Podcasts about Young Vic

Audrey is an award-winning UK and International freelance director with a passion for new work. Committed to making theatre that is rigorous, ambitious and above all else, truthful. She studied Psychology and Anthropology followed by a an MSc in Medical Anthropology. Theatre-wise she trained for three years alongside the late Sam Kogan in London and Moscow. Before continuing her directorial training at the Young Vic, King's Head Theatre and workshops at the National Theatre and the RSC, one with the legendary Peter Brook. She also co-facilitated the National's New Views program for new writers at the National and a panelist on the Women's Prize for Playwriting. Her work has earned her a Best Director Finalist place for the Off West End awards 2017/18 and the Arts Foundation Awards 2018. Other credits as a director include:Six Artist's in Search for an Author - Almeida Perspective - NationalJews. In their own Words - Royal Court with Jonathan FreelandAssociate Director on Stranger Things: The First Shadow at the Phoenix Theatre in London dir. Justin MartinCatch also her work on video games, she's worked with companies such as Ubisoft, Amazon Game Studios, CD Projekt RED and Kuno.Audrey and I discuss how theatre is a great instrument in storytelling as well as speaking our truth. Truth about our lives, politics, behaviours and our place in the universe. I was fascinated to hear about how she wants to make theatre truthful and what projects she has worked on and will work on in the future will be able to achieve that. Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @goweroliverFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️

Welcome Back to TBOTA!Dan Milne trained as a theatre practitioner after studying English at Cambridge and training at the Drama Studio, London. He has acted with leading UK theatre companies including the Royal Shakespeare Company, National Theatre, Young Vic, and Complicité, as well as regionally with the Royal Exchange Manchester, Birmingham Rep, and Liverpool Everyman. His international tours have taken him to Broadway and festivals in the US, Mexico, India, Australia, and New Zealand. Screen credits include Eastenders, The Nevers, and Star Wars: The Acolyte.As a director, Dan has worked with the RSC and Young Vic and presented work at BAC, Trafalgar Studios, and off-Broadway. He produced the documentary The Longest Game and two features, Never Here and Widow's Walk, and is currently developing The Gate with Camille Thoman and Tobias Menzies. He also co-founded Narativ, a storytelling company born from his acclaimed New York theatre piece Two Men Talking. The company's mission is ‘a world connected by listening and sharing personal stories' - a mission to support people to explore, tell and reflect on the stories of their personal experience.Jane Nash is Director and Lead Trainer of Narativ in London. She believes passionately in the transformative power of Listening & Storytelling and brings a rigorous, compassionate ability to listen in all situations, creating trainings that her clients say are practical, inspiring and always human. Jane developed her love of story and her expertise in the behaviours of personal impact in a career spanning many decades, working internationally as an actor, writer, director and theatre maker. She has appeared in film and on television, and in theatre spaces as diverse as Greenwich Park, St Pancras Station and the Olivier Theatre. She has created many pieces of theatre drawing on elements of personal storytelling - such work includes ‘Big Space', ‘Small Space', and a piece about family currently being developed with Dan and her daughter, entitled ‘All Those Things'.Support this show:Become a patron and help me make this show. Bonus episodes every week: >> ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Robert Neumark Jones | creating podcasts and extra content | Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy me a coffee ☕⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://paypal.me/robertneumark⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Or support me through other ways:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bliss of the Abyss⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Give us a rating & review:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Write a review for Bliss of the Abyss ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Like and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠My Webpage:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Robert Neumark Jones | Actor | Voice Artist (robertnj.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠© Robert Neumark Jones

Welcome Back to TBOTA!Born in Scotland. Eric MacLennan has been making avant-garde performance work for over forty years. During this time he has worked as an actor and director with many world class companies including DV8 Physical Theatre; David Glass Ensemble; V-TOL; Citizens Theatre Glasgow; Red Shift; Manchester Royal Exchange; Bristol Old Vic; Theatre of Comedy Company; Royal National Theatre Studio; Boilerhouse; Volcano; Lumiere & Son; Shunt; Station House Opera; National Theatre of Scotland; Young Vic and the Almeida.Over the last ten years he has been creating his own distinctive work whose practice occupies a unique space somewhere between theatre, movement and the visual arts. Inspired by philosophy and comedy in equal measure his work questions our unconscious habits, challenges conventions and isn't afraid to say the unsayable!Discussed: Being in Star wars, sources of inspiration, creating your own work, a voyage around my bedroom, performing at Glastonbury, working with Jane Nash, Embarrassing auditions and failed projects, pre show routines, how actors develop superstitions, Spelling 'zhjugdge', regretting your name being Crispin, Lecoque, your favourite spice girl, AND SO MUCH MORESupport this show:Become a patron and help me make this show. Bonus episodes every week: >> ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Robert Neumark Jones | creating podcasts and extra content | Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy me a coffee ☕⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://paypal.me/robertneumark⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Or support me through other ways:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bliss of the Abyss⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Give us a rating & review:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Write a review for Bliss of the Abyss ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Like and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠My Webpage:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Robert Neumark Jones | Actor | Voice Artist (robertnj.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠© Robert Neumark Jones

In this week's episode, Lauren and Rina sit down with the accomplished theatrical duo David Thacker and Margot Leicester to discuss their experiences as parents of their youngest adult daughter, Elizabeth, who is autistic and has learning difficulties. In this warm and inspiring conversation, David and Margot reflect on their journey raising a disabled child and adult, offering heartfelt wisdom on what truly matters most.Content WarningsDiagnosis Guest BiographiesMargot was brought up in Middleton, Manchester with her younger brother. As a child, Margot always knew she wanted to be an actress and spent most of her time at the University of Leicester, where she studied English, acting in student productions. Spotted at the National Student Drama Festival in Exeter, she was invited to join the Exeter Northcott Theatre and has acted ever since, playing in regional theatres throughout the UK, at the National theatre, in several London theatres, in the West End, and on Broadway. Margot has appeared regularly on television. David was born in Higham Ferrers Northamptonshire and at six months his family moved to nearby Rushden where he was brought up with his two older sisters and his younger brother. He went to the University of York to study English and stayed to study for an MA in Shakespeare. He discovered his love for directing with the University Drama Society and directed several plays there. His first job was as an Assistant Stage Manager at York Theatre Royal, and he has worked in theatre and television since. He has been artistic director of three theatres, the Young Vic, Duke's Playhouse Lancaster, Octagon Theatre Bolton and Director-in-Residence at the Royal Shakespeare Company. He has directed over 150 productions throughout the UK and internationally. David has also directed extensively for BBC, ITV, Channel 4 and WGBH Boston (USA). He continues to work as a freelancer and combines this with his role as Professor of Theatre and Film at University of Bolton. Margot and David met in 1982 when David was Artistic Director of Duke's Playhouse Lancaster and Margot acted there. They fell in love and have been together since, often working together across theatre, film and television.In a voluntary capacity, Margot is a trustee of Haringey Shed inclusive youth theatres and David was a governor of a primary and comprehensive school in Muswell Hill. They have four children and four grandchildren and live in Crouch End, London.Useful resources:Home - icandanceHaringey Shed Hosted on Acast. See acast.com/privacy for more information.

