Podcasts about goldsmiths

In this episode, I sat down one of my dream guests… fellow podcaster Ben Luke, contributing editor of The Art Newspaper and presenter of its podcasts ‘A brush with...' and ‘The Week in Art'. I speak to Ben about his background and the path that brought him to one of the art world's most prominent publications. We talk about the podcasts he hosts at TAN (The Art Newspaper), how they came about, and what it actually looks like to build something from within an existing institution rather than going independent.I ask him about any potential trade-offs of an intrapreneurial approach: the perks, the constraints, and what anyone thinking of pitching a project to their employer might want to consider. We also speak in depth about his book, What is Art For?. I ask him how it came together, why he chose to weave contemporary artist interviews with historical reflections, and how he approaches the art of the interviewing as a method in itself.Thank you Ben for coming on the podcast!- - - - - If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.SOCIALS: Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/Research and Creative Assistant: Iris Epstein 

Have you ever thought of joining and singing in a choir as a blind or partially sighted person but wondered how accommodating the choir might be for you as a visually impaired singer?Well, RNIB Connect Radio's Toby Davey recently caught up with blind Author and Broadcaster Selina Mills along with Jack Apperley, Conductor of the Goldsmiths Choral Union, as the choir were rehearsing for their up-coming ‘Poetry in Motion' concert at Holy Trinity Church, Sloane Street, London on Tuesday 16 June at 7.30pm featuring work by blind Jazz Composer George Shearing to find out how things have been for Selina singing with the choir and for Jack what it has been like working with a visually impaired singer too. To find out more about the Goldsmiths Choral Union and the ‘Poetry in Motion' concert at Holy Trinity Church, Sloane Street, London, Tuesday 16 June at 7.30pm do visit the choir's website - https://www.goldsmithschoralunion.org(Image shows a black and white photograph of the Goldsmiths Choral Union on stage with orchestra and Conductor Jack standing and facing out towards the audience)

Alex Horne - comedian, creator, and the middle of three boys from Chichester - joins Harry to talk about loving school, his hard-hitting Goldsmiths student documentary about urban foxes, and whether the word "meat" was meant as a pun in Harry's new ballad. We also hear about a 24 hour singing challenge that accidentally lasted 25 and three quarter hours, why Alex's wife Rachel is in charge of his private pension, and a highly questionable "life swap" idea based entirely on dishwasher ethics. Architectural historian and seaside culture expert Dr. Kathryn Ferry stops by to celebrate Scarborough's 400th anniversary and answer the questions that matter - did King George III actually say "bugger Bognor"? Why do pleasure piers have a habit of burning down? And would you buy the Brighton Palace Pier with Harry? Hit subscribe so you never miss an episode! Timestamps 00:00 – Welcome to the Hill Show! 00:36 – A Love Song for Ham 01:36 – Meet Alex Horne! 02:28 – Licky the Mascot 03:45 – The Cheshire United Pig Mascot 04:50 – The 25-and-Three-Quarter-Hour Sing-a-thon Error 06:15 – Granola Chaos Backstage at Battersea Power Station 07:18 – Dishwashing Debates & The Wife Swap Idea 10:45 – Sarah the AI Bot Claims She Felt Scammed 12:44 – Is Alex a Musician? (And the Son of a GP) 15:25 – Goldsmiths, Urban Foxes, and a Guaranteed Distinction 16:45 – Seeing Vic and Bob at the Albany Empire 18:45 – Sarah's Breakdown of Alex's Sky News Career 22:20 – Trying to Force "Honk" and "Pratt Digger" into the Dictionary 24:35 – Meeting Ken Dodd & Leaving the Show to Get a Coat 26:34 – Wafer-Thin Ham Product Recall Emergency 28:40 – Taskmaster in the Children's Ward 29:45 – The Traumatic Five-Foot Badger Story 31:04 – Wafer-Thin Ham Preventative Nose Cages 32:34 – The British Seaside ft. Dr. Catherine Ferry 35:05 – Scarborough's 400th Anniversary & The Mineral Spring 37:32 – Steamers, Trains, and Jane Austen Styles 38:45 – King George V and the Truth About "Bugger Bognor" 39:15 – Victorians, Bank Holidays, and the Invention of the Holiday 40:00 – The Very First Pleasure Pier on the Isle of Wight 42:50 – Buying Brighton Pier & The Fire Overheads 44:54 – Pebble Ridges, Mud, and Catherine's Postcard Book 47:45 – Name the Celebrity Seed! 52:30 – Gary's Joke Corner: Identity Politics 54:55 – Animals in Clothes Outro Song "Alex Horne" by Wikipedia contributors, used under CC BY-SA 4.0. Derived from the Wikipedia article on Alex Horne. / This work is licensed under CC BY-SA 4.0. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Solidarity 767, 13 May 2026. Articles: Make unions fight the far right! US-Israel bomb, Iran's clerics clamp down A barrel full of rotten apples Defend the right to protest Take the antisemitic threat seriously Workers come out against Trump Answering Reform on immigration Israel-Palestine: for two states and equal rights! Defence on “Jerusalem Day” The Morning Star, the Greens... and Lib-Dems The “unfinished revolution”: land and the Crown Disaffiliation leads away from, not towards, new politics An alternative to multi-systems theories A war between thieves Anas Sarwar should resign, too A working-class "Covid inquiry" Labour after Starmer: reopen Labour democracy! When “left” and far-right join to delete workers and women Our reference points 1: From debunking religion to class struggle Unruly schools, part 3 Can we get rid of crap jobs? On the doorstep with Lambeth Greens “Your Party” slumps on 7 May Letter: The forms of anti-Jewish hate Letter: Focus on text is misplaced Letter: social media and regulation Letter: "One solution, revolution?" Ireland: the new communalism and racism Oddball left group tries to disrupt May Day PCS: election victory sets scene Don't let commissioners block bins deal Staff-student unity emerging Don't fall ill on the Tube Victory at mining museum Feynman and the Challenger disaster Lambeth dementia care workers strike MHCLG in action from 1 May Students at Goldsmiths lead the way Chernobyl: a bureaucratic disaster More online: https://workersliberty.org/publications/solidarity/solidarity-767-13-may-2026?

What exactly is a biennale, and why do they matter in the art world? In this solo episode, I'm breaking down one of the art world's most iconic and contested formats, from its origins at the very first Venice Biennale in 1895 to the sprawling, politically charged mega-exhibitions we know today.In the episode, we move through the history of how biennales evolved from nationalist showcases into curator-led events grappling with postcolonial discourse, identity politics, and climate change. I then touch on some of the most influential editions across Venice, São Paulo, Kassel, and beyond. We get into the controversies, including the the Dana Schutz and Open Casket debate at the 2017 Whitney Biennial, the board resignation that followed artist protests in 2019, and the antisemitism scandal that overshadowed Documenta 15 in 2022.Sources:Paintings from the Venice Biennale – ListoryIn 1895, the 1st Venice Biennale faces its first censorship scandal – Arte BrasileirosThe Dana Schutz Emmett Till painting controversy at the Whitney Biennial – The GuardianWarren Kanders resigns from Whitney Museum board – The New York TimesStatement by Taring Padi on dismantling People's Justice – Documenta FifteenWho Killed the Independent Curator? – Frieze- - - - - If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.SOCIALS: Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/Research and Creative Assistant: Iris Epstein

Join our hosts for Monday's show where we will be discussing: 'Britain's Broken classrooms' and 'Does Islam have an antisemitism problem? ' Britain's Broken classrooms Across the UK, thousands of students are learning in environments that are quite literally falling apart. Join us as we explore how years of financial strain have impacted schools and what it means for students and teachers. Does Islam have an antisemitism problem? Is Islam really at odds with Judaism or is that just the story we've been told? Join us as we cut through the noise and dig into the real relationship between two of the world's oldest faiths. From shared prophets and common roots to centuries of living side by side, there's a lot more overlap than you might think. So where does the idea of conflict come from? Guests: Dr Amina Shareef - Assistant Professor in Education at Goldsmiths, University of London. Farrukh Tahir- Imam of the Ahmadiyya Muslim Community in Canada. Ellie Harris - Head of Children and Young People's Policy and Principal Research Fellow for IPPR (Institute for Public Policy Research) Producers:  Sabiha Tariq and Dania Nasir

