Podcasts about Bela Lugosi

Bela Lugosi is one of the most important figures in classic horror, no doubt. Is The Devil Bat (dir. Jean Yarbrough) one of the most important films? Listen to Derek and John DeGarmo to find out! Plus Mark Matzke's Beta Capsule Review (Ultraman Taro)! Voicemail: (360) 524-2484 Email: monsterkidradio@gmail.com Monster Kid Radio on Patreon - https://www.patreon.com/c/monsterkidradio Monster Kid Radio on Twitch! - https://www.twitch.tv/monsterkidradio Monster Kid Radio on YouTube - http://youtube.com/monsterkidradio Follow Mark MatzkeMonster Study Group - https://podcasts.apple.com/us/podcast/monster-study-group/id1526013554 Small Town Monsters - https://www.smalltownmonsters.com Follow Dr. John DeGarmoFoster Care Institute Dr. John DeGarmo - https://www.drjohndegarmofostercare.com/ Gathering of the Ghouls - https://gatheringoftheghouls.com/ Classic Horror Film Board - https://classichorrorfilmboard.com/ Executive Producer - https://www.podcascadia.com/ Deth Designs - https://dethdesigns.bigcartel.com/ Further Down The Surf ("Trve Kvlt Svrf 2026") appears courtesy of The Vacuumoids https://thevacuumoids.bandcamp.com/ Bride of Monster Kid Radio is a Team Deth Production. All original content of Bride of Monster Kid Radio is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 International License. You can learn more about Team Deth, our other projects like Deth Merchant, Mail Order Zombie, Deth Writer, and more at www.teamdeth.com. Please rate and review Bride of Monster Kid Radio wherever you download your favorite podcasts. Next time on Bride of Monster Kid Radio: Follow us on Patreon to find out!

It's time for more Tubi Trash, baby! But this time, it's a classic of trash from WAY before the days of Tubi. That's right, we're talking about a film from famed director Ed Wood, known for making some of the worst films ever made, like Plan 9 From Outer Space. However, this one is a lot more fun and cohesive than what many expect from an Ed Wood movie. Join Anthony as he spends time with Bela Lugosi the atomic mad scientist on the run from his home country. Oh, and there's a giant rubber octopus?Please rate, review, and tell your fiends. And be sure to subscribe so you don't miss future installments. Join us on Patreon at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/thefrankencast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Find all of our various links at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/frankencast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or send us a letter at thefrankencast@gmail.com. We'd love to hear from you!Your Horror Host: Anthony Bowman (he/him). Cover painting by Amanda Keller (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@KellerIllustrations on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠).

Nestled in the mountains of Victor, Colorado stands a unique hotel, each room unique and dedicated to a specific character like Lizzie Borden, Jack the Ripper and Bela Lugosi to name a few.CREDITS & LINKS MUSIC COURTESY OF:Bobby Mackey “Johanna”CITY SHOUT OUTS:

Step into the shadowy laboratories and towering castle halls of Son of Frankenstein as we explore one of the most visually stunning and influential entries in Universal's legendary monster cycle. In this video, we discuss the film's expressionistic style, unforgettable performances, and the eerie atmosphere that helped shape horror cinema for decades. We take a closer look at Boris Karloff in his final appearance as Frankenstein's Monster, Bela Lugosi stealing scenes as Ygor, and Basil Rathbone as Baron Wolf von Frankenstein. From its twisted sets to its dark psychological themes, this sequel remains a fascinating bridge between gothic horror and the monster movies that followed. Topics include: Boris Karloff's farewell performance as the Monster Bela Lugosi's groundbreaking portrayal as Ygor The film's striking gothic production design Connections to earlier Universal horror classics The movie's influence on later Frankenstein films and pop culture Whether you're a longtime classic horror fan or just discovering Universal Monsters, this discussion uncovers the crakling lightning at the heart of this 1939 horror classic.

After playing Dracula hundreds of times on stage and making numerous screen appearances in a variety of roles, Bela Lugosi spent his final years battling addiction, checking himself into a psychiatric ward, accepting charity from strangers, paying his ex-wife one dollar a month in alimony, and watching his career dissolve into Ed Wood's z-grade pictures until his death, after which he was buried in his iconic vampiric cape.EPISODE BLOG PAGE (includes sources and full transcript): https://weirddarkness.com/BelaLugosiFEATURED STORIES IN THIS EPISODE: He began as an obscure actor, became a universally loved monster, but ended in destitution. We'll look at the career of Bela Lugosi. (The Rise and Fall of Bela Lugosi) *** Nearly a century has passed, and the grisly crime committed by two sisters remains as mysterious as ever. We'll look at the Papin Sisters and the shocking gruesome murder they committed in 1933 that horrified France. (The Murderous Papin Sisters) *** You think you know what Halloween is all about, but you might not—not really. After all, it wasn't always about carving pumpkins and collecting candy. (Why Celebrate Halloween) *** When it comes to murder investigations, the skeletons in everyone's closets – even those who are only peripheral characters in the drama – can still have their darkest secrets revealed. (The Mystery of the Poisoned Powder) *** And if I was to tell you I had a story called “The Woodchipper Murder” you might think it sounds like something out of the movie “Fargo” - but for Helle Nielsen, it was all too real. (The Woodchipper Murder of Newtown, Connecticut)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = The Foreboding00:00:42.739 = Show Open00:02:42.800 = The Rise and Fall of Bela Lugosi00:20:13.567 = The Murderous Papin Sisters ***00:27:52.588 = Why Celebrate Halloween?00:41:44.009 = Mystery of the Poisoned Powder ***00:49:44.161 = The Woodchipper Murder01:00:30.443 = Show Close*** = Begins immediately after inserted ad breakLISTEN ON PODCAST APPS: Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.com/wdapps*No AI Voices Are Used In The Narration Of This Podcast*SOURCES and RESOURCES:“The Rise and Fall of Bela Lugosi” by Quinn Armstrong for Ranker's Entertainment:https://weirddarkness.tiny.us/f3jaaphz“The Murderous Papin Sisters” by Orrin Grey for The Line Up: https://weirddarkness.tiny.us/yhkwymzm“Why Celebrate Halloween” by Charlotte Hilton Andersen for Reader's Digest: https://weirddarkness.tiny.us/2fyzrarh“The Mystery of the Poisoned Powder” from Strange Company: https://weirddarkness.tiny.us/nrdbvuc5“The Woodchipper Murder of Newtown, Connecticut” from The Scare Chamber:https://weirddarkness.tiny.us/n2yhsppx(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.Originally aired: October, 2022

They are bringing Val Kilmer back from the grave using AI to star in a crappy western, but Ed Wood brought Bela Lugosi back to life with some unused footage and an unconvincing double way back in the 50s! Without the use of computers even! The pending wave of AI movie star resurrections has Philena and Bob talking PLAN 9 FROM OUTER SPACE (1958) in this emergency mini-episode mostly because Bob had a rant about it and didn't want it to go to waste. Philena and Bob also discuss the diva-on-diva beef between VAMPIRA and ELVIRA! Why can't we all just get along? Plus lots of Criswell, Tor Johnson and flying saucers over Hollywood! CAN YOU PROVE IT DIDN'T HAPPEN??? We also discuss the other dead movie star resurrections, such as GAME OF DEATH (1978), THE CROW (1994) and GLADIATOR (2000). And Philena talks about her near appearance in INCREDIBLY STRANGE WRESTLING before she was even born!!! NEXT EPISODE: It's THE PHILENAPOCALYPSE: ENDGAME with THE PEOPLE'S JOKER (2024) and THE ADVENTURES OF SHARK BOY AND LAVA GIRL (2005). With special guest Ngaio Bealum, the Dank Diplomat. Subscribe so you don't miss it! Hosts: Bob Calhoun and Philena Franklin. Greg and Cory are on assignment. OMFYS Theme by Chaki the Funk Wizard. All rights reserved. "Final Transmission" by I Think I Can Help You courtesy of YouTube Audio Library. Archival audio courtesy of Archive.org. Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Contact: oldmoviesforyoungstoners@gmail.com

