POPULARITY
Categories
34 episodes with The Paris Review
20 episodes with The Paris Review
16 episodes with The Paris Review
17 episodes with The Paris Review
23 episodes with The Paris Review
20 episodes with The Paris Review
16 episodes with The Paris Review
9 episodes with The Paris Review
13 episodes with The Paris Review
14 episodes with The Paris Review
12 episodes with The Paris Review
11 episodes with The Paris Review
8 episodes with The Paris Review
10 episodes with The Paris Review
5 episodes with The Paris Review
8 episodes with The Paris Review
13 episodes with The Paris Review
9 episodes with The Paris Review
12 episodes with The Paris Review
11 episodes with The Paris Review
8 episodes with The Paris Review
9 episodes with The Paris Review
7 episodes with The Paris Review
7 episodes with The Paris Review
7 episodes with The Paris Review
13 episodes with The Paris Review
4 episodes with The Paris Review
4 episodes with The Paris Review
6 episodes with The Paris Review
5 episodes with The Paris Review
4 episodes with The Paris Review
6 episodes with The Paris Review
6 episodes with The Paris Review
6 episodes with The Paris Review
2 episodes with The Paris Review
7 episodes with The Paris Review
7 episodes with The Paris Review
3 episodes with The Paris Review
5 episodes with The Paris Review
4 episodes with The Paris Review
5 episodes with The Paris Review
4 episodes with The Paris Review
4 episodes with The Paris Review
4 episodes with The Paris Review
3 episodes with The Paris Review
3 episodes with The Paris Review
4 episodes with The Paris Review
5 episodes with The Paris Review
2 episodes with The Paris Review
3 episodes with The Paris Review
4 episodes with The Paris Review
6 episodes with The Paris Review
5 episodes with The Paris Review
3 episodes with The Paris Review
Nell Stevens writes memoir and fiction. Her debut novel, Briefly, a Delicious Life was longlisted for the 2023 Dylan Thomas Award. She is also the author of Bleaker House and Mrs Gaskell & Me, which won the 2019 Somerset Maugham Award. She was shortlisted for the BBC National Short Story Award in 2018. Her writing is published in The New Yorker, the New York Times, Vogue, The Paris Review, New York Review of Books, Guardian, Granta and elsewhere. Nell is an Associate Professor of Creative Writing at the University of Warwick. On this episode of Little Atoms she talks to Neil Denny about her latest novel The Original. Hosted on Acast. See acast.com/privacy for more information.
Major Jackson is a poet, author, and professor who is the recipient of fellowships from Guggenheim Foundation, National Endowment for the Arts, Academy of American Poets, Fine Arts works Center in Provincetown, and the Radcliffe Institute for Advanced Study at Harvard, he has been honored by the Pew Fellowship in the Arts, and the Witter Bynner foundation in conjunction with the Library of Congress, awarded the Pushcart Prize, has been published in American Poetry Review, the New Yorker, Paris Review, Orion Magazine, is an elected member of the American Academy of Arts and Sciences and serves as the Poetry Editor of The Harvard Review, and is the Gertrude Conaway Vanderbilt Chair in the Humanities and Director of Creative Writing at Vanderbilt University. We touch on stewardship, curiosity being emblematic of being human, art in a time of upheaval, human expression, AI, art monsters, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Major JacksonEp 96 - Maggie SmithParnassusPeabody InstituteRobert FrostPhiladelphia Museum of ArtMarcel Duchamp“A Love Supreme”Ezra Klein & Rebecca Winthrop - ‘Rethinking Education'Humanities TennesseeMichaela Anne - “Is This What Mama Meant?”Hunter S ThompsonMichael RuhlmanClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.
Day 11: Gabrielle Calvocoressi reads their poem, “Miss you. Would like to take a walk with you” originally published in Poetry (October 2021). Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a non-fiction book entitled, The Year I Didn't Kill Myself and a novel, The Alderman of the Graveyard. Calvocoressi was the Beatrice Shepherd Blane Fellow at the Harvard-Radcliffe Institute for 2022 - 2023. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice. Their new collection of poetry, The New Economy, will be released from Copper Canyon in 2025. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is founded and co-directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fifth year of our series is “L'Ange Verrier” from Le Rossignol Éperdu by Reynaldo Hahn, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.
Matthew Specktor is the author of the novels American Dream Machine and That Summertime Sound, and the nonfiction books The Sting and Always Crashing in the Same Car. His writing has appeared in the New York Times, the Paris Review, The Believer, Tin House, Vogue, GQ, Black Clock, and Open City. He has been a MacDowell Fellow and is a founding editor of the Los Angeles Review of Books. He resides in Los Angeles. On this episode of Little Atoms he talks to Neil Denny about his latest book The Golden Hour: A Story of Family and Power in Hollywood. Hosted on Acast. See acast.com/privacy for more information.
Nin and Dion read from her new book Son of a Bird, now available from Etruscan Press. They also read and discuss "Unrest," by Emily Fragos.Nin Andrews is the author of the six chapbooks and ten full-length poetry collections including The Last Orgasm (2020),Miss August (2017), and Why God is a Woman (2015). She isthe recipient of two Ohio individual artists grants, the PearlChapbook prize, The Wick Chapbook Prize, and the GeraldCable Award. Her collection, Why God is a Woman won theOhiona Prize for Poetry in 2016. Her work has been featuredin numerous journals and anthologies includingPloughshares, Agni, The Paris Review, four editions of BestAmerican Poetry, Great American Prose Poems from Poe to thePresent, and The Best American Erotic Poems. Her poetry hasbeen translated into Turkish, performed in Prague andanthologized in England, Australia, and Mongolia.
Host Jason Blitman welcomes bestselling author Victoria "V.E." Schwab for a conversation about her remarkable milestone—her 25th book, Bury Our Bones in the Midnight Soil. They discuss the profound power of names, exploring how identity shapes both fantasy storytelling and LGBTQIA+ narratives, the impact of representation in literature, and the moment that nearly drove Schwab to walk away from writing altogether. Later, Melissa Febos joins Jason as our Guest Gay Reader, calling in from her treadmill desk, to share what she's been reading as well as more about her new memoir, The Dry Season. Victoria "V.E." Schwab is the #1 New York Times bestselling author of more than twenty books, including the acclaimed Shades universe, the Villains series, the City of Ghosts series, Gallant, The Invisible Life of Addie LaRue and The Fragile Threads of Power. When not haunting Paris streets or trudging up English hillsides, she lives in Edinburgh, Scotland, and is usually tucked in the corner of a coffee shop, dreaming up monsters.Melissa Febos is the nationally bestselling author of four books, including Girlhood—which won the National Book Critics Circle Award in Criticism, and Body Work: The Radical Power of Personal Narrative. She has been awarded prizes and fellowships from the Guggenheim Foundation, LAMBDA Literary, the National Endowment for the Arts, the British Library, the Black Mountain Institute, the Bogliasco Foundation, and others. Her work has appeared in The Paris Review, The New Yorker, The New York Times Magazine, The Best American Essays, Vogue, The Sewanee Review, New York Review of Books, and elsewhere. Febos is a full professor at the University of Iowa and lives in Iowa City with her wife, the poet Donika Kelly. BOOK CLUB!Sign up for the Gays Reading Book Club HERE for only $1July Book: Disappoint Me by Nicola Dinan SUBSTACK!https://gaysreading.substack.com/ MERCH!http://gaysreading.printful.me PARTNERSHIP!Use code READING to get 15% off your madeleine order! https://cornbread26.com/ WATCH!https://youtube.com/@gaysreading FOLLOW!Instagram: @gaysreading | @jasonblitmanBluesky: @gaysreading | @jasonblitmanCONTACT!hello@gaysreading.com
The United Nations has confirmed what residents of Kherson, and Zarina Zabrisky, revealed nearly a year ago: Russia's drone attacks on civilians were systematic, premeditated and intended to instil terror and forcibly displace the population. A deliberate war crime. ----------Zarina Zabrisky is an American writer based in the Bay Area, California. She is the author of the novel, We, Monsters, several collections of short stories, including Explosion, A Cute Tombstone and her debut work, Iron, and a book of collaborative poetry and art, Green Lions, co-written with Simon Rogghe. Zabrisky is currently based in Odesa, Ukraine. From the beginning of the 2022 full-scale Russian invasion of Ukraine, Zabrisky has been reporting on the war in Ukraine for Euromaidan Press, Byline Times and A Community Alliance, and has been published in The Paris Review and various other publications. ----------ARTICLE:https://bylinetimes.com/2025/05/29/un-confirms-russian-drone-attacks-on-kherson-are-crimes-against-humanity-and-war-crimes/LINKS:http://www.zarinazabrisky.com/https://en.wikipedia.org/wiki/Zarina_Zabriskyhttps://euromaidanpress.com/author/zarinazabrisky/https://kyivindependent.com/author/zarina-zabrisky/https://bylinetimes.com/author/zarinazabrisky/----------SUMMER FUNDRAISERSNAFO & Silicon Curtain community - Let's help help 5th SAB together https://www.help99.co/patches/nafo-silicon-curtain-communityWe are teaming up with NAFO 69th Sniffing Brigade to provide 2nd Assault Battalion of 5th SAB with a pickup truck that they need for their missions. With your donation, you're not just sending a truck — you're standing with Ukraine.https://www.help99.co/patches/nafo-silicon-curtain-communityWhy NAFO Trucks Matter:Ukrainian soldiers know the immense value of our NAFO trucks and buses. These vehicles are carefully selected, produced between 2010 and 2017, ensuring reliability for harsh frontline terrain. Each truck is capable of driving at least 20,000 km (12,500 miles) without major technical issues, making them a lifeline for soldiers in combat zones.In total we are looking to raise an initial 19 500 EUR in order to buy 1 x NAFO truck 2.0 Who is getting the aid? 5 SAB, 2 Assault Battalion, UAV operators.https://www.help99.co/patches/nafo-silicon-curtain-community----------Car for Ukraine has once again joined forces with a group of influencers, creators, and news observers during this summer. Sunshine here serves as a metaphor, the trucks are a sunshine for our warriors to bring them to where they need to be and out from the place they don't.https://car4ukraine.com/campaigns/summer-sunshine-silicon-curtainThis time, we focus on the 6th Detachment of HUR, 93rd Alcatraz, 3rd Assault Brigade, MLRS systems and more. https://car4ukraine.com/campaigns/summer-sunshine-silicon-curtain- bring soldiers to the positions- protect them with armor- deploy troops with drones to the positions----------SILICON CURTAIN FILM FUNDRAISERA project to make a documentary film in Ukraine, to raise awareness of Ukraine's struggle and in supporting a team running aid convoys to Ukraine's front-line towns.https://buymeacoffee.com/siliconcurtain/extras----------SUPPORT THE CHANNEL:https://www.buymeacoffee.com/siliconcurtainhttps://www.patreon.com/siliconcurtain----------TRUSTED CHARITIES ON THE GROUND:Save Ukrainehttps://www.saveukraineua.org/Superhumans - Hospital for war traumashttps://superhumans.com/en/UNBROKEN - Treatment. Prosthesis. Rehabilitation for Ukrainians in Ukrainehttps://unbroken.org.ua/Come Back Alivehttps://savelife.in.ua/en/Chefs For Ukraine - World Central Kitchenhttps://wck.org/relief/activation-chefs-for-ukraineUNITED24 - An initiative of President Zelenskyyhttps://u24.gov.ua/Serhiy Prytula Charity Foundationhttps://prytulafoundation.orgNGO “Herojam Slava”https://heroiamslava.org/----------
