Podcasts about Imagination

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This is a re-edit conversation from 2024 with Dr. Lanta Davis. Her book Becoming by Beholding is a wonderful conversation partner with some of the recent podcast episodes. Her book will prompt you to think about the connection between art, imagination, and theology. How did the historic church think about the imagination and spiritual formation, and can we do a better job of that in today's environment? Are we aware enough of what we "behold" and how that creates an impression on our lives? And how did the Protestant church lose its ability to gaze on images and allow them to stoke our imagination? You can find Lanta Davis' book HERE Read more about Dr. Davis HERE Contact Cyndi Parker through Narrative of Place. Join Cyndi Parker's  Patreon Team!

Imagine your child, almost 2 years old, contracts bacterial meningitis, and it changes your life forever. Today's guest, Jacob Robinson, took a life-changing moment and turned it into his mission to help.  This story will pull at your heart while feeding back into your faith and proving how when God puts something onto your heart, he follows through. You can listen to today's episode at www.corymcarlson.com/podcast   In this episode, you'll discover…  How did Digworld come to be? (2:45) How to manage hustle culture (9:50)  Remembering this is about you, and Jesus (15:00) How to not quit after "no"  (16:00)    Jacob's Bio:  Our son, Pierce, was born in May of 2015 as a happy and healthy little boy with a deep love for construction equipment, garbage trucks, dump trucks, and all things outdoors.   On February 4, 2017 Pierce contracted bacterial meningitis which left him with a significant brain injury. After two weeks in a coma and 75 days in the hospital, our life suddenly looked very different. However, we knew God had and still has a very special plan for Pierce's life. Despite the illness leaving multiple physical and cognitive disabilities, Pierce remains full of joy as evidenced by his beaming smile and infectious giggles. We are blessed to be his parents! When he is here, you can often find Pierce in the admissions booth hanging out with the team and welcoming guests to the park!   Pierce's love for construction was the main inspiration for Dig World. We wanted to build something that ALL children and adults could enjoy. We teamed up with our good friend from college, Rick Bennett, and Dig World was set in motion. Our goal at Dig World is to bring friends and families together to enjoy an experience unlike anything else, all while creating memories that last a lifetime.  More on DigWorld   What's Next?  NEW!! Join the new RISE community. Check out my newest book, 'Rise and Go', HERE!

Send me a DM here (it doesn't let me respond), OR email me: imagineabetterworld2020@gmail.comIn 2020, John Paul Rice went on Instagram Live to speak out after the new film he released called "A Child's Voice" was suddenly taken down off Amazon and made unavailable. The film had an incredible message with nods to (gently) exposing satanic ritual abuse and organized child abuse and was a fantastic depiction of the realities of child trafficking and hidden networks of crime syndicates that operate under our noses targeting children and using them as commodities. Compared to many films showcasing similar topics, "A Child's Voice" was (and is) a minimally graphic film with an overly accurate portrayal of child abuse crimes. The censorship on Amazon was an abomination and slap in the face for such a carefully crafted independent film advocating for the rights of children. John took to Instagram Live to vent about this censorship but instead began a conversation about the topic of his film existing all over the world in secret - hiding in every corner of society. His unplanned and unscripted speech went viral instantly and became a moment of awakening to so many listening on the other side of the screen. Survivors were given a voice and listeners had a veil lifted from over their eyes. John's words were moving - exposing darkness enveloped in the love and compassion he brings to every conversation. Raw, vulnerable, true and worded in a way only John Paul Rice could do. "We live in a child abuse society" John proclaims while offering solutions to these atrocities and revealing that the solution was and always is... us.WATCH JPR'S VIDEOS ON 'THE IMAGINATION' PODCAST:S2E37 | John Paul Rice - Hollywood, Collective Consciousness, LOVE, & Prioritizing 'A Child's Voice'https://youtu.be/kvnUouLdrxUS3E12 | John Paul Rice: Ending Global Child Abuse Systems by Imagining Potentials That Don't Exishttps://youtu.be/B33alp3TIuUCONNECT WITH EMMA:YouTube: https://www.youtube.com/@imaginationpodcastofficialRumble: https://rumble.com/c/TheImaginationPodcastEMAIL: imagineabetterworld2020@gmail.com OR standbysurvivors@protonmail.comMy Substack: https://emmakatherine.substack.com/BUY ME A COFFEE: https://www.buymeacoffee.com/theimaginationVENMO: @emmapreneurCASHAPP: $EmmaKatherine1204All links: https://direct.me/theimaginationpodcastSupport the show

Key Takeaways: Managing Emotions Matters: Successful investing starts with emotional control. When you calm nervous energy, you can think more clearly and make better decisions. Know the Difference Between Fear and Intuition: Fear and anxiety create urgency and confusion. Intuition feels calm and steady, and it helps guide thoughtful, informed actions. Emotional Stability Starts at Home: Spending quality time and being present with family helps regulate emotions. This stability carries over into better, more mature financial choices. Volatility Can Be an Advantage: Market ups and downs don't have to be scary. When understood and respected, volatility can open the door to long-term wealth. Use Both Logic and Emotional Intelligence: Smart investing combines numbers and analysis with self-awareness and intuition. Both are important for making sound decisions over time.   Chapters: Timestamp Summary 0:00 Rebuilding Market Understanding Through Timeless Anchors 3:42 Principles, Emotions, and the True Nature of Money 8:49 Imagination, Physics, and the Transformation of Energy into Reality 12:24 Understanding Credit as Future Energy and Trust in Economics 15:42 Bitcoin as a Benchmark for Energy Flow in Financial Systems 22:28 Bitcoin's Role in Future Investment and Capital Allocation 24:51 Understanding Money Systems: Nature-Based Versus Temporary Fiat 27:10 Principles Over Narratives in Financial Decision Making   Powered by Stone Hill Wealth Management   Social Media Handles    Follow Phillip Washington, Jr. on Instagram (@askphillip)   Subscribe to Wealth Building Made Simple newsletter https://www.wealthbuildingmadesimple.us/   Ready to turn your investing dreams into reality? Our "Wealth Building Made Simple" premium newsletter is your secret weapon. We break down investing in a way that's easy to understand, even if you're just starting out. Learn the tricks the wealthy use, discover exciting opportunities, and start building the future YOU want. Sign up now, and let's make those dreams happen!   WBMS Premium Subscription   Phillip Washington, Jr. is a registered investment adviser. Information presented is for educational purposes only and does not intend to make an offer or solicitation for the sale or purchase of any specific securities, investments, or investment strategies. Investments involve risk and, unless otherwise stated, are not guaranteed. Be sure to first consult with a qualified financial adviser and/or tax professional before implementing any strategy discussed herein. Past performance is not indicative of future performance.