Brandon has a light that can fill any room—his energy is infectious. But behind that light is a story of survival. At just 7 years old, his world collapsed when his mother became addicted to crack. Homeless and hungry, Brandon took on the role of protector for his younger brothers, every day a fight for survival. By 10, he found stability in a loving foster family, but the grip of addiction lingered in his life. Despite it all, Brandon chose a path of positivity. Armed with faith and an unwavering love for performing arts, he's turned his pain into purpose. His story isn't just about overcoming—it's about thriving in the face of it all. His words, "Anything Is Possible" will forever stay with me. Huge thank you ❤️‍

Today Elaine chats with Isley Lynn and Libby Rodliffe the co-writers and performer of Jobsworth. We chat the inspiration for the show, shame around debt and our lack of honestly when it comes to finical maters, the comedy of bad bosses and we have a great laugh. Jobsworth - Pleasence Courtyard - Upstairs Dates: 31st July - 26th AUGUST (not 14th) @ 1.45 pm Tickets available here: https://tickets.edfringe.com/whats-on/jobsworth Jobsworth Bea's secretly working three full-time jobs. All at the same time. And she's still financially f*cked. Between looking after luxury flats and dogsitting the world's ugliest pooch, she's neck-deep in employers and it's only a matter of time until someone finds out she's breaking all her contracts. Armed with nothing but her smarmiest boss' dirty secret, can Bea get herself out of the red and into the black (and into the fit intern's bed)? Or will the plates she's been spinning come crashing down around her and her dysfunctional family? A riotous comedy about snakes and surviving capitalism. Libby Rodliffe Libby trained at Royal Central School of Speech and Drama. Theatre credits include: JOBSWORTH (Vault Festival), Skin a Cat (Assembly Rooms: Edinburgh Fringe & UK Tour), Who Are We Now? (Southwark Playhouse), Trapped (Cockpit Theatre), Mr Kolpert (Lion & Unicorn Theatre). TV credits include: Best Interests, Call the Midwife and His Dark Materials (BBC). Feature film credits include: Spencer (Komplizen) and Big Boys Don't Cry (Six from Eight). Isley Lynn Isley is an American-born, London-based playwright and poet. Their play THE GLUE opened at Royal Welsh College of Music and Drama and transferred to the Young Vic this year.They won the ‘Most Promising Playwright Award' at the Evening Standard Theatre Awards 2023 for their play THE SWELL, which opened to great acclaim at the Orange Tree Theatre and received a 2024 Olivier Awards nomination for Outstanding achievement in affiliate theatre, as well as being nominated for Best New Play, Best Director and Best Production at the 2023 Offies. Isley's play SKIN A CAT played at The Bunker as their premiere production in 2016. It was nominated for four Off West End Awards, including Best New Play. It was originally performed as part of the Vault Festival in London in January 2016, and was awarded ‘Pick Of The Year' by the festival. It was picked up by Playground Entertainment for TV adaptation.Isley is currently under commission to Vicky Graham Productions, Chichester Festival Theatre, Theatre Royal Bury St Edmunds, and is writing a new musical with Emmy The Great and Tom Hughes. They are a graduate of the Royal Court Young Writers Programme (2012), the Royal Court Invitation Studio Group (2013), the Soho Theatre Young Company from 2011-2012, and The Bush Theatre's Emerging Writers' Group. HIPA GUIDES: HIPA GUIDES OUR WEBSITE - www.persistentandnasty.co.uk Persistent Pal & Nasty Hero - Pals and Hero Membership Email – persistentandnasty@gmail.com Instagram - @persistentandnasty Twitter - @PersistentNasty Coffee Morning Eventbrite - Coffee Morning Tickets LINKTREE - LINKTR.EE Resources Samaritans - Rape Crisis Scotland - Rape Crisis UK ArtsMinds - BAPAM Freelancers Make Theatre Work Stonewall UK - Trevor Project - Mermaids UK Switchboard LGBT+ - GATE PLANNED PARENTHOOD DONATE - DONATE ABORTION SUPPORT NETWORK UK - ASN.COM- DONATE

For decades, Baltimore fans of operetta have had the opportunity to see and hear many Gilbert and Sullivan shows at the Young Victorian Theater Company. Known by many as “Young Vic,” the theatre company has produced 14 of the famed plays over the course of their 25-year collaboration. Ruddigore first opened in 1887 in London, England. The bawdy operetta's humor and wit comes alive through the Young Vic's production, opening Sunday afternoon. Brian Goodman, who cofounded Young Vic 50 years ago, and Catrin Davies, the company's artistic director, join Midday to talk about Ruddigore and what's next for the intrepid theatre company.Email us at midday@wypr.org, tweet us: @MiddayWYPR, or call us at 410-662-8780.

We are back with delicious and juicy interviews and what a lineup I have coming for you babsies.  Warm up your cuppa because actor and writer Zakiyyah Deen is in the building and we spill it all. From discussing Why a Black Woman will never be a Prime Minister of the UK to how to pitch your theatre projects and your boundaries as an artist.  Topics breakdown:  Can you Improv though- New Warm up games. Zakiyyah's current play- "Why a Black Women will never be a prime minister." Where did it come from? Where it is at? And WHY!? Because this is an exclusive interview- we get into it! Her story from birth to now and how the arts came to be? Commissioning and what doing programs such as Young Vic's Fresh Direction program has taught her? Discussing projects such as: Is dat u yh? The Brassic FM show? Enterprice? How do you find the ownership within what you input and placement within the show ? And how do you detach?  Cultural identity and it becoming a kryptonite or your beacon? Niche as a performer?  Quick Round:  A tip on being financial savvy? A tip on grant application or arts application in general? A tip on writing a project? Go back to any role or project what would it be and why? And if you were asked to do a part 2/ expansion of it- input  A great thing about being an artist in today's social, cultural and economical and a challenging thing about it?  Getting into the role- auditioning or when you have booked the job? And how to let go or sepearate yourself from it? A thing you would like someone to take away with them having met you for a brief second or known you for a long time Your Favourite thing about yourself either as a creative or person and something you feel is a challenge and are working on A thing you would like to impart somebody but you never got told or  Words to your mirror self 3 things the creative culture could do with or without 3 artists really admire their journey or would suggest in checking out their work  Your thoughts on the entertainment culture or theatre culture in general and a thing you would challenge the industry on Then we play Sippa Chai or Play with Rai, end with our "What the Chai" rant and what makes Zakiyyah joyful and how she brings joyfulness to others.  Note: Artists mentioned in this podcast are: https://theartistspartnership.co.uk/artist/reda-elazouar/   https://www.hamiltonhodell.co.uk/talent/tobi-king-bakare/   https://www.dkfash.com/   You can also check out Zakiyyah's blog HERE.    To subscribe to Patreon and become a Patron/ supporter of Chai with Rai.  Social: Myself: https://www.instagram.com/chaiwithrai_/ & https://twitter.com/chaiwithrai_ & https://www.tiktok.com/@chaiwithrai Guest: https://www.instagram.com/zakiyyahdeen/?hl=en   Links: Myself: https://www.raimuitfum.com/chaiwithraihomepage & https://linktr.ee/chaiwithrai_  Guest: https://www.imdb.com/name/nm10987227/ , https://www.unitedagents.co.uk/zakiyyah-deen & https://creatorsprogram.youngvic.org/member/13746  Hope you all enjoyed it and Thank you for tuning in. To Subscribe, share, follow my work and everything else is listed above.      

