Podcasts about novelists

The Man Booker Prize-winning writer says his new book, ‘Departure(s),' will be his last. He spoke with Terry Gross about blending genres, moving through grief after his wife died, and the fallibility of memory. TV critic David Bianculli reviews the new series ‘Star Trek: Starfleet Academy.' Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Willy was joined by David Ignatius, renowned American journalist, associate editor and columnist at The Washington Post, and bestselling novelist. With decades of experience covering global intelligence, diplomacy, and conflict, David brings a rare insider's perspective on the dynamics shaping U.S. foreign policy.   Together, he and Willy examined ongoing international conflicts, how the U.S. is faring from a geopolitical standpoint, the global effects of the current administration, outcomes to expect over the next year, and David's pulse on worldwide power shifts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Free Video Tutorial for ScreenwritingWhat makes the stakes in a story truly matter?In this episode of The Storyteller's Mission, Zena Dell Lowe explains how to raise the stakes in your story without relying on gimmicks, artificial tension, or repetitive plot devices. This episode explores why high stakes are always tied to character, relationship, and consequence—and how meaningful escalation creates pressure that drives transformation.From moral weight to relational cost to progressively harder choices, this conversation reframes how writers should think about stakes at every level of storytelling. Whether you're working on a novel, screenplay, or short story, this episode provides a practical and timeless approach to making your story resonate more deeply with an audience.Watch this episode on YouTube Sign up for The Storyteller's Digest, my exclusive bi-monthly newsletter for writers and storytellers. Each edition delivers an insightful article or practical writing tip straight from me, designed to help you master your craft and tell compelling stories.The Storyteller's Mission Podcast is now on YouTube.  Subscribe to our channel and never miss a new episode or announcement.Support the Show!Contact us for anything else!Send us a textSupport the show

-Missed Opportunity- I love sharing conversations.  Hosting requires show prep.  My podcasting platforms feature thousands of guests.  What you don't have access to are the missed opportunities. The show prep was completed.  The conversation didn't happen.  I keep all my notes! Paths will cross again.  Let me explain Missed Opportunity.  It's my questions and statements without their answers.  I'm leaving open enough space at the end of each question hoping they'll download the talk and insert their answers.Missed Opportunity is a lost piece of history.  Like a message in a bottle tossed out to sea. I hope to locate a destination…  This week we're putting focus on my missed opportunity with film producer turned thriller novelist Burt Weisebound. Missed Opportunity.  A lost piece of history.  You know the questions.  Let's locate the reactions.  The door is always open.  If you are or know Burt Weisebound please reach out to me at arroec@gmail.com that's arroec@gmail.com Be brilliant!Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Writer's Voice: compelling conversations with authors who challenge, inspire, and inform. Today we explore what it really means to share the planet with other forms of life. We'll talk with writer Bridget Lyons about her acclaimed book, Entwined: Dispatches from the Intersection of Species, a collection of essays that invites us to see animals, plants, … Continue reading Entwined Lives: Bridget Lyons on the Intersection of Species, with Carl Safina on Alfie and Me →

Bestselling authors William Bernhardt (The Superman Wars) and Lara Bernhardt discuss the latest news from the book world, offer writing tips, and interview John Phillips, author of the Vietnam-era historical fiction, Dress Whites.Opening ThoughtsThe crew re-examines their predictions for 2025—and didn't do half bad.News1) Readers Rebel Against Titles with Excessive SEO Keywords2) Harlequin Uses AI Translation ServiceCraft CornerBetsey Kulakowski (The Veritas Codex) discusses why you should write the book only you can write.Interview with John PhillipsParting WordsDon't forget to register for the WriterCon Cruise! This time, we're leaving from Ft Lauderdale for an eight-day voyage. So beautiful tropical vistas plus over twenty hours of writing instruction from Lara and I, plus Betsey Kulakowski and an onboard agent (Katherine Sands) who will happily talk to every participant. Don't miss out. Plan now to be with us March 7-15. Visit the WriterCon website for more info.Until next time, keep writing, and remember: You cannot fail, if you refuse to quit.William Bernhardtwww.williambernhardt.comwww.writercon.com

Jessica L. Cozzi crafts swoon-worthy romances for teens to show that there is always love in the world, if you're willing to find it. She is a publicist at William Morrow, an imprint of HarperCollins, and is also a former YA book blogger. She has a BA in Creative Writing from Fordham University and an MFA in Young Adult Fiction Writing & Professional Writing from Southern New Hampshire University. Her literary passion lies in Young Adult stories, including any and all contemporary romantic comedies. Through the stories she puts on bookstore shelves, she gives readers the chance to flip through the pages, fall in love, and find their inner hopeless romantic. Her first novel is We've Hit Turbulence. Learn more at jesscozziwrites.com Special thanks to NetGalley for early preview copies.Intro reel, Writing Table Podcast 2024 Outro RecordingFollow the Writing Table: @writingtablepodcastEmail questions or tell us who you'd like us to invite to the Writing Table: writingtablepodcast@gmail.com.