In today's episode, we speak to Soria Hamidi and Christopher Adams-Cohen, whose respective plays - A Burst of Light and All the Beasts of the Earth - were highly commended by the Woven Voices Prize 2025.Soria is Dutch-Afghan playwright, screenwriter and director based in London. They were selected for the Kiln Theatre Young Writers Programme, the Vineyard Theatre Literary Programme and Kali Theatre Workshops. They were also selected for the London Library Emerging Writers Programme in 2022-23. They recently had their play, The Moderator, shown at Theatre503 as part of the Landwrites project.Christopher is a Los Angeles-born, London-based playwright of Ashkenazi Jewish heritage. They write and develop plays that subvert and expand classical theatrical forms, platform interdisciplinary and underground performance practices, and centre Queer perspectives, history, spirituality, and pleasure. They are an alumnus of the 24/25 Soho Theatre Writer's Lab, and hold an MA in Dramaturgy & Writing for Performance from Goldsmiths.Soria and Christopher spoke with us about reclaiming one's identity through writing, finding the bravery and support to write bold political work, and carving out space for newness and multiculturalism in what can feel like a risk-averse theatre industry.Christopher's play-text for The Mad Gay King is available via Playdead Press. For more information about Soria's and Christopher's work, check out the following links:https://soriahamidi.comcadamscohen.com Hosted on Acast. See acast.com/privacy for more information.

Boats passing, waves lapping along the sides of buildings in the city of canals… and I am sitting outside the Icelandic Pavilion, peeking into the Pocket Universe created by artist Ásta Fanney Sigurðardóttir. For this Biennale Exclusive episode, I speak to Ásta about her work and the exhibition she created for this year's Venice Biennale In Minor Keys, but I also got to speak to Cecilie Ragnheiðardóttir Gaihede, the Director of the Icelandic Art Centre, and the co-curator of Pocket Unviverse, Margrét Áskelsdóttir. I ask them about their roles, what the experience has been like to put together a national pavilion for an international stage, why it's important to participate in the Venice Biennale as a nation, and so much more.- - - - - If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.SOCIALS: Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/

Saskia Wheeler is a strategist and researcher working at the intersection of neuroscience and design, translating cognitive and sensory science into frameworks that guide how creative work is felt and experienced. For the past six years, she has worked with designers, agencies and hospitality brands to help them close the gap between the experience they intend to create and the one people actually feel. Saskia studied philosophy at Trinity College Dublin before completing a Master's in Neuroaesthetics at Goldsmiths, University of London.In this episode of Out of the Clouds, Saskia tells Anne about her upbringing in a creative London household (her mother was an art director who often had photographers living in the family home) and how she developed an early sensitivity to the way art and design bring atmosphere and meaning to everyday environments. Drawn to questions of consciousness and perception, she explains what led her from philosophy to neuroaesthetics, and why she felt she could not go further into questions of consciousness without first understanding the brain.Saskia and Anne discuss what neuroaesthetics actually is: the scientific study of how art, design, music and architecture measurably change our brains and bodies. Still a relatively young field, it draws on rigorous research to show that beauty and aesthetic experience are not decorative concerns but deeply embedded in how we evolved. The most surprising thing Saskia has learned in the field: just how deeply wired we are to respond to beauty.She also shares an insight that sits at the crossroads of philosophy and neuroscience and that has stayed with her since her studies: that lived experience is not simply made up of what we perceive in the present moment. It is co-created by our past memories, which don't merely inform the present but actually shape and in part create it. This is why two people can occupy the same space and have entirely different experiences of it, and why, Saskia reflects, understanding this has given her more compassion for herself and others.Saskia and Anne discuss the applications of neuroarchitecture and design, and what the research tells us about what makes spaces feel good to be in. Saskia identifies three things people value most: homeness (warmth and comfort), coherence (how well the space meets expectations and guides movement through it) and fascination (how much it surprises and interests). She also makes the case for touch as the most underestimated sense when it comes to comfort, linked to the neurochemical oxytocin and the experience of trust, and explains why this extends beyond physical contact with other people to the materials we come into contact with in our environments.Creativity is also an emerging area within neuroaesthetics, and Saskia speaks about it as an increasingly recognised fifth pillar of health and wellbeing, alongside exercise, sleep, nutrition and social connection. What she says here is worth sitting with: the benefits of creativity come from the expression and the doing, rather than the output. The inner critic is so often the biggest obstacle, because creativity has long been tied to being good at something rather than simply doing it. Anne and Saskia also share a practice: both are devoted morning pages writers.The conversation also touches on cognitive load and clutter (including research suggesting that disorganisation in our environments creates low-level vigilance even when we are not consciously aware of it), biophilic design, the science of lighting, and Anne's own plans for Le Trente, a social learning studio she is developing in Geneva.A rich exchange with a thinker who is quietly changing how the built world gets made. Happy listening!Selected links Connect with Saskia:Saskia Wheeler on Instagram: @neuro.aestheticWebsite: https://www.saskiawheeler.co.uk/Linkedin: https://www.linkedin.com/in/saskiawheeler/Visit our website: https://outoftheclouds.com/Subscribe to Anne's newsletter The Mettā View: https://annevmuhlethaler.com/the-metta-viewFollow Anne on IG: https://www.instagram.com/annvi/BlueSky: https://bsky.app/profile/annvi.bsky.socialLinkedIn: https://www.linkedin.com/in/anne-v-muhlethaler Hosted on Acast. See acast.com/privacy for more information.

Professor Chris French is back and once again, we opened the parapsychology door for an hour plus diving into the science of weird shit (the title of his book). Chris is a British psychologist and Professor Emeritus at Goldsmiths, University of London, where he founded and led the Anomalistic Psychology Research Unit. His work focuses on understanding paranormal beliefs and unusual experiences - why people believe in ghosts, psychics, UFOs, and other extraordinary claims - through the lens of psychology rather than the supernatural.See omnystudio.com/listener for privacy information.

Chad Kultgen — novelist, screenwriter, co-creator of Game of Roses (a.k.a. Bachelor Clues), co-host of Dudesy, and host of YouTube's The Necessary Conversation — joins Podsongs for a 90-minute interview with guest host Robin Dann of the Toronto art-pop band Bernice. Robin is a two-time Polaris Music Prize nominee with Bernice, and on this episode she steps into the host seat to dig into the ideas driving Chad's work: kayfabe, reality TV as sport, AI, and the politics of nihilism.The conversation covers kayfabe in professional wrestling and how the same logic now shapes The Bachelor, reality TV at large, social media, and American politics — including villain edits, engineered viral trends, and the "four audiences" framework from Game of Roses. They discuss the primary world shifting onto screens, what AR, Neuralink-style tech, and AI tools like Suno mean for art, labor, and music, and whether AI music will disrupt songwriting the way AI has disrupted comedy on Dudesy.Chad opens up about his nihilistic worldview, his position on free will, and how he navigates political conversations with his MAGA-supporting parents on The Necessary Conversation. The episode also gets into his day-to-day creative grind, his musical background and regrets about not studying music formally, his Logic production setup, his obsession with Mormon influencer culture, and the producer mindset he learned from Elon Gale. Robin talks about her own musical roots — jazz studies, Paris, a master's at Goldsmiths — the Toronto scene, Bernice's work in Italy, and her ASMR obsession. The two close by agreeing to collaborate on a song drawn from the interview.The song that came out of this conversation, "Let's Go Supernova," was written by Robin Dann and is released May 1.Guests:Chad Kultgen (Bachelor Clues, Game of Roses, Dudesy, The Necessary Conversation) — https://www.youtube.com/@TheNecessaryConversationRobin Dann (Bernice) — https://bernicemusic.comSong:"Let's Go Supernova" — written by Robin Dann. Pre-save: https://ffm.to/gosupernovaPodsongs:https://podsongs.com00:00 Welcome and Guests00:34 Meet Robin Dan03:20 Musical Roots and Training03:48 Paris London and Goldsmiths05:07 Awards Scene and Touring06:52 Italy Grants and Logistics09:04 ASMR Obsession Explained11:29 Bachelor as Sport15:30 Who Is Chad Colchin22:10 Chad Joins the Call25:57 Kayfabe and Reality36:03 Doodsy and AI Comedy39:44 Parasocial Primary World41:59 AR Future and Art Labor50:07 AI Music Disruption50:27 Suno AI Songmaking51:38 Mormon Influencer Obsession53:51 Cracks in Kayfabe55:04 Engineered Viral Trends57:47 Nihilism With Humor01:01:19 Parents Politics No Free Will01:03:49 Day in the Life Grind01:05:15 Weed and Creativity01:06:41 Ultimate Goal Reality01:09:56 Music Roots and Regrets01:13:47 Theme Song Looping01:16:16 Reality TV Spy Secrets01:20:36 Four Audiences Explained01:21:34 Pit Dwellers Community01:23:15 John Wilson Edit Kayfabe01:24:37 Pitching The Bracket01:25:59 Elon Gale Producer Mindset01:28:01 Goodbyes and Collab Plans01:31:05 Post Interview Debrief01:32:36 Saint Berenice Plug01:33:28 Final Song Playback// SUPPORT THIS CHANNEL //Newsletter, donations and download the song for €/$1 @ https://podsongs.com// LINKS //Website: https://podsongs.comPodcast episodes: https://podsongs.com/podcast-episodesSongs: https://podsongs.com/musicSpotify artist: https://open.spotify.com/artist/32FYyRx1y1ex3jHHAgLMC7?si=4Nv7WW85SbSPZvCsj1o7IgSpotify playlist: https://open.spotify.com/playlist/6sN1viy82HPiNTVX2YBxpq?si=1b84c2b9bdea4656// SOCIAL //Twitter: https://twitter.com/podsongsInstagram: https://instagram.com/podsongsFacebook: https://facebook.com/podsongs

