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Vol. 16 of Story Time, featuring an author reading aloud from her work. In this episode, Deb Olin Unferth reads from her new novel, Earth 7, now available from Graywolf Press. Deb is the author of six books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and three Pushcart Prizes, and was a National Book Critics Circle Award finalist. Her work has appeared in Granta, Harper's, McSweeney's, and The Paris Review. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
Summon an image of an American home: Odds are there's a green grass lawn in front of it. Was this what Walt Whitman sang of in Leaves of Grass? Or was it the native grassland of the prairies, now disappearing under the onslaught of Poa pratensis, Kentucky bluegrass? In Christopher Kondrich's new collection of poems, Tread Upon, a blade of grass is the beginning of a book-length sequence about the devaluation of the living world, from BP's invention of the concept of the carbon footprint to the tiny bodies of bats exploding near wind turbines, from the coal ash belched into the Cape Fear River to voiceless Western pond turtles searching for water in a drought. “We belittle the grass when we think it grows / everywhere. It doesn't. It grows here and here and here,” Kondrich writes. “Even one blade is a place.”Christopher Kondrich is the author of the previous collections Contrapuntal and Valuing, which won the National Poetry Series and was named a best book of 2019 by Library Journal. His poems have appeared widely in such venues as The Atlantic, The Believer, The Kenyon Review, Los Angeles Review of Books, The New York Review of Books, The Paris Review, Ploughshares, and The Yale Review. He is currently Visiting Poet in Residence for the Creative Writing MFA program at the University of Maryland.Go beyond the episode:Christopher Kondrich's Tread UponWatch Kaneto Shindo's Onibaba (1964)Read selections from the collection: “There are empty spaces we make …”“Floodwaters carry coal ash into the Cape Fear River …”“I side with myself. I touch my face …”“We belittle the grass when we think it grows …”“The fantasy of chaining myself to a redwood …”Tune in every other week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes/Apple • Amazon • Google • Acast • PandoraHave suggestions for projects you'd like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Hosted on Acast. See acast.com/privacy for more information.
Deb Olin Unferth is the author of the novel Earth 7, available from Graywolf Press. Unferth is the author of six books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and three Pushcart Prizes, and was a National Book Critics Circle Award finalist. Her work has appeared in Granta, Harper's, McSweeney's, and The Paris Review. *** Today's episode is brought to you by Rula. Thousands of people are already using Rula to get affordable, high-quality therapy that's actually covered by insurance. Visit www.rula.com/otherppl to get started. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, we invite the marvellous Brian Cullman to join us onscreen from a French farmhouse in the Dordogne. The author of How to Prepare for the Past talks us through his fascinating "travels in music and time" from New York City to North Africa via his writing for Crawdaddy, Musician and The Paris Review. Beginning with his boyhood in midtown Manhattan, Brian recalls his ecstatic discovery of pop radio and WBAI's Bob Fass; his befriending of the late Lillian Roxon; and his teenage immersion in the Max's Kansas City scene. The core of our conversation concerns the period our guest spent in early '70s London, where he fell in with rising folk-rock luminaries Sandy Denny and John & Beverley Martyn and hung out with an all-but-unknown Nick Drake. We hear clips from a 1982 audio interview with Martyn by Brian's Musician colleague John Hutchinson. We jump to the end of the decade as our guest recalls his friendship with R&B legend Big Joe Turner and discusses his dual experience of being a music writer and a performing singer-songwriter. After William quotes from newly-added library pieces by Derek Taylor (1968) and about Amy Winehouse (2004), Barney harks back to a Village Voice report on "Papa John" Phillips on Broadway (1975) and a Madonna profile by recent RBP recruit Barry Walters (2017).How to Prepare For The Past: Travels In Music and Time is published by ZE Books and available now. Pieces discussed: Derek & the Dominos: Marquee Club, London, The Amazing James Booker, Emerald Sapphire and Gold, John Martyn audio, Top Tunes: Martha and the Vandellas, Martha Reeves Goes Solo, Martha Reeves: Martha's Happier Than Ever Before, L.A.: Where It's At, Amy Winehouse: Hip Hop's Jane Austen?, John Phillips on the Great White Way and Madonna's Erotica, Sex: Why Musical Masterpiece, Defiant Book Still Matter.
After more than 800 episodes, I've observed that many of my remarkable guests are connected by one or more common threads. Each episode of Special Collections focuses on a particular thread that ties together some of my guests. In this episode, that common thread is poetry. This episode features five remarkable, world-class poets who have expanded the range of artistic expression featured on this podcast. When I started this podcast just over five years ago, as a musician myself, I focused primarily on great musicians as my guests. But as those guests began introducing me to other artists, a wonderful development occurred: my focus expanded to include other creative disciplines, including poetry. And my first poet guest led me to the second, and so on. I've now built a roster of extraordinary poets — and I look forward to continuing to add to it. What makes poetry especially interesting to me is that I've adapted the SongFest portion of each interview — which I do with my musician guests — into a PoetryFest segment for my poet guests, where they read one of their works live on the air. I love it. So with that in mind, let me reintroduce these five remarkable poets and share a portion of the poem each performed live on the podcast. ⸻ Robert Pinsky is a three-time United States Poet Laureate. He has received numerous awards and was a Pulitzer Prize finalist. He created the Favorite Poem Project, has performed with Bruce Springsteen, and was featured on The Simpsons. Paul Muldoon is a Pulitzer Prize–winning Irish poet. He is the editor of Paul McCartney's book The Lyrics: 1956 to the Present. He is also the author of 15 collections of poetry and has been a professor at Princeton for more than 35 years. Rowan Ricardo Phillips is an award-winning poet and writer, with works including Silver, The Ground, and Heaven. He is also a sportswriter and serves as the poetry editor of The New Republic. Tom Sleigh is an award-winning poet, dramatist, and essayist. He has written 11 books of poetry, including The King's Touch, Army Cats, and Space Walk. Declan Ryan is an Irish poet now based in London. His first collection is titled Crisis Actor. His work has appeared in The New Yorker, The Paris Review, The Guardian, The Observer, and The Irish Times. So there it is — five extraordinary poets who have been guests on this podcast. As I mentioned during their interviews, poetry is not always emphasized in American education. My own exposure was limited to classics like “Trees” by Joyce Kilmer and “The Road Not Taken” by Robert Frost. But the art of poetry stands alongside all the other arts, and I'm proud to feature these great poets on the podcast — and I look forward to presenting more. Thank you for listening, and stay tuned for another Special Collections episode soon. This is Robert Miller with Follow Your Dream.
