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Kudzanai-Violet Hwami is one of my favourite artists! Her bold coloured paintings vary primarily between portraits of family and nudes of the black body. She's inspired by Afropunk culture, and creates images by experimenting with photographs and digital collages to paint vivid artworks. Violet has most recently exhibited at 'Les Ateliers de Rennes' - a biennial of contemporary art, 'Talisman in the Age of Difference' curated by Yinka Shonibare MBE. She has also been shown at the National Gallery of Zimbabwe, and the Zeitz MOCAA. I met with Violet in her studio at Gasworks where she is preparing for a solo show there in July 2019. IN STUDIO with Sharon Obuobi is a series about the stories of art makers, curators and influencers who inspire thoughtful perspectives on the world around us. To see more from our interview, visit our Instagram page @InStudiowithSO. Learn more about us at www.instudiowithso.com. -- All views and opinions expressed by guests are their own.
In Studio with Sharon Obuobi is a series of conversations with artists, curators, influencers, exploring the process of art making. In this episode, I speak with Adebayo Bolaji, a London-based contemporary artist of Nigerian descent. Before becoming an artist, Adebayo studied acting at the London Central School of Speech and Drama. He performed at Shakespeare's Globe Theatre, the Young Vic theatre, and in One Child - a BBC Two drama. He later became a self-taught artist citing his influences as Francis Bacon, Jean Michel Basquiat, Jean Dubuffet, Cy Twombly, and poet Alain Ginsberg. Adebayo participated in an artist residency hosted by Yinka Shonibare MBE's guest residency, and has had multiple exhibitions in Zurich. To see more of Adebayo's work, visit our Instagram page @InStudiowithSO. Learn more about us at www.instudiowithso.com. -- All views and opinions expressed by guests are their own.
Yinka Shonibare MBE RA and David Shrigley discuss new work, as well as their experiences of being commissioned to create pieces for the Fourth Plinth in Trafalgar Square with art critic and lecturer Gilda Williams. Both influential artists share a particular perspective on British humour and reflect on the impact on their respective practices of being commissioned to create art for the Fourth Plinth.
"[W]hen Anglicanism is at its best, its liturgy, its poetry, its music and its life can create a world of wonder in which it is very easy to fall in love with God,” wrote Episcopal priest and theologian Urban T. Holmes III. This quote took Theology Live to the Memphis Brooks Museum of Art where its executive director, Dr. Emily Ballew Neff, discusses the intersection of art and theology, specifically how Yinka Shonibare MBE’s four sculptures, "Rage of the Ballet Gods," touches on pagan mythology, globalization, dance, migration, violence and climate change. Please find a visual from the evening here: https://www.901theology.com/blog/episode9visual.
Kirsty Young's castaway is the artist Yinka Shonibare MBE.His work has populated museums around the globe, with a vivid, subversive and often tragi-comic presence; exploring themes of cultural identity, post colonialism and the impact of globalisation. A Turner Prize nominee in 2004, he has exhibited at the Venice Biennial and internationally.His 'Nelson's Ship in a Bottle' became his first public art commission when it was one of the art works chosen for the Fourth Plinth in London's Trafalgar Square.Born in London, his parents moved the family back to Nigeria when he was three. Later he returned to Britain to finish his education but his plans to study art were brutally interrupted when he was 19 contracted the disease, Transverse Myelitis, which attacked his central nervous system and rendered him paralysed from the neck down. He had three years of intensive rehabilitation before beginning again at art school.He went on to study at Goldsmiths and was part of the Young British Artist generation.Producer: Sarah Taylor.
Kirsty Young's castaway is the artist Yinka Shonibare MBE. His work has populated museums around the globe, with a vivid, subversive and often tragi-comic presence; exploring themes of cultural identity, post colonialism and the impact of globalisation. A Turner Prize nominee in 2004, he has exhibited at the Venice Biennial and internationally. His 'Nelson's Ship in a Bottle' became his first public art commission when it was one of the art works chosen for the Fourth Plinth in London's Trafalgar Square. Born in London, his parents moved the family back to Nigeria when he was three. Later he returned to Britain to finish his education but his plans to study art were brutally interrupted when he was 19 contracted the disease, Transverse Myelitis, which attacked his central nervous system and rendered him paralysed from the neck down. He had three years of intensive rehabilitation before beginning again at art school. He went on to study at Goldsmiths and was part of the Young British Artist generation. Producer: Sarah Taylor.
The artist Yinka Shonibare MBE talks to Kirsty Lang about his latest work The British Library, a study of immigration in Britain, currently showing at the Brighton Festival. US Novelist Akhil Sharma's new novel Family Life is based on his own family history and the tragedy of his brother's death, so why a novel rather than a memoir? A new report released this morning highlights a significant lack of female film directors on the big and small screen. Drama director Beryl Richards reflects on the findings. And as a new musical version of The Water Babies opens this week at Curve Theatre in Leicester, which features a waterfall, video projections of the performers singing under water and a hologram of Richard E Grant, the director, video designer and one of the actors discuss the mixture of musical theatre and special effects. Producer Jerome Weatherald Image: The British Library by Yinka Shonibare MBE.
Alexander Jarman, Manager of Public Programs on Imagined as the Truth: Yinka Shonibare, MBE
To mark the Fourth Plinth Commission, Nelson's Ship in a Bottle, by Anglo-Nigerian artist Yinka Shonibare MBE, this panel discussion explores the legacy and impact of multiculturalism in the context of the arts in Britain today.