Podcast appearances and mentions of Barry Harris

Jazz88's Peter Solomon spoke with legendary saxophonist Charles McPherson about his formative influences, including Charlie Parker, Barry Harris, and Charles Mingus. McPherson also discusses his contributions to the Soundtrack for the Clint Eastwood Charlie Parker bio-pic "Bird" and his tenure as resident composer of the San Diego Ballet. McPherson is 85 years old and still performing. He is playing at the Dakota on May 22nd.

Jazz88's Peter Solomon spoke with legendary saxophonist Charles McPherson about his formative influences, including Charlie Parker, Barry Harris, and Charles Mingus. McPherson also discusses his contributions to the Soundtrack for the Clint Eastwood Charlie Parker bio-pic "Bird" and his tenure as resident composer of the San Diego Ballet. McPherson is 85 years old and still performing. He is playing at the Dakota on May 22nd.

RICH PERRY “PROGRESSION” New York ?, c. 2022Blind faith, Progression, Now Rich Perry (ts) Gary Versace (p) Jay Anderson (b) John Riley (d) HERBIE NICHOLS PROJECT “LOVE IS PROXIMITY” Brooklyn, NY, May 4, 1995 & May 11, 1996Love is proximity, Trio, Love, gloom, cash, loveRon Horton (tp) Ted Nash (saxes) Frank Kimbrough (p) Ben Allison (b) Jeff Ballard (d) THAD JONES “THE MAGNIFICENT THAD JONES” Hackensack, N.J., July 14, 1956April in Paris, If someone had told meThad Jones (tp) Billy Mitchell (ts) Barry Harris (p) Percy Heath (b) Max Roach (d) Continue reading Puro Jazz 07 de mayo, 2025 at PuroJazz.

RICH PERRY “PROGRESSION” New York ?, c. 2022Blind faith, Progression, Now Rich Perry (ts) Gary Versace (p) Jay Anderson (b) John Riley (d) HERBIE NICHOLS PROJECT “LOVE IS PROXIMITY” Brooklyn, NY, May 4, 1995 & May 11, 1996Love is proximity, Trio, Love, gloom, cash, loveRon Horton (tp) Ted Nash (saxes) Frank Kimbrough (p) Ben Allison (b) Jeff Ballard (d) THAD JONES “THE MAGNIFICENT THAD JONES” Hackensack, N.J., July 14, 1956April in Paris, If someone had told meThad Jones (tp) Billy Mitchell (ts) Barry Harris (p) Percy Heath (b) Max Roach (d) Continue reading Puro Jazz 07 de mayo, 2025 at PuroJazz.

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 27th March 2025 Artist - Track - Album - Year Red123 (Steve Bryant)     New Town     New Town     2025 Oz Noy     Fun One     Fun One     2024 Brent Jarvis     Dragonfly     Dragonfly     2024 The Empress     Bolivia     Square One     2025 Rachel Therrien Latin Jazz Project     Mambo "Chucho" Influenciado     Mi Hogar II     2025 Omer Lesham     Cape Town Swing     Play Space     2024 Mitch Towne     Act As If     Refuge     2025 Max Leake     Jumpin' the Blues     Threads     2024 Fuse Patrol     Scratch Happy     Barney's Bounce     2017 Noah Preminger     Carry Me Ohio     Ballads     2025 The Dave Robbins Big Band     Westcoasting     Happy Faces     2025 WDR Big Band, dir. Bob Mintzer     Slip and Slide     bluegrass     2025 Steve Allee Big Band     Hubbub     Naptown Sound     2024 Marcus McLaurine     Alone     Tributes: A Life Celebration     2024 Jarod Bufe     Brighter Days     Brighter Days     2025 The Greg Abate Quartet     Song for My Brother     Positive Energy     2024 Diane Roblin & Life Force     Now     Breath of Fresh Air     2024 Bruce Harris/Ehud Asherie     Curtain Call     Thank You, Barry Harris!     2024 Jackson Potter     Mr. M     Small Things     2024 Mark Scott III     The Sun Behind a Cloud     Soft Light     2025 Yelena Eckemoff     Alchemist     Scenes from the Dark Ages     2025 Alister Spence Trio     Homeland Introduction     Gather     2025 Alister Spence Trio     Homeland Introduction     Gather     2025 The post The Creative Source (#CreativeSource) – 27th March 2025 appeared first on SoulandJazz.com | Stereo, not stereotypical.

Esta é a segunda parte do episódio do Resuminho do Som com pedidos do ouvinte Ricardo Scheeren. Desta vez, eu conto um pouco sobre as músicas Harry Houdini, do Kon Kan, True Faith, do New Order e Rock me Amadeus, do Falco. Mande a sua sugestão de música dos anos 80 clicando no link que está na descrição deste episódio. CLIQUE AQUI PARA PEDIR A SUA MÚSICA  Ouça as três músicas no YouTube Music       Harry Houdini foi escrita por Barry Harris - ©1989 ℗ Atlantic Recording Corporation True Faith foi escrita por New Order, Stephen Hague - ©1987 Factory Communications Ltd. Rock me Amadeus foi escrita por R.&F. Bolland, Falco - 1986 ©A&M Records Ltd. Músicas de fundo Suno Agradecimentos aos produtores virtuais pelo apoio: Fabiano F. M. Cordeiro (Fab 97,4 FM) Marcelo Machado (Podcast de Garagem) Marcos Coluci Ricardo Bunnyman (AutoRadio Podcast) William Floyd (Fermata podcast) Gostaria de apoiar o 80 WATTS? É só escolher a plataforma de sua preferência.     This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Background vector created by freepik - www.freepik.com

THAD JONES – “THAD JONES THE MAGNIFICENT” Hackensack, N.J., July 14, 1956April in Paris, Billie Doo, If someone had told meThad Jones (tp) Billy Mitchell (ts) Barry Harris (p) Percy Heath (b) Max Roach (d) LYNNE ARRIALE TRIO “BEING HUMAN” New York ?, July 27 & 28, 2023Passion, Courage, Love, FaithLynne Arriale (p,comp) Alon Near (b) Lukasz Zyta (d) SUN RA ARKESTRA MARSHALL ALLEN, DIRECTOR “SWIRLING” Philadelphia, PA, c. Continue reading Puro Jazz 05 de agosto, 2024 at PuroJazz.

THAD JONES – “THAD JONES THE MAGNIFICENT” Hackensack, N.J., July 14, 1956April in Paris, Billie Doo, If someone had told meThad Jones (tp) Billy Mitchell (ts) Barry Harris (p) Percy Heath (b) Max Roach (d) LYNNE ARRIALE TRIO “BEING HUMAN” New York ?, July 27 & 28, 2023Passion, Courage, Love, FaithLynne Arriale (p,comp) Alon Near (b) Lukasz Zyta (d) SUN RA ARKESTRA MARSHALL ALLEN, DIRECTOR “SWIRLING” Philadelphia, PA, c. Continue reading Puro Jazz 05 de agosto, 2024 at PuroJazz.

