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Welcome to another episode of All About Art! In this episode, I sat down with Eleanor Getting and Amelia Stallworthy, who directed the Norman Rea gallery, the only student-run gallery in the UK which is located at the University of York.I speak to Eleanor and Amelia about how running this gallery at uni has positively impacted their careers now, and what it means to gain professional experiences early on. We talk about the ins and outs of how a student-run gallery functions, looking at how they got into their leadership roles and what it looked like when they were in them.This episode is produced in the hopes that maybe, if you are a student listening in, or if you are working at a university, that this can inspire more people to think about starting these initiatives that give tools to students BEFORE they graduate from their degrees in arts subjects. Thank you Eleanor and Amelia for coming on the podcast!You can follow Eleanor on Instagram here: https://www.instagram.com/eleanorxgetting/You can follow Amelia on Instagram here: https://www.instagram.com/theartprin/You can check out the Norman Rea Gallery here: https://www.normanrea.com/YOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: https://www.patreon.com/allaboutartFOLLOW ALL ABOUT ART ON INSTAGRAM HERE: https://www.instagram.com/allaboutartpodcast/ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.Here are links to my social media, feel free to reach out:Instagram @alexandrasteinacker Twitter @alex_steinackerand LinkedIn at Alexandra Steinacker-ClarkThis episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser www.liser-art.com and Luca Laurence www.lucalaurence.com
Today we dive into universities and their futures. For many people, universities are in crisis. Public funding has decreased. Mounting pressure to move online and offer complete flexibility to students. Job cuts. And whole courses and programs that are on the chopping block. My guest, Cris Shore, unpacks the state of universities and critically explores their futures. Cris Shore is emeritus professor of anthropology at Goldsmiths, University of London. He's recently published a book with Susan Wright called Audit Culture: How indicators and rankings are reshaping the world. freshedpodcast.com/shore/ -- Get in touch! Twitter: @FreshEdpodcast Facebook: FreshEd Email: info@freshedpodcast.com
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Episode 78 of ‘All About Art': Redefining Artist Management with Valeria Szabó Facchin, Founder of Studio ExpandedIn this episode, I sat down with Valeria Szabó Facchin, Founder of Studio Expanded, a new artist management agency redefining the art ecosystem.I speak to Valeria about her previous professional experiences, notably as Founding Director of the Nicoletta Fiorucci Foundation and how this impacts how she approaches business now. We delve into what it means to be an artist manager - from choosing the artists she works with, to liaising with partners and developing sustainable strategies for the creatives on her roster. We speak about the importance of understanding everything about an artist's career and practice when working with them, to thinking about potential collaborations and opportunities for them, and so much more.Thank you Valeria for coming on the podcast! You can follow Studio Expanded on Instagram here: https://www.instagram.com/studio_expanded_/You can check out Studio Expanded here: https://www.studioexpanded.com/YOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: https://www.patreon.com/allaboutartFOLLOW ALL ABOUT ART ON INSTAGRAM HERE: https://www.instagram.com/allaboutartpodcast/ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.Here are links to my social media, feel free to reach out:Instagram @alexandrasteinacker Twitter @alex_steinackerand LinkedIn at Alexandra Steinacker-ClarkThis episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser www.liser-art.com and Luca Laurence www.lucalaurence.com Episode Production: Paul Zschornack
The relationship between science and religion has long been a heated debate and is becoming an ever more popular topic. The scientific capacity to manipulate and change humans and their environment through genetic engineering, life extension, and AI is going to take a huge leap forward in the twenty-first century, provoking endless debates around humans “playing God”. But what do we mean by this? Asking this question is surprisingly hard work. Attempts to 'essentialise' science, let alone religion, quickly run into trouble. Where are the boundaries? Whose definition of science is definitive? Which concept of religious is the authoritative one? Ultimately, neither “science” nor “religion” can be pinned down to one single meaning or definition. Rather, they encompass a family of definitions that relate to one another in a complex web of shifting ways. Drawing on extensive research with over a hundred leading thinkers in the UK — including Martin Rees, Brian Cox, Susan Greenfield, A.C. Grayling, Ray Tallis, Linda Woodhead, Steve Bruce, Adam Rutherford, Robin Dunbar, Francesca Stavrakopoulou, and Iain McGilchrist — The Landscapes of Science and Religion takes the much-needed step of asking what science and religion actually are, before turning to the familiar question of how they relate to one another. Building on this, by paying particular attention to those who sense some form of conflict here, Spencer and Waite explore where the perceived conflict really lies. What exactly are people disagreeing about when they disagree about science and religion, and what, if anything, can we do to improve that disagreement and bring about a fruitful dialogue between these two important human endeavours. Nicholas Spencer is Senior Fellow at Theos, a Fellow of the International Society for Science and Religion and a Visiting Research Fellow at Goldsmiths, University of London. He is the author of a number of books including Darwin and God, The Evolution of the West and Atheists. He has presented a BBC Radio 4 series on The Secret History of Science and Religion, and has written for the Guardian, Telegraph, Independent, New Statesman, Prospect and more. He lives in London. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The relationship between science and religion has long been a heated debate and is becoming an ever more popular topic. The scientific capacity to manipulate and change humans and their environment through genetic engineering, life extension, and AI is going to take a huge leap forward in the twenty-first century, provoking endless debates around humans “playing God”. But what do we mean by this? Asking this question is surprisingly hard work. Attempts to 'essentialise' science, let alone religion, quickly run into trouble. Where are the boundaries? Whose definition of science is definitive? Which concept of religious is the authoritative one? Ultimately, neither “science” nor “religion” can be pinned down to one single meaning or definition. Rather, they encompass a family of definitions that relate to one another in a complex web of shifting ways. Drawing on extensive research with over a hundred leading thinkers in the UK — including Martin Rees, Brian Cox, Susan Greenfield, A.C. Grayling, Ray Tallis, Linda Woodhead, Steve Bruce, Adam Rutherford, Robin Dunbar, Francesca Stavrakopoulou, and Iain McGilchrist — The Landscapes of Science and Religion takes the much-needed step of asking what science and religion actually are, before turning to the familiar question of how they relate to one another. Building on this, by paying particular attention to those who sense some form of conflict here, Spencer and Waite explore where the perceived conflict really lies. What exactly are people disagreeing about when they disagree about science and religion, and what, if anything, can we do to improve that disagreement and bring about a fruitful dialogue between these two important human endeavours. Nicholas Spencer is Senior Fellow at Theos, a Fellow of the International Society for Science and Religion and a Visiting Research Fellow at Goldsmiths, University of London. He is the author of a number of books including Darwin and God, The Evolution of the West and Atheists. He has presented a BBC Radio 4 series on The Secret History of Science and Religion, and has written for the Guardian, Telegraph, Independent, New Statesman, Prospect and more. He lives in London. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
The relationship between science and religion has long been a heated debate and is becoming an ever more popular topic. The scientific capacity to manipulate and change humans and their environment through genetic engineering, life extension, and AI is going to take a huge leap forward in the twenty-first century, provoking endless debates around humans “playing God”. But what do we mean by this? Asking this question is surprisingly hard work. Attempts to 'essentialise' science, let alone religion, quickly run into trouble. Where are the boundaries? Whose definition of science is definitive? Which concept of religious is the authoritative one? Ultimately, neither “science” nor “religion” can be pinned down to one single meaning or definition. Rather, they encompass a family of definitions that relate to one another in a complex web of shifting ways. Drawing on extensive research with over a hundred leading thinkers in the UK — including Martin Rees, Brian Cox, Susan Greenfield, A.C. Grayling, Ray Tallis, Linda Woodhead, Steve Bruce, Adam Rutherford, Robin Dunbar, Francesca Stavrakopoulou, and Iain McGilchrist — The Landscapes of Science and Religion takes the much-needed step of asking what science and religion actually are, before turning to the familiar question of how they relate to one another. Building on this, by paying particular attention to those who sense some form of conflict here, Spencer and Waite explore where the perceived conflict really lies. What exactly are people disagreeing about when they disagree about science and religion, and what, if anything, can we do to improve that disagreement and bring about a fruitful dialogue between these two important human endeavours. Nicholas Spencer is Senior Fellow at Theos, a Fellow of the International Society for Science and Religion and a Visiting Research Fellow at Goldsmiths, University of London. He is the author of a number of books including Darwin and God, The Evolution of the West and Atheists. He has presented a BBC Radio 4 series on The Secret History of Science and Religion, and has written for the Guardian, Telegraph, Independent, New Statesman, Prospect and more. He lives in London. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science
