Record label, division of Universal Music Group
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15 episodes with Republic Records
10 episodes with Republic Records
9 episodes with Republic Records
2 episodes with Republic Records
2 episodes with Republic Records
2 episodes with Republic Records
2 episodes with Republic Records
2 episodes with Republic Records
8 episodes with Republic Records
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
n this episode of the Mixing Music Podcast, Dee Kei and Lu dive deep into the often overlooked but game-changing concept of depth in mixing. Beyond loudness and width, depth creates that three-dimensional, professional sound we all chase. The guys break down what actually creates depth, from volume contrast and EQ decisions to reverb, delay, and automation tricks. They also discuss common “depth killers” that flatten a mix, and share practical techniques that you can start using today to bring life and space into your tracks. Whether you're mixing vocals, drums, or full productions, this episode will help you understand how to move your mixes from flat to full.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu break down one of the simplest but most powerful tools in every engineer's arsenal: high-pass and low-pass filters. From functional cleanup and frequency management to shaping emotion, depth, and energy, filters are far more than just technical necessities — they're creative tools that shape the feel of a track. The guys discuss where filters should be used, where they're often abused, and how they use them to sculpt tone, add movement, and guide listener focus. Whether you're cleaning up mud or automating your way to a more emotional mix, this episode will leave you hearing HPFs and LPFs in a whole new way.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
This week on the New Music Business podcast, Ari sits down with Danny Ross, a producer and songwriter based in NYC, a columnist at Forbes, and founder of the largest songwriting camp in the world, Anti Social Camp. Danny's Anti Social Camp brings together over 250 songwriters, producers, and artists to collaborate amongst themselves and with major artists every summer in NYC. Past Anti Social Camp attendees have worked with artists including Jacob Collier, Miranda Lambert, Moby, Nile Rodgers, Kimbra, Andy Grammer, JP Saxe, and Rob Thomas. Brands like TikTok, Spotify, YouTube, Amazon, TIDAL, The Recording Academy, Republic Records, DistroKid, and The MLC are also intricately involved in the Anti Social Camp experience.If you are a songwriter or producer who's ever wondered what goes down at songwriting camps or how to get involved, you're going to learn all about that and more in this episode with Danny Ross. https://www.instagram.com/antisocialcamp/ Get $100 your Anti Social Camp Badge by using the code: ARIANTISOCIALVIP at antisocialcamp.comChapters00:00 The Importance of Reputation in the Music Industry03:02 Understanding Songwriting Camps05:48 The Structure and Dynamics of Songwriting Sessions08:47 The Evolution of the Anti Social Camp12:01 Building Community in New York's Music Scene14:54 The Anti Social Camp Experience17:54 Diverse Genres and Collaboration20:54 The Future of Songwriting Camps31:11 Creative Collaborations in Music Production32:26 Success Stories from the Camp33:44 Understanding Major vs. Indie vs. Self-Releasing Artists38:33 The Financial Landscape of Music Production44:53 Navigating Splits and Royalties in Music47:01 The Ethics of Publishing in the Music Industry52:39 Teaching the Next Generation of Music Creators56:40 The Importance of Community in Music Creation59:01 Defining Success in the New Music BusinessEdited and mixed by Ari DavidsMusic by Brassroots DistrictProduced by the team at Ari's TakeOrder the THIRD EDITION of How to Make It in the New Music Business: https://book.aristake.com Hosted on Acast. See acast.com/privacy for more information.
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu dive deep into the relationship between self-esteem, insecurity, and communication in the studio. Beyond gear and plugin chains, your ability to collaborate, accept feedback, and maintain emotional stability may be the real secret to becoming a trusted professional. We explore how low self-esteem can lead to defensiveness, people-pleasing, or creative burnout — and how building authentic confidence can improve client relationships, reduce revision stress, and elevate the quality of your work. Whether you're just starting out or trying to level up your freelance career, this conversation is packed with insight, vulnerability, and practical advice.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu dive into the tricky subject of saying no to bad recordings. Whether it's a poorly tracked vocal, clashing client expectations, or an unrealistic request to “fix it in the mix,” this conversation is all about navigating those uncomfortable but necessary boundaries. We discuss how to communicate limitations without burning bridges, how to balance personal taste with professional responsibility, and when it's smarter to offer creative solutions rather than force a mix that just isn't working. If you've ever struggled with people-pleasing, underpricing, or working on tracks that don't meet your standards, this episode is for you.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu get candid about the mistakes they still make — even after years of mixing, mastering, and working with big-name artists. From rushing decisions and second-guessing revisions, to over-processing vocals and letting imposter syndrome creep in, they share the real lessons behind the errors that never quite go away. This episode is a reminder that growth doesn't mean perfection — it means awareness, adaptability, and learning faster each time you fall into familiar traps.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
CHECK OUT OLLO X1 HEADPHONES: https://mixingmusicpodcast.com/olloSUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu debate whether mid/side EQ and compression is secret sauce or just overhyped gimmick. From subtle mastering moves to totally wrecking your stereo image, we break down the good, the bad, and the reckless uses of mid/side processing. We talk real-world use cases, the plugins we trust (and the ones we've overused), and why blindly boosting the sides might be killing your mix. If you've ever used mid/side EQ just because you could — this one's for you.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu explore the hidden impact of certainty, doubt, and perception on creative careers and communication in the music industry. From the subjectivity of art to the way we interpret feedback, we break down how overconfidence or insecurity can sabotage collaboration, client relationships, and personal growth. We also dive into reframing feedback as a collaborative tool, navigating client expectations with emotional intelligence, and the role of fairness, ambition, and responsibility in long-term success. Whether you're battling imposter syndrome or struggling to manage boundaries with high-maintenance clients, this episode unpacks how self-awareness and reflection can unlock better communication, creativity, and career sustainability.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
The Jay Franze Show: Your backstage pass to the entertainment industry
Send us a textMusic's rich tapestry unfolds as we travel through time on this episode, celebrating the birthdays of legends like Marvin Gaye (born 1939) and Emmylou Harris (1947), while uncovering fascinating historical moments in the entertainment world. Remember when Mariah Carey signed that jaw-dropping $60 million Virgin Records deal in 2001? We break down why this watershed moment matters and how it shaped the industry we know today.The conversation heats up when we dive into today's breaking music news - from Miranda Lambert's game-changing partnership with Republic Records and independent powerhouse Big Loud, to Linkin Park's bold resurrection featuring new female vocalist Emily Armstrong. Their sold-out LA show marks a dramatic new chapter after the heartbreaking loss of Chester Bennington. Meanwhile, Green Day celebrates the 20th anniversary of "American Idiot" with unreleased tracks that prove some music deserves a second chance to be heard.Our listeners light up the chat when we pose our question of the day: who's the greatest male vocalist of all time? The passionate debate spans genres and generations - from Steve Perry's unmatched range to Frank Sinatra's impeccable phrasing, from Freddie Mercury's theatrical power to the raw emotion of Chris Cornell. Jay shares fascinating insider knowledge about vinyl record production, explaining how physical limitations influenced which songs appeared where on albums, and why bass-heavy tracks needed special consideration.Whether you're a music history buff, industry insider, or simply love great conversation about entertainment, this episode delivers stories you won't hear anywhere else. Join our community at jayfranze.com where the conversation continues long after the mics go silent. Subscribe now and become part of the behind-the-curtain experience that only The Jay Franze Show provides.LinksJay Franze: https://JayFranze.comVirtually You: https://www.virtuallyyouva.com/ Support the show
