Springs and being directed by Robert Carlyle in the film ‘Barney Thomson' Follow Nicola at @nicola.m.roy on Instagram & @NicolaMRoy on Twitter SOURCES: “The Famous Ghost of Morningside.” Q360 Blog Edinburgh Scotland. Hallinan, Bridget. “The 10 Most Haunted Cities in the World.” Condé Nast Traveler “Scottish Folklore - Ghosts, Myths AND Legends.” VisitScotland Stratford, Sam. “Peeves's Edinburgh Tomb: GreyFriar's Black Mausoleum.” SOCIALS: Follow Under The Kilt at @underthekiltpod on Twitter & Instagram CREDITS: Original Theme: Tyler Collins aka “Two Metre Man” Addtl Music: Garreth Spinn Art: Sarah Cruz Producer: Kathleen Mueller Mason
Welcome to the Ghost Gals podcast, we're rebranding and Adam is fired. Okay fine, he isn't fired, but Nat and guest Nicola Roy are dragging his skeptical bum back into the spectral realm as we explore a few famous ghosts of Edinburgh.Edinburgh Castle (day)Edinburgh Castle (night)The One o'clock GunGreyfriars Churchyard GatesGreyfriars Kirk CemeteryGeorge Mackenzie's TombGreyfriars BobbyBurke & HareJasper & Horace from 101 DalmatiansThe Royal Lyceum TheatreNicola in The Cherry Orchard at the Royal LyceumCheck out Nicola's podcast: The Cultural CovenThe Cultural Coven Podcast, was “highly recommended” by Scotland's First Minister Nicola Sturgeon and mentioned in HELLO magazine. The Cultural Coven is a podcast that celebrates Scottish Art & Culture, explores the lives of its much loved artists and figures. In association with Edinburgh's Royal Lyceum Theatre where Nicola has tread the boards many times. The first series is available on all major podcast platforms, new series coming soon.Follow The Cultural Coven @culturalcoven on TwitterMore on Nicola:Nicola Roy is an award-winning actress who has worked extensively in Scottish theatre, TV and radio since graduating from Rose Bruford College in London in 2008. Joyce McMillan, the Scotsman Reviewer, recently described her as "one of Scotland's leading comic actresses."Just prior to lockdown Nicola had an international success playing Elmire in Liz Lochhead's ‘Tartuffe' in Adelaide, Australia, which won the ‘critics choice' award.She is a favorite at the Lyceum Theatre where she has appeared in many plays, most recently; ‘An Edinburgh Christmas,' ‘Belles Stratagem' (Cats awards ‘Best Ensemble' 2018) and ‘Thon Man Moliere' opposite Siobhan Redmond. Nicola has also worked at the Traverse Theatre, Dundee Rep, Kings Theatre, Citizens Theatre and Oran Mor.TV appearances include playing Jen Lewis in BBC Scotland's River City, Hope Springs and being directed by Robert Carlyle in the film ‘Barney Thomson'Nicola is also an accomplished voice artist, having appeared in numerous radio dramas for the BBC including Rebus and 44 Scotland Street.Follow Nicola at @nicola.m.roy on Instagram & @NicolaMRoy on TwitterSOURCES:“The Famous Ghost of Morningside.” Q360 Blog Edinburgh Scotland. Quartermile's Property and Lifestyle Blog. Luxury Apartments, www.qmile.com/q360/the-famous-ghost-of-morningside. Hallinan, Bridget. “The 10 Most Haunted Cities in the World.” Condé Nast Traveler, Condé Nast Traveler, 5 Oct. 2017, www.cntraveler.com/gallery/the-10-most-haunted-cities-in-the-world. “Scottish Folklore - Ghosts, Myths AND Legends.” VisitScotland, ebooks.visitscotland.com/ghosts-myths-legends/headless-drummer/. Stratford, Sam. “Peeves's Edinburgh Tomb: GreyFriar's Black Mausoleum.” Greyfriars Kirkyard George Mackenzie's Poltergeist & Peeves
Minisode 1: Hyndland in Glasgow typically means affluence. It is synonymous with large townhouses, flashy cars, sport stars and a café culture which stands at odds with the less prosperous sides of ‘The Dear Green Place', as Glasgow is nicknamed. Its children span the great and good of Glasgow society, from actors Robert Carlyle and Kelly McDonald, Liz Lochhead, Glasgow's former Poet Laureate, comedian Frankie Boyle and the multi-talented Sanjeev Kohli to name a few. However, in 1952, resident Edwin Finlay, was working his way towards becoming not one of Hyndland's most famous sons, but one of its most infamous.Minisode 2: On Friday the 17th of June, 1994, a call came in to 999 – the emergency services number in the United Kingdom. A teenaged male was creating a public disturbance in the Gorbals Norfolk Street, brandishing a bladed weapon...Primary Audio and Editing by JSScripting, Soundtracking, Production and Post-Production by Matt KSoundtracks provided by EpidemicSound
For My Grandmother Knitting By Liz Lochhead
A Toon Built Apo Shenanigans - on In Motion Theatre Podcasts
This week we are joined by former Makar (national poet of Scotland), playwright and broadcaster, Liz Lochhead.
