Podcast appearances and mentions of Faith Hill

On this episode of The Bandwich Tapes, I sit down with the extraordinary Wendy Moten for a conversation about longevity, versatility, professionalism, and the many different ways a singer can build a meaningful life in music. Wendy has one of those careers that musicians know and revere: a major-label artist in the 1990s, a world-class touring vocalist, a sought-after session singer, a member of the Grammy-winning Time Jumpers, a regular performer on the Grand Ole Opry, and, more recently, a powerful presence for a new generation of listeners through The Voice. What struck me most in this conversation is how clearly she understands her craft, her purpose, and the discipline required to sustain both.We begin by talking about the busy season she is in now, balancing solo work, sessions, weekly performances with the Time Jumpers, and another major tour with Vince Gill. Wendy shares the story of how Vince first called her out of the blue after her run with Martina McBride had ended, and how that invitation opened an entirely new chapter in her career. From there, we get into what she calls her “version of country music,” and how she found it not by imitating the genre, but by studying its history, listening closely, and finding an authentic way to bring herself into the tradition.One of my favorite parts of the conversation centers on harmony singing and what it really means to support another artist. Wendy talks beautifully about what she learned during 15 years as Julio Iglesias's duet partner, including how to listen, how to match breath and phrasing, how to stay out of the way, and how to make someone else sound even better. She says she was “getting paid for self-control,” which is one of the best descriptions of professional background singing I have ever heard. That whole section of the conversation is full of insight for anyone who cares about what it means to serve the music at a very high level.We also talk about church, family, and the support system that made her life in music possible. Wendy reflects on growing up in Memphis, singing in church, and learning early how to stand in front of people, even when she was shy and uncomfortable. She shares how much her parents sacrificed to create opportunities for her and her siblings, and how much those sacrifices still mean to her now. We also spend time talking about her Grand Ole Opry appearances, including the emotion of making her Opry debut without her parents there to see it, and the significance of standing on that stage as a Black woman in a space where history has not always made room for everyone.Along the way, we get into her years at EMI, the pressure to be shaped into whatever version of success the label wanted at the time, and the freedom she eventually found by building a career outside the usual boxes. Wendy talks openly about not needing fame in the conventional sense, about loving the role of underdog, and about continuing to surprise people. This is a conversation about singing, certainly, but also about resilience, humility, excellence, and how to remain generous and grounded across four decades in music.Key TakeawaysWendy Moten reflects on building a career across pop, country, jazz, Americana, sessions, television, and touring without being confined to one lane.She shares how 15 years with Julio Iglesias taught her phrasing, breath, dynamics, communication, and the art of listening more deeply.Wendy talks about singing with Vince Gill and the Time Jumpers, and how she developed her own authentic relationship to country music.She offers a sharp and memorable perspective on background vocals: great harmony singing requires self-control, consistency, and leaving your ego at home.The conversation explores how the church shaped her confidence, artistry, and ability to recover from mistakes in front of an audience.Wendy also reflects on The Voice, why she chose to do it, and how it introduced her to a new audience without diminishing everything that came before it.We discuss the Grand Ole Opry, the emotional weight of her debut, and the significance of taking up space in a tradition that has not always been inclusive.Music from the EpisodeOde to Billy Joe - Wendy MotenDon't Touch Me - Wendy MotenDriving Nails in My Coffin - Wendy MotenFaithless Love - Wendy Moten (with Vince Gill)About the PodcastThe Bandwich Tapes is a podcast where I sit down with musicians, singers, songwriters, producers, and creative people for thoughtful conversations about craft, career, collaboration, and the life experiences that shape the music. It is a show about artistry, process, and the human side of a life in music.Connect with the Showcontact@thebandwichtapes.com

He has written songs for artists who are household names in country music, from Lee Brice to Randy Houser to Luke Bryan, Jamey Johnson, Faith Hill, Megan Moroney, and more. Already this year, a song called “6 Months Later” that he co-wrote with Moroney went to number 1. In 2014, he was named SESAC Songwriter of the Year. Six years later he co-founded the independent record label Pump House Records with longtime friend Lee Brice. In 2023 he co-founded Entersong Entertainment with longtime friend Jerrod Niemann. And he is one of the founders of the Las Vegas Songwriters Festival, which comes up this August at Mandalay Bay Resort and Casino on “The Strip.”

Bobby, Eddie and Brandon Ray go back to the 90s for a country music draft full of debate, nostalgia and plenty of memories. The guys pick their favorite 90s country stars, from Reba and Tim McGraw to Tracy Lawrence, Faith Hill, Joe Diffie and more, while trying to build the best lineup without some of the obvious top-tier names. Along the way, they share first concert stories, talk about their favorite songs from the era, and Brandon Ray tells a great Joe Diffie story. Plus, the guys get into honorable mentions, final draft thoughts, and even a few first kiss memories. Watch The BobbyCast on Netflix! Follow on Instagram: @TheBobbyCast Follow on TikTok: @TheBobbyCastSee omnystudio.com/listener for privacy information.

James Landry Hébert is a versatile character actor known for embodying volatile, morally complex roles with a grounded, lived-in intensity. Frequently cast as dangerous or unpredictable figures, Hébert has built a reputation for revealing the humanity beneath even his darkest characters, bringing a level of emotional depth that distinguishes him across both film and television.Raised in Louisiana, Hébert draws from a deeply personal history that informs his work. His approach to acting is rooted in experience and emotional truth, often channeling real-life moments into his performances. Off-screen, he is thoughtful and introspective, an unexpected contrast to the volatility he brings to the screen, an interplay that has become central to his appeal.He is currently playing a recurring role in Season 3 of Euphoria further expanding a television résumé that includes a series-regular role in Taylor Sheridan's 1883, where he starred opposite Tim McGraw, Faith Hill, and Sam Elliott. His television credits also include Stranger Things, Westworld, Agent Carter, Mob City, and a series-regular role in Taken.On the feature side, Hébert recently appeared in Horizon: An American Saga directed by and starring Kevin Costner, and delivered a standout performance in To Leslie opposite Andrea Riseborough. His film credits also include Upon a Time in Hollywood, Wander Darkly alongside Sienna Miller and Diego Luna, Gangster Squad opposite Sean Penn and Ryan Gosling, Seven Psychopaths, and Super 8.Early in his career, Hébert garnered critical attention for his performance in Two Step, signaling the arrival of a compelling new character actor with a distinct point of view. With a career spanning studio films, independent features, and prestige television, Hébert continues to establish himself as a sought-after presence who brings complexity, edge, and authenticity to every role.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

James Landry Hébert is a versatile character actor known for embodying volatile, morally complex roles with a grounded, lived-in intensity. Frequently cast as dangerous or unpredictable figures, Hébert has built a reputation for revealing the humanity beneath even his darkest characters, bringing a level of emotional depth that distinguishes him across both film and television.Raised in Louisiana, Hébert draws from a deeply personal history that informs his work. His approach to acting is rooted in experience and emotional truth, often channeling real-life moments into his performances. Off-screen, he is thoughtful and introspective, an unexpected contrast to the volatility he brings to the screen, an interplay that has become central to his appeal.He is currently playing a recurring role in Season 3 of Euphoria further expanding a television résumé that includes a series-regular role in Taylor Sheridan's 1883, where he starred opposite Tim McGraw, Faith Hill, and Sam Elliott. His television credits also include Stranger Things, Westworld, Agent Carter, Mob City, and a series-regular role in Taken.On the feature side, Hébert recently appeared in Horizon: An American Saga directed by and starring Kevin Costner, and delivered a standout performance in To Leslie opposite Andrea Riseborough. His film credits also include Upon a Time in Hollywood, Wander Darkly alongside Sienna Miller and Diego Luna, Gangster Squad opposite Sean Penn and Ryan Gosling, Seven Psychopaths, and Super 8.Early in his career, Hébert garnered critical attention for his performance in Two Step, signaling the arrival of a compelling new character actor with a distinct point of view. With a career spanning studio films, independent features, and prestige television, Hébert continues to establish himself as a sought-after presence who brings complexity, edge, and authenticity to every role.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