Moving the conversation on social mobility out of the boardroom and into the mainstream, the Lady Mayor Dame Susan Langley will set out her ambition to connect people with opportunity and “unsquare” the Square Mile: ensuring nobody has to fit in a certain box to thrive in the UK's financial capital. Joined by an expert panel, she'll ask how we can change people's view of the City and break down barriers that might hold people back from fulfilling their potential.  This lecture was recorded by Lady Mayor Alderwoman Dame Susan Langley on the 13th of April 2026 at Bernard's Inn Hall, LondonAlderwoman Dame Susan Langley became Lady Mayor of London 7th November 2025. She is the 697th Lord Mayor, the third woman to hold the office, and the first to be styled “Lady Mayor”.Dame Susan Langley is Chair of Gallagher UK, and the Senior Independent Director for UKAR (Northern Rock Asset Management and Bradford and Bingley). Previously she was the Lead Non-Executive Director for the Home Office, a Trustee for Macmillan Cancer, CEO Financial & Professional Services at the Department for International Trade (DIT), Executive Director North America and Market Development for Lloyd's of London, Director of Lloyd's Asia and Chairman of Lloyd's Japan. Prior to this, Susan held various Insurance Board positions. She joined the Insurance Market from PriceWaterhouseCoopers where she was a Principal Consultant working with a range of FTSE 100 companies.A founding member of the Government Women's Business Council, she is a past recipient of the Insurance Institute of London (IIL) President's Award, the FS Women in the City Achievement Award, Women to Watch, Leading Women in Reinsurance and top 20 inspirational City Women. Born in the East End, she is passionate about social mobility and involved in a number of charitable and mentoring roles. In 2015 she received an OBE for services to women in business and in 2023, a DBE for public service to the financial services industry. Dame Susan graduated (BSc Hons) from Southampton University and married Gary in 2003. She is a Liveryman of the Insurers and Drapers and a Freeman of the Goldsmiths. Dame Susan is the Alderwoman for the City of London Aldgate Ward and served as Aldermanic Sheriff of the City of London 2023/2024.The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/lady-mayor-26Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham College's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today Website:  https://gresham.ac.ukX: https://x.com/GreshamCollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeBluesky: https://bsky.app/profile/greshamcollege.bsky.social TikTok: https://www.tiktok.com/@greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show

Alex Kadis is a writer, music journalist and industry consultant. Half-British, half-Greek, she grew up in Leyton and Walthamstow and studied English Literature at Goldsmiths. She was Features Editor at Smash Hits in its heyday and has written for Sunday Times Style and Q Magazine, before moving into artist management and consultancy.Her debut novel Big Nobody is out now with Penguin Random House. Grace and Alex talk about the book's 1970s East London setting, the push and pull of immigrant identity, what it means to finally feel like a somebody, and what AI can and can't do with art. Xochitl Gonzalez called it a novel that "broke my heart one minute and had me really laughing the next." Kirkus Reviews gave it a starred review, and the Guardian wrote that Kadis has produced "a debut that sparkles like Marc Bolan's eye makeup." Pandora Sykes called it "riotously funny, nostalgic, and immensely touching."Get the book here or at your local seller.

We are so excited to kick off our Interviews at Sea series with DAWES! We had the chance to talk to brothers Taylor and Griffin Goldsmith aboard Cayamo: A Journey Through Song during their 18th voyage in March 2026 in front of a packed audience. The guys have been performing as Dawes since 2009, but the band has been a duo since their 2024 album, 'Oh Brother.' The Goldsmiths have been singing and playing together their whole lives inspired by their musician father, Lenny Goldsmith, who toured as the lead singer of Tower of Power in the 1980s. Taylor was never told it was hard to play guitar or sing, so he just did it. He always knew he wanted to be a professional musician. We talk about the ways his musical career turned out as not quite what he had expected. We also touch on how their singing has evolved over the course of their lives together. Both Taylor and Griff are fathers, so of course we asked about the freedom that comes with priorities changing in their lives and careers – as well as what toys they may have regretted ever letting their kids have.One thing following Dawes around for the past year is the aftermath of the January 2025 Eaton Fire in Los Angeles. Both brothers and their parents suffered immense loss due to the flames sweeping through Altadena, destroying thousands of homes and causing over 30 deaths. Griffin's son was born two weeks after the fire, a month early. Dawes became the musical face of the disaster with an emotional performance on 'Jimmy Kimmel Live!' and opening the GRAMMYs with Randy Newman's “I Love LA” with a veritable supergroup: Sheryl Crow, Brad Paisley, Brittany Howard, St. Vincent, and John Legend. The brothers get into what the experience taught them about healing and reaching a place where this tragedy does not define them. We hear a bit about Taylor's love of collecting first editions and his fear of the comment section and we wrap up with a fun "Which One?" lightning round. Thanks to Dawes!Follow Basic Folk on social media: https://basicfolk.bio.link/Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknewsHelp produce Basic Folk by contributing: https://basicfolk.com/donate/Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpodsAdvertising Inquiries: https://redcircle.com/brands

ALL ABOUT ART TURNED 5 in April !!! On April 2nd, 2021, deep in Covid lockdowns, I decided to launch the pod. Now, in 2026, here we are - with a global audience spanning over 115 countries, thousands of downloads and monthly listeners, collaborations with institutions and amazing cultural professionals, and… A BOOK DEAL.I started this podcast because I had no idea what working in the art world actually looked like. My university wasn't telling me, career services wasn't telling me, books weren't telling me, so I started asking people directly and wanted to record it all.To commemorate 5 years of All About Art AND the launch of my book Working in Art: How to build a career in the art world all within the span of a week, in this special episode, I share five lessons drawn from over 130 conversations with museum directors, curators, gallerists, art handlers, auction house specialists, and more.There's also a lot I wish someone had just told me a decade ago when I was starting out in the arts, which is, honestly, the reason the book exists. Working in Art is the first book written specifically for people who want to work in the art world but aren't making art themselves. No equivalent existed when I was starting out, and it should have…. so now, it does

Francis Spufford is an award-winning writer who loves to inhabit different worlds and vividly bring them to life: Golden Hill, which won the Costa First Novel Award, takes place in Manhattan in 1746, Light Perpetual begins in a Woolworths in South London in 1944 and Francis's latest novel ‘Nonesuch' is a historical fantasy set during the Blitz. But it wasn't until he was 52 that Francis felt confident enough to write works of fiction, before that his books covered a wide variety of topics from polar expeditions to the economic optimism of post-Stalin Russia to an exploration of the role religion has played in his life. He became an atheist in his teens but turned back to the church after a 20 year hiatus.When not penning his own work, Francis encourages other budding authors as Professor of Creative Writing at Goldsmiths, University of London.His music choices include works by Byrd, Satie, Mozart and Ravel.