In Episode 39 DDSWTNP look at Parts 1 and 2 of Underworld and welcome back to the show Curt Gardner, creator of the most important DeLillo resource in cyberspace, Don DeLillo's America (https://perival.com/delillo/delillo.html). We talk with Curt about his indispensable site coming online thirty years ago, just as news of DeLillo's big novel was breaking, and at the episode's end we get Curt's thoughts on the emergent Internet of the mid-1990s as space for literary discussion and as this novel's climactic example of an underworld where everything may indeed be connected. The bulk of this discussion focuses on “Long Tall Sally,” “Manx Martin 1,” and “Elegy for Left Hand Alone” as they shift the narrative terrain from 1951 to the 1980s and 1990s, retrospect on the meanings of the Cold War and its end, and introduce Nick Shay as a figure of memory, marital strain, middle age, repressed violence, and compromised fatherhood. Topics in this episode include all the evocations of and key differences from past DeLillo in this novel, especially White Noise; the explorations of visual media, violence, and loserdom brought out by the portrait of the Texas Highway Killer; the distinct DeLillo view of the aging self and its fear of mortality that arises in Parts 1 and 2; and what he might be up to in his nuanced depictions of drugs, forms of self-protection, and Marvin Lundy's remarkable idea of “the dot theory of reality.” Curt shares with us many insights into the expectations and mysteries around this novel for keen DeLillo readers like him throughout the 1990s, while also helping us work through exactly how Parts 1 and 2 launch the novel's deeper investigations of creativity, time, mean New York streets, and public and private identities. It all adds up to a great continuation of the Summer of Underworld with DDSWTNP and someone who's spent more than three decades illuminating DeLillo for readers and scholars worldwide. Texts mentioned and discussed in this episode: Curt Gardner, Don DeLillo's America: https://perival.com/delillo/delillo.html (for the Underworld entry page: https://perival.com/delillo/underworld.html) Adam Begley, “Don DeLillo: The Art of Fiction CXXXV,” The Paris Review 128 (1993): 274-306. Ralph Gardner, Jr. “Writing That Can Strengthen the Fraying Threads of Memory.” New York Times, January 30, 1997. https://www.nytimes.com/1997/01/30/garden/writing-that-can-strengthen-the-fraying-threads-of-memory.html Gerald Howard, “The American Strangeness: An Interview with Don DeLillo.” Hungry Mind Review, 1997. https://web.archive.org/web/19990129081431/www.bookwire.com/hmr/hmrinterviews.article$2563
Claire Vaye Watkins was born in Bishop, California and raised in the Mojave Desert on the Amargosa River. A graduate of the University of Nevada Reno, she earned her MFA from the Ohio State University in 2010. Claire is the author of three novels—Gold Fame Citrus, I Love You but I've Chosen Darkness, and Yellow Pine—and the short story collection Battleborn. She has received the Story Prize, the Dylan Thomas Prize, the New York Public Library's Young Lions Fiction Award, the Rosenthal Family Foundation Award from the American Academy of Arts and Letters, the Silver Pen Award from the Nevada Writers Hall of Fame, as well as fellowships from the Lannan Foundation and the Guggenheim Foundation. Her fiction and essays have appeared in Alta, One Story, The Believer, The Paris Review, Tin House, McSweeny's, BOMB, The New Republic,Either/Or, Freeman's, New York Magazine, The Nevada Independent, The New York Times and elsewhere. She is was included in Granta's “Best Young American Novelists” and the National Book Foundation's “5 Under 35.” Claire is on the board of the Amargosa Conservancy and a professor in the Programs in Writing at the University of California, Irvine. She lives in Orange County and the Mojave Desert. Claire joins Barbara DeMarco-Barrett to talk about voice, perfectionism, weaving in backstory, plotting, writing climate fiction, maintaining stamina, and much more. For more information on Writers on Writing and to become a supporter, visit our Patreon page. For a one-time donation, visit Ko-fi. You can help out the show and indie bookstores by buying books at our bookstore on bookshop.org. It's stocked with titles by our guests, as well as our personal favorites. And on Spotify, you'll find an album's worth of Travis Barrett's typewriter music like what you hear on the show. There's no lyrics, making It perfect for writing. Look for the artist, Just My Type. You can find hundreds of past interviews on our website. (Recorded on June 12, 2026) Host: Barbara DeMarco-Barrett Host: Marrie Stone Music: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)
Rachel Eliza Griffiths is a poet, multimedia artist, memoirist and novelist. Her literary and visual work has been widely published in magazines, journals, and anthologies, including The New Yorker, The Paris Review, Poets and Writers, and Best American Poetry, among others. Some of her poetry collections include Miracle Arrhythmia, Mule and Pear, Seeing the Body, and Lighting the Shadow. Griffiths' hybrid collection of poetry and photography, Seeing the Body was selected as the winner of the 2021 Hurston/Wright Foundation Legacy Award in Poetry, the winner of the 2021 Paterson Poetry Prize, and a finalist the 2020 NAACP Image award. Her debut novel, Promise was a Kirkus Reviews and Chicago Public Library Best Book of the Year. Her memoir is called The Flower Bearers. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today on the program, a trip into the archive and a return to Episode 732, my conversation with Alexandra Kleeman, author of the novel Something New Under the Sun (Hogarth Press). Air date: October 13, 2021. Alexandra Kleeman's other books include the short story collection Intimations and the novel You Too Can Have A Body Like Mine, which was awarded the 2016 Bard Fiction Prize and was a New York Times Editor's Choice. In 2020, she was awarded the Rome Prize and the Berlin Prize, and was awarded a Guggenheim Fellowship in Fiction in 2022. Her fiction has been published in The New Yorker, The Paris Review, Zoetrope, Conjunctions, and Guernica, among others, and other writing has appeared in Harper's, The New York Times Magazine, VOGUE, Tin House, n+1, and The Guardian. Her work has received fellowships and support from Bread Loaf, MacDowell, Djerassi, and the Headlands Center for the Arts. She is an Associate Professor at Cornell University and a Contributing Writer at the New York Times Magazine. She lives in Ithaca and Colorado with her husband, Alex Gilvarry. *** Today's episode is brought to you by Rula. Thousands of people are already using Rula to get affordable, high-quality therapy that's actually covered by insurance. Visit www.rula.com/otherppl to get started. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
Claire Vaye Watkins was born in Bishop, California and raised in the Mojave Desert on the Amargosa River. A graduate of the University of Nevada Reno, she earned her MFA from the Ohio State University in 2010. Claire is the author of three novels—Gold Fame Citrus, I Love You but I've Chosen Darkness, and Yellow Pine—and the short story collection Battleborn. She has received the Story Prize, the Dylan Thomas Prize, the New York Public Library's Young Lions Fiction Award, the Rosenthal Family Foundation Award from the American Academy of Arts and Letters, the Silver Pen Award from the Nevada Writers Hall of Fame, as well as fellowships from the Lannan Foundation and the Guggenheim Foundation. Her fiction and essays have appeared in Alta, One Story, The Believer, The Paris Review, Tin House, McSweeny's, BOMB, The New Republic, Either/Or, Freeman's, New York Magazine, The Nevada Independent, The New York Times and elsewhere. She was included in Granta's “Best Young American Novelists” and the National Book Foundation's “5 Under 35.” Claire is on the board of the Amargosa Conservancy and a professor in the Programs in Writing at the University of California, Irvine. She lives in Orange County and the Mojave Desert.
Join us for a special celebratory poetry reading featuring participants in a poetry-writing workshop series facilitated by poet Taylor Johnson. The series was a centerpiece of Taylor's programming as the 2025-2026 Pratt Hackerman Writer in Residence.Taylor Johnson is the author of Inheritance (Alice James Books, 2020), winner of the 2021 Norma Farber First Book Award from the Poetry Society of America. He received a 2024 Whiting Award. His work appears in Poetry Magazine, The Paris Review, The Baffler, Scalawag, and elsewhere.Recorded On: Saturday, June 13, 2026
How do you report on a closed dictatorship with an oppressed yet defiant population? Journalist Nilo Tabrizy is an open-source investigative reporter who covers Iran.For Western media, it is almost impossible to provide an accurate picture of what is happening in Iran. One of the most reliable methods to do so is through open-source reporting, which uses publicly available data to reconstruct events and verify facts. Nilo Tabrizy previously did this work for The New York Times and The Washington Post. Among other investigations, she reported on the missile strike on an Iranian girls' school at the start of the war, in which about 165 students were killed. She recently received an Emmy for a documentary in collaboration with Bellingcat investigating the impact of the air strikes on the Iranian nuclear programme. How do you conduct data-driven investigations in a country notorious for internet blackouts?Earlier, Tabrizy covered the Woman, Life, Freedom movement demonstrations that erupted in Iran in 2022 after the death of Mahsa Jîna Amini. About these events, Tabrizy co-wrote the book For the Sun After Long Nights with Fatemeh Jamalpour, who is an Iranian feminist journalist, author, and former newspaper reporter. She is known for her reporting on women's rights, human rights, and social issues in Iran. She previously worked for the reformist Iranian newspaper Shargh and later contributed to international outlets including BBC World News, The Sunday Times, The Paris Review, and Los Angeles Times.The Dutch translation of their book, Zusters in Iran (Zwartjes & Labovic), was recently published. In conversation with Tabrizy and Jamalpour, we discuss the ongoing war in Iran, the recent round of protests in the country and what it means to report on a country that both journalists fled.Programme editor: Senna FeliusIn collaboration with: Zwartjes & LabovićZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.
Debut novelist Tara Menon on writing friendship as a life-shaping bond, the emotional architecture of grief, and researching the natural world for her novel Under Water. You'll learn Why a platonic friendship can shape a life as profoundly as any romance How to build tension in a story when the reader already knows what's coming. What an unexpected sea creature reveals about writing the bonds between women. The difference between endless research and knowing just enough to write the scene. Why fiction demands a kind of surrender that criticism never asks for. How grief for a lost friend and grief for a vanishing natural world can become one story. When self-doubt is evidence you're taking the work seriously. Why cutting a novel down to its essentials can matter more than what you leave in. A writing rhythm that looks nothing like “500 words every morning” (and works anyway). What finally makes the writing worth it, long before publication does. Resources & Links
Andrew Martin is the author of the novel Early Work, a New York Times Notable book of 2018, and the story collection Cool for America, longlisted for the 2020 Story Prize. His essays and stories have appeared frequently in The Paris Review, The New York Review of Books, and Harper's, as well as in The Yale Review, The Atlantic, McSweeney's, The Times Book Review and elsewhere. He lives in New York City with his family. Recommended Books: William Demby, Love Story Black Morgan Meis, The Drunken Silenus Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices
Andrew Martin is the author of the novel Early Work, a New York Times Notable book of 2018, and the story collection Cool for America, longlisted for the 2020 Story Prize. His essays and stories have appeared frequently in The Paris Review, The New York Review of Books, and Harper's, as well as in The Yale Review, The Atlantic, McSweeney's, The Times Book Review and elsewhere. He lives in New York City with his family. Recommended Books: William Demby, Love Story Black Morgan Meis, The Drunken Silenus Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Andrew Martin is the author of the novel Early Work, a New York Times Notable book of 2018, and the story collection Cool for America, longlisted for the 2020 Story Prize. His essays and stories have appeared frequently in The Paris Review, The New York Review of Books, and Harper's, as well as in The Yale Review, The Atlantic, McSweeney's, The Times Book Review and elsewhere. He lives in New York City with his family. Recommended Books: William Demby, Love Story Black Morgan Meis, The Drunken Silenus Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
On this month's episode Nicole is joined by Tom Morris to read from and discuss his story ‘Notes on Contributors' published in Issue 54 Volume Two of The Stinging Fly magazine.In their conversation, Nicole and Tom talk about how writers discuss their writing routine and about the benefit of maintaining mystery and ambiguity in writing. They also discuss writing in the realm of the body rather than the realm of the intellect, trying to bring readers toward a feeling, and the importance of learning to develop and trust your own sense of taste as a writer.Thomas Morris is the author of We Don't Know What We're Doing, and Open Up. His work has been rejected by The Paris Review, McSweeney's, and The New Yorker. Originally from Caerphilly, South Wales, he lives in Dublin, where he worked for over a decade with The Stinging Fly.Nicole Flattery is a writer and critic. Her story collection Show Them A Good Time, was published by The Stinging Fly and Bloomsbury in 2019. Her first novel, Nothing Special, was published by Bloomsbury in 2023.– — –Each month on The Stinging Fly Podcast, we invite writers from the latest issue of the magazine to read and discuss their work. Previous episodes of the podcast can be found here. The podcast's theme music is ‘Sale of Lakes', by Divan. All of The Stinging Fly's archive is available to subscribers.