The relationship between science and religion has long been a heated debate and is becoming an ever more popular topic. The scientific capacity to manipulate and change humans and their environment through genetic engineering, life extension, and AI is going to take a huge leap forward in the twenty-first century, provoking endless debates around humans “playing God”. But what do we mean by this? Asking this question is surprisingly hard work. Attempts to 'essentialise' science, let alone religion, quickly run into trouble. Where are the boundaries? Whose definition of science is definitive? Which concept of religious is the authoritative one? Ultimately, neither “science” nor “religion” can be pinned down to one single meaning or definition. Rather, they encompass a family of definitions that relate to one another in a complex web of shifting ways. Drawing on extensive research with over a hundred leading thinkers in the UK — including Martin Rees, Brian Cox, Susan Greenfield, A.C. Grayling, Ray Tallis, Linda Woodhead, Steve Bruce, Adam Rutherford, Robin Dunbar, Francesca Stavrakopoulou, and Iain McGilchrist — The Landscapes of Science and Religion takes the much-needed step of asking what science and religion actually are, before turning to the familiar question of how they relate to one another. Building on this, by paying particular attention to those who sense some form of conflict here, Spencer and Waite explore where the perceived conflict really lies. What exactly are people disagreeing about when they disagree about science and religion, and what, if anything, can we do to improve that disagreement and bring about a fruitful dialogue between these two important human endeavours. Nicholas Spencer is Senior Fellow at Theos, a Fellow of the International Society for Science and Religion and a Visiting Research Fellow at Goldsmiths, University of London. He is the author of a number of books including Darwin and God, The Evolution of the West and Atheists. He has presented a BBC Radio 4 series on The Secret History of Science and Religion, and has written for the Guardian, Telegraph, Independent, New Statesman, Prospect and more. He lives in London. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion
The relationship between science and religion has long been a heated debate and is becoming an ever more popular topic. The scientific capacity to manipulate and change humans and their environment through genetic engineering, life extension, and AI is going to take a huge leap forward in the twenty-first century, provoking endless debates around humans “playing God”. But what do we mean by this? Asking this question is surprisingly hard work. Attempts to 'essentialise' science, let alone religion, quickly run into trouble. Where are the boundaries? Whose definition of science is definitive? Which concept of religious is the authoritative one? Ultimately, neither “science” nor “religion” can be pinned down to one single meaning or definition. Rather, they encompass a family of definitions that relate to one another in a complex web of shifting ways. Drawing on extensive research with over a hundred leading thinkers in the UK — including Martin Rees, Brian Cox, Susan Greenfield, A.C. Grayling, Ray Tallis, Linda Woodhead, Steve Bruce, Adam Rutherford, Robin Dunbar, Francesca Stavrakopoulou, and Iain McGilchrist — The Landscapes of Science and Religion takes the much-needed step of asking what science and religion actually are, before turning to the familiar question of how they relate to one another. Building on this, by paying particular attention to those who sense some form of conflict here, Spencer and Waite explore where the perceived conflict really lies. What exactly are people disagreeing about when they disagree about science and religion, and what, if anything, can we do to improve that disagreement and bring about a fruitful dialogue between these two important human endeavours. Nicholas Spencer is Senior Fellow at Theos, a Fellow of the International Society for Science and Religion and a Visiting Research Fellow at Goldsmiths, University of London. He is the author of a number of books including Darwin and God, The Evolution of the West and Atheists. He has presented a BBC Radio 4 series on The Secret History of Science and Religion, and has written for the Guardian, Telegraph, Independent, New Statesman, Prospect and more. He lives in London. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics
The relationship between science and religion has long been a heated debate and is becoming an ever more popular topic. The scientific capacity to manipulate and change humans and their environment through genetic engineering, life extension, and AI is going to take a huge leap forward in the twenty-first century, provoking endless debates around humans “playing God”. But what do we mean by this? Asking this question is surprisingly hard work. Attempts to 'essentialise' science, let alone religion, quickly run into trouble. Where are the boundaries? Whose definition of science is definitive? Which concept of religious is the authoritative one? Ultimately, neither “science” nor “religion” can be pinned down to one single meaning or definition. Rather, they encompass a family of definitions that relate to one another in a complex web of shifting ways. Drawing on extensive research with over a hundred leading thinkers in the UK — including Martin Rees, Brian Cox, Susan Greenfield, A.C. Grayling, Ray Tallis, Linda Woodhead, Steve Bruce, Adam Rutherford, Robin Dunbar, Francesca Stavrakopoulou, and Iain McGilchrist — The Landscapes of Science and Religion takes the much-needed step of asking what science and religion actually are, before turning to the familiar question of how they relate to one another. Building on this, by paying particular attention to those who sense some form of conflict here, Spencer and Waite explore where the perceived conflict really lies. What exactly are people disagreeing about when they disagree about science and religion, and what, if anything, can we do to improve that disagreement and bring about a fruitful dialogue between these two important human endeavours. Nicholas Spencer is Senior Fellow at Theos, a Fellow of the International Society for Science and Religion and a Visiting Research Fellow at Goldsmiths, University of London. He is the author of a number of books including Darwin and God, The Evolution of the West and Atheists. He has presented a BBC Radio 4 series on The Secret History of Science and Religion, and has written for the Guardian, Telegraph, Independent, New Statesman, Prospect and more. He lives in London. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society
The relationship between science and religion has long been a heated debate and is becoming an ever more popular topic. The scientific capacity to manipulate and change humans and their environment through genetic engineering, life extension, and AI is going to take a huge leap forward in the twenty-first century, provoking endless debates around humans “playing God”. But what do we mean by this? Asking this question is surprisingly hard work. Attempts to 'essentialise' science, let alone religion, quickly run into trouble. Where are the boundaries? Whose definition of science is definitive? Which concept of religious is the authoritative one? Ultimately, neither “science” nor “religion” can be pinned down to one single meaning or definition. Rather, they encompass a family of definitions that relate to one another in a complex web of shifting ways. Drawing on extensive research with over a hundred leading thinkers in the UK — including Martin Rees, Brian Cox, Susan Greenfield, A.C. Grayling, Ray Tallis, Linda Woodhead, Steve Bruce, Adam Rutherford, Robin Dunbar, Francesca Stavrakopoulou, and Iain McGilchrist — The Landscapes of Science and Religion takes the much-needed step of asking what science and religion actually are, before turning to the familiar question of how they relate to one another. Building on this, by paying particular attention to those who sense some form of conflict here, Spencer and Waite explore where the perceived conflict really lies. What exactly are people disagreeing about when they disagree about science and religion, and what, if anything, can we do to improve that disagreement and bring about a fruitful dialogue between these two important human endeavours. Nicholas Spencer is Senior Fellow at Theos, a Fellow of the International Society for Science and Religion and a Visiting Research Fellow at Goldsmiths, University of London. He is the author of a number of books including Darwin and God, The Evolution of the West and Atheists. He has presented a BBC Radio 4 series on The Secret History of Science and Religion, and has written for the Guardian, Telegraph, Independent, New Statesman, Prospect and more. He lives in London. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies
The relationship between science and religion has long been a heated debate and is becoming an ever more popular topic. The scientific capacity to manipulate and change humans and their environment through genetic engineering, life extension, and AI is going to take a huge leap forward in the twenty-first century, provoking endless debates around humans “playing God”. But what do we mean by this? Asking this question is surprisingly hard work. Attempts to 'essentialise' science, let alone religion, quickly run into trouble. Where are the boundaries? Whose definition of science is definitive? Which concept of religious is the authoritative one? Ultimately, neither “science” nor “religion” can be pinned down to one single meaning or definition. Rather, they encompass a family of definitions that relate to one another in a complex web of shifting ways. Drawing on extensive research with over a hundred leading thinkers in the UK — including Martin Rees, Brian Cox, Susan Greenfield, A.C. Grayling, Ray Tallis, Linda Woodhead, Steve Bruce, Adam Rutherford, Robin Dunbar, Francesca Stavrakopoulou, and Iain McGilchrist — The Landscapes of Science and Religion takes the much-needed step of asking what science and religion actually are, before turning to the familiar question of how they relate to one another. Building on this, by paying particular attention to those who sense some form of conflict here, Spencer and Waite explore where the perceived conflict really lies. What exactly are people disagreeing about when they disagree about science and religion, and what, if anything, can we do to improve that disagreement and bring about a fruitful dialogue between these two important human endeavours. Nicholas Spencer is Senior Fellow at Theos, a Fellow of the International Society for Science and Religion and a Visiting Research Fellow at Goldsmiths, University of London. He is the author of a number of books including Darwin and God, The Evolution of the West and Atheists. He has presented a BBC Radio 4 series on The Secret History of Science and Religion, and has written for the Guardian, Telegraph, Independent, New Statesman, Prospect and more. He lives in London. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