A recording of a unique event at the National Library of Scotland in February 2020. The Lost Poets are: Ron Butlin, Andrew Greig, Liz Lochhead, Brian McCabe and James Hutcheson, along with his band The Great Deep.
As public protests continue nationally and internationally, award-winning American artist Carrie Mae Weems - whose work explores race, identity, and power - joins Front Row to discuss the role of art in response to tragedies such as the death of George Floyd. Liz Lochhead, the former Makar, or National Poet of Scotland, performs a new poem written during the lockdown, called The Spaces Between. How will museums reflect the current crisis in the future? What will they have on display and in their archives to record the way we’re living now? We find out what the Wellcome Collection and the Victoria and Albert Museum are collecting. And we conclude our series of specially commissioned introductions to some of the books on the GCSE English literature syllabus with novelist and games writer Naomi Alderman, whose feminist sci fi novel The Power won the Baileys Women's Prize for Fiction in 2017. So it’s appropriate that tonight she’ll be talking about about HG Wells’ trailblazing science fiction classic The War of the Worlds. Presenter: Samira Ahmed Producer: Simon Richardson
Ten years ago, Jude Kelly founded WOW – the Women of the World foundation – aimed at celebrating women and girls and the challenges they face in society. The former artistic director of London’s Southbank Centre discusses this weekend’s WOW Festival in collaboration with the BBC, the first to take place online because of the pandemic. Emma Thompson reads one of her favourite poems. It's by Liz Lochhead, the former Scottish Makar, and called Photograph, Art Student, Female, Working Class. How do you set about writing a musical? In the first of a new series, Front Row follows a team of creatives led by writer Poppy Burton Morgan and composer Ben Toth, through every stage of the process of developing House Fire, a new musical about the climate crisis. With art galleries across the world closed, access to art for pleasure and education is severely limited and sorely missed, but some art organisations and games companies have developed games to help art lovers continue to engage with art at home. Gabrielle de la Puente of The White Pube, a collaboration of two art critics, joins Tom to review the Pompidou Centre’s single-player game Prisme 7 and the online multiplayer game Occupy White Walls. Main image: Jude Kelly Image credit: Ellie kurttz Presenter: Tom Sutcliffe Producer: Julian May
In celebration of Edwin Morgan 100 on Monday 27 April 2020 we bring you an episode filled to the brim with poetry. Marjorie Lotfi Gill and Claire Urquhart read the poems 'Strawberries', 'The Release' and 'At Eighty', as well as the introduction by Liz Lochhead to The Edwin Morgan Twenties: Scotland. Find out more about Edwin Morgan 100 at https://edwinmorgantrust.com/edwin-morgan-centenary/ Send your comments and questions to info@openbookreading.com and visit out website: http://www.openbookreading.com/unbound
Scotland To Queensland, Glasgow To Gold Coast By Liz Lochhead
Professor Cairns Craig’s new book, The Wealth of the Nation: Scotland, Culture and Independence (Edinburgh University Press, 2018), which has been shortlisted for the Saltire History Book of the Year Award, is a wide-ranging study of the ways in which Scottish culture was defined, exported, transformed, and smuggled through its assimilation in the British State and the British Empire, their rise, their fall, and the more recent fallout. Adam Smith’s The Wealth of Nations (1776), and the Chicago School and Thatcher’s distortions of its lessons, is a central theme: A considered analyses of the structure of Smith’s thought, its uses and abuses open and close the argument. Craig develops and applies very original critical concepts to Scotland’s cultural history. These include: ‘Xeniteian migration’ (as opposed to diasporic migration: these are institution-builders, recasting the world in Scotland’s image); ‘Nostophobia’ (revulsion toward the culture of