Podcast appearances and mentions of jean michel basquiat

"HERE NOW and THEN" in collaboration with Hamilton-Selway Fine Art (@hamiltonselway) opening during Frieze LA and a Black History Month Exhibition on Wednesday, February 25th at 5PMThe exhibition includes works by emerging and blue chip artists such as Gregory Saint Amand, Moses Salihou, O'Neil Scott, Floyd Strickland, and Candice Tavares, as well as works by Jean-Michel Basquiat, Julie Mehretu, Mickalene Thomas, and Kehinde Wiley.HERE NOW and THEN is based on lived realities, memory, and enduring legacy of the Black Diaspora. Together the artworks in the exhibition offer a distinct yet interconnected perspective on Black identity across time, place, and experience.A percentage of proceeds from sales in the exhibition will be donated to American Friends of Jamaica, (@afjcares) a not-for-profit 501(c) (3) organization dedicated to support Jamaican charitable organizations and social initiatives committed to sustainably transforming the lives of Jamaicans.Conversation with: Ron - Hamilton-Selway Fine Art GalleryTanya Weddemire - Gallery Owner Candice Tavares- ArtistFloyd StricklandWednesday FEB 25th5PM - 9PM​Hamilton-Selway Fine Art8678 Melrose AveWest Hollywood, CA 90069JamirSmith.com@jamir_smith#fyp #explore #thejsjournals #iheartradio #power975la

Recorded on the fly during art fair week, live at NADA, this conversation with Dan Attoe moves from metal-kid origin stories to Zen meditation, daily practice, tattooing, landscape painting, and the unexpected turn toward writing a horror novel. Duncan opens with a personal note: a Dan Attoe painting has been hanging in his home for 22 years, a wedding gift that quietly embedded itself into the fabric of his life, which frames the conversation, and traces Attoe's arc from rural Idaho and northern Minnesota outsider to one of the most recognizable painters of his generation. Attoe talks about the seven-year run of making a painting every weekday, a discipline that functioned less as a productivity hack and more as a survival strategy. What began as wild, sex-and-drugs-and-rowdy-party imagery rooted in imagined social worlds gradually shifted toward the meditative landscapes he's now known for. These aren't observed sites but constructed psychic spaces, built from memory, attention, and what he calls a process of "composting" experience. Zen practice, daily drawing, and tattooing form a three-part studio structure that keeps the work in motion. Learning to tattoo on his own body sharpened his attention to contrast, permanence, and empathy, feeding directly back into the paintings. Along the way we get patches, skate culture, Methodist guilt, Barry McGee installations, Walker Art Center bookstore theory dives, and the long road from being told to abandon heavy-metal imagery to fully embracing it as the engine of a mature practice. The conversation closes on writing: how Stephen King, the Iowa Writers' Workshop, and decades of accumulated art-world experience led Attoe to channel theory, narrative, and lived history into a horror novel. It's a talk about attention, energy, and letting the work tell you what it needs to become. Images courtesy of Western Exhibitions -  A party for children, 2019 India ink and graphite on paper 7h x 7w in   Fingertip Mountain, 2020 Oil on Canvas on Panel 24h x 24w in   Forest Path with Glowing Orb, 2021 Oil on Canvas on Panel 36h x 24w in   Dual Falls with Painted Arches, 2021 Oil on Canvas on Panel 36h x 24w in Names Dropped: Dan Attoe — https://www.danattoe.com Dan Attoe at Western Exhibitions — https://westernexhibitions.com/artists/dan-attoe Dan Attoe at PPOW — https://ppowgallery.com/artists/dan-attoe/ Clouds Tattoo (Attoe's shop) — https://www.cloudstattoo.com A Talking Tree — https://www.amazon.com/Taking-Tree-Dan-Attoe/dp/B0D4JGYR2F Barry McGee — https://www.ratio3.org/artists/barry-mcgee Chris Johanson — https://altman-siegel.com/artists/chris-johanson Jean-Michel Basquiat — https://gagosian.com/artists/jean-michel-basquiat/ Titian — https://www.nationalgallery.org.uk/artists/titian Giorgione — https://www.nationalgallery.org.uk/artists/giorgione Arthur Danto — https://www.columbia.edu/cu/philosophy/faculty/danto.html Dr. Woo — https://drwoo.com Natalie Goldberg — https://nataliegoldberg.com Stephen King — https://stephenking.com George Saunders — https://georgesaundersbooks.com Zen and the Art of Motorcycle Maintenance — https://www.harpercollins.com/products/zen-and-the-art-of-motorcycle-maintenance-robert-m-pirsig Jean-François Lyotard — https://plato.stanford.edu/entries/lyotard/ Jean Baudrillard — https://plato.stanford.edu/entries/baudrillard/ Walker Art Center — https://walkerart.org Iowa Writers' Workshop — https://writersworkshop.uiowa.edu Iron Maiden — https://www.ironmaiden.com Danzig — https://www.danzig-verotik.com Twin Peaks — https://www.sho.com/twin-peaks Dragonlance / Larry Elmore — https://larryelmore.com New Art Dealers Alliance –– https://www.newartdealers.org/

Not all art is love at first sight. This week, we spotlight the hard-to-get artists — those acquired tastes who confuse you before they convert you. In the conversation, we celebrate bold originals like Richard Corben and Tony Salmons, unpacking how their styles challenged comic readers and pushed boundaries within the medium. Beyond the panel borders, we cite rule-breakers Ralph Steadman and Jean-Michel Basquiat, alongside surreal giants Frida Kahlo and Salvador Dalí — artists who proved that being  “strange” isn't a flaw, it's a feature. We also swap stories about artists who weren't our cup of tea when we were younger, and how second and third looks turned skepticism into respect. Then we ask the hard stuff: Does great art require effort from its audience? And is it okay if some art leaves people behind?

On the occasion of the inaugural Art Basel Qatar, The Baer Faxt sat down with a bevy of guests with ties to the region including Jean-Paul (JP) Engelen, Director at Acquavella and former Americas president at Phillips auction house. Before spending a decade as Phillips' president for the Americas and worldwide co-head of modern and contemporary art, Engelen was the Director of Public Art and Exhibitions for Qatar Museums (previously Qatar Museum Authority), where he oversaw the installation of major public artworks by Richard Serra and Damien Hirst. Now working with Acquavella gallery, Engelen tells us about the gallery's booth of Jean-Michel Basquiat's and his experience in the region. Other guests on The Baer Faxt Live from Doha include Mariët Westermann, Director and CEO of the Solomon R. Guggenheim Museum and Foundation; Princess Alia Al-Senussi, PhD; and Saud Alkhater, Qatari collector. This conversation was recorded on the 5th of February, 2026.