✍️ Inspired by a recent essay by Damien Davis in Hyperallergic, the latest Hot Take / Art Break episode of the All About Art Podcast explores if the 50/50 split between artists and galleries is justified, or if it needs rethinking.For this episode, I cover what Davis writes in the article, as well as the reactions of others in the art world that I saw on social media - along with comments such as “If you cant afford being an artist, do something else.” (which had my BLOOD boiling!) -----YOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: https://www.patreon.com/allaboutartFOLLOW ALL ABOUT ART ON INSTAGRAM HERE: https://www.instagram.com/allaboutartpodcast/ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.Here are links to my social media, feel free to reach out:Instagram @alexandrasteinacker Twitter @alex_steinackerand LinkedIn at Alexandra Steinacker-ClarkCOVER ART: Lisa Schrofner a.k.a Liser www.liser-art.com and Luca Laurence www.lucalaurence.com
I'm talking to Eleanor Conlon and Martin Vaux from the Three Ravens podcast about the difficulties in defining 'folklore', the importance of storytelling, which of England's 39 historic counties has the best folk tales, why people love ghost stories, and making folklore accessible to wider audiences! Eleanor Conlon and Martin Vaux are the brains behind the Three Ravens podcast, and they are a real life couple, based in Sussex. Eleanor was born in Suffolk and grew up in Sussex, and after developing a passion for storytelling and stage performance as a child, become involved in amateur dramatics and completed her BA in English Literature and earned her MA in Shakespeare and Early Modern Drama. She also founded the theatre company Rust & Stardust, which tours original work and education projects rooted in English folklore. Martin was born in Somerset and grew up in the developing world, including in Uganda and Papua New Guinea. After leaving school, he completed his BA in English and won National Student Television Awards for comedy and directing. Having been a freelance journalist, radio presenter, and English teacher, he also won the BBC Moo! New Writers Prize in 2009. He gave up teaching after the pandemic to undertake his MA in Romantic and Victorian Literature and Culture at Goldsmiths, and to launch Three Ravens. Buy their book, The Three Ravens Folk Tales: New tellings of half-forgotten stories from England's 39 Historic Counties: https://uk.bookshop.org/a/12992/9781803999685 Visit the Three Ravens Podcast website: https://www.threeravenspodcast.com/ Get your free guide to home protection the folklore way here: https://www.icysedgwick.com/fab-folklore/ Become a member of the Fabulous Folklore Family for bonus episodes and articles at https://patreon.com/bePatron?u=2380595 Buy Icy a coffee or sign up for bonus episodes at: https://ko-fi.com/icysedgwick Fabulous Folklore Bookshop: https://uk.bookshop.org/shop/fabulous_folklore Pre-recorded illustrated talks: https://ko-fi.com/icysedgwick/shop Request an episode: https://forms.gle/gqG7xQNLfbMg1mDv7 Get extra snippets of folklore on Instagram at https://instagram.com/icysedgwick Find Icy on BlueSky: https://bsky.app/profile/icysedgwick.bsky.social 'Like' Fabulous Folklore on Facebook: https://www.facebook.com/fabulousfolklore/
One binge almost cost actor John Pickard everything — his relationship, his child, and his future.WATCH OR LISTEN TO THE FULL INTERVIEW ON Youtube - https://bit.ly/49LHNNOApple - https://apple.co/3PajZvQSpotify - https://bit.ly/42S8puBIn this next quick thought, we explore how a single night of heavy drinking and drug use became the turning point. What started as “just a night out” spiralled into a wake-up call that forced him to confront the dangerous patterns he thought he had left behind. We talk openly about the hidden risks of binge drinking and drugging, the shame and guilt that follow, and how quickly old habits can resurface when you're pulled back into the wrong environments. This clip is about breaking destructive cycles before they destroy the people and the life you love.It's also a candid look at the reality of addiction that doesn't fit the stereotypes — the kind that hides behind months of being “fine” before one night derails everything. We discuss the mental and physical crash that follows a binge, the role of daily routines in recovery, and the challenge of redefining what normal looks like when drinking and drug use have been part of your life since childhood.If you've ever convinced yourself “it's just one night” or seen someone you care about repeat the same cycle, this conversation will make you think twice. About the “THOUGHT” series -Every other Monday at 5 PM, I'll bring you a quick ‘thought'—a powerful moment from previous episodes designed to kickstart your week with insight, motivation, and connection. These shorter clips help us stay connected as a community, while every other Tuesday delivers a full, brand-new episode with fresh stories and lessons. Oliver is an ambassador for Alcohol Change UK and you can access support here - https://tinyurl.com/5dt5773ePodcasting is an expensive passion. To help me keep going, I'd really appreciate it if you could buy me a coffee, thank you!https://buymeacoffee.com/olivermason1Or via PayPal - https://www.paypal.me/olivermason1paypalMore on John -John Pickard is an actor, producer and filmmaker with a career spanning 25 years gracing the screens of many UK TV classics including 2 point 4 Children & Hollyoaks. Not content with just being in front of the camera, he seamlessly transitioned into the role of First Assistant Director, lending his expertise to a variety of films, including two feature productions and Channel 4 soaps.In 2016, he embarked on a new adventure by founding WildStreet, an independent production company that became a temporary home for crafting documentaries for Channel 4, short films for diverse artists, and countless 'proof of concepts' for Commissioners.Adding to his multifaceted repertoire, John recently completed a Screenwriting MA at Goldsmiths and now contributes his creative prowess to BearJam, an independent production company based in the vibrant district of Brixton.Beyond the glitz of the entertainment industry, John Pickard is also a passionate footballer, having graced both the iconic Wembley stadiums—Old and New—for charity matches, earning himself a well-deserved Man of the Match cup. Yet, amidst all these achievements, his most cherished title is that of a father to his nearly five-year-old daughter. Follow John Vimeo - https://vimeo.com/johnpickardLinkedin- https://www.linkedin.com/in/john-pickard-442a8830/Instagram - https://www.instagram.com/johnnyinapickleFollow OliverInstagram - https://tinyurl.com/2vt29sjvFacebook - https://tinyurl.com/34cwz59rTikTok - https://tinyurl.com/ujw4vxn9LinkedIn - https://tinyurl.com/yuemhnd7Threads - https://tinyurl.com/yk7vdeahX - https://tinyurl.com/3u5mnpds#bingedrinking#addiction#breakthecycle
Episode 77 of ‘All About Art': Working at MoMA with Ksenia Nouril, Assistant Director of the International ProgramIn this episode, I sat down with Ksenia Nouril, Assistant Director of the International Program at the Museum of Modern Art in New York City.I speak to Ksenia about the International Program at the museum and what it's like working at such a renowned organization. We delve into how her past curatorial experiences at smaller institutions paved the way for her career, what the change was like moving from a smaller city to a metropolis, and so much more. Thank you Ksenia for coming on the podcast and welcoming me to the MoMA office while I was in New York! You can follow MoMA on Instagram here: https://www.instagram.com/themuseumofmodernart/You can check out MoMA here: https://www.moma.org/YOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: https://www.patreon.com/allaboutartFOLLOW ALL ABOUT ART ON INSTAGRAM HERE: https://www.instagram.com/allaboutartpodcast/ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.Here are links to my social media, feel free to reach out:Instagram @alexandrasteinacker Twitter @alex_steinackerand LinkedIn at Alexandra Steinacker-ClarkCOVER ART: Lisa Schrofner a.k.a Liser www.liser-art.com and Luca Laurence www.lucalaurence.com Episode Production: Paul Zschornack
*WOMEN OF THE FUTURE PODCAST – KINDNESS & COURAGE: MEN AS ALLIES* This week we are launching a brand-new Women of the Future podcast mini-series – conjured up by the wonderful Pinky Lilani herself - founder and chair of the Women of the Future Programme it's awards and initiatives. Welcome to ‘Kindness & Courage: Men as Allies.' Over the next few weeks, we will be speaking to prominent male figures from the world of business, entrepreneurship, finance, tech and more, as we delve into the nuanced world of male allyship. Defined as the consistent and intentional efforts by men to support and advocate for gender equity and inclusion. What better day for us to get started with this imperative conversation than International Allyship Day itself! So, settle in, get comfortable, and join us in welcoming our first prestigious guest – the 697th Prime Warden of The Goldsmiths' Company, Chairman of the National Heart & Lung Foundation, and senior advisor to the Bank of China UK, amongst many other remarkable achievements and accolades, it's the extraordinary Richard Reid. ------------------------------------------------ The Women of the Future podcast is made in conjunction with the Women of the Future Programme a platform built to unlock a culture of kindness and collaboration among leaders, as well as support and celebrate the successes of women. Presented and produced by Kim Rowell, a media executive, charity ambassador and Women of the Future Awards alumni. For more information on the Women of the Future Programme and initiatives, please visit: www.womenofthefuture.co.uk
Lijia Zhang is a Chinese-born writer, journalist, socialcommentator, and public speaker who famously transformed her life after being pulled from school at age 16 to work in a rocket factory producing intercontinental missiles. During that decade of labor, she taught herself English and nurtured dreams of becoming a writer. In the early 1990s, she movedto the UK to study journalism and later earned a master's increative writing from Goldsmiths, University of London. Known for writing in English, she has contributed commentary to international outlets like TheGuardian, The New York Times, Newsweek, and the South China Morning.Her bestselling memoir Socialism Is Great!:A Worker's Memoir of the New China (published in the U.S. in 2008/2009) traces her personal transformation against the backdrop of China's economic reform era and has been translated into multiple languages.#LivingToBE #LijiaZhang #AuthorInterview #WomenWhoInspire #FromFactoryToFreedom #EastMeetsWest #LiveOnPurposeHighlights of this Episode:- How Adversity Can Lead to Success- Never Giving Up - Personal and External Transformation in China Books by Lijia Zhang:- Socialism is Great! A Worker's Memoir of the New China- Lotus - a novel on the plight of migrant women in Shenzhen's sex trade.