A delightful saunter through the musical life of Evelyn Charlotte-Joe, from Montreal. We get into the influence of Dr. Barry Harris on their music and even relation to jazz. We talk about gear, performing with Wax Mannequin, even on how to relax. This episode if full of wisdom, so enjoy every moment!

Tonight's Jazz Feature is the recording debut of drummer Louis Hayes. It was recorded in April of 1960 for the Vee-Jay Records a short lived label owned by African-Americans that produced a number of essential albums. This date was Louis' first under his name and he was only 23. Hayes was born in Detroit on May 31,1937 and just celebrated his 87th Birthday. He is well and still plays engagements. Young Louis picked the tunes and the very worthy sidemen here beginning with his first mentor, the great Yusef Lateef who plays tenor saxophone exclusively here. Nat Adderley is a dynamo on cornet, Barry Harris is on piano and Sam Jones is on bass. Jones and Hayes make for one of the finest rhythm sections in Modern Jazz. The tunes are all originals: one by Yusef Lateef, one by Cannonball Adderley,, one by Sonny Red, one by Nat Adderley and two by Barry Harris. A well paced and swingin' album with great playing by all and inspired by the driving beat and good taste of Louis Hayes. This is the real deal!

Musicians Corner met Robert Vermeulen Robert Vermeulen (1957) studeerde jazz piano in Den Haag, en vervolgde zijn studie bij Kenny Werner en Barry Harris in New York. Zijn pianotrio begeleidde Amerikanen, onder wie Chet Baker, Herb Geller en Tom Harrel. Met zijn Amsterdam Jazz Quintet is hij onder meer te horen op de cd Playground, […]

In this 1415th episode of Toronto Mike'd, Mike chats with Barry Harris about all things Kon Kan, Thunderpuss and more! Toronto Mike'd is proudly brought to you by Great Lakes Brewery, Palma Pasta, Ridley Funeral Home, The Advantaged Investor podcast from Raymond James Canada and Electronic Products Recycling Association.

Show notes: One of the most highly regarded jazz drummers today, Joe is known for his blazing speed, precision, musical, and melodic playing. Born in South Hadley, Massachusetts, in 1968, Joe grew up in a musical family; his father was a music educator, and he has four older brothers, two of whom became professional musicians. He studied with Alan Dawson and Arthur Taylor prior to attending and graduating from William Patterson College in New Jersey in 1994, where he began playing with saxophonist Eric Alexander and guitarist Peter Bernstein. Upon moving to New York City, he led the weekend jazz combos at Augie's (now Smoke Jazz & Supper Club). He performed with Junior Cook, Cecil Payne, John Ore, Big John Patton, Harold Mabern, Eddie Henderson, John Jenkins, and his brothers, John and James. Joseph's career includes recording over 100 CDs as leader and side-man, jazz festivals, and world tours with Pharaoh Sanders, Horace Silver, Harold Mabern, McCoy Tyner, Cedar Walton, Diana Krall, Benny Golson, George Coleman, Johnny Griffin, Lou Donaldson, Benny Green, Barry Harris, Curtis Fuller to name a few. He was the drummer for the late McCoy Tyner, a member of the late Pharaoh Sanders Quartet, and the late Harold Mabern Trio, and is a founding member of the renowned One for All Quintet. My recordings as a leader include Drumspeak and Beautiful Friendship feats. Cedar Walton and Curtis Fuller, Prime Time, Super Prime Time, and Make Someone Happy. Sarah Hanahan is an up-and-coming jazz saxophonist in New York City. Sarah is a graduate of the Jackie McLean Institute of Jazz at the Hartt School of Music, where she received her Bachelor's degree in 2019, as well as The Juilliard School, where she received her master's degree in 2022. She has had the privilege of studying with some of the greats of our time, including Abraham Burton, Nat Reeves, Steve Davis, Billy Drummond, and Marc Cary. --- Send in a voice message: https://podcasters.spotify.com/pod/show/backstagejazz/message

1/3/2024 Barry Harris Vision Board

This edition of Essential Taylor Swift took months to put together and is the culmination of her musical career up until the time of publishing. Unlike the previous 2 editions which were loosely chronological in track listing, this edition covers the whole span of her career but in no particular order. Admittedly there are fewer songs from her early years but there a very few remixes of her earlier music that I could find. Her Era's World Tour is in full swing and is on track to become the highest grossing tour by any artist in the world. I didn't even try to get tickets for her Australian tour dates. I thought I'd save myself that disappointment and be satisfied seeing the movie :) She has released some high quality music since my last edition in 2021 so naturally, I was keen to get the club remixes which I knew would be awesome overall. This Era's edition features remixes from Ray Isaac, Ryan Skyy, Optical Disco, Barry Harris, CLX, Dark Intensity, Joe Gauthreaux, Brett Oosterhaus, Jasmin, Dario Xavier and Toy Armada & Jace M. I would like to give special thanks to Russ Rich & Andy Allder, Division 4 and Mark De Lang of Dirty Disco. I badgered them all for new remixes that they might have been hiding and being the extremely generous people they are, they provided me with some advance and private remixes. I can't thank them enough as their contributions helped make this edition the massive compilation that it is. There are 37 tracks here covering a decade of Taylor's music in 3.5hrs. This is my love letter to Taylor Swift and also my Xmas gift to all of the Swifties around the world. EnjoyAnthony1/ "DELICATE" (Dark Intensity Remix)2/ "OUT OF THE WOODS" (Division 4 Remix)3/ "ME!" (Robert Eibach Club Mix) ft. Brendon Urie4/ "SNOW ON THE BEACH" (Optical Disco Club Rework) ft. Lana Del Rey5/ "EVERMORE" (Russ Rich & Andy Allder Evermore Dancefloor Club Mix)6/ "THE ARCHER" (Russ Rich & Andy Allder Combat Club Remix)7/ "THIS IS ME TRYING" (Dirty Disco Eagle Houston Remix) 8/ "MESSAGE IN A BOTTLE" (Dirty Disco Pure Love House Remix - Taylor's Version)9/ "WE ARE NEVER EVER GETTING BACK TOGETHER" (Dirty Disco Mainroom Remix - Taylor's Version)10/ "LOVE STORY" (Ray Isaac Remix) 11/ "BAD BLOOD" (Ryan Skyy Remix) 12/ "STYLE" (CLX Remix)13/ "BLANK SPACE" (Dirty Disco Mainroom Remix - Taylor's Version)14/ "I DON'T WANNA LIVE FOREVER" (Barry Harris Remix) ft. Zayn15/ "THE MAN" (Stormby Remix)16/ "ANTI-HERO" (Dirty Disco Mainroom Remix) 17/ "YOU NEED TO CALM DOWN" (Division 4 Remix)18/ "LOOK WHAT U MADE ME DO" (Handbag House Club Mix) 19/ "TWO IS BETTER THAN ONE" (Mike Rizzo Club Mix) ft. Boys Like Girls20/ "I CAN SEE YOU" (Dirty Disco Mainroom Remix) 21/ "KARMA" (Dario Xavier Remix) ft. Ice Spice22/ "BEJEWELED" (Dario Xavier Club Remix)23/ "22" (Joe Gauthreaux 2022 NYE Remix)24/ "CARDIGAN" (Dario Xavier Club Remix)25/ "SAY DON'T GO" (Dario Xavier Remix)26/ ""SLUT" (Dario Xavier Remix)27/ "ALL OF THE GIRLS YOU LOVED BEFORE" (Dario Xavier Club Remix)28/ "HAUNTED" (Toy Armada & Jace M Remix)29/ "CRUEL SUMMER" (Brett Oosterhaus Remix)30/ "EXILE" (Jasmin's Understudy Club Mix)31/ "SHAKE IT OFF" (Joe Gauthreaux West Side Club Mix)32/ "WILDEST DREAMS" (Dirty Disco Mainroom Remix - Taylor's Version)33/ "I KNEW YOU WERE TROUBLE" (Dirty Disco Mainroom Remix - Taylor's Version)34/ "MIDNIGHT RAIN" (Russ Rich & Andy Allder Club Mix) 35/ "THIS LOVE" (Russ Rich & Andy Allder Club Version)36/ "YOU BELONG WITH ME" (Dirty Disco Mainroom Remix - Taylor's Version)37/ "TIMELESS" (Russ Rich & Andy Allder Era's Club Mix)