Who is your favourite literary character? According to Dr Josh Cohen, an academic working in literary theory and also a psychoanalyst, this can be a very important question. Josh Cohen's new book is How to Live. What To Do: In search of ourselves in life and literature. He believes that there are major similarities between psychoanalysis and great literature. For one thing, neither offers simple answers to complex questions.  With books, you have the opportunity to see the world through the eyes of someone else, understand what makes them click and why they do what they do. With analysis, which is generally over several years, you do something similar with your unconscious, and come to understand yourself better. In this episode Josh and Andrew discuss the books that have stayed with them throughout their lives. They also touch on the essential quality of imagination in childhood, and why we all need to “be more Alice”.  Josh Cohen is a professor of modern literary theory at Goldsmiths, University of London, and a psychoanalyst in private practice. He is the author of many books on aspects of modern life. If You're Looking for More…. You can subscribe to The Meaningful Life (via Apple Podcasts, Spotify or Google Podcasts) and hear a bonus mini-episode every week. Or you can join our Supporters Club on Patreon to also access exclusive behind-the-scenes content, fan requests  and the chance to ask Andrew your own questions. Membership starts at just £4.50 This week supporters will hear: Three Things Josh Cohen knows to be true.  AND subscribers also access all of our previous bonus content - a rich trove of insight on love, life and meaning created by Andrew and his interviewees. Follow Up Attend Andrew's couple's retreat near Berlin in June 2026 or men's retreat in April 2026: details here Get Andrew's free guide to difficult conversations with your partner: How to Tell Your Partner Difficult Things  Take a look at Andrew's new online relationship course: My Best Relationship Tools   Read Josh Cohen's new book How to Live. What To Do: In search of ourselves in life and literature  Read Josh Cohen's book Not Working: Why We Have To Stop  Join our Supporters Club to access exclusive behind-the-scenes content, fan requests and the chance to ask Andrew your own questions. Membership starts at just £4.50. Read Andrew's book reviews on Goodreads Get Andrew's advice on creating change in your life and relationships in his book Wake Up and Change Your Life: How to Survive a Crisis and Be Stronger, Wiser and Happier Andrew offers regular advice on love, marriage and finding meaning in your life via his social channels. Follow him on Twitter, Facebook and YouTube @andrewgmarshall 

What Is an Art Foundation, Actually?The word “foundation” appears quite frequently in the art world, but I feel like most people, including those already working in the sector, would perhaps struggle to define what one actually is. This episode attempted to tackle that definition, and it may have clarified some things, but I also think it made things more confusing.

Land Cinema in an Age of Extraction considers nonfiction filmmakers and film collectives whose work advances an understanding of land as a locus of social and environmental responsibility. Diving into little-known archives to explore films that resonate across geographies, Becca Voelcker unearths key examples of eco-political counterculture, from farmer-filmmakers in Japan and Mali to a gardener-filmmaker in Massachusetts, and from filmed landscape-portraits of women in Los Angeles, Orkney, and the Navajo Nation to Indigenous documentaries about land dispossession in Colombia. Proposing "land cinema" as an urgent genre for our time, this book reveals how images and ideas produced half a century ago sowed the seeds for climate justice movements today. Becca Voelcker is Lecturer in the Department of Art at Goldsmiths, University of London. She was named a BBC New Generation Thinker in 2024. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Land Cinema in an Age of Extraction considers nonfiction filmmakers and film collectives whose work advances an understanding of land as a locus of social and environmental responsibility. Diving into little-known archives to explore films that resonate across geographies, Becca Voelcker unearths key examples of eco-political counterculture, from farmer-filmmakers in Japan and Mali to a gardener-filmmaker in Massachusetts, and from filmed landscape-portraits of women in Los Angeles, Orkney, and the Navajo Nation to Indigenous documentaries about land dispossession in Colombia. Proposing "land cinema" as an urgent genre for our time, this book reveals how images and ideas produced half a century ago sowed the seeds for climate justice movements today. Becca Voelcker is Lecturer in the Department of Art at Goldsmiths, University of London. She was named a BBC New Generation Thinker in 2024. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Land Cinema in an Age of Extraction considers nonfiction filmmakers and film collectives whose work advances an understanding of land as a locus of social and environmental responsibility. Diving into little-known archives to explore films that resonate across geographies, Becca Voelcker unearths key examples of eco-political counterculture, from farmer-filmmakers in Japan and Mali to a gardener-filmmaker in Massachusetts, and from filmed landscape-portraits of women in Los Angeles, Orkney, and the Navajo Nation to Indigenous documentaries about land dispossession in Colombia. Proposing "land cinema" as an urgent genre for our time, this book reveals how images and ideas produced half a century ago sowed the seeds for climate justice movements today. Becca Voelcker is Lecturer in the Department of Art at Goldsmiths, University of London. She was named a BBC New Generation Thinker in 2024. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Land Cinema in an Age of Extraction considers nonfiction filmmakers and film collectives whose work advances an understanding of land as a locus of social and environmental responsibility. Diving into little-known archives to explore films that resonate across geographies, Becca Voelcker unearths key examples of eco-political counterculture, from farmer-filmmakers in Japan and Mali to a gardener-filmmaker in Massachusetts, and from filmed landscape-portraits of women in Los Angeles, Orkney, and the Navajo Nation to Indigenous documentaries about land dispossession in Colombia. Proposing "land cinema" as an urgent genre for our time, this book reveals how images and ideas produced half a century ago sowed the seeds for climate justice movements today. Becca Voelcker is Lecturer in the Department of Art at Goldsmiths, University of London. She was named a BBC New Generation Thinker in 2024. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

From Collector to Founder: Elisa Nuyten on Building The Vega FoundationIn this episode, I sat down with Elisa Nuyten, founder of The Vega Foundation, a Toronto-based organization dedicated to artists' film and video.I speak to Elisa about what her foundation does - supporting a medium that many of us love but that often exists in the margins of the art world. We talk about her journey from collector to foundation founder, including the practical realities of launching a foundation - the building blocks, the governance structures, and why she chose Toronto and Canada as home base.I ask her about specific works from her collection that have shaped how she approaches the arts today, and why she felt compelled to focus specifically on moving image practices despite - or perhaps because of - the challenges this medium presents for collecting and display. We talk about how the Vega Foundation has evolved over its first three years, the psychology of supporting experimental work, the unseen infrastructure that makes artists' film and video possible, and so much more.Thank you Elisa for coming on the podcast!You can follow The Vega Foundation on Instagram here: https://www.instagram.com/thevegafoundation/You can check out The Vega Foundation's website here: https://www.thevegafoundation.com/- - - - - If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.SOCIALS: Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/Research and Creative Assistant: Iris Epstein

Illuminated is Radio 4's home for powerful, original audio storytelling - and recently we've heard from listeners who were moved by a documentary called Functioning, about the effect of alcohol addiction on two women's lives. Andrea Catherwood talks to the programme's producer Jodie Taylor, and Radio 4 documentary commissioner Hugh Levinson, and hears a remarkable insight into how the programme came to be.Feedback's listeners are pretty clued up when it comes to giving their thoughts to the BBC, but we came across one last week who seemed to know more than most - as it turned out, he did a PhD on charter renewal. Andrea talks to Dr Tom Chivers, academic at Goldsmiths, University of London, about what the BBC can do to reach its audience during a consultation that could result in radical change.And following our discussion of news avoidance on last week's programme, we hear from a listener who has discovered his own method for avoiding news that feels excessive, or irrelevant.Presenter: Andrea Catherwood Producer: Pauline Moore Assistant Producer: Rebecca Guthrie Executive Producer: David PrestA Whistledown Scotland production for BBC Radio 4

In order to better understand why racism still exists, it helps to study it like a science. Keon West, social psychologist at Goldsmiths at the University of London, joins host Krys Boyd to discuss his rigorous research into racist beliefs, the results of social experiments that show how far we've moved the mark since the Civil Rights era and what we can definitively say about prejudice today. His book is “The Science of Racism: Everything You Need to Know but Probably Don't—Yet.” Learn about your ad choices: dovetail.prx.org/ad-choices

Tom Sleigh is Chair of the Planning and Transportation Committee at the City of London Corporation, overseeing one of the most dynamic and densely developed planning jurisdictions in the country. An elected independent Member representing the ward of Bishopsgate since 2013, Tom has long been at the forefront of shaping the City's built environment and cultural life.He previously chaired the City's Barbican Centre Board, one of Europe's largest performing arts centres where he launched Barbican Renewal, securing £191 million to renovate the iconic centre. He chaired the Investment committee, overseeing a £4 billion real estate portfolio including over 20% of the Square Mile's freehold estate and many of its iconic heritage sites.In addition to his Corporation roles, Tom is Chair of Goldsmiths, University of London, a board member of the Houses of Parliament Restoration and Renewal's Delivery Authority and Chair of the South Bank Employers Group which manages the Southbank BID, where he champions place-making and cultural-led regeneration across central London. He also co-chairs the Mayor of London's Cultural Leadership Board.Tom's professional background includes senior roles at The Bank of London and Amazon UK, and earlier work with Lloyds Banking Group, the BBC, and Booz Allen Hamilton. A Fulbright Scholar and Cambridge graduate, he combines strategic rigour with a deep understanding of how great cities evolve.  