one’s own country, especially where it is seen to be ‘past-oriented’); and ‘Theoxenia’ (hospitality to strangers on the basis that they might be Gods in disguise; this notion is close to the idea of a vast horizon of possible Scotlands that was ignited during the 2014 Independence Referendum). Beginning among the thinkers of the Scottish Enlightenment, Craig’s argument casts its net wide, incorporating, for example: the history Scottish Free Masonry; the reception of Walter Scott’s historical novels; the development of so-called ‘race science’; the history of theoretical physics; the intent and impact of pastoral literatures; Associationist aesthetics; film history; modern and contemporary sculpture; contemporary Scottish politics; and a vast array of Scottish literary authors, from Scott to Liz Lochhead. The Wealth of the Nation is vital reading for those interested in the deeper currents of contemporary debates around Scotland’s cultural politics, and for anyone interested in the foundational relationships between what Craig calls ‘Cultural Wealth’ and a more materialist, or dryly economic notion of historical processes. Learn more about your ad choices. Visit megaphone.fm/adchoices
Professor Cairns Craig’s new book, The Wealth of the Nation: Scotland, Culture and Independence (Edinburgh University Press, 2018), which has been shortlisted for the Saltire History Book of the Year Award, is a wide-ranging study of the ways in which Scottish culture was defined, exported, transformed, and smuggled through its assimilation in the British State and the British Empire, their rise, their fall, and the more recent fallout. Adam Smith’s The Wealth of Nations (1776), and the Chicago School and Thatcher’s distortions of its lessons, is a central theme: A considered analyses of the structure of Smith’s thought, its uses and abuses open and close the argument. Craig develops and applies very original critical concepts to Scotland’s cultural history. These include: ‘Xeniteian migration’ (as opposed to diasporic migration: these are institution-builders, recasting the world in Scotland’s image); ‘Nostophobia’ (revulsion toward the culture of one’s own country, especially where it is seen to be ‘past-oriented’); and ‘Theoxenia’ (hospitality to strangers on the basis that they might be Gods in disguise; this notion is close to the idea of a vast horizon of possible Scotlands that was ignited during the 2014 Independence Referendum). Beginning among the thinkers of the Scottish Enlightenment, Craig’s argument casts its net wide, incorporating, for example: the history Scottish Free Masonry; the reception of Walter Scott’s historical novels; the development of so-called ‘race science’; the history of theoretical physics; the intent and impact of pastoral literatures; Associationist aesthetics; film history; modern and contemporary sculpture; contemporary Scottish politics; and a vast array of Scottish literary authors, from Scott to Liz Lochhead. The Wealth of the Nation is vital reading for those interested in the deeper currents of contemporary debates around Scotland’s cultural politics, and for anyone interested in the foundational relationships between what Craig calls ‘Cultural Wealth’ and a more materialist, or dryly economic notion of historical processes. Learn more about your ad choices. Visit megaphone.fm/adchoices
Professor Cairns Craig’s new book, The Wealth of the Nation: Scotland, Culture and Independence (Edinburgh University Press, 2018), which has been shortlisted for the Saltire History Book of the Year Award, is a wide-ranging study of the ways in which Scottish culture was defined, exported, transformed, and smuggled through its assimilation in the British State and the British Empire, their rise, their fall, and the more recent fallout. Adam Smith’s The Wealth of Nations (1776), and the Chicago School and Thatcher’s distortions of its lessons, is a central theme: A considered analyses of the structure of Smith’s thought, its uses and abuses open and close the argument. Craig develops and applies very original critical concepts to Scotland’s cultural history. These include: ‘Xeniteian migration’ (as opposed to diasporic migration: these are institution-builders, recasting the world in Scotland’s image); ‘Nostophobia’ (revulsion toward the culture of one’s own country, especially where it is seen to be ‘past-oriented’); and ‘Theoxenia’ (hospitality to strangers on the basis that they might be Gods in disguise; this notion is close to the idea of a vast horizon of possible Scotlands that was ignited during the 2014 Independence Referendum). Beginning among the thinkers of the Scottish Enlightenment, Craig’s argument casts its net wide, incorporating, for example: the history Scottish Free Masonry; the reception of Walter Scott’s historical novels; the development of so-called ‘race science’; the history of theoretical physics; the intent and impact of pastoral literatures; Associationist aesthetics; film history; modern and contemporary sculpture; contemporary Scottish politics; and a vast array of Scottish literary authors, from Scott to Liz Lochhead. The Wealth of the Nation is vital reading for those interested in the deeper currents of contemporary debates around Scotland’s cultural politics, and for anyone interested in the foundational relationships between what Craig calls ‘Cultural Wealth’ and a more materialist, or dryly economic notion of historical processes. Learn more about your ad choices. Visit megaphone.fm/adchoices
Professor Cairns Craig’s new book, The Wealth of the Nation: Scotland, Culture and Independence (Edinburgh University Press, 2018), which has been shortlisted for the Saltire History Book of the Year Award, is a wide-ranging study of the ways in which Scottish culture was defined, exported, transformed, and smuggled through its assimilation in the British State and the British Empire, their rise, their fall, and the more recent fallout. Adam Smith’s The Wealth of Nations (1776), and the Chicago School and Thatcher’s distortions of its lessons, is a central theme: A considered analyses of the structure of Smith’s thought, its uses and abuses open and close the argument. Craig develops and applies very original critical concepts to Scotland’s cultural history. These include: ‘Xeniteian migration’ (as opposed to diasporic migration: these are institution-builders, recasting the world in Scotland’s image); ‘Nostophobia’ (revulsion toward the culture of one’s own country, especially where it is seen to be ‘past-oriented’); and ‘Theoxenia’ (hospitality to strangers on the basis that they might be Gods in disguise; this notion is close to the idea of a vast horizon of possible Scotlands that was ignited during the 2014 Independence Referendum). Beginning among the thinkers of the Scottish Enlightenment, Craig’s argument casts its net wide, incorporating, for example: the history Scottish Free Masonry; the reception of Walter Scott’s historical novels; the development of so-called ‘race science’; the history of theoretical physics; the intent and impact of pastoral literatures; Associationist aesthetics; film history; modern and contemporary sculpture; contemporary Scottish politics; and a vast array of Scottish literary authors, from Scott to Liz Lochhead. The Wealth of the Nation is vital reading for those interested in the deeper currents of contemporary debates around Scotland’s cultural politics, and for anyone interested in the foundational relationships between what Craig calls ‘Cultural Wealth’ and a more materialist, or dryly economic notion of historical processes. Learn more about your ad choices. Visit megaphone.fm/adchoices
