Podcasts about who is fancy

He's born-and-raised Southern. He's proudly queer. He's unabashedly pop. But Fancy Hagood is about to show the world that he's much, much more. Finding chart-topping success at an early age through collaborations with Ariana Grande and Dr. Luke, Fancy decided to walk away from an industry dictated by fearful executives that wanted to pigeonhole him and his music. Six years later he has emerged with his debut album, "Southern Curiosity", an amazing collection of songs that uses his unique musical voice to tell his story as a queer man. Join Nick as he shares Fancy's inspiring journey, a journey that took him from the suburbs of Arkansas to the beginnings of what promises to be an incredible musical career.   HIGHLIGHTS:   [02:14] At 17, Fancy left the conservative environs of Arkansas for the musical mecca of Nashville [04:32] While in LA Fancy worked with big-time producer Dr. Luke and manager Scooter Braun [05:11] Fancy was stunned to discover that being gay didn't fit into the "Hollywood star" model, so in order to stay true to himself and his music, he left the industry [06:53] Luckily, Fancy's record label and management let him out of his record deals so he could pursue his own path [08:01] Fancy took some time to figure out who he was and what he wanted before beginning to write his debut album "Southern Curiosity" [09:20] Fancy has fought and sacrificed to tell his story the way he wanted to tell it through his music [09:47] Fancy collaborated with musicians and producers in Nashville and London, people who understood his desire to tell his queer story bravely and truthfully [12:05] A couple of songs on "Southern Curiosity" are credited to Fancy's old stage name Who Is Fancy, but all the new songs are credited to him [13:12] The song "Mr. Atlanta" was co-written in London, where the conversation about being queer was much more open and accepted [14:16] Fancy did a little bit of touring back in 2015 with Ariana Grande, but he's dying to get on stage solo and perform his new music [15:46] Fancy's music didn't fit into any of the Hollywood marketing niches, so he left the industry to make his own "queer Southern pop" [19:20] Fancy no longer lets marketing groups decide his career, he's proudly out and eager to share his queer story with the world [21:28] The external pressures put on Fancy in LA created in him a self-defeating attitude, until he removed himself from the environment and learned to appreciate himself as he is [23:37] Surprisingly, some of the harshest criticism Fancy has received both personally and professionally was from other gay men [24:07] To Fancy, being gay doesn't mean that he's competing with other gay performers and artists, there's room for everyone at the table [26:17] Coming out at a young age taught Fancy that nothing in life is black and white [27:21] Self-taught on piano and guitar, Fancy wrote most of "Southern Curiosity" on piano [28:55] Fancy looks up to icons like Elton John and Adele, and genre-bending artists like Kasey Musgraves [30:52] In an attempt to reinvigorate his career, Fancy's publishing company Downtown Music Publishing sent him to London to help him find his artistic voice   Thanks for listening! Tune in next week and don't forget to take a minute to review the podcast. In this incredibly competitive podcasting world, every piece of feedback helps.   Follow our social media channels for last-minute announcements and guest reveals @theradicalpod on Instagram and Facebook. Find out more about today's guest, Fancy Hagood. Find out more about your host, Nick Terzo   MENTIONED IN THIS EPISODE: @TheDoctorLuke @scooterbraun @ArianaGrande @Meghan_Trainor @samsmith @eltonofficial @Adele @KaseyMusgraves @troyesivan @toferbrown @AudraMaeMusic @the_brummies  

