Podcasts about Bela Lugosi

In 1931, Hollywood entered the Horror Sound Era with a film that took the world by storm. But how does it hold up in the modern day? Does it still give off the initial spooky vibes? Do we still shudder with terror as Bela Lugosi stalks through the shadows? In this episode of the Mummy Movie Podcast, we examine Dracula (1931). Hosted on Acast. See acast.com/privacy for more information.

Catholics trace their cemetery history all the way back to the first disciple being buried. They chose to bury their lost close to their churches in anticipation of the resurrection of believers. These early churchyards were referred to as "dormitories" of rest. Catholic cemeteries were open for burial to only Catholics and since they were considered consecrated ground, Catholics who didn't meet the mark couldn't be buried in them, like criminals. Holy ​Cross ​Cemetery ​is located ​in ​Culver ​City, ​California and there are many celebrities who made this their final place of rest from Bing Crosby to Rita Hayworth to Bela Lugosi to John Candy and Catherine O'Hara. Join us for the stones and bones here. Intro and Outro music "Stones and Bones" was written and produced by History Goes Bump and any use is strictly prohibited. Check us out at: https://historygoesbump.com

Vi lägger lupp på satanister i skräckfilmen med visst avstamp i "The Satanic Screen: An Illustrated Guide to the Devil in Cinema" av Nikolas Schreck samt "The Satanic Panic of the Warrens – The Conjuring: The Devil Made Me Do It and the Satanic Cult Horror Film" (kandidatuppsats i filmvetenskap) av Robert Wettersten. Filmerna vi pratar om i ordinarie flödet är The Black Cat från 1934 och The Seventh Victim från 1943. Vi pratar också bland annat om: Rosemary's Baby, The Exorcist, The Omen, Le manoir du diable, Church of Satan, The Satanic Panic, Satan Wants You, Mansonmorden, Altamont, The Satanic Temple, QAnon, Hail Satan?, Der Golem, Metropolis, M, Dr. Caligaris kabinett, Edgar Allan Poes "The Black Cat", Bela Lugosi, Boris Karloff, "Pre-code"-film, The Hayes Code, Universal Pictures, Art deco, första världskriget, svarta mässor, ritualer, motivbilder, gotiska skräcktroper, psykologisk skräck, musikläggning, tysk expressionism, Aleister Crowley, PTSD, Val Lewton, RKO Pictures, I Walked with a Zombie, Cat People, film noir, självmord, Léo Taxil, frimurare, urban wyrd, folk horror, magi, David Lynch, Twin Peaks, Mulholland Drive, ritualmord, häxerier, runor, hicksplotation, goa gubbar, biljakter, Texas Chain Saw Massacre, Easy Rider, Kill List, The Empty Man, The Wicker Man, See No Evil, Don't Look Now, The Devil Rides Out, Dennis Wheatley, Hammer Horror, Christopher Lee och cash-in-film. Patrons avnjuter också ett samtal om 70-talsrullarna Race with the Devil och To the Devil a Daughter. Mycket nöje!

Hosts Jim Towns and Chris Sahlin dig into the oldest surviving Charlie Chan mystery, Fox's 1931 whodunit THE BLACK CAMEL, starring Warner Oland and Bela Lugosi.

Dana and Tom with 5x Club Member, Sara Shea (Host and Creator of Shea Cinema; @sheacinema on X, IG), discuss the monster horror classic, Dracula (1931), for its 95th Anniversary: directed by Tod Browning, written by Garrett Fort, cinematography by Karl Freund, music by Phillip Glass, editing by Milton Carruth and Maurice Pivar, starring Bela Lugosi, Helen Chambers, David Manners, Dwight Frye, and Edward Van Sloan.Plot Summary: Dracula (1931) is a classic horror film about the mysterious Count Dracula, (Bela Lugosi), a vampire from Transylvania who travels to England in search of new victims. After a young man named Renfield (Dwight Frye) falls under Dracula's control, the Count sets his sights on Mina Seward (Helen Chandler), slowly draining her life while charming everyone around her.As Mina grows weaker, her fiancé John Harker (David Manners) teams up with the wise and determined Professor Van Helsing (Edward Van Sloan), who realizes Dracula's true nature. The film builds tension as Van Helsing uses knowledge and courage to confront the vampire and stop his reign of terror.Guest:Sara SheaHost and Creator of Shea Cinema; @sheacinema on X, IGPreviously on 12 Angry Men (1957) Revisit, Barry Lyndon (1975), Shampoo (1975), 2025 Post Oscars Reaction Show, Patton (1970), One Flew Over the Cuckoo's Nest (1975)Chapters:00:00 Introduction, Cast, and Background for Dracula03:27 Welcome Back, Sara Shea05:12 A Bygone Era of Film09:38 Relationships with Dracula13:53 Why Do We Celebrate the Original Monster Movies?22:59 Plot Summary for Dracula24:02 What is Dracula About?28:48 Did You Know?32:08 First Break32:57 What's Up with Sara Shea?35:52 Xmas Movie Exchange42:53 Congratulations to the Newest Class of the National Film Registry43:56 Best Performance(s)55:05 Best Scene(s)01:04:15 Second Break01:04:55 In Memoriam01:12:49 Best/Funniest Lines01:14:10 The Stanley Rubric - Legacy01:19:20 The Stanley Rubric - Impact/Significance01:26:15 The Stanley Rubric - Novelty01:30:03 The Stanley Rubric - Classicness01:35:06 The Stanley Rubric - Rewatchability01:40:02 The Stanley Rubric - Audience...

Grab your capes and a box of tissues, because Pop Culture Weekly is going full Gothic! This week, Kyle McMahon is sinking his teeth into director Luc Besson's latest masterpiece, Dracula: A Love Tale with conversaitons from Luc himself and stars Caleb Landry Jones & Zoe Bleu. Forget the 1931 foreign menace or the sweaty, sensual Hammer versions of the '50s. We're moving past the "Victorian paranoia with cheekbones" and diving straight into the "emotionally wrecked man-vampire" era. Kyle explores how Dracula has evolved from a real estate-obsessed monster into a guy who has crossed oceans of time just to be ghosted by his own mortality.In this episode:The History of the Fang: Kyle breaks down the evolution of the world's most famous vampire, from Bela Lugosi to the "flexible" 2020 version who absorbs skills like a supernatural vacuum.A Miracle in Progress: Legendary director Luc Besson joins the show to explain why he chose a 400-year-old love story over generic monster mayhem. He also shares his secret to filmmaking: it takes two years to make a good movie and only two minutes to "f*** it up."The World's Loneliest Gentleman: Stars Caleb Landry Jones and Zoë Bleu stop by to talk about humanizing a monster. Caleb discusses being a "sponge" for Besson's specific directions, while Zoë reveals why this version of Dracula is actually—wait for it—a total gentleman.Relatable Undead: Kyle admits that while he wouldn't wait 400 years for a person, he might consider it for some really high-quality tacos.Whether you're a hardcore horror fan or just someone who's "emotionally available to be hurt" by a Gothic romance, this episode is mandatory listening.Dracula just wanted to be loved... and honestly, don't we all?|Dig furhter into Dracula with my video A Brief History of Dracula - And What He Says About Us" here: https://youtu.be/EjrHKFUf_gAIf you dig the show, subscribe, rate, and share - and tell your friend who's always stealing your streaming passwords.