Kwame Kwei-Armah, artistic director, Young Vic theatre, delivers the 2024 RSA Fellows Festival keynote address on COURAGE#FELLOWSFESTIVAL #FELLOWSFESTIVAL2024Become an RSA Events sponsor: https://utm.guru/ueembDonate to The RSA: https://utm.guru/udNNBFollow RSA Events on Instagram: https://www.instagram.com/thersaorg/Follow the RSA on Twitter: https://twitter.com/theRSAorgLike RSA Events on Facebook: https://www.facebook.com/theRSAorg/Listen to RSA Events podcasts: https://bit.ly/35EyQYUJoin our Fellowship: https://www.thersa.org/fellowship/join

This week sees the release of the much anticipated Dune part 2, the sequel to 2021's part 1, a series based on Frank Herbert's 1960's sci fi classic. We also look at Marius von Mayenburg's play Nachtland directed by Patrick Marber at the Young Vic in London and Angelica Kauffman: the Swiss artist finally gets a solo exhibition at the Royal Academy of Arts, more than 250 years after she was one of its founding members. Seán Williams and Sam Marlowe review.Plus, the 'unofficial poet Laureate of Twitter' Brian Bilston has broken some of his anonymity to go on the road with Henry Normal. To mark 29 February, Bilston reads An Extra Day from his collection Days Like These.Presenter: Tom Sutcliffe Producer: Ciaran Bermingham

As the Young Vic's Kwame Kwei-Armah becomes the latest in a list of artistic directors to announce they are leaving the theatres they have run with great enthusiasm and distinction, Nancy and Sarah discuss whether standstill funding and the effects of Covid are bringing British theatres to their knees. There are a lot of reasons to fear that Kwei-Armah is right when he warns that without government intervention, there's a danger of losing a generation of talent. But why are we so bad at valuing something that is not only an economic boon, but that also adds value to life? It's time to speak out. Plus, much praise for Beth Steele's brilliant new play Till the Stars Come Down. Hosted on Acast. See acast.com/privacy for more information.

Prasanna has appeared in multiple TV series, films and theatre productions; ‘The Crown', ‘Patrick Melrose', ‘Line Of Duty', ‘Defending the Guilty', ‘Ten Percent' to name but a few. Onstage he has further acting credits with the RSC, the Donmar Warehouse and the Young Vic. He writes for the stage, for the screen and is a published author. He started off life as a junior medical doctor. In this conversation Prasanna talks about the challenges he faced being a junior doctor, the multiple and varied projects he has either performed or masterminded in the entertainment industry and why he feels he is ‘skin queer'. Packed full of insights, anecdotes and honesty, this is a great episode!

Episode 075: The Homecoming by Harold Pinter Host: Douglas Schatz Guest: Matthew Dunster Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. Harold Pinter's disturbing exploration of toxic masculinity and sexual maneuvering, The Homecoming premiered in 1965. The play's portrait of misogyny, and even more disturbing, the apparent female complicity, was shocking at the time it was written. Nearly 60 years on the sexual politics is if anything even more difficult to watch. So what was Pinter's purpose in presenting such a provocative piece, and how do we process it in the post Me-Too age? I am joined by Matthew Dunster, the director of a scintillating new production of the play at the Young Vic in London, who can help us answer those questions about Pinter's challenging classic.

Jared Harris (Mad Men, Chernobyl) and Joe Cole (Gangs of London, Peaky Blinders), joined The Standard Theatre Podcast, at the Young Vic to talk about their time in Harold Panter's The Homecoming, directed by Matthew Dunster.To hear the full episode click here. Hosted on Acast. See acast.com/privacy for more information.

Alexandra Faye-Braithwaite is a sound designer and composer working across theatre, tv and radio. As well as bespoke audio projects born in Lancashire and brought up in Yorkshire. She now calls Manchester home she's worked all across the UK including the The Royal Court, The Young Vic, The RSC, The Royal Exchange , The West End,  Sheffield Crucible and more as well as internationally, most notably in Beirut Lebanon 

This episode discusses themes some listeners may find distressing.Jared Harris (Mad Men, Chernobyl) and Joe Cole (Gangs of London, Peaky Blinders), join us at the Young Vic to talk about their time in Harold Panter's The Homecoming, directed by Matthew Dunster.For our reviews this week it's Ulster American at Riverside Studios, by David Ireland and directed by Jeremy Herrin, starring Woody Harrelson, Louisa Harland and Andy Serkis. Plus for our second review, Cold War at the Almeida theatre, adapted by Conor McPherson from Pawel Pawlikowski's award-winning 2018 film, starring Anya Chalotra and Luke Thallon.We also discuss Indhu Rubasingham being appointed as Director of the National Theatre, the unveiling of a very special plaque honouring Operation Mincemeat's Hester, and Paddington the musical which comes to the West End in 2025.Get in touch with us at theatrepod@standard.co.ukFor all the latest news head to standard.co.uk Hosted on Acast. See acast.com/privacy for more information.

We're joined by Hattie Morahan at the Sam Wanamaker Playhouse. Hattie stars in Henrik Ibsen's Ghosts, directed by Joe Hill-Gibbins. This play is a first for Shakespeare's Globe...And our reviews this week are:Harold Pinter's The Homecoming, directed by Matthew Dunster and stars Jared Harris (Chernobyl, Mad Men), Joe Cole (Gangs of London, Peaky Blinders), and Lisa Diveney (Call the Midwife), at the Young Vic.Infinite Life, at the National Theatre. This is by American playwright Annie Baker and directed by James Macdonald.Plus in our news portion of the show we discuss the news of Red Pitch moving to the West End, and that Ben Whishaw and Lucian Msamati will star in Waiting for Godot at the Theatre Royal Haymarket.Get in touch at theatrepod@standard.co.ukFor all the latest news visit standard.co.uk Hosted on Acast. See acast.com/privacy for more information.

Why, hello there! Today on The Graham Norton Radio Show with Waitrose:Joe Cole tells us about staring in 'The Homecoming' at the Young Vic in London.Show Chef Martha is popping a bunch of nice foods in a tray and baking it.And you get a double dip of Maria McErlane as she and Graham solve a couple dilemmas in Graham's Guide, plus she talks about her brand new memoir 'Bump in the Road'.There's more exciting content on our YouTube, just look up @VirginRadioUK! Hosted on Acast. See acast.com/privacy for more information.

In episode 95 we review a bitingly satirical new play recently opened at The Young Vic, untitled f*ck m*ss s**gon play; and Susan Stoman's classic Broadway musical, Crazy For You, starring Charlie Stemp. -Opening/Closing Music: Little Lily Swing by Tri-Tachyonis: licensed under a CC Attribution License Hosted on Acast. See acast.com/privacy for more information.

Antonia Thomas, who starred in E4's Misfits and The Good Doctor, and writer Nina Segal, join us to talk about new play Shooting Hedda Gabler at the Rose Theatre.Nina discusses why she decided to do a play about making a film of Hedda Gabler, rather than adapting Ibsen's masterpiece directly, how the MeToo movement influenced the work and issues actors can face on set. Antonia talks about the challenges playing this new version of Hedda, and the ‘weird' hierarchy that still takes place on film sets.Nancy and Nick Curtis review Lynn Nottage's Mlima's Tale, directed by Miranda Cromwell at the Kiln Theatre. While Nick and Nick review Untitled F*ck M*ss S**gon Play at the Young Vic. That's by award-winning Kimber Lee and directed by Roy Alexander Weise.They talk about the death of Michael Gambon, plus news that Mean Girls the musical is arriving this side of the Atlantic, the winners of the Stage Debut Awards winners, and chat about Woody Harrelson's return to the London stage after two decades.The team also discuss the other shows they've seen this week from long-runner Wicked to the powerful Woodhill as well as Frank and Percy, starring Sir Ian McKellen and Roger Allam.You can hear our interview with Gabrielle Brooks, star of Mlima's Tale, here, and our interview with Sir Ian McKellen and Roger Allam here.For the latest news and reviews, visit https://www.standard.co.uk/culture. Hosted on Acast. See acast.com/privacy for more information.