The mornings may be getting a bit cooler but the days are still sweltering up in the 90's. After another summer that beat record-breaking temperatures from 2015, don't tell me there isn't global warming. The good news from this hot mess, is that the circuit beats keep getting equally as hot as Party Favorz presents the 2016 Fall Edition. We kick things off with the Danny Verde progressive remix of Boys Like You by Who Is Fancy, who with some big names behind him (Scooter Braun and Dr. Luke) managed to rope in Meghan Trainor & Ariana Grande for additional vocal duties. The end result is a fun romp through camp that only WIF could pull off. Expect to be hearing this A LOT in clubs and circuit events this fall. The heat quickly builds up into a massive mashup with the infamous Lula in the mix before moving into the head-turning remix of Alicia Keys latest In Common. Barry Harris totally flips the script on this slow burner making it a cross between big-time Ibiza vs. tribal while throwing in a bit of George Kranz (Din Daa Daa) into the mix. I was totally blown away the minute I heard this; that is until we get to one of Barry's original mashups below. I am such a HUGE fan of Betty Who's remake of I Love You Always Forever, I was pleased to find out Toy Armada & DJ Grind remixed the song. With their big room sweeping sound, it just fits so perfectly it should have the boys singing along in unity. Currently, we have competing remakes of the Lovestation classic Teardrops running up the Billboard club charts by Cole Plante and Dawn Tallman. Both are equally good but Dawn gets the edge in that it's well... Dawn. We don't have a big room circuit-styled remix from her yet but I predict we will. In the meantime, Cole does an outstanding job with remixes by Chris Cox and Toy Armada & DJ Grind. He plays with the lyrics a bit to make them more suitable for a male singer, but there is no mistaking the classic seeds of the original. Skylar Stecker delivers a worthy remake of the Eurythmics' classic Sweet Dreams (#1 Billboard Club Dance a week ago) and Bent Collective (a.k.a. Steve Redant and Danny Verde) churn out a release for Swishcraft Get Up Stand Up. While I prefer the original, for the sake of cohesiveness I went with the more progressive mix by Louis Lennon, which scales back the vocals much to my dismay. Now, we get to one of Barry Harris' shiniest moments in circuit history. I guess a little musical education may be in order for those of you not old enough to appreciate the songs used in his mashup; so here it goes: Musique was a last minute throw-together by Bob Blank of four women (Jocelyn Brown, Angela Howell, Gina Tharps and Christine Wiltshire) of which Jocelyn Brown went on to greater things and became an artist in her own right. The four-song EP they released in 1978 was titled Keep on Jumpin'. The lead single, In the Bush (which is utilized extensively through Push) stalled on the top 40 due to it's uhh, rather sexual nature but still reached number one on the Billboard Disco Charts. In fact, the second single Keep on Jumpin' also reached number one on the disco charts and again in the 90's when Todd Terry enlisted Jocelyn Brown and Martha Wash to perform a new house version of the song. Are you ready? Are you ready for this?  Do you like it? Do you like it like this? Push, push in the bush.  I used to keep up with all the pop songs and remember this one being played at local radio. In sixth grade, I was sexually naive (except for masturbating) and had written the lyrics down and passed them to a girlfriend in one of my classes. That note, was intercepted by Sister Phyllis (I attended parochial school) and was chastised after class for writing such garbage. I was embarrassed but didn't know exactly what for. Sister Phyllis was a large burly woman known for beating the crap out of her students when they misbehaved but I skirted that by attempting to explain what it was I had written.

The mornings may be getting a bit cooler but the days are still sweltering up in the 90's. After another summer that beat record-breaking temperatures from 2015, don't tell me there isn't global warming. The good news from this hot mess, is that the circuit beats keep getting equally as hot as Party Favorz presents the 2016 Fall Edition. We kick things off with the Danny Verde progressive remix of Boys Like You by Who Is Fancy, who with some big names behind him (Scooter Braun and Dr. Luke) managed to rope in Meghan Trainor & Ariana Grande for additional vocal duties. The end result is a fun romp through camp that only WIF could pull off. Expect to be hearing this A LOT in clubs and circuit events this fall. The heat quickly builds up into a massive mashup with the infamous Lula in the mix before moving into the head-turning remix of Alicia Keys latest In Common. Barry Harris totally flips the script on this slow burner making it a cross between big-time Ibiza vs. tribal while throwing in a bit of George Kranz (Din Daa Daa) into the mix. I was totally blown away the minute I heard this; that is until we get to one of Barry's original mashups below. I am such a HUGE fan of Betty Who's remake of I Love You Always Forever, I was pleased to find out Toy Armada & DJ Grind remixed the song. With their big room sweeping sound, it just fits so perfectly it should have the boys singing along in unity. Currently, we have competing remakes of the Lovestation classic Teardrops running up the Billboard club charts by Cole Plante and Dawn Tallman. Both are equally good but Dawn gets the edge in that it's well... Dawn. We don't have a big room circuit-styled remix from her yet but I predict we will. In the meantime, Cole does an outstanding job with remixes by Chris Cox and Toy Armada & DJ Grind. He plays with the lyrics a bit to make them more suitable for a male singer, but there is no mistaking the classic seeds of the original. Skylar Stecker delivers a worthy remake of the Eurythmics' classic Sweet Dreams (#1 Billboard Club Dance a week ago) and Bent Collective (a.k.a. Steve Redant and Danny Verde) churn out a release for Swishcraft Get Up Stand Up. While I prefer the original, for the sake of cohesiveness I went with the more progressive mix by Louis Lennon, which scales back the vocals much to my dismay. Now, we get to one of Barry Harris' shiniest moments in circuit history. I guess a little musical education may be in order for those of you not old enough to appreciate the songs used in his mashup; so here it goes: Musique was a last minute throw-together by Bob Blank of four women (Jocelyn Brown, Angela Howell, Gina Tharps and Christine Wiltshire) of which Jocelyn Brown went on to greater things and became an artist in her own right. The four-song EP they released in 1978 was titled Keep on Jumpin'. The lead single, In the Bush (which is utilized extensively through Push) stalled on the top 40 due to it's uhh, rather sexual nature but still reached number one on the Billboard Disco Charts. In fact, the second single Keep on Jumpin' also reached number one on the disco charts and again in the 90's when Todd Terry enlisted Jocelyn Brown and Martha Wash to perform a new house version of the song. Are you ready? Are you ready for this?  Do you like it? Do you like it like this? Push, push in the bush.  I used to keep up with all the pop songs and remember this one being played at local radio. In sixth grade, I was sexually naive (except for masturbating) and had written the lyrics down and passed them to a girlfriend in one of my classes. That note, was intercepted by Sister Phyllis (I attended parochial school) and was chastised after class for writing such garbage. I was embarrassed but didn't know exactly what for. Sister Phyllis was a large burly woman known for beating the crap out of her students when they misbehaved but I skirted that by attempting to explain what it was I had written.