First up, a massive celebrity engagement has taken a bizarrely fated turn after fans discovered a hidden connection between Harry Styles, Zoe Kravitz and a beloved book franchise. Plus, we're dissecting the first grainy on-set photos from a highly anticipated movie sequel - including a certain "upgraded" diamond ring that has the internet comparing old flames .Plus, we have a very serious theory about a sky-blue dress and a horseshoe necklace. We’re unpacking why a certain countdown appeared and vanished on a major artist's website, and whether she is about to pivot into the world of animated sequels to finally secure her "EGOT" status.And finally, the real-life inspiration behind one of cinema's most iconic "assistant" roles has finally stepped out of the shadows after twenty years. We get into her "savage" rebuttal to the woman who wrote the book and her mortifying encounter at a mutual friend’s house with the A-list actress who played her on screen. Read the Vogue interview with the real life Emily from Devil Wears Prada here. Love binge-watching TV? The Spill has launched a new podcast called Watch Party where we deep dive into the shows everyone’s talking about. Follow the feed on Apple or Spotify now. Plus remember The Spill drops the tea twice a day in this feed so follow us for all the latest entertainment news… OR you can WATCH our show in full length video on the Apple Podcast app - make sure your phone is up to date and enjoy the watch! Link here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media: https://www.mamamia.com.au/subscribe/ Your subscription helps us continue to tell the stories that matter to women. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast. From Mum and Me Out.00:02Speaker 2 Welcome to the Spill your daily pop culture fix. I'm Laura Brednick and I'm Tina Burke and coming up on the show today, Look, Taylor slipped us up to some antics. There's secret coded messages in her outfits, there's potential secret songs, there's a countdown.00:15Speaker 1 I'm gonna be so honest.00:16Speaker 2 I'm gonna let you, Tina Burke, explain that because that is wait, you're crazy, Taylor, so fandom that's your business. Plus something I have been obsessed with for the last few days. I know we both have, but we need to talk about it. The real life Emily from The Devil Wears Prada has come forward after all these years, and she's given some really interesting insights about the author of the book, Anna wind Tour Emily Blunt. We're getting get into the biggest takeaways from that, but first you have some other things to discuss.00:43Speaker 3 I have some things that have come across my desk this morning. One of them is very short and I just need to touch on it really quickly, Will And it is that. Obviously, last week we discussed Zoe Kravitz and Harry Styles engaged. According to people magazine. Do you know what their middle names are? Her middle name is Isabelle, Isabella Isabelle.01:00Speaker 1 Last, what his is? No, it's Edward. Oh they are Edward and Bella. Oh my god, this has blown up.01:08Speaker 2 You might be the only person who. Oh no, it has blown up on socials this morning.01:12Speaker 3 It's come across the internet because they are Bella and Edward from Twilight, which means they are now faded to be together forever. I was skeptical before. I was like, they're not gonna last. It's not gonna happen. And now I'm like, no, they're Bella and Edward, so like it's gonna happen. By Stephanie Wheer, Oh my god, I love some little nerd put that together. I love nerds.01:28Speaker 1 And they together.01:29Speaker 2 For nine months, we've had this information for nine months and only now have people picked it up.01:32Speaker 3 Someone sat on it until now, And maybe they'll have a little renett me of their own, just something to think about, something a bit.01:37Speaker 1 More serious, do you think of it?01:39Speaker 2 Well, I'm sure they'll be thrilled that people have figured out they're supposed to be together because they're middle names.01:43Speaker 1 Yes, no other reason.01:46Speaker 2 Yeah, something more serious that isn't more serious, No, but with just my lurkings on social media is the Summer I Turn Pretty has officially.01:55Speaker 3 Been done filming the movie, which is very exciting. It's been really like under wrapped of what exactly the plot was going to be. I mean, we pretty much assume and everyone has reported that it's going to be about like Belly and Conrad finally getting married, but we didn't finally.02:10Speaker 2 Everyone's like, well, when will those crazy kids get married?02:13Speaker 3 Honestly like sitting on the shelf at this point. But I do think they're going to be about twenty five. But the first onset photos came out over the weekend. They've gotten back to set and while they were incredibly grainy and blurry and they were kind of like pat photos or fan photos taken on phones, they're all out on a boat on the lake.02:29Speaker 1 It's very the summer return pretty.02:31Speaker 3 Yes, what you can see is that Belly has a big diamond ring on her left ring finger.02:37Speaker 2 Okay, people have not handled these photos well in a mature way. Everyone has been pretty nasty, pretty crazy because the ring, as we all remember, if you can even call her that, that was given to Belly by Jeremiah in the show was so small that you literally couldn't see it. Even when she held it up in front of your face, you could not see it. We put it on socials and we had to.02:58Speaker 3 Draw a circle around it, the tiny little diamond.03:01Speaker 2 From that point, poor Jenny Hahn, the writer of the books and creator of the TV series and showrunner and all these things, This talented, creative, brilliant woman then gave up her precious time to go on oppressed tour to do interviews so that fans could ask her questions about the show. And all that woman got asked was what was that tiny ring? Was that meant to be a joke? And that poor woman had to answer over and over again. No, it wasn't meant to be a joke. We just thought, like, he doesn't have any money, so of course you'd have a small ring. It's just the way that belly held it up so defiantly to show the family and then you couldn't see it, and you couldn't see it at all. Became such a running joke.03:36Speaker 3 Yes, and so even from a great distance on a boat in the middle of the high seas, you can see the ring that we can assume Conrad has given to her. So it's a Peconkin diamond, and I'm very excited about that because she does deserve it. And this is why you date the handsome doctor and not like the weird other brother. There were lots of reasons, but I do think this is one of them. The other big thing that has come out based on these photos is that Jeremiah our like sad single other.04:01Speaker 1 Hey.04:01Speaker 2 Hey, some of us were kind of quietly team Joremiah nick word team Jeremiah, and I don't understand why, but that's your business. He has his arm wrapped around a mystery blonde woman, so that, oh god, it's not that woman from who was that girl?04:13Speaker 1 I kind of friend.04:14Speaker 3 Yeah, So the whole season three subplot of him falling for the roommate and the roommate being a weird hater of Conrad that never.04:21Speaker 1 Sat well, Yeah, that just felt right. That was for nothing.04:23Speaker 3 It felt rushed, and it was for nothing because now he's on a boat with a woman who looks a little bit too much like his mother and he's got his arm around her and they look to be a couple. So wow, something to think about there, But we don't really know too much about what the film is about, but we do know that Jenny Hahn is directing. So she directed one of the episodes of the season three, which was episode five. Laura, I don't know how much you remember the summer I Turned pretty, but episode five was the one from Conrad's pov Oh the Apple.04:48Speaker 1 We hate the Apple, and he is in the white T shirt. Yeah, that song played wild Horses beautiful.04:52Speaker 3 VI.04:52Speaker 2 Wow, I just like, I feel like I just lost you for a second, just went off and I just got into.04:55Speaker 3 My Conrad's little like mind bubble. But she's going to direct the film, so she said, taking inspiration from Nora Efron. Oh great, so great person to take your inspiration from. You do have to wonder what like the traditional third actension is going to because I think the whole show was third actension and we don't need to see a mini breakup again. But I don't know, maybe Steven and the other one can have some drama.05:17Speaker 1 Yeah, I mean that's the thing. Isn't it to be able to make a movie like that.05:20Speaker 2 Yes, yes, you've got the wedding as the plot, but there's going to have to be some moment where you think they're not going to get married some sort of drama.05:26Speaker 1 You can't just have a wedding.05:27Speaker 3 No, But like at this point, it's been drama non stop for years.05:30Speaker 1 You go tired to Paris.05:31Speaker 3 She's like, actually, I'm going back to Paris, thank you so much. I'm leaving you again. That would be so boring. We can't do that.05:36Speaker 1 Do we know when this is coming out? Like, at least not until next.05:39Speaker 2 Year twenty twenty seven, twenty twenty seven to be coming out. Yeah, I mean, I guess people will still be interesting, Like I know people still be interested, But I was worried when the show ended and they announced the movie was happening, and the momentum was so huge, and in my head, I was like, oh, I wonder if they've started shooting so that this can come out at least a year after the last episode has aired, and now it's going to.05:59Speaker 1 Be well over year.06:01Speaker 3 Yues.06:01Speaker 2 People still care because there was such a fandom around that show.06:04Speaker 1 But do we think it all? Do we think the momentums lost a little bit?06:07Speaker 3 I think so, And as well, there were reports like the other week about the fact that maybe the cast had only signed on to do the movie in order to get pay bumps for season three when they were renegotiating, and Deadline kind of reported saw stuff the cast themselves didn't come out and say this, but that the cast might have felt like they were a little bit taken hostage in having to agree to the movie so that they could get a pay.06:28Speaker 1 Rise for three.06:29Speaker 3 So there's also like that little underlying tension as well that I think some fans aren't happy with. And yeah, it's a long wait for a movie that realistically like I don't know what's like, how much could possibly happen.06:39Speaker 2 Yeah, we love Jenny harm but yeah, we love Jenny Harm. Well, hopefully there's a big plot twist in there. But that's the thing about having these continuing stories is like you do have to kind of break something or change something in order to make it worth the stakes.06:51Speaker 1 Yeah, but I'm sure to be fine.06:52Speaker 2 And also at least that they were all out of like high school and through college, they have to worry about it. They don't have to worry about them aging out of their roles. Yeah, we've got a good fifteen year years before that happens. So no, I think it'd be fun.07:02Speaker 1 Yeah, So, as.07:04Speaker 3 Discussed my favorite topic in the world. Taylor Ellison Swift has come up twice, actually more than even twice, several times in the past week, but on two very significant occasions. We have been talking about Taylor Swift and I have been talking your ear off, and I'm sure you loved every second of it.07:18Speaker 1 Right, No, I always.07:19Speaker 2 Find that you have an interesting angle on Taylor Swift because you're like really in the weeds with not just the fan theories, but kind of like the industry chat as well.07:27Speaker 1 So I find that very interesting. I thank you for play kating a lot of people who care about stuff I can't really relate.07:32Speaker 3 Yeah, and I care about everything weigh too much. But one of the things that came up last week, which some of the spillers may have seen, I know a lot of people were texting me going, what the hell is happening right now?07:44Speaker 2 People text you if something happens to tell you Swift, They're like, what's going on? Why is this a thing?07:48Speaker 1 And to be fair, you know the answer, and I do know the answer.07:50Speaker 3 So Taylor Swift. On Friday last week, a mysterious countdown appeared on her website for the briefest of moments and obviously, if you know anything about Taylor Swift, she loves like an Easter egg, she loves a big reveal, and she often does these countdowns on her website. So before the Life of a Showgirl album came out, whole website changed colors, big countdown pops up. This time, her website briefly changed to a sky blue background with like white cartoon clouds, and a countdown appeared in like this also cartoonish kind of font and then disappeared, and the Swifties very quickly put together that it looked like Toy Story Wow, okay, and Toy Story five is coming out soon.08:31Speaker 1 No, I'm aware, Oh good, I'm aware. I'm up on the plots, I'm up on everything.08:35Speaker 3 No, everything, and Toy Story five is coming out soon. But the thing is, people suddenly realized, holy shit, has a Taylor Swift been dropping Toy Story five clues?08:45Speaker 1 And again, yes, yes, okay, it looks like yes.08:49Speaker 3 So one of the things that I love about Taylor Swift is so and it's bold of me to say this, I'm sitting here in a T shirt, but her street style is not necessarily beloved by the fashion girls. A lot of people think she dresses a bit basic or like. The common theme is people think there's always like one thing wrong with her outfits, so she often gets roasted for her She.09:08Speaker 2 Gets roasted, And it's so interesting how there's this huge fandom of people that are just like, oh, she looks she just looks terrible. She dresses frumpy. If you listen to any kind of fashion podcast, fashion adjacent, any kind of industry chat, they're just like, she's known as being like one of the worst dress celebrities. Can I just say, I can't see it. I like her outfits.09:28Speaker 1 I like them too. I guess I'm just not a fashion girl.09:31Speaker 2 But I thought, like recently in the dress with the little yellow bag and the heels, maybe it's because I too am a little basic. Like when people just like, oh, it's so boring when she just wears a glittery gown, I was like, you know what, wear a glittery gown. I'm so sick of everyone wearing a beige column dress or a black dress. They're like, it's chival blah blah blah. I don't know, they all look the same. Well, at least she has a look.09:50Speaker 1 Yes, she has a look.09:51Speaker 3 She knows what her style is, and she has worked for years and years and years with the same style as Stress of Castles. You have to wonder how he feels about it all. But he also does like her, like streaming and stuff for like the Era's tool.10:01Speaker 2 If he does love that, it's so wild because I don't see a huge jump between her costumes from the RAS tour and her street style and her red carpet style. To me, it all looks very like concise and that it fits together, Like she doesn't look like she's in a costume when she's on stage to me, and she doesn't look like she's been dressed by someone else when she's like she always looks like her. Yeah, and there's very few celebs that look like that, Like some of them, there's such a clear line between their street style and their event dressing.10:26Speaker 1 Yeah. So I don't know what people want. I don't know what people want.10:29Speaker 3 But what they did was dig back, and they didn't have to dig very far because last week she did wear the outfit you're talking about, which is like a sky blue dress.10:36Speaker 1 She had a yellow bag.10:36Speaker 3 She was wearing lue batons, which obviously have a red bottom on them, and she was wearing a horse shoe necklace, and so people ripped into this outfit last week. Yeah, and then suddenly on Friday, when.10:46Speaker 1 I was like, wa, where can I buy that?10:47Speaker 3 And I can't afford it? But I thought she I thought it was a great dress. She was out for dinner with her family and friends. And though she has previously said she does an Easter Egg when she's like Easter Egg her personal life, she does Easter Egg through fashion all of the time. And people as soon as this Toy Story theory started kicking around, well like, wait a minute, was that hideous outfit we hated on Monday a.11:05Speaker 1 Toy Story five clue? Maybe?11:08Speaker 3 And then outside of that, there is also there's clouds in the background of her opal Aite music video, Greta Lee, obviously because of the Graham Norton show was in that music video. Guess what She's also doing voicing a character in Toy Story five exactly, and June five is the really.11:23Speaker 1 State of Toy Story five.11:24Speaker 3 It was also the really state of Tailswift's debut album, Whoa. So everyone's kind of gathered these clues together to decide that she is making his song for Toy Story five and that the countdown accidentally got set live early.11:36Speaker 1 Oh but does she do anything by accident that I'm not sure of.11:39Speaker 2 So if the countdown had been like real, it would have counted down to like Sunday five am ish our time, and then nothing happened.11:45Speaker 1 And nothing, but it did disappear.11:47Speaker 3 So I do have to wonder if it was like a phase test gone wrong. If it is gonna happen, I mean we'll find out. It doesn't seem out of the realm of possibility to me for like Taylor to be like, you know what, now it's time for a kid's music soundtrack.11:59Speaker 2 Yeah, I mean, look, she's exactly the right age to have a very nostalgic yeah, because like all elder Malone, like she's an elder millennial just like us.12:07Speaker 1 Maybe or not, but yeah, we're all in that same.12:09Speaker 2 Bracket where we'd like grown up with Toy Story and then that we had like the later Toy Story movies that hit us as adults, and now this next one that we know is coming up is really kind of hitting everyone. It's more for adults and kids, it's hitting us at the stage of our life where we're in wood.12:22Speaker 1 He's got a bald spots triggering for everyone.12:26Speaker 2 It's yeah, so May there's a world in which she's a secret Toy Story fan and she has a real affinity with this franchise she's growing up with, and like it's all the cool kids like Greta Lee's getting in on Toy Story and then you have like Tom Hanks coming back and all the voice cast, and yeah, it's the one thing that everyone wants a piece of at the moment in Hollywood, which is so crazy.12:44Speaker 1 It's a Toy Story franchise.12:45Speaker 3 And one thing we know about Taylor Swift is that she does love an award. And if she could win a songwriting award and get a little bit closer to being an Eagle winner, you just know she would love that.12:55Speaker 2 She's just had a rough run as that poor girl. When will anything go right for Taylor?13:00Speaker 1 When will she again?13:01Speaker 2 I know she was meant to be a shoeing for the Oscars for Cats, Yeah, because she When you write a song, you co write a song with Andrew Lloyd Webber for one of the like most enduring musicals of all time, yea, you should at least get a nomination and probably a win, And that song was lovely, and I'm sure she pictured herself up on stage the Oscar singing it. And then Cats were so reviled and so universally hated the fact that Andrew Lloyd Webber went and bought a dog. Man hated dogs.13:29Speaker 1 He's like it turned me. He literally said that the other day a dog person.13:33Speaker 2 Yeah, He's like, I hated the adaptation of my work Cats so much that I went and bought a dog.13:38Speaker 1 Like, that's how much that man is angry at And.13:40Speaker 2 So Taylor's missu and that, and then everyone thought she was going to get a short film for the nomination for All Too Well. And there's been a few other times her music has been in the mix for a possible nomination, but it just hasn't. It's the one thing that's eluding her.13:51Speaker 3 It is, and I do think like she's got her thinking cap on and she's like a sad song about Jesse the Doll. That's a Cowboys song that could do well.13:59Speaker 2 I mean, the thing is, it's it's a good plan. If that woman writes a banger for toy story for the next movie, then yeah she's in. Then that's a real hook for a Best Song nomination at least.14:10Speaker 3 Yes, and so that was sort of the like unseerious side, but I do believe in it.14:14Speaker 1 That was a serious side.14:15Speaker 3 Yes, no surprising thing. So something else that Taylors which is making headlines for at the moment is her name in relation to a billion dollar sale to do with Spotify. But it's kind of due to something that she did back in twenty eighteen. And the reason I want to talk about it is because I love her so much, but also she's going to get so many other artists and so many other like songwriters and people involved in production paid out as a result of something she did back in twenty eighteen. But basically Universal Music Group are looking at selling half of their three percent stake in Spotify. And that might sound small, but that deal could be worth as much as like one point four billion dollars.14:51Speaker 1 It's a lot of money.14:52Speaker 3 So basically a bid from Pershing Square came to Universal which was to like buy out part of Universal or to become an investor, and in order to do that, they wanted them to liquidate part of their Spotify shares. But then for some reason everyone's reporting that it's like independently Universal Music has decided to sell off part of their Spotify shares and that was announced in April, but at the moment, they're obviously looking to sell off the stake. And what that would mean, like why Taylor Swift is involved is that she negotiated a deal back when she signed in twenty eighteen and other labels were selling off their Spotify shares, she negotiated that the funds would be non recoupable.15:33Speaker 1 Hard work to say.15:34Speaker 3 Got to tell you what that means is, obviously record labels, like every other label that would exist in the world, when an artist makes money, part of that money goes back to their record label. But obviously in this case the record label would be selling something, they would be giving that money to artists, and Taylor Swift is blocking that money from ending up going back to the record label. Oh and so the reason that she did that was because, as we know, Masters were a really big deal to her. She universal in twenty eighteen, and the reason she left Big Machine Records is she wanted to own her masters, like to own her own work, and the only way that Big Machine were willing to do that was if she gave them all one for one deal. So every time she gave them a new album, they would give her back ownership.16:14Speaker 1 Of one of her older albums.16:15Speaker 3 Oh, and she was like no, and didn't really trust Scott Bourschetta. And I think as well. She'd signed on when she was so young, she was a teenager. Her family were really involved. She was one of the very first artists that they had at Big Machine Records. She's certainly their most successful and I think they tried to make her feel as though like she owed them this deal even though it wasn't beneficial or good for her, and so she walked away went to another music group. As we know, the Masters thing kind of carried on for years and at that time wasn't as well known. But in twenty eighteen it did become a big deal. Oh my god, Taylor Swift wants more money from Universal. And what she was actually doing was making sure that this deal would impact smaller artists and musicians. And she said it at the time, she was like, I see it as a sign that we're heading towards positive change, a goal I'm not going to stop trying to help achieve in whatever ways I can. But she was very honest at the time that she was on her sixth seventh album, and she was like, I can speak up and be a voice for change, but younger artists can't. And she was like, what is the point of me, essentially, if I'm not going to stand my ground and have these arguments with record labels and Universal agreed. So they were one of the first to do it, and it does mean now when they're doing this sale, all of these other artists are gain and benefit massively, and I do think it's a testament today Swift. And I know a lot of people talk about her being a billionaire or like money grabbing, and at the time this deal was viewed very much as like, oh.17:35Speaker 1 She's just out for herself.17:36Speaker 3 But I do think she's one of those rare people in the music industry who isn't even though yes, she's going to benefit too, she does want other people to not go through what she went through.17:46Speaker 2 That's interesting thing because and I've said this before public on the podcast, So whether it's wrong or right, is that sometimes I feel like when she takes in the past, she has taken these big stands, it often kind of comes across like people really rally around her and celebrate her for some of the things she's done or when she said, but a lot of them. It sometimes feels like she just weighs on an issue when it's going to benefit her, and she tries to make it a universal thing. She's like, this man said this, you know, inappropriate thing to me, which also fair enough to be upset, and she's like, I'm going to take a stand, and everyone kind of rallies around her, and yeah, it's like, you know, oh, women's rights are that sort of thing. But at the same time, when you actually look at it from like a like a higher lens and kind of float above it, you're like, that was that was.18:26Speaker 1 Just for you.18:27Speaker 2 And saying the master's thing where I think for a long time there where she was like everyone felt like they were swept up in this big movement of like Taylor Swift getting her music back and it was this huge thing and it felt like a communal win every time she did it. But if you actually again looked at that, it was like, oh, no, it's just it's her, Like obviously.18:43Speaker 1 People are not. Everyone's going to own their masters. Yeah, and also like that's nice.18:47Speaker 2 It's like, you know, to feel good about what your favorite artist does and to feel involved in that, and I know that was a real sense of community around the Swifties. But then at the same time, yes, it always kind of felt like, oh, she'll speak on it, but only if it kind of comes back to her. But then I guess over the years she has kind of tried to, like when she spoke about politics and you know, tried to endorse like a different candidate, and she was like very aware that was like a bigger thing than her then. And I you know, obviously I know how much money she gives away and all that sorts of things, but you know, if you want to get on the weeds in it, it's kind of always felt like and that's what I hear a lot of you know, fans talk about the fact they love her music, but they wish she really stood for something.19:23Speaker 1 Outside of herself.19:25Speaker 2 But then also because of her branding and the way she kind of puts herself as this kind of like very inclusionary person, we all obviously expect more of her than other artists, particularly male artists. So it's a very weedy path. So you're kind of telling me that this was on because when I first heard of this, I only heard of it really top line, and I thought it was once again a thing of Taylor's lived coming out and like making sure that she has a win, making sure that she has her money, making sure that she's protected, and that being her first kind of priority, and then as a default, she's pulled other people in with her and she's being like overly celebrated. That's what I thought, But you're that that's not correct.20:01Speaker 3 Yeah, Look, my perspective on it is as you kind of said, there's been times like the Master's thing when she was releasing the Taylor's versions of albums. I liked it because I got new songs. Oh yeah, yeah, which I know, so fair enough selfish.20:12Speaker 1 And like fun as as fifty it was like.20:14Speaker 2 Transactional, like an artist you like is putting out content that you're willing to, like essentially buy the streaming and stuff.20:20Speaker 1 That's fair, that's just how business works.20:21Speaker 3 Yeah, But I very much saw that as like she did that because she it was personal to her.20:26Speaker 1 She wanted to own her own art.20:27Speaker 3 That's great, but it wasn't necessarily, like you said, the big moment that a lot of people built it up to be where everyone was going to benefit or everyone was going to succeed out of this. I do think though, when she did make this decision, there was a lot She actually received a lot of backlash at the time because she'd also previously like she took her music off of Apple Music in twenty fifteen. Yes, I remember that, and it was a whole big deal because Apple started doing like free trials essentially, and Taylor was like, well, how are people going to get paid if you're doing free trials? So then she took her music off temporarily, and then Apple agreed to still pay the artist despite the free trial periods, and she.21:02Speaker 1 Went back on.21:02Speaker 3 And I'd always taken her music off Spotify in twenty seventeen, like, so she'd done it a couple times in.21:07Speaker 2 Order, and I know those were framed if she was like, this doesn't make a difference to me, I'm doing this for other artists. Yeah, But was some part of it also because she's a business woman, and you don't become a billionaire without being very conscious of like keeping your money and making sure you're getting like squeezing money out of every little area that you can, like that's how you become rich. So was they also a part of her that was like I need to protect my own money, even though I don't need to at this stage, it's still money I'm losing. And then by default I will pull like I will help other artists out, which I'm sure the artists getting the money they don't care that she did it for herself and they're a byproduct.21:40Speaker 1 You'd be happy to take it.21:41Speaker 2 But it's just so interesting we always have to like she's a billionaire, and everyone still has to be like we have to protect the downtrodden kind of, you.21:49Speaker 3 Know, like yeah, yeah, And I do think at the time, like, for sure, those decisions like with Apple and Spotify in twenty fifteen, twenty seventeen, definitely we're about protecting her assets and all of that. I do think the decision in twenty eighteen to sort of negotiate all of these terms with Universal because that wasn't the only agreement that they came to. But I do think that had a lot to do with the way she was