This week's episode of All About Art talks about money

AI and new tech in crises: When is technology a force for good, and when are we piling on the problems in humanitarian response? In this episode, experts unpack why technology is never neutral, the fallback on "techno-utopian" solutions, and the risk of "techno-colonialism" and why it matters.   Guests:    Mirca Madianou, professor in the School of Media, Communications and Cultural Studies at Goldsmiths, University of London, and author of "Technocolonialism: When Technology for Good is Harmful".   Nathaniel Raymond, executive director of the Humanitarian Research Lab at the Yale School of Public Health.   Rana F. Sweis, journalist and founder and managing director of WishBox Media.   Got a question or feedback? Email podcast@thenewhumanitarian.org or post on social media using the hashtag #RethinkingHumanitarianism.

This lecture was recorded by Clive Stafford Smith on the 9th of February 2026 at Bernard's Inn Hall, LondonClive Stafford Smith JD OBE is a dual UK-US national, the founder and director of the Justice League a non-profit human rights training centre focused on fostering the next generation of advocates. He was the Senior Prefect at Radley College, where he studied maths and science; then a Morehead Scholar at the University of North Carolina (Chapel Hill), where he took a degree in Politics; and a Stone Merit Scholar each of his three years at Columbia Law School, graduating in 1984. He previously founded and directed the legal action charities Louisiana Capital Assistance Center (1993 in New Orleans) and Reprieve (1999 in London). Since 1984 he has tried many capital cases, and helped to represent over 400 people facing execution in the US and elsewhere. He also brought the first challenge to Guantánamo Bay, where he has secured the release of 85 detainees, and continues to assist the remaining 30.  In all five of the cases he has helped bring to the U.S. Supreme Court the petitioner has prevailed. He has recently taken on the case of Aafia Siddiqui, the woman who has most suffered from the US rendition-to-torture program – abducted with her three children. He continues to work on capital cases in the US, including a Post-Mortem Project where he is investigating the claims of innocence of 184 people executed since 1977.Clive has published a number of books including Bad Men (2008, describing work in Guantánamo) and Injustice (2012, on the capital case of Kris Maharaj), both of which were short-listed for the Orwell Prize; and most recently The Far Side of the Moon (2023), deconstructing the parallel lives of his father and a client Larry Lonchar, both of whom were labelled Bipolar. He has many other publications, including manuals for the defence of capital cases, and law review articles about aspects of capital defence. He has worked on many films and documentaries, starting with Fourteen Days In May (1987), recently ranked as one of the top BBC documentaries of all time. While continuing his litigation practice, Clive teaches part time at Bristol Law School and Goldsmiths as well as running a summer programme for 35 students in Dorset, his home. He has received all kinds of awards in recognition of his work, including an OBE by Queen Elizabeth II for “services to humanity” in 2000. He has been a member of the Louisiana State Bar since 1984. The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/pictures-afghanistanGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham College's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today Website:  https://gresham.ac.ukX: https://x.com/GreshamCollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeBluesky: https://bsky.app/profile/greshamcollege.bsky.social TikTok: https://www.tiktok.com/@greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show

The Truth About Art World Careers: Inside Talent, Hiring, & Strategic Navigation with former co-managing partner of Sophie Macpherson Ltd.In this episode, I sat down with Rosie Allan, former co-Managing Partner of Sophie Macpherson, a leading recruitment firm specializing in the art market.I speak to Rosie about her journey into art world talent and recruitment, and what drew her to this particular corner of the industry. We talk about the groundbreaking Art Market Talent Reports that Sophie Macpherson has released over the past few years - research that has sparked essential conversations about working conditions, career pathways, and structural challenges across the sector.I ask her about the UK Employment Rights Bill and what it actually means for people working in galleries, auction houses, and museums today. We discuss what a strategic job search looks like in the current landscape, how the process differs between the US and UK art markets, and what mid-level professionals can do to convince employers they're ready for senior roles.We also talk about career progression in an industry where traditional advice doesn't always apply, Rosie's decision to step down as co-managing partner after years with the company, and so much more.Thank you Rosie for coming on the podcast!You can follow Sophie Macpherson Ltd on Instagram here: https://www.instagram.com/smlsearch/You can follow Rosie here:https://www.instagram.com/rosieallan_art/You can check out SML's website here: https://www.sophiemacpherson.com/- - - - - If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.SOCIALS: Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/Research and Creative Assistant: Iris Epstein 

To commemorate the centenary of electronic music pioneer Daphne Oram on 31 December 2025, Caro C explores Oram's lasting influence in a conversation with Sarah Angliss and Ian Stonehouse. The episode continues with Shiva Feshareki and James Bulley discussing their Proms performance of Still Point, Oram's innovative orchestral work from 1948 that integrated electronic sound and live manipulation.Chapters00:00 - IntroductionSarah Angliss & Ian Stonehouse02:15 - Composer, Inventor and the Radiophonic Workshop06:42 - Inspired by the sound-houses of Francis Bacon11:34 - Working In Frequency, Not Pitch13:01 - Tower Folly and the Oramics Machine16:09 - Working With Post-War Equipment22:12 - Insights and Inspiration from the Archives26:56 - Top Musical Selections From the ArchiveShiva Feshareki & James Bulley32:57 - A Proms Performance Of Still Point37:55 - The Daphne Oram Archive and Goldsmiths41:12 - Creating A Historically Accurate Performance45:22 - Following The Written Instructions53:27 - Creating An Updated ScoreSee also:https://www.soundonsound.com/people/graham-wrench-story-daphne-orams-optical-synthesizerhttps://www.soundonsound.com/people/story-bbc-radiophonic-workshopDaphne Oram BiogDaphne Oram (1925–2003) was a pioneering British composer and inventor, and one of the founders of the BBC Radiophonic Workshop. A trailblazer in electronic music, she developed the Oramics system, a groundbreaking method of composing sound by drawing directly onto film, allowing pitch, timbre and dynamics to be controlled visually rather than through traditional notation. Her work fundamentally reshaped ideas about how music could be created, laying the foundations for electronic composition, sound synthesis and experimental music practices that continue to influence composers, producers and sound designers today.Website: www.daphneoram.orgSarah Angliss BiogSarah Angliss is an Ivor Novello Award-winning composer, performer, and instrument designer working across film, theatre, and live performance in Europe and North America. Her work includes the electroacoustic score for Romola Garai's Amulet and the opera Giant, which combines baroque instruments with electronics and DIY music machines. Drawing on European folk, cybernetics, and electroacoustic engineering, her music explores inventive sound design. Sarah has received the Visionary Award from the Ivors Academy (2021) and a Paul Hamlyn Award for Composers (2018). She's recently joined the Augmented Instruments Lab at Imperial College, London, for researching lost alternative design strategies dormant in forgotten electronic musical instruments.Website: www.sarahangliss.comInstagram: @sarah_anglissIan Stonehouse BiogIan Stonehouse is an archivist, researcher and performer working in the Electronic Music Studios and Special Collections at Goldsmiths, University of London, with the archives of composers Daphne Oram, Lily Greenham and Hugh Davies. He has lectured in Sonic Art for over 30 years and was Head of the Electronic Music Studios at Goldsmiths from 2004-2019. Most recently he's been a research consultant and instrument maker for projects including Lily Greenham: An Art of Living at Badischer Kunstverein in Karlsruhe, Germany (2024), the Science Museum's Time Loops concert series with composer Gavin Bryars and the group Icebreaker (2024-25), Ensemble Contrechamps' Daphne Oram: An Individual Note concert at the Auditorium Ansermet in Geneva (2025), Nonclassical's Vari/ations: An Ode to Oram event at the Barbican in London (2025) and as part of an ensemble celebrating the legacy of experimental group Gentle Fire at Cafe Oto in London (2026).Bandcamp: ianstonehouse.bandcamp.comInstagram: @soonheisatuneShiva Feshareki Biog A doctoral composition graduate from the Royal College of Music, Shiva Feshareki is an Ivor Novello award-winning British-Iranian composer and turntablist, working at the intersection of contemporary-classical and electronic music. She has performed internationally in concert halls, galleries, and raves, including the BBC Proms, Southbank Centre, Barbican, Konzerthaus Berlin, Mutek Montreal, and Amsterdam Dance Event, collaborating with ensembles such as the BBC Singers, London Contemporary Orchestra, Ensemble Modern, and Vienna Radio Symphony Orchestra.Website: studiofeshareki.comInstagram: @shivafesharekiX - @shivafesharekiJames Bulley BiogJames Bulley is an artist and musician working with sound across installation, performance, immersive audio, film, theatre, and public art. His work has been presented internationally in galleries, concert halls, and public spaces. Projects include the world-premiere performance of Daphne Oram's Still Point at the BBC Proms, alongside collaborations with artists, filmmakers, and institutions including Marshmallow Laser Feast, the National Trust, Opera North, and the BBC.Website: jamesbulley.comInstagram: @jjbulleyCaro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.Website: carocsound.comX: @carocsoundInstagram: @carocsoundFacebook: www.facebook.com/carocsoundCatch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