Ce sont deux monuments. Deux artistes incontournables des années 80. Et leur liaison n'est pourtant pas si connue que cela. Pourtant, Madonna et Jean-Michel Basquiat ont vécu une idylle passionnée. Courte, mais intense. Et quand on y réfléchit, c'est vrai qu'ils vont plutôt bien ensemble. Un podcast Bababam Originals Ecriture et voix : Alice Deroide Learn more about your ad choices. Visit megaphone.fm/adchoices

It's New York's hellacious summer of '77. Rampant crime, a city-wide blackout and the Son of Sam murders have knocked Gotham on its ass. When Lucien Lowe, a young poet on the downtown scene, is found dead in his East Village tenement with a heroin needle in his arm, overworked cops rule it an accidental overdose. But Ike's wealthy girlfriend Julie Baroda suspects murder and urges Ike's best friend, the artist and punk rock fashion designer Finn Burdon, to investigate.Despite Finn's own issues with heroin, he shows an uncanny talent for detective work. As Julie, Finn and police detective Benny Cherin dig deeper, their investigation ultimately encompasses some of the most famous names of 1970s New York, including William S. Burroughs, Jean-Michel Basquiat, CBGB owner Hilly Kristal, Allen Ginsberg, Lou Reed, Truman Capote, Roy Cohn, Fat Tony Salerno, Holly Woodlawn, Steve Rubell, Andrew Crispo, Bella Abzug, Leonard Cohen and many others. In the process, they begin to glimpse the outlines of a violent plot to sabotage the opening night of Hilly Kristal's highly anticipated new venue, The CBGB 2nd Avenue Theater, when Patti Smith is playing and it's packed with thousands.Set during the glory days of New York's downtown music, art, literary and fashion scenes, The CBGB Conspiracy mixes fiction with a host of real events and historical figures. Behind them all looms a character just as visceral and ultimately doomed: the crumbling New York of 1977.Support this show http://supporter.acast.com/houseofmysteryradio. Hosted on Acast. See acast.com/privacy for more information.

Being laughed at or criticized or misunderstood is the price of leaving the herd and producing your magic.Aside from the mastery on the canvas and the genius of the brushstrokes, what makes a work of art by Jean Michel Basquiat worth hundreds of millions and this rough-edges piece worth so little is the signature at the bottom. Through his prowess, Basquiat made his name worth something. And then he protected his good name so that his greatness would stand the test of time. As all great masters do.I've created a powerful completely new online program called The Amazing Day Blueprint. It's a proven system to help you constantly make your days productive, healthy and happy in 2026. Here are the details.FOLLOW ROBIN SHARMA:InstagramFacebookXYouTube

Understanding the Iconic Personal Brand of Jean-Michel Basquiat with Doug Woodham. In this episode, Brandon sits down with Doug Woodham, author of 'Jean-Michel Basquiat: The Making of an Icon,' to delve into the fascinating life and lasting cultural impact of Jean-Michel Basquiat. From his early struggles as a homeless teenager to becoming one of the most valuable artists in history, Basquiat's journey is explored in depth. Woodham discusses the pivotal moments and relationships that shaped Basquiat's career, his bold and enigmatic art, and the strategic decisions that cemented his posthumous fame. 00:50 Introduction to Basquiat's Cultural Impact  04:06 The 2017 Sale and Its Global Impact 05:41 Licensing and Pop Culture Integration 10:48 Basquiat's Artistic Style and Influence 15:41 The Neo-Expressionism Movement 21:21 Early Struggles and Key Relationships 26:22 Navigating the Art World 32:43 Celebrity Endorsements and Market Resurgence This is the Brands On Brands Podcast with Brandon Birkmeyer www.brandsonbrands.com Don't forget to get your own personal branding scorecard at: https://www.brandsonbrands.com/scorecard CONNECT WITH ME Connect with me on social media: https://www.brandsonbrands.com/mylinks READ MY BOOK - FRONT & CENTER LEADERSHIP I launched a new book and author website. Check it out here. https://www.brandonbirkmeyer.com/fcl CHECK OUT MY COURSES Get tactical trainings and access to one-on-one coaching! https://www.brandsonbrands.com/courses SUBSCRIBE TO THE NEWSLETTER Get the latest news and trends on all things personal branding and the creator economy. https://www.brandsonbrands.com/newsletter

durée : 00:49:18 - Affaires sensibles - par : Fabrice Drouelle, Franck COGNARD - Aujourd'hui dans Affaires sensibles, chevauchons la mort avec le peintre noir-américain Jean-Michel Basquiat. - réalisé par : Frédéric Milano Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Jeudi 22/12/1960 - Naissance de Jean Michel BASQUIATJean-Michel BASQUIAT est né le 22 décembre 1960 à Brooklyn. Il est l'un des artistes les plus marquants du XXe siècle.Sa carrière fulgurante, son style unique mêlant graffiti messages et références culturelles multiples ont fait de lui une figure légendaire.Indissociable de New York, cette ville où il est né et où il est mort, aura aussi été sa toile et l'endroit où il aura passé la plupart des années de sa courte vie.Cet artiste majeur reste une icône new-yorkaise des années 1980 qui a révolutionné l'art contemporain et inspiré des générations d'artistes partout dans le monde.-------------N'hésitez pas à aller visiter notre site racontemoinewyork.com Retrouvez tous les liens des réseaux sociaux et des plateformes du podcast ici : https://linktr.ee/racontemoinewyorkHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

“Dessins sans limite”Chefs-d'oeuvre de la collection du Centre Pompidouau Grand Palais [Centre Pompidou – Constellation], Parisdu 16 décembre 2025 au 15 mars 2026Entretien avecAnne Montfort-Tanguy,conservatrice, Cabinet d'art graphique, Centre Pompidou – Musée national d'Art Moderne, et co-commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 15 décembre 2025, durée 25'54,© FranceFineArt.https://francefineart.com/2025/12/24/3680_dessins-sans-limite_grand-palais/Communiqué de presse Commissaires :Claudine Grammont, Cheffe de service, Cabinet d'art graphique, Centre Pompidou – Musée national d'Art ModerneAnne Montfort-Tanguy, Conservatrice, Cabinet d'art graphique, Centre Pompidou – Musée national d'Art ModerneCommissaires associées :Valérie Loth et Laetitia Pesenti, Attachées de conservation, Cabinet d'art graphique, Centre Pompidou – Musée national d'Art ModerneAvec plus de 35 000 dessins, la collection du cabinet d'art graphique du Centre Pompidou est l'un des plus importants ensembles au monde d'oeuvres sur papier des XXe et XXIe siècles. Ce fonds exceptionnel par sa richesse et sa diversité n'a jamais fait l'objet d'une exposition d'une telle ampleur. Dessins sans limite est donc l'occasion de révéler pour la première fois les trésors inestimables de cette collection qui offre l'opportunité unique de comprendre comment ce medium s'est totalement réinventé au XXe siècle.Nombreux sont les artistes qui se sont emparés de ce mode d'expression originel et cathartique afin de transgresser les limites de l'art. Au-delà de la feuille ou du traditionnel carnet, le dessin a investi l'espace du mur et de l'installation. Il s'est ouvert à de nouvelles pratiques, étendant son champ à d'autres formes d'expression, photographiques, cinématographiques, ou encore numériques, ce qui rend ses frontières toujours plus mouvantes et ouvertes. Le regain d'intérêt porté par les jeunes générations d'artistes pour ce medium simple et accessible est bien la preuve de sa grande actualité. S'il faut faire évoluer la notion même de dessin à l'aune des enjeux esthétiques et plastiques du XXIe siècle, cela n'exclut pas de se replonger dans les fondements d'une pratique qui, demeure par essence ouverte à l'invention et à l'expression de la pensée, qu'elle soit consciente ou inconsciente.L'exposition Dessins sans limite met à l'honneur des pièces majeures de la collection rarement montrées notamment des oeuvres de Balthus, Marc Chagall, Willem de Kooning, Sonia Delaunay, Jean Dubuffet, George Grosz, Vassily Kandinsky, Paul Klee, Fernand Léger, Henri Matisse, Amedeo Modigliani, Pablo Picasso, mais aussi Karel Appel, Jean-Michel Basquiat, Roland Barthes, Robert Breer, Trisha Brown, Marlene Dumas, William Kentridge, Robert Longo, Giuseppe Penone, Robert Rauschenberg, Kiki Smith ou encore Antoni Tàpies. Elle ne s'interdit pas d'aller au-delà du champ de la feuille de papier pour considérer le dessin en tant que performance, installation, ou bien encore dans sa formeanimée.Avec une sélection de près de 400 dessins de 120 artistes, l'exposition Dessins sans limite n'a pas pour ambition de dresser une histoire du dessin aux XXe et XXIe siècles – une entreprise que la nature même de ce fonds rendrait impossible – mais propose une exploration subjective de la collection du Cabinet d'art graphique. Sans ordre chronologique, le parcours est fondé sur une approche sensible où les oeuvres se succèdent et se répondent dans un effet domino. Articulée autour de quatre séquences – étudier, raconter, tracer et animer -, l'exposition offre une plongée inédite dans un art fragile, inventif et toujours actuel.Publications #DessinsSansLimite – catalogue de l'exposition, coédition GrandPalaisRmnÉditions / Éditions du Centre Pompidou Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