Molly Crabapple joins Michael Stauch to discuss the history of the Jewish Labor Bund, the subject of her new book, Here Where We Live Is Our Country: The Story of the Jewish Bund (Random House, 2026). Once the most influential Jewish political force in Eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.” In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund's rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed? Highlights include: Crabapple's personal connection to the Bund through her great-grandfather, Sam Rothbort; How the Bund built a vibrant youth counterculture amid harsh anti-Semitism in Eastern Europe; The significance of “Hereness” to the Bund's politics and how it distinguished the group from Zionist groups advocating the colonization of Palestine; A discussion of “theory-pilled nerds” and how Crabapple's activism and journalism since Occupy Wall Street shaped her insights into the inner life of the Bund; The future of anti-Zionism in the context of Israel's ongoing destruction of Palestine. Molly Crabapple is an artist and writer based in New York. She is the author of two books, Drawing Blood and Brothers of the Gun (with Marwan Hisham), which was longlisted for a National Book Award. She was a 2020 New America Fellow and her reportage is the winner of the Bernhard Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker, and elsewhere. Her animations have won two Emmys and an Edward R. Murrow Award. Her art is in the permanent collections of the Museum of Modern Art. Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Molly Crabapple joins Michael Stauch to discuss the history of the Jewish Labor Bund, the subject of her new book, Here Where We Live Is Our Country: The Story of the Jewish Bund (Random House, 2026). Once the most influential Jewish political force in Eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.” In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund's rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed? Highlights include: Crabapple's personal connection to the Bund through her great-grandfather, Sam Rothbort; How the Bund built a vibrant youth counterculture amid harsh anti-Semitism in Eastern Europe; The significance of “Hereness” to the Bund's politics and how it distinguished the group from Zionist groups advocating the colonization of Palestine; A discussion of “theory-pilled nerds” and how Crabapple's activism and journalism since Occupy Wall Street shaped her insights into the inner life of the Bund; The future of anti-Zionism in the context of Israel's ongoing destruction of Palestine. Molly Crabapple is an artist and writer based in New York. She is the author of two books, Drawing Blood and Brothers of the Gun (with Marwan Hisham), which was longlisted for a National Book Award. She was a 2020 New America Fellow and her reportage is the winner of the Bernhard Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker, and elsewhere. Her animations have won two Emmys and an Edward R. Murrow Award. Her art is in the permanent collections of the Museum of Modern Art. Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies
Molly Crabapple joins Michael Stauch to discuss the history of the Jewish Labor Bund, the subject of her new book, Here Where We Live Is Our Country: The Story of the Jewish Bund (Random House, 2026). Once the most influential Jewish political force in Eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.” In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund's rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed? Highlights include: Crabapple's personal connection to the Bund through her great-grandfather, Sam Rothbort; How the Bund built a vibrant youth counterculture amid harsh anti-Semitism in Eastern Europe; The significance of “Hereness” to the Bund's politics and how it distinguished the group from Zionist groups advocating the colonization of Palestine; A discussion of “theory-pilled nerds” and how Crabapple's activism and journalism since Occupy Wall Street shaped her insights into the inner life of the Bund; The future of anti-Zionism in the context of Israel's ongoing destruction of Palestine. Molly Crabapple is an artist and writer based in New York. She is the author of two books, Drawing Blood and Brothers of the Gun (with Marwan Hisham), which was longlisted for a National Book Award. She was a 2020 New America Fellow and her reportage is the winner of the Bernhard Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker, and elsewhere. Her animations have won two Emmys and an Edward R. Murrow Award. Her art is in the permanent collections of the Museum of Modern Art. Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies
Molly Crabapple joins Michael Stauch to discuss the history of the Jewish Labor Bund, the subject of her new book, Here Where We Live Is Our Country: The Story of the Jewish Bund (Random House, 2026). Once the most influential Jewish political force in Eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.” In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund's rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed? Highlights include: Crabapple's personal connection to the Bund through her great-grandfather, Sam Rothbort; How the Bund built a vibrant youth counterculture amid harsh anti-Semitism in Eastern Europe; The significance of “Hereness” to the Bund's politics and how it distinguished the group from Zionist groups advocating the colonization of Palestine; A discussion of “theory-pilled nerds” and how Crabapple's activism and journalism since Occupy Wall Street shaped her insights into the inner life of the Bund; The future of anti-Zionism in the context of Israel's ongoing destruction of Palestine. Molly Crabapple is an artist and writer based in New York. She is the author of two books, Drawing Blood and Brothers of the Gun (with Marwan Hisham), which was longlisted for a National Book Award. She was a 2020 New America Fellow and her reportage is the winner of the Bernhard Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker, and elsewhere. Her animations have won two Emmys and an Edward R. Murrow Award. Her art is in the permanent collections of the Museum of Modern Art. Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies
Molly Crabapple joins Michael Stauch to discuss the history of the Jewish Labor Bund, the subject of her new book, Here Where We Live Is Our Country: The Story of the Jewish Bund (Random House, 2026). Once the most influential Jewish political force in Eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.” In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund's rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed? Highlights include: Crabapple's personal connection to the Bund through her great-grandfather, Sam Rothbort; How the Bund built a vibrant youth counterculture amid harsh anti-Semitism in Eastern Europe; The significance of “Hereness” to the Bund's politics and how it distinguished the group from Zionist groups advocating the colonization of Palestine; A discussion of “theory-pilled nerds” and how Crabapple's activism and journalism since Occupy Wall Street shaped her insights into the inner life of the Bund; The future of anti-Zionism in the context of Israel's ongoing destruction of Palestine. Molly Crabapple is an artist and writer based in New York. She is the author of two books, Drawing Blood and Brothers of the Gun (with Marwan Hisham), which was longlisted for a National Book Award. She was a 2020 New America Fellow and her reportage is the winner of the Bernhard Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker, and elsewhere. Her animations have won two Emmys and an Edward R. Murrow Award. Her art is in the permanent collections of the Museum of Modern Art. Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies
Molly Crabapple joins Michael Stauch to discuss the history of the Jewish Labor Bund, the subject of her new book, Here Where We Live Is Our Country: The Story of the Jewish Bund (Random House, 2026). Once the most influential Jewish political force in Eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.” In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund's rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed? Highlights include: Crabapple's personal connection to the Bund through her great-grandfather, Sam Rothbort; How the Bund built a vibrant youth counterculture amid harsh anti-Semitism in Eastern Europe; The significance of “Hereness” to the Bund's politics and how it distinguished the group from Zionist groups advocating the colonization of Palestine; A discussion of “theory-pilled nerds” and how Crabapple's activism and journalism since Occupy Wall Street shaped her insights into the inner life of the Bund; The future of anti-Zionism in the context of Israel's ongoing destruction of Palestine. Molly Crabapple is an artist and writer based in New York. She is the author of two books, Drawing Blood and Brothers of the Gun (with Marwan Hisham), which was longlisted for a National Book Award. She was a 2020 New America Fellow and her reportage is the winner of the Bernhard Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker, and elsewhere. Her animations have won two Emmys and an Edward R. Murrow Award. Her art is in the permanent collections of the Museum of Modern Art. Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion
Molly Crabapple joins Michael Stauch to discuss the history of the Jewish Labor Bund, the subject of her new book, Here Where We Live Is Our Country: The Story of the Jewish Bund (Random House, 2026). Once the most influential Jewish political force in Eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.” In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund's rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed? Highlights include: Crabapple's personal connection to the Bund through her great-grandfather, Sam Rothbort; How the Bund built a vibrant youth counterculture amid harsh anti-Semitism in Eastern Europe; The significance of “Hereness” to the Bund's politics and how it distinguished the group from Zionist groups advocating the colonization of Palestine; A discussion of “theory-pilled nerds” and how Crabapple's activism and journalism since Occupy Wall Street shaped her insights into the inner life of the Bund; The future of anti-Zionism in the context of Israel's ongoing destruction of Palestine. Molly Crabapple is an artist and writer based in New York. She is the author of two books, Drawing Blood and Brothers of the Gun (with Marwan Hisham), which was longlisted for a National Book Award. She was a 2020 New America Fellow and her reportage is the winner of the Bernhard Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker, and elsewhere. Her animations have won two Emmys and an Edward R. Murrow Award. Her art is in the permanent collections of the Museum of Modern Art. Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics
Professor Megan Mayhew Bergman is an award-winning fiction writer, conservation journalist, filmmaker, and cultural critic. She serves as Director of Creative Writing at Middlebury College and Director of the Bread Loaf Environmental Writers' Conference. She is the author of four books and her work has appeared in The New Yorker, The New York Times, The Guardian, The Paris Review, Harper's Bazaar, and elsewhere.See more of Megan's work here: https://www.mayhewbergman.com
In this episode of The Midlife Purpose Project, I'm joined by author Ann Tashi Slater for a beautiful conversation about bardo, a Tibetan Buddhist concept often translated as an “in-between state.”Ann is the author of Traveling in Bardo, a book about how we move through uncertainty, change, transition, loss, illness, identity shifts, and all the spaces where life no longer looks the way it once did — but the next chapter has not fully arrived.And isn't that so much of midlife?Our bodies change. Our roles change. Our relationships change. Our children grow. Our identities shift. The world around us can feel uncertain and unstable. So often, we want to rush through the discomfort and get to the place where everything finally feels settled.But what if the in-between is not something to escape?What if it is actually a sacred place of possibility, insight, and transformation?In this conversation, Ann and I explore how bardo can help us understand the human experience of impermanence, why our resistance to change often creates more suffering than the change itself, and how we can begin to meet the uncertainty of life with more presence, compassion, and inner steadiness.We also talk about the connection between Tibetan Buddhist wisdom and yoga philosophy, especially around acceptance, karma, action, alignment, and the importance of living in a way that reflects what truly matters to us.This episode is for you if you are in a season of transition, questioning what comes next, grieving a life that no longer exists, or learning how to stop fighting reality and begin listening for the wisdom that can only arrive in the quiet.In This Episode, We Talk AboutWhat bardo means in Tibetan Buddhism and how it applies to everyday lifeWhy midlife can feel like a powerful “in-between” stateHow resistance to change increases sufferingWhy acceptance is not the same as giving upThe relationship between karma, action, and personal agencyHow our thoughts, words, and actions shape the experience of our livesWhy distraction keeps us from seeing clearlyHow to align your time and energy with what matters mostThe importance of listening to your true self beneath conditioning, people-pleasing, and old rolesWhy mortality can help us live with more clarity, courage, and intentionThe possibility hidden inside both voluntary and involuntary transitionsAnn Tashi Slater has written for The New Yorker, The New York Times, The Washington Post, The Paris Review, and many others. In her Darjeeling Journal column for Catapult, she writes about her Tibetan family history and bardo, and she blogged for HuffPost on similar topics. She presents and teaches workshops at Princeton, Columbia, Oxford, Asia Society, and The American University of Paris, among others. Her new book, Traveling in Bardo: The Art of Living in an Impermanent World (Balance/Hachette), has been named a Next Big Idea Club “Must-Read.” Learn more at anntashislater.com.SOCIAL MEDIA:https://www.facebook.com/ann.tashi.slaterhttps://www.linkedin.com/in/ann-tashi-slater-977b21b/https://x.com/anntashislaterhttps://www.instagram.com/anntashislater/If this conversation resonated with you, I would love to invite you to continue the journey with me on Substack, where I share reflections, practices, and resources for midlife women who are seeking peace, clarity, purpose, and a way back home to themselves.And if you are in your own in-between season and would like support reconnecting with yourself and creating a more aligned life, you can visit my website or book a discovery call using the links in the show notes.About Katie FarinasKatie Farinas is a midlife coach, yoga teacher, and spiritual guide who helps women navigate midlife with clarity, peace, purpose, and empowerment. Through yoga philosophy, mindfulness, nervous system regulation, and energy-based practices, Katie supports women in reconnecting with themselves and stepping fully into their most aligned and authentic lives.✨ Ways To Go Deeper:If you're ready to feel less overwhelmed and more connected to your body, needs, and inner voice, explore my 4-week private coaching experience for midlife women: Reconnect With Your Body and Yourself. Learn more here.Record your question here and I will answer it on the show!! https://www.speakpipe.com/KatieFarinasJoin the Monthly SatsangVisit Katie's websiteJoin the newsletter for soulful insights and to receive weekly practicesRead and watch on SubstackBook a reflective Insight Seat to come on the show and receive live coachingSchedule a Clarity Call to see if my coaching is right for you.
The Author Events Series presents Namwali Serpell | On Morrison In Conversation with Angela Flournoy Toni Morrison, Nobel Laureate and one of our most beloved writers, has inspired generations of readers. But her artistic genius is often overshadowed by her monumental public persona, perhaps because, as Namwali Serpell puts it, ''she is our only truly canonical black, female writer-and her work is highly complex.'' In On Morrison, Serpell brings her unique experience as both an award-winning writer and professor who teaches a course on Morrison to illuminate her masterful experiments with literary form. This is Morrison as you've never encountered her before, a journey through her oeuvre-her fiction and criticism, as well as her lesser-known dramatic works and poetry-with contextual guidance and original close readings. At once accessible and uncompromisingly rigorous, On Morrison is a primer not only on how to read one of the most significant American authors of all time, but also on how to read great works of literature in general. This dialogue on the page between two black women artist-readers is stylish, edifying, and thrilling in its scope and intelligence. Namwali Serpell was born in Lusaka and lives in New York. Her debut novel, The Old Drift, won an Anisfield-Wolf Book Award, the Arthur C. Clarke Award for Science Fiction, and the Los Angeles Times's Art Seidenbaum Award for First Fiction. Her second novel, The Furrows, was a finalist for a National Book Critics Circle Award for Fiction and was selected as one of The New York Times Ten Best Books of the Year. Her book of essays, Stranger Faces, was a finalist for a National Book Critics Circle Award for Criticism. She is a recipient of the Windham-Campbell Prize for Fiction, the Caine Prize for African Writing, and a Rona Jaffe Foundation Award. She is a professor of English at Harvard University. Angela Flournoy is the author of The Turner House, which was a finalist for the National Book Award, a finalist for the Center for Fiction First Novel Prize, a Barnes & Noble Discover Great New Writers selection, an Indie Next pick, and a New York Times Notable Book of the Year. Her fiction has appeared in The Paris Review, and she has written for The New York Times, The New Yorker, Los Angeles Times, and elsewhere. A graduate of the Iowa Writers' Workshop, Flournoy has taught at the University of Iowa, Princeton University, and UCLA. She lives in New York. Because you love Author Events, please make a donation when you register for this event to ensure that this series continues to inspire Philadelphians. Books will be available for purchase at the library on event night! All tickets are non-refundable. (recorded 2/25/2026)
The Author Events Series presents Matt Haig | The Midnight Train In Conversation with Katy Waldman When your life flashes before your eyes, where would you stop? No one can change the past, but the Midnight Train can take you there. The chance to re-live the moments that meant most. To see what kind of person you really were. For Wilbur his best days were with Maggie, the love of his life. On his honeymoon in Venice. Before he gave it all away. He wishes he could go back and live differently. But to do so risks everything . . . A magical, time-travelling love story, from the world of The Midnight Library. Matt Haig is the #1 New York Times-bestselling author of the novels The Midnight Library, The Life Impossible, and How to Stop Time, along with four other novels, the acclaimed memoirs Reasons to Stay Alive and Notes on a Nervous Planet, and several award-winning children's books. His work has been published in fifty territories across the world. Katy Waldman is a staff writer at The New Yorker, for which she writes about books, culture, and more. Previously, she was a staff writer at Slate and the host of the ''Slate's Audio Book Club'' podcast. She won the National Book Critics Circle's Nona Balakian Citation for Excellence in Reviewing in 2019 and the American Society of Magazine Editors's award for journalists under thirty in 2018; her work has appeared in The New York Times, The Washington Post, New York magazine, the Paris Review, and elsewhere. She lives with her husband and dog in Washington, D.C. Because you love Author Events, please make a donation when you register for this event to ensure that this series continues to inspire Philadelphians. If you'd like to purchase two tickets but only one copy of the book, please email authorevents@freelibrary.org Books will be available for purchase at the library on event night! All tickets are non-refundable. (recorded 6/4/2026)
Rachel and Simon speak with the novelist and essayist Siri Hustvedt. Born in Minnesota in 1955 to a Norwegian mother and American father, Siri grew up bilingual. On a family trip one summer, she read voraciously and decided she wanted to become a writer. In 1981 Siri published her first poem in the Paris Review and a small collection emerged two years later. In 1992 she published her debut novel, “The Blindfold”, which was translated into 17 languages. Six more novels followed - “The Enchantment of Lily Dahl”, “What I Loved”, “The Sorrows of an American”, “The Summer Without Men”, “The Blazing World” (longlisted for the Man Booker Prize) and “Memories of the Future” - as well as several collections of essays. Alongside her writing, Siri has studied psychoanalysis, neurology and psychiatry and in 2015 she was appointed a lecturer in psychiatry at Weill Cornell medical school. We spoke to Siri about making her way in poetry and publishing, her interest in the sciences and her latest book, “Ghost Stories”, a memoir about her marriage to the late novelist Paul Auster. In addition to the standard audio format, the podcast is now available in video. You can check us out on YouTube under Always Take Notes. We've also made (yet) another update for those who support the podcast on the crowdfunding site Patreon. We've added a further 70 pages of new material to the package of successful article pitches that goes to anyone who supports the show with $5 per month or more, including new pitches to the New Yorker, Bloomberg Businessweek, and the Guardian Long Read. The whole compendium now runs to a magisterial 230 pages. For Patreons who contribute $10/month we're now also releasing bonus mini-episodes. Thanks to our sponsor, Scrivener, the first ten new signs-ups at $10/month will receive a lifelong license to Scrivener worth £55/$59.99 (one is left). This specialist word-processing software helps you organise long writing projects such as novels, academic papers and even scripts. Other Patreon rewards include signed copies of the podcast book and the opportunity to take part in a call with Simon and Rachel. A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via Amazon or Waterstones. Learn more about your ad choices. Visit podcastchoices.com/adchoices