M

En plena explosión del movimiento Punk en el Reino Unido y su filosofía del “Do it yourself” un grupo de chicos procedentes de distintas partes del país comenzaban a jugar con sintetizadores, influenciados por Kraftwerk, Bowie, Brian Eno y Donna Summer. Así es como surge el SynthPop gracias a gente como The Human League, O.M.D., Tubeway Army y varios más. Este género se hizo fuerte a comienzos de los 80s con la aparición de la “segunda generación”: Depeche Mode, Yazoo, New Order, Soft Cell, Visage y un largo etc. Durante toda la década continuó en activo y durante los últimos años de los 80s la gran invasión del House, el New Beat, el Acid House y el Techno ha sido una gran influencia para el género, tanto para artistas de la vieja escuela como para las nuevas generaciones. En este podcast podréis escuchar un breve resumen de las canciones de sintetizadores influenciadas por los nuevos sonidos que sonaron en las radios, en su gran mayoría escuchareis las versiones maxis originales. Comenzamos con When in Rome, trio británico con un solo hit “The Promise” publicado originalmente en 1987 pero fue al año siguiente cuando logra el éxito. Depeche Mode publica en 1987 “Strangelove” el primer single de su icónico álbum “Music for the masses”. Convirtiéndose en su sencillo más exitoso hasta aquel momento, logrando que muchos DJs y productores crearan sus propias remezclas no oficiales de la canción. Information Society, originales de Minneapolis con un comienzo entre el Avant-Garde y los sonidos electrónicos. Publicaron su primer álbum “oficial” en 1988, con un sonido más SynthPop, consiguiendo gran éxito en todo el mundo y del cual lanzaron 4 singles, entre ellos “Walking Away”. Al día de hoy siguen en activo. Erasure, duo británico formado por Vince Clark (Depeche Mode, Yazoo) y el vocalista Andy Bell en 1985. En abril de 1988 publican su icónico álbum (y para muchos el mejor hasta la fecha) “The Innocents”. Uno de sus sencillos “A Little Respect” se convirtió en un himno del SynthPop de la década. Book of Love, grupo americano de SynthPop formado en 1983 publicando su primera producción en 1986. En 1988 lanzan su segundo álbum del cual sale como single “Pretty Boys & Pretty Girls” logrando sonar en radios de todo el mundo. En 1993 el grupo se disuelve. Peter Schilling, cantante alemán famoso por la canción “Major Tom (Coming Home)” publicada en 1983. Pero no fue hasta 1989 que no repitió el éxito gracias a “The Different Story (World Of Lust And Crime)” colaboración con Michael Cretu, creador del grupo Enigma. El sencillo no fue un gran éxito en los US pero si en el resto del mundo. Cetu Javu, grupo alemán formado en 1984. Tenían la particularidad que varias canciones eran en castellano ya que su cantante (Javier Revilla-Díez) era hijo de españoles, aunque él ha nacido en Hannover. Debido a esto fue un grupo de gran popularidad en Latinoamérica y España, no así en el resto del mundo. Uno de sus mayores éxitos “Have in Mind” fue lanzado en 1988. Los también alemanes Camouflage lograron la notoriedad con su primer sencillo “The Great Commandment” publicado en 1987. Publicaron varios singles más de moderado éxito mundial pero nunca han podido repetir el suceso del primero. Hasta nuestros días sigue siendo muy evidente la gran influencia que ejerce Depeche Mode sobre ellos. Kon Kan, el proyecto del canadiense Barry Harris, publica el single “I Beg Your Pardon (I Never Promised You a Rose Garden)” en 1988. Debido al gran éxito obtenido la discográfica convence a Barry a lanzar un álbum integro, el cual sale al mercado un año después. Del mismo salen varios singles pero cada vez con menos repercusión. Publica un par de discos más y disuelve el proyecto para formar junto al DJ Carl Cox el dúo Thunderpuss para dedicarse a la remezcla de canciones de artistas como Madonna, Christina Aguilera, Whitney Houston, etc. Pet Shop Boys, duo de SynthPop influenciados por el Hi-NRG publican 2 discos de gran éxito y en 1988 lanzan el icónico “Introspective”. Disco concebido para las pistas de baile, 6 canciones en versiones extendidas con bases y sintetizadores propios de House. El segundo sencillo fue “Left to My Own Devices” publicado en noviembre de 1988. Hoy en día la mayoría de las canciones del álbum son parte fundamental en cualquier playlist del dúo. New Order, luego de varios discos deciden viajar a Ibiza para grabar lo que sería su siguiente producción “Technique”, muy influenciado por los sonidos que sonaban en la isla en aquel momento (House, Balearic, New Beat). El primer single fue “Round & Round” lanzado en marzo de 1989, a pesar de solo tener un éxito moderado, con los años se ha convertido en un clásico del género y del grupo. Real Life, originales de Australia este grupo de SynthPop solo lograron sonar en todas las radios del mundo con la canción “Send me an Angel”. Publicado originalmente en 1984 y luego en 1988 renombrándolo como “Send Me An Angel '89”. Espero disfrutéis del podcast. TRACKLIST: 01 - When In Rome - The Promise (Coliseum Mix) 02 - Depeche Mode - Strangelove (Maxi Mix) 03 - Information Society - Walking Away (Space Age Mix) 04 - Erasure - A Little Respect (Extended Mix) 05 - Book Of Love - Pretty Boys & Pretty Girls (Extended Mix) 06 - Peter Schilling - The Different Story (World Of Lust And Crime) (Long Version) 07 - Cetu Javu - Have In Mind (Extended Mix) 08 - Camouflage - The Great Commandment (Extended Dance Mix) 09 - Kon Kan - I Beg Your Pardon (I Never Promised You a Rose Garden) (12' remix) 10 - Pet Shop Boys - Left to My Own Devices (LP Version) 11 - New Order - Round&Round (Club mix) 12 - Real Life - Send Me An Angel '89 (Dance Mix)