We hear from food writer Grace Dent about her new book, Comfort Eating, inspired by her podcast of the same name. She'll explain why she's so fascinated by the foods to make us feel better behind closed doors. The Iranian visual artist Shirin Neshat's latest work is called The Fury. It is a short film and series of photographs which explore the sexual exploitation of female political prisoners in Iran. Shirin left Iran as a teenager to study in the US and has lived in exile there since the 1990s. Her art is known for posing questions about how the female body is perceived within Islam and Iranian culture. She talks to Anita Rani about bringing The Fury to London and why she has chosen to deviate from her usual style and include the nude form. Gloria Daniel is the descendant of John Isaac Daniel, who was a slave. After finding out more about her family history and the lives of her ancestor, as well as other slaves, she has started the organisation TTEACH (Transatlantic Trafficked Enslaved African Corrective Historical) Plaques. She joins Anita to tell us about the exhibition they are currently holding which includes the testimonies and artwork of women. Mei Mac is an Olivier award nominee who has taken on the lead role of Kim in the ‘untitled f*ck m*ss s**gon play' at the Young Vic. The play tackles over a century's worth of stereotypes about Asian women in drama, parodying Madame Butterfly, Miss Saigon and South Pacific. Mei tells Anita about confronting prejudice in theatre, 'the bamboo ceiling' and why she has set up a mentorship scheme for British East Asian and South East Asian actors. Presenter: Anita Rani Producer: Kirsty Starkey

This week I'm chatting with a dear friend of mine Lourdes Faberes. You may have seen Lourdes in Sandman or The Power or No Time to Die or Good Omens or…I could go on!!!! She's an incredible actor. Lourdes is currently appearing in untitled f**k m*ss s**gon play at The Young Vic in London. Kimber Lee's hard-hitting, but hilarious play is running now until the 4th of November. The play had its initial run at the Manchester International Festival earlier this year and has garnered great notices since opening last month. It's a play that deals with generational trauma and enforced stereotypes amongst Asian cultures in popular entertainment - from Pucini to Boublil and Schoenberg.   Lourdes Twitter (X) Profile Lourdes Insta Profile www.youngvic.org  Learn more about your ad choices. Visit megaphone.fm/adchoices

Olivier nominee Mei Mac is starring as Kim in untitled f*ck m*ss s**gon play by Kimber Lee. The show recently completed its run at the Manchester Royal Exchange ahead of transferring to the Young Vic in September. Kimber wrote untitled f*ck m*ss s**gon play in response to seeing the musical Miss Saigon; the piece addresses the East and South-East Asian stereotypes we see represented on stage and beyond.  Earlier this year, Mei became the first East Asian actor to be nominated for Best Actress at the Olivier Awards for her performance in the RSC's production of My Neighbour Totoro. Some of Mei's other theatre credits include: Dear Elizabeth (Gate), The Lion The Witch and The Wardrobe (Bridge), A Midsummer Night's Dream (Regent's Park) and lots more. Mei also works on screen, with her recent credits including East Mode (Comedy Central) and the Call The Midwife Christmas Day Special (BBC). ***Please note this episode contains some adult language which hasn't been bleeped out.***You can see Mei in untitled f*ck m*ss s**gon play at the Young Vic 18th September - 4th November 2023. Visit www.youngvic.org for info and tickets. Hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

Stephen Sackur speaks to Kwame Kwei-Armah, artistic director of the Young Vic theatre in London. His work poses questions about race, identity, equality and justice. In an era of political polarisation, are audiences prepared to engage?

ANDREW BURNAP - won the 2021 Tony Award for Best Lead Actor in a Play for his performance in Matthew Lopez's The Inheritance, directed by Stephen Daldry, after a successful run at the Young Vic in London and a transfer to the West End. Additional theater credits include the titular role in the West Coast premiere of Matthew Lopez's The Legend of Georgia McBride (Geffen Playhouse, director Mike Donahue), Nicky Silver's This Day Forward (Vineyard Theatre, director Mark Brokaw) and Troilus in Troilus and Cressida (The Public, director Daniel Sullivan). TV and Film credits include the upcoming The Front Room (A24) and Disney's live-action Snow White; as well as “Under the Banner of Heaven” (Hulu); “WeCrashed” (AppleTV+); The Chaperone (director Michael Engler); and Spare Room. Andrew graduated from the Yale School of Drama. DAKIN MATTHEWS - LCT: Henry IV (Drama Desk Award). Broadway: To Kill a Mockingbird, The Iceman Cometh, Waitress, The Audience, Rocky, The Best Man, A Man for All Seasons. New York: Shakespeare in the Park, The Bridge Project at BAM, Playwrights Horizons, City Center Encores!, The Acting Company. Over 200 regional productions. Recent film credits include True Grit, Lincoln, Bridge of Spies and Zero Charisma. Over 250 television credits including “The King of Queens,” “Desperate Housewives” and “Gilmore Girls.” Former Artistic Director of three professional companies, an award-winning playwright and translator, an Emeritus Professor of English and a Shakespeare scholar. Learn more about your ad choices. Visit podcastchoices.com/adchoices

School's out for summer, so what's good on the West End? Spitting Image & Have I Got News For You writer, John O'Farrell, joins us to talk about turning the iconic Mrs Doubtfire into a musical. He also discusses his work on the movie Chicken Run - and drops a few hints about the upcoming sequel.Following on from our interview with House of the Dragon's Milly Alcock and Succession's Caitlin Fitzgerald, who star in the show, we review The Crucible, the Arthur Miller play currently being staged by Lyndsey Turner at the Gielgud theatre.Plus, our thoughts on Beneatha's Place at the Young Vic, written and directed by Kwame Kwei-Armah and led by Cherrelle Skeete, who starred in Harry Potter and the Cursed Child - listen to our interview with her here. Also, all you need to know about what's been happening in Theatreland this week.For all the latest news and reviews visit standard.co.uk/culture Hosted on Acast. See acast.com/privacy for more information.