“I always say to young writers, you need to put your heart on the page. Don't worry about being like anyone else. I would say that foremost, in any of the arts, it is self-expression at its core. I don't buy rules or a set criteria or a static criteria. I don't believe in any of that. I think the most exciting talents are kind of inexplicable. You can't really understand why that art works. It just does, and that feels like it comes from a very pure place.I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.I've thought about that a lot while writing the book. We really are in the age of the grifter, as they keep saying. In some ways, it's the most deeply American type, the hustler of American aspiration. And money, I think that was hovering in my head when I wrote the book. How women persuade and convince one another of things feels particularly complex to me. I think there are so many layers to female relationships. That was really interesting to me to pursue because, in some ways, it's much more veiled and complex. So I tend to write about groups of women a lot, regardless of the field, but particularly the way they communicate or don't communicate, or communicate without words to one another, is an ongoing fascination of mine.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.I've thought about that a lot while writing the book. We really are in the age of the grifter, as they keep saying. In some ways, it's the most deeply American type, the hustler of American aspiration. And money, I think that was hovering in my head when I wrote the book. How women persuade and convince one another of things feels particularly complex to me. I think there are so many layers to female relationships. That was really interesting to me to pursue because, in some ways, it's much more veiled and complex. So I tend to write about groups of women a lot, regardless of the field, but particularly the way they communicate or don't communicate, or communicate without words to one another, is an ongoing fascination of mine.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I always say to young writers, you need to put your heart on the page. Don't worry about being like anyone else. I would say that foremost, in any of the arts, it is self-expression at its core. I don't buy rules or a set criteria or a static criteria. I don't believe in any of that. I think the most exciting talents are kind of inexplicable. You can't really understand why that art works. It just does, and that feels like it comes from a very pure place.I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.I've thought about that a lot while writing the book. We really are in the age of the grifter, as they keep saying. In some ways, it's the most deeply American type, the hustler of American aspiration. And money, I think that was hovering in my head when I wrote the book. How women persuade and convince one another of things feels particularly complex to me. I think there are so many layers to female relationships. That was really interesting to me to pursue because, in some ways, it's much more veiled and complex. So I tend to write about groups of women a lot, regardless of the field, but particularly the way they communicate or don't communicate, or communicate without words to one another, is an ongoing fascination of mine.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I always say to young writers, you need to put your heart on the page. Don't worry about being like anyone else. I would say that foremost, in any of the arts, it is self-expression at its core. I don't buy rules or a set criteria or a static criteria. I don't believe in any of that. I think the most exciting talents are kind of inexplicable. You can't really understand why that art works. It just does, and that feels like it comes from a very pure place.I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I always say to young writers, you need to put your heart on the page. Don't worry about being like anyone else. I would say that foremost, in any of the arts, it is self-expression at its core. I don't buy rules or a set criteria or a static criteria. I don't believe in any of that. I think the most exciting talents are kind of inexplicable. You can't really understand why that art works. It just does, and that feels like it comes from a very pure place.I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.I've thought about that a lot while writing the book. We really are in the age of the grifter, as they keep saying. In some ways, it's the most deeply American type, the hustler of American aspiration. And money, I think that was hovering in my head when I wrote the book. How women persuade and convince one another of things feels particularly complex to me. I think there are so many layers to female relationships. That was really interesting to me to pursue because, in some ways, it's much more veiled and complex. So I tend to write about groups of women a lot, regardless of the field, but particularly the way they communicate or don't communicate, or communicate without words to one another, is an ongoing fascination of mine.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.I've thought about that a lot while writing the book. We really are in the age of the grifter, as they keep saying. In some ways, it's the most deeply American type, the hustler of American aspiration. And money, I think that was hovering in my head when I wrote the book. How women persuade and convince one another of things feels particularly complex to me. I think there are so many layers to female relationships. That was really interesting to me to pursue because, in some ways, it's much more veiled and complex. So I tend to write about groups of women a lot, regardless of the field, but particularly the way they communicate or don't communicate, or communicate without words to one another, is an ongoing fascination of mine.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I always say to young writers, you need to put your heart on the page. Don't worry about being like anyone else. I would say that foremost, in any of the arts, it is self-expression at its core. I don't buy rules or a set criteria or a static criteria. I don't believe in any of that. I think the most exciting talents are kind of inexplicable. You can't really understand why that art works. It just does, and that feels like it comes from a very pure place.I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
“I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.I've thought about that a lot while writing the book. We really are in the age of the grifter, as they keep saying. In some ways, it's the most deeply American type, the hustler of American aspiration. And money, I think that was hovering in my head when I wrote the book. How women persuade and convince one another of things feels particularly complex to me. I think there are so many layers to female relationships. That was really interesting to me to pursue because, in some ways, it's much more veiled and complex. So I tend to write about groups of women a lot, regardless of the field, but particularly the way they communicate or don't communicate, or communicate without words to one another, is an ongoing fascination of mine.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
LOVE - What is love? Relationships, Personal Stories, Love Life, Sex, Dating, The Creative Process
“I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.I've thought about that a lot while writing the book. We really are in the age of the grifter, as they keep saying. In some ways, it's the most deeply American type, the hustler of American aspiration. And money, I think that was hovering in my head when I wrote the book. How women persuade and convince one another of things feels particularly complex to me. I think there are so many layers to female relationships. That was really interesting to me to pursue because, in some ways, it's much more veiled and complex. So I tend to write about groups of women a lot, regardless of the field, but particularly the way they communicate or don't communicate, or communicate without words to one another, is an ongoing fascination of mine.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
Rachel B. Glaser has been recognized as one of Granta Magazine's Best Young American Novelists, and her work has been showcased in prestigious publications such as The Paris Review and McSweeney's. "Ira & the Whale" was honored with an O. Henry Prize in 2023. Jeff Hiller is an actor who has been a charming anchor of the HBO series Somebody Somewhere. He's appeared in many other funny shows, such as 30 Rock; was on Broadway in the musical Bloody Bloody Andrew Jackson; and performs solo shows at Joe's Pub. After the reading, Hiller talked to host Aparna Nancherla about the character, finding your place in the world, and his own book, Actress of a Certain Age, which come out in June of 2025.