Play Pause DownloadShare var srp_player_params_67724d08ae7d4 = {"title":"","store_title_text":"","albums":[],"hide_artwork":"true","sticky_player":"true","show_album_market":0,"show_track_market":"true","hide_timeline":0,"player_layout":"skin_boxed_tracklist","orderby":"date","order":"DESC","hide_album_title":"true","hide_album_subtitle":"true","hide_player_title":"true","hide_track_title":"true","show_publish_date":"false","show_skip_bt":"false","show_volume_bt":"false","show_speed_bt":"false","show_shuffle_bt":"false","use_play_label":"true","use_play_label_with_icon":"true","progressbar_inline":"true","spectro":"","hide_progressbar":"true","main_settings":"||"} var srp_player_params_args_67724d08ae7d4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-67724d08ae7d4"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-67724d08ae7d4"); } The mornings may be getting a bit cooler but the days are still sweltering up in the 90's. After another summer that beat record-breaking temperatures from 2015, don't tell me there isn't global warming. The good news from this hot mess, is that the circuit beats keep getting equally as hot as Party Favorz presents the 2016 Fall Edition. We kick things off with the Danny Verde progressive remix of Boys Like You by Who Is Fancy, who with some big names behind him (Scooter Braun and Dr. Luke) managed to rope in Meghan Trainor & Ariana Grande for additional vocal duties. The end result is a fun romp through camp that only WIF could pull off. Expect to be hearing this A LOT in clubs and circuit events this fall. The heat quickly builds up into a massive mashup with the infamous Lula in the mix before moving into the head-turning remix of Alicia Keys latest In Common. Barry Harris totally flips the script on this slow burner making it a cross between big-time Ibiza vs. tribal while throwing in a bit of George Kranz (Din Daa Daa) into the mix. I was totally blown away the minute I heard this; that is until we get to one of Barry's original mashups below. I am such a HUGE fan of Betty Who's remake of I Love You Always Forever, I was pleased to find out Toy Armada & DJ Grind remixed the song. With their big room sweeping sound, it just fits so perfectly it should have the boys singing along in unity. Currently, we have competing remakes of the Lovestation classic Teardrops running up the Billboard club charts by Cole Plante and Dawn Tallman. Both are equally good but Dawn gets the edge in that it's well... Dawn. We don't have a big room circuit-styled remix from her yet but I predict we will. In the meantime, Cole does an outstanding job with remixes by Chris Cox and Toy Armada & DJ Grind. He plays with the lyrics a bit to make them more suitable for a male singer, but there is no mistaking the classic seeds of the original. Skylar Stecker delivers a worthy remake of the Eurythmics' classic Sweet Dreams (#1 Billboard Club Dance a week ago) and Bent Collective (a.k.a. Steve Redant and Danny Verde) churn out a release for Swishcraft Get Up Stand Up. While I prefer the original, for the sake of cohesiveness I went with the more progressive mix by Louis Lennon, which scales back the vocals much to my dismay. Now, we get to one of Barry Harris' shiniest moments in circuit history. I guess a little musical education may be in order for those of you not old enough to appreciate the songs used in his mashup; so here it goes: Musique was a last minute throw-together by Bob Blank of four women (Jocelyn Brown, Angela Howell, Gina Tharps and Christine Wiltshire) of which Jocelyn Brown went on...