Professor Cairns Craig’s new book, The Wealth of the Nation: Scotland, Culture and Independence (Edinburgh University Press, 2018), which has been shortlisted for the Saltire History Book of the Year Award, is a wide-ranging study of the ways in which Scottish culture was defined, exported, transformed, and smuggled through its assimilation in the British State and the British Empire, their rise, their fall, and the more recent fallout. Adam Smith’s The Wealth of Nations (1776), and the Chicago School and Thatcher’s distortions of its lessons, is a central theme: A considered analyses of the structure of Smith’s thought, its uses and abuses open and close the argument. Craig develops and applies very original critical concepts to Scotland’s cultural history. These include: ‘Xeniteian migration’ (as opposed to diasporic migration: these are institution-builders, recasting the world in Scotland’s image); ‘Nostophobia’ (revulsion toward the culture of one’s own country, especially where it is seen to be ‘past-oriented’); and ‘Theoxenia’ (hospitality to strangers on the basis that they might be Gods in disguise; this notion is close to the idea of a vast horizon of possible Scotlands that was ignited during the 2014 Independence Referendum). Beginning among the thinkers of the Scottish Enlightenment, Craig’s argument casts its net wide, incorporating, for example: the history Scottish Free Masonry; the reception of Walter Scott’s historical novels; the development of so-called ‘race science’; the history of theoretical physics; the intent and impact of pastoral literatures; Associationist aesthetics; film history; modern and contemporary sculpture; contemporary Scottish politics; and a vast array of Scottish literary authors, from Scott to Liz Lochhead. The Wealth of the Nation is vital reading for those interested in the deeper currents of contemporary debates around Scotland’s cultural politics, and for anyone interested in the foundational relationships between what Craig calls ‘Cultural Wealth’ and a more materialist, or dryly economic notion of historical processes. Learn more about your ad choices. Visit megaphone.fm/adchoices
Professor Cairns Craig’s new book, The Wealth of the Nation: Scotland, Culture and Independence (Edinburgh University Press, 2018), which has been shortlisted for the Saltire History Book of the Year Award, is a wide-ranging study of the ways in which Scottish culture was defined, exported, transformed, and smuggled through its assimilation in the British State and the British Empire, their rise, their fall, and the more recent fallout. Adam Smith’s The Wealth of Nations (1776), and the Chicago School and Thatcher’s distortions of its lessons, is a central theme: A considered analyses of the structure of Smith’s thought, its uses and abuses open and close the argument. Craig develops and applies very original critical concepts to Scotland’s cultural history. These include: ‘Xeniteian migration’ (as opposed to diasporic migration: these are institution-builders, recasting the world in Scotland’s image); ‘Nostophobia’ (revulsion toward the culture of one’s own country, especially where it is seen to be ‘past-oriented’); and ‘Theoxenia’ (hospitality to strangers on the basis that they might be Gods in disguise; this notion is close to the idea of a vast horizon of possible Scotlands that was ignited during the 2014 Independence Referendum). Beginning among the thinkers of the Scottish Enlightenment, Craig’s argument casts its net wide, incorporating, for example: the history Scottish Free Masonry; the reception of Walter Scott’s historical novels; the development of so-called ‘race science’; the history of theoretical physics; the intent and impact of pastoral literatures; Associationist aesthetics; film history; modern and contemporary sculpture; contemporary Scottish politics; and a vast array of Scottish literary authors, from Scott to Liz Lochhead. The Wealth of the Nation is vital reading for those interested in the deeper currents of contemporary debates around Scotland’s cultural politics, and for anyone interested in the foundational relationships between what Craig calls ‘Cultural Wealth’ and a more materialist, or dryly economic notion of historical processes. Learn more about your ad choices. Visit megaphone.fm/adchoices
Box Room by Liz Lochhead
The second Scots Makar, or national poet of Scotland, Liz Lochhead is also one of Scotland’s most widely performed playwrights, and a performer in her own right. We spent time together laughing, crying and discussing the nature of our work, and what a joy it was. Join us as we put it together. Thanks for... View Article The post Liz Lochhead appeared first on Putting it Together.