J. Robert Lennon is the author of the novel Buzz Kill, available from Mulholland Books. It is the official May pick of the Otherppl Book Club. Lennon is the author of two story collections, Pieces For The Left Hand and See You in Paradise, and eight novels, including Mailman, Castle, Familiar, Broken River, and most recently, Hard Girls. He holds an MFA from the University of Montana, and has published short fiction in The New Yorker, Harper's, Playboy, Granta, The Paris Review, Electric Literature, and elsewhere. He has been anthologized in Best American Short Stories, Best American Nonrequired Reading, and Prize Stories: The O. Henry Awards. His book reviews have appeared in The New York Times Book Review, The Guardian, and The London Review of Books, and he lives in Ithaca, New York, where he teaches writing at Cornell University. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
News headline roundup. The politics of tyranny. Find us on YouTube. In this episode of The Bulletin, Mike and Clarissa discuss cruelty, the talks between the US and Russia, the bombing of a fertility clinic in California, former president Joe Biden's cancer diagnosis, and the anniversary of George Floyd's death. Then, Mike talks with Roger Berkowitz about the politics of tyranny. GO DEEPER WITH THE BULLETIN: Join the conversation at our Substack Find us on YouTube. Rate and review the show in your podcast app of choice. ABOUT THE GUEST: Roger Berkowitz is founder and academic director of the Hannah Arendt Center for Politics and Humanities and professor of politics, philosophy, and human rights at Bard College. Berkowitz is the author of The Gift of Science, the introduction to On Civil Disobedience by Henry David Thoreau and Hannah Arendt, and The Perils of Invention. His writing has appeared in The New York Times, The American Interest, Bookforum, The Forward, The Paris Review online, and Democracy. ABOUT THE BULLETIN: The Bulletin is a twice-weekly politics and current events show from Christianity Today moderated by Clarissa Moll, with senior commentary from Russell Moore (Christianity Today's editor in chief) and Mike Cosper (director, CT Media). Each week, the show explores current events and breaking news and shares a Christian perspective on issues that are shaping our world. We also offer special one-on-one conversations with writers, artists, and thought leaders whose impact on the world brings important significance to a Christian worldview, like Bono, Sharon McMahon, Harrison Scott Key, Frank Bruni, and more. The Bulletin listeners get 25% off CT. Go to https://orderct.com/THEBULLETIN to learn more. “The Bulletin” is a production of Christianity Today Producer: Clarissa Moll Associate Producer: Alexa Burke Editing and Mix: Kevin Morris Music: Dan Phelps Executive Producers: Erik Petrik and Mike Cosper Senior Producer: Matt Stevens Learn more about your ad choices. Visit podcastchoices.com/adchoices
Part 1:We talk with Jeet Heer.Jeet Heer is a national affairs correspondent forThe Nationand host of the weeklyNation podcast,The Time of Monsters. He also pens the monthly column Morbid Symptoms. The author ofIn Love with Art: Francoise Moulys Adventures in Comics with Art Spiegelman(2013) andSweet Lechery: Reviews, Essays and Profiles(2014), Heer has written for numerous publications, includingThe New Yorker,The Paris Review,Virginia Quarterly Review,The American Prospect,The Guardian,The New Republic,andThe Boston Globe.We discuss the adoption of crypto currency funds, first, by Trump, for the nation, and by the governor of New Hampshire for New Hampshire. More states will likely follow.We note that most of the crypto investment is from the Middle East. It may destabilize the US dollar, and has many other problems. Unfortunately, both Republicans and Democrats are buying into crypto. We discuss the implications for the future.Part 2:We talk with Professor Peter Rutland.Peter Rutland has taught at Wesleyan since 1989. Before that he taught at the University of Texas at Austin, and at the University of York and London University in the UK. He has a BA from Oxford and a D. Phil from York. He has also been a visiting professor at Columbia University, and is an associate of the Davis Center for Russian and Eurasian Studies at Harvard University. His research interests focus on all things Russian and places where the Russian boot has trod (Nicholas II) in the former Soviet Union and the former East Europe. He started off studying workers and the Communist Party, moving on to broader questions of economic policy in the socialist and post-socialist economies. Along the way he developed an interest in nationalism and ethnic conflict. Since 2013 he has been editor in chief of Nationalities Papers, the journal of the Association for the Study of Nationalities along with serving as associate editor of Russian Review.We discuss the image that Putin is creating of himself in Russia. His control of all media in Russia allows him to present whatever facet he likes to give the Russians the image of a 'humble man of the people', and his propaganda is framed in such a way to make him seem to be 'defending' Russia. We also look at how Trump has also adopted this strategy to present himself to US voters. WNHNFM.ORG productionMusic: David Rovics
Lynn Steger Strong is the author of the novels Hold Still, Want, Flight and The Float Test. Her non-fiction has appeared in The New York Times, Los Angeles Times, New York, The Paris Review, Time, and elsewhere. She has taught writing at The Pratt Institute, Fairfield University, Catapult, and Columbia University. She was born and raised in South Florida. Learn more about your ad choices. Visit megaphone.fm/adchoices
A new Craftwork conversation with Maggie Smith, bestselling author of Dear Writer: Pep Talks & Practical Advice for the Creative Life, available from Washington Square Press. Smith's other books includeYou Could Make This Place Beautiful, Good Bones, Goldenrod, Keep Moving, and My Thoughts Have Wings. A 2011 recipient of a Creative Writing Fellowship from the National Endowment for the Arts, Smith has also received a Pushcart Prize, and numerous grants and awards from the Academy of American Poets, the Sustainable Arts Foundation, the Ohio Arts Council, the Greater Columbus Arts Council, and the Virginia Center for the Creative Arts. She has been widely published, appearing in The New Yorker, The Paris Review, The Nation, The New York Times, The Atlantic, The Best American Poetry, and more. You can follow her on social media @MaggieSmithPoet. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
Jia Tolentino joins us to discuss how to finally accept all sides of you: Why your un-productivity matters most; When your shame is good; How to make your real life bigger than your internet life; How to let motherhood energize you instead of drain you; and How to stop scrolling in the middle of the night. Plus, we talk acid trips, the sorority rush that Jia and Amanda shared, why Glennon's friends track Jia's words – and whether Glennon's mug shot will inspire Jia's next show. About Jia: Jia Tolentino is a staff writer at The New Yorker, a screenwriter, and the author of the New York Times bestseller Trick Mirror. In 2020, she received a Whiting Award as well as the Jeannette Haien Ballard Prize, and has most recently won a National Magazine Award for three pieces about the repeal of Roe v. Wade. Trick Mirror was a finalist for the National Book Critics Circle's John Leonard Prize and the PEN Award and was named one of the best books of the year by the New York Public Library, the New York Times Book Review, the Washington Post, NPR, the Chicago Tribune, GQ, and the Paris Review. Jia lives in Brooklyn. TW: @jiatolentino IG: @jiatortellini To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Radhika Jones is the fifth editor-in-chief of Vanity Fair. She previously held senior editorial roles at The New York Times, Time, and The Paris Review. She also was the managing editor at Grand Street, an editor at Artforum, and the arts editor of The Moscow Times, where she began her career. Jones holds a B.A. from Harvard University and a Ph.D. in English and comparative literature from Columbia, where she has also taught courses in writing and literature. Born in New York City, she grew up in Cincinnati and Ridgefield, Connecticut. _________________________________ The Critic and Her Publics Hosted by Merve Emre • Edited by Michele Moses • Music by Dani Lencioni • Art by Leanne Shapton • Sponsored by Alfred A. Knopf The Critic and Her Publics is a co-production between the Shapiro Center for Creative Writing and Criticism at Wesleyan University, New York Review of Books, and Lit Hub.