London's Dracula Connections: Victorian Vampires, Penny Dreadfuls & the Lyceum Theatre (World Dracula Day Special)On World Dracula Day (26 May), London History Podcast host Hazel Baker speaks with Lambeth tour guide and Gothic novelist David Turnbull about how a century of Gothic writing and London locations shaped Bram Stoker's Dracula. They trace early vampire traits through Coleridge's Christabel, Byron's circle and the Villa Diodati summer, Polidori's The Vampyre, and the influence of penny dreadfuls like Varney the Vampire and Lloyd's publications, before moving to Fleet Street magazines and Sheridan Le Fanu's Carmilla. The conversation highlights Stoker's Lyceum Theatre work under Henry Irving, the Beefsteak Room's literary influences (including Burton and Vambéry), Stoker's research at the British Museum and London Library, and Dracula's London settings from Piccadilly and King's Cross to Hampstead. They discuss Dracula's slow initial success, rivalry with The Beetle, and its 20th-century rise via Hamilton Deane and Bela Lugosi, ending with Turnbull's Dracula-influenced novel The Hurdy Gurdy Man and related London tours.00:00 Introduction05:39 The Romantic Poets & Vampire Origins17:17 Penny Dreadfuls & Fleet Street31:57 Dracula's London Locations36:19 Dracula's Rise to FameSee Show Notes

En esta primera parte dedicada a la relación entre cómic y cine, Alberto Azcueta nos guía por una fascinante selección de novelas gráficas y biografías ilustradas sobre los grandes nombres del séptimo arte. Desde pioneras como Alice Guy hasta leyendas como Charles Chaplin, Fritz Lang, Bela Lugosi, Orson Welles, Akira Kurosawa o Fellini, descubrimos cómo el cómic se convierte en una herramienta única para narrar la historia del cine y sus sombras. También hablamos de expresionismo alemán, Hollywood clásico, true crime, Pasolini, Metrópolis y obras imprescindibles como Filmish, el ensayo gráfico que analiza el lenguaje cinematográfico. ️ Una conversación imprescindible para amantes del cine, el cómic y la cultura visual. ☕ Hazte socio/a de El Café de la Lluvia y forma parte de nuestra comunidad: https://elcafedelalluvia.com/hazte-socio-a-de-el-cafe-de-la-lluvia/ Escúchanos y léenos en nuestra web: https://elcafedelalluvia.com/ ▶️ Suscríbete a nuestro canal de YouTube: https://www.youtube.com/c/ElCafédelaLluvia Recibe nuestros contenidos en tu correo: https://elcafedelalluvia.com/suscripcion-newsletter/ Síguenos en redes sociales: Twitter: https://twitter.com/cafelluvia Instagram: https://www.instagram.com/elcafedelalluvia/ Facebook: https://www.facebook.com/Cafedelalluvia Tu apoyo nos ayuda a seguir dando voz a la cultura, la literatura y el pensamiento crítico. Gracias por acompañarnos ☕✨

Walter Bowart, Operation Mind Control, "cryptocracy" & the origin of the word, Jack Parsons, Twin Peaks, David Lynch, Mark Frost, the influence of Jack parsons on the Twin Peaks franchise, J. Michael Straczynski, Babylon 5, Star Trek: Deep Space Nine (DS9), did DS9 rip off Babylon 5?, the DS9/Babylon 5 intrigues as insightful as to how intelligence community could plant concepts in film/TV, predictive programming, Bela Lugosi, Surrealism, the Surrealist movement as a conspiracy to subvert reality, German Expressionism, Universal horror films, Surrealism in Universal horror films, the mainstreaming of Surrealism in Universal horror films, The Black Cat as a Surrealist masterpiece, what Lugosi means to Surrealism, the role fiction plays in addressing taboos, how hidden truths can be found in conspiracy theories and cult filmsMusic by: Keith Allen Dennishttps://keithallendennis.bandcamp.com/ Hosted on Acast. See acast.com/privacy for more information.

It's a full moon this week as the boys continue their Monster Movie Season with a 1940s classic in The Wolf Man. Featuring a star-studded line up of Lon Chaney Jr, Bela Lugosi and Claude Rains, The Wolf Man delivers some full moon frights, some 1940s gender stereotypes and some scenes that lead the boys on some x-rated tangents. But how does the film stack up nearly eighty years later? Is this just bark or does it still have a bite Remember to hit that subscribe button and leave us a lovely review. There're new episodes every week, and we cover horror movies from new releases with spoiler filled and spoiler free reviews, to old classics and B movie gems.  You can find us on twitter and instagram @cmthpodcast or check out our website at https://castmetohell.podbean.com Theme by Dan Motti     

It's Difficult Films month, and this time we're going in a different direction! Instead of films that are tough to stomach, we're tackling the worst of the worst - films that are so bad, they're difficult to get through. First up is Ed Wood's classic so bad Hollywood alien weird-fest Plan 9 from Outer Space! We talk the terrible sets, poor Bela Lugosi, the strange plot progression, and a whole lot more on this episode!Approximate timeline0:00-13:00 Intro13:00-20:00 Beer talk20:00-end Plan 9 from Outer SpaceWe're continuing Difficult Films through the month of May.

Send us Fan MailThe bats are ready to emerge from their winter hibernation in the United States, and we are back with an Adorable Animals All-Out Attack celebration! We are blessed by the presence of Lou Diamond Phillips in Bats (1999), Columbia Pictures was hoping that Nightwing (1979) would be their next summer blockbuster, and then from there, Bela Lugosi is so done with imbecilic, bombastic ignoramuses in The Devil Bat (1940)!

Send us a text or a voicemailA young woman is abducted by a monstrous figure intent on raising her on a diet of only string cheese and cigarettes. On Episode 715 of Trick or Treat Radio our feature film discussion is Dolly from director Rod Blackhurst! We also talk about some of the most memorable and infamous Mondo films, learn the dietary habits of our resident “health nut”, and we react to trailers for the films; Alpha from director Julia Ducournau, and Buffet Infinity from director Simon Glassman. So grab your entire doll (or action figures if that makes you feel better) collection, bring it into the woods to make creepy scenes, and strap on for the world's most dangerous podcast!Stuff we talk about: Jenna Ortega, Beetlejuice, Hereditary, actors who get passed over for roles, Ari Aster, sparking up an intelligent conversation, Christian Cage, turtleneck to mock turtleneck, Milly Shapiro, The Boys, Gen V, Daredevil, Talk is Jericho, Kuarantine, Rascals, PJ Farley, Chris Jericho, Square One Mall, having cops break up your pool party, The Brainiac, Hammer Horror, The Curse of the Crying Woman, The Mephisto Waltz, Family Plot, Tremors 2, The Backlot Murders, The Man With the Screaming Brain, SyFy, Bruce Campbell, Bubba Hotep, Shaun of the Dead, Elle Fanning, Predator: Badlands, Kristen Stewart, Crimes of the Future, Love Lies Bleeding, Jenna Jameson, Zombie Strippers, The X-Files, Supernatural, Fred Dekker, The Monster Squad, Night of the Creeps, Innerspace, The Substance, Dennis Quaid, Ed Wood, Glen or Glenda, Bela Lugosi, Dracula, Faces of Death, real atrocities, steakandcheeseDOTcom, Savage Man Savage Beast, mauled to death by lions and bears, Roar!, Shocking Asia, Traces of Death, Mondo Cane, The Killing of America, Riz Ortolani, Nekromantik, Strange Days, Ralph Fiennes, The House of Frankenstein, Kurando Mitsutake, Krull, Ice Pirates, Julia Ducournau, Alpha, Nick Cave, “what's that static movie?” Simon Glassman, SCTV, Buffet Infinity, Neon Films, Yellow Veil Pictures, how great is the breakfast buffet, string cheese for breakfast, food shaped like cigarettes, Dolly, Texas Chainsaw Massacre, Max the Impaler, Sean William Scott, Rod Blackhurst, Fabianne Therese, Ethan Suplee, Brute 1976, wrestlers playing masked killers, Becky, Day of the Dead, Deranged, William Friedkin, Sorcerer, How to Kill Monsters, Unsolved Mysteries vs. In Search Of, Robert Stack, Leonard Nimoy, Transformers: The Movie, RIP Tigger, The Untrustable Uncrustable, Circumvent Yourself, Oil Your Mohel, and a little tinkle with the ivories.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: Support the show

In the Reign of Horror Vampire Serial Killer series, we continue the bloody trail with part 5. Tessa discusses the cases of two Polish serial killers.Warning: The murders and rapes of young children are discussed in this episode.CREDITS & LINKSMUSIC LINEUP:

Jack Armstrong The All American Boy 1940-12-16 e1571 Country of the Head HuntersBlondie 1945-03-18 Dagwood's Icy Challenge  (AFRS)Box 13 1948-08-29 e02 Insurance Fraud SchemeNBC Short Story 1951-04-18 Beautiful Summer In NewportTrue Detective Mysteries e0024 Shipboard Beauty Suspicion 1935 #004 White Wolf of Paris(We tagged the solution from next weeks show on the end of Suspicion)Mystery House The Thirsty Death w Bela Lugosi

Dive into the eerie world of Return of the Vampire (1942), a chilling wartime horror film starring the legendary Bela Lugosi. Often considered an unofficial follow-up to Dracula, this overlooked classic blends Gothic horror with World War II intrigue in a uniquely atmospheric way.  In this video, Chris and Gerry explore the film's origins, its connection to Lugosi's iconic vampire roles, and why Return of the Vampire deserves more recognition among classic horror fans. We'll also discuss standout performances, memorable scenes, and how the film fits into the evolution of vampire cinema.  Whether you're a longtime fan of vintage horror or discovering this film for the first time, this deep dive uncovers what makes Return of the Vampire a hidden gem of the 1940s. Topics Covered: Bela Lugosi's performance and legacy The film's connection to Dracula lore Wartime horror themes Columbia Pictures vs Universal Horror Why the film remains underrated Don't forget to like, comment, and subscribe for more classic horror content!

