Podcasts about The Paris Review

Look, there are some things in life - a LOT of things in life - that just can't be fixed or made better, you have to figure out how you're going to live with them.   Sarah Ramey spent DECADES trying to find answers for why her body was falling apart. Her book, The Lady's Handbook for Her Mysterious Illness, describes the complex, convoluted path through conventional and alternative medicines, her frustrations with being deemed a liar and hypochondriac, and the overlapping issues of misogyny, ableism, and well meaning but unhelpful support.    If you've ever felt othered and invisible because of an illness or disability - this episode is for you. If you've ever loved someone with a chronic illness, or you're a medical provider in any capacity, this episode is 3000% for you.    And if you're grieving some other loss or hardship, you'll recognize so much of yourself in this conversation: that human desire to be seen, loved, and supported, exactly as you are.  In this episode we cover:     What it's really like having a chronic, invisible illness (and if you have one, you'll feel seen!) How truly messed up the medical system is: Sarah's years' long efforts to be believed by doctors, and at a minimum: not be overtly harmed while seeking care How does being in a female body shift your odds of being believed - for ANYTHING, but especially mysterious, chronic illnesses?  Sarah's music was featured in the hit show Wednesday, on Netflix. Can you be a successful musician and have a disability?  Why hope is a complex concept when your life is constrained by illness or disability (and why hope is still REALLY important)   We're re-releasing some of our favorite episodes from the first 3 seasons.   Looking for a creative exploration of grief? Check out the best selling Writing Your Grief course here.   Follow our show on Instagram, Facebook, Twitter, and TikTok @refugeingrief and @itsokpod on TikTok. Visit refugeingrief.com for resources & courses About our guest: Sarah Ramey is a writer and musician (known as Wolf Larsen). Her work has been featured in The Paris Review, NPR, The Atlantic, The Washington Post, Ms. Magazine, and the Netflix show, Wednesday. Her book, The Lady's Handbook for Her Mysterious Illness was a starred selection for Publisher's Weekly, Kirkus Reviews, and Booklist. Learn more at sarahmarieramey.com and wolflarsenmusic.com. Sarah has been living with serious chronic pain and illness for seventeen years.    About Megan:  Psychotherapist Megan Devine is one of today's leading experts on grief, from life-altering losses to the everyday grief that we don't call grief. Get the best-selling book on grief in over a decade, It's Ok that You're Not OK, wherever you get books. Find Megan @refugeingrief   Additional resources: To join the next embodied writing course mentioned in the show, sign up at roottherapymaine.com   Read Sarah's memoir: The Lady's Handbook for Her Mysterious Illness    Listen to Sarah's solo album: Quiet at the Kitchen Door    Want to talk with Megan directly? Join our patreon community for live monthly Q&A grief clinics: your questions, answered. Want to speak to her privately? Apply for a 1:1 grief consultation here.    Check out Megan's best-selling books - It's OK That You're Not OK and How to Carry What Can't Be Fixed   Books and resources may contain affiliate links.See omnystudio.com/listener for privacy information.

The scale of Sarah Neubert's work varies from miniature to monumental, from small pieces such as earrings to room-sized installations. She dreams of creating entire woven environments that are sensory and tactile, like cocoons or sanctuaries of fiber. Working on a large scale allows her to explore new techniques and push the boundaries of her art. However, she also appreciates the sense of accomplishment that comes from creating small, wearable pieces. Her classes at the upcoming Weave Together with Handwoven (https://weavetogether.handwovenmagazine.com/) event in February 2024 will let students work on a small tapestry loom to explore some of her favorite subjects. When Sarah teaches tapestry weaving with nontraditional wefts, she often brings found and foraged materials and invites students to bring their own elements to incorporate. Although these may be nontraditional (and even sometimes non-yarn), the weaving skills to incorporate and stabilize them strengthen the student's grasp of weaving fundamentals. A class in textural weaving includes hand-manipulated techniques, traditional skills that she employs in very nontraditional ways. One of her recent projects, a Woven Upholstery Mending tutorial (https://www.sarahneubert.com/woven-mending), started with a refusal to just dispose of the couch that her cats had clawed. Using her weaving skills in a different application, she repaired her couch with rope and sturdy tools. When she shared her project and results on social media, the interest and enthusiasm were overwhelming. Sarah found herself designing and filming a course on how to create your own woven mends on furniture. Instead of charging to view the class, Sarah has posted it on YouTube on a donation-based model in hopes of keeping other couches out of landfills. “I think having an energetic exchange is important in a lot of spaces, and I was really grateful for the people that donated,” she says. Weaving isn't just a form of art for Sarah, it's also therapeutic. At first accidentally and now deliberately, she has found relief from anxiety and an opportunity to process her emotions while working at the loom. She experiences this as a flow state, an opportunity to heal. Although her early experiences as a weaver were fraught with perfectionism, she now explores how to make a piece the best she can . . . and then make room for the next project. This episode is brought to you by: Treenway Silks Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com (https://www.treenwaysilks.com/). You'll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white. If you love silk, you'll love Treenway Silks, where superior quality and customer service are guaranteed. Links Sarah Neubert's website (https://www.sarahneubert.com/) Woven Upholstery Mending (https://www.sarahneubert.com/woven-mending) online class How to fix furniture with visible mending (How to fix furniture with visible mending) tutorial on YouTube Tapestry Cuff Bracelet (https://littlelooms.com/free-project-tapestry-cuff-bracelet/), a pattern for a woven cuff, available on the Little Looms website (https://littlelooms.com/) “Woven Flow: Weaving as Meditation.” (https://handwovenmagazine.com/woven-flow-weaving-as-meditation/) Sarah Neubert, Handwoven website (https://handwovenmagazine.com/) “Fiber art is finally being taken seriously.” (https://www.nytimes.com/2023/09/11/t-magazine/fiber-art-textiles.html) Julia Halperin, The New York Times Style Magazine (accessed online), September 11, 2023. Maya Angelou interview (https://www.theparisreview.org/interviews/2279/the-art-of-fiction-no-119-maya-angelou) in the Paris Review, 1990.

New York Times bestselling author Jedidiah Jenkins sits down with Joel Madden on this week's episode of Artist Friendly. Jenkins is an LA-based writer who launched his career at the nonprofit Invisible Children and, in the ensuing years, has transformed into a bestselling author. He's released several books, including To Shake the Sleeping Self and Like Streams to the Ocean. His latest, Mother, Nature, is a gripping memoir that documents a mother-son bond, where they retrace a 5,000-mile route that his mother first traveled as part of the Walk Across America book trilogy. Jenkins also serves as the executive editor of Wilderness magazine, and his work has appeared in publications like The Paris Review and Playboy. Listen to their conversation on Artist Friendly wherever you listen to podcasts. You can also watch the episode over at Veeps.  ------- Host: Joel Madden, @joelmadden Executive Producers: Joel Madden, Benji Madden, Jillian King Producers: Josh Madden, Joey Simmrin, Janice Leary Visual Producer/Editor: Ryan Schaefer Audio Producer/Composer: Nick Gray Music/Theme Composer: Nick Gray Cover Art/Design: Ryan Schaefer Additional Contributors: Anna Zanes, Neville Hardman Learn more about your ad choices. Visit megaphone.fm/adchoices