മെസ്സി , അവർ വിചാരിക്കുന്നത് അവർക്ക് നിന്നെ അറിയാമെന്നാണ് ദില്ലി -ദാലി പോഡ്കാസ്റ്റിലേക്ക് സ്വാഗതം അമേരിക്കൻ കവി Rowan Ricardo Philips ലയണൽ മെസ്സിയോടുള്ള ആദരസൂചകമായി 2019 ൽ The Paris Review ൽ എഴുതിയ ധ്യാനാത്മകമായ ആദരലേഖനത്തിന്റെ മലയാളം പോഡ്കാസ്റ്റ് രൂപം
What if the missing ingredient in your creative life isn't more productivity, but more loafing? In this solo episode, Kat shares a personal update from her summer and an honest reflection on burnout, rest, and the radical act of doing less. Drawing from the book Writing, Creativity and Soul by Sue Monk Kidd, she introduces the concept of creative loitering, and makes the case that your imagination actually requires aimless, unstructured time to do its best work. Kat reads from the chapter "Creative Loitering," explores why slowing down is not laziness but a prerequisite for original thinking, and shares how she has been building more space into her own life, from beach reads and Paris Review issues at the hair salon to long European-style dinners and mornings with no agenda. This episode is an invitation to reclaim your human mind, protect your creative energy, and trust that stepping back is sometimes the most productive thing you can do. In this episode: Creative loitering: what it means and why it matters for artists and makers Excerpts from Writing, Creativity and Soul by Sue Monk Kidd and Joie: A Parisian's Guide to Celebrating the Good Life by Ajiri Aki The analog bag trend and other small ways to reduce scrolling and add presence Join the conversation on Substack: https://createmagazine.substack.com Share what you're reading, how you're resting, and what you'd like to hear more of on the show. Follow Kat: Instagram: @ekaterinaspopova | @createmagazine
Artist and writer Molly Crabapple joins This Is Hell! to talk about her new book, “Here Where We Live Is Our Country: The Story of the Jewish Bund." Molly is the author of two books, her 2015 memoir, "Drawing Blood," and "Brothers of the Gun: A Memoir of the Syrian War," which is written and Illustrated by Molly and Marwan Hisham. "Brothers of the Gun" was long-listed for a National Book Award. She was a 2020 New America Fellow and her reportage was the winner of the Bernhard Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker and elsewhere. Her animations have won two Emmys and an Edward R. Murrow Award. Her art is in the permanent collections of the Museum of Modern Art. We will have new installments of Rotten History and Hangover Cure. We will also be sharing your answers to this week's Question from Hell! from Patreon. Help keep This Is Hell! completely listener supported and access bonus episodes by subscribing to our Patreon: www.patreon.com/thisishell
Well, that's about it for the story of planet Earth, poor Earth, reduced to not much more than a piece of burnt coal. But, as Deb Olin Unferth shows in her latest electrifying novel, life and love persist, even in the most unexpected, inhospitable places.Two women meet on a beach of artificial sand. One was raised in a pod in the ocean and the other may or may not be a robot. Their love—or any love—seems so unlikely. Earth is severely depopulated. Some people have given up, gone off to Mars. Others pursue eternal life as digital code. And yet others, like Dylan and Melanie, are holdouts—and some of those holdouts are constructing a vast molecular collection in hopes that a future person may be alive to make a new Earth. Foolhardy? Misguided? Quixotic? Probably. But what can a human (or a robot) do?By the end of Unferth's wild, poetic, revelatory, and slyly philosophical novel, the reader has traveled to the very edges of the cosmos as a “soul globule” and between grains of sand as a microscopic tardigrade. A slim book tackling big questions (is all matter conscious? will we tech ourselves into salvation, or out of existence?), Earth 7 (Graywolf Press 2026) is a poignant inquiry into death, mourning, and indefatigable life, the most exhilarating work to date by one of our most original and beloved writers. Deb Olin Unferth is the author of seven books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and four Pushcart Prizes, and was a National Books Critics Circle Award finalist. Her work has appeared in Harper's, The Paris Review, Granta, and McSweeney's. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Recommended Books: Victor Pelevin, Omon Ra Jean Stafford, A Mother in History Tanya Tagaq, Split Tooth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices
Well, that's about it for the story of planet Earth, poor Earth, reduced to not much more than a piece of burnt coal. But, as Deb Olin Unferth shows in her latest electrifying novel, life and love persist, even in the most unexpected, inhospitable places.Two women meet on a beach of artificial sand. One was raised in a pod in the ocean and the other may or may not be a robot. Their love—or any love—seems so unlikely. Earth is severely depopulated. Some people have given up, gone off to Mars. Others pursue eternal life as digital code. And yet others, like Dylan and Melanie, are holdouts—and some of those holdouts are constructing a vast molecular collection in hopes that a future person may be alive to make a new Earth. Foolhardy? Misguided? Quixotic? Probably. But what can a human (or a robot) do?By the end of Unferth's wild, poetic, revelatory, and slyly philosophical novel, the reader has traveled to the very edges of the cosmos as a “soul globule” and between grains of sand as a microscopic tardigrade. A slim book tackling big questions (is all matter conscious? will we tech ourselves into salvation, or out of existence?), Earth 7 (Graywolf Press 2026) is a poignant inquiry into death, mourning, and indefatigable life, the most exhilarating work to date by one of our most original and beloved writers. Deb Olin Unferth is the author of seven books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and four Pushcart Prizes, and was a National Books Critics Circle Award finalist. Her work has appeared in Harper's, The Paris Review, Granta, and McSweeney's. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Recommended Books: Victor Pelevin, Omon Ra Jean Stafford, A Mother in History Tanya Tagaq, Split Tooth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Well, that's about it for the story of planet Earth, poor Earth, reduced to not much more than a piece of burnt coal. But, as Deb Olin Unferth shows in her latest electrifying novel, life and love persist, even in the most unexpected, inhospitable places.Two women meet on a beach of artificial sand. One was raised in a pod in the ocean and the other may or may not be a robot. Their love—or any love—seems so unlikely. Earth is severely depopulated. Some people have given up, gone off to Mars. Others pursue eternal life as digital code. And yet others, like Dylan and Melanie, are holdouts—and some of those holdouts are constructing a vast molecular collection in hopes that a future person may be alive to make a new Earth. Foolhardy? Misguided? Quixotic? Probably. But what can a human (or a robot) do?By the end of Unferth's wild, poetic, revelatory, and slyly philosophical novel, the reader has traveled to the very edges of the cosmos as a “soul globule” and between grains of sand as a microscopic tardigrade. A slim book tackling big questions (is all matter conscious? will we tech ourselves into salvation, or out of existence?), Earth 7 (Graywolf Press 2026) is a poignant inquiry into death, mourning, and indefatigable life, the most exhilarating work to date by one of our most original and beloved writers. Deb Olin Unferth is the author of seven books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and four Pushcart Prizes, and was a National Books Critics Circle Award finalist. Her work has appeared in Harper's, The Paris Review, Granta, and McSweeney's. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Recommended Books: Victor Pelevin, Omon Ra Jean Stafford, A Mother in History Tanya Tagaq, Split Tooth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction
Well, that's about it for the story of planet Earth, poor Earth, reduced to not much more than a piece of burnt coal. But, as Deb Olin Unferth shows in her latest electrifying novel, life and love persist, even in the most unexpected, inhospitable places.Two women meet on a beach of artificial sand. One was raised in a pod in the ocean and the other may or may not be a robot. Their love—or any love—seems so unlikely. Earth is severely depopulated. Some people have given up, gone off to Mars. Others pursue eternal life as digital code. And yet others, like Dylan and Melanie, are holdouts—and some of those holdouts are constructing a vast molecular collection in hopes that a future person may be alive to make a new Earth. Foolhardy? Misguided? Quixotic? Probably. But what can a human (or a robot) do?By the end of Unferth's wild, poetic, revelatory, and slyly philosophical novel, the reader has traveled to the very edges of the cosmos as a “soul globule” and between grains of sand as a microscopic tardigrade. A slim book tackling big questions (is all matter conscious? will we tech ourselves into salvation, or out of existence?), Earth 7 (Graywolf Press 2026) is a poignant inquiry into death, mourning, and indefatigable life, the most exhilarating work to date by one of our most original and beloved writers. Deb Olin Unferth is the author of seven books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and four Pushcart Prizes, and was a National Books Critics Circle Award finalist. Her work has appeared in Harper's, The Paris Review, Granta, and McSweeney's. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Recommended Books: Victor Pelevin, Omon Ra Jean Stafford, A Mother in History Tanya Tagaq, Split Tooth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