Gilbert and Frank celebrate the lives and careers of horror icons Bela Lugosi and Boris Karloff  with the help of their devoted offspring, Bela Lugosi Jr. and Sara Karloff. First up, the “Son of Dracula” recalls visiting the set of “Abbott and Costello Meet Frankenstein” as a child and points out what the movie “Ed Wood” got wrong about his famous dad. Then, author and historian Sara Karloff looks back on her father's most indelible roles, from The Frankenstein Monster to The Mummy to The Grinch—and tells us why her dad referred to Halloween as his “busy season." PLUS: Karloff dances on “The Red Skelton Show”! Lugosi passes up the role of a lifetime! Sara meets the “Son of Gilbert”! And Bela Jr. takes a stand for The Three Stooges! Learn more about your ad choices. Visit megaphone.fm/adchoices

Greetings, friends. We are all interested in podcasts, for that is where you and I will spend the rest of our lives. Join us today as we discuss Edward D. Wood Jr's often maligned (but still beloved) Plan 9 from Outer Space! We discuss Criswell, Vampira, why the plot isn't as hard to follow as people claim, it's place in atomic age anxiety filmmaking, getting over low budget filmmaking and yes, Kelton the cop. Also: Michelle finds a new muse! Seth brings up geometry! Bela Lugosi! Check it out!  Click here to purchase Will Sloan's book that we reference like ten times in the episode  Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, shout out on the show AND you get to vote on monthly episodes and themes and a 25% discount in our merch store. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Check out our merch store Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

Released in 1931, Dracula changed horror cinema forever. In this video, Chris and Gerry explore the film's legacy, its eerie atmosphere, and the unforgettable performance by Bela Lugosi that defined Count Dracula for generations.  Directed by Tod Browning, this classic from Universal Pictures helped launch the legendary Universal Monsters era. We'll discuss the film's origins from Bran Stoker's nover, the production history, memorable scenes, and the movie's lasting influence on vampire films and horror culture. Whether you're a longtime fan of classic horror or discovering this legendary film for the first time, this deep dive into Dracula (1931) reveals why it remains one of the most important horror movies ever made. If you enjoy discussion of classic horror cinema, Universal Monsters, and vintage film history, be sure to like, comment, and subscribe for more deep dives.

Link to Audio version “The Bat” is a short horror monologue recorded by Bela Lugosi, built around his spoken persona rather than a conventional plot. In it he addresses the listener directly and describes the bat as a creature of night and hush, a watcher at windows and eaves, half in the natural world and half in something older and less defined. The piece is more mood than story: a sequence of images about darkness, wings, and unease, letting pauses and emphases do most of the work.  After arriving in the United States as a stateless immigrant in 1920, Lugosi struggled with the English language, often memorising his lines phonetically. His big break came in 1927 when he was cast as the lead in the Broadway production of Dracula. His performance was so magnetic that Universal Pictures cast him in the 1931 film adaptation. Lugosi's portrayal—characterised by his slow, melodic Hungarian accent, intense gaze, and formal evening wear—transformed the vampire from a finished, rat-like monster into a seductive, sophisticated villain. This performance became the template for every vampire depiction that followed. While Dracula made him a superstar, it also trapped him. Lugosi found it nearly impossible to land roles outside of the horror genre. The Rivalry: He was frequently paired with Boris Karloff (who played Frankenstein's monster), though Karloff often received higher billing and better pay, which reportedly frustrated Lugosi. The Roles: He gave notable performances in White Zombie (1932), The Black Cat (1934), and as the broken-necked Ygor in Son of Frankenstein (1939). Health Struggles: Chronic sciatica led to a severe dependency on painkillers. As his health declined and his "classic" style of horror fell out of fashion, he found himself relegated to low-budget "B-movies." In the 1950s, Lugosi experienced a strange career coda through his friendship with cult director Ed Wood. He appeared in films now famous for being "so bad they're good," such as Glen or Glenda and Plan 9 from Outer Space (released posthumously). Lugosi passed away in 1956 at the age of 73. In a final tribute to the role that defined him, he was buried in his full Dracula cape at Holy Cross Cemetery in Culver City, California. Despite his difficult later years, he remains one of the most recognisable and influential icons in cinema history.

Link to Audio version “The Bat” is a short horror monologue recorded by Bela Lugosi, built around his spoken persona rather than a conventional plot. In it he addresses the listener directly and describes the bat as a creature of night and hush, a watcher at windows and eaves, half in the natural world and half in something older and less defined. The piece is more mood than story: a sequence of images about darkness, wings, and unease, letting pauses and emphases do most of the work.  After arriving in the United States as a stateless immigrant in 1920, Lugosi struggled with the English language, often memorising his lines phonetically. His big break came in 1927 when he was cast as the lead in the Broadway production of Dracula. His performance was so magnetic that Universal Pictures cast him in the 1931 film adaptation. Lugosi's portrayal—characterised by his slow, melodic Hungarian accent, intense gaze, and formal evening wear—transformed the vampire from a finished, rat-like monster into a seductive, sophisticated villain. This performance became the template for every vampire depiction that followed. While Dracula made him a superstar, it also trapped him. Lugosi found it nearly impossible to land roles outside of the horror genre. The Rivalry: He was frequently paired with Boris Karloff (who played Frankenstein's monster), though Karloff often received higher billing and better pay, which reportedly frustrated Lugosi. The Roles: He gave notable performances in White Zombie (1932), The Black Cat (1934), and as the broken-necked Ygor in Son of Frankenstein (1939). Health Struggles: Chronic sciatica led to a severe dependency on painkillers. As his health declined and his "classic" style of horror fell out of fashion, he found himself relegated to low-budget "B-movies." In the 1950s, Lugosi experienced a strange career coda through his friendship with cult director Ed Wood. He appeared in films now famous for being "so bad they're good," such as Glen or Glenda and Plan 9 from Outer Space (released posthumously). Lugosi passed away in 1956 at the age of 73. In a final tribute to the role that defined him, he was buried in his full Dracula cape at Holy Cross Cemetery in Culver City, California. Despite his difficult later years, he remains one of the most recognisable and influential icons in cinema history.

David Annandale and I walk back down Poverty Row just after the attack on Pearl Harbor to watch one of the most confusing and strange attempts at wartime propaganda a low budget studio could produce. BLACK DRAGONS (1942) has Bela Lugosi as a mysterious, menacing man who seems to be on a mission of revenge. But what does he have to do with the corpses that keep popping up on the steps of the Japanese embassy in Washington? Will FBI agent Clayton Moore be able to figure things out or will he spend his time chasing Joan Barclay around her uncle/father's house until all the characters are dead? And how does David find a way to link Christopher Nolan and Bela Lugosi? Listen and learn! BLACK DRAGONS is probably the oddest of the nine films Lugosi made for Poverty Row film producers and certainly the one with the most unintentionally funny dialog. Just as it was about to go into production the decision was made to shoehorn in topical plot elements ripped from the headlines. This means that the original reason behind events in the script has been lost leaving bits of their probable supernatural nature flapping around in the film. This is the only explanation I can imagine for the never addressed ability of Lugosi's Monsieur Colomb to seemingly teleport in and out of moving taxicabs! But David has an interesting take on the film as a bizarre treatise on the subject of ‘acting' both onscreen and within the structure of the story. His idea is a bold way to look at the picture as a whole and certainly makes it more entertaining as you try to figure out what the hell is happening at any point in the film's hourlong running time. Rarely has such a barely planned collection of quirks and gaffs been so mesmerizing! If you have any comments about this movie or any other film we've covered on the show thebloodypit@gmail.com is the place to send them. Thank you for listening and we'll be back soon.