It's a simple idea with a long history: Woman is told her husband has perished at sea, so she remarries, then the original husband turns up alive and hijinks ensue! An old-timey excuse to show a throuple and a natural premise for comedy, this concept stayed resonant for many years and was remade a number of times – including as a classic screwball 1940 film, that was later itself in 1947 adapted into a hilarious and chaotic radio production starring Lucille Ball as the wife with Bob Hope and Frank Sinatra as the husbands. This week, we hear that radio production in full, and go on a deep dive beginning with a simple title which does not officially have an exclamation mark in it but absolutely should – Too Many Husbands! Referenced media: Black Mirror latest season (2025) Dale Beran - It Came from Something Awful (2019) Search Engine podcast episode, "What's actually on teenagers' phones?" (2025) Social Studies (TV documentary series, 2025) Erin in the Morning (Substack newsletter) A Minecraft Movie (2025) Prince - N.E.W.S. (2003) Origin of "Knock it into a cocked hat" from Wordhistories.net D.H. Lawrence - Samson and Delilah Caught in the Draft (1941) Paris Review on "Brownette" - "A Visit to the Max Factor Museum" by Sadie Stein (2014) "TOO MANY HUSBANDS" TIMELINE (incomplete... could be someone's PhD to work all this out, likely many strands missing) 1565 – Martin Guerre story published 1800s – Someone, somewhere, writes a story probably called “The Fisherman” about a fisherman who goes missing, is presumed dead, comes back and finds his wife has married. 1854 – Thomas Woolner is an English sculptor and poet visiting Australia, and while there he buys a lot of books. He then returns to England on board a ship called the Queen of the South and spends a lot of time reading. In one of those books he reads “The Fisherman”. We don't know what book it is or who wrote it. He later passes it on to his friend Lord Alfred Tennyson. 1864 – "Enoch Arden", poem by Lord Tennyson, based on “The Fisherman” 1911 – Too Many Husbands, play by Anthony E. Wills 1914 – Too Many Husbands, film based on Wills' play 1918 – Too Many Husbands, English film 1919 – Home and Beauty aka Too Many Husbands, play by Maugham 1938 – Too Many Husbands, British film 1940 – Too Many Husbands, American film based on 1919 play 1940 – My Favorite Wife, remake of 1940 film with genderflip 1947 – “Too Many Husbands” radio adaptation with Lucille Ball, Frank Sinatra and Bob Hope 1954 – “Too Many Husbands” episode of Rocky Fortune 1955 – Three for the Show, remake of 1940 film 1962 – Something's Got to Give, aborted Marilyn project, remake of My Favorite Wife 1963 – Move Over, Darling, made instead of above 2020 – “Too Many Husbands”, song by Coriky contact: suddenlypod at gmail dot com website: suddenlypod.gay donate: ko-fi.com/suddenlypod
Laurie Sheck's novel A Monster's Notes, a reimagining of Mary Shelley's Frankenstein, was long listed for the Dublin Impac International Fiction Prize. Her book of poems, The Willow Grove, was a finalist for the Pulitzer Prize. Her work has appeared widely in the Paris Review, the New Yorker and elsewhere. She has been a Guggenheim Fellow, a fellow at the Radcliffe Institute for Advanced Study at Harvard, and at the Cullman Center for Scholars and Writers at the New York Public Library. A member of the MFA Creative Writing faculty at the New School, she lives in New York City. This interview focuses on her new book, Cyborg Fever.
The Author Events Series presents Katie Kitamura | Audition: A Novel REGISTER In Conversation with Adam Dalva One woman, the performance of a lifetime. Or two. An exhilarating, destabilizing Möbius strip of a novel that asks whether we ever really know the people we love. Two people meet for lunch in a Manhattan restaurant. She's an accomplished actress in rehearsals for an upcoming premiere. He's attractive, troubling, young-young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day – partner, parent, creator, muse – and the truths every performance masks, especially from those who think they know us most intimately. Taut and hypnotic, Audition is Katie Kitamura at her virtuosic best. Katie Kitamura is the author of four previous novels, most recently A Separation and Intimacies, which was longlisted for the National Book Award and the PEN/Faulkner Award and was a finalist for a Joyce Carol Oates Prize. She is a recipient of the Rome Prize in Literature, a Lannan fellowship, and many other honors, and her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University. Adam Dalva's writing has appeared in The New Yorker, The Paris Review, and The New York Review of Books. He serves on the board of the National Book Critics Circle and is a Contributing Fiction Editor of The Yale Review. The 2024/25 Author Events Series is presented by Comcast. Because you love Author Events, please make a donation when you register for this event to ensure that this series continues to inspire Philadelphians. Books will be available for purchase at the library on event night! All tickets are non-refundable. (recorded 4/9/2025)
Notes and Links to Kevin Nguyen's Work Kevin Nguyen is the features editor at The Verge, previous senior editor at GQ; has written for New York Magazine, The New York Times, The Paris Review and elsewhere the author of New Waves and the novel Mỹ Documents, which has today, April 8, as Pub Day. Buy My Documents Kevin Nguyen's Website Book Review for My Documents in Los Angeles Times At about 1:20, Kevin talks about his mindset and feedback around My Documents as the book nears Pub Day At about 3:00, Kevin provides info on his publishing company, places to buy his book, and book launch events, as well as social media/contact info At about 6:15, Kevin gives background on his language and reading history At about 9:50, Kevin charts the reading and writers who put him on the path to becoming a writer himself At about 13:15-Tracy O'Neill and Alexander Chee shout outs! At about 14:55, Kevin shouts out some beloved contemporary writers like Vauhini Vara, Jon Hickey, Darrell Campbell, At about 17:25, Kevin gives a summary of the book and describes seeds for his book, with “echoes” of Japanese incarceration during WWII, among other catalysts At about 19:05, Kevin responds to Pete's questions about John McCain's connections to the book and its epigraph At about 21:35, The two trace the book's exposition and the narrator's grandmother's choices in emigrating from Vietnam At about 24:20, Kevin talks about Ursula's experiences in the book and connections to second-generations from immigrant families and passing down family stories At about 26:05, Kevin waxes poetic on Babe: Pig in the City, and its connections to the book At about 30:00, Kevin talks about building characters who are well-rounded At about 31:10, the two trace Jen and Alvin and formative experiences in the book, including Alvin's being pushed into learning more Asian-American history At about 34:20, Kevin responds to Pete's questions about expectations subverted You can now subscribe to the podcast on Apple Podcasts, and leave a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he's @chillsatwillpodcast, or on Twitter, where he's @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and podcast while you're checking out this episode. Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Episode 265 guest Carvell Wallace is up on the website this week. A big thanks to Rachel León and Michael Welch at Chicago Review. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show. This is a passion project of Pete's, a DIY operation, and he'd love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 279 with Jon Hickey, a member of the Lac du Flambeau Band of Chippewa Indians, whose short stories have appeared in numerous journals such as Virginia Quarterly Review and the Massachusetts Review, among others. His highly-anticipated novel, Big Chief, is out today, April 8. The episode airs today, April 8.
