Podcasts about filipina

The US Open is in full swing, and injuries have knocked out some of the biggest athletes in the men's tournament. But there's no shortage of star power on the women's side: Filipina tennis sensation Alex Eala is on fire, inspiring “Eala-mania” all over the world. To get us up to speed on the tournament, we chat with Giri Nathan, senior correspondent at the tennis outlet The Second Serve. After that, we attempt to answer one of the inescapable questions of our time: Why are so many people obsessed with pickleball? Clare Frank was a firefighter for more than 30 years. When she retired, she stumbled into the game. At first, she didn't quite get the hype — but like so many retirees who came before her, Clare quickly became captivated by pickleball. In her latest book, “Just One More Game: A Pickleball Quest,” Clare dives headfirst into the world of pickleball to try to figure out how it has become the fastest-growing sport in the United States. Spoiler alert: It's not just your grandmother's game anymore.Show Notes Just One More Game: A Pickleball Quest by Clare Frank How Pickleball Got Its Name | USA Pickleball Wanna play? Find a pickleball court near you Pickleball is the Worst | Rick Reily Alex Eala is Catching The WTA's Best Off Guard | Defector  Show CreditsHost: David GreeneExecutive Producers: Joan Isabella, Tom GrahslerSenior Producer: Michael OlcottProducer: Michaela WinbergAssociate Producer: Bibiana CorreaTalent Booker: Britt KahnEngineers: Mike VillersTile Art: Bea WallingTheme Song: Emma MungerSports in America is a production of WHYY, distributed by PRX, and part of the NPR podcast network.

Coco Gauff delivered a statement performance in Cincinnati—but just how impressive was her title run, and what does it mean ahead of the US Open? On this week's WTA Weekly, we react to Gauff's dominant victory over Jessica Pegula in the final and assess whether she should now be considered the favourite in New York. We also celebrate another major milestone for Alex Eala as the Filipina star reaches a new career-high ranking, before previewing the Monterrey Open and identifying the players to watch.

In a country better known for basketball, volleyball and boxing, three young Filipino-Australians are helping introduce cricket to more Filipinos. Amelia Valdez, Elyza Wall and Zoe Wong are playing not only to win, but also to represent their heritage and create opportunities for the next generation of Filipina cricketers. - Sa bansang mas kilala sa basketball, volleyball at boxing, tatlong kabataang Filipina-Australian ang tumutulong upang ipakilala ang cricket sa mas maraming Pilipino. Sina Amelia Valdez, Elyza Wall at Zoe Wong ay hindi lamang naglalaro para manalo, dala rin nila ang bandila, kulturang Pilipino at pangarap na magbukas ng mas malawak na landas para sa susunod na henerasyon.