Faith and imagination unite to shape unseen realities when you know God is with you and helping you. 

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Scott Snibbe sits down with Chris Ballew—frontman of The Presidents of the United States of America and beloved children's artist Caspar Babypants—for a wide-ranging and deeply personal conversation about music, meditation, creativity, and walking away from conventional success. From Grammy nominations and rockstar fame to lullabies and “sonic totems,” Chris reflects on the inner signals that guided him toward a more sustainable, service-oriented life. Along the way, they dive into beginner's mind, silliness as a byproduct of enlightenment, the emotional power of music, and the spiritual undercurrents in his music. Equal parts playful and profound, this conversation reveals how creativity can become a contemplative practice.Episode #215: Music, Imagination, and Meditation with Chris Ballew (Caspar Babypants)If you'd like to practice with others and bring these ideas into your life, join our weekly meditation community with Scott.

What if Mercury Retrograde isn't here to create chaos, but clarity? From February 25 through March 20, 2026, Mercury retrogrades in Pisces from 22° back to 8°, inviting you to reimagine your soul purpose. In this episode, we explore how this Mercury Retrograde in Pisces is less about miscommunication and more about recalibration. With Mercury bookended by the North Node and aligned with Venus, Jupiter, Mars, and the Aries Ingress, this retrograde is a powerful spiritual reset before the astrological New Year. This is a Mercury Retrograde for visionaries, healers, and changemakers ready to turn imagination into aligned action. If you're navigating Pisces season, eclipse energy, or preparing for Aries season 2026, this astrology forecast will help you move with cosmic timing instead of against it.

Looking for daily inspiration?  Get a quote from the top leaders in the industry in your inbox every morning.   Leading a team can feel like a roller coaster. From big climbs and sudden drops, there are moments where you wonder why you got on the ride in the first place. Matt Heller, Founder of Performance Optimist Consulting helps leaders and teams stay focused and performing at their best. Through engaging keynotes, hands-on workshops, and practical coaching, we turn fear into confidence and discomfort into momentum. This means fewer breakdowns and more breakthroughs. If your organization is ready to start building real forward motion, it's time to take action and make better performance and growth your main attraction. Visit performanceoptimist.com/attractionpros for an exclusive offer! Mark Rosenzweig is the Principal and Chief Business Officer of 3dxScenic. After getting his start in park operations and park services at Michigan's Adventure, Mark moved into sales and marketing roles at Zamperla and Ride Entertainment, including leading the SkyCoaster division. In 2020, he joined 3dxScenic in the Cincinnati area, and in December 2023 he became co-owner alongside longtime team member Matt Waldenmeyer. Today, 3dxScenic designs and fabricates themed environments, signage, facades, parade floats, and iconic photo-op pieces for parks and attractions. In this interview, Mark talks about integrity, transparency, and collaboration, stirring imagination, and being an operations nerd. Integrity, transparency, and collaboration “We have three pillars that we believe 150% in. Those are collaboration, integrity, and transparency.” Mark frames these as more than values on a wall. They shape how 3dxScenic sells, scopes, schedules, and delivers work. He explains that integrity and transparency mean being upfront about what's possible, what will be subcontracted, and what the realistic timeline and bandwidth look like, with a focus on avoiding surprises. Collaboration is the lever that makes the work better, whether it's aligning early on how a piece will live in the environment, or leaning on operators and mid-level leaders who will ultimately execute the day-to-day. He also emphasizes these pillars internally. From how ownership communicates with team members to how departments coordinate workflow, he sees consistency between culture and output as a requirement for sustainable growth and repeat partnerships. Stirring imagination “It's not always easy to sell abstract decor to someone that, say, is in finance.” Mark describes scenic work as an abstract product that often requires helping clients visualize ROI differently. A sculpture may not directly sell tickets, but it can become an iconic, repeatable photo moment that drives sharing, tradition, and brand memory. He points to examples like oversized entry pieces and themed elements that communicate what a park experience feels like before a guest ever rides anything. He also walks through how ideas become reality, using projects like Holiday World's Good Gravy as a case study in creative back-and-forth, story building, and delivering pieces that can even turn into merchandise. For Mark, the win is when theming supports the story, creates emotional connection, and provides both guest delight and practical marketing value. Being an operations nerd “I'm an operations nerd at heart.” Mark's early-career curiosity shows up in how he talks about labor, workflow, and execution. He credits his time in park services, ride ops, and other frontline roles with giving him empathy for how systems actually run, and why it matters to learn by doing. That mindset carries into fabrication, where one late step can cascade into multiple downstream delays. The “ops nerd” lens also shows up in the company's recent move into a new 30,000 square foot facility. Mark shares how they let departments help dictate the shop layout, aiming for smoother phase-to-phase movement, fewer bottlenecks, and better long-term scalability as they take on larger and more complex projects.   To learn more about 3dxScenic, visit 3dxscenic.com and find them on Facebook, Instagram, and LinkedIn. You can reach Mark directly at markr@3dxscenic.com.   This podcast wouldn't be possible without the incredible work of our faaaaaantastic team:   Scheduling and correspondence by Kristen Karaliunas   To connect with AttractionPros: AttractionPros.com AttractionPros@gmail.com AttractionPros on Facebook AttractionPros on LinkedIn AttractionPros on Instagram AttractionPros on Twitter (X)

On this episode of Gifts and Graces we get to hear from Heather Hess about imagination and the preeminance of Christ. Heather is Assistant Professor of English at Covenant College. Let's listen as Heather explores the role of Christian imagination as a form of embodied knowing that enables us to live inside God's story.