With thanks to “forever” plastics, the earth has reverted to sand and dust. Dylan has been raised by her scientist mother, in a pod under the sea, and longs to escape the loneliness of being confined. The only friend she ever had was a pen pal from Mars, who disappeared. With great effort, she's escorted onto land, to the place of her mother's employment where she becomes the groundskeeper. Unofficially, she begins studying sand. After a few years, the company sends her on a vacation and she meets Melanie, possibly a robot. Love flourishes on the floundering planet, but death is never far, and Dylan's pen pal returns too late in Earth 7 (Graywolf Press 2026), a dystopian novel about the frailty of the planet, the ongoing need for scientific research, and the human struggle for survival. Deb Olin Unferth is the author of seven books, including the novels Barn 8 and Vacation, the memoir Revolution, finalist for the National Book Critics' Circle Award, two story collections, and the graphic novel I, Parrot. Her fiction and essays have appeared in over fifty magazines and journals, including Harper's, the New York Times, The Paris Review, Granta, and McSweeney's. She has received a Guggenheim fellowship, three Pushcart Prizes, a Creative Capital Fellowship for Innovative Literature, fellowships from the MacDowell, Yaddo, and Ucross residencies. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Unferth founded and directs the Pen City Writers, a creative writing program for incarcerated men at a maximum-security prison in south Texas. The program has been running for ten years, and the students regularly win writing awards from Pen America and the Insider Prize. Their work has appeared in many places, including Vice, StoryQuarterly, the Texas Observer, the Stranger's Guide, and the Marshall Project. Deb and her friend, Lucy Corin, have gone on several research and writing trips together, including to the Sahara Desert for the sand; in 2024, they spent a month in the Arctic to see ice, trying to get as close to the North Pole as possible, and reaching the 82nd parallel. Last year, they rented two pods in a scrub desert Dark Sky area of the US to see darkness. Originally from Chicago, Unferth lives in Austin with philosophy professor Matt Evans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
With thanks to “forever” plastics, the earth has reverted to sand and dust. Dylan has been raised by her scientist mother, in a pod under the sea, and longs to escape the loneliness of being confined. The only friend she ever had was a pen pal from Mars, who disappeared. With great effort, she's escorted onto land, to the place of her mother's employment where she becomes the groundskeeper. Unofficially, she begins studying sand. After a few years, the company sends her on a vacation and she meets Melanie, possibly a robot. Love flourishes on the floundering planet, but death is never far, and Dylan's pen pal returns too late in Earth 7 (Graywolf Press 2026), a dystopian novel about the frailty of the planet, the ongoing need for scientific research, and the human struggle for survival. Deb Olin Unferth is the author of seven books, including the novels Barn 8 and Vacation, the memoir Revolution, finalist for the National Book Critics' Circle Award, two story collections, and the graphic novel I, Parrot. Her fiction and essays have appeared in over fifty magazines and journals, including Harper's, the New York Times, The Paris Review, Granta, and McSweeney's. She has received a Guggenheim fellowship, three Pushcart Prizes, a Creative Capital Fellowship for Innovative Literature, fellowships from the MacDowell, Yaddo, and Ucross residencies. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Unferth founded and directs the Pen City Writers, a creative writing program for incarcerated men at a maximum-security prison in south Texas. The program has been running for ten years, and the students regularly win writing awards from Pen America and the Insider Prize. Their work has appeared in many places, including Vice, StoryQuarterly, the Texas Observer, the Stranger's Guide, and the Marshall Project. Deb and her friend, Lucy Corin, have gone on several research and writing trips together, including to the Sahara Desert for the sand; in 2024, they spent a month in the Arctic to see ice, trying to get as close to the North Pole as possible, and reaching the 82nd parallel. Last year, they rented two pods in a scrub desert Dark Sky area of the US to see darkness. Originally from Chicago, Unferth lives in Austin with philosophy professor Matt Evans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction
With thanks to “forever” plastics, the earth has reverted to sand and dust. Dylan has been raised by her scientist mother, in a pod under the sea, and longs to escape the loneliness of being confined. The only friend she ever had was a pen pal from Mars, who disappeared. With great effort, she's escorted onto land, to the place of her mother's employment where she becomes the groundskeeper. Unofficially, she begins studying sand. After a few years, the company sends her on a vacation and she meets Melanie, possibly a robot. Love flourishes on the floundering planet, but death is never far, and Dylan's pen pal returns too late in Earth 7 (Graywolf Press 2026), a dystopian novel about the frailty of the planet, the ongoing need for scientific research, and the human struggle for survival. Deb Olin Unferth is the author of seven books, including the novels Barn 8 and Vacation, the memoir Revolution, finalist for the National Book Critics' Circle Award, two story collections, and the graphic novel I, Parrot. Her fiction and essays have appeared in over fifty magazines and journals, including Harper's, the New York Times, The Paris Review, Granta, and McSweeney's. She has received a Guggenheim fellowship, three Pushcart Prizes, a Creative Capital Fellowship for Innovative Literature, fellowships from the MacDowell, Yaddo, and Ucross residencies. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Unferth founded and directs the Pen City Writers, a creative writing program for incarcerated men at a maximum-security prison in south Texas. The program has been running for ten years, and the students regularly win writing awards from Pen America and the Insider Prize. Their work has appeared in many places, including Vice, StoryQuarterly, the Texas Observer, the Stranger's Guide, and the Marshall Project. Deb and her friend, Lucy Corin, have gone on several research and writing trips together, including to the Sahara Desert for the sand; in 2024, they spent a month in the Arctic to see ice, trying to get as close to the North Pole as possible, and reaching the 82nd parallel. Last year, they rented two pods in a scrub desert Dark Sky area of the US to see darkness. Originally from Chicago, Unferth lives in Austin with philosophy professor Matt Evans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Melisa Febos joins Let's Talk Memoir for a conversation about romantic obsessions, celibacy as a portal to freedom, living her way into a corner and having to fight her way out, leading with scene and story and plot, taking back the sovereignty of her own mind and body, approaching oneself as a protagonist, leaving out what isn't central to the story, remembering memoir is not a transcription of a time lived, radical feminists, exercising agency and self-reclamation, living an examined life, integrating memories that were indigestible to us in the moment, the project of looking at ourselves honestly, and her most recent book, now in paperback The Dry Season: A Memoir of Pleasure in a Year Without Sex. Ronit's upcoming workshop: Writing Dynamic Memoir: From Lived Experience to Gripping Story https://www.lmcmurtrylitcenter.org/workshops/writing-dynamic-memoir-from-lived-experience-to-gripping-story Also in this episode: -deepending friendships -memoir-plus digressions -writing about our obsessions Books mentioned in this episode: Will and Attention by Meghan O'Gieblyn Canon by Paige Lewis Fat Swim by Emma Copley Eisenberg Melissa Febos is the national bestselling author of five books, including Abandon Me, Girlhood—which won the National Book Critics Circle Award in Criticism, Body Work: The Radical Power of Personal Narrative, and, most recently, The Dry Season. Her awards and fellowships include those from the Guggenheim Foundation, LAMBDA Literary, the National Endowment for the Arts, The British Library, The Black Mountain Institute, MacDowell, the Bogliasco Foundation, The American Library in Paris, and others. Her work has appeared in The Paris Review, The New Yorker, The Sun, The New York Times Magazine, The Best American Essays, Vogue, The Best American Travel and Food Writing, and New York Review of Books. Febos is a Roy J. Carver Professor at the University of Iowa, where she teaches in the Nonfiction Writing Program. She lives in Iowa City with her wife, the poet Donika Kelly. Connect with Melissa: Website: https://www.melissafebos.com/ Instagram: https://www.instagram.com/melissafebos Purchase book via bookshop: This is for the pre-order paperback for The Dry Season https://bookshop.org/p/books/the-dry-season-a-memoir-of-pleasure-in-a-year-without-sex-melissa-febos/f1c8367d8e351d91?ean=9780593685150&next=t - Ronit Plank bio and links: Ronit Plank is a writer, teacher, and editor whose work has appeared in The Atlantic, Poets & Writers, River Teeth's Beautiful Things, The Rumpus, Salon, Hippocampus, The New York Times, and elsewhere, earning Best of the Net, Best Microfiction, and multiple Pushcart Prize nominations. Her memoir When She Comes Back was a Book Riot Best True Crime Book and Kirkus Reviews calls it, “An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation". Ronit is also the author of the award-winning short story collection Home is a Made-Up Place, and her work has been anthologized in Selected Memories, Vol. 2: 15 Years of Hippocampus Magazine and Manna Songs: Stories of Jewish Culture and Heritage. Ronit is the Creative Nonfiction Editor at The Citron Review, teaches memoir at a host of venues including the University of Washington's Continuum Program, Antioch University, and 92NY's Roundtable, and is host of the podcast Let's Talk Memoir and the Substack Let's Talk Memoir. Find her on social media @ronitplank Website: www.ronitplank.com Substack: https://substack.com/@ronitplank Instagram: https://www.instagram.com/ronitplank/ When She Comes Back: https://ronitplank.com/when-she-comes-back/