  A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Hosts Miko Lee & Guest Host Mia Nakano celebrate Bayanihan in Ballhalla. Bayanihan is a core Filipino cultural value of community unity, and Balhalla is the home arena of the Golden State Valkyries. Apex Express was invited to join Filipino Heritage Night at the Valkyries game. We speak with the community behind this cultural celebration. That includes Al Perez, artists Venazir Martinez and Kristian Kabuay, and coach Carolyn Sideco about the history of Philippines and basketball. Links for more information: More information on our guests: Golden State Valkyries Al Perez, President of the Filipino American Arts Exposition Artist Venazir Martinez DJ P-LO Cultural Practitioner Kristian Kabuay Carolyn Sideco Coaching Kapwa Raquel Redondiez SOMA Pilpinas     Show Transcript: [00:00:00] Opening: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express. [00:01:13] Miko Lee: Welcome to Apex Express. I'm your host, Miko Lee, and tonight is Bayanihan in Ballhalla. Bayanihan is a core Filipino cultural value of community unity, and Balhalla is the home arena of the Golden State Valkyries. Apex Express was invited to join Filipino Heritage Night at the Valkyries game. Tonight, please join me and my guest host, Mia Nakano, as we speak with the community behind this cultural celebration. That includes Al Perez, artists Venazir Martinez and Kristian Kabuay, and coach Carolyn Sideco about the history of Philippines and basketball. Join us. Today I have the honor of having my bestie with me who's gonna co-host Welcome to Apex, Mia Nakano.  [00:01:59] Mia Nakano: Hi, Miko. Thank you for having me.  [00:02:01] Miko Lee: I was invited to a Valkyries game, and I said, “Oh, my gosh, I need somebody with me that can speak basketball.” And so I thought of you.  [00:02:10] Mia Nakano: And here we are. And the Valkyries do put on a show. That's one of the things that makes them so great.  [00:02:15] Miko Lee: Yeah, it was super fun. It was Filipino Heritage Night, and so we got a chance to talk with the different artists that are there, what is the night about, what's the cultural celebration. What were some of the things that stood out to you?  [00:02:28] Mia Nakano: I think that it really got to the roots of, one, what a great sports city San Francisco and then just the broader Bay Area is, and two, the deep connections to the Filipino community that exists within the Bay Area. When you look at how historically the Warriors really came up and the fan shots from when they were at Oracle Arena, the huge fan base that was there initially was the Filipino community. To see that translate in a very different way as the Valkyries are coming up in the WNBA as this incredible team, second year, on their way to probably making the playoffs for the second year in a row, bringing that community back, particularly with all the connections of the artists, the activations, and even the food that they have in Chase Arena brings it full circle. [00:03:26] Miko Lee: Having Natalie Nakase as the coach there is so powerful and important representation for Asian Americans as well. The other thing that stood out to me was I did not know there was this history of basketball in the Philippines, and then to talk to the different guests on our show tonight about what that history represents, where it comes from, the connection to colonization, and then also how it's really developed into its own cultural phenomena in the Philippines. [00:03:55] Mia Nakano: I played basketball- All throughout junior high and high school and was very immersed in it in Southern California, but I had no idea that basketball was the national sport of the Philippines. After we came back from the game, I did a little a bit of a deep dive, and it was really wonderful to see that it actually started in the Philippines as a women's sport? And it was making sports more accessible to folks, and also very clearly connected to,, roots of colonization and religion. But to still have that anchor and connection there, and then this interesting juxtaposition where right now there has still never been a Filipina player in the WNBA. There are folks who people really thought were almost gonna make it. So there's still that one last phase that they need to break into this sport that is their national sport, but in the United States they're not quite there yet in terms of representation.  [00:04:55] Miko Lee: And talking with Coach Caroline, which people can hear later in the episode, about that history and how it was intended to be this women's sport in the Philippines because it was easier. They thought they'd give it to the women to play. But the men were watching going like, “Oh, this looks fun. This looks more fun than baseball. So it really just took off. I love that transition for that it went and across the country. A few of our guests talked about tenement basketball courts. It's just so wildly different from this country.  [00:05:25] Mia Nakano: I think that that is contextually just how sports are played in a lot of different countries in the world where they don't have access. When you think about people playing football, right, like soccer, in different areas where they are playing barefoot. They are playing in dirt or, like, fields that are not necessarily fields. I think that in the context of playing basketball differently in the Philippines versus the United States or even in European leagues, when the United States goes to play in the Olympics, even though you have the USA women's team, USA men's teams who are supposed to be the best of the best in the world, the way that the game is played at that particular level and arena is quite different. And so they all have to adjust to the physicality, to how calls are called just slightly differently. With smaller players in the WNBA what I find really incredible, and this is what Carolyn talks about a little bit, is like the layup packages? When you get close to the rim, you don't have a Filipino who just goes up and makes a regular layup. They do it with flair, right? There's a part of that maybe is a little bit of showmanship, but also it's a part of trying to sneak your way around bigger players so that you can get the basket. And anybody that you play against, even in a league that is familiar to you, you're gonna have to change your game up, and play to your strength, and also just know what you can't do in the game, and go to another person who has more of those strengths  [00:07:03] Miko Lee: One of the other things that stood out to me in talking with one of the artists, Christian, who was there in the outside, in the cultural area, and he was doing, pre-Filipino writing with folks, and we'll interview him later in the episode. He was saying how he does this activity at a lot of different games, but it was very different. That was the first time at the Valkyries, and he said the crowd was so different, that it felt like back in the day. It felt like community. There weren't tech bros. You feel like it, The audience was way more women, As someone that goes to Warriors' and Valkyries' games, do you notice a difference in the audience?    [00:07:41] Mia Nakano: The first Valkyries game that I had the opportunity to go to last year was their Pride Night, and that is the game that my wife and I always go to for the Warriors. It's a special feeling there. I noticed there was a whole parking lot area for strollers on different levels. There was such great energy, and people just talking about the game, people cheering or rooting for players on the other team. There was not a lot of negative energy going around. When Christian mentions, the tech bro energy, the people rolling around with Patagonia shirts, and sweatshirts, that is so true. You truly feel this family environment that's also very queer friendly. There's so many folks of color, and they're not just there because the team's winning, because last year we didn't know if the team was gonna win or not. They were just showing up. The Valkyries have really created such a strong culture that is team based. That's what you see with the Valkyries, but I also think that that's a testament to the coach, to the players, who really trust in one another, and to the community that we have in the Bay Area. I think even the players did not understand when they came here what they were stepping into, and they talk about talking to other players on opposing teams who are like, “Is it always like this? Is it every night?” They're like, “Every single night, this is how our fans are, and we love it.”  [00:09:14] Miko Lee: So it's in different WNBA hometowns it's not like that? [00:09:18] Mia Nakano: Absolutely not. The Valkyries have sold out every single game from day one. They are the first WNBA team, and I think the first women's professional sports team, to reach $100 billion in valuation. then you see other teams, like the Atlantic Dream, who are playing in arenas of 3,500, or the Dallas Wings, who are playing in much smaller arenas, even though they have all these franchise players like Angel Reese and Paige Bueckers and AZ Fudd. The Dallas Wings are actually moving to the same arena that the Mavericks are gonna play in next year. It's an interesting juxtaposition given where the context of our world is at, who's in office right now, the battles that we're having to fight to keep women's rights, queer rights, trans rights in the forefront and not have them stripped away. Yet on the other side of this, we have this huge, meteoric rise of women's sports, and it's not just basketball. It's baseball. It's hockey. It's all these different leagues that are starting to emerge and have huge fan bases where you can watch women's professional sports all year round. They're nationally televised games. [00:10:31] Miko Lee: Thank you for the history lesson and current events of women's sports. I love it. One of the other things that was really special for this Filipino heritage night was the halftime show where they had DJ P-Lo playing. And then they brought onto the court, the director of SOMA Pilipinas, Raquel Redondiez, and she runs San Francisco's Filipino Cultural Heritage District. She got her name on a Valkyries jersey, and was announced in the halftime moment as a big show. [00:11:05] Mia Nakano: I had a conversation with her said, ” the work that you are doing, particularly in this moment, bringing together the artists, the culture of Filipinos and Filipino history is so critical right now because so many of our communities, cultures, and stories are getting erased, that we are the culture bearers and culture keepers, and so thank you for doing that work.” [00:11:31] Miko Lee: SOMA Pilipinas, for those that don't know, was established as a Filipino cultural heritage district in 2016 and was one of the first in the state designated as an arts district by California Arts Council in 2017. So they do so much great work, they host great things from the, United States of Asian America Festival every year. Self-defense workshops for women. I've taken those in Kapwa Gardens that were amazing. They do mental health services for Filipino folks and provided groceries and COVID education and, Filipino language training, and then artists, as you were saying. They pulled together all these different folks, for this wonderful night to introduce a sense of heritage and a sense of pride that was really powerful. [00:12:19] Mia Nakano: , It's a really lovely connection back to the Filipinos banding together with Chinese American folks in Chinatown that really helped create the broader Asian American movement and what that word and power even means. [00:12:38] Miko Lee: From the I-Hotel to today [00:12:40] Mia Nakano: exactly, and all of that being really anchored and rooted in San Francisco, as well as everything that Larry Itliong did with union organizing that I think has just recently started to get recognized in the broader social justice movement.  [00:12:58] Miko Lee: I'll put links to past shows that we've done on the I-Hotel, on Larry Itliong, because folks, if they don't know about either of those movement le- leaders and huge moments in our Asian American history, they should. It's powerful part of our labor and housing rights history. Were there other things that stood out to you at this Valkyries game? [00:13:20] Mia Nakano: I know that this is probably not gonna be a surprise to you, but the fact that we honestly just got to go behind the scenes and see the inner workings of what the Valkyries, the tunnels and getting lost and trying to figure out where we're going. [00:13:34] Miko Lee: It was a maze down there, by the way. It was like, which direction? Go to this press room. No, this press room. This place. It was very much kind of, in theater-wise, it's like going backstage and seeing how the tech is done.  [00:13:46] Mia Nakano: The thing that was the most exciting about this unique experience was being able to see Natalie Nakase talk after the game, and the snippet in here is really incredible because it shed light into not just who she is as a coach and how she approached the game, but her investment in people, and the importance of seeing people for their full selves, and the importance of the whole WNBA as a league, as a business. They have a lot of money and power, so who are we gonna lift up? It's a always a very intentional choice of what is happening at Chase Arena, at the Valkyries nights, these heritage nights that really uplift so many wonderful communities that are doing incredible work.  [00:14:36] Miko Lee: We're gonna get a chance to do an interview with Coach Natalie in a different episode, so stay tuned for that. Is there anything else that you would like to share with our audience?  [00:14:45] Mia Nakano: Go see a Valkyries game. Go to Balhalla. It will change your life.  [00:14:50] Miko Lee: Experience Balhalla. Okay. Thank you for joining me, and hopefully you'll join me back when we do an interview with Coach Natalie too.  [00:14:59] Mia Nakano: Oh, absolutely.  [00:15:00] Miko Lee: To frame the conversation, we start with Valkyries coach Natalie Nakase, the first Asian American woman to coach a WNBA team. Last year, she was named WNBA Coach of the Year, and at the post-game presser, a reporter asked her, “Tonight is Filipino National Heritage Night, so can you talk a little bit about what it means for fans to be seen around the league?” This is her response. [00:15:25] Natalie Nakase: Yeah. It's huge. I love the fact that we can celebrate and acknowledge different cultures. I'm really big on that. I think it gives people almost like a superpower or a confidence for, you know, the day to be recognized like that and to be celebrated for everything that their, their culture brings. it also, I think, educates people about different cultures. And so I love the fact that we're super intentional about that because I think we have to do that more than not. And, it's exciting. I think this world needs more celebration. I think this world needs more love, more care, especially when some people are not seen as much. [00:16:01] Miko Lee: In the very loud outdoor Chase Arena area, we spoke with several of the folks involved in Filipino Heritage Night at the Valkyries. Please note that the sound quality is due to the nature of being outside a really excited fan base at the game. First off, listen in as we hear from Al Perez, who helped to curate this community celebration. [00:16:23] Al Perez: Hello, my name is Al Perez. I am a community organizer. I'm serving as president of a nonprofit called the Filipino American Arts Exposition, and we partnered with the Valkyries to help curate their cultural activation for Filipino Heritage Night tonight. [00:16:41] Miko Lee: Since the Valkyries are named after women warriors, is there a Filipina version of a woman warrior? [00:16:48] Al Perez: Absolutely. We have one that's local. Her name is Victoria Manalo Draves. She was the first American woman to win two Olympic golds in the Olympics in nine- 1928. She happens to be Filipina-American. So yeah, she was born and raised here in, in San Francisco Bay Area, so we're very proud of her to be, to represent us and be the warrior and an inspiration for all of us.  [00:17:11] Miko Lee: Excellent. And since Valhalla or Valhalla is the space that we want to get to, what is the Filipino version of that place you want to see? [00:17:19] Al Perez: Wow. [00:17:20] Miko Lee: That perfect world you wanna get to. [00:17:21] Al Perez: I think for us, we have this tradition called bayanihan. That's when we help each other towards a common goal. Yes. No matter how Herculean that task is, it's just coming together to help each other. So it's not necessarily a destination. It's more like an attitude of, coming together as a community towards a common goal, towards a cultural pride and community empowerment. [00:17:46] Miko Lee: Great. And tell us what you're doing here today with all these groups. [00:17:47] Al Perez: So we have an outreach table here because we're part of the organizing committee to curate tonight's event. So we actually have an event next weekend called the Pistahan Parade and Festival. It's the largest Filipino cultural celebration in the country, happening August 8th and 9th at the Yerba Buena Gardens, so please come check us out. There's a big parade down Market Street on Saturday to kick off the festival weekend, and then the festival's at the Yerba Buena Gardens, 11 to 5. We're here to promote that event as well as all our other upcoming events in the fall. We're also curating the Filipino Heritage Night with the Golden State Warriors, with the Giants, San Jose Sharks, and San Jose Earthquakes. And then one more. October is Filipino American History Month in the country. So we also produce official celebration proclamation by the mayor at City Hall. So we have a reception, we have entertainment, and we light the City Hall building with Philippine flag colors.  [00:18:42] Miko Lee: And when folks are coming out to these Filipino nights, what should they expect? What's happening?  [00:18:47] Al Perez: Our goal is to be here to be in community, to help showcase our beautiful culture, our traditions. So when these events happen, we usually have, cultural performances, either a pre-game or a halftime. Tonight you're gonna see, P-Lo, a Filipino rapper and a hip hop singer. Here in the plaza we have some basketball hoops, because basketball is a big thing in the Philippines, our national sport. There's also, Sarap Shop is a concession inside. They have Filipino food there. Our goal is to get people a little taste of our Filipino culture, so hopefully they'll be inspired to, to learn more about our community and our culture. [00:19:29] Miko Lee: And what's your dream for the game tonight?  [00:19:31] Al Perez: Of course, to win, right? Number, yeah, number one, Valkyries to win. And also, I hope that people will come and learn about our culture, and to appreciate it more. Maybe it will inspire them to try some Filipino food, or even come to our Pistahan Festival next weekend. Also Señor Sisig is right here in the plaza. They also do fusion Filipino food. I'm hoping that, by being here, people can get to be a little bit more familiar and curious about Filipino culture and community. We have such a, vibrant and diverse culture, we love to be in community. Our food's delicious, and entertainment's fantastic. So come check us out wherever and whenever you can.  [00:20:14] Mia Nakano: I'm wondering if you could talk a little bit about the artists who are here and the community organizations that are here tonight.  [00:20:19] Al Perez: So there's several of us nonprofit organizations here. Our group's the Filipino American Arts Exposition, our mission is more about broadening awareness and deepening understanding of Filipino culture and traditions by doing these cultural events. There's another group here called Young Filipino Professionals Association, or YFPA. They're more about, , uplifting young entrepreneurs, young career-minded, individuals to help them on their path to being more successful. There's also SoMa Pilipinas Cultural District is here. That's a new, relatively new, neighborhood in San Francisco. You know, there's Chinatown, there's Japantown, there's North Beach, so now we also have a Filipino community. It's called SoMa Pilipinas, they're also celebrating their 10th anniversary this year as being, designated as a cultural district. There's also Venazir is a visual artist. She's doing live art mural here inspired by Filipino culture and the intersection of culture and basketball. So it's a great way for people to kind of learn about our fine arts, our visual arts, and our he- heritage. Kristian Cabuay is doing script writing of traditional pre-colonial Philippine script. You know, Chinese and Japanese have their own script writing. The Phi- Filipino community also did before we were colonized by Spain. It's kind of almost forgotten and almost wiped out, so there's a few people now that's trying to revive that, that old tradition of writing .. It's called Baybayin.    [00:21:42] Mia Nakano: Can you talk a little bit about the history or why basketball is the national sport of the Philippines?   [00:21:48] Al Perez: Yeah. It's interesting. Yeah, why is basketball the national sport? I'm not sure exactly, but I think it has to do when after the Philippines was colonized by Spain, and then it, the country became, a commonwealth of the United States, right? And during that time, a lot of Americans came to the Philippines, to establish educational institutions, and one of them is sports. It just got introduced to us, and somehow it clicked. Everybody loves basketball. No matter where you are in the Philippines, in every little barrio, every little town, there's always a game happening [00:22:21] Miko Lee: So are people playing in school, like they start in elementary school, or is it more community based?  [00:22:26] Al Perez: I think it's both. It's just kinda grow, ingrown when you're just a kid growing up in your community. There's always basketball around you, surrounded by basketball. And then of course in more, elementary, high school, it became more teams dynamic, and you got competitions , intramural games. Even between little neighborhoods and little towns, they also have competitions. It's really a big deal. In fact, they love NBA. All the American basketball players are so popular. Everybody knows who they are. [00:22:54] Miko Lee: Al mentioned artist Venazir Martinez, and we pulled her away from the beautiful mural she was creating to talk with us. Again, this is outside, so the sound is quite loud. Venazir is a muralist and a visual anthropreneur. She weaves a tapestry of narratives that explore the connections between human traditions and the ever-changing landscapes that shape them. Listen as she tells us about her work and how she utilizes a symbolic red thread [00:23:25] Venazir Martinez: I'm Venazir Martinez. I am a muralist and a visual entrepreneur, and I am invited to create a live painting for the Golden State Valkyries. [00:23:36] Miko Lee: What has inspired you to create this work of art? [00:23:39] Venazir Martinez: So first and foremost, of course, women empowerment, and we have a lot of very talented Filipino Americans who play basketball. In the Philippines, because I grew up in the Philippines, basketball is such a huge deal. Everywhere in the most promote areas in the Philippines, basketball is their way of enjoying themselves and just pretty much having a time of their life. Basketball tenements are everywhere in the most remote areas in the Philippines. There's this concept of Filipino resiliency that I wanted to incorporate in my work, there are basketball hoops that is made out of wood scraps and like discarded metals. I wanted to highlight that part of Philippine ingenuity. That's why I'm here is to just shed light on that beautiful concept of Filipino ingenuity that we have.  [00:24:40] Miko Lee: I love that. Thank you for sharing. Can you break down what a basketball tenement is?  [00:24:44] Venazir Martinez: Oh, basketball tenement. So tenement courts, these are,.. How do I say this? In America, there's basketball courts that is, like, roofed. Okay. With a roof, and-  [00:24:54] Miko Lee: Like in a gymnasium.  [00:24:56] Venazir Martinez: In a gymnasium, yes. But in the Philippines, anywhere can be a basketball tenement court. They'll just put up a basketball hoop in a pole, like an electricity pole, and they can already play basketball in that area. [00:25:12] Miko Lee: So their court's just made up anywhere. Yeah. Anywhere in the community.  [00:25:14] Venazir Martinez: Anywhere in the community, in the most remote areas in the Philippines, they do that all the time. I grew up in the Philippines, so, it's that really is an immersive experience of having to see basketball really change lives for young people in our community. [00:25:32] Miko Lee: So we're at a WNBA game, and I'm wondering if there was a woman basketball player that you looked up to when you were growing up.  [00:25:39] Venazir Martinez: Growing up, my dad plays basketball. That's the only experience I know that, remembering what basketball is like. ‘Cause I'm mostly in martial arts. But here I am trying to experience a different, like, more empowering way of sports. And it's when I came to America that I experienced this kind of really, it's kind of empowering.  [00:26:01] Miko Lee: And since the Valkyries are women warriors, is there a Filipina equivalent of the woman warrior? Is there a Filipina equivalent of a woman warrior? [00:26:01] Venazir Martinez: There's a lot. There's a lot of very empowering Filipina. First and foremost, it's the Filipina community leaders that I know of in the Bay Area. They are my women warriors. They helped me from the ground up. They created a home for me. They, you know, so they welcomed me. The filipina community in the Bay Area welcomed me. They're all women.  [00:26:31] Miko Lee: Who would you say are some of those folks, some of those women?  [00:26:34] Venazir Martinez: Sonia Villarin, she wears so many hats. She's president of Filipina Food Movement, founder of summer camp in the University of the Philippines Alumni Association in San Francisco. She was the, senior vice president for Bank of America Global Leasing, and she welcomed her home to me and, pretty much, helped me establish my life here as an artist. So those are my women warriors. [00:27:00] Miko Lee: And when people see your beautiful work, what do you want them to walk away with feeling? [00:27:05] Venazir Martinez: I want them to take a second look again in my work, because these, my work pretty much talks about Filipino immigrants, and immigration at large, and pretty much our contributions and the harvested hopes that we have contributed in this cultural landscape,  [00:27:28] Miko Lee: this show is a pop-up tonight, so where can folks find out more about your work or see your work in the community? [00:27:34] Venazir Martinez: I have a huge, huge mural, 2,500 square feet mural in 5th and Folsom in San Francisco, downtown San Francisco in SoMa. It's called Ani, meaning to harvest. There's one in downtown Santa Cruz. There is one in Yuba City. There are multiple murals in Michigan, in New York, mostly in Queens. It's pretty much everywhere, but if you follow the red thread, which is my signature, my artist signature, you'll know that it's my work.  [00:28:08] Miko Lee: Thank you so much. Thank you so very much. Appreciate you taking the time. Another artist presenting their work was Kristian Kabuay working on pre-Philippines calligraphy. His line was so long that we ended up interviewing him separately. Christian is an artist, entrepreneur, futurist who specializes in endangered writing systems and tattoos from the Philippines. Hello, and welcome to Apex Express. Can you tell me your name, your background and what you were doing at the Valkyries Filipino Heritage Night? [00:28:40] Kristian Kabuay: Yeah. My name is Kristian Kabuay. I'm a cultural practitioner specializing in our old, uh, pre-colonial, I say pre-Philippine, writing system and tattooing traditions. I was at the Valkyries, Filipino Heritage Night to interact with the community. I've done a lot of work with the Warriors, you know, going back to Oracle for these cultural nights, the Giants, as well. So most of the teams in the Bay Area, but it was my first time with the Valkyries, and it was quite different. [00:29:16] Miko Lee: How was it different?  [00:29:17] Kristian Kabuay: The vibe was, um… I'm telling everybody that it was my first Valkyries game, too. So the vibe was different. It reminds me of the old Oracle, it wasn't full of, like, tech money that are, you know, Patagonia vests watching the game. It felt very homegrown and it just brought me back to those days in old Oakland A's and when the Warriors were in Oracle. [00:29:42] Miko Lee: What does that evoke for you? What is that feeling like?  [00:29:46] Kristian Kabuay: It gives me a stronger sense of community and the audience is different. The demographics is different. There isn't that toxic male energy. I don't have to worry about someone being drunk and going off and, it was very homey and welcoming. It brings back, as a kid, when I used to watch A's games in the bleachers, watching at Oracle, the community, and not everyone was there to be seen. They were really there for the team.  [00:30:15] Miko Lee: Oh, I love that. I actually do feel like it is, it's such a we're together community vibe. [00:30:20] Kristian Kabuay: Yeah. They even had the wave. I know some snooty teams, they don't have the wave, so-  [00:30:26] Miko Lee: That wave went on for a long time, too.  [00:30:29] Kristian Kabuay: Exactly. I've been to a lot of games. They're, “Oh, I don't wanna look stupid,” or whatever? So that's a big part of my childhood.  [00:30:36] Miko Lee: So I was gonna try and talk with you at the game like I did the other artists, but you had a huge line waiting to see you and talk to you. Talk with me a little bit more about your art form and this pre-clo colonization form of writing.  [00:30:52] Kristian Kabuay: Yeah. Most civilizations had a writing system. It was prior to the land alphabet when the Spanish came and colonized the Philippines in the 1500s. We have this writing. There's only one ethnolinguistic group left in the Philippines that writes it. I come from a background of calligraphy, graffiti and abstract art. When I started to practice it, I incorporated those things. Later I found that I had to become an educator. Then starting to do the cultural festivals. Then you make your parents proud. It wasn't until I started to interact with the community that, there was this responsibility. I didn't come from a highly academic background, but I was being invited to Stanford and Berkeley to give talks about this. So, you know, that imposter syndrome kicked in. Because of the efforts that I've started in, 2010s, the idea of education around this specific writing system, my service isn't really needed. It's out there. Wikipedia, even AI can do it now, and there's a lot of influencers on TikTok that are, building on the stuff that I did 10 years ago. It goes in line with my idea of putting myself out of business. ‘Cause if it's a cultural practice, then you shouldn't be this gatekeeper, this apex of this this knowledge or this practice. It needs to be spread  [00:32:15] Miko Lee: What is the writing system called?  [00:32:17] Kristian Kabuay: A couple names. One of the popular names is Baybayin, and that literally means to spell. It's an adverb, but then it became a noun. So there's many different names depending on the languages in the Philippines.  [00:32:30] Miko Lee: And you said that there's a village of folks that still utilize it. Have you been there?  [00:32:34] Kristian Kabuay: Yeah, I was there in 2016 with a research trip. I stayed with them for a few days to learn, a bit about more about the culture and to donate some time and volunteer, 'cause there's the Mangyan Heritage Foundation. I did some technology work with them. But then also meet with the elders that were there. The village elder did an interview for a film project that I'm doing, but also met the heirs, the daughters in the family that ultimately inherited this practice. [00:33:02] Miko Lee: And so they know that you're teaching this cultural practice around the world, and what is their opinion of that? What do they think?  [00:33:09] Kristian Kabuay: They like it, because it's a different perspective, and a lot of questions. When I go home they go, “Oh, why are you interested in this?” It's a totally different perspective. ‘Cause out here, we have our identity, and the diaspora issues. But back home, because of circumstances, colonization, et cetera, then, the priority is to eat, to live, not to preserve these cultural practices. I've had some indigenous elders tell me that when People come over there, to do their dissertation and they need to figure out their paper to get their PhD. They ask them, “What are you doing to preserve this?” It's kind of extractive or, like, information gathering. Honestly, it really is you strip it down, it is, survival: food, clothing, and shelter.  [00:33:52] Miko Lee: When people were standing in line for you at the actual Valkyrie's game, what were they asking you to write? Were they asking you to write notes or their name, or what was the request?  [00:34:03] Kristian Kabuay: Yeah. Yeah, the line… I was telling people I've never had a line that long when I've done the Warriors. So- … you know, it's kind of different.  [00:34:10] Miko Lee: That's interesting. Just saying [00:34:11] Kristian Kabuay: Yes. I was writing mainly people's names- Mm um, and some words. Maybe a, a good third were non-Filipino, some were there just curious and asking and cultural sharing. Someone knows a Filipino and they go, “Oh, can you write mahal kita?” Like, I love you. And so, we pick up things, just here in the Bay Area. I have conversations with people wanna hear a family name that I never heard about. I say, “Whoa, where's your family from?” Kids learn the stories on how they combine names and some of the origins. It's always interesting when I do this with folks. [00:34:44] Miko Lee: I love that. And you're also a tattoo artist. Do you use some of this writing in your tattoo artistry?  [00:34:51] Kristian Kabuay: Yeah, I do. And that's where the separation between the art and the cultural practice is. Where the writing wasn't tattooed traditionally, but that's where I kind of balance the art. And I separate those two where art is my expression, my personal expression on paper or maybe even on a body, but a cultural practice is more about them and their lineage. So I have to be clear to make those two distinctions.  [00:35:20] Miko Lee: So a question I've asked all the different people that have been involved in this night is that the Valkyries are based on women warriors, and I wonder if there's a Filipina woman warrior that comes to mind to you? [00:35:32] Kristian Kabuay: Yeah, there is. There's one that, part of the lore. Where my dad's from, in his area called Pangasinan, the land of the salt. There's a princess warrior named Princess Urduja that was thought of as a great warrior. This specific Princess Urduja has that Valkyrie's spirit. All the artwork that you see and Academics will say, “Oh, it's you're romanticizing,” and things like that. But you know what? We need a little romance in our lives, right? And romance leads to action.  [00:36:03] Miko Lee: Ah, we certainly do. I'm wondering, with all those people, the long line that stood waiting for you, and you're having these conversations, what would you like them to walk away with after interacting with you?  [00:36:14] Kristian Kabuay: Yeah. That's why there was a sign, and I took a picture of it. It doesn't say, Philippine writing. So it says pre-Philippine calligraphy. I made that term up in 2007 as a way to jolt someone's idea of what pre-Hispanic, pre-colonial is. ‘Cause those things kinda just fly overhead. But if I said pre-Philippines, people, they take a step back and they, “What's that mean?” Or they try to have a smart comeback, “Well, what were we before then?” And my question's always then, “Well, I don't know. Let's talk about it.” That gray area, that being uncomfortable, leads to more curiosity, and ultimately, that's what I want folks to go ahead and, you know… oh, I have this banana leaf. I ran out of index cards. I brought 100 of them. I had these banana leaves that I just meant to decorate the table. I said, “You know what? Let me write on these banana leaves like how our ancestors did.” People are asking, “Oh, what, we wrote on banana leaves?” I'm all, “Yeah, we wrote on, organic materials.” So this thing is probably gonna wilt away in a few weeks or a month or so, but that's how it is. So it's a metaphor for our physical selves, but then also, the message. Maybe they can go ahead and learn how to write it themselves or until we reconnect again. [00:37:31] Miko Lee: Hmm. That's beautiful. And how can our audience find out more about you and your work?  [00:37:36] Kristian Kabuay: Yeah, you can just search for me online. My last name's K-A-B-U-A-Y. First name's Kristian, both with a K. All over the internets and the socials, pretty easy to find.  [00:37:46] Miko Lee: Thank you. And we'll put links to your website in our show notes, so thank you so much for chatting with me today. [00:37:52] Kristian Kabuay: Thanks, Miko [00:37:54] Miko Lee: I honestly didn't know that basketball was such a revered sport in the Philippines. So wanting to find out more, I reached out to a bunch of community folks, and multiple people said, “Reach out to Coach Carolyn Sudeco. She's the one. She's in the know.” So talking to me from her vacation spot halfway around the world is Coaching Kapwa's Carolyn Sudeco. Welcome, Carolyn Sideco, to Apex Express. I'm so happy to have you here.  [00:38:19] Carolyn Sideco: Thank you for having me.  [00:38:21] Miko Lee: Can you first start by telling me who are your people and what legacy do you carry with you? [00:38:27] Carolyn Sideco: Oh my gosh, my people are, collectively, folks who identify as, Philippinics, Filipina, Filipino, and American, and, migratory, and those who claim blood relation and those who I'm still looking for. I live in San Francisco, California, Ohlone land, and also in the land of Choctaw Bulbancha, which is New Orleans, Louisiana. Those are the two places I reside.  [00:39:04] Miko Lee: Can you share about your work with Coaching Kapwa?  [00:39:08] Carolyn Sideco: Coaching Kapwa is what I love to do, and my background professionally is as a certified athletic administrator. I'm a physical educator at the high school level by profession, by certification, by training. But really what I love to do, and so what I do in my consultancy, is I explore and I examine and I think about and learn about everything related to sports cultures and how the culture of sports in all its various ways affect our societies. Specifically, I geek out over learning about my own Filipino American histories and other peoples. Learning that through the concept or the constructs of culture and how sports really is, for me, the funnest way to investigate who I am and who we are to each other. I call myself a sports relationship coach. I am a sports cultures consultant. I also like to identify as a sports liberator. [00:40:16] Miko Lee: Ooh, can you break down what a sports liberator is? [00:40:20] Carolyn Sideco: Miko, I took that from a friend of mine, Danya Cabello, also from the East Bay. Played at Cal, played professionally, and when I first met her years ago, she identified as such, and I said, “That is exactly the kind of person that I wanna be, like, in sports.” I wanted sports to be a way that I could share with people who we are to one another. I wanted to teach young people that they can express themselves in a way that helps make them feel free. With my background in sports administration, I was feeling like the sports industrial complex was really the antithesis of that. And what a lot of people in my profession were striving for was this success that was not defined in the same way that I was defining what my liberation was, and what I felt through sports. So I adopted that. I asked Dania, “Can I call myself a sports liberator too?” And she said, “Girl, you call yourself whatever you want.” So that's what I go by.  [00:41:37] Miko Lee: Ooh, thank you for sharing. That's so interesting in the midst of our kind of capitalization of sports, how corporate it has become. Interesting. Thanks. I also wanted to thank you for sharing with me, Rafe Bartholomew's Hoop Nation and Cassidy Hubbard's, Hoop's Paradise. So those, along with your YouTubes, really gave me a grounding in the connection to between basketball and the Philippines. I'll put a link to those in the show notes for other people that like to do deep dives like me. But can you just give our audience a sense of why basketball is so popular in the Philippines?  [00:42:10] Carolyn Sideco: I learned about the history of basketball and Filipino culture in the Philippines through various people, Rafe Bartholomew one of them, and his book Pacific Rims. A friend of mine here in the San Francisco Bay Area, Kevin Santos, was doing his master's thesis on the history of basketball in the Philippines, and putting an ethnic studies frame on it, so he was the one who actually, practiced his thesis and presentation with me, and I learned a lot through him, and through other people as I was learning about this myself, and how basketball when it was initially, or as we, the modern game of basketball was invented, by Dr. Naismith in Massachusetts with the peach tree basket. Most of us are familiar with that history, but also that was around the time of the Philippine-American War, and US colonization was at its beginning. And so what did the United States export, was its culture, and a lot of that was through sports, mainly baseball, 'cause baseball was already the national pastime. Basketball was relatively new, and basketball was taught in the Philippines also, like in conjunction with the American education system by teachers, by the Thomasites, and by others who were using that form of colonization. They gave basketball to the women and the girls, because it was the lesser sport. It was the newer sport, so it was the lesser sport. They gave it to the women. The men were supposed to play baseball. The Philippines is a collective society- Baseball is a spread out sport, and people aren't close to one another. You're out on a field, it's hella hot, and it's boring. [00:44:17] Miko Lee: Agree. Totally agree …  [00:44:19] Carolyn Sideco: it's easy, to make this assumption that these people playing baseball were watching the girls and women play basketball, and it's faster. Close to one another. It's easy to make a space. So they started playing basketball.  [00:44:39] Miko Lee: Also, you don't need all the things. You need a ball. [00:44:41] Carolyn Sideco: Exactly. In the early days, you didn't even need shoes. Yeah. So it took off in that way because basketball already itself was an activity that Filipino people, kinda took hold of already, and they made it their own. Trained teams started forming and the Philippines had national teams that were already very successful in Asian context, so Asian tournaments they were dominating. In 1975, the Philippine Basketball Association became the first men's, basketball league in Asia, and the first after the NBA in America. So the Philippines has had a long history of relationship with the sport of basketball, but because it's been so long, the sport itself was formed in response to all the cultural aspects that were already existing, right? a lot of town squares had basketball courts 'cause it was so easy to put there. So the same plazas, meeting spaces where people would have their town gatherings, social places, were also courts  [00:45:56] Miko Lee: And why do you think or just surmise that basketball has taken off more than, football or American term soccer, which is developed so much in other countries, which is also a little bit more communal? [00:46:08] Carolyn Sideco: My opinion is that American colonization, in the United States dictated, much more the United States cannot dictate because football or soccer is a more global sport, and the US didn't have as much stake in guiding that as a colonization tool as they did basketball. [00:46:29] Miko Lee: Hmm. Interesting. Speaking of the colonization and politics, I'm wondering about the connection between basketball and politics. In, Cassidy's podcast, they were talking about a politician who released their own basketball shoe, which is wild to me. Yes. So I wonder if there's other connections between basketball or politics, and if that's generally somebody who's more on the colonizer's viewpoint or more conservative viewpoint. Hmm.  [00:46:58] Carolyn Sideco: Hmm. Interesting. I, hmm, I go back and forth with this a lot, Miko, the colonizing tool that is sports, especially the capitalistic sort of, extraction, of sports, right? Of its players, who I like to think of as workers. They're also workers, right? The professional, Philippine Basketball Association is not much different than even professional sports in America with the way they're set up, right? You have owning groups or companies, and so you have these ways that exploitation and that workers' rights are… how do I say it? Because it's at the professional level, these concepts are very much at play, excuse the pun. The Philippines also has a governmental arm related to sports. So sports in and of itself is recognized, right? It doesn't have as much of this sort of altruistic thing as, as we say in the United States, like the sports is like the good of mankind, like that sort of thing. Like, I think, you know-  [00:48:08] Miko Lee: The kind of Olympic idea of unity, it brings us all together. [00:48:11] Carolyn Sideco: Right, like that, those conceptual sorts of virtues.  [00:48:15] Miko Lee: Mm-hmm.  [00:48:15] Carolyn Sideco: Yeah. So in the Philippines, I think it's so much more practical because it's fun, and you could get in a game anywhere, and it's accessible. Mm-hmm. It's accessible to all strata, economic strata, right? You see basketball courts everywhere, in rural areas in cities. Everywhere you'll see basketball courts. The Philippines itself as a country- I think that relationship to sports is something different than the American relationship to professional sports, where dominance and, winning and, beating others and making as much money as possible in that is at the forefront. In the United States even with youth sports now. I do some consulting work, especially in youth sports spaces, and the privatization and the extraction of the youth sports space is, is… We could go on all day about that. I think, this is obviously from a Filipino American perspective. For sure. I've never lived in the Philippines. I was born in the Philippines, but my relationship to the Philippines is also, being mitigated by how I experience American sports, right? So when I think about how I've experienced basketball when I've gone to the Philippines, , and it's the same as any aspect of that culture, right? It's warm, it's welcoming, it's friendly, and those are the cultural aspects that kind of, , supersede the fact that basketball… Basketball has its place, but it's in service to the cultural needs, right? To the need to be social, to participate in a town gathering. It's so sociopolitical.- And because it is, it's still a colonizing tool, right? But it's still mitigated in a way that I think just like Filipino basketball players are so, like, quick. They're known for quickness, agility, and finesse, and, like, drama, right? I used to joke around, like, you can always tell where a Filipino basketball player is in the United States 'cause no Filipino who has Filipino blood in them can do a regular layup. Like they have to make it all fancy. I think that, those sorts of aspects that are not tangible, that bring to light, the way a culture of people affect the sport. it enables a culture to push out through the boundaries of that sport what was given to them. What was given to them is, “This is how you play. These are the rules,” and all that kinda stuff, and that's great, but Filipino history of basketball is always, like, how do you integrate all the really cool things about your culture? It's something that's very different, and it emerges as something that's not quite American. [00:51:36] Miko Lee: Thank you so much. I'm wondering how our audience can find out more about you and your work.  [00:51:43] Carolyn Sideco: They can, follow me on Instagram at coachingkapwa, K-A-P-W-A. Kapwa is the Filipino word for the concept of interrelationship, interconnectedness. And so everything I learned about being, being a person really is through being a good teammate, and sports is the funnest way, like I've said before to practice being a good teammate  [00:52:12] Miko Lee: Thank you so much, Coach, for sharing with me about Sports Liberation and your work, and I'll put links to all that in our show notes. And I thank you so much for joining us on Apex Express.  [00:52:23] Carolyn Sideco: Thank you, Miko [00:52:25] Miko Lee: Please check out our website, kpfa.org/program/apexexpress to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preti Mangala-Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane-Lee. Have a great night.    The post APEX Express – 8.13.26 – Bayanihan in Ballhalla appeared first on KPFA.