Notes and Links to Leah Myers's Work      For Episode 214, Pete welcomes Leah Myers, and the two discuss, among other topics, her early reading and inspirations, formative experiences in writing and self-growth, the ways in which she has seen Native Americans represented and misrepresented in literature and cinema, the rage and despair-inducing Pocahontas, and salient themes from her memoir, including US governmental neglect and violence toward Native Americans, blood quantum and other terminology, ideas of external and internal prejudices, as well as writing about sensitive personal experiences and about family members.    Leah Myers is a member of the Jamestown S'Klallam Tribe of the Pacific Northwest. She earned her MFA in creative nonfiction from the University of New Orleans, where she won the Samuel Mockbee Award for Nonfiction two years in a row. She now lives in Alabama, with roots in Georgia, Arizona, and Washington. Her work has previously appeared in The Atlantic, Craft Literary Magazine, Fugue Journal​, and elsewhere. Her debut memoir, THINNING BLOOD, is published by W.W. Norton, and received a rave review in the New York Times.     Leah's Website   Buy Thinning Blood   Maud Newton Reviews Thinning Blood for New York Times At about 1:40, Leah discusses her childhood relationship with the written word, “surrounded by books”   At about 3:10, Leah discusses the power in reading Natalie Diaz and Joy Harjo and ideas of representation    At about 5:05, Leah references the writers and writing that challenges and inspires her in the present day, including Natalie Diaz, anthologies like Never Whistle at Night (edited by Shane Hawk) and Jordan Peele's Out There Screaming   At about 6:55, Leah responds to Pete's question about the genesis of the writing bug for her    At about 8:45, The two wax poetic about the great Tommy Orange and    At about 9:55, Leah expounds upon the significance of wise words from an MFA professor   At about 12:00, Leah outlines some seeds for her memoir    At about 13:10, Leah discusses the usage of terms like “tribe” and “Native American” and “indigenous” and the evolving ways in which they're used   At about 15:10, Leah discusses the book's introductions and rationale in using the totem poles as structural   At about 17:55, Leah responds to Pete's questions about the title's significance and the effects of blood quantum    At about 20:05, Pete uses a quote from the memoir that enumerates each of the preceding women in Leah's family and transitions into talking with Leah about the book's opening called “Real Live Indians”   At about 22:00, Leah replies to Pete's questions about the significance of the Mother Bear/Bear totem in her memoir    At about 24:00, The two discuss the ways in which Leah writes about family members and her mindset in handling “mixed feelings”    At about 27:50, Leah discusses the salmon and its significance as a totem in the book and connections to her identity   At about 29:40, The two discuss government actions referenced in the memoir    At about 32:40, Pete gives background information on Leah's early days in her ancestral home and asks Leah about the metaphor of her grandmother Vivían “swimming upriver” like the salmon   At about 35:20, Part III, with the totem of the hummingbird, is discussed, and Leah speaks about the painful ways in which she has processed the Disney movie Pocahontas over the years   At about 39:25, The two discuss the gradual loss of the S'Klallam language    At about 41:55, Leah responds to Pete wondering about the ways in which she sees the Raven as part of the S'Klallam myths   At about 44:00, Forced adoptions of Native Americans and stats around misogynistic violence are referenced as written about in the book   At about 45:30, Leah discusses writing about a painful personal experience and bringing a human story to complement/highlight the statistics    At about 46:35, Leah gives her rationale and mindset in writing a part of the book that is a letter to her prospective future relative   At about 49:10, Leah defines “infrastructure” and she and Pete detail its power and connection to her memoir    At about 50:55, The two discuss the myriad ways in which the Raven can be viewed and its connection to Leah's identity    At about 54:10, Leah gives some idea of upcoming projects    At about 55:25, Leah gives contact and social media information    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Please tune in for Episode 215 with Nick Fuller Googins. Nick is the author of the novel, The Great Transition, and his short fiction and essays have appeared in The Paris Review, Men's Health, The Sun, The Los Angeles Times, and elsewhere. He works as an elementary school teacher.    The episode will air on December 5.

Richard Howard (born Oct 13, 1929, died march 31, 2022) was credited with introducing modern French fiction—particularly examples of the Nouveau Roman—to the American public; his translation of Charles Baudelaire's Les Fleurs du Mal (1984) won a National Book Award in 1984. A selection of Howard's critical prose was collected in the volume Paper Trail: Selected Prose 1965-2003, and his collection of essays Alone with America: Essays on the Art of Poetry in the United States since 1950 (1969) was praised as one of the first comprehensive overviews of American poetry from the latter half of the 20th century. First and foremost a poet, Howard's many volumes of verse also received widespread acclaim; he won the 1970 Pulitzer Prize in Poetry for his collection Untitled Subjects. His other honors included the American Book Award, the Harriet Monroe Memorial Prize, the PEN Translation Medal, the Levinson Prize, and the Ordre National du Mérite from the French government. For many years, Howard was the poetry editor of the Paris Review.Evaluations of Howard usually judge his work as a poet to be his most important contribution to contemporary American literature. However, his work has and continues to attract a wide and enthusiastic audience among readers, academics, and critics alike.-bio via Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Kathryn interviews Author Lisa Gornick.Nine years have passed since Ana Koehl had sex with her pot-addicted anesthesiologist husband, seven since she began an affair with a gonzo journalist. She's gratified by her work as a book doula, but burdened by her belief that she need always be on call. Her elderly mother's birthday greeting is an inflation-adjusted calculation of the cost of raising Ana in a mice-infested house, her brother has hijacked the will of their recently deceased starchitect father, her adult child is changing rapidly before her eyes, and her best friend advocates for “the truth in lies.” Gazing out at the dark moat of Central Park from behind her desk, Ana sees that she can no longer postpone making peace with her past or confronting her present. Hailed by NPR as “one of the most perceptive, compassionate writers of fiction in America, Lisa Gornick brings us this engaging novel. Her essays have appeared widely, including in the NY Times, the Paris Review, Real Simple, and the Wall Street Journal.Kathryn also interviews Author Jennifer Nelson.We hear so much about teacher shortages, burnout, and the messy transition from pandemic Zoom learning back to the classroom. Ask fifty teachers and you'll likely get fifty answers but Jennifer Nelson brings perspective as someone who lived in Morocco (where she learned French as a child – the subject she teaches), served in the Peace Corp in Niger, and as the daughter of an international diplomat experienced more than American schools. Her tenure as a teacher also encompasses private, parochial, and public schools. Nelson brings a broader-than-usual view of what works and what doesn't in the classroom. She is a highschool French teacher and holds undergraduate and graduate degrees from Columbia University, University of California, Berkeley and Vermont College of Fine Arts.

Kathryn interviews Author Lisa Gornick.Nine years have passed since Ana Koehl had sex with her pot-addicted anesthesiologist husband, seven since she began an affair with a gonzo journalist. She's gratified by her work as a book doula, but burdened by her belief that she need always be on call. Her elderly mother's birthday greeting is an inflation-adjusted calculation of the cost of raising Ana in a mice-infested house, her brother has hijacked the will of their recently deceased starchitect father, her adult child is changing rapidly before her eyes, and her best friend advocates for “the truth in lies.” Gazing out at the dark moat of Central Park from behind her desk, Ana sees that she can no longer postpone making peace with her past or confronting her present. Hailed by NPR as “one of the most perceptive, compassionate writers of fiction in America, Lisa Gornick brings us this engaging novel. Her essays have appeared widely, including in the NY Times, the Paris Review, Real Simple, and the Wall Street Journal.Kathryn also interviews Author Jennifer Nelson.We hear so much about teacher shortages, burnout, and the messy transition from pandemic Zoom learning back to the classroom. Ask fifty teachers and you'll likely get fifty answers but Jennifer Nelson brings perspective as someone who lived in Morocco (where she learned French as a child – the subject she teaches), served in the Peace Corp in Niger, and as the daughter of an international diplomat experienced more than American schools. Her tenure as a teacher also encompasses private, parochial, and public schools. Nelson brings a broader-than-usual view of what works and what doesn't in the classroom. She is a highschool French teacher and holds undergraduate and graduate degrees from Columbia University, University of California, Berkeley and Vermont College of Fine Arts.

Vendégünk volt Molnár T. Eszter, aki szerint az irodalom sokféle és egyezményes, és a definíciói több kérdést vetnek fel, mint amennyi választ adnak. Ajánlásai: Nathalie Léger: Samuel Beckett hallgatag életei - https://moly.hu/konyvek/nathalie-leger-samuel-beckett-hallgatag-eletei Susan Sontag, the Art of Fiction No. 143 - The Paris Review, Issue 137, 1995 - https://www.theparisreview.org/interviews/1505/the-art-of-fiction-no-143-susan-sontag Felolvasás (36:32): Hazám Műhelymunka (42:19): Donna Alba elmereng Szignál: Stermeczky Zsolt Gábor