WeTransfer x TalkArt special episode recorded live at Whitechapel Gallery. Recorded in front of a sold out live audience at @WhitechapelGallery we speak with @DominicJohnson and Jamal Butt to explore the current HAMAD BUTT exhibition: his life, art and legacy. ❤️ Thank you to @WePresent for organising this exciting event!Apprehensions is the first major survey of #HamadButt (b. 1962, Lahore, Pakistan; d. 1994, London, UK). One of the most innovative artists of his generation, Hamad Butt was a pioneer of intermedia art, bringing art into conversation with science, whilst also referencing his Queer and diasporic experiences. He offered a nuanced artistic response to the AIDS crisis in the UK, taking a conceptual rather than activist approach.Butt's conceptually and technically ambitious works seamlessly interweave popular culture, science, alchemy, science fiction, and social and cultural concerns, as forms that are simultaneously poetic and provocative. They imagine sex and desire in a time of ‘plague' as seductive yet frightening, intimate yet isolating, compelling yet dangerous – literally, in some cases, threatening to kill or injure.Born in Lahore, Pakistan, and raised in East London, Butt was British South Asian, Muslim by upbringing, and Queer. A contemporary of the Young British Artists, and their peer at Goldsmiths' College, London, Butt was described by art critics as epitomising the new ‘hazardism' in art of the 1990s, as his works often imply physical risk or endangerment.Follow: @WhitechapelGallery and @WePresent and check out WePresent today to see a series of never-before-seen artworks by Hamad, generously shared by Jamal.This episode is brought to you by our friends at WePresent, the Academy Award winningarts platform of WeTransfer. Collaborating with emerging young talent to renowned artistssuch as Marina Abramović, Riz Ahmed and Talk Art's own Russell Tovey, WePresentshowcases the best in art, photography, film, music, literature and more, championingdiversity in everything it does. Hosted on Acast. See acast.com/privacy for more information.
#thesubstance #thelastshowgirl #truecrimecommunity #newseries Treat Mitch to a Coffee buymeacoffee.com/aesthetepodcastFor this inaugural edition of our new series “Travels With The Dark” we are blessed to have a return guest, painter Alexandra Carter. We will do a joyous deepest dive into the movie s“The Last Showgirl” and "The Substance" more on this episode. More on this special , new series we are offering, here:The nature of art and culture reception and evaluation can be as volatile and powerful as the IPO or the stock market. Here at “Journey of An Aesthete Podcast” we are more interested in appreciation and understanding than anything else.It is always the most joyous occasion when I have the fortune to discuss movies - or anything else - with our guest painter Alexandra Carter. We were both so impressed and enriched by two releases from last year, Gia Coppola's The Last Showgirl and Coralie Fargeat's The Substance, that we devoted two hours in this episode to discussing them. As is inevitably the case we covered many topics, including personal travels and the Burlesque community in Las Vegas, as well as political and social matters. We hope you enjoy this one as much as we did.Alexandra's notes on this episode:These two films explore aging, identity, and societal expectations of women in strikingly different but complementary ways. The Last Showgirl spoke to me personally, having spent time in Las Vegas—especially within the burlesque and showgirl community during an artist residency. Its characters and setting felt deeply authentic, with Las Vegas itself becoming a living, breathing presence. Both films touch on themes of loss, delusion, and the erasure of women as they age. While The Substance delivers a visceral, maximalist critique through body horror, The Last Showgirl offers a more intimate, melancholic take on similar ideas.Alexandra's Bio Alexandra Carter (b. 1985, Boston, MA) is a San Diego–based artist whose paintings explore themes of fertility, maternity, and transformation, often drawing on her upbringing on a cranberry farm in Massachusetts. She holds an MFA from Goldsmiths, University of London (2015), and a BA from Rhodes College (2009). Her recent solo exhibitions include the Middle Room and Luna Anaïs Gallery (both Los Angeles), Rogers Gallery (Las Vegas), the University of Minnesota (St. Paul), and Oolong Gallery (San Diego), with additional solo shows at Fusion Gallery (Turin, Italy), Southfork (Memphis), Proyecto'ace Foundation (Buenos Aires), and the Memphis Brooks Museum of Art. Carter has participated in numerous residencies, including the Kone Foundation's Saari Residence (Finland), KulturKontakt Austria (Vienna), Rogers Art Loft (Las Vegas), Qwatz (Rome), Vice~Versa Foundation (Goa, India), the Kentucky Foundation for Women (Prospect, KY), and Graniti Murales (Sicily).Alexandra's Socialswww.alexandra-carter.com@alexandracarterstudio#giacoppola #demimoore #pamelaanderson #feminism #biology #reproduction #sexuality #wellness #health #bodyhorror #gothic #horror #fitness #aerobics #exercise #nature #culture #media #internet #socialmedia #internet #politics #jamieleecurtis #playboy #cinema #theatre #panting #portraitpainting #mother #children #maternity Series title: Travels With the Dark: Stories from humans in the “Limit- Experience”This “special” episode is the first in what promises to be a series concerning real occurrences of human beings when they are brought into or more aptly, up against “limit-experience”, a phrase from French and German philosophers that attempts to describe in the most general way what human beings undergo when they are thrust into situations that push them to their limits and conditions of maximum intensity. While originally this was intended to be a series in the “True Crime” genre I wondered to myself if subject and theme could extended outward.It might not even only encompass the most negative aspect of human experience.
Reema Mitra is the VP Group Director and Interim Head of Social Strategy at Digitas, where she leads national strategy across clients and capabilities. Known for scaling brands through culture-forward, insight-led creativity, she has spent the last two decades guiding beauty-focused CPG giants, tech brands and entertainment companies through digital transformation. Reema's background spans both agency and in-house leadership, including VP roles at EssenceMediacom (Google) and TodayTix, and Head of Social at HUGE NY. She's helmed award-winning work like Dove's Real Beauty Sketches at Edelman and Webby-recognized campaigns at TodayTix. Passionate about social impact and all things futures, she's especially focused on where the influencer and creator economy is headed. Reema holds a master's in Innovation from Goldsmiths, University of London, and lives in Brooklyn with her fiancée, their charismatic mutt Crumpet, and rambunctious kitten Nero.