On SBS Filipino's Trending podcast, we discuss the “Eala Mania”, a global wave of support for Filipina tennis star Alex Eala, igniting packed arenas, viral watch parties, and a renewed passion for tennis among fans around the world. - Sa Trending podcast ng SBS Filipino, mainit na pinag-uusapan ang “Eala Mania” saanmang panig ng mundo dala ng walang humpay na pandaigdigang suporta para sa Pilipinas tennis star na si Alex Eala—nagpapasiklab ng punong arena, viral watch parties, at panibagong sigla sa tennis.

Amanda L. Andrei's parents—he Romanian, she Filipina—met in Bucharest as two free spirits in the 1970s and then moved to the United States. Growing up in Virginia, Andrei didn't speak Romanian, but came to the language—and translation—in adulthood. “When I am translating a Romanian text with my dad, I feel as if I am in rehearsal,” she writes. “My father becomes my scene partner, volleying the words back and forth until we find the ones that satisfy us.” When she views a French performance of a Romanian play that they translated, she reconsiders the relationships that led to that moment: her father's with her mother, his homeland, and his languages; hers with translation, theater, and familial diaspora. “Speaking a language, falling in love, leaving a home, applying for citizenship, all could go down thousands of paths,” she writes in our Summer issue, “but somehow, only one version of a life exists.” Andrei joins us this week on Smarty Pants to discuss her essay, “Found in Translation,” and her ever-evolving relationship with language—and her father.Amanda L. Andrei is a playwright, literary translator, and theater critic based in Los Angeles.Go beyond the episode:Amanda L. Andrei's “Found in Translation”Explore her plays, both original and in translationPhotographs from a stage reading of Oana Hodade's play Scene din viața familei StuckThe American Literary Translators Association offers resources and events for literary translators of all genresTune in every other week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes/Apple • Amazon • Google • Acast • PandoraHave suggestions for projects you'd like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Hosted on Acast. See acast.com/privacy for more information.

Banjir besar melanda Kotamadya Bauang di Provinsi La Union, Filipina utara, setelah hujan lebat akibat monsun barat daya dan siklon tropis Maymay serta Luis mengguyur wilayah tersebut selama beberapa hari.Bencana ini merendam jalan dan permukiman warga, mengganggu aktivitas masyarakat, serta memaksa lebih dari seribu keluarga mengungsi ke posko darurat dan rumah kerabat.Kepolisian Nasional Filipina melaporkan sedikitnya enam orang meninggal dunia akibat tenggelam dan tanah longsor. Selain itu, aliran listrik di puluhan desa terputus dan ribuan warga kini membutuhkan bantuan darurat.

Eala Mania is here! After her maiden title at the Citi Open in Washington, Alexandra Eala officially touched down in Toronto and was the star of the show in her debut on Centre Court. Hosts Mike and Ben cover the Filipina sensation and her impact to the tournament. Meanwhile, Leylah Fernandez had a strong opening round win as she looks to find her top level during the hard court swing and stops by for a short interview! Episode brought to you by StandM and RCVRI. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Temperatures are heating up in B.C.. 8,000 residents are already out of their homes. We look at how people are preparing for more fires amid unprecedented conditions.Also: What we know about Canada/U.S. trade talks, as the deadline for the imposition of more tariffs gets closer.And: A four-tonne rocket booster has slammed into the moon, adding to hundreds of tonnes of space junk already there. Who is responsible for all the lunar litter?Plus: Cooler conditions amid fires in Washington state, Filipina tennis phenom Alex Eala, progressive wins Michigan Democratic primary, and more.

A Filipino resident from Nhulunbuy was among thousands of attendees who joined the annual Garma Festival in northeast Arnhem Land to celebrate First Nations culture and policy. - Kabilang ang isang Pinay mula sa Nhulunbuy sa libu-libong dumalo sa taunang Garma Festival sa Arnhem Land upang ipagdiwang ang kultura at tradisyon ng First Nations.

HISTORY. Alexandra Eala has become the FIRST FILIPINA — and the first player from the Philippines — to win a WTA Tour singles title, beating world No. 3 and top seed Jessica Pegula 4-6, 6-4, 6-0 in the final of the 2026 Mubadala Citi DC Open in Washington, D.C.Full recap, match breakdown and reaction to the biggest moment in Philippine tennis history.The final began on Sunday, August 2, and was suspended by heavy rain and lightning with Pegula leading 6-4, 1-2. When play resumed at midday on Monday, August 3, a completely different Alex Eala walked back onto Stadium Court. She broke back, took the second set 6-4, and then swept the decider 6-0 — a bagel against the World No. 3 — closing it out in 1 hour and 45 minutes on court.The run to get there was extraordinary. The 21-year-old beat 2024 Olympic gold medalist Qinwen Zheng from a set and a break down, ended defending champion and No. 7 seed Leylah Fernandez 6-2, 7-6(1), took out No. 2 seed Elina Svitolina 6-3, 6-4, and dismantled four-time Grand Slam champion and No. 3 seed Naomi Osaka 6-4, 6-2 — before finishing the job against Pegula. Three seeds, an Olympic champion and a Grand Slam champion in five matches.Eala arrived in Washington ranked No. 28. She leaves it at a career-high World No. 20, inside the top 20 for the first time, with 500 ranking points and a first tour-level trophy after her Eastbourne heartbreak in 2025.