We summon goth with our bodies, our movements and our emotions. Like a ritual under a full moon, a room full of spooky kids invoke the spirit of goth itself. On this episode we'll discuss what cultural meaning dance is able to communicate, the welcoming environment goth dancefloors cultivate, and what you should expect for your first night out. Our guests this month are Yasmine of the band XandStacy, Tony and Hani!  Introduction 00:00 Getting Into Goth 4:50 Learning Goth Dance 14:15 Generational Differences 43:00 Gender and Sexuality 1:02:50 The Meaning Behind the Movement 1:21:20 What Makes you Dance 1:41:10 Etiquette 1:48:00 Post Show Musings 2:02:30 Becoming Goth: Dance as Transformation References: -Butoh: The Relation Between Dance Movement and Culture -Dancing on Bela Lugosi's Grave: The Politics and Aesthetics of Gothic Club Dancing -The Representations of Dance: A Sociological Analysis -Dancing with Absurdity

We summon goth with our bodies, our movements and our emotions. Like a ritual under a full moon, a room full of spooky kids invoke the spirit of goth itself. On this episode we'll discuss what cultural meaning dance is able to communicate, the welcoming environment goth dancefloors cultivate, and what you should expect for your first night out. Our guests this month are Yasmine of the band XandStacy, Tony and Hani!  Introduction 00:00 Getting Into Goth 4:50 Learning Goth Dance 14:15 Generational Differences 43:00 Gender and Sexuality 1:02:50 The Meaning Behind the Movement 1:21:20 What Makes you Dance 1:41:10 Etiquette 1:48:00 Post Show Musings 2:02:30 Becoming Goth: Dance as Transformation References: -Butoh: The Relation Between Dance Movement and Culture -Dancing on Bela Lugosi's Grave: The Politics and Aesthetics of Gothic Club Dancing -The Representations of Dance: A Sociological Analysis -Dancing with Absurdity

In 1931, Hollywood entered the Horror Sound Era with a film that took the world by storm. But how does it hold up in the modern day? Does it still give off the initial spooky vibes? Do we still shudder with terror as Bela Lugosi stalks through the shadows? In this episode of the Mummy Movie Podcast, we examine Dracula (1931). Hosted on Acast. See acast.com/privacy for more information.

Catholics trace their cemetery history all the way back to the first disciple being buried. They chose to bury their lost close to their churches in anticipation of the resurrection of believers. These early churchyards were referred to as "dormitories" of rest. Catholic cemeteries were open for burial to only Catholics and since they were considered consecrated ground, Catholics who didn't meet the mark couldn't be buried in them, like criminals. Holy ​Cross ​Cemetery ​is located ​in ​Culver ​City, ​California and there are many celebrities who made this their final place of rest from Bing Crosby to Rita Hayworth to Bela Lugosi to John Candy and Catherine O'Hara. Join us for the stones and bones here. Intro and Outro music "Stones and Bones" was written and produced by History Goes Bump and any use is strictly prohibited. Check us out at: https://historygoesbump.com

Vi lägger lupp på satanister i skräckfilmen med visst avstamp i "The Satanic Screen: An Illustrated Guide to the Devil in Cinema" av Nikolas Schreck samt "The Satanic Panic of the Warrens – The Conjuring: The Devil Made Me Do It and the Satanic Cult Horror Film" (kandidatuppsats i filmvetenskap) av Robert Wettersten. Filmerna vi pratar om i ordinarie flödet är The Black Cat från 1934 och The Seventh Victim från 1943. Vi pratar också bland annat om: Rosemary's Baby, The Exorcist, The Omen, Le manoir du diable, Church of Satan, The Satanic Panic, Satan Wants You, Mansonmorden, Altamont, The Satanic Temple, QAnon, Hail Satan?, Der Golem, Metropolis, M, Dr. Caligaris kabinett, Edgar Allan Poes "The Black Cat", Bela Lugosi, Boris Karloff, "Pre-code"-film, The Hayes Code, Universal Pictures, Art deco, första världskriget, svarta mässor, ritualer, motivbilder, gotiska skräcktroper, psykologisk skräck, musikläggning, tysk expressionism, Aleister Crowley, PTSD, Val Lewton, RKO Pictures, I Walked with a Zombie, Cat People, film noir, självmord, Léo Taxil, frimurare, urban wyrd, folk horror, magi, David Lynch, Twin Peaks, Mulholland Drive, ritualmord, häxerier, runor, hicksplotation, goa gubbar, biljakter, Texas Chain Saw Massacre, Easy Rider, Kill List, The Empty Man, The Wicker Man, See No Evil, Don't Look Now, The Devil Rides Out, Dennis Wheatley, Hammer Horror, Christopher Lee och cash-in-film. Patrons avnjuter också ett samtal om 70-talsrullarna Race with the Devil och To the Devil a Daughter. Mycket nöje!

Hosts Jim Towns and Chris Sahlin dig into the oldest surviving Charlie Chan mystery, Fox's 1931 whodunit THE BLACK CAMEL, starring Warner Oland and Bela Lugosi.

Dana and Tom with 5x Club Member, Sara Shea (Host and Creator of Shea Cinema; @sheacinema on X, IG), discuss the monster horror classic, Dracula (1931), for its 95th Anniversary: directed by Tod Browning, written by Garrett Fort, cinematography by Karl Freund, music by Phillip Glass, editing by Milton Carruth and Maurice Pivar, starring Bela Lugosi, Helen Chambers, David Manners, Dwight Frye, and Edward Van Sloan.Plot Summary: Dracula (1931) is a classic horror film about the mysterious Count Dracula, (Bela Lugosi), a vampire from Transylvania who travels to England in search of new victims. After a young man named Renfield (Dwight Frye) falls under Dracula's control, the Count sets his sights on Mina Seward (Helen Chandler), slowly draining her life while charming everyone around her.As Mina grows weaker, her fiancé John Harker (David Manners) teams up with the wise and determined Professor Van Helsing (Edward Van Sloan), who realizes Dracula's true nature. The film builds tension as Van Helsing uses knowledge and courage to confront the vampire and stop his reign of terror.Guest:Sara SheaHost and Creator of Shea Cinema; @sheacinema on X, IGPreviously on 12 Angry Men (1957) Revisit, Barry Lyndon (1975), Shampoo (1975), 2025 Post Oscars Reaction Show, Patton (1970), One Flew Over the Cuckoo's Nest (1975)Chapters:00:00 Introduction, Cast, and Background for Dracula03:27 Welcome Back, Sara Shea05:12 A Bygone Era of Film09:38 Relationships with Dracula13:53 Why Do We Celebrate the Original Monster Movies?22:59 Plot Summary for Dracula24:02 What is Dracula About?28:48 Did You Know?32:08 First Break32:57 What's Up with Sara Shea?35:52 Xmas Movie Exchange42:53 Congratulations to the Newest Class of the National Film Registry43:56 Best Performance(s)55:05 Best Scene(s)01:04:15 Second Break01:04:55 In Memoriam01:12:49 Best/Funniest Lines01:14:10 The Stanley Rubric - Legacy01:19:20 The Stanley Rubric - Impact/Significance01:26:15 The Stanley Rubric - Novelty01:30:03 The Stanley Rubric - Classicness01:35:06 The Stanley Rubric - Rewatchability01:40:02 The Stanley Rubric - Audience...

Grab your capes and a box of tissues, because Pop Culture Weekly is going full Gothic! This week, Kyle McMahon is sinking his teeth into director Luc Besson's latest masterpiece, Dracula: A Love Tale with conversaitons from Luc himself and stars Caleb Landry Jones & Zoe Bleu. Forget the 1931 foreign menace or the sweaty, sensual Hammer versions of the '50s. We're moving past the "Victorian paranoia with cheekbones" and diving straight into the "emotionally wrecked man-vampire" era. Kyle explores how Dracula has evolved from a real estate-obsessed monster into a guy who has crossed oceans of time just to be ghosted by his own mortality.In this episode:The History of the Fang: Kyle breaks down the evolution of the world's most famous vampire, from Bela Lugosi to the "flexible" 2020 version who absorbs skills like a supernatural vacuum.A Miracle in Progress: Legendary director Luc Besson joins the show to explain why he chose a 400-year-old love story over generic monster mayhem. He also shares his secret to filmmaking: it takes two years to make a good movie and only two minutes to "f*** it up."The World's Loneliest Gentleman: Stars Caleb Landry Jones and Zoë Bleu stop by to talk about humanizing a monster. Caleb discusses being a "sponge" for Besson's specific directions, while Zoë reveals why this version of Dracula is actually—wait for it—a total gentleman.Relatable Undead: Kyle admits that while he wouldn't wait 400 years for a person, he might consider it for some really high-quality tacos.Whether you're a hardcore horror fan or just someone who's "emotionally available to be hurt" by a Gothic romance, this episode is mandatory listening.Dracula just wanted to be loved... and honestly, don't we all?|Dig furhter into Dracula with my video A Brief History of Dracula - And What He Says About Us" here: https://youtu.be/EjrHKFUf_gAIf you dig the show, subscribe, rate, and share - and tell your friend who's always stealing your streaming passwords.