Tonight, I'm talking about serial killer Samuel Little with Jillian Lauren, author of “Behold the Monster: Confronting America's Most Prolific Serial Killer.” Jillian Lauren Jillian Lauren is a writer, storyteller, adoption advocate, rock-wife, and lousy kickboxer. She is the New York Times bestselling author of the memoirs EVERYTHING YOU EVER WANTED, and SOME GIRLS: My Life in a Harem, and the novel PRETTY. SOME GIRLS, which recounts her time spent in the harem of the Prince of Brunei, has been translated into eighteen languages. She was the only journalist to extensively interview Samuel Little, the most prolific serial killer in American history. This experience is chronicled in Joe Berlinger's hit STARZ documentary series, CONFRONTING A SERIAL KILLER, and in Michael Connelly's podcast MURDER BOOK: The Women Who Brought Down Samuel Little. Her book BEHOLD THE MONSTER: Confronting a Killer is forthcoming. Jillian has an MFA in Creative Writing from Antioch University. Her writing has appeared in New York Magazine, The New York Times, Vanity Fair, The Paris Review, The Los Angeles Times, Los Angeles Magazine, Elle, Flaunt Magazine, The Daily Beast, Salon, and many others. Her work has been widely anthologized, including in The Moth Anthology, and True Tales of Lust and Love. Jillian is a regular storyteller with The Moth and performs at spoken word and storytelling events across the country. She did a Tedx talk about adoption and identity at Chapman University in 2014. She has been interviewed on The View, Good Morning America and Howard Stern, to name a few. Jillian is married to Weezer bass player Scott Shriner. They live in Los Angeles with their two sons. Behold the Monster Jillian Lauren had no idea what she was getting into when she wrote her first letter to prolific serial killer Samuel Little. All she knew was her research had led her to believe he was good for far more murders than the three for which he had been convicted. While the two exchanged dozens of letters and embarked on hundreds of hours of interviews, Lauren gained the trust of a monster. After maintaining his innocence for decades, Little confessed to the murders of ninety-three women, often drawing his victims in haunting detail as he spoke. How could one man evade justice, manipulating the system for over four decades? As the FBI, the DOJ, the LAPD, and countless law enforcement officials across the country worked to connect their cold cases with the confessions, Lauren's coverage of the investigations and obsession with Little's victims only escalated. New York Times bestselling author and lead of the Starz docuseries Confronting a Serial Killer Jillian Lauren delivers the harrowing report of her unusual relationship with a psychopath. But this is more than a deep dive into the actions of Samuel Little. Lauren's riveting and emotional accounts reveal the women who were lost to cold files, giving Little's victims a chance to have their stories heard for the first time. Find Jillian on X @Jillylauren and IG @jillianlauren or www.jillianlauren.com Don't forget to check out Spoilers on amazon or wherever books are sold. Ty Benhoff two coming soon. Thanks to Forget the Whale for the music. Tripecoh Media LLC. --- Send in a voice message: https://podcasters.spotify.com/pod/show/thatscriminaljs/message Support this podcast: https://podcasters.spotify.com/pod/show/thatscriminaljs/support

Kristen Millares Young calls her novel Subduction “a study of recurrently going meta,” or “an examination of the longing that we have to be in contact with others who are not like us.” From exploring the notion of consent–not just sexually but also culturally–to the difficulty of the transmission of knowledge and the burden of whiteness, this novel plumbs the depths of the human consciousness. Kristen is a prize-winning journalist and essayist who regularly writes essays, book reviews, and investigations for The Washington Post, The Guardian, Literary Hub, and much more. Her recent novel Subduction, published by Red Hen Press, was named a staff pick by The Paris Review, called “whip-smart” by The Washington Post, was shortlisted for the VCU Cabell First Novelist Award, and won the Nautilus and Independent Publisher Book awards. We had the privilege of speaking with Kristen about Subduction, including her writing process, how her journalism informs her work as a fiction writer, and her appreciation for Red Hen Press. We also learned about the importance of cultivating a strong professional relationship with an editor and how building trust with them can allow a writer to push for what they believe in. Honorable MentionsEllen Akins review of Subduction in The Washington Post [paywall]Michelle Bowdler's Is Rape a Crime Other Works by Millares YoungPie and Whiskey: Writers Under the Influence of Butter and BoozeIn conversation with Brad Listi on the Otherppl podcast Photo credit Natalie Shields

Tune in for the second half of our special two-part podcast featuring Major Jackson, who shared selections from his new book Razzle Dazzle: New & Selected Poems (https://wwnorton.com/books/9781324064909) (W.W. Norton & Co, 2023) at a recent event at APR's home base, the Philadelphia Ethical Society. Major Jackson is the author of six books of poetry, including_ The Absurd Man_ (2020),_ Roll Deep_ (2015), Holding Company (2010), Hoops (2006) and Leaving Saturn _(2002), which won the Cave Canem Poetry Prize for a first book of poems. His edited volumes include: _Best American Poetry 2019, Renga for Obama, and Library of America's Countee Cullen: Collected Poems. He is also the author of A Beat Beyond: The Selected Prose of Major Jackson _edited by Amor Kohli. A recipient of fellowships from the Academy of American Poets, Fine Arts Work Center in Provincetown, John S. Guggenheim Foundation, National Endowment for the Arts, and the Radcliffe Institute for Advanced Study at Harvard University, Major Jackson has been awarded a Pushcart Prize, a Whiting Writers' Award, and has been honored by the Pew Fellowship in the Arts and the Witter Bynner Foundation in conjunction with the Library of Congress. He has published poems and essays in _American Poetry Review, The New Yorker, Orion Magazine, Paris Review, Ploughshares, Poetry, Poetry London, and World Literature Today. Major Jackson lives in Nashville, Tennessee where he is the Gertrude Conaway Vanderbilt Chair in the Humanities at Vanderbilt University. He is an elected member of the American Academy of Arts and Sciences and serves as the Poetry Editor of The Harvard Review.

EPISODE 1849: In this KEEN ON show, Andrew talks to Lisa Gornick, author of ANA TURNS, about writing a New York City novel in the philistine age of the Taliban and Donald TrumpLisa Gornick has been hailed by NPR as “one of the most perceptive, compassionate writers of fiction in America…immensely talented and brave.” She is the author of four previous novels—most recently The Peacock Feast and Louisa Meets Bear, both published by Farrar, Straus and Giroux, as well as Picador—and an upcoming novel, Ana Turns, to be published by Keylight Books in November, 2023. Her stories and essays have appeared in the New York Times, the Paris Review, Prairie Schooner, the Wall Street Journal, and Real Simple, and have received many honors, including Distinguished Story by the Best American Short Stories. With the publication of her first novel, A Private Sorcery, Lisa Gornick was described by National Book Award Winner Colum McCann as “a new voice…that makes sense of our deep need for stories and their tellers.” Her second novel, Tinderbox, was awarded Four out of Four Stars from People and deemed “an extraordinary book, written for adults” by National Book Critics Circle Winner Joan Silber. Louisa Meets Bear received Starred Reviews from Publishers Weekly and Booklist and an “A” from Entertainment Weekly, and was chosen as a “Fresh Pick” for book clubs by Oprah.com, the Long List for The Story Prize, and a Finalist for The 2016 Paterson Fiction Prize. The Peacock Feast was proclaimed “truly mighty” by Newsday, a “glorious chronicle” by the BBC, a “perfect novel” by the New Jersey Star-Ledger, and a “masterpiece” by Writers on Writing. Lauded by Rebecca Makkai as “Exactly the book I needed,” Meg Wolitzer described it as “One of those rare books that feel both grand and intimate.” Lisa Gornick earned a doctorate in clinical psychology at Yale and is a graduate of the writing program at NYU and the psychoanalytic training program at Columbia, where she is on the faculty. For many years, she worked in clinics, hospitals, and private practice as a psychotherapist, a profession she has depicted in various essays as based on “sacred trust.” She lives in New York City with her family.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.

How do we live in a world that's at least half terrible, and that is a conservative estimate?If you recognize that line, you already know Maggie Smith. This week on the show, we're talking about writing, marriage, divorce, and why you didn't need whatever happened to you in order to become who you're meant to be: as Maggie says, “trauma does not give you a “glow up.””    If you've ever wanted to write the story of your life - including the messy, difficult parts like divorce, miscarriage, and the loss of identity - this episode is for you.    In this episode we cover:    Why it's ok if your story doesn't have a happy ending (or even a happy middle) Do kids really need to learn about resilience?  Does anything remain after devastating loss?  What's it like having your personal story out in the world for other people to talk about?  Divorce, miscarriage, and why sometimes the lemonade isn't worth the lemons   We're re-releasing some of our favorite episodes from the first 3 seasons of It's OK that You're Not OK.   Looking for a creative exploration of grief? Check out the best selling Writing Your Grief course here.   Related episodes:  Kate Bowler on the difference between transactional hope and functional hope   Aubrey Hirsch on the power of storytelling    David Ambroz on “A Place Called Home”    Follow our show on Instagram, Facebook, Twitter, and TikTok @refugeingrief and @itsokpod on TikTok. Visit refugeingrief.com for resources & courses   About our guest: Maggie Smith is the award-winning author of You Could Make This Place Beautiful, Good Bones, The Well Speaks of Its Own Poison, Lamp of the Body, and the national bestsellers Goldenrod and Keep Moving: Notes on Loss, Creativity, and Change. She has been widely published, appearing in The New York Times, The New Yorker, The Paris Review, The Nation, The Best American Poetry, and more. You can follow her on social media @MaggieSmithPoet   About Megan:  Psychotherapist Megan Devine is one of today's leading experts on grief, from life-altering losses to the everyday grief that we don't call grief. Get the best-selling book on grief in over a decade, It's Ok that You're Not OK, wherever you get books. Find Megan @refugeingrief Additional resources: Get the best-selling Writing Your Grief course and join over 15,000 people who've explored their grief - and their identity - through writing. All the details here.   Maggie Smith's website   Maggie's memoir - You Could Make This Place Beautiful   “What would happen if one woman told the truth about her life? / The world would split open.” - feminist poet Muriel Rukeyser   Want to talk with Megan directly? Join our patreon community for live monthly Q&A grief clinics: your questions, answered. Want to speak to her privately? Apply for a 1:1 grief consultation here.    Check out Megan's best-selling books - It's OK That You're Not OK and How to Carry What Can't Be Fixed   Books and resources may contain affiliate links.See omnystudio.com/listener for privacy information.