Episode 76 of ‘All About Art': Mindfulness & Spirituality in Art Curation & Advising with Sneha Shah, Founder of CuratyWelcome to another episode of All About Art! In this episode, I sat down with Sneha Shah, Mumbai and London based entrepreneur and Founder of Curaty - an art advisory firm that offers bespoke curatorial services, art experiences, and rental and advisory for art across the U.K. and India.I ask Sneha about how she started her business, and what it means to run a company that builds on the philosophy of mindfulness and spirituality in art curation and collecting. We cover many bases, speaking about how her company has grown in the last 6 years - and what it was like in the beginning as an entrepreneur versus now. We discuss her work in South Asia and how it differs from her work in London, and so much more more. Thank you Sneha for coming on the podcast! You can follow Sneha on Instagram here: www.instagram.com/snehashah.artAnd check out Curaty here: https://curaty.co/Plus, if you want to hear more from Sneha, tune in to her podcast Power Of Art here: https://open.spotify.com/show/3vKYCqt274lqUF48z05din?si=b112fb17dcac4249You can read the interview in Metal Magazine here: https://metalmagazine.eu/en/post/curaty-by-sneha-shah-luxury-meets-spirituality-art-and-wellbeingYOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: https://www.patreon.com/allaboutartFOLLOW ALL ABOUT ART ON INSTAGRAM HERE: https://www.instagram.com/allaboutartpodcast/ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.Here are links to my social media, feel free to reach out:Instagram @alexandrasteinacker Twitter @alex_steinackerand LinkedIn at Alexandra Steinacker-ClarkThis episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser www.liser-art.com and Luca Laurence www.lucalaurence.com Episode Production: Paul Zschornack
Women have been central to the evolution of dance music culture since its earliest days, yet their contributions have often been overlooked. From Régine Zylberberg's pioneering work in creating the modern discotheque in 1950s Paris to Sharon White's trailblazing presence at New York's legendary venues in the 1970s, female DJs have shaped dance floors worldwide. Sharon White broke barriers as a Black queer radio DJ, finding her way into the booth at the Paradise Garage in 1975. She became the first female DJ to play at the revered Saint club and spun records at Studio 54. Her influence can be seen in later pioneers like London's Smokin' Jo, who emerged from the British acid house scene to become one of England's most celebrated DJs and the only woman to be awarded DJ of the Year in DJ Magazine's Top 100. In the second episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJ, academic, and journalist Lulu Le Vay to explore the often-untold stories of women in dance music culture. Le Vay, who holds a PhD in Sociology from Goldsmiths and performs as DJ Lulu Levan, represents a new generation of "PhDJs" combining academic inquiry with dance floor experience. From writing for publications like The Face, i-D, and The Guardian to spinning at festivals like Lovebox and Bestival, she documents club culture from multiple perspectives. Currently working on a documentary about women DJs with director Sonja Phillips, Le Vay is also part of Love Underground, a new collaboration with producer Tommy D whose new single "The Journey Part 1" is out on Chillifunk records. Through her podcast Where Love Lives and her work preserving dance music history, Le Vay continues celebrating the women who built the foundations of club culture. Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Women have been central to the evolution of dance music culture since its earliest days, yet their contributions have often been overlooked. From Régine Zylberberg's pioneering work in creating the modern discotheque in 1950s Paris to Sharon White's trailblazing presence at New York's legendary venues in the 1970s, female DJs have shaped dance floors worldwide. Sharon White broke barriers as a Black queer radio DJ, finding her way into the booth at the Paradise Garage in 1975. She became the first female DJ to play at the revered Saint club and spun records at Studio 54. Her influence can be seen in later pioneers like London's Smokin' Jo, who emerged from the British acid house scene to become one of England's most celebrated DJs and the only woman to be awarded DJ of the Year in DJ Magazine's Top 100. In the second episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJ, academic, and journalist Lulu Le Vay to explore the often-untold stories of women in dance music culture. Le Vay, who holds a PhD in Sociology from Goldsmiths and performs as DJ Lulu Levan, represents a new generation of "PhDJs" combining academic inquiry with dance floor experience. From writing for publications like The Face, i-D, and The Guardian to spinning at festivals like Lovebox and Bestival, she documents club culture from multiple perspectives. Currently working on a documentary about women DJs with director Sonja Phillips, Le Vay is also part of Love Underground, a new collaboration with producer Tommy D whose new single "The Journey Part 1" is out on Chillifunk records. Through her podcast Where Love Lives and her work preserving dance music history, Le Vay continues celebrating the women who built the foundations of club culture. Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Women have been central to the evolution of dance music culture since its earliest days, yet their contributions have often been overlooked. From Régine Zylberberg's pioneering work in creating the modern discotheque in 1950s Paris to Sharon White's trailblazing presence at New York's legendary venues in the 1970s, female DJs have shaped dance floors worldwide. Sharon White broke barriers as a Black queer radio DJ, finding her way into the booth at the Paradise Garage in 1975. She became the first female DJ to play at the revered Saint club and spun records at Studio 54. Her influence can be seen in later pioneers like London's Smokin' Jo, who emerged from the British acid house scene to become one of England's most celebrated DJs and the only woman to be awarded DJ of the Year in DJ Magazine's Top 100. In the second episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJ, academic, and journalist Lulu Le Vay to explore the often-untold stories of women in dance music culture. Le Vay, who holds a PhD in Sociology from Goldsmiths and performs as DJ Lulu Levan, represents a new generation of "PhDJs" combining academic inquiry with dance floor experience. From writing for publications like The Face, i-D, and The Guardian to spinning at festivals like Lovebox and Bestival, she documents club culture from multiple perspectives. Currently working on a documentary about women DJs with director Sonja Phillips, Le Vay is also part of Love Underground, a new collaboration with producer Tommy D whose new single "The Journey Part 1" is out on Chillifunk records. Through her podcast Where Love Lives and her work preserving dance music history, Le Vay continues celebrating the women who built the foundations of club culture. Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Women have been central to the evolution of dance music culture since its earliest days, yet their contributions have often been overlooked. From Régine Zylberberg's pioneering work in creating the modern discotheque in 1950s Paris to Sharon White's trailblazing presence at New York's legendary venues in the 1970s, female DJs have shaped dance floors worldwide. Sharon White broke barriers as a Black queer radio DJ, finding her way into the booth at the Paradise Garage in 1975. She became the first female DJ to play at the revered Saint club and spun records at Studio 54. Her influence can be seen in later pioneers like London's Smokin' Jo, who emerged from the British acid house scene to become one of England's most celebrated DJs and the only woman to be awarded DJ of the Year in DJ Magazine's Top 100. In the second episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJ, academic, and journalist Lulu Le Vay to explore the often-untold stories of women in dance music culture. Le Vay, who holds a PhD in Sociology from Goldsmiths and performs as DJ Lulu Levan, represents a new generation of "PhDJs" combining academic inquiry with dance floor experience. From writing for publications like The Face, i-D, and The Guardian to spinning at festivals like Lovebox and Bestival, she documents club culture from multiple perspectives. Currently working on a documentary about women DJs with director Sonja Phillips, Le Vay is also part of Love Underground, a new collaboration with producer Tommy D whose new single "The Journey Part 1" is out on Chillifunk records. Through her podcast Where Love Lives and her work preserving dance music history, Le Vay continues celebrating the women who built the foundations of club culture. Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Women have been central to the evolution of dance music culture since its earliest days, yet their contributions have often been overlooked. From Régine Zylberberg's pioneering work in creating the modern discotheque in 1950s Paris to Sharon White's trailblazing presence at New York's legendary venues in the 1970s, female DJs have shaped dance floors worldwide. Sharon White broke barriers as a Black queer radio DJ, finding her way into the booth at the Paradise Garage in 1975. She became the first female DJ to play at the revered Saint club and spun records at Studio 54. Her influence can be seen in later pioneers like London's Smokin' Jo, who emerged from the British acid house scene to become one of England's most celebrated DJs and the only woman to be awarded DJ of the Year in DJ Magazine's Top 100. In the second episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJ, academic, and journalist Lulu Le Vay to explore the often-untold stories of women in dance music culture. Le Vay, who holds a PhD in Sociology from Goldsmiths and performs as DJ Lulu Levan, represents a new generation of "PhDJs" combining academic inquiry with dance floor experience. From writing for publications like The Face, i-D, and The Guardian to spinning at festivals like Lovebox and Bestival, she documents club culture from multiple perspectives. Currently working on a documentary about women DJs with director Sonja Phillips, Le Vay is also part of Love Underground, a new collaboration with producer Tommy D whose new single "The Journey Part 1" is out on Chillifunk records. Through her podcast Where Love Lives and her work preserving dance music history, Le Vay continues celebrating the women who built the foundations of club culture. Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices
Women have been central to the evolution of dance music culture since its earliest days, yet their contributions have often been overlooked. From Régine Zylberberg's pioneering work in creating the modern discotheque in 1950s Paris to Sharon White's trailblazing presence at New York's legendary venues in the 1970s, female DJs have shaped dance floors worldwide. Sharon White broke barriers as a Black queer radio DJ, finding her way into the booth at the Paradise Garage in 1975. She became the first female DJ to play at the revered Saint club and spun records at Studio 54. Her influence can be seen in later pioneers like London's Smokin' Jo, who emerged from the British acid house scene to become one of England's most celebrated DJs and the only woman to be awarded DJ of the Year in DJ Magazine's Top 100. In the second episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJ, academic, and journalist Lulu Le Vay to explore the often-untold stories of women in dance music culture. Le Vay, who holds a PhD in Sociology from Goldsmiths and performs as DJ Lulu Levan, represents a new generation of "PhDJs" combining academic inquiry with dance floor experience. From writing for publications like The Face, i-D, and The Guardian to spinning at festivals like Lovebox and Bestival, she documents club culture from multiple perspectives. Currently working on a documentary about women DJs with director Sonja Phillips, Le Vay is also part of Love Underground, a new collaboration with producer Tommy D whose new single "The Journey Part 1" is out on Chillifunk records. Through her podcast Where Love Lives and her work preserving dance music history, Le Vay continues celebrating the women who built the foundations of club culture. Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
Den Klang eines Orchesters hört man sogar im Vakuum des Weltalls, denn jedes Stückchen Star Trek verwendet Filmmusik im klassischen Sinne – von den ausdrucksstarken Stücken der Originalserie bis zu Rick Bermans verschämten Klangteppichen. Aus allen Soundtracks jedoch ragt Jerry Goldsmiths oscarnominierte Arbeit für "Star Trek: The Motion Picture" hervor, die die Klänge des Franchises bis heute beeinflusst. Deswegen steht dieses beeindruckende Werk im Fokus unseres allerersten Freitags(sound)treks – und am Dirigentenpult steht neben den Tadderichen auch Fazitator Christian.