En plena explosión del movimiento Punk en el Reino Unido y su filosofía del “Do it yourself” un grupo de chicos procedentes de distintas partes del país comenzaban a jugar con sintetizadores, influenciados por Kraftwerk, Bowie, Brian Eno y Donna Summer. Así es como surge el SynthPop gracias a gente como The Human League, O.M.D., Tubeway Army y varios más. Este género se hizo fuerte a comienzos de los 80s con la aparición de la “segunda generación”: Depeche Mode, Yazoo, New Order, Soft Cell, Visage y un largo etc. Durante toda la década continuó en activo y durante los últimos años de los 80s la gran invasión del House, el New Beat, el Acid House y el Techno ha sido una gran influencia para el género, tanto para artistas de la vieja escuela como para las nuevas generaciones. En este podcast podréis escuchar un breve resumen de las canciones de sintetizadores influenciadas por los nuevos sonidos que sonaron en las radios, en su gran mayoría escuchareis las versiones maxis originales. Comenzamos con When in Rome, trio británico con un solo hit “The Promise” publicado originalmente en 1987 pero fue al año siguiente cuando logra el éxito. Depeche Mode publica en 1987 “Strangelove” el primer single de su icónico álbum “Music for the masses”. Convirtiéndose en su sencillo más exitoso hasta aquel momento, logrando que muchos DJs y productores crearan sus propias remezclas no oficiales de la canción. Information Society, originales de Minneapolis con un comienzo entre el Avant-Garde y los sonidos electrónicos. Publicaron su primer álbum “oficial” en 1988, con un sonido más SynthPop, consiguiendo gran éxito en todo el mundo y del cual lanzaron 4 singles, entre ellos “Walking Away”. Al día de hoy siguen en activo. Erasure, duo británico formado por Vince Clark (Depeche Mode, Yazoo) y el vocalista Andy Bell en 1985. En abril de 1988 publican su icónico álbum (y para muchos el mejor hasta la fecha) “The Innocents”. Uno de sus sencillos “A Little Respect” se convirtió en un himno del SynthPop de la década. Book of Love, grupo americano de SynthPop formado en 1983 publicando su primera producción en 1986. En 1988 lanzan su segundo álbum del cual sale como single “Pretty Boys & Pretty Girls” logrando sonar en radios de todo el mundo. En 1993 el grupo se disuelve. Peter Schilling, cantante alemán famoso por la canción “Major Tom (Coming Home)” publicada en 1983. Pero no fue hasta 1989 que no repitió el éxito gracias a “The Different Story (World Of Lust And Crime)” colaboración con Michael Cretu, creador del grupo Enigma. El sencillo no fue un gran éxito en los US pero si en el resto del mundo. Cetu Javu, grupo alemán formado en 1984. Tenían la particularidad que varias canciones eran en castellano ya que su cantante (Javier Revilla-Díez) era hijo de españoles, aunque él ha nacido en Hannover. Debido a esto fue un grupo de gran popularidad en Latinoamérica y España, no así en el resto del mundo. Uno de sus mayores éxitos “Have in Mind” fue lanzado en 1988. Los también alemanes Camouflage lograron la notoriedad con su primer sencillo “The Great Commandment” publicado en 1987. Publicaron varios singles más de moderado éxito mundial pero nunca han podido repetir el suceso del primero. Hasta nuestros días sigue siendo muy evidente la gran influencia que ejerce Depeche Mode sobre ellos. Kon Kan, el proyecto del canadiense Barry Harris, publica el single “I Beg Your Pardon (I Never Promised You a Rose Garden)” en 1988. Debido al gran éxito obtenido la discográfica convence a Barry a lanzar un álbum integro, el cual sale al mercado un año después. Del mismo salen varios singles pero cada vez con menos repercusión. Publica un par de discos más y disuelve el proyecto para formar junto al DJ Carl Cox el dúo Thunderpuss para dedicarse a la remezcla de canciones de artistas como Madonna, Christina Aguilera, Whitney Houston, etc. Pet Shop Boys, duo de SynthPop influenciados por el Hi-NRG publican 2 discos de gran éxito y en 1988 lanzan el icónico “Introspective”. Disco concebido para las pistas de baile, 6 canciones en versiones extendidas con bases y sintetizadores propios de House. El segundo sencillo fue “Left to My Own Devices” publicado en noviembre de 1988. Hoy en día la mayoría de las canciones del álbum son parte fundamental en cualquier playlist del dúo. New Order, luego de varios discos deciden viajar a Ibiza para grabar lo que sería su siguiente producción “Technique”, muy influenciado por los sonidos que sonaban en la isla en aquel momento (House, Balearic, New Beat). El primer single fue “Round & Round” lanzado en marzo de 1989, a pesar de solo tener un éxito moderado, con los años se ha convertido en un clásico del género y del grupo. Real Life, originales de Australia este grupo de SynthPop solo lograron sonar en todas las radios del mundo con la canción “Send me an Angel”. Publicado originalmente en 1984 y luego en 1988 renombrándolo como “Send Me An Angel '89”. Espero disfrutéis del podcast. TRACKLIST: 01 - When In Rome - The Promise (Coliseum Mix) 02 - Depeche Mode - Strangelove (Maxi Mix) 03 - Information Society - Walking Away (Space Age Mix) 04 - Erasure - A Little Respect (Extended Mix) 05 - Book Of Love - Pretty Boys & Pretty Girls (Extended Mix) 06 - Peter Schilling - The Different Story (World Of Lust And Crime) (Long Version) 07 - Cetu Javu - Have In Mind (Extended Mix) 08 - Camouflage - The Great Commandment (Extended Dance Mix) 09 - Kon Kan - I Beg Your Pardon (I Never Promised You a Rose Garden) (12' remix) 10 - Pet Shop Boys - Left to My Own Devices (LP Version) 11 - New Order - Round&Round (Club mix) 12 - Real Life - Send Me An Angel '89 (Dance Mix)

It's been a wild road, y'all. The unbeaten path we travel is so important to remember because those moments are what sprout into bigger and more exiting things- they become the moments and memories of our lives. Because of our hiatus, Today we are airing our Gay Pride edition of our show!I chose this particular interview to be a ONE on ONE and personal conversation with an icon that helped me sprout into the tree that I needed to become. Mrs. Pepper MaShay,  also known as Jean McClain is an American soul, house and dance music songwriter and singer. To me,  She is better known from the legendary soundtrack from Queer As Folk back in the early 2000's. After singing other genres of music for decades, find out what happened when she decided to take on Barry Harris (the first club dj in the world to write, produce and perform a worldwide Top 5 hit. )This is one you don't want to miss my friends.Who wants to go DIVE in the pool?Thank you to our family of amazing sponsors! Ochsner Hospital for ChildrenRouses MarkersWww.rousesmarkets.comKid's Dream Dress ShopWww.kidsdreamus.comSandpiper VacationsWww.sandpipiervactions.comZak George's Dog Revolution! Pinxav Diaper Rash CreamWww.pinxav.comComfort Cases Www.comfortcases.orgNew Orleans Ice Cream CompanyWww.neworleansicecream.comReal Estate with Steph & Berkshire Hathaway www.realestatewithsteph.comAudubon Institute www.auduboninstitute.org