The year is 2013 and the Greenspans are the envy of Brookline, Massachusetts, an idyllic (and idealistic) suburb west of Boston. Scott Greenspan is a successful physician with his own cardiology practice. His wife, Deb, is a pillar of the community who spends her free time helping resettle refugees. Their daughter, Maya, works at a distinguished New York publishing house and their son, Gideon, is preparing to follow in his father's footsteps. They are an exceptional family from an exceptional place, living in exceptional times. But when Scott is caught falsifying blood samples at work, he sets in motion a series of scandals that threatens to shatter his family. Deb leaves him for a female power broker; Maya rekindles a hazardous affair from her youth; and Gideon drops out of college to go on a dangerous journey that will put his principles to the test. From Brookline to Berlin to the battlefields of Syria, Hope follows the Greenspans over the course of one tumultuous year as they question, and compromise, the values that have shaped their lives. But in the midst of their disillusionment, they'll discover their own capacity for resilience, connection, and, ultimately, hope. Andrew's debut novel, The Altruists, was published by Viking in the United States and in seventeen other countries. The Altruists was a New York Times Editors' Choice, a Paris Review staff pick, an Amazon Editors' Pick, and the People Book of the Week. Andrew is the editor of Privacy Policy: The Anthology of Surveillance Poetics and his writing has appeared in The New York Times, Esquire, Le Monde, Bookforum, The Paris Review Daily, Guernica, Boston Review, and elsewhere. A graduate of the Iowa Writers' Workshop, Andrew lives in Brooklyn, New York. Recommendations: Helen Garner, The Children's Bach Joyce Carol Oates, Wonderland Leonard Michaels, The Men's Club Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

The year is 2013 and the Greenspans are the envy of Brookline, Massachusetts, an idyllic (and idealistic) suburb west of Boston. Scott Greenspan is a successful physician with his own cardiology practice. His wife, Deb, is a pillar of the community who spends her free time helping resettle refugees. Their daughter, Maya, works at a distinguished New York publishing house and their son, Gideon, is preparing to follow in his father's footsteps. They are an exceptional family from an exceptional place, living in exceptional times. But when Scott is caught falsifying blood samples at work, he sets in motion a series of scandals that threatens to shatter his family. Deb leaves him for a female power broker; Maya rekindles a hazardous affair from her youth; and Gideon drops out of college to go on a dangerous journey that will put his principles to the test. From Brookline to Berlin to the battlefields of Syria, Hope follows the Greenspans over the course of one tumultuous year as they question, and compromise, the values that have shaped their lives. But in the midst of their disillusionment, they'll discover their own capacity for resilience, connection, and, ultimately, hope. Andrew's debut novel, The Altruists, was published by Viking in the United States and in seventeen other countries. The Altruists was a New York Times Editors' Choice, a Paris Review staff pick, an Amazon Editors' Pick, and the People Book of the Week. Andrew is the editor of Privacy Policy: The Anthology of Surveillance Poetics and his writing has appeared in The New York Times, Esquire, Le Monde, Bookforum, The Paris Review Daily, Guernica, Boston Review, and elsewhere. A graduate of the Iowa Writers' Workshop, Andrew lives in Brooklyn, New York. Recommendations: Helen Garner, The Children's Bach Joyce Carol Oates, Wonderland Leonard Michaels, The Men's Club Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The year is 2013 and the Greenspans are the envy of Brookline, Massachusetts, an idyllic (and idealistic) suburb west of Boston. Scott Greenspan is a successful physician with his own cardiology practice. His wife, Deb, is a pillar of the community who spends her free time helping resettle refugees. Their daughter, Maya, works at a distinguished New York publishing house and their son, Gideon, is preparing to follow in his father's footsteps. They are an exceptional family from an exceptional place, living in exceptional times. But when Scott is caught falsifying blood samples at work, he sets in motion a series of scandals that threatens to shatter his family. Deb leaves him for a female power broker; Maya rekindles a hazardous affair from her youth; and Gideon drops out of college to go on a dangerous journey that will put his principles to the test. From Brookline to Berlin to the battlefields of Syria, Hope follows the Greenspans over the course of one tumultuous year as they question, and compromise, the values that have shaped their lives. But in the midst of their disillusionment, they'll discover their own capacity for resilience, connection, and, ultimately, hope. Andrew's debut novel, The Altruists, was published by Viking in the United States and in seventeen other countries. The Altruists was a New York Times Editors' Choice, a Paris Review staff pick, an Amazon Editors' Pick, and the People Book of the Week. Andrew is the editor of Privacy Policy: The Anthology of Surveillance Poetics and his writing has appeared in The New York Times, Esquire, Le Monde, Bookforum, The Paris Review Daily, Guernica, Boston Review, and elsewhere. A graduate of the Iowa Writers' Workshop, Andrew lives in Brooklyn, New York. Recommendations: Helen Garner, The Children's Bach Joyce Carol Oates, Wonderland Leonard Michaels, The Men's Club Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The year is 2013 and the Greenspans are the envy of Brookline, Massachusetts, an idyllic (and idealistic) suburb west of Boston. Scott Greenspan is a successful physician with his own cardiology practice. His wife, Deb, is a pillar of the community who spends her free time helping resettle refugees. Their daughter, Maya, works at a distinguished New York publishing house and their son, Gideon, is preparing to follow in his father's footsteps. They are an exceptional family from an exceptional place, living in exceptional times. But when Scott is caught falsifying blood samples at work, he sets in motion a series of scandals that threatens to shatter his family. Deb leaves him for a female power broker; Maya rekindles a hazardous affair from her youth; and Gideon drops out of college to go on a dangerous journey that will put his principles to the test. From Brookline to Berlin to the battlefields of Syria, Hope follows the Greenspans over the course of one tumultuous year as they question, and compromise, the values that have shaped their lives. But in the midst of their disillusionment, they'll discover their own capacity for resilience, connection, and, ultimately, hope. Andrew's debut novel, The Altruists, was published by Viking in the United States and in seventeen other countries. The Altruists was a New York Times Editors' Choice, a Paris Review staff pick, an Amazon Editors' Pick, and the People Book of the Week. Andrew is the editor of Privacy Policy: The Anthology of Surveillance Poetics and his writing has appeared in The New York Times, Esquire, Le Monde, Bookforum, The Paris Review Daily, Guernica, Boston Review, and elsewhere. A graduate of the Iowa Writers' Workshop, Andrew lives in Brooklyn, New York. Recommendations: Helen Garner, The Children's Bach Joyce Carol Oates, Wonderland Leonard Michaels, The Men's Club Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Main fiction: "Red Oil" by Lincoln MichelBio: Lincoln Michel's debut novel, The Body Scout (Orbit), was named one of the ten best SFF books of 2021 by The New York Times and one of the fifty best science fiction of all time by Esquire. He is also the author of the story collection Upright Beasts (Coffee House Press) and the co-editor of the anthologies Tiny Crimes (Catapult) and Tiny Nightmares (Catapult). His fiction can be found in The Paris Review, Lightspeed, F&SF, One Story, and elsewhere. You can find him online at lincolnmichel.com and his newsletter Counter Craft.Narrated by: Anthony BabbingtonAnthony Babington is a voice actor who looks just slightly off from how he sounds. From his secret volcano lair in Minnesota he narrates podcasts, and leases his soul to corporate America. he can also be heard on the Tales to Terrify podcast, and has recorded for both the "Far Fetched Fables" and "The Cursed Inn" podcasts.Fact: Looking Back At Genre History by Amy H SturgisSupport this show http://supporter.acast.com/starshipsofa. Hosted on Acast. See acast.com/privacy for more information.

EPISODE 1815: In this KEEN ON show, Andrew talks to Christian Lorentzen, author of the new Liberties Quarterly essay "In Dreams Begin Responsibilities: a Memoir", about the half-life of a literary critic in our digital age of cultural decay and disinformationChristian Lorentzen's writing has appeared in the London Review of Books, Harper's Magazine, Bookforum, Artforum, n+1, the Times Literary Supplement, the New Republic, the Paris Review, the Baffler, the New York Times, Slate, the Literary Review, and the New Leader. From 2015 to 2018, he was the book critic for New York Magazine.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.