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu dive into the ongoing resurgence of analog emulation plugins and why these classic tones still matter in today's digital landscape. They break down the technological leaps in digital plugin development, the shift in modern musical trends, and what “warmth” really means when it comes to sound. From the nostalgic vibe of tape saturation to the precision of modern analog-modeled tools, they explore the strengths and quirks of both analog and digital workflows. Plus, Dee Kei and Lu share some of their favorite go-to plugins that bring character and vibe to every mix.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu explore the art and challenge of mixing across different genres while preserving the emotional feel of a track. They dive into how an emotional and intuitive approach complements technical skill, and why flexibility is key when switching between genre conventions. From balancing creative instincts with technical demands to understanding why the human touch still matters in a world of AI-assisted tools, this episode is a deep dive into the mindset and methods that help mixers stay versatile and connected to the music, no matter the style.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
“Eternal Sunshine,” Ariana Grande's seventh studio album, released on March 8, 2024, via Republic Records, marks a triumphant return for the pop icon after a three-year hiatus following 2020's “Positions.” This 13-track, 35-minute project, titled after the 2004 film “Eternal Sunshine of the Spotless Mind,” is a loosely conceptual exploration of love, loss, and self-discovery, blending vulnerability with theatrical flair. Crafted with collaborators like Max Martin, Ilya Salmanzadeh, and Oscar Görres, the album fuses pop and R&B with dance, synth-pop, and house influences, characterized by mid-tempo beats, subtle guitar riffs, and lush string arrangements. Grande has called it her most personal work, inspired by her divorce from Dalton Gomez and her romance with “Wicked” co-star Ethan Slater, yet it sidesteps tabloid fodder for a broader emotional narrative.The album opens with “Intro (End of the World),” a delicate query about love's endurance, setting a reflective tone. Lead single “Yes, And?”—a #1 Billboard Hot 100 hit—channels Madonna's “Vogue” with defiant house beats, addressing public scrutiny with a cheeky shrug. “We Can't Be Friends (Wait for Your Love),” another chart-topper, pairs a Robyn-esque dance-pop pulse with Grande's aching vocals, its video nodding to the film's memory-erasing premise. “The Boy Is Mine,” reimagining Brandy and Monica's classic, became a TikTok sensation, later earning a remix with the duo. Tracks like “Don't Wanna Break Up Again” and “True Story” weave R&B melancholy with sly humor, while “Supernatural” and “Imperfect for You” showcase her vocal restraint and harmonic finesse. The interlude “Saturn Returns,” sampling astrologer Diana Garland, ties the album to Grande's late-20s reckoning, fading into the title track's wistful acceptance of past pain.Critics praised “Eternal Sunshine” for its emotional depth and sonic cohesion, with Pitchfork noting its “restrained yet generous” spirit and Rolling Stone calling it a “victory lap with scars.” It debuted at #1 on the Billboard 200, her sixth chart-topper, and snagged three Grammy nods, including Best Pop Vocal Album. Expanded editions followed: a “Slightly Deluxe” version on March 10, 2024, added remixes, while “Eternal Sunshine Deluxe: Brighter Days Ahead,” released March 28, 2025, with a short film, introduced six new tracks like “Twilight Zone,” deepening the breakup saga. Filmed during the 2023 SAG strike, the album reflects Grande's “Wicked” downtime, balancing her Glinda role with raw artistry. Closing with “Ordinary Things,” featuring her grandmother Nonna's sage advice, it's a tender cap to a journey of heartbreak and hope.
Fancy Hagood started his career as a writer in Nashville before because 'discovered' by Scooter Braun, signing to Republic Records, releasing 2 singles - one of which cracked the Billboard top 30 - and then he was dropped by his label, agent, and manager, almost all on the same call. He has been featured on The Today Show, Fallon, and performed with Meghan Trainor, Kacey Musgraves, Ariana Grande, Elle King, and Kaitlin Butts, and since has released 2 critically acclaimed independent records, hosted Trailblazers Radio on Apple Music, and was recently honored with the Visibility Award by the Human Rights Campaign Nashville. We chat with Fancy about creating your own lane when the industry doesn't value you, inviting more people to the table, the optimism and opportunity in getting dropped from you label, the magic all around, the gift of delusion, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Fancy HagoodEp 83 Brandy ClarkRepublic RecordsNickel CreekDowntown Music PublishingSara EvansLittle Big TownMorgan WallenWillie NelsonRoger MillerLeslie Jordan“Conversations with God” - Neil Donald WalshTara BrachClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu talk about self-serving bias and fundamental attribution error. They discuss about the cross point where preparation meets luck and the idea of opening up for success.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Lu goes solo and talks about some of the basics.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticJoin Analytic Dreamz in this segment of Notorious Mass Effect as we dive into the speculation surrounding Drake's potential $ For You deluxe edition. Analyzing available clues, the imagery showcases a Drake-like figure in fur coats and confident poses, paired with the recurring "$ For You" phrase and the number "4," hinting at a tie to For All the Dogs (Nov. 2023). X posts reveal fan debates—some expect 3–10 new tracks, while others argue it's a rehash of a 2022 streaming push. Without official word from Drake, OVO, or Republic Records, evidence remains thin. Analytic Dreamz examines Drake's deluxe history, like Scorpion and Take Care, and the lack of major news coverage as of March 15, 2025. Is this a strategic drop or just fan hype? Stay tuned for updates.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and James talk about what you can do with your time when things are slow and how to handle the inconsistent nature of freelance work.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE JAMESFind Dee Kei and James on Social Media:Instagram: @DeeKeiMixes @JamesDeanMixesTwitter: @DeeKeiMixes The Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
No matter where you are in your career, you'll benefit from listening to 3Q. 3Q provides a window into the careers of some of the best in the music business. Every episode is an insider's view of the realities of life as a music executive. Topics include issues of empowerment, uncertainty, trust, finances, etc; issues that will impact you both personally and professionally. The executives we interview represent every aspect of the industry including but not limited to A&R, Marketing, Music Supervision, Artist Management, Promotion, and more.About Bill:An experienced veteran of marketing music across social platforms since the days of MySpace and Vine, Bill has worked music for artists at every major label group - starting in 2012 at Sony Music's Columbia Records, where he worked digital marketing for artists such as Daft Punk, Jack White, MGMT, and Lil Jon. In 2018, he joined the senior digital team at UMG's Republic Records, where he was fortunate to work award-winning campaigns for Pearl Jam and Glass Animals, as well as a rising artist named Noah Kahan. In 2021, he joined Warner Music's social publishing division, leading campaigns and activations for artists ranging from Portugal The Man to Kevin Gates. Bill recently joined WMA as Head of Social, where he oversees the next generation of digital storytellers.