Tonight`s Jazz Feature is a kind of meeting between east and west. The leader is the great tenor saxophonist Harold Land and he is paired with trumpeter Joe Gordon who had moved to Los Angeles from Boston and guitarist Wes Montgomery who was living for a time in San Francisco. Those three made up the western contingent. The eastern group consists of Barry Harris on piano, Sam Jones on bass and Louis Hayes on drums who all were Cannonball Adderley`s rhythm section and one of the best. This adds up to a solid straight-ahead Jazz record date. It was recorded at The Jazz Workshop, San Francisco`s leading Jazz club on a night when it was closed, The venue was chosen for it`s good acoustics. The album consists of 3 new Harold Land tunes, Wes Montgomery`s famous `West Coast Blues` (the title track) a ballad by Billie Holiday called `Don`t Explain` and a Charlie Parker tune. All in all a good record date with lots of inspired moments. All recorded in May of 1960 and tonight`s Jazz Feature.

Adam and Peter take a SpeakPipe question on how to use the bebop scale in a more melodic way.Check out the OS course "Scales of Chords" about Barry Harris' method taught by Chris Parks. Have a question for us? Leave us a SpeakPipe Checkout courses from Adam, Peter and more at Open Studio

Play Pause Support the PodcastDownloadShare var srp_player_params_67724d0869018 = {"title":"","store_title_text":"","albums":[],"hide_artwork":"true","sticky_player":"true","show_album_market":0,"show_track_market":"true","hide_timeline":0,"player_layout":"skin_boxed_tracklist","orderby":"date","order":"DESC","hide_album_title":"true","hide_album_subtitle":"true","hide_player_title":"true","hide_track_title":"true","show_publish_date":"false","show_skip_bt":"false","show_volume_bt":"false","show_speed_bt":"false","show_shuffle_bt":"false","use_play_label":"true","use_play_label_with_icon":"true","progressbar_inline":"true","spectro":"","hide_progressbar":"true","main_settings":"||"} var srp_player_params_args_67724d0869018 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-67724d0869018"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-67724d0869018"); } Party Favorz returns with our much-anticipated annual release: Gay Anthems For A New Generation 2023! This compilation celebrates iconic modern Gay Pride anthems and their importance to the LGBTQ+ community. The 2023 selection revitalizes legendary anthems from the past half-century, presenting them in an updated format for today's dancefloors. We bring you the most emblematic, compelling songs that echo the universal messages of love, unity, resilience, and defiance within our community. Kicking off this collection, we've selected the ever-resilient anthem, "I Will Survive" by Gloria Gaynor. It's featured in an exquisite, previously unexplored version - Eric Kupper's House remix, offering a gentle start before escalating into high-energy beats. The list also highlights Whitney Houston's timeless hit, "I Will Always Love You" in a Julian Marsh remix, and Diana Ross' empowering track "I'm Coming Out," remixed by Barry Harris. Each song carries significant meaning for our community, often becoming soundtracks to personal stories of love, acceptance, and identity. Other standouts include Lizzo's "Everybody's Gay" and Miley Cyrus' "Flowers," showing the continual evolution of queer music. Toni Braxton's heart-wrenching "Un-Break My Heart" and CeCe Peniston's classic "Finally," both in revamped remixes, add to the rich tapestry of our anthems. To ensure these powerful messages resonate with listeners, we've chosen remixes that retain the essence of each anthem while injecting a modern energy, making these tunes relatable to the current LGBTQ+ generation. The curation of these modern Gay Pride anthems of 2023 was a challenging task due to the abundance of choices, but we are confident we've selected the most impactful tracks that resonate globally. Our goal was to craft a collection that honors the past while embracing the future, mirroring the continual progress within our community. So, turn up the volume, let the music inspire you, and remember: these songs aren't just anthems; they're a testament to our journey, resilience, and pride. Stay tuned for the release of volume 2 of the 2023 Gay Anthems For A New Generation collection, filled with more modern Gay Pride anthems to soundtrack your celebrations. Enjoy and keep the pride alive! Album: Gay Anthems for a New Generation 2023 Vol. 1Genre: House, Future House, EDM, CircuitYear: 2023Total Time: 03:11:22 1. Gloria Gaynor - I Will Survive 2020 (Eric Kupper Remix) 2. Whitney Houston - I Will Always Love You (Julian Marsh Remix) 3. Diana Ross - I'm Coming Out (Barry Harris 2018 Remix) 4. Lizzo - Everybody's Gay (Barry Harris Remix) 5.

Play Pause Support the PodcastDownloadShare var srp_player_params_677258bf6079d = {"title":"","store_title_text":"","albums":[],"hide_artwork":"true","sticky_player":"true","show_album_market":0,"show_track_market":"true","hide_timeline":0,"player_layout":"skin_boxed_tracklist","orderby":"date","order":"DESC","hide_album_title":"true","hide_album_subtitle":"true","hide_player_title":"true","hide_track_title":"true","show_publish_date":"false","show_skip_bt":"false","show_volume_bt":"false","show_speed_bt":"false","show_shuffle_bt":"false","use_play_label":"true","use_play_label_with_icon":"true","progressbar_inline":"true","spectro":"","hide_progressbar":"true","main_settings":"||"} var srp_player_params_args_677258bf6079d = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-677258bf6079d"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-677258bf6079d"); } Party Favorz returns with our much-anticipated annual release: Gay Anthems For A New Generation 2023! This compilation celebrates iconic modern Gay Pride anthems and their importance to the LGBTQ+ community. The 2023 selection revitalizes legendary anthems from the past half-century, presenting them in an updated format for today's dancefloors. We bring you the most emblematic, compelling songs that echo the universal messages of love, unity, resilience, and defiance within our community. Kicking off this collection, we've selected the ever-resilient anthem, "I Will Survive" by Gloria Gaynor. It's featured in an exquisite, previously unexplored version - Eric Kupper's House remix, offering a gentle start before escalating into high-energy beats. The list also highlights Whitney Houston's timeless hit, "I Will Always Love You" in a Julian Marsh remix, and Diana Ross' empowering track "I'm Coming Out," remixed by Barry Harris. Each song carries significant meaning for our community, often becoming soundtracks to personal stories of love, acceptance, and identity. Other standouts include Lizzo's "Everybody's Gay" and Miley Cyrus' "Flowers," showing the continual evolution of queer music. Toni Braxton's heart-wrenching "Un-Break My Heart" and CeCe Peniston's classic "Finally," both in revamped remixes, add to the rich tapestry of our anthems. To ensure these powerful messages resonate with listeners, we've chosen remixes that retain the essence of each anthem while injecting a modern energy, making these tunes relatable to the current LGBTQ+ generation. The curation of these modern Gay Pride anthems of 2023 was a challenging task due to the abundance of choices, but we are confident we've selected the most impactful tracks that resonate globally. Our goal was to craft a collection that honors the past while embracing the future, mirroring the continual progress within our community. So, turn up the volume, let the music inspire you, and remember: these songs aren't just anthems; they're a testament to our journey, resilience, and pride. Stay tuned for the release of volume 2 of the 2023 Gay Anthems For A New Generation collection, filled with more modern Gay Pride anthems to soundtrack your celebrations. Enjoy and keep the pride alive! Album: Gay Anthems for a New Generation 2023 Vol. 1Genre: House, Future House, EDM, CircuitYear: 2023Total Time: 03:11:22 1. Gloria Gaynor - I Will Survive 2020 (Eric Kupper Remix) 2. Whitney Houston - I Will Always Love You (Julian Marsh Remix) 3. Diana Ross - I'm Coming Out (Barry Harris 2018 Remix) 4. Lizzo - Everybody's Gay (Barry Harris Remix) 5.