Adam works with a client to help them fully align with an identity of being a novelist, and accessing flow states to create their best work and have the world read across the world. To access a subscriber-only version with no intro, outro, explanation, or ad breaks and 24 hours earlier than everyone else, tap 'Subscribe' nearby or click the following link.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://creators.spotify.com/pod/profile/adam-cox858/subscribe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Debut novelist and 2023 Reese's Book Club LitUp fellow Allison King on blending history with magical realism, and what it takes to build a writing life while navigating the modern publishing landscape.We discuss:Allison's early relationship with stories and the role her grandmother played in shaping it.The path from fan fiction and short stories to publishing a debut novel.The dual timeline and braided structure of The Phoenix Pencil Company, moving between WWII-era Shanghai and contemporary Cambridge.Building a magic system at the heart of the novel, and why its consequences matter more than its mechanics.Pragmatic outlining and structural tools (including reverse outlining) for managing timeline-heavy drafts.Researching family history without turning the book into an autobiography.Writing about Alzheimer's with care, and what Allison learned in revision about emotional precision.Resources and Links:Margo's Got Money Troubles by Rufi ThorpeRedwall by Brian JacquesThe Phoenix Pencil Company by Allison King Last Boat Out of Shanghai by Helen Zia LitUp FellowshipOnce Upon a Time in Dollywood by Ashley Jordan My Brilliant Friend by Elena FerranteA Tale For the Time Being by Ruth Ozeki About Allison KingAllison King is an Asian American writer and software engineer based in Cambridge, Massachusetts. In technology, her work has ranged from semiconductors to platforms for community conversations to data privacy. Her short stories have appeared in Fantasy Magazine, Diabolical Plots, and LeVar Burton Reads, among others. She is also a 2023 Reese's Book Club LitUp fellow. The Phoenix Pencil Company is her first novel. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers' Hours: writershour.com.*FOLLOW LONDON WRITERS' SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you're enjoying this show, please rate and review this show!

Join acclaimed novelist and poet Victoria Redel with Sarah Jessica Parker and editor Adam Moss for a conversation about Redel's absorbing new novel, I Am You, published by Parker's literary imprint, SJP Lit. In this gorgeously crafted historical fiction set in 17th-century Holland, Redel excavates the long-overlooked story of one of the few female Dutch Masters painters, Maria van Oosterwijck, and the complex relationship she developed with her maidservant-turned-apprentice, Gerta Pieters. Following these two women as they navigate the ranks of an elite, male-dominated art world, Redel weaves a story that Sarah Jessica Parker calls "spellbinding… and impossible to forget" — a queer romance for the ages, an ode to artistic creation, and an unforgettable love story set against the heady, sensuous backdrop of the Dutch Golden Age. Praised by novelist Michael Cunningham as "a stunning accomplishment . . . a story of ferocious insights into the human psyche and the drive to create art," hailed by author Benjamin Moser as "an unforgettable picture of the erotic, entangled, tragic nature of art itself," and lauded by novelist Melissa Febos as "a profound achievement," I Am You proves how art reshapes conversations on sexual politics, class, women's rights, and how we tell and retell our histories. In celebration of its launch, hear Redel, Parker, and Moss discuss the novel — how Redel wrote a new kind of queer love story and tale of art history, what made Parker know that she had to share it with the world, and more.

Eric Lichtblau talks about "American Reich", an investigation into white nationalism in America today.

In the spotlight is Christopher Bodmann, who has always been captivated by the power of storytelling and his belief that stories exist to inspire, drive action and ignite passion. He uses fantasy elements to address real-world issues that middle-grade readers might face, aiming to create a meaningful connection to their lives. He is particularly passionate about encouraging middle-grade boys to become avid readers by incorporating “gateway” topics that resonate with their interests, while also ensuring his content appeals to all audiences.  Learn more about Christopher Bodmann and his books here: https://www.christopherbodmann.com  Novelist Spotlight is produced and hosted by Mike Consol. Check out his novels here: https://snip.ly/yz18no   Write to Mike Consol at novelistspotlight@gmail.com 

The present American political moment is defined by one word: Disillusion. All over the country, ordinary people have realized that the bureaucrats, professors, and other elites who dominated their lives were never acting in good faith and declined long ago. Novelist and thinker Walter Kirn examines the great turning point in American life in the 21st century, and ponders — what's next? Trump’s 2024 win, Kirn argues, wasn’t just political, but a reckoning for every institution in American life. Watch every episode ad-free on members.charliekirk.com! Get new merch at charliekirkstore.com!Support the show: http://www.charliekirk.com/supportSee omnystudio.com/listener for privacy information.