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu talk about top-down mixing and maintaining the proper perspective needed to stay emotionally connected to the songs we work on.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu dive into the concept of declinism—the cognitive bias that makes us believe things are getting worse, even when they aren't. They explore how this mindset manifests in the music industry, from nostalgia-driven skepticism to resisting new trends and technologies. More importantly, they break down practical ways to stay open-minded, adapt to industry shifts, and ensure long-term creative and professional growth. Tune in to learn how to fight the illusion of decline and keep evolving!SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu answer some questions from the audience!SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu talk about Mixerman's 10 steps to better mixing.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and James talk about what the art of mixing is and isn't. They also talk about the different goals and stages of both a mix and a mixer.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE JAMESFind Dee Kei and James on Social Media:Instagram: @DeeKeiMixes @JamesDeanMixesTwitter: @DeeKeiMixes The Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut. The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Eddie has been a fixture in the music business since the mid-sixties. Most well know for producing the number one record “Doctors Orders” by Carol Douglas and for Salt N Pepa on his Next Plateau Records label to his Joint Venture with Republic Records. Eddie also signed and developed Crazy Frog his his 9.66 Billion YouTube view with over 16.4 Million YouTube subscribers. Eddie talks about his life in music and his feelings about the business. This is a must listen podcast.
Jacob Paul Herring, more commonly known by his stage name BabyJake, is a music artist, writer, and producer based in Nashville, Tennessee. BabyJake's first big break came when his song Cigarettes on Patios released in the winter of 2019. Shortly after, he was signed to Republic Records was expected to be the next mainstream star. Just before he was supposed to go on his first major international tour, the pandemic hit and everything fell apart. His support from the record label fell away, he blew most of his money, he partied way too much, and got severely ill for almost 2 years. BabyJake has since left Republic Records, and Los Angeles, to become an independent artist living and making music in Nashville. Over the last few years he has been steadily putting out new music and developing as both an artist and a person. His sound has went from indie rap, to pop, to 70's rock, to alternative rock and more. His latest album titled Beautiful Blue Collar Boy is available to stream on all platforms. It showcases his diverse music styles and brings a raw emotion that stands out in today's music. We recorded this interview backstage before his recent performance on Friday, October 25th at 7th St. Entry in Minneapolis, Minnesota. In this episode we discuss how his music developed, healthy addictions, learning from past mistakes, how to grow a core fanbase, performing live, finding yourself, life goals, music industry misconceptions, new music, touring on a budget, and much more.
Nashville based folk-pop artist, Allison Leah has an innate gift for songwriting, coupling honest stories with ethereal melodies and accumulating over three million streams worldwide. Allison's vulnerable lyrics and soothing voice overlay organic folk pop production to create introspective singer/songwriter tunes. To listen to Allison Leah is to know her, and maybe even to get to know yourself a little better too. Her music has been featured on Spotify playlists such as “New from NYC: Folk”, Pandora's “Fresh Cuts”, “Today's Tunesmiths and Troubadours” as well as WFUV radio.Leah's captivating live show provides joy and self-reflection, connecting with audiences nationwide. Recent performances include the Black Bear Americana Music Festival, Tucson Folk Festival (where she was named runner-up in their songwriting competition), The Listening Room (Nashville), City Winery, and over 30 shows alongside Sofar Sounds. For our conversation, we dug deep into Stick Season - the third studio album from acclaimed American singer-songwriter Noah Kahan, who also served as producer alongside Gabe Simon. It was released on October 14, 2022, by Mercury Records and Republic Records. Enjoy!
In this episode of Freshly Breu'd, Joe recaps his recent comedy tour, including spontaneous gigs at popular clubs like New Jersey's Stress Factory and a memorable show at a Doylestown skate shop. Joe shares an inspiring update on his son Nate's journey in the music industry—from overcoming personal struggles to signing with Republic Records. They also discuss the excitement of watching Nate perform live and the unique father-son experience of Nate's early record label meetings. The episode wraps up with humorous anecdotes and behind-the-scenes stories, giving fans a fun, in-depth look at the latest adventures of the Breuniverse crew. Follow Joe and Mike: @joe_sib @mikethesoundguy_official SUBSCRIBE + LIKE for more from comedian Jim Breuer! Official merch available at https://bit.ly/JimBreuerMerch Tour dates and more at https://www.jimbreuer.com The Breuniverse Podcast premieres weekly every Thursday morning on Patreon and Friday on YouTube/Rumble. http://jimbreuer.com/patreon Follow Jim: Instagram: https://www.instagram.com/jimbreuer_official Facebook: https://www.facebook.com/JimBreuer/ Twitter: https://twitter.com/JimBreuer Rumble: https://rumble.com/JimBreuer Disclaimer: The views expressed in the audio are the opinion of the hosts and are not facts. #JimBreuer #Comedy #podcast Learn more about your ad choices. Visit megaphone.fm/adchoices
pWotD Episode 2724: Liam Payne Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 2,439,358 views on Wednesday, 16 October 2024 our article of the day is Liam Payne.Liam James Payne (29 August 1993 – 16 October 2024) was an English singer who rose to fame as a member of the pop boy band One Direction. Payne made his debut as a singer in 2008 when he auditioned for the British television series The X Factor. After being eliminated in the competition, he auditioned again in 2010 and was put into a group with four other boys to form One Direction, which went on to become one of the best-selling boy bands of all time. Payne worked with other producers under the monikers "Big Payno" and "Payno", creating remixes for songs by his group and Cheryl.After One Direction went into hiatus in 2015, Payne signed a recording contract with Republic Records in North America. In May 2017, Payne released "Strip That Down" as the lead single from his debut solo studio album. It peaked at number three on the UK Singles Chart and number ten on the US Billboard Hot 100, being certified platinum in both countries. His debut studio album, LP1, was released in December 2019. He sold over 18 million singles in under three years after One Direction's hiatus, and accumulated over 3.9 billion career streams in that span. Payne died on 16 October 2024, after falling from a third-floor balcony of a hotel in the Palermo neighbourhood of Buenos Aires, Argentina, at the age of 31.This recording reflects the Wikipedia text as of 04:41 UTC on Thursday, 17 October 2024.For the full current version of the article, see Liam Payne on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Emma.