Zarina Zabrisky is an American writer based in the Bay Area, California. She is the author of the novel, We, Monsters, several collections of short stories, including Explosion, A Cute Tombstone and her debut work, Iron, and a book of collaborative poetry and art, Green Lions, co-written with Simon Rogghe. Zabrisky is currently based in Odesa, Ukraine. From the beginning of the 2022 full-scale Russian invasion of Ukraine, Zabrisky has been reporting on the war in Ukraine for Euromaidan Press, Byline Times and A Community Alliance, and has been published in The Paris Review and various other publications. ----------LINKS:http://www.zarinazabrisky.com/https://en.wikipedia.org/wiki/Zarina_Zabriskyhttps://euromaidanpress.com/author/zarinazabrisky/https://kyivindependent.com/author/zarina-zabrisky/https://bylinetimes.com/author/zarinazabrisky/----------Easter Pysanky: Silicon Curtain - https://car4ukraine.com/campaigns/easter-pysanky-silicon-curtainCar for Ukraine has joined forces with a group of influencers, creators, and news observers during this special Easter season. In peaceful times, we might gift a basket of pysanky (hand-painted eggs), but now, we aim to deliver a basket of trucks to our warriors.This time, our main focus is on the Seraphims of the 104th Brigade and Chimera of HUR (Main Directorate of Intelligence), highly effective units that: - disrupt enemy logistics - detect and strike command centers - carry out precision operations against high-value enemy targetshttps://car4ukraine.com/campaigns/easter-pysanky-silicon-curtain----------SILICON CURTAIN FILM FUNDRAISERA project to make a documentary film in Ukraine, to raise awareness of Ukraine's struggle and in supporting a team running aid convoys to Ukraine's front-line towns.https://buymeacoffee.com/siliconcurtain/extras----------SILICON CURTAIN LIVE EVENTS - FUNDRAISER CAMPAIGN Events in 2025 - Advocacy for a Ukrainian victory with Silicon Curtainhttps://buymeacoffee.com/siliconcurtain/extrasOur first live events this year in Lviv and Kyiv were a huge success. Now we need to maintain this momentum, and change the tide towards a Ukrainian victory. The Silicon Curtain Roadshow is an ambitious campaign to run a minimum of 12 events in 2025, and potentially many more. We may add more venues to the program, depending on the success of the fundraising campaign. https://buymeacoffee.com/siliconcurtain/extrasWe need to scale up our support for Ukraine, and these events are designed to have a major impact. Your support in making it happen is greatly appreciated. All events will be recorded professionally and published for free on the Silicon Curtain channel. Where possible, we will also live-stream events.https://buymeacoffee.com/siliconcurtain/extras----------SUPPORT THE CHANNEL:https://www.buymeacoffee.com/siliconcurtainhttps://www.patreon.com/siliconcurtain----------TRUSTED CHARITIES ON THE GROUND:Save Ukrainehttps://www.saveukraineua.org/Superhumans - Hospital for war traumashttps://superhumans.com/en/UNBROKEN - Treatment. Prosthesis. Rehabilitation for Ukrainians in Ukrainehttps://unbroken.org.ua/Come Back Alivehttps://savelife.in.ua/en/Chefs For Ukraine - World Central Kitchenhttps://wck.org/relief/activation-chefs-for-ukraineUNITED24 - An initiative of President Zelenskyyhttps://u24.gov.ua/Serhiy Prytula Charity Foundationhttps://prytulafoundation.orgNGO “Herojam Slava”https://heroiamslava.org/kharpp - Reconstruction project supporting communities in Kharkiv and Przemyślhttps://kharpp.com/NOR DOG Animal Rescuehttps://www.nor-dog.org/home/----------
Brad Zellar | Till the Wheels Fall Off Author, editor, and photo collaborator Brad Zellar joined me at the 2025 Chico Review to talk about his life as a writer, including his work with Alec Soth and Little Brown Mushroom, and his novel, Till the Wheels Fall Off (Coffee House Press). We discussed Brad's love of photography and how Chico and Montana have become a second home for him. Brad also shared how his early struggles with addiction and an unintentional photography grant helped him to refocus on his writing and clarify his relationship to photography. (Cover photo: Eric Ruby) https://www.instagram.com/bradzellar/ ||| https://coffeehousepress.org/products/till-the-wheels-fall-off This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com ||| https://www.chicoreview.com Brad Zellar has worked as a writer and editor for daily and weekly newspapers, as well as for regional and national magazines. A former senior editor at City Pages, The Rake, and Utne Reader, Zellar is also the author of Suburban World: The Norling Photos, Conductors of the Moving World, House of Coates, and Driftless. He has frequently collaborated with the photographer Alec Soth, and together they produced seven editions of The LBM Dispatch, chronicling American community life in the twenty-first century. Zellar's work has been featured in the New York Times Magazine, The Believer, Paris Review, Vice, Guernica, Aperture, and Russian Esquire. He spent fifteen years working in bookstores and was a co-owner of Rag & Bone Books in Minneapolis. He currently lives in Saint Paul.
Notes and Links to Douglas J. Weatherford's Work Doug was born in Salt Lake City but grew up in Statesboro, Georgia, where his father taught German at Georgia Southern University. Doug loves to read, travel, and ride bicycles and motorcycles. He graduated from BYU in 1988 (BA Spanish) and the Pennsylvania State University in 1997 (PhD Latin American Literature). He has been a professor at BYU since 1995. Doug's research and teaching emphases include Latin American literature and film, representations of the period of Discovery and Conquest, and Mexico at mid-Century (1920–1968, with particular focus on Rosario Castellanos and Juan Rulfo). His latest are new translations of Pedro Páramo and The Burning Plain. Buy Pedro Páramo (English Translation) Buy Pedro Páramo (En Español) Doug's BYU Webpage New York Times Book Review of Pedro Páramo by Valeria Luiselli At about 2:15, Doug talks about his “journey” to becoming a professor of Latin-American Literature and Film, with regard to his early language and reading backgrounds At about 6:00, Doug talks about his main focus in teaching over the years At about 7:15, The two discuss linguistics classes At about 8:30, Doug responds to Pete's questions about texts and writers who have resonated with his students At about 10:30, Doug reflects on Jorge Luis Borges' work and potential for teachability At about 11:35, The two talk about translations of Rulfo's titles At about 13:30, Doug gives a primer on the collection El Llano en llamas and its various translations At about 16:40, Doug emphasizes the need to “follow in Rulfo's footsteps” in translating the famous story “No Oyes Ladrar los Perros” At about 20:15, Doug responds to Pete's question about Juan Rulfo's evolving reputation/legacy in Mexico At about 24:15, Pete shares compliments and blurbs for Doug's Pedro Páramo translation and Pete and Doug talk about Gabriel Garcia Marquez's important Foreword At about 27:20, Doug gives background on screenplays done for Rulfo's work by Marquez and towering respect for Rulfo's work, especially Pedro Páramo At about 28:20, The two talk about Pedro Páramo's movie adaptations and challenges in adapting the work with connection to older characters At about 31:55, Pete and Doug reflect on key archetypes and connections featured in the first line of Pedro Páramo At about 35:00, Doug gives background on his decision-making that affected his translations, including the laser-focus on the book's first line At about 41:00, The two discuss the book's exposition, such as it in a chronologically-unique book, including the book's first narrator's role At about 42:55, Doug discusses the connections in the book: Citizen Kane and Pedro Páramo, as well as Hernán Cortes and Pedro Páramo At about 46:30, Doug talks about La Lllorona and Malinche and Páramo connections At about 49:30, Doug gives background on Pedro's son, Miguel and Father Renteria and ideas of betrayal and Biblical archetypes At about 52:35, Themes of sin and afterlife, including purgatory, are discussed, as Doug gives background on Rulfo's “conflicted” views regarding Catholicism At about 55:30, Doug goes into greater depth about the links between Citizen Kane and Pedro Páramo At about 59:45, Doug responds to Pete's question about At about 1:02:00, Doug responds to Pete's question about Rulfo's treatment of Mexican “Indians” At about 1:04:20, Hope and misogyny as a theme in the novel are discussed, and Doug discusses the 2024 Rodrigo Prieto Pedro Páramo film At about 1:09:40, Doug “puts a spin” on the novel's ending At about 1:15:45, Doug gives book buying information for his translations of Rulfo's work You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode. Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. My conversation with Episode 270 guest Jason De León is up on the website this week. A big thanks to Rachel León and Michael Welch at Chicago Review. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran. I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show. This is a passion project of Pete's, a DIY operation, and he'd love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 278 with Kevin Nguyen, features editor at The Verge, previous senior editor at GQ. He has written for New York Magazine, The New York Times, The Paris Review and elsewhere, and is the author of New Waves and the novel Mỹ Documents, which has April 8, the same day the episode airs, as its Pub Day.
192 To celebrate the release of Maggie Smith's new guidebook for writers called Dear Writer: Pep Talks and Practical Advice for a Creative Life, we're bringing back this beloved chat with Maggie about writing, self-trust, and life in the ellipsis! ---What do we do when the future we thought we'd have is wiped clean, and we're stuck in uncertainty? Bestselling author Maggie Smith joins us to talk about life in the in-between and how, even when we're at a loss, we can still trust ourselves. She also explores the writerly decisions she made in her most recent bestseller (and one of Nadine's favorite books of all time), You Could Make This Place Beautiful. She closes the conversation with incredible writing advice that will make you want to grab a pen and start writing. Covered in this episode:How to find beauty, even when our lives change in unexpected waysThe difference between a midlife crisis and midlife recoveryHow to turn up the volume of our inner voice and act on itThe wise women who've inspired Maggie & Nadine in life and in writingWhy writing hard things is actually enjoyable Why Maggie wrote her story in real-time rather than waitingWhat has and hasn't changed since the publication of You Could Make This Place Beautiful Maggie's favorite small pleasure–how she's treating herself well Want more Maggie? Grab a copy of You Could Make This Place Beautiful (now out in paperback), subscribe to her popular Substack For Dear Life, and preorder her forthcoming book, Dear Writer (April, 2025).Maggie Smith is the award-winning author of You Could Make This Place Beautiful, Good Bones, The Well Speaks of Its Own Poison, Lamp of the Body, and the national bestsellers Goldenrod and Keep Moving: Notes on Loss, Creativity, and Change. A 2011 recipient of a Creative Writing Fellowship from the National Endowment for the Arts, Smith has also received several Individual Excellence Awards from the Ohio Arts Council, two Academy of American Poets Prizes, a Pushcart Prize, and fellowships from the Sustainable Arts Foundation and the Virginia Center for the Creative Arts. She has been widely published, appearing in The New York Times, The New Yorker, The Paris Review, The Nation, The Best American Poetry, and more. You can follow her on social media @MaggieSmithPoet.About Nadine:Nadine Kenney Johnstone is a holistic writing coach who helps women develop and publish their stories. She is the proud founder of WriteWELL, an online community that helps women reclaim their writing time, put pen to page, and get published. The authors in her community have published countless books and hundreds of essays in places like The New York Times, Vogue, The Sun, The Boston Globe, Longreads, and more. Her infertility memoir, Of This Much I'm Sure, was named book of the year by the...