In this episode, we look at how the classic black & white Universal movie monsters tap into universal fears, and how you can use that to create compelling villains in your book. This coupon code will get you 50% off the audiobook of Dragonskull: Shield of the Knight, Book #2 in the Dragonskull series, (as excellently narrated by Brad Wills) at my Payhip store: GARETH50 The coupon code is valid through February 16, 2026. So if you need a new audiobook this winter, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 289 of The Pulp Writer Show. My name is Jonathan Moeller. Today is February 6, 2026, and today we are discussing how you can use the Universal monsters to write interesting villains. Before we get into that, we will have Coupon of the Week and an update on my current writing and publishing projects. First up is Coupon of the Week and this week's coupon code will get you 50% off the audiobook of Dragonskull: Shield of the Knight, Book #2 of my Dragonskull series (as excellently narrated by Brad Wills), at my Payhip store. And that code is GARETH50. And as always, the coupon code and the link to my Payhip store will be available in the show notes. This coupon code is valid through February 16th, 2026, so if you need a new audiobook to get you through the middle of February, we have got you covered. Now let's see where I'm at with my current writing and publishing projects. As of this recording, I am 63,000 words into Cloak of Summoning and I am almost but not quite halfway through my outline. So this is definitely going to be a long book and it's probably going to come out in the first part of March because it's long enough that it will take me a while to finish writing it and then to edit and proof it and everything else. So I'm making good progress on it. It was a very productive week, but I am still not even halfway through, so I think it's probably going to be March. I am also 5,000 words into Blade of Wraiths. That will be the fourth book of my epic fantasy Blades of Ruin series, and that will probably be in April, if all goes well. In audiobook news, Blade of Shadows (as narrated by Brad Wills) is done and it is slowly starting to roll out to the various platforms. I think as of this recording, the only place it is live right now is my Payhip store and Google Play, but hopefully by the time I record the next episode, it will be available at even more stores than that. Hollis McCarthy is working on Cloak of Titans and I think she's about halfway or two thirds of the way through recording, so we should be able to get that to you before too much longer. So that is where I'm at with my current writing and publishing and audiobook projects. 00:02:13 Main Topic: Universal Monsters, Universal Fears, and Creating Villains Now our main topic, which is the Universal monsters and the universal fears and how you can use that to create villains. One idea a writer can use to create compelling villains is to tap into some of the universal fears, and in some ways, those universal fears are embodied by the classic Universal monster movies. I mentioned before that in Halloween of 2025, I saw that a bunch of the old black and white Universal monster movies were on Prime Video. So I watched them for the first time since I was a kid, and I was pleased to see that they held up pretty well for movies that are nearly a century old, especially considering these were some of the very first movies ever made with sound and the filmmakers were kind of figuring it out as they went along. Dracula is a bit uneven because they tried to cram the stage play version of the book into a 70 minute movie, which really doesn't work, though Bela Lugosi's performance as Dracula and Edward Van Sloan as Van Helsing really carried the movie and helped define the characters in the public eye, but the others are all good and Bride of Frankenstein is legitimately a great movie, but why have these particular movies lasted so long in the public consciousness? For that matter, why do people keep coming back to new versions and new stories of Dracula and Frankenstein's Creature and all the others? Partly it's because these characters are in the public domain and you can use them without getting sued. True, but there's a lot of stuff in the public domain that doesn't see the light of day nearly as often as these classic monsters. I think it's because the classic monsters tap into the universal (small U) fears or classic archetypes of the things that people fear in real life. It's interesting to note that most of the classic Universal monsters were either originally humans who became monstrous or creations by humans that turn monstrous. Essentially, the monsters tap into archetypal fears and are exaggerated versions of villains and monsters we might actually encounter on a day-to-day basis. What do I mean? Let's expound. First up, Dracula. Count Dracula is in some ways the easiest metaphor to explain. He's an aristocratic vampire that feeds upon people and gives them nothing but evil in return. Perhaps he will pass on his own immortality to some of his victims, but it's a cursed and hellish form of immortality and any vampires that he creates are essentially his slaves, sometimes his mindless slaves. Dracula is the fear of the Evil Elite. This of course, takes many different forms in the modern era, but it is very much alive and well. The various conspiracy theories that the elite of society might be devil worshippers or engaged in sinister cults are definitely Dracula adjacent (and based on recent news reports, it indeed appears at least some of these conspiracy theories turned out to be accurate). More prosaically, "rent seeking behavior" is often characterized as vampirism. Rent seeking behavior is defined as finding ways to extract profit without adding value by manipulating the legal or regulatory environment. The landlord who raises rent by $500 a month for no reason. A software developer who reduces features while raising the subscription price or a financier who manipulates the regulations for an industry while investing in it are good examples of rent seeking behavior that is metaphorically vampiric. For that matter, it can be downright mundane. The middle manager who bullies his employees and then takes all the credit for their work is a very boring and unpleasant, but nonetheless, an all too common example of the vampire metaphor in real life. Frankenstein's monster is a much easier metaphor to explain now than it would've been before ChatGPT went mainstream. There is always a fear that we will be destroyed by the works of our own hands, especially in the last a hundred years since the creation of nuclear technology and gene editing. Probably most famous examples of that in science fiction are The Terminator and The Matrix movies series. However, these days the metaphor for Frankenstein's monster is almost ridiculously easy. We have generative AI to fulfill the metaphor of Frankenstein's monster for us. Karl Marx famously said that history repeats twice, the first time as tragedy, the second as farce. Nuclear weapons as a metaphor for Frankenstein's monster was a tragedy but generative AI is a farce. The tech bros sold it as this omniscient mind that could solve all problems and eliminate all jobs. What we've actually gotten is an imbecilic chatbot that makes a lot of mistakes, can't remember anything, can't actually do anything right, inflicts widespread damage to the economy, drives up electricity costs, and makes existing products like Windows 11 and Google search much worse. It's like as if Frankenstein's monster was really, really stupid and wanted you to add glue to your pizza to keep the cheese from sliding off. The Wolf Man, of course, is a metaphor for the potentially bestial nature of man. We all know, of course, or are eventually forced to learn that human beings have a dark side that can come out in times of anger and stress. Civilization is sometimes a thin veneer over the animalistic side of humans. Sometimes the veneer grows even thinner and the dark side comes raging out in riots and wars and mass slaughter. For Larry Talbot, the original Wolf Man in the movie, his situation is even more terrifying. He's a rational man who believes in science and psychology and doesn't believe in things like werewolves. Yet when he is bitten, he nonetheless loses control and transforms into the Wolf Man. He doesn't want to transform and attack people, but he has lost control of himself to the werewolf curse, and so he does. In a sense, all humans are werewolves in that we have a monstrous side that can come out under the right or the wrong conditions. The worst of us embrace that fact, just as in medieval legends, sometimes people would make pacts with the devil to become werewolves. The Invisible Man was originally a science fiction story, which means that the Invisible Man represents a new fear created by science. "Transhumanism" is an idea that eventually humans will merge with machines and evolve and become something new. Naturally, many people think this is a bad idea, and so a new idea has emerged: "posthumans" or humans that have been so modified by science that they are no longer recognizably human. So far, this has remained mostly science fiction, but you can see the glimmers of it beginning in biology and medical science. There's a reason performance enhancing drugs are banned in most sports. Genetic engineering opens up the possibility that corporations could create their own custom humans, essentially their own posthumans. The possibilities for abuse in such situations are sadly endless. So the Invisible Man, like Frankenstein's Creature, taps into the fear of science or more accurately the fear of what horrors science might create. On the surface, the Creature from the Black Lagoon is a monster story about a creature that carries off a pretty girl. I think it taps into a deeper fear, however, namely that the world is older and stranger and more alien and incomprehensible than we can possibly know. Like hardcore creationists say that the earth is 6,000 years old or so, and the traditional scientific view is that the earth has been around for four and a half billion years or so, and both groups have detailed charts explaining why their theories are correct, but what if they're both wrong? Oceanographers say that we don't fully understand the oceans. And a common theory among UFO people is that UFOs emerged from hidden bases at the bottom of the ocean, inaccessible by any human. There are other theories that there have been entire civilizations such as Atlantis that have vanished without a trace and were more advanced than our own, or that all of human civilization is a cycle that constantly destroys itself and restarts without a memory of its previous failures, or that aliens have influenced and controlled human history or that aliens created the earth and this is all some sort of elaborate science experiment. Of course, all these theories are likely bunk. Probably. I think it is true to say that not only is the world stranger than we know, it is stranger than the human mind is actually capable of comprehending. And depending on how far that goes, that could be a terrifying thought. So the Creature from the Black Lagoon, the idea that some race of fishmen lurks beneath the waves that we don't know about, taps into that fear. Like The Creature from the Black Lagoon, The Mummy on the surface is another story about the monster who wants the girl since Imhotep waits 3,000 years for his love to be reincarnated. But I think this taps into a deeper fear, namely that we can't escape history, that no matter what we do or how hard we try, history will catch up to us (whether our own personal history or national history). Political philosopher Francis Fukuyama famously wrote a book called The End of History and The Last Man in 1992, arguing that with the collapse of Communism, liberal democracy was the final form of government achieved by mankind and it would have no serious competitors in the future. This was a nice dream, but I think it's fair to say that the last 34 years since 1992 have proven that thesis profoundly wrong. History is definitely not over and in every domestic or international political crisis of the last 34 years, you can trace its roots back for decades or even centuries. It took 3,000 years for the dead hand of Imhotep to affect the present, but it usually doesn't take nearly that long for history to have negative effects in the present world. The Phantom of the Opera is considered one of the Universal monsters, but I don't think he really taps into a deeper fear, maybe just to be wary of a creepy guy who lives in a theater basement and is unhealthily obsessed with the leading actress. Honestly, that just seems like good common sense. Maybe poor Christine Daae just needs some pepper spray or a good solid shotgun. In conclusion, I think each of these Universal monsters remains popular because they tap into a deeper, more profound fear. So if you're a writer looking to create a memorable villain, you could do worse than to follow those universal fears. You don't even explicitly have to write horror, science fiction, or fantasy to do it. In a mystery novel, you could have a Dracula type villain in the form of a slumlord who traps his tenants with restrictive lease agreements to bleed them dry financially or an Invisible Man villain in the form of a scientist who is illegally injecting college athletes with an experimental drug without their knowledge. The Wolf Man appears quite often in detective and thriller fiction as a serial killer or some other kind of violent criminal. Naturally we cannot escape history, so the Mummy can appear as a conflict that had its roots in events that happened decades ago. Of course, the range for universal fear villains in science fiction and fantasy is much greater. Then you don't even have to be metaphorical. So hopefully this look at the Universal monsters and the universal fears they tap into will give you some good tips and ideas for writing villains in your book. So that's it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes in https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.  