"Imagination is more important than knowledge. For knowledge is limited, whereas Imagination embraces the entire world, stimulating progress, giving birth to evolution, " - Albert Einstein

In 1983, the CIA commissioned a classified report on a technique for expanding consciousness beyond the physical body. For 20 years, it was stamped SECRET. What they discovered about your mind was never meant to reach you — until now.   In 1983, the CIA commissioned a classified report on a technique for expanding consciousness beyond the physical body. For 20 years, it was stamped SECRET. What they discovered about your mind was never meant to reach you — until now.   This isn't ancient wisdom or spiritual theory. This is documented, government-funded research conducted at Stanford Research Institute — one of the most prestigious scientific institutions in America. The findings were so significant that the program ran for over two decades with classified funding. Then, in 2003, the document was quietly declassified. The mainstream media never covered it. Academia pretended it didn't exist. It's been buried in plain sight.   In this episode, I reveal:   The Cold War origins of government consciousness research   What Project Stargate and the Gateway Process actually discovered   Why the findings were classified — and what they prove about your mind   The exact 6-step protocol that military intelligence personnel were trained in   A full guided activation using the declassified technique   The document states that consciousness can be trained to "escape the restrictions of time and space." A US Army Lieutenant Colonel wrote this in an official report to the CIA. And they classified it.   Now it's yours.   This technique has been used by thousands since declassification. The results are documented. The protocol is specific. And by the end of this video, you'll have experienced it directly.  

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Hello Beautiful, I'm so grateful you're here with me.

This week, on a much waylaid episode of Tales we return to the Tichbornes,' as Tom Castro makes his play for the land, money and titles. Does it turn out he was, in fact Roger Charles Tichborne - long thought lost at sea - or was he some larrikin on the lookout for an easy life?  This is part two of a two parter. Apologies all, I lost a good month and a half to a bout of pneumonia just after Christmas.   Content warnings: I said nothing on the tape: but on reflection: childhood bullying, and more talk of a character's weight than I am comfortable with.      Sources Include: Robyn Annear's The Man Who Lost Himself Rohan McWilliam's The Tichborne Claimant Support Tales on Patreon for $2 US a month and get access to exclusive content, or Try our 7 Day Free Trial.      Please leave Tales a like and a review wherever you listen. The best way you can support us is to share an episode with a friend - Creative works grow best by word of mouth. I post episodes fortnightly, Wednesdays.   Tales of History and Imagination can be found on… | Facebook |TikTok | Threads | YouTube | Bluesky |  

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Misery has a way of forcing honest questions.In this episode, Brandon sits down with Jennifer Johnson who has spent decades helping people move beyond information about God and into real, embodied transformation. This conversation explores heart physics, biblical meditation, imagination, and why so many believers know Scripture—but can't seem to live free.What happens when the Word moves from the mind into the heart?  What if healing isn't about trying harder, fixing yourself, or perfect behavior—but learning to trust again?  This episode unpacks why religious systems often fear inner freedom, how imagination was designed to work, and why your response to pain determines the outcome of your story.The conversation culminates in a live guided biblical meditation that invites listeners into direct awareness of Christ within. This is not self-help. This is not technique-driven spirituality. This is an invitation to closeness.https://paperbell.me/jenniferjohnson-coachhttps://joinapp.unrefinedpodcast.com

What if the reason many believers never step fully into God's promises isn't a lack of faith… but a lack of holy imagination?In this powerful message, Pastor Nathan walks through Joshua's final challenge to Israel. God had been faithful. He kept every promise. He fought every battle. But Israel still had a choice: fully obey or slowly drift.Joshua warned them not to leave enemies in the land or mix with the surrounding culture. Partial obedience would eventually lead to spiritual compromise. The same is true today. Many of us have entered the “Promised Land,” but we haven't torn down the altars that compete for our attention and affection.Pastor Nathan challenges us to reclaim imagination as a gift from God. Instead of using it to fuel fear, anxiety, or distraction, we are called to imagine revival, freedom, and the presence of God transforming our homes, church, and region.He also confronts the modern altars in our lives—especially screens and distractions—that quietly shape our hearts more than Scripture. Revival doesn't begin with hype; it begins with repentance and removing anything that keeps us from God's presence.As you listen, ask yourself:What am I tolerating that God asked me to remove?Have I stopped imagining what God could do?What altars need to come down in my life?Am I truly hungry for God's presence?Revival starts when we hunger for Him more than comfort, answers, or control.If this message encouraged you, share it with someone who needs to dream with God again.For more on LifePoint Church go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠lifepointaz.com ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our merch store ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lifepointaz-shop.fourthwall.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find all our links in one easy spot ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/lifepointaz ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Facebook ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/lifepointaz ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/lifepointchurchaz/

February 22, 2026 / Series: The Work of Imagination, week 1 / Season: Lent 1

In this episode of Message in the Middle, Marianne sits down with Clinical Hypnotherapist, imagination advocate, and award-winning author Michelle Walters to explore how hypnosis, curiosity, manifestation, and imagination can help women in midlife rewire long-standing subconscious patterns.Michelle shares the deeply personal story that led her from a successful career in digital marketing into hypnotherapy after the sudden loss of her life partner. That heartbreak became the catalyst for an inner reckoning — and ultimately, a new way of understanding how the subconscious mind shapes identity, resilience, and possibility.Together, Marianne and Michelle talk about outdated mental scripts, what really happens beneath the surface when women start questioning long-held roles, and why curiosity is one of the most under-appreciated tools for transformation. They also unpack what hypnosis truly feels like, the myths that keep people skeptical, and where rewriting your internal story actually begins.Michelle also introduces MakeMyHypno, her innovative personalized hypnosis platform that blends her therapeutic approach with AI technology to deliver custom recordings designed to support real-world change.If you're a woman in midlife feeling the quiet pull toward growth, clarity, or reinvention, this episode offers insight, hope, and a powerful reminder: change doesn't start with force. It starts with awareness, imagination, and a willingness to see yourself differently.Connect with Michelle:https://michellewalters.net/https://makemyhypno.com/podcast_discount Connect with Marianne: Website: Message In The Middle with Marianne Message In the Middle Facebook Group: https://www.facebook.com/groups/422430469323847/ YouTube: https://www.youtube.com/@MessageInTheMiddle/playlists LinkedIn: https://www.linkedin.com/in/marianne-demello-smith-678b9966 Email: Contact | Message In The Middle with Marianne Subscribe to Message In the Middle: Apple Podcasts Spotify YouTube Leave Us a Review: If you enjoyed today's episode, please leave a review and share your favorite takeaway. Your feedback helps us reach more listeners and bring you even more valuable content.Keep the conversation going - Join us for more insightful conversations in the Message in the Middle Private Facebook Community & subscribe to Message in th...