Play Pause DownloadShare var srp_player_params_677258c0c887b = {"title":"","store_title_text":"","albums":[],"hide_artwork":"true","sticky_player":"true","show_album_market":0,"show_track_market":"true","hide_timeline":0,"player_layout":"skin_boxed_tracklist","orderby":"date","order":"DESC","hide_album_title":"true","hide_album_subtitle":"true","hide_player_title":"true","hide_track_title":"true","show_publish_date":"false","show_skip_bt":"false","show_volume_bt":"false","show_speed_bt":"false","show_shuffle_bt":"false","use_play_label":"true","use_play_label_with_icon":"true","progressbar_inline":"true","spectro":"","hide_progressbar":"true","main_settings":"||"} var srp_player_params_args_677258c0c887b = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-677258c0c887b"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-677258c0c887b"); } The mornings may be getting a bit cooler but the days are still sweltering up in the 90's. After another summer that beat record-breaking temperatures from 2015, don't tell me there isn't global warming. The good news from this hot mess, is that the circuit beats keep getting equally as hot as Party Favorz presents the 2016 Fall Edition. We kick things off with the Danny Verde progressive remix of Boys Like You by Who Is Fancy, who with some big names behind him (Scooter Braun and Dr. Luke) managed to rope in Meghan Trainor & Ariana Grande for additional vocal duties. The end result is a fun romp through camp that only WIF could pull off. Expect to be hearing this A LOT in clubs and circuit events this fall. The heat quickly builds up into a massive mashup with the infamous Lula in the mix before moving into the head-turning remix of Alicia Keys latest In Common. Barry Harris totally flips the script on this slow burner making it a cross between big-time Ibiza vs. tribal while throwing in a bit of George Kranz (Din Daa Daa) into the mix. I was totally blown away the minute I heard this; that is until we get to one of Barry's original mashups below. I am such a HUGE fan of Betty Who's remake of I Love You Always Forever, I was pleased to find out Toy Armada & DJ Grind remixed the song. With their big room sweeping sound, it just fits so perfectly it should have the boys singing along in unity. Currently, we have competing remakes of the Lovestation classic Teardrops running up the Billboard club charts by Cole Plante and Dawn Tallman. Both are equally good but Dawn gets the edge in that it's well... Dawn. We don't have a big room circuit-styled remix from her yet but I predict we will. In the meantime, Cole does an outstanding job with remixes by Chris Cox and Toy Armada & DJ Grind. He plays with the lyrics a bit to make them more suitable for a male singer, but there is no mistaking the classic seeds of the original. Skylar Stecker delivers a worthy remake of the Eurythmics' classic Sweet Dreams (#1 Billboard Club Dance a week ago) and Bent Collective (a.k.a. Steve Redant and Danny Verde) churn out a release for Swishcraft Get Up Stand Up. While I prefer the original, for the sake of cohesiveness I went with the more progressive mix by Louis Lennon, which scales back the vocals much to my dismay. Now, we get to one of Barry Harris' shiniest moments in circuit history. I guess a little musical education may be in order for those of you not old enough to appreciate the songs used in his mashup; so here it goes: Musique was a last minute throw-together by Bob Blank of four women (Jocelyn Brown, Angela Howell, Gina Tharps and Christine Wiltshire) of which Jocelyn Brown went on...

Eden的词汇世界是一档分享各类花式记忆词汇方法的电台节目。也许你是准备考试的学生党（高考，四六级，考研，托雅等）或是每日忙碌的上班族，也许你是辛勤劳动的家庭主妇或是家庭煮夫，或是对英语狂热的爱好者，都可以与我们一同英语成长。每日更新，期期有料。逗逼与智慧相结合的奇葩老师每日带你刷单词，你还在等什么？赶快订阅！打赏！转发！留言！点赞 起来！！也可以加我的个人微信：yls5551985 以及我的个人微信公众平台edenenglish与我互动打卡记单词！！ 本期精彩： 酒吧和横木有什么样的渊源，怎么逗逼地记住embarrass？欢迎收听本期的节目. 本期分享： worship [ˈwɜ:ʃɪp] n.崇拜 contact [ˈkɒntækt] n/v 接触 wither [ˈwɪðə(r)] v.使枯萎 perilous [ˈperələs] adj.危险的 bar [bɑ:(r)] 条，棒，吧 barman n.酒保 barbarian [bɑ:ˈbeəriən] n.野蛮人 barbarous [ˈbɑ:bərəs] adj. 野蛮的 barrier [ˈbæriə(r)] n.屏障; 障碍; 栅栏 embarrass [ɪmˈbærəs] vt.（使） 窘迫，（使）局促不安 barrel [ˈbærəl] n.桶 bargain [ˈbɑ:gən] n.交易; 契约，协定 背景音乐：goodbye 歌手：Who Is Fancy