In this episode, we look at how the classic black & white Universal movie monsters tap into universal fears, and how you can use that to create compelling villains in your book. This coupon code will get you 50% off the audiobook of Dragonskull: Shield of the Knight, Book #2 in the Dragonskull series, (as excellently narrated by Brad Wills) at my Payhip store: GARETH50 The coupon code is valid through February 16, 2026. So if you need a new audiobook this winter, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 289 of The Pulp Writer Show. My name is Jonathan Moeller. Today is February 6, 2026, and today we are discussing how you can use the Universal monsters to write interesting villains. Before we get into that, we will have Coupon of the Week and an update on my current writing and publishing projects. First up is Coupon of the Week and this week's coupon code will get you 50% off the audiobook of Dragonskull: Shield of the Knight, Book #2 of my Dragonskull series (as excellently narrated by Brad Wills), at my Payhip store. And that code is GARETH50. And as always, the coupon code and the link to my Payhip store will be available in the show notes. This coupon code is valid through February 16th, 2026, so if you need a new audiobook to get you through the middle of February, we have got you covered. Now let's see where I'm at with my current writing and publishing projects. As of this recording, I am 63,000 words into Cloak of Summoning and I am almost but not quite halfway through my outline. So this is definitely going to be a long book and it's probably going to come out in the first part of March because it's long enough that it will take me a while to finish writing it and then to edit and proof it and everything else. So I'm making good progress on it. It was a very productive week, but I am still not even halfway through, so I think it's probably going to be March. I am also 5,000 words into Blade of Wraiths. That will be the fourth book of my epic fantasy Blades of Ruin series, and that will probably be in April, if all goes well. In audiobook news, Blade of Shadows (as narrated by Brad Wills) is done and it is slowly starting to roll out to the various platforms. I think as of this recording, the only place it is live right now is my Payhip store and Google Play, but hopefully by the time I record the next episode, it will be available at even more stores than that. Hollis McCarthy is working on Cloak of Titans and I think she's about halfway or two thirds of the way through recording, so we should be able to get that to you before too much longer. So that is where I'm at with my current writing and publishing and audiobook projects. 00:02:13 Main Topic: Universal Monsters, Universal Fears, and Creating Villains Now our main topic, which is the Universal monsters and the universal fears and how you can use that to create villains. One idea a writer can use to create compelling villains is to tap into some of the universal fears, and in some ways, those universal fears are embodied by the classic Universal monster movies. I mentioned before that in Halloween of 2025, I saw that a bunch of the old black and white Universal monster movies were on Prime Video. So I watched them for the first time since I was a kid, and I was pleased to see that they held up pretty well for movies that are nearly a century old, especially considering these were some of the very first movies ever made with sound and the filmmakers were kind of figuring it out as they went along. Dracula is a bit uneven because they tried to cram the stage play version of the book into a 70 minute movie, which really doesn't work, though Bela Lugosi's performance as Dracula and Edward Van Sloan as Van Helsing really carried the movie and helped define the characters in the public eye, but the others are all good and Bride of Frankenstein is legitimately a great movie, but why have these particular movies lasted so long in the public consciousness? For that matter, why do people keep coming back to new versions and new stories of Dracula and Frankenstein's Creature and all the others? Partly it's because these characters are in the public domain and you can use them without getting sued. True, but there's a lot of stuff in the public domain that doesn't see the light of day nearly as often as these classic monsters. I think it's because the classic monsters tap into the universal (small U) fears or classic archetypes of the things that people fear in real life. It's interesting to note that most of the classic Universal monsters were either originally humans who became monstrous or creations by humans that turn monstrous. Essentially, the monsters tap into archetypal fears and are exaggerated versions of villains and monsters we might actually encounter on a day-to-day basis. What do I mean? Let's expound. First up, Dracula. Count Dracula is in some ways the easiest metaphor to explain. He's an aristocratic vampire that feeds upon people and gives them nothing but evil in return. Perhaps he will pass on his own immortality to some of his victims, but it's a cursed and hellish form of immortality and any vampires that he creates are essentially his slaves, sometimes his mindless slaves. Dracula is the fear of the Evil Elite. This of course, takes many different forms in the modern era, but it is very much alive and well. The various conspiracy theories that the elite of society might be devil worshippers or engaged in sinister cults are definitely Dracula adjacent (and based on recent news reports, it indeed appears at least some of these conspiracy theories turned out to be accurate). More prosaically, "rent seeking behavior" is often characterized as vampirism. Rent seeking behavior is defined as finding ways to extract profit without adding value by manipulating the legal or regulatory environment. The landlord who raises rent by $500 a month for no reason. A software developer who reduces features while raising the subscription price or a financier who manipulates the regulations for an industry while investing in it are good examples of rent seeking behavior that is metaphorically vampiric. For that matter, it can be downright mundane. The middle manager who bullies his employees and then takes all the credit for their work is a very boring and unpleasant, but nonetheless, an all too common example of the vampire metaphor in real life. Frankenstein's monster is a much easier metaphor to explain now than it would've been before ChatGPT went mainstream. There is always a fear that we will be destroyed by the works of our own hands, especially in the last a hundred years since the creation of nuclear technology and gene editing. Probably most famous examples of that in science fiction are The Terminator and The Matrix movies series. However, these days the metaphor for Frankenstein's monster is almost ridiculously easy. We have generative AI to fulfill the metaphor of Frankenstein's monster for us. Karl Marx famously said that history repeats twice, the first time as tragedy, the second as farce. Nuclear weapons as a metaphor for Frankenstein's monster was a tragedy but generative AI is a farce. The tech bros sold it as this omniscient mind that could solve all problems and eliminate all jobs. What we've actually gotten is an imbecilic chatbot that makes a lot of mistakes, can't remember anything, can't actually do anything right, inflicts widespread damage to the economy, drives up electricity costs, and makes existing products like Windows 11 and Google search much worse. It's like as if Frankenstein's monster was really, really stupid and wanted you to add glue to your pizza to keep the cheese from sliding off. The Wolf Man, of course, is a metaphor for the potentially bestial nature of man. We all know, of course, or are eventually forced to learn that human beings have a dark side that can come out in times of anger and stress. Civilization is sometimes a thin veneer over the animalistic side of humans. Sometimes the veneer grows even thinner and the dark side comes raging out in riots and wars and mass slaughter. For Larry Talbot, the original Wolf Man in the movie, his situation is even more terrifying. He's a rational man who believes in science and psychology and doesn't believe in things like werewolves. Yet when he is bitten, he nonetheless loses control and transforms into the Wolf Man. He doesn't want to transform and attack people, but he has lost control of himself to the werewolf curse, and so he does. In a sense, all humans are werewolves in that we have a monstrous side that can come out under the right or the wrong conditions. The worst of us embrace that fact, just as in medieval legends, sometimes people would make pacts with the devil to become werewolves. The Invisible Man was originally a science fiction story, which means that the Invisible Man represents a new fear created by science. "Transhumanism" is an idea that eventually humans will merge with machines and evolve and become something new. Naturally, many people think this is a bad idea, and so a new idea has emerged: "posthumans" or humans that have been so modified by science that they are no longer recognizably human. So far, this has remained mostly science fiction, but you can see the glimmers of it beginning in biology and medical science. There's a reason performance enhancing drugs are banned in most sports. Genetic engineering opens up the possibility that corporations could create their own custom humans, essentially their own posthumans. The possibilities for abuse in such situations are sadly endless. So the Invisible Man, like Frankenstein's Creature, taps into the fear of science or more accurately the fear of what horrors science might create. On the surface, the Creature from the Black Lagoon is a monster story about a creature that carries off a pretty girl. I think it taps into a deeper fear, however, namely that the world is older and stranger and more alien and incomprehensible than we can possibly know. Like hardcore creationists say that the earth is 6,000 years old or so, and the traditional scientific view is that the earth has been around for four and a half billion years or so, and both groups have detailed charts explaining why their theories are correct, but what if they're both wrong? Oceanographers say that we don't fully understand the oceans. And a common theory among UFO people is that UFOs emerged from hidden bases at the bottom of the ocean, inaccessible by any human. There are other theories that there have been entire civilizations such as Atlantis that have vanished without a trace and were more advanced than our own, or that all of human civilization is a cycle that constantly destroys itself and restarts without a memory of its previous failures, or that aliens have influenced and controlled human history or that aliens created the earth and this is all some sort of elaborate science experiment. Of course, all these theories are likely bunk. Probably. I think it is true to say that not only is the world stranger than we know, it is stranger than the human mind is actually capable of comprehending. And depending on how far that goes, that could be a terrifying thought. So the Creature from the Black Lagoon, the idea that some race of fishmen lurks beneath the waves that we don't know about, taps into that fear. Like The Creature from the Black Lagoon, The Mummy on the surface is another story about the monster who wants the girl since Imhotep waits 3,000 years for his love to be reincarnated. But I think this taps into a deeper fear, namely that we can't escape history, that no matter what we do or how hard we try, history will catch up to us (whether our own personal history or national history). Political philosopher Francis Fukuyama famously wrote a book called The End of History and The Last Man in 1992, arguing that with the collapse of Communism, liberal democracy was the final form of government achieved by mankind and it would have no serious competitors in the future. This was a nice dream, but I think it's fair to say that the last 34 years since 1992 have proven that thesis profoundly wrong. History is definitely not over and in every domestic or international political crisis of the last 34 years, you can trace its roots back for decades or even centuries. It took 3,000 years for the dead hand of Imhotep to affect the present, but it usually doesn't take nearly that long for history to have negative effects in the present world. The Phantom of the Opera is considered one of the Universal monsters, but I don't think he really taps into a deeper fear, maybe just to be wary of a creepy guy who lives in a theater basement and is unhealthily obsessed with the leading actress. Honestly, that just seems like good common sense. Maybe poor Christine Daae just needs some pepper spray or a good solid shotgun. In conclusion, I think each of these Universal monsters remains popular because they tap into a deeper, more profound fear. So if you're a writer looking to create a memorable villain, you could do worse than to follow those universal fears. You don't even explicitly have to write horror, science fiction, or fantasy to do it. In a mystery novel, you could have a Dracula type villain in the form of a slumlord who traps his tenants with restrictive lease agreements to bleed them dry financially or an Invisible Man villain in the form of a scientist who is illegally injecting college athletes with an experimental drug without their knowledge. The Wolf Man appears quite often in detective and thriller fiction as a serial killer or some other kind of violent criminal. Naturally we cannot escape history, so the Mummy can appear as a conflict that had its roots in events that happened decades ago. Of course, the range for universal fear villains in science fiction and fantasy is much greater. Then you don't even have to be metaphorical. So hopefully this look at the Universal monsters and the universal fears they tap into will give you some good tips and ideas for writing villains in your book. So that's it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes in https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.  

One of Gilbert and Frank's favorite interviews was this 2014 sitdown with a legend of local broadcasting, the one and only Joe Franklin. In this episode, the boys dropped in on Joe's infamously cluttered (an understatement!) Manhattan office to nosh on (very old) chicken salad, dodge falling stacks of collectibles and ask the “King of Nostalgia” about his memories of Charlie Chaplin, Woody Allen, Buster Keaton, Frank Sinatra, Barbra Streisand and John Lennon, to name but a few. PLUS: The Ramones! Remembering the Toastmaster General! Joe interviews Boris Karloff (and Bela Lugosi?)! And the greatest entertainer of all time! Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to It's A Wonderful Podcast!We're starting 2026 with an insightful and important series highlighting PRE-CODE HOLLYWOOD, and all the uncensored scandalousness that comes with it!Back in the world of Universal Horror and the first pairing of Boris Karloff & Bela Lugosi on this week's show for a strikingly unique addition to the Universal Horror of the 30s, dealing with the occult and satanism, bodily possession, and grim revenge; Morgan and Jeannine delve into Edgar G. Ulmer's THE BLACK CAT (1934)!Our YouTube Channel for all our video content: ⁠⁠⁠⁠⁠⁠⁠⁠(17748) It's A Wonderful Podcast - YouTube⁠⁠⁠⁠⁠⁠⁠⁠The It's A Wonderful Podcast Theme by David B. Music.Donate:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_Keep being wonderful!!

Peter Lorre has survived man-eating plant monsters, an existential crisis, and moving in with Vincent. Now he returns from his honeymoon with Lenore, with some ideas for the Picture Show. Will we listen to him, or lock him in a dungeon with more fishheads? Grab your Gamera Gong mallet and find out on the Poverty Row Picture Show! Bela Lugosi even makes an appearance!You can follow for more on patreon.com/campkaiju, leave a rating and review, follow on Instagram, send an email at campkaiju@gmail.com, or leave a voicemail at ⁠⁠⁠(612) 470-2612⁠⁠⁠.We'll see you next time for Godzilla vs. Mechagodzilla II (1993).FEATURED FILMS: The Ape Man (1943); Ghosts on the Loose (1943); Revenge of the Zombies (1943); Voodoo Man (1944); The Monster Maker (1944); The Brute Man (1946); Return of the Ape Man (1944); The Girl Who Dared (1944); The Lady and the Monster (1944)TRAILERS: Mad Love (1935); The Mask of Dimitrios (1944); Think Fast, Mr. Moto (1937); Tales of Terror (1962); Invisible Agent (1942); Donovan's Brain (1953); The Raven (1963)SHOUT OUTS & SPONSORSSubstack ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film Criticism by Matthew Cole Levine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Plays by Vincent S. Hannam⁠⁠⁠⁠⁠⁠⁠Zack Linder & the Zack Pack ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Camp Kaiju: Monster Movie Podcast. Hosted by Vincent Hannam, Matthew Cole Levine © 2025 Vincent S. Hannam, All Rights Reserved.