A bonobo named Kanzi was sitting at a table across from a researcher. On the table are two completely empty clear cups and an empty clear jug. The researcher pretends to pour juice into both cups. Then she pretends to dump the juice out of one of them, turning it upside down and shaking it as if to show it's empty. Then she asks Kanzi, “Where's the juice?” There is no juice, but most of the time, Kanzi points to the cup that is supposed to still contain the imaginary juice. The study, published in Science, is the first controlled evidence that a nonhuman ape can represent something mentally that isn't physically there, and keep track of it as events unfold. In the study, three controlled experiments were used to test whether an ape could actually track a pretend object in a consistent, rule-based way. In the first experiment, Kanzi watched the pretend pouring and pretend dumping, and then had to identify which cup still 'had' the invisible juice. Even when the researchers moved the cups around, he usually pointed to the correct one. That suggests he wasn't just memorising a position, he was mentally tracking the imagined contents. But maybe, you might think, he believed there was real juice hidden in there somehow. So the researchers ran a second experiment to rule that out. This time, one cup had real juice in it and the other had pretend juice. When asked what he wanted to drink, Kanzi overwhelmingly chose the real juice, so he clearly understood the difference between imagination and reality. In a third test, they switched from juice to grapes. The researcher pretended to take a grape from an empty container and place it into one of two jars, then pretended to empty one jar. When asked, 'Where's the grape?' Kanzi again pointed to the jar that was supposed to still contain the imaginary grape. This matters because imagination has long been considered one of the defining features of being human. Human children typically start pretend play around age two, and even younger babies show signs they understand make-believe scenarios. But until now, scientists hadn't demonstrated this ability under controlled conditions in other animals. Humans and bonobos share a common ancestor from around six to nine million years ago. If the roots of imagination stretch back that far, then this capacity didn't suddenly appear with us. It may be part of a much older cognitive toolkit. If apes can think about things that aren't present, if they can hold an imagined object in mind and update that representation as events change, then their experience of the world may be far richer than we've assumed. LISTEN ABOVESee omnystudio.com/listener for privacy information.

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CONNECT TO LYNNE: Website: https://qgrit.org/X: https://x.com/haggerman91741Rumble: https://rumble.com/c/TheLynneScottHag...X: https://x.com/haggerman91741Watch Lynne on Imagination podcast:    • S5E87 | Lynne Scott Haggerman - Sex Traffi...  Lynne's life is a testament to the unyielding strength of the human spirit. As a survivor of profound trauma, she has transformed unimaginable hardship into a powerful mission to uplift others, advocate for justice, and shine a light on the darkest corners of human experience. Her journey from surviving CA to becoming a voice for healing and empowerment is both heart-rending and inspiring, offering hope to countless others who seek to reclaim their lives. Born into a world that would test her resilience from an early age, Lynne endured harrowing experiences as a young child. These traumatic events, which she has bravely shared through platforms like podcasts and interviews, occurred in environments that should have been safe, including underground settings tied to institutions of power. Yet, even in the face of such darkness, Lynne's spirit refused to be broken. Her survival is a powerful reminder that courage can emerge from the deepest pain, and her story is one of triumph over adversity.Lynne's path to healing was neither linear nor easy. Confronting fragmented memories of her early years required immense bravery and spiritual fortitude. She drew strength from a deep well of resilience, piecing together her past to reclaim her narrative. This process of self-discovery transformed her pain into purpose, as she emerged not only as a survivor but as a thriver - a woman determined to help others navigate their own journeys of recovery. Her candid discussions about her experiences, shared through platforms like The Lynne Scott Hagerman Show on Rumble, reveal a woman who refuses to be silenced, using her voice to advocate for the vulnerable.Watch MK ULTRA TUNNELS SURVIVOR - Annalie    • MK ULTRA TUNNELS SURVIVOR - Annalie Cummin...  Watch MK ULTRA HORROR STORY - CATHY O'BRIEN https://youtube.com/live/PffqezE32HUShaun Attwood's social media:TikTok:   / shaunattwood1  Instagram: https://www.instagram.com/shaunattwoo...Twitter:   / shaunattwood  Facebook:   / shaunattwood1  Patreon:   / shaunattwood  Odysee: https://odysee.com/@ShaunAttwood:a#podcast #truecrime #news #usa #cia #survival #politics #royalfamily #royal

Watch this episode ad-free by joining the ITBR Patreon! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/ivorytowerboilerroomIn this episode, I sit down with Poe scholar Dr. Amy Branam Armiento to explore why Edgar Allan Poe continues to captivate readers nearly two centuries later. From discovering “The Raven” as a young reader to teaching gothic literature today, Amy shares how Poe's exploration of power dynamics, psychological unraveling, and human vulnerability keeps his work relevant.We discuss the difference between gothic and horror—how gothic literature uses confined spaces and allegory to examine political and societal tensions—and why stories like “The Masque of the Red Death” resonated so deeply during COVID-19.Amy also reflects on today's evolving gothic landscape, where diverse voices are reshaping monster narratives and challenging traditional perspectives. Finally, we address the realities facing academia, including shrinking conference funding and the struggle to balance teaching with scholarship.You can find out more about Amy's work here: https://www.frostburg.edu/academics/colleges-and-departments/english/faculty--staff.phpAnd here's her edited collection of essays: https://www.amazon.com/More-Than-Love-Enduring-Fascination/dp/0881469467~~~~~~~~~~~~~~~~Use the promo code ivorytower for 20% off your order of Writing on Fire and all Broadview Press books! ⁠⁠https://broadviewpress.com/product/writing-on-fire/⁠⁠Follow ITBR on IG ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ivorytowerboilerroom⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and TikTok ⁠⁠⁠⁠⁠⁠@dr.andrewrimby⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Be sure to subscribe to our YouTube channel where you can watch video episodes of the podcast: ⁠⁠⁠⁠⁠⁠https://www.youtube.com/@ivorytowerboilerroom⁠⁠⁠⁠⁠⁠Thanks to our following sponsors! To subscribe to The Gay and Lesbian Review visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠glreview.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Click Subscribe and enter promo code ITBRChoice to get a free issue with a subscription purchase. Follow them on IG ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theglreview⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and TikTok ⁠⁠⁠⁠⁠⁠@g_and_lr⁠⁠⁠⁠⁠⁠Head to Broadview Press, an independent academic publisher, for all your humanities related books. Use code ivorytower for 20% off your⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ broadviewpress.com ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠order. Follow them on IG ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@broadviewpress⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Thanks to the ITBR team! Dr. Andrew Rimby (Host and Director), Mary DiPipi (Chief Contributor), and Sean Penta (Intern)