Hello and welcome to The Stress Factor Drum and Bass Podcast episode 315, featuring the highly anticipated return of DJ B-12. This episode presents an extraordinary 100 Track super mix that encapsulates the essence of contemporary drum and bass, showcasing the genre's most exhilarating and cutting edge tracks. Listeners can expect a rich tapestry of sound, characterized by stunning vocals, emotive breakdowns, and a blend of darker, edgier elements that add depth to the mix. The infusion of trancey and electro influences further elevates the listening experience, making this episode a must listen for enthusiasts of high energy music. We invite you to immerse yourself in this remarkable auditory journey and share the excitement with fellow music lovers. This episode includes tunes and remixes from the following artists and labels DC Breaks, Viper Recordings, Metrik, Insomniac Music Group, Houndeye, Delta Heavy, Grafix, Hospital Records, Lexurus, Polygon, Liquicity, ShockOne, Dark Machine Recs, SiLi, Lauren Laimant, Dualistic, Koven, A.M.C, UKF, Aktive, Maduk, Crooked Bangs, Fred V, 1991, Alex Hosking, Chaos, Madface, Dawn Wall, Anni, Bungle, Scientific, Itro, Slippy, Josh Rubin, NCS, Sola, Pyxis, Dirtbox Recordings, Zero T, The North Quarter, Hazey, Ponz, Hiraeth, Prospex, Audio Overload Jungle Records, Fourward, Elevate Record, High Contrast, Highly Contrasting, Seba, Phil Tangent, Secret Operations, Wyld Dogz, Sharlene Hector, Nero, Create Music Group, Andy C, Becky Hill, Polydor Records, Andromedik, Nu-La, Malaky, Galacy Records, DJ Phantasy, Nicky Blackmarket, Lords Of Rave, Sweet Female Attitude, Lords of Moondance, L-Side, NUFORM, Low Steppa, Kelli-Leigh, Shapes, Armada Music, Polaris, Innerground Records, Bastion, Fade Black, Leo Law, Pilot., Skepsis, Brodie, FFRR, Critical Music, Jon Void, Kastuvas, Gas Pedal, Leony, Sigma, Kontor Records, Voicians, Krakota, Lee Mvtthews, Sleepless Music Ltd., Minos, Fokuz Recordings, Drumsound & Bassline Smith, Technique Recordings, Neuron, Celsius Recordings, 3Beat, Sub Focus, Pola & Bryson, EMI, McLean, Camo & Krooked, Asylum Records, Disciples, Delilah, MONSS, Ministry of Sound Recordings, Georgie Riot, Spaven, Riot Record, Hiraeth, Grum, Natalie Shay, Grafix, Anjunabeats, Eviya, Sonny Fodera, blythe, SOLOTOKO, Dogzone Records, Outerbass, Fokuz Recordings, ZeroZero, Riya, Flexout Audio, Virtue, xJAK Audio, Brookes Brothers, Mia Kirkland, The Prototypes, Lowes, Danny Byrd, S.P.Y., CmdCtrl, DnB Allstars, Jazmine Johnson, James Hiraeth, Insanity Records, Iklektix, Beta Recordings, Cauzer, Matrix, Futurebound, Blaine Stranger, Tom Cane, Rex Hooligan, Chrissie Huntley, Camelphat, Sony Music Entertainment UK, Artificial Intelligence, Artino, Flux Pavilion, Matthew Koma, Circus, Oliver Tree, Atlantic Records, Arielle Free, GHSTGHSTGHST, Flava D, Telomic, Dimension, Alison Wonderland, SOLR, GEST, Shogun Audio, Moore Kismet, Rameses B, Monstercat, Rhode, Chicane, Bryan Adams, Monika, Spearhead Records, AR CO, ARTY, Etherwood, Jay Sorrow, Aluna, Picard Brothers, Kaleena Zanders, DRIIA, Mad Decent, SACHI, Kanine, Casablanca Records, Republic Records. Tracklist 01. DC Breaks - Exoplanet [Viper Recordings] 02. Metrik - Immortal [Insomniac Music Group] 03. Houndeye - Falling Awake [Viper Recordings] 04. Delta Heavy - Midnight Forever [Delta Heavy] 05. Grafix - Skyline (ft. Metrik) [Hospital Records] 06. Lexurus and Polygon - Waveline [Liquicity] 07. Polygon - Feel This Good [Liquicity] 08. ShockOne - Follow Me [Dark Machine Recs] 09. SiLi - TRONCE [Liquicity] 10. Delta Heavy - Sanctuary (ft. Lauren Laimant) [Delta Heavy] 11. Dualistic - Cluster Patrol [Liquicity] 12. Koven and A.M.C - Hooked [UKF] 13. Aktive - Loko [UKF] 14. Maduk and Lexurus - Follow My Heart (ft. Crooked Bangs) [UKF] 15. Fred V - Luminous [Hospital Records] 16. 1991 - Jungle (ft. Alex Hosking) [Chaos] 17. Madface - Paralyzed [Viper Recordings] 18. Dawn Wall - Sinner (ft. Anni)[UKF] 19. Bungle - Arise [Scientific] 20. Itro - Promises [Liquicity] 21. Slippy and Josh Rubin - Crash (Extended) [NCS] 22. Sola and Pyxis - Time Lost [Dirtbox Recordings] 23. Zero T - Don't Know [The North Quarter] 24. Hazey and Ponz - Go Under [Liquicity] 25. Hiraeth - Deep Blue [Liquicity] 26. Prospex - Without You [Audio Overload Jungle Records] 27. Fourward - Show Me Love [Elevate Records] 28. High Contrast - Remember Me [Highly Contrasting] 29. Seba - Eztli (Phil Tangent remix) [Secret Operations] 30. Wyld Dogz - Lola's Theme (feat. Sharlene Hector) (Extended Mix) [Dogzone Records] 31. Nero - The Unknown [Create Music Group] 32. Andy C x Becky Hill - Indestructible (Extended Mix) [Polydor Records] 33. Andromedik and Lexurus - Adrenaline (feat. Nu-La) [Liquicity] 34. Malaky and pyxis - Nimbus [Galacy Records] 35. Delta Heavy - No Gravity [Delta Heavy] 36. DJ Phantasy x Nicky Blackmarket x Lords Of Rave - Say Yes (feat. Sweet Female Attitude)[Lords of Moondance] 37. L-Side - Regret [NUFORM] 38. Low Steppa - Runnin' feat. Kelli-Leigh (Shapes Extended Remix) [Armada Music] 39. Polaris - One More Time [Innerground Records] 40. Bastion and Fade Black - Blood and Gold (ft. Leo Law) [Pilot.] 41. Skepsis and Brodie - Double Vision (Extended) [FFRR] 42. Fade Black - Elysium [Critical Music] 43. Jon Void - LFG [Liquicity] 44. Kastuvas - Tell Me Why [Gas Pedal] 45. Leony - Remedy (Sigma Extended Remix) [Kontor Records] 46. Voicians - Lost At Sea [Liquicity Records] 47. Krakota and Lee Mvtthews - Feel Good [Sleepless Music Ltd.] 48. Minos - Mystic Vibez [Fokuz Recordings] 49. 1991 Ft. Mugatu - Cyclone [Chaos] 50. Drumsound and Bassline Smith - One More Time [Technique Recordings] 51. Neuron - Always Together [Celsius Recordings] 52. Sigma - That Feeling [3Beat] 53. Sub Focus and Pola and Bryson - Waiting VIP (ft. Kelli Leigh) [EMI] 54. McLean - Finally In Love (Camo and Krooked Remix) [Asylum Records] 55. Lexurus - Take Me Away [Liquicity] 56. Disciples x Delilah - If I Stay (MONSS Remix) [Ministry of Sound Recordings] 57. Georgie Riot and Spaven - Out Of My Mind [Riot Records] 58. Hiraeth - Origins (SiLi Remix) [Liquicity] 59. Grum ft. Natalie Shay - Don't Look Down (Grafix Remix) [Anjunabeats] 60. Lexurus and Itro - Letting Go (feat. Eviya) [Liquicity] 61. Sonny Fodera - Mind Still (feat. blythe) (1991 Remix) [SOLOTOKO] 62. Wyld Dogz - Spaceman [Dogzone Records] 63. Outerbass - Radical [Fokuz Recordings] 64. ZeroZero and Riya - Thinking Over It [Flexout Audio] 65. Virtue - Second Guessing [xJAK Audio] 66. Brookes Brothers, Mia Kirkland - Enemies [UKF] 67. The Prototypes - Reason (feat. Lowes) (Danny Byrd Extended Remix) [The Prototypes] 