Forrest, Conan Neutron, Kristina Oakes and Daniel House talk about Tim Burton's Ed Wood Written by Scott Alexander and Larry Karaszewski who would go on to write "The People vs. Larry Flynt" "Man on the Moon" and "Dolemite is my Name, at a time when they were tired of being seen as solely "family friendly screenwriters" and launching the sub-genre of "Anti-Biopics."Ed Wood is a biopic about the filmmaker Edward D. Wood, once voted "Worst Director of All Time," operating under massive constraints in the 1950s as he struggled to make films like "Glenn or Glenda", "Bride of the Monster", and "Plan 9 from Outer Space" Starring Johnny Depp as Ed Wood, Martin Landau as Bela Lugosi, Sarah Jessica Parker, Patricia Arquette, Jeffrey Jones, Lisa Marie, and Bill Murray #edwood #timburton #belalugosi #johnnydepp #lisamarie #patriciaarquette #disney #biopic #billmurray #depp #filmpodcast #moviepodcast #classichollywood #hollywood #1994 #martinlandau #billmurray #livestream #livestreaming #shortsfeed #shorts #filmmaking #touchstone #lisamarie #presley #sarahjessicaparker #nightmarebeforechristmas #filmdirector We are also streaming on @thisspacetv throw them a followJoin our discord: https://discord.gg/ZHU8W55pnhJoin our Patreon to get all our After Parties https://www.patreon.com/MovieNightExtraConan Neutron & the Secret Friends new noir inspired music video "A Villain of Circumstance" https://www.youtube.com/watch?v=qXjmjKzbTSI

The Doctor prescribed Death aired on February 2, 1943. Boris Karloff plays psychiatrist Antonio Bacile, who believes that a suicidal person can, instead, be convinced to murder someone else.

From queue changes to construction walls to nighttime lagoon testing, the parks offer plenty to parse this week. The guys then pivot from the Epic Universe lagoon to Universal's classic monsters, using the buzz around Guillermo del Toro's Frankenstein to explore how the 1931 film lurched into existence. Expect lost projects, studio pivots, and a Monster role Bela Lugosi famously refused. NEWS • VelociCoaster ends its single rider line, likely due to party sorting and load-efficiency issues. • Warner Bros. Discovery is reportedly shopping DC theme park rights to Universal, raising big questions for Marvel, Six Flags, and international parks. • Removal of Hollywood Rip Ride Rockit sparks speculation, though new construction-wall posters suggest general theming rather than a specific IP. • Nighttime testing at the Epic Universe lagoon shows projection effects featuring a bird-or-dragon silhouette. • Universal Studios Hollywood opens sales for FanFest Nights and a late-night New Year's Eve event, prompting questions about noise control before Fast & Furious: Hollywood Drift debuts. FEATURE • Guillermo del Toro's long-gestating Frankenstein began as a Universal concept more than a decade ago. • Jim walks through how Universal's early monster era took shape under financial pressure following the 1929 crash. • The studio acquired stage rights to Frankenstein after Dracula's success, initially planning it for Bela Lugosi, who rejected the role. • The episode ends as Universal begins hunting for a new star, eventually leading James Whale to discover Boris Karloff in the studio lunchroom. HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is sponsored by Be Our Guest Vacations, a platinum-level earmarked travel agency offering concierge planning for Universal, Disney, cruises, and more. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

We do have our favorite but surely wouldn't mind if Thomas Pynchon won the Nobel Prize too . . . and in Episode 32 we finish off 2025 by considering Shadow Ticket, the noir detective take on the 1930s by a writer who was surely a key influence on the early DeLillo (we read from an unpublished DeLillo letter summarizing that relationship) but who also seems to have been reading works like Running Dog over the years (or so we imagine in unpacking Shadow Ticket scenes invoking Chaplin and a “German Political Celebrity” named Hitler). We try to understand how Pynchon's latest examination of historical and potential fascism works in its 1932 setting, ranging from Milwaukee to Hungary, where reluctant protagonist and “sentimental ape” and “sap” Hicks McTaggart keeps adding on to his P.I. “tickets” in a strange search for a Wisconsin heiress and her Jewish musician lover but also what might ultimately be justice (a far from simple thing). Shadow Ticket is loads of serious fun, where Pynchon manages to examine the direst of turning points amidst scenes of bowling alley and motorcycle lore, dairy strikes, Prohibition's black markets, dance hall and speakeasy glamour, and something called “Radio-Cheez.” Bela Lugosi, vampires, a beautiful pig in a sidecar, and some of the most tasteless lamps in the world also play a role. The real content here for Hicks, though, is the prospect of spiritual and other forms of peace in a world where weapons from clubs to guns and submarines operate according to mysterious laws of “apport” and “asport,” occult material that interweaves with Hicks's strike-breaking past and raises connections to Gravity's Rainbow. Is Hicks's fellow orphan and young protégé Skeet Wheeler the father of Vineland's Zoyd, headed out to California as the novel ends? What's the meaning of Hicks failing to return to his home country, and what does cheese gangster Bruno Airmont's submarine fate have to do with Bleeding Edge? Are Hungary's shifting borders a new kind of “Zone”? What's going on in the novel's many Statue of Liberty references and its anachronistic allusions to a “Face Tube” for flirtation in bars? And how does this always funny writer, now in his late eighties, keep coming up with all these absurd songs (we sing some) and hilarious mock-movies like the one featuring “Squeezita Thickly” swimming in soup pots (Shirley Temple, is that you?)? Teasing out many connections to Gravity's Rainbow, Against the Day, and Vineland, this episode makes reference to just about all of Pynchon's other works, including even V. and his earliest short stories. At the same time, you need come to it with nothing but an interest in Pynchon's life and work. We doubt that we get every reference to history or previous Pynchon right or mount interpretations we won't later want to revise, but on this brand-new and captivating late work from a masterful author, we hope in nearly three hours of deep conversation and laughter that we've made a good start on the many critical readings to come. A partial list of references and quotations that we mention or paraphrase in this episode . . . On “prefascist twilight”: “And other grandfolks could be heard arguing the perennial question of whether the United States still lingered in a prefascist twilight, or whether that darkness had fallen long stupefied years ago, and the light they thought they saw was coming only from millions of Tubes all showing the same bright-colored shadows. One by one, as other voices joined in, the names began, some shouted, some accompanied by spit, the old reliable names good for hours of contention, stomach distress, and insomnia – Hitler, Roosevelt, Kennedy, Nixon, Hoover, Mafia, CIA, Reagan, Kissinger, that collection of names and their tragic interweaving that stood not constellated above in any nightwide remoteness of light, but below, diminished to the last unfaceable American secret, to be pressed, each time deeper, again and again beneath the meanest of random soles, one blackly fermenting leaf on the forest floor that nobody wanted to turn over, because of all that lived, virulent, waiting, just beneath.” (Pynchon, Vineland (1990)) On “second sheep”: “Our common nightmare The Bomb is in there too. It was bad enough in '59 and is much worse now, as the level of danger has continued to grow. There was never anything subliminal about it, then or now. Except for that succession of the criminally insane who have enjoyed power since 1945, including the power to do something about it, most of the rest of us poor sheep have always been stuck with simple, standard fear. I think we all have tried to deal with this slow escalation of our helplessness and terror in the few ways open to us, from not thinking about it to going crazy from it. Somewhere on this spectrum of impotence is writing fiction about it.” (Pynchon, “Introduction,” Slow Learner (1984)) The “Sloth essay paragraph” mentioned midway through: “In this century we have come to think of Sloth as primarily political, a failure of public will allowing the introduction of evil policies and the rise of evil regimes, the worldwide fascist ascendancy of the 1920's and 30's being perhaps Sloth's finest hour, though the Vietnam era and the Reagan-Bush years are not far behind. Fiction and nonfiction alike are full of characters who fail to do what they should because of the effort involved. How can we not recognize our world? Occasions for choosing good present themselves in public and private for us every day, and we pass them by. Acedia is the vernacular of everyday moral life.” (Pynchon, “Nearer, My Couch, To Thee” (1993)) Don DeLillo Papers, Harry Ransom Center, University of Texas-Austin The Motherland Calls statue, Volgograd: https://en.wikipedia.org/wiki/The_Motherland_Calls  Pareidolia defined: https://en.wikipedia.org/wiki/Pareidolia

To coincide with this week's "Fun for All Ages" salute to 1960s and '70s New York television, GGACP revisits this 2014 interview with a legend of local broadcasting, the one and only Joe Franklin. In this episode, Gilbert and Frank drop in on Joe's infamously cluttered (an understatement!) Times Square office to nosh on chicken salad, dodge falling stacks of collectibles and ask the “King of Nostalgia” about his memories of Charlie Chaplin, Woody Allen, Buster Keaton, Frank Sinatra, Barbra Streisand and John Lennon (to name but a few). PLUS: The Ramones! Remembering the Toastmaster General! Joe interviews Boris Karloff (and Bela Lugosi?)! And the greatest entertainer of all time! Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP celebrates Thanksgiving 2025 by revisiting this ridiculously in-depth 2018 analysis of some genuine "golden turkeys," featuring one of Gilbert and Frank's favorite topics: apes and gorillas. In this episode: Gilbert breaks down “Old Dracula," Jerry Lewis threatens to sue Sammy Petrillo, Raymond Burr turns into a gorilla and Bela Lugosi tries his hand at comedy. PLUS: "Return of the Ape Man"! William "One Shot" Beaudine! The strange case of Barbara Payton! And the unusual proclivities of Lionel Atwill!  Learn more about your ad choices. Visit megaphone.fm/adchoices

The gang pulls a fast one on Poe this week as they review a horror movie based on the name only of an Edgar Allan Poe poem, The Black Cat. Come see Boris Karloff and Bela Lugosi duke it out on screen as dueling villains while you wait for the house to literally explode at any moment. Tyler's pick for Pre-Code November is a first watch for all of us, so tune in and find out who you align with. Visit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/channel/UCI1lVsk1xjMSBgZK82uAzgQThis Episode:https://youtu.be/eSte9VbY3S0http://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclass   Email: MCFCpodcast@gmail.comMerch store - https://middle-class-film-class.creator-spring.com/    Join the Patreon:www.patreon.con/middleclassfilmclass Patrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerAngry Otter (Michael)Joseph Navarro     Pete Abeyta  and Tyler Noe