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz welcomes acclaimed writer Matthew Specktor and his father, legendary CAA agent Fred Specktor. Matthew's latest book, The Golden Hour: A Story of Family and Power in Hollywood, captures the underbelly of Los Angeles through the lens of three generations embedded in the motion picture industry. Together, Matthew and Fred explore the industry that shaped American culture.The College Course with James Baldwin (9:47): Matthew describes being chosen by lottery to study with James Baldwin at Mount Holyoke. Baldwin taught Henry James and told his students, "For it to have happened or for it to be beautiful is not enough."Lew Wasserman's Assistant at 19 (18:26): Fred recalls working for Lew Wasserman at MCA, the most powerful man in the industry.The Birth of the Modern Motion Picture Industry (22:43): Matthew explains how his family lived through the entire transformation of Hollywood, recalling Lew Wasserman seeing the line of people waiting to see Jaws in a Texas rainstorm and pioneering the wide release."No More Middle-Class Movies" (30:14): Matthew recounts a Fox 2000 corporate retreat where Bill Mechanic announced the studio would only make films over $100 million or under $10 million – nothing in between.The Gene Hackman Call That Won an Oscar (34:19): Fred describes how Gene Hackman passed on Unforgiven due to violence concerns. Fred gave Clint Eastwood Gene's phone number, and Clint convinced Gene to take the role that won Gene the Academy Award.Letting the Artist See What Others Don't (37:37): Fred's philosophy: "I believe every one of my clients belongs at the top of the list." He shares thoughts on his clients, including Morgan Freeman, Helen Mirren, Taylor Hackford, and Danny DeVito.This conversation reveals how great writers mine their personal history to illuminate an industry, and how great agents operate, not as cartoon hustlers but as believers in fairness and quality. Matthew and Fred Specktor show us that Hollywood's golden hour wasn't just about glamour; it was about families, power, and the American dream colliding in ways both beautiful and devastating.If you enjoyed this episode, please leave us a review and share. We look forward to bringing you more behind-the-scenes revelations next time on Don't Kill the Messenger.Host: Kevin GoetzGuests: Matthew and Fred SpecktorProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Matthew and Fred Specktor:Wikipedia: https://en.wikipedia.org/wiki/Matthew_SpecktorThe Golden Hour: A Story of Family and Power in Hollywood: https://a.co/d/8Qy91qaWebsite: https://matthewspecktor.com/For more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

The present American political moment is defined by one word: Disillusion. All over the country, ordinary people have realized that the bureaucrats, professors, and other elites who dominated their lives were never acting in good faith and declined long ago. Novelist and thinker Walter Kirn examines the great turning point in American life in the 21st century, and ponders — what's next? Trump’s 2024 win, Kirn argues, wasn’t just political, but a reckoning for every institution in American life. Watch every episode ad-free on members.charliekirk.com! Get new merch at charliekirkstore.com!Support the show: http://www.charliekirk.com/supportSee omnystudio.com/listener for privacy information.

Rachel and Simon speak to the playwright, screenwriter and novelist Moira Buffini. After training as an actor, Moira started writing for the stage; her plays include "Gabriel" (which won the Meyer-Whitworth Award in 1998), "Dinner" (nominated for an Olivier Award for Best Comedy in 2003) and "Handbagged" (winner of an Olivier Award in 2014). In 2003 Moira became a founding member of The Monsterists, a group of British writers who campaigned for "big, imaginative plays rather than naturalistic soap-opera dramas". Moira has also written extensively for film ("Jane Eyre", "The Dig") and television ("Harlots"). In 2024 Moira published "Songlight", her debut novel and the first in a trilogy for young adults; it won the YA Book Prize in 2025. We spoke to Moira about her early work in theatre, writing for the screen and her dystopian book series, "The Torch Trilogy". Alongside listening to us in audio as usual, the podcast is now available on video. You can check us out on YouTube under Always Take Notes. We've made another update for those ⁠⁠⁠⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠⁠⁠⁠. We've added 40 pages of new material to the package of successful article pitches that goes to anyone who supports the show with $5 per month or more, including new pitches to the New York Times, the Washington Post and the BBC. The whole compendium now runs to a whopping 160 pages. For Patreons who contribute $10/month we're now also releasing bonus mini-episodes. Thanks to our sponsor, Scrivener, the first ten new sign-ups at $10/month will receive a lifelong license to Scrivener worth £55/$59.99 (seven are left). This specialist word-processing software helps you organise long writing projects such as novels, academic papers and even scripts. Other Patreon rewards include signed copies of the podcast book and the opportunity to take part in a monthly call with Simon and Rachel.A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Listen to a replay of 2025's 2nd most popular episode! Thank you for your ears and we look forward to a raucous writerly 2026 ... Award-winning TV writer/producer turned novelist Georgia Jeffries spoke with me about why Cagney and Lacey was her film school, teaching screenwriting at USC, and the ghosts, grief, and grievance in her debut novel THE YOUNGER GIRL. Georgia Jeffries is the Emmy-nominated TV writer/producer who became the first individual female screenwriter to earn a Writers Guild Award for Episodic Drama for her work on the ground-breaking series Cagney & Lacey. Her debut is The Younger Girl: A Dark Labyrinth of Family Betrayal, based on a true crime. It was described by bestselling author Rachel Howzell Hall as “...historical fiction at its best. … [and] an eye-opening, immersive story about a family, then and now, nearly stripped bare from greed and the steadfast refusal to acknowledge a painful past.” Jeffries has written docudramas and series pilots for CBS, ABC, NBC, HBO, and Showtime and is a professor at USC's School of Cinematic Arts where she created the first undergraduate screenwriting thesis program at an American university. [Discover ⁠The Writer Files Extra⁠: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at ⁠writerfiles.fm⁠] [If you're a fan of The Writer Files, please ⁠click FOLLOW to automatically see new interviews⁠. And drop us a rating or a review wherever you listen] In this file Georgia Jeffries and I discussed: Her early years as a journalist How she received rave rejections on her first attempt at a novel Why she based her debut on true events from her family's past The throughline of her quest for justice and love of noir fiction Writing genre-bending historical suspense And a lot more! Show Notes:  ⁠georgiajeffries.com⁠ ⁠The Younger Girl: A Dark Labyrinth of Family Betrayal⁠ by Georgia Jeffries (Amazon) ⁠Georgia Jeffries on IMDb⁠ ⁠Georgia Jeffries on Instagram⁠ ⁠Kelton Reid Instagram ⁠Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Writer's Voice: compelling conversations with authors who challenge, inspire, and inform. What does a 2,000-year-old epic have to say to us today about exile, duty, love, power, war, misinformation, and the fragile hopes of human community? A great deal, say translators Scott McGill and Susannah Wright, whose new English translation of Virgil's Aeneid captures both the grandeur of the epic … Continue reading The Relevance of Virgil's Aeneid: A Conversation with Scott McGill & Susannah Wright →