Fluent Fiction - Spanish: Carnaval Sparks: When Innovation Meets Imagination in Santiago Find the full episode transcript, vocabulary words, and more:fluentfiction.com/es/episode/2026-02-20-08-38-20-es Story Transcript:Es: En el corazón del bullicioso Distrito Tecnológico de Santiago, donde edificios futuristas se alzaban junto a instalaciones artísticas, Lucía respiraba hondo.En: In the heart of the bustling Distrito Tecnológico of Santiago, where futuristic buildings rose alongside artistic installations, Lucía took a deep breath.Es: Era verano, y el calor vibraba en el aire junto con el sonido del Carnaval que inundaba las calles.En: It was summer, and the heat vibrated in the air along with the sound of the Carnaval that flooded the streets.Es: Los colores brillantes y las risas competían con el murmullo de las conversaciones empresariales.En: The bright colors and laughter competed with the murmur of business conversations.Es: Lucía estaba allí para una misión: lanzar su start-up y atraer a inversores mientras el mundo celebraba.En: Lucía was there on a mission: to launch her startup and attract investors while the world celebrated.Es: Dentro de una sala de conferencias moderna, llena de pantallas y gadgets de última tecnología, Lucía se reunió con su equipo.En: Inside a modern conference room, filled with screens and the latest technology gadgets, Lucía met with her team.Es: Javier, un inversor conocido por su lógica implacable, ya estaba allí, revisando papeles.En: Javier, an investor known for his relentless logic, was already there, reviewing papers.Es: Parecía escéptico.En: He seemed skeptical.Es: "Lucía, el mercado es muy competitivo", le dijo, "¿qué nos hace diferentes?"En: "Lucía, the market is very competitive," he said, "what makes us different?"Es: Lucía sabía que esta era la pregunta crucial.En: Lucía knew this was the crucial question.Es: Se giró hacia María, su amiga de toda la vida y ahora parte del equipo.En: She turned to María, her lifelong friend and now part of the team.Es: María, con sus ideas frescas y creativas, quería un enfoque más artístico en la presentación.En: María, with her fresh and creative ideas, wanted a more artistic approach to the presentation.Es: "Podemos agregar elementos visuales, contar una historia que llegue al corazón", sugirió María.En: "We can add visual elements, tell a story that reaches the heart," suggested María.Es: Lucía sabía que debía decidir.En: Lucía knew she had to decide.Es: Apostar por lo creativo podría alienar a Javier, que valoraba los datos y la practicidad.En: Betting on creativity might alienate Javier, who valued data and practicality.Es: Pero ignorar el consejo de María también podría significar perder una oportunidad única de destacar.En: But ignoring María's advice could also mean missing a unique opportunity to stand out.Es: Finalmente, llegó el día del festival tecnológico.En: Finally, the day of the technology festival arrived.Es: La energía del Carnaval se filtraba en el evento, con colores y música que casi disfrazaban la tensión de los negocios.En: The energy of the Carnaval seeped into the event, with colors and music that almost disguised the tension of business.Es: Durante la presentación, todo iba según lo planeado hasta que un fallo técnico apagó las pantallas.En: During the presentation, everything was going according to plan until a technical failure shut down the screens.Es: Lucía sintió la presión del fracaso inminente.En: Lucía felt the pressure of imminent failure.Es: Con una rápida decisión, actuó usando la estrategia de María.En: With a quick decision, she acted using María's strategy.Es: "Amigos, imaginen esto...", comenzó, improvisando una historia que entrelazaba futuro y emoción, mientras María, a su lado, usaba su tablet para improvisar ilustraciones.En: "Friends, imagine this...", she began, improvising a story that intertwined future and emotion, while María, beside her, used her tablet to improvise illustrations.Es: La sala, que antes parecía distraída, ahora estaba completamente involucrada.En: The room, which had previously seemed distracted, was now completely engaged.Es: Incluso Javier, quien al principio parecía rígido, comenzó a sonreír, asintiendo ligeramente.En: Even Javier, who at first seemed rigid, began to smile, nodding slightly.Es: Al terminar la presentación, los aplausos resonaron junto con el estruendo del Carnaval afuera.En: At the end of the presentation, applause echoed along with the roar of the Carnaval outside.Es: Javier se acercó, su expresión había cambiado.En: Javier approached, his expression had changed. "Es: "Lucía, estoy impresionado.En: Lucía, I am impressed.Es: Tu proyecto tiene potencial", declaró, extendiendo su mano.En: Your project has potential," he declared, extending his hand.Es: "Vamos a invertir."En: "We're going to invest."Es: Lucía sonrió, no solo por el éxito inmediato, sino porque había aprendido algo valioso: compaginar creatividad con lógica era la clave.En: Lucía smiled, not only because of the immediate success, but because she had learned something valuable: combining creativity with logic was the key.Es: Ahora, gracias a María, comprendía la importancia de adaptar su enfoque, mezclando innovación con imaginación.En: Now, thanks to María, she understood the importance of adapting her approach, blending innovation with imagination.Es: Cuando salieron a la calle, abrazadas por la energía del festival, Lucía sabía que había dado un paso importante como líder.En: When they went out to the street, embraced by the energy of the festival, Lucía knew she had taken an important step as a leader.Es: Entre los ecos de la fiesta y la brisa caliente del verano, Lucía, Javier y María caminaron juntas, listas para llevar su proyecto al siguiente nivel.En: Amidst the echoes of the party and the warm summer breeze, Lucía, Javier, and María walked together, ready to take their project to the next level.Es: Santiago vibraba con la promesa de nuevas oportunidades, y Lucía estaba más que preparada para enfrentarlas.En: Santiago vibrated with the promise of new opportunities, and Lucía was more than prepared to face them. Vocabulary Words:the heart: el corazónbustling: bulliciosofuturistic: futuristasinstallation: la instalaciónbreath: el alientovibrate: vibrarlaughter: la risamurmur: el murmullomission: la misióninvestor: el inversorrelentless: implacableskeptical: escépticocrucial: crucialapproach: el enfoquestrategy: la estrategiaimprovise: improvisarillustration: la ilustraciónengage: involucrarrigid: rígidonod: asentirapplause: el aplausopotential: el potencialsuccess: el éxitoto face: enfrentaropportunity: la oportunidadfailure: el fracasodecision: la decisióndata: los datospracticality: la practicidadfestival: el festival