Not everyone appreciates the tonalities, lyrics or even the shrieky voice of Canadian artist and musician Joni Mitchell but in a dusty class room in 1971 Lynne Truss decided she loved the writer of Woodstock, Big Yellow Taxi and Both Sides Now. It was a bond forged in the face of the frosty indifference of fellow pupils in Miss Cheverton's music class at the Tiffin Girls School in Kingston Upon Thames. Even Lynne is slightly mystified when she was asked who was her muse that, as a person mostly famous for writing a book on punctuation, she replied; Joni Mitchell. Lynne explores why a series of albums from Ladies of the Canyon to Heijra taking in Blue, Court and Spark and The Hissing of Summer lawns' has wrought such influence over so many. For her aficionados Joni Mitchell is more than a song writer. Lynne observes that for some the attachment goes beyond the personal; its a complete identification with the struggles of dealing with high emotion and how to cope. In the programme she speaks to the poet and playwright Liz Lochhead, the author Linda Grant, Elbow's front man Guy Garvey, her latest biographer the Syracuse University academic David Yaffe and Gina Foster the singer with the UK act Joni's Soul, which she insists is not a tribute but a celebration act. Lynne contends that despite at the time being overshadowed in favour of Bob Dylan, Leonard Cohen, Paul Simon and others Joni Mitchell will come to be regarded as the greatest exponent of the art of singer-song writer from that era and concludes that what makes her a muse can be found less in the brilliant lyrical summations of eternal questions like love, loss and freedom but more in her absolute commitment never to compromise her art - to remain true, above all else, to her own muse.
Kirsty Young's castaway this week is the writer and poet Liz Lochhead. She was the Makar, the Scottish national poet, between 2011 and 2016.Liz was born in Motherwell, not far from Glasgow, in 1947. She was always drawing at school and so decided to study at the Glasgow School of Art, where she didn't enjoy the drawing, but did start writing. After winning a poetry competition, she started performing her poems at readings in Scotland. She published her first pamphlet of poetry, Memo for Spring, in 1972, after a publisher heard her at a reading.After her second volume of poetry was published in 1978 and she won the first Scottish/Canadian Writers' Exchange Fellowship which took her to Toronto for a year, she was able to give up her job as an art teacher and start writing full time.From the early 1980s, she started writing plays as well as poetry, and has also adapted classic Greek and French plays for the stage.She was awarded the Queen's Gold Medal for Poetry in 2015.Producer: Sarah Taylor.
Kirsty Young's castaway this week is the writer and poet Liz Lochhead. She was the Makar, the Scottish national poet, between 2011 and 2016. Liz was born in Motherwell, not far from Glasgow, in 1947. She was always drawing at school and so decided to study at the Glasgow School of Art, where she didn't enjoy the drawing, but did start writing. After winning a poetry competition, she started performing her poems at readings in Scotland. She published her first pamphlet of poetry, Memo for Spring, in 1972, after a publisher heard her at a reading. After her second volume of poetry was published in 1978 and she won the first Scottish/Canadian Writers' Exchange Fellowship which took her to Toronto for a year, she was able to give up her job as an art teacher and start writing full time. From the early 1980s, she started writing plays as well as poetry, and has also adapted classic Greek and French plays for the stage. She was awarded the Queen's Gold Medal for Poetry in 2015. Producer: Sarah Taylor.
John Wilson at the Edinburgh Festival, with novelist Philippa Gregory on her latest Tudor novel, Three Sisters, Three Queens. Adura Onashile discusses her play Expensive Sh*t, the story of a woman who works in the toilets of a nightclub, based on Glasgow's Shimmy Club. Sabina Cameron performs an extract of the play.Scottish poet Liz Lochhead talks about the ancient role of the Makar, the Scottish Poet Laureate. The troupe behind the award-winning improv musical Showstopper perform an impromptu song and Pippa Evans and Adam Meggido discuss the value of improvisation to theatre and the growing appetite for it at the Edinburgh Fringe. Producer: Dixi Stewart.
Four of writer Neil Gaiman's short stories have been adapted for television. Likely Stories stars the likes of Johnny Vegas, Rita Tushingham and Kenneth Cranham, and has an original score by Jarvis Cocker. Neil Gaiman talks to John about his journey from writing rock biographies to becoming a million-selling author.Earlier this year Liz Lochhead stepped down as Makar, or National Poet of Scotland, As her new play opens in Edinburgh, she discusses Thon Man Moliere, and her new collection of poetry, Fugitive Colours.Plus award-winning writer Roy Williams on his new play Soul, which tells the story of the legendary musician Marvin Gaye. Son of Reverend Marvin Gaye Snr, it was in the church where young Marvin fell in love with music. But sadly, it was the tempestuous relationship between the two men which led to Marvin being shot by his father at point-blank range on April 1st 1984.Presenter John Wilson Producer Ella-mai Robey.