From Tip Jars to Patreon: Rebuilding Arts Funding from the Ground Up?This week's episode of All About Art tackles “patronage”, but on the micro scale. You've surely seen it before: “Buy me a Ko-Fi!” “Support me on Patreon!” and more - the latter of which you hear every time to tune into an episode of All About Art, because these sites allow your community to show support for the work they love and engage with.So, using FOLLOW.ART's Support My Practice feature as one of my case studies, I dive deeper into the initiatives helping reshape how creative work gets funded. I explore why these models emerged, what they're replacing, and what it actually feels like to ask for support as a creator, especially when you are juggling so many other platforms (spoiler: it's complicated!).I also share some personal reflections on running this podcast for the last five years, the mental & emotional tax of self-promotion, and why £3 a month from one listener can make all the difference. So, whether you're a creator navigating these platforms (FOLLOW.ART is for curators and artists specifically), or you're someone who's wondered if those small contributions actually matter, or maybe you're just curious about the future of creative sustainability, this episode offers a little bit of an overview of where we are and where we might be heading with micro-patronage. You can follow FOLLOW.ART on Instagram here: https://www.instagram.com/followart.world/You can check out FOLLOW.ART's website here: https://follow.art/ℹ️ #paidpartnership with FOLLOW.ART- - - - - If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.SOCIALS: Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/Research and Creative Assistant: Iris Epstein 

A thousand facets sits with Harriet Scott, the Head of Fair at the Goldsmiths' fair, we discuss the importance of the Fair, about the anniversary of the fair and the 700 anniversary of Goldsmiths' Company. We discuss the application process which is open now and it'll close February 27, 2026. About: Goldsmiths' Fair is an annual selling event and exhibition showcasing work by a curated selection of the best fine jewellers and contemporary silversmiths creating and making in the UK today. It is widely regarded as an essential stop in the international fine jewellery and contemporary silver events calendar. The Fair has taken place at the magnificent Goldsmiths' Hall, one of London's hidden treasures, since 1983. All Fair exhibitors use exceptional handmaking skills to create their pieces, applying techniques that have been passed down over hundreds of years. Visitors can expect to find beautiful, handmade pieces all containing an element of precious metal. Behind every piece is a unique story and a unique artist. The emerging and established makers exhibiting at Goldsmiths' Fair are chosen through a rigorous selection process which ensures the highest standards of both materials and craftsmanship. Each year, up to ten Emerging Business Bursary places are awarded to support new talent. You can follow the Fair on Instagram @goldsmithsfair or their website https://www.goldsmithsfair.co.uk/ or apply https://www.goldsmithsfair.co.uk/application-form-2026/ Please visit @athousandfacets on Instagram to see some of the work discussed in this episode. Music by @chris_keys__ Learn more about your ad choices. Visit podcastchoices.com/adchoices

FreshEd is on holidays. We'll be back soon with new episodes. -- Today we explore the idea of degrowth. With me is Jason Hickel, an economic anthropologist, author, and a Fellow of the Royal Society of Arts in the United Kingdom. He is a Visiting Senior Fellow at the International Inequalities Institute at the London School of Economics, and Senior Lecturer at Goldsmiths, University of London. He recently published a book entitled Less is More: How Degrowth will Save the World. The book is a must read for anyone who wants to know how we can stop ecological break down and enable human flourishing. freshedpodcast.com/jasonhickel/ -- Get in touch! Twitter: @FreshEdpodcast Facebook: FreshEd Email: info@freshedpodcast.com Support FreshEd: www.freshedpodcast.com/support/

How Curators & Artists Are Supported In The Digital Age, with Evelina Gorbačova, Head of Digital Development at FOLLOW.ARTFOLLOW.ART is a platform working to reshape how artists and curators connect in the digital age - You should listen in if you are interested in working at the intersection of art and technology, working at a startup compared to more traditional roles in either tech or the art world, or you are an artist and/or curator wanting to find digital career support online. We talk about the exclusions that curators and artists face in existing digital ecosystems - how they're often left out or underserved by platforms that weren't built with their needs in mind - and how FOLLOW.ART is trying to address those gaps. I ask her about the Nexus Card, a digital identity format that the team describes as "the heart of FOLLOW.ART," and why they chose to build this rather than just another social media profile or portfolio site. We discuss the technical challenges of combining physical art world interactions with digital infrastructure, how the team thinks about balancing accessibility with building a sustainable business, and so much more.Thank you Evelīna for coming on the podcast and FOLLOW.ART for the partnership!You can follow FOLLOW.ART on Instagram here: https://www.instagram.com/followart.world/You can check out FOLLOW.ART's website here: https://follow.art/ℹ️ #paidpartnership with Follow.Art- - - - - If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.SOCIALS: Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/Research and Creative Assistant: Iris Epstein 

As the year turns, Matthew takes stock. In this New Year episode, he reflects on 2025 through the lens of a year spent travelling, learning, and paying close attention — from attending international fairs and events, to being nominated for and attending the TikTok Awards, and being elected to the Company of Goldsmiths in Dublin. The conversation then widens to eight years in business at the shop, looking at what has genuinely changed in the jewellery world over that time — from the growing role of social media and self-education, to shifting ideas of expertise and authority. Matthew considers the rise of AI and digital tools in identifying antiques and reproductions, and where human knowledge, judgement, and experience still matter most. Finally, he looks ahead to 2026, sharing thoughts on the metals, stones, styles, and movements that feel increasingly significant, as well as the fairs and moments worth watching in the year to come. A considered reflection on jewellery, experience, and perspective — and on how the industry continues to evolve, often in unexpected ways.www.courtville.ie Get social with Courtville, follow us on Instagram, Facebook, and TikTok This podcast was produced for Courtville by Tape Deck

I'm pretty sure this will be a popular episode. It was such fun, so interesting, so thought-provoking and Professor Chris is a genius (IMO), with an amazing ability to connect, tell stories and make super-interesting research and science, podcast-friendly. Among other things, we spoke about the science of the paranormal (anomalistic psychology), psychic abilities, false memories, ghosts, haunted houses, magicians, mentalists and his book 'The Science of Weird Shit! So F**king good. Enjoy. **BIO: Chris French is a British Psychologist and Professor Emeritus at Goldsmiths, University of London, where he founded the Anomalistic Psychology Research Unit. He specialises in the psychology of paranormal beliefs and anomalous experiences - why people believe in ghosts, psychics, UFOs, astrology, and other weird and wonderful claims.See omnystudio.com/listener for privacy information.