Critically acclaimed debut novelist, Molly McGhee, spoke with me about the best day of her life, her part in The Great Publishing Resignation, losing a parent, and her first book JONATHAN ABERNATHY YOU ARE KIND. Molly McGhee writes fiction and essays and taught in the undergraduate creative writing department at Columbia University where she also graduated with an MFA in fiction. Her debut novel is Jonathan Abernathy You Are Kind, described by The New York Times as a story about, “... debt-laden citizens [who] are recruited to ‘audit' others' dreams — all in the name of productivity.” In a starred review Booklist said of the book, “… a superlative state-of-the-nation novel like no other. Full of astoundingly resonant and eminently quotable points about labor, capital, and depression, this wondrous literary creation brilliantly captures the excessive demands of contemporary work.” Molly has worked in the editorial departments of McSweeney's, The Believer, NOON, Farrar, Straus and Giroux, and helped launch a horror imprint at Tor. Her work has appeared in The Paris Review, LitHub, and others. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Molly McGhee and I discussed:  Her past life as a NY Times bestselling editor Using writing as a coping mechanism for grief The nightmare that became a book Why she thinks of herself as a reader first Learning how to give yourself grace The importance of authenticity and vulnerability in your writing And a lot more! Show Notes: mollymcghee.com Jonathan Abernathy You Are Kind: A Novel By Molly McGhee [Amazon] This Science Fiction Novel Scrapes the Work Force of Human Suffering The "Great Publishing Resignation" Exposes the Failings of the Industry Men Who Don't Know Women: On Unlearning the Lessons of “Dick Lit” - Molly McGhee for LitHub Molly McGhee on Instagram Molly McGhee on Twitter Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Please join me in welcoming Kristi Coulter to the Stop Over-Drinking and Start Living podcast.Kristi Coulter is the author of the memoirs NOTHING GOOD CAN COME FROM THIS and EXIT INTERVIEW: THE LIFE AND DEATH OF MY AMBITIOUS CAREER. Her writing has appeared in New York Magazine, the Paris Review, Elle, Glamour, and many other publications. She is a former Washington State Book Award finalist and has held residencies at Ragdale and the Mineral School. Alongside her writing, Kristi also teaches creative writing and offers editorial consulting services. She lives with her husband and dog in Seattle and Los Angeles.I had to have Kristi on the podcast to discuss her latest book, Exit Interview, The Life and Death of My Ambitious Career.Taken from KristiCoulter.com:What would you sacrifice for your career? All your free time? Your sense of self-worth? Your sanity?In 2006, Kristi Coulter left her cozy but dull job for a promising new position at the fast-growing Amazon.com, but she never expected the soul-crushing pressure that came with it.In no time, she finds the challenge and excitement she'd been craving—along with seven-day workweeks, lifeboat exercises, widespread burnout, and a culture driven mainly by fear. But the chase, the visibility, and, let's face it, the stock options proved intoxicating, and so, for twelve years, she stayed—until she no longer recognized the face in the mirror or the mission she'd signed up for.Unsparing, absurd, and wickedly funny, Exit Interview is a rare journey inside the crucible that is Amazon. An intimate, surprisingly relatable look at the work life of a driven woman in a world that loves the idea of female ambition but balks at the reality.I was FIRED up reading this book because, as you can imagine, I, too, have experienced gender discrimination at work, fear that gripped my soul, as have many of my clients and colleagues.WARNING: During this interview, we discussed very sensitive subjects, like rape, harassment, and assault, so please for adult ears only and this can be triggering for people who have experienced these traumas.You can get both of Kristi's amazing books wherever books are sold and, of course, Amazon. Wine Free Work-Week: www.angelamascenik.com/wfwwAlive AF! Membership: http://www.angelamascenik.com/aliveafKristiCoulter.com Angela Mascenik, Angela stop over-drinking coach, become emotionally unattached to alcohol, drink less, do more, drink less wine, emotional drinking, emotional eating, how do I feel my feelings, how to cut back on how much I drink, how to feel classy, how to feel to stop over-drinking, how to feel your urges, stop over drinking coach, Stop over-drinking and Start Living podcast, stop over-drinking help for women, Alive AF, moderation, quitting, reducing your drinking, sober retreat, born to be alive, how to stick to your planned amount, scared of change, the buzz, spouse, husband, partner, social groups, family groups, negative feelings, intuition, listening, being positive doesn't work, validated, what isn't working, options, benefits, mindful, pivoting, pivot, last chance, vacation, relationships, setbacks, motivation, programming, society, Las Vegas, family, pre-stressing, one on one coaching, Napa, restriction, vacation, everyday life, post vacation, motherhood, marriage, boring, discomfort, commitment, trust in ourselves, trust in yourself, missing out, easier, better, vacation, over eating, weekends, parenting, care givers, parents, failing, failure, amazon, amazon culture, exit interview, Kristi Coulter, book interview, nothing good can come from this, toxic work environment , gender discrimination, women in the workplace

Today, Angela Chen teaches us how understanding asexuality helps us understand ourselves and the true meaning of sex. Angela describes:  The misconception that blocks us from fully understanding our own sexuality; Why your sexuality is a relationship between YOU and YOU;  How there are MANY reasons people have sex. (Glennon says sexual attraction only accounts for 5% of her sexual experiences.); and The shame underlying compulsory sexuality – and how to stop apologizing for not wanting sex.  And a question for anyone seeing themselves in asexuality: What would this label free you from? About Angela: Angela Chen is a journalist and editor. She is the author of Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex, which was named one of the best books of 2020 by NPR, Electric Literature, and Them. Her reporting and essays have also appeared in The New York Times, The Wall Street Journal, The Atlantic, The Guardian, National Geographic, Paris Review, and more.  TW: @chengela IG: @angelaetcetera To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Rachel Cantor discusses her new novel, Half-Life of a Stolen Sister: A Novel of the Brontës, writing a modern take on historical characters, finding her way to the novel's innovative form, finding a balance in voice and tone, finding a publisher for this book without an agent, and more! Rachel Cantor is the author of the novels A Highly Unlikely Scenario and Good on Paper. Her short stories have appeared in The Paris Review, One Story, Ninth Letter, and The Kenyon Review, among other publications. She was raised in Rome and Connecticut, and currently lives in Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices

It was a pleasure to chat with Sara Lautman about her creative process, what inspires her, art gear, and delving into social injustices in the art and creative worlds.Sara Lautman is an illustrator, cartoonist, and teacher in Baltimore, MD.  Her drawings have been published by The New York Times, Playboy, Mad, The Paris Review, Tablet, The Awl, Catapult, and other publications. She is a regular contributor to The New Yorker, where her cartoons have appeared since 2016.Her published books and mini comics are Lying & Cursing, The Ultimate Laugh (Tinto Press), Ghost Sex, Pictures of Bananas and Funny Bugs (Birdcage Bottom), I Love You (Retrofit), The Humble Simple Thing (a collaboration with the novelist Sheila Heti), Red Clover (Atomic Books), and Types: A Consideration of Queer Elderhoods (Pressing Concern). She is the illustrator of Emily Danforth's Plain, Bad Heroines (Harper Collins), a national bestseller, winner of a 2021 ALA Alex award and shortlisted as a Stonewall Honor Book. Her graphic novel, called Jason, is currently being serialized on slaut.itch.io.Sara teaches comics at the Maryland Institute College of Art in Baltimore. Other institutions where she's taught are the California College of Art and Design, in San Francisco, and Fairleigh Dickinson University, in her home state of New Jersey. You can connect with Sara and find more about her works at her website, https://www.saralautman.com/ Support the showLove the show? *Click here to leave a review!*Blog https://tstakaishi.wixsite.com/musicInsta @creative_peacemeal_podcastFB @creativepeacemealpodBonfire https://www.bonfire.com/store/creative-peacemeal/Redbubble CPPodcast.redbubble.comCreative Peacemeal READING list here Donate to AhHa!Broadway here! Donate Dachshund Rescue of Houston here Interested in Corrie Legge's content planner? Click here to order! Looking for custom orthotics? Foot and Shoe Solutions is your answer. Click here for more.