“All of the great artists are there for a reason: because they rebelled in some way. They created a visual vocabulary that felt fresh and new, which excited people. So, the great artists are not built on sort of anthills of sand. They're built on things of substance and of meaning. Though this is not a sufficient condition to become an icon, it's a necessary but not sufficient condition. I think you have to have an interesting and vivid personality or personal narrative that makes you interesting for people to talk about and want to learn about. I think you also have to have a support network of galleries, curators, and collectors who are excited about your work and want to push it forward, not wanting it to be forgotten. Basquiat's visual vocabulary is distinctive and stands out relative to what was being done in the 1980s. That's the sort of strong hill on which his reputation is built. Basquiat benefited from being the first black artist of note who got pushed forward. As in many things, the first benefits.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“People today are so used to Basquiat's prices being extraordinarily high and rising that it's almost hard for people to understand that wasn't always the case. In the year he died, 1988, a terrific painting by Basquiat might have sold for $30,000. Relative to his other artistic peers, like a great Julian Schnabel painting that cost $800,000. After Basquiat died, some speculative capital entered his market, and his prices did pop, but in the early 1990s, his prices fell apart, and for much of the first half of the 1990s, his work was selling for 80% off what it had been selling before. Auction houses didn't want to include him in their auctions. There was a really good chance he was going to be remembered, but certainly not become a great star. Three key figures believed in him and proceeded to buy almost every available Basquiat in the first half of the 1990s. They were also just passionate believers in his work. But for those three people, it would have taken much longer for Basquiat to achieve acclaim, if ever.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastImages courtesy of Doug Woodham and Thames & Hudson. For image credits, see Episode Website.

“All of the great artists are there for a reason: because they rebelled in some way. They created a visual vocabulary that felt fresh and new, which excited people. So, the great artists are not built on sort of anthills of sand. They're built on things of substance and of meaning. Though this is not a sufficient condition to become an icon, it's a necessary but not sufficient condition. I think you have to have an interesting and vivid personality or personal narrative that makes you interesting for people to talk about and want to learn about. I think you also have to have a support network of galleries, curators, and collectors who are excited about your work and want to push it forward, not wanting it to be forgotten. Basquiat's visual vocabulary is distinctive and stands out relative to what was being done in the 1980s. That's the sort of strong hill on which his reputation is built. Basquiat benefited from being the first black artist of note who got pushed forward. As in many things, the first benefits.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“People today are so used to Basquiat's prices being extraordinarily high and rising that it's almost hard for people to understand that wasn't always the case. In the year he died, 1988, a terrific painting by Basquiat might have sold for $30,000. Relative to his other artistic peers, like a great Julian Schnabel painting that cost $800,000. After Basquiat died, some speculative capital entered his market, and his prices did pop, but in the early 1990s, his prices fell apart, and for much of the first half of the 1990s, his work was selling for 80% off what it had been selling before. Auction houses didn't want to include him in their auctions. There was a really good chance he was going to be remembered, but certainly not become a great star. Three key figures believed in him and proceeded to buy almost every available Basquiat in the first half of the 1990s. They were also just passionate believers in his work. But for those three people, it would have taken much longer for Basquiat to achieve acclaim, if ever.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastImages courtesy of Doug Woodham and Thames & Hudson. For image credits, see Episode Website.

“All of the great artists are there for a reason: because they rebelled in some way. They created a visual vocabulary that felt fresh and new, which excited people. So, the great artists are not built on sort of anthills of sand. They're built on things of substance and of meaning. Though this is not a sufficient condition to become an icon, it's a necessary but not sufficient condition. I think you have to have an interesting and vivid personality or personal narrative that makes you interesting for people to talk about and want to learn about. I think you also have to have a support network of galleries, curators, and collectors who are excited about your work and want to push it forward, not wanting it to be forgotten. Basquiat's visual vocabulary is distinctive and stands out relative to what was being done in the 1980s. That's the sort of strong hill on which his reputation is built. Basquiat benefited from being the first black artist of note who got pushed forward. As in many things, the first benefits.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“People today are so used to Basquiat's prices being extraordinarily high and rising that it's almost hard for people to understand that wasn't always the case. In the year he died, 1988, a terrific painting by Basquiat might have sold for $30,000. Relative to his other artistic peers, like a great Julian Schnabel painting that cost $800,000. After Basquiat died, some speculative capital entered his market, and his prices did pop, but in the early 1990s, his prices fell apart, and for much of the first half of the 1990s, his work was selling for 80% off what it had been selling before. Auction houses didn't want to include him in their auctions. There was a really good chance he was going to be remembered, but certainly not become a great star. Three key figures believed in him and proceeded to buy almost every available Basquiat in the first half of the 1990s. They were also just passionate believers in his work. But for those three people, it would have taken much longer for Basquiat to achieve acclaim, if ever.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastImages courtesy of Doug Woodham and Thames & Hudson. For image credits, see Episode Website.