The Newsmongers unfolds the seedy history of tabloid journalism, from the first printed ‘Strange Newes' sheets of the sixteenth century to the sensationalism of today's digital age. The narrative weaves from Regency gossip writers through New York's ‘yellow journalism' battles to the ‘sex and sleaze' Sun of the 1970s; and from the Brexit-backing populism of the Daily Mail to the celebrity-obsessed Mail Online of the 2000s. Colourful figures such as Daniel Defoe, Lord Northcliffe, Hugh Cudlipp, Rupert Murdoch and Robert Maxwell are brought to vivid life. From scandalous confessions to the Leveson Inquiry, the book explores journalists' unscrupulous methods, taking in phone hacking, privacy breaches and bribery. In the digital era, popular journalism succumbed to ‘churnalism' while a certain royal is seeking revenge on the tabloids today. Terry Kirby is Senior Lecturer in Journalism at Goldsmiths, University of London, and author of The Trials of the Baroness (1991). He has been a journalist for more than four decades and was a founder member of staff at The Independent, where he worked for more than twenty years in a number of roles, including crime correspondent, night editor and chief reporter Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Newsmongers unfolds the seedy history of tabloid journalism, from the first printed ‘Strange Newes' sheets of the sixteenth century to the sensationalism of today's digital age. The narrative weaves from Regency gossip writers through New York's ‘yellow journalism' battles to the ‘sex and sleaze' Sun of the 1970s; and from the Brexit-backing populism of the Daily Mail to the celebrity-obsessed Mail Online of the 2000s. Colourful figures such as Daniel Defoe, Lord Northcliffe, Hugh Cudlipp, Rupert Murdoch and Robert Maxwell are brought to vivid life. From scandalous confessions to the Leveson Inquiry, the book explores journalists' unscrupulous methods, taking in phone hacking, privacy breaches and bribery. In the digital era, popular journalism succumbed to ‘churnalism' while a certain royal is seeking revenge on the tabloids today. Terry Kirby is Senior Lecturer in Journalism at Goldsmiths, University of London, and author of The Trials of the Baroness (1991). He has been a journalist for more than four decades and was a founder member of staff at The Independent, where he worked for more than twenty years in a number of roles, including crime correspondent, night editor and chief reporter Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Newsmongers unfolds the seedy history of tabloid journalism, from the first printed ‘Strange Newes' sheets of the sixteenth century to the sensationalism of today's digital age. The narrative weaves from Regency gossip writers through New York's ‘yellow journalism' battles to the ‘sex and sleaze' Sun of the 1970s; and from the Brexit-backing populism of the Daily Mail to the celebrity-obsessed Mail Online of the 2000s. Colourful figures such as Daniel Defoe, Lord Northcliffe, Hugh Cudlipp, Rupert Murdoch and Robert Maxwell are brought to vivid life. From scandalous confessions to the Leveson Inquiry, the book explores journalists' unscrupulous methods, taking in phone hacking, privacy breaches and bribery. In the digital era, popular journalism succumbed to ‘churnalism' while a certain royal is seeking revenge on the tabloids today. Terry Kirby is Senior Lecturer in Journalism at Goldsmiths, University of London, and author of The Trials of the Baroness (1991). He has been a journalist for more than four decades and was a founder member of staff at The Independent, where he worked for more than twenty years in a number of roles, including crime correspondent, night editor and chief reporter Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The Newsmongers unfolds the seedy history of tabloid journalism, from the first printed ‘Strange Newes' sheets of the sixteenth century to the sensationalism of today's digital age. The narrative weaves from Regency gossip writers through New York's ‘yellow journalism' battles to the ‘sex and sleaze' Sun of the 1970s; and from the Brexit-backing populism of the Daily Mail to the celebrity-obsessed Mail Online of the 2000s. Colourful figures such as Daniel Defoe, Lord Northcliffe, Hugh Cudlipp, Rupert Murdoch and Robert Maxwell are brought to vivid life. From scandalous confessions to the Leveson Inquiry, the book explores journalists' unscrupulous methods, taking in phone hacking, privacy breaches and bribery. In the digital era, popular journalism succumbed to ‘churnalism' while a certain royal is seeking revenge on the tabloids today. Terry Kirby is Senior Lecturer in Journalism at Goldsmiths, University of London, and author of The Trials of the Baroness (1991). He has been a journalist for more than four decades and was a founder member of staff at The Independent, where he worked for more than twenty years in a number of roles, including crime correspondent, night editor and chief reporter Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The Great Art Fraud: Performance, Pretty Privilege & an $86 Million ScandalThis week's episode of All About Art dives into one of the biggest recent scandals in contemporary art. It's based on my recent experience watching the BBC's The Great Art Fraud, which chronicles Inigo Philbrick's spectacular $86 million fraud that shook the art world to its core.I discuss a range of factors that led to this happening, from the halo effect and “pretty privilege” to the culture of opacity that still defines high-value art deals. I explore how Philbrick sold a lifestyle as much as he sold art - and how the BBC's documentary, perhaps unintentionally, keeps that performance of glamor alive.We discuss the gaps in regulation, the role of symbolic capital in luxury markets, and why the documentary's hero's journey framing (I explain why I think its framed like this) feels kind of uncomfortably forgiving. Will the art world forget this scandal and engage in art deals with Philbrick in the future? It sure did feel like it towards the end…If you've watched the series or are fascinated by the intersection of psychology, performance, and market failure, I would love for you to have a listen & leave a comment to share your thoughts!Image & Media CreditsJay Jopling photograph: Oli Scarff / Getty Images, via Artnet NewsKenny Schachter image: Courtesy of Sotheby'sInigo Philbrick image: Getty Images, via The New York TimesThe Great Art Fraud promotional artwork: BBCAdditional images (if applicable): Courtesy KennySchachter.artImage & Source CreditsThis episode includes images sourced from Getty Images, Sotheby's, The New York Times, the BBC, and KennySchachter.art. Images are presented solely for purposes of criticism, commentary, news reporting, and education. All copyrighted material remains the property of its respective rights holders. No copyright infringement is intended. Images are displayed at reduced resolution and only for the duration necessary to support commentary.

Miriam Robinson is an author who has worked in the world of books and bookshops for over 15 years. Previously the host of podcast My Unlived Life, she holds an MA in Creative Writing from Goldsmiths, University of London and her short fiction has been shortlisted for a Pushcart Prize, the inaugural Pindrop/RA Short Story Prize and the Pat Kavanagh Prize. On this episode of Little Atoms she talks to Neil Denny about her debut novel And Notre Dame is Burning. Hosted on Acast. See acast.com/privacy for more information.

The Mind Control of Mount Making with Alex Abbott, Director of DauphinIn this episode, I sat down with Alex Abbott, Art Consultant and Director of Dauphin, a company that specializes in displays and mounts.I speak to Alex about what his company does - which a lot of you have certainly come into contact with but not been fully aware of. Alex does the unseen work of ensuring the objects we view and love in museums, galleries, and homes are mounted with safety and care. That ancient jug you saw last week at the Museum of Natural History? That was mounted and tilted at a 40 degree angle by Alex and his team, but his main objectives are not to impress the viewer with his skills of mounting a work of art or history - his objective is that his work remains as invisible as possible while keeping whatever it is he is working with, safe. I speak to Alex about the artworks he has worked with in the past, including Barbara Heptworth sculptures and suits of armor. I ask him what sort of things need to be considered when consulting on how works of art or objects should be displayed, and also what its like to be director of a company at quite a young age - he took the helm of Dauphin at just 25 years old. We talk about the psychology of displays, the unseen work of mount makers in the arts, so much more. Thank you Alex for coming on the podcast!You can follow Dauphin on Instagram here: https://www.instagram.com/dauphinacrylic/You can check out Dauphin here: https://www.dauphin.co.uk/YOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: ⁠https://www.patreon.com/allaboutart⁠FOLLOW ALL ABOUT ART ON INSTAGRAM HERE: ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.Here are links to my social media, feel free to reach out:Instagram⁠ @alexandrasteinacker   ⁠Twitter ⁠@alex_steinacker⁠and LinkedIn at ⁠Alexandra Steinacker-Clark⁠This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠www.liser-art.com⁠ and Luca Laurence www.lucalaurence.com Research and Creative Assistant: Iris Epstein