Here on This Paranormal Life, we've investigated a LOT cursed objects - ancient amulets, cursed dolls and even a couple evil Furbies… But today's object is something special. It's an artifact so cursed that even gazing at it for longer than 30 seconds can be dangerous. It was once owned by DRACULA (well, the guy who played Dracula in the movies) and was eventually passed down to a man who was murdered right in front of it. It's time for Rory and Kit to investigate Bela Lugosi's haunted mirror. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Secret Society Facebook Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/ThisParanormalLife⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to get access to weekly bonus episodes! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Official TPL Merch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thisparanormallife.com/store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Intro music by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.purple-planet.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Edited by Philip Shacklady Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this week's episode, I rate the movies and streaming shows I saw in Autumn 2025. This coupon code will get you 25% off the ebooks in The Ghosts series at my Payhip store: GHOSTS2025 The coupon code is valid through December 1, 2025. So if you need a new ebook this fall, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 278 of The Pulp Writer Show. My name is Jonathan Moeller. Today is November 21st, 2025, and today I am sharing my reviews of the movies and streaming shows I saw in Fall 2025. We also have a Coupon of the Week and an update my current writing, audiobook, and publishing projects. So let's start off with Coupon of the Week. This week's coupon code will get you 25% off all the ebooks in The Ghosts series at my Payhip store, and that is GHOSTS2025. And as always, we'll have the link to my Payhip store and the coupon code in the show notes for this episode. This coupon code is valid through December 1, 2025, so if you need a new ebook for this fall, we have got you covered. Now for my current writing and publishing projects: I'm very pleased to report that Blade of Shadows, the second book in my Blades of Ruin epic fantasy series, is now out. You can get it at Amazon, Barnes and Noble, Kobo, Google Play, Apple Books, Smashwords, and my Payhip store. By the time this episode goes live, all those stores should be available and you can get the book at any one of them and I hope you will read and enjoy it. I'm also 15,000 words into what will be my next main project Wizard-Assassin, the fifth book in the Half-Elven Thief series, and if all goes well, I want that to be out before Christmas. I'm also working on the outline for what will be the third book in the Blades of Ruin series, Blade of Storms, and that will hopefully, if all goes well, be the first book I publish in 2026. In audiobook news, as I mentioned last week, the audiobook of Blade of Flames is done and I believe as of this recording, you can get at my Payhip store, Google Play, Kobo, and I think Spotify. It's not up on Audible or Apple yet, but that should be soon, if all goes well. That is excellently narrated by Brad Wills. Hollis McCarthy is still working on Cloak of Embers. I believe main recording is done for that and it just has to be edited and proofed, so hopefully we'll get both audiobooks to you before the end of the year. So that is where I'm at with my current writing, publishing, and audiobook projects. 00:02:08 Main Topic of the Week: Autumn 2025 Movie Review Roundup Now on to this week's main project, the Autumn 2025 Movie Review Roundup. I watched a lot of classic horror movies this time around. The old Universal black and white monster movies from the '30s and '40s turned up on Prime for Halloween and I hadn't seen them since I was a kid, so I watched a bunch of them in October and November, which seemed an appropriate thing to do for Halloween. They mostly held up as well as I remembered from when I was a kid, which was a nice surprise. As ever, the grades I give these movies are totally subjective and based on nothing more than my own opinions and thoughts. With that, let's take a look at the movies from least favorite to most favorite. First up is The Other Guys, which came out in 2010 and this is a parody of the buddy cop/ cowboy cop movie along with a heavy critique of the reckless and corrupt culture of late 2000s Wall Street. "Dumb funny" movies I've noticed tend to fall on either side of the "dumb but actually funny" or "dumb and not funny" line. And this one definitely landed on "dumb but actually funny". Danson and Highsmith, played by The Rock and Samuel L. Jackson, are two maverick popular detectives who never do paperwork. Their paperwork is always done by Allen Gamble, who's played by Will Ferrell and Terry Hoitz, played by Mark Wahlberg. Gamble is a mild-mannered forensic accountant, while Hoitz desperately wants to be as cool as either Danson or Highsmith, but since he accidentally shot Yankees player Derek Jeter (in a recurring gag), he's a pariah within the New York Police Department. However, Danon and Highsmith's plot armor suddenly run out and they accidentally kill themselves in a darkly hilarious scene that made me laugh so much I hurt a little. Hoitz wants to step into their shoes, but Gamble has stumbled onto potentially dangerous case and soon Hoitz and Gamble have to overcome their difficulties and unravel a complicated financial crime. This was pretty funny and I enjoyed it. Amusingly in real life, someone like Gamble would be massively respected in whatever law enforcement agency he works for, since someone who prepares ironclad paperwork and correct documentation that stands up in court is an invaluable asset in law enforcement work. Overall Grade: B Next up is Fantastic Four: First Steps, which came out in 2025. I like this though, to be honest, I liked Thunderbolts and Superman 2025 better. I think my difficulty is I never really understood The Fantastic Four as a concept and why they're appealing. Maybe the Fantastic Four are one of those things you just have to imprint on when you're a kid to really enjoy or maybe at my age, the sort of retro futurism of the Four, the idea that science, technology, and rational thought will solve all our problems does seem a bit naive after the last 65 years of history or so. Additionally, the idea of a naked silver space alien riding a surfboard does seem kind of ridiculous. Anyway, the movie glides over the origin story of Reed Richards, Sue Storm, Johnny Storm, and Ben Grimm and gets right into it. To their surprise, Reed and Sue find out that Sue is pregnant, which seemed unlikely due to their superpower induced genetic mutations. Shortly after that, the Silver Surfer arrives and announces that Earth will be devoured by Galactus. The Four travel in their spaceship to confront Galactus and realize that he's a foe far beyond their power, but Galactus offers them a bargain. If Reed and Sue give him their son, he will leave Earth in peace. They refuse and so it's up to the Four to figure out a way to save Earth and Reed and Sue's son. Pretty solid superhero movie all told, but it is amusing how in every version of the character, Reed Richards is allegedly the smartest man on Earth but still can't keep his mouth shut to save his life. Overall Grade: B The next movie is Superman, which came out in 1978. After seeing the 2025 version of Superman, I decided to watch the old one from the '70s. It's kind of a classic because it was one of the progenitors of the modern superhero film. Interestingly, it was one of the most expensive films ever made at that time, costing about $55 million in '70s-era dollars, which are much less inflated than today. A rough back of the envelope calculation would put 55 million in the '70s worth at about $272 million today, give or take. Anyway, this was a big gamble, but it paid off for the producers since they got $300 million back, which would be like around $1.4 billion in 2025 money. Anyway, the movie tells the origin story of Superman, how his father Jor-El knows that Krypton is doomed, so he sends Kal-El to Earth. Kal-El is raised as Clark Kent by his adoptive Kansas parents and uses his powers to become Superman- defender of truth, justice, and the American way. Superman must balance his growing feelings for ace reporter Lois Lane with his need for a secret identity and the necessity of stopping Lex Luthor's dangerous schemes. Christopher Reeve was an excellent Superman and the special effects were impressive by the standards of 1978, but I think the weakest part of the movie were the villains. Lex Luthor just seemed comedic and not at all that threatening. Unexpected fun fact: Mario Puzio, author of The Godfather, wrote the screenplay. Overall Grade: B Next up is Superman II, which came out in 1980. This is a direct sequel to the previous movie. When Superman stops terrorists from detonating a nuclear bomb by throwing it into space, the blast releases the evil Kryptonian General Zod and his minions from their prison and they decide to conquer Earth. Meanwhile, Superman is falling deeper in love with the Lois Lane and unknowing of the threat from Zod, decides to renounce his powers to live with Lois as an ordinary man. I think this had the same strengths and weaknesses as the first movie. Christopher Reeve was an excellent Superman. The special effects were impressive by the standards of the 1980s, but the villains remained kind of comedic goofballs. Additionally, and while this will sound harsh, this version of Lois Lane was kind of dumb and her main function in the plot was to generate problems for Superman via her questionable decisions. Like at the end, Superman has to wipe her memory because she can't keep his secret identity to herself. If this version of Lois Lane lived today, she'd be oversharing everything she ever thought or heard on TikTok. The 2025 movie version of Lois, by contrast, bullies Mr. Terrific into lending her his flying saucer so she can rescue Superman when he's in trouble and is instrumental in destroying Lex Luthor's public image and triggering his downfall. 1970s Louis would've just had a meltdown and made things worse until Superman could get around to rescuing her. Overall, I would say the 1978 movie was too goofy, the Zac Snyder Superman movies were too grimdark, but the 2025 Superman hit the right balance between goofy and serious. Overall Grade: B Next up is Dracula, which came out in 1931, and this was one of the earliest horror movies ever made and also one of the earliest movies ever produced with sound. It is a very compressed adaptation of the stage version of Dracula. Imagine the theatrical stage version of Dracula, but then imagine that the movie was only 70 minutes long, so you have to cut a lot to fit the story into those 70 minutes. So if you haven't read the book, Dracula the movie from 1931 will not make a lot of sense. It's almost like the "Cliff's Notes Fast Run" version of Dracula. That said, Bela Lugosi's famous performance as Dracula really carries the movie. Like Boris Karloff in Frankenstein and The Mummy (which we'll talk about shortly), Bela Lugosi really captures the uncanny valley aspect of Dracula because the count isn't human anymore and has all these little tics of a creature that isn't human but only pretending to be one. Edward Van Sloan's performance as Dr. Van Helsing is likewise good and helped define the character in the public eye. So worth watching as a historical artifact, but I think some of the other Universal monster movies (which we'll discuss shortly) are much stronger. Overall Grade: B Next up is The Horror of Dracula, which came out in 1958. This is one of the first of the Hammer Horror movies from the '50s, starring Peter Cushing as Dr. Van Helsing and Christopher Lee as Count Dracula. It's also apparently the first vampire movie ever made in color. Like the 1931 version of Dracula, it's a condensed version of the story, though frankly, I think it hangs together a little better. Van Helsing is a bit more of an action hero in this one, since in the end he engages Dracula in fisticuffs. The movie is essentially carried by the charisma of Peter Cushing and Christopher Lee and worth watching as a good example of a classic '50s horror movie. Overall Grade: B Next up is The Wolf Man, which came out in 1941. This is another one of the classic Universal horror movies. This one features Lon Cheney Jr. as Larry Talbot, the younger son of Sir John Talbot. Larry's older brother died in a hunting accident, so Larry comes home to reconcile with his father and take up his duties as the family heir. Larry is kind of an amiable Average Joe and is immediately smitten with the prettiest girl in the village, but when he takes her out for a walk, they're attacked by a werewolf, who bites Larry. Larry and everyone else in the village do not believe in werewolves, but they're about to have their minds changed the hard way. The transformation sequences where Larry turns into the Wolfman were cutting edge of the time, though poor Lon Chaney Jr had to stay motionless for hours as they gradually glued yak hair to him. I think Claude Rains had the best performance in the movie as Sir John and he's almost the co-protagonist. Overall Grade: B Next up is Jurassic World: Rebirth, which came out in 2025, which I thought was a perfectly straightforward but nonetheless enjoyable adventure film. After all the many disasters caused by various genetic engineering experiments in the previous movies, dinosaurs mostly live in relatively compatible ecosystems and tropical zones near the equator. No one's looking to create a theme park with dinosaurs or create bioengineered dinosaurs as military assets any longer. However, the dinosaurs are still valuable for research and a pharmaceutical company is developing a revolutionary drug for treating cardiac disease. They just need some dinosaur blood from three of the largest species to finish it, and so the company hires a team of mercenaries to retrieve the blood. We have the usual Jurassic Park style story tropes: the savvy mercenary leader, the scientist protesting the ethics of it all, the sinister corporate executive, the troubled family getting sucked into the chaos. And of course, it all goes wrong and there are lots and lots of dinosaurs running around. It's all been done before of course, but this was done well and was entertaining. Overall Grade: B+ Next up is The Thursday Murder Club, which came out in 2025, and this is a cozy mystery set in a very high-end retirement home. Retired nurse Joyce moves into Coopers Chase, the aforementioned high end retirement home. Looking to make new friends, she falls in with a former MI6 agent named Liz, a retired trade unionist named Ron, and psychiatrist Ibrahim, who have what they call The Thursday Murder Club, where they look into cold cases and attempt to solve them. However, things are not all sunshine and light at Coopers Chase as the two owners of the building have fallen out. When one of them is murdered, The Thursday Murder Club has to solve a real murder before Coopers Chase is bulldozed to make high-end apartments. A good cozy mystery with high caliber acting talent. Both Pierce Brosnan and Jonathan Price are in the movie and regrettably do not share a scene together, because that would've been hilarious since they were both in the James Bond movie Tomorrow Never Dies in the '90s with Brosnan as Bond and Price as the Bond villain for the movie. Overall Grade: B+ Next up is The Creature From the Black Lagoon, which came out in 1954 and is one of the last of the black and white classic horror movies since in the '50s, color film was just around the corner. When a scientist finds the unusual half fish, half human fossil on a riverbank in Brazil, he decides to organize an expedition upriver to see if he can find the rest of the fossil. The trail leads his expedition to the mysterious Black Lagoon, which all the locals avoid because of its bad reputation, but a living member of the species that produce the fossils lurking the lagoon while it normally doesn't welcome visitors, it does like the one female member of the expedition and decides to claim her for its own. The creature was good monster and the underwater water sequences were impressive by the standards of the 1950s. Overall Grade: A- Next up is The Invisible Man, which came out in 1933, and this is another of the classic Universal black and white horror movies. Jack Griffin is a scientist who discovered a chemical formula for invisibility. Unfortunately, one of the drugs in his formula causes homicidal insanity, so he becomes a megalomaniac who wants to use his invisibility to rule the world. This causes Griffin to overlook the numerous weaknesses of his invisibility, which allow the police to hunt him down. The Invisible Man's special effects were state of the art at the time and definitely hold up nearly a hundred years later. It's worth watching as another classic of the genre. Claude Rains plays Griffin, and as with The Wolf Man, his performance as Griffin descends into homicidal insanity is one of the strengths of the movie. Overall Grade: A- Next up is The Mummy, which came out in 1932, and this is another of the original Universal black and white horror movies. Boris Karloff plays the Mummy, who is the ancient Egyptian priest Imhotep, who was mummified alive for the crime of desiring the Pharaoh's daughter Ankh-es-en-Amon. After 3,000 years, Imhotep is accidentally brought back to life when an archeologist reads a magical spell and Imhotep sets out immediately to find the reincarnation of his beloved and transform her into a mummy as well so they can live together forever as undead. Edward Van Sloan plays Dr. Mueller, who is basically Edward Van Sloan's Van Helsing from Dracula if Van Helsing specialized in mummy hunting rather than vampire hunting. This version of the Mummy acts more like a Dungeons and Dragons lich instead of the now classic image of a shambling mummy in dragging bandages. That said, Boris Karloff is an excellent physical actor. As he does with Frankenstein, he brings Imhotep to life. His performance captures the essence of a creature that hasn't been human for a very long time, is trying to pretend to be human, and isn't quite getting there. Of course, the plot was reused for the 1999 version of The Mummy with Brendan Fraser. That was excellent and this is as well. Overall Grade: A- Next up is The Wedding Singer, which came out in 1998, and this is basically the Adam Sandler version of a Hallmark movie. Adam Sandler plays Robbie, a formerly famous musician whose career has lapsed and has become a wedding singer and a venue singer. He befriends the new waitress Julia at the venue, played by Drew Barrymore. The day after that, Robbie's abandoned at the altar by his fiancée, which is understandably devastating. Meanwhile, Julia's fiancé Glenn proposes to her and Robbie agrees to help her with the wedding planning since he's an expert in the area and knows all the local vendors. However, in the process, Robbie and Julia fall in love, but are in denial about the fact, a situation made more tense when Robbie realizes Glenn is cheating on Julia and intends to continue to do so after the wedding. So it's basically a Hallmark movie filtered through the comedic sensibilities of Adam Sandler. It was very funny and Steve Buscemi always does great side characters in Adam Sandler movies. Overall Grade: A Next up is Downton Abbey: The Grand Finale, which came out in 2025. This movie was sort of a self-indulgent victory lap, but it was earned. The writers of the sitcom Community used to joke that they wanted "six seasons and a movie" and Downton Abbey got "six seasons and three movies". Anyway, this movie is about handing off things to the next generation. Lord Grantham is reluctant to fully retire as his daughter goes through a scandal related to her divorce. The next generation of servants take over as the previous ones ease into retirement. What's interesting is both the nobles and the servants are fully aware that they're sort of LARPing a historical relic by this point because by 1930, grand country houses like Downton were increasingly rare in the UK since World War I wiped out most of them and crippling post-war taxes and economic disruption finished off many more. Anyway, if you like Downton Abbey, you like this movie. Overall Grade: A Next up is Argo, which came out in 2012, a very tense thriller about the Iranian hostage crisis in 1979. During that particular crisis, six Americans escaped the embassy and hid out at the Canadian Ambassador's house in Tehran. For obvious reasons, the Canadian ambassador wanted them out as quickly as possible, so the CIA and the State Department needed to cook up a plan to get the six out while the rest of the government tried to figure out what to do about the larger group of hostages. Finally, the government comes with "Argo." A CIA operative will create a fake film crew, a fake film company, and smuggle the six out of Tehran as part of the production. The movie was very tense and very well constructed, even if you know the outcome in advance if you know a little bit of history. Ben Affleck directed and starred, and this was in my opinion one of his best performances. It did take some liberties with historical accuracy, but nonetheless, a very tense political thriller/heist movie with some moments of very dark comedy. Overall Grade: A Next up is The Naked Gun, which came out in 2025, and this is a pitch perfect parody of the gritty cop movie with a lot of absurdist humor, which works well because Liam Neeson brings his grim action persona to the movie and it works really well with the comedy. Neeson plays Lieutenant Frank Drebin Jr., the son of the original Frank Drebin from The Naked Gun movies back in the '80s. After stopping a bank robbery, Drebin finds himself investigating the suicide of an engineer for the sinister tech mogul Richard Cane. Naturally, the suicide isn't what it appears and when the engineer's mysterious but seductive sister asks for Drebin's help, he pushes deeper into the case. Richard Cane was a hilarious villain because the writers couldn't decide which tech billionaire to parody with him, so they kind of parodied all the tech billionaires at once, and I kid you not, the original Frank Drebin makes an appearance as a magical owl. It was hilarious. Overall Grade: A Now for my two favorite things I saw in Autumn 2025. The first is the combination of Frankenstein and Bride of Frankenstein, which came out in 1931 and 1935. These are two separate movies, but Frankenstein leads directly to Bride of Frankenstein, so I'm going to treat them as one movie. Honestly, I think they're two halves of the same story the way that Avengers: Infinity War and Avengers: Endgame would be two halves of the same story 90 years later, so I'll review them as one. Frankenstein by itself on its own will get a B. Colin Clive's performance is Dr. Henry Frankenstein was great, and Boris Karloff gives the Creature a suitable air of menace and uncanny valley. You really feel like he's something that's been brought to life but isn't quite right and still extremely dangerous. The movie does have a very pat ending that implies everyone will live happily ever after, with Dr. Frankenstein's father giving a toast to his son. But Bride of Frankenstein takes everything from the first movie and improves on it. It's one of those sequels that actually makes the preceding movie better. In Bride, Henry is recovering from his ordeal and swears off his experiments of trying to create artificial humans, but the Creature survived the fire at the windmill at the end of the last movie and is seeking for a new purpose. Meanwhile, Henry receives a visit from his previous mentor, the sinister Dr. Pretorius. Like Henry, Pretorius succeeded in creating artificial life and now he wants to work with Henry to perfect their work, but Henry refuses, horrified by the consequences of his previous experiments. Pretorius, undaunted, makes an alliance with the Creature, who then kidnaps Henry's wife. This will let Pretorius force Henry to work on their ultimate work together-a bride for the Creature. Bride of Frankenstein is a lot tighter than Frankenstein. It was surprising to see how rapidly filmmaking techniques evolved over just four years. Pretorius is an excellent villain, more evil wizard than mad scientist, and the scene where he calmly and effortlessly persuades the Creature to his side was excellent. One amusing note, Bride was framed as Mary Shelley telling the second half of the story to her friends, and then the actress playing Mary Shelley, Elsa Lancaster, also played the Bride. So that was a funny bit of meta humor. Frankenstein and Bride of Frankenstein combined is one of my two favorite movies of Fall 2025. Overall Grade: A+ And now for my second favorite movie of Autumn 2025, which as it turns out is also Frankenstein, but Guillermo del Toro's version that came out in 2025. And honestly, I think Guillermo del Toro's version of Frankenstein is the best version put to screen so far and even does the rarest of all feats, it improves a little on the original novel. Oscar Isaac plays Victor Frankenstein as a brilliant, driven scientist with something of a sociopathic edge. In other words, he's a man who's utterly inadequate to the task when his experiment succeeds and he actually creates an artificial human that have assembled dead body parts. Jacob Elordi does a good job as the Creature, playing him is essentially a good hearted man who's driven to violence and despair by the cruelty and rejection of the world. The recurring question of the Frankenstein mythos is whether or not Victor Frankenstein is the real monster. In this version, he definitely is, though he gets a chance to repent of his evil by the end. Honestly, everything about this was good. The performances, the cinematography, everything. How good was it? It was so good that I will waive my usual one grade penalty for unnecessary nudity since there were a few brief scenes of it. Overall Grade: A+ So that was the Autumn 2025 Movie Roundup. A lot of good movies this time around. While some movies of course were better than others, I didn't see anything I actively disliked, which is always nice. So that's it for this week. Thanks for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.  