Maggie Smith returns to Let's Talk Memoir for a conversation about letting imposter syndrome go, fiercely guarding your interior life, getting back to the core place where creativity thrives, rewriting a book from scratch, how writing feels in the body, swerving out of your creative lane, battling the sophomore slump, what it feels like to be watched, when ego gets in the way, fears of paralyzing failure, playing the long game, the best advice she ever got, staying agile and awake in the creative process, and her new book Dear Writer: Pep Talks & Practical Advice for the Creative Life. Ronit's first interview with Maggie Smith: https://ronitplank.com/2023/04/11/lets-talk-memoir-episode-38-ft-maggie-smith/ Also in this episode: -the inner critic -assembling a book freestyle -tenacity and grit Books mentioned in this episode: Meander, Spiral, Explode by Jane Allison The Art of Memoir by Mary Karr Truth is the Arrow, Mercy is the Bow by Steve Almond Greywolf Press series “The Art of…” books Maggie Smith is the New York Times bestselling author of eight books of poetry and prose, including You Could Make This Place Beautiful: A Memoir (One Signal/Atria, 2023); My Thoughts Have Wings, illustrated by Leanne Hatch (Balzer+Bray/Harperkids, 2024); Goldenrod: Poems (One Signal/Atria, 2021); Keep Moving: Notes on Loss, Creativity, and Change (One Signal/Atria, 2020); and Good Bones (Tupelo Press, 2017). Smith's next book is Dear Writer: Pep Talks & Practical Advice for the Creative Life, forthcoming from One Signal/Atria in April 2025. Her poems and essays have appeared in the New York Times, The New Yorker, Poetry, The Nation, The Best American Poetry, The Paris Review, The Atlantic, AGNI, Ploughshares, Image, the Washington Post, Virginia Quarterly Review, American Poetry Review, The Southern Review, and many other journals and anthologies. In 2016 her poem "Good Bones" went viral internationally; since then it has been translated into nearly a dozen languages and featured on the CBS primetime drama Madam Secretary. Smith has received fellowships and awards from the National Endowment for the Arts, the Academy of American Poets, the Ohio Arts Council, the Sustainable Arts Foundation, and the Virginia Center for the Creative Arts. – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers
Based in Los Angeles, California, F. Ron Miller has designed numerous movie posters and title sequences, as well as an impressive number of covers for The Criterion Collection, who releases important classic and contemporary films. Ron's always been a big fan of The Bad and the Beautiful, starring Kirk Douglas, Lana Turner, and Elaine Stewart. It tells the story of a ruthless producer played by Kirk Douglas, who works tirelessly to reach the top of the Hollywood system with no care for how others get left in the dust. We also talk about movies that are about making movies, David Lynch, Citizen Kane, as well as imposter syndrome, how designers work, design magazines, design culture, and design history.-F. Ron Miller received his bachelor's degree from California Institute of the Arts, where he was a student of Lou Danziger, and his master's degree from London's Royal College of Art. His work has appeared in Communication Arts, The Paris Review, and The Design Observer. He's prominently featured in the Criterion Designs monograph.https://www.fronmiller.com/https://www.amazon.com/Criterion-Designs-Collection/dp/160465936Xhttps://criterioncast.com/column/covering-the-collection/covering-the-collection-an-interview-with-f-ron-millerhttps://www.criterion.com/faq https://www.artcenter.edu/about/alumni/alumni-stories/lou-danziger-leaving-a-well-designed-legacy.htmlhttps://www.printmag.com/daily-heller/the-daily-heller-lou-danziger-at-100-and-beyond/ -The Bad and the Beautiful (1952)https://www.imdb.com/title/tt0044391/ https://www.theguardian.com/film/2012/apr/22/bad-and-the-beautiful-reviewhttps://www.nytimes.com/1953/01/16/archives/the-bad-and-the-beautiful-with-kirk-douglas-playing-a-scoundrel-at.html-Movie history from Scorsesehttps://en.wikipedia.org/wiki/A_Personal_Journey_with_Martin_Scorsese_Through_American_Movieshttps://www.kanopy.com/en/watch/video/5878649/5878651 -Other movies and shows discussed, alphabetical listAce In the Hole (1951)Boogie Nights (1997)Bowfinger (1999)Cat People (1942)Chaplin (1992)Citizen Kane (1941)CQ (2001)Dolemite Is My Name (2019)Ed Wood (1994)Hollywood Shuffle (1987)Maxxxine (2024)Once Upon a Time In… Hollywood (2019)A Personal Journey with Martin Scorsese through American Movies (1995)The Player (1992)Playtime (1967)The Postman Always Rings Twice (1946)The Professional (1994)The Wizard of Oz (1939)
After a deployment in the Iraq War dually defined by threat and interminable mundanity, Joseph Thomas is fighting to find his footing. Now a doctoral student at The University, and an EMS worker at the hospital in North Philly, he encounters round the clock friends and family from his past life and would-be future at his job, including contemporaries of his estranged father, a man he knows little about, serving time at Holmesburg prison for the statutory rape of his then-teenage mother. Meanwhile, he and his best friend Ray, a fellow vet, are alternatingly bonding over and struggling with their shared experience and return to civilian life, locked in their own rhythms of lust, heartbreak, and responsibility. Balancing the joys and frustrations of single fatherhood, his studies, and ceaseless shifts at the hospital as he becomes closer than he ever imagined to his father, Joseph tries to articulate vernacular understandings of the sociopolitical struggles he recounts as participant-observer at home, against the assumptions of his friends and colleagues. GOD BLESS YOU, OTIS SPUNKMEYER is a powerful examination of every day black life—of health and sex, race and punishment, and the gaps between our desires and our politics Joseph Earl Thomas is the author of Sink, a memoir, longlisted for the PEN/Jean Stein Book Award, and shortlisted for the Patrick Saroyan International Writing Prize; the novel God Bless You, Otis Spunkmeyer, longlisted for the Carnegie Medal for Literary Excellence, winner of the Center for Fiction First Novel Prize; and the forthcoming story collection Leviathan Beach. His prose and poetry has been published or is forthcoming in The Kenyon Review, The Paris Review, Harper's, Virginia Quarterly Review, Vanity Fair, The Yale Review, The Massachusetts Review, and Dilettante Army. A graduate of the University of Notre Dame's MFA program in prose, he earned his PhD in English from The University of Pennsylvania. He is a member of the writing faculty at Sarah Lawrence College, and teaches courses in Black Studies, Poetics, Video Games, Queer Theory and more at The Brooklyn Institute for Social Research. Recommended Books: Nell Irving Painter, Old in Art School Yoko Towada, Scattered All Over the Earth Alison Mills Newman, Francisco Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices
After a deployment in the Iraq War dually defined by threat and interminable mundanity, Joseph Thomas is fighting to find his footing. Now a doctoral student at The University, and an EMS worker at the hospital in North Philly, he encounters round the clock friends and family from his past life and would-be future at his job, including contemporaries of his estranged father, a man he knows little about, serving time at Holmesburg prison for the statutory rape of his then-teenage mother. Meanwhile, he and his best friend Ray, a fellow vet, are alternatingly bonding over and struggling with their shared experience and return to civilian life, locked in their own rhythms of lust, heartbreak, and responsibility. Balancing the joys and frustrations of single fatherhood, his studies, and ceaseless shifts at the hospital as he becomes closer than he ever imagined to his father, Joseph tries to articulate vernacular understandings of the sociopolitical struggles he recounts as participant-observer at home, against the assumptions of his friends and colleagues. GOD BLESS YOU, OTIS SPUNKMEYER is a powerful examination of every day black life—of health and sex, race and punishment, and the gaps between our desires and our politics Joseph Earl Thomas is the author of Sink, a memoir, longlisted for the PEN/Jean Stein Book Award, and shortlisted for the Patrick Saroyan International Writing Prize; the novel God Bless You, Otis Spunkmeyer, longlisted for the Carnegie Medal for Literary Excellence, winner of the Center for Fiction First Novel Prize; and the forthcoming story collection Leviathan Beach. His prose and poetry has been published or is forthcoming in The Kenyon Review, The Paris Review, Harper's, Virginia Quarterly Review, Vanity Fair, The Yale Review, The Massachusetts Review, and Dilettante Army. A graduate of the University of Notre Dame's MFA program in prose, he earned his PhD in English from The University of Pennsylvania. He is a member of the writing faculty at Sarah Lawrence College, and teaches courses in Black Studies, Poetics, Video Games, Queer Theory and more at The Brooklyn Institute for Social Research. Recommended Books: Nell Irving Painter, Old in Art School Yoko Towada, Scattered All Over the Earth Alison Mills Newman, Francisco Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