In Part 2, Aft joins us to chat about the band—Top Chefs. We start with the story of how TJ met Aft. A mutual friend of his and Loveberry's, Lucas Hanson, put on a show at DNA Lounge called "Liam Berry and Friends." TJ was just getting out of high school at the time. They asked him to join them on stage, something he'd never really done before. TJ had been playing smaller sets in restaurants, but joining a band at a bona fide venue was new for him. Loveberry (Liam) had met Aft at something called a "sound gig" for a set they would play as part of the effort to keep People's Park in Berkeley from being closed. They called Loveberry because he had a PA and they needed someone to run sound. Loveberry didn't really know what that meant at the time, and he might've been mistaken for a guy named Jeff whom they'd been expecting. Nevertheless, Aft was one of the few people who was nice to Loveberry that day in Berkeley. The band ended up needing a guitar player, and so a mutual friend told Aft that he should have this guy, Loveberry, play guitar with him. They agreed and ending up borrowing a guitar from a member of the crowd. Aft later invited Loveberry to a rehearsal back in SF. Afterthough, aka Aft, joins the conversation at this point. He recounts his version of that day in Berkeley. It was still early pandemic enough that folks were wearing masks. He liked Loveberry's playing that day enough to ask him over. They played a couple of shows as "Aft and His Band" or "Aft … backed up by (various musicians.)" Aft was also asked to play with "Liam Berry and Friends." At that DNA Lounge show, Aft met TJ and the trombone player Will, who's also in Top Chefs now. Aft had played in bands for years, including with a set of twins who played piano and bass. But those guys moved to New York around the time he connected with Loveberry. And soon after that, TJ and other members of today's Top Chefs. There's some collective fuzziness around when this all went down, but that doesn't matter. It was the beginning of coming out of a worldwide pandemic when time began to get totally skewed for everyone. But also, they were just busy playing music and making friends. I ask the three of them who came up with the idea to play shows on the stoop of Aft's childhood home on Scott Street. Loveberry and TJ credit Aft with the idea. Liam talks about arrangements that Aft was putting together with complex horn sections. And in those sessions, one of the musicians started a habit of saying, "Yes, chef" to Aft when he was asked to do something. That came from watching cooking competition shows. The dude was messing with Aft, so at the end of a show one night, when Aft was introducing band members, he called this guy "the top chef" to get him back. The name stuck for the entire band after that. There's a story about TJ's Filipina grandma, who lives near DNA Lounge, making Filipino BBQ on a stick and madeleine cookies for the band. TJ wasn't sure what to do with the food, so he set it out in the crowd while they played a song called, "Everybody Eats." It was a whole thing, and something Aft says he wants to bring back. I ask the fellas whether anyone has ever compared their Stoop Sessions to NPR's Tiny Desk music series. There's a resounding "yes" from all three. Then Aft shares that Top Chefs actually shot a Tiny Desk audition video on the stoop. It was early 2024, and despite not making it onto the hit public media show, they realized that they had something in shows on the stoop. In 2025, thanks to a fundraiser show, the band went to South by Southwest in Austin. After that, they played in the Haight, Hunters Point, Bernal Heights, downtown. Then Top Chefs started ramping up the quality of the videos. In late 2025, just before they planned to take a break from the band, Aft called a media day. The video of that performance went viral. Top Chefs' Stoop Sessions had arrived. It must've been around that time that my wife and I discovered them and immediately knew we'd found something special. And it was basically in our backyard. This coming Sunday, Aug. 2, they'll be at Chapel of the Flowers in Berkeley. If you're in the South Bay next weekend, they're playing San Jose Jazz on Friday, Aug. 7. There's a show in Levi's Plaza in The City on Saturday, Sept. 12. And for more shows and info, and to lose yourself in videos of past Stoop Sessions, follow @stoopsessionslive. The band account is @topchefsband. Their website is topchefsband.com. Sign up for their email list to learn about upcoming Stoop Sessions. That's the only space they share that info with folks. That's a wrap on Season 8: Every Kinda People. Thank you for listening and supporting our effort to uplift and share the stories of artists, activists, and working people who make San Francisco what it is. Photography by Marcella Sanchez

Paano kung overthinker ako? Paano kung nawala ang spark ko sa life? At paano ba talagang mahalin yung sarili? We continue our #ProudPinayPodcasts series featuring our awesome Filipina podcasters, and for our 12th episode, we sit down with Joelle of the Paano Kung podcast!Follow #PaanoBaTo on our socials!IG: www.instagram.com/paanobatoFB Group: www.facebook.com/groups/paanobatoTiktok: www.tiktok.com/@askpaanobato To know more about the work of Bianca Gonzalez, check out her pages on IG/FB/X/YouTube/Tiktok: @iamsuperbianca Paano Ba ‘To?!Created by Bianca Gonzalez Est. 2014

What does it take to create a new food product? Filipino-Australian senior food technologist Nicole Gomez, part of the team behind Vegemite Kids shares the science and creativity involved in developing a milder version of Australia's iconic spread. She also reflects on how her dad and her Filipino heritage continues to inspire her work. - Ibinahagi ni Nicole Gomez, isang Filipino-Australian senior food technologist at bahagi ng team sa likod ng Vegemite Kids, ang masusing proseso ng pagbuo ng mas banayad na bersyon ng iconic Australian spread. Nagbigay rin siya ng sulyap sa mundo ng food technology.

What began as a joke among five friends applying to migrate to Australia turned into a life-changing opportunity for Josephine Carreon. Of the group, she was the only one granted a visa—a stroke of luck that would shape the rest of her life. - Nagsimula lamang sa biruan ang pag-a-apply sa Australia ng noo'y dalaga na si Josephine Carreon kasama ang apat niyang kaibigan. Ngunit sa kanilang lima, siya lamang ang pinalad na mabigyan ng visa, isang pagkakataong tuluyang nagpabago sa direksiyon ng kanyang buhay at 50 taon na siyang naninirahan sa Australia.

In Bakit Australia series, Filipina migrant Angelie Taylor shares her journey of rebuilding her healthcare career in Australia, transitioning from a registered midwife to a head nurse and business owner. - Sa Bakit Australia series, ibinahagi ng migranteng si Angelie Taylor ang kaniyang tatlumpung taong paglalakbay mula sa pagiging midwife sa Pilipinas tungo sa pagiging kilalang lead nurse at negosyante sa Australia.

How to stay motivated? What is intrinsic and extrinsic motivation, or positive and negative motivation?! How to approach conversations pag pakiramdam ko hindi ako magaling mag-English? How can we build our self-esteem? Okay lang ba talaga kung trying hard ako? We continue our #ProudPinayPodcasts series featuring our inspiring Filipina podcasters, and for our 11th episode, we sit down with the host of Trying Hard, Coach Lyqa Maravilla!Follow #PaanoBaTo on our socials!IG: www.instagram.com/paanobatoFB Group: www.facebook.com/groups/paanobatoTiktok: www.tiktok.com/@askpaanobato To know more about the work of Bianca Gonzalez, check out her pages on IG/FB/X/YouTube/Tiktok: @iamsuperbianca Paano Ba ‘To?!Created by Bianca GonzalezEst. 2014

In Trabaho, Visa, atbp. (Jobs, Visas, etc.), we feature the virtual assistant profession in the Philippines, where several companies or individuals in Australia become clients. - Sa Trabaho, Visa, atbp., tampok ang propesyo ng pagiging isang virtual assistant sa Pilipinas kung saan nagiging kliyente ang ilang kumpanya o indibidwal sa Australia.

NEWS: ​​​​​Filipina strikes gold in Jiu-Jitsu Asian Championship | July 20, 2026Subscribe to The Manila Times Channel - https://tmt.ph/YTSubscribe Visit our website at https://www.manilatimes.net Follow us: Facebook - https://tmt.ph/facebook Instagram - https://tmt.ph/instagram Twitter - https://tmt.ph/twitter DailyMotion - https://tmt.ph/dailymotion Subscribe to our Digital Edition - https://tmt.ph/digital Check out our Podcasts: Spotify - https://tmt.ph/spotify Apple Podcasts - https://tmt.ph/applepodcasts Amazon Music - https://tmt.ph/amazonmusic Deezer: https://tmt.ph/deezer Stitcher: https://tmt.ph/stitcherTune In: https://tmt.ph/tunein#TheManilaTimes#KeepUpWithTheTimes Hosted on Acast. See acast.com/privacy for more information.

Wörthersee Edition, Part 2 – diesmal live und gemeinsam. Die Folge beginnt mit der passenden Kleiderwahl für einen Drehtermin und den sprachlichen und grammatikalischen Grundprinzipien des zivilisierten Lebens. Kann der Kapitalismus überhaupt funktionieren, wenn endloses Wachstum seine Grundvoraussetzung ist? Und kann der Mensch überhaupt Stillstand akzeptieren? Das Nilpferd denkt nicht ans Übermorgen – wir schon. Dieser evolutionäre Vorteil des abstrakten Denkens ist gleichzeitig der Grund, warum echte Zufriedenheit so schwer ist. Es gibt nur das Jetzt. Der Rest ist Konstruktion. Isabel versucht aktiv, keine Ziele zu haben. “Trust the process” – am liebsten so, wie Roger Federer die Vorhand schlägt: kinetische Kette, Körper vertrauen, aufhören nachzudenken. Alexandra Eala, 21, Filipina, Top 30, Wimbledon – sagt bei einer Pressekonferenz über den Rückhalt ihres Landes: Once it grows, it cannot be stopped. Das gilt für Tennis. Und für damit, zumindest laut Lukas, auch für alles andere. Dazu: Warum "Du bist genug" nicht gleichzusetzen ist mit Anspruchslosigkeit. Und eine Anekdote von Lukas mit 16 Jahren, die zeigt, wie viel ein einziger Satz eines Mentors verändern kann.

Paano ba maging honest... sa sarili? Paano aminin sa sarili that it's time to end your relationship, that it's time to seek help, or that it's time to dream bigger? This July, we continue our #ProudPinayPodcasts series where we highlight our empowered Filipina podcasters, and for our 10th episode, we sit down with the host of the Almost Honest podcast, Kylie Verzosa!Follow #PaanoBaTo on our socials!IG: www.instagram.com/paanobatoFB Group: www.facebook.com/groups/paanobatoTiktok: www.tiktok.com/@askpaanobato To know more about the work of Bianca Gonzalez, check out her pages on IG/FB/X/YouTube/Tiktok: @iamsuperbianca Paano Ba ‘To?!Created by Bianca GonzalezEst. 2014

 Chelly and Kacelyn are an emerging Filipina R&B duo carving out their own lane in the growing landscape of modern OPM and Asian R&B. While detailed public profiles are still limited — a sign of how early they are in their rise — their presence reflects a new wave of young Filipina artists blending soulful vocals, contemporary R&B production, and a distinctly Pinay sensibility. Their sound fits into the broader movement of Filipino R&B, a genre that has been gaining global attention thanks to artists who merge Western R&B influences with Filipino storytelling and emotional depth Support the show

In this episode of Women Making Moves, host Amy Pons sits down with Trishia Domingo — confidence coach, award-winning model, and multidisciplinary leader — for a deeply personal conversation about identity, healing, and what it really means to feel at peace. Trishia shares how her work as a confidence coach centers on helping people, especially women, reconnect with the "magic" and brilliance that often gets conditioned out of them from childhood onward. The two explore how societal expectations shape girls from infancy, how generational patterns get passed down and challenged, and why the new generations are unlearning inherited beliefs about who they're allowed to be.The conversation turns to Trishia's work with the Eldest Daughters Collective, a racial healing justice organization supporting eldest and only daughters — many of them children of immigrants — who carry disproportionate emotional and logistical responsibility within their families. Trishia and Amy dig into the invisible weight of emotional labor, the exhaustion of hyperindependence, and why learning to receive support is just as important as giving it.0:00 — Intro: Welcome to Women Making Moves, meet Tricia Domingo (confidence coach, model, Face of CBMA winner)0:34 — Tricia's background in healthcare tech, Eldest Daughters Collective, Dream Photo House, Filipina on the Rise0:53 — What is a confidence coach? Unlocking the "magic" in people2:12 — How conditioning chips away at confidence starting in childhood3:48 — Energetic conditioning from birth, generational shifts (Boomers, Gen X, Millennials, Gen Z)6:57 — Growing up in a "be seen, not heard" household; intergenerational healing7:46 — Rethinking divine feminine/masculine — "the new human energy"9:36 — What is the Eldest Daughters Collective? Origins and mission11:52 — Hypervigilance, hyperindependence, and emotional labor of eldest daughters15:34 — Women bearing the emotional load of the household ("expense report" thought experiment)16:58 — Layoffs as a hidden gift; finding your own truth center17:28 — Defining racial healing within the Eldest Daughters Collective18:47 — What's next: new membership model, Shutterfest modeling, future YouTube channel20:00 — "Find calm in 5 minutes a day" — breathwork, tactical pauses, and ADHD22:30 — Finding "okayness" from within instead of external validation25:15 — Why people avoid revisiting painful memories, and how coaching holds space27:42 — Bridging ego and soul; releasing suppressed emotional energy30:27 — Do you really want peace? Uncovering the deeper desire behind stated goals33:50 — Grown adults still living by their parents' rules — "is that still true for you?"36:11 — Where to find Tricia: Instagram @atasteoftrishia, thrivewithtrisha.com36:33 — Closing thoughts and gratitude

On this day, 7 July 1864, Filipino labour leader Isabelo de los Reyes was born in Vigan. He became a journalist and opponent of Spanish colonial rule, for which he was jailed and tortured. He was then deported to Spain and held in the infamous Montjuic Castle in Barcelona, alongside many anarchist political prisoners.In 1901 he was allowed to return to the Philippines, and he brought with him a library of books by socialists like Karl Marx and anarchists like Mikhail Bakunin. He founded the Unión Obrera Democrática Filipina, and helped organise several strikes.See our timeline of his life and activism on our Stories app, including sources and maps: https://stories.workingclasshistory.com/tag/9461/isabelo-de-los-reyesOur work is only possible because of support from you, our listeners on patreon. If you appreciate our work, please join us and access exclusive content and benefits at patreon.com/workingclasshistory.See all of our anniversaries each day, alongside sources and maps on the On This Day section of our Stories app: stories.workingclasshistory.com/date/todayBrowse all Stories by Date here on the Date index: https://stories.workingclasshistory.com/dateCheck out our Map of historical Stories: https://map.workingclasshistory.comCheck out books, posters, clothing and more in our online store, here: https://shop.workingclasshistory.comIf you enjoy this podcast, make sure to check out our flagship longform podcast, Working Class History