In connection with this week's "Fun for All Ages" conversation about "The Day the Clown Cried," GGACP revisits this 2015 interview with illusionist, filmmaker and comedian Penn Jillette. In this episode, Penn opines on a host of offbeat topics ranging from Jerry Lewis' ill-fated pet project to strippers' tricks of the trade, the comedy of Dennis Miller, the cinema of the Three Stooges and failed attempts to summon the spirit of Bela Lugosi. Also: Penn debunks “cold readings,” exposes phone scams, disses Richie Havens and compares Jerry Lewis to Lou Reed. PLUS: The Amazing Kreskin! Penn auditions for “Ishtar”! And Gilbert annoys Harrison Ford!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Return to Terror! Celebrating 82 Years of “The Return of the Vampire“! Sink your teeth into this week's episode of Scary Spirits! Hosts Karen and Greg are raising a glass to the 82nd anniversary of the spooky 1943 classic, “The Return of the Vampire,” which premiered on November 11th. This overlooked gem stars Bela Lugosi in a chilling post-Universal Dracula role! We're diving deep into the film's eerie atmosphere, wartime horror influences, and why this forgotten vampire feature deserves a second look. And what's a celebration without a themed drink? We're discussing all the scares while sipping a truly special and potent “Blitzkrieg” cocktail. Tune in for: In-depth Vampire Movie Analysis Classic Horror Film insights The recipe and review of our Themed Cocktail A nod to the legendary Bela Lugosi! Whether you love vintage creature features or just a good themed cocktail, this episode is a bloody good time!