Viola Roseboro’ isn’t well-known today, but she played a big behind-the-scenes role in the careers of a lot of American writers in the late 19th and early 20th centuries, shaping what’s thought of as the American literary canon. Research: “4 New Features.” Washington D.C. Evening Star. 4/29/2013. https://www.loc.gov/resource/sn83045462/1913-04-29/ed-1/?sp=10&r=-0.115,-0.055,1.648,0.596,0 Dykeman, Wilma. “Tennessee Women: An Infinite Variety.” Newport. Wakestone Books. 1993. Gorton, Stephanie. “The Strange, Forgotten Life of Viola Roseboro’.” The Paris Review. 2/24/2020. https://www.theparisreview.org/blog/2020/02/24/the-strange-forgotten-life-of-viola-roseboro/ Gregorie, Anne King. “Reviewed Work(s): Viola, The Duchess of New Dorp: A Biography of Viola Roseboro by Jane Kirkland Graham.” The South Carolina Historical Magazine, Vol. 57, No. 2 (Apr., 1956). Via JSTOR. https://www.jstor.org/stable/27566059 Howell, Isabel. “Reviewed Work(s): Viola, the Duchess of New Dorp, a Biography of Viola Roseboro' by Jane Kirkland Graham.” Tennessee Historical Quarterly, December, 1956. Via JSTOR. https://www.jstor.org/stable/42621315 McClure, S. S. “My Autobiography.” London: J. Murray. 1914. https://archive.org/details/myautobiography00mcclrich/ New York Times. “VIOLA ROSEBORO', FICTION EDITOR, 87; Former McClure's, Collier's Executive Dies--Helped O. Henry Get Start Bought Tarkington Stories Praised by Will Irwin.” 1/30/1945. https://www.nytimes.com/1945/01/30/archives/viola-roseboro-fiction-editor-87-former-mcclures-colliers-executive.html Osborn, Scott C. “Reviewed Work(s): Viola, The Duchess of New Dorp: A Biography of Viola Roseboro by Jane Kirkland Graham.” The Journal of Southern History, Vol. 22, No. 2 (May, 1956). Via JSTOR. https://www.jstor.org/stable/2954261 “Person Annotations.” From “#0088: Transcription of Letter from Willa Cather to Viola Roseboro', June 14 [1903].” The Complete Letters of Willa Cather. Center for Digital Research in the Humanities at the University of Nebraska–Lincoln. https://cather.unl.edu/writings/letters/let0088#ref001 Robinson, Phyllis C. “Willa: The Life of Willa Cather.” New York. Doubleday. 1983. Roseboro, Viola. “Begging as an Avocation.” New York World. 12/11/1887. Via New York University “Undercover Reporting.” https://undercover.hosting.nyu.edu/s/undercover-reporting/item/13733 A. W.. “Reviewed Work(s): Viola, the Duchess of New Dorp. A Biography of Viola Roseboro' by Jane Kirkland Graham.” Journal of the Illinois State Historical Society (1908-1984), Vol. 49, No. 1 (Spring,1956). Via JSTOR. https://www.jstor.org/stable/40189490 Schmalhofer, Stephen. “The Making of My Ántonia.” First Things. 12/17/2018. https://firstthings.com/the-making-of-my-ntonia/ Schmalhofer, Stephen. “Viola Roseboro’s literary garden.” The New Criterion. 12/12/2018. https://newcriterion.com/dispatch/viola-roseboros-literary-garden-10164/ Skaggs, Merrill M. “Viola Roseboro': A Prototype for Cather's ‘My Mortal Enemy’.” The Mississippi Quarterly , Winter 2000-01, Vol. 54, No. 1 (Winter 2000-01). Via JSTOR. https://www.jstor.org/stable/26476820 Skaggs, Merrill Maguire. “Willa Cather's New York: New Essays on Cather in the City.” Fairleigh Dickinson University Press. 2000. Tarbell, Ida M. “All In The Day S Work An Autobiography.” The Macmillan Company. 1939. https://archive.org/details/allinthedayswork010810mbp/ The Georgia Historical Quarterly. “Reviewed Work(s): Viola, The Duchess of Nenx Dorp. A Biography of Viola Roseboro'. Two volumes in one by Jane Kirkland Graham.” Vol. 40, No. 2 (June, 1956). Via JSTOR. https://www.jstor.org/stable/40577676 Adkins, Gilbert R. “Two Daughters of Tennessee.” Franklin County Historical Review. 1986: XVII:1, 30-42. Johanningsmeier, Charles. “Unmasking Willa Cather's ‘Mortal Enemy.’” Cather Studies. Vol. 5. https://cather.unl.edu/scholarship/catherstudies/5/cs005.johanningsmeier Williams, Jay. “Author Under Sail: The Imagination of Jack London, 1893-1902.” University of Nebraska Press, 2014. Project MUSE. https://muse.jhu.edu/book/35026. See omnystudio.com/listener for privacy information.
"It all has to come from within. So we each have to be in conversation with ourselves and with the work. It's really a relationship, not a project," says Ramona Ausubel, author of Unstuck: A Writer's Guide.Today we have Ramona Ausubel, author of Unstuck: A Writer's Guide. It's published by Tin House.Ramona's curriculum vitae is pretty dope. She's the author of the novels The Last Animal, Sons and Daughters of East and Plenty and No One is Here Except All of Us and the craft book Unstuck: 101 Doorways Leading from the Blank Page to the Last Page.Had a TON of fun with this one and it's a craft bomb.Ramona's work has appeared in The New Yorker, Tin House, The New York Times, Electric Literature, and The Paris Review online. She has taught with Tin House, Bread Loaf, and she's a professor at Colorado State University.This is a really fun and really crafty chat. We talk about: Why people want to be writers in the first place The people who stick around Coming up with ways through It's a relationship not a project No writing is ever wasted Nobody needs a kind-of-written book Submission clubs The offering is the action Community Shame, doubt, and envy Lifelong process of voice Inviting in other influences When querying asking 'who will you be?' PlatformYou can learn more about Ramona at ramonaausubel.com and follow her on Instagram @ramonaausubel.If you like this episode, I would definitely check out: Eps. 48 and 207 with Roy Peter Clark Ep. 49 with Dinty W. Moore Ep. 50 with Ted Conover
Everyone gets stuck. And in this interview with writer and teacher Ramona Ausubel, we talk about why this is normal and practical, usable ways to meet a page when we don't think we can go on. Drawing from her newest book, Unstuck:101 Doorways leading from the Blank Page to the Last Page, Ramona shares with us why certain strategies work only at certain stages of creative projects. We talk about finding patterns, ways to develop characters and create scenes, different ways to approach different drafts, the half-draft approach, finding opposition and so much more.Ramona Ausubel is the national bestselling author of Unstuck: 101 Doorways Leading From the Blank Page to the Last Page, The Last Animal, Awayland: stories, Sons and Daughters of Ease and Plenty, A Guide to Being Born and No One is Here Except All of Us. She is the recipient of the National Book Foundation Science + Literature Prize, the PEN/USA Fiction Award, the Cabell First Novelist Award and has been a finalist for both the California and Colorado Book Awards and the New York Public Library Young Lions Award. Her work has been published in The New Yorker, The New York Times, The Paris Review daily, One Story, Tin House, The Oxford American, Ploughshares and elsewhere. She is a professor at Colorado State University and lives in Boulder, Colorado with her family. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit emergingform.substack.com/subscribe
Ross Simonini is an interdisciplinary artist and writer. Read his essays Bless The Phone here and Through the Fire here. Check out his essential interviews with so many modern masters at The Believer! Noa on using our phone less. Dapne on using our phone less. Rabbi Yoni on the bathroom blessing. -- BECOME A WEIRD HELPER AND LISTEN TO THE SHOW AD-FREE! GET YOUR WEIRDLY HELPFUL MERCH HERE! -- Ross has held solo presentations of his work at the Sharjah Biennial (UAE), Francois Ghebaly (NYC), anonymous gallery (NYC), Et Al (SF), SHRINE (LA), suns.works (Zurich), Shoot the Lobster (LU), and Human Resources (LA). His novel, The Book of Formation (2018, Melville House) chronicles the rise of a fictional philosophical movement. His essays appear in the New York Times, McSweeneys, ArtReview and The Paris Review. He releases music under his own name and has released music as a member of the bands, NewVillager and Trespassers William. He has performed at Performa, Andy Warhol Museum, and the Brooklyn Museum. As a professor, he has taught seminars on experimental process, writing, art, sound, and dialogue at Columbia University, CA College of the Arts, and UCLA. He served as an editor at The Believer for a decade and has created audio programs for SFMOMA, KCRW, and ArtReview. He ran ALICIA, a gallery & performance space on his property in Altadena before the fire. Learn more about your ad choices. Visit megaphone.fm/adchoices
Declan Ryan is an Irish poet based in London. His first poetry collection, published in 2023, is called “Crisis Actor”. One reviewer said that the poems are preoccupied with, and driven by, the weight and difficulty of expectation — of ourselves and of others. His poems, reviews and essays have appeared in numerous journals including the New York Review of Books, The New Yorker, The Paris Review, The Guardian, The Observer, The Irish Times and New Statesman. My featured song is “Like Never Before”, my recent single. Spotify. link —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest Testimonials Click here to Subscribe Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH DECLAN:www.declanryan.uk —---------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —---------------------------------------- Audio production: Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
On tending to our interdependence, living life fully, and dying with attention and equanimity. 0:00 — Introduction 1:34 — Overview of Ann's Book "Traveling in Bardo" 3:55 — Personal Reflections on Grandmother's Funeral 7:20 — The Role of Practice in Embracing Impermanence 16:15 — Living with Attention and Interdependence 34:57 — Authenticity and True Nature 42:09 — Conclusion and Final Thoughts Ann Tashi Slater writes for The New Yorker, The New York Times, The Washington Post, The Paris Review, and Granta, among others, and is a contributing editor at Tricycle. She presents and teaches workshops at Princeton, Columbia, Oxford, Asia Society, and The American University of Paris, and was a regular speaker at NYC's Rubin Museum of Art during the museum's 20-year run. Ann's new book, Traveling in Bardo: The Art of Living in an Impermanent World was released by Balance/Hachette in September, 2025. TRAVELING IN BARDO explores how we can find meaning and happiness in a world where change is the only certainty. Interweaving explorations of "bardo" between-states in relation to marriage and friendship, parents and children, and work and creativity with stories of her Tibetan ancestors and Buddhist teachings on the fleeting nature of existence, Slater illuminates what the teachings have to tell us in our contemporary lives. She relays vital wisdom from Tibetan culture, giving us a bold, new framework to navigate moments of change and live life fully. With a foreword by Dani Shapiro, the book has been praised by Elizabeth Gilbert, Melissa Febos, Sharon Salzberg, and Julia Alvarez, among others, and has been selected as a "Must-Read" by the Next Big Idea Club, co-curated by Malcolm Gladwell. In the midst of this shifting landscape, Slater invites us to embrace impermanence in a powerful way, rooted in ancient wisdom. During over forty years of writing and speaking about her Tibetan-American heritage and the relevance of Buddhism in Western society, Slater has come to see how Tibetan bardo views on impermanence can transform the way we live. A luminous guide to navigating transition and impermanence, it offers us the opportunity to find happiness in an impermanent world.