Paano nga ba maging mulat sa mga nangyayari, without losing our sanity? How can we stay aware of social issues while being able to live, work and enjoy our day to day? This July, we're continuing our #ProudPinayPodcasts series where we highlight our amazing Filipina podcasters, and for our 9th episode, we sit down with one half of the Wake Up With Jim and Saab podcast, Saab Magalona Bacarro!Follow #PaanoBaTo on our socials!IG: www.instagram.com/paanobatoFB Group: www.facebook.com/groups/paanobatoTiktok: www.tiktok.com/@askpaanobato To know more about the work of Bianca Gonzalez, check out her pages on IG/FB/X/YouTube/Tiktok: @iamsuperbianca Paano Ba ‘To?!Created by Bianca GonzalezEst. 2014

Marie Claire Lim Moore has built one of the most remarkable careers in corporate Asia.CEO of TransUnion Asia Pacific. Author of two books. TEDx speaker. Mother of three. A Filipina immigrant who climbed to the top of one of the world's leading data and analytics companies without ever pretending to be someone she wasn't.But this conversation isn't about the résumé.It's about what the résumé costs. And what it's worth.Ten years ago, Claire stood on a TEDx stage and asked a question that stopped rooms: how can we have so many tiger moms and so few tiger women? Asian women dominate classrooms, top university rankings, and outperform in early careers. Then, somewhere between ambition and expectation, they disappear from the leadership table.A decade later, the numbers are moving. But the inner game, the guilt, the fear, the daily negotiation between who you are at work and who you are at home, that part hasn't changed.Claire is one of the most honest voices on what it actually looks like to lead 500 people across Asia Pacific, raise three teenagers, stay married for 17 years, and still feel afraid of disappointing the people you love most.Not the polished version. The real one.We talk about the moment her parents' disappointment, over a forgotten bar of soap, inspired a bestselling book and reminded her never to forget where she came from. We talk about the mentor who told her: at work, you're replaceable, at home, you're not and how that one line became a decision-making framework. We talk about why perfectionism is just fear in disguise, why work-life balance is useless as a philosophy but powerful as a daily practice, and why the question isn't whether you can have it all, it's whether you're asking the right question in the first place.And at the end, she answers the one question no host has ever asked her.The answer will stay with you.Apply to work with me: https://www.michaelxcampion.com/Connect with me: https://www.linkedin.com/in/michaelxcampion/Guest - Marie Claire Lim Moore: https://www.linkedin.com/in/marieclairelimmoore/Marie Claire Lim Moore is the CEO of TransUnion Asia Pacific, leading a team of approximately 500 people across the region. She is the author of two books, Don't Forget the Soap and Other Reminders from My Fabulous Filipina Mother and Don't Forget the Parsley and a TEDx speaker whose talk on Asian women in leadership has continued to spark conversation a decade after its release. A Filipina immigrant raised in New York, Claire has built her career across financial services and data analytics, holding senior roles at American Express, Citi, and Visa before joining TransUnion. She is based in Hong Kong with her husband and three children.(00:00) The Question No One Ever Asked Her(00:47) Ten Years Since the TEDx Talk(03:46) Having It All -- And Why That's the Wrong Question(07:18) The COVID Dividend for Working Parents(10:15) The Hidden Cost of a Global Career in Asia(13:08) How She Actually Wrote Two Books(17:22) The Soap Story That Inspired Everything(19:22) Leading Without Losing Yourself(25:59) Work-Life Balance Is a Theory -- Here's the Practice(33:15) At Work You're Replaceable. At Home You're Not.(43:37) Don't Forget the Parsley -- Making the Best of Everything

Today's episode is basically my love language: multiple income streams. I'm joined by Meghan Lim, AKA Meghan Makes Money, who went from a $78K corporate finance job to building a six-figure creator business with 160K+ followers, all in about two and a half years. We're talking side hustles, affiliate marketing, brand deals, pricing your worth, and why "selling" isn't a dirty word.WE GET INTO: 00:00 Intro: Meghan's journey from corporate finance to content creator00:49 Meghan's origin story: childhood side hustles and the layoff that changed everything03:48 Money messages from a Filipina immigrant household05:38 Switching her major to finance (and why it didn't teach her personal finance)07:30 Stepping into the creator economy as a Gen Z creator11:47 The viral paycheck breakdown video that changed everything13:07 Side hustles worth your time (and which ones are a scam)17:05 How Meghan actually makes money now: affiliates, brand deals, coaching18:45 The disconnect between followers and revenue21:45 What to have in place before pitching brands25:49 Favorite underrated monetization method: affiliate marketing29:33 How content creation has changed Meghan's life (six figures, comped trips, free LASIK)32:35 The Cartier ring story: rewarding yourself and abundance mindset36:48 Navigating the pressure to choose stability over risk38:18 Redefining success after leaving corporate39:55 Biggest financial mistake (and the lesson behind it)42:14 The #1 skill every creator needs to learn42:46 What's next for Meghan Makes Money44:20 Final advice: you don't need permission to make moneyKEY TAKEAWAYS: Multiple income streams beat relying on one (especially brand deals, which can be inconsistent)You don't need to be "the expert" or already have results to start sharing your journeyDocumenting > performing — people want to follow along, not just see the finished productReframe selling as serving: your product or service genuinely helps someoneIt takes 14-17 touchpoints before someone takes action, so don't be afraid to repeat yourselfAffiliate marketing in the finance niche is one of the most underrated income streamsReward yourself for milestones — it's not just about ROI, it's about breaking scarcity mindsetSurround yourself with people doing what you want to do; proximity changes your mindsetCONNECT WITH MEGHAN:Meghan's Instagram: @meghanmakesmoneyMeghan's Website: https://www.skool.com/money-makers-circle-8363TAKE THE NEXT STEP:Download the FREE Dinero GuideRead my book, Financially Lit!Book a Call with JanneseThis episode of Yo Quiero Dinero was produced by Heart Centered Podcasting. Hosted on Acast. See acast.com/privacy for more information.

A powerful exposé of the American public education system's indifference toward marginalized children and the "slow violence" that fashions schools into hostile work and learning environments.In 2017, sociologist Ranita Ray stepped inside a fourth-grade classroom in one of the nation's largest majority-minority districts in Las Vegas, Nevada. She was there to conduct research on the lack of resources and budget cuts that regularly face public schools. However, a few months into her immersion, a disturbed Ray recognized that that greatest impediment to students was the “slow violence” that preys on their minds, bodies, and spirits at the hands of teachers and administrators who are charged with their care.Slow Violence: Confronting Dark Truths in the American Classroom (St. Martin's Press, 2025) lays bare the routine indifference, racism, and verbal and emotional abuse and harassment that teachers and administrators perpetrate routinely against the most vulnerable children in our schools. We meet Nazli, a bright, funny Black girl, and math wiz, who loses her baby brother, and is told that “grit” will enable her to rise above her grief. Reggie is a devoted student and curious scholar, but his path to success is derailed when teachers fashion him as a predator after they find him looking at two inappropriate photos on his iPad. There's Nalin, a shy and determined Filipina who has just arrived in the US, but is ignored based on her educator's assumption that “Asians” are “good at math.” Her entire journey through school is darkened by this stereotype. And there's Miguel, a sharp, distracted Latino boy who can't overcome his teachers' urge to incorrectly diagnose him with autism.Bolstered by an empathetic and passionate voice as well as the latest breaking research in the social sciences, Ray goes beyond timeworn discussions about the school-to-prison pipeline, funding, and achievement gaps to directly address what happens behind the closed doors of classrooms, introducing a compelling—and crucial—new perspective into the conversation about our education system.In the warm, luminous spirit of character-driven books like Invisible Child, Slow Violence allows us to see that the way we've tried to make a start in education reform is wrong. To forge new approaches that foster young minds and flourishing generations we have to start with how children experience the classroom. Unflinchingly, Slow Violence tells us—and shows us where to begin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A powerful exposé of the American public education system's indifference toward marginalized children and the "slow violence" that fashions schools into hostile work and learning environments.In 2017, sociologist Ranita Ray stepped inside a fourth-grade classroom in one of the nation's largest majority-minority districts in Las Vegas, Nevada. She was there to conduct research on the lack of resources and budget cuts that regularly face public schools. However, a few months into her immersion, a disturbed Ray recognized that that greatest impediment to students was the “slow violence” that preys on their minds, bodies, and spirits at the hands of teachers and administrators who are charged with their care.Slow Violence: Confronting Dark Truths in the American Classroom (St. Martin's Press, 2025) lays bare the routine indifference, racism, and verbal and emotional abuse and harassment that teachers and administrators perpetrate routinely against the most vulnerable children in our schools. We meet Nazli, a bright, funny Black girl, and math wiz, who loses her baby brother, and is told that “grit” will enable her to rise above her grief. Reggie is a devoted student and curious scholar, but his path to success is derailed when teachers fashion him as a predator after they find him looking at two inappropriate photos on his iPad. There's Nalin, a shy and determined Filipina who has just arrived in the US, but is ignored based on her educator's assumption that “Asians” are “good at math.” Her entire journey through school is darkened by this stereotype. And there's Miguel, a sharp, distracted Latino boy who can't overcome his teachers' urge to incorrectly diagnose him with autism.Bolstered by an empathetic and passionate voice as well as the latest breaking research in the social sciences, Ray goes beyond timeworn discussions about the school-to-prison pipeline, funding, and achievement gaps to directly address what happens behind the closed doors of classrooms, introducing a compelling—and crucial—new perspective into the conversation about our education system.In the warm, luminous spirit of character-driven books like Invisible Child, Slow Violence allows us to see that the way we've tried to make a start in education reform is wrong. To forge new approaches that foster young minds and flourishing generations we have to start with how children experience the classroom. Unflinchingly, Slow Violence tells us—and shows us where to begin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

A powerful exposé of the American public education system's indifference toward marginalized children and the "slow violence" that fashions schools into hostile work and learning environments.In 2017, sociologist Ranita Ray stepped inside a fourth-grade classroom in one of the nation's largest majority-minority districts in Las Vegas, Nevada. She was there to conduct research on the lack of resources and budget cuts that regularly face public schools. However, a few months into her immersion, a disturbed Ray recognized that that greatest impediment to students was the “slow violence” that preys on their minds, bodies, and spirits at the hands of teachers and administrators who are charged with their care.Slow Violence: Confronting Dark Truths in the American Classroom (St. Martin's Press, 2025) lays bare the routine indifference, racism, and verbal and emotional abuse and harassment that teachers and administrators perpetrate routinely against the most vulnerable children in our schools. We meet Nazli, a bright, funny Black girl, and math wiz, who loses her baby brother, and is told that “grit” will enable her to rise above her grief. Reggie is a devoted student and curious scholar, but his path to success is derailed when teachers fashion him as a predator after they find him looking at two inappropriate photos on his iPad. There's Nalin, a shy and determined Filipina who has just arrived in the US, but is ignored based on her educator's assumption that “Asians” are “good at math.” Her entire journey through school is darkened by this stereotype. And there's Miguel, a sharp, distracted Latino boy who can't overcome his teachers' urge to incorrectly diagnose him with autism.Bolstered by an empathetic and passionate voice as well as the latest breaking research in the social sciences, Ray goes beyond timeworn discussions about the school-to-prison pipeline, funding, and achievement gaps to directly address what happens behind the closed doors of classrooms, introducing a compelling—and crucial—new perspective into the conversation about our education system.In the warm, luminous spirit of character-driven books like Invisible Child, Slow Violence allows us to see that the way we've tried to make a start in education reform is wrong. To forge new approaches that foster young minds and flourishing generations we have to start with how children experience the classroom. Unflinchingly, Slow Violence tells us—and shows us where to begin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