This episode Adam is joined by John Freeman to bid farewell to his game-changing literary journal Freeman's. They discuss the pleasures and challenges faced in setting up and running a magazine John's editorial philosophy, some of his favourite events, and why the final issue's theme of “Conclusions” offers up more surprising avenues than readers might expect. The episode also features readings from Sandra Cisneros, Aleksandar Hemon, Rebecca Makkai, and Mieko Kawakami read by translator Hitomi YoshioBuy Freeman's Conclusions: https://www.shakespeareandcompany.com/books/freemans-conclusionsFeaturing new work from Rebecca Makkai, Aleksandar Hemon, Louise Erdrich, Mieko Kawakami and more, the tenth and final instalment of the boundary-pushing literary journal Freeman's explores all the ways of coming to an end.John Freeman was the editor of Granta until 2013. His books include Dictionary of the Undoing, How to Read a Novelist, Tales of Two Americas, and Tales of Two Planets. His poetry includes the collections Maps, The Park, and Wind, Trees. In 2021, he edited the anthologies There's a Revolution Outside, My Love with Tracy K. Smith, and The Penguin Book of the Modern American Short Story. An executive editor at Knopf, he also hosts the California Book Club, a monthly online discussion of a new classic in Golden State literature for Alta magazine. His work has appeared in the New Yorker and the Paris Review and has been translated into twenty-two languages.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Ariana Harwicz es una escritora de Buenos Aires que vive en la campiña francesa. Sus relatos han aparecido en Granta, The Paris Review o The New Yorker. Ha sido finalista del premio Man Booker International. En 2024 se estrenará la adaptación al cine de su novela 'Matate, amor' producida por Martin Scorsese. Su último libro es 'El ruido de la época' (Gatopardo) un ensayo donde reflexiona sobre la era en la que vivimos y reivindica la necesidad de la paradoja. Hablamos en el Hotel sobre música, pintura, odio, escritura, naturaleza, contradicciones y mucho más.

In this episode, Xavier Bonilla has a dialogue with Clancy Martin about suicide. They talk about his personal experiences and why he wrote the book in such an honest manner. They discuss why suicide is such a taboo topic, why gratitude for life isn't always enough, practical ways to help when feeling suicidal, and the imminence of death. They talk about freedom and burden of living, assisted suicide, treatment, and many more topics.Clancy Martin is a philosopher and author. He is a professor of philosophy at the University of Missouri in Kansas City and Ashoka University in New Delhi. His writing has appeared in The New Yorker, New York, The Atlantic, Harper's, Esquire, and The Paris Review. He is the author of the book, How Not To Kill Yourself: A Portrait of the Suicidal Mind. If you or someone you know feels suicidal, please contact the National Suicide Hotline 24/7: 988 Get full access to Converging Dialogues at convergingdialogues.substack.com/subscribe

James Frankie Thomas is the author of the debut novel Idlewild, available from The Overlook Press. It was the official September pick of the Otherppl Book Club. Thomas is a lifelong New Yorker. He attended the City College of New York and the Iowa Writers' Workshop. He has worked as a video store clerk, a Shakespeare tutor, and the "YA of Yore" columnist for the Paris Review; he was most recently a theater critic at Vulture. Idlewild is his first novel. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Google Podcasts, Spotify, Stitcher, iHeart Radio, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram  YouTube TikTok Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week I spiraled out with the brilliant & SUPER funny stand up comic & writer Amy Silverberg! (Comedy Central, The Paris Review)  We talked Jewish parents, boundaries, talking about your students and boyfriends in your stand up, fake vs real vulnerability, codependency and hurting people more in trying NOT to hurt them, how being teased can feel like love, being a recovered ghoster, and SO MUCH MORE. Amy also shared several juicy shame stories AND we went deep into the world of her relationship with her now infamous therapist, DR. BARBARA.  Amy's debut novel First Time, Long Time is forthcoming from Grand Central Publishing in 2024, and you can spy her short fiction in The New Yorker, The Paris Review, Best American Short Stories, and more. She performs stand up regularly in LA and tours all over the country- follow her on Instagram & Twitter @amysilverberg and TikTok @amysilverbergrules to stay in the know of her upcoming shows! You can follow me on Twitter, Instagram, and TikTok @elykreimendahl, and the pod on Twitter and Instagram @podshamespiral, where I'm regularly posting fun video clips of especially juicy or hilarious moments from the episodes.  And if you're enjoying the pod, please rate, review and subscribe! If you do, I will SPIRAL-but in the good way.  Editor: Kalie McAlexander, Twitter @kaliebud & IG @kaliebuddOriginal Music: Shadwick Wilde, Instagram and Twitter: @shadwickwildeCover Art: Cassidy Kulhanek, Instagram, Twitter and TikTok: @heavenlygrandpatwitter.com/podshamespiralinstagram.com/podshamespiralinstagram.com/elykreimendahltiktok.com/@elykreimendahltwitter.com/elykreimendahl