What role should men play in stopping sexist behaviour? Several campaigns have aimed to tackle this, the most recent being the Mayor of London's Maaate initiative. To discuss Nuala is joined by Karen Whybro who is a Woman's Safety Consultant and Graham Goulden, the former Chief Inspector at Police Scotland, and who now offers training to organisations to improve team culture. The play, Beneatha's place, currently running at the Young Vic, shows the main character Beneatha in two different periods of her life. First, in 1959, as a young black activist. Then 50 years later, as a renowned Dean of an American university. With Nuala to talk about the play is Cherrelle Skeete who plays Beneatha and Nicola Rollock, Professor of Social Policy and Race at King's College London who worked as a cultural consultant to the play. Earlier this month the Taliban ordered the closure of women's beauty salons in Afghanistan. Faranak Amidi speaks to Shekiba Habib from BBC Pashto and Aaliya Farzan from BBC Dari about this latest restriction. The International Confederation of Midwives has appointed the world's first ever Chief Midwife. Professor Jacqueline Dunkley-Bent joins Nuala to talk about the challenges midwives face across the world, and how she hopes to combat them. The podcast The Girlfriends follows a group of women coming together to investigate their ex-boyfriend. It begins in 1989 when a man named Bob Bierenbaum moved to Las Vegas. When a group of his ex-girlfriends discover that his wife, Gail Katz, went missing and is presumed dead, they go from dating him to investigating him. Almost 30 years later, Carole Fisher, one of the women who dated Bob, joins Nuala to discuss how she finally got justice for Gail. Presenter: Nuala McGovern Producer: Emma Pearce

A love letter to old school American showbiz - we review Crazy for You, which is now on at the Gillian Lynne Theatre. This feet-tapping musical features the songs of George and Ira Gershwin, and it's directed and choreographed by Susan Stroman.Cherrelle Skeete, star of Harry Potter and the Cursed Child and the Amazon original, Hanna, joins Nick Curtis to talk about her role in Beneatha's Place, which is written and directed by Kwame Kwei-Armah. The show's now on at the Young Vic.Plus, we discuss Michael R. Jackson's A Strange Loop which is now on at the Barbican Theatre. You can hear our interview with Michael here.And what's been happening this week? Which “rubbish” Shakespeare scene is going to be rewritten by comedian Stewart Lee for the RSC? Also, Cabaret is going to Broadway in spring 2024 and will be on at the August Wilson Theatre. Hosted on Acast. See acast.com/privacy for more information.

Britsih Podcast Awards *Click the link to vote* Voting bit.ly This week I am joined on One For The Road by Laura Dockrill, who is an award-winning writer from Brixton, South London. On this week's show, Laura shares with us her journey through post-partum psychosis and how during this Laura then ended up in a psychiatric ward. Through her recovery from mental illness, Laura decided to remove alcohol from her life, and is now proudly 3 years sober,Laura's first book for children, ‘Darcy Burdock' was shortlisted for the Waterstones Book of The Year Prize and Carnegie Medal as well as her young adult novels, Lorali and Big Bones, which was also shortlisted for the YA Book Prize 2018. Her previous works ‘Mistakes In The Background', ‘Ugly Shy Girl' and ‘Echoes' earned her plaudits like ‘Top 10 Literary Talent' from The Times newspaper and Top 20 hot faces to Watch from Elle Magazine. Laura's writing has expanded to stage and screen; Laura's first film, Goldfish, received a BAFTA nomination for best short. Her critically acclaimed memoir ‘What Have I Done?' is being adapted for TV. She has been commissioned by The National Theatre, The Young Vic, The Old Vic, The Bush, and The Donmar Warehouse. Laura has written unique work including immersive tours of archives celebrating the work of both Roald Dahl and Tove Jansson for The Southbank Centre. Her adaptation of Robin Hood was the lead Christmas Show at the Watermill Theatre. Her show for children, Dust won the Best Theatre award at the 2022 Offies. Laura's first novel for adults, I Love You, I Love You, I Love You publishes in 2024.If you want to connect with me via Instagram, you can find me on the instahandle @Soberdave https://www.instagram.com/soberdave/or via my website https://davidwilsoncoaching.com/Provided below are links for services offering additional help and advice for Laura. Laura Dockrill (@lauraleedockrill) • Instagram photos and videos instagram.com Zombiemum Broccoli Productions www.drinkaware.co.uk/advice/alcohol-support-serviceshttps://nacoa.org.uk/Show producer- Daniella Attanasio-MartinezInstagram - @TheDaniellaMartinezhttps://www.instagram.com/thedaniellamartinez/www.instagram.com/grownuphustle/ Hosted on Acast. See acast.com/privacy for more information.

Actor, writer and director Mark Gatiss joins us to discuss his role as Sir John Gieldgud in the National Theatre's sell out show The Motive and the Cue, written by Jack Thorne and directed by Sam Mendes. He reveals what drew him to the role and how he got a little help from his famous friends in pulling it off.For our first review we talk about the new adaptation of Brokeback Mountain at @SohoPlace, starring West Side Story's Mike Faist and Manchester By The Sea's Lucas Hedges. We also saw Once on This Island at the Regent's Park Open Air Theatre, starring Gabrielle Brooks, who was nominated for an Olivier for her role in Get Up! Stand Up! The Bob Marley Musical.Nick Curtis discusses attending the theatrical event of the year: Ruth Wilson's marathon 24 hours show at the Young Vic, and Nancy Durrant discusses the response to Theatre Royal Stratford East's forthcoming Black Out performance for Tambo and Bones.For all the latest theatre news and reviews visit standard.co.uk/theatre. Hosted on Acast. See acast.com/privacy for more information.

This episode is sponsored by Berlin-based pro-audio company HOLOPLOT, which features the multi-award-winning X1 Matrix Array. X1 is software-driven, combining 3D Audio-Beamforming and Wave Field Synthesis to achieve authentic sound localisation and complete control over sound in both the vertical and horizontal axes. HOLOPLOT is pivoting the revolution in sound control, enabling the positioning of virtual loudspeakers within a space, allowing for a completely new way of designing and experiencing immersive audio on a large scale. To find more, visit https://holoplot.com. In this episode of the Immersive Audio Podcast, Oliver Kadel and Monica Bolles are joined by the HOLOPLOT team, Segment Manager for Performing Arts and Live – Reese Kirsh and Segment Manager for Immersive and Experiential Applications – Natalia Szczepanczyk and the award-winning sound designer Gareth Fry. We hold a detailed discussion on HOLOPLOT's technical hardware and software capabilities and talk about the recent David Hockney exhibition at Lightroom, where Gareth shares his experience in creating content and working with this paradigm-shifting technology. Reese Kirsh has been working within the performing arts sector for over a decade in various roles, including Head of Sound for some of the largest West End and Broadway productions, before joining HOLOPLOT as Performing Arts Segment Manager. He's very aware of the narrative around immersive and what it means to deliver the right tech to empower creative content rather than distract from it. Natalia Szczepanczyk is the Segment Manager for Immersive and Experiential Applications at HOLOPLOT. She has a design and consultancy background and previously worked with loudspeaker manufacturer Genelec and consultancies Mouchel and Buro Happold. Natalia specialises in audio system design and acoustics for experiential audience experiences within the themed entertainment sectors. Natalia Szczepanczyk is the Segment Manager for Immersive and Experiential Applications at HOLOPLOT. She has a design and consultancy background and previously worked with loudspeaker manufacturer Genelec and consultancies Mouchel and Buro Happold. Natalia specialises in audio system design and acoustics for experiential audience experiences within the themed entertainment sectors. Gareth Fry is a sound designer best known for his cutting-edge work in theatre and his collaborations with many leading UK theatre directors and companies. His work includes over 20 productions at the National Theatre, over 20 at the Royal Court and countless more at venues such as the Bridge Theatre, Old Vic, Young Vic, in the West End and many more. He has also designed events and exhibitions, from the V&A's landmark David Bowie Is exhibition to being asked by Danny Boyle to design the sound effects for the Opening Ceremony of the 2012 Olympic Games and having received a number of awards for his work. This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott. For extended show notes and more information on this episode go to https://immersiveaudiopodcast.com/episode-77-holoplot-3d-audio-beamforming-and-wave-field-synthesis/ If you enjoy the podcast and would like to show your support, please consider becoming a Patreon. Not only are you supporting us, but you will also get special access to bonus content and much more. Find out more on our official Patreon page - www.patreon.com/immersiveaudiopodcast We thank you kindly in advance! We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on Twitter @IAudioPodcast for regular updates and content or get in touch via podcast@1618digital.com immersiveaudiopodcast.com

Award-winning British actor Ruth Wilson considers #MeToo hypocrisy, the violence of cosmetic surgery and why she steers clear of social media (1m32s); Marina Hyde grapples with last week's coronation protest power-play from the Met (8m48s); and Elle Hunt reveals the incredible story of one man's struggle to rebuild his life after being struck by lightning (24m02s)

We're excited to tell you that this week's guest is Ruth Wilson, the multiple-award winning British actress who's about to star in an extraordinary theatrical event at The Young Vic on 19th May. ‘The Second Woman' is going to incorporate one electrifying 24-hour performance, involving one scene, one woman and 100 men.  Ruth plays Virginia and will be on stage for a full 24 hours as 100 different men star opposite her while she performs over and over again a scene between a man and woman in a failing relationship. You can buy a ticket for the full 24 hours or just stay a few minutes.  Listen in to hear what made Ruth take on this role and how she's preparing herself for this epic marathon performance. We also find out about her new TV series that will be out in the autumn.