A powerful exposé of the American public education system's indifference toward marginalized children and the "slow violence" that fashions schools into hostile work and learning environments.In 2017, sociologist Ranita Ray stepped inside a fourth-grade classroom in one of the nation's largest majority-minority districts in Las Vegas, Nevada. She was there to conduct research on the lack of resources and budget cuts that regularly face public schools. However, a few months into her immersion, a disturbed Ray recognized that that greatest impediment to students was the “slow violence” that preys on their minds, bodies, and spirits at the hands of teachers and administrators who are charged with their care.Slow Violence: Confronting Dark Truths in the American Classroom (St. Martin's Press, 2025) lays bare the routine indifference, racism, and verbal and emotional abuse and harassment that teachers and administrators perpetrate routinely against the most vulnerable children in our schools. We meet Nazli, a bright, funny Black girl, and math wiz, who loses her baby brother, and is told that “grit” will enable her to rise above her grief. Reggie is a devoted student and curious scholar, but his path to success is derailed when teachers fashion him as a predator after they find him looking at two inappropriate photos on his iPad. There's Nalin, a shy and determined Filipina who has just arrived in the US, but is ignored based on her educator's assumption that “Asians” are “good at math.” Her entire journey through school is darkened by this stereotype. And there's Miguel, a sharp, distracted Latino boy who can't overcome his teachers' urge to incorrectly diagnose him with autism.Bolstered by an empathetic and passionate voice as well as the latest breaking research in the social sciences, Ray goes beyond timeworn discussions about the school-to-prison pipeline, funding, and achievement gaps to directly address what happens behind the closed doors of classrooms, introducing a compelling—and crucial—new perspective into the conversation about our education system.In the warm, luminous spirit of character-driven books like Invisible Child, Slow Violence allows us to see that the way we've tried to make a start in education reform is wrong. To forge new approaches that foster young minds and flourishing generations we have to start with how children experience the classroom. Unflinchingly, Slow Violence tells us—and shows us where to begin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

A powerful exposé of the American public education system's indifference toward marginalized children and the "slow violence" that fashions schools into hostile work and learning environments.In 2017, sociologist Ranita Ray stepped inside a fourth-grade classroom in one of the nation's largest majority-minority districts in Las Vegas, Nevada. She was there to conduct research on the lack of resources and budget cuts that regularly face public schools. However, a few months into her immersion, a disturbed Ray recognized that that greatest impediment to students was the “slow violence” that preys on their minds, bodies, and spirits at the hands of teachers and administrators who are charged with their care.Slow Violence: Confronting Dark Truths in the American Classroom (St. Martin's Press, 2025) lays bare the routine indifference, racism, and verbal and emotional abuse and harassment that teachers and administrators perpetrate routinely against the most vulnerable children in our schools. We meet Nazli, a bright, funny Black girl, and math wiz, who loses her baby brother, and is told that “grit” will enable her to rise above her grief. Reggie is a devoted student and curious scholar, but his path to success is derailed when teachers fashion him as a predator after they find him looking at two inappropriate photos on his iPad. There's Nalin, a shy and determined Filipina who has just arrived in the US, but is ignored based on her educator's assumption that “Asians” are “good at math.” Her entire journey through school is darkened by this stereotype. And there's Miguel, a sharp, distracted Latino boy who can't overcome his teachers' urge to incorrectly diagnose him with autism.Bolstered by an empathetic and passionate voice as well as the latest breaking research in the social sciences, Ray goes beyond timeworn discussions about the school-to-prison pipeline, funding, and achievement gaps to directly address what happens behind the closed doors of classrooms, introducing a compelling—and crucial—new perspective into the conversation about our education system.In the warm, luminous spirit of character-driven books like Invisible Child, Slow Violence allows us to see that the way we've tried to make a start in education reform is wrong. To forge new approaches that foster young minds and flourishing generations we have to start with how children experience the classroom. Unflinchingly, Slow Violence tells us—and shows us where to begin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

A powerful exposé of the American public education system's indifference toward marginalized children and the "slow violence" that fashions schools into hostile work and learning environments.In 2017, sociologist Ranita Ray stepped inside a fourth-grade classroom in one of the nation's largest majority-minority districts in Las Vegas, Nevada. She was there to conduct research on the lack of resources and budget cuts that regularly face public schools. However, a few months into her immersion, a disturbed Ray recognized that that greatest impediment to students was the “slow violence” that preys on their minds, bodies, and spirits at the hands of teachers and administrators who are charged with their care.Slow Violence: Confronting Dark Truths in the American Classroom (St. Martin's Press, 2025) lays bare the routine indifference, racism, and verbal and emotional abuse and harassment that teachers and administrators perpetrate routinely against the most vulnerable children in our schools. We meet Nazli, a bright, funny Black girl, and math wiz, who loses her baby brother, and is told that “grit” will enable her to rise above her grief. Reggie is a devoted student and curious scholar, but his path to success is derailed when teachers fashion him as a predator after they find him looking at two inappropriate photos on his iPad. There's Nalin, a shy and determined Filipina who has just arrived in the US, but is ignored based on her educator's assumption that “Asians” are “good at math.” Her entire journey through school is darkened by this stereotype. And there's Miguel, a sharp, distracted Latino boy who can't overcome his teachers' urge to incorrectly diagnose him with autism.Bolstered by an empathetic and passionate voice as well as the latest breaking research in the social sciences, Ray goes beyond timeworn discussions about the school-to-prison pipeline, funding, and achievement gaps to directly address what happens behind the closed doors of classrooms, introducing a compelling—and crucial—new perspective into the conversation about our education system.In the warm, luminous spirit of character-driven books like Invisible Child, Slow Violence allows us to see that the way we've tried to make a start in education reform is wrong. To forge new approaches that foster young minds and flourishing generations we have to start with how children experience the classroom. Unflinchingly, Slow Violence tells us—and shows us where to begin. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's yet another major, the third of 2026 and arguably the most important one in terms of prestige: Wimbledon starts next week.We got the draws in front of us and go through each of the 8 sections in both women's and men's singles draws, identifying popcorn matches, and key challenges for key players.Oh, and, for the time being, Serena Williams playing her first professional singles match in almost four years is still the more important topic. Can she beat Maya Joint? Will we get an explosive match against Filipina star Alex Eala?To finalize, no, we don't think Djokovic will get too close to that trophy again.Favourite this podcast if you like our work :)SUBSCRIBE to the YouTube channel!Follow TENNIS AND BAGELS!Twitter/X: https://x.com/TennisAndBAGELSAndre:Twitter/X - https://x.com/RolembergAndreBlueSky Social: https://bsky.app/profile/andrerolemberg.bsky.socialVansh: https://x.com/vanshv2kOwen (BlueSky Social): https://bsky.app/profile/owensports.bsky.socialSupport this show http://supporter.acast.com/tennis-and-bagels. Hosted on Acast. See acast.com/privacy for more information.

It's yet another major, the third of 2026 and arguably the most important one in terms of prestige: Wimbledon starts next week.We got the draws in front of us and go through each of the 8 sections in both women's and men's singles draws, identifying popcorn matches, and key challenges for key players.Oh, and, for the time being, Serena Williams playing her first professional singles match in almost four years is still the more important topic. Can she beat Maya Joint? Will we get an explosive match against Filipina star Alex Eala?To finalize, no, we don't think Djokovic will get too close to that trophy again.Favourite this podcast if you like our work :)SUBSCRIBE to the YouTube channel!Follow TENNIS AND BAGELS!Twitter/X: https://x.com/TennisAndBAGELSAndre:Twitter/X - https://x.com/RolembergAndreBlueSky Social: https://bsky.app/profile/andrerolemberg.bsky.socialVansh: https://x.com/vanshv2kOwen (BlueSky Social): https://bsky.app/profile/owensports.bsky.socialSupport this show http://supporter.acast.com/tennis-and-bagels. Hosted on Acast. See acast.com/privacy for more information.

Mark Labella is the creator of “Nurse the Dead,” a brand new series on iWant. It's the first Filipino-led scripted series written, created, and filmed in Hollywood, and it follows a Filipina nurse who sees ghosts and works at the most haunted ward in LA. But the ghosts in the series were more than fiction. The series was filmed in a real hospital in Historic Filipinotown that was filled with enough spirits to turn Mark from a skeptic to a believer.  In this episode, Mark shares the paranormal activity that broke his cheery 1st Assistant Director, the spirit who blessed the set with her presence, his passion for Filipino representation in entertainment, and how he developed a mutually respectful relationship with the spirits of the hospital. If anything you hear today conjures any memories of your own paranormal experiences, feel free to share them with the show by sending in an email to story@storieswithsapphire.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Kröger, Jasmin www.deutschlandfunk.de, Corso

The interview with Filipina adult actress Ember Snow offers a warm, candid, and surprisingly introspective look at her life beyond the screen. Throughout the conversation, Ember opens up about her journey into the industry, the challenges she faced as a Filipina navigating a space with limited representation, and the personal growth that shaped who she is today. Her natural humor and honesty shine through as she shares stories about learning to stay grounded, handling unexpected moments with grace, and embracing her identity both as a performer and as a woman with her own ambitions and vulnerabilities. Rather than focusing on explicit content, the episode highlights Ember's personality—her resilience, her playful energy, and her thoughtful reflections on career, culture, and self‑expression. The result is a humanizing, engaging conversation that gives listeners a deeper appreciation for the person behind the stage name.Support the show

Need more great relationship advice?? https://www.youtube.com/playli... In this episode we are giving out some relationship advice. It's mostly just me screaming into a microphone for extended periods. Some people would call it reddit narration. Just like some people would call these situations we're narrating a relationship. That is to say, it's not but it kinda is. Y'know? It doesn't matter what your background is, you always need to treat people like people and not use them simply to get off. Neckbeards seem to learn this lesson particularly slow and it really does make my blood boil... So we must bring it to light so others don't suffer alone. For your fill of neckbeard stories we've got you covered with the freshest weeaboo, niceguy, and neckbeard happenings on reddit. Stick with ReddX for your daily dose of cringe with a side-dish of relatability. You might even feel good for dessert... But who can say? ------------------------------------------------------------ #reddit #relationship #advice #relationshipadvice #relationship101 #redditrelationship #redditstories #divorce #drama #selfrespect Discord: https://discord.gg/Sju7YckUWu Twitch: https://www.twitch.tv/daytondo... PayPal: https://www.paypal.me/daytondo... Patreon: http://patreon.com/daytondoes Twitter: http://www.twitter.com/daytond... Facebook: https://www.facebook.com/ReddX... Subreddit: https://www.reddit.com/r/ReddX... Amazon link to my mic: https://amzn.to/3lInsRR ReddX merch: https://teespring.com/stores/r... Character art: https://twitter.com/DarkleyStu... Creepypasta channel: https://www.youtube.com/Dayton... Wifey's channel: https://www.youtube.com/channe... ------------------------------------------------------------ Playlists: Full neckbeard stories: https://www.youtube.com/playli... All neckbeard stories: https://www.youtube.com/playli... All legbeard stories: https://www.youtube.com/playli... RPG Horror Stories: https://www.youtube.com/playli... Weeaboo tales: https://www.youtube.com/playli... ------------------------------------------------------------ Podcasts: Spotify: https://open.spotify.com/show/... Soundcloud: https://soundcloud.com/reddxy iTunes: https://podcasts.apple.com/us/... Google Podcast: https://podcasts.google.com/fe... Spreaker: https://www.spreaker.com/show/... Podchaser: https://www.podchaser.com/podc... Deezer: https://www.deezer.com/us/show... Podcast Addict: https://podcastaddict.com/podc... JioSaavn: https://www.jiosaavn.com/shows... Also on Castbox, Audible, and iHeartRadio! Have you ever met a neckbeard or a nice guy? They are frustrating to deal with, but luckily you aren't alone! These r/neckbeardstories from Reddit are among the top posts of all time and include some of the funniest Reddit stories ever posted on the neckbeard stories subreddit! rSlash NeckbeardStories have all kinds of funny neckbeards in them, but especially the nice guy. And the weeaboo. There is a wide spectrum of neckbeards, and this is but a small slice of it. Listening to ReddX's neckbeard stories playlist is a great experience! These neckbeard stories Top Posts of All Time from Reddit are made for you to enjoy any time you feel like it, so be sure to save my rSlash neckbeard stories playlist to your favorites! While there are many rslash channels that read r/neckbeard stories and r/prorevenge from reddit, each channel has their own way of performing them. Some of the top rSlash entitled parents channels I recommend checking out are the original rSlash, Redditor, fresh, r/Bumfries, VoiceyHere, Mr Reddit, Storytime and Darkfluff. These Reddit story channels inspired me to start my own Reddit story channel, with a focus on Entitled Parents stories and at times going into the r/pettyrevenge and r/choosingbeggars subreddit as well. Because most of my audience prefers Entitled Parents stories of Reddit, I tend to just stick with reading the r/EntitleParents Top Posts of All Time. But I also enjoy getting up close and personal with neckbeards and weeaboos from time to time. Subscribe to ReddX for the freshest daily Reddit content. I post relatable readings of Reddit posts and Reddit stories every single day! Journey with me as I relate these amazing Reddit stories to my personal life journey. I'm greatly inspired by the top reddit posts of all time videos and reddit stories on YouTube which is why I started doing them myself. YouTube: https://www.youtube.com/channe... Discord: https://discord.gg/Sju7YckUWu Twitch: https://www.twitch.tv/daytondo... PayPal: https://www.paypal.me/daytondo... Patreon: http://patreon.com/daytondoes Twitter: http://www.twitter.com/daytond... Facebook: https://www.facebook.com/ReddX... Merch: https://reddx-shop.fourthwall....