“All of the great artists are there for a reason: because they rebelled in some way. They created a visual vocabulary that felt fresh and new, which excited people. So, the great artists are not built on sort of anthills of sand. They're built on things of substance and of meaning. Though this is not a sufficient condition to become an icon, it's a necessary but not sufficient condition. I think you have to have an interesting and vivid personality or personal narrative that makes you interesting for people to talk about and want to learn about. I think you also have to have a support network of galleries, curators, and collectors who are excited about your work and want to push it forward, not wanting it to be forgotten. Basquiat's visual vocabulary is distinctive and stands out relative to what was being done in the 1980s. That's the sort of strong hill on which his reputation is built. Basquiat benefited from being the first black artist of note who got pushed forward. As in many things, the first benefits.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“People today are so used to Basquiat's prices being extraordinarily high and rising that it's almost hard for people to understand that wasn't always the case. In the year he died, 1988, a terrific painting by Basquiat might have sold for $30,000. Relative to his other artistic peers, like a great Julian Schnabel painting that cost $800,000. After Basquiat died, some speculative capital entered his market, and his prices did pop, but in the early 1990s, his prices fell apart, and for much of the first half of the 1990s, his work was selling for 80% off what it had been selling before. Auction houses didn't want to include him in their auctions. There was a really good chance he was going to be remembered, but certainly not become a great star. Three key figures believed in him and proceeded to buy almost every available Basquiat in the first half of the 1990s. They were also just passionate believers in his work. But for those three people, it would have taken much longer for Basquiat to achieve acclaim, if ever.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastImages courtesy of Doug Woodham and Thames & Hudson. For image credits, see Episode Website.

“People today are so used to Basquiat's prices being extraordinarily high and rising that it's almost hard for people to understand that wasn't always the case. In the year he died, 1988, a terrific painting by Basquiat might have sold for $30,000. Relative to his other artistic peers, like a great Julian Schnabel painting that cost $800,000. After Basquiat died, some speculative capital entered his market, and his prices did pop, but in the early 1990s, his prices fell apart, and for much of the first half of the 1990s, his work was selling for 80% off what it had been selling before. Auction houses didn't want to include him in their auctions. There was a really good chance he was going to be remembered, but certainly not become a great star. Three key figures believed in him and proceeded to buy almost every available Basquiat in the first half of the 1990s. They were also just passionate believers in his work. But for those three people, it would have taken much longer for Basquiat to achieve acclaim, if ever.”Today, we're joined by someone uniquely positioned to unpack the art world's inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie's, one of the world's leading auction houses. That role gave him an insider's perspective on how value is created — and mythologized — in the modern art market. In this conversation, we'll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcastImages courtesy of Doug Woodham and Thames & Hudson. For image credits, see Episode Website.

Stories about legacy often reveal more than the moments that made someone known.  In this episode of Celebrity Estates, author and advisor Doug Woodham joins the show to explore how Jean-Michel Basquiat's unexpected passing set off a chain of estate challenges tied to illiquid assets, sudden value changes and family decisions. Doug explains how the … Read More Read More

THE 27 CLUB The 27 Club is a popular culture phenomenon and urban legend referring to the unusual number of influential musicians, artists, and actors who have died at the age of 27, often due to drug or alcohol abuse, suicide, or accidents.  While scientific studies have debunked the idea of a statistical spike in musician deaths at this specific age, the perceived coincidence continues to capture public fascination. The myth gained prominence in the early 1970s with the deaths of several rock icons in a short period, and the narrative was reinforced after Kurt Cobain's death in 1994 and Amy Winehouse's in 2011.  Notable Members The most prominent figures associated with the 27 Club include: Robert Johnson (d. 1938): A pioneering Delta blues musician, he is considered the "first" member of the club and is part of the legend that he sold his soul to the devil for musical prowess. Brian Jones (d. 1969): The founding member and original leader of The Rolling Stones, he drowned in his swimming pool after consuming alcohol and drugs. Jimi Hendrix (d. 1970): The innovative and highly influential rock guitarist who died of a drug overdose involving barbiturates. Janis Joplin (d. 1970): A powerful blues and rock singer, she died of a heroin overdose in her hotel room. Jim Morrison (d. 1971): The enigmatic lead singer of The Doors, whose cause of death in Paris was officially ruled as heart failure, though drug use was suspected. Kurt Cobain (d. 1994): The frontman of the grunge band Nirvana, he died by a self-inflicted gunshot wound, with a high concentration of heroin in his system. Amy Winehouse (d. 2011): The British singer-songwriter known for her soulful voice, she died of accidental alcohol poisoning.  Other artists and actors sometimes included in the broader list are artist Jean-Michel Basquiat, Grateful Dead keyboardist Ron "Pigpen" McKernan, and actor Anton Yelchin.  Cultural Impact vs. Statistical Reality The enduring nature of the 27 Club is less about a true statistical anomaly and more about the power of storytelling and media reinforcement. The concentration of several highly famous deaths at the same age within a short timeframe (1969-1971) created a powerful narrative that stuck in the public consciousness.  While one study published in the British Medical Journal in 2011 found that young adult musicians have a higher death rate overall than the general population, it concluded there was no specific increased risk at age 27 compared to other young ages. However, the myth itself has led to increased visibility and cultural prominence for those who die at that age, perpetuating the idea.   

[REBROADCAST FROM October 15, 2025] A new Lévy Gorvy Dayan exhibition "Downtown/Uptown: New York in the Eighties" features artists Jean-Michel Basquiat, Francesco Clemente, Jeff Koons, Barbara Kruger, Cindy Sherman, and others. Art dealer Mary Boone and Lévy Gorvy Dayan co-founder Brett Gorvy, who both worked on the exhibition, join us to discuss the show which is on display through Saturday, Dec. 13.

Kim Baker has lived an iconic life. From her first photoshoot at 13 years old to being managed by Bethann Hardisson, she divided her time between breaking down barriers and partying with fashion legends. In this episode, Kim walks us through the beginning of her fashion career and how her mother instilled unshakeable confidence in her by detailing the beauty of Black history. Kim offers us a peek into the highs and lows of the modeling industry in the 1980s, namely, early sexual harassment and stringent expectations about her body and weight. Kim doesn't hold back when it comes to sharing her experiences with other iconic cultural figures, including meeting Jean Michel Basquiat and going into labor at Grace Jones' birthday party at Studio 54. Kim doesn't hold back when it comes to other difficult experiences, like how a whirlwind romance led to her facing a 65-year prison sentence. But Kim is no stranger to reinvention. She pioneered plus-size modeling in the 1990s, stepped behind the camera and became a makeup artist, and worked with Bobbi Brown for 14 years as one of her earliest employees. Kim's career leveled up again when she accepted an opportunity to do glam for Tom Cruise and Laurence Fishburne. She realized a prediction she made at the age of nine and launched her own makeup line, Glamazon Beauty, in 2016. Kim's transparency about her career, motherhood, and her faith illuminates why she has remained a staple in the beauty and fashion scene. Tune in as we discuss:(1:44) Kim's Beauty and Fashion Background(2:55) Learning About Beauty From Her Mother(5:55) Being Managed By Bethann Hardisson(7:45) Working With Legendary Photographers Bill King Arthur Elgort(9:05) Meeting Keith Haring, Jean-Michel Basquiat, and Andy Warhol at Studio 54(10:25) Going Into Labor at Grace Jones' Party(21:20) Pioneering The Plus-Size Modeling Industry(26:26) Joining Bobbi Brown And Staying For 14 Years(30:45) Working with Tom Cruise and Laurence Fishburne (40:25) Her Simple and Effective Skincare Routine (48:23) Kim's Daughter Natasha Talks About Growing Up With Kim(52:13) When She Feels The Most Beautiful Rate, Subscribe & Review the Podcast on Apple Join the Naked Beauty Community on IG: @nakedbeautyplanet Check out nakedbeautypodcast.com for all previous episodes & search episodes by topicShop My Favorite Products & Pod Discounts on my ShopMyShelfStay in touch with me: @brookedevardFollow Charlotte @makeupbykimbakerProducts Mentioned:Glamazon Opulent DuoGlamazon Perfect Pressed Setting PowderGlamazon Trophy Cheek-N-Lip Bundle Hosted on Acast. See acast.com/privacy for more information.