feeling taken advantage of with big machine records. Yes, and yes, that is a lot to do with herself. But I do think she looked then at that point in time, this is like after she's been canceled. This is when people are hating her guts, and I do think she started to look more. It's also when she's getting to like reputation. That world tour was at the time the highest grossing tour of all time, Like it was a big deal in North America. So I do think she was at a very successful point, but also at a point where she recognized that she had a bit more power than she'd ever had before and finally got to negotiate something and look back at how she'd been treated by this independent record label and just wanted to do something that protected people. She's also had the same band her whole career. She's worked with a lot of the same production team, same songwriters, same people in her camp the entire time. And while they're really well taken care of, I think she also sees that like not a lot of people are, and she's about like when she was a songwriter back in Nashville, she would be in these like communities and people would be talking about how they got money from people buying like a Faith Hill song that they had worked on one time, and so she was like, that doesn't happen anymore. So I want songwriters to be better paid. It basically all came down to the whole songwriting element of how she sees herself rather than like the big pop stars and stuff. Did she benefit absolutely, and do people often yeah, compliment her when she does something just for herself and it ends up benefiting others.23:28Speaker 1 Absolutely.23:28Speaker 3 But I do think in this instance, like it is going to help a lot of people put food on the table and also remain in the industry a bit longer when you have deals that actually support the lower down people in music.23:40Speaker 1 And like I guess in terms of musical.23:42Speaker 3 Billionaires, I'm glad at least one of them is doing something better than other people.23:45Speaker 1 Yeah, exactly.23:46Speaker 2 And that's the thing I don't like when people like, look at Taylor Sitch and has to do these extremes of like she's a superhero, she's a super villain. Like, yeah, it's a bit in the middle. It's a bit in the middle. Like do I think anyone should be a billionaire?23:56Speaker 1 No? I don't.23:57Speaker 3 But also I do think she donates a lot of mine. You see it all the time. She doesn't come out and go look I did this, Like random charities will be like, hey, she just gave us a million bucks and you're like, oh sick.24:07Speaker 1 Yeah. Yeah, Well, and you know the good news. I guess out of this might takeaway. She might have some sweet toy story.24:11Speaker 2 Money coming in. She might look she'll never be shy I of a dollar, Taylor Swift. But hey, maybe she'll help some people along the way. Well, we're still very much in the devil Weares prior to two weeks. The movie came out last week. We've got a special episode coming up this Friday about it. The movie, So it released this weekend. We're like number one at the box office across the world, as we thought it would be. Apparently it's going to go even further than projected with like the money it's making here the box office, because people are going to see it multiple times. And I love that and hopefully I don't know what it's going to take for studios to take notice, because it's like we have Barbie Breaks all the box office records, Wuthering Heights, love it or hate it, Women just wanted to get dressed up and go with their friends.24:48Speaker 1 Yeah, did amazingly crush the box office.24:52Speaker 2 And now the same thing, women are getting dressed up going to the movies.24:54Speaker 1 Like guys, are we seeing a pattern here? People like the movies.24:57Speaker 2 It's almost like women want to go and see women's stories at the movies.25:01Speaker 1 They can get dressed up and have a goddamn cocktail.25:04Speaker 2 Anyway, So, as we move through Devil Wears Prider Week, and I'm having a great time with everyone who's coming out and would work to share their thoughts and feelings and everything, something very interesting has happened, something historic. I would even go as far to say the real inspiration behind Emily Charlton, a character in the Devil West Prata who has been in three of the books and also now the two movies, the real woman behind her has come forward for the first time in decades. People have tried to work out who she was for years, and I'm sure people in the fashion and magazine industry knew, but she herself has never come out and said anything until now, until the movie has come out and so well received it to be said, there's a straight line there. So Leslie Freemar, who is a celebrity stylist and has been in the fashion industry for many decades, went on the Vogue podcast and talked to editorial director Chloe Mao because when Anna Wintle vacated, she wouldn't let anyone else be the editor of Vogue, said, she's the editorial director, but she is running the day to day operations at Vogue now as Anna win talk kind of move has moved into a more like overseeing role. And so she interviewed Leslie, and I know you've listened to this multiple times, right, this interview. Yeah, I couldn't get enough of it. I listened to it twice as well. It's been the thing all my group chats are talking about. And it's interesting because it wasn't supposed to be cutting in any way, but if you read between the lines.26:26Speaker 1 Oh yeah, there's some cutting lines.26:28Speaker 2 It's a bit of a savage story about Lauren Weisberger. So if anyone doesn't know, Lauren Weisberger is the author of The Devil Wears Prata and the sequel, The Devil Returns.26:37Speaker 1 And everyone keeps saying that this is the second book, but actually the.26:39Speaker 2 Third, When Life gives You Lu a Little, When Life gives You Lulu Levin's Crazy, which is Emily's story of her leaving Miranda and like getting pregnant and moving to the suburbs and like breaking up with her husband. It's nothing like the movies. Yeah you've said that. Yeah, I've not read this book. And then so here's the Lauren Weisberger that she was Anna Wintour's assistant well over many decades ago now, and she lasted about eight months in the second assistant chair, and we now know that Leslie was the first assistant at the time. So when she came on to do the podcast with Chloe, Chloe sort of says to her, like, why do you think you're the real Emily? And she's like, I don't think I know. And as she tells her story, it's interesting because Vogue was going to have a panel with past Vogue staffers that all could have been the Emily and they were going to sort of like have a discussion. And then Leslie, who doesn't really do anything like she works with celebs, and like, yes, she's Charlie's.27:33Speaker 1 There on style, Yeah, and she's style a lot of.27:35Speaker 2 Red carpet looks and things like that, but she's on a public face. And she had to sort of call Chloe and say, hey, I'm happy to come and talk and help.27:42Speaker 1 But it's going to be.27:43Speaker 2 Really clear if we all get on stage straight away that it's me.27:46Speaker 1 Yeah, that it's definitively me.27:48Speaker 2 I sat across from her, I said lines that are in the book, I know it's me, And so that idea is going to fall apart pretty quickly. And Soe said that she came on the podcast, Ye did you have a favorite reveal from Leslie? Although there was way too many, but I do think the clearest one, or like the best one to me is how she found out about the book. And also that's the clearest one that obviously, yes, the book was written about her, because even Anna Wintor knew the book was about to tell her. So can I tell the story please people who haven't listened. So obviously wide ranging podcast really really good. But in this part, she says she had moved on to be an assistant in a fashion department and then she gets a call from then Anna's new assistant to be like Anna needs to speak with you, and she was like, Anna never needs to speak with you, and also never needs to speak to an assistant. So she hustles on over there and Anna Wintour asks her who is this woman?28:38Speaker 1 Like who is this lady?28:39Speaker 3 And she's like, that was your assistant, and Anna Winter was like, I don't even know.28:43Speaker 2 Her, has no idea, Well, she has a lot of different assistants, and that she was only there for eight months, and I'm sure maybe she'd seen her.28:50Speaker 1 She would have, yeah, but she.28:51Speaker 2 Called her and she was just like, who is Lauren Weisberger? And it was so funny because Grace Cottington, who's a really famous Vogue editor who worked really closely if Anna and that team, wrote in her own book that no one could remember Lauren when brutal so focused so funny about it. She's like, none of us could picture this, and she's like, I guess Anna's assistants were always, you know, just these bobbing, faceless heads outside her office that you would talk to. But like, Leslie is really the only one who has any memory of her.29:20Speaker 1 Yeah.29:21Speaker 3 And so it's obvious enough when Anna has read this, you know, the initial draft of the book to her that the Emily character is Leslie, because she calls Leslie into her office asks her who Lauren is, and then Anna Wintour says, oh, she's written a book about us, and you come off far worse than me.29:36Speaker 2 That is the interesting thing that Leslie says in this interview, is that they received the galley, which is the very very early stages of a book where things are subject are changed, and she said, she it's so funny, Chloe. He's like, did you run outside straight away and read it. She's like, no, I had to back and do and finish my work. And I was like, life, Emily, I mean maybe because she's like, we probably had a big shoot that day.29:58Speaker 1 That was me.29:59Speaker 2 I would have run straight to some hidden corner and I would have read that book under my desk all day. She said, she waited till she got home at night. Okay, if you've got more will power than me, and she said the first iteration of the book was so mean and much more true to life, because what she's saying has happened is that Lauren took a writing class and they said write what you know, and apparently she wrote it as a memoir, and then they wanted to fictionalize it, and then the fictionalized version was really really mean to everyone who worked at Vogue Tour, to the Leslie character who became Emily, and then the editors who worked with her toned it right down to the book that went on the shelves. The Devil Wears Prada, which is interesting because that book does skew very not mean, but it's like the Miranda Priestley character.30:43Speaker 1 Have you read the book?30:44Speaker 3 No?30:44Speaker 1 Oh, okay, I wouldn't. Sorry, no, I wouldn't invite.30:48Speaker 2 If you're going to read a Lauren Weisberger book, I've got I've got a better recommendation. She read, She wrote some good books. She writes a fun book to have by the pool on holiday. I've read, Yeah, like Last Night at Chateau my Mond chasing Harry Winston. Yeah, The Devil is proud of Like the idea is good obviously because it went on to spawn this incredible thing. But the plot's a bit thin. There's no memorable one liners, Like, it's not a witty book. And also the character of Miranda Priestley is like a caricature. Yeah, all the layers that she has in the movie don't exist in the book.31:21Speaker 1 She's just a nasty woman.31:22Speaker 3 Well. I found that interesting because Leslie said she was able to watch the movie and she found the movie really enjoyable. She was like, it's really glamorous, but there's more like empathy and the people are more well rounded than we saw in that initial galley and then even in the book that got published, Like, that's crazy to me that you can know that this is about you and you see it is really mean, but then you see the on screen portrayal and like, yeah, you like Emily and you like Miranda. I don't have way more nuance than I'm guessing they have in the book.31:47Speaker 2 No, in the book, they just kind of mean girls. Like, yeah, I mean Emily and Andrea hang out a little bit more in the book, but she's still pretty mean to her. And like, yeah, the Miranda character is very kind of just like she's a nasty person. Yeah, she's just like this little talk about her being this little bird like creature, which I guess is very Anna Wintle coded who just like stalks into the office. Yeah, they make a lot of there's a lot in the book about what There's like a whole chapter devoted to what she eats, which apparently is also very Anna winto because she likes steak and potatoes and Starbucks and ice cream. And that's a huge cry in the book. So sometimes Lauren Weisberger was I think just typing out her day. But the end is very different, Like it still ends with Andrea like walking away from her, but there's no nuance with Miranda having like that breakdown scene in the hotel room, like that's to the movie with the no makeup where she kind of like drops the facade and there's no like, you know, Andrea, everyone wants to be out.32:36Speaker 1 It's like this is the sacrifice.32:37Speaker 2 It's just her screaming at her, yeah, and just screaming at her. And then it's like very anti climactic with Andy like calling the office and being like can I still get my flight home?32:46Speaker 1 They're like, no, I'm not going to leave you strand there.32:47Speaker 2 You can get your flight home, and it's just like, oh, kind of anticlimactic.32:51Speaker 1 Yeah. The end.32:52Speaker 3 I do think it's really interesting, like, oh forgot The whole thing is so interesting. But one of the parts that made me go, oh, you are Emily is that Leslie explains like the Lauren person slash Andy character, and she was like the reason that I found it like interesting in the book is like I don't remember Lauren ever being a star on the rise. Yeah, but she's pretty much like that didn't happen. And then she explains like Lauren probably thought I was a bitch because I had to do her job for her because she was and she's like she was probably just sitting around writing her book, I guess, but she pretty much is like that girl never did her job and hated it there. And so yes, I used to snap at her because she wouldn't do her job, and I was like.33:29Speaker 1 WHOA to me?33:30Speaker 2 That was the most telling moment from this revelation from the real Emily from the Devilwars Prider. And can I say I've talked to a lot of people who have listened to this interview, and a lot of people have said, like, she comes across as classic Emily. She comes across as a mean girl for saying that, And can I just say team Leslie on that one.33:46Speaker 1 I thought classic Emily in a good way.33:48Speaker 2 Yeah, they're saying she's too mean, Yeah, that she was being mean about Lauren. Everyone closed ranks against Lauren when she wrote this book, to the point where that's why the company line is like we don't know who Lauren Weisberger is.34:01Speaker 1 And the Devil Wears prior like the first.34:03Speaker 2 Premiere, the one that was in New York, apparently, you know how like they have a host camp on stage and kind of greet everyone a paving. The host was like, you know how they got round the room like this person's here, this person's here. They were like Anna Wintour is here, as is the author of the book, and no they're not sitting together.34:17Speaker 1 And everyone was like whoa because they were in the same room. But also, I have this now.34:22Speaker 2 I think that this has been scrubbed from the internet, but I swear to God I read this quote when The Devil Wears Pride. It came out, but I've gone to look for it so many times and I can't find it. So I think that it was written in a magazine and it's been destroyed. Yeah, but I swear to God that Meryl Streep in an interview, they asked what she thought of Lauren Weisberger and she was like, if I was her, I would have spent more time learning from Anna Wintour than writing a book.34:45Speaker 1 That's just me. Now.34:47Speaker 2 That is not maybe not the kind of thing Meryl Street would say, And maybe I'm paraphrasing, but I feel like she says that in an innuay you have like.34:54Speaker 3 A pretty what is you don't have like a photographic memory, but you have pretty similar.34:58Speaker 1 I have a photograph of memory for so things.35:00Speaker 2 Yeah, yeah, that'll help me in life. But I swear to god, I read that quotally magazine. Yeah, and some person obviously didn't upload it to the internet or it was it's been screet internet.35:11Speaker 1 But I feel like that was just the vibe.35:12Speaker 2 But yeah, I was very much on Leslie's side because she really cared about fashion. She talked about the fact that she had come from Canada and she had really had to fight her way into this job, and she was working like all that stuff you see in the movie about she was told she had to be in the office at seven point thirty.35:29Speaker 3 She moved closer to the office so she could be there on time and stay late.35:33Speaker 1 I was sleeping in.35:33Speaker 2 That office, so she had to be there at seven thirty in the morning. Yeah, with all of Anna's like books and papers, all that stuff you seen the devil was part of them. Putting him in a fan on her on her desk is all real. And then she had to wait around for the book again things we know from the movie. She had to wait around for the book till like ten o'clock at night, and so she's working these crazy hours she gets promoted to first assistant. They she hires Lauren Wiseberger, who has come from a very prestigious university and is very educated. This is sorry, I mean we know that that's a fact. She did come from a prestigious She was in the ivy leagues in America, so like super educated. And she said, from the moment Lauren got to Vogue, she was just like, I'm too good to be here, yeah, and I don't want to be here. And she had and she said she just wouldn't do her work, and so Leslie had to do all of her work for her. And that's where the resentment grew. And that's where the character of Emily from The Devil Wes Pridact came from her resentment.36:25Speaker 1 And I'm just like, if you've worked in a creative.36:26Speaker 2 Industry, everyone knows that feeling of having to do the work for someone else. Yeah, but there's no way to kind of track it a lot of the time publicly. Yeah.36:33Speaker 3 And it also reframes because she says, she's like, I absolutely told her a million girls would kill for this job, yeah, And like it reframes that to an extent too, Like she is of the opinion that Lauren's come in just to write this book and was wasting time and not doing her job, And it's like, yeah, you probably would say something.36:48Speaker 1 To that effect if you're at Vogue at.36:50Speaker 3 That point in time too, Like insane budgets all of that, So many career opportunities, which there still are with Vogue of course.36:57Speaker 1 But like the more that it's changed.36:58Speaker 3 At that point in time, that was the place to go if you wanted a career in journalism. You could get anything, and like Meryl Streeps or alleged quotes saying if you put in me with.37:08Speaker 1 The Meryl Streeps slander, will they even say? Like in podcasts?37:11Speaker 3 The first assistant before Leslie moved up went on to become the entertainment editor at Vogue it for years and years and years and is a very successful and respected journalist. Like you, Yeah, you could build a career off of being that assistant.37:24Speaker 2 I think back then that was the job one hundred girls would kill for and it probably still is. Yeah, Like I know it still is, Like Vogue still carries a lot of weight, and being an assistant is how you get into that pool. So I think that was Leslie's kind of like and we see that dynamic in the book, but we see it in a different way from Andy's perspective, which is Lauren's perspective of her just not coming into this, like what she's thinking is like a plumb job and not doing any work, but like secretly writing her book under the desk, which is the allegation that Vogue has not been able to prove. And also Leslie also said that she took a writing test for Vogue and was rejected, which is in becau. Lauren Weisberger had some writing published in Vogue recently interesting and everyone was like, look, the woman.38:04Speaker 1 Who was turned away from Vogue.38:06Speaker 2 All she had to go do was write a tell all memoir that gets turned into iconic film series and she finally got in.38:11Speaker 3 It's also kind of interesting then that like a subplot of The Devil wes Prata too, is the idea that Andy might write a tell all memoir.38:18Speaker 1 Okay, that was.38:18Speaker 2 Such a quote when I went and saw because I saw that first part of the movie before I went and did The Devil West prior of interviews, and in the theater I was seeing there was like four other journals. I went because I'm like, that was such a Lauren Weisberger burn Yeah, where they were like, what is she going to do? Go write a tell a memoir about her boss? Ha ha as if that's the worst thing you could do. And I was like, that is literally why we're all sitting here, Yeah, because someone did that. But it's kind of become like, it's interesting because Anna Wintour like could have come out of all of this looking like the villain, but she's come out looking like the hero because everyone's like, we love Miranda Priestley, we love Meryl Street, we love this movie, and by default, we love and a wind Tour for being a part of this and that's why she's lent into it. And then Lauren Weisberger has become the kind of like, obviously she's published so many books and she's doing really well, but she has kind of become the punchline when she was initially set up to be the hero, which I find so interesting. And I just find like Leslie's perspective on Anna so different from someone who was just came in with like kind of no emotion, very ambitious because she talks about the fact that Anna was like very much like no personal chat. We're all here to work, and she works like that and she's very comfortable in that setting.39:28Speaker 1 Can't relate to that, can't relate but I love that story she told where.39:33Speaker 2 So Leslie who was giving the interview, the real Emily is from Canada, and so she was being sponsored by Vogue, a biolized Clark that's a fake company by Conde, asked to work at Vogue. And she got a call one day from the Vogue human resources team to say they were no longer sponsoring anyone, so they weren't going to like do her next visa, and so she basically had to leave the country and lose her job. And she said that she was just hysterically sobbing, something she's never done before, but she was so upset and fair enough, and she said that An she didn't know Anna was going to be in the office that day. All of a sudden, Anna Wintour walks in and I don't know why this is so funny to me. She's like, Anna was clearly uncomfortable, and she just walked away. She just walked into her office. But then she waited a few minutes called her in and I love how Leslie did her. Anna Wintour's voice she said she tried to like kind of do like half a British accident.40:19Speaker 1 She was like, Leslie, why are you crying?40:21Speaker 2 Looks so angry, but also just like can't not angry, but just like so flabbergasted that someone in her office would be showing emotion. And so Leslie told her and she was like, Anna Wintle' was like, oh my god, go sit down and stop crying for God's sake.40:32Speaker 1 And then Anna Wintour just called.40:34Speaker 2 All of a sudden, this man appeared in the office who's like the head of human resources.40:38Speaker 1 And Anna Wintour is like.40:39Speaker 2 Ci, my assistant is crying, and in her head, she's like and that's the worst thing anyone could ever do.40:45Speaker 1 In front of me.40:46Speaker 2 She's like, can you please just get her a visa? Just go and sword it. And he's like, yeah, that's fine. And so she got to stay in America. And now she credits this whole huge fashion career that she's had to Anna Wintour just telling her to stop crying.40:57Speaker 3 And fair enough, It's like, yeah, I do think I thought the little insights were interesting. It's also so interesting because Chloe's the one interviewing her. Yeah, and Chloe, like everyone who is online and has seen the pair of them together in recent interviews, is intrigued by the Chloe Anna relationship and like.41:12Speaker 1 Oh, I don't know. I want to from Chloe so bad.41:15Speaker 3 Yeah, and like little things right, like Leslie was like, well, you can't ask her questions and Chloe's like yeah yeah, and then then.41:21Speaker 1 She's like I'm living that in real time. It's like real And.41:23Speaker 3 They're talking about like the book and like the little like wheel seas, which was apparently like little posters or like seams, which was little posters that Anna would put on to be like email this person, tell them to come see me.41:33Speaker 1 I don't like this bro. Little things like that.41:35Speaker 3 It was so interesting to see like Leslie talking about a career she had twenty years ago and Chloe talking about the career she has now and then both just relating to like Anna's anaysms, but also revealing that like a lot of the things don't come from Anna herself. Yeah, that was interesting. They were like, she's not the one who says you can't take bathroom breaks. It's just like something that's been passed down.41:55Speaker 1 Yeah, it's been passed down. Yeah.41:56Speaker 2 The other thing I thought was really interesting was a reveal that came right to the end, and it was the question that Chloe asked her, which was like, have you have you who plays Emily and The Devil Wears Prata? Have you ever met Emily Blunt? And the answer was yes, because of course she's a celebrity stylist, so she's in that world. And she even Leslie said she always thought about what she would say if she ever met the person who had played her on screen and turned her into this iconic character, even though no one knew that she was the real Emily. So she said she was at a dinner one night at a mutual friend's house and she was like, this is my moment. Emily Blunt's right there. We're on this, We're on even ground. I'm not coming up to an event, We're at a mutual friend's house. We're both here as equals. And then she said to her as they were chatting, I just need to let you know that I am the real Emily. And to be so fair a Leslie, I would have done the exact same thing.42:44Speaker 1 Who wouldn't You're telling Emily.42:46Speaker 2 Blunt that her most iconic role, her first big role, that blew up her career is based on you. I would have dropped that and just been like, like, she she's gonna lose her mind. And apparently Emily Blunt couldn't care less. She said oh and just like went on with the conversation. Now did she not hear her or have so many people in the fashion industry said things like that to her before trying to have an in with her? She was like, oh, or was she maybe like and maybe like alarms went up and she was like, Oh, is this woman gonna say to me at my friend's house like she didn't like my portrayal because she plays her really nasty in a funny way.43:21Speaker 1 Is she gonna like.43:22Speaker 2 Ask me, you know some sort of like inside a question? Does she know something? She worked with the woman who wrote this book and like everyone I know doesn't like that woman, like it was a lot so or does she just is Emily Blunt so cool? She just genuinely did not care.43:35Speaker 3 I feel like Emily Blunt just doesn't care. I really like it, but sometimes intrigues me.43:41Speaker 2 I can't believe that because if you met any person, like if you met the person who was the real person behind a role you played as an actor.43:49Speaker 1 Wouldn't you be interested in that? I ignore people would Yeah, I know.43:53Speaker 2 Some actors don't like to meet the person because they don't want the lines to be blur, they don't want to feel like they can't show them in their worse or they don't want to sort of like do a parody of a person. Yeah, but like that shit is sailed like she did it for the first time twenty years ago. Yeah, Devil was prior to too, wasn't filmed at the time. But also there was no inkling that Devil's product she was ever gonna happen. Yeah, I just want and I'm sure someone will ask Emily Blunt the next time she does a lot of press, and I'm so interested in her answer that. Yeah, it's almost like you feel bad for Leslie.44:22Speaker 3 Like it would have just been at least nice, Like as much as I think she people really like the Emily character and stuff she does.44:29Speaker 1 Speak about it at the.44:30Speaker 3 Time, like people in the industry all knew that it was based on her and her being really scared of how she'd be perceived or if she'd be hired again, or what would happened to her career based on this version of the history they went through together. And she also says like Lauren never called her, Lauren never gave her a heads up, like they have not spoken since, so it's not like how Andy and Emily got along in the end. That's not what has happened here. So she's kind of gone through that never outed herself, goes up to the woman who played her, thinking, oh, we can at least have a nice discussion, and she just.44:56Speaker 1 Gets like kind of ghosted. I don't know that would suck. I think Emily Blunch probably reconsider talking to her about that.45:04Speaker 3 Well.45:04Speaker 2 It's such an interesting interview, and we'll link the whole thing in our show notes.45:07Speaker 1 Because we've only sort of scratched the surface. There's a lot more in there. So good.45:10Speaker 3 Thank you so much for listening to The Spill today. Don't forget to follow us on socials. We will pop all of the links in the show notes. We will be back in your feed bright and early tomorrow morning with morning Tea hosted by Ash London. The Spill is produced by Minisihaswarren, with video production by Michael King.45:24Speaker 1 Bye Bye,Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Singer, producer and the songwriter behind iconic songs of Carrie Underwood, Guy Clark, Willie Nelson, Keith Urban, Faith Hill and many many more, Gordie Sampson joins me this week to talk about the 1985 Dire Straits classic 'Money for Nothing', how Mark Knopfler and co chased the edges of new digital music recording technology, the stories behind 'Money for Nothing' and that signature guitar sound, the personnel changes in the band during recording, how Gordie connected with the album as a Canadian teenager, how 'Brothers in Arms' has found a second life in some of TV's greatest moments and more.