After a deployment in the Iraq War dually defined by threat and interminable mundanity, Joseph Thomas is fighting to find his footing. Now a doctoral student at The University, and an EMS worker at the hospital in North Philly, he encounters round the clock friends and family from his past life and would-be future at his job, including contemporaries of his estranged father, a man he knows little about, serving time at Holmesburg prison for the statutory rape of his then-teenage mother. Meanwhile, he and his best friend Ray, a fellow vet, are alternatingly bonding over and struggling with their shared experience and return to civilian life, locked in their own rhythms of lust, heartbreak, and responsibility. Balancing the joys and frustrations of single fatherhood, his studies, and ceaseless shifts at the hospital as he becomes closer than he ever imagined to his father, Joseph tries to articulate vernacular understandings of the sociopolitical struggles he recounts as participant-observer at home, against the assumptions of his friends and colleagues. GOD BLESS YOU, OTIS SPUNKMEYER is a powerful examination of every day black life—of health and sex, race and punishment, and the gaps between our desires and our politics Joseph Earl Thomas is the author of Sink, a memoir, longlisted for the PEN/Jean Stein Book Award, and shortlisted for the Patrick Saroyan International Writing Prize; the novel God Bless You, Otis Spunkmeyer, longlisted for the Carnegie Medal for Literary Excellence, winner of the Center for Fiction First Novel Prize; and the forthcoming story collection Leviathan Beach. His prose and poetry has been published or is forthcoming in The Kenyon Review, The Paris Review, Harper's, Virginia Quarterly Review, Vanity Fair, The Yale Review, The Massachusetts Review, and Dilettante Army. A graduate of the University of Notre Dame's MFA program in prose, he earned his PhD in English from The University of Pennsylvania. He is a member of the writing faculty at Sarah Lawrence College, and teaches courses in Black Studies, Poetics, Video Games, Queer Theory and more at The Brooklyn Institute for Social Research. Recommended Books: Nell Irving Painter, Old in Art School Yoko Towada, Scattered All Over the Earth Alison Mills Newman, Francisco Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Mystics and prophets have reported receiving visions from the Divine for centuries—”Thus saith the Lord…”—Hildegard of Bingen, Teresa of Avila, Ignatius of Loyola, Catherine of Siena, or Julian of Norwich. The list goes on.But what would you think if you met a seer of visions in the present day? Maybe you have.What about a prophet whose visions came like a movie screen unfurled before him, the images grotesque and vivid, all in the unsuspecting backwoods setting of Lookout Mountain, deep in the south of Tennessee.Would you believe it? Would you believe him? The beauty of fiction allows the reader to join the author in asking: What if?That's exactly what Jamie Quatro has allowed us to do in her newest work of literary fiction, Two-Step Devil.What if an earnest and wildly misunderstood Christian is left alone on Lookout Mountain? What if the receiver of visions makes art that reaches a girl who's stuck in the darkest grip of a fraught world? What if the Devil really did sit in the corner of the kitchen, wearing a cowboy hat, and what if he got to tell his own side of the Biblical story?On today's episode novelist Jamie Quatro joins Macie Bridge to share about her relationship to the theological exploration within her latest novel, Two-Step Devil; her experience of being a Christian and a writer, but not a “Christian Writer”; and how the trinity of main characters in the novel speak to and open up her own deepest concerns about the state of our country and the world we inhabit.Jamie Quatro is the New York Times Notable author of I Want to Show You More, and Fire Sermon. *Two-Step Devil* is her latest work and is the winner of the 2024 Willie Morris Award for Southern Writing, and it's also been named a New York Times Editor's Choice, among other accolades. Jamie teaches in the Sewanee School of Letters MFA program.SPOILER ALERT! This episode contains substantial spoilers to the novel's plot, so if you'd like to read it for yourself, first grab a copy from your local bookstore, then two-step on back over here to listen to this conversation!About Jamie QuatroJamie Quatro is the New York Times Notable author of I Want to Show You More, a finalist for the Los Angeles Times Art Seidenbaum Award and the National Book Critics Circle's John Leonard Prize, and Fire Sermon, a Book of the Year for the Economist, San Francisco Chronicle, LitHub, Bloomberg, and the Times Literary Supplement. Her most recent novel, Two-Step Devil, is the winner of the 2024 Willie Morris Award for Southern Writing. It has also been named a New York Times Editor's Choice, a 2025 ALA Notable Book, and a Best Book of 2024 by the Paris Review and the Atlanta Journal Constitution. A new story collection is forthcoming from Grove Press.Quatro's fiction has appeared or is forthcoming in The New Yorker, The Paris Review, Harper's, the New York Review of Books, Ploughshares, and elsewhere. She is the recipient of fellowships from MacDowell, Yaddo, Bread Loaf, and La Maison Dora Maar in Ménerbes, France, where she will be in residence in 2025. Quatro holds an MA in English from the College of William and Mary and an MFA in fiction from the Bennington College Writing Seminars. She teaches in the Sewanee School of Letters MFA program, and lives with her family in Chattanooga, Tennessee.Show NotesGet your copy of Two-Step Devil by Jamie QuatroClick here to view the art that inspired Jamie Quatro's Two-Step DevilProduction NotesThis podcast featured Jamie Quatro with Macie BridgeEdited and Produced by Evan RosaHosted by Evan RosaProduction Assistance by Macie Bridge, Alexa Rollow, Zoë Halaban, Kacie Barrett & Emily BrookfieldA Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/aboutSupport For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/give
Not so long ago, comedy and laughter were a shared experience of relief, as Freud famously argued. At their best, ribbing, roasting, piss-taking and insulting were the foundation of a kind of universal culture from which friendship, camaraderie and solidarity could emerge. Now, comedy is characterized by edgy humour and misplaced jokes that provoke personal and social anxiety, causing divisive cultural warfare in the media and among people. Our comedy is fraught with tension like never before, and so too is our social life. We often hear the claim that no one can take a joke anymore. But what if we really can't take jokes anymore? Post-Comedy (Polity, 2025) argues that the spirit of comedy is the first step in the building of society, but that it has been lost in the era of divisive identity politics. Comedy flares up debates about censorship and cancellation, keeping us divided from one other. This goes against the true universalist spirit of comedy, which is becoming a thing of the past and must be recovered. Alfie Bown is a Senior Lecturer in Digital Media at Kings College London. His research focuses on psychoanalysis, digital media and popular culture. He has also worked as a journalist, writing for The Guardian, Paris Review, New Statesman, Tribune, and others. His books include The Playstation Dreamworld, Post-Memes, and Dream Lovers: The Gamification of Relationships. He is the founder of Everyday Analysis which publishes pamphlets and essay collections with contemporary social and political issues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis
Not so long ago, comedy and laughter were a shared experience of relief, as Freud famously argued. At their best, ribbing, roasting, piss-taking and insulting were the foundation of a kind of universal culture from which friendship, camaraderie and solidarity could emerge. Now, comedy is characterized by edgy humour and misplaced jokes that provoke personal and social anxiety, causing divisive cultural warfare in the media and among people. Our comedy is fraught with tension like never before, and so too is our social life. We often hear the claim that no one can take a joke anymore. But what if we really can't take jokes anymore? Post-Comedy (Polity, 2025) argues that the spirit of comedy is the first step in the building of society, but that it has been lost in the era of divisive identity politics. Comedy flares up debates about censorship and cancellation, keeping us divided from one other. This goes against the true universalist spirit of comedy, which is becoming a thing of the past and must be recovered. Alfie Bown is a Senior Lecturer in Digital Media at Kings College London. His research focuses on psychoanalysis, digital media and popular culture. He has also worked as a journalist, writing for The Guardian, Paris Review, New Statesman, Tribune, and others. His books include The Playstation Dreamworld, Post-Memes, and Dream Lovers: The Gamification of Relationships. He is the founder of Everyday Analysis which publishes pamphlets and essay collections with contemporary social and political issues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Not so long ago, comedy and laughter were a shared experience of relief, as Freud famously argued. At their best, ribbing, roasting, piss-taking and insulting were the foundation of a kind of universal culture from which friendship, camaraderie and solidarity could emerge. Now, comedy is characterized by edgy humour and misplaced jokes that provoke personal and social anxiety, causing divisive cultural warfare in the media and among people. Our comedy is fraught with tension like never before, and so too is our social life. We often hear the claim that no one can take a joke anymore. But what if we really can't take jokes anymore? Post-Comedy (Polity, 2025) argues that the spirit of comedy is the first step in the building of society, but that it has been lost in the era of divisive identity politics. Comedy flares up debates about censorship and cancellation, keeping us divided from one other. This goes against the true universalist spirit of comedy, which is becoming a thing of the past and must be recovered. Alfie Bown is a Senior Lecturer in Digital Media at Kings College London. His research focuses on psychoanalysis, digital media and popular culture. He has also worked as a journalist, writing for The Guardian, Paris Review, New Statesman, Tribune, and others. His books include The Playstation Dreamworld, Post-Memes, and Dream Lovers: The Gamification of Relationships. He is the founder of Everyday Analysis which publishes pamphlets and essay collections with contemporary social and political issues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