As the year winds down and the calendar flips over, we're ringing in the New Year with a special bonus episode dedicated to one of our favorite—and most elusive—writers: Thomas Pynchon. In this New Year's Eve edition of Ticket Stubs, we gather to talk about what Pynchon's work has meant to us over the years, why his voice remains so singular in modern literature, and how his obsessions with paranoia, the past, and slapstick continue to resonate. From there, we dive into One Battle After Another, the recent adaptation of Vineland from director Paul Thomas Anderson, another favorite of ours. Then, we share our thoughts on Pynchon's long-awaited new novel, Shadow Ticket, before closing things out by putting our cards on the table with our own personal rankings of his novels. Whether you're a longtime Pynchon devotee, a curious newcomer, or just looking to close out the year with a little chaos and conspiratorial joy, we hope you'll spend what's left of 2025, or perhaps even the earliest part of 2026...or actually anytime in the foreseeable (or not?) future...with us. Any and all digressions are welcome when it comes to discussing this artist and his work. And believe me, we take digressions aplenty! As always, please like, subscribe, rate, and review us on Apple Podcasts, Spotify, YouTube, and wherever else you listen. Got thoughts or questions? Email us at huffmanbrothersproductions@gmail.com.

Ann sits down with author, screenwriter and podcaster Andrew Klavan and talks writing, Hollywood and how Christianity improved his work. Among his fabulous, brilliant books, specifically recommended by Ann: After That, the Dark (Cameron Winter Mysteries, 5) A Woman Underground (Cameron Winter Mysteries, 4) The House of Love and Death (Cameron Winter Mysteries, 3) A […]

Novelist, writer and Macarthur Fellow Dinaw Mengetsu has been tapped to lead PEN America. He discusses his mission for the organization in the midst of attacks on free speech and efforts to reinterpret history.

Ann sits down with author, screenwriter and podcaster Andrew Klavan and talks writing, Hollywood and how Christianity improved his work.Among his fabulous, brilliant books, specifically recommended by Ann:After That, the Dark (Cameron Winter Mysteries, 5)A Woman Underground (Cameron Winter Mysteries, 4)The House of Love and Death (Cameron Winter Mysteries, 3)A Strange Habit of Mind (Cameron Winter Mysteries, 2)When Christmas Comes (Cameron Winter Mysteries, 1)The Last Thing I Remember (The Homelanders)Dynamite RoadTrue Crime, The Novel

Tim Reuben, an author, lawyer, and mediator, talks about his debut novel, Tequila:  A Story of Success, Love and Violence, a legal thriller set in the tequila industry. Reuben, who has practiced law since 1980, discusses the challenges of writing his first novel, inspired by his legal experiences. The book follows the Ramirez family's multi-billion-dollar tequila empire, intertwining success, love, and violence. About Spotlight and Cloudcast Media  "Spotlight On The Community" is the longest running community podcast in the country, continuously hosted by Drew Schlosberg for 20 years.  "Spotlight" is part of Cloudcast Media's line-up of powerful local podcasts, telling the stories, highlighting the people, and celebrating the gravitational power of local.   For more information on Cloudcast and its shows and cities served, please visit www.cloudcastmedia.us. Cloudcast Media | the national leader in local podcasting.   About Mission Fed Credit Union  A community champion for over 60 years, Mission Fed Credit Union with over $6 billion in member assets, is the Sponsor of Spotlight On The Community, helping to curate connectivity, collaboration, and catalytic conversations.  For more information on the many services for San Diego residents, be sure to visit them at https://www.missionfed.com/

Francesca Rheannon interviews Joe Dolce about Modern Psychedelics: The Handbook for Mindful Exploration—covering mental health breakthroughs, brain science, spiritual experience, policy debates, and how to safely and thoughtfully approach psychedelics.

My guest is award-winning, world known American playwright, poet, novelist, essayist, song writer, composer, editor and publisher, Ishmael Reed.A San Francisco resident, he is known for his satirical works challenging the American political culture. He taught at the University of California at Berkley for many years. He is best known for his 1972 release of Mumbo Jumbo. He recently release a jazz album he composed and produced. This Podcast is produced, directed, edited and host by Stephen E Davis. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this special Christmas episode, we chat with the Wayne Novelist Guild about their anthology of holiday-themed short stories.   Grab a copy of Holidays in the Heartland here: https://amzn.asia/d/4UDTDsw   Guest websites: Cyndi Brec: Cyndibrec.com John Newton: Newtonscifi.com RW Schultz: https://www.inkerspen.com/ryan-schultz Cary Harter: https://carysowersbooks.com Chrissy Hartmann: https://chrissyhartmann.com   Our episode with Cyndi Brec: https://youtu.be/57abGM3p6X0?si=SUm81--vaH1yrAKb   Our episode with John Newton: https://youtu.be/vw-KVFisds0?si=UEzkbx7FY6kvXaRs   Contact the show: thetrueandthefictional@gmail.com Support the show: Buymeacoffee.com/sttatf Buy Merch: Jabryden.printify.me   Follow us on the socials: FB: Facebook.com/storiesthetrueandthefictional IG: @stories_podcast X: @stories_ttatf Youtube: https://www.youtube.com/channel/UCzIXhRcUvPPAzpCL-_a9N4w   Sponsor 1: Rebecca Cassells Buy her books on Amazon: https://www.amazon.com/.../e/B08WCH6RHG/ X: RACassells_auth IG: Rebecca.cassells.92 FB: Facebook.com/Rebeccacassellsbooks   Sponsor 2: Martin Kearns:  https://www.readkearns.com   IG: @readkearns Sponsor 3: J.A. Bryden  Website: Jabryden.com Socials: @jabryden

Simon and Rachel speak to the novelist Salman Rushdie, whose 17 works of fiction have been translated into over 40 languages. Salman's novels include include "Midnight's Children" – for which he won the Booker Prize in 1981, the Booker of Bookers on the 25th anniversary of the prize, and Best of the Booker on the 40th anniversary –  "Shame", "The Satanic Verses" and "The Ground Beneath her Feet". He has also written five works of non-fiction, including a memoir, "Joseph Anton", about living under a fatwa imposed in 1989 by Iranian leader Ayatollah Khomeini in response to "The Satanic Verses", and "Knife", his meditation after he was attacked on stage while giving a lecture in the US in 2022. We spoke to Salman about returning to writing after the 2022 attack, his earlier experience living under the fatwa, and his new collection of stories, "The Eleventh Hour".  In addition to the standard audio format, the podcast is now available in video. You can check us out on YouTube under Always Take Notes.  We've made another update for those ⁠⁠⁠⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠⁠⁠⁠. We've added 40 pages of new material to the package of successful article pitches that goes to anyone who supports the show with $5 per month or more, including new pitches to the New York Times, the Washington Post and the BBC. The whole compendium now runs to a whopping 160 pages. For Patreons who contribute $10/month we're now also releasing bonus mini-episodes. Thanks to our sponsor, Scrivener, the first ten new signs-ups at $10/month will receive a lifelong license to Scrivener worth £55/$59.99 (seven are left). This specialist word-processing software helps you organise long writing projects such as novels, academic papers and even scripts. Other Patreon rewards include signed copies of the podcast book and the opportunity to take part in a monthly call with Simon and Rachel. A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Bestselling authors William Bernhardt (The Superman Wars) and Lara Bernhardt discuss the latest news from the book world, offer writing tips, and interview Janet Yeager, author of the high-tech thriller, Two Birds, One Stone. 0:00 Opening ThoughtsHow Writers Prep for the Holidays4:51 News1) Amazon Offers Free AI Foreign-Language Translations2) Grammerly Becomes Superhuman with AI Assistant15:26 Craft CornerOur panel of experts discuss the use of Amazon and AI by Writers19:57 Interview with Janet Yeager40:18 Parting WordsThe WriterCon Cruise worked for Janet Yeager. Could it do the same for you? We're leaving from Ft Lauderdale for an eight-day cruise through the Eastern Caribbean, beautiful tropical vistas combines with over twenty hours of writing instruction, plus an onboard agent who will happily talk to every participant. Don't miss out. Plan now to be with us March 7-15. Visit the WriterCon website for more info.Until next time, keep writing, and remember: You cannot fail, if you refuse to quit.William Bernhardt www.williambernhardt.comwww.writercon.com

Adam Skolnick earned his writing chops as a travel and adventure sports journalist for the New York Times, ESPN, the BBC and Lonely Planet. It taught him the vital skills of getting the words out immediately, and writing fast. He was the ghostwriter for David Goggins' memoirs 'Can't Hurt Me' and 'Never Finished'. Also published 'One Breath', about the world of free-diving, which was turned into a Netflix documentary, and 'Forever Swim', about open-water swimming legend Antonio Arguelles. Adam also appears in Rich Roll's fantastic podcast, discussing health and wellbeing. His new novel is 'American Tiger', about Bell Tern who, when on the school bus, sports a tiger roaming around the streets of suburban Los Angeles. It's rooted in the stunning southern Californian landscape and stacked with vivid characters. We discusses his attempts to 'de-sacredise' his space and day, also the different passes he does for each individual character, and what an idea needs to be to get him excited. You can hear about his new cue-card process, how the idea came during a free-diving competition, and how he deals with the fine line between creative burnout and being productive.This episode is sponsored by Ulysses. Go to https://ulys.app/writeabook to download Ulysses, and use the code ROUTINE at checkout to get 25% off the first year of your yearly subscription.Also, this episode is supported by Faber Academy. Make the most of their fantastic writing courses in 2026 at https://faberacademy.com/writing-a-novel/Support the show - patreon.com/writersroutineko-fi.com/writersroutineGet a copy of the book - uk.bookshop.com/shop/writersroutine@writerspodwritersroutine.com Hosted on Acast. See acast.com/privacy for more information.

In the spotlight is multi-award-winning Canadian author Douglas Smith. He writes novels, short stories and nonfiction, having published his work in more than 200 short fiction publications in 36 countries and 27 languages — writing about fantasy, science fiction and the indefinable. Among his nonfiction books is one titled Playing the Short Game: How to Market & Sell Short Fiction.  Learn more about Douglas Smith here: https://www.smithwriter.com/ Novelist Spotlight is produced and hosted by Mike Consol. Check out his novels here: https://snip.ly/yz18no Write to Mike Consol at novelistspotlight@gmail.com

Free Video Tutorial for ScreenwritingWriters are constantly told there's a right way to structure chapters, paragraphs, and point of view—but is that actually true? In this episode, Zena Dell Lowe explores why great storytelling isn't about following formulas and why clarity always matters more than cleverness. This episode is for writers who feel stuck, overwhelmed, or unsure whether their stylistic choices are working, and want permission to trust the story they're telling.Watch this episode on YouTube Sign up for The Storyteller's Digest, my exclusive bi-monthly newsletter for writers and storytellers. Each edition delivers an insightful article or practical writing tip straight from me, designed to help you master your craft and tell compelling stories.The Storyteller's Mission Podcast is now on YouTube.  Subscribe to our channel and never miss a new episode or announcement.Support the Show!Contact us for anything else!Send us a textSupport the show

The bestselling Irish author grew up on a farm set on “50 acres on the side of a hill”. Growing up, she witnessed a harsh, misogynistic country that convinced her she would never marry. Claire shares what she has learned about writing from a litter of newborn piglets.Her works Small Things Like These and Foster have both been made into movies.Claire's stories often take place in the landscape where she grew up — the farms and small towns of Wexford in Southeast Ireland.Claire was the youngest of six children, and when she was born their farmhouse had no running water and few books.Instead, Claire fell in love with horses.As a small child she would go to the wood with her brother, who was a lumberjack.Amongst the chainsaws and workmen, little Claire would drive a harnessed horse from behind, to the roadside, to help clear the heavy trees. And as she grew older, she developed a fierce determination to live life on her own terms.This episode was produced by Alice Moldovan. Conversations Executive Producer is Nicola Harrison. Presented by Sarah Kanowski.This episode of Conversations touches on marriage, Magdalene laundries, contraception, Ireland, Catholicism, big Irish families, horsemanship, starting brumbies, skewbald Connemara pony, New Orleans, writing, literary prizes, farms, personal stories, epic life stories, family dynamics, Cillian Murphy and modern history.Further informationListen to Sarah's interview with Queensland horseman, Ken Faulkner.

In this inspiring and joy-filled conversation, Marisa Serafini (@serafinitv) and I sit down with author Emily Krempholtz to discuss her debut cozy fantasy romance, Violet Thistlewaite Is Not a Villain Anymore—a magical, heart-forward story about second chances, redemption, and what it truly means to be a good person.Emily shares her creative journey from bestselling ghostwriter, editor, and book coach to querying her own novels, facing rejection, and finally writing the story that made publishers say yes. We explore how Violet Thistlewaite evolved from its earliest concept to the finished book, what motivated Emily to write about a reformed villain trying to choose kindness, and how she balanced world-building, lore, plot, and romance—including crafting some delightfully steamy scenes.We also dive into:-The challenges and joys of bringing the audiobook to life-How the townsfolk of Dragon's Rest (and a mildly homicidal houseplant) took shape-What might be next for Violet, Nathaniel, and the world Emily has created-Emily's advice for starting your own book club, complete with practical, fun tipsIt's a warm, insightful, and uplifting episode for writers, readers, and anyone who loves a good redemption arc.Learn more about Emily and her work: https://www.emilykrempholtz.com/Check out Marisa and my in-depth spoiler discussion of the book here: https://youtu.be/T_GVK6L_zq4

How do writers develop their voice, showing us what is important in life?ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) explains that her poetry begins with a bodily sensation or curiosity, not an idea. She values the space and breath poetry offers for unknowing and mystery, finding solace in the making and the mess, not in answers. She discusses being free on the page to be her whole, authentic, complicated self.JAY PARINI (Author, Filmmaker, Borges and Me) calls poetry the prince of literary arts—language refined to its apex of memorability. He recounts how his road trip with Borges around Scotland restored him from depression and anxiety following the Vietnam War death of his friend.JERICHO BROWN (Pulitzer Prize-winning Poet, The Tradition, How We Do It: Black Writers on Craft, Practice, and Skill) discusses the rhythm of black vernacular and capturing "symphonic complexity of black life". He shares how he's found a way not to think about personal risk as he's writing.ADAM MOSS (Fmr. Editor, New York Magazine; Author, The Work of Art) relates David Simon's concept of the bounce, in which creativity gains momentum as it is passed between people.VIET THANH NGUYEN (Pulitzer Prize-winning Author, The Sympathizer; To Save and to Destroy) discusses his path to expansive solidarity and capacious grief and how it works against the state's power to divide and conquer. He emphasizes that literature is crucial because authoritarian regimes abuse language; a commitment to the beauty of language is a commitment to truth, and fear is often an indicator of a truth that needs to be spoken.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

How do writers develop their voice, showing us what is important in life?ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) explains that her poetry begins with a bodily sensation or curiosity, not an idea. She values the space and breath poetry offers for unknowing and mystery, finding solace in the making and the mess, not in answers. She discusses being free on the page to be her whole, authentic, complicated self.JAY PARINI (Author, Filmmaker, Borges and Me) calls poetry the prince of literary arts—language refined to its apex of memorability. He recounts how his road trip with Borges around Scotland restored him from depression and anxiety following the Vietnam War death of his friend.JERICHO BROWN (Pulitzer Prize-winning Poet, The Tradition, How We Do It: Black Writers on Craft, Practice, and Skill) discusses the rhythm of black vernacular and capturing "symphonic complexity of black life". He shares how he's found a way not to think about personal risk as he's writing.ADAM MOSS (Fmr. Editor, New York Magazine; Author, The Work of Art) relates David Simon's concept of the bounce, in which creativity gains momentum as it is passed between people.VIET THANH NGUYEN (Pulitzer Prize-winning Author, The Sympathizer; To Save and to Destroy) discusses his path to expansive solidarity and capacious grief and how it works against the state's power to divide and conquer. He emphasizes that literature is crucial because authoritarian regimes abuse language; a commitment to the beauty of language is a commitment to truth, and fear is often an indicator of a truth that needs to be spoken.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

How do writers develop their voice, showing us what is important in life?ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) explains that her poetry begins with a bodily sensation or curiosity, not an idea. She values the space and breath poetry offers for unknowing and mystery, finding solace in the making and the mess, not in answers. She discusses being free on the page to be her whole, authentic, complicated self.JAY PARINI (Author, Filmmaker, Borges and Me) calls poetry the prince of literary arts—language refined to its apex of memorability. He recounts how his road trip with Borges around Scotland restored him from depression and anxiety following the Vietnam War death of his friend.JERICHO BROWN (Pulitzer Prize-winning Poet, The Tradition, How We Do It: Black Writers on Craft, Practice, and Skill) discusses the rhythm of black vernacular and capturing "symphonic complexity of black life". He shares how he's found a way not to think about personal risk as he's writing.ADAM MOSS (Fmr. Editor, New York Magazine; Author, The Work of Art) relates David Simon's concept of the bounce, in which creativity gains momentum as it is passed between people.VIET THANH NGUYEN (Pulitzer Prize-winning Author, The Sympathizer; To Save and to Destroy) discusses his path to expansive solidarity and capacious grief and how it works against the state's power to divide and conquer. He emphasizes that literature is crucial because authoritarian regimes abuse language; a commitment to the beauty of language is a commitment to truth, and fear is often an indicator of a truth that needs to be spoken.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

How do writers develop their voice, showing us what is important in life?ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) explains that her poetry begins with a bodily sensation or curiosity, not an idea. She values the space and breath poetry offers for unknowing and mystery, finding solace in the making and the mess, not in answers. She discusses being free on the page to be her whole, authentic, complicated self.JAY PARINI (Author, Filmmaker, Borges and Me) calls poetry the prince of literary arts—language refined to its apex of memorability. He recounts how his road trip with Borges around Scotland restored him from depression and anxiety following the Vietnam War death of his friend.JERICHO BROWN (Pulitzer Prize-winning Poet, The Tradition, How We Do It: Black Writers on Craft, Practice, and Skill) discusses the rhythm of black vernacular and capturing "symphonic complexity of black life". He shares how he's found a way not to think about personal risk as he's writing.ADAM MOSS (Fmr. Editor, New York Magazine; Author, The Work of Art) relates David Simon's concept of the bounce, in which creativity gains momentum as it is passed between people.VIET THANH NGUYEN (Pulitzer Prize-winning Author, The Sympathizer; To Save and to Destroy) discusses his path to expansive solidarity and capacious grief and how it works against the state's power to divide and conquer. He emphasizes that literature is crucial because authoritarian regimes abuse language; a commitment to the beauty of language is a commitment to truth, and fear is often an indicator of a truth that needs to be spoken.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

How do writers develop their voice, showing us what is important in life?ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) explains that her poetry begins with a bodily sensation or curiosity, not an idea. She values the space and breath poetry offers for unknowing and mystery, finding solace in the making and the mess, not in answers. She discusses being free on the page to be her whole, authentic, complicated self.JAY PARINI (Author, Filmmaker, Borges and Me) calls poetry the prince of literary arts—language refined to its apex of memorability. He recounts how his road trip with Borges around Scotland restored him from depression and anxiety following the Vietnam War death of his friend.JERICHO BROWN (Pulitzer Prize-winning Poet, The Tradition, How We Do It: Black Writers on Craft, Practice, and Skill) discusses the rhythm of black vernacular and capturing "symphonic complexity of black life". He shares how he's found a way not to think about personal risk as he's writing.ADAM MOSS (Fmr. Editor, New York Magazine; Author, The Work of Art) relates David Simon's concept of the bounce, in which creativity gains momentum as it is passed between people.VIET THANH NGUYEN (Pulitzer Prize-winning Author, The Sympathizer; To Save and to Destroy) discusses his path to expansive solidarity and capacious grief and how it works against the state's power to divide and conquer. He emphasizes that literature is crucial because authoritarian regimes abuse language; a commitment to the beauty of language is a commitment to truth, and fear is often an indicator of a truth that needs to be spoken.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Chandler Baker is a New York Times bestselling novelist turned screenwriter, showrunner, and producer. Her first feature film, OH. WHAT. FUN. premiered on Amazon Prime Video on December 3. The film follows Claire Clauster (Michelle Pfeiffer), who is the glue that holds her chaotic, lovable family together every holiday season. This year, her husband and grown kids get distracted and forget their mom. As her family scrambles to find her and salvage their Christmas, Claire rediscovers what the holidays mean when you're finally free to put yourself first. The film also stars Felicity Jones, Chloë Grace Moretz, Dominic Sessa, Danielle Brooks, Jason Schwartzman, and Eva Longoria. In this interview, we talk about the origin and inspiration for the film OH. WHAT. FUN., transitioning from young adult novelist to writing for an older audience, the success of her book WHISPER NETWORK, the pros and cons of outlining vs. "pantsing", and much more. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS, right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds, and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

How can we use negative spaces in fiction to engage with readers' imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.HALA ALYAN (Novelist, Poet, I'll Tell You When I'm Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Amy is joined by author Naima Brown to discuss her newest novel, Mother Tongue, exploring the consequences of change, finding our authentic selves, motherhood, right-wing radicalization, and the importance of fiction in our fight against patriarchy.Donate to Breaking Down PatriarchyNaima Brown holds degrees in Middle Eastern Studies, Anthropology and Religious Studies. Her essays have appeared in Vogue Australia, the Guardian Australia, and more. She wrote, along with Melissa Doyle, the non-fiction book How to Age Against the Machine. She has spent over a decade working in news, current affairs and documentary - save for her brief stint in reality TV, which inspired her first novel, The Shot. She was born and raised in Northern California before living and working in Yemen and Afghanistan, and now lives in New South Wales with her husband and her dog. Her second novel, Mother Tongue, was published in March 2025.