Welcome to Exponential View, the show where I explore how exponential technologies such as AI are reshaping our future. I've been studying AI and exponential technologies at the frontier for over ten years. Each week, I share some of my analysis or speak with an expert guest to make light of a particular topic. To keep up with the Exponential transition, subscribe to this channel or to my newsletter: https://www.exponentialview.co/ ---- Greg Williams has joined EV as Executive Editor — two years in the search. He was editor-in-chief of WIRED UK, recognized as Editor of the Year (Technology) three times, and is a five-time novelist. Introducing him to our community in this week's episode became an opportunity to redefine what EV is: why we make maps instead of stories, and where I think AI is taking institutional media. We covered: (00:10) Why Greg joined EV (04:16) The four horsemen of the media apocalypse (05:42) Google Zero (06:47) AI: collaborator or adversary? (08:48) Tools, not information (11:09) We make maps, not stories (14:18) Building for AI to consume (17:52) AI can't summarize The New Yorker Read more about why we hired Greg here: https://www.exponentialview.co/p/exponential-view-greg-williams ---- Where to find me: Exponential View newsletter: https://www.exponentialview.co/ Website: https://www.azeemazhar.com/ LinkedIn: https://www.linkedin.com/in/azeem/ Twitter/X: https://x.com/azeem Where to find Greg: https://www.uk.linkedin.com/in/greg-williams-0977a05 Production by EPIIPLUS1. Production and research: Baba Films, Chantal Smith, Marija Gavrilov. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
We welcome back to our show Jeet Heer, the Canadian author, comics critic, literary critic and journalist. He is the National Affairs correspondent for The Nation and the host of the weekly Nation podcast, The Time of Monsters. He also pens the monthly column Morbid Symptoms. Jeet was a former staff writer at the New Republic and has written for numerous publications including: The National Post, The New Yorker, The Paris Review, the Boston Globe and The Guardian. Jeet has written several books — his anthology “A Comic Studies Reader”, co-authored with Kent Worcester, was the winner of the Rollins Award. He joins Mea Culpa as Trump takes his authoritarian Civil War show on the road.
Journalist and writer Elizabeth Bisland was sent on a trip around the world in 1889, in a sort of race against Nellie Bly. But that was not something she wanted to be known for. Research: Bisland, Elisabeth. “At the Sign of the Hobby Horse.” Houghton, Mifflin and Co. Riverside Press. 1910. https://archive.org/details/atsignofhobbyhor0000eliz/page/n12/mode/1up Bisland, Elizabeth, 1861-1929. “A Candle of Understanding: a Novel.” New York and London: Harper & brothers, 1903. Bisland, Elizabeth. “In Seven Stages: A Flying Trip Around the World.” New York. Harper & Brothers. 1891. https://digital.library.upenn.edu/women/bisland/stages/stages.html Bisland, Elizabeth. “Societies for Minding One's Own Business.” The North American Review. 11/1/1910. Bisland, Elizabeth. “The Art of Travel.” From The woman's book, dealing practically with the modern conditions of home-life, self-support, education, opportunities, and every-day problems. 1894. https://archive.org/details/bub_gb_LBEhBEGmUq4C/ Bisland, Elizabeth. “The Truth About Men and Other Matters.” New York. Avondale Press. 1927. Britannica Editors. "Lafcadio Hearn". Encyclopedia Britannica, 22 Sep. 2025, https://www.britannica.com/biography/Lafcadio-Hearn. Accessed 18 February 2026. Codrescu, Andrei. “The Many Lives of Lafcadio Hearn.” The Paris Review. 7/2/2019. https://www.theparisreview.org/blog/2019/07/02/the-many-lives-of-lafcadio-hearn/ “Foley, Alethea "Mattie",” Notable Kentucky African Americans Database, accessed February 19, 2026, https://nkaa.uky.edu/nkaa/items/show/300004770. Goodman, Matthew. “Elizabeth Bisland’s Race Around the World.” Public Domain Review. 10/16/2013. https://publicdomainreview.org/essay/elizabeth-bislands-race-around-the-world/ Harrison-Kahan, Lori and Karen E. H. Skinazi. “The Girl Reporter in Fact and Fiction: Miriam Michelson's New Women and Periodical Culture in the Progressive Era.” American Quarterly , Jun., 2002, Vol. 54, No. 2 (Jun., 2002). https://www.jstor.org/stable/30041927 Heitman, Danny. “Lafcadio Hearn in New Orleans.” HUMANITIES, May/June 2012, Volume 33, Number 3. https://www.neh.gov/humanities/2012/mayjune/feature/lafcadio-hearn-in-new-orleans New York Times. “MRS. E.B. WETMORE, AUTHOR, DIES IN SOUTH; Former Elizabeth Bisland of This City to Be Buried in Woodlawn Today.” 1/19/1929. https://www.nytimes.com/1929/01/09/archives/mrs-eb-wetmore-author-dies-in-south-former-elizabeth-bisland-of.html Christopher Goodwin & Associates, Inc. “Historical and Archaeological Investigations of Fort Bisland and Lower Bayou Teche, St. Mary Parish, Louisiana.” June 1991. https://apps.dtic.mil/sti/tr/pdf/ADA242489.pdf Roggenkamp, Karen. “Dignified Sensationalism: ‘Cosmopolitan,’ Elizabeth Bisland, and Trips around the World.” American Periodicals , 2007, Vol. 17, No. 1 (2007). Via JSTOR. https://www.jstor.org/stable/20770967 Rose, Alex. “Elizabeth Bisland: Around the World in 76 Days.” Science Museum Group. 1/30/2023. https://blog.sciencemuseumgroup.org.uk/rare-globe-celebrates-elizabeth-bislands-voyage-around-the-world/ Science Museum Group. “Elizabeth Bisland 1861-1929.” https://collection.sciencemuseumgroup.org.uk/people/cp172999/elizabeth-bisland Tutwiler, Julia R. “The Southern Woman in New York.” The Bookman: A Magazine of Literature and Life. February, 1904. https://archive.org/details/the-bookman-1895-1933/1900-1909/1904/The%20Bookman%20v18n06%20%281904-02%29%20%28unz%29/page/624/mode/1up Tutwiler, Julia R. “The Southern Woman in New York: Part 2.” The Bookman: A Magazine of Literature and Life. March, 1904. https://archive.org/details/bookmanareviewb05unkngoog/page/50/mode/1up Vatican Apostolic Library. “Elizabeth Bisland.” En Route Project. https://enrouteproject.com/en/the-research/the-female-travelers/elizabeth-bisland/ Williams, Susan Millar. “L’enfant Terrible: Elizabeth Bisland and the South.” The Southern Review; Oct 1, 1986; 22, 4; ProQuest pg. 680. See omnystudio.com/listener for privacy information.
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