If you could see me now (Si me vieras ahora), es una composición de jazz moderno por el pianista Tadd Dameron (y letra de Carl Sigman), de gran relevancia. Escuchemos a Sarah y Dianne Reeves, la trompeta de Baker, Dizzy y Farmer; Dexter y Lateef en tenor; OP y Barry Harris en piano; NHOP en bajo, Montgomery y Philip Catherine en guitarra y otros. Hosted on Acast. See acast.com/privacy for more information.

Welcome to the segment of Epic Maui Journey where I was beginning to ramp the energy up into spine-tingling, foot-stomping anthems. I started this set off with Paloma Faith's most brilliant remake of "Make Your Own Kind Of Music" by Cass Elliot. From there I weaved through anthemic house and disco house masterpieces. My surprises during this set are of course the "Make Your Own Kind Of Music" but also include the remake of Michael Jackson's classic "Earth Song" by Revival & The GeO Gospel Choir (which was undeniably one of the biggest house music anthems of the last year). Also included is a breathtaking remix of Betty Wright's "Open The Door To Your Heart". by Kevin McKay and Barry Harris' brilliant remix of The Jacksons' "Can You Feel It". Surrounding those centerpieces I also included anthems by my favorite producers KC Lights and Purple Disco Machine. Everything all put together produced over an hour of music that pushed us into full on euphoric hysteria. Perfection under the bright and sunny skies. ;-)#/Artist/Title/Remix01. Paloma Faith/Make Your Own Kind Of Music02. Sigala/Rely On Me/Extended Mix03. Revival, GeO Gospel Choir/Earth Song/Club Mix04. Betty Wright/Open The Door To Your Heart/Extended05. Pete Tong/Go Crazy/Life & Soul Project Remix06. KC Lights/Girl/Extended Mix07. Sigma/Hope/KC Lights Remix Extended08. Sugar Hill/The Call/Extended Mix09. Xander (UK)/Things You Do (Wonderful)/Original10. Dilby, Floorplay/Lovely Day/Original Mix11. Ella Henderson/Dream On Me/Roger Sanchez Extended12. Bakermat/Temptation/Extended Mix13. The Jacksons/Can You Feel It/Barry Harris Remix14. Tasita D'Mour/Rise/Purple Disco Machine Original15. Junior Jack/Stupidisco/Jolyon Petch Extended MixFOR WORLDWIDE DJ BOOKING INFORMATION:Email: IamBrianNorwood@gmail.comPhone: 615-418-8900Facebook: Brian NorwoodInstagram: DJ Brian Norwood

Born in 1967 to the late, great bassist Jamil Nasser, Muneer 's exposure to the jazz idiom was early and powerful. In 1976, "My dad took me to see Dizzy Gillespie at the Village Gate and Dizzy blew the place apart.  I had to get a trumpet and weeks later I did."  In 1979, he went to the International Art of Jazz Workshop for college students. Dave Burns, a trumpeter in Gillespie's Big Band, had reservations about his age. Muneer's talent, however, overshadowed this concern.  "Mr. Burns acceptance fortified my confidence and I began studying with him." Muneer also received private instruction from George Coleman, Jimmy Owens, Oliver Beener, and Webster Young. These workshops and lessons taught him the basics of jazz improvisation, which were tested at serious jam sessions conducted by Eddie Henderson, Ted Curson, Tommy Turrentine, Barry Harris, C Sharpe, and Gil Coggins. "If you couldn't play, they would bench you with quickness and give you a homework assignment." As a youngster, Muneer saw many masters in concert such as George Coleman, Randy Weston, Lou Donaldson, Woody Shaw, Roy Eldridge, and Phineas Newborn.Support the show

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This week, Dana and Stephen are joined by Jamelle Bouie, and they start by discussing Marc Maron's new HBO comedy special From Bleak to Dark. Then they review the Oscar-nominated Polish film EO. Then, Slate writer Dan Kois joins to talk about his article on the importance of hanging out.  In Slate Plus they talk about the Bing Chatbot and this article in the New York Times: https://www.nytimes.com/2023/02/16/technology/bing-chatbot-microsoft-chatgpt.html Email us at culturefest@slate.com. Endorsements:  Dana: A YouTube user named “nobody.” They post all these incredible baroque playlists with great names.  Jamelle: The films of Satoshi Kon.  Stephen: Listen to Barry Harris, a solo piano album by Barry Harris.  Podcast production by Cameron Drews. Production assistance by Yesica Balderrama. Outro music: "Forbidden Love" by OTE __ Make an impact this Black History Month by helping Macy's on their mission to fund UNCF scholarships for HBCU students. Go to macys.com/purpose to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Dana and Stephen are joined by Jamelle Bouie, and they start by discussing Marc Maron's new HBO comedy special From Bleak to Dark. Then they review the Oscar-nominated Polish film EO. Then, Slate writer Dan Kois joins to talk about his article on the importance of hanging out.  In Slate Plus they talk about the Bing Chatbot and this article in the New York Times: https://www.nytimes.com/2023/02/16/technology/bing-chatbot-microsoft-chatgpt.html Email us at culturefest@slate.com. Endorsements:  Dana: A YouTube user named “nobody.” They post all these incredible baroque playlists with great names.  Jamelle: The films of Satoshi Kon.  Stephen: Listen to Barry Harris, a solo piano album by Barry Harris.  Podcast production by Cameron Drews. Production assistance by Yesica Balderrama. Outro music: "Forbidden Love" by OTE __ Make an impact this Black History Month by helping Macy's on their mission to fund UNCF scholarships for HBCU students. Go to macys.com/purpose to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

My tribute to the Amazing DJ/Producer Team of Barry Harris and Chris Cox

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This episode is also available as a blog post: https://thecitylife.org/2022/11/14/flushing-town-hall-presents-songs-for-barry-harris-featuring-nea-jazz-master-sheila-jordan-harvie-s-and-roni-ben-hur/ --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