Line of Duty star Daniel Mays and Broadway's Marisha Wallace join us to discuss their five-star show Guys & Dolls, at the Bridge Theatre. We review Further Than the Furthest Thing, starring Jenna Russell, at the Young Vic, and Marjorie Prime, starring Anne Reid, at the Menier Chocolate Factory.Plus Nancy Durrant and Nick Clark react to playwright David Hare's comments about musicals ‘strangling' the West End. And we chat about some very noisy audience members…In this episode:Part one:Nick Clark and Nancy Durrant react to playwright David Hare's comments...Part two:We review Further Than the Furthest Thing, plus noisy audience members (2 minutes 58)Part three: We're joined by Daniel Mays and Marisha Wallace for Guys & Dolls at the Bridge Theatre (10 minutes 34)-What Guys & Dolls is about-Who is Miss Adelaide in Guys & Dolls and how does Marisha Wallace bring her to life-Who Daniel Mays plays in Guys & Dolls, and how he approached the character-Daniel Mays and Marisha Wallace talk about their favourite songs from the show and why-Turning Miss Adelaide into “Beyonce” and “Megan Thee Stallion”-Daniel Mays on Sit Down You're Rockin' The Boat and Arlene Phillips's choreography-Marisha Wallace tears up as she reveals how black audiences are reacting to her leading role-The importance of audience interaction and what it means to them-The musicals they'd love to do next. Will we see Daniel Mays in Jesus Christ Superstar?Part four: Our Chief Theatre Critic Nick Curtis reviews Marjorie Prime, starring Anne Reid (22 minutes 36) For the latest news and reviews head to www.standard.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this edition, Rafael Behr talks to England's most prodigious political screenwriter and playwright - James Graham. He's probably most well known for writing the recent BBC1 hit drama 'Sherwood', which aired on BBC One in 2022 to rave reviews, and will return for a second series. James also wrote Quiz (ITV) in 2020, which was one of the most watched UK television dramas of the year; and Brexit: An Uncivil War, which garnered huge public attention and critical acclaim in 2019. It was broadcast on Channel 4 and HBO, starring Benedict Cumberbatch, and was nominated for an Emmy for Outstanding Television Movie, and a BAFTA for Single Drama. In this episode James talks to Rafael about how narratives are fundamental to political storytelling, what they are, why recently parties on the right seem to be better at them, where James draws his inspiration from for writing, and what his next play is about. News update For Apple podcast listeners we're now trialling a subscription service - where once a week you'll get an exclusive bonus episode which will either be: Raf ruminating on the week's politics or looking forward to what's coming up; or Some bonus chat with Raf's guest of that week; or Raf answering any questions you have about politics, writing, art, life etc The first bonus episode is Rafael and James chatting about their shared love of Star Wars, and its many political and democratic themes and metaphors. And you should be able to find here with a two week free trial. https://podcasts.apple.com/gb/podcast/politics-on-the-couch/id1507787935 Why are we doing this? We're doing this because it takes a huge amount of work to put these epsiodes together, and Phil the Producer's wife is starting to complain that he's never about, plus he's also missing out on paid work. So, if you enjoy these free episodes do help us to make this a sustainable endeavour i.e. keep it going on a regular basis! **Why are we doing this just on Apple? We'd like to make these episodes available on all platforms and we're doing just on Apple for now because (in theory) the infrastructure is all in place, it should be a frictionless process and about 60% of our audience listen on this platform. ** How else can you help? Longer term, we'll probably look for a show sponsor - if any listeners are interested or know any colleagues or friends might be interested do get in touch. Also, let us know whether you can access Apple or have any questions about the show, or have a guest suggestion. philip@larchmontfilms.com More about James For theatre, James's play Best of Enemies, about the political debates between Gore Vidal and William F. Buckley Jr., opened at the Young Vic in 2021, and is currently playing on the West End. It has been nominated for an Olivier for Best New Play, and won a Critics' Circle Theatre Award. His new musical, Tammy Faye, with music from Elton John and lyrics from Jake Shears, opened at the Almeida in 2022. Ink - about the early days of Rupert Murdoch - opened to huge praise at the Almeida before transferring to the West End in September 2017, where it played in the theatre next door to James' other new play – political romantic comedy Labour of Love - creating theatre history. James's breakout play This House premiered at the National Theatre's Cottesloe Theatre in September 2012 and transferred to the Olivier in 2013 where it enjoyed a sell-out run. It garnered critical acclaim and a huge amount of interest and admiration from current and former MPs for his rendition of life in the House of Commons. The play went on to have an Olivier-nominated sell-out revival in...

Anoushka Lucas is currently reprising her performance as Laurey in Daniel Fish's revival of Oklahoma!. The show has transferred to the West End's Wyndham's Theatre, following its run at the Young Vic last year.Having won Best Musical Revival  at the Tony and WhatsOnStage Awards, this bold new version of Oklahoma! features all the original dialogue with a re-orchestrated score, reimagined for the 21st century.  Last year Anoushka wrote and starred in Elephant at the Bush Theatre. Having started out as a singer/songwriter in the music world, Anoushka ventured into theatre and has worked as an actor, musician and writer. She originated the role of Mary in Timothy Sheader's revival of Jesus Christ Superstar at the Regent's Park Theatre, a role she returned to during the pandemic.Anoushka's other stage credits include: Henry V (Donmar Warehouse), After Life (National Theatre), Chiaroscuro (Bush), Faces in the Crowd (Gate Theatre) and Sparks (Edinburgh Festival Fringe / Vault Festival). Oklahoma! runs at the Wyndham's Theatre until 2nd September 2023. Visit www.oklahomawestend.com for info and tickets. Hosted by Andrew Tomlins. @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

Welcome back to the 119th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 119th episode we bring you a classic cup review of the Young Vic's 2016 production of Yerma, adapted and directed by Simon Stone (after Federico Garcia Lorca), starring Billie Piper in the lead – though not necessarily titular! – role. Watch the play on NTatHome (subscription needed): https://www.ntathome.com/yerma Stay tuned next week, for our review of the more local production of Yerma, currently playing in Toronto by Coal Mine Theatre until March 5th, 2023! Tickets for that production can be found at the following link: https://www.coalminetheatre.com/yerma CONTENT WARNING: Yerma deals with themes of reproductive autonomy, abortion, substance abuse, self-harm, and suicide; this review, likewise, speaks directly to these topics. Listener discretion is strongly advised. Follow our panelists: Ryan Borochovitz – [Just send all that love to CoH instead; he won't mind!] Carly Billings – Instagram: @mscarlybillings & @afterlifetheatreco Alicia Plummer – Instagram: @itsaliciaplummer // TikTok: hialiciabyealicia Jimmy Zhao – Email: jimmy.zhao.writing@gmail.com // TikTok: jjyzhao // YouTube: I Will Say This Tho Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