Live from Diriyah Art Futures in Riyadh, we're joined by Haytham Nawar, the director of Diriyah Art Futures, and Ala Younis who co-curated its latest exhibition, which delves into the New Media Art scene in the Arab world. They explore the lack of recognition for Arab names in global media art history, discuss the significance of the word "archeology" in the exhibition's subtitle "Maknana: An Archaeology of New Media Art in the Arab World", and highlight contributions by artists like Lucien Samaha, the first person to click a digital image. The conversation also covers the generational and geographical aspects of New Media Art in the Arab world, and the challenges of curating such an exhibition. The episode provides an in-depth look at the themes, artists, and historical context behind the pioneering Diriyah Art Futures project. 00:00 Introduction 01:47 Exploring the Exhibition's Themes and Research04:30 Historical Context and Artist Contributions10:43 Curatorial Approach and Challenges27:31 Defining the Arab World in Art30:48 Misunderstood and Favorite Art Pieces31:23 Curatorial Challenges and Artwork Highlights33:58 More Artworks and Multiple Interpretations39:03 The Role of New Media in Telling the Arab World's Story41:46 Audience Questions and Curatorial Insights49:54 Gender Balance and Artist Selection Criteria51:50 New Media Art and Public Sphere59:11 Future Iterations and Ongoing Research Ala Younis is an artist, with curatorial, film and publishing projects. Using objects, film and printed matter, she often seeks instances where historical and political events collapse into personal ones. She holds a BSc in Architecture from University of Jordan and MRes in Visual Cultures from Goldsmiths, University of London. She co-curated Diriyah Art Futures' exhibition "Maknana: An Archaeology of New Media Art in the Arab World."Connect with Ala Younis
Adrian Lahoud is an architect, urban designer, researcher, and the dean of the School of Architecture at the Royal College of Art. Previously he was director of the MA program at the Centre for Research Architecture at Goldsmiths and a research fellow at Forensic Architecture. In this conversation, Jarrett and Adrian talk about the intersection of decolonization and decarbonization, architecture as a site for posing problems, and fostering an interdisciplinary research culture. This episode originally aired on December 6, 2023.
Episode 75 of ‘All About Art': Over 100 Years of Artist Residencies with Chiwoniso Kaitano, Executive Director of MacDowell Welcome to another episode of All About Art! In this episode, I sat down with Chiwoniso Kaitano, Executive Director of MacDowell, an artist residency in New York established in 1907 (over 100 years ago) and now one of the most prestigious artist residencies worldwide. I speak to Chiwoniso about her career path and what led her to her position as Executive Director of the residency. We delve into how the residency runs and we chat about its core mission within the art ecosystem. I ask about her responsibilities within her role as well as how she feels about the current political climate in the United States, especially while spearheading a company that has seen over 100 years of change.I am excited to be releasing this podcast to coincide with their medal day celebration taking place on June 29th, where this year they are honoring Chilean-born visual artist, architect and filmmaker Alfredo Jaar with the 65th Edward MacDowell Medal.Thank you Chiwoniso for coming on the podcast and for welcoming me to the MacDowell office in Chelsea while I was in New York! You can follow Chiwoniso on Instagram here: https://www.instagram.com/chiwoniso/You can follow MacDowell on Instagram here: https://www.instagram.com/macdowell1907You can check out MacDowell here: https://www.macdowell.orgYOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: https://www.patreon.com/allaboutartFOLLOW ALL ABOUT ART ON INSTAGRAM HERE: https://www.instagram.com/allaboutartpodcast/ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.Here are links to my social media, feel free to reach out:Instagram @alexandrasteinacker Twitter @alex_steinackerand LinkedIn at Alexandra Steinacker-ClarkCOVER ART: Lisa Schrofner a.k.a Liser www.liser-art.com and Luca Laurence www.lucalaurence.com Episode Production: Paul Zschornack
The U.S. Constitution had to be formed through debate before it could be ratified. Mirroring this, a British constitution must emerge through debates held by the next generation. This lecture indicates schools are a good environment to foster this. For students, there are many contentious issues that tap into discussions at the heart of writing a constitution. Students being punished for swearing raises questions of limits to free speech. Students wishing to intervene when an unpopular peer is bullied would be empowered by constitutional duty obliging them to do so. Schools tend to be authoritarian institutions, benevolent or otherwise, and can either provoke students to develop ideas on power structures and recognise the need for their own rights and duties, or condition them to accept of the status quo.This lecture was recorded by Clive Stafford Smith on 22nd May 2025 at Barnard's Inn Hall, London.Clive is the Gresham Professor of LawHe is the founder and director of the Justice League a non-profit human rights training centre focused on fostering the next generation of advocates. He also teaches part time at Bristol Law School and Goldsmiths as well as running a summer programme for 35 students in Dorset, his home. He has received all kinds of awards in recognition of his work, including an OBE by Queen Elizabeth II for “services to humanity” in 2000. He has been a member of the Louisiana State Bar since 1984.The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/taking-constitution-classroomGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todayWebsite: https://gresham.ac.ukTwitter: https://twitter.com/greshamcollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show
Episode 173:For this guest episode it is a very welcome return for Eleanor Conlon, who you will remember discussed Titus Andronicus with me in Episode 22 of this season. Having picked over the brutal actions of that play with Eleanor I was pleased to hear that she was interested in a return visit and to discuss the very different piece that is Love's Labour's Lost. As you will her Eleanor has a great love of this play and brings all the enthusiasm about it to our conversation that you as might expect. If you have not already done so I would recommend listening to my previous episode on Love's Labour's Lost before starting on this one, which adds a lot to what I said in that episode.Eleanor Conlon is an actor, director, and award-winning writer based in Sussex.After completing her BA in English Literature at Goldsmiths, University of London, Eleanor earned her MA in Shakespeare and Early Modern Drama at Kings College and Shakespeare's Globe. While at The Globe, Eleanor worked dramaturgically on productions by Dominic Dromgoole, Matthew Dunster, and Jeremy Herrin, and with Jenny Tiramani on the Original Practices Costume Archive.As an academic, her research focused on Renaissance Magic, Gender and Culture in Early Modern London, though for more than a decade her career has been less theoretical and more practical. After achieving success with her theatre company ‘The Barefoot Players' in the late 2000s and early 2010s, with which she produced plays including ‘Tis Pity She's a Whore', ‘Doctor Faustus' and ‘The Alchemist', the latter two of which she also directed, as well as productions of several of Shakespeare's works, plays by Ibsen, Oscar Wilde, and others. She founded her current theatre company ‘Rust & Stardust' where working with her puppet-maker partner Katie Sommers Eleanor has written over a dozen plays rooted in English folklore and toured these shows all over the UK.In addition to all this, and as you are about to hear, in 2023 she launched the Three Ravens Podcast with her partner Martin Vaux – also a writer and actor – which explores history, legends, and diverse aspects of folk culture.Link to Three Ravens Podcast website: www.threeravenspodcast.comFor the Three Ravens Folktales Book:Link to Amazon UK: https://www.amazon.co.uk/Three-Ravens-Folk-Tales-half-forgotten/dp/1803999683Link To Amazon US: https://www.amazon.com/Three-Ravens-Folk-Tales-half-forgotten-ebook/dp/B0CW1GB63M/ref=sr_1_1Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.