Not so long ago, comedy and laughter were a shared experience of relief, as Freud famously argued. At their best, ribbing, roasting, piss-taking and insulting were the foundation of a kind of universal culture from which friendship, camaraderie and solidarity could emerge. Now, comedy is characterized by edgy humour and misplaced jokes that provoke personal and social anxiety, causing divisive cultural warfare in the media and among people. Our comedy is fraught with tension like never before, and so too is our social life. We often hear the claim that no one can take a joke anymore. But what if we really can't take jokes anymore? Post-Comedy (Polity, 2025) argues that the spirit of comedy is the first step in the building of society, but that it has been lost in the era of divisive identity politics. Comedy flares up debates about censorship and cancellation, keeping us divided from one other. This goes against the true universalist spirit of comedy, which is becoming a thing of the past and must be recovered. Alfie Bown is a Senior Lecturer in Digital Media at Kings College London. His research focuses on psychoanalysis, digital media and popular culture. He has also worked as a journalist, writing for The Guardian, Paris Review, New Statesman, Tribune, and others. His books include The Playstation Dreamworld, Post-Memes, and Dream Lovers: The Gamification of Relationships. He is the founder of Everyday Analysis which publishes pamphlets and essay collections with contemporary social and political issues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
Not so long ago, comedy and laughter were a shared experience of relief, as Freud famously argued. At their best, ribbing, roasting, piss-taking and insulting were the foundation of a kind of universal culture from which friendship, camaraderie and solidarity could emerge. Now, comedy is characterized by edgy humour and misplaced jokes that provoke personal and social anxiety, causing divisive cultural warfare in the media and among people. Our comedy is fraught with tension like never before, and so too is our social life. We often hear the claim that no one can take a joke anymore. But what if we really can't take jokes anymore? Post-Comedy (Polity, 2025) argues that the spirit of comedy is the first step in the building of society, but that it has been lost in the era of divisive identity politics. Comedy flares up debates about censorship and cancellation, keeping us divided from one other. This goes against the true universalist spirit of comedy, which is becoming a thing of the past and must be recovered. Alfie Bown is a Senior Lecturer in Digital Media at Kings College London. His research focuses on psychoanalysis, digital media and popular culture. He has also worked as a journalist, writing for The Guardian, Paris Review, New Statesman, Tribune, and others. His books include The Playstation Dreamworld, Post-Memes, and Dream Lovers: The Gamification of Relationships. He is the founder of Everyday Analysis which publishes pamphlets and essay collections with contemporary social and political issues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Librettist, essayist, translator, and author of ten poetry collections, Scott Cairns is Curators' Distinguished Professor Emeritus at University of Missouri. His poems and essays have appeared in Poetry, Image, Paris Review, The Atlantic Monthly, The New Republic, and both have been anthologized in multiple editions of Best American Spiritual Writing. He received a Guggenheim Fellowship in 2006, and the Denise Levertov Award in 2014.-bio via Paraclete Press This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Matt Marble is an artist, author, audio producer and director of the American Museum of Paramusicology ("brilliant and humbling," The Paris Review). Both creatively and through historical research, his work explores the inspired intersections of art and metaphysics and the intuitive disciplines they mutually employ. Matt is the author of Buddhist Bubblegum: Esotericism in the Creative Process of Arthur Russell ("groundbreaking work," New York Times), and the producer/host of Secret Sound, a podcast exploring the metaphysical biopics of American musicians, and The Hidden Present, an audio interview series exploring intuitive discipline and spiritual imagination. Additional works have been featured by the California Festival, Warp Records, and the Philosophical Research Society. His writing, research, media production, and personal archive constitute the American Museum of Paramusicology (AMP), through which he also publishes the monthly AMP Journal. Matt's visual art and music are often rooted in his own dreamwork divination practice--the Astramira or "Wondering Stars." This work has been featured as a solo art exhibition at Greensboro Project Space, as well as through releases of instrumental guitar music and dream songs. His album of solo acoustic guitar music, The Living Mirror, was released by UK label The Crystal Cabinet in 2021. Matt holds a BA in speech & hearing science from Portland State University, a PhD in music composition from Princeton University, and a black rattlesnake from his dreams. On this episode, Matt discusses the relationship between music and mysticism, favorite musician-magicians, and how dreams influence his own sonic and visual art.Pam also talks about casting her love spell at Jinkx Monsoon's Carnegie Hall show, and answers a listener question about witchcraft and entrepreneurship.Check out the video of this episode over on YouTube (and please like and subscribe to the channel while you're at it!)Our sponsors for this episode are The Witch Summit, The Crystal Ballers podcast, BetterHelp, Black Phoenix Alchemy Lab, and The Witch and the Academic podcast.We also have print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here, and all sorts of other bewitching goodies available in the Witch Wave shop.And if you want more Witch Wave, please consider supporting us on Patreon to get access to detailed show notes, bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave
What's to be done about immigration? Find us on Youtube. In this episode, Mike Cosper talks with Roger Berkowitz—founder and academic director of the Hannah Arendt Center for Politics and Humanities and professor of politics, philosophy, and human rights at Bard College—to talk about power, populism and the plight of the refugee. It's a conversation not quick with answers but committed to thoughtful engagement with the most important questions. GO DEEPER WITH THE BULLETIN: Everything is on sale! Grab some Bulletin merch. Find us on YouTube. Rate and review the show in your podcast app of choice. ABOUT THE GUEST: Roger Berkowitz is founder and academic director of the Hannah Arendt Center for Politics and Humanities and professor of politics, philosophy, and human rights at Bard College. Berkowitz is the author of The Gift of Science, the introduction to On Civil Disobedience by Henry David Thoreau and Hannah Arendt, and The Perils of Invention. His writing has appeared in The New York Times, The American Interest, Bookforum, The Forward, The Paris Review online, and Democracy. Berkowitz edits HA: The Journal of the Hannah Arendt Center and the weekly newsletter Amor Mundi. He is the winner of the 2024 Compassion Award given by Con-solatio and the 2019 Hannah Arendt Prize for Political Thought given by the Heinrich Böll Foundation in Bremen, Germany. ABOUT THE BULLETIN: The Bulletin is a weekly (and sometimes more!) current events show from Christianity Today hosted and moderated by Clarissa Moll, with senior commentary from Russell Moore (Christianity Today's editor in chief) and Mike Cosper (director, CT Media). Each week, the show explores current events and breaking news and shares a Christian perspective on issues that are shaping our world. We also offer special one-on-one conversations with writers, artists, and thought leaders whose impact on the world brings important significance to a Christian worldview, like Bono, Sharon McMahon, Harrison Scott Key, Frank Bruni, and more. Learn more about your ad choices. Visit podcastchoices.com/adchoices
A journalist explores one of humanity's most brutal and unavoidable experiences.Cody Delistraty is a writer and speechwriter, most recently working as the culture editor at the Wall Street Journal Magazine. He has written for The New York Times, The New Yorker, The Atlantic, and was the European arts columnist for The Paris Review. He has degrees in politics from New York University and in history from the University of Oxford. British Vogue named him a best young writer of the year, and he has given talks about art and creativity to companies like PwC. He lives in New York City.In this episode we talk about:Why our culture is so repressed when it comes to griefWe dive into the many experiments that Cody launched to help cope with loss; from book and laughter therapy, to psilocybin and AIThe concept of grief as an addiction The importance of rituals The scientific possibility of deleting our memories to avoid pain And how to live along side of grief when there is no cureRelated Episodes:Abby Wambach On: Grief, Addiction, And Moving From External To Internal Validation#583. Jennifer Senior On: Grief, Happiness, Friendship Breakups, and Why We Feel Younger Than Our Actual AgeJoe DiNardo, Grief and MeditationSign up for Dan's newsletter hereFollow Dan on social: Instagram, TikTokTen Percent Happier online bookstoreSubscribe to our YouTube ChannelOur favorite playlists on: Anxiety, Sleep, Relationships, Most Popular EpisodesFull Shownotes: https://happierapp.com/podcast/tph/cody-delistraty-872Additional Resources:Download the Happier app today: https://my.happierapp.com/link/downloadThe Grief Cure: Looking for the End of LossSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
© 2020-2025 Ivy Podcast Discovery LLC