Filipina-American actress, host, and award-winning entrepreneur Jelynn Malone is on a mission to put the Philippines on the global stage—from Hollywood sets to specialty coffee farms. As Co-Founder and Chief Brand & Marketing Officer of Mostra Coffee and the lead of the new medical dramedy Nurse the Dead, Jelynn shows what it looks like when a Filipina builds her own lane at the intersection of culture, creativity, and impact. This episode dives into how she turned her family legacy, cultural pride, and a clear sense of purpose into platforms that uplift Filipino stories and livelihoods worldwide.  In this episode we'll cover…  - How growing up in a family of Filipino entertainers, entrepreneurs, and community leaders in San Diego shaped Jelynn's vision for her life  - The identity journey from being the only Filipina in a predominantly white neighborhood—and feeling shame about her roots—to claiming her Filipina identity as her superpower  - The pivotal moment seeing her tita star in Miss Saigon and realizing Filipinas could be leading women in media, not just side characters  - Jelynn's path from professional dancer in Hollywood to actress and host, and why she felt called to use media as a tool for representation  - The origin story of Mostra Coffee: a trip to the Philippines, witnessing deep poverty, and the decision to build a business that creates jobs and champions Philippine specialty coffee  - What it means to lead a purpose-driven brand that supports Filipino coffee farming communities while also stepping into a major acting role as a Filipina nurse in Nurse the Dead 

Gale Hermano-Dy is a paediatric nurse and multidisciplinary artist based in Adelaide who balances caring for sick children with her deep passion for the arts. Through music, painting, photography, and makeup artistry, she transforms her experiences into meaningful creative expression, inspiring hope, healing, and resilience in others. - Si Gale Hermano-Dy ay isang paediatric nurse at multidisciplinary artist sa Adelaide na pinagsasabay ang pag-aalaga sa mga batang may sakit at ang kanyang passion sa sining. Sa pamamagitan ng musika, pagpipinta, photography, at makeup artistry, nagbibigay siya ng inspirasyon at pag-asa sa iba.

Filipina Australian veteran actress Lena Cruz shares her Canneseries experience - Ibinahagi ni Lena Cruz batikang Pinay-Aussie na aktres ang naging karanasan ng cast at crew ng Ina sa screening nito sa Canneseries

When our elders pass away, too often their recipes die with them. In recent years, this reality really began sinking in for actor and restaurateur Billy Dec. So Dec, the son of a white father and Filipina mother, decided to travel to the Philippines to find his last living maternal elders and learn his ancestral recipes. He brought along a film crew, and the result is the new PBS documentary Food Roots.We met up with Dec at Sunda Tampa, the Southeast Asian restaurant he owns in Tampa's Midtown district. In this conversation, he discusses what his journey taught him about himself, his struggle to fit in as a “Waisian” kid growing up in Chicago and the rising popularity of Filipino cuisine.

Published by Temple University Press in 2026, The Heartland of US Empire: Race, Region, and the Queer Filipinx Midwest examines Filipinx cultural representations in the Midwest since the early twentieth century. In it, Dr. Thomas Xavier Sarmiento shrewdly considers the impact of American exceptionalism and U.S. imperialism in a region where white, middle-class, heterosexual, and Christian is the norm. He employs a queer, decolonial Filipinx methodology that traces how narratives of America's heartland position Filipinxs in the region as non-normative due to their racial, gender, sexual, and national statuses. As a result, The Heartland of US Empire locates queer Filipinxs in the geographic center of the nation and at the center of cultural narratives, thereby mapping alternative images of diasporic Filipinx identity and experience alongside U.S. regional and national identities, histories, and realities. Tom Sarmiento is an associate professor of English and Gender, Women, and Sexuality Studies at Kansas State University. He specializes in Filipinx American and queer literature and culture and teaches courses in Asian American literature, Cultural Studies, film adaptation, and Gender, Women, and Sexuality Studies. His works have appeared in MELUS: Multi-Ethnic Literature of the United States, The SAGE Encyclopedia on Filipina/o/x America Studies, Asian American Literature Discourse and Pedagogies, and in a special issue he guest edited for American Studies. In addition to his work in Literature & Cultural Studies, he is invested in helping students see writing as a nonlinear process and as a tool for social change. Donna Doan Anderson is an assistant professor in History at the University of Nebraska-Lincoln. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Published by Temple University Press in 2026, The Heartland of US Empire: Race, Region, and the Queer Filipinx Midwest examines Filipinx cultural representations in the Midwest since the early twentieth century. In it, Dr. Thomas Xavier Sarmiento shrewdly considers the impact of American exceptionalism and U.S. imperialism in a region where white, middle-class, heterosexual, and Christian is the norm. He employs a queer, decolonial Filipinx methodology that traces how narratives of America's heartland position Filipinxs in the region as non-normative due to their racial, gender, sexual, and national statuses. As a result, The Heartland of US Empire locates queer Filipinxs in the geographic center of the nation and at the center of cultural narratives, thereby mapping alternative images of diasporic Filipinx identity and experience alongside U.S. regional and national identities, histories, and realities. Tom Sarmiento is an associate professor of English and Gender, Women, and Sexuality Studies at Kansas State University. He specializes in Filipinx American and queer literature and culture and teaches courses in Asian American literature, Cultural Studies, film adaptation, and Gender, Women, and Sexuality Studies. His works have appeared in MELUS: Multi-Ethnic Literature of the United States, The SAGE Encyclopedia on Filipina/o/x America Studies, Asian American Literature Discourse and Pedagogies, and in a special issue he guest edited for American Studies. In addition to his work in Literature & Cultural Studies, he is invested in helping students see writing as a nonlinear process and as a tool for social change. Donna Doan Anderson is an assistant professor in History at the University of Nebraska-Lincoln. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Published by Temple University Press in 2026, The Heartland of US Empire: Race, Region, and the Queer Filipinx Midwest examines Filipinx cultural representations in the Midwest since the early twentieth century. In it, Dr. Thomas Xavier Sarmiento shrewdly considers the impact of American exceptionalism and U.S. imperialism in a region where white, middle-class, heterosexual, and Christian is the norm. He employs a queer, decolonial Filipinx methodology that traces how narratives of America's heartland position Filipinxs in the region as non-normative due to their racial, gender, sexual, and national statuses. As a result, The Heartland of US Empire locates queer Filipinxs in the geographic center of the nation and at the center of cultural narratives, thereby mapping alternative images of diasporic Filipinx identity and experience alongside U.S. regional and national identities, histories, and realities. Tom Sarmiento is an associate professor of English and Gender, Women, and Sexuality Studies at Kansas State University. He specializes in Filipinx American and queer literature and culture and teaches courses in Asian American literature, Cultural Studies, film adaptation, and Gender, Women, and Sexuality Studies. His works have appeared in MELUS: Multi-Ethnic Literature of the United States, The SAGE Encyclopedia on Filipina/o/x America Studies, Asian American Literature Discourse and Pedagogies, and in a special issue he guest edited for American Studies. In addition to his work in Literature & Cultural Studies, he is invested in helping students see writing as a nonlinear process and as a tool for social change. Donna Doan Anderson is an assistant professor in History at the University of Nebraska-Lincoln. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

This episode is brought to you by our sponsor, Optinizers (https://www.optinizers.com/) — helping entrepreneurs scale smarter with world-class virtual support.Andy Cheng is an entrepreneur, business strategist, and former President of the Entrepreneurs' Organization (EO) Los Angeles Chapter who has built and scaled multiple multi‑million dollar businesses. In this episode, he's joined by Trisha, a Filipina operator and Head of Recruitment at OptiNizers, to break down how scrappy founders can stop doing everything alone and finally build the right support around them. If you've ever felt stuck at the same level—working nonstop but not really moving forward—this conversation will show you a different way to grow.In this episode we'll cover…- The moment you know you can't “DIY” your business anymore and what to do instead  - Why Andy believes your first hire should usually be an executive assistant—and how that unlocks both your business and personal life  - The difference between “connecting the dots” and truly empowering remote talent, especially Filipino professionals  - How Trisha went from BPO employee to a founder's right-hand operator helping scale a team from 2 to 20  - The most common mindset blocks founders have around delegating, and practical shifts to start letting go  - Real examples of what Filipino remote talent can own for you—EA, operations, bookkeeping, video editing, and more  

This week we're celebrating AAPI month and the recent Drama Desk nominations with guest Maria-Christina Oliveras. "MCO" was just nominated for her current performance in the new Tony-nominated play THE BALUSTERS, but long before that, she was part of the original team that created the groundbreaking musical HERE LIES LOVE. This listener request musical is an unusual piece created by "capital A" artist David Byrne that tells the story of the famous Filipina dictator, Imelda Marcos. Tune in this week to learn a little about the political history of the Philippines, the United States' possible influence on the Marcos regime, and how creating a disco musical about it all started in a basement. Be sure to catch Maria-Christina in THE BALUSTERS on Broadway until June 7th! You can also follow her on Instagram at @mcoliveras. If you enjoyed this episode, check out another one featuring more innovative theatre that found its way to Broadway: PASSING STRANGE with Todd Underwood. Join us on ⁠⁠PATREON!⁠⁠ for bonus episodes and conversations while supporting the show for only a few dollars each month! Share our posts and videos on ⁠⁠Instagram⁠⁠ and ⁠⁠TikTok⁠⁠. If you're feeling like giving back, check out our ⁠⁠TeePublic Store⁠⁠. The profits we receive are donated to ⁠⁠Broadway Cares/Equity Fights AIDS⁠⁠. More than anything, thank you for being part of this wonderful podcasting community. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is brought to you by our sponsor, Optinizers (https://www.optinizers.com/) — helping entrepreneurs scale smarter with world-class virtual support.Andy Cheng is an entrepreneur, business strategist, and former President of the Entrepreneurs' Organization (EO) Los Angeles Chapter who has built and scaled multiple multi‑million dollar businesses. In this episode, he's joined by Trisha, a Filipina operator and Head of Recruitment at OptiNizers, to break down how scrappy founders can stop doing everything alone and finally build the right support around them. If you've ever felt stuck at the same level—working nonstop but not really moving forward—this conversation will show you a different way to grow.In this episode we'll cover…- The moment you know you can't “DIY” your business anymore and what to do instead  - Why Andy believes your first hire should usually be an executive assistant—and how that unlocks both your business and personal life  - The difference between “connecting the dots” and truly empowering remote talent, especially Filipino professionals  - How Trisha went from BPO employee to a founder's right-hand operator helping scale a team from 2 to 20  - The most common mindset blocks founders have around delegating, and practical shifts to start letting go  - Real examples of what Filipino remote talent can own for you—EA, operations, bookkeeping, video editing, and more  

We are featuring a feed drop from a brilliant show on the RQ Network: Hi Nay. "Hi Nay” is an atmospheric, analog-style horror audio drama, featuring Folk Horror, mythology and chilling supernatural terrors in an urban setting.Hi Nay, literally translated to “Hi Mom”, follows Mari, a Filipina immigrant who lives in Toronto. Mari first gets roped into Toronto's supernatural crises after saving Laura from being killed. From then on, she assists Detectives Donner and Murphy in dealing with supernatural threats using her upbringing as a babaylan (Shaman). Mari finds herself dealing with a multitude of supernatural issues in Toronto. She has a great aptitude for magic, though her abilities seem to have a price she's not forthcoming about. She calls her Nanay (mother) often and recounts her experiences over the phone. This exciting audio drama is filled with Mystery, Suspense, and most importantly, Horror.Introduction and outro by Shahan Hamza. Listen to Hi Nay on The Rusty Quill website, on Acast, or wherever you get your podcasts, or learn more about Hi Nay on its official website. Credits: Motzie Dapul (Creator, writer, director, editor, voice actor for Mari)Reg Geli (Co-creator, editor)Yoyi Halago, Alyssa Gimenez (Editors)Abigayle Rhodes as Laura, Leon Johnson as Donner, Edward Boxler as Murphy, Adil Ramchurn as Ashvin (Main Cast) Content Warnings: Injury and bruising, Blood, Vomit, Animal remains, Human remainsFor ad-free episodes, bonus content and the latest news from Rusty Towers, join members.rustyquill.com or our Patreon.Find out more about The Magnus Archives Mysteries, a new co-operative deduction board game coming soon, by visiting rustyquill.com/mysteries.Celebrate 10 years of The Magnus Archives with us! Join Jonathan Sims and Alexander J Newall on Friday 13th March at 17:00 GMT for a livestream on twitch.tv/rusty_quill. Hosted on Acast. See acast.com/privacy for more information.