In this podcast Jennifer Williams interviews poet William Bonar about the publication of his most recent pamphlet, Offering (Red Squirrel Press, 2015). They also discuss the mythology of memory, Hamish Henderson’s influence on Scots language poetry and a walk through the frozen cradle of Scotland. William Bonar was born in Greenock and grew up in the neighbouring shipbuilding town of Port Glasgow. He is a graduate of the universities of Edinburgh and Strathclyde and he gained a distinction on the MLitt in Creative Writing at Glasgow University in 2008. He recently retired after working in education for 30 years and is now a full-time writer. He is a founder member of St Mungo’s Mirrorball, Glasgow’s network of poets and lovers of poetry, and was a participant on Mirrorball’sClydebuilt mentoring scheme (2009-10) under the tutelage of Liz Lochhead. His sequence, Visiting Winter: A Johannesburg Quintet, originally published in Gutter 06, was chosen for the Scottish Poetry Library’s online anthology Best Scottish Poems of 2012 and he was shortlisted for a Scottish Book Trust New Writers Award in 2015. Offering won the James Kirkup Memorial Poetry Prize for 2014.
Rob's guest this week is the poet and dramatist, Liz Lochhead.
With John Wilson. The poets laureate of the UK, Scotland, Wales, Northern Ireland and Ireland will share a stage for the first time this Friday. All the poets laureate are women - and this has never happened before in the history of the laureateships. Carol Ann Duffy, Gillian Clarke and Liz Lochhead discuss their roles as national poets and talk about reflecting a nation in verse. Reece Shearsmith (Psychoville, The League Of Gentlemen) swaps surreal dark comedy for factual drama in The Widower. Based on the crimes of convicted murderer, Malcolm Webster, the three part series charts the events that led to a charming male nurse systematically attempting to murder more than one wife. Chris Dunkley reviews. Elizabeth McGovern discusses performing with her band, Sadie And The Hotheads. Best-known for playing Cora, the Countess of Grantham, on Downton Abbey, McGovern currently switches between filming Downton Abbey in the day, and performing on stage with The Hotheads at night. She talks about song-writing and how everyday experiences have inspired her songs. Director Jamie Lloyd talks to John on the set of his latest musical. With The Commitments already in London's West End, Jamie discusses taking on the oddly titled and unexpected Broadway hit, Urinetown. He also talks about his fast-paced and sometimes bloody style, working with Harold Pinter, and plans to bring the film Back To The Future to the stage. Producer: Rebecca Nicholson.
Best Scottish Poems is the Scottish Poetry Library's annual online anthology of the 20 Best Scottish Poems, edited each year by a different editor. Bookshops and libraries – with honourable exceptions – often provide a very narrow range of poetry, and Scottish poetry in particular. Best Scottish Poems offers readers in Scotland and abroad a way of sampling the range and achievement of our poets, their languages, forms, concerns. It is in no sense a competition but a personal choice, and this year's editors, the novelists Louise Welsh and Zoë Strachan, checked and balanced each other’s predilections. Their introduction demonstrates how widely they read, and how intensely. The preceding years’ selections are still available on this site. This special podcast features readings by established voices and emerging talent. With readings by Kathleen Jamie, Liz Lochhead, Robin Robertson, John Burnside, and many more. Image: Seaweed by Lucy Burnett
With Mark Lawson The Italian film The Great Beauty was acclaimed at this year's Cannes Film Festival, and now arrives in British cinemas. Set in contemporary Rome, it's the story of an ageing writer looking back with bitterness on his passionate youth. Sarah Crompton reviews. Stephen Fry is curating the Deloitte Ignite Festival at the Royal Opera House, London. Events focus on Verdi and Wagner, to mark the bicentenaries of their births. Stephen Fry discusses his ideas for the Festival, which include taking QI panellist Alan Davies to his first opera for a scientific experiment. He also talks about the political situation in Russia, and not wanting to make a career out of his personal life. The Great Tapestry of Scotland, thought to be the longest in the world, is being unveiled today in Edinburgh. It is more than 140 metres long and depicts the history of Scotland from pre-history to the present. The work was conceived by author Alexander McCall Smith, and the panels were designed by artist Andrew Crummy, with input from the historian Alistair Moffat. More than 1000 stitchers from every corner of Scotland have been working on the project for a year. Poet and dramatist Liz Lochhead discusses one of Scotland's biggest community arts projects. Producer Claire Bartleet.
With John Wilson. Mary, Queen of Scots: betrayed Catholic martyr or murdering adulteress? A new exhibition at the National Museums of Scotland in Edinburgh re-examines Mary Stewart through portraits, documents, jewellery and furniture. Poet and dramatist Liz Lochhead - whose play, Mary Queen Of Scots Got Her Head Chopped Off, looked at the relationship between Mary and Elizabeth I - reviews the exhibition. Film director Mike Figgis is best-known for Timecode and Leaving Las Vegas, for which he was nominated for an Oscar. His latest project is Suspension Of Disbelief, a noir thriller which focuses on the art of film-making and narrative. He discusses storytelling in cinema, the current state of the UK film industry and his experiences directing James Gandolfini on the set of The Sopranos. Front Row pays tribute to stage designer Mark Fisher, who completely transformed the way that rock shows took place, and designed for The Rolling Stones, U2, Peter Gabriel and Pink Floyd, as well as for the Beijing and London Olympics, and the Queen's Diamond Jubilee concert. Oscar-nominated actress Marianne Jean-Baptiste, currently starring in The Amen Corner at the National Theatre, reveals her choice for Cultural Exchange: jazz trumpeter Miles Davis's influential album, Kind Of Blue. Producer Rebecca Nicholson.
Scotland Inspired is an ambitious exploration of the arts in Scotland through a strand of 26 radio programmes. In those, a range of artists gives 15-minute 'personal journeys' that illustrate their inspiration and the lineage of their artform. Introduced by actress, Ashley Jensen the series presents an informed but personal overview of the development of the arts in Scotland, from the Scottish Enlightenment to the present day. The 15-minute 'journeys' provide individual snapshots from a broad range of practising painters, writers, musicians and filmmakers which will evolve into a comprehensive tapestry of creativity that demonstrates how relevant the arts are to life in Scotland in the 21st century. In this, the final episode in the series, we hear from poet, playwright and Scots Makar, Liz Lochhead.
In 1972, Liz Lochhead published her debut collection, Memo For Spring, a landmark in Scottish literature. In an extended interview with Colin Waters, the National Poet of Scotland discusses what the early 1970s poetry scene she emerged into was like, one in which women poets were few and far between. She recalls early meetings with the elder generation - Norman MacCaig, Edwin Morgan, Robert Garioch - and with contemporaries such as Tom Leonard, James Kelman and Alasdair Gray. The future Makar also speaks about life during the era of the three-day week and compares it with an economically troubled present-day that, in some respects, mirrors 1972. And she reads several poems from Memo For Spring. The image of Liz Lochhead is provided by Norman McBeath.
Liz Lochhead reads this poem which Burns penned after being unable to persuade a local Farrier to attend to both his and friend Thomas Sloan's horses which were slipping on the ice.
Rejoice in the wit, charm and warmth of a captivating poet and performer. Brimful of the most wonderful language, this Liz Lochhead event was the perfect conclusion to the 2005 Book Festival.
We all have many stories to tell. Stories represent who we are, portray our life experiences and when presented to others, help connect us to others through common shared experience. By starting to tell these stories and hearing those of others, we can start to shift our perspective on who we are, explore the ways in which we are attached to the communities we belong to and develop new insights into people whose stories we may never have had the opportunity to hear before. This recording begins with an introduction and poem by Liz Lochhead, Glasgow's poet laureate.
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