One of Gilbert and Frank's favorite interviews was this 2014 sitdown with a legend of local broadcasting, the one and only Joe Franklin. In this episode, the boys dropped in on Joe's infamously cluttered (an understatement!) Manhattan office to nosh on (very old) chicken salad, dodge falling stacks of collectibles and ask the “King of Nostalgia” about his memories of Charlie Chaplin, Woody Allen, Buster Keaton, Frank Sinatra, Barbra Streisand and John Lennon, to name but a few. PLUS: The Ramones! Remembering the Toastmaster General! Joe interviews Boris Karloff (and Bela Lugosi?)! And the greatest entertainer of all time! Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to It's A Wonderful Podcast!We're starting 2026 with an insightful and important series highlighting PRE-CODE HOLLYWOOD, and all the uncensored scandalousness that comes with it!Back in the world of Universal Horror and the first pairing of Boris Karloff & Bela Lugosi on this week's show for a strikingly unique addition to the Universal Horror of the 30s, dealing with the occult and satanism, bodily possession, and grim revenge; Morgan and Jeannine delve into Edgar G. Ulmer's THE BLACK CAT (1934)!Our YouTube Channel for all our video content: ⁠⁠⁠⁠⁠⁠⁠⁠(17748) It's A Wonderful Podcast - YouTube⁠⁠⁠⁠⁠⁠⁠⁠The It's A Wonderful Podcast Theme by David B. Music.Donate:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_Keep being wonderful!!

Peter Lorre has survived man-eating plant monsters, an existential crisis, and moving in with Vincent. Now he returns from his honeymoon with Lenore, with some ideas for the Picture Show. Will we listen to him, or lock him in a dungeon with more fishheads? Grab your Gamera Gong mallet and find out on the Poverty Row Picture Show! Bela Lugosi even makes an appearance!You can follow for more on patreon.com/campkaiju, leave a rating and review, follow on Instagram, send an email at campkaiju@gmail.com, or leave a voicemail at ⁠⁠⁠(612) 470-2612⁠⁠⁠.We'll see you next time for Godzilla vs. Mechagodzilla II (1993).FEATURED FILMS: The Ape Man (1943); Ghosts on the Loose (1943); Revenge of the Zombies (1943); Voodoo Man (1944); The Monster Maker (1944); The Brute Man (1946); Return of the Ape Man (1944); The Girl Who Dared (1944); The Lady and the Monster (1944)TRAILERS: Mad Love (1935); The Mask of Dimitrios (1944); Think Fast, Mr. Moto (1937); Tales of Terror (1962); Invisible Agent (1942); Donovan's Brain (1953); The Raven (1963)SHOUT OUTS & SPONSORSSubstack ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film Criticism by Matthew Cole Levine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Plays by Vincent S. Hannam⁠⁠⁠⁠⁠⁠⁠Zack Linder & the Zack Pack ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Camp Kaiju: Monster Movie Podcast. Hosted by Vincent Hannam, Matthew Cole Levine © 2025 Vincent S. Hannam, All Rights Reserved.

Forrest, Conan Neutron, Kristina Oakes and Daniel House talk about Tim Burton's Ed Wood Written by Scott Alexander and Larry Karaszewski who would go on to write "The People vs. Larry Flynt" "Man on the Moon" and "Dolemite is my Name, at a time when they were tired of being seen as solely "family friendly screenwriters" and launching the sub-genre of "Anti-Biopics."Ed Wood is a biopic about the filmmaker Edward D. Wood, once voted "Worst Director of All Time," operating under massive constraints in the 1950s as he struggled to make films like "Glenn or Glenda", "Bride of the Monster", and "Plan 9 from Outer Space" Starring Johnny Depp as Ed Wood, Martin Landau as Bela Lugosi, Sarah Jessica Parker, Patricia Arquette, Jeffrey Jones, Lisa Marie, and Bill Murray #edwood #timburton #belalugosi #johnnydepp #lisamarie #patriciaarquette #disney #biopic #billmurray #depp #filmpodcast #moviepodcast #classichollywood #hollywood #1994 #martinlandau #billmurray #livestream #livestreaming #shortsfeed #shorts #filmmaking #touchstone #lisamarie #presley #sarahjessicaparker #nightmarebeforechristmas #filmdirector We are also streaming on @thisspacetv throw them a followJoin our discord: https://discord.gg/ZHU8W55pnhJoin our Patreon to get all our After Parties https://www.patreon.com/MovieNightExtraConan Neutron & the Secret Friends new noir inspired music video "A Villain of Circumstance" https://www.youtube.com/watch?v=qXjmjKzbTSI

The Doctor prescribed Death aired on February 2, 1943. Boris Karloff plays psychiatrist Antonio Bacile, who believes that a suicidal person can, instead, be convinced to murder someone else.

From queue changes to construction walls to nighttime lagoon testing, the parks offer plenty to parse this week. The guys then pivot from the Epic Universe lagoon to Universal's classic monsters, using the buzz around Guillermo del Toro's Frankenstein to explore how the 1931 film lurched into existence. Expect lost projects, studio pivots, and a Monster role Bela Lugosi famously refused. NEWS • VelociCoaster ends its single rider line, likely due to party sorting and load-efficiency issues. • Warner Bros. Discovery is reportedly shopping DC theme park rights to Universal, raising big questions for Marvel, Six Flags, and international parks. • Removal of Hollywood Rip Ride Rockit sparks speculation, though new construction-wall posters suggest general theming rather than a specific IP. • Nighttime testing at the Epic Universe lagoon shows projection effects featuring a bird-or-dragon silhouette. • Universal Studios Hollywood opens sales for FanFest Nights and a late-night New Year's Eve event, prompting questions about noise control before Fast & Furious: Hollywood Drift debuts. FEATURE • Guillermo del Toro's long-gestating Frankenstein began as a Universal concept more than a decade ago. • Jim walks through how Universal's early monster era took shape under financial pressure following the 1929 crash. • The studio acquired stage rights to Frankenstein after Dracula's success, initially planning it for Bela Lugosi, who rejected the role. • The episode ends as Universal begins hunting for a new star, eventually leading James Whale to discover Boris Karloff in the studio lunchroom. HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is sponsored by Be Our Guest Vacations, a platinum-level earmarked travel agency offering concierge planning for Universal, Disney, cruises, and more. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