In this intimate conversation recorded at Shakespeare and Company, novelist Miriam Robinson joins Adam Biles to discuss her remarkable debut, And Notre Dame Is Burning. Together, they explore the novel's fractured structure and the emotional aftermath of betrayal, loss, and motherhood. Robinson reflects on her protagonist Esther—a woman piecing together the wreckage of a marriage through letters and fragments—as well as on grief, storytelling, and the disorientation of time. From the shadow of Notre Dame to the uncertainty of rebuilding a life, Robinson examines how women navigate love, autonomy, and the stories they tell themselves. Touching on subjects from miscarriage and memory to patriarchy and the politics of intimacy, this conversation balances literary craft with raw honesty.Buy And Notre Dame Is Burning: https://www.shakespeareandcompany.com/books/and-notre-dame-is-burning*Miriam Robinson is an author who has worked in the world of books and bookshops for over 15 years. Previously the host of podcast My Unlived Life, she holds an MA in Creative Writing from Goldsmiths, University of London and her short fiction has been shortlisted for a Pushcart Prize, the inaugural Pindrop/RA Short Story Prize and the Pat Kavanagh Prize. Originally from Colorado, Miriam lives in East London with her daughter and their six-toed cat Astrid.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

In what ways are you a designer?...Today, Abbie, Hannah, and Mathilda explore the dissonance between prioritizing the present and/ or the future; the discomfort (and learning) that comes with awkward spaces; the power of storytelling for expanding our imagination; and the importance of designing with emergence in mind. This conversation was recorded in front of a live audience as part of the RSDX Online Festival on Friday, October 3, 2025. ...Hannah Jones is a design educator and researcher with over 20 years of experience in co-designing sustainable, inclusive futures. She currently supervises PhDs with a focus on metadesigning at University of Wales Trinity St. David, Wales, UK. Her teaching practice, research and workshop facilitation brings together metadesign tools and approaches inspired by her research at Goldsmiths, University of London and designing thinking and intersectional approaches to designing from her time working at Stanford University at the Institute for Design (d.school).Mathilda Tham is Professor of Design at Linnaeus University, Sweden and affiliated with Goldsmiths, University of London.Her metadesign research seeks to develop uncompromisingly systemic and holistic approaches to living within Earth's limits, connecting environmental issues with social justice and mental health, and individual needs with global sustainability. It has resulted in: new ways to meet around the infected forest issue, new rituals to integrate different generations, a recipe book for making homes within Earth's limits, new professional designer roles, new policy initiatives.  She is co-creator of + Change education and research environment, co-author of the Earth Logic Fashion Action Research Plan and co-founder Union of Concerned Researchers in Fashion. See www.mathildatham.com...Stories Lived. Stories Told. is created, produced & hosted by Abbie VanMeter.Stories Lived. Stories Told. is an initiative of the CMM Institute for Personal and Social Evolution....Music for Stories Lived. Stories Told. is created by Rik Spann....⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Explore all things Stories Lived. Stories Told. here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Explore all things CMM Institute here.

We are not what we think we are. Our self-image as natural individuated subjects is determined behind our backs: historically by political forces, cognitively by the language we use, and neurologically by sub-personal mechanisms, as revealed by scientific and philosophical analyses. Under contemporary capitalism, as the gap between this self-image and reality becomes an ever greater source of social and mental distress, these theoretical insights are potential dynamite. Shifting his explorations from the sonic to the social, amplifying alienation and playing with psychic noise, artist and performer Mattin finally lights the fuse. The noise is here to stay. Alienation is a constitutive part of subjectivity and an enabling condition for exploring social dissonance—the territory upon which we already find ourselves, the condition we inhabit today. Mattin speaks (and sings) to Pierre d'Alancaisez about his performance score Social Dissonance, in which the audience is the instrument and the legacy of the Marxist theory of alienation. Mattin is an artist, musician and theorist working conceptually with noise and improvisation. Through his practice and writing, he explores performative forms of estrangement as a way to deal with structural alienation. Mattin has exhibited and toured worldwide. He has performed in festivals such as Performa and Club Transmediale and lectured in institutions such as Dutch Art Institute, Cal Arts, Bard, and Goldsmiths. Mattin is part of the bands Billy Bao and Regler and has over 100 releases on different labels worldwide. He co-hosts the podcast Social Discipline. Mattin took part in 2017 in documenta14 in Athens and Kassel. Information on the Social Dissonance concert at Documenta 14 A video recording of one of the performances Social Discipline podcast Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

We are not what we think we are. Our self-image as natural individuated subjects is determined behind our backs: historically by political forces, cognitively by the language we use, and neurologically by sub-personal mechanisms, as revealed by scientific and philosophical analyses. Under contemporary capitalism, as the gap between this self-image and reality becomes an ever greater source of social and mental distress, these theoretical insights are potential dynamite. Shifting his explorations from the sonic to the social, amplifying alienation and playing with psychic noise, artist and performer Mattin finally lights the fuse. The noise is here to stay. Alienation is a constitutive part of subjectivity and an enabling condition for exploring social dissonance—the territory upon which we already find ourselves, the condition we inhabit today. Mattin speaks (and sings) to Pierre d'Alancaisez about his performance score Social Dissonance, in which the audience is the instrument and the legacy of the Marxist theory of alienation. Mattin is an artist, musician and theorist working conceptually with noise and improvisation. Through his practice and writing, he explores performative forms of estrangement as a way to deal with structural alienation. Mattin has exhibited and toured worldwide. He has performed in festivals such as Performa and Club Transmediale and lectured in institutions such as Dutch Art Institute, Cal Arts, Bard, and Goldsmiths. Mattin is part of the bands Billy Bao and Regler and has over 100 releases on different labels worldwide. He co-hosts the podcast Social Discipline. Mattin took part in 2017 in documenta14 in Athens and Kassel. Information on the Social Dissonance concert at Documenta 14 A video recording of one of the performances Social Discipline podcast Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

A thousand facets talks with ten artists that participated at the Goldsmiths' Fair, which is her favorite show. They picked one piece of their collection and talked about their inspiration. MAKE SURE TO SEE THEM ON INSTAGRAM. About Goldsmiths' Fair For more than four decades, Goldsmiths' Fair has brought together a selection of the UK's best contemporary jewellers and silversmiths. This year's 136 exhibitors work across disciplines and materials, each achieving distinct techniques and their own style with precious metals. The Fair gives visitors the opportunity to buy directly from makers and to discuss their skills, practices and inspirations, accompanied by a dedicated talks programme and exhibitions. If you want more information about Goldsmiths' Fair- please visit them at: https://www.goldsmithsfair.co.uk/ instagram: @goldsmithsfair Artist's featured on this interview and where to find them: Wenyin Jiang https://www.wenyinjiang.co.uk/ instagram: @wenyinjiang Ruth Tomlinson https://ruthtomlinson.com/ instagram: @ruthtomlinsonjewellery Liu Yang https://liuyang.info/ instagram: @lyj_jewellery Alison macleod https://www.alisonmacleod.com/ instagram: @alisonmacleodjewellery Yeena Yoon https://www.yeenayoon.com/ instagram: @yeenayoonstudio Alice Biolo https://www.alicebiolo.com/ instagram: @alicebiolo Alma Sophia https://www.almasophia.com/ instagram: @almasophiadesign Amy Findlay https://amyfindlayjewellery.com/ instagram: @a.findlayjewellery Stephanie Holt https://www.stephanieholt.co.uk/ instagram: @stephanie__holt Zoe Arnold https://www.zoearnold.com/ instagram: @zoearnold_artefacts Please visit @athousandfacets on Instagram to see some of the work discussed in this episode. Music by @chris_keys__   Learn more about your ad choices. Visit podcastchoices.com/adchoices

Manuel Mathieu (b. 1986) is a multi-disciplinary artist, working with painting, ceramics and installation. His work investigates themes of historical violence, erasure and cultural approaches to physicality, nature and spiritual legacy. Mathieu's interests are partially informed from his upbringing in Haiti, and his experience emigrating to Montréal at the age of 19. Freely operating in between and borrowing from numerous historical influences and traditions, Mathieu aims to find meaning through a spiritual or asemic mode of apparition. Mathieu has developed a distinctive abstract visual language, used to create phenomenological encounters that confront our didactic traditions. Amorphous forms vacillate and dissolve into one another, creating boundless landscapes traversable through desire. Through his quest for meaning, transparency and openness he undertakes a process of discovering his work, as opposed to creating it; by doing so the work holds its autonomy and can be assimilated into a space of collective consciousness. The vibrational effect of his work elicits physical and emotional frequencies that offer alternative methods for navigating the world. Drawing from a wide-range of subjects, Manuel's practice combines his sensibility and his formal arts education, which culminated in an MFA Degree from Goldsmiths, University of London. artistdecoded.com manuelmathieu.com instagram.com/manuelmathieu