Podcasts about boys from brooklyn

It's our first Point Five Episode, where the Boys From Brooklyn discuss movie posters, marketing, the true definition of being et, and former American Idol contestants in their underwear. Even though Point Fives are shorter minisodes, it doesn't mean you won't get the usual Tom and Derrick mixture of hardcore knowledge, tangents, and comedy. You don't want sharks with cameras attached to chew off your butt, so get to clicking!

It's our first Point Five Episode, where the Boys From Brooklyn discuss movie posters, marketing, the true definition of being et, and former American Idol contestants in their underwear. Even though Point Fives are shorter minisodes, it doesn't mean you won't get the usual Tom and Derrick mixture of hardcore knowledge, tangents, and comedy. You don't want sharks with cameras attached to chew off your butt, so get to clicking!

It's our first Point Five Episode, where the Boys From Brooklyn discuss movie posters, marketing, the true definition of being et, and former American Idol contestants in their underwear. Even though Point Fives are shorter minisodes, it doesn't mean you won't get the usual Tom and Derrick mixture of hardcore knowledge, tangents, and comedy. You don't want sharks with cameras attached to chew off your butt, so get to clicking!

It's our first Point Five Episode, where the Boys From Brooklyn discuss movie posters, marketing, the true definition of being et, and former American Idol contestants in their underwear. Even though Point Fives are shorter minisodes, it doesn't mean you won't get the usual Tom and Derrick mixture of hardcore knowledge, tangents, and comedy. You don't want sharks with cameras attached to chew off your butt, so get to clicking!

The Boys From Brooklyn are back to induct the first woman into their Hall of Great, Great Men as they celebrate the artistic-yet-genre career of Kathryn Bigelow. Join Tom and Derrick as they examine her whole ouvre, from the existential biker film The Loveless to the cowboy / vampire thriller Near Dark to her Academy Award-winning war flick The Hurt Locker. Along the way they examine the televisual train wreck that was Wild Palms, discuss the impact her original career as a painter had on her moviemaking, and debate whether she's hotter than Linda Hamilton! All this plus the problems of basing your films on current events, what do you do when Juliette Lewis and / or Illeana Douglas asks you if you want to hit it, spokespeople for Jewish Hotness, and gratuitous Martin Scorsese! You know, Kathryn doesn't look all that pleased with you, so get to clicking!

The Boys From Brooklyn are back to induct the first woman into their Hall of Great, Great Men as they celebrate the artistic-yet-genre career of Kathryn Bigelow. Join Tom and Derrick as they examine her whole ouvre, from the existential biker film The Loveless to the cowboy / vampire thriller Near Dark to her Academy Award-winning war flick The Hurt Locker. Along the way they examine the televisual train wreck that was Wild Palms, discuss the impact her original career as a painter had on her moviemaking, and debate whether she's hotter than Linda Hamilton! All this plus the problems of basing your films on current events, what do you do when Juliette Lewis and / or Illeana Douglas asks you if you want to hit it, spokespeople for Jewish Hotness, and gratuitous Martin Scorsese! You know, Kathryn doesn't look all that pleased with you, so get to clicking!

The Boys From Brooklyn are back to induct the first woman into their Hall of Great, Great Men as they celebrate the artistic-yet-genre career of Kathryn Bigelow. Join Tom and Derrick as they examine her whole ouvre, from the existential biker film The Loveless to the cowboy / vampire thriller Near Dark to her Academy Award-winning war flick The Hurt Locker. Along the way they examine the televisual train wreck that was Wild Palms, discuss the impact her original career as a painter had on her moviemaking, and debate whether she's hotter than Linda Hamilton! All this plus the problems of basing your films on current events, what do you do when Juliette Lewis and / or Illeana Douglas asks you if you want to hit it, spokespeople for Jewish Hotness, and gratuitous Martin Scorsese! You know, Kathryn doesn't look all that pleased with you, so get to clicking!

The Boys From Brooklyn are back to induct the first woman into their Hall of Great, Great Men as they celebrate the artistic-yet-genre career of Kathryn Bigelow. Join Tom and Derrick as they examine her whole ouvre, from the existential biker film The Loveless to the cowboy / vampire thriller Near Dark to her Academy Award-winning war flick The Hurt Locker. Along the way they examine the televisual train wreck that was Wild Palms, discuss the impact her original career as a painter had on her moviemaking, and debate whether she's hotter than Linda Hamilton! All this plus the problems of basing your films on current events, what do you do when Juliette Lewis and / or Illeana Douglas asks you if you want to hit it, spokespeople for Jewish Hotness, and gratuitous Martin Scorsese! You know, Kathryn doesn't look all that pleased with you, so get to clicking!