We do have our favorite but surely wouldn't mind if Thomas Pynchon won the Nobel Prize too . . . and in Episode 32 we finish off 2025 by considering Shadow Ticket, the noir detective take on the 1930s by a writer who was surely a key influence on the early DeLillo (we read from an unpublished DeLillo letter summarizing that relationship) but who also seems to have been reading works like Running Dog over the years (or so we imagine in unpacking Shadow Ticket scenes invoking Chaplin and a “German Political Celebrity” named Hitler). We try to understand how Pynchon's latest examination of historical and potential fascism works in its 1932 setting, ranging from Milwaukee to Hungary, where reluctant protagonist and “sentimental ape” and “sap” Hicks McTaggart keeps adding on to his P.I. “tickets” in a strange search for a Wisconsin heiress and her Jewish musician lover but also what might ultimately be justice (a far from simple thing). Shadow Ticket is loads of serious fun, where Pynchon manages to examine the direst of turning points amidst scenes of bowling alley and motorcycle lore, dairy strikes, Prohibition's black markets, dance hall and speakeasy glamour, and something called “Radio-Cheez.” Bela Lugosi, vampires, a beautiful pig in a sidecar, and some of the most tasteless lamps in the world also play a role. The real content here for Hicks, though, is the prospect of spiritual and other forms of peace in a world where weapons from clubs to guns and submarines operate according to mysterious laws of “apport” and “asport,” occult material that interweaves with Hicks's strike-breaking past and raises connections to Gravity's Rainbow. Is Hicks's fellow orphan and young protégé Skeet Wheeler the father of Vineland's Zoyd, headed out to California as the novel ends? What's the meaning of Hicks failing to return to his home country, and what does cheese gangster Bruno Airmont's submarine fate have to do with Bleeding Edge? Are Hungary's shifting borders a new kind of “Zone”? What's going on in the novel's many Statue of Liberty references and its anachronistic allusions to a “Face Tube” for flirtation in bars? And how does this always funny writer, now in his late eighties, keep coming up with all these absurd songs (we sing some) and hilarious mock-movies like the one featuring “Squeezita Thickly” swimming in soup pots (Shirley Temple, is that you?)? Teasing out many connections to Gravity's Rainbow, Against the Day, and Vineland, this episode makes reference to just about all of Pynchon's other works, including even V. and his earliest short stories. At the same time, you need come to it with nothing but an interest in Pynchon's life and work. We doubt that we get every reference to history or previous Pynchon right or mount interpretations we won't later want to revise, but on this brand-new and captivating late work from a masterful author, we hope in nearly three hours of deep conversation and laughter that we've made a good start on the many critical readings to come. A partial list of references and quotations that we mention or paraphrase in this episode . . . On “prefascist twilight”: “And other grandfolks could be heard arguing the perennial question of whether the United States still lingered in a prefascist twilight, or whether that darkness had fallen long stupefied years ago, and the light they thought they saw was coming only from millions of Tubes all showing the same bright-colored shadows. One by one, as other voices joined in, the names began, some shouted, some accompanied by spit, the old reliable names good for hours of contention, stomach distress, and insomnia – Hitler, Roosevelt, Kennedy, Nixon, Hoover, Mafia, CIA, Reagan, Kissinger, that collection of names and their tragic interweaving that stood not constellated above in any nightwide remoteness of light, but below, diminished to the last unfaceable American secret, to be pressed, each time deeper, again and again beneath the meanest of random soles, one blackly fermenting leaf on the forest floor that nobody wanted to turn over, because of all that lived, virulent, waiting, just beneath.” (Pynchon, Vineland (1990)) On “second sheep”: “Our common nightmare The Bomb is in there too. It was bad enough in '59 and is much worse now, as the level of danger has continued to grow. There was never anything subliminal about it, then or now. Except for that succession of the criminally insane who have enjoyed power since 1945, including the power to do something about it, most of the rest of us poor sheep have always been stuck with simple, standard fear. I think we all have tried to deal with this slow escalation of our helplessness and terror in the few ways open to us, from not thinking about it to going crazy from it. Somewhere on this spectrum of impotence is writing fiction about it.” (Pynchon, “Introduction,” Slow Learner (1984)) The “Sloth essay paragraph” mentioned midway through: “In this century we have come to think of Sloth as primarily political, a failure of public will allowing the introduction of evil policies and the rise of evil regimes, the worldwide fascist ascendancy of the 1920's and 30's being perhaps Sloth's finest hour, though the Vietnam era and the Reagan-Bush years are not far behind. Fiction and nonfiction alike are full of characters who fail to do what they should because of the effort involved. How can we not recognize our world? Occasions for choosing good present themselves in public and private for us every day, and we pass them by. Acedia is the vernacular of everyday moral life.” (Pynchon, “Nearer, My Couch, To Thee” (1993)) Don DeLillo Papers, Harry Ransom Center, University of Texas-Austin The Motherland Calls statue, Volgograd: https://en.wikipedia.org/wiki/The_Motherland_Calls  Pareidolia defined: https://en.wikipedia.org/wiki/Pareidolia

To coincide with this week's "Fun for All Ages" salute to 1960s and '70s New York television, GGACP revisits this 2014 interview with a legend of local broadcasting, the one and only Joe Franklin. In this episode, Gilbert and Frank drop in on Joe's infamously cluttered (an understatement!) Times Square office to nosh on chicken salad, dodge falling stacks of collectibles and ask the “King of Nostalgia” about his memories of Charlie Chaplin, Woody Allen, Buster Keaton, Frank Sinatra, Barbra Streisand and John Lennon (to name but a few). PLUS: The Ramones! Remembering the Toastmaster General! Joe interviews Boris Karloff (and Bela Lugosi?)! And the greatest entertainer of all time! Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP celebrates Thanksgiving 2025 by revisiting this ridiculously in-depth 2018 analysis of some genuine "golden turkeys," featuring one of Gilbert and Frank's favorite topics: apes and gorillas. In this episode: Gilbert breaks down “Old Dracula," Jerry Lewis threatens to sue Sammy Petrillo, Raymond Burr turns into a gorilla and Bela Lugosi tries his hand at comedy. PLUS: "Return of the Ape Man"! William "One Shot" Beaudine! The strange case of Barbara Payton! And the unusual proclivities of Lionel Atwill!  Learn more about your ad choices. Visit megaphone.fm/adchoices

The gang pulls a fast one on Poe this week as they review a horror movie based on the name only of an Edgar Allan Poe poem, The Black Cat. Come see Boris Karloff and Bela Lugosi duke it out on screen as dueling villains while you wait for the house to literally explode at any moment. Tyler's pick for Pre-Code November is a first watch for all of us, so tune in and find out who you align with. Visit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/channel/UCI1lVsk1xjMSBgZK82uAzgQThis Episode:https://youtu.be/eSte9VbY3S0http://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclass   Email: MCFCpodcast@gmail.comMerch store - https://middle-class-film-class.creator-spring.com/    Join the Patreon:www.patreon.con/middleclassfilmclass Patrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerAngry Otter (Michael)Joseph Navarro     Pete Abeyta  and Tyler Noe

Here on This Paranormal Life, we've investigated a LOT cursed objects - ancient amulets, cursed dolls and even a couple evil Furbies… But today's object is something special. It's an artifact so cursed that even gazing at it for longer than 30 seconds can be dangerous. It was once owned by DRACULA (well, the guy who played Dracula in the movies) and was eventually passed down to a man who was murdered right in front of it. It's time for Rory and Kit to investigate Bela Lugosi's haunted mirror. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Secret Society Facebook Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/ThisParanormalLife⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to get access to weekly bonus episodes! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Official TPL Merch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thisparanormallife.com/store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Intro music by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.purple-planet.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Edited by Philip Shacklady Learn more about your ad choices. Visit podcastchoices.com/adchoices