Bobby talks about an awkward texting situation he found himself in after a guy keeps texting him asking for favors. Bobby is not sure if he will ignore them or respond because it's awkward. Tim McGraw turns 59 years old today! We look back at our interviews with him and things we learned about him including how he met Faith Hill and why he almost didn't record "I Like It, I Love It". Morgan had a big win last week in Easy Trivia. But Eddie is so close to his next championship, he can taste it. Will he win back the crown or will someone stomp out his dream again this week? Inside of Fun Fact Friday, Bobby drops a couple of music bombshells including the surprising factory job behind Bill Withers’ “Ain’t No Sunshine” and why that famous “I know” part almost sounded VERY different.Amy brings the chaos with squirrels and a stat about how often we unknowingly cross paths with murderers.See omnystudio.com/listener for privacy information.

Back in 2012, Ne-Yo teamed up with Tim McGraw for the country/R&B collaboration “She Is.” Now, Ne-Yo is returning to Nashville to work on his own country-influenced project. We welcome the singer to the Nashville Now cabin to talk about going country, his love of Reba McEntire, and the time Tim and Faith Hill had him over for fried chicken. He also opens up about his personal experience so far in Music City and on the rowdy blocks of Lower Broadway, and how it may be different than what some fans might expect. It's a sit-down with an R&B great, only on Nashville Now.   Country is Here… Nashville is Now. Check out our Hear Now playlist on Spotify, updated weekly. Learn more about your ad choices. Visit podcastchoices.com/adchoices