Let me talk about how I learned about Basquiat.

Basquiat painted a premonition of Nipsey Hussle in 1982. Basquiat summoned the spirit of Ermias three years before Ermias was born in 1985.

In Honor of Jean-Michel Basquiat @ Outside in Theatre - 8.9 out of 10! Excellent Show! LA Theatre Bites Recommended! October 23 - November 9, 2025. www.latheatrebites.com

In this episode of LEGENDS: Podcast by All Day Vinyl, host Scott Dudelson sits down with multifaceted artist Lee Jaffe — close friend & former member of Bob Marley & The Wailers, producer of Peter Tosh's groundbreaking album "Legalize It" and renowned visual artist. Lee Jaffe takes us from his roots growing up in New York and the path that led him to a close friendship and working relationship with Bob Marley. Our chat dives into this incredible journey  — attending the premiere of Jimmy Cliff's "Harder They Come" with Chris Blackwell, traveling the USA and Jamaica with The Wailers, recording harmonica on Bob Marley's Natty Dread album, taking iconic photos of the reggae legends of the 1970's and witnessing firsthand the creative magic and global rise of Reggae. He shares rare, behind-the-scenes stories from the studio, on the stage and unforgettable moments on the road with Bob Marley & The Wailers.  Lee Jaffe also reveals how his close friendship with Marley and Tosh led to his role producing and taking the cover photo for Peter Tosh's legendary Legalize It album— and the unbelievable marijuana smuggling operation that helped fund the album's creation. Beyond reggae, he reflects on working with visionary artist Jean-Michel Basquiat and his latest book, Hit Me With Music: Roots, Rock, and Reggae, which captures these legendary moments through art and photography. Lee Jaffee is an incredible storyteller with incredible stories and I hope you enjoy this episode as much as I enjoyed recording it. 

Mark and Kenny travel way back to 1982 and revisit their 2019 conversation from the FIRST season of ALL I WANT TO DO IS TALK ABOUT MADONNA - LIVE in front of a very sexy SOLD OUT audience at Soho's stunning Iron | Feather. Topics include: Jean-Michel Basquiat, Gwen Gutherie, Stephanie Mills, Seymour Stein, Michael Rosenblatt, Martin Burgoyne, Christopher Ciccone, Erica “Bags” Bell, James Mtume, and a celebration of songwriter and producer Reggie Lucas. Plus, Kenny explores the deliciousness of pheromones and Mark delivers musical justice for one of the oft-debated Madonna tracks! Special Thank You to Jeff Vicente, DJ Chauncey, and Christine Holt for their essential assistance with this episode.

This is your All Local evening update for October 21, 2025.

After listening to Mr. Ballen, I wanted to clear the air about 109. 109 is the truth. It's my truth. It's not some scheme I've dreamt up. Nope. ... Also, Roger Guenveur Smith will be performing a one man show in Los Angeles until November 9. I'm going to attend. The show is entitled In Honor of Jean-Michel Basquiat.

We meet Rose Blake an illustrator and artist making drawings and pictures in London who has just illustrated Russell & Robert's first children'sbook Art School (In A Book). Rose Blake studied at Kingston University and the Royal College of Art. She was awarded the D&AD Best New Blood Award and was shortlisted for the AOI prize and The World Illustration Awards. She shows with the Rebecca Hossack Gallery, and has had two solo show there; ‘Now I Am An Artist' in 2015 and ‘Sing Swim Ok Moon' in 2018. She is a Visiting Lecturer at Kingston University on the Illustration and Animation BA.Art School (In A Book) is out on Thursday 23rd October 2025. Pre-order now from Amazon, Waterstone's and Bookshop.orgAn exciting introduction to the world of contemporary art for young creatives from the makers of hit podcast Talk Art, actor Russell Tovey and gallerist Robert Diament.Do you love art and want to know more but don't know where to start? Introducing Art School (in a book), a virtual gallery where you can see the most exciting contemporary artists of today, as well as some of the greatest from the twentieth century, including Henri Matisse, Jean-Michel Basquiat and Frida Kahlo.And who are the visionaries, the icons, the ones to watch now? With works by Tracey Emin, Antony Gormley, and David Hockney, study the art of 20 key artists working today, find out what inspires them, how they work and the meaning behind their art.With Russell and Robert as your guides you will also discover the artist within you, with tips on new ways of seeing and reacting to the world around you and guidance on how you can develop your own creativity.Buy Art School from Waterstone's: https://www.waterstones.com/book/art-school-in-a-book/russell-tovey/robert-diament/9781510231412Follow @IAmRoseBlake on Instagram. Hosted on Acast. See acast.com/privacy for more information.

A new Lévy Gorvy Dayan exhibition "Downtown/Uptown: New York in the Eighties" features artists Jean-Michel Basquiat, Francesco Clemente, Jeff Koons, Barbara Kruger, Cindy Sherman, and others. Art dealer Mary Boone and the gallery's co-founder Brett Gorvy, who both worked on the exhibition, talk about the show which is on display through Saturday, Dec. 13.

Christopher Wool talks to Ben Luke about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped their lives and work. Wool, who was born in Chicago in 1955, and lives between New York and Marfa, Texas, today, is a sophisticated and dextrous explorer of the act of making paintings and other forms of art. He emerged in a period in which painting's validity was being questioned amid the supremacy of conceptual and photographic practices in the avant-garde scene of New York in the late 1970s. And he has made light of that doubt in a cerebral practice in which he probes paint's capacity to reflect diverse material properties, processes and effects, its openness to chance events and slippages, and its ability to contain or convey meaning through words and image. Working in often overlapping series embodied by particular methods or tools, propositions and actions, his practice has been one of relentless curiosity, where his own output is consistently reevaluated and recast through the literal repurposing of existing imagery as the foundation of new works. Though best known for his paintings, Christopher has made photographs from the start of his career, and since the mid-2010s has developed a fertile seam of sculpture. His work across all these media is similarly agile, with the different strands in a seemingly endless evolving conversation on pictorial, material and spatial concerns. He discusses the seismic effect of experiencing the Art Ensemble of Chicago and an installation by Dan Flavin as a young person, seeing Jean-Michel Basquiat's first New York solo show with Dieter Roth, how Toni Morrison's The Bluest Eye influenced one of his untitled text paintings, and eventually the title of his recent acclaimed New York and Marfa show, See Stop Run, and how jazz has been a consistent source of inspiration. He gives insight into his life in the studio and answers our usual questions, including the ultimate, “What is art for?”Christopher Wool, Gagosian, Grosvenor Hill, London, until 19 December; See Stop Run West Texas, Brite Building, Marfa, Texas, until at least May 2027. Hosted on Acast. See acast.com/privacy for more information.