In connection with this week's "Fun for All Ages" conversation about "The Day the Clown Cried," GGACP revisits this 2015 interview with illusionist, filmmaker and comedian Penn Jillette. In this episode, Penn opines on a host of offbeat topics ranging from Jerry Lewis' ill-fated pet project to strippers' tricks of the trade, the comedy of Dennis Miller, the cinema of the Three Stooges and failed attempts to summon the spirit of Bela Lugosi. Also: Penn debunks “cold readings,” exposes phone scams, disses Richie Havens and compares Jerry Lewis to Lou Reed. PLUS: The Amazing Kreskin! Penn auditions for “Ishtar”! And Gilbert annoys Harrison Ford!  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this special Spooktacular commission from Emmett, the guys dive deep into Tim Burton's 1994 biopic, Ed Wood. Starring Johnny Depp in one of his most beloved roles and Martin Landau in an Oscar-winning turn as Bela Lugosi, the film explores the life of the eccentric B-movie director often labeled the "worst" filmmaker in history. Does Burton's loving tribute to cinematic failure still hold up, or is it merely high-quality camp? Gene and Big D discuss: The genius of Martin Landau's portrayal of a faded horror icon. The film's beautiful black-and-white aesthetic. Whether Ed Wood was a visionary or just delightfully incompetent. The surprising connections this film has to another movie in our "double-decker Halloween commission." Tune in to find out if the story of the man behind Plan 9 from Outer Space is truly a glorious cinematic triumph! Support the Walk to Save Animals Donation link: http://www.tinyurl.com/shatpod Subscribe Now Android: https://www.shatpod.com/android Apple/iTunes: https://www.shatpod.com/apple Help Support the Podcast Contact Us: https://www.shatpod.com/contact Commission Movie: https://www.shatpod.com/support Support with Paypal: https://www.shatpod.com/paypal Support With Venmo: https://www.shatpod.com/venmo Shop Merchandise: https://www.shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

George Noory and author Chris Alexander discuss the enduring appeal of horror movies, some of the stars of classic horror movies like Vincent Price, Boris Karloff and Bela Lugosi, and why low budget horror movies like Night of the Living Dead remain so popular decades after they were released.See omnystudio.com/listener for privacy information.

GGACP celebrates Halloween week by revisiting this conversation from 2021 as Gilbert and Frank celebrate the 90th anniversaries (1931-2021) of Universal Studios' original “Dracula” and “Frankenstein” with Oscar-winning makeup creator Rick Baker and late author-historian David J. Skal. In this episode, Rick and David talk about sympathetic monsters, mad scientists (real and imagined), the genius of Jack Pierce and the premature deaths of Colin Clive, Dwight Frye and Lon Chaney. Also, David interviews Carla Laemmle, Rick turns Martin Landau into Bela Lugosi, Glenn Strange appears in Boris Karloff's obit and Bram Stoker's widow tries to kill off “Nosferatu.” PLUS: Ghoulardi! “Man of a Thousand Faces”! The influence of Forrest J. Ackerman! Bette Davis (almost) plays the Bride of Frankenstein! And the boys (once again) try to make sense of “The Black Cat”! Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we unleash our inner beast in The Wolfman. We discuss Lon Chaney Jr's iconic tormented turn as Larry Talbot, the rules of the werewolf curse, and the incredible early werewolf transformation effects.  Synopsis: Upon his return to his father's estate, aristocrat Larry Talbot meets a beautiful woman, attends a mystical carnival and uncovers a horrifying curse. Starring: Claude Rains, Bela Lugosi, Lon Chaney Jr.  Directed by George Waggner Help us make our first feature length Messed Up Movie: https://www.indiegogo.com/projects/mr-creamjean-s-hidey-hole-horror-comedy-movie#/ Support the show on the Patreon: https://www.patreon.com/c/messedupmoviespod Watch our newest short film Sugar Tits Now! https://www.youtube.com/watch?v=Sz7leFqqo4g  

GGACP celebrates Halloween month by revisiting part two of a 2019 salute to Universal horror classics with author, screenwriter and historian Gary Gerani. In this episode: In praise of "The Raven"! The Monster takes a mate! Bela Lugosi's finest hour! The strange life of Edgar G. Ulmer! And the absurd brilliance of “The Black Cat”! Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode we trace the vampire's long, shadowy journey, from 18th-century graveyard panics and Slavic strigoi to the seductive aristocrats of Gothic fiction and the conflicted immortals of modern pop culture. We also will go into how the  myth evolves on screen, from Nosferatu and Bela Lugosi to Anne Rice, Buffy, and beyond. We explore why the vampire keeps returning to embody everything we fear (and secretly crave): mortality, contagion, seduction, power, and immortality.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In 1911, Indianapolis' pioneering female doctor was found nearly decapitated in her locked apartment with no sign of how the killer entered or escaped—and the murder weapon had vanished without a trace.Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateTake the WEIRD DARKNESS LISTENER SURVEY and help mold the future of the podcast: https://weirddarkness.com/surveyIN THIS EPISODE: A child walking into their parent's room in the middle of the night is something every parent who has ever had a child has experienced on multiple occasions – but one parent's experience ended with a dark twist. (The Child Not Really There) *** Georgette Bauerdorf was a young socialite with a grand future – when her life was cut short in the dead of the night. Her screams went unanswered, and her murder became a mystery. And Georgette's murder remains unsolved almost 80 years later. (The Unsolved Murder of Georgette Bauerdorf) *** The bat is a mysterious creature. To some, such as the Chinese, it is considered a symbol of luck. To others such as the Europeans and Americans, it is seen as something scary. And of course horror films see it as the flying form of Bela Lugosi. But the Mayans might have the strangest, or maybe coolest – depending on your outlook – opinion on the bat; they believe it is the representation of a deadly vampire god. (Camazotz: The Death Bat Vampire God) *** Helen Knabe's life was remarkable, in the best sense of the word. Unfortunately, her death was also remarkable, but in the worst possible way.
 (The Deadly House Call) *** Blanche Monnier was kept locked in her bedroom for a quarter of a century. When finally rescued she looked inhuman. What her mother did to her was inhumane. (Locked In Her Room For 25 Years) *** An historian has come forward saying that his father, the former Commander of White Sands Missile Range in the 1940s, analyzed some of the material found at the UFO crash site at Roswell. I'll tell you what he found.(Navy Captain Tested Roswell UFO Debris) *** The lynching of Sheriff Henry Plummer poses one of the most haunting mysteries of the Old West. But I'll share some of the details that not everyone has heard about this grim 1863 incident. (The Lynching of Sheriff Plummer)ABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:02:50.059 = The Deadly House Call00:16:17.448 = Camazotz: The Death Bat Vampire God00:19:38.471 = Locked In Her Room For 25 Years00:27:06.447 = Unsolved Murder of Georgette Bauerdorf00:32:45.952 = Child Not Really There00:36:27.996 = Navy Captain Tested Roswell UFO Debris00:47:55.099 = Lynching of Sheriff Plummer01:09:13.573 = Show CloseSOURCES AND RESOURCES FROM THE EPISODE…“The Deadly House Call” from Strange Company: https://tinyurl.com/ybq4snl6“The Unsolved Murder of Georgette Bauerdorf” by Elisabeth Tilsra for The Line Up: https://tinyurl.com/yae6ccll“The Child Not Really There” by Kest from Your Ghost Stories: https://tinyurl.com/y8qvyp7u“Camazotz: The Death Bat Vampire God” by A. Sutherland for Ancient Pages: https://tinyurl.com/ydbxxuaw“Locked In Her Room For 25 Years” from Bugged Space: https://tinyurl.com/y9tsr6m7“Navy Captain Tested Roswell UFO Debris” by Anthony Bragalia for UFO Explorations: https://tinyurl.com/yazkthbn“The Lynching of Sheriff Plummer” by R.E. Matter and R.E. Boswell for Wild West Magazine: https://tinyurl.com/ydffcl8c=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: June 17, 2020NOTE: Some of this content may have been created with assistance from AI tools, but it has been reviewed, edited, narrated, produced, and approved by Darren Marlar, creator and host of Weird Darkness — who, despite popular conspiracy theories, is NOT an AI voice.EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/HelenKnabe#HelenKnabe #HelenKnabeMurder #UnsolvedMurder #LockedRoomMystery #TrueCrime #IndianapolisMurder #1911Murder #ColdCase #DrHelenKnabe #ImpossibleMurder #UnsolvedMysteries #HistoricalTrueCrime #FemaleDoctorMurdered #IndianaTrueCrime #VictorianMurder #MedicalPioneer #FirstBacteriologist #GermanImmigrant #WomenInMedicine #BizarreMurderTheories #WilliamCraig #AlonzoRagsdale #SethNichols #MissingMurderWeapon #LockedApartment #NearlyDecapitated #ThroatSlashing #ForensicEvidence #BloodyHandprint #FailedMurderTrial #TrueCrimeStories #MysteriousDeaths #VintageTrueCrime #October1911 #SelfMadeWoman #UnsolvedAmericanMurders #GothicMurder #BuddhistDeathSquad #BloodTransfusionTheory #ImpossibleCrime #TrueCrimeUnsolved #HauntedIndianapolis #GhostStories #MurderMystery #HistoricalMurders #CrimeInvestigation #DetectiveHarryWebster #Microtome #TrueCrimeCommunity #TrueCrimeAddict