What does Nashville actually listen for when deciding whether a country song gets cut—or passed on? In this TAXI TV live stream, we're joined by Steve Bloch, a veteran Nashville music publisher, song plugger, and A&R professional who's been working in the Music Row community since 1993. Steve has had songs cut by major artists including Faith Hill, Lee Ann Womack, Dierks Bentley, and Cody Johnson, and has pitched material that landed with artists like Kenny Chesney and Tracy Byrd. Today, he continues working closely with top Nashville talent and artists at labels like Black River Entertainment, including Kelsea Ballerini and Chris Young, as well as long-time collaborators tied to Dolly Parton's camp. We're going inside the decision-making process that most songwriters never get to see.

Send us Fan MailHere in Episode 266 of the No Name Music Cast, it is Joy's turn to pick the topic and she chooses to talk about songs that hit Number 1 from the year 2000 onwards!We cover songs from Faith Hill, Black Eyed Peas and Mariah Carey to name only a few.We also cover wacky weather, American Idol and working in a call centre!Support the showEmail the show: nonamemusiccast@gmail.comInstagram: https://www.instagram.com/nonamemusiccastpodcast/https://nonamemusiccast.com/

We hear a lot about the tribulations for young men in America today, but that doesn't mean young women have it easy. Faith Hill, staff writer at The Atlantic, joins host Krys Boyd to discuss the mixed messages we send young women, why their mental health is suffering and why their experience with misogyny is skyrocketing. Her article is “Young Men Aren't the Only Ones Struggling.”   Learn about your ad choices: dovetail.prx.org/ad-choices

Dopeycon 2 tickets: https://www.showclix.com/event/dopeywood-2026 Listen without ads on patreon tier $8 and up: www.patreon.com/dopeypodcast This week on Dopey! Dave returns from Madison, Wisconsin after recording for Recovery.com and recounts a miserable night wandering the airport like a sleep-deprived junkie without benzos. After reading Spotify comments about the Jamie Lee Curtis episode, Dave plays a wild listener voicemail about smoking crack in Chicago and jumping out of a moving car. Then an email about meth, toads, and a nearly poisoned dog leads Dave to discover the word anhedonia. The episode's main event is a raw interview with Faith Hill (not the country singer)—a former meth dealer from Missouri who started smoking meth at 14, sold half-pounds while carrying guns, survived a suicide attempt with fentanyl-pressed Xanax, and ultimately rebuilt her life after losing all her teeth to addiction. Faith shares stories of violence, loss, paranoia, and how she finally found recovery. ALL THAT AND MORE MORE MORE! on a brand new spanking non country music episode of dopey!   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Scotch puts Tank and Mandy through the wringer with “Song or Slogan?”—the Wake Up Call game where a line might be a country lyric or a farm‑equipment tagline, and you have to decide before the coffee kicks in. Today’s round features Faith Hill’s science‑class chorus from “This Kiss” (yep, that “centrifugal motion” line) and Jason Aldean’s ride invitation in “Big Green Tractor” (which sounds suspiciously like ad copy) alongside legit brand lines like John Deere’s timeless “Nothing Runs Like a Deere” and Case IH’s “Rethink Productivity.” We even sneak in a CNH autonomy headline and AGCO’s farmer‑first purpose to keep you guessing. Source list is in the show notes—bring receipts to the group chat.See omnystudio.com/listener for privacy information.

Yes, young men are in crisis, but young women are too. Why aren't we talking about it?Over the past two years, statistics about men's mental health, educational advancement, and financial well-being have made headlines. And, in turn, sparked an industry of organizations, pundits, and others ringing the alarm about men, particularly young men, being in crisis. But, the data shows young women are struggling at the same rates in most categories. In this episode we're looking at broader data — across genders — to see if it paints a more accurate picture of what's going on and to understand why when one gender suffers...all genders do.Brittany is joined by Faith Hill, staff writer at the Atlantic, and Dr. Meg Jay, clinical psychologist and author of the Twentysomething Treatment to unpack the unspoken crisis women are facing.Interested in more conversations about modern adulthood? Check out these episodes:The myth of modern "adulthood"The political power of Gen Z womenMake America Male Again?Support Public Media. Join NPR Plus.Follow Brittany on Instagram: @bmluseFor handpicked podcast recommendations every week, subscribe to NPR's Pod Club newsletter at npr.org/podclub.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Long before Palpatine plotted the downfall of the Jedi Order... long before Darth Plagueis was wise... long before Darth Bane initiate the Rule of Two... and long before Darth Revan lost his memory and thought he was a Jedi, there were the SithMillennia before the epic ever came to the cultural zeitgeist, a species of violent, warmongering Force users steeped in the Dark Side ruled their corner of the Outer Rim from the planet Korriban.Join Mark, Brian, and Garrett as they discuss the lore behind the alien race whose name became assumed by more powerful Dark Side users and learn about those who preceded the anti-Jedi.Also, we're pretty sure one of Faith Hill's late-90's country-pop classics was a secret Star Wars song.

Kevin & Bethany Paige Return: Launching Saddle Up Memphis + Recapping the “All About Love” Show Derrick and Jeff welcome back Kevin and Bethany Paige for their second appearance and talk about upcoming and recent projects. The main focus is the debut of Saddle Up Memphis, an '80s/'90s (with a few exceptions) “diva country” band featuring Bethany Paige on lead vocals. They share details for the debut show on Saturday, May 2nd at Neil's Music Room, encourage listeners to follow Saddle Up Memphis on Facebook and reserve tables, and discuss plans for future gigs. The conversation includes influences and artists they plan to cover (e.g., Reba, Shania Twain, Faith Hill, Martina McBride, Trisha Yearwood, Jo Dee Messina, Patty Loveless, Bonnie Raitt, Dixie Chicks, Rascal Flatts, and more), thoughts on story-driven country vs. “beer and trucks,” and the appeal of '90s country for musicians and dance floors. They also recap Kevin and Bethany's “All About Love” event at the Esplanade Event Center in November, including theextreme effort it took to put it on, and the large band lineup (including Angelo Earl, Gerald Allen, Eric Freeman, a four-piece horn section with Victor Sawyer, Mark Franklin, Chris Barnes, and their daughter singing). Additional topics include their duo performances around Southaven and elsewhere (Tequila, casinos, Lucky Dog, Lafayette's) and their sitcom-theme segment (e.g., The Jeffersons, Facts of Life, Friends, Cheers). The episode ends with reminders to check out Saddle Up Memphis at Neil's on May 2nd Saddle Up Memphis Premier, Neil's Music Room, Saturday, May 2nd at 8 pm Event Link - https://www.facebook.com/share/1Ap6vE5a1w/   TIP BUCKET If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

Tim McGraw (@thetimmcgraw) is a Grammy Award-winning entertainer, author, and actor who has sold more than 106 million records worldwide, with 49 number-one singles and 19 number-one albums. He is one of the most-played country artists since his debut in 1992, has four New York Times bestselling books, and has acted for both film and television, including the movies Friday Night Lights and The Blind Side and Paramount Network's Yellowstone. He recently starred alongside his wife Faith Hill and Sam Elliott in Yellowstone's prequel—the three-time-Emmy-nominated 1883. You can find tickets for his upcoming Pawn Shop Guitar Tour at TimMcGraw.com. This episode is brought to you by:Circle complete community platform for your community, events, and courses — all under your own brand: Circle.so/Tim Shopify global commerce platform, providing tools to start, grow, market, and manage a retail business: Shopify.com/timAG1 all-in-one nutritional supplement: DrinkAG1.com/Tim*For show notes and past guests on The Tim Ferriss Show, please visit tim.blog/podcast.For deals from sponsors of The Tim Ferriss Show, please visit tim.blog/podcast-sponsorsSign up for Tim's email newsletter (5-Bullet Friday) at tim.blog/friday.For transcripts of episodes, go to tim.blog/transcripts.Discover Tim's books: tim.blog/books.Follow Tim:Twitter: twitter.com/tferriss Instagram: instagram.com/timferrissYouTube: youtube.com/timferrissFacebook: facebook.com/timferriss LinkedIn: linkedin.com/in/timferrissSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this high-fidelity conversation recorded live at the 2026 30A Songwriters Festival in Walton County, Florida, Jrod sits down with one of the most revered voices in American music: Gretchen Peters. Inducted into the Nashville Songwriters Hall of Fame and a recipient of the ACM Poet's Award, Gretchen Peters has spent her career deconstructing the human condition. While she is the pen behind legendary hits like Martina McBride's "Independence Day" and Faith Hill's "The Secret of Life," her own discography is a masterclass in "Americanoir"—a blend of folk, country, and dark, literary grit. In this episode, we explore the "Soul and Motion" of her craft, from the viral magic of a family cake recipe to the discipline required to create masterpieces in a culture with a shrinking attention span. The Cultural Blueprint: We start with the lighthearted—the story behind her grandmother's viral cake—before diving into the "dark side" of music. The Art of the Uncomfortable: Gretchen discusses why she is drawn to the shadows of humanity and the necessity of "scratching the surface" of sadness. The Independent Pioneer: Insights into her journey as a trailblazer for independent label status and the evolving music industry. Focus in a Fast World: A deep dive into "quick attention span culture" and the struggle to maintain the ability to sit and focus on long-form art. The Legacy: What Gretchen hopes her art leaves behind when all is said and done. Live Performance: A stunning performance of her song, "Five Minutes." __ Follow Jrodconcerts: Instagram: @Jrodconcertsmedia Website: jrodconcertsmedia.com Learn more about Gretchen Peters: gretchenpeters.com Learn more about your ad choices. Visit megaphone.fm/adchoices

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What happens when the worst thing you've been afraid of actually happens—and you're still standing? In this episode of Typology, I sit down with songwriter Brad Warren—an Enneagram Six, a man in long-term recovery, a husband, a father, and someone who has walked straight through unimaginable grief and come out the other side with humility, humor, and hard-won wisdom. Brad is the kind of person who tells the truth without posturing, who can laugh at himself without diminishing himself, and who understands—deeply—that fear doesn't disappear just because you name it. But naming it does change the game. We talk about the Enneagram Six's instinct to scan the horizon for danger, to rehearse conversations that never happen, and to catastrophize not because they're weak—but because they care. A lot. Brad shares how losing a child forced him to face his worst fears head-on, and how recovery, faith, and accountability helped him learn the difference between imagined catastrophe and lived reality. There's a kind of quiet courage in the way he describes trusting God—not a God who's looking to smite him, but one who's patiently inviting him to rest. Along the way, we explore humor as both a survival strategy and a spiritual practice, the surprising connection between humility and laughter, and how Sixes learn to move from fear-driven vigilance to faith-filled presence. We also touch on marriage, loyalty, religious deconstruction with gratitude instead of bitterness, and the life-saving power of people who are willing to tell you the truth when your mind is lying to you. This episode is funny, tender, honest, and deeply human. It's about fear—but it's even more about trust. And what it looks like, day by day, to choose it anyway.   ------------------------------------------------------------------------- About Brad Warren Brad Warren is a Nashville-based songwriter and artist best known as one half of the hitmaking Warren Brothers. He has co-written major country hits recorded by Tim McGraw, Toby Keith , Keith Urban, Faith Hill , Martina McBride, Dierks Bentley, Jason Aldean and more. Brad is also the host of the Good Grief Good God podcast. He and his wife Michelle lost their oldest son Sage in 2020 and the podcast is in honor of him. Brad covers an array of other topics (recovery, God, mental and physical health, and The Music Business) as well as grief. Guests have ranged from Sheryl Crow and Amy Grant to Scott Hamilton and Charles Esten.