In their effort to present the most comprehensive coverage of 1960s spy culture, Tom and Derrick begin their examination of some of the spies who gave Bond a run for his money, beginning with the cerebral, eccentric, and suave Derek Flint. Join the Boys From Brooklyn as they look at the adventures of the renaissance man that James Coburn turned into a cult hero, tracing his adventures from Our Man Flint to In Like Flint to the highly obscure, near-forgotten (and with good reason) Flint television pilot, Our Man Flint: Dead on Target. Plus a preview of other episodes in the Rivals of Bond series, Derrick wants Yvonne Craig to shake her money-maker, and a look at the two Flint movies (one written by Harlan Ellison) that never got to the screen. Wipe that look off your Zowie Face and get to clicking!

In their effort to present the most comprehensive coverage of 1960s spy culture, Tom and Derrick begin their examination of some of the spies who gave Bond a run for his money, beginning with the cerebral, eccentric, and suave Derek Flint. Join the Boys From Brooklyn as they look at the adventures of the renaissance man that James Coburn turned into a cult hero, tracing his adventures from Our Man Flint to In Like Flint to the highly obscure, near-forgotten (and with good reason) Flint television pilot, Our Man Flint: Dead on Target. Plus a preview of other episodes in the Rivals of Bond series, Derrick wants Yvonne Craig to shake her money-maker, and a look at the two Flint movies (one written by Harlan Ellison) that never got to the screen. Wipe that look off your Zowie Face and get to clicking!

In their effort to present the most comprehensive coverage of 1960s spy culture, Tom and Derrick begin their examination of some of the spies who gave Bond a run for his money, beginning with the cerebral, eccentric, and suave Derek Flint. Join the Boys From Brooklyn as they look at the adventures of the renaissance man that James Coburn turned into a cult hero, tracing his adventures from Our Man Flint to In Like Flint to the highly obscure, near-forgotten (and with good reason) Flint television pilot, Our Man Flint: Dead on Target. Plus a preview of other episodes in the Rivals of Bond series, Derrick wants Yvonne Craig to shake her money-maker, and a look at the two Flint movies (one written by Harlan Ellison) that never got to the screen. Wipe that look off your Zowie Face and get to clicking!

In their effort to present the most comprehensive coverage of 1960s spy culture, Tom and Derrick begin their examination of some of the spies who gave Bond a run for his money, beginning with the cerebral, eccentric, and suave Derek Flint. Join the Boys From Brooklyn as they look at the adventures of the renaissance man that James Coburn turned into a cult hero, tracing his adventures from Our Man Flint to In Like Flint to the highly obscure, near-forgotten (and with good reason) Flint television pilot, Our Man Flint: Dead on Target. Plus a preview of other episodes in the Rivals of Bond series, Derrick wants Yvonne Craig to shake her money-maker, and a look at the two Flint movies (one written by Harlan Ellison) that never got to the screen. Wipe that look off your Zowie Face and get to clicking!

Tori Baker, Executive Director of the Salt Lake Film Society, discusses how technology has influenced the ways films are created and received since the time of the 1952 film “The Boys From Brooklyn.”

Tori Baker, Executive Director of the Salt Lake Film Society, discusses how technology has influenced the ways films are created and received since the time of the 1952 film “The Boys From Brooklyn.”

Tori Baker, Executive Director of the Salt Lake Film Society, discusses how technology has influenced the ways films are created and received since the time of the 1952 film “The Boys From Brooklyn.”

We continue our trek through Bond by exploring the fruits of Kevin McClory's judicial labors and what The Boys From Brooklyn consider the Heart of Darkness of the series. Plus Derrick's choice for the worst Bond Girl ever, busted 70's pilots, and Christopher Walken impressions!

We continue our trek through Bond by exploring the fruits of Kevin McClory's judicial labors and what The Boys From Brooklyn consider the Heart of Darkness of the series. Plus Derrick's choice for the worst Bond Girl ever, busted 70's pilots, and Christopher Walken impressions!