It's time to visit the misspent youth of the team, hurtling back to 1998 for Jake West's “Razor Blade Smile”. A film that shows that a coffin can make a lovely centrepiece gun rack in any bedroom; highlights that vampires are the only ones not showing off their fangs at a Goth club; and bravely needle drops “Bela Lugosi's Dead” like “The Hunger” just didn't happen. Razor Blade Smile made something of a splash when it came out - a flashy/trashy horror with camp laughs, nudity, gore and an icon in the form of Eileen Daly's rubber cat-suited vampire assassin, it felt utterly different to anything else emerging from the doldrums of the British film industry. Made on a shoestring budget, but never aiming for anything less than spectacle; time hasn't necessarily been too kind to it visually, although ironically it's the (then) state of the art computer generated imagery that has dated the worst. More importantly; it's shoot-outs and fetish wear aesthetic predates both The Matrix and Underworld franchises. Whilst some minor roles may feature less than stellar acting, the main cast are giving their all, with Daly cementing her place as a British scream queen, and a genuinely brilliant turn from Christopher Adamson as the villain. Watch (or re-watch) to avoid spoilers and join us.

Cultists, five years after the previous entry in the series, and three years since they'd made a horror movie at all, Universal convinced Karloff to sit in Jack Pierce's make-up chair for one last outing as the iconic monster. Minus director James Whale's subversive edge but with Dracula star Bela Lugosi and future Sherlock Holmes star Basil Rathbone, Son Of Frankenstein marked a turning point in the Universal Horror Series. Please join us for the Dissection.  Dissection Topic https://www.imdb.com/title/tt0031951/?ref_=ext_shr  Son of Frankenstein https://www.amazon.com/gp/video/detail/B005EYG0HO/ref=atv_dp_share_cu_r  Unholy Sacrament  Oktoberfresh, Fresh Hopped Marzen, Zoiglhaus Brewing Co https://untp.beer/NXgKA  Vault Of Darkness  Altered Carbon (Kalogridis, 2018) https://www.imdb.com/title/tt2261227/?ref_=ext_shr   https://www.netflix.com/title/80097140  https://www.richardkmorgan.com/writing/altered-carbon/  Young Frankenstein (Brooks, 1974) https://www.imdb.com/title/tt0072431/?ref_=ext_shr  Young Frankenstein [Blu-ray] https://a.co/d/4Dd5Myj  #sonoffrankenstein, #frankenstein, #brideoffrankenstein, #youngfrankenstein, #rowlandvlee, #boriskarloff, #belalugosi, #basilrathbone, #jackpierce, #kennethstrickfaden, #ygor, #igor, #drfrankenstein,  #henryfrankenstein, #wolffrankenstein, #inspectorkrogh, #universalmonsters, #universalhorror, #classicmonsters, #classichorror

It's Conrad Brooks from the top rope with an oozy gun! He's giving him that back and forth action! He's doing it for the marines! He's doing it for Bela Lugosi! He's doing it for his ex-wife!

In this special Spooktacular commission from Emmett, the guys dive deep into Tim Burton's 1994 biopic, Ed Wood. Starring Johnny Depp in one of his most beloved roles and Martin Landau in an Oscar-winning turn as Bela Lugosi, the film explores the life of the eccentric B-movie director often labeled the "worst" filmmaker in history. Does Burton's loving tribute to cinematic failure still hold up, or is it merely high-quality camp? Gene and Big D discuss: The genius of Martin Landau's portrayal of a faded horror icon. The film's beautiful black-and-white aesthetic. Whether Ed Wood was a visionary or just delightfully incompetent. The surprising connections this film has to another movie in our "double-decker Halloween commission." Tune in to find out if the story of the man behind Plan 9 from Outer Space is truly a glorious cinematic triumph! Support the Walk to Save Animals Donation link: http://www.tinyurl.com/shatpod Subscribe Now Android: https://www.shatpod.com/android Apple/iTunes: https://www.shatpod.com/apple Help Support the Podcast Contact Us: https://www.shatpod.com/contact Commission Movie: https://www.shatpod.com/support Support with Paypal: https://www.shatpod.com/paypal Support With Venmo: https://www.shatpod.com/venmo Shop Merchandise: https://www.shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

This was the perfect Halloween Eve's Eve crossword, suitably spooky and eminently entertaining. The theme was a stitch, and the supporting cast of clues was, well, quite supportive. We've covered the highlights in today's podcast; but as usual we link to the completely filled-in crossword, from xword.info, right here. Show note imagery: A delectable trio of cereal pancakes from IHOP, the unofficial breakfast diner of the NYTimes crossword

George Noory and author Chris Alexander discuss the enduring appeal of horror movies, some of the stars of classic horror movies like Vincent Price, Boris Karloff and Bela Lugosi, and why low budget horror movies like Night of the Living Dead remain so popular decades after they were released.See omnystudio.com/listener for privacy information.

Velcome to the second part of our Dracula show. In part one we looked at the tortious route from book to screen.  Now we examine the films that resulted from all that work. . The English language Dracula starring Bela Lugosi. Here we talk about: - Lugosi's performance. - The odd journey to the UK (and why it looks speeded up) - Dwight Frye's performance as Renfield - The censorship cuts  - The director controversy - And much more  Then to the Spanish language version which is 30 minutes longer.  But is it better? We discuss in detail. Finally, we talk about the 1970's revival of the original play and how that led to the Frank Langella version in 1979. So, if you are a fan of Dracula or indeed vampires, then this show is for you.   Enjoy and have a very happy Halloween.

Send us a textDaniel Ash, along with Peter Murphy and brothers Kevin and David Haskins, formed Bauhaus, a band who were pioneers of goth rock. Their debut single, “Bela Lugosi's Dead” is considered by many to be the first record of the gothic-rock genre.   They released five studio albums, and during that period, Daniel and Kevin formed the post-punk band Tones on Tail in the early 1980s. In 1985, David Haskins, now as David J, rejoined his  Bauhaus bandmates, minus Peter Murphy, and they became Love and Rockets. Where Bauhaus was known for its gothic sound, Love and Rockets' had a brighter, more pop feel. They enjoyed a succesful run in the '80s and '90s, touring internation-ally and were featured prominently in the glory days of MTV. And now, Daniel Ash, along with drummer Bruce Smith of Public Image Ltd. and bassist Paul Spencer Denman who backed Sade, is back. The band is Ashes and Diamonds. The atmospheric sound of their debut album, Ashes and Diamonds are Forever, is fantastic. It releases October 31st and according to my talk with Daniel, the Halloween release is “appropriate”. He was such a pleasure to talk with and I think you'll enjoy…my talk with Daniel Ash.Photo by Regan Catam @raygun1111Ashes and Diamonds Are Forever is available through Cleopatra Records. Get yours here.Save on Certified Pre-Owned ElectronicsPlug has great prices on refurbished electronics. Up to 70% off with a 30-day money back guarantee!Euclid Records – Buy and sell records.A gigantic selection of vinyl & CDs. We're in St. Louis & New Orleans, but are loved worldwide!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Thanks for listening to Frets with DJ Fey. You can follow or subscribe for FREE at most podcast platforms.And now, Frets is available on YouTube. There are a lot of fun extras like videos and shorts and audio of all episodes. Subscribing for FREE at YouTube helps support the show tremendously, so hit that subscribe button! https://www.youtube.com/@DJFey39 You can also find information about guitarists, bands and more at the Frets with DJ Fey Facebook page. Give it a like! And – stay tuned… Contact Dave Fey at davefey@me.com or call 314-229-8033

From black-and-white chills to Gothic thrills and romantic kills — this Binge Bite sinks its fangs into three timeless takes on the world's most infamous vampire - Count Dracula. Listen as we unearth the cinematic evolution of Count Dracula through:Dracula (1931) – Bela Lugosi's hypnotic stare that started it all.Dracula: Prince of Darkness (1966) – Christopher Lee's blood-soaked Gothic reign.Bram Stoker's Dracula (1992) – Gary Oldman's haunting, tragic, and oh-so-romantic spin.It's a fast, fun, and spine chilling binge of this Dracula triple feature. So grab your garlic, dim the lights, and pour yourself a glass of deep red… because this 4hrs and 53mins of Dracula will have you thirsting for more.WooHoo!