Hello friends! What a year. For our 2025 year in review, "How Did I Get Here?" teams up with the power trio from the "Hey, Good For You!" podcast - bass players, Rachel Loy, Alison Prestwood, and Harmoni Kelley (who have collectively played with Kenny Chesney, Miranda Lambert, Peter Frampton, Willie Nelson, Trace Adkins, Faith Hill, Tim McGraw, Blake Shelton, Joe Bonamassa, Wynonna Judd, Vince Gill, Peter Frampton, and many more) to discuss our 2025. We get into everything from our personal highs and lows, some of our favorite music, movies, shows, and books, things we learned, and there's a lot of laughter. I am a big fan of these women and their awesome podcast, "Hey, Good For You!" which you can find on Apple, Spotify or wherever you pod. I hope you all have a safe and happy new year. See you in 2026! Let's get down! Follow us on Instagram, TikTok, X, Facebook, Spotify, Apple Podcasts, or anywhere you pod. Send someone the gift of Johnny with Cameo.   If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

Send us a textWhat makes a Christmas song timeless? We set ourselves a deceptively hard challenge: pick the single most iconic holiday track from each decade, starting with the 1960s and ending in the 2010s, then fuse them into one perfect album side. Right away a pattern emerged—so many beloved songs weren't immediate smashes. They took years to climb, re-entered charts as rules changed, and found new life through radio, TV specials, movies, and, later, streaming.We start with Darlene Love's Christmas (Baby Please Come Home), released on the day of JFK's assassination and later crowned by time, then square it against Burl Ives' Holly Jolly Christmas, seared into memory by Rankin/Bass. In the 70s, Lennon and Ono's Happy Xmas reframed the “Christmas song” as purposeful protest while McCartney's Simply Having A Wonderful Christmas Time perfected the carefree synth sleigh-ride. The 80s deliver spectacle and sentiment: Band Aid's Do They Know It's Christmas birthed charity supergroups and Live Aid, while Wham's Last Christmas kept quietly climbing until it nearly topped the chart four decades later.The 2000s were a tougher hunt, but they showcase platform power. Faith Hill's Where Are You Christmas rides the Grinch soundtrack into perennial status as Britney's My Only Wish (This Year) evolves from TRL-era fluff to streaming favorite. Then the 2010s give us precision nostalgia: Kelly Clarkson's Underneath The Tree, crafted with Greg Kurstin to echo Phil Spector's wall of sound, stands shoulder to shoulder with Mariah Carey's All I Want For Christmas Is You, the modern juggernaut that finally reached No. 1 decades after release and returns every year like clockwork.By the end, we've got a front-to-back holiday playlist with a story: how classics are born, forgotten, revived, and ultimately adopted as tradition. Hit play, then tell us your decade winners, the sleepers we missed, and the holiday deep cuts you swear by. If you enjoy the show, follow, share with a friend, and leave a quick review—it helps more listeners find their new favorite December soundtrack.One idea. Six songs. Infinite possibilities...

The holidays don't just look a certain way—they sound a certain way. We dive into how a fragile cartoon tree, a swingy piano motif, and a handful of offbeat movie moments grew into the soundtrack of December. From the first Peanuts special to stop‑motion Santa to a green recluse in Whoville, we trace the songs, voices, and production choices that turned seasonal TV and film into enduring ritual.• Charlie Brown Christmas as a symbol of hope and the choice to use children's voices• Vince Guaraldi's jazz and the quick birth of Christmas Time Is Here• Rankin/Bass stop motion craft and Paul Frees' vocal range• Home Alone's John Williams score • Jim Carrey's Grinch, Faith Hill's hit, and Taylor Momsen's new version• Donny Hathaway's representation and the rise of This Christmas• Greg Lake's critique of commercialism across decades• Springsteen's rock‑forward holiday cuts • Oddities that stick: Feliz Navidad's 19 words and Sabbath's December chart statLearn Something New orRemember Something OldLike and follow our Facebook and Instagram pages and spread the word if you enjoy the podcast. Contact us at musicinmyshoes@gmail.com with your own musical memories.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

Getting ‘gitchie gitchie’ down with Baz Luhrmann’s “Moulin Rouge.” Jenna and Kevin are back with a recap of the 2001 hit musical and get ready for rants and raves! They are in awe of the sets, the music, the cinematography, the costumes, but Kevin shares the part of the film that made him feel sick, and the scene he had to pause because it was so overwhelmingly good! They also dive into Nicole Kidman’s vocals, Ewan McGregor’s casting, and the song that should have been an Oscar contender. Plus, Kevin reveals he was in the Faith Hill “Pearl Harbor” music video but thought he was in the actual movie! For fun, exclusive content, and behind-the-scenes clips, follow us on Instagram @andthatswhatyoureallymissedpod & TikTok @thatswhatyoureallymissed!See omnystudio.com/listener for privacy information.

We've all been looking forward to the holidays this year as a state of mind. Having a huge amount of new music classics is definitely helping. I share 8 songs I'm admiring, and welcome 2 recommendations by another podcast I've helped contributed recently. Listen, enjoy, and Merry Christmas! Theme Song: "Dance Track", composed by Jessica Ann CatenaChristmas 2025 Playlist:"Christmas in the City" - Pentatonix"Where Are You Christmas?" / "Christmas, Why Can't I Find You" - The Pretty Reckless (Taylor Momsen)"Counting Down the Days" - Brad Paisley; Tonight Show"California Days" - Bryan Adams feat. Barenaked Ladies, Alessia Cara, The Sheepdogs, Alan Doyle & Light"Christmas Time Is Here" - Trisha Yearwood; Studio"Santa Baby" - Laufey (2024-2025); tree lighting"The Innkeeper" - Little Big Town"Christmas Is Here" - Cher Related Content: "Where Are You Christmas?" - Faith Hill (2000)How the Grinch Stole Christmas (2000); Freeform TV scheduleHallmark Channel's scheduleA Great Big Holiday Jam - CitytvRock & Roll Hall of Fame InductionThe Manhattan TransferEpisodes: Ep. 151 - End of Summer PlaylistEp. 219 - Christmas 2023's SongsEp. 233 - Mariah Carey Top 10Ep. 252 - Little Big Town Top 10Ep. 269 - Christmas 2024 PlaylistEp. 299 - The Beach Boys Top 10Ep. 307 - Summer 1995 PlaylistEp. 309 - Laufey's 'A Matter of Time' (Review)Ep. 321 - 'A Charlie Brown Christmas' 60thFollow us on Facebook, Twitter, Instagram, and Spotify playlists. 

Today we sit down with Lou Toomey, one of the most successful and enduring road guitarists in Country Music.In this conversation, Lou walks us through his unbelievable first pro gig as Keith Whitley's lead guitarist during the height of Whitley's all-too-brief but iconic career. From there, we follow his journey through the '90s as he hit the road with Faith Hill, and into his remarkable three-decade run with Brooks & Dunn, all legendary Country touring acts.We dig into how he landed each of those gigs, the gear that shaped his tones across the years, and the mindset and work ethic that have kept him at the top of his game for nearly 50 years.www.truetone.comTo Support the Channel:Patreon  https://www.patreon.com/AskZachttps://ask-zac-shop.fourthwall.comTip jar:  https://paypal.me/AskZacVenmo @AskZacSupport the show

Hour 3 of The Outdoors Show! Captain Mickey is joined by Reanna De La Cruz from Baffin. National Anthem sung by Faith Hill

On this episode, Revill and guest co-host Ken Abrams are joined by The United Theater's Carly Callahan (Executive Director), and Tony Nunes (artistic director)   The United Theater in Westerly, Rhode Island, is one of the most unique arts venues anywhere in the world. We dive into its incredible history and its role in transforming downtown Westerly.   Carly and Tony chat about the new program, Nashville North, which is creating an exciting pipeline between Nashville, America's Music City, and Westerly. The program is a partnership with two notable Nashville institutions, The Bluebird Café, known for launching the careers of artists like Taylor Swift, Garth Brooks, and Faith Hill, and the Country Music Hall of Fame.   Stay Connected  with The United Webiste: Unitedtheatre.org | Instagram @unitedtheatre  | Youtube | Facebook   Links and Resources No-Cost Home Energy Assessment (sponsored) RIienergy.com/saveathome Save the Date for PVD FEST September 5 & 6, 2025 Stay Connected: @HeyRhody | @PVDMonthly | @So_RI | @thebay_mag Follow Revill: @letschatrevill Follow Jenna: @jennnaaakap Subscribe to our YouTube Channel: youtube.com/@heyrhody Subscribe to our YouTube Channel: youtube.com/@heyrhody Interested in advertising with Hey Rhody? Email us at Mail@HeyRhody.com

This week is for you 80s and 90s kids who love music. We discuss influential music artists of that era, as well as the technology we wish we had as kids (Alexa, play Mariah Carey...wouldn't that have been great?!). We also discuss US cities and some we'd like to travelto as well as Disney movies we could have done without (The Victory Couch is hosted by Rick and Julie Rando).Show notes: Connect with us on Instagram @thevictorycouch, Facebook, victorycouchpodcast@gmail.com, or www.thevictorycouch.comWant a new Victory Couch sticker for your water bottle, laptop, guitarcase, etc.? Send us a message and we'll mail you one.SUBSCRIBE to The Victory Couch e-mail list by visiting https://www.thevictorycouch.com/ and click SUBSCRIBE at the top of your screen.The Average American has only been to four of these twenty American Cities. How many have you been to and which city would you want to visit that you haven't been to yet?Orlando, Los Angeles, Chicago, Houston, Phoenix, Philadelphia, San Antonio, San Diego, Dallas, San Jose, Austin, Jacksonville, San Francisco, Columbus, Fort Worth, Indianapolis, Charlotte, Seattle, Denver, Nashville What modern technology do you wish you had as a child of the 80s/90s?AlexaAvril Lavigne https://avrillavigne.com/Spice Girls https://thespicegirls.com/Faith Hill https://www.imdb.com/name/nm0005011/Mariah Carey https://mariahcarey.com/Celine Dion https://www.celinedion.com/Amy Grant https://www.amygrant.com/Right Said Fred https://rightsaidfred.com/Meatloaf https://www.amygrant.com/Which of these artists influenced you as a kid?Michael Jackson Tom Petty R.E.MCeline DionAerosmithMadonnaNirvanaMariah CareyLacey ChabertCandace Cameron BureU2Sting/ The PoliceMetallicaGin BlossomsBon JoviGreen DayAC/DCWhitney HoustonGarth BrooksMartina McBrideBlackHawkTrisha YearwoodJohn Michael MontgomerySpin DoctorsAce of BaseVince GillTim McGrawGoo Goo DollsBrian McKnightBabyfaceBrandyThe ChicksSHeDAISYTrick PonyLady Ahttps://www.musicjotter.com/blog/1057/10-inspirational-musicians-80s-90s/Public apology to Kristi Yamaguchi and familyGilmore GirlsChristiane AmanpourWhich Disney movie could you have done without?Star Wars Episode 9 https://www.imdb.com/title/tt2527338/Toy Story 4 https://www.imdb.com/title/tt1979376/Toy Story 5 https://www.pixar.com/toy-story-5Planes:Fire and Rescue https://www.imdb.com/title/tt2980706/Turning Red https://www.imdb.com/title/tt8097030/?ref_=ext_shr_lnkThe Good Dinosaur https://www.imdb.com/title/tt1979388/?ref_=ext_shr_lnkCars 2 https://www.imdb.com/title/tt1216475/?ref_=ext_shr_lnkMeet The Robinsons https://www.imdb.com/title/tt0396555/?ref_=ext_shr_lnkHercules https://www.imdb.com/title/tt0119282/?ref_=ext_shr_lnkThe Hunchback of Notre Dame https://www.imdb.com/title/tt0116583/?ref_=ext_shr_lnkAtlantis:The Lost Empire https://www.imdb.com/title/tt0230011/?ref_=ext_shr_lnkTreasure Planet https://www.imdb.com/title/tt0133240/?ref_=ext_shr_lnkBrave https://www.imdb.com/title/tt1217209/?ref_=ext_shr_lnkBeautyand The Beast https://www.imdb.com/title/tt0101414/?ref_=ext_shr_lnkMonsters University https://www.imdb.com/title/tt1453405/?ref_=ext_shr_lnkFrozen https://www.imdb.com/title/tt2294629/?ref_=ext_shr_lnkCouch Crumb: full weekends, missing church in person and Law's first indoor game, flat tire, missed Dylan's fundraiser performanceProp Your Feet Up: Lawson learned to change a flat tire, Dylan's performances