How are working class women represented in contemporary culture? In Slags on Stage: Class, Sex, Art and Desire in British Culture (Routledge, 2025), Katie Beswick, a Senior Lecturer in Arts Management at Goldsmiths, University of London, examines this question by analysing the figure of the ‘slag' across a range of cultural forms, including theatre and television. Alongside a history of the idea of the ‘slag', the book draws on deep case studies of key artists, including Tracey Emin, Cash Carraway and Michaela Coel to understand both the meaning of ‘slags' in British culture and how class, race and gender all intersect in Britain's unequal society. Blending memoir, poetry, close reading, and history, the book is essential reading across the arts and humanities, as well as for anyone interested in culture today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
How are working class women represented in contemporary culture? In Slags on Stage: Class, Sex, Art and Desire in British Culture (Routledge, 2025), Katie Beswick, a Senior Lecturer in Arts Management at Goldsmiths, University of London, examines this question by analysing the figure of the ‘slag' across a range of cultural forms, including theatre and television. Alongside a history of the idea of the ‘slag', the book draws on deep case studies of key artists, including Tracey Emin, Cash Carraway and Michaela Coel to understand both the meaning of ‘slags' in British culture and how class, race and gender all intersect in Britain's unequal society. Blending memoir, poetry, close reading, and history, the book is essential reading across the arts and humanities, as well as for anyone interested in culture today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
How are working class women represented in contemporary culture? In Slags on Stage: Class, Sex, Art and Desire in British Culture (Routledge, 2025), Katie Beswick, a Senior Lecturer in Arts Management at Goldsmiths, University of London, examines this question by analysing the figure of the ‘slag' across a range of cultural forms, including theatre and television. Alongside a history of the idea of the ‘slag', the book draws on deep case studies of key artists, including Tracey Emin, Cash Carraway and Michaela Coel to understand both the meaning of ‘slags' in British culture and how class, race and gender all intersect in Britain's unequal society. Blending memoir, poetry, close reading, and history, the book is essential reading across the arts and humanities, as well as for anyone interested in culture today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
How are working class women represented in contemporary culture? In Slags on Stage: Class, Sex, Art and Desire in British Culture (Routledge, 2025), Katie Beswick, a Senior Lecturer in Arts Management at Goldsmiths, University of London, examines this question by analysing the figure of the ‘slag' across a range of cultural forms, including theatre and television. Alongside a history of the idea of the ‘slag', the book draws on deep case studies of key artists, including Tracey Emin, Cash Carraway and Michaela Coel to understand both the meaning of ‘slags' in British culture and how class, race and gender all intersect in Britain's unequal society. Blending memoir, poetry, close reading, and history, the book is essential reading across the arts and humanities, as well as for anyone interested in culture today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Alberto Toscano is Professor of Critical Theory in the Department of Sociology and Co-Director of the Centre for Philosophy and Critical Theory at Goldsmiths, University of London, and Term Research Associate Professor at the School of Communications at Simon Fraser University. He is the author of Fanaticism: On the Uses of an Idea (Verso, 2010; 2017, 2nd ed.), Cartographies of the Absolute (with Jeff Kinkle, Zero Books, 2015), Una visión compleja. Hacía una estética de la economía (Meier Ramirez, 2021), La abstracción real. Filosofia, estética y capital (Palinodia, 2021), and the co-editor of the 3-volume The SAGE Handbook of Marxism (with Sara Farris, Bev Skeggs and Svenja Bromberg, SAGE, 2022), and Ruth Wilson Gilmore's Abolition Geography: Essays in Liberation (with Brenna Bhandar, Verso, 2022). He is a member of the editorial board of the journal Historical Materialism: Research in Critical Marxist Theory and is series editor of The Italian List for Seagull Books. He is also the translator of numerous books and essays by Antonio Negri, Alain Badiou, Franco Fortini, Furio Jesi and others. Subscribe to our newsletter
This lecture was recorded by Clive Stafford Smith on 10th April 2025 at Barnard's Inn Hall, London.Clive is the Gresham Professor of LawHe is the founder and director of the Justice League a non-profit human rights training centre focused on fostering the next generation of advocates. He also teaches part time at Bristol Law School and Goldsmiths as well as running a summer programme for 35 students in Dorset, his home. He has received all kinds of awards in recognition of his work, including an OBE by Queen Elizabeth II for “services to humanity” in 2000. He has been a member of the Louisiana State Bar since 1984.The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/what-rights-and-duties-are-missing-us-constitutionGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todayWebsite: https://gresham.ac.ukTwitter: https://twitter.com/greshamcollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show
Episode 74 of ‘All About Art': Connecting the Culturally Curious with Katy Wickremesinghe, Founder of The WickWelcome to another episode of All About Art! In this episode, I sat down with Katy Wickremesinghe, British-Sri Lankan entrepreneur and Founder of KTW and The Wick. I speak to Katy about her businesses - both KTW, a communications consultancy operating in the cultural sector, along with the Wick, an activation hub and content platform. We cover many bases, speaking about the moment she decided to venture into entrepreneurship to what her day to day as a CEO looks like now. We delve into what it means to her to be “Connecting the Culturally Curious”, a phrase deeply ingrained in the mission of her business. She gives tips to budding entrepreneurs in the Art PR realm, as well as a forecast on the future of the industry, and much more. Thank you Katy for coming on the podcast! You can follow Katy on Instagram here: https://www.instagram.com/misskatywick/You can follow The Wick on Instagram here: https://www.instagram.com/thewickculture/You can follow KTW on Instagram here: https://www.instagram.com/ktwlondon/DCMS Report on Culture and its Impact on Wellbeing: https://assets.publishing.service.gov.uk/media/678e2ecf432c55fe2988f615/rpt_-_Frontier_Health_and_Wellbeing_Final_Report_09_12_24_accessible_final.pdf You can check out The Wick here: https://thewickculture.com/and you KTW here: https://www.ktwlondon.com/This episode is brought to you by Sotheby's Institute of Art, dedicated to the study of art and its markets for over 50 years. Visit sothebysinstitute.com to explore programs from master's degrees to short courses and more.YOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: https://www.patreon.com/allaboutartFOLLOW ALL ABOUT ART ON INSTAGRAM HERE: https://www.instagram.com/allaboutartpodcast/ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.Here are links to my social media, feel free to reach out:Instagram @alexandrasteinacker Twitter @alex_steinackerand LinkedIn at Alexandra Steinacker-ClarkThis episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/ COVER ART: Lisa Schrofner a.k.a Liser www.liser-art.com and Luca Laurence www.lucalaurence.com Episode Production: Paul Zschornack
Key Takeaways: Gold = The OG Money For generations, people have used gold as a trusted way to measure value. It's like the solid rock that all other money stuff is built on — even credit and loans! Why Trust Matters in Money Money and investments work well when people trust them. If people believe something will keep its value (like a house or a bond), they treat it like it's worth more. But if trust drops, so does its value. Markets Move in Cycles The market goes through ups and downs — kind of like a roller coaster. Smart investors know when it's time to be bold (taking some risks) and when to be safe (putting money into steady stuff like gold or real estate). Watch the Clues! You can spot where the market is going by checking: Gold prices (Is it rising? That could mean people are looking for safety.) Bond yields (How much are governments paying to borrow money?) Central bank policies (Are they raising or lowering interest rates?) Stay Calm & Be Flexible The best investors don't panic. They balance their emotions and adapt when things change. Like in sports — sometimes you attack, sometimes you defend — depending on how the game's going. Chapters: Timestamp Summary 0:00 Understanding Collateral, Credit, and Commodities in Financial Systems 4:45 The Evolution of Goldsmiths to Modern Banking 5:24 Understanding Market Cycles Through Trust and Financial Instruments 8:18 Financial Cycles, Asset Trust, and Market Revaluation 11:24 Gold and Bonds as Indicators of Economic Trust 14:43 Balancing Investment Strategies Amid Market Uncertainty 24:17 Emotional Regulation and Financial Investment Strategies Powered by Stone Hill Wealth Management Social Media Handles Follow Phillip Washington, Jr. on Instagram (@askphillip) Subscribe to Wealth Building Made Simple newsletter https://www.wealthbuildingmadesimple.us/ Ready to turn your investing dreams into reality? Our "Wealth Building Made Simple" premium newsletter is your secret weapon. We break down investing in a way that's easy to understand, even if you're just starting out. Learn the tricks the wealthy use, discover exciting opportunities, and start building the future YOU want. Sign up now, and let's make those dreams happen! WBMS Premium Subscription Phillip Washington, Jr. is a registered investment adviser. Information presented is for educational purposes only and does not intend to make an offer or solicitation for the sale or purchase of any specific securities, investments, or investment strategies. Investments involve risk and, unless otherwise stated, are not guaranteed. Be sure to first consult with a qualified financial adviser and/or tax professional before implementing any strategy discussed herein. Past performance is not indicative of future performance.