GGACP celebrates Halloween week by revisiting this conversation from 2021 as Gilbert and Frank celebrate the 90th anniversaries (1931-2021) of Universal Studios' original “Dracula” and “Frankenstein” with Oscar-winning makeup creator Rick Baker and late author-historian David J. Skal. In this episode, Rick and David talk about sympathetic monsters, mad scientists (real and imagined), the genius of Jack Pierce and the premature deaths of Colin Clive, Dwight Frye and Lon Chaney. Also, David interviews Carla Laemmle, Rick turns Martin Landau into Bela Lugosi, Glenn Strange appears in Boris Karloff's obit and Bram Stoker's widow tries to kill off “Nosferatu.” PLUS: Ghoulardi! “Man of a Thousand Faces”! The influence of Forrest J. Ackerman! Bette Davis (almost) plays the Bride of Frankenstein! And the boys (once again) try to make sense of “The Black Cat”! Learn more about your ad choices. Visit megaphone.fm/adchoices

Double Edgar Allan Poe! The Universal Classics deep dive continues with two very loose Poe adaptations: The Black Cat (1934) and The Raven (1935) both starring Bela Lugosi and Boris Karloff. From wiki: “The Black Cat is a 1934 American pre-Code horror film directed by Edgar G. Ulmer and starring Boris Karloff and Béla Lugosi. It was Universal Pictures' biggest box office hit of the year, and was the first of eight films (six of which were produced by Universal) to feature both Karloff and Lugosi. In 1941, Lugosi appeared in a comedy horror mystery film with the same title, which was also named after and ostensibly "suggested by" Edgar Allan Poe's 1843 short story.”The Raven is a 1935 American horror film directed by Louis Friedlander (who started to be credited as Lew Landers the following year) and starring Boris Karloff and Bela Lugosi. Billed as having been "suggested by" Edgar Allan Poe's 1845 poem of the same title, excerpts of which are quoted at a few points in the film, it was adapted from an original screenplay by David Boehm. Lugosi stars as a neurosurgeon obsessed with Poe who has a torture chamber in his basement, and Karloff plays an escaped murderer on the run from the police who Lugosi manipulates into doing his dirty work.Also discussed: ™, gay Halloween, Bubble Bath (1980), Frankenstein (2025), deaf crocodile, Soviet fantasy films, Knives Out,  NEXT WEEK: Frankenstein (1931) and The Bride of Frankenstein (1935) Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

Today we unleash our inner beast in The Wolfman. We discuss Lon Chaney Jr's iconic tormented turn as Larry Talbot, the rules of the werewolf curse, and the incredible early werewolf transformation effects.  Synopsis: Upon his return to his father's estate, aristocrat Larry Talbot meets a beautiful woman, attends a mystical carnival and uncovers a horrifying curse. Starring: Claude Rains, Bela Lugosi, Lon Chaney Jr.  Directed by George Waggner Help us make our first feature length Messed Up Movie: https://www.indiegogo.com/projects/mr-creamjean-s-hidey-hole-horror-comedy-movie#/ Support the show on the Patreon: https://www.patreon.com/c/messedupmoviespod Watch our newest short film Sugar Tits Now! https://www.youtube.com/watch?v=Sz7leFqqo4g  

This week on Binge-Watchers Podcast, Johnny Spoiler dives deep into George R.R. Martin's Nightflyers — the cult 80s sci-fi horror about a homicidal spaceship, psychic warfare, and love in deep space. Discover how Nightflyers compares to the short-lived 2018 SyFy series, why the original movie works better as an isolated cosmic nightmare, and what makes its cast (Catherine Mary Stewart, James Avery, Michael de Barres) unforgettable.Plus:

Diane and Sean discuss the flagship film of the classic hollywood monsters, Dracula. Episode music is, "The Storm", by Philip Glass performed by the Kronos Quartet from the 1999 re-release OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  BlueSky: WhyDoWeOwnThisDVD-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show

Get ready, because we're about to sink our teeth into the life and legacy of Bela Lugosi, the man who became Count Dracula. Born in Hungary, Bela starred on the Budapest stage, fought in a war, fled his homeland, crossed an ocean, and became one of Hollywood's most recognizable horror stars. Don your best costume and let's go learn about this amazing story. About Honest History Honest History creates award-winning books, magazines, and this show for young historians across the world. Our mission is to inspire kids to create a positive impact on history themselves. Learn more at honesthistory.co and @honesthistory. Credits This episode was written by Heidi Coburn, narrated by Randall Lawrence, and produced by Robot Pirate Media. Original theme music was written and recorded by Luke Messimer. More Enjoy this episode? Share with your friends and don't forget to rate and review. See you next time!

Returning guest, singer/songwriter Oscar Herrera (The Sleep of Reason, Black Tape for a Blue Girl), brings us Bauhaus and their 1980 debut full-length: 'In The Flat Field'. Often cited as a foundational release in the Goth-rock genre, there's no denying this darkly theatrical, often ferocious collection of songs STILL packs an unsettling punch. Happy pre-Halloween! Songs discussed in this episode: Dark Entries (Bauhaus cover) - Revolting Cocks (Feat. Gibby Haynes); I Have A Task - Oscar Herrera; God Of Thunder - Kiss; Isolation - Joy Division; Jigsaw Feeling - Siouxsie and The Banshees; His Box - Dalis Car; Castor and Pollux, To The Sea, Validation - Oscar Herrera; Double Dare, Antonin Artaud, In The Flat Field, God In An Alcove, Dive, The Spy In The Cab, Small Talk Stinks, St Vitus Dance, Who Killed Mr Moonlight, Stigmata Martyr, Nerves, Bela Lugosi's Dead, Telegram Sam (T-Rex cover), Ziggy Stardust (David Bowie cover) - Bauhaus; The Black Harvest (Live) - The Sleep Of Reason; Rose Garden Funeral of Sores (John Cale cover, live) - Bauhaus; Vienna (Ultravox cover) - Oscar Herrera

GGACP celebrates Halloween month by revisiting part two of a 2019 salute to Universal horror classics with author, screenwriter and historian Gary Gerani. In this episode: In praise of "The Raven"! The Monster takes a mate! Bela Lugosi's finest hour! The strange life of Edgar G. Ulmer! And the absurd brilliance of “The Black Cat”! Learn more about your ad choices. Visit megaphone.fm/adchoices

today i will be talking about the universal monster movie dracula from 1931 , which starred bela lugosi in a role that would define how we think of count dracula 

Send us a textA perfect storm of lousy news sees out-of-work podcaster Johnny Wolfenstein spiral into a bender, during which he claims to have been abducted by aliens, and fearing their return, he contacts his old friend MonsterZero to help him gear up for a black light alien fight! On Episode 689 of Trick or Treat Radio we discuss the neon-drenched, drug-fueled alien nightmare Jimmy and Stiggs from director Joe Begos! We also debate whether Waterworld is as bad as everyone remembers, watch the new trailer for the 4K remaster of the cult classic film, Freaked, and ponder if Eli Roth is a better ambassador for horror than he is a filmmaker. So grab your drug of choice, gas up the chainsaw, and strap on for the world's most dangerous podcast!Stuff we talk about: Vinyl, horror soundtracks, Trust Kill Records, Saw VI, Halloween 3, Type O Negative, Mushroomhead, Nightmare on Elm St 4: Dream Master, Bela Lugosi, dimestore Jerry Lewis, Mr. Sardonicus, Children of the Corn, Universal Horror, Toxic Avenger IV: Citizen Toxie, Skull and Bones, Hillside Strangler, My Soul To Take, I Spit On Your Grave, Slice and Dice, Navy Seals vs. Zombies, Soul to Keep, Freaky, Wes Craven, Bella Thorn, Nick Cannon, Terminator 3: Rise of the Machines, Prom Night 3, Michael Dudikoff, Alien, Sigourney Weaver, Ghostbusters, Copycat, The Village, Cabin in the Woods, R.L. Stine, Goosebumps, The Black Lagoon, Andromeda Strain, Ray Strickland, The Return of Dracula, The Night Watch, Night of the Bloody Apes, Santo vs The Evil Brain, Patrick Dempsey, Loverboy, Can't Buy Me Love, Sixteen Candles, 3:00 High, Courtney Gains, Witchboard, Freaked 4K Remaster, Tom Stern, Alex Winter, Brooke Shields, Mr. T, Joey Lawrence, William Sadler, Randy Quaid, Bobcat Goldthwaite, Predator: Badlands, Dan Trachtenberg, Elle Fanning, Waterworld, Kevin Costner, Come and See, Invasion of the Body Snatchers, Leonard Nimoy, Jeff Goldblum, Karen Allen, Vibes, Transylvania 6-5000, Satantango, 2001: A Space Odyssey, alien mayhem, Jimmy and Stiggs, Joe Begos, Matt Mercer, Stephen Scarlata, Bride of the Monster, Cannibal Holocaust, Kay Parker, Eli Roth, The Horror Section, Hostel 2, Thanksgiving, championing the Italians, Dream Eater, The Piano Killer, Don't Go In That House Bitch, Traumatika, and what a wonderful Waterworld.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Today we buy a ticket for one of the first Monster Royal Rumbles of all time in Frankenstein meets the Wolfman. We discuss how this flick began as a very good Wolfman movie, how it gets bogged down by a bizarre Frankenstein turn (played by Bela Lugosi), and how it felt as a kid to see one of the first real action figure bash 'em up.  Synopsis: The resurrected Wolf Man, seeking a cure for his malady, enlists the aid of a mad scientist, who claims he will not only rid the Wolf Man of his nocturnal metamorphosis, but also revive the frozen body of Frankenstein's inhuman creation. Starring: Lon Chaney Jr, Bela Lugosi, Ilona Massey Directed by Roy William Neill Help us make our first feature length Messed Up Movie: https://www.indiegogo.com/projects/mr-creamjean-s-hidey-hole-horror-comedy-movie#/ Support the show on the Patreon: https://www.patreon.com/c/messedupmoviespod Watch our newest short film Sugar Tits Now! https://www.youtube.com/watch?v=Sz7leFqqo4g

Celebrating Ed Wood Jr. with “Bride of the Monster” & a Classic Gimlet Cocktail. In this week's spine-tingling episode of the Scary Spirits Podcast, hosts Karen and Greg pay tribute to cult film legend Ed Wood Jr. in honor of his October 10th birthday by diving into his 1955 sci-fi horror classic, “Bride of the Monster.” Featuring the iconic Bela Lugosi, this film is a must-watch for fans of vintage horror and B-movie brilliance. As always, our hosts pair the movie with a themed cocktail — this time, it's the Gimlet, a favorite of Ed Wood himself. Tune in for fun facts, film analysis, and a toast to one of cinema's most eccentric visionaries.