Hour 3 of The Outdoors Show! Captain Mickey is joined by Reanna De La Cruz from Baffin and Bink Grimes from Matagorda. National Anthem sung by Faith Hill

Send us a textThis week on Here's What We Know, Grammy-winning songwriter and Nashville Songwriters Hall of Famer Tim Nichols joins us for a heartfelt look at the magic and grit behind nearly four decades in country music. Tim opens up about four decades in country music, the miracle of songwriting, and what it really takes to build a lasting career in Nashville. From his first publishing deal in 1986 to crafting hits for legends like Tim McGraw, Faith Hill, and Ronnie Milsap, Tim shares what keeps him passionate about his craft and why he still calls every song “a little miracle.”You'll hear the inside story of “Live Like You Were Dying,” how collaboration shapes Nashville's best songs, and why “writing bad songs” is just part of becoming great. Plus, Tim talks about his next chapter as a keynote speaker, helping people and businesses alike realize they truly belong in the room.In This Episode:The miracle of songwriting and the discipline behind itWhat it really means when a song is “on hold” in NashvilleWhy rejection fuels resilience for artists and athletes alikeBehind-the-scenes stories with Faith Hill, Ronnie Milsap, and Mark KnopflerThe making of “Live Like You Were Dying” and its lasting emotional impactHow Tim's message “You Belong in the Room” inspires creators everywhereThis episode is sponsored by:Reed Animal Hospital (Be sure to tell them Gary sent you!)Bio:Tim Nichols, Grammy-Winning Songwriter & Nashville Songwriters Hall of Fame MemberWith nearly two dozen hit songs, multiple BMI songwriting awards, and a Grammy for Best Country Song, Tim Nichols has earned his place among Nashville's most respected and enduring songwriters.In 2004, Tim co-wrote Tim McGraw's “Live Like You Were Dying,” which spent ten consecutive weeks at #1 and broke a thirty-year Billboard record. The song went on to win every major country music award that year, including honors from the CMA, ACM, Billboard, BMI, ASCAP, and the Nashville Songwriters Association International—a feat no other song has ever achieved.Beyond the charts, Tim is deeply committed to giving back. He's served on the boards of the Country Music Association, High Hopes Preschool and Pediatric Therapy Clinic, and the Nashville Songwriters Association International, continuing to champion both the craft of songwriting and the community that sustains it.When he's not on Music Row writing his next hit or sharing stories from a life in music, Tim brings his passion for creativity and collaboration to keynote stages across the country—helping businesses and teams discover how the same principles that create hit songs can also drive success in any industry.Website:https://timnicholskeynotes.com/https://www.timnicholsofficial.com/Instagram: https://www.instagram.com/timnicholstn/Connect with Gary: Gary's Website Follow Gary on Instagram Gary's Tiktok Gary's Facebook Watch the episodes on YouTube Advertise on the Podcast Thank you for listening. Let us know what you think about this episode. Leave us a review!

In this episode of The Bandwich Tapes, I sit down with legendary session drummer Paul Leim, whose six-decade career quietly powers a staggering piece of the soundtrack to our lives. Paul has played on more than 12,000 songs across over 2,000 releases, with 1,400+ silver/gold/platinum certifications, and global sales topping 540 million units. His discography encompasses over 150 combined GRAMMY nominations and wins, as well as 40+ major film/TV awards, and credits on more than 150 films and 100 television specials and series. If you've heard Lionel Richie, Shania Twain, Lyle Lovett, Kenny Chesney, Whitney Houston—or cues from Dirty Dancing, Smokey and the Bandit II, The River, or even Return of the Jedi, you've likely heard Paul.We trace the arc from East Texas clubs and Dallas jingle mills to late-'70s Los Angeles, where a “typical” week meant two complete drum rigs leapfrogging between Lionel Richie sessions, network TV soundstages, film dates, and award shows. Paul talks mentors and “angels” (band director Neil Grant, Robin Hood Brians, Doc Severinsen), lifelong friendships with the TCB family (Ron Tutt, Jerry Scheff), and lessons that still anchor his playing—especially dynamic control and “letting the mics work.” We get inside the high-wire reality of studio life. Paul calls it “95% boredom and 5% sheer terror”, including how to read conductors, when to lead the time, and when to ride it, and what it's like to move from live kit to orchestral percussion with John Williams.There are great shop-floor stories: cutting Lionel's “Truly” and counseling Lionel at the fork-in-the-road moment of leaving the Commodores; discovering that Lyle Lovett's “The Blues Walk” was gloriously vocal-free; and a deep dive into the precision world of Mutt Lange and Shania, ending bass notes just before the snare for mix “air,” the chrome-over-brass “important” snare, and the on-the-fly invention of tom “Mutt flaps” for short, open fills. Paul also shares a personal fork he chose differently: turning down a James Taylor tour to be home with his young family, only to hand JT the final serial-numbered Leim signature snare decades later at the White House.Today, Paul is still very much in motion: bandleading the TCB Band in Europe, steering The Tennessee Four with Thomas Gabriel to carry the Cash legacy, and jumping into Million Dollar Quartet shows—proof that the hang, the humility, and the groove endure. It's a conversation about craft, friendship, stewardship of a gift, and the choices that shape both a career and a life.Music from the Episode:Pick it Apart (Mark O'Connor)Truly (Lionel Richie)The Blues Walk (Lyle Lovett)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.Theme music: "Playcation" by Mark Mundy

John Rich is an American country music singer-songwriter, producer, and TV personality best known as one half of the duo Big & Rich. Rising to fame in the early 2000s with hits like "Save a Horse (Ride a Cowboy)," he previously played bass and sang for Lonestar before forming Big & Rich with Big Kenny in 2003. A prolific songwriter, Rich has penned multiple No. 1 country hits for artists including Gretchen Wilson, Faith Hill, and Jason Aldean, earning three ASCAP Songwriter of the Year awards. Beyond music, he's released solo albums, produced for various artists, and hosted The Pursuit! with John Rich on Fox Nation. A vocal conservative, entrepreneur, and family man.Tickets to Cornerstone Forum 26': https://www.showpass.com/cornerstone26/Tickets to the Mashspiel:https://www.showpass.com/mashspiel/Silver Gold Bull Links:Website: https://silvergoldbull.ca/Email: SNP@silvergoldbull.comText Grahame: (587) 441-9100Bow Valley Credit UnionBitcoin: www.bowvalleycu.com/en/personal/investing-wealth/bitcoin-gatewayEmail: welcome@BowValleycu.com Use the code “SNP” on all ordersProphet River Links:Website: store.prophetriver.com/Email: SNP@prophetriver.comGet your voice heard: Text Shaun 587-217-8500

What actually earns a place in the Country Music Hall of Fame—longevity, hits, or the kind of influence that changes what country sounds like? We dig into the real criteria and test the hype with a clear-eyed look at names like Alison Krauss, Brad Paisley, Crystal Gayle, Dwight Yoakam, Faith Hill, and more. Some feel overdue, others feel inevitable, and a few favorites might benefit from time cooking into legacy. With only three inductees selected each year across rotating categories, the bar isn't just high—it's selective by design.From there, we zoom out to what's shaping country now. Kenny Chesney's high-tech Sphere dates raise the production ceiling, George Strait's long-awaited stadium return brings tradition back to center stage, and Chris Young's new label era hints at a refreshed voice with deeper songwriting. We swap stories about artist rivalries, the power of small-venue touring, and how TV platforms keep catalog songs alive with surprising new performances. We also spotlight rising talent like Brian Fuller and revisit the studio lineage that built the modern sound—John and Martina McBride's Blackbird Studios, Tony Brown's classic touch, and Dan Huff's guitar-forward polish.Then we put our money where our mouth is: can AI co-write and produce a track that stands up to human-made? We fed it detailed direction—anthemic chorus, dynamic bridge, specific drum feel, vocal phrasing, even the final held note and guitar tag—and got a shockingly usable demo. It still can't replace a seasoned session leader's judgment or the nuance of live players, but as a demo engine for indie artists, it's a game-changer. Try twenty ideas fast, pick the strongest, and take that one to the studio with confidence.Episode LinksJeff King: https://jayfranze.com/episode6/Bob Bullock: https://jayfranze.com/episode28/MaKenzie Phipps: https://jayfranze.com/episode73/Bruce Tarletsky: https://jayfranze.com/episode81/Robby Johnson: https://jayfranze.com/episode95/Billie Jo Jones: https://jayfranze.com/episode98/Send us a text Support the showLinks Jay Franze: https://jayfranze.com/ JFS Country Countdown: https://jayfranze.com/countdown/ Contact Contact: https://jayfranze.com/contact/ Socials Instagram: https://www.instagram.com/jayfranze TikTok: https://www.tiktok.com/@jayfranze X: https://x.com/jayfranze YouTube: https://youtube.com/@jayfranze Services Consulting: https://jayfranze.com/services/ Books Books: https://jayfranze.com/books/ Merchandise Merchandise: https://jayfranze.com/merchandise/ Support Support: https://jayfranze.com/support/ Sponsor the Show: https://jayfranze.com/sponsor/

Welcome back to Operation Be! Today, we're talking about something that's been a massive theme in my own journey — believing in more. ✨ In this episode, I open up about the pivotal moments that taught me how powerful it is to see beyond your current reality and choose a possibility mindset. We'll talk about breaking free from limits, valuing purpose over money, and how to design a life that actually feels like yours — not just one that looks good on paper. Here's the thing: real change doesn't start with action — it starts with clarity. When you know what you crave and why you crave it, your choices become aligned, intentional, and magnetic. As you listen, I want you to reflect on these two questions: 1️⃣ Identify one area in your life where you crave more. 2️⃣ Get really, really clear on why you crave more. That's where your next chapter begins.

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Tom "Bones" Malone.   About Tom : Tom “Bones” Malone, trombonist, multi-instrumentalist, arranger & producer is best known for his work with The Blues Brothers, David Letterman Show and Saturday Night Live. Tom has played on 4,400+ television shows, 3,500+ radio & television commercials, over 1,500 recordings and thousands of live performances throughout the world. Tom has done 3,000 arrangements for television.   Tom plays trombone, tuba, bass trombone, contrabass trombone, euphonium, bass trumpet, trumpet, flugelhorn, piccolo trumpet, alto sax, tenor sax, baritone sax, flute, piccolo, alto flute and bass flute.   “Tom Bones Malone, a multi-instrumentalist, is perhaps the most successful musician in the history of film, live television and sound recording production.” - Ray Hair, president, American Federation of Musicians   Tom has performed, recorded and/or arranged for Ray Charles, James Brown, Stevie Wonder, Paul McCartney, Gil Evans, Yes, Miles Davis, Beck, Aretha Franklin, Spyro Gyra, Jimmy Cliff, Frank Zappa, Stuff, The Temptations, The Supremes, Sting, Elton John, James Taylor, J Giels Band, Blood Sweat & Tears, The Band, Levon Helm, Phil Collins, Wilson Pickett, Sam & Dave, Ben E. King, The BeeGees, Meco, The Coasters, Bon Jovie, Carly Simon, Dr. John, Olivia Newton-John, Joe Cocker, The Meters, The Neville Brothers, Leo Sayer, Boz Skaggs, Chuck Berry, Robert Plant, Jeff Beck, Jimmy Page, Gypsy Kings, Willie Nelson, Clint Black, Dolly Parton, George Benson, B B King, Vince Gill, John Mayer, Steve Winwood, The Killers, Blues Traveler, The Stylistics, Busta Rhymes, Bonnie Raitt, Bruce Springsteen, Al Green, Gloria Estefan, Garth Brooks, Faith Hill, Eddie Harris, Cyndi Lauper, David Bowie, ‘N Sync, Coolio, Snoop Dog, 50 Cent, Solomon Burke, Steely Dan, Aerosmith, Tony Bennett, Mary J. Blige, Peter Frampton, Lyle Lovett, Etta James, Jon Secada, Joe Cocker, Sinead O'Conner, Toni Braxton, Harry Connick, Jr., Randy Newman, Little Richard, Pointer Sisters, Eric Clapton, Billy Preston, Marvin Gaye, Whitney Houston, Chaka Kahn, Four Tops, Elephant's Memory, Eddie Floyd, Count Basie, The Spinners, The Stylistics, Barry Manilow, Jose Feliciano, Woody Herman, Tom Petty, Macy Grey, Van Morrison, Frankie Valli, Hanson, Peggy Lee, Brenda Lee, Liza Minelli, Cab Calloway, The O'Jay's, Nancy Wilson, Shirley Bassey, Billy Joel, Bonnie Tyler, Lou Reed, Baja Men, Dr. Buzzard's Savannah Band, Joss Stone, Dionne Warwick, Meatloaf, Ashford & Simpson, Pat Metheny, David Sanborn, Luther Vandross, Teddy Pendergrass, Glen Campbell, Malo, Vicki Sue Robinson, Mandrill, Gladys Knight & The Pips, Diana Ross, Average White Band, Dreamgirls, Van McCoy, Mongo Santamaria, Instant Funk, Stephanie Mills, Herbie Mann, Paul Simon, Gloria Gayner, Plácido Domingo, Village People, Bobby Blue Bland, Pink Floyd, Hubert Laws, Tina Turner, Joe Jackson, Chuck Mangione, Lou Rawls, David Byrne, Phil Woods, James Ingram, Hank Crawford, Carmen McRae, Bette Midler, Phoebe Snow, Rupert Holmes, BJ Thomas, Samantha Sang, Al Jarreau, Sheena Easton, Johnny Taylor, Little Milton, Stanley Clark, Little Anthony & The Imperials, Joe Pesche, Ron Carter, Buddy Rich, Les Elgart, Larry Elgart, Billy Cobham, Louis Bellson, Stanley Turrentine, Gato Barbieri, Ringo Starr, Lady Gaga, Bob Geldoff, Debbie Harry, Run DMC, Ricky Martin, John Mellencamp, Eurythmics, Rufus Thomas, Debby Harry, Run DMC, Ricky Martin, Shaggy, John Mellencamp, Chris Montez, Joey Dee, Dusty Springfield, The Blues Brothers, Hanson and many others.