Have you ever heard someone whisper your name in an empty room? Or suddenly felt a sharp pain in your body that vanished as quickly as it arrived? It might not be a coincidence. It might be Spirit.In this episode, Michaela decodes the secret language of the Other Side. We often look for big, dramatic signs, but our loved ones usually communicate through subtle shifts in our senses. Michaela breaks down three specific tactics spirits use to get your attention that you have probably brushed off as "just your imagination."In This Episode:The "Misheard" Name: Why you keep hearing a familiar voice or name when no one is around (and what it means).Phantom Pains: How to tell if a sudden physical ache is actually clairsentient empathy from a crossed-over loved one.The 3 Communication Tactics: A deep dive into the most common methods Spirit uses to say "I'm still here."If you have ever questioned your sanity while navigating your spiritual awakening, this episode is the validation you've been looking for.#SpiritGuides #Mediumship #KnowYourAura #SpiritualAwakening #SignsFrom TheUniverse #Clairaudience #Clairsentience #AfterlifeWant to learn more? Enjoy one of our new interactive Aura quizzes: https://knowyouraura.com/aura-quizzes/Listen to this introductory episode to find your Aura color: https://podcasts.apple.com/us/podcast/bonus-every-aura-color-explained/id1477126939?i=1000479357880Send Mystic Michaela some positive energy on Instagram: https://www.instagram.com/mysticmichaela/Explore the Know Your Aura Website: https://knowyouraura.com/Visit Mystic Michaela's Website: https://www.mysticmichaela.com/Join Mystic Michaela's Facebook Group: https://www.facebook.com/groups/2093029197406168/Our Episode Partners: Head to https://www.brodo.com/kya for 20% off your first subscription order and use code KYA for an additional $10 off.For a limited time, get 60% off your first order, plus free shipping, when you head to https://www.smalls.com/kyaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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We’ve Left Little to Imagination Uninspired creative endeavors are not faults of potential but culture. Cloudless deep blue sky. Green coated hillsides. Calm ocean glimmering under a warm sun. A good day for a hike. Others were of similar mind, parents and kids and friends relishing the beauty and the day. Some wore t-shirts and shorts, some leggings, tank tops, pants. And some wore colored spandex so form-fitting even bills would reveal their value. Passing one such woman markedly sculpted by spandex, the thoroughness of the impact of the last several decades coalesced into a singular understanding. Though we gradually desensitize to the ever-infringed upon demarcation of now archaically-perceived propriety, the bright sun and clear ocean air showed it plainly. In our current age of progressive enlightenment, some decision was made that everything must be stated, everything must be qualified, everything must be shown. As necklines plunged and hemlines shortened, modesty and privacy became so unknown they currently border on the fantastical. Is it any wonder then that true creativity is feeling more and more uncommon, considering we've left little to imagination? Imagine a gift, artfully wrapped. Take a moment to see it, paper, card, bow, precise folds, and all. What's inside? It could be air or a pebble or a key that leads to a train, plane, the power of rain. Sense the possibility? The mystery? The chance for any single or series of items to be awaiting your eyes? Until the box is opened, anything could be inside. Then it can be admired, appreciated, valued, but it can also only be what it is. Imagine a gift, artfully wrapped. Take a moment to see it, paper, card, bow, precise folds, and all. Notice the corner? The paper is ripped just a bit, enough to peek at what awaits your eyes. Do you catch the edge of a design? The point of an image? The fractured angle of a letter? Until the box is opened, anything could be inside, though the mystery is not quite the same, as a clue narrows the possibility. Still, it could be a good many things. Imagine a gift, wrapped only with a bow. Exciting, but it's clear what awaits your eyes. Do you take it out right away? Maybe. Do you put it aside, because there's no mystery to uncover, no guess to confirm? Perhaps. Do you imagine what else it could be? Probably not. Once you know what it is, you don't regard it quite the same. Imagine man throughout the ages in different states of wrapping. Then think of how much has changed once we stopped closing doors, stopped covering up, stopped being subtle. In just another push to progress ourselves right into eternal, unmitigated happiness and freedom, we became more and more explicit in language, in dress, in art, in literature, in entertainment. The easier everything became to access, for any number of excuses from “education” to “we're all adults here,” the less need there was for our minds to conjure what we couldn't see. How much is there to imagine when everything is right in our line of sight? The result of such changes is most often noticed in the various possibilities of creative output. One dominant tendency is to imitate or rework what's already been created, repackaging instead of reinventing. While that could lead to some unique creative endeavors, it's difficult to call the same rose by another name just to make it appear as something else. The other inclination most often revealed is that when someone wants to garner notice, they no longer do so through an admirable, “Here's what I've done,” but something more akin to, “Look at this body I have! Like this and this and this!” Such is the machination of a disingenuous illusionist, who seeks to distract from what's real with shock and morbid fascination rather than true wonderment and value. It fixes the viewer's eyes on something he can't bring himself to look away from, so he doesn't realize he's not seeing anything interesting, intriguing, or intelligent at all. These approaches lead to underdeveloped creativity and people unable to bring life to empty spaces. Both hamper imagination, and thereby human innovation and achievement. Imagination is defined by its ability to range, to explore unmoored and unfettered, to envision what else could be. When everything is known, and in such sharp focus too, what is left for the mind to wonder about? What motivates creative endeavors, when the eye is so overstimulated by continual, concentrated bombardments of noise over substance? At times there is an advantage to knowing what a thing is, to spending hours, months, years exploring its entirety, usually in regard to what matters most in life, faith, meaning, relationships, and the like. For these, and similar, solidity is more important than imagining, so the more focus on what we have, the stronger, more resilient it can become. Moreover, this is specifically possible for things that truly matter because they have already been deemed worthy and good by the Infinite. Further exploration doesn't just uncover more, but also how much more could be because it intrinsically contains that quality. These are things which strengthen and endure as long as the discovery never bottoms out, the knowing never plateaus, the search for more uncovers greater depths. Thus, the concern for imagination isn't about individual potential, but society overall, the majority of designers, writers, filmmakers, entertainers, the ones who unwrapped the box bit by bit, unraveling the mystery, the compulsion to know more. As they unwrapped each layer in attempts to outdo the level of before, it wasn't just the unknown laid bare, but imagination itself. They tried to hide the undesired effects with oversized, glittering bows, presenting the obvious with forced razzle dazzle, so no one would notice they weren't presenting much at all. In making everything known, the excitement of discovery frayed, our perception of the unknown shifted. Why explore, why imagine, when there's no mystery, no reward for stages reached and levels earned? No delayed gratification, no commitment, nothing more than a screen or a word or an absence of fabric. No longer is there the length, breadth, depth of infinite when a thing has been stripped to its most finite. Another prevailing fallout is apathy, oft mistaken for acceptance or maturity, instead of the rewiring of how our minds and bodies should healthily react to what was once kept covered or enclosed. To the point, live on a nudist colony long enough and the clothed will appear abnormal. How easily we forgot, even scorned, the