Clearwater Jazz Holiday's History of Jazz Outreach Program engages professional musicians to share the story of Jazz through live, interactive musical experiences. By Spring 2020, the Program had reached nearly 30,000 students in approximately 60 Tampa Bay area schools and has evolved to also bring meaningful experiences to schools and organizations serving at risk students, people of all ages with special needs, neurodiversities, and autism, as well as older adults in senior living communities and memory care centers. Frank T. Williams III, a 50-year + educator, band director, clinician, author, adjudicator, and composer, is a long-time CJH education partner, important to the development of many CJH Outreach programs. In 2020, CJH launched its STOP-TIME SERIES with Frank Williams to complement the History of Jazz Outreach Program by creating a comprehensive visual and audio History of Jazz archive delivered in Frank's one-of-a-kind style. WATCH & LISTEN! Visit the CJH website Education & Outreach section to watch all STOP-TIME videos for FREE or enjoy listening here as part of the CJH Young Lions Jazz Master "Virtual" Sessions Podcast. To learn more about the annual CJH festival tradition and year-round Education & Outreach: www.clearwaterjazz.com

Welcome to Off The Bricks!, poets and poetry lovers. Today we continue our series on publishing your poetry which started with Ep. 20 Barry Harris (scroll on down to give that episode a listen while you're here today!) Our guest this month is Mary Brown, Poetry Editor of The Flying Island Journal! join us today as we discuss what to avoid and what you should be sure to do before submitting your poetry to any journal for publication. you can learn more about the publication by clicking Here.

Welcome to a special episode of Off The Bricks poets and poetry lovers! In this episode, we feature Barry Harris, Editor of the Tipton Poetry Journal. This month's episode focuses on tips from the editor on getting your poetry published! This Episode features the poetic works of Bilal Moin (Papercut), and Jeanine Stevens (Sunchokes). This Month's Natural Moment Poem is Wish, by Joseph Heithaus. To buy the Tipton Poetry Journal online click here. To submit to the Journal click here.

Fostina Dixon is from Wilmington, Delaware where she studied with Robert Boysie Lowery. Fostina is a composer, vocalist, and jazz soloist who plays soprano, alto, and baritone saxes; flute; and clarinet. As a young woodwind instrumentalist, she played for Delaware All-State Band and American Young Symphonic Orchestra in Europe. She studied with Frank Foster, Buddy Collett, Vic Morosco, Joe Viola, Andy McGhee, and William Bowie. She performed at jazz clubs, colleges, libraries, churches, community art centers, Jazzmobile, theaters, and abroad. She was a soloist with Abbey Lincoln, Barry Harris, Earl May, and the Big Apple Jazzwomen. She played with Gil Evans, Roy Ayers, Tom Browne, Charlie Persip, Melba Liston, Cab Calloway, Slide Hampton, Frank Foster, Joe Williams, Nancy Wilson, Bobby Vinton, Sammy Davis, Jr., Prince, and Marvin Gaye for four years. She was in the big bands of Gerald Wilson, Jimmy Cleveland, and Leslie Drayton. http://fostinadixon.com http://wijsf.org async defer crossorigin="anonymous" src="https://connect.facebook.net/en_US/sdk.js#xfbml=1&version=v13.0&appId=280894702143&autoLogAppEvents=1" nonce="fBA4lFY3">

"The Sidewinder" Lee Morgan: The Sidewinder (Blue Note, 1964) Lee Morgan, Joe Henderson, Barry Harris, Bob Cranshaw, Billy Higgins. El tema es una composición de Lee Morgan. ¿Sabías que? "The Sidewinder" es, posiblemente, la composición más conocida de Lee Morgan. A su vez, la grabación The Sidewinder es una obra clásica en cualquier discoteca de jazz. La Penguin Guide to Jazz le dio la máxima calificación a esta obra, y a su vez la incluyó en su "Core Collection". Ignacio Fuentes lo seleccionó en el especial 25 discos de jazz: una guía esencial, como uno de los diez discos complementarios en el periodo 1960-1979: https://www.tomajazz.com/web/?p=23981. En concreto, según relataba Nacho Fuentes, "con el tema que abre y da título al disco, un boogaloo que anticipa el sonido Soul-Jazz de los siguientes años, consiguió entrar en la lista de superventas “Billboard”. Uno de los más claros ejemplos de que la calidad no siempre está reñida con la comercialidad." © Pachi Tapiz, 2022 En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos/Tomajazz Remembers… https://www.tomajazz.com/web/?p=50868 https://www.tomajazz.com/web/?p=50955 Más información sobre Lee Morgan https://www.bluenote.com/artist/lee-morgan/ https://www.tomajazz.com/web/?tag=lee-morgan Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. Las sugerencias, quejas, felicitaciones, opiniones y el contacto en general en jazzx5 @ tomajazz.com También por WhatsApp en el teléfono de contacto. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

Racism, Sexism, Trumpism, Pseudo-Christianity and the CinemaLionel Barry HarrisWell prior to the 2016 presidential election and many, many years before Spike Lee tackled the subject matter on film, I was virtually obsessed with "Doing the right thing," both morally and spiritually. In addition, I've been on a lifelong quest to be a tangible blessing and inspiration to everyone I interact with, and especially children - whom I was blessed to work with and around for a period of forty (40) years. I truly believe that outward and inner joy is achieved by making others happy and bringing the very best out in them. In essence, I feel we are flesh and blood blessings to one another and not sources of sorrow, pain and turmoil. I have spent an entire lifetime practicing and endorsing the aforementioned principles and I am acutely mindful that there are individuals who fully disdain them. Unfortunately, Donald Trump, our sitting president, is such a person. Therefore, I am diametrically opposed to him and I am compelled to speak out against him.Lionel Harris is a native of St. Louis, Mo. After serving 3 years in the U.S. Army, he engaged in a whole gamut of interesting jobs. After managing a large janitorial service, he was employed by the federal government, the St. Louis Police Dept., the Potter Electric Co. and, most enduring of them all (34 years), the St. Louis Public Schools at the high school level. In addition to being married for 28 years and raising three children, he also worked part-time in the GED program and, later on, drove a school bus for the Ferguson-Florissant School District.https://www.readersmagnet.com/product/racism-sexism-trumpism-pseudo-christianity-and-the-cinema/https://www.dukelharris.com/http://www.bluefunkbroadcasting.com/root/twia/lharrisrm.mp3   

Nerd out with Adam as he introduces Peter to the late (and great) Barry Harris' 6th chord concepts. Check out Open Studio Pro here Have a question for us? Leave us a SpeakPipe Support the pod by spreading the word with the link youllhearit.com  Interested in more music advice? Go here to browse our catalog of jazz lessons and courses available for purchase. And be sure to check out our All Access Pass - every course from Open Studio on every instrument.Let us know what you think by leaving a ⭐⭐⭐⭐⭐⭐⭐ review, or head over to our YouTube channel.Follow us on Twitter | Instagram

Barry Harris fue un pianista, compositor y educador con una extensa carrera como líder y sideman y que dedicó las últimas décadas de su trayectoria principalmente a la educación. Harris inició su periplo en el Jazz en plena explosión del BeBop y su máximas influencias fueron Monk y fundamentalmente Bud Powell. Como líder, firmó su primer trabajo en 1958, Breakin' It Up, para Argo Records, para publicar después a lo largo de los 60 y 70, trabajos fundamentales para el devenir del Jazz del época. A lo largo de dos horas y media de música, repasaremos cronológicamente su producción como líder, pasando de puntillas por su brillante aportación como sideman en obras claves de su tiempo.