In our Singapore Home Brew segment “Saturday Mornings Show” host Glenn van Zutphen and co-host Neil Humphreys talk with Gilles Dyan, Founder and Chairman of Opera Gallery regarding “The Singapore Masters Show: From Monet to Condo” — a landmark exhibition running to 3 November at Opera Gallery Singapore in ION Shopping Centre. Timed to coincide with the Formula 1 Singapore Grand Prix, this show features 25 iconic works spanning 135 years of art history, from Impressionism to Pop Art to contemporary figuration. See masterpieces by Claude Monet, Pierre-Auguste Renoir, Pablo Picasso, Yayoi Kusama, Andy Warhol, Jean-Michel Basquiat, George Condo, and more. This episode offers a glimpse into the provenance, cultural significance, and curatorial vision behind one of Singapore’s most ambitious commercial art showcases. Learn more at operagallery.com.See omnystudio.com/listener for privacy information.

Jean-Michel Basquiat is one of the most important artists of the 20th century and one of the top-selling artists in today's market, but his career and market trajectory weren't nearly as smooth as they might seem today. In this week's episode of the ArtTactic Podcast, host Adam Green speaks with Doug Woodham, author of Jean-Michel Basquiat: The Making of an Icon (out October 14, available now for pre-order). They discuss Basquiat's rise, the dramatic collapse of his market in the 1990s, and the extraordinary comeback that followed, including the crucial role played by a small group of influential collectors. Doug also shares insights on how curators reframed Basquiat's legacy, the unique way his estate has been managed, the impact of the auction houses, and the most misunderstood aspects of Basquiat's life, art, and market.

Ian and Jeff travel back to the vibrant art scene of early-80s New York City with a look at two related but very different films, Make Me Famous and Basquiat!The former is Brian Vincent's 2021 documentary about obscure expressionist portraitist Edward Brezinski, who lived in a crumbling 3rd Street slum; he spent his days painting and his nights hitting up gallery openings trying to drum up interest in his work (as well as scrounging for food and drink). He orbited the likes of Keith Haring and Jean-Michel Basquiat, but never caught on to the "It" factor that carried many of his contemporaries to super-stardom and wealth.Julian Schnabel's 1996 drama, Basquiat, stars Jeffrey Wright as the titular, troubled painter of graffiti and challenging art pieces. The disjointed film chronicles his ascent to fame as a protege of Andy Warhol (David Bowie), and his descent into a drug-fueled early demise at the age of 27.As alums of Chicago's American Academy of Art, your enthusiastic hosts dive right into what makes both films essential viewing--despite flaws both minor and nigh insurmountable. Ian and Jeff talk about their affinity for films about artists; the thematic threads that weave through two works that differ in form but unite in defining a vivid time, place, and people; and lament the commoditization of creativity presaged in both Basquiat and Brezinski's stories.Support Kicking the Seat on Patreon, subscribe to us on YouTube, and follow us at:XLetterboxdInstagramFacebookBlueSkyShow LinksWatch the Make Me Famous (2021) trailer.Watch the Basquiat (1996) trailer.Follow all things Make Me Famous at the film's official website.Order the new 4K UHD of Basquiat from The Criterion Collection.And read Roger Durling's essay about the controversial restoration here.Keep up with Jeff York's criticism and caricatures at The Establishing Shot and Pipeline Artists.

In this week's Fraud Friday, Laci is joined by Demi Adejuyigbe (Neon, The Good Place) to discuss Kane Gamble, a 15-year-old who wreaked havoc on several US government officials sometimes with just his phone. Plus, the Orlando Museum of Art is under fire after displaying 25 fake Jean-Michel Basquiat paintings. Stay Schemin'! (Originally Released 08/01/2022) CONgregation, catch Laci's TV Show, Scam Goddess, now on Freeform and Hulu!Did you miss out on a custom signed Scam Goddess: Lessons from a Life of Cons, Grifts and Schemes book? Look no more, nab your copy here on PODSWAG Follow on Instagram:Scam Goddess Pod: @scamgoddesspodLaci Mosley: @divalaciDemi Adejuyigbe: @electrolemon Research by Kaelyn Brandt SOURCES:https://www.cbsnews.com/news/fbi-investigating-claim-of-hack-on-cia-director-email/https://www.cbsnews.com/news/cia-director-and-dhs-secretary-emails-hacked/https://www.vice.com/en/article/4xav5m/teen-who-hacked-cia-email-is-back-to-prank-us-spy-chiefhttps://www.helpnetsecurity.com/2018/01/22/hack-social-engineering/https://www.bbc.com/news/uk-england-leicestershire-43840075https://www.theguardian.com/technology/2018/apr/20/two-years-detention-for-uk-teenager-who-cyberterrorised-us-officials-kane-gamblehttps://www.vice.com/en/article/z3ekk5/kane-gamble-cracka-back-online-after-a-two-year-internet-banhttps://www.telegraph.co.uk/news/2018/01/19/british-15-year-old-gained-access-intelligence-operations-afghanistan/https://www.usatoday.com/story/news/nation/2022/06/30/orlando-museum-director-fired-fbi-raid-basquiat/7780681001/https://www.orlandoweekly.com/news/orlando-museum-of-art-director-told-art-expert-who-had-doubts-about-basquiat-exhibit-to-stay-in-her-limited-lane-31912843 Subscribe to SiriusXM Podcasts+ to listen to new episodes of Scam Goddess ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus.