Rick Bass, a National Book Critics Circle Award finalist for his memoir Why I Came West, was born and raised in Texas, worked as a petroleum geologist in Mississippi, and has lived in Montana's Yaak Valley for almost three decades. His short fiction, which has appeared in The New Yorker, The Atlantic, Esquire, and The Paris Review, as well as numerous times in Best American Short Stories, has earned him The Story Prize, multiple O. Henry Awards and Pushcart Prizes in addition to NEA and Guggenheim fellowships.He's an organizer and speaker at Climate Aid: The Voice of the Forest, a fundraiser event to benefit the grassroots environmental movement of Protect Ancient Forests & The Montana Project. Featuring Maggie Rogers and more great performers and speakers. The evening will advance the efforts to protect the Black Ram forest by designating the region as the nation's first Climate Refuge. Portland, Maine, on Sunday, Oct. 15 at 7 p.m. ET, at the Merrill Auditorium. Tickets available at the Merrill's box office and online at PortTIX.com. "I grieve the changes to the four seasons that are happening here in Montana. One of the great things about this place is having four distinct seasons, and now they're tilted. Some are short, some are long, and some don't exist anymore. And that's unsettling, to say the least. It's not a fear of what's coming. It's a grief for what's gone away. I'm mindful of the pressure that we are putting on the generations who follow us and the mandate to have fun, to be fully human, to be joyous, to celebrate, and to enjoy being in the midst of nature's beauty."www.rickbass.netwww.protectancientforests.orgwww.montanaproject.orgwww.PortTIX.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"So it's just a great joy to be passing this guitar made from the wood of an 800-year-old tree around to musicians and asking them to play a song of resistance or celebration. And that's what we're going to do at Climate Aid: The Voice of the Forest. We're going to have it be an annual event like Farm Aid. And we want it to be big. We want it to be Woodstock in its pivot point. The way the Children's Trust court case was pivotal, the way this Black Ram court case we had and won was pivotal.We want Climate Aid to be a celebration. And this one guitar exploring the question: Can one tree save a forest? Can one song save a forest? And we think the answer is yes. We believe it will be. What we want to do with the forest that the guitar came from is establish it as a climate refuge, a place dedicated to storing as much carbon and long-term safekeeping as possible.We want the climate refuge to be really big. We want it to store a ton of carbon. We want it to be a focal point for increased scientific and artistic inquiry. We've brought in the world's leading climate scientists, and they've analyzed it, and they're proposing studies that should happen there. We've brought in our country's leading artists and they have experienced it and responded to it in their own way. We've had performance artists come and play music in the forest. So we want to establish the nation's first climate refuge. There is no such designation. We want it to be in Black Ram. This forest that almost got erased, a forest that was a thousand years old and almost went away. But we're getting a second chance. We saved it. Now we want to preserve it for another thousand years to study it, but we don't want to stop there. We want the government to establish a series of climate refuges all along the northern tier of the United States. What we think of as a necklace of green, a curtain of green. And from there to go around the globe, across northern Europe and northern Asia, and back around to Alaska. The amount of carbon that can be kept safely sequestered there is extraordinary. The numbers are almost unbelievable."Rick Bass, a National Book Critics Circle Award finalist for his memoir Why I Came West, was born and raised in Texas, worked as a petroleum geologist in Mississippi, and has lived in Montana's Yaak Valley for almost three decades. His short fiction, which has appeared in The New Yorker, The Atlantic, Esquire, and The Paris Review, as well as numerous times in Best American Short Stories, has earned him The Story Prize, multiple O. Henry Awards and Pushcart Prizes in addition to NEA and Guggenheim fellowships.He's an organizer and speaker at Climate Aid: The Voice of the Forest, a fundraiser event to benefit the grassroots environmental movement of Protect Ancient Forests & The Montana Project. Featuring Maggie Rogers and more great performers and speakers. The evening will advance the efforts to protect the Black Ram forest by designating the region as the nation's first Climate Refuge. Portland, Maine, on Sunday, Oct. 15 at 7 p.m. ET, at the Merrill Auditorium. Tickets available at the Merrill's box office and online at PortTIX.com. www.rickbass.netwww.protectancientforests.orgwww.montanaproject.orgwww.PortTIX.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"So it's just a great joy to be passing this guitar made from the wood of an 800-year-old tree around to musicians and asking them to play a song of resistance or celebration. And that's what we're going to do at Climate Aid: The Voice of the Forest. We're going to have it be an annual event like Farm Aid. And we want it to be big. We want it to be Woodstock in its pivot point. The way the Children's Trust court case was pivotal, the way this Black Ram court case we had and won was pivotal.We want Climate Aid to be a celebration. And this one guitar exploring the question: Can one tree save a forest? Can one song save a forest? And we think the answer is yes. We believe it will be. What we want to do with the forest that the guitar came from is establish it as a climate refuge, a place dedicated to storing as much carbon and long-term safekeeping as possible.We want the climate refuge to be really big. We want it to store a ton of carbon. We want it to be a focal point for increased scientific and artistic inquiry. We've brought in the world's leading climate scientists, and they've analyzed it, and they're proposing studies that should happen there. We've brought in our country's leading artists and they have experienced it and responded to it in their own way. We've had performance artists come and play music in the forest. So we want to establish the nation's first climate refuge. There is no such designation. We want it to be in Black Ram. This forest that almost got erased, a forest that was a thousand years old and almost went away. But we're getting a second chance. We saved it. Now we want to preserve it for another thousand years to study it, but we don't want to stop there. We want the government to establish a series of climate refuges all along the northern tier of the United States. What we think of as a necklace of green, a curtain of green. And from there to go around the globe, across northern Europe and northern Asia, and back around to Alaska. The amount of carbon that can be kept safely sequestered there is extraordinary. The numbers are almost unbelievable."Rick Bass, a National Book Critics Circle Award finalist for his memoir Why I Came West, was born and raised in Texas, worked as a petroleum geologist in Mississippi, and has lived in Montana's Yaak Valley for almost three decades. His short fiction, which has appeared in The New Yorker, The Atlantic, Esquire, and The Paris Review, as well as numerous times in Best American Short Stories, has earned him The Story Prize, multiple O. Henry Awards and Pushcart Prizes in addition to NEA and Guggenheim fellowships.He's an organizer and speaker at Climate Aid: The Voice of the Forest, a fundraiser event to benefit the grassroots environmental movement of Protect Ancient Forests & The Montana Project. Featuring Maggie Rogers and more great performers and speakers. The evening will advance the efforts to protect the Black Ram forest by designating the region as the nation's first Climate Refuge. Portland, Maine, on Sunday, Oct. 15 at 7 p.m. ET, at the Merrill Auditorium. Tickets available at the Merrill's box office and online at PortTIX.com. www.rickbass.netwww.protectancientforests.orgwww.montanaproject.orgwww.PortTIX.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I grieve the changes to the four seasons that are happening here in Montana. One of the great things about this place is having four distinct seasons, and now they're tilted. Some are short, some are long, and some don't exist anymore. And that's unsettling, to say the least. It's not a fear of what's coming. It's a grief for what's gone away. I'm mindful of the pressure that we are putting on the generations who follow us and the mandate to have fun, to be fully human, to be joyous, to celebrate, and to enjoy being in the midst of nature's beauty."Rick Bass, a National Book Critics Circle Award finalist for his memoir Why I Came West, was born and raised in Texas, worked as a petroleum geologist in Mississippi, and has lived in Montana's Yaak Valley for almost three decades. His short fiction, which has appeared in The New Yorker, The Atlantic, Esquire, and The Paris Review, as well as numerous times in Best American Short Stories, has earned him The Story Prize, multiple O. Henry Awards and Pushcart Prizes in addition to NEA and Guggenheim fellowships.He's an organizer and speaker at Climate Aid: The Voice of the Forest, a fundraiser event to benefit the grassroots environmental movement of Protect Ancient Forests & The Montana Project. Featuring Maggie Rogers and more great performers and speakers. The evening will advance the efforts to protect the Black Ram forest by designating the region as the nation's first Climate Refuge. Portland, Maine, on Sunday, Oct. 15 at 7 p.m. ET, at the Merrill Auditorium. Tickets available at the Merrill's box office and online at PortTIX.com.www.rickbass.netwww.protectancientforests.orgwww.montanaproject.orgwww.PortTIX.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Rick Bass, a National Book Critics Circle Award finalist for his memoir Why I Came West, was born and raised in Texas, worked as a petroleum geologist in Mississippi, and has lived in Montana's Yaak Valley for almost three decades. His short fiction, which has appeared in The New Yorker, The Atlantic, Esquire, and The Paris Review, as well as numerous times in Best American Short Stories, has earned him The Story Prize, multiple O. Henry Awards and Pushcart Prizes in addition to NEA and Guggenheim fellowships.He's an organizer and speaker at Climate Aid: The Voice of the Forest, a fundraiser event to benefit the grassroots environmental movement of Protect Ancient Forests & The Montana Project. Featuring Maggie Rogers and more great performers and speakers. The evening will advance the efforts to protect the Black Ram forest by designating the region as the nation's first Climate Refuge. Portland, Maine, on Sunday, Oct. 15 at 7 p.m. ET, at the Merrill Auditorium. Tickets available at the Merrill's box office and online at PortTIX.com. "I grieve the changes to the four seasons that are happening here in Montana. One of the great things about this place is having four distinct seasons, and now they're tilted. Some are short, some are long, and some don't exist anymore. And that's unsettling, to say the least. It's not a fear of what's coming. It's a grief for what's gone away. I'm mindful of the pressure that we are putting on the generations who follow us and the mandate to have fun, to be fully human, to be joyous, to celebrate, and to enjoy being in the midst of nature's beauty."www.rickbass.netwww.protectancientforests.orgwww.montanaproject.orgwww.PortTIX.