On this episode of Breaking the Curtain, we're joined by the insanely talented and lovely Bradley Gibson and Isabelle McCalla who star as Hercules and Meg in the upcoming Paper Mill Playhouse production of Hercules! The inspired Disney animated film is now a mythical new musical adventure. HERCULES is the divinely funny story of an honest-to-Zeus hero on a quest to discover who he is and where he belongs. Is love a possibility too? Oh, Hades, yes! The roof-raising score by Alan Menken and David Zippel features all the hits you love from the film, including the Oscar-nominated song “Go The Distance,” as well as “Zero to Hero” and “I Won't Say (I'm in Love),” along with new songs written for the stage. The show features a new book by Kwame Kwei-Armah (artistic director of London's Young Vic) and Tony Award® winner Robert Horn (Tootsie), and direction by Obie Award-winning Lear deBessonet. This cheeky, Greeky MUSE-ical earned a New York Times' Critic's Pick for its original Public Theater production in Central Park, with the New York Post cheering it's “wise-cracking, heartfelt and emotionally rich.” And that's the gospel truth! Hercules runs at Paper Mill Playhouse from Feb 16th - March 19th, 2023. Purchase your tickets today! herculesthemusical.com

A lot of the time when we think of progress, we think of making giant leaps and diving forward. But progress can be made in small increments, 1% at a time. That is what I want you to take from this episode. As Cairo would say, “feel the fear and keep going!” In this episode of Dem Bois Podcast, part 2 of my conversation with Cairo Nevitt, we talk about being kind to people and being aware of the impact you can have. We also talk about the importance of expanding visibility and starting conversations.We talk:Moment of silence for Cairo's friend who was lost to suicide - 3:42Advice to anyone who may be struggling right now - 10:07Loving our community and being there to support you - 14:57How Cairo navigates the world of bodybuilding - 17:28His fundraiser and his charity - 24:07Facing your fears and making progress - 39:56Click here for transcript!Read more about Cairo in his bio below:As a trans advocate, he predominantly works as a guest speaker & facilitator on the topics of diversity & inclusion, gender identity, intersectionality, as well as motivation. His collaborations include: Huffton Post, Salomond Institute, Euromoney's International Panel, Trans Fest, NHS, Kent Police, Stonewall, BBC Bite Size, Pink News, Mermaids, Gender intelligence, Diversity Role Model, Young Vic, London's Southbank Centre, Colours Network, My Genderation, Netflix, 201 Dance Company & Budweiser.  During the UK tour of Bullish by Milk Presents, he worked for over the course of 2 years as an actor + facilitator delivering gender smart training along their show. Together they trained every single arts venue from London to Cardiff that they toured as the entire cast was trans. Over the last 12 years, Cairo has worked in some capacity with almost every major UK LGBT charity. He is truly passionate about community work and believes anyone can thrive with the right network of support. IG: @cairo_leon Episode References:Cairo was a recipient of Point of Pride's Annual Trans Surgery Fund https://www.pointofpride.org/Find Cairo's GoFundMe here - Get Cairo, a trans athlete to the stageResources:Suicide & Crisis Lifeline (formerly the National Suicide Prevention Lifeline)Call or text 988, or call 1-800-273-TALK (8255)Chat online: https://988lifeline.org/talk-to-someone-now/For TTY users: Use your preferred relay service or dial 711 then 988Veterans Crisis Line (for veterans, military personnel, and their families)Call 988 and Press 1, or text 838255Chat online: http://veteranscrisisline.net/Are you enjoying the Dem Bois Podcast? Donate today to help support the cost of production and the honorarium we pay our guests for their time. All donations are tax-deductible. Click here!Donate to Dem Bois via Amazon Smile here! Donate to support our 2023 Gender Affirming Surgery Grant Fund here!

Letters grant us a glimpse into fascinating lives, whether through the eyes of a genius, a monster or of an ordinary person. For this archive event, we matched up award-winning historian Simon Sebag Montefiore and No 1 bestselling novelist Kate Mosse to discuss the letters of Michelangelo, Catherine the Great, Sarah Bernhardt, Rosa Parks, Nelson Mandela, Virginia Woolf, Alan Turing and more. A cast of performers including Young Vic director Kwame Kwei-Armah, plus actors Jade Anouka, Jack Lowden and Tamsin Greig provided readings live onstage.   ... Did you know that Intelligence Squared offers way more than podcasts? We've just launched a new online streaming platform Intelligence Squared+ and we'd love you to give it a go.  It's packed with more than 20 years' worth of video debates and conversations on the world's hottest topics. Tune in to live events, ask your questions or watch back on-demand totally ad-free with hours of discussion to dive into for just £14.99 a month. Visit intelligencesquaredplus.com to start watching today.  Learn more about your ad choices. Visit megaphone.fm/adchoices

On this very special episode to close out 2022, Luvuyo Madasa joins Great Minds to discuss the recent debut of Mandela, the epic new musical now premiering at the Young Vic in London.

Giles Terera in Othello at the National Theatre leads a cast giving landmark performances. Plus, why Best of Enemies at the Noël Coward Theatre had the rare ingredients for five stars.The Evening Standard's chief theatre critic Nick Curtis is joined by culture editor Nancy Durrant to discuss this week's extraordinary treats.Get ready for the 66th Evening Standard Theatre Awards, which returns after a two-year hiatus as the capital begins its Covid recovery. An exciting roster of winners will be announced on Sunday.Part 1: Othello at the National TheatreClint Dyer's production of Othello is the first major version of the play by a black director at the National Theatre.Hamilton star Giles Terera is an “extraordinary actor” who shows the “humanity” of Shakespeare's Moor.Why it's a difficult, moving and complex play to watch but you'll be glad to have seen it.“Particularly stark and harsh” with a “singular focus on Othello's race”, compared to recent productions.Rosy McEwen's stellar, strong performance as Desdemona displays an “intelligent woman who knows what she wants” and Paul Hilton presents an “almost carnivalesque” interpretation of Iago.“Pretty damn close to perfect” but listen to the end to discover Nick's criteria for awarding that hallowed fifth star.Part 2: Best of Enemies at the Noël Coward TheatreJames Graham's “tighter, richer and deeper” play transferred from the Young Vic traces back our modern adversarial climate of political debate to the 1968 American TV discussions - often explosive exchanges - between right-wing polemicist William F. Buckley Jr. and liberal left commentator Gore Vidal.Explores the political bubble and how a news network failed in its bid to “elevate boring” current affairs during presidential candidate debates.“Riveting” and “hugely enjoyable to watch”, Homeland and Supergirl star David Harewood continues in his Young Vic role of Buckley, while “excellent” Zachary Quinto is new to the Gore Vidal role, played as “serpentine” and “ghastly”.As a black actor, Harewood “wields the pompousness” of white Buckley, sending up the “flag and scotch” Republican.Why this is the show to watch this Christmas.For all the latest visit www.standard.co.uk/culture Hosted on Acast. See acast.com/privacy for more information.