31 Days of Halloween continues as Bela Lugosi stalks the streets of the London Blitz as a vampire that, for legal reasons, we can't call Dracula in 1943's The Return of the Vampire. ENDING MUSIC: Return of the Vampire by Mercyful Fate Support TWoRP Contact Us talkwithoutrhythm@gmail.com

This week the hosts begin a month of classic Universal monster movies beginning with Dracula (1931). From wiki: "Dracula is a 1931 American pre-Code vampire film directed and co-produced by Tod Browning from a screenplay written by Garrett Fort and starring Bela Lugosi in the title role. It is based on the stage play Dracula by Hamilton Deane and John L. Balderston, which in turn is adapted from the 1897 novel Dracula by Bram Stoker.[3] Lugosi portrays Count Dracula, a vampire who emigrates from Transylvania to England and preys upon the blood of living victims, including a young man's fiancée."Also discussed: spiders, Sparks, transcendental meditation, One Battle After Another, Thomas Pynchon, Meiko Kaji films, and more.  NEXT WEEK: The Old Dark House (1932) Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/‪@sisterhyde.bsky.socialJoshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

En gunghäst som gungar av sig själv. En sten som orsakar olycka och död. En trädocka som för med sig något mörkt in i huset. Och speglar som visar mer än bara din reflektion.Det har blivit dags för det första avsnittet av Spöktober. För att fira in halloween så sänder Spöktimmen enbart övernaturliga avsnitt under hela oktober. Först ut är besatta föremål.Fall: Delhi-safiren, the Crone, Bela Lugosi-spegeln & Demonspegeln[REKLAM] Länk Patreon: https://www.patreon.com/spoktimmenRabattkod Patreon: SPOKTOBER50Musik”Come out and play” av DesperateMeasurezcreativecommons.org/licenses/by/3.0/ KontaktInstagram: @spoktimmen@linnek@jennyborg91 Facebook: Spöktimmen Mail: spoktimmenpodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

For this episode of HaHaHalloween, we wanted to throw things back a ways to some of the earliest horror parodies. What better than Abbott and Costello Meet Frankenstein, a monster mashup that started the craze of the comedy duo meeting various Universal monsters. We talk about the appeal of this Avengers of horror, the slapstick comedy the two perfected, and Martin's disdain for Bela Lugosi?!Approximate timeline0:00-15:00 Intro15:00-25:00 Beer talk25:00-end Abbott and Costello Meet FrankensteinHaHaHalloween continues all Halloween season!

Today we begin out October Marathon by listening to the children of the night in Dracula (1931). We discuss the juicy vein that Universal tapped with the creation of their monsterverse, why Bela Lugosi became the most iconic vampire of all time, and why Dracula is the monster we all love to love. Return with us almost 100 years ago to celebrate of the earliest and best Messed Up Movies.  Synopsis: Transylvanian vampire Count Dracula bends a naive real estate agent to his will, then takes up residence at a London estate where he sleeps in his coffin by day and searches for potential victims by night. Starring: Bela Lugosi, Helen Chandler, David Manners, Edward Van Sloan, Dwight Frye Directed by Tod Browning and Karl Fruend Youtube: https://youtu.be/VMlcbneKBrU Help us make our first feature length Messed Up Movie:  https://www.indiegogo.com/projects/mr-creamjean-s-hidey-hole-horror-comedy-movie#/ Support the show on the Patreon: https://www.patreon.com/c/messedupmoviespod Watch our newest short film Sugar Tits Now! https://www.youtube.com/watch?v=Sz7leFqqo4g  

Madeline Brumby, Shane Morton, and Mark Maddox join Jim for a look at the film that will be shown during the final Silver Scream Spook Show of 2025 - "Frankenstein Meets The Wolman," starring Bela Lugosi, Lon Chaney Jr.,  Patrick Knowles, Lionel Atwill, Ilona Massey, Maria Ouspenskaya, Dennis Hoey, Dwight Frye, and Jeff Corey. This sequel to Universal's "The Wolfman," scored big with audiences in 1944 and helped save the studio rom bankruptcy. Find out more on MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.

On this episode we trace the vampire's long, shadowy journey, from 18th-century graveyard panics and Slavic strigoi to the seductive aristocrats of Gothic fiction and the conflicted immortals of modern pop culture. We also will go into how the  myth evolves on screen, from Nosferatu and Bela Lugosi to Anne Rice, Buffy, and beyond. We explore why the vampire keeps returning to embody everything we fear (and secretly crave): mortality, contagion, seduction, power, and immortality.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In 1911, Indianapolis' pioneering female doctor was found nearly decapitated in her locked apartment with no sign of how the killer entered or escaped—and the murder weapon had vanished without a trace.Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateTake the WEIRD DARKNESS LISTENER SURVEY and help mold the future of the podcast: https://weirddarkness.com/surveyIN THIS EPISODE: A child walking into their parent's room in the middle of the night is something every parent who has ever had a child has experienced on multiple occasions – but one parent's experience ended with a dark twist. (The Child Not Really There) *** Georgette Bauerdorf was a young socialite with a grand future – when her life was cut short in the dead of the night. Her screams went unanswered, and her murder became a mystery. And Georgette's murder remains unsolved almost 80 years later. (The Unsolved Murder of Georgette Bauerdorf) *** The bat is a mysterious creature. To some, such as the Chinese, it is considered a symbol of luck. To others such as the Europeans and Americans, it is seen as something scary. And of course horror films see it as the flying form of Bela Lugosi. But the Mayans might have the strangest, or maybe coolest – depending on your outlook – opinion on the bat; they believe it is the representation of a deadly vampire god. (Camazotz: The Death Bat Vampire God) *** Helen Knabe's life was remarkable, in the best sense of the word. Unfortunately, her death was also remarkable, but in the worst possible way.
 (The Deadly House Call) *** Blanche Monnier was kept locked in her bedroom for a quarter of a century. When finally rescued she looked inhuman. What her mother did to her was inhumane. (Locked In Her Room For 25 Years) *** An historian has come forward saying that his father, the former Commander of White Sands Missile Range in the 1940s, analyzed some of the material found at the UFO crash site at Roswell. I'll tell you what he found.(Navy Captain Tested Roswell UFO Debris) *** The lynching of Sheriff Henry Plummer poses one of the most haunting mysteries of the Old West. But I'll share some of the details that not everyone has heard about this grim 1863 incident. (The Lynching of Sheriff Plummer)ABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:02:50.059 = The Deadly House Call00:16:17.448 = Camazotz: The Death Bat Vampire God00:19:38.471 = Locked In Her Room For 25 Years00:27:06.447 = Unsolved Murder of Georgette Bauerdorf00:32:45.952 = Child Not Really There00:36:27.996 = Navy Captain Tested Roswell UFO Debris00:47:55.099 = Lynching of Sheriff Plummer01:09:13.573 = Show CloseSOURCES AND RESOURCES FROM THE EPISODE…“The Deadly House Call” from Strange Company: https://tinyurl.com/ybq4snl6“The Unsolved Murder of Georgette Bauerdorf” by Elisabeth Tilsra for The Line Up: https://tinyurl.com/yae6ccll“The Child Not Really There” by Kest from Your Ghost Stories: https://tinyurl.com/y8qvyp7u“Camazotz: The Death Bat Vampire God” by A. Sutherland for Ancient Pages: https://tinyurl.com/ydbxxuaw“Locked In Her Room For 25 Years” from Bugged Space: https://tinyurl.com/y9tsr6m7“Navy Captain Tested Roswell UFO Debris” by Anthony Bragalia for UFO Explorations: https://tinyurl.com/yazkthbn“The Lynching of Sheriff Plummer” by R.E. Matter and R.E. Boswell for Wild West Magazine: https://tinyurl.com/ydffcl8c=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: June 17, 2020NOTE: Some of this content may have been created with assistance from AI tools, but it has been reviewed, edited, narrated, produced, and approved by Darren Marlar, creator and host of Weird Darkness — who, despite popular conspiracy theories, is NOT an AI voice.EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/HelenKnabe#HelenKnabe #HelenKnabeMurder #UnsolvedMurder #LockedRoomMystery #TrueCrime #IndianapolisMurder #1911Murder #ColdCase #DrHelenKnabe #ImpossibleMurder #UnsolvedMysteries #HistoricalTrueCrime #FemaleDoctorMurdered #IndianaTrueCrime #VictorianMurder #MedicalPioneer #FirstBacteriologist #GermanImmigrant #WomenInMedicine #BizarreMurderTheories #WilliamCraig #AlonzoRagsdale #SethNichols #MissingMurderWeapon #LockedApartment #NearlyDecapitated #ThroatSlashing #ForensicEvidence #BloodyHandprint #FailedMurderTrial #TrueCrimeStories #MysteriousDeaths #VintageTrueCrime #October1911 #SelfMadeWoman #UnsolvedAmericanMurders #GothicMurder #BuddhistDeathSquad #BloodTransfusionTheory #ImpossibleCrime #TrueCrimeUnsolved #HauntedIndianapolis #GhostStories #MurderMystery #HistoricalMurders #CrimeInvestigation #DetectiveHarryWebster #Microtome #TrueCrimeCommunity #TrueCrimeAddict