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"Be specific. Show, don't tell. And it comes back to the five senses. If it's something we can touch, taste, scent, see, hear, then we're going to engage more deeply in the dream. And if it's an abstraction like beautiful or terrible, that's a kind of shorthand, and we lose a little bit of our connection with the reader every time we use an abstraction because beautiful is going to mean something slightly different to every different reader. And then you put another abstraction on that, terrible say, that's going to mean something different. Abstraction by abstraction, a degree at a time, two or three degrees at a time, finally you're 180 degrees away from the reader. Whereas if it's something specific, a yellow-handled phillips screwdriver with a bit of oil and the handles worn smooth from where the protagonist's father had done kitchen repair in their home 75 years before, falling off a ladder at the age of nine and breaking his neck...The specificity allows us to believe in the dream of the story. And that's what we as writers want the reader to be. We want to believe in the dream of the story. When we're not being specific as writers, it's because we are groping and grasping for the story. I think the best writing is the most specific writing, and there's this phenomenon as a writer when your story sags and you can't quite figure out what's gone wrong. You go back and look at it and wherever your best writing is, that's where the secret heart of the story is. That's where the story was trying to come up from below. And when you subconsciously were most engaged with it, you could see it, you could taste it, you could smell it, you could feel it, you could hear it.William Carlos Williams said, 'No ideas, but in things.' He said in five words what I just spent five minutes blathering about. No ideas, but in things. Don't tell me what something is. Show it to me. The meaning and the idea is in the image or in the sound, or in the taste."Rick Bass, a National Book Critics Circle Award finalist for his memoir Why I Came West, was born and raised in Texas, worked as a petroleum geologist in Mississippi, and has lived in Montana's Yaak Valley for almost three decades. His short fiction, which has appeared in The New Yorker, The Atlantic, Esquire, and The Paris Review, as well as numerous times in Best American Short Stories, has earned him The Story Prize, multiple O. Henry Awards and Pushcart Prizes in addition to NEA and Guggenheim fellowships.He's an organizer and speaker at Climate Aid: The Voice of the Forest, a fundraiser event to benefit the grassroots environmental movement of Protect Ancient Forests & The Montana Project. Featuring Maggie Rogers and more great performers and speakers. The evening will advance the efforts to protect the Black Ram forest by designating the region as the nation's first Climate Refuge. Portland, Maine, on Sunday, Oct. 15 at 7 p.m. ET, at the Merrill Auditorium. Tickets available at the Merrill's box office and online at PortTIX.com. www.rickbass.netwww.protectancientforests.orgwww.montanaproject.orgwww.PortTIX.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Rick Bass, a National Book Critics Circle Award finalist for his memoir Why I Came West, was born and raised in Texas, worked as a petroleum geologist in Mississippi, and has lived in Montana's Yaak Valley for almost three decades. His short fiction, which has appeared in The New Yorker, The Atlantic, Esquire, and The Paris Review, as well as numerous times in Best American Short Stories, has earned him The Story Prize, multiple O. Henry Awards and Pushcart Prizes in addition to NEA and Guggenheim fellowships.He's an organizer and speaker at Climate Aid: The Voice of the Forest, a fundraiser event to benefit the grassroots environmental movement of Protect Ancient Forests & The Montana Project. Featuring Maggie Rogers and more great performers and speakers. The evening will advance the efforts to protect the Black Ram forest by designating the region as the nation's first Climate Refuge. Portland, Maine, on Sunday, Oct. 15 at 7 p.m. ET, at the Merrill Auditorium. Tickets available at the Merrill's box office and online at PortTIX.com. "Be specific. Show, don't tell. And it comes back to the five senses. If it's something we can touch, taste, scent, see, hear, then we're going to engage more deeply in the dream. And if it's an abstraction like beautiful or terrible, that's a kind of shorthand, and we lose a little bit of our connection with the reader every time we use an abstraction because beautiful is going to mean something slightly different to every different reader. And then you put another abstraction on that, terrible say, that's going to mean something different. Abstraction by abstraction, a degree at a time, two or three degrees at a time, finally you're 180 degrees away from the reader. Whereas if it's something specific, a yellow-handled phillips screwdriver with a bit of oil and the handles worn smooth from where the protagonist's father had done kitchen repair in their home 75 years before, falling off a ladder at the age of nine and breaking his neck...The specificity allows us to believe in the dream of the story. And that's what we as writers want the reader to be. We want to believe in the dream of the story. When we're not being specific as writers, it's because we are groping and grasping for the story. I think the best writing is the most specific writing, and there's this phenomenon as a writer when your story sags and you can't quite figure out what's gone wrong. You go back and look at it and wherever your best writing is, that's where the secret heart of the story is. That's where the story was trying to come up from below. And when you subconsciously were most engaged with it, you could see it, you could taste it, you could smell it, you could feel it, you could hear it.William Carlos Williams said, 'No ideas, but in things.' He said in five words what I just spent five minutes blathering about. No ideas, but in things. Don't tell me what something is. Show it to me. The meaning and the idea is in the image or in the sound, or in the taste."www.rickbass.netwww.protectancientforests.orgwww.montanaproject.orgwww.PortTIX.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"So it's just a great joy to be passing this guitar made from the wood of an 800-year-old tree around to musicians and asking them to play a song of resistance or celebration. And that's what we're going to do at Climate Aid: The Voice of the Forest. We're going to have it be an annual event like Farm Aid. And we want it to be big. We want it to be Woodstock in its pivot point. The way the Children's Trust court case was pivotal, the way this Black Ram court case we had and won was pivotal.We want Climate Aid to be a celebration. And this one guitar exploring the question: Can one tree save a forest? Can one song save a forest? And we think the answer is yes. We believe it will be. What we want to do with the forest that the guitar came from is establish it as a climate refuge, a place dedicated to storing as much carbon and long-term safekeeping as possible.I went into this old forest called Black Ram that we were seeking to defend and did successfully defend for now. There are these 600, 700, and 800-year-old trees already spraypainted in orange and blue that they were going to cut down. And I thought let's make a guitar out of a piece of one of these giant spruces. And that's what I did. I went back with my chainsaw and cut out a length of it, wheel-barreled it out, and took the piece of wood to a man named Kevin Kopp."Rick Bass, a National Book Critics Circle Award finalist for his memoir Why I Came West, was born and raised in Texas, worked as a petroleum geologist in Mississippi, and has lived in Montana's Yaak Valley for almost three decades. His short fiction, which has appeared in The New Yorker, The Atlantic, Esquire, and The Paris Review, as well as numerous times in Best American Short Stories, has earned him The Story Prize, multiple O. Henry Awards and Pushcart Prizes in addition to NEA and Guggenheim fellowships.He's an organizer and speaker at Climate Aid: The Voice of the Forest, a fundraiser event to benefit the grassroots environmental movement of Protect Ancient Forests & The Montana Project. Featuring Maggie Rogers and more great performers and speakers. The evening will advance the efforts to protect the Black Ram forest by designating the region as the nation's first Climate Refuge. Portland, Maine, on Sunday, Oct. 15 at 7 p.m. ET, at the Merrill Auditorium. Tickets available at the Merrill's box office and online at PortTIX.com. www.rickbass.netwww.protectancientforests.orgwww.montanaproject.orgwww.PortTIX.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Rick Bass, a National Book Critics Circle Award finalist for his memoir Why I Came West, was born and raised in Texas, worked as a petroleum geologist in Mississippi, and has lived in Montana's Yaak Valley for almost three decades. His short fiction, which has appeared in The New Yorker, The Atlantic, Esquire, and The Paris Review, as well as numerous times in Best American Short Stories, has earned him The Story Prize, multiple O. Henry Awards and Pushcart Prizes in addition to NEA and Guggenheim fellowships.He's an organizer and speaker at Climate Aid: The Voice of the Forest, a fundraiser event to benefit the grassroots environmental movement of Protect Ancient Forests & The Montana Project. Featuring Maggie Rogers and more great performers and speakers. The evening will advance the efforts to protect the Black Ram forest by designating the region as the nation's first Climate Refuge. Portland, Maine, on Sunday, Oct. 15 at 7 p.m. ET, at the Merrill Auditorium. Tickets available at the Merrill's box office and online at PortTIX.com. "So it's just a great joy to be passing this guitar made from the wood of an 800-year-old tree around to musicians and asking them to play a song of resistance or celebration. And that's what we're going to do at Climate Aid: The Voice of the Forest. We're going to have it be an annual event like Farm Aid. And we want it to be big. We want it to be Woodstock in its pivot point. The way the Children's Trust court case was pivotal, the way this Black Ram court case we had and won was pivotal.We want Climate Aid to be a celebration. And this one guitar exploring the question: Can one tree save a forest? Can one song save a forest? And we think the answer is yes. We believe it will be. What we want to do with the forest that the guitar came from is establish it as a climate refuge, a place dedicated to storing as much carbon and long-term safekeeping as possible.I went into this old forest called Black Ram that we were seeking to defend and did successfully defend for now. There are these 600, 700, and 800-year-old trees already spraypainted in orange and blue that they were going to cut down. And I thought let's make a guitar out of a piece of one of these giant spruces. And that's what I did. I went back with my chainsaw and cut out a length of it, wheel-barreled it out, and took the piece of wood to a man named Kevin Kopp."www.rickbass.netwww.protectancientforests.orgwww.montanaproject.orgwww.PortTIX.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"So it's just a great joy to be passing this guitar made from the wood of an 800-year-old tree around to musicians and asking them to play a song of resistance or celebration. And that's what we're going to do at Climate Aid: The Voice of the Forest. We're going to have it be an annual event like Farm Aid. And we want it to be big. We want it to be Woodstock in its pivot point. The way the Children's Trust court case was pivotal, the way this Black Ram court case we had and won was pivotal.We want Climate Aid to be a celebration. And this one guitar exploring the question: Can one tree save a forest? Can one song save a forest? And we think the answer is yes. We believe it will be. What we want to do with the forest that the guitar came from is establish it as a climate refuge, a place dedicated to storing as much carbon and long-term safekeeping as possible.We want the climate refuge to be really big. We want it to store a ton of carbon. We want it to be a focal point for increased scientific and artistic inquiry. We've brought in the world's leading climate scientists, and they've analyzed it, and they're proposing studies that should happen there. We've brought in our country's leading artists and they have experienced it and responded to it in their own way. We've had performance artists come and play music in the forest. So we want to establish the nation's first climate refuge. There is no such designation. We want it to be in Black Ram. This forest that almost got erased, a forest that was a thousand years old and almost went away. But we're getting a second chance. We saved it. Now we want to preserve it for another thousand years to study it, but we don't want to stop there. We want the government to establish a series of climate refuges all along the northern tier of the United States. What we think of as a necklace of green, a curtain of green. And from there to go around the globe, across northern Europe and northern Asia, and back around to Alaska. The amount of carbon that can be kept safely sequestered there is extraordinary. The numbers are almost unbelievable."Rick Bass, a National Book Critics Circle Award finalist for his memoir Why I Came West, was born and raised in Texas, worked as a petroleum geologist in Mississippi, and has lived in Montana's Yaak Valley for almost three decades. His short fiction, which has appeared in The New Yorker, The Atlantic, Esquire, and The Paris Review, as well as numerous times in Best American Short Stories, has earned him The Story Prize, multiple O. Henry Awards and Pushcart Prizes in addition to NEA and Guggenheim fellowships.He's an organizer and speaker at Climate Aid: The Voice of the Forest, a fundraiser event to benefit the grassroots environmental movement of Protect Ancient Forests & The Montana Project. Featuring Maggie Rogers and more great performers and speakers. The evening will advance the efforts to protect the Black Ram forest by designating the region as the nation's first Climate Refuge. Portland, Maine, on Sunday, Oct. 15 at 7 p.m. ET, at the Merrill Auditorium. Tickets available at the Merrill's box office and online at PortTIX.com. www.rickbass.netwww.protectancientforests.orgwww.montanaproject.orgwww.PortTIX.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast