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Help Pug and her dragon friend, Doug, escape the clutches of Professor Cruz. --- Support this podcast: https://podcasters.spotify.com/pod/show/professortheo/support
This week on Press Record we talked to two professors, Joe Cruz '91 and AnneMarie McClain '09. Professor Cruz's classroom philosophy involves drawing students into discussions and relies on a blind grading system, which mitigates bias but also requires that students actively seek out help from him. Professor McClain was interviewed as part of our Prof Pod series, discussing her research on the usage of media by Black families to talk about race with their children.
An interview with Angie Cruz, Professor of English at the University of Pittsburgh and author of the novel Dominicana (2019). The interview focuses on Professor Cruz's recent novel and her work editing the literary journal Aster(ix). Link to Aster(ix) here: asterixjournal.com/. The interview "Editing with Love and Openness is Activism" is available here: www.thereviewreview.net/interviews/ed…hat-angie-cru. The essay "What We Deserve" from the Paris Review is available here: www.theparisreview.org/blog/2019/08/…t-we-deserve/.
Denise Cruz‘s Transpacific Femininities: The Making of the Modern Filipina (Duke University Press, 2012) traces representations of Filipinas in literature and popular culture during periods of transitional power in the Philippines, from the transition from Spanish to American colonial power, then to Japanese Imperialism, then to independence and the Cold War, and then to contemporary global capital. Professor Cruz questions how these disruptions in power destabilized the elite classes, and provided moments of possibility for writers to shift ideas of femininity in the Philippines and for Filipinas abroad. Rather than focus solely on gender within the Philippines, Cruz considers how Filipina femininity was made through imperial networks from Spain, Japan, America and across the globe. In doing so, she exposes how the making of the Filipina was neither natural nor national, but was actually a strategic response to shifting colonial powers as well as to the demands of the global capital market. Learn more about your ad choices. Visit megaphone.fm/adchoices
Denise Cruz‘s Transpacific Femininities: The Making of the Modern Filipina (Duke University Press, 2012) traces representations of Filipinas in literature and popular culture during periods of transitional power in the Philippines, from the transition from Spanish to American colonial power, then to Japanese Imperialism, then to independence and the Cold War, and then to contemporary global capital. Professor Cruz questions how these disruptions in power destabilized the elite classes, and provided moments of possibility for writers to shift ideas of femininity in the Philippines and for Filipinas abroad. Rather than focus solely on gender within the Philippines, Cruz considers how Filipina femininity was made through imperial networks from Spain, Japan, America and across the globe. In doing so, she exposes how the making of the Filipina was neither natural nor national, but was actually a strategic response to shifting colonial powers as well as to the demands of the global capital market. Learn more about your ad choices. Visit megaphone.fm/adchoices
Denise Cruz‘s Transpacific Femininities: The Making of the Modern Filipina (Duke University Press, 2012) traces representations of Filipinas in literature and popular culture during periods of transitional power in the Philippines, from the transition from Spanish to American colonial power, then to Japanese Imperialism, then to independence and the Cold War, and then to contemporary global capital. Professor Cruz questions how these disruptions in power destabilized the elite classes, and provided moments of possibility for writers to shift ideas of femininity in the Philippines and for Filipinas abroad. Rather than focus solely on gender within the Philippines, Cruz considers how Filipina femininity was made through imperial networks from Spain, Japan, America and across the globe. In doing so, she exposes how the making of the Filipina was neither natural nor national, but was actually a strategic response to shifting colonial powers as well as to the demands of the global capital market. Learn more about your ad choices. Visit megaphone.fm/adchoices
Denise Cruz‘s Transpacific Femininities: The Making of the Modern Filipina (Duke University Press, 2012) traces representations of Filipinas in literature and popular culture during periods of transitional power in the Philippines, from the transition from Spanish to American colonial power, then to Japanese Imperialism, then to independence and the Cold War, and then to contemporary global capital. Professor Cruz questions how these disruptions in power destabilized the elite classes, and provided moments of possibility for writers to shift ideas of femininity in the Philippines and for Filipinas abroad. Rather than focus solely on gender within the Philippines, Cruz considers how Filipina femininity was made through imperial networks from Spain, Japan, America and across the globe. In doing so, she exposes how the making of the Filipina was neither natural nor national, but was actually a strategic response to shifting colonial powers as well as to the demands of the global capital market. Learn more about your ad choices. Visit megaphone.fm/adchoices
Denise Cruz‘s Transpacific Femininities: The Making of the Modern Filipina (Duke University Press, 2012) traces representations of Filipinas in literature and popular culture during periods of transitional power in the Philippines, from the transition from Spanish to American colonial power, then to Japanese Imperialism, then to independence and the Cold War, and then to contemporary global capital. Professor Cruz questions how these disruptions in power destabilized the elite classes, and provided moments of possibility for writers to shift ideas of femininity in the Philippines and for Filipinas abroad. Rather than focus solely on gender within the Philippines, Cruz considers how Filipina femininity was made through imperial networks from Spain, Japan, America and across the globe. In doing so, she exposes how the making of the Filipina was neither natural nor national, but was actually a strategic response to shifting colonial powers as well as to the demands of the global capital market. Learn more about your ad choices. Visit megaphone.fm/adchoices