Eden的词汇世界是一档分享各类花式记忆词汇方法的电台节目。也许你是准备考试的学生党（高考，四六级，考研，托雅等）或是每日忙碌的上班族，也许你是辛勤劳动的家庭主妇或是家庭煮夫，或是对英语狂热的爱好者，都可以与我们一同英语成长。每日更新，期期有料。逗逼与智慧相结合的奇葩老师每日带你刷单词，你还在等什么？赶快订阅！打赏！转发！留言！点赞 起来！！也可以加我的个人微信：yls5551985 以及我的个人微信公众平台edenenglish与我互动打卡记单词！！ 本期精彩： 酒吧和横木有什么样的渊源，怎么逗逼地记住embarrass？欢迎收听本期的节目. 本期分享： worship [ˈwɜ:ʃɪp] n.崇拜 contact [ˈkɒntækt] n/v 接触 wither [ˈwɪðə(r)] v.使枯萎 perilous [ˈperələs] adj.危险的 bar [bɑ:(r)] 条，棒，吧 barman n.酒保 barbarian [bɑ:ˈbeəriən] n.野蛮人 barbarous [ˈbɑ:bərəs] adj. 野蛮的 barrier [ˈbæriə(r)] n.屏障; 障碍; 栅栏 embarrass [ɪmˈbærəs] vt.（使） 窘迫，（使）局促不安 barrel [ˈbærəl] n.桶 bargain [ˈbɑ:gən] n.交易; 契约，协定 背景音乐：goodbye 歌手：Who Is Fancy

Hall of Fame songwriter Bob DiPiero joins Sherod Robertson, host and the publisher of MusicRow Magazine, to chat about his career and how he found success as one of Nashville's most treasured tunesmiths. Bob DiPiero has had 50 BMI “Million-Air” Awards, multiple Songwriter of the Year Awards and two consecutive Triple Play awards for three No. 1 songs within a 12 month period. His songs include such hits as Reba McEntire’s “Little Rock”, Faith Hill’s “Take Me As I Am” and George Strait’s “Blue Clear Sky." And one of his most recent songs, “Boys Like You,” was recorded by Who Is Fancy, featuring Ariana Grande and Meghan Trainor. In this episode, Bob gives us the 411 behind his career. He shares his favorite place to write, how he feels when he hears artists interpret his songs, and offers some really smart advice to anyone thinking about becoming a songwriter. We get all the details about one of his recent writing sessions and talk about his new publishing agreement with Kobalt Music Group.

In this episode, Courtney and Gus talk about pretentious restaurants in Los Angeles, the importance of Heinz ketchup, that awful Batman vs. Superman trailer, unusual baby names, the new singer Who is Fancy, and pretend to be friends with Jennifer Aniston.

MusicRow publisher Sherod Robertson sits down with pop singer and songwriter Who Is Fancy in this week’s podcast episode. The Republic Records artist releases his brand new single, “Boys Like You” today, November 23, which features pop sensations Ariana Grande and Meghan Trainor. Fancy’s first hit, “Goodbye,” was released earlier this year under a cloak of mystery. Without revealing its creator’s identity, the song caught fire online, going viral and racking up nearly 20 million cumulative streams over the course of the year. He then enjoyed a high-profile reveal on The Tonight Show Starring Jimmy Fallon, finally unveiling his face and live charisma. Fancy has an impressive industry powerhouse team consisting of Scott Borchetta‘s Big Machine Music Group, Dr. Luke‘s Prescription Songs, manager Scooter Braun and booking agent CAA. In this podcast episode, we talk with the artist about how he became known as Fancy, why the Arkansas native moved to Nashville to follow a dream, and the importance of being true to yourself and finding your purpose within.