This week for all our jiu jitsu listeners we talk about this pass weekends ADCC jiu jitsu tournament. We sit down with our own Young Vic and friend Bobby Pants who attended the event and get all the scoop from their point of view.

The one where we are both not half  Emma and Nicole speak to British-Punjabi actor, writer and filmmaker, Jassa Ahluwalia. He created the hashtag and online movement, #BothNotHalf, which he uses to explore mixed identity and his own British-Indian heritage, and is currently developing into a book.  We spoke about the casting process and how that has changed for mixed actors and specific roles for mixed people, drawing on your heritage as a performer, how language shapes identity, and the history of national identity. Preorder our book The Half Of It: https://amzn.to/3rDq1qo Our website: https://www.mixedup.co.uk/ Our Patreon: https://www.patreon.com/mixeduppodcast Our Instagram: https://instagram.com/mixedup.podcastJassa's Instagram: https://www.instagram.com/officialjassa/  Culture mix: The Tartan Turban: In Search of Alexander Gardner by John Keay Alero Art: https://www.instagram.com/aleroart_/  Chasing Hares at The Young Vic

No guest this week and with Josh out for work, it's just Jesse, Jeff and Young Vic talking non-sense. This is an easy listen while in the car on the way to work or to chill with a drink after work. Enjoy!

How does France look when viewed from different places and at different times? Graham Robb knows France well from his academic career and decades of travels and offers an alternative route through French history in his new book. Hannah Scott has looked at the role of low-brow music in forming an idea of ‘Britishness' for the French at the height of cross-channel rivalry in the last century. Tash Aw has translated the latest work of biographical writing by Édouard Louis. Professor Ginette Vincendeau is currently co-editing a book on Paris in the cinema. They join Anne McElvoy to explore ideas of France and the French through it's history and culture. Graham Robb has published widely on French literature and history and was a fellow of Exeter College, Oxford. His latest book is France: An Adventure History Hannah Scott is an academic track fellow at the University of Newcastle. She is the author of Singing the English: Britain in the French Musical Lowbrow 1870-1904 Ginette Vincendeau is a Professor in Film Studies at King's College, University of London. She is is currently co-editing a book on Paris in the cinema. She has recently published on ethnicity in contemporary French cinema and is researching popular French directors of the 1950s and 1960s. A Woman's Battles and Transformations by Édouard Louis (author)and translated by Tash Aw is out now. Édouard Louis's earlier book Who Killed My Father has been adapted into a stage drama by Ivo Van Hove. You can see that at the Young Vic in London between 7th September and the 24th September and you can hear Édouard talking to Philip Dodd about street protest, gilets jaunes and his own upbringing in this episode of Free Thinking https://www.bbc.co.uk/programmes/p0704m92 Producer: Ruth Watts

On today's Front Row review, we discuss directors taking a new look at much loved works: Daniel Fish's Broadway production of Oklahoma!, now at the Young Vic in London, explores the darker aspects of the musical. Conversations with Friends, the debut novel by bestselling author Sally Rooney, has been adapted for television, following the lockdown success of Normal People. Journalist Tara Joshi and Matt Wolf, London theatre critic of the International New York Times, review them both. The Bob Dylan Centre, home to the singer's immense archive, opened this week. Professor Sean Latham, Director of the Institute for Bob Dylan Studies at the University of Tulsa, discusses its cultural significance. And as the Florence Nightingale Museum reopens after two years, its director David Green joins Samira to consider the legacy of the mother of modern nursing. Presenter: Samira Ahmed Producer: Harry Parker Image: Members of the cast of Rodgers & Hammerstein's Oklahoma at The Young Vic Theatre, London (Rebekah Hinds as Gertie Cummings, James Davis as Will Parker and Anoushka Lucas as Laurey Williams) Photographer credit: Marc Brenner

Young Vic “Salesman” Coming to Broadway, Lortel Award Winners, Issues with ALW’s “Cinderella” Closing “Today on Broadway” is a daily, Monday through Friday, podcast hitting the top theatre headlines of the day. Any and all feedback is appreciated:Ashley Steves ashley@broadwayradio.com | @NoThisIsAshleyGrace Aki grace@broadwayradio.com | @ItsGraceAkiJames Marino james@broadwayradio.com | @JamesMarinoJennifer read more The post Today on Broadway: Tuesday, May 3, 2022 appeared first on BroadwayRadio.

Hey Redesigners and welcome to another episode of Women Over 50 - A Life Redesigned. I am your host Shelly Drymon and this is the podcast where I have conversations with women over 50 who are in the world doing amazing things, and busting through the stereotypes of what it means to be a woman over 50 today. Join our off Facebook community! Kate is a coach who combines storytelling with coaching to empower women in the workplace.  Stories are a brilliant way of taking yourself slightly out of the emotional centre and regarding it from a distance. It really helps to see the situation more clearly. Kate grew up in a theatre family. Her grandfather was an émigré from Poland who started a theatre as a business venture and there they all stayed. Kate's dad and uncle ran repertory and commercial theatres. Her mum was an actress. Her sister is a theatre company manager, and her husband an actor and her daughter a theatre director. Kate worked in stage management in repertory theatre for five years then moved to London where she fell into work by luck with the National Theatre and her first job was on a Harold Pinter play with Sir John Gielgud and Sir Ralph Richardson. She worked at the National Theatre, Old Vic, Young Vic and then in musicals. On the 20th Century, Barnum, Camelot, Phantom and latterly at Les Miserables while her twins were small. She was there for nearly 5 years. Company managed the 10th anniversary concert at the Albert Hall and later show called the 25th anniversary concerts of Les Mis and Phantom. The way you think affects the way you behave, affects the way you feel, affects the outcome. The thoughts changes. The behavior changes, the feeling changes, and it changes the outcome, and it is actually that simple. ~ KateFor more information about Kate check out her http://katesalberg.co.uk/ (website.) Thank you so much for joining me this week. If this episode resonates with you please take a moment to share with a friend. https://women-over-50-a-life.captivate.fm/listen (Listen to Women Over 50 - A Life Redesigned) This podcast is free and located on all major podcast platforms.

New York, 1984: the iconic artist Andy Warhol meets the rising star Jean-Michel Basquiat. Their relationship as they work together on a landmark exhibition is at the heart of the world premiere of Anthony McCarten's new drama, The Collaboration, at the Young Vic theatre. The director Kwame Kwei-Armah tells Kirsty Wark how the drama pulls apart the creative, racial and sexual tensions between the two, and explores artistic reputations and rivalries. The artist Louise Bourgeois was already in her 70s in the 1980s and slowly getting the attention she deserved. An exhibition at the Hayward Gallery in London focuses on the decades that followed as she had a late burst of creativity using fabric and textiles. The curator of Woven Child Ralph Rugoff explains how the artist began to incorporate clothes from all stages of her life into her art, mining themes of personal trauma, memory, identity and reparation. The Somali-British poet Warsan Shire has been hailed as the voice of a generation, who has collaborated with the superstar Beyoncé. Her debut collection, Bless The Daughter: Raised By A Voice In Her Head is full of sounds and smells, exploring the lives of refugees and the relationship between mothers and daughters. While she is celebrated as an exciting poet of our time, Shire says she looks to Somalia's literary heritage for inspiration. Producer: Katy Hickman Photo credit: Jeremy Pope and Paul Bettany in 'Collaboration' (c) Marc Brenner. Concept and design by Émilie Chen.