68. Danny Byrd, S.P.Y. and Cmd Ctrl - Pink Champagne [DnB Allstars] 69. Delta Heavy - Chasing Gold (ft. Jazmine Johnson) [Delta Heavy] 70. James Hiraeth - Chasing Highs (Slow Motion) (Extended) [Insanity Records] 71. Iklektix - How I Like It [Beta Recordings] 72. Fade Black - Condemned (Cauzer Remix) [Critical Music] 73. Matrix and Futurebound and Blaine Stranger - New Energy (ft. Tom Cane) [Viper Recordings] 74. Rex Hooligan - Save Me (feat. Chrissie Huntley) [Liquicity] 75. Camelphat - Easier ft. LOWES (Sub Focus Remix) [Sony Music Entertainment UK] 76. Voicians - Keep Me Under [Liquicity] 77. Artificial Intelligence - Even Though [Liquicity] 78. Neuron - No More [Celsius Recordings] 79. Artino - What I Want [Liquicity] 80. Flux Pavilion x Matthew Koma - Emotional (James Hiraeth Remix) [Circus] 81. Outer Bass - Stardrop [Fokuz Recordings] 82. Oliver Tree - Miss You (Georgie Riot Remix) [Atlantic Records] 83. Arielle Free and GHSTGHSTGHST - Blow My Mind (Flava D Extended Remix) [Armada Music] 84. Voicians and Telomic - Eternalize [Liquicity] 85. Dimension and Alison Wonderland - Satellite [Dimension] 86. Neuron - Searching [Celsius Recordings] 87. Fade Black - Far Gone [Critical Music] 88. SOLR - Your Love [Celsius Recordings] 89. Delta Heavy - High On You [Delta Heavy] 90. GEST - Brutalis [Shogun Audio] 91. Moore Kismet - Overthinking Out Loud [UKF] 92. Rameses B - Children [Monstercat] 93. Voicians and Rhode - Never Go Back [Liquicity] 94. Fade Black - Sane feat. Leo Law [Critical Music] 95. Chicane - Don't Give Up feat. Bryan Adams (Grafix Extended Remix) [Armada Music] 96. Monika - Death Blinding [Spearhead Records] 97. Sub Focus - Vibration (One More Time) (Visualiser) ft. AR/CO [EMI] 98. ARTY and Etherwood - In My Head feat. Jay Sorrow (Extended Mix) [Armada Music] 99. Aluna, Picard Brothers and Kaleena Zanders - Supernova (DRIIA Remix) [Mad Decent] 100.SACHI - Take Me Back (Kanine Remix) [Casablanca Records (Republic Records)]
Host Tiokasin Ghosthorse welcomes Marley Shebala back to the show. Marley Shebala, Diné and A:shiwi (or Zuni), is an investigative journalist, photographer, videographer and blogger. Marley talks about the continuing, alarming issue of transporting uranium waste across portions of the Navajo Nation, which already started several years ago. Without any notice, the transportation of uranium waste is taking place not only at Navajo Nation but also Arizona, New Mexico and Nevada. This affects not only the Navajo Nation but also Arizona, New Mexico and Nevada so communities need to find out where this transportation route goes. If the sovereign Navajo Nation is not being notified about this route it's unlikely other communities (cities, towns and rural areas) are being notified about the transport of this waste through their communities and its dangers. People need to be aware of how uranium waste could contaminate people, roads, air, water, etc. (virtually everything). For years Marley has been covering the uranium issue on the 25,000 square-mile Navajo Nation. Most of the Navajo Nation has been contaminated by uranium. Many, may Navajo people have been suffering and continue to suffering from different cancers, children were and continue to be born with defects, etc. However, the US federal government thinks that depleted uranium can still be used: for weapons of war and by somehow turning uranium waste into a type of fuel that will be “clean” nuclear energy for household uses. This is a huge national, and global issue. There is a small group of Diné people traveling to DC at the end of September. They will be traveling in a bus and telling people along the way what they have gone through and asking others if they have also been poisoned and made sick by depleted uranium, too. For more background about today's discussion, please visit “Requiem for RECA (Radiation Exposure Compensation Act)” by Kathy Helms, who has been covering this issue for years: https://www.linkedin.com/pulse/requiem-reca-kathy-helms-ohuvc/. Follow Marley on Facebook, where she will be posting information about the DC trip and the activities that will happen there (as well as covering Navajo Nation activities): https://www.facebook.com/marley.shebala. Additional important information about this issue and many others can be found on Marley's website: http://www.dineresourcesandinfocenter.org/ About Marley: In the Diné way, Marley Shebala is Tó'aheedlíinii (Water Flows Together clan), her mother's clan, and born for Cha'al (Frog clan), which is her father's clan. Her mom is from Lake Valley, New Mexico, which is in the eastern part of the Navajo Nation and next to Chaco Canyon, New Mexico. Her father is from the Pueblo of Zuni, New Mexico. Her hometowns are Lake Valley and Zuni. “Marley Shebala's Notebook” is her website where she provides current news coverage of the Navajo government and Navajo communities on and off the Navajo Nation. She also produces Navajo Nation environmental news and political analysis of the Navajo government and legislative process. Marley hosted "Politics on the Navajo Nation," an internet news show. But due to unreliable WIFI on the Navajo Nation where she resides, the weekly news show was cancelled until she can raise funds to increase WiFi power at her residence. She is available for presentations on the benefits of a free and open press in Indian Country and how to achieve accurate and fair news coverage of the Navajo Nation and Indian Country. Marley works part-time at the Gallup Independent newspaper, which is headquartered in Gallup, New Mexico. She is the only reporter at the Gallup Independent Diné Bureau in Window Rock, Arizona, which covers the Navajo Nation. Before working for the Gallup Independent, she worked as the Navajo Times newspaper's' Senior Reporter specializing in investigative reporting on politics, domestic violence, law enforcement, veterans and the environment. She also covered a wide range of general interest stories. Her stories have won numerous awards from state and national organizations over the more than 30 years she has been in journalism. Production Credits: Tiokasin Ghosthorse (Lakota), Host and Executive Producer Liz Hill (Red Lake Ojibwe), Producer Karen Martinez (Mayan), Studio Engineer, Radio Kingston Tiokasin Ghosthorse, Audio Editor Kevin Richardson, Podcast Editor Music Selections: 1. Song Title: Tahi Roots Mix (First Voices Radio Theme Song) Artist: Moana and the Moa Hunters Album: Tahi (1993) Label: Southside Records (Australia and New Zealand) 2. Song Title: Blackbird Song Artist: Lee Dewyze as heard on AMC's The Walking Dead Season 4, Episode 13 “Along” Single Label: January 2014 Vanguard Records, a Welk Music Group Company, exclusively licensed to Republic Records, a division of UMG Recordings, Inc. 3. Song Title: Raglan Artist: Bruci Jordan Single: Raglan (2024) Label: Bruci Jordan 4. Song Title: The Low Spark of High Heeled Boys Artist: Traffic (Steve Winwood, Producer) Album: The Low Spark of High Heeled Boys (1971) Label: Island 5. Song Title: Ambrosia Artist: A Reminiscent Drive Album: A Reminiscent Drive (2001) Label: React AKANTU INTELLIGENCE Visit Akantu Intelligence, an institute that Tiokasin founded with a mission of contextualizing original wisdom for troubled times. Go to https://akantuintelligence.org to find out more and consider joining his Patreon page at https://www.patreon.com/Ghosthorse