Eva Schlegel spricht mit der Kuratorin Antonia Hoerschelmann über ihre künstlerischen Anfänge, die prägende Zeit in New York und auch über biografische Einflüsse auf ihr Werk. Gemeinsam beleuchten sie entlang ihrer zahlreichen unverwechselbaren Werkserien die Rolle von Raum und Wahrnehmung in ihrem Schaffen und wie diese mittels künstlerischer Strategien wie Licht, Spiegelung und Unschärfe erweitert und in Frage gestellt werden können. Eva Schlegel ist seit langem mit der Secession verbunden: Seit 1995 ist sie Mitglied und 2005 realisierte sie im Hauptraum der Secession in eine beeindruckende ortsspezifische Installation mit Bleiwänden und Spiegelflächen, die von den Parametern der Architektur ausging, um diese neu zu interpretieren. Mit Antonia Hoerschelmann arbeitete sie zuletzt an ihrer umfassenden Ausstellung in der Landesgalerie Burgenland, die bis 5. Oktober 2025 zu sehen ist. Landesgalerie Burgenland Eva Schlegel. Reflexionen 14.06.2025 - 05.10.2025 Secession Eva Schlegel 5.5. – 26.6.2005 Eva Schlegel studierte Kunst bei Oswald Oberhuber an der Hochschule für angewandte Kunst in Wien. Nach einigen Auslandsaufenthalten war sie von 1997 bis 2006 Professorin für Kunst und Fotografie an der Akademie der bildenden Künste Wien und von 2009 bis 2018 Vorsitzende des Universitätsrats der Kunstuniversität Linz. 2011 war sie als Kommissärin für den österreichischen Pavillon auf der 54. Biennale di Venezia verantwortlich. Schlegels Installationen, Fotografien und multimedialen Arbeiten werden seit 1985 in zahlreichen Galerien- und Museumsausstellungen im In- und Ausland gezeigt. 1988 und 1992 nahm sie an der Biennale Sydney teil, 1990 an Aperto in Venedig, 2017 an der Kochi-Muziris Biennale in Indien; 1995 gestaltete sie im Rahmen der Biennale di Venezia den österreichischen Pavillon zusammen mit Coop Himmelb(l)au. Zahlreiche permanente architektonische Interventionen realisierte sie u.a. für den Novartis-Campus in Basel, am Rigshospitalet in Kopenhagen, für die „Libelle“ am Dach des Leopold Museum im Wiener Museumsquartier und für das 2023 renovierte Parlamentsgebäude in Wien. Mehrere Publikationen zu ihren Arbeiten liegen vor, darunter Eva Schlegel, Museum Moderner Kunst (1991), L.A. Women (2004), Eva Schlegel, In Between anlässlich der Ausstellung im Wiener Museum für angewandte Kunst 2010 und Eva Schlegel, Spaces zur Ausstellung in der Kunsthalle Krems 2018. Schlegel befasst sich in ihrer künstlerischen Arbeit vorrangig mit Raum, sowohl dem architektonischem wie auch dem mathematischen und physikalischen. Ihre Werke umfassen Fotografien und Objekte, aber auch Rauminstallationen, die sie in einem experimentellen Prozess mit diversen Medien wie Fotografie auf Blei, Spiegelglas oder Glass verwirklicht. Courtesy of Galerie Krinzinger, Wien Eva Schlegel, geb. 1960 in Hall in Tirol, lebt und arbeitet in Wien. www.evaschlegel.com Antonia Hoerschelmann studierte Kunstgeschichte, Philosophie und Archäologie an der Universität Wien und war von 1992 bis 2025 Kuratorin für moderne und zeitgenössische Kunst an der Albertina Wien. Zahlreiche Ausstellungen und Publikationen im In- und Ausland mit Werken u.a. von Edvard Munch, Egon Schiele, Alfred Kubin, Maria Lassnig, Arnulf Rainer, Georg Baselitz, Jim Dine, Martha Jungwirth, Anselm Kiefer, Hubert Scheibl, Herbert Brandl, Jean-Michel Basquiat. Jurytätigkeit im In- und Ausland. Secession Podcast: Members ist eine Gesprächsreihe mit Mitgliedern der Secession. Das Dorotheum ist exklusiver Sponsor des Secession Podcasts. Programmiert vom Vorstand der Secession. Jingle: Hui Ye mit einem Ausschnitt aus Combat of dreams für Streichquartett und Zuspielung (2016, Christine Lavant Quartett) von Alexander J. Eberhard. Schnitt: Paul Macheck Produktion: Jeanette Pacher & Bettina Spörr

Transmettre l'art contemporain aux enfants, offrir aux artistes la possibilité de créer sur le continent africain, c'est l'histoire pionnière incarnée par Marie-Cécile Zinsou et toute l'équipe de la Fondation devenue Musée à Ouidah au Bénin. L'amazone de l'art a été la première à exposer Romuald Hazoumé ou Cyprien Tokoudagba inconnus dans leur propre pays, la première aussi à montrer les œuvres d'artistes internationaux comme Jean-Michel Basquiat ou Joël Andrianomearisoa. (Rediffusion) Et c'est justement avec Joël Andrianomearisoa, son complice de toujours, que l'exposition Promesse célèbre 20 ans d'engagement et de restitution. Restitution des trésors royaux du Dahomey mais surtout restitution de l'histoire et de l'identité des Béninois, sans faire abstraction de leurs émotions. Esprit libre, Marie-Cécile Zinsou reste fidèle à la promesse faite à son grand-oncle le Président Zinsou : Changer le monde !   À découvrir : - Le site de la Fondation - L'histoire de la Fondation - L'exposition Promesse pour les 20 ans de la Fondation - Les publications de la Fondation - Le Studio Joël Andrianomearisoa   Album de famille de la Fondation (Diaporama) Du fond du cœur, je remercie toutes les équipes de la Fondation Zinsou : Marie-Cécile Zinsou, présidente ; Halima Moumouni-Jeanjean, directrice générale ; Choubine Houngbo, responsable production ; Josué Agbo, adjoint technique ; Laura Fagbohoun, manager cafétéria-boutique et Claude Akotome, responsable site Ouidah sans oublier toute l'équipe des guides culturels du Lab de Cotonou et du Musée de Ouidah. Je tiens également à remercier l'artiste Joël Andrianomearisoa pour avoir accepté ma présence pendant l'accrochage de son exposition, et toute son équipe du studio Joël Andrianomearisoa. Spéciale dédicace à Sophie Douay, directrice de l'association Contemporary A, responsable de la médiation culturelle, commissariat, éditions, gestion de la collection de la Fondation Zinsou. Sans oublier tous les artistes rencontrés sans lesquels je n'aurais pu réaliser ce documentaire : Ishola Akpo Jérémy Demester ou l'oeuvre de Cyprien Tokoudagba.   Pour aller plus loin, le podcast. Le podcast « Le mystère du 27è trésor », signé Pierre Firtion, revient sur le trésor qui manque à l'appel quand la France restitue au Bénin le 10 Novembre 2021, 26 œuvres pillées dans les palais royaux d'Abomey par le colonel Dodds en 1892. La mémoire de cet objet manquant, un tabouret sacré qu'on appelle « kataklé », s'est en fait perdue au fil des années. L'historienne de l'art Marie-Cécile Zinsou est à l'origine de cette découverte.

ESCUCHA EL CONTENIDO EXCLUSIVO PARA LOS SUSCRIPTORES DEL SPREAKER CLUB, AQUÍ¿Qué tienen en común una leyenda del grunge, una estrella del soul, un actor promesa de los 90 y un guitarrista de rock escocés? Todos murieron a los 27 años. En este episodio de Interesante Historia, continuamos explorando el enigmático y trágico "Club de los 27", ese grupo de artistas que alcanzaron la fama, vivieron intensamente… y murieron demasiado pronto.Más allá de las figuras más conocidas como Kurt Cobain o Amy Winehouse, conocerás también las historias de Jonathan Brandis, Thuy Trang, Jean-Michel Basquiat y Richey Edwards.Vidas brillantes, carreras en ascenso y un destino que se detuvo en la misma edad. ¿Casualidad? ¿Presión? ¿Maldición cultural?Una reflexión profunda sobre el talento, la fragilidad y el precio de la fama.

Ce sont deux monuments. Deux artistes incontournables des années 80. Et leur liaison n'est pourtant pas si connue que cela. Pourtant, Madonna et Jean-Michel Basquiat ont vécu une idylle passionnée. Courte, mais intense. Et quand on y réfléchit, c'est vrai qu'ils vont plutôt bien ensemble. Première diffusion : 16 avril 2021 Learn more about your ad choices. Visit megaphone.fm/adchoices

The White House’s immigration crackdown, the protests, the mobilization of the National Guard and Marines have all reignited the personal feud between President Trump and Gov. Gavin Newsom, and the White House versus California. LAUSD officials are deploying school police to create "perimeters of safety” around graduation ceremonies and campuses where federal immigration agents have been detected.  ICE is looking to spend as much as $45 billion on private prisons and related infrastructure over the next two years. Border czar Tom Homan says he wants 100,000 detention beds. Kenny Scharf has painted mischievous-looking cartoons on about 300 cars, most of them in LA. He talks about making art accessible, plus his relationships with Keith Haring, Jean-Michel Basquiat, and Andy Warhol. 