Some people think we live in an age of decline. Matthew Sweet investigates, with guests including political journalist Tim Stanley, art critic Louisa Buck, Professor Jane Desmarais who is head of the decadence research centre at Goldsmiths, University of London, and Neville Morley, Professor of Classics and Ancient History at the University of Exeter. Plus, Matthew will talk to satirical artist Cold War Steve about his depictions of decadence in contemporary Britain.Producer: Luke Mulhall
Most of us can probably point to examples of people who suffered from racism, or who overcame racism. But Keon West reminds us all that “the plural of anecdote is not data” and that science actually has a lot to say about the reality of racism today—if we take the time to consider it and really understand. West is a social psychologist and an Associate Professor at Goldsmiths, University of London. He has also worked at the University of Leeds and the University of Roehampton, both in the U.K. His research interests include stigma, bias and perceptions of people from other groups. Much of his prior research specifically investigated the contact hypothesis and its derivatives. Recently, however, his recent research has developed a stronger focus on gender identity, perceptions of sexuality and sexual orientation, sexism and anti-LGBT prejudice. As well as publishing a number of scientific papers each year, West has disseminated his findings in the broader media. He has appeared multiple times in various national and international outlets including the Guardian and the BBC. Though he currently lives in London, he grew up in Jamaica and has also lived in the United States and France. He received a B.A. in Psychology from Macalester College, St. Paul, MN, and a doctorate in Experimental Psychology from Oxford University. See omnystudio.com/listener for privacy information.
A thousand facets sat with the McCaul brothers, Barry and David in their beautiful store in Dublin, Ireland and they chat about how their career in the jewelry industry, how they mix new technology with traditional traditions and what it is to be back on the town they grew up to open their store there. About: We are traditional goldsmiths, known for our unique modern fine jewellery. Our signature style is curvaceous, modern and elegant. Each piece of McCaul Goldsmiths' jewellery is designed, made and set in-house, from start to finish, using traditional techniques and modern technology. We love to explore new ideas and are continually adding new designs to our collection. Visit the McCaul Goldsmiths' ateliers in Dublin and London to watch us at work and browse the current designs in our collection. As classically trained goldsmiths, our style and forms are heavily influenced by technique and the properties of the precious metals we work with. We aim to create elegant jewellery that accentuates the curves and contours of the body. Rings gently meander around the fingers and earrings sweep and caress the contours of the neck. Precious metals are hand-forged into sweeping tapered loops; a curve highlighted with lines of tiny diamonds; colourful gemstones inspire one-off creations. Our search for exceptional gemstones regularly takes us to fairs abroad where we source our most remarkable stones. You can follow Barry and David on Instagram @mccaulgoldsmiths or their website https://mccaul.com visit their shops: Dublin Atelier: The Diamond, Main St, Malahide, Co. Dublin, K36 V2V0 email: dublin@mccaul.com phone: +353 1 5155038 London Atelier: 56 Exmouth Market, London, EC1R 4QE email: london@mccaul.com phone: +44 207 502 7033 Please visit @athousandfacets on Instagram to see some of the work discussed in this episode. Music by @chris_keys__ Learn more about your ad choices. Visit podcastchoices.com/adchoices
I am so excited to say that my guest on the GWA Podcast is the acclaimed painter, Rose Wylie! Born in 1934, as the youngest of seven children to Victorian parents, Wylie spent her early childhood in India before coming to England aged 5. This was in 1939, in the midst of a bomb-filled Second World War and increasingly fractured world. She went on to study figurative painting, at Folkestone and Dover College of Art in Kent from 1952–56, at a time when tutors would say to her ‘It's no good bothering with you, you're a girl, you'll get married, have children and that'll be that.' … It was then to a teacher training programme at Goldsmiths before putting art aside to raise three children. This was, until 1979 when Wylie returned to the studio enrolling at the Royal College of Art, in her early 40s. Her first solo exhibition came a few years later in 1985, but despite Wylie working in her cottage-slash-studio in Kent for the last 50+ years – where we are very excitingly recording today – it was not until the last 10–15 years that her work has been given the attention and acclaim it has always deserved. Playful and fractured, featuring text overlaid with image, witnessing a Rose Wylie painting in person is to see the world in a different way. Wylie takes recognisable elements from pop culture, history, mythology, sport, even the Bible – from flowers, battenberg cakes, sportstars, queens, to the likes of Nicole Kidman and Emily Maitlis – and shows us them anew, in her paintings that are void of perspective to the point that there is no indication of where the work starts or ends. Her paintings are sometimes full of movement – like a football being kicked, almost balletically, with players, clad in yellow, darting across the dotty canvas that surrounds its viewer. At other times they remind me of a film playing out – like the blood-clad figure lying on the floor in Kill Bill – or even a script with stage directions featuring phrases like “getting dark” or “yellow” … Wylie's paintings are full of decisions, ideas, and the more I look at them, the more her world opens up… Now 90 years old, after a celebrity-filled birthday bash, Wylie is back better than ever for her exhibition at David Zwirner London “When Found becomes Given”, opening on April 3rd, and I couldn't be more delighted to be speaking to her at her Kent-based studio today. Exhibition: https://www.davidzwirner.com/exhibitions/2025/rose-wylie-when-found-becomes-given -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield
A thousand facets sits with Chris Oliver, the Head of Professional Training at the Goldsmiths Centre. He is working to create the curriculums for the new generations of jewelry artists. We discuss his beginnings, what inspired him to go into education and what he has learned about jewelry! About Goldsmiths Centre: Designing, making, crafting and finishing: it all comes together at the Goldsmiths' Centre. Come to our home, a stone's throw from Hatton Garden, and join more than 100 makers and businesses in the jewellery and silversmithing industry. Hone your craft, learn new skills, build your business or attend one of our events to make new connections. We welcome everyone: from the young and curious, to designers, makers, manufacturers and craftspeople at all stages in their journey. You can follow Chris Oliver on Instagram @chrisollie99 , or for more information on the goldsmiths centre, visit their website https://www.goldsmiths-centre.org/ Please visit @athousandfacets on Instagram to see some of the work discussed in this episode. Music by @chris_keys__ Learn more about your ad choices. Visit podcastchoices.com/adchoices
Episode 464 / Esteban JeffersonEsteban Jefferson was born in New York City in 1989. He received his BA and MFA from Columbia University. He's had solo shows at 303 Gallery, Tanya Leighton in Berlin and Goldsmiths in London. He's had group shows at Hangar Y in Paris, Uncle Brother in Hancock, NY, Herald St in London, the ICA in Miama and more. His work has been featured in Art Monthly, The New York Times, ArtReview, The Brooklyn Rail, Frieze, Art In America, the New Yorker, Artforum and more.
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