Join us on Music Elixir's latest episode, where we kick things off with the quirky new fandom name "MONSTIEZ" for BABYMONSTER. We explore its meaning and how it measures up against iconic names like MONSTA X's "MONBEBE." Along the way, Panic shares an unexpected fascination with a YouTube channel about lobster fishing—combining fun and education in the most surprising way.Curious about the latest buzz in the K-pop world? Apple TV+'s upcoming documentary "K-Pop Idols" featuring Jessi, CRAVITY and BLACKSWAN is on our radar. We chat about Jessi's candid revelations on Eric Nam's podcast and Jay Park's boundary-pushing antics, from his "McNasty" video to his OnlyFans account. Our conversation dives into why these provocative tracks captivate us, sticking in our minds despite their controversy.We also take a stylish turn, discussing XG's fashion evolution and comparing it to the iconic Spice Girls. From Fujii Kaze's new journey with Republic Records to Naniwa Danshi's Shunsuke Michieda's milestone birthday live stream, there's plenty happening in the J-pop world too. We wrap up with the intense touring schedule of SecondLady and some juicy celebrity relationship rumors that will leave you buzzing. Tune in for a lively mix of music, fashion, and pop culture insights that you won't want to miss!Support the Show.Please help Music Elixir by rating, reviewing, and sharing the episode. We appreciate your support!Follow us on:TwitterInstagram If have questions, comments, or requests click on our form:Music Elixir FormDJ Panic Blog:OK ASIA
We had the pleasure of interviewing Sam Tompkins over Zoom video!Highly acclaimed British singer-songwriter Sam Tompkins releases his eagerly anticipated debut album hi, my name is insecure via Republic Records. Also released today is his brand new single ‘almost killed me'.Listen to hi, my name is insecure HEREListen to ‘almost killed me' HEREhi, my name is insecure is the sum of years of hard work from Sam as he builds his dream body of work, incorporating tracks which are already fan favorites alongside exciting new material. The album, out today, also sees Sam team up with writer Pablo Bowman (Calvin Harris, James Arthur, Jonas Brothers) as well as writer and producer Danny Casio (Little Mix, Joy Crookes, Tom Grennan, Rudimental). The album includes hit tracks ‘someone else', ‘time will fly', ‘see me', ‘lose it all', ‘phones in heaven' and ‘numb'.The title of the album, hi, my name is insecure, speaks to Sam's more introverted side as he explains, “I really like being in the company of my friends, but if you take me out of my comfort zone, and have me hang out at a party or an event or whatever, I just go inside myself and I find any excuse to get out of it.”The newly released single, ‘almost killed me', delves into the turbulent and confused emotions of a break-up, with Sam's raspy tones and pop-rock guitar riff bringing energy and grit to the tune. Produced by Matthew Koma (PINK/Britney Spears) and co-written by Caroline Pennell (Demi Lovato, Ava Max, Zara Larrson), speaking on the single Sam says: "Almost Killed Me is all about those times when you've finally got out of a difficult relationship and you can see it for what it truly was. whether bad, toxic or just not meant to be. Sometimes it's the hope that kills you and that is what it's about. You really think you can make it work sometimes, but when it's over and you have time to sit with it, you can finally see the bigger picture. I love this song and am so excited for it to be heard!"If there's one thing Sam wants his fans to take away from his live show, or from his music, it's that a problem shared is a problem halved. Sam shares that “Whenever I talk about my problems in my songs, I feel like a weight has been lifted, because I know that I don't have to hide or be ashamed of that thing, and I want everyone else to feel that like there's nothing in this world that you might feel sad about that is shameful. In terms of mental health, there isn't anything you ought to shy away from, you should always let people know if you're struggling.”Since starting his musical journey at 16 years old busking on the streets of Brighton, Sam has gone on to sell out shows around the world and amass a dedicated and enraptured fanbase, cementing his reputation as one of the fastest-rising British male artists. He was hailed by the likes of GQ as “one of the UK's most exciting vocal talents of the moment”, CLASH's “the man of the moment” and last year was nominated for Rolling Stone's Rising Star Award. He's cultivated an incredible online community for millions to share their love of music and has received praise from high-profile artists including Drake, Fred again.., Justin Bieber, RAYE, Sam Smith and more.The future looks bright for Sam Tompkins as he looks ahead to supporting singer/songwriter Myles Smith on his North American tour throughout September and October, which sees Sam perform at sold-out shows across Seattle, Vancouver, Portland, Sacramento, San Francisco, West Hollywood, Phoenix, Salt Lake City, Denver, Saint Louis, and Kansas City. Tickets are on sale HERE. Not only this, but later this year Sam will also be heading out on his biggest EU and UK headline tour. The tour will see Sam perform across the UK and Europe throughout November and December. He will take to the stage in Manchester, Glasgow, Leeds, Bristol, Birmingham, Brighton, Bournemouth, Madrid, Barcelona, Copenhagen, Stockholm, Oslo, Prague, Hamburg, Warsaw, Munich and Amsterdam. Tickets are on sale HEREChampioning authenticity without taking himself too seriously, and using his ever-growing platform to encourage others to do the same, Sam is an artist apart.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #SamTompkins #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.