standards that once were with the distance of time and numbing. We scoff at the stiffness, the suffocation of the world past, yet, can we really say that certain modicums of respect, curtesy, and social norms were worth paying off just so we could dishonestly call less more? The evolution, rather devolution, of the bathing suit is a prime example. Already the bathing suit of the late 1800s was considered scandalous for the amount it bared a woman's legs, then the early 20th century brought the bikini, from the French Riviera, of course. Even then, the pearl-clutching design that bared midriffs was only the beginning, as Hollywood starlets unsurprisingly help popularize and mainstream the style, and swimwear became even skimpier from there. Whatever excuses or explanations for the advent of the so-called fashion, from wartime fabric rationing to innovations in materials to bodily freedom, none explain why we're not rightfully honest about what is essentially water durable undergarments, which should be treated as such. They should not be worn, they should not be worn in mixed crowds, and they should certainly be blamed for creating double standards of styles meant to arrest the eye then condemn the eye they capture. And if there's any instinct of contention, think of how people walk, talk, and pose while wearing one. Think of how it's all meant to attract notice. In that vein, examine any photo of deliberate body staging, for social media, advertisements, red carpets, and the like. Regardless of how much, or little, someone is wearing, don't let the image distract from a very important detail in many, many of these photos. Look at the pose. Look at what message it sends. Look at the eyes and ask how many appear beautiful in face and body but dead or shallow in depth of expression? In exposing all, we've smothered our consciences and emptied our insides of substance. Bikinis, clothing, aren't the only culprit in revealing more than they should. Of course, there's less and less discretion when it comes to social media, but for wider industries, as previously discussed, movies and books have followed an essentially similar path as the bathing suit, cutting out substantive material to reveal more and more in a skewed effort to shock, transgress, push boundaries, and incorrectly claim to be fresh and new. Horror and crime can be overly gritty, but there's no contention romance has mainstreamed what used to be relegated to erotica. Instead of romances portraying something sweet or aspirational, instead of overall writing making much better use of subtlety, romances of today are quick to spend time explicitly describing each step. And while some may accuse the former of being fantasy, the same is even truer of the latter, not least for the fetishism woven throughout. Perhaps this only happens in a society that decided everything has be to revealed, then luxuriated in the validation of similarly-minded people. Perhaps this happens in a society where real relationships between men and women have been attacked, then sidelined, for something, ironically, entirely of imagination. This sort of imagining has not been of benefit to us. Other reasons may compel a people to stop imagining, reasons much more insidious and malicious in outcome and intent. Those more advanced in years may rely less on imagination, because they've settled into the final bend, and feel no further need to dream a future they won't live in. But for the young, what could halt their dreaming when they have so many years yet to live? After all, dreams of the night are for sorting the mind, but dreams of the day are for the future. But why would a young person dream if he has no surety of tomorrow? Before anyone blames this on policy or politics, think hard on how the issue roots deeper than the current argument of the day, more symptom than cause for the end of dreaming. The young have been told for decades that they're powerless, hopeless, and hapless in the face of the inevitable end the past has precipitated. They've intentionally been taught naught to little of what truly drove men to build, of what inspired innovation that changed the world, of the ripple effects of groundbreaking or consequential invention. Without such lesson and context, there remains little reliable foundation for dreaming. And without dreams of day, dark thoughts easily cloud a bright tomorrow, leaving empty, soulless minds scrambling for succor and a stable ledge from which to launch their dreams. But they can dream! They can rebuild! Sure they can, but will they? How many are motivated to do so when the dust coating their vision isn't from construction but demolition? Even as they're encouraged to make history, they're simultaneously being shown its destruction, as if they won't somehow understand that if the very foundation of their world can be demolished then anything can be. Despite the obsession with history, the past isn't honestly studied, but rather treated like a rage room where what's dead goes to be broken. Why build today if it'll only be condemned and destroyed tomorrow? There is no drive to create legacy where everything is deliberately upended. Neither is there incentive to imagine something incredible, to reach for the greatest achievement when they don't believe it'll be allowed to last. How can they when they were only taught to tear down or imitate the accepted instead of build up or create something new? How can they when all that was long upheld as the best and most admirable has been crushed and melted down? The point of achievement is undermined when no one can agree on what's good and right and worthy and beautiful. It can be gutting to build and dream and imagine for a world they're been told will no longer be. It's even more difficult to invest if there's no one for whom to build. Even more, throughout their young lives, they've been constantly bombarded with the current crisis framed by rage and panic, by hysteria and histrionics falsely forming fatal threats to the certainty of tomorrow. Shrieking desperation may attract attention and news stories, but it also turns the future into a precarious spaghetti-fling with questionable, unproven solutions. Instead of an upbeat message of the future is yours if you build it!, the young are frightened into believing the world can disappear in any moment which lacks monumental change. Who wouldn't retreat into the safely compacted world of the screen, into numbing, mindless scrolling? Who wouldn't hide away in inanities or wholly performative emotions? Who could, and not eventually suffer for it? The worlds they retreat to instead are controlled landscapes rendered by pixels and prompts, easily manipulated or redesigned with a few keystrokes. Soaring and beautiful perhaps, but wholly disconnected from reality, particularly one already replete with so much beauty, from the majestic to the fierce, from the tranquil to the thunderous. These other worlds are not only missing the natural, but even their artistry is lacking the detail and imagination of a human hand, worlds wholly unlike those built by men whose visions were shaped by the feel of soil between their fingers, rather than the bright, and often false, colors of mimicry. Of course, the true cause and solution is rooted in the same truth as most ills of society, the careful, surgical removal of the Infinite, which once defined every contour of life and assured tomorrow. The young have not been taught to look up and beyond. They haven't been pointed toward the aspirational and inspirational which well outlasts the lives of mortal men. They haven't been told how a single small action matters, even if no one notices, even if no effect is seen, simply because everything matters in the totality of the Grand Design for Creation. Anger is fleeting and exhausting, Divinity is fulfilling and everlasting. Potential dreamers have been denied the greatest gift of mankind walking on two legs, whose natural line of sight is the horizon. How easy it is to look up from there, but only if you haven't been beaten until your neck only curves down. Only if you haven't given your brain over to a device, instead of given your mind over to devising. And yet, despite all that has been done, there will always be imagination. As long as there is a soul in a body somewhere, the spark of the Infinite will drive a man to reach beyond his self, in creativity, in refinement, in imagining how things could be better. We must keep reminding others of that. We must keep weaving dreams of day. We must keep directing their gazes up. Imagine the world that would be.