The White House's immigration crackdown, the protests, the mobilization of the National Guard and Marines have all reignited the personal feud between President Trump and Gov. Gavin Newsom, and the White House versus California. LAUSD officials are deploying school police to create "perimeters of safety” around graduation ceremonies and campuses where federal immigration agents have been detected.  ICE is looking to spend as much as $45 billion on private prisons and related infrastructure over the next two years. Border czar Tom Homan says he wants 100,000 detention beds. Kenny Scharf has painted mischievous-looking cartoons on about 300 cars, most of them in LA. He talks about making art accessible, plus his relationships with Keith Haring, Jean-Michel Basquiat, and Andy Warhol. 

Jean-Michel Basquiat's graffiti in Lower Manhattan was mistaken for a CIA operation. He was the toast of the New York art world while sleeping on floors in squalid apartments. He sold his first painting to Blondie's Debbie Harry for $200. Less than a year later, his paintings were going for more than $20,000. And decades later, the debate over what is and what is not a real Basquiat rages on. This episode contains themes that may be disturbing to some listeners, including a depiction of police brutality. This episode was originally published on April 25, 2024. Basquiat excelled at both visual art and music. What other musicians excelled in a second skill, art form, or sport? Tell Jake at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod. To see the full list of contributors, see the show notes at ⁠⁠⁠⁠www.disgracelandpod.com⁠⁠⁠⁠. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at ⁠⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠⁠⁠⁠GET THE NEWSLETTER⁠⁠⁠⁠ Follow Jake and DISGRACELAND: ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ ⁠⁠⁠⁠YouTube⁠⁠⁠⁠ ⁠⁠⁠⁠X⁠⁠⁠⁠ (formerly Twitter)  ⁠⁠⁠⁠Facebook Fan Group⁠⁠⁠⁠ ⁠⁠⁠⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week in the After Party, Jake shares his thoughts on the start of the Diddy trial and (of course) takes your calls, emails, texts and DMs.. Next week, we're presenting our episode on legendary artist Jean-Michel Basquiat, and Jake wants to know: Which musician also excelled in a second art from or sport? Tell Jake at 617-906-6638, ⁠⁠⁠disgracelandpod@gmail.com⁠⁠⁠, or on socials @disgracelandpod. For more great Disgraceland episodes, dive into our extensive archive, including such episodes as: Episode 20 - Marvin Gaye Episode 193 - The Replacements Episode 212 - Elvis Presley & Johnny Ace Episode 72 - The Ramones To hear an extended version of the After Party and unlock access to a monthly exclusive episode and ad free listening, become a Disgraceland All Access member at ⁠⁠⁠disgracelandpod.com/membership.⁠⁠⁠ Visit ⁠⁠⁠www.disgracelandpod.com/merch⁠⁠⁠ to see the latest Disgraceland merch! Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠⁠⁠GET THE NEWSLETTER⁠⁠⁠ Follow Jake and DISGRACELAND: ⁠⁠⁠Instagram⁠⁠⁠ ⁠⁠⁠YouTube⁠⁠⁠ ⁠⁠⁠X⁠⁠⁠ (formerly Twitter)  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

On August 12, 1988, Jean-Michel Basquiat—the visionary painter whose explosive talent redefined the possibilities of contemporary art—died of a heroin overdose in his New York City studio at the age of 27. Basquiat's meteoric rise from a graffiti tagger in the Lower East Side to a global art-world phenomenon was nothing short of revolutionary. Widely hailed as the greatest contemporary artist of his generation, Basquiat's canvases pulsed with urgency, intellect, and emotion—breaking down barriers of race, class, and tradition in the art establishment. His untimely death cemented his legend, leaving behind a body of work that continues to challenge, inspire, and command reverence, a lasting reminder of genius gone far too soon. Hosts: Jason Beckerman & Derek Kaufman Learn more about your ad choices. Visit podcastchoices.com/adchoices

From Jan 2024. Dive into the provocative world of artistic "theft" as Ty and Nathan explore how creative innovation truly emerges from our influences. This conversation challenges the myth of pure originality, arguing instead that the greatest artists throughout history have been masterful collectors and transformers of ideas.Beginning with Japanese fashion designer Yohji Yamamoto's transformative quote—"Start copying what you love... at the end of the copy you will find yourself"—the duo examines how creative development flourishes through strategic borrowing. From Quentin Tarantino's open acknowledgment of film references to David Bowie's musical influences, the most distinctive voices often emerge from those who've absorbed the most diverse inspirations.They unpack wisdom from creative legends including Jim Jarmusch, Paul Schrader, and Jean-Luc Godard, who all emphasize that true originality lies not in where you take ideas from, but where you take them to. Art movements throughout history—from Impressionism to Abstract Expressionism—evolved through artists stealing ideas from each other while working side by side, proving that innovation rarely emerges in isolation.What distinguishes mere imitation from transformative theft? When does copying become finding your voice? The conversation offers practical advice for artists at every stage: diversify your influences, document what moves you and why, maintain an "omnivorous" approach to inspiration, and create systems to capture ideas when they strike. Ultimately, the episode makes a compelling case that the most authentic artistic expression comes not from avoiding influence, but from embracing it wholeheartedly.Follow us on Instagram @ty_nathan_clark and @nathanturborg to continue exploring how creative influences shape artistic development.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

In this insightful season finale, Eboné sits down with Lisane Basquiat, sister of the legendary artist Jean-Michel Basquiat, to explore the enduring impact of his work and legacy. Lisane shares her journey of managing her brother's estate alongside her sister, ensuring his artistic vision continues to inspire future generations. As an entrepreneur, Lisane opens up about navigating the business world while honoring her brother’s legacy. She reflects on how family, creativity, and resilience have shaped her path, offering a personal and profound look at the lessons learned and the pride of carrying forward the Basquiat name.This episode offers a rare and intimate glimpse into the world of one of art's most iconic families, closing out the season with a conversation about legacy, creativity, and the power of perseverance. Connect with Eboné: Buy Eboné A Gift: Shop Now Eboné PHG Storefront: Shop Now Read Eboné's Love Letters: www.theyalltheone.com Website: www.thephgpodcast.com Instagram: @theprofessionalhomegirl & @thephgpodcast TikTok & Twitter: @theprofessionalhomegirl Youtube: https://www.youtube.com/@theprofessionalhomegirl Email: hello@thephgpodcast.com Shop PHG: https://www.thephgpodcast.com/shopSee omnystudio.com/listener for privacy information.

Part five of the 27 Club Curse. This episode features Jean-Michel Basquiat, Mia Zapata, and Kurt Cobain. All died at the age of 27. Sourceshttps://www.rollingstone.com/culture/culture-lists/the-27-club-a-brief-history-17853/https://en.wikipedia.org/wiki/Jean-Michel_Basquiathttps://en.wikipedia.org/wiki/Mia_Zapatahttps://en.wikipedia.org/wiki/Kurt_Cobain Become a member at https://plus.acast.com/s/lattes-and-legends-1. Hosted on Acast. See acast.com/privacy for more information.