We had the pleasure of interviewing The Scarlet Opera over Zoom video!Soaring higher than ever, buzzing Los Angeles band The Scarlet Opera takes flight on their anticipated new Mirror, Mirror EP out today via SB Projects / Republic Records—listen HERE. Mirror, Mirror celebrates the band's dramatic vocals, magnetic melodies, and stadium-ready swagger. Among many highlights, new track “What Good Is Love” threads fret-burning guitar through otherworldly synths. Frontman Luka Bazulka's jaw-dropping delivery resounds as he wonders, “What good is love?” Then, there's new single “Slutty.” Over a bed of guitar and keys, the verses barely contain the track's flirty fire, as Luka belts, “You make me so slutty.” Cinematic piano sets the tone for “God Damned Beautiful.” It trumpets an essential personal mantra, “The facts are the facts that I'm god damn beautiful.” On the release of the EP, the band shares: “For better or for worse, this music ended up being a reflection of our trials and tribulations being a band the past few years—the complexities of falling sucker to industry hype men paralleled eerily well to the simultaneous love affairs happening behind the scenes. Mirror, Mirror will always be a poignant reminder for us to keep our circle tight, the romance in the ride and our joy protected, at all costs. More music, sooner.”The Scarlet Opera recently teased Mirror, Mirror with their single “Someone's Gotta Love ‘Em.” On “Someone's Gotta Love ‘Em,” epic guitars resound, cinematic strings soar, and Bazulka emanates the kind of starpower and charisma that comes along once in a generation. The catchy chorus proves instantly chantable as he sets the scene, “I met a bird last night she was drunk at a bar, she said let me introduce you to my friend he's a star.” Met with critical acclaim, Melodic Magazine hailed, “The single is articulate and theatrical with a splash of rock – a perfect way to welcome summer and an exciting and lively addition to the bands' setlist.”It followed the fiery “Catch Me If You Can,” which beyond picking up steam at DSPs, has earned widespread praise. Popdust dubbed it a “captivating, high energy track that kicks off their new era with a bang,” and The Honey Pop proclaimed, “It's your dose of rock-and-roll combined with a mixture of badass lyricism, an intoxicating chorus, and a whole lot of infectious melodies.”Not to mention, they recently wrapped their headlining Catch Me If You Can Tour. Speaking to their standout live performance, RIFF Magazine applauded, “A little bit Queen and a little bit Journey, the band had a cinematic sound with the flair of a Broadway show.” Pit Crew Media noted, “Between their iconic look, over-the-top stage-presence, and quality sound, The Scarlet Opera put on an incredible performance that left fans wanting more,” while The Concert Chronicles praised their live show as “a performance that was nothing short of electrifying.”Last year, the band released their empowering single “That Kind Of Woman” and beloved debut Comedy EP, which features breakout songs “The Place To Be,” “Big City Thing,” “Alive,” and “Riot.” Amassing millions of streams to date, Comedy landed acclaim courtesy of Rolling Stone, Flaunt, LADYGUNN, Jezebel, Just Jared, Queerty, and more, with HITS Daily Double proclaiming, “The Scarlet Opera blends classic arena pomp rock, neon-bright '80s pop and more than a dash of Broadway-style virtuosity into an infectious, gender-blending cocktail that its burgeoning fan base finds utterly intoxicating.” Not to mention, the band received a nomination for “Breakthrough Music Artist” at the 2024 GLAAD Media Awards.ABOUT THE SCARLET OPERA:Fusing the grandeur of the theatre with the raw energy of rock and roll, The Scarlet Opera – a five piece band hailing from Los Angeles – offers an escape into the throes of love, lust, glamour, and passion. Formed as ‘Perta' in 2016 and reborn in 2022, The Scarlet Opera is led by lyricist and frontman Luka Bazulka, whose authentic narrative and vocal prowess are matched only by the musical talents of band members Colin Kenrick [keyboard], Daniel Zuker [bass], Justin Siegal [drums], and Chance Taylor [guitar]. The band's origins are tied to one fateful night when Colin, upon witnessing Luka perform an inspiring solo vocal set, enlisted longtime friends and seasoned musicians Daniel, Chance, and Justin to provide a new dimension to what was already brimming with potential. Word of packed venues and a captivating live show soon drew the attention of SB Projects and Republic Records, who turned to hit songwriter and producer David Stewart [BTS, Jonas Brothers] to collaborate, inspire, and further ignite an already growing fire. During 2023, the group took flight with their debut Comedy EP uplifted to soaring heights by breakout singles “Alive” and “Riot.” In its wake, they made their late-night television debut on The Late Late Show with James Corden and launched a successful tour earmarked by one sold out gig after another, with Jezebel hailing their live show as “a spectacle of Queen-inspired proportions.” Along the way, they incited further critical praise from Rolling Stone, Flaunt, HITS Daily Double, Popdust, LADYGUNN, and The Honey Pop, who applauded them as “one of our favorite bands.” After receiving a nomination for “Breakthrough Music Artist” at the 2024 GLAAD Media Awards and headlining a tour across the country this past spring, The Scarlet Opera now level up again with the dramatic and dynamic Mirror, Mirror EP, including the singles “Catch Me If You Can” and “Someone's Gotta Love ‘Em.”We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #TheScarletOpera #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter!https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.