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We gather for our ritual celebration of Maha Shiva Ratri, the most holy day and symbolic moment of the kalpa. It is the night when the grace of the highest potentiality of consciousness is available to receive if one wants it with all one's heart, mind, and will. Shunyamurti emphasizes the importance of the symbol of the dancing Nataraj and The Forty Verses on Reality by Sri Ramana Maharshi. Though the ego is not willing to surrender its identification with a fictional character, the soul yearns for union with the ultimate Truth, Tat Tvam Asi. Whether one likes it or not, ultimately Thou Art That. If only we use the power of Imagination to know there is no will separate from Shiva to surrender, that is our saving grace.

Dr. Guite joins Derek and CJ in a conversation about the importance of imagination in the Christian life.

In this episode of _Classical Et Cetera_ we explore the idea of "poetic knowledge"—a way of knowing that begins with experience and imagination before moving to analysis. Has modern education become too abstract, too quickly? We discuss the role of wonder in learning, the proper order of education, and why children need to encounter reality as a whole before breaking it into parts. From literature and discussion to classroom practice, this conversation considers what it means to begin learning well.   *What We're Reading* from This Episode:  "Paradise Lost" John Milton (Ian) "The Big Sleep" Raymond Chandler (Martin) "Climbing Parnassus" Tracy Lee Simmons (Paul) "The No. 1 Ladies' Detective Agency" Alexander McCall Smith (Paul)

We explore Lewis' 1948 article "Priestesses in the Church?", where C. S. Lewis explains why he thinks women should not be ordained as Priests. We found his answer quite surprising as it has less to do with what a woman is, or can do, and more to do with what a Priest is, and is meant to do. In a worldwide debate that is ongoing and often very volatile, we find Lewis' contribution to the discussion unique and thought-provoking. We also touch on a part of Lewis' preface to his friend Austin Farrer's A Faith of Our Own (found in Image and Imagination, by C.S. Lewis).Find more Lesser-Known Lewis — Online: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠pintswithjack.com/lesser-known-lewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lesser-Known Lewis Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email: lesserknownlewis@gmail.comGraphic Design by Angus Crawford.Intro Music - Written by Jess Syratt, arranged & produced by Angus Crawford and Jordan Duncan.

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Recording from Healing Is Here 2025:Are you ready to conceive your miracle? Just as a woman conceives a child, you can conceive your miracle through the power of your imagination. Join Andrew for a study of Isaiah 26:3 and discover how envisioning God's Word could completely transform your entire life.

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In this episode of Life Beyond Clinical Practice, Dr. Diane Van Staden explores the theme of wanting more in life and career after experiencing grief. She emphasizes that desiring more is not a flaw but a natural response to acknowledging what no longer serves us. The conversation encourages listeners to reframe their understanding of desire, allowing for imagination and exploration of what truly energizes them, while also recognizing the importance of gratitude in the process of wanting more.   Takeaways - Wanting more is not a character flaw. - Desire is simply information about your inner world. - Gratitude doesn't require you to stay small. - You can appreciate your past while seeking change. - Imagination is a rehearsal for alignment. - Allow yourself to desire without guilt. - Career grief opens space for new possibilities. - Longing for more is rooted in maturity. - Desire can lead to more truth and alignment. - Reflect on what energizes you in your work.   Join the Pivot Crash Course and start building your career with clarity and confidence

Marcus discusses how trials in our marriages bring us closer to Christ and Ben Reinhard looks at the faith of JRR Tolkien.

We're bringing some powerful past episodes back from thevault this week as we get ready for our Neuroscience of Content Creation Course kicking off next week!This episode is all about imagination, not as daydreaming,but as a true executive brain function that shapes your results. What you focus on expands, so are you imagining what you want, or what you fear? Michelle walks you through how to use your imagination on purpose to change yourthinking, shift your outcomes, and design your life and content with intention.These throwback episodes are packed with deeper neuroconcepts around attention, belief, and subconscious programming, and they're easy to apply not only for yourself, but with clients, teams, and audiences.Ready to go deeper? Join us here:GrowBy1.com/NeuroCourseQuestions? Reach out anytime:Michelle@GrowBy1.comLet's get your brain working for you

You are awakening to who you really are in many senses all at once, as you awaken to the truth that you are an aspect of Source. Of course, you then begin to recognize that Source is all-that-is. Therefore, it stands to reason that you are everything. You cannot really define yourself as just one type of starseed or one type of being. You are everything all at once, just as everyone else is. What that means is you then get to decide who you want to be. You don't have to only be defined by limiting characteristics, or traits, or aspects. You could say, ‘I am a man,' and you could also say, ‘I am a husband, a father, a lawyer, a brother, a son, an uncle, and a nephew.' There are many aspects of what it means to be a male human being. You can define yourselves by limiting terms and definitions, but certainly, at some point, you must realize that it doesn't serve you to do so. You also get to choose which aspect of who you are you emphasize in any given moment. You get to choose from all-that-is what you decide to be within all-that-is. And then you get to decide whether you like it or not. You could decide to try on many different hats, in terms of a career, and jump around from profession to profession, and that's okay. You will have experiences and learn things by doing all of the different jobs you will do. You can be a jack-of-all-trades and a master of none if that's what you choose to do, and be, and experience.  This can be found on Daniel's website at https://www.danielscranton.com Get a private channeled reading with Daniel & The 9D Arcturian Council here: https://danielscranton.com/session 

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Our ability to imagine is part of what makes us who we are—not just as individuals, but also as humans. It turns out, though, that we may not be the only species capable of playing pretend. In a string of experiments, scientists sat down, set the table, and hosted pretend tea parties with a bonobo named Kanzi to see if he'd play along—and he did.Producer Kathleen Davis chats with study author Amalia Bastos about Kanzi, what it means to imagine, and how our definition of “humanness” keeps changing.Guest: Dr. Amalia Bastos is a cognitive scientist at the University of St. Andrews in Scotland.Transcripts for each episode are available within 1-3 days at sciencefriday.com. Subscribe to this podcast. Plus, to stay updated on all things science, sign up for Science Friday's newsletters.

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Join me for a transformative live in person event in Maui on May 14-17 https://www.brianscottlive.com/hawaii-2026 Join The Reality Revolution Tribe