Send us a textHere in Episode 239 of the No Name Music Cast, it is Joy's turn to pick the topic and she chooses to talk about music from the turn of the Millennium, otherwise known as Y2K.We cover Faith Hill, Carlos Santana, TLC and Creed.We also cover Funko Pops, The MTV VMA's, Spotify and Woolworths!Support the showEmail the show: nonamemusiccast@gmail.com Instagram: https://www.instagram.com/nonamemusiccastpodcast/ https://nonamemusiccast.com/

Listen on your favorite podcast service: https://pods.to/wesoundcrazy Join our We Sound Crazy email list: https://ffm.link/wsc-signup Stream songs from the episode on our official We Sound Crazy playlists: https://lnkfi.re/8I8Drkfz This week, we're joined by Grammy-winning powerhouse vocalist, songwriter, and producer Isaac Carree. With a career spanning over three decades, Isaac's journey is a masterclass in musical evolution and unwavering faith.  From his beginnings as a teenage prodigy with gospel legend John P. Kee, to his time as a member of the trailblazing group Men of Standard, Isaac shares the stories behind his rise to stardom. He opens up about the challenges and triumphs of his solo career, his eye-opening experiences touring with mainstream icons like Tim McGraw & Faith Hill and the Bad Boy Reunion Tour, and the valuable lessons he learned about the business of music.  Isaac recounts working on the remix to "Clean This House" with R&B legend R. Kelly — sharing a behind-the-scenes story of how the collaboration came to be and the profound compliment Kelly paid him, saying Isaac has a "flute in his throat."  Isaac also talks about the incredible, mutual admiration between his group, Men of Standard, and the legendary R&B group 112, revealing how they were huge fans of each other's music and even took inspiration from one another.  He gets candid about the struggles of stepping out as a solo artist after years of being in a group, battling fear and anxiety, and how the support of his mentor and friend, Kirk Franklin, was instrumental in his success. Kirk's belief in him, allowing him to open for major tours and celebrating his achievements, provided a crucial "layup" for his solo career.  Join us for a deep conversation that covers everything from the golden era of 90s R&B to the power of authentic relationships.  Press play now! Stream "Better" by Isaac Carree available now on all streaming services! We Sound Crazy is your backstage pass to all things music and culture. Special thanks to our We Sound Crazy team! Director: John Dierre Camera Op: James Hart, Josh Sowemimo, John Dierre Editing: Lamont Baldwin Show Producer/Sound Mixer: Michael "Roux" Johnson Producer: Aaron Walton Assistant: Brittany Guydon Talent Producer: Isaac Hamm III Photography: Ah'meer Holt   PA: Kaye Brasley, Tony Cole   Thank you to all of our listeners, as well as our partners at Visit Music City.   Special thanks to Isaac Carree! Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast.  Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite #WeSoundCrazy #IsaacCarree Learn more about your ad choices. Visit megaphone.fm/adchoices

Singer, songwriter, guitar player who has been nominated for two GRAMMY Awards, a Golden Globe, and numerous other awards. Plus, she was inducted into the Nashville Songwriters Hall of Fame in 2014. She has accumulated accolades as a songwriter for artists as diverse as Etta James, Bonnie Raitt, The Neville Brothers, Patty Loveless, George Strait, Bryan Adams and Faith Hill. Her song “Independence Day,” recorded by Martina McBride, won a CMA Song of the Year award in 1995. As an artist, she even performed at Farm Aid in 1996, got radio airplay on the BBC, and performed three times at Glastonbury. She has over 2.2 million combined video views on her official YouTube channel and on Spotify – where she has over 116 thousand monthly listeners – her top five songs alone have gotten over 14.3 million streams on that platform alone.

Jana Kramer, the actress, singer, podcast host, and mother joins us to pull back the curtain on the entertainment industry's less glamorous realities and share how she's found her authentic voice through it all.Jana's story begins with remarkable determination – handing her headshot to a soap opera actor while waitressing in Detroit, then convincing a casting director she lived in New York to land her first role. This fearlessness carried her through roles on Friday Night Lights and One Tree Hill before an unexpected pivot to country music during a writers' strike revealed another dimension of her talent.What makes Jana's perspective so refreshing is her willingness to acknowledge both her strengths and limitations. "I don't have the Carrie Underwood voice," she admits, explaining how she instead leaned into emotional authenticity and stage presence. This honesty extends to her candid revelations about industry politics – from being told her CRS performance caused single failures to restrictions on her acting career while pursuing music. Her observations about women in country radio illuminate persistent gender disparities that continue despite the success of predecessors like Faith Hill and Shania Twain.Beyond career insights, Jana opens up about personal growth through therapy, the challenges of balancing touring with Dancing with the Stars competition, and finding joy in her current focus on acting and podcasting. Her experience hosting multiple weekly podcast episodes echoes our own journey – navigating when to speak candidly versus holding back, and finding purpose in connecting with listeners despite occasional backlash.Whether you're a longtime fan from her One Tree Hill days, discovered her through country radio hits like "I Got the Boy," or are new to her story, Jana's resilience and multifaceted career offer inspiration for anyone navigating creative industries while staying true to themselves. Listen now to this conversation that feels less like an interview and more like friends catching up over coffee – or perhaps a bottle of wine, as Jana would prefer.The Try That in a Small Town Podcast is powered by e|spaces! Redefining Coworking - Exceptional Office Space for Every BusinessAt e|spaces, we offer more than just office space - we provide premium private offices designed for focus and growth. Located in the heart of Music Row, our fully furnished offices, private suites, meeting rooms and podcast studio give you the perfect space to work, create and connect. Ready to elevate your business? Book a tour today at espaces.comFrom the Patriot Mobile studios:Don't get fooled by other cellular providers pretending to share your values or have the same coverage. They don't and they can't!Go to PATRIOTMOBILE.COM/SMALLTOWN or call 972-PATRIOTRight now, get a FREE MONTH when you use the offer code SMALLTOWN.Original BrandsOriginal brands is starting a new era and American domestic premium beer, American made, American owned, Original glory.Join the movement at www.drinkoriginalbrands.comFollow/Rate/Share at www.trythatinasmalltown.com -Browse the merch: https://trythatinasmalltown.com/collections/all -For advertising inquiries, email info@trythatinasmalltown.comThe Try That In A Small Town Podcast is produced by Jim McCarthy and www.ItsYourShow.co

Hour 3 of The Outdoors Show! Captain Mickey is joined by Reanna De La Cruz from Baffin, Rick Murphy from Florida, and Chris Crocker from Concan . National Anthem sung by Faith Hill.

A preview of the upcoming show out next week From the upcoming show with Lynyrd Skynyrd' Alice Cooper, Thin Lizzy, Black Star Riders and Brother Cane Guitar Icon Damon Johnson reveals that Brother Cane will release a brand new album produced by award winning producer Marti Fredriksen , Aerosmith, Motley Crue, Faith Hill called "Magnolia Medicine" which will feature contributuons from Johnny Van Zant and Rickey Medlocke. First single will arrive early November .The full feature with Damon will be out early next week.The Rock'n'Blues Experience with Tim CapleInterviews and features with musicians who have impacted the music industry over the last 60 years.The Rock'n'Blues Experience features interviews and conversation with legends of the genre and the very best of today's upcoming talent

Marty and his wife had a chance to see Faith Hill and Tim McGraw in Bristol. Marty and Tracy have a few comments.

In this episode of Talk of Fame, Kylie Montigney talks with Krystal King!  At three years old, Krystal caught a snippet of Alan Jackson on the radio...and the rest is history. Country music was in her bones. She followed this love of music to college where she studied Music Therapy at Appalachian State University (home of Eric Church & Luke Combs) and worked as a psychiatric music therapist. While she loved being able to use music to help others, Krystal says that country music "haunted" her and she knew she had to follow that passion, bringing her to Nashville.  Krystal's sound has been described as 90's country with a bit of folk, blues, soul, and rock. Krystal combines early influences of artists such as Alan Jackson, Dixie Chicks, Lee Ann Womack, & Willie Nelson with modern likes of Eric Church, Chris Stapleton, & Ashley McBryde. When it comes to songwriting, Krystal says "Loretta Lynn is my alter ego." Krystal has released 9 original singles -6 of which were produced by Mike Loudermilk (previously producing and playing guitar for Crystal Gayle). Over the next year, She will be releasing her self produced, Debut Album "Pretty Poison" (CD Available Now). The first single from the project, "Red Wine & White Lies" has over 15K streams on Spotify and "Mind Your Own Backyard," a quirky murder song from the album, has 27K music video views and is featured on the Heartland Network and CountryLine.  Krystal has had the honor of performing iconic stages including the Bluebird Cafe, The Listening Room Cafe and Tootsies Orchid Lounge in Nashville and tours nationally visiting NC, TN, WI, AL, AZ, MS, & FL, & Texas. Additionally Krystal has played several festivals with headliners including Walker Hayes (WestHaven PorchFest), Craig Morgan (Keys To Country), Kristian Bush (Meeting of the Minds) and opened for Beth Neilson Chapman (writer of "This Kiss" by Faith Hill.). In 2024, Krystal had the honor of performing the VIP Lounge at Ascend Amphitheater in Nashville for the Lainey Wilson Concert Other notable performances included the National Anthem for the Charlotte FC out of the Panthers Stadium and the Novant Health Thanksgiving Parade in Charlotte, NC. Listen in as we discuss Krystal's  journey and her life in Tennessee. You'll be inspired by her dedication to inspiring others through music.Links Mentioned:https://distrokid.com/hyperfollow/krystalking/pretty-poisonFollow Me:Instagram:@Officialkyliemontigney@TalkoffamepodFacebook:OfficialkyliemontigneyTalkoffameTwitter:@Kyliemontigney4About Me:Hi, I'm Kylie! I'm passionate about sports, spending time with family, traveling, and connecting with people who inspire me. I love listening to people's stories and sharing their journeys with the world!

Dating apps are reporting record breaking numbers. Yet surveys show people across generations and sexualities are partnering less, having less sex, and are feeling increasingly pessimistic about the state of American romance. So what's going on? Audie sits down with Faith Hill – staff writer at The Atlantic, who closely covers ‘The Slow, Quiet Demise of American Romance' – for a breakdown of the uniquely modern challenges and consequences of searching for love on your phone.   --  This episode was Produced by Jesse Remedios and Lauren Kim.   Senior Producers: Matt Martinez and Dan Bloom Technical Director: Dan Dzula   Executive Producer:  Steve Lickteig  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tabitha Fair is a successful Chickasaw singer-songwriter, originally from Oklahoma, who moved to Nashville at 15 and has built a diverse career in music. She's known for her powerful vocals and has worked with numerous high-profile artists. She has shared the stage with Beyonce, Bruno Mars, Lady Gaga, U2, Celine Dion, Sting, Faith Hill, Wynonna Judd, Lee Ann Womack, Rascal Flatts, Amy Grant, Third Day, Sam Moore, James Taylor, Fall Out Boy, Bette Midler, Lenny Kravitz, Bruce Springsteen, John Legend, The Roots, Jennifer Hudson, Michael McDonald, Elton John, Mary J Blige, Snoop Dog, and many more! She also co-founded the successful contemporary Christian group Avalon and was a strong presence in New York's music scene, working with artists like Carole King and singing with The Roots on the Jimmy Fallon Show.Shortly after touring with Amy she continued to explore her Gospel roots both as a writer and performer and co-founded Avalon, the highest selling Contemporary Christian group of all time. Tabitha has written and recorded with Carol King, co writing “If We Get Through This” which was featured in the movie “Sum Of All Fears” featuring Ben Affleck and Morgan Freeman. Tabitha's other movie credits include 20 Ft from Stardom, an Oscar winning film about background vocalists.Tabitha's most recent tours include Idina Menzel, Rascal Flatts “Riot” Tour, Rita Wilson and Chicago, Melissa Etheidge, Amy Grant and Michael W. Smith 2016 Christmas Tour, Amy Grant and Vince Gill 2017 Christmas At The Ryman. Christopher Cross 40th Anniversary Tour 2022 and Christopher Cross summer tour 2023. Steely Dan and Eagles Tour 2023 andAs a resident again in Nashville she continues to sing many national and international artists. As a Vocal Coach Tabitha specializes in performance training, vocal artistry, and artist development. Her wide ranging experience in the music industry is unrivaled as a performer, vocalist, and writer, and Tabitha enjoys passing her years of wisdom on to her clients.https://www.instagram.com/fairtabitha/?hl=enhttps://www.facebook.com/tabitha.fair/https://www.linkedin.com/in/tabitha-fair-39451011/"Still on the Run" - https://www.fbrmusic.com/Host - Trey MitchellIG - treymitchellphotography IG - feeding_the_senses_unsensoredFB - facebook.com/profile.php?id=100074368084848Threads - www.threads.net/@treymitchellphotographySponsorship Information/Guest Suggestions  -  ftsunashville@gmail.com

Recent studies have show that grandparents, especially grandmothers, are taking on more childcare of their grandchildren than ever before. But why? And how is this trend affecting grandparents and their retirement? We speak with Faith Hill, author of the recent Atlantic piece "Grandparents Are Reaching Their Limit," alongside Frances Dodds, author of the New York Times Magazine piece "My Parents Expected to Be Retired. Instead, They Are Raising My Sister's Kids." We also hear from listeners regarding their experience on this topic.

 Grandparents raising their grandchildren have taken on a “second shift” of parenting — and it's exhausting them. Faith Hill, staff writer at The Atlantic, joins host Krys Boyd to discuss how lack of childcare is reshaping what used to be the golden years of grandparenting, how it's changing what retirement looks like, and why saying “no” to family is so difficult. Her article is “Grandparents Are Reaching Their Limit.”  Learn about your ad choices: dovetail.prx.org/ad-choices

Faith Hill, staff writer at The Atlantic, talks about the reliance of working parents on grandparents for childcare and when it gets to be too much.