We had the pleasure of interviewing Gina Alice over Zoom video!International star, accomplished pianist, and dynamic vocalist Gina Alice shares her debut single “Slo-Mo” available now. It stands out as her first release for Republic Records, following her recent signing to the label. Listen to “Slo-Mo” HERE. Known worldwide for her impressive instrumentation, the track illustrates another facet of her artistry for the first time as she leans into a seductive blend of pop, R&B and cinematic soul. Meanwhile, she showcases her range on “Slo-Mo.” Handclaps accent the synth-laden production, while her voice hovers over the soundscape. She opens up without filter, and she issues a flirty invitation on the chorus, “Turn the lights low, love me slo-mo.”About the song, she commented, “It started with me playing piano chords. I was vibing over the harmonies and finding the mood. It's more of a sexy and vibey song. It's about this feeling when you meet someone and connect. You really feel the good moments, but they pass too fast, so you want them in ‘Slo-Mo'. When you hear it, I hope you feel yourself and have fun in the moment.”Gina has made headlines throughout 2024. She collaborated with her husband and iconic pianist Lang Lang on his latest full-length album, Saint-Saëns. She notably contributed to 18 of the 32 total tracks.Now, she embarks on her biggest, boldest, and brightest chapter yet with more music to come, beginning with “Slo-Mo.”ABOUT GINA ALICE:Renowned for her virtuosic piano playing on stages around the globe, vibrant personality on television in Asia, and inimitable presence, Gina Alice has emerged as an international star on her own terms. Balancing classical prestige and fashion-forward panache, she's the rare force of nature to be selected as an official Steinway Artist and grace the pages of Vogue, Elle, and Harper's Bazaar in addition to locking down alliances with Dior, Guerlain, De Beers, and Roger Vivier. She shines in her mega-popular reality show Gina's Motel—which averages a weekly audience of 300 million-plus across China. Following widespread success in classical with her acclaimed Wonderworld album and more, Gina started to showcase her voice. Disney recruited her to bring “River of Memories” to life in the Chinese version of the blockbuster Frozen 2. Collaborating with husband Lang Lang on his The Disney Book LP, she notably performed “When You Wish Upon a Star” in Chinese, English, and Korean for the project. Not to mention, the couple co-starred in the Disney+ special, Lang Lang Plays Disney. Simultaneously, she performed on some of the most hallowed stages in the world, including Hollywood Bowl, Radio City Music Hall, Carnegie Hall, and Royal Albert Hall. As if sharing a secret she couldn't wait to disclose, she finally realizes one of her most intimate dreams, picking up the microphone and making her pop debut as a solo artist for Republic Records in 2024.Stay tuned for more news and announcements coming soon.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #GinaAlice #LangLang#NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.
Follow us on social @doseofblkjoy and learn more about “A Dose of Support” from the 4A's (American Association of Advertising Agencies): https://docs.google.com/forms/d/e/1FAIpQLSdEW1U3sVdZRCQHPVtmwxAITUEA5I4ojWGAgKJMMp3Tc63l-A/viewform?usp=sf_link About Rashan: Rashan Brown aka Rush (The Mic) is a Spoken-Word Poet & Founder of poetry me, please. Founded in 2019, poetry me, please is a spoken-word poetry platform and content studio that provides a stage for artists across the world to showcase their talents through creative verbal expression. Featured in Forbes, Time Out, PIX11, News12, NBC, Ebony, REVOLT & The Grio, poetry me, please is the largest poetry showcase in NYC. Averaging 500 guests per show, PMP is on the rise. Rashan's voice & brand have partnered with the likes of the NFL, Eventbrite, LLoyd Banks, Harlem's Fashion Row, NY Independent Schools, the Big Four, Columbia Business School, Republic Records, Rupi Kaur, TIER, Microsoft, AfroTech and AfroFuture. Bringing the show to City Winery, The Cutting Room, SOBS and the iconic Apollo Theater where they sold out to a crowd of over 1,500. The former STEM educator & Bronx native is committed to mentorship and community building. A board member of BUILD NYC, Rashan continues to be a mentor for students at his alma mater University at Albany, SUNY. A member of Alpha Phi Alpha Fraternity, Inc. Rashan carries the values of the organization in this work.
Lily Rose is a singer and songwriter originally from Atlanta, Georgia. She caught her big break when her song “Villain” went viral in late 2020 and led to her signing a record deal with Big Loud, Back Blocks Music, and Republic Records. Since then, Lily has toured with Sam Hunt, Shania Twain, and more and is slated to release her EP Runnin Out Of Time on May 10th.In this episode, we discuss Lily's journey, from cutting her teeth in the Athens, Georgia music scene, to finding her crew and writer collaborators in Nashville, to her new music and what's ahead.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
This week, we're discussing Taylor Swift's new album 'The Tortured Poets Department', which is already the most-streamed debut in Spotify history. Lilah is joined by music critic Ludovic Hunter-Tilney and life-long Swiftie Taylor Nicole Rogers to discuss their picks for best and worst songs, whether Swift's personal life gets in the way of the music, and where she'll go next. -------We love hearing from you. Lilah is on Instagram @lilahrap and we're on X @lifeandartpod. You can email us at lifeandart@ft.com. We are grateful for reviews on Apple, Spotify etc.-------Links (all FT links get you past the paywall): – ‘The Tortured Poets Department' is available now on all streaming platforms. – Ludovic's four-star review of the album is here: https://on.ft.com/4bf6289 – Listen to our episode on the Eras tour, ‘Can Taylor Swift get any bigger?' here or by searching in this feed. – Jo Ellison's column from 2023, ‘Why I believe in Taylor Swift': https://on.ft.com/49S6Xdh More or Less:– Ludovic wants more rap beef, like the one happening between Drake, Rick Ross, Kendrick Lamar and more. You can read his article about the rap beef here. – Taylor wants to see more summer pop bangers. Keep an eye out for Ludovic's review of Dua Lipa's upcoming album ‘Radical Optimism', which lands next Friday. – Lilah wants to see more people taking pictures of trees during springtime. Follow Lilah on Instagram for great content. FT piece about trees. -----The FT Weekend Festival is coming back, and will be in Washington on May 4. Speakers include Nancy Pelosi. To book tickets, go to ft.com/festival-us and use our exclusive discount code: weekendpodcast. Special FT subscription offers for Life and Art podcast listeners, from 50% off a digital subscription to a $1/£1/€1 trial, are here: http://ft.com/lifeandart—Clips this week are from Republic Records. Read a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.
This Friday, we are bringing you a festive music extravaganza! We're talking all things Christmas music: the classics, the duds, the Cher album, and how the genre is changing. What are the best and worst Christmas songs? Why are old songs suddenly charting? And the eternal question: how soon is too soon to pull out the playlists? Lilah is joined by pop music critic Ludo Hunter-Tilney, and Taylor Nicole Rogers, the FT's Labour and Equality correspondent. -------We love hearing from you! Write us. You can email us at lifeandart@ft.com or message Lilah on Instagram @lilahrap. -------Links (all FT links get you past the paywall): – Look out for Ludo's Christmas round up, out next weekend. In the meantime, here's his roundup of the best pop albums of 2023, including Lana Del Rey and The Chemical Brothers: https://on.ft.com/3RKPtdm – Ludo is on X at @ludohunter. Taylor is at @TaylorNRogers We have compiled a Spotify Christmas playlist for you, with all of the songs we talked about! Listen to it here. -------Special FT subscription offers for Life and Art podcast listeners, from 50% off a digital subscription to a $1/£1/€1 trial, are here: http://ft.com/lifeandart-------Original music by Metaphor Music. Mixing and sound design by Breen Turner. Clips courtesy of Sony Legacy, Fervent, A&M, Republic Records, Island Records, and Motown. Hosted on Acast. See acast.com/privacy for more information.
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