Barry Harris fue un pianista, compositor y educador con una extensa carrera como líder y sideman y que dedicó las últimas décadas de su trayectoria principalmente a la educación. Harris inició su periplo en el Jazz en plena explosión del BeBop y su máximas influencias fueron Monk y fundamentalmente Bud Powell. Como líder, firmó su primer trabajo en 1958, Breakin' It Up, para Argo Records, para publicar después a lo largo de los 60 y 70, trabajos fundamentales para el devenir del Jazz del época. A lo largo de dos horas y media de música, repasaremos cronológicamente su producción como líder, pasando de puntillas por su brillante aportación como sideman en obras claves de su tiempo.

In memory of legendary pianist and educator Barry Harris, sit with Adam and Peter as they listen to the first track, All The Things You Are off of the Barry Harris Trio 1959 album Breakin' It Up. Listen to the tune here Share a memory of Barry Harris or have a question for us? Leave us a SpeakPipe Support the pod by spreading the word with the link youllhearit.com  Learn more about Open Studio Pro: openstudiojazz.com/pro Interested in more music advice? Go here to browse our catalog of jazz lessons and courses available for purchase. And be sure to check out our All Access Pass - every course from Open Studio on every instrument.Let us know what you think by leaving a ⭐⭐⭐⭐⭐⭐⭐ review, or head over to our YouTube channel.Follow us on Twitter | Instagram

This Jazz Feature album is a rather rare one and it's the debut recording as a leader of drum master Louis Hayes. Louis Hayes was just 21 when he recorded this date on April 26,1960. He was by then working steadily with Julian "Cannonball" Adderley and he chose musicians that he enjoyed playing with and of course 3 of them were also working with Adderley. Louis chose Nat Adderley on cornet, Barry Harris on piano and Sam Jones on bass. The other important member was an early mentor of Louis' and the man who gave him his first gigs. That man was the great Yusef Lateef. Yusef is heard here exclusively on tenor saxophone and his big dark sound is one of the album's highlights. Louis wisely chose music not associated with the Adderley Quintet but selected the tunes for themselves and that fact marks this date as distinctive. This is a great debut for a most talented young man. Louis didn't record again as a leader until the mid-70's. Louis Hayes and company equals high quality Jazz!

During this episode Mr. McPherson talks about his upbringing in West Detroit. It was there where he would stand  outside the famous Detroit Jazz Club Blue Bird Inn  and listen to the house band which included Barry Harris on piano Paul Chambers on bass and Elvin Jones on drums.  We also discuss his playing with Charles Mingus from 1960-1972.  He also tells a story about meeting Charlie Parker as a teenager and how Parker's music influenced an entire generation  of Jazz musicians. 

09/19/2021 Coastal Family Church Barry Harris Invitation To Life

We are excited to have the great saxophonist and woodwind player, Wendell Harrison, to kick things off in season 3 of the MDetroit Podcast. From talking about coming up and playing with some of the greatest names in jazz like Barry Harris, Eddie Harris, and Marcus Belgrave to speaking about Wendell's just released record, Get Up off your Knees, this episode was incredible experience and we urge you to check it out! If you enjoyed the podcast, please let us know by giving us a like on our various social media or comment and tell us your thoughts! Finally, as we said mentioned in the intro, let us know who would you like to hear on the MDetroit Podcast and what would you ask them? Thank you all!

Barbara J. Barrett singer/songwriter, published author and nurse will give some positive insights on overcoming self-limiting beliefs that hinder us as nursepreneurs. Barbara self-published a book of nursing memoirs; "Hood Medical: This Is Why I Sing" and as the title implies; continues to sing and use her love of the arts, culture and wellness to monetize her nursing career. SmartNurse LLC or BBBeyondcategory does not have any copyrights to the song in the Youtube video. https://youtu.be/fHgzc4Gors Credits: Song written and composed by Ben Webster and Sonny Rollins and performed in Manhattan at jazz elder Barry Harris's vocal class/workshop. Advertising Disclaimer: The information in this podcast is for coaching, strategy and consulting purposes only and is not meant to give legal advice or medical advice. SmartNurse LLC nor BBBeyondcategory does not represent itself as a physician or attorney. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/smart-nurse/support

Some artists, despite their immense talent and originality, never catch on with the public at large. Pianist Jack Wilson was one such individual – a favorite among The Major Scale team for his finesse on the keys, paired with his knack for compelling composition. In this episode we evangelize his work and mark the occasion of a posthumous release, Call Me: Live At the Penthouse, newly released from Light In The Attic Records. We're not alone in our praise of the man. Ahmad Jamal and Barry Harris speak very highly of him, along with Wilson's bandmates Roy Ayers and Von Barlow, producer Michael Cuscuna, and Vanity Fair editor and author David Friend – all of whom join us to share their accolades for Jack Wilson. Rounding it out is Kristian St. Clair, a filmmaker and the producer of Wilson's posthumous Call Me. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

Sonny Stitt was one of the true masters of the saxophone and a favorite of just about every other saxophonist and yet he remains underrated. His flow and his ideas and both alto and tenor saxophones is unparalleled. Stitt recorded prolifically and mostly in a quartet setting with piano bass and drums or with organ, guitar and drums. Here he is on one of his finest outings done a few days after his birthday on Feb. 8,1972. Stitt is backed by a "Cadillac" rhythm section of Barry Harris on piano, Sam Jones on bass and Alan Dawson on drums. Our Jazz Feature album is called "Tune Up" and Stitt offers us his interpretations of some good standards and some Jazz originals. As always he is masterful and one can hear on this recording why he was everyone's favorite. Sonny Stitt...Jazz mastery!

Jimmy Heath at 92 is one of the living Jazz Masters and still going strong playing, composing, touring and band leading. Jimmy was from the illustrious Heath Family which included the late bassist Percy and the still living youngest brother, drummer Albert "Tootie" Heath. Our Jazz Feature album is a fine example, more then fine, perhaps one of the best examples of Jimmy Heath's playing done in 1975 when he was 49. "Picture of Heath" places Jimmy playing mostly tenor saxophone but on soprano saxophone on two tunes in front of a great rhythm section with the still living Barry Harris on piano, Sam Jones on bass and Billy Higgins on drums. Only one standard is heard here and that's the ballad "Body and Soul" where Jimmy plays both horns. The five remaining tunes are all Jimmy's. "For Minor's Only", "Picture of Heath", "Bruh' Slim", "All Members" and "CTA". "Picture of Heath" paints a great musical picture of one of Jazz music's great masters.